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These are the user uploaded subtitles that are being translated: 1 00:00:26,494 --> 00:00:27,995 [bird chirping] 2 00:01:25,253 --> 00:01:27,388 TEST, TEST, TEST. 3 00:01:28,456 --> 00:01:30,358 THIS IS A TEST. 4 00:01:30,424 --> 00:01:33,627 1, 2, TEST. 5 00:01:45,839 --> 00:01:46,840 KID. 6 00:01:51,279 --> 00:01:52,646 ARE YOU LOST, KID? 7 00:01:59,953 --> 00:02:01,589 [all chattering] 8 00:02:45,199 --> 00:02:46,300 [sighs] 9 00:02:48,135 --> 00:02:49,537 [door opens] 10 00:02:52,340 --> 00:02:53,441 HEY. 11 00:02:53,507 --> 00:02:56,176 WHERE'S, UH, WHERE'S YOUR BIG BROTHER, KID? 12 00:02:56,244 --> 00:02:57,278 I DON'T HAVE ONE. 13 00:02:57,345 --> 00:02:58,712 YEAH? 14 00:02:58,779 --> 00:03:01,014 DON'T YOU LOOK A LITTLE TOO KIDDIE-LIKE TO BE IN COLLEGE? 15 00:03:01,081 --> 00:03:03,116 YOU STILL WETTING THE BED? 16 00:03:03,183 --> 00:03:05,052 WELL, CONGRATULATIONS. 17 00:03:05,118 --> 00:03:09,523 NOW, HERE'S THE DEAL, I LISTEN TO SKA MUSIC, RIGHT? 18 00:03:09,590 --> 00:03:12,793 JUST SKA. NO RAP, NO PUNK, NO HIP-HOP, NO HEAVY METAL, 19 00:03:12,860 --> 00:03:15,863 NO CLASSICAL, NO CLASSIC ROCK, NO NEW WAVE, NO NEW AGE, 20 00:03:15,929 --> 00:03:17,831 NO BLUEGRASS, NO BLUES, NO JAZZ, 21 00:03:17,898 --> 00:03:19,533 AND NO FUCKIN' COUNTRY. 22 00:03:19,600 --> 00:03:22,270 I AIN'T NO BUMPKIN LIKE THE REST OF YOU PUKES. 23 00:03:22,336 --> 00:03:25,239 AND, UH, I GET THE BOTTOM BUNK. 24 00:03:29,410 --> 00:03:31,178 CHEER UP 25 00:03:31,245 --> 00:03:34,014 DON'T LIKE IT WHEN YOUR MOOD IS DOWN AND OUT 26 00:03:34,081 --> 00:03:35,516 DON'T LIKE YOU ANYWAY 27 00:03:35,583 --> 00:03:39,052 I SAY THAT YOU'RE GONNA GET IT SOMEDAY 28 00:03:39,119 --> 00:03:41,755 BUT ALL THE SAD STUFF IS BRINGING ME DOWN 29 00:03:41,822 --> 00:03:44,792 YOU'VE GOT ME CRYING ALL ALONE IN MY SLEEP 30 00:03:44,858 --> 00:03:47,828 A LOT OF LONELY LITTLE DREAMING THAT I JUST CAN'T KEEP 31 00:03:47,895 --> 00:03:51,231 BECAUSE THE SAD STUFF IS BRINGING ME DOWN 32 00:03:51,299 --> 00:03:53,000 [tires screeching] 33 00:03:53,066 --> 00:03:54,735 YOU BETTER WATCH YOUR ASS, PUNK! 34 00:03:54,802 --> 00:03:56,304 YEAH, PUNK! 35 00:03:56,370 --> 00:03:58,472 NOW, YOU SEE US COMING AGAIN, YOU'D BETTER WATCH OUT, KID. 36 00:03:58,539 --> 00:04:00,040 YEAH, KID! 37 00:04:04,144 --> 00:04:05,413 [moaning] 38 00:04:07,915 --> 00:04:09,783 [both laughing] 39 00:04:09,850 --> 00:04:11,319 [tires screeching] 40 00:04:25,766 --> 00:04:28,201 HELLO, MY NAME IS JONES DILLON. 41 00:04:28,268 --> 00:04:29,970 I'M CALLING ABOUT THE APARTMENT. 42 00:04:30,037 --> 00:04:31,238 (woman) WELL, I CAN SHOW IT TO YOU NOW. 43 00:04:31,305 --> 00:04:32,440 UH-HUH. 44 00:04:32,506 --> 00:04:34,241 TOMORROW'S FINE. NO, NOW WOULD BE GOOD. 45 00:04:49,957 --> 00:04:53,694 (woman) 'CAUSE MY BABY 46 00:04:53,761 --> 00:04:58,432 HE DONE LEFT THIS TOWN 47 00:04:58,499 --> 00:05:02,603 I'VE GOT THE ST. LOUIS BLUES 48 00:05:02,670 --> 00:05:06,540 AND I'M BLUE AS I CAN BE 49 00:05:08,742 --> 00:05:12,846 I'VE GOT THE ST. LOUIS BLUES 50 00:05:12,913 --> 00:05:17,084 AND I'M BLUE AS I CAN BE 51 00:05:18,852 --> 00:05:20,854 'CAUSE MY BABY 52 00:05:20,921 --> 00:05:22,289 THAT'S VERY PRETTY, MA'AM. 53 00:05:23,357 --> 00:05:25,192 WELL, THANK YOU. 54 00:05:25,258 --> 00:05:26,494 NOW, I DON'T KNOW, THOUGH. 55 00:05:26,560 --> 00:05:28,796 AREN'T YOU A LITTLE YOUNG TO BE RENTING AN APARTMENT? 56 00:05:28,862 --> 00:05:31,098 NO. MA'AM. I'M A LEGITIMATE BOARDER. 57 00:05:32,400 --> 00:05:33,567 WHAT'S THAT THERE? 58 00:05:34,234 --> 00:05:35,469 JUST MY THINGS. 59 00:05:35,536 --> 00:05:37,037 I SEE. 60 00:05:37,104 --> 00:05:40,140 WELL, MOST PEOPLE I RENT TO LIKE TO SEE THE PLACE BEFORE THEY TAKE IT. 61 00:05:40,741 --> 00:05:41,775 OK. 62 00:05:56,356 --> 00:05:58,726 (woman) THERE ARE 2 WHITE GIRLS UPSTAIRS WITH YOU, 63 00:05:58,792 --> 00:06:01,028 AND A WHITE MAN HAS THE FIRST FLOOR. 64 00:06:01,094 --> 00:06:04,031 YOU'LL BE JUST FINE HERE, JONES. SNUG LIKE A BUG. 65 00:06:06,299 --> 00:06:07,535 [laughing] 66 00:06:07,601 --> 00:06:08,736 THANK YOU. 67 00:06:16,410 --> 00:06:17,678 [horn honking] 68 00:06:23,083 --> 00:06:24,284 WHAT IS THIS? 69 00:06:24,852 --> 00:06:25,986 MY RENT CHECK. 70 00:06:26,053 --> 00:06:28,155 $12,000? 71 00:06:28,221 --> 00:06:30,891 WELL, THAT WAS THE FIGURE ON THE LEASE. 72 00:06:33,093 --> 00:06:36,897 IT'S MY GRANDFATHER'S MONEY, OR IT WAS, ANYWAY. 73 00:06:36,964 --> 00:06:40,233 HE WENT TO COLLEGE HERE AND THE WILL SAID I HAD TO COME HERE, TOO. 74 00:06:40,300 --> 00:06:41,869 AND I DIDN'T WANT TO GO TO TEXAS. 75 00:06:41,935 --> 00:06:43,504 WHAT'S IN TEXAS? 76 00:06:43,571 --> 00:06:44,938 JUST MY MOTHER. 77 00:07:14,267 --> 00:07:16,904 (Jones) YOU'LL BE GLAD TO KNOW I DROPPED OUT OF COLLEGE TODAY. 78 00:07:16,970 --> 00:07:19,973 YOU TOLD ME YOURSELF, ALL A WRITER NEEDS IS HIS EYES AND EARS, 79 00:07:20,040 --> 00:07:21,809 AND SENSE ENOUGH TO USE THEM. 80 00:07:21,875 --> 00:07:25,278 BESIDES, YOU KNOW I DON'T PLAY WELL WITH THE OTHER KIDS. 81 00:07:25,345 --> 00:07:27,214 [tires screeching] 82 00:07:27,280 --> 00:07:28,882 BETTER WATCH YOUR ASS, PUNK! 83 00:07:28,949 --> 00:07:29,950 YEAH, PUNK! 84 00:07:31,118 --> 00:07:32,486 [both laughing] 85 00:07:41,529 --> 00:07:42,530 [loading] 86 00:07:44,331 --> 00:07:45,332 [firing] 87 00:07:45,398 --> 00:07:46,399 [exploding] 88 00:07:52,072 --> 00:07:54,207 [all exclaiming] 89 00:08:07,420 --> 00:08:09,489 (Jane) YOU KNOW HOW MUCH THIS MEANS TO ME. 90 00:08:09,557 --> 00:08:10,991 DON'T BE LIKE THIS. 91 00:08:11,058 --> 00:08:13,393 LOOK, I'LL BE THERE IN 20 MINUTES, OK? 92 00:08:13,460 --> 00:08:16,329 DON'T BE THIS WAY. OK, I'M FINE... 93 00:08:16,396 --> 00:08:18,799 I'LL JUST HANG UP RIGHT NOW. 94 00:08:18,866 --> 00:08:21,735 I'M HANGING UP NOW! ASSHOLE! 95 00:08:24,672 --> 00:08:25,973 [door closes] 96 00:08:37,317 --> 00:08:39,620 HOOTCHIE COOTCHIE 97 00:08:39,687 --> 00:08:42,289 HOOTCHIE COOTCHIE 98 00:08:42,355 --> 00:08:45,726 COME ON AND DO THE HOOTCHIE COOTCHIE 99 00:08:47,661 --> 00:08:50,964 GET ON THE PHONE AND DO IT WITH ME 100 00:08:52,165 --> 00:08:54,101 YOU GOT TO SHAKE IT TO THE LEFT 101 00:08:54,167 --> 00:08:56,136 WELL, WELL, WELL. COME IN, COME IN. 102 00:08:56,203 --> 00:08:58,939 I DON'T KNOW WHAT IT IS YOU'RE AFTER, BUT MAKE NO MISTAKE, 103 00:08:59,006 --> 00:09:02,209 YOU HAVE COME TO ABSOLUTELY THE RIGHT PLACE TO GET IT. 104 00:09:02,275 --> 00:09:04,878 YOU CAN CALL ME MA, I AM THE WOMAN OF THIS HOUSE, 105 00:09:04,945 --> 00:09:06,880 AND YOU I CALL... 106 00:09:06,947 --> 00:09:09,917 JONES. JONES DILLON. 107 00:09:09,983 --> 00:09:12,519 YOU LISTEN TO MA, NOW, 'CAUSE SHE SPEAKS THE TRUTH. 108 00:09:12,586 --> 00:09:16,556 THERE IS NOTHING, ABSOLUTELY NOTHING, AS IMPORTANT AS A BED. 109 00:09:17,257 --> 00:09:18,258 NOTHING? 110 00:09:18,325 --> 00:09:19,326 NOTHING! 111 00:09:20,961 --> 00:09:24,331 A HAPPY BED MAKES FOR A HAPPY HOME, MR. JONES. 112 00:09:24,397 --> 00:09:25,766 IF YOU TAKE MY MEANING. 113 00:09:28,869 --> 00:09:30,638 JONES, 114 00:09:30,704 --> 00:09:33,140 HMM, JONES. 115 00:09:33,206 --> 00:09:37,044 I KNEW A MAN NAMED JONES ONCE. YES, INDEED! 116 00:09:37,110 --> 00:09:38,812 MAYBE HE WAS YOUR DADDY. 117 00:09:40,347 --> 00:09:42,115 I DOUBT IT, MA'AM. 118 00:09:42,182 --> 00:09:44,618 WELL, I WOULDN'T BE TOO SURE, NOW. 119 00:09:44,685 --> 00:09:47,621 HE WAS A HANDSOME DEVIL, JUST LIKE YOU ARE. 120 00:09:57,030 --> 00:09:58,165 PHONE? 121 00:09:58,231 --> 00:10:01,434 I--I DON'T HAVE ONE YET. I'LL GET ONE. 122 00:10:01,501 --> 00:10:04,571 WELL, YOU BE SURE AND LET MA KNOW 123 00:10:04,638 --> 00:10:06,473 JUST AS SOON AS YOU DO. 124 00:10:06,539 --> 00:10:08,441 HI, MA. 125 00:10:08,508 --> 00:10:10,911 OH, BOYS, THIS IS MR. JONES. 126 00:10:10,978 --> 00:10:14,247 WILL YOU TELL HIM WHEN YOU ALL CAN DELIVER HIM HIS FURNITURE? 127 00:10:14,314 --> 00:10:15,315 BE A WEEK AT LEAST. 128 00:10:15,382 --> 00:10:16,884 BE AT LEAST A WEEK, MAYBE 2. 129 00:10:16,950 --> 00:10:18,218 COULD BE 2. 130 00:10:18,285 --> 00:10:20,253 THAT'S OK. FINE. 131 00:10:20,320 --> 00:10:21,521 WE AIN'T ASKIN'. 132 00:10:21,588 --> 00:10:23,290 NO ONE'S ASKIN' YOU NOTHIN'. 133 00:10:23,356 --> 00:10:25,192 (Ma) NOW YOU BOYS SHUT THE HELL UP. 134 00:10:25,258 --> 00:10:27,027 TALKIN' TO MY CUSTOMERS LIKE THAT. 135 00:10:27,094 --> 00:10:28,195 NOW, GET OUT! 136 00:10:28,261 --> 00:10:29,362 (both) SORRY, MA. 137 00:10:29,429 --> 00:10:30,430 GO ON! 138 00:10:31,832 --> 00:10:32,833 GET! 139 00:10:33,566 --> 00:10:35,035 FROM MY 2ND HUSBAND. 140 00:10:58,759 --> 00:11:00,593 KID, YOU AIN'T 21. 141 00:11:00,660 --> 00:11:04,197 22. 23 IN DECEMBER. YOU CAN SEE THERE. 142 00:11:11,604 --> 00:11:14,641 MY MOTHER, SHE WAS DEEP INTO ALL OF IT, 143 00:11:14,708 --> 00:11:17,244 BOOZE, PILLS, 144 00:11:17,310 --> 00:11:19,747 EVERYTHING SHE COULD GET HER HANDS ON. 145 00:11:19,813 --> 00:11:22,415 I WAS BORN 10 WEEKS PREMATURE. 146 00:11:22,482 --> 00:11:24,785 BY THE TIME THE DOCTORS DISCOVERED THE BONE DISEASE, 147 00:11:24,852 --> 00:11:27,955 IT WAS TOO LATE TO TREAT PROPERLY. 148 00:11:28,021 --> 00:11:30,623 I'VE BEEN SUFFERING SINCE BEFORE I WAS BORN. 149 00:11:32,259 --> 00:11:33,260 DAMN. 150 00:11:34,594 --> 00:11:35,963 YOU NEED ANYTHING ELSE? 151 00:11:36,029 --> 00:11:37,130 [bell rings] 152 00:11:38,498 --> 00:11:39,566 PACK OF CIGARETTES. 153 00:11:39,632 --> 00:11:42,235 YEAH, JUST BE A SECOND. ANYTHING ELSE? 154 00:11:44,004 --> 00:11:45,405 PACK OF CIGARETTES. 155 00:12:01,054 --> 00:12:02,756 [engine sputtering] 156 00:12:08,962 --> 00:12:10,397 SCHEISSAUTO! 157 00:12:38,125 --> 00:12:39,126 SHIT! 158 00:12:42,395 --> 00:12:43,496 BRAD? 159 00:12:43,563 --> 00:12:44,764 BRAD? 160 00:12:45,532 --> 00:12:47,334 BRAD? COME ON! 161 00:12:54,207 --> 00:12:55,408 HI. 162 00:12:55,475 --> 00:12:56,844 [grunting] 163 00:12:59,679 --> 00:13:02,515 THINK YOU CAN MESS WITH ME, YOU LITTLE BASTARD, HUH? 164 00:13:03,884 --> 00:13:06,419 YOU THINK THAT? THINK YOU CAN? 165 00:13:06,486 --> 00:13:07,487 [groaning] 166 00:13:08,989 --> 00:13:10,590 [Jones moaning] 167 00:13:13,093 --> 00:13:14,862 HI, JANE. HI, BRAD. 168 00:13:15,562 --> 00:13:17,030 WHO'S YOUR FRIEND? 169 00:13:17,097 --> 00:13:18,498 ASSHOLE TRIED TO ATTACK ME. 170 00:13:18,565 --> 00:13:21,869 OH, BAD BOY. THINK I SHOULD SHOOT HIM? 171 00:13:21,935 --> 00:13:23,436 NO, I'LL DO IT. 172 00:13:25,738 --> 00:13:28,075 WELL, WELL, WELL. LOOKIE-HERE. 173 00:13:29,709 --> 00:13:32,045 CAUGHT YOURSELF A DEVIANT, DID YOU? 174 00:13:32,112 --> 00:13:33,881 I LIVE HERE, YOU LUNATICS! 175 00:13:33,947 --> 00:13:34,982 OOPS. 176 00:13:35,048 --> 00:13:36,249 WHAT? 177 00:13:36,316 --> 00:13:38,485 BOY SAYS HE LIVES HERE, MA'AM. 178 00:13:38,551 --> 00:13:42,222 I'M IN 2B. UPSTAIRS. I JUST MOVED IN. 179 00:13:42,289 --> 00:13:43,723 HE'S MAKING IT UP. 180 00:13:45,458 --> 00:13:49,029 LISTEN, HOT STUFF, ARE YOU 2B, OR NOT? 181 00:13:49,096 --> 00:13:51,431 YES, DAMN! I'M 2B! 182 00:13:51,498 --> 00:13:53,600 WELL, ALL-RIGHTIE, THEN. 183 00:13:53,666 --> 00:13:56,369 I JUST GOT YOU WIRED UP FOR THE GREAT WIDE WORLD AND EVERYTHING IN IT. 184 00:14:03,443 --> 00:14:05,078 I SAW THE WHOLE THING. 185 00:14:09,549 --> 00:14:11,018 IT WAS A MISTAKE. 186 00:14:12,219 --> 00:14:14,321 DON'T BE SO SURE. ARE YOU OK? 187 00:14:15,088 --> 00:14:16,423 YEAH. 188 00:14:18,858 --> 00:14:19,993 COME ON. 189 00:14:36,143 --> 00:14:38,545 THIS MAKES US NEIGHBORS, I SUPPOSE. 190 00:14:38,611 --> 00:14:39,746 I'M LISA. 191 00:14:39,812 --> 00:14:41,814 I'M JONES. HI. 192 00:14:41,881 --> 00:14:42,916 HI. 193 00:14:42,983 --> 00:14:44,584 YOU CAN KEEP THEM IF YOU WANT. 194 00:14:44,651 --> 00:14:46,086 CALL IT A HOUSEWARMING. 195 00:14:46,153 --> 00:14:47,154 THANK YOU. 196 00:14:48,388 --> 00:14:51,158 I--I'D ASK YOU TO STAY. 197 00:14:51,224 --> 00:14:54,494 AND I'D ASK YOU, "WHERE WOULD I SIT?" 198 00:14:57,330 --> 00:14:58,431 YOU CAN SIT HERE. 199 00:14:59,866 --> 00:15:02,869 I THINK IT'S MUCH TOO SOON FOR THAT, DON'T YOU? 200 00:15:04,004 --> 00:15:05,538 GOODBYE, JONES. 201 00:15:10,310 --> 00:15:11,744 [phone ringing] 202 00:15:12,545 --> 00:15:13,746 (woman) HELLO? 203 00:15:13,813 --> 00:15:15,448 (Jones) HELLO, BLANCHE. GUESS WHO? 204 00:15:15,515 --> 00:15:18,685 OH, LOVELY. MY ONLY BEGOTTEN SON. 205 00:15:18,751 --> 00:15:21,221 DON'T TELL ME THEY KICKED YOU OUT OF SCHOOL ALREADY. 206 00:15:21,288 --> 00:15:23,991 I WASN'T EXPECTING THIS CALL FOR AT LEAST A MONTH. 207 00:15:24,057 --> 00:15:26,994 RELAX, BLANCHE. YOU'LL SPILL YOUR DRINK. 208 00:15:27,060 --> 00:15:29,629 I'M CALLING WITH GOOD NEWS. 209 00:15:29,696 --> 00:15:32,265 I'M CALLING FROM MY VERY OWN PHONE. 210 00:15:32,332 --> 00:15:35,335 FROM THE COMFORT OF MY VERY OWN APARTMENT. 211 00:15:35,402 --> 00:15:37,904 YOUR WHAT? 212 00:15:37,971 --> 00:15:39,906 HAVE YOU LOST YOUR MIND, JONES? 213 00:15:39,973 --> 00:15:41,774 IF THERE'S ANYONE IN THIS WORLD 214 00:15:41,841 --> 00:15:44,244 WHO CANNOT TAKE CARE OF HIMSELF, IT IS YOU. 215 00:15:44,311 --> 00:15:45,378 DO YOU HEAR ME? 216 00:15:45,445 --> 00:15:47,014 NO, YOU'RE RIGHT. 217 00:15:47,080 --> 00:15:49,983 IN FACT, I'VE BEEN INTERVIEWING HELP ALL WEEK. 218 00:15:50,050 --> 00:15:52,585 I'M LEANING TOWARDS THIS BEAUTIFUL YOUNG ASIAN GIRL. 219 00:15:52,652 --> 00:15:53,820 CANTONESE. 220 00:15:53,886 --> 00:15:55,555 CANTONESE, I MEAN. 221 00:15:55,622 --> 00:15:58,025 SHE'S EXPERT IN ANCIENT MASSAGE TECHNIQUES. 222 00:15:58,958 --> 00:16:00,893 SEE THERE? I KNEW IT. 223 00:16:00,960 --> 00:16:04,564 ALL THOSE PREP SCHOOLS TURNED YOU INTO A LITTLE SEX MONSTER, DIDN'T THEY? 224 00:16:04,631 --> 00:16:06,566 BLANCHE, I CALLED TO ASK YOU SOMETHING. 225 00:16:06,633 --> 00:16:08,668 OH, GOD, HERE WE GO. 226 00:16:08,735 --> 00:16:10,737 I'M GOING TO NEED A COPY OF MY BIRTH CERTIFICATE. 227 00:16:10,803 --> 00:16:11,871 IT'S FOR THE SCHOOL. 228 00:16:11,938 --> 00:16:13,140 YEAH, I BET. 229 00:16:13,206 --> 00:16:15,375 WELL, HAVE THE SCHOOL GET IN TOUCH WITH ME THEN. 230 00:16:15,442 --> 00:16:17,010 I HAVE A RIGHT, BLANCHE. 231 00:16:17,077 --> 00:16:18,345 FOR CHRIST'S SAKE! 232 00:16:18,411 --> 00:16:20,180 JONES, COULDN'T WE JUST HAVE A CONVERSATION 233 00:16:20,247 --> 00:16:23,516 WHERE YOU DIDN'T DREDGE UP ALL THE FOOTNOTES OF YOUR ANCESTRY? 234 00:16:23,583 --> 00:16:25,752 WHAT IF I CALLED YOUR FATHER A FOOTNOTE? 235 00:16:25,818 --> 00:16:28,755 YEAH, WELL, JUST DON'T CALL HIM AN OVERBEARING, MANIPULATIVE SON OF A BITCH. 236 00:16:28,821 --> 00:16:30,790 I'D HATE FOR US TO AGREE ON SOMETHING, JONES. 237 00:16:30,857 --> 00:16:33,026 I THINK MY OWN FATHER WOULD LIKE TO KNOW WHERE I AM, 238 00:16:33,093 --> 00:16:34,294 WHAT I'M DOING. 239 00:16:34,361 --> 00:16:35,862 [sighs] 240 00:16:35,928 --> 00:16:38,265 IT'S LATE. YOU PROBABLY HAVE SCHOOL TOMORROW. 241 00:16:38,331 --> 00:16:39,666 UH, JONES? 242 00:16:39,732 --> 00:16:41,534 DON'T YOU DARE. JONES? 243 00:16:41,601 --> 00:16:43,303 WELL, SON OF A-- 244 00:16:43,370 --> 00:16:44,371 BITCH. 245 00:16:48,241 --> 00:16:50,743 I HAVE DONE SOMETHING TO MAKE YOU ANGRY? 246 00:16:50,810 --> 00:16:52,945 NO, NOT YOU. 247 00:17:07,994 --> 00:17:10,997 (Ma) YES, INDEED, MR. JONES. 248 00:17:11,064 --> 00:17:14,234 A HAPPY BED MAKES FOR A HAPPY HOME, 249 00:17:14,301 --> 00:17:16,103 AND MA, HERE, IS GOING TO SHOW YOU 250 00:17:16,169 --> 00:17:20,107 JUST HOW HAPPY A HOME CAN BE. 251 00:17:20,173 --> 00:17:22,142 (Jones) WELL, MY BED HASN'T BEEN DELIVERED YET. 252 00:17:22,209 --> 00:17:25,011 JUST YOU LEAVE EVERYTHING TO ME. 253 00:17:27,080 --> 00:17:29,916 I'D HAVE CALLED FIRST IF I HAD THAT NUMBER. 254 00:17:32,119 --> 00:17:34,387 YES, INDEED, MR. JONES. 255 00:17:48,501 --> 00:17:51,171 GET COMFORTABLE, MR. JONES. 256 00:17:55,542 --> 00:17:57,043 [tires screeching] 257 00:17:59,078 --> 00:18:01,114 (Ma) OH! 258 00:18:01,181 --> 00:18:03,750 MR. JONES, YOU ARE A HANDSOME DEVIL. 259 00:18:04,817 --> 00:18:07,053 OH, MY. YES! 260 00:18:07,120 --> 00:18:09,389 [laughing] OH! 261 00:18:09,456 --> 00:18:10,457 SHH! 262 00:18:12,925 --> 00:18:15,662 LOOK AT HOW HAPPY YOU ARE! 263 00:18:16,896 --> 00:18:18,465 (Ma) JUST A MINUTE, MR. JONES. 264 00:18:18,531 --> 00:18:21,334 HERE COMES YOUR BED NOW! 265 00:18:21,401 --> 00:18:23,136 [Ma laughing] 266 00:18:23,770 --> 00:18:26,206 TREAT ME WILD. 267 00:18:26,273 --> 00:18:27,274 OOH! 268 00:18:28,341 --> 00:18:29,609 [moaning] 269 00:18:34,147 --> 00:18:35,515 [moaning] 270 00:18:38,251 --> 00:18:39,686 OH, MR. JONES. 271 00:18:39,752 --> 00:18:40,853 ROUGH, 272 00:18:40,920 --> 00:18:42,589 JUST LIKE YOUR DADDY WAS. 273 00:18:42,655 --> 00:18:43,656 [crashing] 274 00:18:45,091 --> 00:18:46,359 [screaming] 275 00:18:48,228 --> 00:18:49,896 (both) JONES! 276 00:19:04,644 --> 00:19:05,645 DAMN. 277 00:19:13,286 --> 00:19:14,554 (men) JONES! 278 00:19:20,993 --> 00:19:22,295 NO, DON'T! 279 00:19:25,432 --> 00:19:27,567 1, 2. 280 00:19:27,634 --> 00:19:28,635 NO! 281 00:19:37,910 --> 00:19:39,512 [laughing] 282 00:19:42,081 --> 00:19:44,484 BOY, THERE'S SOMETHING YOU PROBABLY OUGHT TO KNOW. 283 00:19:44,551 --> 00:19:46,919 YOU GOT SHIT-WIPE STICKING OUT OF YOUR FLY. 284 00:19:48,621 --> 00:19:50,357 [both laughing] 285 00:19:54,961 --> 00:19:56,195 DON'T. PLEASE! 286 00:19:56,263 --> 00:19:57,430 1, 2... 287 00:19:57,497 --> 00:19:58,498 FREEZE! 288 00:19:59,866 --> 00:20:03,536 PUT IT DOWN, FELLAS. NICE AND EASY. 289 00:20:03,603 --> 00:20:05,605 WE CAN'T VERY WELL DO NOTHING, 290 00:20:05,672 --> 00:20:07,407 BEIN' AS WE'S FROZEN, AND ALL. 291 00:20:07,474 --> 00:20:09,676 BAD JOKE, DADDY-O. 292 00:20:09,742 --> 00:20:13,546 ONE MORE AND I BLOW YOUR LITTLE SISTER'S BEST FRIEND RIGHT OUT OF YOUR TROUSERS. 293 00:20:23,856 --> 00:20:25,392 [trickling] 294 00:20:31,431 --> 00:20:33,733 YOU THINK THEY TREAT ALL OF THEIR CUSTOMERS THAT WAY? 295 00:20:33,800 --> 00:20:35,468 NO, YOU'RE JUST LUCKY. 296 00:20:35,535 --> 00:20:36,736 LUCKY YOU WERE THERE. 297 00:20:36,803 --> 00:20:38,070 THERE, THAT'S ALL OF IT. 298 00:20:38,137 --> 00:20:40,707 WOW. IF YOU HADN'T SHOWN UP LIKE THAT, I DON'T KNOW. 299 00:20:40,773 --> 00:20:43,776 LET ME GET YOU A BEER. "FREEZE!" 300 00:20:43,843 --> 00:20:45,512 THE LOOKS ON THEIR FACES. 301 00:20:45,578 --> 00:20:46,613 HI, BRAD. 302 00:20:46,679 --> 00:20:47,780 (Jones) AND WHO WOULD'VE EVER GUESSED 303 00:20:47,847 --> 00:20:49,048 THOSE GUYS COULD BE SO POLITE? 304 00:20:49,115 --> 00:20:50,317 YOU GO EASY ON HIM. 305 00:20:50,383 --> 00:20:51,384 OK. 306 00:20:56,188 --> 00:20:59,158 EASILY THE MOST EXCITING THING I'VE EVER SEEN IN REAL LIFE. 307 00:20:59,225 --> 00:21:00,393 HI. 308 00:21:00,460 --> 00:21:01,494 HI. 309 00:21:01,561 --> 00:21:02,562 WHERE'S... 310 00:21:02,629 --> 00:21:03,630 GONE. 311 00:21:05,465 --> 00:21:08,167 LOOK. NOW YOU CAN STAY. 312 00:21:08,234 --> 00:21:09,302 YOU WANT A BEER? 313 00:21:09,369 --> 00:21:11,771 OH, I'M GONNA HAVE TO TAKE A RAIN CHECK. 314 00:21:11,838 --> 00:21:13,239 I HAVE LINES TO LEARN. 315 00:21:13,306 --> 00:21:14,941 YOU'RE AN ACTRESS. 316 00:21:15,007 --> 00:21:16,509 THE FEMALE LEAD. 317 00:21:16,576 --> 00:21:17,877 WOW. 318 00:21:17,944 --> 00:21:20,246 BESIDES, I STILL DON'T KNOW WHERE I WOULD SIT. 319 00:21:21,714 --> 00:21:23,750 ARE YOU SURE THAT'S CLEAN? 320 00:21:29,856 --> 00:21:31,391 YOUR STALKER HAS FURNITURE. 321 00:21:48,775 --> 00:21:49,776 HI. 322 00:21:51,644 --> 00:21:52,645 YOU OK? 323 00:21:54,146 --> 00:21:56,916 YEAH, SURE. HOW ARE YOU? 324 00:21:59,552 --> 00:22:00,953 GREAT COUCH. 325 00:22:05,725 --> 00:22:07,860 (Jones) DEAR DAD, 326 00:22:07,927 --> 00:22:10,262 I'M SETTLING INTO APARTMENT LIFE JUST FINE. 327 00:22:10,329 --> 00:22:12,599 I KNOW IT WAS MORE YOUR STYLE TO MOVE AROUND A LOT, 328 00:22:12,665 --> 00:22:15,902 PLACE TO PLACE, BUT I THINK I'LL STAY RIGHT HERE FOR NOW. 329 00:22:15,968 --> 00:22:17,537 AND WHY NOT? 330 00:22:17,604 --> 00:22:20,106 SEEMS LIKE EVERY TIME I TURN AROUND, I MAKE NEW FRIENDS. 331 00:22:21,841 --> 00:22:23,009 [gun firing] 332 00:22:40,793 --> 00:22:41,928 SHE'S BEEN HIT! 333 00:22:41,994 --> 00:22:44,196 LET'S GET! 334 00:22:44,263 --> 00:22:45,732 I'M COMIN', I'M COMIN'. 335 00:22:46,633 --> 00:22:48,568 COME ON! COME ON, BABY! 336 00:22:48,635 --> 00:22:49,636 [engine starts] 337 00:23:27,907 --> 00:23:31,243 YOU DREAM OF SAILING 338 00:23:31,310 --> 00:23:34,581 INTO A SUNRISE 339 00:23:35,181 --> 00:23:38,384 BON VOYAGE 340 00:23:38,451 --> 00:23:41,253 I'M OFF TO FIND 341 00:23:41,320 --> 00:23:44,824 THE GIRL WITH THE CLOUDS IN HER EYES 342 00:23:44,891 --> 00:23:47,727 BROKEN RAINBOW 343 00:23:47,794 --> 00:23:51,230 TIED TO THE WINGS OF THE SKIES 344 00:23:52,164 --> 00:23:56,202 WON'T YOU SHOW ME 345 00:23:56,268 --> 00:23:58,437 WHERE TO FIND 346 00:23:58,505 --> 00:24:01,373 THE GIRL WITH THE CLOUDS IN HER EYES 347 00:24:01,440 --> 00:24:04,176 (Lisa) NO, NO, DARLING, THEY'VE WAITED LONG ENOUGH. 348 00:24:04,243 --> 00:24:05,612 I'VE WAITED. 349 00:24:05,678 --> 00:24:07,880 OH, HOW I'VE WAITED FOR YOU. 350 00:24:07,947 --> 00:24:12,151 EACH DAY A LIFETIME, CENTURIES LONGER THAN THE DAY BEFORE IT. 351 00:24:12,218 --> 00:24:13,986 AND IT WOULD'VE BEEN... 352 00:24:15,788 --> 00:24:17,289 WOULD'VE BEEN... 353 00:24:18,758 --> 00:24:20,927 ALMOST BEARABLE. 354 00:24:20,993 --> 00:24:23,029 AND IT WOULD'VE BEEN ALMOST BEARABLE 355 00:24:23,095 --> 00:24:25,998 IF, JUST ONCE, YOU'D WRITTEN ME A LETTER TO TELL ME 356 00:24:26,065 --> 00:24:27,667 THAT YOU WERE STILL ALIVE, 357 00:24:27,734 --> 00:24:31,170 AND THAT YOUR LOVE FOR ME WAS STILL ALIVE, TOO. 358 00:24:31,237 --> 00:24:34,406 HOW COULD I HAVE KNOWN YOU LOST BOTH YOUR ARMS IN BATTLE? 359 00:24:37,910 --> 00:24:40,980 DAMN YOU. HAVEN'T I TOLD YOU NEVER TO SPEAK OF THAT? NEVER! 360 00:24:41,047 --> 00:24:43,182 YOU FOOLISH, PROUD MAN. 361 00:24:43,249 --> 00:24:45,217 DON'T YOU SEE IT DOESN'T MATTER? 362 00:24:45,284 --> 00:24:47,353 YOU CAN STILL TOUCH ME. 363 00:24:47,419 --> 00:24:49,789 YOU'VE STILL A HEART TO LOVE ME. 364 00:24:49,856 --> 00:24:52,158 STILL LIPS TO KISS ME. 365 00:24:52,224 --> 00:24:54,326 YOU CAN TOUCH ME WITHOUT ARMS. 366 00:24:54,393 --> 00:24:57,496 AND I NEED YOU TO, DARLING, DESPERATELY. 367 00:24:58,330 --> 00:25:00,767 PLEASE, TOUCH ME. 368 00:25:01,634 --> 00:25:03,402 TOUCH ME NOW. 369 00:25:03,469 --> 00:25:06,072 TOUCH ME RIGHT NOW! 370 00:25:09,075 --> 00:25:11,578 BLAH, BLAH, BLAH. 371 00:25:11,644 --> 00:25:13,646 GOD, IT'S AWFUL. 372 00:25:13,713 --> 00:25:14,947 WELL, YOU'RE GOOD. 373 00:25:15,014 --> 00:25:16,382 REALLY? 374 00:25:16,448 --> 00:25:18,785 I MEAN, NOT JUST COMPARED TO YOU? 375 00:25:28,595 --> 00:25:29,896 A GLASS, PLEASE? 376 00:25:29,962 --> 00:25:32,364 OH, WELL, I DON'T HAVE ANY YET. 377 00:25:32,431 --> 00:25:33,432 SORRY. 378 00:25:35,868 --> 00:25:38,971 YOU KNOW, I FIND IT AWFULLY SAD, REALLY. 379 00:25:39,038 --> 00:25:41,040 WELL, I'M GOING TO GET SOME. 380 00:25:41,107 --> 00:25:42,709 NO, NOT THAT. 381 00:25:48,547 --> 00:25:51,017 YOU KNOW, A PERSON CAN PURSUE SOMETHING. 382 00:25:51,083 --> 00:25:52,484 A GIRL CAN GO AFTER HER DREAM 383 00:25:52,551 --> 00:25:56,522 AND GIVE IT HER ENERGY, LABOR, SWEAT, TEARS, 384 00:25:57,924 --> 00:26:02,361 AND THIS IS WHERE IT GETS HER. 385 00:26:02,428 --> 00:26:06,565 A 2-ROOM APARTMENT AND A ROLE IN SOME MORONIC PERIOD PLAY. 386 00:26:12,071 --> 00:26:14,240 THINGS TAKE TIME? 387 00:26:14,306 --> 00:26:17,043 RIGHT. THINGS TAKE TIME. 388 00:26:18,277 --> 00:26:19,812 I SUPPOSE. 389 00:26:21,013 --> 00:26:23,015 BUT I CAN'T WAIT FOREVER. 390 00:26:25,384 --> 00:26:26,886 CAN I ASK YOU SOMETHING? 391 00:26:27,319 --> 00:26:28,888 SURE. 392 00:26:28,955 --> 00:26:31,090 YOU CAN ASK ME ANYTHING. 393 00:26:31,157 --> 00:26:33,259 WHO'S THE GIRL WITH THE CAMERA? 394 00:26:35,194 --> 00:26:37,563 SHE'S CALLED JANE. WHY? 395 00:26:39,065 --> 00:26:42,635 WELL, SHE TOOK MY PICTURE, OUT HERE. 396 00:26:42,702 --> 00:26:46,773 SHE DIDN'T SAY A WORD, JUST TOOK MY PICTURE AND DISAPPEARED. 397 00:26:46,839 --> 00:26:47,907 IT WAS WEIRD. 398 00:26:47,974 --> 00:26:49,976 SHE IS WEIRD. 399 00:26:50,042 --> 00:26:52,679 YOU KNOW WHAT? I'D BE CAREFUL IF I WERE YOU. 400 00:26:52,745 --> 00:26:56,315 SHE TOOK PICTURES OF ME ONCE, AND NOW SHE HATES ME. 401 00:26:56,382 --> 00:26:58,150 HATES YOU? WHY? 402 00:26:58,918 --> 00:27:00,552 I HAVE NO IDEA. 403 00:27:00,619 --> 00:27:03,555 EXCEPT, I THINK SHE'S MAYBE SLIGHTLY INSANE. 404 00:27:04,356 --> 00:27:05,624 INSANE? 405 00:27:07,426 --> 00:27:08,560 WOW. 406 00:27:10,396 --> 00:27:14,734 TICK-TOCK, TICK-TOCK, TICK-TOCK, TICK-TOCK 407 00:27:21,540 --> 00:27:24,410 I TOOK SOME CHANCES WITH MY LIFE 408 00:27:24,476 --> 00:27:29,248 BUT THEY KEPT ME LOCKED AND BEATEN IN THE COLD OUTSIDE 409 00:27:33,019 --> 00:27:35,922 AND I CALL YOU ON THE TELEPHONE 410 00:27:35,988 --> 00:27:37,724 ALL MY BILLS ARE PAID 411 00:27:37,790 --> 00:27:40,693 but there's no dial tone 412 00:27:45,965 --> 00:27:49,736 THEN I HEAR WHAT I'VE WAITED FOR 413 00:27:51,871 --> 00:27:54,974 AND IT MAKES ME SMILE AGAIN 414 00:27:55,742 --> 00:27:57,744 I THINK ABOUT THE 415 00:27:57,810 --> 00:28:00,679 TIMES I COULDN'T TAKE NO MORE 416 00:28:02,014 --> 00:28:06,352 BUT THEN I HEAR YOUR VOICE AGAIN 417 00:28:08,921 --> 00:28:11,390 TICK-TOCK, TICK-TOCK 418 00:28:11,457 --> 00:28:13,993 TICK-TOCK, TICK-LOCK, TICK 419 00:28:18,998 --> 00:28:21,633 (answering machine) HEY, THIS IS STEVE. I'M NOT HERE RIGHT NOW-- 420 00:28:21,700 --> 00:28:22,935 (Steve) HELLO? 421 00:28:23,002 --> 00:28:25,304 TIMES I COULDN'T STAND NO MORE 422 00:28:25,371 --> 00:28:29,441 THEN I START TO THINK OF YOU AGAIN 423 00:28:31,243 --> 00:28:34,814 TICK-TOCK, TICK-TOCK, TICK-TOCK, TICK-TOCK 424 00:28:47,159 --> 00:28:49,896 HI. UH, I'M JONES. 425 00:28:49,962 --> 00:28:52,098 I'M YOUR NEIGHBOR FROM DOWN THE HALL. 426 00:28:52,164 --> 00:28:53,833 I THINK WE'RE PAST THAT. 427 00:28:53,900 --> 00:28:55,567 RIGHT. 428 00:28:55,634 --> 00:28:57,736 I NOTICED YOU TAKE PICTURES AND I CAN'T SEEM 429 00:28:57,804 --> 00:29:01,974 TO FIGURE THIS OUT, SO I THOUGHT MAYBE YOU COULD... 430 00:29:02,041 --> 00:29:04,844 I DON'T KNOW MUCH ABOUT THEM. IS THIS ONE ANY GOOD? 431 00:29:04,911 --> 00:29:06,913 YEAH, IT'S FINE. 432 00:29:06,979 --> 00:29:10,082 FINE IF YOU'RE GOING TO DISNEYLAND WITH A WIFE AND KIDS. 433 00:29:10,149 --> 00:29:11,550 RIGHT. 434 00:29:11,617 --> 00:29:15,788 WELL, I GUESS I'LL HAVE TO PLAN A TRIP THEN, AND A WEDDING. 435 00:29:15,855 --> 00:29:17,523 HERE. POINT AND SHOOT. 436 00:29:17,589 --> 00:29:19,191 RIGHT. 437 00:29:19,258 --> 00:29:22,361 UH, HOW DID THAT PICTURE COME OUT... ON THE ROOF? 438 00:29:23,863 --> 00:29:25,197 NOT SO HOT. 439 00:29:26,732 --> 00:29:29,035 WHAT DID YOU SAY YOUR NAME WAS AGAIN? 440 00:29:29,101 --> 00:29:30,136 JONES. 441 00:29:30,702 --> 00:29:31,804 I'M JANE. 442 00:29:32,604 --> 00:29:33,639 HI. 443 00:29:33,705 --> 00:29:35,074 BYE, JONES. 444 00:29:40,712 --> 00:29:41,713 (Jones) READY? 445 00:29:41,780 --> 00:29:42,949 (Lisa) READY. 446 00:29:44,650 --> 00:29:45,784 BEER? 447 00:29:45,852 --> 00:29:49,155 OH! OH, MY, NO, NO. THIS CALLS FOR WINE. 448 00:29:49,221 --> 00:29:51,123 I HAVE A TERRIFIC BOTTLE I'VE BEEN SAVING. 449 00:29:51,190 --> 00:29:53,292 YOU HAVE A CORKSCREW, RIGHT? 450 00:29:55,327 --> 00:29:56,428 DAMN. 451 00:29:59,966 --> 00:30:01,200 [grunting] 452 00:30:03,970 --> 00:30:06,605 HERE, LET ME. IT'S A STICKY ONE. 453 00:30:14,914 --> 00:30:16,782 (Jones) AND THAT'S HOW IT STARTED. 454 00:30:16,849 --> 00:30:19,051 SHE OPENED THE WINE AND STARTED TO POUR, 455 00:30:19,118 --> 00:30:21,954 [chattering] AND POUR, AND POUR, LIKE WORDS ON A PAGE. 456 00:30:22,021 --> 00:30:25,691 BIG WORDS LIKE "AMBITION," AND "INSPIRATION," AND "PASSION." 457 00:30:25,757 --> 00:30:28,961 ME? I DIDN'T SAY MUCH, BUT SHE DIDN'T MIND. 458 00:30:29,028 --> 00:30:30,396 SHE KNEW I WAS WATCHING HER. 459 00:30:30,462 --> 00:30:32,164 I THINK SHE LIKES TO BE LOOKED AT, 460 00:30:32,231 --> 00:30:34,433 BUT I WANTED TO DO MORE THAN LOOK. 461 00:30:34,500 --> 00:30:37,736 AFTER ALL, I COULDN'T TYPE, COULD I, IF I DIDN'T TOUCH THE KEYS? 462 00:30:37,803 --> 00:30:40,139 AND SHE WAS SO CLOSE, IT SHOULD HAVE BEEN EASY, 463 00:30:40,206 --> 00:30:42,841 BUT SOMEWHERE, SOMEHOW, I THINK I MISSED SOMETHING. 464 00:30:42,909 --> 00:30:44,010 YOU KNOW WHAT I MEAN? 465 00:30:44,076 --> 00:30:45,111 YEAH. 466 00:30:45,177 --> 00:30:46,312 YOU DO? 467 00:30:46,378 --> 00:30:47,579 NO. 468 00:30:47,646 --> 00:30:48,948 YOU DON'T? 469 00:30:49,015 --> 00:30:50,349 I DON'T KNOW. 470 00:30:53,785 --> 00:30:56,222 I'M SORRY. IT'S LATE. 471 00:30:56,956 --> 00:30:59,358 I'M DRUNK. I HAVE TO GO. 472 00:31:26,652 --> 00:31:27,886 [grunting] 473 00:31:40,599 --> 00:31:41,767 [grunting] 474 00:31:46,572 --> 00:31:48,240 MORNING, PARTNER. 475 00:31:53,679 --> 00:31:56,482 (Jones) SHOULDN'T I HAVE HANDCUFFS, TOO? 476 00:31:56,548 --> 00:31:59,952 (Brad) SORRY, PARTNER. I'VE ONLY GOT ONE PAIR. 477 00:32:00,019 --> 00:32:02,254 DON'T YOU THINK WE SHOULD DRINK THEM FIRST? 478 00:32:02,321 --> 00:32:05,257 NO. YOU'D NEVER HIT 'EM THAT WAY. 479 00:32:11,763 --> 00:32:13,499 THAT'S RIGHT. 480 00:32:13,565 --> 00:32:15,301 STEADY. 481 00:32:15,367 --> 00:32:17,669 USE YOUR SIGHT. LINE IT UP. 482 00:32:17,736 --> 00:32:19,505 NOW WHAT ARE YOU GONNA DO? 483 00:32:19,571 --> 00:32:21,040 SQUEEZE. 484 00:32:21,107 --> 00:32:22,441 SQUEEZE. 485 00:32:23,742 --> 00:32:25,444 WHAT ARE YOU NOT GOING TO DO? 486 00:32:25,511 --> 00:32:26,678 PULL. 487 00:32:26,745 --> 00:32:27,879 BEAUTIFUL. 488 00:32:28,780 --> 00:32:30,282 WHENEVER YOU'RE READY. 489 00:32:32,518 --> 00:32:33,652 [grunts] 490 00:32:36,288 --> 00:32:38,690 PERFECT. YOU SQUEEZED. 491 00:32:40,326 --> 00:32:41,493 [chuckles] 492 00:33:39,185 --> 00:33:40,952 (Brad) SO WHAT DO YOU THINK OF LISA? 493 00:33:41,019 --> 00:33:42,088 LISA? 494 00:33:43,055 --> 00:33:45,457 YEAH, UPSTAIRS LISA. 495 00:33:46,325 --> 00:33:48,127 HOW DO YOU MEAN? 496 00:33:48,194 --> 00:33:50,362 WELL, YOU'RE SEEING HER, AREN'T YOU? 497 00:33:50,429 --> 00:33:52,331 DID SHE SAY SOMETHING TO YOU? 498 00:33:52,398 --> 00:33:53,599 NO. 499 00:33:54,566 --> 00:33:55,767 I JUST KNOW. 500 00:33:56,935 --> 00:33:58,070 HOW? 501 00:33:58,137 --> 00:33:59,638 IT'S AN OLD HOUSE. 502 00:33:59,705 --> 00:34:02,574 I KNOW THE CREAKS. I KNOW WHAT GOES ON. 503 00:34:02,641 --> 00:34:05,111 WHEN SHE'S IN HER BATHROOM, BRUSHING HER TEETH, 504 00:34:05,177 --> 00:34:07,713 PUTTING ON JUST A BIT OF EYE MAKE-UP. 505 00:34:07,779 --> 00:34:11,383 I HEAR HER MOVE FROM HER APARTMENT TO YOURS. 506 00:34:11,450 --> 00:34:14,986 YOU LET HER IN, SHE LOOKS GREAT. 507 00:34:15,053 --> 00:34:16,455 SHE TAKES A SEAT ON THE COUCH, 508 00:34:16,522 --> 00:34:18,257 MAKES HERSELF COMFORTABLE. 509 00:34:18,324 --> 00:34:20,626 YOU OFFER HER SOMETHING TO DRINK. 510 00:34:20,692 --> 00:34:23,495 YOU EXCUSE YOURSELF TO THE KITCHEN. 511 00:34:23,562 --> 00:34:25,964 "MINERAL WATER OR I HAVE A LIGHT BEER?" 512 00:34:26,031 --> 00:34:29,401 "MINERAL WATER, PLEASE. IN A GLASS IF YOU DON'T MIND?" 513 00:34:30,136 --> 00:34:31,670 MINERAL WATER? 514 00:34:32,438 --> 00:34:33,572 OH, COME ON. 515 00:34:33,639 --> 00:34:35,307 IT'S NOT LIKE I'M SNOOPING, REALLY. 516 00:34:35,374 --> 00:34:36,608 I JUST HEAR IT. 517 00:34:36,675 --> 00:34:38,777 THERE'S A LOT OF TURNOVER UPSTAIRS. 518 00:34:38,844 --> 00:34:41,613 AND EVERYBODY LEAVES A STORY BEHIND. 519 00:34:41,680 --> 00:34:43,982 NOW, I CAN TELL THOSE STORIES, 520 00:34:44,049 --> 00:34:45,251 BUT I DON'T. 521 00:34:45,317 --> 00:34:47,886 AND I WON'T TELL YOURS, EITHER, JONES. 522 00:34:51,022 --> 00:34:52,524 TOGETHER, THIS TIME. 523 00:34:52,591 --> 00:34:55,060 6 ON THE LEFT ARE MINE, RIGHT ARE YOURS. 524 00:34:58,597 --> 00:34:59,798 [hammering] 525 00:34:59,865 --> 00:35:02,334 I LOVE WHAT YOU'RE DOING WITH THE PLACE. 526 00:35:02,401 --> 00:35:03,535 THANKS. 527 00:35:03,602 --> 00:35:04,870 IT'S CALLED ACTING. 528 00:35:04,936 --> 00:35:07,773 RIGHT. THAT, THAT... 529 00:35:07,839 --> 00:35:09,208 THING? 530 00:35:09,275 --> 00:35:11,810 THAT THING IS A PRODUCT OF... 531 00:35:12,878 --> 00:35:14,380 PRODUCT OF... 532 00:35:28,394 --> 00:35:33,064 OH, SHE TOOK ME FOR A RIDE AGAIN 533 00:35:34,466 --> 00:35:38,970 TRIED TO STEAL MY HEART AGAIN 534 00:35:39,037 --> 00:35:43,875 SHE ALWAYS TAKES ME BY SURPRISE 535 00:35:43,942 --> 00:35:46,245 SHE HIDES BEHIND 536 00:35:46,312 --> 00:35:49,981 THOSE BABY BLUE EYES 537 00:35:50,048 --> 00:35:53,719 I THOUGHT I KNEW 538 00:35:53,785 --> 00:35:56,388 HOW COULD YOU BE SO CRUEL? 539 00:35:56,455 --> 00:35:59,124 IT'S ALWAYS ABOUT YOU 540 00:36:00,559 --> 00:36:03,962 I GUESS I'M JUST 541 00:36:04,029 --> 00:36:07,233 A HEARTBROKEN FOOL 542 00:36:08,434 --> 00:36:10,168 (man) HELLO? HELLO? 543 00:36:11,403 --> 00:36:13,405 I CAN HEAR YOU BREATHING. 544 00:36:13,972 --> 00:36:15,073 JANE? 545 00:36:19,945 --> 00:36:21,513 [phone ringing] 546 00:36:23,549 --> 00:36:26,151 YOU LISTEN TO ME, YOU PATHETIC LITTLE BASTARD! 547 00:36:26,218 --> 00:36:27,853 HOW DID YOU KNOW IT WAS ME? 548 00:36:27,919 --> 00:36:30,222 YOU THINK YOU'RE CUTE, DON'T YOU? 549 00:36:30,289 --> 00:36:31,890 OH, FOR CHRIST'S SAKE, JONES! 550 00:36:31,957 --> 00:36:33,625 Y-YOU COOK A MEAL FOR A MAN 551 00:36:33,692 --> 00:36:34,826 JUST ONCE... 552 00:36:34,893 --> 00:36:36,795 AND HE THINKS HE CAN CALL YOU ON THE PHONE. 553 00:36:36,862 --> 00:36:40,566 WHAT HE THINKS IS THAT HE'S GOT A GOD-GIVEN RIGHT TO TELL ME 554 00:36:40,632 --> 00:36:44,102 WHAT TO DO, WHERE TO GO, AND WHAT TIME TO BE THERE. 555 00:36:44,169 --> 00:36:46,104 MAYBE HE WANTS TO SHOW YOU THE WORLD. 556 00:36:46,838 --> 00:36:48,707 ISTANBUL, MOZAMBIQUE. 557 00:36:48,774 --> 00:36:50,075 WHAT ARE YOU TALKING ABOUT? 558 00:36:50,141 --> 00:36:53,479 YOU KNOW WHAT I'M TALKING ABOUT! MY FATHER. 559 00:36:53,545 --> 00:36:55,881 YOU SAID HE'D BEEN EVERYWHERE, SEEN EVERYTHING. 560 00:36:55,947 --> 00:37:00,386 THAT HE'D WRITTEN IT ALL DOWN-- EVERY SIGHT, EVERY SOUND-- 561 00:37:00,452 --> 00:37:02,488 SO THAT WHEN HE MET YOU HE COULD SHOW YOU THE WORLD. 562 00:37:02,554 --> 00:37:03,955 I NEVER TOLD YOU THAT. 563 00:37:04,022 --> 00:37:05,657 HE TOLD ME THAT. 564 00:37:05,724 --> 00:37:08,159 I REMEMBER MORE THAN YOU THINK I DO. 565 00:37:08,226 --> 00:37:10,362 YOU KNOW, I'M GETTING DRESSED, HERE, JONES. 566 00:37:10,429 --> 00:37:11,430 [sighs] 567 00:37:11,497 --> 00:37:13,432 WHAT DID YOU DO, BLANCHE? 568 00:37:13,499 --> 00:37:16,302 WHAT DID YOU DO THAT WAS SO BAD HE LEFT BOTH OF US? 569 00:37:16,368 --> 00:37:18,837 YOU KNOW, IF YOU GAVE SCHOOL HALF THE ENERGY 570 00:37:18,904 --> 00:37:21,473 YOU GIVE THIS LITTLE GENEALOGY PROJECT, 571 00:37:22,774 --> 00:37:24,976 I BET YOU THEY'D NAME A BUILDING AFTER YOU. 572 00:37:25,043 --> 00:37:27,413 I AM TAKING IT SERIOUSLY. 573 00:37:27,479 --> 00:37:30,616 IN FACT, THERE'S AN INSTRUCTOR HERE, RIGHT NOW. 574 00:37:30,682 --> 00:37:32,884 OH, INSTRUCTOR, HELL. WHAT INSTRUCTOR? 575 00:37:32,951 --> 00:37:34,152 IT'S ART CLASS. 576 00:37:34,219 --> 00:37:35,854 WE'RE DOING NUDES THIS WEEK. 577 00:37:36,522 --> 00:37:38,089 WOW. 578 00:37:38,156 --> 00:37:41,327 BUT SHE SAID I COULD SKETCH SOME GIN BOTTLES FOR EXTRA CREDIT. 579 00:37:41,393 --> 00:37:43,061 I'LL SEND YOU ONE. 580 00:38:11,022 --> 00:38:13,659 HOW I'VE WAITED FOR YOU. 581 00:38:13,725 --> 00:38:17,763 EACH DAY A LIFETIME, CENTURIES LONGER THAN THE DAY BEFORE IT. 582 00:38:17,829 --> 00:38:19,565 AND IT WOULD'VE BEEN ALMOST BEARABLE 583 00:38:19,631 --> 00:38:21,633 IF JUST ONCE YOU'D WRITTEN ME A LETTER 584 00:38:21,700 --> 00:38:23,835 TO TELL ME THAT YOU WERE ALIVE. 585 00:38:23,902 --> 00:38:26,505 AND THAT YOUR LOVE FOR ME WAS STILL ALIVE, TOO. 586 00:38:26,572 --> 00:38:27,673 DAMN YOU! 587 00:38:29,441 --> 00:38:32,243 I THOUGHT I TOLD YOU NEVER TO SPEAK OF THAT. 588 00:38:32,310 --> 00:38:33,311 NEVER! 589 00:38:38,850 --> 00:38:39,851 [sniffs] 590 00:38:40,819 --> 00:38:43,154 [pounding] 591 00:38:43,221 --> 00:38:45,724 I KNOW YOU GOT IT, YOU CHICKEN SHIT! 592 00:38:46,692 --> 00:38:48,226 [kicking] 593 00:38:48,293 --> 00:38:50,028 (Lisa) YOU CAN STILL TOUCH ME. 594 00:38:50,095 --> 00:38:52,297 YOU'VE STILL A HEART TO LOVE ME. 595 00:38:52,364 --> 00:38:56,167 STILL LIPS TO KISS ME. YOU CAN TOUCH ME WITHOUT ARMS. 596 00:38:56,234 --> 00:38:58,303 [all laughing] 597 00:38:58,370 --> 00:39:01,239 I NEED YOU TO, DARLING, DESPERATELY. 598 00:39:02,841 --> 00:39:05,243 PLEASE, TOUCH ME. 599 00:39:05,310 --> 00:39:06,812 [all laughing] 600 00:39:10,616 --> 00:39:12,551 TOUCH ME RIGHT NOW! 601 00:39:13,385 --> 00:39:15,387 [audience laughing] 602 00:39:19,257 --> 00:39:21,693 AT LEAST SOMEONE'S BEEN REHEARSING. 603 00:39:24,930 --> 00:39:26,898 IT WAS BAD, WASN'T IT? 604 00:39:28,534 --> 00:39:30,168 YOU CAN TELL ME. 605 00:39:33,405 --> 00:39:35,941 YOU WERE GOOD. 606 00:39:36,007 --> 00:39:39,878 CAN YOU SAY THAT AGAIN, PLEASE, WITH JUST A LITTLE BIT MORE FEELING? 607 00:39:40,746 --> 00:39:42,280 YOU WERE GOOD. 608 00:39:46,685 --> 00:39:47,886 JONES? 609 00:39:51,056 --> 00:39:53,158 WILL YOU KISS ME? 610 00:39:54,325 --> 00:39:55,894 OK. 611 00:39:55,961 --> 00:39:57,763 "OK," BECAUSE YOU WANT TO, 612 00:39:57,829 --> 00:39:59,765 OR "OK," BECAUSE I ASKED YOU TO? 613 00:40:01,132 --> 00:40:02,834 I WANT TO. 614 00:40:02,901 --> 00:40:04,936 WILL YOU DO IT NOW, PLEASE? 615 00:40:05,003 --> 00:40:06,371 OK, I WILL, BUT... 616 00:40:16,682 --> 00:40:20,018 SORRY. I'M NOT VERY GOOD AT THIS. 617 00:40:20,085 --> 00:40:23,288 OH, BUT YOU WILL BE. YOU WILL BE. 618 00:40:29,961 --> 00:40:33,732 LET ME TELL YOU THE STORY OF A GIRL 619 00:40:33,799 --> 00:40:37,335 THERE WAS NOT ANOTHER LIKE HER IN THE WORLD 620 00:40:37,402 --> 00:40:41,406 I'M SURE I WON'T BE THE LAST TO TELL OF HER 621 00:40:41,473 --> 00:40:45,477 I'M SURE I AIN'T THE FIRST GUY IN THE WORLD 622 00:40:45,544 --> 00:40:49,247 TO HEAR HER TELL A LIE, TO SEE HER START TO CRY 623 00:40:49,314 --> 00:40:51,583 I KNOW SHE'S GOT NOTHING ON HER MIND 624 00:40:51,650 --> 00:40:53,118 WHAT ARE YOU WAITING FOR? 625 00:40:53,184 --> 00:40:54,285 WHO COULD EVER SAY 626 00:40:54,352 --> 00:40:55,587 UM. 627 00:40:55,654 --> 00:40:56,955 SHE'D BE UNKIND 628 00:40:57,022 --> 00:40:58,857 THIS ISN'T YOUR FIRST TIME, IS IT? 629 00:40:58,924 --> 00:41:00,959 COULD BE THE WAY SHE GOT HER START 630 00:41:01,026 --> 00:41:02,761 COULD BE 631 00:41:02,828 --> 00:41:04,395 WHAT? WHAT? 632 00:41:04,462 --> 00:41:05,897 ARE YOU SERIOUS? 633 00:41:07,298 --> 00:41:08,767 JONES, 634 00:41:08,834 --> 00:41:11,302 MY GOD. WHAT DO YOU THINK THIS IS? 635 00:41:11,369 --> 00:41:13,271 NOTHING. I MEAN... 636 00:41:13,338 --> 00:41:15,140 GOD, EXACTLY. YOU KNOW WHAT? 637 00:41:15,206 --> 00:41:17,242 YOU CAN'T DO THIS WITH ME. 638 00:41:17,308 --> 00:41:19,344 NOT LIKE THIS. I MEAN, 639 00:41:19,410 --> 00:41:21,580 JONES, YOU'RE REALLY SWEET AND EVERYTHING, 640 00:41:21,647 --> 00:41:23,649 BUT, MY GOD, HOW OLD ARE YOU ANYWAY? 641 00:41:23,715 --> 00:41:24,716 17. 642 00:41:24,783 --> 00:41:26,585 17? 643 00:41:26,652 --> 00:41:29,320 MY GOD, WHAT AM I DOING? YOU KNOW WHAT, JONES? 644 00:41:29,387 --> 00:41:31,256 YOU NEED TO FALL IN LOVE FIRST. 645 00:41:31,990 --> 00:41:32,991 LOVE? 646 00:41:33,058 --> 00:41:34,059 YES. 647 00:41:34,125 --> 00:41:36,427 LOVE! 17-YEAR-OLDS CAN FALL IN LOVE. 648 00:41:36,494 --> 00:41:37,929 BY THE TIME I WAS 17, 649 00:41:37,996 --> 00:41:40,031 I'D ALREADY LOVED 3 OR 4 BOYS. 650 00:41:40,098 --> 00:41:42,233 LIKE, REALLY TRULY LOVED THEM. 651 00:41:42,300 --> 00:41:43,334 YOU'RE RIGHT. 652 00:41:43,401 --> 00:41:44,636 OF COURSE, I'M RIGHT. 653 00:41:44,703 --> 00:41:47,105 TRUST ME ON THIS, JONES. YOU DON'T WANT TO DO THIS. 654 00:41:47,172 --> 00:41:48,306 YOU'RE RIGHT. 655 00:41:48,373 --> 00:41:50,408 YOU THINK YOU DO, BUT... 656 00:41:50,475 --> 00:41:51,943 WHAT DID YOU SAY? 657 00:41:52,010 --> 00:41:53,511 I SAID, "YOU'RE RIGHT." 658 00:41:53,579 --> 00:41:54,946 RIGHT ABOUT WHAT? 659 00:41:55,013 --> 00:41:57,549 ABOUT THIS, ABOUT US. 660 00:41:57,616 --> 00:41:59,484 I--I DON'T WANT TO. LIKE YOU SAID. 661 00:41:59,551 --> 00:42:00,686 WHAT? 662 00:42:00,752 --> 00:42:02,420 [thunder clapping] 663 00:42:05,991 --> 00:42:07,659 (Jones) OK, THE SHOW'S OVER. 664 00:42:07,726 --> 00:42:09,094 I'M THROUGH BEING AN AUDIENCE, 665 00:42:09,160 --> 00:42:10,829 JUST LOOKING ON AND LISTENING. 666 00:42:10,896 --> 00:42:12,598 I WANT SOMEONE WHO'S MORE THAN WORDS. 667 00:42:12,664 --> 00:42:15,166 BECAUSE IF I'VE LEARNED ANYTHING SO FAR, IT'S THIS: 668 00:42:15,233 --> 00:42:17,302 TALK IS CHEAP, PARTNER. 669 00:42:17,368 --> 00:42:19,838 SO YOU SAY IT'S A PARTY YOU WANT, HUH? 670 00:42:19,905 --> 00:42:22,708 HELL, WOMAN, I'LL SHOW YOU A PARTY. 671 00:42:22,774 --> 00:42:25,376 WHAT DID I TELL YOU ABOUT COMING DOWN HERE AND CELEBRATING? 672 00:42:25,443 --> 00:42:28,413 DAMN IT, I'VE GOT DISHES AT HOME THAT NEED WASHING! 673 00:42:28,479 --> 00:42:30,582 YOU'VE DONE CROSSED ME FOR THE LAST TIME. 674 00:42:30,649 --> 00:42:32,884 SPEAK UP, DAMN IT, I'M TALKING TO YOU! 675 00:42:40,125 --> 00:42:42,193 [horse neighing] 676 00:42:42,260 --> 00:42:44,896 OH, DEAR GOD, HELP ME. 677 00:42:44,963 --> 00:42:46,598 IT'S JONES DILLON. 678 00:42:46,665 --> 00:42:49,400 COMING TO KILL ME. 679 00:42:49,467 --> 00:42:54,339 PLEASE, DILLON, I WASN'T GONNA HURT HER. HONEST. 680 00:42:54,405 --> 00:42:59,144 YOU'D BEST SAY GOODBYE TO THEM BUTTONS, YOU NO-ARM SON OF A BITCH. 681 00:42:59,210 --> 00:43:01,613 (Jane) MR. DILLON. 682 00:43:01,680 --> 00:43:04,415 YOU HAVE A SHAVE SCHEDULED, MR. DILLON. 683 00:43:06,484 --> 00:43:07,686 A SHAVE. 684 00:43:10,722 --> 00:43:12,123 AND A BATH? 685 00:43:18,329 --> 00:43:19,698 THAT'S ME. 686 00:43:21,066 --> 00:43:22,500 BUT JONES, 687 00:43:22,567 --> 00:43:24,235 THIS ANIMAL SAID HE WAS GOING 688 00:43:24,302 --> 00:43:27,438 TO ROLL ME DOWN MAIN STREET! 689 00:43:27,505 --> 00:43:30,909 DOWN MAIN STREET, RIGHT OUT OF TOWN, ONE KICK AT A TIME. 690 00:43:32,610 --> 00:43:33,812 SQUEEZE. 691 00:43:35,781 --> 00:43:37,783 WITH SPURS ON, JONES! 692 00:43:40,585 --> 00:43:42,253 [thunder clapping] 693 00:43:50,762 --> 00:43:53,298 [engine turning] 694 00:44:16,822 --> 00:44:18,623 [knocking on door] 695 00:44:21,592 --> 00:44:23,361 I NEED A RIDE. 696 00:44:25,964 --> 00:44:27,465 (Jane) YOU DIDN'T HAVE TO DO THIS. 697 00:44:27,532 --> 00:44:29,034 THAT'S OK. 698 00:44:29,100 --> 00:44:30,869 I'VE BEEN MEANING TO BUY SOME RECORDS. 699 00:44:32,503 --> 00:44:34,672 WE DON'T SELL RECORDS. 700 00:44:34,740 --> 00:44:38,043 OH. I THOUGHT YOU SAID IT WAS A RECORD STORE. 701 00:44:38,109 --> 00:44:40,178 IT'S JUST CALLED A RECORD STORE. 702 00:44:40,245 --> 00:44:41,880 IT'S ALL C.D.s. 703 00:44:42,247 --> 00:44:43,815 RIGHT. 704 00:44:43,882 --> 00:44:46,617 WELL, I--I DON'T HAVE A RECORD PLAYER ANYWAY. 705 00:44:51,156 --> 00:44:54,392 SHE SAYS, SO I GUESS THIS IS IT 706 00:44:55,526 --> 00:44:57,763 HE SAID, I GUESS IT IS 707 00:45:01,967 --> 00:45:04,635 SHE TOUCHED HIS HAND ONCE 708 00:45:05,871 --> 00:45:07,538 AND GAVE HIS HEAD A KISS 709 00:45:07,605 --> 00:45:09,975 LOOK, I DON'T CARE IF YOU DON'T LIKE THE PICTURE, OK? 710 00:45:10,041 --> 00:45:11,342 WHAT PICTURE? 711 00:45:11,409 --> 00:45:13,044 IT'S NOT GOING TO HURT MY FEELINGS, 712 00:45:13,111 --> 00:45:16,481 BUT YOU COULD HAVE AT LEAST ACKNOWLEDGED THE DAMN THING, YOU KNOW? 713 00:45:17,148 --> 00:45:19,117 WHAT PICTURE? 714 00:45:19,184 --> 00:45:20,651 THE PICTURE I GAVE YOU. 715 00:45:20,718 --> 00:45:23,421 THE PICTURE I SLIPPED UNDER YOUR DOOR! 716 00:45:23,488 --> 00:45:25,023 I PUT IT IN AN ENVELOPE AND... 717 00:45:25,090 --> 00:45:27,492 LOOK, THERE'S NO WAY YOU DIDN'T... 718 00:45:28,994 --> 00:45:31,596 OH, GOD DAMN IT. SHE LIKES YOU, RIGHT? 719 00:45:31,662 --> 00:45:32,663 WHO? 720 00:45:32,730 --> 00:45:34,599 WHO? THE BITCH THAT... 721 00:45:36,434 --> 00:45:39,170 JUST FORGET IT, FORGET IT. I'M SORRY. 722 00:45:39,237 --> 00:45:41,639 HE SLOWLY GRIPPED 723 00:45:41,706 --> 00:45:44,375 ARE YOU COMING IN? 724 00:45:44,442 --> 00:45:48,546 NO. I DON'T HAVE A C.D. PLAYER, EITHER. 725 00:45:48,613 --> 00:45:50,681 WILL YOU NEED A RIDE HOME? 726 00:45:50,748 --> 00:45:52,717 NO. I'LL MANAGE. 727 00:45:54,820 --> 00:45:56,855 HOW ABOUT YOU? 728 00:45:56,922 --> 00:45:59,024 TOOK A STOOL NEXT TO HER 729 00:46:00,525 --> 00:46:03,161 I'LL ASK THE BARTENDER 730 00:46:06,932 --> 00:46:09,300 HE SAID, I'M JUST GONNA LIE 731 00:46:13,304 --> 00:46:15,073 (Brad) OK, SHUT IT OFF. 732 00:46:17,008 --> 00:46:18,676 THAT'S GREAT. 733 00:46:18,743 --> 00:46:20,745 HOW DO YOU KNOW ALL OF THIS STUFF? 734 00:46:20,812 --> 00:46:23,048 I LEARNED IT FROM ROCKY. 735 00:46:23,114 --> 00:46:24,482 WHO'S ROCKY? 736 00:46:24,549 --> 00:46:26,717 THAT MOTORCYCLE IN MY APARTMENT? 737 00:46:26,784 --> 00:46:27,986 YEAH. 738 00:46:28,053 --> 00:46:29,420 THAT'S ROCKY'S. 739 00:46:31,656 --> 00:46:34,492 HE LEFT THAT BEHIND, THE ROGUE. 740 00:46:36,227 --> 00:46:37,795 HE WAS MY LAST. 741 00:46:37,863 --> 00:46:39,865 HE LIVED IN YOUR APARTMENT FOR A WHILE, 742 00:46:39,931 --> 00:46:42,000 BUT HE SPENT MOST OF HIS TIME IN MINE. 743 00:46:42,067 --> 00:46:43,734 THEN HE MOVED ON. 744 00:46:45,236 --> 00:46:46,905 THAT WAS 3 YEARS AGO. 745 00:46:49,607 --> 00:46:50,775 JONES? 746 00:46:50,842 --> 00:46:52,844 YEAH? 747 00:46:52,911 --> 00:46:56,147 IT'S BEEN 3 YEARS SINCE I HAD SEX, JONES. 748 00:46:56,214 --> 00:46:57,315 WHOA. 749 00:46:58,583 --> 00:47:00,919 DID YOU SAY "WHOA"? 750 00:47:00,986 --> 00:47:03,388 3 YEARS AND YOU SAY, "WHOA"? 751 00:47:03,454 --> 00:47:04,689 LISTEN, YOU, 752 00:47:04,755 --> 00:47:08,226 3 YEARS OF CELIBACY DESERVES MORE THAN "WHOA." 753 00:47:08,293 --> 00:47:10,495 "WHOA" DOESN'T COME CLOSE. 754 00:47:11,029 --> 00:47:12,730 TRY 17. 755 00:47:12,797 --> 00:47:15,066 WHAT, YEARS? 756 00:47:15,133 --> 00:47:17,302 WELL, THE FIRST 12 WERE PRETTY EASY. 757 00:47:17,368 --> 00:47:19,004 BUT WHAT ABOUT... 758 00:47:20,171 --> 00:47:21,706 SO YOU'RE A... 759 00:47:23,374 --> 00:47:24,675 WHOA. 760 00:47:24,742 --> 00:47:26,411 [knocking on door] 761 00:47:39,357 --> 00:47:40,758 IT'S GREAT. 762 00:47:41,759 --> 00:47:43,494 IT'S REALLY GREAT. 763 00:47:44,362 --> 00:47:45,663 IT'S THE PAIN. 764 00:47:46,297 --> 00:47:47,598 THE PAIN? 765 00:47:48,934 --> 00:47:51,202 THAT'S WHY I LIKE IT, 766 00:47:51,269 --> 00:47:53,939 BECAUSE IT'S HONEST AND IT'S REAL 767 00:47:54,005 --> 00:47:56,507 AND IT'S NOTHING YOU CAN FAKE OR HIDE. 768 00:47:57,976 --> 00:48:00,045 I DON'T KNOW. 769 00:48:00,111 --> 00:48:01,980 TO ME, IT'S LIKE YOU'RE FEELING PAIN FOR THE FIRST TIME IN YOUR LIFE. 770 00:48:02,047 --> 00:48:03,248 AND BEFORE THIS MOMENT, 771 00:48:03,314 --> 00:48:05,483 YOU DIDN'T EVEN KNOW IT EXISTED. 772 00:48:06,551 --> 00:48:08,019 I BROKE MY ARM ONCE 773 00:48:09,554 --> 00:48:10,855 WHEN I WAS A KID. 774 00:48:12,623 --> 00:48:14,492 [typewriter clicking] 775 00:48:16,294 --> 00:48:18,596 (Jones) HOW IS IT THAT SOMEONE YOU'VE ONLY JUST MET, 776 00:48:18,663 --> 00:48:20,065 THAT A PERSON YOU HARDLY KNOW, 777 00:48:20,131 --> 00:48:21,466 CAN SOMEHOW KNOW YOU? 778 00:48:21,532 --> 00:48:23,401 CAN TAKE ONE LOOK AT YOU AND SEE MORE 779 00:48:23,468 --> 00:48:26,071 IN THAT INSTANT THAN MOST PEOPLE WILL EVER SEE? 780 00:48:26,137 --> 00:48:28,573 I SUPPOSE THERE'S ONLY ONE WAY TO FIND OUT. 781 00:48:28,639 --> 00:48:29,941 [panting] 782 00:48:36,547 --> 00:48:37,682 HI, JANE. 783 00:48:37,748 --> 00:48:38,783 HI. 784 00:48:38,849 --> 00:48:40,718 HI. UH, 785 00:48:40,785 --> 00:48:42,620 I WAS WONDERING IF YOU WOULD, 786 00:48:42,687 --> 00:48:44,289 YOU KNOW, IF YOU'D LIKE TO 787 00:48:44,355 --> 00:48:45,623 GO OUT ON... 788 00:48:45,690 --> 00:48:48,026 YOU'RE A LITTLE YOUNG FOR ME, JONES. 789 00:48:48,093 --> 00:48:50,261 BESIDES, I DON'T DATE. 790 00:48:50,328 --> 00:48:51,862 WELL, IT WOULDN'T BE A DATE. 791 00:48:51,929 --> 00:48:53,431 I JUST DON'T KNOW MANY PEOPLE HERE 792 00:48:53,498 --> 00:48:55,200 AND I THOUGHT, MAYBE WE COULD... 793 00:48:55,266 --> 00:48:57,668 MAYBE YOU SHOULD GET A RECORD PLAYER. 794 00:48:57,735 --> 00:48:59,637 BUT WE DON'T HAVE TO. 795 00:49:02,974 --> 00:49:04,909 I DON'T DO MOVIES, 796 00:49:04,976 --> 00:49:06,377 NO DINNERS, 797 00:49:06,444 --> 00:49:08,213 NO PICNICS, 798 00:49:08,279 --> 00:49:09,614 NO WALKS. 799 00:49:10,648 --> 00:49:11,949 HOW ABOUT YOU DECIDE? 800 00:49:16,521 --> 00:49:17,922 I HEAR YOU TYPING A LOT. 801 00:49:17,989 --> 00:49:19,457 WHAT ARE YOU WRITING? 802 00:49:19,524 --> 00:49:21,292 LETTERS, MOSTLY. 803 00:49:21,359 --> 00:49:23,294 LETTERS TO WHO, YOUR GIRLFRIEND? 804 00:49:24,662 --> 00:49:26,297 GIRLFRIENDS... 805 00:49:26,364 --> 00:49:27,698 THERE ARE SEVERAL. 806 00:49:28,733 --> 00:49:30,201 IS THAT RIGHT? 807 00:49:32,370 --> 00:49:33,771 GET THE FUCK OUT OF HERE! 808 00:49:35,640 --> 00:49:37,975 [trumpet blowing] 809 00:49:40,878 --> 00:49:42,713 [announcer chattering] 810 00:49:45,350 --> 00:49:48,419 SUPERFECTA'S THE BIG ONE. THE FIRST 4 HORSES IN ORDER-- 811 00:49:48,486 --> 00:49:50,755 A BITCH TO WIN, BUT TOP-DOLLAR PAY. 812 00:49:50,821 --> 00:49:52,357 TRIFECTA IS THE SAME DEAL, 813 00:49:52,423 --> 00:49:54,525 BUT THE FIRST 3 HORSES IN ORDER. 814 00:49:54,592 --> 00:49:56,994 STILL'S A BITCH, STILL GOOD MONEY. 815 00:49:57,062 --> 00:49:59,397 EXACTA BET IS FIRST AND 2ND IN ORDER. 816 00:49:59,464 --> 00:50:00,865 QUINELLA IS THE SAME, 817 00:50:00,931 --> 00:50:02,733 BUT IN ANY ORDER. SO THOSE ARE GOOD. 818 00:50:02,800 --> 00:50:04,135 WIN, PLACE, OR SHOW BETS, 819 00:50:04,202 --> 00:50:06,271 YOU CAN FIGURE OUT FOR YOURSELF. 820 00:50:06,337 --> 00:50:08,173 ARE YOU TALKING TO ME? 821 00:50:08,239 --> 00:50:10,508 YES, DUMMY. HOW DO YOU WANT TO BET? 822 00:50:10,575 --> 00:50:12,277 I HAVE NO IDEA. 823 00:50:12,343 --> 00:50:15,080 HOW ABOUT YOU BET FOR ME AND I'LL GET US SOME DRINKS? 824 00:50:15,946 --> 00:50:17,082 SURE YOU WILL. 825 00:50:18,783 --> 00:50:20,718 [all chattering] 826 00:50:30,695 --> 00:50:32,130 [inaudible] 827 00:50:48,413 --> 00:50:50,081 HOW DID YOU DO THAT? 828 00:50:50,148 --> 00:50:51,849 A TRICK I LEARNED FROM MY MOTHER. 829 00:50:52,983 --> 00:50:54,519 SO WHAT ARE WE DRINKING TO? 830 00:50:56,687 --> 00:50:58,356 CLOSE YOUR EYES AND POINT. 831 00:51:03,761 --> 00:51:04,962 "NEW IN TOWN." 832 00:51:05,029 --> 00:51:06,030 "NEW IN TOWN." 833 00:51:06,097 --> 00:51:07,432 YES! 834 00:51:07,498 --> 00:51:10,601 "NEW IN TOWN," RUN, RUN, RUN! BABY, RUN! 835 00:51:10,668 --> 00:51:12,703 AND YOU COULD HEAR A SONG 836 00:51:12,770 --> 00:51:15,473 [Jane cheering] 837 00:51:15,540 --> 00:51:17,842 A SONG THAT DOESN'T NEED A SOUND 838 00:51:17,908 --> 00:51:18,976 YES! GO, GO, GO! 839 00:51:19,043 --> 00:51:20,378 GO, GO! 840 00:51:24,515 --> 00:51:25,583 YES, YES! 841 00:51:25,650 --> 00:51:27,185 YES, COME ON, COME ON, COME ON! 842 00:51:31,021 --> 00:51:34,625 YOU'VE BEEN LOST AND FOUND 843 00:51:37,762 --> 00:51:41,399 IF YOU DON'T KNOW WHAT TO DO, DO IT TODAY 844 00:51:41,466 --> 00:51:43,534 IF YOU DON'T KNOW WHAT TO SAY 845 00:51:43,601 --> 00:51:45,503 SAY IT ANYWAY 846 00:51:51,742 --> 00:51:53,211 "LITTLE BEE!" "LITTLE BEE!" 847 00:51:53,278 --> 00:51:54,279 GO ON! 848 00:51:55,980 --> 00:51:57,047 GO, GO, GO, GO! 849 00:51:57,114 --> 00:51:58,349 LITTLE BEE, RUN! 850 00:51:59,417 --> 00:52:01,552 [cheering] 851 00:52:01,619 --> 00:52:03,087 [both laughing] 852 00:52:19,570 --> 00:52:21,206 I USED TO GO THERE A LOT WITH STEVE. 853 00:52:22,940 --> 00:52:24,375 AND HE ALWAYS LOST HIS ASS. 854 00:52:24,442 --> 00:52:26,711 I GUESS THAT'S WHY I CAN STILL STAND IT THERE. 855 00:52:29,947 --> 00:52:32,617 THIS IS THE PART WHERE YOU ASK ME WHO STEVE IS. 856 00:52:33,384 --> 00:52:34,652 NO, IT ISN'T. 857 00:52:36,621 --> 00:52:37,755 FAIR ENOUGH. 858 00:52:39,390 --> 00:52:41,025 THEN I'LL ASK YOU SOMETHING. 859 00:52:41,792 --> 00:52:43,027 (Jane) NAME? 860 00:52:43,093 --> 00:52:44,229 JONES DILLON. 861 00:52:45,296 --> 00:52:46,464 AGE? 862 00:52:46,531 --> 00:52:47,532 17. 863 00:52:48,466 --> 00:52:49,467 FROM? 864 00:52:49,534 --> 00:52:50,768 TEXAS. 865 00:52:52,102 --> 00:52:53,971 NO FUNNY ACCENT. 866 00:52:54,038 --> 00:52:55,706 I GREW UP IN THE EAST, MOSTLY. 867 00:52:56,874 --> 00:52:57,908 ME, TOO. 868 00:52:59,877 --> 00:53:02,079 BOARDING SCHOOLS AND SUMMER CAMPS. 869 00:53:02,146 --> 00:53:03,514 WHAT ABOUT YOUR PARENTS? 870 00:53:04,582 --> 00:53:06,484 WHAT PARENTS? 871 00:53:06,551 --> 00:53:08,786 HOW MANY ORPHANS GO TO BOARDING SCHOOLS? 872 00:53:08,853 --> 00:53:09,920 LOTS. 873 00:53:09,987 --> 00:53:11,088 WHO'S STEVE? 874 00:53:12,923 --> 00:53:14,359 I THOUGHT YOU DIDN'T WANT TO KNOW. 875 00:53:15,426 --> 00:53:16,927 HE'S YOUR OLD BOYFRIEND? 876 00:53:18,529 --> 00:53:20,097 ONE OF SEVERAL. 877 00:53:20,164 --> 00:53:21,799 ARE YOU TELLING ME YOU'RE AN ORPHAN? 878 00:53:22,567 --> 00:53:24,134 NOT EXACTLY. 879 00:53:24,201 --> 00:53:25,436 HOW MANY IS SEVERAL? 880 00:53:25,503 --> 00:53:26,571 [shutter clicks] 881 00:53:26,637 --> 00:53:28,306 WOULDN'T YOU LIKE TO KNOW? 882 00:53:28,373 --> 00:53:29,940 I JUST WANT TO KNOW ABOUT ONE. 883 00:53:32,610 --> 00:53:34,412 THAT'S IT. OUT OF FILM. 884 00:53:34,479 --> 00:53:35,846 THAT'S IT? 885 00:53:35,913 --> 00:53:38,215 WHY? YOU THOUGHT YOU WERE GETTING SOMEWHERE? 886 00:53:44,789 --> 00:53:47,592 SO IS THERE ANYTHING ELSE I SHOULD KNOW ABOUT YOU? 887 00:53:47,658 --> 00:53:50,160 I DON'T THINK SO, 888 00:53:50,227 --> 00:53:51,629 UNLESS... 889 00:53:51,696 --> 00:53:52,863 WHAT? 890 00:53:54,131 --> 00:53:55,199 NO. 891 00:53:56,100 --> 00:53:57,402 SPILL IT. 892 00:54:01,972 --> 00:54:03,274 I'M A VIRGIN. 893 00:54:05,410 --> 00:54:06,411 NEVER? 894 00:54:08,579 --> 00:54:10,781 ALL THOSE GIRLFRIENDS AND NO ACTION? 895 00:54:10,848 --> 00:54:13,784 WELL, I ALMOST DID ONCE. 896 00:54:14,719 --> 00:54:15,753 REALLY, WHEN? 897 00:54:16,754 --> 00:54:17,788 RECENTLY. 898 00:54:18,823 --> 00:54:20,024 HOW RECENTLY? 899 00:54:20,090 --> 00:54:21,392 PRETTY RECENTLY. 900 00:54:26,030 --> 00:54:27,832 I'M GOING TO TELL YOU SOMETHING. 901 00:54:27,898 --> 00:54:29,600 IF YOU WANT TO HANG OUT WITH HER, 902 00:54:29,667 --> 00:54:31,201 YOU DON'T HANG OUT HERE, OK? 903 00:54:33,270 --> 00:54:34,772 I'LL HANG OUT HERE. 904 00:54:38,343 --> 00:54:39,544 OK. 905 00:54:47,918 --> 00:54:49,286 JANE? 906 00:54:49,887 --> 00:54:51,255 YEAH? 907 00:54:51,322 --> 00:54:52,323 I'M SORRY. 908 00:54:54,925 --> 00:54:56,927 I'M SORRY ABOUT THE KISS. 909 00:55:14,445 --> 00:55:17,415 [country music playing] 910 00:55:17,482 --> 00:55:19,717 SO WHAT DO YOU KNOW ABOUT JANE AND STEVE? 911 00:55:19,784 --> 00:55:21,586 CAN'T DO IT. SORRY. 912 00:55:21,652 --> 00:55:22,820 CAN'T DO WHAT? 913 00:55:22,887 --> 00:55:24,589 CAN'T SAY. 914 00:55:24,655 --> 00:55:26,924 IT'S ONE OF THOSE UPSTAIRS STORIES, PARTNER. 915 00:55:26,991 --> 00:55:28,025 SORRY. 916 00:55:28,092 --> 00:55:29,159 BUT YOU KNOW? 917 00:55:29,226 --> 00:55:30,361 CAN'T SAY. 918 00:55:30,428 --> 00:55:32,296 BUT THERE'S SOMETHING TO KNOW, RIGHT? 919 00:55:32,930 --> 00:55:33,931 IS THERE? 920 00:55:35,332 --> 00:55:36,333 DAMN. 921 00:55:54,519 --> 00:55:55,820 [door closes] 922 00:56:02,760 --> 00:56:04,495 [footsteps] 923 00:56:17,542 --> 00:56:18,976 [knocking on door] 924 00:56:19,043 --> 00:56:20,110 PARTNER? 925 00:56:21,078 --> 00:56:22,580 SHE'S AT YOUR DOOR. 926 00:56:24,281 --> 00:56:25,349 [knocking] 927 00:56:32,089 --> 00:56:33,123 HI! 928 00:56:34,425 --> 00:56:35,760 I DIDN'T THINK YOU WERE HOME. 929 00:56:35,826 --> 00:56:36,927 I--I'M NOT. 930 00:56:36,994 --> 00:56:38,729 I WASN'T, BUT I AM NOW. 931 00:56:38,796 --> 00:56:40,465 NOW I AM. 932 00:56:40,531 --> 00:56:42,099 WANT TO GO FOR A RIDE? 933 00:56:44,168 --> 00:56:45,302 IN A HALF AN HOUR? 934 00:56:49,940 --> 00:56:51,576 BLANCHE IS IN TEXAS. 935 00:56:51,642 --> 00:56:52,677 WHO? 936 00:56:52,743 --> 00:56:54,612 BLANCHE, MY MOTHER. 937 00:56:54,679 --> 00:56:56,481 YOU ASKED ME ABOUT MY PARENTS. 938 00:56:57,482 --> 00:56:58,983 SHE LIVES ALONE, 939 00:56:59,049 --> 00:57:02,720 DRINKS, DATES MOSTLY MEN FROM THE COUNTRY CLUB. 940 00:57:02,787 --> 00:57:05,289 SHE RAN MY FATHER OFF WHEN I WAS 3... 941 00:57:05,355 --> 00:57:07,892 OR 4. HER STORY ALWAYS CHANGES. 942 00:57:12,563 --> 00:57:13,731 WHAT? 943 00:57:13,798 --> 00:57:16,567 THIS IS THE PART WHERE YOU TELL ME ABOUT STEVE. 944 00:57:16,634 --> 00:57:17,768 IS THAT RIGHT? 945 00:57:18,803 --> 00:57:21,238 I USED TO WORK IN THIS SHITTY LITTLE BAR. 946 00:57:21,305 --> 00:57:22,807 STEVE CAME WITH HIS BAND, 947 00:57:22,873 --> 00:57:26,443 LIKE, THEY WERE PLAYING A STADIUM SHOW, OR SOMETHING. 948 00:57:26,511 --> 00:57:27,945 AND FOR THE NEXT 3 NIGHTS 949 00:57:28,012 --> 00:57:30,014 HE SANG EVERY SONG FOR ME. 950 00:57:30,080 --> 00:57:31,816 I'D NEVER MET ANYBODY LIKE HIM. 951 00:57:31,882 --> 00:57:33,518 HE SAID ALL OF THE RIGHT THINGS. 952 00:57:33,584 --> 00:57:35,085 HE DID ALL THE RIGHT THINGS. 953 00:57:35,152 --> 00:57:37,722 EVERYTHING WAS SO RIGHT. 954 00:57:38,756 --> 00:57:40,591 THEN HE FUCKED IT ALL UP. 955 00:57:40,658 --> 00:57:42,326 ME ESPECIALLY. 956 00:57:42,392 --> 00:57:43,661 YOU SEEM OK TO ME. 957 00:57:45,095 --> 00:57:46,697 I USED TO BE BETTER THAN OK. 958 00:57:47,865 --> 00:57:49,967 OH, SHIT! FUCK! 959 00:57:50,034 --> 00:57:51,602 [tires screeching] 960 00:57:55,540 --> 00:57:56,541 [crickets chirping] 961 00:57:57,575 --> 00:57:59,209 [siren wailing] 962 00:58:10,621 --> 00:58:12,356 [people chattering] 963 00:58:14,859 --> 00:58:17,261 (nurse over intercom) DR. MARTIN, CARDIOLOGY. 964 00:58:29,740 --> 00:58:31,275 "NEW IN TOWN." 965 00:58:31,341 --> 00:58:32,442 HOW ARE YOU? 966 00:58:33,510 --> 00:58:34,879 HOW DO I LOOK? 967 00:58:35,546 --> 00:58:36,881 YOU LOOK GREAT. 968 00:58:38,148 --> 00:58:39,483 HOW'S YOUR ARM? 969 00:58:39,550 --> 00:58:41,719 OH, I'LL PULL THROUGH, I THINK. 970 00:58:42,620 --> 00:58:43,788 THANK GOD. 971 00:58:45,522 --> 00:58:47,625 I'M MISERABLE, JONES. 972 00:58:47,692 --> 00:58:49,727 THAT MUST HURT PRETTY BAD. 973 00:58:49,794 --> 00:58:51,862 NO. I'M SO BORED. 974 00:58:51,929 --> 00:58:54,331 RIGHT. MAYBE YOU SHOULD GET A RECORD PLAYER. 975 00:58:55,499 --> 00:58:56,801 SHUT UP. 976 00:58:58,368 --> 00:59:00,404 YOU KNOW WHAT I WANT? 977 00:59:00,470 --> 00:59:02,472 I WANT YOU TO WRITE ME A LETTER. 978 00:59:03,173 --> 00:59:04,408 A LETTER? 979 00:59:04,474 --> 00:59:07,044 YEAH, LIKE THE ONES YOU WRITE TO YOUR GIRLFRIENDS. 980 00:59:07,111 --> 00:59:10,214 BUT JUST A LETTER LETTER, NOT A LOVE LETTER. 981 00:59:10,280 --> 00:59:12,917 I DON'T HAVE ANY GIRLFRIENDS. 982 00:59:12,983 --> 00:59:14,518 I WRITE THEM TO SOMEONE ELSE. 983 00:59:14,585 --> 00:59:16,186 WELL, I AM SOMEONE ELSE. 984 00:59:16,253 --> 00:59:17,421 WRITE ONE TO ME. 985 00:59:17,487 --> 00:59:19,323 NO. I MEAN, 986 00:59:19,389 --> 00:59:21,726 I DON'T SEND THEM. 987 00:59:21,792 --> 00:59:23,427 UH, IT'S COMPLICATED. 988 00:59:23,493 --> 00:59:27,297 JONES, I'M IN THE HOSPITAL FOR CHRIST'S SAKE. 989 00:59:27,364 --> 00:59:29,199 I THINK I DESERVE AT LEAST A LETTER. 990 00:59:31,335 --> 00:59:32,569 I KNEW IT. I KNEW IT. 991 00:59:32,637 --> 00:59:33,971 I KNEW THAT SOMETHING LIKE THIS 992 00:59:34,038 --> 00:59:35,339 WAS GONNA HAPPEN TO YOU. 993 00:59:35,405 --> 00:59:37,474 NO, BLANCHE, REALLY, I'M FINE. 994 00:59:37,541 --> 00:59:39,043 I'M GOING TO PULL THROUGH. 995 00:59:39,109 --> 00:59:41,478 YOU SEE, JONES, THIS IS WHAT HAPPENS. 996 00:59:41,545 --> 00:59:43,748 I TELL YOU THINGS AND YOU DON'T LISTEN TO ME. 997 00:59:43,814 --> 00:59:45,616 YOU DON'T EVER LISTEN TO ME, DO YOU? 998 00:59:45,683 --> 00:59:46,851 WELL, YOU DON'T EVER TELL ME 999 00:59:46,917 --> 00:59:48,552 WHAT I WANT TO HEAR, DO YOU? 1000 00:59:48,619 --> 00:59:49,954 DON'T YOU START. 1001 00:59:50,020 --> 00:59:51,722 THIS IS ABOUT YOU, JONES. 1002 00:59:51,789 --> 00:59:53,423 THIS IS ABOUT REALITY. 1003 00:59:53,490 --> 00:59:55,292 LISTEN, I'M GONNA HAVE TO HANG UP NOW, 1004 00:59:55,359 --> 00:59:56,426 I'VE GOT BREAKFAST COMING. 1005 00:59:56,493 --> 00:59:57,928 THERE'S A PLACE HERE THAT DELIVERS 1006 00:59:57,995 --> 00:59:59,463 BAGELS AND BELLY DANCERS. 1007 00:59:59,529 --> 01:00:00,831 IT'S FANTASTIC. 1008 01:00:00,898 --> 01:00:02,232 ARE YOU DRUNK, JONES? 1009 01:00:02,299 --> 01:00:04,034 WHAT ARE YOU TALKING ABOUT, BELLY DANCERS? 1010 01:00:04,101 --> 01:00:05,135 OH, HERE SHE IS. 1011 01:00:05,202 --> 01:00:06,236 JONES? 1012 01:00:09,073 --> 01:00:10,540 YOU CAN SET THAT DOWN ANYWHERE. 1013 01:00:35,299 --> 01:00:36,734 [guitar playing] 1014 01:00:38,502 --> 01:00:40,738 I'M GONNA SING A LOVE SONG FOR YOU, BABY. 1015 01:01:21,378 --> 01:01:22,679 (Jones) HOW DID HE FIND OUT? 1016 01:01:22,747 --> 01:01:24,448 I CALLED HIM. 1017 01:01:24,514 --> 01:01:26,550 YOU WERE BORED AND MISERABLE, SO YOU CALLED HIM. 1018 01:01:26,616 --> 01:01:27,918 WRONG. 1019 01:01:27,985 --> 01:01:29,720 I MISSED HIM AND I WANTED TO CALL HIM, 1020 01:01:29,787 --> 01:01:31,021 SO I DID. 1021 01:01:31,088 --> 01:01:33,657 DIDN'T HE FUCK YOU UP, OR SOMETHING? 1022 01:01:33,724 --> 01:01:35,893 WHAT'S YOUR PROBLEM, JONES? 1023 01:01:37,261 --> 01:01:39,329 I THOUGHT WE WERE FRIENDS. 1024 01:01:40,597 --> 01:01:43,333 HE CAME 2,000 MILES, JONES. 1025 01:01:43,400 --> 01:01:45,402 (Brad) SHE CAN'T HELP HERSELF, JONES. 1026 01:01:45,469 --> 01:01:46,871 IT'S A BIOLOGICAL WEAKNESS 1027 01:01:46,937 --> 01:01:49,506 FOR THE BLACK LEATHER/ GUITAR-PLAYER TYPE. 1028 01:01:50,841 --> 01:01:53,878 I'VE EXPERIENCED BOUTS OF IT MYSELF. 1029 01:01:53,944 --> 01:01:55,913 IT'S POWERFUL STUFF. 1030 01:01:55,980 --> 01:01:58,415 WELL, IT'S--IT'S GOOD, REALLY. 1031 01:02:00,084 --> 01:02:02,119 I'M HAPPY FOR HER. 1032 01:02:02,186 --> 01:02:04,488 SHE SEEMS HAPPY, TOO. SHE'S GOOD. 1033 01:02:05,622 --> 01:02:07,191 IT'S GREAT. 1034 01:02:07,257 --> 01:02:08,993 GRAB YOUR HAMMER, PARTNER. 1035 01:02:37,754 --> 01:02:38,789 HI, JONES. 1036 01:02:38,856 --> 01:02:40,024 HI, LISA. 1037 01:02:40,090 --> 01:02:41,425 DID YOU SEE JANE'S CAR? 1038 01:02:44,694 --> 01:02:46,463 WHAT HAPPENED TO YOUR ARM? 1039 01:02:47,597 --> 01:02:48,765 OH. 1040 01:02:49,766 --> 01:02:51,802 YOU WERE WITH HER. 1041 01:02:51,869 --> 01:02:53,503 WELL, I'M GLAD YOU'RE OK. 1042 01:02:59,343 --> 01:03:00,610 WHAT ABOUT JANE? 1043 01:03:02,579 --> 01:03:03,981 SHE'S OK. 1044 01:03:04,048 --> 01:03:05,249 I'M GLAD. 1045 01:03:05,315 --> 01:03:07,551 YOU KNOW WHEN SOMETHING LIKE THIS HAPPENS, 1046 01:03:07,617 --> 01:03:09,153 IT KIND OF MAKES ME WONDER 1047 01:03:09,219 --> 01:03:11,755 IF I SHOULD TELL HER I'M SORRY. 1048 01:03:11,822 --> 01:03:14,024 WELL, IT WAS THE DEER'S FAULT, MOSTLY. 1049 01:03:25,102 --> 01:03:26,503 IS THAT FOR ME? 1050 01:03:31,608 --> 01:03:33,410 I WRITE THEM TO MY FATHER. 1051 01:03:34,478 --> 01:03:35,779 I DON'T SEND THEM 1052 01:03:35,846 --> 01:03:38,248 BECAUSE I DON'T KNOW HIS ADDRESS. 1053 01:03:38,315 --> 01:03:40,450 BECAUSE I DON'T KNOW IF HE'S ALIVE OR DEAD 1054 01:03:40,517 --> 01:03:41,852 OR ANYTHING ELSE. 1055 01:03:42,452 --> 01:03:43,520 NOTHING. 1056 01:03:47,157 --> 01:03:48,392 ONLY YOU. 1057 01:03:50,895 --> 01:03:51,929 OK. 1058 01:03:52,930 --> 01:03:54,231 SAY IT. 1059 01:03:56,400 --> 01:03:57,534 ONLY ME. 1060 01:04:09,880 --> 01:04:11,081 JONES? 1061 01:04:13,884 --> 01:04:15,619 I'LL BE LEAVING SOON. 1062 01:04:17,121 --> 01:04:18,622 I KNOW. 1063 01:04:18,688 --> 01:04:21,025 I DON'T MEAN JUST FROM THE HOSPITAL. 1064 01:04:23,193 --> 01:04:24,428 I KNOW. 1065 01:04:35,105 --> 01:04:36,340 HEY, GUY. 1066 01:04:36,406 --> 01:04:37,641 HEY, STEVE. 1067 01:04:40,177 --> 01:04:42,312 AH, THE, UH, FAMOUS COPILOT. 1068 01:04:42,379 --> 01:04:43,413 JONES, RIGHT? 1069 01:04:43,480 --> 01:04:44,548 RIGHT. 1070 01:04:44,614 --> 01:04:46,183 YEAH. HOW'S THE ARM? 1071 01:04:49,286 --> 01:04:50,787 YOU FUCKED HER, DIDN'T YOU? 1072 01:04:51,555 --> 01:04:52,656 WHAT? 1073 01:04:52,722 --> 01:04:54,024 LISA. 1074 01:04:55,692 --> 01:04:57,061 OH, YEAH. 1075 01:04:57,627 --> 01:04:58,762 YOU? 1076 01:05:00,965 --> 01:05:02,466 BUT IT WAS NOTHING. 1077 01:05:02,532 --> 01:05:03,533 NOTHING? 1078 01:05:03,600 --> 01:05:04,969 YEAH. 1079 01:05:05,035 --> 01:05:06,503 JANE TOOK THESE PICTURES OF HER. YOU KNOW, 1080 01:05:06,570 --> 01:05:07,771 SEXY STUFF, 1081 01:05:07,837 --> 01:05:09,739 WHERE SHE WAS WRAPPED IN THESE SCARVES, AND, UH, 1082 01:05:09,806 --> 01:05:12,342 I WANTED TO FIND OUT WHAT WAS UNDER THERE. 1083 01:05:12,409 --> 01:05:13,743 BUT, UH, 1084 01:05:14,411 --> 01:05:15,946 IT WAS NOTHIN'. 1085 01:05:16,013 --> 01:05:17,948 AND I MEAN, JANE TOOK IT PRETTY HARD. 1086 01:05:18,015 --> 01:05:20,750 I MEAN, JANE TAKES EVERYTHING PRETTY HARD. 1087 01:05:20,817 --> 01:05:23,087 [Jane laughing] 1088 01:05:26,790 --> 01:05:28,892 WH-WHAT AM I TELLING YOU FOR? 1089 01:05:28,959 --> 01:05:31,095 YOU DON'T EVEN HAVE A C.D. PLAYER. 1090 01:05:37,234 --> 01:05:38,468 (Jones) DEAR DAD, 1091 01:05:38,535 --> 01:05:40,370 YOU'LL BE GLAD TO KNOW I'M RECOVERING 1092 01:05:40,437 --> 01:05:41,705 FROM THE ACCIDENT, 1093 01:05:41,771 --> 01:05:43,974 AND THAT GIRL I TOLD YOU ABOUT, 1094 01:05:44,041 --> 01:05:46,076 SHE'S AS GOOD AS NEW. 1095 01:05:46,143 --> 01:05:47,844 WHAT I CAN'T FIGURE OUT IS 1096 01:05:47,911 --> 01:05:49,579 HOW COULD I HAVE BEEN SO STUPID? 1097 01:05:49,646 --> 01:05:51,348 [knocking on door] 1098 01:06:15,505 --> 01:06:16,506 HOW? 1099 01:06:17,741 --> 01:06:19,443 YOU'RE LISTED. 1100 01:06:19,509 --> 01:06:22,146 THAT BRAD PERSON DOWNSTAIRS. 1101 01:06:22,212 --> 01:06:24,514 HE TOLD ME WHICH APARTMENT, SO... 1102 01:06:25,649 --> 01:06:27,084 THAT BRAD PERSON? 1103 01:06:27,151 --> 01:06:29,686 YEAH. YOU KNOW, HE MADE A PASS AT ME. 1104 01:06:29,753 --> 01:06:31,555 WOULDN'T YOU KNOW IT? 1105 01:06:32,356 --> 01:06:34,191 YOU LOOK NICE, BLANCHE. 1106 01:06:34,258 --> 01:06:35,292 WELL... 1107 01:06:36,926 --> 01:06:38,695 THEN ASK ME TO SIT DOWN. 1108 01:06:43,433 --> 01:06:47,137 WELL, THANK YOU, MR. SOPHISTICATED. 1109 01:06:47,204 --> 01:06:48,205 MMM. 1110 01:06:50,874 --> 01:06:51,875 [sighing] 1111 01:06:52,742 --> 01:06:54,344 I GOT A MOTORCYCLE. 1112 01:06:55,112 --> 01:06:57,447 WELL, ISN'T THAT NICE. 1113 01:06:57,514 --> 01:06:59,683 MAYBE I SHOULD THROW MYSELF OFF THIS ROOF, 1114 01:06:59,749 --> 01:07:02,419 SAVE THE TROUBLE OF HAVING TO BURY YOU. 1115 01:07:02,486 --> 01:07:04,254 I DON'T THINK THE FALL WOULD KILL YOU, 1116 01:07:04,321 --> 01:07:05,455 BUT YOU COULD TRY IT. 1117 01:07:05,522 --> 01:07:06,790 [laughing] 1118 01:07:06,856 --> 01:07:09,059 TELL ME ABOUT THIS JANE PERSON. 1119 01:07:09,126 --> 01:07:11,661 SKIP THE PART ABOUT HER BEING A LOUSY DRIVER THOUGH. 1120 01:07:12,596 --> 01:07:14,064 I DON'T KNOW. 1121 01:07:15,999 --> 01:07:17,634 SHE'S A LOT LIKE YOU, ACTUALLY. 1122 01:07:17,701 --> 01:07:18,968 THAT'S EXACTLY WHAT HAPPENS. 1123 01:07:19,035 --> 01:07:21,571 BOYS ALWAYS CHASE AFTER GIRLS 1124 01:07:21,638 --> 01:07:23,673 THAT REMIND THEM OF THEIR MOTHERS. 1125 01:07:23,740 --> 01:07:26,443 SHE DRINKS, SHE'S RUDE, SHE'S LOUD. 1126 01:07:26,510 --> 01:07:28,378 YEAH, OK. SHUT UP, WILL YOU? 1127 01:07:30,447 --> 01:07:31,748 IS SHE PRETTY? 1128 01:07:33,150 --> 01:07:34,451 SHE'S BEAUTIFUL. 1129 01:07:41,825 --> 01:07:43,327 WHAT ABOUT YOU, BLANCHE? 1130 01:07:43,393 --> 01:07:46,596 ARE YOU MAKING ANYONE MISERABLE ON A REGULAR BASIS? 1131 01:07:46,663 --> 01:07:48,165 WELL, IF THAT'S YOU'RE CUTE WAY 1132 01:07:48,232 --> 01:07:50,600 OF ASKING IF I'M IN LOVE WITH ANYBODY, 1133 01:07:50,667 --> 01:07:52,236 THE ANSWER IS NO. 1134 01:07:53,703 --> 01:07:55,139 COME ON, BLANCHE. 1135 01:07:55,205 --> 01:07:56,906 WELL, SURE, THERE MIGHT BE TIMES 1136 01:07:56,973 --> 01:07:59,476 WHEN I'M SWEET ON A MAN. 1137 01:07:59,543 --> 01:08:00,910 I LIKE TO FEEL GOOD 1138 01:08:00,977 --> 01:08:02,579 AS MUCH AS THE NEXT GIRL. 1139 01:08:02,646 --> 01:08:05,482 BUT DON'T CONFUSE FEELING GOOD 1140 01:08:05,549 --> 01:08:07,584 WITH BEING IN LOVE, JONES. 1141 01:08:07,651 --> 01:08:09,653 NOW THOSE 2 ROADS, 1142 01:08:09,719 --> 01:08:11,288 THEY RARELY CROSS. 1143 01:08:11,355 --> 01:08:13,056 RARELY OR NEVER? 1144 01:08:14,358 --> 01:08:15,592 [chuckles] 1145 01:08:17,261 --> 01:08:19,396 WHY ARE YOU STILL DRAGGING AROUND 1146 01:08:19,463 --> 01:08:20,897 THAT BEAT-UP TRUNK? 1147 01:08:22,098 --> 01:08:23,667 THAT'S ALL I HAVE, 1148 01:08:23,733 --> 01:08:25,535 THAT AND THIS TYPEWRITER. 1149 01:08:28,071 --> 01:08:29,539 WELL, WHY DON'T YOU SEE 1150 01:08:29,606 --> 01:08:31,875 IF YOU'VE GOT A BLANKET IN THERE FOR ME? 1151 01:08:34,511 --> 01:08:35,945 I GUESS IT'S GETTING LATE. 1152 01:08:37,847 --> 01:08:39,249 WE'LL TALK TOMORROW. 1153 01:08:40,184 --> 01:08:41,551 OK. 1154 01:08:42,752 --> 01:08:44,321 TOMORROW. 1155 01:09:10,714 --> 01:09:13,750 LATELY THERE'S BEEN A CHANGE IN ME 1156 01:09:13,817 --> 01:09:18,054 AND I'M NOT SURE IF I CAN HANDLE IT 1157 01:09:18,121 --> 01:09:21,491 BUT EVERY DAY HAS A DIFFERENT WAY 1158 01:09:21,558 --> 01:09:23,293 TO TEAR ME APART 1159 01:09:23,360 --> 01:09:25,795 JUST A LITTLE BIT 1160 01:09:25,862 --> 01:09:28,932 IT'S SEEMS I'VE BEEN TAKING THE LONG WAY DOWN 1161 01:09:28,998 --> 01:09:32,902 TO A PLACE I REALLY DIDN'T WANNA GO 1162 01:09:32,969 --> 01:09:36,606 I CAN'T EXPLAIN WHY YOU PICK MY BRAIN 1163 01:09:36,673 --> 01:09:39,809 JUST TO TELL ME WHAT I ALREADY KNOW 1164 01:09:39,876 --> 01:09:44,348 IT WAS A LONELY MIXED-UP TRAGEDY 1165 01:09:44,414 --> 01:09:49,052 BUT IT'S SOMETHING THAT I JUST CAN'T SEEM TO RELEASE 1166 01:09:49,118 --> 01:09:51,120 NOT WHAT I WANTED 1167 01:09:51,187 --> 01:09:54,123 NOT WHAT I NEED 1168 01:09:56,726 --> 01:09:58,528 NOT WHAT I WANTED 1169 01:09:58,595 --> 01:10:00,997 NOT WHAT I NEED 1170 01:10:03,066 --> 01:10:06,303 DEEP INSIDE WHERE I USED TO HIDE 1171 01:10:06,370 --> 01:10:10,640 THERE'S A PLACE IN NEED OF A MIRACLE 1172 01:10:10,707 --> 01:10:13,743 AND PEOPLE CLAIM THAT THEY'LL STAY THE SAME 1173 01:10:13,810 --> 01:10:17,113 BUT THEY NEVER HAVE AND THEY NEVER WILL 1174 01:10:17,180 --> 01:10:21,718 WELL, IT'S A LONELY MIXED UP MEMORY 1175 01:10:21,785 --> 01:10:23,320 AND IT LEAVES ME HERE 1176 01:10:23,387 --> 01:10:26,823 WITH NOTHING MORE TO BELIEVE 1177 01:10:26,890 --> 01:10:28,358 NOT WHAT I WANTED 1178 01:10:28,425 --> 01:10:31,361 NOT WHAT I NEED 1179 01:10:34,331 --> 01:10:35,832 NOT WHAT I WANTED 1180 01:10:35,899 --> 01:10:37,200 [screams] 1181 01:10:38,435 --> 01:10:40,804 I STILL WANT IT 1182 01:10:41,538 --> 01:10:43,507 NOT WHAT I WANTED 1183 01:10:43,573 --> 01:10:45,409 NOT WHAT I NEED 1184 01:11:26,550 --> 01:11:28,084 JONES, WATCH THE ROAD! 1185 01:11:31,455 --> 01:11:33,122 IT'S BEAUTIFUL. 1186 01:11:33,189 --> 01:11:35,091 YOU GUYS ARE UNBELIEVABLE. 1187 01:11:35,158 --> 01:11:37,160 WELL, ALL I DID WAS BEAT ON IT. 1188 01:11:40,930 --> 01:11:43,900 HOW WOULD YOU LIKE TO DRIVE IT? 1189 01:11:43,967 --> 01:11:46,370 AROUND THE BLOCK OR 2,000 MILES ONE WAY? 1190 01:11:50,674 --> 01:11:51,708 OK. 1191 01:11:53,910 --> 01:11:55,078 I'LL DO IT. 1192 01:11:56,780 --> 01:11:58,247 WHY WOULD YOU DO IT? 1193 01:11:59,215 --> 01:12:00,717 WE'RE FRIENDS, RIGHT? 1194 01:12:02,285 --> 01:12:04,087 YEAH, WE'RE FRIENDS. 1195 01:12:31,481 --> 01:12:34,217 POOR GUY, HE'S CRYING. 1196 01:12:35,118 --> 01:12:37,587 CRYING, WOW. 1197 01:12:37,654 --> 01:12:40,289 I'LL ONLY BE GONE FOR A COUPLE OF DAYS. 1198 01:12:41,858 --> 01:12:43,627 SHUT UP, JONES, AND DRIVE. 1199 01:12:44,428 --> 01:12:45,429 RIGHT. 1200 01:13:05,348 --> 01:13:08,552 "I'M SORRY, JONES. I DON'T HAVE ANY ANSWERS. 1201 01:13:08,618 --> 01:13:10,253 "NOT MANY, ANYWAY. 1202 01:13:10,319 --> 01:13:12,956 "AND PROBABLY NONE THAT WOULD MAKE YOU VERY HAPPY. 1203 01:13:14,824 --> 01:13:17,360 "NO ONE EVER LOOKED AT ME THE WAY YOUR FATHER DID. 1204 01:13:17,427 --> 01:13:20,530 HE DIDN'T SEE A PRETTY GIRL WITH A RICH DADDY." 1205 01:13:20,597 --> 01:13:23,366 (Blanche) HE SAW SOMEONE WITH HOPES AND DREAMS 1206 01:13:23,433 --> 01:13:24,834 OF HER OWN, 1207 01:13:24,901 --> 01:13:27,571 AND I WOULD HAVE FOLLOWED HIM ANYWHERE. 1208 01:13:27,637 --> 01:13:29,305 WELL, WE ONLY GOT AS FAR AS 1209 01:13:29,372 --> 01:13:31,875 A LITTLE CABIN IN A MOTOR COURT. 1210 01:13:31,941 --> 01:13:34,678 I MADE EGGS AND TOAST I N THE KITCHEN, 1211 01:13:34,744 --> 01:13:38,848 AND WE LAUGHED, MADE LOVE, AND DRANK WHISKEY. 1212 01:13:38,915 --> 01:13:41,084 AND I WASN'T MORE THAN 50 MILES FROM HOME, 1213 01:13:41,150 --> 01:13:43,386 BUT IT FELT LIKE 5,000. 1214 01:13:44,120 --> 01:13:46,490 AND THOSE 2 LITTLE ROOMS, 1215 01:13:46,556 --> 01:13:49,959 THEY FELT LIKE THE WHOLE WIDE WORLD TO ME. 1216 01:13:50,026 --> 01:13:51,394 BUT FOR HIM, 1217 01:13:51,461 --> 01:13:53,730 I THINK IT WAS JUST ANOTHER DOT 1218 01:13:53,797 --> 01:13:55,532 ON ANOTHER MAP. 1219 01:13:55,599 --> 01:13:58,034 I'M SORRY, JONES. 1220 01:13:58,101 --> 01:14:01,037 I KNOW I TOLD YOU A LOT OF PRETTY THINGS 1221 01:14:01,104 --> 01:14:02,371 ABOUT YOUR FATHER, 1222 01:14:02,438 --> 01:14:04,974 THINGS I WANTED TO BELIEVE, TOO, 1223 01:14:05,041 --> 01:14:06,209 BUT THE TRUTH IS 1224 01:14:06,275 --> 01:14:08,945 YOU NEVER MET YOUR DADDY. 1225 01:14:09,012 --> 01:14:11,047 ONE DAY HE WENT OUT FOR CIGARETTES 1226 01:14:11,114 --> 01:14:13,049 AND HE NEVER CAME BACK. 1227 01:14:23,426 --> 01:14:25,529 (Jane) THESE LETTERS OF YOURS ARE HILARIOUS. 1228 01:14:25,595 --> 01:14:27,931 I WISH YOU'D LET ME SHOW THIS ONE TO STEVE, 1229 01:14:27,997 --> 01:14:31,000 WHERE I'M TIED UP IN THE TRUNK AND YOU COME TO MY RESCUE. 1230 01:14:32,736 --> 01:14:34,437 I KNOW WHAT HE DID. 1231 01:14:35,639 --> 01:14:36,773 WHAT WHO DID? 1232 01:14:36,840 --> 01:14:37,907 STEVE. 1233 01:14:37,974 --> 01:14:39,676 I KNOW WHAT HE DID. 1234 01:14:49,619 --> 01:14:50,620 OH. 1235 01:14:51,688 --> 01:14:53,389 JESUS! 1236 01:14:53,456 --> 01:14:55,692 ARE YOU TRYING TO GET ME DRUNK? 1237 01:15:05,034 --> 01:15:07,804 I TRIED TO PRETEND IT DIDN'T HAPPEN, 1238 01:15:07,871 --> 01:15:09,639 THAT I DIDN'T KNOW, 1239 01:15:09,706 --> 01:15:12,141 THAT I COULDN'T SEE IT IN HIS FACE. 1240 01:15:12,742 --> 01:15:14,010 BUT WHY? 1241 01:15:14,077 --> 01:15:15,411 WHY PRETEND? 1242 01:15:16,880 --> 01:15:18,548 BECAUSE I DIDN'T WANT TO GO BACK 1243 01:15:18,615 --> 01:15:21,384 TO THE WAY IT WAS BEFORE. 1244 01:15:21,450 --> 01:15:23,920 WITH STEVE, THERE'S NO YESTERDAY, 1245 01:15:23,987 --> 01:15:26,155 NO TOMORROW, JUST NOW. 1246 01:15:26,222 --> 01:15:28,124 ALWAYS AND FOREVER, NOW. 1247 01:15:29,325 --> 01:15:30,827 FOR THE FIRST TIME IN MY LIFE, 1248 01:15:30,894 --> 01:15:33,362 I KNEW WHAT IT FELT LIKE TO BE FREE. 1249 01:15:33,429 --> 01:15:35,732 LET ME TRY. 1250 01:15:35,799 --> 01:15:38,501 I COULD DO IT, JANE. I COULD RESCUE YOU. 1251 01:15:38,568 --> 01:15:40,436 YOU ARE SO NICE. 1252 01:15:40,503 --> 01:15:43,239 I COULD FUCK LISA IF NICE IS A PROBLEM FOR YOU. 1253 01:15:47,543 --> 01:15:48,812 WE'RE TOO MUCH ALIKE. 1254 01:15:48,878 --> 01:15:51,047 I COULD SEE IT IN THE PHOTOS I TOOK. 1255 01:15:53,049 --> 01:15:54,684 I CAN SEE IT NOW. 1256 01:16:06,195 --> 01:16:07,997 ARE YOU AFRAID OF THE DARK? 1257 01:16:08,064 --> 01:16:10,066 I THOUGHT YOU'D WANT IT. 1258 01:16:10,133 --> 01:16:11,835 YOU CAN SWITCH IT OFF. 1259 01:16:41,765 --> 01:16:43,166 [rustling] 1260 01:16:53,009 --> 01:16:54,277 JONES, 1261 01:16:55,444 --> 01:16:57,346 THIS IS NOT HAPPENING. 1262 01:17:00,416 --> 01:17:01,617 SAY IT. 1263 01:17:02,919 --> 01:17:04,988 THIS IS NOT HAPPENING. 1264 01:17:05,054 --> 01:17:08,457 IT'S SNOWING ON THE WEST SIDE 1265 01:17:13,730 --> 01:17:17,566 LET ME TAKE YOU FOR A RIDE 1266 01:17:19,135 --> 01:17:23,139 IT'S SNOWING ON THE WEST SIDE 1267 01:17:23,206 --> 01:17:27,176 I'LL BE BONNIE AND YOU'LL BE CLYDE 1268 01:17:32,949 --> 01:17:33,316 SEE IF WE 1269 01:17:35,284 --> 01:17:38,487 CAN GET OURSELVES KILLED 1270 01:17:38,554 --> 01:17:42,425 BEFORE WE DIE, OH, YEAH 1271 01:17:42,491 --> 01:17:46,730 DRIVE LIKE BANDITS ON THE QUEENSWAY 1272 01:17:52,235 --> 01:17:56,205 WE'LL HOLD HANDS LIKE IN THE MOVIES 1273 01:18:01,310 --> 01:18:02,478 I'LL SAY 1274 01:18:02,545 --> 01:18:05,882 OH, CLYDE YOU DRIVE ME CRAZY 1275 01:18:11,254 --> 01:18:14,924 YOU'LL JUST CAPTURE ME LIKE IT WAS 1276 01:18:15,759 --> 01:18:18,828 ARMED ROBBERY 1277 01:18:22,398 --> 01:18:24,133 YOU KNOW, 1278 01:18:24,200 --> 01:18:26,069 I'VE BEEN SOME PLACES. 1279 01:18:26,836 --> 01:18:29,172 TEXAS, DELAWARE, 1280 01:18:30,106 --> 01:18:32,608 3 SCHOOLS IN NEW HAMPSHIRE, 1281 01:18:32,675 --> 01:18:34,677 KANSAS, 1282 01:18:34,744 --> 01:18:36,913 NOT EVERYWHERE, SO MAYBE I'M WRONG. 1283 01:18:38,714 --> 01:18:42,085 BUT I THINK YOU'RE PROBABLY THE MOST BEAUTIFUL WOMAN IN THE WORLD. 1284 01:18:43,219 --> 01:18:44,854 WHAT DID YOU SAY? 1285 01:18:46,089 --> 01:18:47,356 NOTHING. 1286 01:18:50,626 --> 01:18:52,261 YOU SAID SOMETHING. 1287 01:18:54,363 --> 01:18:56,032 I SAID, WE'RE HERE. 1288 01:19:09,512 --> 01:19:11,314 HEY, GUY! 1289 01:19:11,380 --> 01:19:14,217 I CAN'T BELIEVE THIS PIECE OF CRAP ACTUALLY MADE IT. 1290 01:19:21,690 --> 01:19:23,059 YOU CAN'T DO THIS. 1291 01:19:23,126 --> 01:19:24,260 DON'T. 1292 01:19:24,327 --> 01:19:25,628 WHAT'S THAT? 1293 01:19:26,662 --> 01:19:28,164 THAT STAYS. 1294 01:19:29,365 --> 01:19:30,566 OH, RIGHT, 1295 01:19:30,633 --> 01:19:33,236 THE TOP SECRET FUNNY STUFF. WHAT WAS I THINKING? 1296 01:19:34,103 --> 01:19:35,638 LAST NIGHT DID HAPPEN. 1297 01:19:35,704 --> 01:19:37,540 PLEASE, JONES. 1298 01:19:37,606 --> 01:19:39,342 WHAT HAPPENED LAST NIGHT? 1299 01:19:39,408 --> 01:19:40,543 NOTHING. 1300 01:19:40,609 --> 01:19:42,178 NOTHING HAPPENED LAST NIGHT. 1301 01:19:42,245 --> 01:19:43,712 YES, IT DID, AND IT WASN'T NOTHING. 1302 01:19:43,779 --> 01:19:44,780 IT WAS SOMETHING. 1303 01:19:44,848 --> 01:19:46,149 STOP IT. 1304 01:19:46,215 --> 01:19:47,350 IS THIS SOMETHING I SHOULD KNOW ABOUT? 1305 01:19:47,416 --> 01:19:48,551 NO. YES. 1306 01:19:49,652 --> 01:19:50,854 IT IS. 1307 01:19:51,687 --> 01:19:53,356 IN YOUR DREAMS, KID. 1308 01:19:54,223 --> 01:19:55,892 [both grunting] 1309 01:19:55,959 --> 01:19:57,961 WHAT ARE YOU DOING, JONES? 1310 01:19:59,128 --> 01:20:01,130 STEVE, STOP IT! 1311 01:20:02,565 --> 01:20:03,799 STOP IT! 1312 01:20:05,601 --> 01:20:08,571 GET IN THE CAR, JONES. I WANT TO TALK TO YOU. 1313 01:20:14,543 --> 01:20:15,879 WHY DID YOU DO THAT? 1314 01:20:15,945 --> 01:20:17,213 JANE, WHAT ARE YOU DOING? 1315 01:20:17,280 --> 01:20:18,614 COME ON, OPEN UP! 1316 01:20:18,681 --> 01:20:20,249 YOU'RE BETTER THAN THIS, JANE. 1317 01:20:20,316 --> 01:20:21,417 YOU'RE BETTER THAN OK. 1318 01:20:21,484 --> 01:20:22,818 COME ON, OPEN THE GODDAMN CAR! 1319 01:20:22,886 --> 01:20:23,987 GIVE ME A MINUTE. 1320 01:20:24,053 --> 01:20:25,488 GIVE ME A MINUTE! 1321 01:20:26,422 --> 01:20:27,823 LAST NIGHT WAS NOW, WASN'T IT? 1322 01:20:27,891 --> 01:20:29,792 THERE WAS NO YESTERDAY, NO TOMORROW, 1323 01:20:29,859 --> 01:20:31,260 AND IT STILL IS NOW. 1324 01:20:31,327 --> 01:20:32,528 IT'S NOT TOO LATE. 1325 01:20:32,595 --> 01:20:34,898 JONES, IT IS TOMORROW. 1326 01:20:34,964 --> 01:20:37,500 I'M HERE. I--I CANNOT GO BACK. 1327 01:20:37,566 --> 01:20:38,567 JANE... 1328 01:20:41,737 --> 01:20:43,206 DOES IT HURT? 1329 01:20:46,709 --> 01:20:48,777 I WANT YOU TO TAKE THE CAR. 1330 01:20:49,645 --> 01:20:51,314 I DON'T WANT THE CAR. 1331 01:20:51,380 --> 01:20:52,548 TAKE IT ANYWAYS. 1332 01:20:52,615 --> 01:20:55,251 YOU FIXED HER. YOU PUT HER BACK TOGETHER. 1333 01:21:06,329 --> 01:21:07,596 [door closes] 1334 01:21:15,071 --> 01:21:16,305 [car starts] 1335 01:21:19,608 --> 01:21:21,377 CLOSE YOUR EYES 1336 01:21:21,444 --> 01:21:23,146 MAGGIE CASSIDY 1337 01:21:23,212 --> 01:21:24,981 [all chattering] 1338 01:21:27,083 --> 01:21:30,353 AND TAKE YOUR LEAVE OF ME 1339 01:21:30,419 --> 01:21:31,687 [siren wailing] 1340 01:21:31,754 --> 01:21:34,057 OH, SHIT! SOMEBODY CALLED THE COPS! 1341 01:21:34,123 --> 01:21:35,925 LET'S GET THE HELL OUT OF HERE. 1342 01:21:35,992 --> 01:21:37,260 LET'S GO, MAN! 1343 01:21:37,326 --> 01:21:38,694 THAT I THOUGHT I'D BE 1344 01:21:38,761 --> 01:21:41,364 PIECE OF SHIT CAR! 1345 01:21:41,430 --> 01:21:43,299 LET'S GO. LET'S GO! 1346 01:21:44,700 --> 01:21:46,135 [ringing] 1347 01:21:47,170 --> 01:21:48,237 MMM. 1348 01:21:51,107 --> 01:21:52,375 HELLO? 1349 01:21:52,441 --> 01:21:54,978 (Jones) IT WAS ME, WASN'T IT, BLANCHE? 1350 01:21:56,045 --> 01:21:57,780 JONES? 1351 01:21:57,846 --> 01:21:59,448 (Jones) ALL OF THESE YEARS, I BLAMED YOU. 1352 01:21:59,515 --> 01:22:00,950 I THOUGHT IT WAS YOUR FAULT, 1353 01:22:01,017 --> 01:22:03,486 BUT IT WAS ME, ALWAYS ME. 1354 01:22:03,552 --> 01:22:05,421 JONES, WHERE ARE YOU? 1355 01:22:05,488 --> 01:22:07,590 WHY DIDN'T YOU TELL ME THE TRUTH ABOUT WHY HE LEFT? 1356 01:22:07,656 --> 01:22:09,492 THAT HE LEFT BECAUSE YOU GOT PREGNANT? 1357 01:22:09,558 --> 01:22:11,094 BECAUSE, UH... 1358 01:22:12,895 --> 01:22:14,497 OH, HONEY. 1359 01:22:16,765 --> 01:22:21,104 BECAUSE I DIDN'T WANT YOU TO FEEL THE WAY I DID. 1360 01:22:21,170 --> 01:22:23,839 I THOUGHT I COULD AT LEAST DO THAT FOR YOU. 1361 01:22:23,906 --> 01:22:26,642 SO YOU COULD SEND ME AWAY TO SCHOOL 1362 01:22:26,709 --> 01:22:27,810 AND EVERY SUMMER. 1363 01:22:27,876 --> 01:22:30,413 NO, THAT WAS YOUR GRANDDADDY'S DOING. 1364 01:22:32,048 --> 01:22:33,816 HE SAID THAT I'D... 1365 01:22:33,882 --> 01:22:35,951 I'D NEVER MAKE FOR ANY KIND OF A MOTHER 1366 01:22:36,019 --> 01:22:38,621 AND I SHOULD JUST TAKE CARE OF IT. 1367 01:22:38,687 --> 01:22:40,589 YOU WERE MY CHANCE, JONES. 1368 01:22:40,656 --> 01:22:42,525 THAT HE MIGHT COME BACK. 1369 01:22:42,591 --> 01:22:44,727 I WAS YOUR CHANCE THAT HE'D COME BACK. 1370 01:22:44,793 --> 01:22:47,863 NO. I KNEW HE WASN'T COMING BACK. 1371 01:22:47,930 --> 01:22:50,333 YOU CAN'T STOP SOME PEOPLE, JONES. 1372 01:22:51,767 --> 01:22:54,703 THEY COME INTO YOUR LIFE DESTINED TO LEAVE IT. 1373 01:22:55,938 --> 01:22:58,874 YOU CAN WRAP YOUR ARMS TIGHT AROUND THEM, 1374 01:22:58,941 --> 01:23:00,576 BUT THE BEST THAT YOU CAN HOPE TO DO 1375 01:23:00,643 --> 01:23:03,379 IS JUST SLOW 'EM DOWN A LITTLE, 1376 01:23:03,446 --> 01:23:06,549 BECAUSE THERE'S NO HOLDING ON TIGHT ENOUGH. 1377 01:23:09,685 --> 01:23:11,754 BUT YOU WERE MINE. 1378 01:23:11,820 --> 01:23:14,723 YOU WERE MY CHANCE AND I BLEW IT. 1379 01:23:14,790 --> 01:23:16,125 BLANCHE. 1380 01:23:17,293 --> 01:23:18,294 NO. 1381 01:23:20,063 --> 01:23:21,764 YOU DIDN'T BLOW IT, BLANCHE. 1382 01:23:57,400 --> 01:23:58,601 JONES! 1383 01:23:59,302 --> 01:24:00,903 GUESS WHAT? 1384 01:24:00,969 --> 01:24:02,771 YOU'RE MOVING OUT. 1385 01:24:02,838 --> 01:24:05,308 GUESS WHY I'M MOVING OUT. 1386 01:24:05,374 --> 01:24:06,575 YOU GOT A PART. 1387 01:24:06,642 --> 01:24:07,710 YES! 1388 01:24:07,776 --> 01:24:10,246 IT'S A MUSICAL REVUE ON A CRUISE SHIP, 1389 01:24:10,313 --> 01:24:12,181 SO MY STUFF IS GOING INTO STORAGE, 1390 01:24:12,248 --> 01:24:14,650 AND I'M GOING TO SEA! 1391 01:24:14,717 --> 01:24:16,152 WHAT HAPPENED TO YOUR EYE? 1392 01:24:16,219 --> 01:24:18,587 OH, IT'S NOTHING. CONGRATULATIONS, LISA. 1393 01:24:19,888 --> 01:24:21,457 I LEFT YOU SOMETHING. 1394 01:24:26,629 --> 01:24:28,864 IT'S GONNA BE WORTH SOMETHING SOMEDAY. 1395 01:24:28,931 --> 01:24:31,434 YOU WANT ME TO AUTOGRAPH IT FOR YOU? 1396 01:24:32,135 --> 01:24:34,036 I'LL JUST HOLD ONTO IT. 1397 01:25:54,383 --> 01:25:55,951 THERE WAS ONCE A KID 1398 01:25:56,018 --> 01:25:58,221 WHO HAD NO HOPE INSIDE HIS MIND 1399 01:25:58,287 --> 01:26:00,923 PEOPLE PUTTING HIM DOWN 'CAUSE HE HAD A BIG APPE- 1400 01:26:00,989 --> 01:26:02,858 HAD A BIG APPETITE 1401 01:26:02,925 --> 01:26:04,927 DAY AFTER DAY IT'S ALL THE SAME 1402 01:26:04,993 --> 01:26:07,162 PROTECTING HIMSELF FROM GUILT AND SHAME 1403 01:26:07,230 --> 01:26:08,264 HI. 1404 01:26:08,331 --> 01:26:09,865 WHERE YOU BEEN? 1405 01:26:09,932 --> 01:26:11,967 HERE, HIT THIS, MAN. CHECK IT OUT. 1406 01:26:13,135 --> 01:26:14,670 HEY! 1407 01:26:14,737 --> 01:26:16,472 HEY, WHAT THE FUCK? 1408 01:26:16,872 --> 01:26:18,607 HEY! 1409 01:26:18,674 --> 01:26:20,309 WHAT'RE--WHAT'RE YOU DOING? 1410 01:26:20,376 --> 01:26:22,110 WHAT ARE YOU DOING? 1411 01:26:22,177 --> 01:26:24,380 [scanning radio] 1412 01:26:24,447 --> 01:26:26,114 WHAT ARE YOU DOING? 1413 01:26:29,084 --> 01:26:31,720 (male announcer) NO TALK, NO ROCK, NO RAP, NO CRAP. 1414 01:26:31,787 --> 01:26:33,589 NOTHING BUT TODAY'S BEST COUNTRY, 1415 01:26:33,656 --> 01:26:35,123 24 HOURS A DAY. 1416 01:26:35,190 --> 01:26:37,293 [screaming] 1417 01:26:38,827 --> 01:26:40,629 [country music playing] 1418 01:26:44,300 --> 01:26:45,734 [tires screeching] 1419 01:26:47,069 --> 01:26:48,904 HEY, YOU! 1420 01:26:48,971 --> 01:26:50,473 WAIT A MINUTE, I KNOW YOU. 1421 01:26:50,539 --> 01:26:51,774 WHAT'D I TELL YOU, KID? 1422 01:26:51,840 --> 01:26:53,175 HUH, WHAT'D I TELL YOU? 1423 01:26:53,242 --> 01:26:54,943 I THINK YOU DROPPED THIS. 1424 01:26:55,010 --> 01:26:56,479 OH, MY GOD. 1425 01:26:56,545 --> 01:26:59,282 SHIT! SHIT! THIS IS A NEW SHIRT! 1426 01:27:00,283 --> 01:27:01,584 THIS IS A NEW SHIRT. 1427 01:27:03,352 --> 01:27:04,987 SHIT. SHIT. 1428 01:27:07,356 --> 01:27:08,357 UH. 1429 01:27:08,424 --> 01:27:10,726 DON'T EVER CHANGE THAT HAIR, OK? 1430 01:27:12,227 --> 01:27:13,829 [screaming] 1431 01:27:13,896 --> 01:27:16,031 WHY DON'T YOU RIDE MY TRAIN? 1432 01:27:17,833 --> 01:27:20,469 WHY DON'T YOU RIDE MY TRAIN? 1433 01:27:22,037 --> 01:27:24,640 WHY DON'T YOU RIDE MY TRAIN? 1434 01:27:26,309 --> 01:27:29,345 WHY DON'T YOU RIDE MY TRAIN? 1435 01:27:29,412 --> 01:27:30,613 [engine stalling] 1436 01:27:30,679 --> 01:27:33,916 WHY DON'T YOU RIDE MY TRAIN? 1437 01:28:17,125 --> 01:28:19,294 WHAT THE HELL DID YOU DO TO MY CAR? 1438 01:28:21,497 --> 01:28:22,865 SORRY ABOUT THAT. 1439 01:28:23,332 --> 01:28:24,733 LIAR. 1440 01:28:29,672 --> 01:28:31,974 WHAT HAPPENED TO YOUR MOTORBIKE? 1441 01:28:32,040 --> 01:28:33,809 SHE JUST QUIT ON ME. 1442 01:28:35,177 --> 01:28:36,879 NOTHING LASTS FOREVER. 1443 01:28:38,881 --> 01:28:39,882 RIGHT. 1444 01:28:51,894 --> 01:28:55,030 DO YOU STILL THINK I'M THE MOST BEAUTIFUL WOMAN IN THE WORLD? 1445 01:28:56,932 --> 01:28:58,601 SHUT UP AND DRIVE. 1446 01:29:00,969 --> 01:29:03,406 I'M GETTING ALONG WITH THE EARTH RESIDENCY 1447 01:29:03,472 --> 01:29:06,074 EVEN WITH THIS COLD, INTOLERANT, BLACK TENDENCY 1448 01:29:06,141 --> 01:29:08,176 I'LL PLAY A TENDER, ROCKIN' FELLOW 1449 01:29:08,243 --> 01:29:10,479 BUT I'M UP FOR STAYING MELLOW 1450 01:29:10,546 --> 01:29:12,715 EVEN WAY DOWN HERE, THEY SAY THERE'S HIGHS AND LOWS 1451 01:29:12,781 --> 01:29:14,917 STILL SQUARES CHANTING JINGLES 1452 01:29:14,983 --> 01:29:17,219 SAYING THEY GOT ALL I NEED AND HAVE TO KNOW 1453 01:29:17,285 --> 01:29:19,755 MELT IT DOWN, IT'S QUITE SIMPLE 1454 01:29:19,822 --> 01:29:22,057 COMIN' IN READY TO SWING 1455 01:29:22,124 --> 01:29:24,393 COMIN' IN READY TO SWAY 1456 01:29:24,460 --> 01:29:26,862 BAND ROCKS STEADY, FRESH AND READY 1457 01:29:26,929 --> 01:29:28,997 LOOK OUT, I'M COMIN' YOUR WAY 1458 01:29:29,064 --> 01:29:31,400 COMIN' IN AND READY TO DO 1459 01:29:31,467 --> 01:29:33,769 COMIN' IN READY TO MOVE 1460 01:29:33,836 --> 01:29:36,204 THIS LITTLE LIGHT OF MINE, GONNA MAKE IT SHINE 1461 01:29:36,271 --> 01:29:38,907 LOOK OUT, I'M COMIN' TO YOU 1462 01:29:38,974 --> 01:29:41,510 THIS CHARACTER'S EYES ARE DRIPPING WITH GREAT ACCURACY 1463 01:29:41,577 --> 01:29:43,846 CO-STARS ARE LAYING IT ON IN GOLD CURRENCY 1464 01:29:43,912 --> 01:29:46,014 GOT CHILDREN WAITING FOR A NURSE'S TOUCH 1465 01:29:46,081 --> 01:29:48,083 BRINGIN' OUT SPORTIN' YOUNG TO LOVE SO MUCH 1466 01:29:48,150 --> 01:29:50,553 I NEVER DRIFT, I'M ALWAYS TO THE SWEET SPOT 1467 01:29:50,619 --> 01:29:52,821 LET YOUR FINGERS DUNK IN HER HONEYPOT 1468 01:29:52,888 --> 01:29:55,090 AND THOSE DOCTORS THAT COULDN'T HOLD A CROWD 1469 01:29:55,157 --> 01:29:57,493 HOLLYWOOD, MONEY, AND FAVORS SO LOUD 1470 01:29:57,560 --> 01:29:59,662 COMIN' IN READY TO SWING 1471 01:29:59,728 --> 01:30:01,897 COMIN' IN READY TO SWAY 1472 01:30:01,964 --> 01:30:04,433 BAND ROCKS STEADY, FRESH AND READY 1473 01:30:04,500 --> 01:30:06,735 LOOK OUT, I'M COMING YOUR WAY 1474 01:30:06,802 --> 01:30:09,071 COMIN' IN AND READY TO DO 1475 01:30:09,137 --> 01:30:11,540 COMIN' IN READY TO MOVE 1476 01:30:11,607 --> 01:30:13,876 THIS LITTLE LIGHT OF MINE, GONNA MAKE IT SHINE 1477 01:30:13,942 --> 01:30:16,111 LOOK OUT, I'M COMIN' TO YOU 1478 01:30:16,178 --> 01:30:18,881 NOW IT'S COMING BACK 1479 01:30:18,947 --> 01:30:21,216 AND IT FEELS SO GOOD 1480 01:30:21,283 --> 01:30:23,251 JUST HOLD OUT YOUR HAND 1481 01:30:23,318 --> 01:30:24,953 AND IT'S UNDERSTOOD 1482 01:30:25,020 --> 01:30:27,055 LIKE A SHININ' STAR 1483 01:30:27,122 --> 01:30:29,291 FEEL WHATEVER YOU ARE 1484 01:30:29,357 --> 01:30:31,393 LIKE A SHININ' STAR 1485 01:30:32,094 --> 01:30:34,396 OH, YEAH 1486 01:30:35,498 --> 01:30:37,432 IF YOU WANT A MEDAL 1487 01:30:39,702 --> 01:30:42,104 I'LL TELL YOU WHAT TO DO 1488 01:30:44,006 --> 01:30:46,742 JUST GET YOUR PAD AND PENCIL 1489 01:30:48,711 --> 01:30:50,913 AND PUT IT IN YOUR BOOK 1490 01:30:50,979 --> 01:30:52,748 HOLD ON, MAN 1491 01:30:53,816 --> 01:30:56,084 COMIN' IN READY TO SWING 1492 01:30:56,151 --> 01:30:58,587 COMIN' IN READY TO SWAY 1493 01:30:58,654 --> 01:31:00,856 BAND ROCKS STEADY, FRESH AND READY 1494 01:31:00,923 --> 01:31:03,225 LOOK OUT, I'M COMING YOUR WAY 1495 01:31:03,291 --> 01:31:05,528 COMIN' IN READY TO DO 1496 01:31:05,594 --> 01:31:07,996 COMIN' IN READY TO MOVE 1497 01:31:08,063 --> 01:31:10,332 THIS LITTLE LIGHT OF MINE, GONNA MAKE IT SHINE 1498 01:31:10,398 --> 01:31:12,668 LOOK OUT, I'M COMING TO YOU 1499 01:31:12,735 --> 01:31:15,037 MOVE ASIDE 1500 01:31:15,103 --> 01:31:17,640 YOU THOUGHT THAT YOU WERE LOST 1501 01:31:17,706 --> 01:31:19,642 MOVE ASIDE 1502 01:31:19,708 --> 01:31:22,044 YOU THOUGHT THAT YOU WERE LOST 1503 01:31:22,110 --> 01:31:24,379 MOVE ASIDE 1504 01:31:24,446 --> 01:31:26,682 MOVE ASIDE 1505 01:31:26,749 --> 01:31:29,051 MOVE ASIDE 1506 01:31:31,887 --> 01:31:33,989 MOVE ASIDE 1507 01:31:34,056 --> 01:31:35,891 YOU THOUGHT THAT YOU WERE LOST 1508 01:31:36,859 --> 01:31:38,460 MOVE ASIDE 93031