All language subtitles for The.Vow.S01E02.WEB.x264-PHOENiX_Subtitles01.ENG

♪ (MYSTICAL MUSIC PLAYS) ♪

(CLAPS)

KEITH RANIERE:
ESP is a methodology

for optimizing or enhancing
human experience and behavior.

WOMAN: Some of the questions
that the coaches asked

were just so spot on.

If you could have
or be anything,

what would that feel like?

Raniere proposed this map
of how everything worked.

MAN 2: It was a unified theory
to explain

why people do what they do
and how to change that.

This is a code
to understand myself.

WOMAN 2:
It was like, holy shit, I can be
the ideal version of myself,

to write my own character.

RANIERE:
The deeper the commitment,

the better and clearer
life becomes.

BONNIE: Hey, can you talk quick?

MAN 2: Bonnie got there first.

BONNIE PIESSE:
If I look at those women,
they're all not doing well.

MAN 2: It took me longer.

BONNIE: There's a lot of things
I'm starting to see

about the organization.

It's not right.

I feel like my life and body
was stolen.

I want to have that life.
I want to get it back.

♪

Mark Vicente:
Hmm.

(Bonnie Piesse speaking)

(Piesse sighs heavily)

(voice breaking)

♪

♪

♪ Days we were young ♪

♪ We took photographs of
everything we could see ♪

♪ We had to run from it ♪

♪ Priest and prophetess ♪

♪ We were nothing
we would defy ♪

♪ Oh, invisible skin ♪

♪ Where is the world within ♪

♪ Invincible skin ♪

♪ It's how we all begin ♪

Bonnie Piesse:
Okay, so I feel wounded
right now.

And I've been trying
really hard to turn it around
and stay positive,

and, you know, trust that,

that good always wins.

That, that light
wins over darkness.

But Keith head-fucked us,

the girls that were
in that group, specifically,
in a way that...

I don't know that everyone
got head-fucked like that.

(voice breaking): So...
So that's the daily struggle.

Vicente:
Huh.

(Piesse speaking)

-Vicente: Well...
-Piesse: But, yeah.

Vicente:
Hmm.

(group applauding)

All:
♪ Happy birthday, Vanguard ♪

(indistinct chatter)

Piesse:
When I first met Keith,

my gut feeling was like...

Ew! You know,
something's a bit gross.

He would kiss you
on the lips.

That's just kind of
what he did.

And everyone else
did it, as well.

But at the same time,
I had really enjoyed
the five-day

and was very moved
and he was the creator of that,

and so I need to like,
let go of that,

and just see what's
right in front of me,

which is a guy who's saying
he wants to help me.

If this guy's created
all these things that are
helping so many people,

like, who cares about the
kissing on the lips thing?

(playing gentle piano music)

Keith Raniere:
Mm-hmm.

(Piesse singing
vocal exercise)

(Raniere plays low note)

(Piesse singing
vocal exercise)

Piesse:
Keith said to me, you know,
you could be in Simply Human,

the singing group of ESP.

That's when I started
spending a lot of time
with Allison Mack.

Allison saw Keith
as like a guru,
a spiritual master,

and she was very committed
to the mission.

Allison Mack:
If we actually understood
compassion,

the world would be
a much better place.

Like, not even the world.
Like .00 percent.

Three percent of the world.
If they could just have

this little dose of love,

everything would change.

Everything.

-Everything.
-(applause)

Are you ready for promotions?

(crowd cheering)

Our proctors have met
various ethical standards

to qualify to enter into

an independent contractor-ship

on one of our career paths.

-You ready?
-Yes.

Nancy Salzman:
Bonnie Piesse.

(crowd cheering)

Allison Mack.

(crowd cheering, applauding)

Our new one-stripe
full proctors.

(crowd applauding)

Piesse:
I was amazed by the EM tech.

(thwacks)

-Ta-da! (chuckles)
-Man: Yeah!

Yay! (laughs)
Thank you.

-(thwacks)
-Ow!

Piesse:
Where you break
a Pavlovian link

to help a person overcome
a limiting belief.

And I wanted to do that
right away.

But then you're told that
you need to wait till
you're a two-stripe coach

to even start learning the tech.

Then you had to
go out and practice.

And so I, I practiced
two and a half years.

Like, 1,500 EMs
to get to two stripe.

I was told that
I could earn money

by the time I got to EM one.

And by the time I got there,
they said,

"Oh, no, we've changed
the standards."

Now you have to pass,
like, we're thinking,
EM five.

Financially, I was going
deeper into debt.

I was kind of just getting by

going to "Star Wars"
conventions,

going and playing shows
at colleges.

-Thank you so much!
-(audience applauding)

It wasn't working.

And Keith kept saying to us,

"Give it a few months
and you guys will be
earning great money."

But instead, it felt like
once I got to proctor,

suddenly I was more obligated
to give for free.

And so you're strung along,
practicing, practicing,
practicing.

Then Keith invited some of us
into development teams.

And that's when the workload
started to get
heavier and heavier.

A typical day during
that time would be

-up at five...
-(alarm beeping)

shove some breakfast
in my body,

run a yoga class,
get feedback from Keith,

coach intensives,
go and give free EMs.

As a facilitator, you couldn't
really get up and even
use the bathroom.

I wouldn't have a lunch break.

I would eat on the way
in the car.

Meetings, meetings, meetings.
I was still trying to uphold

my obligation to
being a proctor.

And then drive to
Simply Human practice.

-(singing vocal warm-up)
-(playing piano)

And then I'd be on the phone
practicing EMs

until two or three.

-(alarm buzzing)
-Up at five.

So like, we were all
running on no sleep.

And even as you're working
23 hours a day,

you're getting feedback
of like, "Why aren't you
doing more?"

What is comfort?
Think about it for a second.

Piesse:
It was about productivity,

but it was about
pushing through.

Like, we were taught
in everything

that to have character
you need to, like,

overcome your body feelings.

And you don't need as much rest
as you think and, like, it's...

It shows you how strong you are.

Comfort is like an addiction,

and when you find comfort,
you try to be more comfortable,

and just everything comfortable

and we don't push
our bodies too much,

and comfortable, comfortable,
comfortable, right?

The more we indulge
in this addiction,

the more we have to lose.

So it feels like tough love.

It feels like you've got
these people who care
about you,

who are saying,
"You need to do this.

"This is all for your own good.

And for the good of the world."

And you're even thankful.
You're like, "Thank you for,
for pushing me,

and like, trying to help me
get through this."

Salzman:
So welcome to the world
of discomfort.

If you are not uncomfortable,
you are not working on anything.

Your life should be
a life of discomfort
if you want to grow.

If you don't want to grow,
hey, sent shit away.
Your choice.

Piesse:
I found myself, like,

sitting in Clifton Park going,
"What are, like--

"How'd I get here?

This is my life now."

And that didn't feel good.

And I was looking around
at all these people

that just didn't seem
joyful to me.

And I was like, I feel like
everyone's being squished.

And I started to see
red flags with Allison.

I noticed that she was getting
obsessed with her weight.

Like, it started
to feel weird.

And I couldn't really
put my finger on it.

But it was just like
a feeling that I had.

The coaches didn't really
deny intuition,

but they led you to believe
that your intuition

was just a feeling,
just a viscera,

and that you needed
to try to fix it.

Like, if you had a normal
emotional reaction
to something,

they explained that
it was just the world
controlling you,

and it was something that
you needed to overcome
and work through.

Raniere:
We want to empower people,

particularly the way our will

interfaces with our body,
our neurology, our viscera.

And we have these
different techniques
that help people,

if you will,
drive their vehicle better.

Piesse:
In exo/eso,
we were taught that

just like you can
stretch your body,

you can also stretch
your emotions and
unlock feelings

that are holding back
your growth.

They give you exercises
where you can literally
open up the viscera,

and expand it into, like, joy.

Woman:
Find yourself in
a comfortable position.

Maybe lay
on the ground, and...

just relax your body.

Now transition to the feeling
of suffering.

Think back to the last time
you suffered.

Just feel that feeling.

(ominous music playing)

Now intensify it.

Bring it up to
the most intense

that you can make
the suffering.

To 25, up to 50.

Seventy-five.
Push a little harder.

All the way up to 100!

One-hundred percent suffering!

Now switch.

(serene music playing)

Bring up
this opposite emotion.

What is it for you?

What do you call it?

Now start to intensify
that even further.

Bring it all the way up
to the 100 of it.

(joyful music playing)

One-hundred percent
of the opposite emotion.

What is this?

What do you call it?
Have you felt it before?

And now you're going to
switch back to suffering.

Go ahead. Switch.

(dark music playing)

Were you able to
bring it back up?

And now switch.

How do you feel now
that you've stretched,

and explored your internal
emotional experience?

(light music playing)

Piesse:
And that's great,
in a lot of ways.

It feels powerful.

It feels like you can go out

and achieve the things
that you want.

And that's in your hands.

But looking back,
I can see how that's
really misused.

It's a way to get you
to ignore your gut feelings.

-(Vicente claps)
-(all clap)

Piesse:
I had to tread
really carefully.

Like I couldn't really say
what I thought to Mark.

He was very defensive.

And he'd fight back and say,
"You have to stop."

But I couldn't stop.

Vicente:
Mm-hmm.

(Piesse speaking)

Vicente:
Mm-hmm.

Piesse:
Keith used to teach
some of us that

on the path to enlightenment,

you'd reach this
barren wasteland.

Like, you reach
a space of nothing

before you find
this ultimate joy.

Raniere:
Joy feels like your, your cells
are gonna burst apart.

As a matter of fact,

the more pain we feel,
the more we feel,

uh, alive in a body.

My body was starting
to fall apart.

(alarm beeping)

And I was having
blood sugar crashes.

(vocal warm-up warping,
distorting)

And I felt like
I couldn't breathe

when I was in the classrooms.

And then Mark encouraged me
to talk to Keith.

-Piesse: Yep.
-Raniere: Well...

-Piesse: Um-hmm.
-(Raniere speaking)

-Raniere: You know?
-Piesse: Mm-hmm.

(Raniere speaking)

-Piesse: Right.
-(Raniere speaking)

Piesse: And it just...

(Piesse sobbing)

-Piesse: No.
-(Raniere speaking)

Piesse:
Usually, I had just obeyed.

But at that point,
my intuition was, like,
screaming at me.

It was like,
"You have to get out."

♪

Before I left,
Allison invited me for a walk.

She was kind of
at her skinniest.

She looked like her back bones
were sticking out.

But I confronted her and I said,
"I think you're sick.

"You're not eating.

"Like, there's a problem,
and you need to address it,

and start eating."

And she said,
"Well, Keith is measuring
my calories.

And he says as long as
I'm having my period,
I'm fine."

And then she said
that she'd made

a lifetime vow to Keith.

And I think she said it was

a vow of devotion.

And she lifted up her shirt
and showed me her belly chain.

She said, "And this is
to symbolize the vow
that I've made."

I certainly didn't
understand it.

But I didn't see
the darkness in it

that was really there
at that point.

(sighs heavily)

(laptop keys clicking)

I reached out to someone
who had quit

and who had kind of
dropped hints

that they knew
what was going on.

And I felt like
they knew something
that I didn't.

I just said, like,

"Would you trust me enough
to tell me what you see?

"'Cause I don't intellectually
know what I'm looking at.

I know what I'm feeling."

And she said, "Well,

in a high-control group..."

And I don't even remember
the rest of the sentence,

but, like, when I heard
high-control group...

It--
I didn't know what it was,

but it just doesn't sound
very good.

♪

And I actually asked,
"Do you think Keith knows?

Like, maybe
we need to tell him."

And she was like,
"I think it's deliberately
designed that way."

And so I called him
and I said, you know,
"Here's what I see.

"I see that all your
companies are...

"built on abuse,
obligation, guilt,

and coercion.
I can't support it."

And he said...

"Oh, I think, you know,

"there are some issues
that you never worked.

"You seem to have a...

a commitment
to being a victim."

Salzman:
We have a fight
or flight mechanism,

which triggers this thing
we call fear.

When we're fearful,

when we're making decisions
based on fear,

we are at effect.

It's the lowest state
of existence.

As you make your decision
based on fear,

now it's not your
psyche controlling,

it's the body and the world

controlling your psyche.

Now we have joy.
What is joy?

And what's the opposite of joy?
We talk about joy and misery.

When someone is miserable,

they feel small.

Misery is constrictive.

It's self-oriented,

and it's destructive.

You know,
it's involved with suffering,

self-pity,
things along those lines,

or malice.

No.

So, I lost my opportunity

to talk to people freely,
because...

I think a lot of people
saw it as...

dishonorable and weak
that I left.

I feel unsure of myself.

We were taught
you need to push through.

It shows you
how strong you are.

Like, maybe I really
am a bad person

for questioning and
being disloyal and leaving.

Maybe I'm the problem.

Piesse (on voicemail):
Hi. You've called Bonnie.

Leave a message
and I'll get back to you
as soon as I can.

(voicemail beeps)

(voicemail disconnects)

Piesse:
"Finally, I wish to remain
on good terms with the company

and have no ethical
or unresolved issues
with NXIVM and ESP."

Vicente:
Mm-hmm.

(Piesse speaking)

Vicente:
Yeah.

Piesse:
I finally opened up
with a friend.

I just, like, let it all out,
and told her everything.

And she said, "You know,
you might need to
break up with him.

You might need to leave him."

It's so sad that
a lot of relationships

go from being great
in the beginning,

to there's all this
resentment and anger,

and they just seem to get
kind of more and more bitter.

This helps you
resolve those things,
so that you can

make your relationship
get better.

This marriage is one of the most
successful things in my life.

For certain.

I believe we have a really
successful relationship,

and it didn't just happen.

(indicator clicking)

(jet engine roaring)

Piesse (on voicemail):
Hi. You've called Bonnie.

Leave a message
and I'll get back to you
as soon as I can.

(Piesse sobbing)

(whimsical piano music playing)

(camera shutters clicking)

So you want to
interview me or something,
or... ?

Vicente:
Light bulbs out.

(man laughing)

Okay, so you're gonna sit there.

-I'll interview you,
and film you?
-(laughter)

Vicente:
So,

um, Keith, in the time
that I spent with you,

it's clear that you have
a whole series of ideas

that are really amazing.

Well, first of all,

I, I don't know if the ideas
are amazing or not.

I...

My assumption is that I,
I have some,

uh, relatively strong ideas,

uh, that I communicate
pretty well.

(crowd applauding)

My name is Mark Vicente.

I'm a filmmaker from
the apartheid era
South Africa.

George Lucas had as his mentor
Joseph Campbell,

an American mythologist.

I have as my mentor
an American scientist

and philosopher
by the name of
Keith Raniere.

He asked me a question,

and the question
he asked me was,

"What is bravery?"

What does that mean?

Well, there's
a dictionary definition.

But in the deepest sense,
it means to be able to
bear pain.

You know, you look at
all the people who

are allegedly enlightened.

All the different gurus,
whether it be the Buddha,

the Jesus, or, or Gandhi.

They're not just
sitting on a pillow.

They're not just
being fed grapes

and doing nothing,
you know?

And struggle,
there's nothing
negative about it.

It's the nature of life.

Vicente:
When I first met Keith,
he said to me,

"You know, it'd be good
if you just moved here

so we could, like, have more
of these conversations."

Train conductor:
Albany, anybody?
Albany?

Vicente:
It wasn't really
in Albany proper.

It was more north
in Clifton Park.

Everybody knew, pretty much,
where everybody lived.

So you'd always
run into people.

And in between,
we're just the civilians.

You know, those people
who just live there.

And then at night,

you know, you were expected
to go to volleyball.

It was like, you know,
midnight to 7:00 a.m.

And around, um, 10:30 or 11,

the A team and Keith Raniere
would show up.

-(balls bouncing)
-(indistinct chatter)

-(thwacks)
-(ball bounces)

Help, help. Help!

Producer:
Why volleyball?

I didn't understand
volleyball at first.

But it became
a big social event.

When intensives were going on,

you could have like 50,
60 people in the bleachers,

basically just watching,

EM-ing each other,
whispering to each other,
talking,

and then in between games,

everybody would gaggle
around him, you know,

and ask him question
after question
after question,

and we'd stand there
for like half an hour
sometimes,

cooling down
while he was talking,

and then we'd play again.

You know, he was like
the rock star.

ESP Member:
Is that okay?

(laughing)

(camera shutter clicks)

Vicente:
And in the end,
it was all about

-seeing him.
-...tries to handle the ball.

Vicente:
That's what everybody said.
It's a chance to see him.

I basically try every day
to reach him.

We're gonna--
Let's talk about projects.
Let's talk about things.

And it's very frustrating,
because he won't respond.

And I go to volleyball,
like, three times a week,

and I'm talking to him and say,
"When are we gonna start?

When are we gonna start?
When are we gonna start?"

And it's like he just--

almost like he forgot.

And so I'm in this state
of complete insecurity.

Like, I just uprooted my life.

Six weeks go by.

On my birthday,

seven o'clock in the morning,
Keith Raniere calls me.

And he says, "Hey,
you wanna take a walk?"
I mean...

And I'm like fuckin' ready.

You know, I'm there.

I've got my recorder with me,

I've got a little
note pad with me,

and I'm so excited.

He's gonna work with me now.

Vicente:
Uh-huh.

Nancy said to me,
"You know what?

"It would be great if you'd
document Keith now that
you're here,

'cause you know how
to shoot and everything.
Could you document him?"

Mark is trying to film me.

I'll just keep on asking
and shooting until
someone says no.

Okay. Very cool idea.

-Vicente: You guys ready?
-Woman: Mm-hmm.

I started shooting,
like, in 2005,

and then a number of people
said to me they'd like to learn.

Switch it to "camera."

So I began this program
of like teaching people,

you know, how to shoot,
how to do sound,

you know, how to edit.

-Cool!
-(people laughing)

And it grew to people,

you know,
recording with audio,

you had people
shooting with video.

And then you had, like,
people that were basically

writing down what he said
and categorizing it, you know.

It was, it was a whole
operation constantly.

Raniere:
Good.

And he just said, like,
it's important to

document this because,
you know, we're talking about

the generations in the future.

Like, at some point
in the future,

my hope is this work
that we're doing

will end up in universities,
will end up in books.

And wouldn't it be wonderful
if the world could look back
and say,

"Oh, that's what happened."

I take walks with him
at like, 2:00 a.m.,
3:00 a.m., 4:00 a.m.

And when we're done,
I go home and I transcribe
the entire thing.

Vicente: Uh-huh.

(Raniere speaking)

-Vicente: Mm-hmm.
-(Raniere speaking)

-Vicente: Mm-hmm.
-(Raniere speaking)

Vicente:
And in that moment,
I remember thinking,

this guy fuckin' knows me
like nobody has ever
known me.

Like, nobody in
my family knows me.
He knows me.

And I'm astounded,

and I remember going--
I didn't sleep much that night,

and I was writing in journals,
and writing about, like,

all these things, and,
and how much that it
impacted me.

And how much I
yearned to be this--

I yearned to be like him.

Raniere:
Mm-hmm.

Vicente:
Okay.

(Raniere speaking)

Vicente:
Right.

-Vicente: Yes.
-(Raniere speaking)

Vicente: Mm-hmm.

Vicente: Right.

Vicente:
Right.

(Raniere speaking)

Vicente:
Right.

(Raniere speaking)

-Vicente: Mm-hmm.
- (Raniere speaking)

Vicente:
Right.

Vicente:
Right.

Vicente:
Over time, these ideas evolved
into a screenplay

called "Carbon Crimes."

It follows Joe,

an idealistic aide
to a powerful Senator.

So, Joe, who's spirited
and impulsive.

Wants to prove he's good.

Passionate and hopeful.
Struggles with lying.

He meets Erik Einhaert,

a world-renowned scientist,
professor, and humanitarian.

-Vicente: Yes.
-(Raniere speaking)

(keyboard clacking)

-Vicente: Yep.
-(Raniere speaking)

Vicente:
Mm-hmm.

Einhaert takes Joe
under his wing,

and challenges Joe to question
all of his assumptions

about the entire universe.

So he gave me all the ideas.

And part of it was cool,
'cause it was like,

"Oh, now I'm like Nancy."

Like, he's downloading
all the ideas to me

and I'm gonna, like,
turn this into something,
you know.

So she would turn it
into modules,

and I was gonna
turn this into a movie.

(phone rings)

-Vicente: Mm-hmm.
-(Raniere speaking)

Vicente:
I'm in heaven.

We're doing an EM in a movie,

which is all I ever
wanted to do.

Vicente:
I suppose I was like this

very eager student.

So for seven years of my life,

I call him every single day.

(line ringing)

Hello.

-Hi.
-Hi!

How's it going there?

(phone ringing)

Correct.

Right. Is that...

Yeah.

Vicente:
I felt that there was
a closeness.

You know, the highest IQ
in the world is telling you

that you're the one.

You're smart enough to get me.

That's... I don't know.
It could be pretty
intoxicating.

Nancy said to me,
"It's extraordinary,

this relationship
you have with Keith."
And I was like, "Why?"

She says, "'Cause you're
his only male friend."

-Raniere: Yeah, yeah. Yeah.
-(indistinct chatter)

(woman laughing)

Vicente:
I have the Vanguard.
I have the Prefect.

-I have Sarah,
my business partner.
-Namaste.

Vicente:
I have all these
people that, like,

anytime I need anything,
I'll say, "Listen.

Hey, can I talk
something through with you?"

They'll say,
"Of course you can.
Let's go for a walk." You know?

♪ ♪

Actually, let's have everybody
stand up for a second.

-(class laughing)
-For the first time
in my life,

I had the feeling of like,

I am with me, and I love me,

and I remember just
being like,

"Oh, my God.
This is what self-love is."

This feeling is the thing

every single human being
in the world wants.

It's priceless.

(indicator clicking)

(line ringing)

-Vicente: Right.
-(Sarah Edmondson speaking)

-You know, like...
-(Vicente sighs)

(Vicente laughs)

-Edmondson: Yeah. Yeah.
-(Vicente speaking)

Vicente:
When Bonnie leaves in 2017,

I'm like, "What the fuck
am I gonna do?"

If I took in what she said,

it was,
it was pretty horrifying.

Because I'd have to question...

Questioning him

felt like I'd question
everything about myself.

And I wanted her just to stop.

Like, "Can we stop?
Can we not talk
about this right now?

Can we, can we talk about it
some other time?"

And she was insistent.

I was like, constantly,

every day, trying to
get him to understand.

Putting evidence
in front of him,

begging him to listen,
begging him to read cult books.

He begged me to
not keep pushing him,

and to let him have
his own process with it.

But he was still
talking to Keith.

And I was like, "Fuck."
You know, like, all...

All the work,
all the progress
that I was...

trying to make with him
would then be, like,

flushed down the toilet.

♪ ♪

(Vicente laughing)

(sighs)
You know what Bonnie
said to me?

Like, "What will it take?"
I said, "Data."

(cars honking)

Piesse:
Soon after I left,

another person left
and came to LA,

and we started talking
about everything.

She gave me information
about things that she'd seen

that were very concerning.

And she agreed
to talk to Mark.

(indicator clicking)

(ominous music playing)

Vicente:
Mm-hmm.

(friend speaking)

♪ ♪

Vicente:
I'm like, "What the fuck
is going on here?"

There's something wrong.

Keith is amazing,
but something is fucked up.

Raniere: Mm!

(Vicente speaking)

Vicente:
Mm-hmm.

(Raniere speaking)

Vicente:
Mm-hmm.

(Raniere speaking)

-Vicente: Mm-hmm.
-(Raniere speaking)

-Vicente: Mm-hmm.
-(Raniere speaking)

Vicente: Mm-hmm.

Vicente: Yep.

Vicente: Yep.

Vicente:
It was very hard,

because you're going
up against the leader.

And in this case,
a leader who had spent
12 years

working his way into my psyche.

(laughing)

♪ ♪

(shoes squeaking, ball bouncing)

Yep.

-Boom. There you go. Yeah.
-Oh, yeah. That felt good.

Right.

Vicente: Um...

Edmondson: Yes, yeah.

Edmondson: I-- I--

(Vicente speaking)

Vicente:
You feel like
you're going crazy.

He got my best friend
to basically spy on me.

Every single thing that
I was suspecting him of,

I kept on explaining it away,

like, maybe there's
a good reason.

That day I allowed myself

to like question,
what if there's not?

(line ringing)

-Raniere: Uh-huh.
-(Vicente speaking)

Raniere:
Okay.

(Vicente speaking)

Raniere: Mm-hmm.

Raniere:
Uh-huh.

Vicente:
Mm-hmm.

(Raniere speaking)

♪ ♪

Vicente:
He's lying to me.

♪ ♪

Twelve years of spending
time with him,

thinking that every
single thing that
comes out of his mouth

is honest.

♪ ♪

Wait, okay, so that's a lie.

What if it's not the only one?

It was like there was
a crack in the dam.

(high-pitched tone)

You collapse in a puddle...

of, of horror and shock.

That's waking up.

It's a very, very deep
and disturbing

dark night of the soul.

(crickets chirping)

Piesse:
We went for a hike,

and he said to me,
"My eyes are open,

and I want you to know
that I am loyal to you
above them."

And for the first time,
he started asking me questions

about what I thought.
(sniffles)

Vicente (on voicemail):
Hello, this is Mark.

Please leave a message
after the beep.

(phone beeps)

Vicente:
"Dear Keith, Nancy,

"and members
of the executive board,

"as I've expressed
in many different ways
over the last years,

"I've had strong aspirations

"to return my focus
and effort to my career.

"As such, I am resigning
from ESP.

"With respect to the centers,

"I will be discussing
my transition with Sarah,

"and I will apprise the Greens
of which coaches

need to be transferred."

(indistinct chatter)

It was the point of no return.

And I now understand
I have to tell Sarah.

Edmondson:
Mm-hmm.

(Vicente speaking)

(indistinct chatter
in background
on Edmondson's line)

(voices fade)

(recorder beeps off)

Vicente:
When we switched
off the recording,

Sarah tells me that
she is in this thing,

that it's called DOS,
and then she tells me,

um, "They branded me as well."

And I remember going,
something like, "What?

They b-- They did what?"

(phone bloops)

What the fuck?

(ominous music playing)

(music intensifies)

("Hit Me Where It Hurts"
by Caroline Polachek playing)

♪ I'm feeling like a butterfly
trapped inside a plane ♪

♪ Maybe there's something
going on ♪

♪ I'm not insane ♪

♪ If I'm already out of time ♪

♪ Then make it worse ♪

♪ Go on and hit me
in the heart ♪

♪ Hit me where it hurts ♪

♪ Go on and hit me
in the ♪

♪ Bullseye, dead end,
moving target ♪

♪ Carousel, carousel,
Baggage, claim it ♪

♪ Promise one day
you will hate me ♪

♪ But right now
just ride it out ♪

♪ Ride it out, ride it out ♪

♪ Magic carpet,
over London ♪

♪ Through the ceiling ♪

♪ Watch you dreaming ♪

♪ Promise one day
you will hate me ♪

♪ But right now just
ride it out, ride it out ♪

♪ I'm feeling like a butterfly
trapped inside a plane ♪

♪ Maybe there's
something going on ♪

♪ I'm not insane ♪

♪ If I'm already out of time ♪

♪ Then make it worse ♪

♪ Go on and hit me
in the heart ♪

♪ Hit me where it hurts ♪

♪ Go on and hit me
in the ♪

♪ Blind spot,
Achilles heel... ♪