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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:17,100 © anoXmous @ https://thepiratebay.se/user/Zen_Bud 1 00:00:18,000 --> 00:00:22,000 BRUMMEGAN: Miss Pettigrew, I was warned of your stubbornness and impertinence, 2 00:00:21,900 --> 00:00:26,100 and I should have known better when you were called the "governess of last resort." 3 00:00:26,200 --> 00:00:29,000 But I had no idea of your utter unsuitability. 4 00:00:29,100 --> 00:00:31,600 You are dismissed. PETTIGREW: But, Mrs. Brummegan... 5 00:00:31,600 --> 00:00:33,600 Away! Allow me one last chance... 6 00:00:33,700 --> 00:00:35,700 Goodbye, Miss Pettigrew. 7 00:00:43,300 --> 00:00:45,600 I'm owed a week's wages. 8 00:01:17,800 --> 00:01:19,600 (WIND WHISTLING) 9 00:01:29,400 --> 00:01:30,400 (BOTH EXCLAIM) 10 00:01:30,400 --> 00:01:33,600 I say! I'm terribly sorry! I do apologize. Oh, no! My things! 11 00:01:33,600 --> 00:01:35,000 My things! Let me help you with that. 12 00:01:35,100 --> 00:01:38,100 They'll have me back in prison for this. Oh! 13 00:01:38,100 --> 00:01:40,200 Oh, nothing serious. Well, when I say serious, I... 14 00:01:40,300 --> 00:01:41,300 No. 15 00:01:42,200 --> 00:01:43,700 Wait! Your... 16 00:01:44,500 --> 00:01:46,100 Your belongings! 17 00:01:46,200 --> 00:01:47,600 Sorry! 18 00:02:18,100 --> 00:02:19,700 (WOMEN CHATTERING) 19 00:02:24,300 --> 00:02:25,300 WOMAN: Gerry? 20 00:02:25,400 --> 00:02:29,500 Edythe, if you can keep your hands off him for just two seconds... 21 00:02:29,500 --> 00:02:31,400 We're getting our own cab, thank you. 22 00:02:33,300 --> 00:02:35,200 WOMAN: That's naughty! 23 00:02:43,800 --> 00:02:46,100 Let's get out of here, Gerry. 24 00:02:47,500 --> 00:02:48,700 (PLATE CLATTERING) 25 00:02:55,600 --> 00:02:58,100 (BELL TOLLING) 26 00:03:01,600 --> 00:03:03,700 (WHISTLING) 27 00:03:27,700 --> 00:03:30,100 Washburns. Jane, aged five. 28 00:03:30,100 --> 00:03:32,500 Lovely girl. Lost in the park... 29 00:03:32,500 --> 00:03:35,400 Independence. That's all that girl needs... For six hours? 30 00:03:35,400 --> 00:03:37,900 The Randle boys, John and Robin. 31 00:03:38,000 --> 00:03:42,200 "Wrestled retired Colonel Johnson to the floor outside Fortnum and Mason's, 32 00:03:42,300 --> 00:03:46,200 "shouting, 'Nazi warmonger' because..." And I quote, 33 00:03:46,300 --> 00:03:49,100 "Miss Pettigrew thought he was a German spy." 34 00:03:49,200 --> 00:03:50,500 A little joke. 35 00:03:50,500 --> 00:03:53,000 "Ambulance called. Police called." 36 00:03:54,000 --> 00:03:55,900 Yes. And now the Brummegans. 37 00:03:55,900 --> 00:03:59,600 Miss Pettigrew, we live in uncertain times. 38 00:04:00,000 --> 00:04:02,500 My goodness, there could be a war any day. 39 00:04:02,600 --> 00:04:04,600 Do you think that work is easy to find? 40 00:04:04,700 --> 00:04:07,300 No, no. Certainly not, Miss Holt. 41 00:04:07,300 --> 00:04:09,400 But Mrs. Brummegan was... 42 00:04:10,200 --> 00:04:12,900 Well, fond of a sherry, if you take my meaning. 43 00:04:13,100 --> 00:04:15,200 As a vicar's daughter, I found her rather difficult. 44 00:04:15,100 --> 00:04:17,900 No, she found you rather difficult, Miss Pettigrew. 45 00:04:18,100 --> 00:04:20,300 And that is, I'm afraid, a recurring theme. 46 00:04:20,300 --> 00:04:22,300 Miss Holt? Yes, Jilly? 47 00:04:22,300 --> 00:04:26,200 The Lafosse household rang last night. Still looking. 48 00:04:26,300 --> 00:04:28,300 Thank you. Yes, I won't be a moment. 49 00:04:28,400 --> 00:04:31,400 A person can change. I haven't seen any sign of that. 50 00:04:31,400 --> 00:04:33,400 She could stop drinking. 51 00:04:33,500 --> 00:04:36,300 Our clients don't adapt to suit your needs, Miss Pettigrew, 52 00:04:36,300 --> 00:04:37,800 you adapt to them! 53 00:04:37,900 --> 00:04:39,700 I am trying, Miss Holt. Really. 54 00:04:39,800 --> 00:04:42,100 Give me one last chance. You won't regret it. 55 00:04:42,200 --> 00:04:44,900 My dear woman, I already have. Thrice. 56 00:04:44,900 --> 00:04:47,500 I'm afraid we have nothing suitable for you at the moment. 57 00:04:47,500 --> 00:04:49,800 Good day, Miss Pettigrew. Shall I come back tomorrow? 58 00:04:49,800 --> 00:04:51,400 The situation is most unlikely to have changed. 59 00:04:51,400 --> 00:04:55,000 The day after? Only if you desire the exercise. 60 00:04:55,200 --> 00:04:58,000 Miss Holt. Please, I implore you. 61 00:04:58,300 --> 00:04:59,700 JILLY: Yes, Miss Holt? 62 00:04:59,800 --> 00:05:03,000 Miss Darlington is finishing with Carole Lombard this week, isn't she? 63 00:05:03,500 --> 00:05:06,500 She would be perfect for the Lafosse residence, don't you think? 64 00:05:06,500 --> 00:05:08,300 JILLY: I think she would be an excellent choice. 65 00:05:08,400 --> 00:05:10,000 Can you refer to her file for me? 66 00:05:10,100 --> 00:05:11,100 Certainly. 67 00:05:17,700 --> 00:05:18,700 HOLT: Thank you. 68 00:05:21,400 --> 00:05:23,600 I said good day, Miss Pettigrew. 69 00:05:23,600 --> 00:05:24,900 Good day. 70 00:05:33,000 --> 00:05:34,900 (HORN HONKING) 71 00:05:46,000 --> 00:05:47,200 (ELEVATOR BELL DINGS) 72 00:05:47,500 --> 00:05:48,800 (DOG BARKING) 73 00:05:49,300 --> 00:05:50,800 Amazing. 74 00:05:50,900 --> 00:05:52,200 (WOMEN CHATTERING) 75 00:06:11,300 --> 00:06:12,200 (BELL RINGS) 76 00:06:13,300 --> 00:06:14,500 (EXCLAIMS) 77 00:06:25,800 --> 00:06:26,800 (DOOR OPENING) 78 00:06:26,900 --> 00:06:27,900 (EXCLAIMS) 79 00:06:30,600 --> 00:06:31,600 Hi. 80 00:06:32,400 --> 00:06:34,100 I have come from Miss Holt's Agency. 81 00:06:35,200 --> 00:06:36,900 What time is it? 82 00:06:37,700 --> 00:06:39,400 It's five minutes past 10:00. 83 00:06:40,300 --> 00:06:42,500 10:00? Five minutes past. 84 00:06:43,500 --> 00:06:45,800 In the morning? I believe so. 85 00:06:47,100 --> 00:06:48,400 Oh, God! 86 00:07:12,300 --> 00:07:14,500 DELYSIA: Oh, my God, look at the place. 87 00:07:14,600 --> 00:07:16,600 I was given to believe you were expecting me. 88 00:07:16,700 --> 00:07:18,400 Miss Holt's Employment Agency? 89 00:07:18,400 --> 00:07:20,600 Darn right, honey. And not a moment too soon. 90 00:07:20,700 --> 00:07:21,700 (GASPS) 91 00:07:24,400 --> 00:07:25,700 Allow me. 92 00:07:29,500 --> 00:07:30,600 Neat! 93 00:07:30,600 --> 00:07:31,700 Time? 94 00:07:32,100 --> 00:07:33,500 Six minutes past 10:00. 95 00:07:33,600 --> 00:07:35,200 Can I be of any further assistance? 96 00:07:35,200 --> 00:07:37,900 Not unless you can get Phil out of bed in the next two minutes, you can't. 97 00:07:38,000 --> 00:07:40,300 I've known my share of naughty boys who oversleep. 98 00:07:40,400 --> 00:07:41,600 You too, huh? 99 00:07:42,300 --> 00:07:44,900 Phil! It's time to wake up, darling! 100 00:07:45,000 --> 00:07:46,300 Damn it! Allow me. 101 00:07:46,400 --> 00:07:48,400 I can get your boy up and dressed in no time. 102 00:07:48,500 --> 00:07:49,600 You could? Really? 103 00:07:49,600 --> 00:07:51,400 Certainly. Angel. 104 00:07:51,500 --> 00:07:53,500 One must not stand for any nonsense, that's all. 105 00:07:53,600 --> 00:07:55,000 They just need to know who's in charge. 106 00:07:55,100 --> 00:07:57,000 First door at the top of the stairs. 107 00:08:02,900 --> 00:08:04,100 Philip? 108 00:08:06,500 --> 00:08:08,500 Rise and shine, Philip! 109 00:08:10,300 --> 00:08:13,800 As I said to your mother, I won't stand for any nonsense. 110 00:08:15,000 --> 00:08:17,600 You naughty boy, get up! 111 00:08:18,500 --> 00:08:19,500 (GASPS) 112 00:08:21,500 --> 00:08:24,300 I kind of am up, as you can see. 113 00:08:24,200 --> 00:08:25,200 (EXCLAIMS) 114 00:08:25,600 --> 00:08:27,000 (LAUGHING) Oh, golly! 115 00:08:34,000 --> 00:08:37,000 Excuse me, Mrs. Lafosse, may I speak to you? 116 00:08:37,100 --> 00:08:38,200 Mrs. Lafosse... 117 00:08:38,200 --> 00:08:39,200 (PHONE RINGING) 118 00:08:39,400 --> 00:08:40,900 (GASPING) Oh, heavens! 119 00:08:40,900 --> 00:08:45,100 Answer that, will you? If it's Nick, tell him... Tell him I'm dead. 120 00:08:53,700 --> 00:08:58,000 Good morning, this is Miss Holt here, of Holt's Employment Agency. 121 00:08:58,100 --> 00:09:02,700 I've just rung to say that one of our best women is on her way over to you now. 122 00:09:05,400 --> 00:09:08,800 Hello? (IN FRENCH ACCENT) No, no, no! That won't be necessary. 123 00:09:10,500 --> 00:09:13,900 I'm afraid that Mrs. Lafosse is dead. 124 00:09:15,100 --> 00:09:16,500 Goodbye. 125 00:09:18,900 --> 00:09:21,300 (CLATTERING) 126 00:09:30,900 --> 00:09:32,300 DELYSIA: Don't really do kitchens. Hmm. 127 00:09:35,500 --> 00:09:37,100 Any luck with Phil? 128 00:09:37,200 --> 00:09:39,500 I'm so sorry, Mrs. Lafosse... Delysia. 129 00:09:39,600 --> 00:09:44,400 Delysia, I'm afraid I walked in on your guest in a state of nature. 130 00:09:44,800 --> 00:09:48,200 I fear that I have outraged his sense of propriety. 131 00:09:48,400 --> 00:09:51,000 Oh, no, Phil doesn't have one of those. 132 00:09:51,000 --> 00:09:54,500 He's a much bigger boy than I had expected. 133 00:09:54,600 --> 00:09:57,100 Oh, you noticed. He is, isn't he? 134 00:09:57,200 --> 00:09:58,100 Uh... 135 00:09:58,500 --> 00:10:00,200 (PHONE RINGING) 136 00:10:07,000 --> 00:10:08,000 Hello? 137 00:10:08,800 --> 00:10:10,100 Darling! 138 00:10:24,600 --> 00:10:25,900 Really? 139 00:10:25,900 --> 00:10:27,000 Mmm-hmm. 140 00:10:27,800 --> 00:10:29,100 You, too. 141 00:10:35,000 --> 00:10:36,200 (PETTIGREW SHUDDERS) 142 00:10:39,000 --> 00:10:40,000 He's at the club. 143 00:10:40,200 --> 00:10:42,000 Be here in 10 minutes. Oh, God. 144 00:10:42,100 --> 00:10:43,400 Who? Nick! 145 00:10:43,700 --> 00:10:45,100 Another man? 146 00:10:45,200 --> 00:10:47,300 Well, of course another man! 147 00:10:47,400 --> 00:10:48,400 Jeepers. 148 00:10:48,400 --> 00:10:51,200 I'm afraid there has been a misunderstanding. 149 00:10:51,300 --> 00:10:55,300 I can see the problem clearly now and I really must be going. 150 00:10:55,400 --> 00:10:56,700 You do? 151 00:10:56,800 --> 00:10:59,100 Pardon? See the problem. Really? 152 00:10:59,200 --> 00:11:01,800 Well, yes. I knew it. 153 00:11:02,300 --> 00:11:05,400 From the moment I set eyes on you, I just knew I could trust you. I can, can't I? 154 00:11:05,300 --> 00:11:07,500 Yes, you can. Thank you. 155 00:11:08,300 --> 00:11:09,600 Thank you. You've saved my life. 156 00:11:09,800 --> 00:11:11,000 Have I? Hmm. 157 00:11:11,800 --> 00:11:13,600 A two-pronged attack should do it. Let's go. 158 00:11:15,500 --> 00:11:18,500 Though I don't think you should mention about Nick. 159 00:11:20,500 --> 00:11:22,600 Or Michael. Michael? 160 00:11:22,700 --> 00:11:25,300 Is he your son? My son? Lord, no. 161 00:11:25,300 --> 00:11:27,100 Michael wants to marry me. 162 00:11:27,200 --> 00:11:28,300 Another man? 163 00:11:28,400 --> 00:11:29,500 (SHUSHING) 164 00:11:29,500 --> 00:11:30,600 You don't have to wake the neighbors about it. 165 00:11:30,800 --> 00:11:32,900 Besides, that's only three. 166 00:11:34,600 --> 00:11:36,700 Phil's rather free about where he undresses. 167 00:11:36,800 --> 00:11:39,800 He's a theater producer. Well, his father is. 168 00:11:39,800 --> 00:11:42,800 Phil's got his first show on at the Ambassador. I've got the lead. 169 00:11:42,900 --> 00:11:44,200 Well... 170 00:11:44,400 --> 00:11:46,500 (GIGGLES) I'm pretty sure I have now. 171 00:11:46,600 --> 00:11:47,600 (EXCLAIMS) 172 00:11:54,400 --> 00:11:55,800 Hello again. 173 00:11:55,900 --> 00:11:57,900 Awfully sorry about earlier. I thought you were someone else. 174 00:11:58,000 --> 00:12:00,000 That is some relief, I suppose. 175 00:12:00,100 --> 00:12:03,000 Jolly nice to meet you, dear lady, but who the devil are you? 176 00:12:03,100 --> 00:12:05,100 Who is she, gorgeous? 177 00:12:05,200 --> 00:12:06,300 She's, um... 178 00:12:07,600 --> 00:12:10,600 (LAUGHS) You know, I'm not altogether sure. 179 00:12:10,700 --> 00:12:13,400 Pettigrew. Guinevere Pettigrew. 180 00:12:14,100 --> 00:12:15,500 Guinevere. 181 00:12:15,600 --> 00:12:17,100 Guinevere. Wow. 182 00:12:17,200 --> 00:12:19,100 Yes, but who is she? 183 00:12:19,700 --> 00:12:21,900 What in the world is she doing in this particular bedroom 184 00:12:22,000 --> 00:12:23,700 when you are so obviously starkers 185 00:12:23,700 --> 00:12:25,500 beneath that delightful gown, don't you know? 186 00:12:25,600 --> 00:12:27,200 We have... 187 00:12:27,900 --> 00:12:28,900 An engagement. A meeting. 188 00:12:28,900 --> 00:12:30,500 Meeting. Important meeting. Indeed we do. In 20. 189 00:12:30,600 --> 00:12:31,600 Two... Twenty-two. 190 00:12:31,800 --> 00:12:34,600 Not 22, Guinevere, dearest. Two minutes. 191 00:12:36,000 --> 00:12:37,400 What the dickens can be as important 192 00:12:37,500 --> 00:12:40,200 as another hour in bed with young Philip-me-lad? 193 00:12:40,300 --> 00:12:41,700 You don't mind, do you, Guinevere? 194 00:12:41,800 --> 00:12:43,900 It's all a bit new to me, and it's devilish good fun. 195 00:12:43,800 --> 00:12:46,300 Besides, I have nothing till lunch. 196 00:12:46,500 --> 00:12:47,900 Come back to bed, beautiful. 197 00:12:47,900 --> 00:12:49,000 (LAUGHS) 198 00:12:52,300 --> 00:12:53,300 (COUGHS) 199 00:12:53,500 --> 00:12:54,500 (EXCLAIMS) 200 00:12:54,600 --> 00:12:56,600 Baby, baby, I'd love to, but I can't. 201 00:12:56,700 --> 00:13:00,800 Come on, it's an awfully good cure for a hangover, I'm told. 202 00:13:00,800 --> 00:13:02,400 Edythe's lingerie show is at 11:00. 203 00:13:02,500 --> 00:13:04,600 Anyway, haven't you got to get ready? 204 00:13:04,700 --> 00:13:07,300 Who are you lunching? Nobody, really. 205 00:13:07,400 --> 00:13:09,800 Charlotte Warren. The Rabbit? 206 00:13:09,900 --> 00:13:12,400 Why? She run out of carrots? Sweetie-pops... 207 00:13:12,500 --> 00:13:14,500 But you said the lead was mine. Phil, honey, you promised! 208 00:13:14,600 --> 00:13:17,100 It is. It is. I'm sure it is. You're the one, baby. 209 00:13:17,200 --> 00:13:18,900 I just have to clear it with Daddy, 210 00:13:19,000 --> 00:13:20,800 being the bounder with the checkbook and all. 211 00:13:20,900 --> 00:13:24,900 You know, he wants me to meet her. Amazing voice, apparently. 212 00:13:24,900 --> 00:13:26,200 If you like air-raid sirens. 213 00:13:26,400 --> 00:13:29,000 It's just lunch, darling. Come on, Delysia. 214 00:13:29,000 --> 00:13:33,200 Remind your producer why you're right for such a passionate part. 215 00:13:36,800 --> 00:13:38,400 Charlotte Warren the actress? 216 00:13:38,500 --> 00:13:39,500 Know her, what? 217 00:13:39,600 --> 00:13:42,200 I did happen to see her last night on Shaftesbury Avenue. 218 00:13:42,300 --> 00:13:43,800 With who? Who with? 219 00:13:44,000 --> 00:13:46,000 A man. PHIL: Producer? 220 00:13:46,100 --> 00:13:47,200 Mmm. Spivvy fellow? 221 00:13:47,200 --> 00:13:48,900 Mmm. Nasty side-parting? 222 00:13:49,000 --> 00:13:50,100 Mmm. 223 00:13:50,200 --> 00:13:51,500 I knew it! 224 00:13:51,500 --> 00:13:54,800 Danny ruddy Greenwood, dash it all. On the poach. 225 00:13:55,500 --> 00:13:56,800 Well, we'll see about that. 226 00:13:56,800 --> 00:14:01,400 Oh, Phil, you can't think that Charlotte Warren is right for Hortensia? 227 00:14:01,500 --> 00:14:04,100 Not with that damp little nose. 228 00:14:19,400 --> 00:14:21,400 Jacket? Behind you. 229 00:14:24,000 --> 00:14:26,400 A quick egg and I'm off. 230 00:14:26,400 --> 00:14:28,500 I regret we're out of eggs. 231 00:14:28,600 --> 00:14:30,200 You know this? I'm afraid I do. 232 00:14:30,300 --> 00:14:31,700 Bacon? So sorry, no. 233 00:14:31,800 --> 00:14:33,000 Sausage? If only. 234 00:14:33,000 --> 00:14:34,500 Smoked haddock fillets? Definitely not. 235 00:14:34,600 --> 00:14:35,700 Toast. 236 00:14:36,800 --> 00:14:39,600 I saw the baker's girl deliver a loaf yesterday. 237 00:14:39,600 --> 00:14:41,000 Allow me. 238 00:14:47,400 --> 00:14:50,600 Guinevere, you've got to get him out of here. We're on a deadline. 239 00:14:50,700 --> 00:14:53,000 Toast is only two minutes. 240 00:14:53,000 --> 00:14:55,300 I realize it is not my place, but 241 00:14:55,300 --> 00:14:58,900 isn't it possible simply not to answer the door to this Nick fellow? 242 00:14:59,000 --> 00:15:00,900 Oh, I can't do that. Why? 243 00:15:01,000 --> 00:15:02,600 It's his flat. Oh. 244 00:15:02,600 --> 00:15:03,600 (CAR HORN HONKS) 245 00:15:03,700 --> 00:15:05,900 (GASPS) Jeepers, he's early! 246 00:15:19,300 --> 00:15:20,300 (GASPS) 247 00:15:28,000 --> 00:15:29,100 Toast! 248 00:15:29,200 --> 00:15:30,600 Marvelous. 249 00:15:31,200 --> 00:15:32,600 Tie? 250 00:15:32,600 --> 00:15:35,000 Any tea on the go, perchance? 251 00:15:36,100 --> 00:15:37,200 Sweets, 252 00:15:37,200 --> 00:15:38,700 Danny Greenwood is at this very second, 253 00:15:38,800 --> 00:15:40,900 sending flowers around to Charlotte's little warren. 254 00:15:41,000 --> 00:15:42,700 You think so? 255 00:15:42,800 --> 00:15:45,600 That does seem to be the producer's modus operandi. 256 00:15:45,600 --> 00:15:48,400 It does, doesn't it? You know the business, what? 257 00:15:48,400 --> 00:15:50,500 Not that you're in the least bit interested in Charlotte Warren. 258 00:15:50,600 --> 00:15:53,200 No. No. Darling, you're the one for me. You know that. 259 00:15:53,200 --> 00:15:55,000 And I don't just mean on the stage. 260 00:15:55,200 --> 00:15:56,100 PHIL: I say. 261 00:15:57,500 --> 00:15:58,600 What? Delysia? 262 00:15:58,600 --> 00:15:59,900 Clean it up. Delysia. 263 00:16:10,400 --> 00:16:11,800 (BUZZING) 264 00:16:12,100 --> 00:16:14,700 I can't go yet. I have something important to say. 265 00:16:14,700 --> 00:16:16,700 Just... Right now? 266 00:16:16,700 --> 00:16:19,100 Delysia... Yes, my sweets? 267 00:16:20,200 --> 00:16:21,600 I love you. 268 00:16:22,700 --> 00:16:23,700 (SIGHS) 269 00:16:26,900 --> 00:16:28,700 Fiddlesticks, working relationships. 270 00:16:28,600 --> 00:16:30,400 You and me. How about it, old girl? 271 00:16:32,800 --> 00:16:33,700 (GASPS) 272 00:16:38,300 --> 00:16:39,500 (CLATTERING) 273 00:16:42,300 --> 00:16:45,100 Don't let any rabbits under your fence. 274 00:16:46,000 --> 00:16:47,100 Bye. 275 00:16:48,000 --> 00:16:49,300 Delysia? 276 00:16:59,700 --> 00:17:01,000 Lift up the spout? 277 00:17:01,200 --> 00:17:03,100 I rather think so, yes. 278 00:17:10,800 --> 00:17:12,600 Delysia? Is that you? 279 00:17:15,600 --> 00:17:17,700 He saw the gown, damn it. 280 00:17:17,700 --> 00:17:19,800 I believe we have made it. 281 00:17:19,900 --> 00:17:22,300 You're a bona fide genius, Guinevere! 282 00:17:22,300 --> 00:17:24,000 Miss Lafosse, 283 00:17:24,100 --> 00:17:29,200 it has been a most exciting, one might say exhilarating experience, meeting you, 284 00:17:29,700 --> 00:17:34,200 though I can't help feeling one fraught with moral complexity. 285 00:17:34,700 --> 00:17:38,100 But now that the crisis has been averted, I simply must take my leave. 286 00:17:38,200 --> 00:17:41,500 What? Oh, you can't go. Please don't go. The crisis is ongoing. 287 00:17:41,500 --> 00:17:44,400 Goodness. Guinevere... Miss Pettigrew... 288 00:17:45,000 --> 00:17:48,500 I don't know what I'd do if you went. I beg you. 289 00:17:48,500 --> 00:17:49,500 It's Nick. 290 00:17:49,600 --> 00:17:50,900 I need saving. Saving? 291 00:17:51,000 --> 00:17:54,100 Mmm-hmm. Have you ever been hypnotized by a snake, Guinevere? 292 00:17:54,200 --> 00:17:55,200 I don't believe so, no. 293 00:17:55,400 --> 00:17:57,800 Well, it's what they do to small furry animals. 294 00:17:57,900 --> 00:18:01,400 The snake fixes the animal with its eyes, so it has no will. 295 00:18:01,400 --> 00:18:03,200 It stays when it should be running. 296 00:18:03,300 --> 00:18:05,800 It wants to stay, even if it means death. 297 00:18:05,900 --> 00:18:08,800 And I am that small furry animal. 298 00:18:08,900 --> 00:18:13,300 And Nick Calderelli, coming up the stairs this very minute, is that snake. 299 00:18:13,400 --> 00:18:17,000 When he's here, I just... I can't resist him. And he's bad for me. 300 00:18:17,100 --> 00:18:20,400 So bad. And when I waver, and I will waver, 301 00:18:20,400 --> 00:18:22,000 I need you to be strong for me. 302 00:18:28,000 --> 00:18:29,800 Please. Stay. 303 00:18:32,400 --> 00:18:35,700 I can see I have no choice. You're clearly in danger. 304 00:18:35,800 --> 00:18:37,300 Oh, thank you! 305 00:18:42,600 --> 00:18:45,500 But I'm afraid it is you who must be strong. 306 00:18:45,600 --> 00:18:47,400 You're right. I must. 307 00:18:48,000 --> 00:18:49,300 The time has come to break it off. 308 00:18:49,400 --> 00:18:52,200 And with you beside me, I feel strong, 309 00:18:52,300 --> 00:18:53,400 confident, firm. 310 00:18:54,300 --> 00:18:58,800 There is something so sensual about fur next to the skin, don't you think? Mmm! 311 00:18:58,900 --> 00:19:01,500 Miss Lafosse, you're slipping already. 312 00:19:02,100 --> 00:19:04,100 Strong, confident, firm. 313 00:19:04,600 --> 00:19:06,900 I know! But I can't help it. 314 00:19:08,500 --> 00:19:09,700 But I must. 315 00:19:09,700 --> 00:19:10,700 (DOOR OPENING) 316 00:19:10,900 --> 00:19:11,900 (GASPS) Nick! 317 00:19:12,000 --> 00:19:14,800 I feel like I've just climbed bloody Everest. The lift's on the blink. 318 00:19:14,900 --> 00:19:16,500 (DELYSIA EXCLAIMING) 319 00:19:17,400 --> 00:19:18,700 Darling. 320 00:19:20,100 --> 00:19:21,300 It's you! 321 00:19:21,500 --> 00:19:23,200 That wasn't you, was it? Me? 322 00:19:23,300 --> 00:19:25,300 In the lift? The lift? 323 00:19:25,600 --> 00:19:29,400 Lift? Oh, you mean elevator. That's exactly what I... 324 00:19:31,400 --> 00:19:32,800 I didn't know you had company. 325 00:19:32,900 --> 00:19:35,700 But, Nick, I get so Ionely when you're away. 326 00:19:35,800 --> 00:19:39,400 This is... Pettigrew. Guinevere Pettigrew. 327 00:19:39,400 --> 00:19:42,100 A pleasure, Miss Pettigrew, I'm sure. 328 00:19:42,700 --> 00:19:44,300 And you are, what, a friend? 329 00:19:44,300 --> 00:19:46,800 I am Miss Lafosse's new governess... Social secretary. 330 00:19:46,900 --> 00:19:48,500 Social secretary. 331 00:19:48,600 --> 00:19:49,900 Really? 332 00:19:50,800 --> 00:19:53,500 Isn't it a little early for camouflage? 333 00:19:53,600 --> 00:19:55,500 (CHUCKLING) I beg your pardon? 334 00:19:55,600 --> 00:19:56,900 I haven't had the opportunity... 335 00:19:57,000 --> 00:19:58,400 It's nice to meet you, Miss Pettigrew, 336 00:19:58,400 --> 00:20:00,500 but D and I haven't seen each other for three weeks. 337 00:20:00,500 --> 00:20:02,600 Got a lot of catching up to do. 338 00:20:02,700 --> 00:20:04,900 So if you wouldn't mind. 339 00:20:05,600 --> 00:20:08,300 But of course. Good day. 340 00:20:12,900 --> 00:20:13,900 (DELYSIA EXCLAIMING) 341 00:20:13,900 --> 00:20:15,600 But, Nick, darling! What? 342 00:20:15,700 --> 00:20:17,900 Well, I've got a fashion show to get to. Haven't I, Guinevere? 343 00:20:18,000 --> 00:20:22,700 Fashion show be damned. Who needs clothes, eh, gorgeous? 344 00:20:23,300 --> 00:20:26,600 Damned or not, I'm afraid Miss Lafosse has accepted the invitation. 345 00:20:26,800 --> 00:20:28,400 Well, cancel. 346 00:20:28,400 --> 00:20:29,600 Come on, darling. 347 00:20:29,700 --> 00:20:30,700 Close the door on your way out. 348 00:20:30,800 --> 00:20:32,700 I'm sure that we can schedule something for later in the week. 349 00:20:32,800 --> 00:20:34,500 I beg your pardon? I think that Miss Lafosse has an hour 350 00:20:34,600 --> 00:20:38,400 Wednesday at 9:30. Shall I pencil it in? No. I'm penciling now. 351 00:20:38,400 --> 00:20:40,500 Nick, darling, I'm afraid that Guinevere's right. 352 00:20:40,600 --> 00:20:43,000 I'm terribly busy this morning. 353 00:20:45,000 --> 00:20:46,000 Oh. 354 00:21:01,900 --> 00:21:03,500 You haven't... 355 00:21:05,700 --> 00:21:07,600 You haven't had any other guests, have you? 356 00:21:07,600 --> 00:21:10,400 No, darling. Just us girls together. 357 00:21:11,000 --> 00:21:13,800 I thought I saw Phil Goldman's car outside. 358 00:21:13,900 --> 00:21:15,200 Phil? Goldman. 359 00:21:15,300 --> 00:21:16,900 Do we know him? 360 00:21:17,300 --> 00:21:19,400 Andy Goldman's idiot boy. 361 00:21:20,200 --> 00:21:24,200 Pouring Daddy's millions away at the Ambassador on some stupid musical. 362 00:21:24,200 --> 00:21:26,500 Pile on the Piffle. Pepper. 363 00:21:27,500 --> 00:21:29,500 Pepper? I'm told. 364 00:21:39,300 --> 00:21:43,000 Since when did girls together smoke cigars? Hmm? Answer me that. 365 00:22:01,700 --> 00:22:04,000 If I want to smoke cigars, I'll damned well smoke cigars, 366 00:22:04,100 --> 00:22:06,300 thank you very much. And to hell with your opinion. 367 00:22:06,400 --> 00:22:08,300 What, they're yours? 368 00:22:10,000 --> 00:22:11,700 You betcha, baby. 369 00:22:11,800 --> 00:22:13,500 (COUGHING) 370 00:22:13,900 --> 00:22:15,000 Oh! 371 00:22:15,300 --> 00:22:16,600 And you thought that I... 372 00:22:16,800 --> 00:22:18,400 What? Nick... 373 00:22:18,400 --> 00:22:21,300 You, of all people? How could you? 374 00:22:21,400 --> 00:22:23,800 I'm wounded, Nicholas, I am wounded. 375 00:22:24,400 --> 00:22:26,200 Darling, sweetheart. 376 00:22:26,700 --> 00:22:29,300 Please forgive me. It's been a long night. I'm... 377 00:22:29,400 --> 00:22:31,000 No. I'm sorry. 378 00:22:32,000 --> 00:22:34,200 No. It's... It's no good. 379 00:22:39,800 --> 00:22:41,100 All right, I forgive you! 380 00:22:41,200 --> 00:22:42,600 Fashion show. 381 00:22:42,600 --> 00:22:43,700 Come again? 382 00:22:43,800 --> 00:22:45,400 Fashion show. 383 00:22:45,400 --> 00:22:47,700 Fashion... Fashion show is right. 384 00:22:47,800 --> 00:22:50,800 And that will be your punishment, man of little faith. You will have to wait. 385 00:22:51,000 --> 00:22:54,500 What? So I'm being thrown out of my own flat, am I? 386 00:22:54,500 --> 00:22:56,300 I'm sorry, darling. 387 00:22:57,600 --> 00:22:58,900 Very well. 388 00:23:03,500 --> 00:23:05,800 Tonight then. At the club. 389 00:23:07,200 --> 00:23:08,500 Miss Pettigrew. 390 00:23:08,600 --> 00:23:10,000 Good day. 391 00:23:10,500 --> 00:23:12,300 Tonight is booked. 392 00:23:25,400 --> 00:23:27,300 You were magnificent! 393 00:23:28,200 --> 00:23:29,500 Are you all right? 394 00:23:29,500 --> 00:23:32,800 I have never sworn before in my life. 395 00:23:33,500 --> 00:23:35,800 Not even in my mind. 396 00:23:35,900 --> 00:23:38,300 Well, I didn't hear you swear. Yes, I did. 397 00:23:38,400 --> 00:23:41,000 I said damned and hell. And I meant them. 398 00:23:41,100 --> 00:23:42,500 Oh, that's not swearing. 399 00:23:42,600 --> 00:23:45,300 They came out of the sinful category an age ago. 400 00:23:45,300 --> 00:23:48,100 Desperation. That's what it's come to. 401 00:23:48,100 --> 00:23:51,100 A little desperation and life can make of us whatever it chooses. 402 00:23:51,200 --> 00:23:57,100 In my case, a smoking, swearing accomplice to misdeeds in a den of iniquity. 403 00:23:57,200 --> 00:23:59,000 No! Really? 404 00:24:02,300 --> 00:24:03,800 Oh, you mean here. 405 00:24:03,800 --> 00:24:04,800 (LAUGHS) 406 00:24:05,100 --> 00:24:07,500 But I was the desperate one. I'm always desperate. 407 00:24:07,600 --> 00:24:10,000 Think of what would have happened if you hadn't been here. 408 00:24:10,000 --> 00:24:13,100 I shudder to think what goes on when I'm not here. 409 00:24:13,200 --> 00:24:14,900 Morals are very important to me, Miss Lafosse. 410 00:24:15,000 --> 00:24:17,600 I am the daughter of a clergyman. 411 00:24:17,700 --> 00:24:19,000 Poor you. 412 00:24:19,100 --> 00:24:22,400 No. It was a perfectly good upbringing, thank you. 413 00:24:22,400 --> 00:24:26,000 But I am beginning to think perhaps a little sheltered. 414 00:24:26,100 --> 00:24:28,500 But it's not always like this. 415 00:24:29,400 --> 00:24:31,800 Occasionally it's not like this. 416 00:24:34,700 --> 00:24:36,700 All right, it's always like this. Is that so very awful? 417 00:24:36,800 --> 00:24:37,900 Please don't go. You just can't go. 418 00:24:38,000 --> 00:24:41,200 This is the most important day in my whole life. 419 00:24:42,100 --> 00:24:44,200 I'll phone up that Holt lady right now and I'll double your salary. 420 00:24:44,300 --> 00:24:46,400 Oh, no, no, no! Thank you. That won't be necessary. 421 00:24:50,100 --> 00:24:53,400 I don't even know what a social secretary does. 422 00:24:53,500 --> 00:24:55,500 I only got one because 423 00:24:55,900 --> 00:25:00,600 Charlotte "Rabbit" Warren's got one, so I figured I'd better get one, too. 424 00:25:00,700 --> 00:25:02,900 Now that I see you in action, you're just amazing. 425 00:25:03,000 --> 00:25:06,100 Am I? That's very kind of you to say so. 426 00:25:06,100 --> 00:25:11,200 Phil, gone. Nick, gone. And that cigar. But that was fast thinking. 427 00:25:11,300 --> 00:25:13,500 I'm only happy to have been of assistance. 428 00:25:13,600 --> 00:25:15,400 Miss Pettigrew, 429 00:25:15,500 --> 00:25:17,000 I love you. 430 00:25:26,900 --> 00:25:28,600 Well, come on! 431 00:25:40,700 --> 00:25:42,800 DELYSIA: Why don't you slip something else on, Guinevere? 432 00:25:42,900 --> 00:25:45,500 I mean, nobody died, did they? 433 00:25:46,100 --> 00:25:49,300 Or did Carole make you wear that sackcloth and ashes for contrast? 434 00:25:49,500 --> 00:25:51,800 Make herself look even more amazing. 435 00:25:51,900 --> 00:25:53,200 Carole? 436 00:25:53,800 --> 00:25:56,000 That's not a game I play, Guinevere, I can assure you. 437 00:25:56,100 --> 00:25:58,400 So, let's lose the blackout curtain, shall we? 438 00:25:58,500 --> 00:26:01,500 These clothes appear to be the only ones I possess. 439 00:26:01,600 --> 00:26:03,100 You're kidding. 440 00:26:05,000 --> 00:26:06,400 Shoes? 441 00:26:07,100 --> 00:26:08,200 I'm afraid not. 442 00:26:08,200 --> 00:26:10,800 Oh. So, let's go buy some! 443 00:26:10,900 --> 00:26:12,900 I'm not in a position to. 444 00:26:13,500 --> 00:26:15,400 Out of cash? 445 00:26:15,500 --> 00:26:17,200 None at all? None at all. 446 00:26:17,300 --> 00:26:20,500 Wow. You social secretaries sure can spend. 447 00:26:21,900 --> 00:26:24,400 Roulette, was it? Blackjack? Certainly not. 448 00:26:24,500 --> 00:26:26,500 Well. Whatever, it's on me. 449 00:26:26,600 --> 00:26:29,100 No, no, no, I couldn't possibly... You sure could possibly. 450 00:26:29,100 --> 00:26:31,700 I, for one, am not running around town with Oliver Twist's mom. 451 00:26:31,700 --> 00:26:34,600 After the lingerie show, we go shopping. 452 00:27:04,100 --> 00:27:05,900 It's so frightening. 453 00:27:07,000 --> 00:27:11,200 Yeah. Cap sleeves. It's a horror show. 454 00:27:12,600 --> 00:27:16,000 It's a nice color, though. Yes, very nice color. 455 00:27:18,400 --> 00:27:20,100 Are you cold? 456 00:27:20,200 --> 00:27:22,800 Well, perhaps a little. Here. 457 00:27:23,900 --> 00:27:26,500 Oh, no, I couldn't. No, you must. 458 00:27:26,600 --> 00:27:29,500 It's a little thank-you for this morning. 459 00:27:32,000 --> 00:27:34,100 It's beautiful. 460 00:28:02,700 --> 00:28:05,500 Guinevere! Don't dawdle, we're late! 461 00:28:10,000 --> 00:28:12,000 DELYSIA: Today is the day that Phil announces to the world 462 00:28:12,100 --> 00:28:14,000 who's going to play the lead in Pile on the Pepper. 463 00:28:14,100 --> 00:28:16,000 And with the lingerie that I'm about to pick up, 464 00:28:16,100 --> 00:28:17,300 it's no contest, honey. 465 00:28:17,300 --> 00:28:19,300 "Delysia Lafosse tops the bill!" 466 00:28:19,400 --> 00:28:22,000 How exciting! Is it to be a West End show? 467 00:28:22,000 --> 00:28:25,800 It is to be a West End smash, Guinevere, and it's going to make me a star. 468 00:28:25,900 --> 00:28:27,400 PETTIGREW: I thought you were a singer. 469 00:28:27,400 --> 00:28:30,400 Well, I've got a voice. But that's not how you become famous. No. 470 00:28:30,500 --> 00:28:33,000 First stop, West End. Next stop, Hollywood. 471 00:28:33,100 --> 00:28:34,600 Have you done much of that sort of thing? 472 00:28:34,600 --> 00:28:36,100 Didn't you catch Every Day's a Holiday? 473 00:28:36,200 --> 00:28:38,400 One of mine. Mae West! 474 00:28:39,200 --> 00:28:42,500 Oh, you did see it? Oh, yes! Which part were you? 475 00:28:43,300 --> 00:28:45,100 I was in the restaurant scene. 476 00:28:45,100 --> 00:28:47,200 In the back. Really? 477 00:28:47,300 --> 00:28:49,200 Behind the palm tree drinking a margarita. 478 00:28:49,300 --> 00:28:51,300 I... I think they cut that for the European print. 479 00:28:51,400 --> 00:28:53,600 A little de trop for you English, if you know what I mean? 480 00:28:53,600 --> 00:28:55,100 Of course. Of course there's Four's a Crowd, 481 00:28:55,200 --> 00:28:58,400 with Errol Flynn and... Olivia de Havilland! 482 00:28:58,400 --> 00:29:01,400 Seen that as well? Four's a Crowd is a wonderful picture. 483 00:29:01,500 --> 00:29:02,700 Who were you? The crowd. 484 00:29:02,800 --> 00:29:04,800 Here we are. Quick, quick. 485 00:29:33,300 --> 00:29:36,000 Guinevere. Come on. Don't be shy. 486 00:29:42,900 --> 00:29:44,300 She's naked! 487 00:29:44,400 --> 00:29:48,900 Well, hardly. There's so much whalebone on her, I'm looking for a tail and flippers. 488 00:29:49,000 --> 00:29:51,000 ED YTHE: This season's must-have for the fuller figure, 489 00:29:51,000 --> 00:29:55,300 the Slimlastic corset and uplift brassiere. A most effective reducer. 490 00:29:55,400 --> 00:29:59,000 If you don't mind a collapsed lung. I recognize her. 491 00:29:59,100 --> 00:30:02,300 Edythe? She owns the best salon in London. 492 00:30:02,300 --> 00:30:04,900 All the latest fashion. All the latest gossip. 493 00:30:04,900 --> 00:30:07,400 Another slenderizer from Aphrodite, for the winter season, 494 00:30:07,500 --> 00:30:10,300 is this unique wrap-around corset with side panels 495 00:30:10,400 --> 00:30:12,600 and front-to-back gussets, in fleece-lined rubber, 496 00:30:12,700 --> 00:30:14,900 with rustproof steel spirals throughout. 497 00:30:15,000 --> 00:30:18,600 Rustproof steel. You guys really are preparing for war. 498 00:30:19,600 --> 00:30:20,600 (GASPS) 499 00:30:21,400 --> 00:30:22,800 Guinevere? 500 00:30:23,800 --> 00:30:25,800 A man. In the room. 501 00:30:26,800 --> 00:30:29,500 Oh. Oh, that's just Joe. 502 00:30:29,600 --> 00:30:31,400 He designs underwear. 503 00:30:31,500 --> 00:30:33,600 And not these walking air-raid shelters. 504 00:30:33,700 --> 00:30:35,400 Beautiful things. 505 00:30:35,500 --> 00:30:39,900 There are very few men who really appreciate the female figure like Joe. 506 00:30:39,900 --> 00:30:41,100 It doesn't matter what you're wearing, 507 00:30:41,200 --> 00:30:44,300 he can see right through to the real woman underneath. 508 00:30:44,400 --> 00:30:45,500 Oh. 509 00:30:46,500 --> 00:30:47,800 Oh, this is his collection. 510 00:30:47,900 --> 00:30:51,700 And new this season from Mimi, designed by Joe Blomfield. 511 00:30:51,900 --> 00:30:54,300 (AUDIENCE APPLAUDING) 512 00:30:56,200 --> 00:30:57,200 He's dating Edythe. 513 00:30:57,200 --> 00:31:00,100 Tempestuous is the word that the magazines use. 514 00:31:00,800 --> 00:31:04,600 I mean, of course she's a darling, but a little difficult. 515 00:31:04,700 --> 00:31:07,700 As you can see, it's going to be a chilly winter for Mimi fans. 516 00:31:07,700 --> 00:31:10,100 And in that ever-practical 100% silk, 517 00:31:10,200 --> 00:31:13,100 you're going to have to employ another maid to do the washing, ladies. 518 00:31:13,100 --> 00:31:14,800 That's if you can afford one after you've paid 519 00:31:14,900 --> 00:31:17,600 through the nose for one of these frou-frou. 520 00:31:17,700 --> 00:31:19,300 Oh, dear. 521 00:31:19,400 --> 00:31:20,800 I guess they had another bust-up. 522 00:31:20,800 --> 00:31:22,100 And you'd better start your diet now 523 00:31:22,200 --> 00:31:24,300 because there's no hiding your indulgences, ladies. 524 00:31:24,400 --> 00:31:27,400 Not a support in sight to help human nature. 525 00:31:37,700 --> 00:31:39,400 Excuse me a moment? 526 00:31:40,800 --> 00:31:42,500 Thank you, ladies. 527 00:31:47,800 --> 00:31:50,100 Joe. Margery! 528 00:31:50,200 --> 00:31:54,100 So, what can you do to prop up this ancient monument? 529 00:31:55,300 --> 00:31:56,800 If you must talk of ancient monuments, 530 00:31:56,900 --> 00:31:59,700 did you know that the Elgin Marbles were once painted? 531 00:31:59,700 --> 00:32:02,900 No, I can't say that I did. Bright, garish colors. Awful. 532 00:32:02,900 --> 00:32:05,900 Now aren't they better just marble, 533 00:32:06,100 --> 00:32:10,000 worn a little into something wise, as well as beautiful? 534 00:32:10,000 --> 00:32:13,200 Joe Blomfield, you are the world's best flatterer. 535 00:32:13,300 --> 00:32:16,200 Or maybe I'm saying you belong in a museum. 536 00:32:19,800 --> 00:32:22,900 You don't tamper with a masterpiece, Margery. 537 00:32:23,500 --> 00:32:25,200 You allow it to be. 538 00:32:25,200 --> 00:32:27,100 That's my advice to you. 539 00:32:27,200 --> 00:32:28,400 (MARGERY CHUCKLING) 540 00:32:36,000 --> 00:32:39,700 That scarf, if I may say, looks perfect on you. 541 00:32:40,500 --> 00:32:43,000 Well, thank you. It was a present. 542 00:32:44,300 --> 00:32:48,500 You know, I think it's the most beautiful thing I've ever worn. 543 00:32:48,600 --> 00:32:51,300 Now the flatterer has been out-flattered. 544 00:32:51,400 --> 00:32:53,300 Sorry? It's one of mine. 545 00:32:53,700 --> 00:32:56,600 The design. Last year for Mimi Couture. 546 00:32:57,400 --> 00:32:58,800 My goodness. 547 00:33:00,600 --> 00:33:02,500 You really didn't know. 548 00:33:03,100 --> 00:33:07,100 Well, that is a compliment indeed, madam. Thank you. 549 00:33:07,800 --> 00:33:09,200 Joe Blomfield. 550 00:33:09,200 --> 00:33:11,700 Guinevere Pettigrew. A pleasure. 551 00:33:16,300 --> 00:33:17,800 Not to worry. 552 00:33:39,800 --> 00:33:41,200 (INHALES) 553 00:33:42,500 --> 00:33:43,900 EDYTHE: Well, I didn't answer the telephone 554 00:33:44,000 --> 00:33:45,600 because I couldn't answer the telephone. 555 00:33:45,600 --> 00:33:47,500 DELYSIA: Why not? I was in the bathroom. 556 00:33:47,600 --> 00:33:49,700 Having a bath? No, I just didn't answer the telephone, 557 00:33:49,800 --> 00:33:51,300 and now Joe says the engagement's off. 558 00:33:51,400 --> 00:33:54,700 Just because of one stupid little misunderstanding. 559 00:33:56,700 --> 00:34:00,000 Edythe, Miss Pettigrew. Edythe Dubarry. 560 00:34:00,000 --> 00:34:03,300 Miss Pettigrew is my new social secretary. Really? 561 00:34:03,900 --> 00:34:05,400 How intriguing. 562 00:34:05,400 --> 00:34:07,900 I know. Lost her shirt playing poker or something. 563 00:34:08,000 --> 00:34:11,200 But she is the best in London. Miss Holt told me so herself. 564 00:34:11,300 --> 00:34:14,200 Just freed up after Carole Lombard finished Vigil in the Night. 565 00:34:14,200 --> 00:34:15,300 Isn't that right, Guinevere? 566 00:34:15,300 --> 00:34:18,100 I heard it's a very fine picture. 567 00:34:18,300 --> 00:34:19,800 Haven't we met before? 568 00:34:20,300 --> 00:34:21,400 I don't believe so. 569 00:34:22,000 --> 00:34:24,300 Recently. I never forget a face. 570 00:34:25,100 --> 00:34:26,600 You really shouldn't wear those muddy browns, you know. 571 00:34:26,700 --> 00:34:28,700 They're not your color. Oh. 572 00:34:29,100 --> 00:34:32,100 The funeral parlor thing? It's in hand. 573 00:34:32,100 --> 00:34:35,300 We're on our way to your little store to correct the situation this very minute. 574 00:34:35,400 --> 00:34:37,300 My shop and salon are at your disposal, my dear. 575 00:34:37,300 --> 00:34:38,400 DELYSIA: Oh! 576 00:34:38,500 --> 00:34:39,500 Come with us! 577 00:34:39,500 --> 00:34:41,400 We can do Guinevere, and you can tell me all about Joe 578 00:34:41,500 --> 00:34:44,500 and I can tell you about my amazing morning. 579 00:34:46,700 --> 00:34:49,700 Hang it all, the bone structure's there. Why the devil not? 580 00:34:49,900 --> 00:34:53,700 Beatrice, cancel my appointments. I'm suddenly inconvenienced. 581 00:34:53,800 --> 00:34:56,200 Perfect! Come on, now! 582 00:34:56,700 --> 00:35:00,100 What is she going to do? We're going to do a fixie! 583 00:35:02,800 --> 00:35:05,100 EDYTHE: Turned Nick out of his own flat? DELYSIA: She didn't like him. 584 00:35:05,200 --> 00:35:08,300 Good heavens! He let her? He was no match for her. 585 00:35:08,400 --> 00:35:10,600 My dear, the woman can do anything. Anything. 586 00:35:10,600 --> 00:35:14,500 No. Definitely not. It's too pink, it's too passé. Not that one, either. 587 00:35:14,600 --> 00:35:17,000 And she's coming to the party? Well, of course. 588 00:35:17,000 --> 00:35:19,600 She's going to clinch the lead in Pile on the Pepper for me. 589 00:35:19,500 --> 00:35:22,000 Oh, no, not the red. Not with her hair, I think. 590 00:35:22,000 --> 00:35:24,500 But I thought you'd secured that deal last night. 591 00:35:24,500 --> 00:35:25,900 Well, I thought so, too. 592 00:35:25,900 --> 00:35:29,300 And I played it magnificently, if I do say so myself. 593 00:35:30,800 --> 00:35:33,300 But then Phil announced that he was going to have lunch with the Rabbit. 594 00:35:33,400 --> 00:35:34,500 Charlotte Warren? Mmm. 595 00:35:34,600 --> 00:35:36,100 Oh, my dear. Exactly. 596 00:35:36,200 --> 00:35:39,000 So you can see why I need Guinevere's powers. 597 00:35:39,000 --> 00:35:40,400 I do indeed. 598 00:35:41,500 --> 00:35:42,900 I wonder... 599 00:35:43,800 --> 00:35:44,800 Yes? 600 00:35:46,400 --> 00:35:47,800 Oh, nothing. 601 00:35:49,500 --> 00:35:50,500 That one! That one! 602 00:35:56,200 --> 00:35:57,700 Miss Lafosse? Oh! 603 00:35:59,900 --> 00:36:01,100 Oh! 604 00:36:03,000 --> 00:36:04,600 Thank you. Very nice. 605 00:36:21,200 --> 00:36:23,700 Guinevere, I think we're ready. 606 00:36:31,400 --> 00:36:33,300 And you're sure that's all it was, Edythe, my dear? 607 00:36:33,300 --> 00:36:35,600 Just a late train? No Gerry involved? 608 00:36:35,700 --> 00:36:37,200 You're as bad as Joe. 609 00:36:37,200 --> 00:36:40,400 Gerry and I are finished. Absolutely finished. 610 00:36:43,700 --> 00:36:47,100 So Tabitha and I bumped into him at Hat Day at the races. What of it? 611 00:36:47,200 --> 00:36:50,100 We got the last train in to Victoria and that was absolutely that. 612 00:36:50,100 --> 00:36:53,100 My fruit fedora was much admired, thank you for asking. 613 00:36:53,200 --> 00:36:55,900 Joe can check with the station if he's so damnably suspicious. 614 00:36:55,900 --> 00:36:59,300 Arrived at 11:30 and took a taxi straight home. Alone. 615 00:36:59,400 --> 00:37:00,500 The whole thing is ridiculous. 616 00:37:00,500 --> 00:37:03,300 One late train and the whole marriage is off. 617 00:37:03,300 --> 00:37:06,200 Men are so untrusting. I can't think why. 618 00:37:09,300 --> 00:37:10,900 Are you all right? 619 00:37:13,200 --> 00:37:16,100 Sorry, I was just remembering something. 620 00:37:19,300 --> 00:37:21,000 Everything all right, Guinevere? 621 00:37:21,000 --> 00:37:23,400 PETTIGREW: Oh, yes. Just a moment. 622 00:37:30,500 --> 00:37:31,500 (GIGGLES) 623 00:37:33,500 --> 00:37:34,900 This is me? 624 00:37:35,500 --> 00:37:37,000 All you. 625 00:37:37,100 --> 00:37:38,800 As nature intended. 626 00:37:41,600 --> 00:37:44,000 Guinevere, control yourself, for heaven's sake! 627 00:37:44,000 --> 00:37:47,000 The mascara! No, of course. Of course. 628 00:37:47,300 --> 00:37:48,600 That was close. 629 00:37:48,700 --> 00:37:51,200 Well, I'm just gonna put this, and a few other things, on Nick's account. 630 00:37:51,300 --> 00:37:53,100 I'll be right back. 631 00:37:57,200 --> 00:38:00,800 Well, what a transformation. 632 00:38:01,600 --> 00:38:04,900 I suppose I've never felt I really deserved it. 633 00:38:06,100 --> 00:38:08,600 A social secretary such as yourself? 634 00:38:08,700 --> 00:38:11,800 Carole Lombard's social secretary, no less. 635 00:38:12,900 --> 00:38:14,200 Eyeliner. 636 00:38:24,300 --> 00:38:27,000 As you're such a wow with the men, 637 00:38:27,000 --> 00:38:30,100 I was wondering whether you could have a word with Joe for me. 638 00:38:30,300 --> 00:38:33,200 Smooth this little misunderstanding over. 639 00:38:34,000 --> 00:38:37,100 We're getting married, you know. Were. 640 00:38:37,300 --> 00:38:39,400 It would mean such a lot to me. 641 00:38:39,400 --> 00:38:41,600 I'm afraid I couldn't do that. 642 00:38:42,700 --> 00:38:43,900 Really? 643 00:38:45,600 --> 00:38:50,100 You and I, Guinevere, we don't have what the Delysias of this world have. 644 00:38:51,500 --> 00:38:53,300 We have to work at it, improvise a touch, 645 00:38:53,400 --> 00:38:54,900 act a little to get what we want. 646 00:38:55,000 --> 00:38:57,300 You know what I mean, don't you? 647 00:38:58,000 --> 00:38:59,100 There. 648 00:38:59,100 --> 00:39:00,600 I'm sure Delysia wouldn't mind. 649 00:39:00,700 --> 00:39:03,600 DELYSIA: Well, that should put a few more gray hairs on Nick's head. 650 00:39:03,600 --> 00:39:06,100 My, you do look ravishing. Wonderful news! 651 00:39:06,200 --> 00:39:09,800 Guinevere has very kindly offered to sort things out with Joe for me. 652 00:39:09,900 --> 00:39:13,400 But that's a marvelous idea. If anybody can make Joe see sense, Guinevere can. 653 00:39:13,500 --> 00:39:15,200 Isn't that right? 654 00:39:15,300 --> 00:39:17,000 Okay. Come on. 655 00:39:29,700 --> 00:39:32,100 (PIANO PLAYING) 656 00:39:33,000 --> 00:39:34,200 Listen. 657 00:39:35,500 --> 00:39:36,500 Nick? 658 00:39:37,800 --> 00:39:39,600 Fingers like bananas. 659 00:39:40,000 --> 00:39:41,100 Philip? 660 00:39:42,200 --> 00:39:44,500 Oh, yes. Charlotte Warren. 661 00:39:44,600 --> 00:39:45,900 Permit me. 662 00:39:54,400 --> 00:39:56,200 Thief. Burglar. 663 00:39:56,700 --> 00:39:59,400 I've had some reactions to my playing, but never quite that. 664 00:39:59,500 --> 00:40:01,700 I saw you at the jail. I saw you. 665 00:40:02,600 --> 00:40:04,400 Oh, it's you! 666 00:40:04,800 --> 00:40:07,100 I say, I'm awfully sorry about that. 667 00:40:07,100 --> 00:40:08,400 Michael! 668 00:40:10,000 --> 00:40:13,700 It's so good to see you. However did you get in? 669 00:40:13,800 --> 00:40:15,600 One picks up a few tricks in prison, you know? 670 00:40:15,700 --> 00:40:18,700 Breaking and entering being one of them. 671 00:40:18,800 --> 00:40:19,800 So. 672 00:40:20,800 --> 00:40:23,200 What have you got to say for yourself? 673 00:40:23,300 --> 00:40:24,300 Oh, well... 674 00:40:24,300 --> 00:40:27,000 I think I must have gotten the days mixed up. Or was it the place? 675 00:40:27,100 --> 00:40:29,000 I'm awfully sorry, Michael. 676 00:40:29,100 --> 00:40:31,100 Can you ever forgive me? 677 00:40:32,400 --> 00:40:34,200 (DELYSIA EXCLAIMING) 678 00:40:34,700 --> 00:40:36,200 Now what do you say? 679 00:40:36,200 --> 00:40:40,400 Part of me says if you do that again, I'll heave you through the goddamn window. 680 00:40:40,500 --> 00:40:43,000 And another part of me says that 681 00:40:43,500 --> 00:40:46,800 I deserve it. Every bit. 682 00:40:46,900 --> 00:40:50,700 Oh, no. Don't play that game with me. Not this time, Delysia. 683 00:40:50,700 --> 00:40:52,300 What do you mean? 684 00:40:52,400 --> 00:40:55,300 You've made a fool out of me for the last time. 685 00:40:55,300 --> 00:40:57,600 Oh, don't say that, Michael. 686 00:40:57,700 --> 00:40:59,700 You can do anything you like to me. Anything. 687 00:40:59,800 --> 00:41:04,000 Shake me again... No, better not stand too close to the window. 688 00:41:04,100 --> 00:41:05,600 Or maybe, 689 00:41:07,100 --> 00:41:08,700 maybe kiss me? 690 00:41:17,500 --> 00:41:19,000 Not a chance. 691 00:41:19,600 --> 00:41:21,400 Why, you... I'm crazy about you. 692 00:41:21,500 --> 00:41:24,300 You know that. But even I've got my limit and I've reached it. 693 00:41:24,300 --> 00:41:26,600 No more games, no more lies. 694 00:41:26,700 --> 00:41:30,700 No more Phil, no more Nick. It's me, just me, or that's it. 695 00:41:31,500 --> 00:41:32,600 I'll never see you again. 696 00:41:32,600 --> 00:41:34,200 You wouldn't. 697 00:41:34,400 --> 00:41:36,500 See this? The Queen Mary. 698 00:41:36,600 --> 00:41:38,800 Two tickets. Sails for New York tomorrow morning. 699 00:41:38,800 --> 00:41:43,400 I'm playing the Upper Deck Cocktail Bar, with an as-yet-unannounced singer. 700 00:41:44,000 --> 00:41:46,000 Now tell me I wouldn't. 701 00:41:47,300 --> 00:41:48,400 But what about the cabaret? 702 00:41:48,500 --> 00:41:51,600 You and me together, we're the best in London. 703 00:41:52,400 --> 00:41:54,300 So we'll be the best in New York. 704 00:42:02,000 --> 00:42:03,200 Or not. 705 00:42:07,600 --> 00:42:09,600 Isn't there a decent drink in this hellhole? 706 00:42:09,600 --> 00:42:11,600 Yes. What would you like? 707 00:42:12,600 --> 00:42:14,200 It's me who should be offering you a drink. 708 00:42:14,200 --> 00:42:18,300 After our unfortunate meeting yesterday, I am definitely in your debt. 709 00:42:18,400 --> 00:42:20,300 How do you take your whiskey? 710 00:42:20,400 --> 00:42:22,800 He does seem to be a little agitated about something. 711 00:42:22,800 --> 00:42:24,000 Yes. 712 00:42:24,800 --> 00:42:27,300 Well, I'm afraid that might be my fault. Indeed? 713 00:42:27,300 --> 00:42:29,600 Ice pick? It's in the drawer. 714 00:42:29,700 --> 00:42:32,100 Somewhere. Ice in the Fridgidaire? 715 00:42:32,200 --> 00:42:33,800 I want the pick for murder, not ice. 716 00:42:33,800 --> 00:42:34,800 (CHUCKLES) 717 00:42:34,900 --> 00:42:36,900 See? He's such a hothead. 718 00:42:37,000 --> 00:42:38,400 He takes love so seriously. 719 00:42:38,400 --> 00:42:39,800 Is that a problem? 720 00:42:39,900 --> 00:42:41,900 Of course it's a problem! 721 00:42:42,000 --> 00:42:43,600 Michael Pardew. 722 00:42:44,700 --> 00:42:47,300 Pettigrew. Guinevere Pettigrew. 723 00:42:47,400 --> 00:42:49,600 About time we had a formal introduction. 724 00:42:49,700 --> 00:42:50,700 It's certainly a problem 725 00:42:50,700 --> 00:42:53,200 when the girl doesn't pitch up for the proposal. 726 00:42:53,300 --> 00:42:55,900 Oh, Michael. Not a word from you. Thank you. 727 00:42:55,900 --> 00:42:58,000 What do think of this? Private boat on the Thames, 728 00:42:58,100 --> 00:42:59,600 last of the season's strawberries, 729 00:42:59,800 --> 00:43:01,800 Dom Pérignon champagne. Everything. 730 00:43:01,900 --> 00:43:04,800 Strawberries. And you didn't appear? 731 00:43:04,800 --> 00:43:06,500 I was scared. 732 00:43:06,600 --> 00:43:08,000 You were scared? 733 00:43:08,100 --> 00:43:10,400 How do you think a pianist without two shillings to rub together 734 00:43:10,500 --> 00:43:14,200 feels proposing to the most beautiful woman in the world? 735 00:43:14,300 --> 00:43:15,700 Dare I ask what happened? 736 00:43:15,700 --> 00:43:18,000 Well, after an hour and a half bobbing around on my own, 737 00:43:18,100 --> 00:43:20,100 I opened the champagne. 738 00:43:20,200 --> 00:43:23,500 One glass didn't seem enough. One thing led to another. 739 00:43:23,600 --> 00:43:25,400 Then I had a bit of a brainwave, 740 00:43:25,300 --> 00:43:27,500 as we floated past the Tower of London. Oh, dear. 741 00:43:27,600 --> 00:43:30,500 Decided the ring I had wasn't good enough for her. 742 00:43:30,600 --> 00:43:32,100 Well, when a fellow needs a diamond, 743 00:43:32,200 --> 00:43:35,700 what better place to get one than the Tower of London? 744 00:43:36,200 --> 00:43:38,600 The rest is all a bit hazy, but 745 00:43:38,700 --> 00:43:41,400 there appears to have been an altercation with the yeoman of the guard. 746 00:43:41,500 --> 00:43:43,200 (GASPS) You didn't. 747 00:43:44,200 --> 00:43:46,400 Thirty days bread and water. 748 00:43:49,200 --> 00:43:51,000 But you know what? 749 00:43:51,100 --> 00:43:53,500 Prison certainly clears the head. 750 00:43:53,900 --> 00:43:56,600 Pure and simple, I want you to marry me. 751 00:43:58,100 --> 00:44:01,000 And it's a one-word conversation, Delysia. 752 00:44:05,900 --> 00:44:10,400 Don't you think that on such a momentous occasion 753 00:44:10,500 --> 00:44:12,000 a little time should be allowed? 754 00:44:12,000 --> 00:44:13,700 Oh, stalling tactic. 755 00:44:15,000 --> 00:44:17,400 Is it because I'm not rich enough for her? Certainly not. 756 00:44:17,500 --> 00:44:20,700 Well, it's true. I'm wearing most of my worldly possessions. 757 00:44:20,700 --> 00:44:23,800 I could never offer this kind of blackmail. Oh. 758 00:44:23,800 --> 00:44:26,000 And who pays you for playing the piano, huh? 759 00:44:26,100 --> 00:44:28,200 You telling me you give Nick his money back after every show? 760 00:44:28,300 --> 00:44:31,600 No! And every damned shilling I take hurts me to the bone. 761 00:44:31,700 --> 00:44:34,700 Which is why it's got to change, Delysia. 762 00:44:34,800 --> 00:44:38,300 Money or love? That's the question I'm asking, D. 763 00:44:39,100 --> 00:44:43,700 With you singing and me playing, we could knock the world flat. 764 00:44:46,900 --> 00:44:48,600 Yes or no, Delysia? 765 00:44:50,400 --> 00:44:54,300 You are a most uncommonly persuasive man, Mr. Pardew. 766 00:44:57,100 --> 00:44:58,900 But surely a lady should have a moment or two 767 00:44:59,000 --> 00:45:01,500 to consider the most important decision of her life? 768 00:45:01,600 --> 00:45:03,200 A moment? She's had a whole year. 769 00:45:03,200 --> 00:45:04,400 You did say you were in my debt. 770 00:45:06,600 --> 00:45:09,100 Damn it, I did, too. Fair enough. 771 00:45:11,300 --> 00:45:13,100 Okay, here's the deal. 772 00:45:13,500 --> 00:45:16,200 I'll play for you today, Delysia, 773 00:45:16,200 --> 00:45:19,400 and for the rest of your life, if you'll marry me. 774 00:45:20,200 --> 00:45:22,200 Never again if you don't. 775 00:45:26,900 --> 00:45:29,400 See you later, Miss Pettigrew. Later? 776 00:45:29,500 --> 00:45:31,900 In my professional capacity. 777 00:45:35,800 --> 00:45:37,300 As for you, 778 00:45:37,800 --> 00:45:39,300 it's now or never. 779 00:45:39,400 --> 00:45:41,700 The ship sails tomorrow morning. 780 00:45:44,500 --> 00:45:45,800 He is... 781 00:45:46,800 --> 00:45:48,800 Impossible. Magnificent. 782 00:45:51,500 --> 00:45:53,300 So you marry him. 783 00:46:03,600 --> 00:46:05,000 Guinevere? Mmm-hmm? 784 00:46:05,800 --> 00:46:09,300 Tell me the honest truth. It's a darned fix, isn't it? 785 00:46:10,400 --> 00:46:14,000 Nothing that can't be unfixed with some good common sense. 786 00:46:14,700 --> 00:46:16,500 But take a look at the headlines. 787 00:46:16,500 --> 00:46:20,400 With Nick, I get this magnificent flat and my job at the Peacock. 788 00:46:21,000 --> 00:46:22,300 And with Phil, 789 00:46:22,400 --> 00:46:26,100 I get the best part on the West End stage and my chance to be a star. 790 00:46:26,100 --> 00:46:27,800 And with Michael? 791 00:46:29,000 --> 00:46:30,700 With Michael... 792 00:46:31,900 --> 00:46:34,000 I get the best friend I ever had. 793 00:46:34,000 --> 00:46:35,900 Is that all Michael is? 794 00:46:36,300 --> 00:46:37,600 Well, 795 00:46:40,800 --> 00:46:42,900 he's rather passionate, too. 796 00:46:50,200 --> 00:46:52,400 I know what you're thinking. 797 00:46:53,100 --> 00:46:54,900 Michael's the one. 798 00:47:00,000 --> 00:47:01,800 But what about everything else? 799 00:47:01,900 --> 00:47:03,700 And who says I'm looking for a darned husband 800 00:47:03,800 --> 00:47:05,200 this very minute, anyway? 801 00:47:06,600 --> 00:47:09,800 Not everything comes along just when we want it. 802 00:47:12,000 --> 00:47:14,700 There are times when choices just have to be made, 803 00:47:14,800 --> 00:47:17,200 or you certainly will miss out. 804 00:47:17,500 --> 00:47:18,700 No. 805 00:47:19,200 --> 00:47:21,700 No, I won't accept that. I won't. 806 00:47:21,700 --> 00:47:25,900 This "all of you or none of you" stuff that Michael's pulling. 807 00:47:27,000 --> 00:47:28,600 It's too much. 808 00:47:28,700 --> 00:47:30,800 But he is in love with you, Delysia. 809 00:47:30,900 --> 00:47:33,300 Can you say that about anyone else? 810 00:47:35,100 --> 00:47:36,600 Guinevere, 811 00:47:38,000 --> 00:47:41,300 haven't you ever been torn between more than one person at the same time? 812 00:47:41,300 --> 00:47:45,400 (CHUCKLES) No, I can't say I've had that particular problem. 813 00:47:48,700 --> 00:47:50,400 You are beautiful, Delysia. 814 00:47:52,200 --> 00:47:55,800 Well, it's not a bad figure, if I do say so myself. 815 00:47:59,600 --> 00:48:02,500 Have you ever been in love at all, Guinevere? 816 00:48:03,900 --> 00:48:05,900 Once. And was it this 817 00:48:06,300 --> 00:48:08,400 "all of you or none of you" stuff? 818 00:48:08,500 --> 00:48:09,700 Oh, yes. 819 00:48:09,800 --> 00:48:11,700 From him or from you? 820 00:48:12,500 --> 00:48:13,500 Both. 821 00:48:13,600 --> 00:48:15,800 Really? Do tell. 822 00:48:17,300 --> 00:48:18,500 No. 823 00:48:19,000 --> 00:48:20,900 All a long time ago. 824 00:48:21,000 --> 00:48:23,800 You'll catch your death. Put this on. 825 00:48:28,900 --> 00:48:30,300 (DOORBELL RINGING) 826 00:48:30,700 --> 00:48:32,100 Allow me. 827 00:48:36,900 --> 00:48:38,500 Excuse me, madam. 828 00:48:40,900 --> 00:48:42,400 Excuse me. 829 00:48:45,200 --> 00:48:46,600 Excuse me? 830 00:48:47,400 --> 00:48:49,600 Take that through to the kitchen, please. 831 00:48:49,500 --> 00:48:52,600 And you do the same as well. And tell John to pull the rug up. 832 00:48:52,700 --> 00:48:54,900 Party about to start soon, so chop-chop. 833 00:48:55,000 --> 00:48:57,100 Party? There's a party? 834 00:48:58,500 --> 00:49:00,100 Miss Lafosse? Hmm? 835 00:49:00,100 --> 00:49:03,100 There's a troop of people downstairs who appear to be under the misapprehension 836 00:49:03,200 --> 00:49:04,800 there is to be a party here. 837 00:49:04,900 --> 00:49:06,200 Yes. 838 00:49:06,300 --> 00:49:07,400 Today? 839 00:49:08,000 --> 00:49:10,100 Yes. Didn't I say? No. 840 00:49:10,200 --> 00:49:11,200 Oh. 841 00:49:11,700 --> 00:49:13,100 Silly me. 842 00:49:14,100 --> 00:49:16,200 Will there be many people? 843 00:49:16,200 --> 00:49:18,200 I should say so, Guinevere. 844 00:49:18,300 --> 00:49:19,400 It's the big one. 845 00:49:19,400 --> 00:49:21,200 The big one? Pile on the Pepper. 846 00:49:21,300 --> 00:49:23,600 Phil's going to make the announcement. 847 00:49:23,700 --> 00:49:24,800 What do you think? 848 00:49:24,800 --> 00:49:26,900 Do I get the part? Hmm? 849 00:49:27,500 --> 00:49:28,800 Oh, yes. 850 00:49:49,000 --> 00:49:52,300 My dear, you look as if you've never been to a cocktail party in your life. 851 00:49:52,500 --> 00:49:54,100 Why, thank you, but I don't drink. 852 00:49:54,100 --> 00:49:56,800 Oh, it's not a drink, really. It's a cocktail. 853 00:49:56,900 --> 00:49:58,700 Good luck, darlings. 854 00:49:59,200 --> 00:50:01,500 Joe's the old one over there. 855 00:50:05,100 --> 00:50:06,800 Work your magic. 856 00:50:13,400 --> 00:50:14,700 (DOOR OPENING) 857 00:50:16,500 --> 00:50:17,700 (DOOR CLOSING) 858 00:50:19,100 --> 00:50:20,400 (DELYSIA GASPS) 859 00:50:21,100 --> 00:50:23,000 Of all the nerve. 860 00:50:23,100 --> 00:50:26,200 Well. Time to make the Rabbit run. 861 00:50:26,200 --> 00:50:27,800 Are you sure that's wise? 862 00:50:27,900 --> 00:50:29,000 Mmm. 863 00:50:30,100 --> 00:50:31,500 Phil, darling. 864 00:50:31,600 --> 00:50:34,800 Delysia, sweetheart. Lovely to see you. 865 00:50:34,900 --> 00:50:37,400 This is Charlotte Warren. 866 00:50:38,900 --> 00:50:40,900 PHIL: Do you know each other? 867 00:50:40,900 --> 00:50:42,200 A pleasure. 868 00:50:42,300 --> 00:50:44,100 How nice to see you again. 869 00:50:44,200 --> 00:50:47,600 Phil and I had such a lovely lunch together today, didn't we, darling? 870 00:50:47,700 --> 00:50:50,400 Well, I thought he'd have a big appetite, after last night. 871 00:50:50,500 --> 00:50:52,500 May I suggest retiring to a safe distance? 872 00:50:52,600 --> 00:50:54,400 I think you're absolutely right. 873 00:50:54,500 --> 00:50:56,000 Tin hat on. 874 00:51:00,000 --> 00:51:01,400 I'm sorry, it's Phil Goldman. 875 00:51:01,600 --> 00:51:03,100 How do you do? We've met before, actually. 876 00:51:03,100 --> 00:51:05,300 You were entirely naked at the time. 877 00:51:06,000 --> 00:51:07,500 Guinevere? 878 00:51:07,500 --> 00:51:09,500 Is that you? My goodness! 879 00:51:09,800 --> 00:51:10,900 You look marvelous. 880 00:51:11,000 --> 00:51:14,400 Charlotte, I just wanted to let you know there are no hard feelings. 881 00:51:14,400 --> 00:51:16,600 That is so gracious of you. 882 00:51:17,100 --> 00:51:20,300 To the victor the spoils, to the vanquished two comps for Press Night. 883 00:51:20,300 --> 00:51:21,800 And so wise. 884 00:51:21,900 --> 00:51:24,400 I hope I can be like that one day. 885 00:51:25,100 --> 00:51:27,800 Wisdom requires more than the passing of years, I fear. 886 00:51:28,000 --> 00:51:31,600 Though a little bird tells me that the part of the crippled mother is still open. 887 00:51:31,500 --> 00:51:33,900 You'd look ravishing with a stick. 888 00:51:34,100 --> 00:51:36,300 (BOTH LAUGH) 889 00:51:37,100 --> 00:51:42,000 And I won't forget about those tickets. Is it two, three, four... 890 00:51:42,000 --> 00:51:45,600 Silly me, I've forgotten how many boyfriends you've got. 891 00:51:49,100 --> 00:51:50,300 Now, Philip, 892 00:51:50,400 --> 00:51:53,200 how are your deliberations over Pile on the Pepper proceeding? 893 00:51:53,200 --> 00:51:55,300 Well, between you and me, 894 00:51:55,600 --> 00:51:57,700 Charlotte has the most alluring singing voice. 895 00:51:57,800 --> 00:52:01,700 And I have to say, Daddy's quite keen. In fact, more than keen. 896 00:52:01,700 --> 00:52:04,400 So you're going to give Miss Warren the part? 897 00:52:04,600 --> 00:52:08,600 Delysia's going to be a bit off-color about it all, I'm afraid. 898 00:52:11,500 --> 00:52:13,800 Hey ho. Just one question. 899 00:52:14,700 --> 00:52:18,200 Does Charlotte have quite the same attachment to you as Delysia? 900 00:52:18,300 --> 00:52:21,100 No. No, no, she certainly doesn't. 901 00:52:22,600 --> 00:52:24,800 Do you think that was more than a passing attraction? 902 00:52:24,900 --> 00:52:27,500 I mean, we both know actresses, Guinevere. 903 00:52:27,500 --> 00:52:30,400 It did occur to me that it might be, you know, 904 00:52:30,500 --> 00:52:32,500 purely to secure the part? 905 00:52:32,800 --> 00:52:36,800 I have no doubt that Miss Lafosse believes that you are one of the most... 906 00:52:39,000 --> 00:52:42,200 Unquestionably, the most important man in that room. 907 00:52:42,200 --> 00:52:44,600 My dear woman, do you really think so? 908 00:52:44,700 --> 00:52:45,800 I do. 909 00:52:46,500 --> 00:52:49,100 The scales have fallen from my doubting eyes. 910 00:52:49,200 --> 00:52:51,100 So pleased to have helped. Helped? 911 00:52:51,200 --> 00:52:54,400 You've just made me the happiest man in the world. 912 00:52:55,400 --> 00:52:57,400 You seem to have made quite an impression on him. 913 00:52:57,500 --> 00:53:00,400 Oh. Yes. I do, don't I? 914 00:53:02,100 --> 00:53:03,400 Joe Blomfield. 915 00:53:04,900 --> 00:53:06,500 A great pleasure. 916 00:53:06,600 --> 00:53:10,200 Have we met before? I feel sure I recognize you from somewhere. 917 00:53:10,200 --> 00:53:11,900 I don't think so, 918 00:53:12,000 --> 00:53:14,900 but I'm delighted to make your acquaintance. 919 00:53:21,200 --> 00:53:23,700 I have met your fiancée, I believe. 920 00:53:24,400 --> 00:53:25,700 Edythe? Um... 921 00:53:26,900 --> 00:53:28,700 No longer my fiancée, I'm afraid. 922 00:53:28,800 --> 00:53:32,200 Really? I'm so sorry. Not a permanent rift, I hope? 923 00:53:33,000 --> 00:53:35,800 It would be ungentlemanly of me to go into the details. 924 00:53:35,800 --> 00:53:37,200 Of course. 925 00:53:41,000 --> 00:53:43,100 You know, these things are amazing, aren't they? 926 00:53:43,100 --> 00:53:44,300 May I? 927 00:53:44,600 --> 00:53:46,600 Why not? Excuse me. 928 00:53:52,600 --> 00:53:53,900 Progress? 929 00:53:54,200 --> 00:53:55,800 I'm afraid not. 930 00:53:56,100 --> 00:53:57,400 Nor is there likely to be. 931 00:53:57,500 --> 00:54:00,200 Transformations work both ways, Guinevere. 932 00:54:00,200 --> 00:54:04,600 It would take me 30 seconds to put you back in the soup kitchen queue. 933 00:54:05,700 --> 00:54:08,400 I told you, I never forget a face. 934 00:54:08,500 --> 00:54:10,100 Victoria Station. 935 00:54:10,600 --> 00:54:14,300 Nor have I forgotten with whom you shared a taxi last night. 936 00:54:15,900 --> 00:54:17,300 Oh, you have. 937 00:54:17,400 --> 00:54:20,500 If you want to continue working for Delysia, you have. 938 00:54:20,500 --> 00:54:24,000 Now we all of us need things in our life. I need Joe for his... 939 00:54:24,100 --> 00:54:27,600 Well, he's a man of connections. And you need... 940 00:54:29,000 --> 00:54:32,100 You need to stay off of the streets, I imagine. 941 00:54:41,000 --> 00:54:44,000 I see Edythe has told you all. 942 00:54:45,500 --> 00:54:50,100 If it weren't to commit another indiscretion, I might disclose Edythe is... 943 00:54:52,500 --> 00:54:55,400 As Miss Lafosse would say, crazy about you. 944 00:54:56,300 --> 00:54:58,100 To be indiscreet back, 945 00:54:58,200 --> 00:55:03,000 she's rather more crazy about my position in the fashion world than she is about me. 946 00:55:03,100 --> 00:55:05,900 A woman scorned is a dangerous thing. 947 00:55:05,900 --> 00:55:09,000 And a bruised heart will often speak harshly, Mr. Blomfield. 948 00:55:09,000 --> 00:55:13,000 Oh, I sometimes wonder where Edythe's heart has got to. 949 00:55:13,800 --> 00:55:17,400 A woman with an absent heart would not shed such tears, I think. 950 00:55:17,400 --> 00:55:18,600 Edythe? 951 00:55:19,800 --> 00:55:21,300 Shed tears? 952 00:55:22,900 --> 00:55:24,400 You people! 953 00:55:25,200 --> 00:55:29,800 With your green drinks and your parties and your subterfuges. 954 00:55:30,500 --> 00:55:32,800 You're all playing at love. 955 00:55:32,900 --> 00:55:35,700 One minute her, the next minute someone else. Flit, flit, flit. 956 00:55:35,800 --> 00:55:37,700 Well, I'm not playing. 957 00:55:39,100 --> 00:55:40,900 Love is not a game. 958 00:55:41,000 --> 00:55:42,500 (MUSIC ENDS) 959 00:55:42,700 --> 00:55:44,400 (GUESTS APPLAUDING) 960 00:56:01,300 --> 00:56:02,900 You've worked your magic again. 961 00:56:03,000 --> 00:56:05,000 I can't do it. You've already done it. 962 00:56:05,100 --> 00:56:06,400 Joe just came up and asked me 963 00:56:06,400 --> 00:56:08,500 if he was being a cad breaking off the engagement. 964 00:56:08,600 --> 00:56:12,100 I've no idea what you said, but I believe we've got him. 965 00:56:13,300 --> 00:56:15,200 It must be extraordinary being you. 966 00:56:15,300 --> 00:56:18,200 Extraordinary? No. Very, very ordinary. 967 00:56:18,300 --> 00:56:21,400 Delysia, darling, is it true what Guinevere said? 968 00:56:21,500 --> 00:56:23,600 Well, if Miss P said it, you can bet your shirt on it. 969 00:56:23,600 --> 00:56:26,000 So I can tell the whole world about you and me? 970 00:56:26,200 --> 00:56:28,200 Officially an item, what? Till death us do part? 971 00:56:28,200 --> 00:56:29,500 What? 972 00:56:31,100 --> 00:56:35,700 At the very same time that you announce your casting decision, sweets. 973 00:56:35,700 --> 00:56:36,700 Oh! 974 00:56:37,100 --> 00:56:39,700 And what better time than right now? 975 00:56:39,700 --> 00:56:42,300 You're absolutely right, damn it. This very minute. 976 00:56:42,400 --> 00:56:45,600 Come on, gorgeous, no time to waste. To horse. 977 00:56:50,700 --> 00:56:54,000 Well, I suppose that was necessary. 978 00:56:55,100 --> 00:56:58,400 You wanted the part. He'd already chosen the Rabbit. 979 00:57:01,300 --> 00:57:04,700 No, Delysia, you mustn't do this. 980 00:57:07,500 --> 00:57:08,900 But I must. 981 00:57:17,600 --> 00:57:19,600 Ladies and gentlemen, 982 00:57:22,800 --> 00:57:24,200 as you might know, 983 00:57:24,200 --> 00:57:28,000 I'm putting on Pile on the Pepper at the Ambassador, don't you know? 984 00:57:28,100 --> 00:57:29,400 Have I mentioned this? 985 00:57:29,400 --> 00:57:30,700 (ALL CHUCKLING) 986 00:57:31,000 --> 00:57:34,900 Anyway, it is my pleasure to announce that I have, today, 987 00:57:35,000 --> 00:57:37,300 cast the lead actress, what? 988 00:57:39,300 --> 00:57:42,700 She is not only Hortensia in Pile on the Pepper, 989 00:57:42,800 --> 00:57:47,400 she is also my Hortensia, if you know what I mean. 990 00:57:48,500 --> 00:57:50,400 Ladies and gentlemen, 991 00:57:50,500 --> 00:57:53,000 your Hortensia and my Hortensia, 992 00:57:54,300 --> 00:57:56,100 Delysia Lafosse! 993 00:57:56,100 --> 00:57:57,500 (STOPS PLAYING) 994 00:57:57,600 --> 00:57:59,200 (GUESTS APPLAUDING) 995 00:58:15,700 --> 00:58:16,900 So 996 00:58:17,500 --> 00:58:18,900 let's dance! 997 00:58:37,900 --> 00:58:39,200 Michael? 998 00:58:50,600 --> 00:58:52,500 May I? Please. 999 00:59:09,500 --> 00:59:12,600 (TINKLING) 1000 00:59:15,700 --> 00:59:18,800 (BOMBER PLANES ROARING) 1001 00:59:36,200 --> 00:59:38,900 They don't remember the last one. 1002 00:59:39,000 --> 00:59:40,800 (GUESTS CHEERING) 1003 00:59:41,000 --> 00:59:42,600 No. They don't. 1004 00:59:46,800 --> 00:59:50,300 Delysia's name in lights at the Ambassador. What do you think of that? 1005 00:59:51,300 --> 00:59:53,500 Well, it's certainly what Delysia's always wanted. 1006 00:59:56,200 --> 00:59:57,900 Joe, my dear, 1007 00:59:58,000 --> 01:00:01,600 I don't think I could ever forgive myself if last night's misunderstanding 1008 01:00:01,700 --> 01:00:05,300 got in the way of something so, so important to us both. 1009 01:00:07,300 --> 01:00:11,100 I was wondering, could you walk me home and let me explain? 1010 01:00:14,600 --> 01:00:16,900 Of course, my dear. Of course. 1011 01:00:19,000 --> 01:00:20,500 JOE: Nice to have met you. 1012 01:00:22,300 --> 01:00:24,800 Did you see the planes? Weren't they magnificent? 1013 01:00:40,700 --> 01:00:42,000 Madam? 1014 01:00:42,500 --> 01:00:44,300 Not now, thank you. 1015 01:01:34,400 --> 01:01:36,600 Well, what do you know? 1016 01:01:36,500 --> 01:01:39,100 It's my last night singing at the club. 1017 01:01:39,300 --> 01:01:41,200 I'm going to be a star. 1018 01:01:42,800 --> 01:01:45,600 Well, aren't you going to congratulate me? 1019 01:01:45,700 --> 01:01:47,900 I have done you a disservice. 1020 01:01:48,600 --> 01:01:51,600 You have done what I asked. That's your job. 1021 01:01:52,400 --> 01:01:57,200 It may well be my job, but what I have done is untrue to you and untrue to me. 1022 01:01:57,300 --> 01:01:59,200 You have lost a man who loves you for who you are, 1023 01:01:59,200 --> 01:02:02,000 not for who you pretend to be. 1024 01:02:02,900 --> 01:02:06,500 And you, who are you to tell me what's best for my life? 1025 01:02:07,800 --> 01:02:10,900 I'm nobody. But apparently an expert on love. 1026 01:02:14,800 --> 01:02:15,900 No. 1027 01:02:17,100 --> 01:02:18,600 I have no one. 1028 01:02:18,700 --> 01:02:20,300 I am not an expert on love. 1029 01:02:20,300 --> 01:02:22,700 I am an expert on the lack of love, Delysia. 1030 01:02:22,800 --> 01:02:26,900 And that is a fate from which I wish most fervently to save you. 1031 01:02:30,000 --> 01:02:31,400 Guinevere. 1032 01:02:32,000 --> 01:02:35,100 No pity, please. I endure quite well, thank you. 1033 01:02:42,300 --> 01:02:43,600 (THUNDER RUMBLING) 1034 01:02:50,900 --> 01:02:53,800 DRIVER: Where to, ma'am? DELYSIA: Scarlet Peacock, please. 1035 01:03:15,900 --> 01:03:18,400 Do you know what my name is, Guinevere? 1036 01:03:18,400 --> 01:03:21,800 I was under the impression it was Delysia Lafosse. 1037 01:03:23,300 --> 01:03:24,800 Sarah Grubb. 1038 01:03:26,300 --> 01:03:28,800 One of the Pittsburgh Grubbs. 1039 01:03:28,800 --> 01:03:31,000 My father is a steelworker. 1040 01:03:33,400 --> 01:03:36,000 No one else in the world knows that, apart from Michael. 1041 01:03:36,100 --> 01:03:37,600 He doesn't judge me. 1042 01:03:37,700 --> 01:03:39,300 No. He wouldn't. 1043 01:03:40,000 --> 01:03:41,600 But you do. Me? 1044 01:03:42,100 --> 01:03:43,200 I certainly do not. 1045 01:03:43,300 --> 01:03:45,800 Oh, you think you don't, but you do. 1046 01:03:49,300 --> 01:03:51,900 This is all I own, Guinevere. 1047 01:03:54,000 --> 01:03:56,600 And two dozen pair of shoes. 1048 01:03:59,900 --> 01:04:02,300 For all the fancy apartments and fashion shows, 1049 01:04:02,300 --> 01:04:05,300 do you know how close I am to having nothing? 1050 01:04:06,900 --> 01:04:09,900 Every day I wake up and I think, 1051 01:04:09,900 --> 01:04:12,300 if I make the wrong move, I could be out on that street, 1052 01:04:12,300 --> 01:04:14,900 with no clothes, no food, no job 1053 01:04:16,400 --> 01:04:17,900 and no friends. 1054 01:04:19,800 --> 01:04:22,300 Just plain old Sarah Grubb again. 1055 01:04:23,800 --> 01:04:25,800 Do you know what that's like? 1056 01:04:25,900 --> 01:04:27,200 Yes, I do. 1057 01:04:32,000 --> 01:04:33,200 You do? 1058 01:04:33,800 --> 01:04:36,100 In that at least, we are alike. 1059 01:04:39,500 --> 01:04:43,200 And now my mascara's gonna run. That will never do. 1060 01:04:48,700 --> 01:04:50,500 DRIVER: Here we are, ma'am. 1061 01:04:58,800 --> 01:05:01,800 (BAND PLAYING SWING MUSIC) 1062 01:05:06,100 --> 01:05:07,500 How are you? 1063 01:05:08,100 --> 01:05:09,200 Hey. 1064 01:05:12,800 --> 01:05:14,200 Having fun? 1065 01:05:23,700 --> 01:05:26,000 Sweetheart. Nick. Hi. 1066 01:05:26,100 --> 01:05:30,000 Now, I've heard the news, darling. Congratulations. It's the big time, huh? 1067 01:05:30,500 --> 01:05:31,600 Oh. 1068 01:05:31,700 --> 01:05:33,500 I thought you'd be furious. 1069 01:05:33,500 --> 01:05:35,000 Furious, me? Why? 1070 01:05:35,100 --> 01:05:37,600 No. You and me, we're the same. 1071 01:05:37,700 --> 01:05:41,900 We both get what we want by bending a bit, don't we? 1072 01:05:42,900 --> 01:05:45,500 I get it, D. It's business. 1073 01:05:47,600 --> 01:05:48,600 No, Nick, I... 1074 01:05:48,800 --> 01:05:51,100 I'll see you back at mine later. 1075 01:05:54,200 --> 01:05:57,600 How can he just... He treats me like I'm a common... 1076 01:05:58,900 --> 01:06:01,000 You don't think of me like that, do you? Of course not. 1077 01:06:03,800 --> 01:06:05,300 PHIL: Delysia! 1078 01:06:05,300 --> 01:06:06,600 Darling! 1079 01:06:10,500 --> 01:06:13,400 Darling, you look perfect, what? Doesn't she? 1080 01:06:14,400 --> 01:06:15,900 (PHIL AND DELYSIA LAUGHING) 1081 01:06:16,700 --> 01:06:18,700 PHIL: Guinevere, how lovely. 1082 01:06:18,800 --> 01:06:21,700 To you, I owe a special debt of gratitude. 1083 01:06:22,000 --> 01:06:25,600 Champagne! The only thing as delightful as my dear Delysia. 1084 01:06:25,700 --> 01:06:29,000 Darling, come on, finish your glass. There's plenty. 1085 01:06:30,500 --> 01:06:32,100 It's all back on. 1086 01:06:32,100 --> 01:06:34,200 DELYSIA: Darling, that's marvelous. 1087 01:06:34,300 --> 01:06:35,300 Did you hear the news? 1088 01:06:35,400 --> 01:06:37,800 These two lovebirds are finally tying the knot. 1089 01:06:37,800 --> 01:06:40,200 PHIL: Congrats, dear fellow. When's the happy day, what? 1090 01:06:40,300 --> 01:06:43,500 We were going to keep it to ourselves for the present, but you know the ladies. 1091 01:06:43,600 --> 01:06:44,500 Oh, do I ever. 1092 01:06:44,600 --> 01:06:46,600 Sorry, darling. Couldn't keep it in. 1093 01:06:46,700 --> 01:06:48,800 It's nice to see you again, madam. 1094 01:06:48,800 --> 01:06:51,000 May I add my congratulations? 1095 01:06:51,100 --> 01:06:53,100 Let's dance! If you don't mind, Edythe, I have a... 1096 01:06:53,200 --> 01:06:54,500 Oh, you drone on, Joey. 1097 01:06:54,500 --> 01:06:56,700 Leonard will take me for a spin, won't you, Lenny? 1098 01:06:56,800 --> 01:06:57,900 Be delighted, Edy. 1099 01:06:58,000 --> 01:06:59,500 EDYTHE: Delysia, Phil, come on. 1100 01:06:59,500 --> 01:07:00,800 Of course! 1101 01:07:30,300 --> 01:07:31,300 (MUSIC ENDS) 1102 01:07:31,400 --> 01:07:32,900 (AUDIENCE APPLAUDING) 1103 01:07:45,000 --> 01:07:47,000 Well, as we have no conversation, 1104 01:07:47,100 --> 01:07:50,000 I have no option but to ask you for the next dance. 1105 01:07:50,000 --> 01:07:53,400 Alas, I can dance nothing but the waltz. 1106 01:07:54,500 --> 01:07:59,400 (BAND PLAYING WALTZ) 1107 01:08:15,800 --> 01:08:17,700 Are you all right? Yes. 1108 01:08:17,700 --> 01:08:19,500 Well, to take another woman's escort... 1109 01:08:19,600 --> 01:08:23,100 You didn't take me, I took you. 1110 01:08:31,100 --> 01:08:33,200 I'm sure Edythe can cope. 1111 01:08:38,800 --> 01:08:40,900 What happened to that particularly beautiful scarf 1112 01:08:40,900 --> 01:08:42,700 you were wearing at the fashion show? 1113 01:08:42,800 --> 01:08:44,300 What are you talking about? 1114 01:08:44,300 --> 01:08:45,600 (CHUCKLES) 1115 01:08:46,400 --> 01:08:50,900 Despite your most elegant transformation, the body is still the same. 1116 01:08:51,000 --> 01:08:52,600 Mr. Blomfield. 1117 01:08:53,000 --> 01:08:55,800 As are the eyes. Most fetching, if I may say. 1118 01:08:55,800 --> 01:08:58,100 I'm not really sure you should say. 1119 01:08:58,200 --> 01:09:01,000 I'm sorry. Professional habit. A bad one. 1120 01:09:02,400 --> 01:09:05,700 I have to remember you're not like these people. 1121 01:09:05,700 --> 01:09:07,900 Am I terribly old-fashioned? 1122 01:09:08,700 --> 01:09:10,200 Indeed you are. 1123 01:09:10,600 --> 01:09:12,700 And all the better for it. 1124 01:09:14,400 --> 01:09:17,000 Am I making you feel uncomfortable? 1125 01:09:17,800 --> 01:09:21,000 This is the most comfortable I've felt all day. 1126 01:09:32,000 --> 01:09:34,000 (AUDIENCE APPLAUDING) 1127 01:09:58,500 --> 01:10:00,500 Ladies and gentlemen, 1128 01:10:00,500 --> 01:10:03,900 welcome to Nick Calderelli's Scarlet Peacock. 1129 01:10:04,000 --> 01:10:06,800 (AUDIENCE APPLAUDING) 1130 01:10:09,400 --> 01:10:14,100 I'm delighted to introduce you tonight to a very talented lady friend of mine. 1131 01:10:14,200 --> 01:10:16,100 And she can sing, too. 1132 01:10:16,200 --> 01:10:17,600 (AUDIENCE LAUGHING) 1133 01:10:17,700 --> 01:10:20,100 It's my pleasure to bring you 1134 01:10:20,600 --> 01:10:22,300 Delysia Lafosse! 1135 01:10:24,000 --> 01:10:26,200 (AUDIENCE APPLAUDING) 1136 01:10:33,800 --> 01:10:35,800 You're too kind, really. 1137 01:10:38,000 --> 01:10:40,400 Hello, Michael. How was prison? 1138 01:10:41,400 --> 01:10:43,500 And to get us in the mood, 1139 01:10:43,600 --> 01:10:46,000 we'll start with Hot Shoe Shimmy. 1140 01:10:46,100 --> 01:10:47,900 (BANGS ON PIANO KEYS) 1141 01:10:48,500 --> 01:10:50,200 Change of program. 1142 01:10:51,500 --> 01:10:53,200 If I Didn't Care. 1143 01:10:53,500 --> 01:10:56,500 (PLAYING SLOW MUSIC) 1144 01:11:02,200 --> 01:11:06,500 (SINGING) If I didn't care 1145 01:11:09,200 --> 01:11:14,200 More than words can say 1146 01:11:16,600 --> 01:11:21,200 If I didn't care 1147 01:11:23,200 --> 01:11:27,500 Would I feel this way? 1148 01:11:29,800 --> 01:11:33,500 If this isn't love 1149 01:11:36,100 --> 01:11:41,600 Then why do I thrill? 1150 01:11:42,600 --> 01:11:48,800 And what makes my head go 'round and 'round 1151 01:11:49,400 --> 01:11:54,900 While my heart stands still? 1152 01:11:55,400 --> 01:11:59,400 If I didn't care 1153 01:12:02,100 --> 01:12:05,700 Would it be the same? 1154 01:12:08,900 --> 01:12:14,800 Would my every prayer begin and end 1155 01:12:15,600 --> 01:12:20,300 With just your name? 1156 01:12:22,300 --> 01:12:28,400 And would I be sure that this is love 1157 01:12:28,500 --> 01:12:32,100 Beyond compare? 1158 01:12:35,200 --> 01:12:38,000 Would all this be true 1159 01:12:38,700 --> 01:12:41,200 If I didn't care 1160 01:12:41,900 --> 01:12:43,600 For 1161 01:12:43,700 --> 01:12:46,000 you? 1162 01:12:49,100 --> 01:12:52,000 If I didn't care 1163 01:12:56,700 --> 01:12:59,200 Would it be the same? 1164 01:13:03,800 --> 01:13:09,600 Would my every prayer begin and end 1165 01:13:10,700 --> 01:13:14,400 With just your name? 1166 01:13:17,800 --> 01:13:24,300 BO TH: And would I be sure that this is love 1167 01:13:24,400 --> 01:13:27,900 (VOICE BREAKING) Beyond compare? 1168 01:13:32,200 --> 01:13:35,000 Would all this be true 1169 01:13:35,700 --> 01:13:38,300 If I didn't care 1170 01:13:40,200 --> 01:13:42,300 For 1171 01:13:44,800 --> 01:13:46,900 you? 1172 01:14:16,900 --> 01:14:19,400 Thank you, thank you. 1173 01:14:20,600 --> 01:14:21,800 Really. 1174 01:14:23,500 --> 01:14:27,200 Well, let's try something a little more upbeat, shall we? 1175 01:14:31,200 --> 01:14:33,600 (PEOPLE CHATTERING EXCITEDLY) 1176 01:14:33,700 --> 01:14:35,400 (AIR-RAID SIREN SOUNDING) 1177 01:14:35,900 --> 01:14:38,500 MICHAEL: Ladies and gentlemen, this is an air raid shelter! 1178 01:14:38,600 --> 01:14:40,500 Sir, stay... I'm going home. 1179 01:14:40,600 --> 01:14:42,000 You don't want to put your wife in danger. 1180 01:14:42,100 --> 01:14:43,400 My wife? She doesn't know I'm here. 1181 01:14:50,700 --> 01:14:53,200 I'm here, Delysia. Guinevere, I'm scared. 1182 01:14:53,300 --> 01:14:55,200 It's just a drill. I'm sure it's just a drill. 1183 01:14:55,400 --> 01:14:56,600 But it won't always be, will it? 1184 01:14:58,000 --> 01:14:59,100 We're going to war, aren't we? 1185 01:14:59,200 --> 01:15:01,000 Yes, we are. 1186 01:15:01,000 --> 01:15:05,100 And that is why you must not waste a second of this precious life. 1187 01:15:05,200 --> 01:15:06,700 Listen to me. 1188 01:15:06,800 --> 01:15:08,500 Once, I too had ambitions. 1189 01:15:08,500 --> 01:15:11,300 Not your grand ones. Simple ambitions. 1190 01:15:11,400 --> 01:15:14,200 Marriage, children and a house of our own. 1191 01:15:15,000 --> 01:15:17,500 He died. In the mud in France. 1192 01:15:18,100 --> 01:15:20,000 A good, solid man. 1193 01:15:21,300 --> 01:15:23,900 You would call him dull, no doubt, 1194 01:15:23,900 --> 01:15:28,400 but he smiled whenever he saw me, and we could've built a life on that. 1195 01:15:29,800 --> 01:15:32,500 Your heart knows the truth, Delysia. 1196 01:15:32,500 --> 01:15:35,400 Trust it, for life is short. 1197 01:15:41,600 --> 01:15:42,900 Michael? 1198 01:15:43,600 --> 01:15:44,900 Michael? 1199 01:15:45,600 --> 01:15:47,000 Michael? 1200 01:15:49,200 --> 01:15:50,400 (GASPS) 1201 01:15:51,000 --> 01:15:52,000 Oh! 1202 01:15:52,100 --> 01:15:54,000 Delysia! My God. I... 1203 01:15:54,700 --> 01:15:58,000 Nothing for 19 years and then two in one day, what. 1204 01:15:58,500 --> 01:16:00,200 I'm so sorry. 1205 01:16:00,300 --> 01:16:02,800 The part's still yours, darling. 1206 01:16:05,600 --> 01:16:07,700 Well, that's all right, Phil. 1207 01:16:07,800 --> 01:16:11,100 You enjoy your Hortensia. In every way. 1208 01:16:11,100 --> 01:16:14,200 It's just a drill, ladies and gentlemen, it's just a drill. 1209 01:16:14,200 --> 01:16:15,900 This is the safest place in London. 1210 01:16:16,000 --> 01:16:18,000 Come on, let's have some drinks on the house. 1211 01:16:18,100 --> 01:16:20,000 And some music, please! 1212 01:16:27,000 --> 01:16:28,400 DELYSIA: Michael? 1213 01:16:37,500 --> 01:16:38,800 Michael? 1214 01:16:47,800 --> 01:16:49,700 Michael, please wait! 1215 01:16:51,700 --> 01:16:55,500 Delysia, you've made your decision. I hope you'll be happy. 1216 01:16:56,200 --> 01:16:59,200 Michael. Please. You have... 1217 01:16:59,800 --> 01:17:02,100 Where do you think you're sneaking off to? The night is young. 1218 01:17:02,200 --> 01:17:04,000 You have the rest of a set to sing. 1219 01:17:04,100 --> 01:17:06,100 No, Nick, I don't think so. 1220 01:17:06,100 --> 01:17:08,200 Nobody walks off my stage. 1221 01:17:08,900 --> 01:17:10,600 She said no. 1222 01:17:10,600 --> 01:17:11,700 What, and she does what you say? 1223 01:17:11,800 --> 01:17:13,600 Never once, as a matter of fact, but that's not the point. 1224 01:17:13,700 --> 01:17:15,900 The point is she doesn't want to sing. End of story. 1225 01:17:15,900 --> 01:17:17,600 Let's go, Delysia. 1226 01:17:18,000 --> 01:17:19,100 No. 1227 01:17:20,200 --> 01:17:22,500 I'm warning you, Calderelli. 1228 01:17:23,100 --> 01:17:24,200 You, warning me? 1229 01:17:24,300 --> 01:17:25,500 (CHUCKLES) 1230 01:17:26,500 --> 01:17:28,300 After you, Delysia. 1231 01:17:35,000 --> 01:17:36,700 PETTIGREW: Sock him in the jaw! 1232 01:17:36,800 --> 01:17:37,900 ALL: What? 1233 01:17:41,600 --> 01:17:44,000 I'm a pianist, damn it. It could ruin me. 1234 01:17:44,100 --> 01:17:46,200 Why, you pathetic... 1235 01:17:48,500 --> 01:17:49,700 Darling. 1236 01:17:49,800 --> 01:17:51,100 This is your fault. 1237 01:17:51,200 --> 01:17:52,600 Is the offer still open? 1238 01:17:52,600 --> 01:17:53,800 Get up! 1239 01:17:57,100 --> 01:17:59,900 Well? Is it a yes or is it a no? 1240 01:18:00,300 --> 01:18:01,300 What? 1241 01:18:01,300 --> 01:18:04,600 Will you doggone marry me or will you doggone not? 1242 01:18:20,700 --> 01:18:23,400 Yes. God help me. Yes. 1243 01:19:38,600 --> 01:19:41,000 PETTIGREW: I don't think I can bear it again. 1244 01:19:43,600 --> 01:19:45,000 Did you lose many? 1245 01:19:45,000 --> 01:19:46,900 Just one. You? 1246 01:19:48,700 --> 01:19:51,200 Almost every school friend I had. 1247 01:19:56,300 --> 01:19:58,500 One tries to forget. 1248 01:19:59,000 --> 01:20:00,900 If only one could. 1249 01:20:05,000 --> 01:20:08,100 You know, I distracted myself with ridiculous things, 1250 01:20:08,200 --> 01:20:10,300 youth, parties, lingerie. 1251 01:20:10,900 --> 01:20:14,100 I mean, I trained in socks, for goodness sake. 1252 01:20:14,100 --> 01:20:15,500 Socks? 1253 01:20:17,400 --> 01:20:21,700 There's a great deal of engineering in a gentleman's sock, I'll have you know. 1254 01:20:21,700 --> 01:20:23,700 Stitching of the heel... 1255 01:20:23,800 --> 01:20:26,900 By comparison, designing a brassiere is a piece of cake. 1256 01:20:27,000 --> 01:20:31,100 Not that there aren't compensations. 1257 01:20:31,100 --> 01:20:33,500 None of them over 20, I imagine. 1258 01:20:35,800 --> 01:20:38,100 And all very easy on the eye. 1259 01:20:39,400 --> 01:20:41,200 But you know what? 1260 01:20:42,600 --> 01:20:44,100 I'm done with it. 1261 01:20:44,200 --> 01:20:46,900 I'm going back to gentlemen's hosiery. 1262 01:20:47,000 --> 01:20:49,800 You know who you are with an honest pair of socks. 1263 01:20:50,600 --> 01:20:52,400 You certainly do. 1264 01:21:00,200 --> 01:21:02,500 Told you about Gerry, has she? 1265 01:21:03,100 --> 01:21:05,700 Didn't take you long to move on, hmm? 1266 01:21:05,800 --> 01:21:06,900 Joe? 1267 01:21:07,700 --> 01:21:09,400 Hello, Edythe. 1268 01:21:09,500 --> 01:21:13,300 Did she also tell you that she hangs around the soup kitchen at the station? 1269 01:21:13,500 --> 01:21:18,000 A tramp masquerading as some sort of social secretary, my God. 1270 01:21:23,700 --> 01:21:25,600 Goodbye, Mr. Blomfield. 1271 01:21:37,200 --> 01:21:39,400 No, actually, she didn't. 1272 01:21:40,300 --> 01:21:44,100 Neither about that, nor about you and Gerry. 1273 01:21:45,200 --> 01:21:48,200 But I'm grateful for the truth, for a change. 1274 01:22:25,900 --> 01:22:27,100 Hello? 1275 01:22:28,100 --> 01:22:29,400 Delysia? 1276 01:22:39,000 --> 01:22:40,500 Miss Lafosse? 1277 01:22:46,600 --> 01:22:48,800 MICHAEL: Come on, come on, the taxi's waiting. 1278 01:22:49,700 --> 01:22:51,600 DELYSIA: Michael, don't rush me! 1279 01:22:52,300 --> 01:22:55,400 Guinevere! Are you all right? We've been so worried. 1280 01:22:55,400 --> 01:22:57,100 Perfectly well, thank you. 1281 01:22:57,200 --> 01:22:59,400 We've been scouring London for you. Miss Lafosse... 1282 01:22:59,500 --> 01:23:01,500 You have not been at the roulette wheel all night, have you? 1283 01:23:01,500 --> 01:23:04,500 Please, Delysia, I'm trying to apologize. 1284 01:23:04,500 --> 01:23:08,100 I expect you've heard that I am not a social secretary at all. 1285 01:23:08,100 --> 01:23:10,800 I'm afraid I found myself pretending. 1286 01:23:11,700 --> 01:23:16,100 Miss Pettigrew, if that's you pretending, then you're jolly good at it. 1287 01:23:17,200 --> 01:23:18,300 Guinevere, 1288 01:23:18,500 --> 01:23:22,000 Sarah Grubb is not going to judge anybody for pretending. 1289 01:23:22,100 --> 01:23:25,800 MICHAEL: Come on, Grubb! This is us, I'm afraid, Miss Pettigrew. 1290 01:23:25,900 --> 01:23:27,800 Boat won't wait. 1291 01:23:27,900 --> 01:23:29,800 Are you really going? Mmm-hmm! 1292 01:23:30,700 --> 01:23:32,700 To New York? Yep. 1293 01:23:33,200 --> 01:23:34,700 How wonderful. 1294 01:23:34,700 --> 01:23:37,500 But, Guinevere, what will you do? 1295 01:23:38,300 --> 01:23:40,300 Don't you worry about me, petal. 1296 01:23:40,300 --> 01:23:44,500 Why, Miss Holt is holding a job for me this very morning, I expect. 1297 01:23:53,700 --> 01:23:56,800 I will never forget the day we spent together. 1298 01:23:57,700 --> 01:23:59,100 Not ever. 1299 01:24:00,700 --> 01:24:02,100 Nor I. 1300 01:24:03,100 --> 01:24:04,200 (CAR STARTING) 1301 01:24:04,300 --> 01:24:05,500 (LAUGHING) 1302 01:24:08,100 --> 01:24:10,400 Oh, goodbye, Guinevere. I love you. 1303 01:24:10,500 --> 01:24:12,200 Off with you. Away. 1304 01:24:15,800 --> 01:24:18,600 Oh, come and visit! New York's bopping! 1305 01:24:50,300 --> 01:24:54,500 (BELL TOLLING) 1306 01:25:29,500 --> 01:25:30,900 Forgive the intrusion. 1307 01:25:34,000 --> 01:25:35,500 I'm glad to see you're safe. 1308 01:25:35,600 --> 01:25:37,300 Oh, yes. Quite safe. 1309 01:25:43,500 --> 01:25:47,500 Am I right in thinking you're no longer employed, Miss Pettigrew? 1310 01:25:47,600 --> 01:25:49,100 Quite correct. 1311 01:25:49,100 --> 01:25:51,400 So you're free? Quite free. 1312 01:25:52,300 --> 01:25:55,400 Might you be looking for a social secretary? 1313 01:25:55,400 --> 01:25:57,000 No. Absolutely not. 1314 01:25:57,200 --> 01:25:58,200 Oh. 1315 01:26:01,000 --> 01:26:02,800 I'm looking for you. 1316 01:26:04,300 --> 01:26:05,400 Me? 1317 01:26:06,400 --> 01:26:10,300 I've been looking for you all night, and, I believe 1318 01:26:11,400 --> 01:26:13,100 all of my life. 1319 01:26:15,100 --> 01:26:16,900 If you'll have me. 1320 01:26:22,200 --> 01:26:25,100 A nod of the head will do me fine. 1321 01:26:31,000 --> 01:26:34,400 And I am, at a stroke, the happiest man in London. 1322 01:26:51,300 --> 01:26:53,600 What a night. What a morning. 1323 01:26:54,700 --> 01:26:57,600 Have you eaten, my dear Guinevere? Oh, Joe, 1324 01:26:57,700 --> 01:27:01,100 I have not eaten for a very, very long time. 764 01:27:20,300 --> 01:27:25,100 © anoXmous @ https://thepiratebay.se/user/Zen_Bud 1325 01:27:30,600 --> 01:27:32,200 NICK: Some music, please! 101553

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