All language subtitles for find.me.in.paris.s03e15.1080p.web.h264-clockwork_track3_[eng]

My name is Lena Grisky
and I go to the best
ballet school in the world.

I have a secret.

I'm a time traveler from 1905

and my boyfriend Henri
is doing everything he can
to get me home.

♪ I can feel my heart skipping
Go off the beat ♪

♪ Things are pacing too fast
out on the streets ♪

♪ And I try to stay on my feet
along the way ♪

♪ Another crazy day
Okay, okay ♪

♪ Wake up, wake up, wake up
into a new world ♪

♪ Watch out, watch out, watch
out and hold on strong, girl ♪

♪ It's time to show myself
what I can be ♪

♪ Figure out my life
and still be me ♪

♪ Wake up, wake up, wake up
and welcome to my world ♪

(Lena) Previously...
The Paris Opera Ballet School
is full of secrets.

(Ms. Carré) You can stay
with Lena and Ines
and you may stay with Jeffrey.

My life‐long nemesis Claudine
has been posing as a transfer
student from Germany.

Laughing face.
While she's really from 1905.

I'm here to show you
that I'm the best.
Ready for that?

And Nico isn't a real dancer.

(computer voice)
Downloading ballet knowledge.

And while she tries to hide it,
Ines is still torn
between dance and science.

I understand that you're
very gifted in the world of
quantum physics, Miss Lebreton.

I wouldn't say gifted,
but I guess I like it a lot.

Now that we've learned
Nico's mother is
the head of the Bureau,

we don't know
whose side he's on.

Your mother
is the head of the Bureau

and we're supposed
to just stand here with you,
like you're one of us?

Take your rightful place by my side
and we can finally be a family.

No.

I made a deal with Quinn.

I promise you that whoever is
the Chosen One will surrender
on their eighteenth birthday.

But I was just
buying us some time.

My mother sent me a letter
to warn me about the Bureau,
with a special clue.

(reads)
'The key you need is with you.'

Uh‐oh. Gabrielle looks intense.

(sighs)
What are they doing in there?

(gasps) Is she freaking out
about us taking over the school
for the show?

Why are you so paranoid?
She totally dug it
and our totally bonkers ending.

What are they
talking about then?

(Ms. Carré) Ines is a talent, but...
(Armando) She needs to focus.

(Armando) Now, Claudine Renault
from Germany.

She may not be your typical
Paris Opera Ballet dancer,
but she's got something.

I'm leaning towards her
as my first choice.

Interesting. She's good.
But she should finish
her training in Germany.

I disagree.

I think if she finishes the year
here with us, she really has
a shot at making company.

So do the students we've been
working with for the past
few years. The answer is no.

Okay, well, Lena has
really embraced her power.

Lena is a handful, but she's got
talent, I'll give her that.

Nico. His technique
is almost perfect.
Hm‐hm.

And you know
I don't say this lightly.

Agreed, but he has trouble
connecting emotionally.

I'm hoping Lena can bring that
out of him during their
pairs piece this afternoon.

Isaac is still a real contender,
but that's no surprise.

And so is... Jeffrey.
And that is a surprise.

So it could be a race to the
finish line for these two when
it comes to the real auditions.

Perhaps. But they still
all need a lot of work.

But I admit, it seems
the workshop in the south
did wonders for them.

I'm impressed.
Well, I'm glad to hear it.

The only thing that matters now
is who makes company.

This test is
the reality check they need.
Yes, indeed.

By the way, who was
that charming young dancer
in your ballet?

She's not a student here.

That's Romy.
I think she'd be a great addition
to the school next year.

I'm thinking of billeting her.
Very good. One more thing.

Next time
you want to turn my school
into an interactive art piece,

you need to get my permission.
Is that clear?

Crystal.

Mr. Chase...

since you were listening
to every word,

perhaps you'd like to relay it
to the rest of the class.

Sir, I believe you've mistaken
my intentions.
I was just walking by.

I was gonna wave hi, but you and
Ms. Carré seemed like really...

(Armando) Daring.

Willing to take a risk.
Art at its best.

(Armando)
Great work, guys. Great work.

Even with that bizarre ending
that we never ever discussed.
Do not do that again.

So Ms. Carré isn't angry
about the show?

Well, Ms. Carré would have
appreciated a heads‐up, but
she also loves a stellar review.

You made the school look good,
so well done. Well done.

She's also impressed
with the progress you all made
at the workshop, as am I.

But...
(students murmuring)

...the cold hard fact is this.

Not all of you
will make company.

So, what if you were to audition
for company today?
Would you be ready?

Like, today today?
(Armando) Yes, Lena.
Like, today today.

You see, Ms. Carré and I have
spent the morning reviewing
the workshop footage.

And while it's promising,
we're not sure if any of you
would make company

if you were to audition today.

So, from your solo footage,
you'll get individual
assessments

based on your work in the south.
Then, this afternoon,
you'll perform your pairs piece.

Your ranking will show where
you stand and where you need to
improve for the real auditions.

So good luck. Claudine,
we'll start with you.
My office in five.

Well... (sighs)

The good news, Miss Renault, is
that you're a wonderful dancer.

That is good news.
Thank you, sir.

We feel you have an excellent shot
at making company next season.

That is amazing.
I'm so honored.

And we very much look forward
to seeing you in June
at the auditions.

But... you'll be seeing me here,
every day, right? I mean,
I am billeting, am I not?

No, I'm afraid you're not.

Ms. Carré and I feel
it's best for you to continue
your training back in Germany.

Clearly it's been wonderful
for you so far.
But where am I supposed to go?

Back home... to Germany.
Right.

But... I mean...

I just thought I'd be able
to finish out the year here,
with all of my new friends.

I'm sorry. But
it's for the best. Thank you.

(sharp exhale)

(gasps) Yes.

These aren't my new headphones.
This is a total bummer, dude.

I need the perfect noise
cancellers to drown out
the panic and dread I'm feeling

over these faux company
auditions, man.

Oh, no. (laughs)
No no, it's okay, don't worry.
I'm totally Ines Lebreton. Yeah.

Here.
Okay.

This is for you. Thanks.

Paris Science Academy.
Isn't that some fancy school?

(gasps) Oh, I bet it's a bunch
of nerdy science stuff.

A bunch of math equations
wrapped up
in a delicate little tissue.

(gasps) Look what I've got...

It must be big
if it's from that fancy uni.

Can I have a look at it?
Jeff, please...

You don't think a rejection
letter would come in such
a big package, do you?

Will you stop playing?
Can I see it, please?
Jeff, Jeff, please, please.

(laughs)

(exhales) I got in, I got in.

I got into the Paris Science
Academy. I got in.
Jeff, I got in!

I got in! (shrieks and laughs)

I got in. OMG. OMG.
Oh, we gotta go get assessed
by Armando. We cannot be late.

He is not messing around.

(exhales and shrieks)

(Armando inhales)

(inhales)

(rapid exhaling)

Oh, come on, Mr. Castillo.
Don't leave me hanging.
(laughs nervously)

Lena...

you're emerging as a real
leader. And a choreographer
with a voice of your own.

I'm very proud of you.
So stay focused and keep it up.

Okay, thank you.

Uhm... Thank you, sir.
(unsure laugh)

Nico, you're up!

Oh, Lena, before you go,
just a heads‐up to you both.
(clears his throat)

Technically,
you're both excellent.

But as a team, you need to
connect on an emotional level.

Now, keep that in mind
for your pairs piece
this afternoon, okay?

(Armando) Good, okay.
Thank you, Lena.

What am I going to do?

What are you talking about?

Armando just told me I have to
go back to my school in Germany.

(whispers) In case you've
forgotten, I didn't come from
Germany, Lena. I come from 1905.

Yeah, well, maybe it's time
for you to go back.
What?

(sighs) You'd like that,
wouldn't you?

Well, you better watch out
because I'm not going anywhere.

I'm going to take you down
once and for all.

I'll see you at the auditions,
Grisky.

(exhales)

Yeah, as usual your technique
is perfect. But Nico,
you lack passion.

I honestly don't know
who you are as a dancer.

I'm still trying to figure
that out myself, sir.

I suggest you hurry.
You're running out of time.

Company auditions are
just around the corner. Okay?

Okay, good.

Thank you, sir.
Hm‐hm.

(Jeffrey knocks) Hellooooo.

(laughs)
I'm not trying to bribe you.

I just know how much you like
oranges, so I thought I'd...
Oh, uhm...

Oh, just... Excuse me, okay.

Thank you, Mr. Chase.
Take a seat, please.
Okay, right.

There you go.

You've really risen to
the challenge of First Division

and you did very well
at the workshop.

You've got a real shot
at making company, Jeff.
Really?

Yes, really.
If you stay focused.

Look, I like fun as much as
the next person, Mr. Chase.

Do you, though?
(laughs) Very good.
Very funny. (fake laugh)

See, I can laugh at myself.
Now listen.

Keep your eyes on the prize,
and it can be yours.
Don't mess it up.

It needs to be all ballet,
all the time. No more hip‐hop.

Not even the channel?
I thought you were into it.

Now is the time to focus
on making company.

I don't see that happening
if your mind is elsewhere.
Do you understand?

I got it, sir.
Good. Okay, thank you.

Oh, and keep on top of those
grades, too. You need to ace
those exams.

Yes. Right. Oh...

Thank you.
Thank you so much. Yeah.

All right. Yeah, yeah.
Partner.

Hm...
For the opportunity. No, yes.
(laughs)

Thank you, Mr. Chase.
Okay. Sir.

Focus, Jeffrey. You can do it.

(scoffs)

Ines!

Do you want
to make company, Ines?

Of course.
More than anything.

Hm. And you're aware of the kind
of sacrifice it takes to be a
professional dancer, am I right?

I mean, it's not for everyone,
there's no shame in that.
I know what it takes, sir.

Okay, the question isn't
'do you want it?'

The question is
'can you live without it?'

Or maybe I should be asking,
'Can you live
without that sweatshirt?'

You can't have both. Only you
know what you truly want.

Okay. Thank you.

Thank you, sir.

Where were you?
I was waiting in the studio.
We need to rehearse.

What's up?
Why are you acting so...

Crazy?
Because it's a disaster.

Armando said I was
a great choreographer.

That's great. Congrats.
But he didn't say anything
about me being a great dancer

and choreo skills aren't
gonna get me into company.

Uhm, sorry. I didn't even ask
about you. How did it go?
What did he say?

Well, he said
he didn't know me as a dancer.

Which is fair,
since all my ballet skills
were a Bureau download.

Wow, really?
Yeah.

Did you think I was
a highly‐skilled Bureau agent
and an incredible ballet dancer?

Kind of...

Here's the thing. I get that
you're not an actual dancer and
your life isn't riding on this.

No, my life is riding on the
fact that everybody lied to me,
including my own mother.

I'm really sorry.

Dance just isn't my thing.
I don't know what is,
but this isn't it.

But you connect with dance,
and you can't download that.

It isn't real.

I'm sorry,
but you're on your own today.
What? No.

Without you, I don't stand
a chance. I'd have to find
a whole new partner.

I'm sorry.

No, Lena, no. Stop.
Come on, hand it back.

No. Not until you agree
to dance with me.
This isn't a joke.

Hm...
(whooshing)

Lena, we're not meant to be
messing with Bureau stuff
right now.

(whooshing)
(laughs)
Hey, this is kind of fun.

Give it back.
(whooshing)

Lena.

(whooshing)

(Nico) Lena, this isn't funny.
Where did you go?

(whooshing)
Oh, come on.

(video game music plays)

How do you choose?
A video game?

Oh, dude. So many factors.
Like my mood, stress level,
how hungry I am, the weather...

No, Jeff, I mean...
when you love two things
and you have to pick one...

how do you choose?

Ah... Yes...

No. I don't want to play.
I want to talk.

Trust me, dude.
Jeff, this is serious.

(sighs) I need your help.
For you it's ballet and hip‐hop.

For me, it's ballet and science
and I just... I don't know
which one I want more.

Watch and learn, my friend.
(video game sounds)

I need the best ballet coach
in Paris and a place to stay.

Whoa, whoa... What happened?

I'd rather not get into it.
Okay, no worries.

Uhm... Yeah, Oscar and I
can help you with that.
Right, Oscar?

There's another spare room
upstairs. It's all yours.

Fine.

Now, I need to make company.
There is no way
I'm going to let Grisky win.

I need you to get me
that ballet coach.
I can't miss a single day.

Let's go, people, let's go!
I'm in training!

Oh. Hi, Henri...
Hey.

(marching band music)

(video game sounds)

(Jeffrey) Okay, use the potion.
Oh, you just lost your shield.
Okay, okay, okay.

Roll underneath the bridge
to recharge. Yes.
Okay, roll. Uh... jump.

Yes! Okay, yes. Okay, this
is it. Do not let me down, man.
Okay? Okay, mash.

Mash. Mash.

Yes. (sharp exhale)

What are you doing?
I was seconds away
from the coveted treasure chest.

Exactly. We have been at it
forever, okay?

You lost your shield,
you lost an arm back there,

and as an aside, one‐on‐one
combat just ain't your thing.

But... it all comes down
to this moment.

Inside that chest is a special
item that holds the answer
to your quest.

Close your eyes.

Okay.
When I tell you the question,

you're gonna answer the first
thing that comes into your mind.
Got it?

Hm.

Okay. First question is:
Do you go in with a critical hit
or do you die and retry?

Critical hit.
Okay. Glowing shield
or a flaming sword?

Magical armor that zaps
my opponent when they touch me.
Yes! That was a test.

All right, eye patch or a scar?
Uh, both.

Okay, pair of pointes
or a microscope?
Pointes.

Pointes...

Then I'd say,
you have your answer.

You freed your brain,
and your heart has spoken.

Thank you, Jeff. Thank you.

Wow. Okay.

(blows)

Works every time.

Man, I am crushing it
with the wisdom. (grunts)
(video game sounds)

(ticking clock)

Lena. Stop.

Just, just, just,
just give me the wristband.

Oh, I don't think so.

Please, you have no idea
what you're doing.

After everything I've been
through, I'd say I'm a bit of
an expert. See? Check this out.

(device beeps, thrumming)
(Nico) Lena!

(Lena screams)
No! No!

(Lena) Nico, help!

Please. Hurry!
Hang on!

(Lena groans)
Grab my hand, Lena, quick!

I got you.

(Nico grunts)

What are you doing?
You can't just jump without
knowing where you're going!

And you just alerted the Bureau.
We're not meant to be messing
with time right now!

I'm really sorry. (panting)

Where did I go?
You were falling through time.
And that never would have ended

if I wasn't there to catch you
because you didn't have
the wristband!

Well, why did you take
the wristband from me then?
This isn't my fault, it's yours!

You could have been hurt!
We both could have!

Stop yelling at me!
You stop yelling at me!

(suspenseful music)

Would you just stop it?
I said I was sorry.

Seriously, what's your deal?
Why are you acting so weird?
What's the matter with you?

You. You're
what's the matter with me.

I didn't connect with dance,
Lena. I connected with you.

And I can't keep getting
these feelings every time
I'm around you or I see you...

I want more.

I know it's impossible, and
I know you're with Henri, but...

I can't help the way I feel.

(Ines) There you are.
We've been looking for you.

Guys. Auditions are in
ten minutes. What are you doing?

Come on, let's go.
Let's get dressed.
Come on.

(cheerful piano music plays)

(Armando) Okay.

No pressure, my young
superstars, but I expect
to be wowed. Now let's go.

I don't know what to say...

I thought I lost you today.

And Lena, I can't lose you.

I finally feel like I belong.

Maybe not to all of this.
Not yet.

But I feel something.

Something for you.

(Armando) Okay, you know what?
We're gonna do this together.
So, first positions, please.

(Armando) Quickly.
Come on, come on, come on.
(clears his throat)

(dramatic piano music plays)

Well, there's the shift
I was looking for. Well done.

(Nico) The plan worked.
Everyone's gone back
to their lives.

And Grisky is starting to trust
me. You have my loyalty.

Nothing's gonna stand in the way
of the Bureau's work.

(sighs)

That was perfect.

So what do you think my mother
meant by this? (reads) 'The key
you need is with you.'

I mean, I think
it means something.

We have to look
everywhere that we can.

But remember,
they're always watching,
so we have to be subtle.

Yeah...
We're in this together now.