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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:12,133 --> 00:00:15,633 ♪♪ RADIO VIDEO. BOOGIE WITH A SUITCASE ♪♪ 2 00:00:15,633 --> 00:00:17,100 WHAT ARE YOU GUYS DOING, MAN? 3 00:00:17,100 --> 00:00:20,333 YOU MISSED LAST NIGHT ‐‐ WHAT'S THE ‐‐ WHAT'S THE LINE? 4 00:00:20,333 --> 00:00:22,566 Man #1: "YOU MISSED ALL THIS SEASON." 5 00:00:22,566 --> 00:00:24,900 OKAY. THIS IS THE LAST EPISODE. 6 00:00:24,900 --> 00:00:26,766 Man #2: YOU KNOW THIS IS THE SEASON FINALE, RIGHT? 7 00:00:26,766 --> 00:00:28,466 SO, THIS IS THE SEASON FINALE? 8 00:00:28,466 --> 00:00:30,400 YEAH. OKAY. 9 00:00:30,400 --> 00:00:32,300 [ BEEP ] 10 00:00:32,300 --> 00:00:34,700 YOU MISSED THE WHOLE SEASON? 11 00:00:34,700 --> 00:00:36,233 IT'S THE BEST SEASON OF "GRAVEYARD CARZ" 12 00:00:36,233 --> 00:00:39,600 IN THE HISTORY OF THE SERIES! 13 00:00:39,600 --> 00:00:41,366 HERE'S AN IDEA OF WHAT YOU ‐‐ 14 00:00:41,366 --> 00:00:42,533 [ BLEEP ] 15 00:00:42,533 --> 00:00:43,933 "SO, HERE'S WHAT YOU MISSED"? 16 00:00:43,933 --> 00:00:45,633 [ BEEP ] 17 00:00:49,266 --> 00:00:50,633 WHAT THE [BLEEP] MAN? 18 00:00:50,633 --> 00:00:54,300 YOU MISSED THE WHOLE SEASON? ARE YINZ OUT YOUR MIND? 19 00:00:54,300 --> 00:00:57,566 IT'S "GRAVEYARD CARZ." IT'S YOUR LAST CHANCE, MAN. 20 00:00:57,566 --> 00:01:01,166 YOUR LAST CHANCE TO POP MUSIC! [ LAUGHS ] 21 00:01:01,166 --> 00:01:04,966 ♪♪ RADIO VIDEO, BOOGIE WITH A SUITCASE ♪♪ 22 00:01:04,966 --> 00:01:07,033 ♪♪ GO LIVE IN THE DISCO ♪♪ 23 00:01:07,033 --> 00:01:10,566 ♪♪ FORGET ABOUT THE RAT RACE ♪♪ 24 00:01:10,566 --> 00:01:13,000 [ CHUCKLES ] 25 00:01:13,000 --> 00:01:15,666 Narrator: LAST TIME, ON "GRAVEYARD CARZ"... 26 00:01:15,666 --> 00:01:16,900 Mark: I HAVE BEEN LOOKING 27 00:01:16,900 --> 00:01:20,033 FOR MY OLD ORIGINAL HIGH SCHOOL DODGE CHARGER. 28 00:01:20,033 --> 00:01:23,800 I HAVE PUT MULTIPLE POSTS ON OUR FACEBOOK PAGE. 29 00:01:23,800 --> 00:01:26,133 I HAVE TAKEN OUT CLASSIFIED ADS. 30 00:01:26,133 --> 00:01:28,633 YOU HAD THAT CAR IN YOUR INVENTORY? 31 00:01:28,633 --> 00:01:33,033 THIS WRECKING YARD DOWN IN TEXAS DID HAVE MY OLD CAR. 32 00:01:33,033 --> 00:01:34,900 I AM ON STANDBY TO FIND OUT. 33 00:01:34,900 --> 00:01:37,000 LAY IT ON ME. WHAT'S THAT MEAN? 34 00:01:37,000 --> 00:01:38,866 Announcer: THIS STATION WILL REMAIN ON THE AIR. 35 00:01:38,866 --> 00:01:41,000 Narrator: ON THIS EPISODE... 36 00:01:41,000 --> 00:01:43,300 THIS IS IT! THIS IS THE BIG ONE! 37 00:01:43,300 --> 00:01:47,200 THIS IS THE BIGGEST DAY IN "GRAVEYARD CARZ" HISTORY. 38 00:01:47,200 --> 00:01:50,200 Will: IT'S A T7, DARK TURBINE BRONZE. 39 00:01:50,200 --> 00:01:51,600 THE FIRST TIME WE'VE EVER DONE IT. 40 00:01:51,600 --> 00:01:56,366 THE "GRAVEYARD CARZ" SEMA 2020 BUILD. 41 00:01:56,366 --> 00:01:59,066 Johnny: THEY'RE COMING TO GET YOU, BARBARA. 42 00:01:59,066 --> 00:02:01,066 Narrator: IN SPRINGFIELD, OREGON, 43 00:02:01,066 --> 00:02:05,800 DEAD MOPAR MUSCLE CARS ARE COMING BACK TO LIFE. 44 00:02:05,800 --> 00:02:09,500 RESTORED BY MOPAR MASTER MARK WORMAN... 45 00:02:09,500 --> 00:02:11,133 Mark: I'M A LIAR AND A FAT MOUTH. 46 00:02:11,133 --> 00:02:13,500 ...HIS DAUGHTER, ALLYSA ROSE... 47 00:02:13,500 --> 00:02:15,033 Allysa: [ LAUGHS ] WHY WOULD YOU DO THAT? 48 00:02:15,033 --> 00:02:17,300 ...HIS PAINTER WILL SCOTT... 49 00:02:17,300 --> 00:02:19,533 Will: YOU GOT ONE JOB. ...AND HIS COUSIN DOUGIE. 50 00:02:19,533 --> 00:02:21,700 OH, HI, MARK. WELCOME BACK TO... 51 00:02:21,700 --> 00:02:23,866 ‐‐Captions by VITAC‐‐ www.vitac.com 52 00:02:23,866 --> 00:02:26,066 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 53 00:02:26,066 --> 00:02:28,133 Mark: LAY IT ON ME, WHAT DID YOU FIND OUT? 54 00:02:28,133 --> 00:02:29,833 OKAY. 55 00:02:29,833 --> 00:02:31,600 WHAT'S THAT MEAN? 56 00:02:31,600 --> 00:02:36,300 ♪♪♪♪ 57 00:02:36,300 --> 00:02:37,933 WHAT DOES THAT ‐‐ 58 00:02:37,933 --> 00:02:42,333 AND YOU HAVE THE PAPERS BACK FROM THE DMV ON THAT? 59 00:02:42,333 --> 00:02:45,433 NO, IT'S NOT YOUR FAULT. YEAH, IT'S OKAY. 60 00:02:45,433 --> 00:02:48,433 I APPRECIATE IT, AND YOU HAVE A GOOD DAY ‐‐ 61 00:02:48,433 --> 00:02:50,100 A GOOD EVENING, I GUESS. 62 00:02:50,100 --> 00:02:53,200 OKAY. BYE‐BYE. 63 00:02:53,200 --> 00:02:56,066 WELL, SO... 64 00:02:56,066 --> 00:02:57,800 SUCKS. 65 00:02:57,800 --> 00:03:04,266 LONG STORY SHORT, SHE CONFIRMED THAT THEY DID CRUSH THE CAR. 66 00:03:04,266 --> 00:03:08,800 AND, SO, IT'S OUT OF CIRCULATION IS WHAT THEY SAY. 67 00:03:08,800 --> 00:03:11,700 AND, SO, YOU KNOW, IT'S ‐‐ 68 00:03:11,700 --> 00:03:14,500 I WANTED YOU TO SEE THE REAL REACTION. IT'S OKAY. 69 00:03:14,500 --> 00:03:16,366 SO, THERE YOU GO. 70 00:03:16,366 --> 00:03:19,833 LIVE, SHOULD HAVE FACEBOOK LIVED THIS THING. 71 00:03:19,833 --> 00:03:21,333 YOU KNOW WHAT I'M SAYING? 72 00:03:21,333 --> 00:03:24,766 EVERYBODY AT HOME WANT TO WATCH, WANT TO WATCH THE ICE TREY. 73 00:03:24,766 --> 00:03:27,466 I LOVE IT. 74 00:03:27,466 --> 00:03:29,833 GOT THAT RIGHT THERE JUST IN CASE ANYBODY'S WONDERING. 75 00:03:29,833 --> 00:03:34,266 SO, BRAND AMBASSADOR. 76 00:03:34,266 --> 00:03:37,600 THEY CAN'T CRUSH THAT, CAN THEY? 77 00:03:37,600 --> 00:03:41,433 CRUSH MY DREAMS, CRUSH MY CAR, AIN'T GOING TO CRUSH THAT. 78 00:03:41,433 --> 00:03:44,400 A FEW SEASONS AGO, WE FEATURED A 1969 79 00:03:44,400 --> 00:03:47,400 DODGE CHARGER R/T S.E. 80 00:03:47,400 --> 00:03:51,333 NOW, THE SPECIAL EDITION WAS AVAILABLE ON THE R/T PACKAGE. 81 00:03:51,333 --> 00:03:52,933 WHAT THERE'S NOT A BREAKDOWN OF 82 00:03:52,933 --> 00:03:55,266 IS HOW MANY WERE BUILT WITH A FOUR‐SPEED. 83 00:03:55,266 --> 00:03:57,200 WE HAVE THE TOTAL NUMBER R/T S. E. s, 84 00:03:57,200 --> 00:04:00,000 BUT WE DON'T KNOW HOW MANY WERE BUILT WITH AN ACTUAL FOUR‐SPEED. 85 00:04:00,000 --> 00:04:02,200 THIS IS ONE OF THOSE FOUR‐SPEED CARS. 86 00:04:02,200 --> 00:04:04,733 IT'S SPECULATED LESS THAN 50. 87 00:04:04,733 --> 00:04:06,733 THAT COULD BE TRUE, IT COULD NOT BE TRUE, 88 00:04:06,733 --> 00:04:09,266 BUT BASED ON REGISTERED KNOWN VEHICLES, 89 00:04:09,266 --> 00:04:11,266 IT'S PROBABLY PRETTY ACCURATE. 90 00:04:11,266 --> 00:04:13,466 Will: TODAY, I'M GETTING READY TO DO THE PREPAINT ON THE BODY 91 00:04:13,466 --> 00:04:16,800 ON OUR 1969 R/T S.E. CHARGER. 92 00:04:16,800 --> 00:04:20,100 IT'S A T7, DARK TURBINE BRONZE. 93 00:04:20,100 --> 00:04:22,500 GORGEOUS COLOR. IT'S THE FIRST TIME WE'VE EVER DONE IT. 94 00:04:22,500 --> 00:04:23,866 SO, I'M SUPER EXCITED TO GET IN THERE 95 00:04:23,866 --> 00:04:25,533 AND GET THE PAINT WORKED OUT ON IT. 96 00:04:25,533 --> 00:04:27,766 IT'S A BEAUTIFUL COLOR. 97 00:04:27,766 --> 00:04:30,033 THE OLDER I GET, THE MORE I REALLY APPRECIATE 98 00:04:30,033 --> 00:04:31,300 SOME OF THE ODDBALL COLORS. 99 00:04:31,300 --> 00:04:33,600 AS A KID, I WANTED BRIGHT ORANGE, BRIGHT YELLOW. 100 00:04:33,600 --> 00:04:35,933 NOW I REALLY START TO APPRECIATE 101 00:04:35,933 --> 00:04:38,266 SOME OF THESE FINE RICH COLORS THAT CHRYSLER OFFERED. 102 00:04:38,266 --> 00:04:39,633 Will: THE FIRST THING I'LL DO IS I'LL GO IN THERE 103 00:04:39,633 --> 00:04:41,300 AND PUT THE DP90 ON IT. 104 00:04:41,300 --> 00:04:43,200 AND THAT'S GREAT BECAUSE IF YOU HAVE ANY BREAKTHROUGHS 105 00:04:43,200 --> 00:04:46,666 WITH BARE METAL, IT WILL ADHERE TO IT WHERE PAINT WON'T. 106 00:04:46,666 --> 00:04:48,933 AND ON TOP OF THAT, IT'S KIND OF USED LIKE A SEALER, 107 00:04:48,933 --> 00:04:50,733 SO IT WILL FILL ANY LITTLE IMPERFECTION, 108 00:04:50,733 --> 00:04:52,666 LIKE SANDING SCRATCHES AND WHATNOT, 109 00:04:52,666 --> 00:04:54,500 AND IT WILL BE READY FOR OUR COLOR. 110 00:04:54,500 --> 00:04:57,166 Mark: THE CAR ALSO HAD A BLACK VINYL TOP, 111 00:04:57,166 --> 00:04:59,366 A BLACK BUMBLEBEE STRIPE IN THE BACK. 112 00:04:59,366 --> 00:05:03,333 NOW, BECAUSE IT'S AN S. E. AND IT'S AN R/T, 113 00:05:03,333 --> 00:05:06,566 IT GETS THE WOOD GRAINED ASH, AND IT GETS LEATHER SEATS. 114 00:05:06,566 --> 00:05:08,800 SO, WHEN IT'S ALL DONE IN TOTALITY, 115 00:05:08,800 --> 00:05:12,566 THIS IS GOING TO BE A STUNNING '69 R/T S. E., 116 00:05:12,566 --> 00:05:14,500 FACTORY 440 FOUR‐SPEED CAR. 117 00:05:14,500 --> 00:05:18,466 AND, BY THE WAY, JUST FOR FUN, IT IS NUMBERS‐MATCHING. 118 00:05:18,466 --> 00:05:20,800 RIGHT NOW, EVERYBODY IS IN THE KITCHEN AREA, 119 00:05:20,800 --> 00:05:23,633 THE DINER, WAITING FOR ME. I WAS GOING TO SHARE WITH THEM 120 00:05:23,633 --> 00:05:25,933 THE GOOD NEWS THAT I HAD FOUND MY CHARGER. 121 00:05:25,933 --> 00:05:27,833 AS IT SITS RIGHT NOW, THAT'S NOT SUCH GREAT NEWS 122 00:05:27,833 --> 00:05:29,166 BECAUSE I DID FIND IT, BUT IT LOOKS LIKE 123 00:05:29,166 --> 00:05:30,566 IT'S CRUSHED AND GONE. 124 00:05:30,566 --> 00:05:33,033 BUT THAT'S OKAY. I KNOW HOW TO PUT MY HAPPY FACE ON 125 00:05:33,033 --> 00:05:35,233 BECAUSE AS A LEADER, THAT'S WHAT YOU HAVE TO DO. 126 00:05:35,233 --> 00:05:37,966 THE LAST TIME WE WERE HERE, WHAT WAS IT, THE, 127 00:05:37,966 --> 00:05:39,700 "HEY, I NEED YOU TO BUILD A CAR IN 45 DAYS." 128 00:05:39,700 --> 00:05:40,966 George: OH, YEAH. 129 00:05:40,966 --> 00:05:43,000 "AND THEN I'LL GIVE YOU GUYS A BIG BONUS IF YOU STAY 130 00:05:43,000 --> 00:05:44,633 AND GET IT ALL DONE." 131 00:05:44,633 --> 00:05:45,533 I DIDN'T HEAR ABOUT THAT PART. 132 00:05:45,533 --> 00:05:47,800 OH. YEAH, ME, NEITHER. 133 00:05:47,800 --> 00:05:50,533 [ LAUGHS ] NOR DID I. 134 00:05:50,533 --> 00:05:51,966 SO, ANYWAY. 135 00:05:51,966 --> 00:05:54,166 SO, WHO KNOWS. 136 00:05:54,166 --> 00:05:55,666 WHAT'S THE MATTER, GEORGE? 137 00:05:55,666 --> 00:05:58,533 I HOPE IT'S NOT ANOTHER 45‐DAY BUILD. 138 00:05:58,533 --> 00:06:00,766 'CAUSE YOU PUT THE TEAM BEHIND WHEN YOU DO? 139 00:06:00,766 --> 00:06:02,533 YEAH, YEAH, YEAH. 140 00:06:02,533 --> 00:06:03,800 YOU KNOW, IT'S NOT MY FAULT 141 00:06:03,800 --> 00:06:05,733 HE'S GOT LITTLE EXTRA THINGS WRONG. 142 00:06:05,733 --> 00:06:08,466 YOU GUYS, REAL QUICK, RIGHT THERE, THERE'S MY MAN. 143 00:06:08,466 --> 00:06:09,566 THE CAMERA'S NEVER LETTING A PERSON 144 00:06:09,566 --> 00:06:10,833 HAVE A MOMENT OF HUMANITY. 145 00:06:10,833 --> 00:06:12,966 HEY. HEY, LOOK AT THIS. LOOK AT THIS. 146 00:06:12,966 --> 00:06:14,466 YOU LOVE THE CAMERA. DON'T PLAY. 147 00:06:14,466 --> 00:06:15,633 NO, WILL, I DON'T LOVE THE CAMERA. 148 00:06:15,633 --> 00:06:16,933 YES, MARK, YOU DO. 149 00:06:16,933 --> 00:06:18,866 OKAY, WELL, WHY DON'T YOU SIT UP LIKE A REGULAR ADULT? 150 00:06:18,866 --> 00:06:21,166 YOU'RE SITTING OVER THERE, YOU'RE ALL INDIGENT‐LOOKING. 151 00:06:21,166 --> 00:06:25,366 OKAY, SEE, YOU START TO PRESS ME DOWN. I WAS SO HAPPY. 152 00:06:25,366 --> 00:06:26,633 SO, I JUST WANTED TO LET EVERYBODY KNOW 153 00:06:26,633 --> 00:06:27,866 THAT I'VE GOT A LITTLE BIT OF GOOD NEWS, 154 00:06:27,866 --> 00:06:29,300 AND A LITTLE BIT OF NOT‐SO‐GOOD NEWS. 155 00:06:29,300 --> 00:06:31,566 NOW, I'M GOING TO GIVE YOU THE BAD NEWS 156 00:06:31,566 --> 00:06:33,700 OR NOT‐SO‐GOOD NEWS FIRST, 157 00:06:33,700 --> 00:06:36,100 BECAUSE IT'S GOING TO MAKE THE GOOD NEWS THAT MUCH BETTER. 158 00:06:36,100 --> 00:06:38,633 NOTICE HOW IT'S ABOUT LUNCH TIME? 159 00:06:38,633 --> 00:06:39,633 YEAH. YEAH. 160 00:06:39,633 --> 00:06:40,966 WE'RE GOING TO MISS LUNCH? 161 00:06:40,966 --> 00:06:42,433 LOOK AT OL' GEORGE PERK RIGHT UP. 162 00:06:42,433 --> 00:06:44,000 HE DOESN'T LOOK TIRED ANYMORE, DOES HE? 163 00:06:44,000 --> 00:06:46,300 THIS IS ABOUT MY CHARGER. 164 00:06:46,300 --> 00:06:48,000 SO, YOU GUYS ALL KNOW, EVERYBODY IN THE WORLD 165 00:06:48,000 --> 00:06:50,966 OUT THERE IN TV LAND KNOWS ABOUT MY 1970 DODGE CHARGER. 166 00:06:50,966 --> 00:06:52,866 THE GOOD NEWS ‐‐ I DID FIND IT. 167 00:06:52,866 --> 00:06:56,966 THE BAD NEWS IS IT... DIDN'T TURN OUT WELL. 168 00:06:56,966 --> 00:06:58,566 SO, I JUST WANTED TO LET YOU GUYS KNOW 169 00:06:58,566 --> 00:07:00,633 BECAUSE I'M GOING TO BE MAKING A POST ON FACEBOOK 170 00:07:00,633 --> 00:07:04,300 THAT IT'S "HASTA LA VISTA, BABY," AND THAT'S THE END. 171 00:07:04,300 --> 00:07:06,300 IT'S TOO BAD BECAUSE THE DREAM MAKER SHOULD HAVE 172 00:07:06,300 --> 00:07:08,533 HAD HIS OWN DREAM COME TRUE, BUT I GUESS 173 00:07:08,533 --> 00:07:11,200 I DON'T DESERVE TO HAVE DREAMS COME TRUE. 174 00:07:11,200 --> 00:07:12,600 YOU HAVE US. 175 00:07:12,600 --> 00:07:16,500 YEAH. YEAH. SO, HERE'S THE GOOD NEWS. 176 00:07:16,500 --> 00:07:18,366 YOU GUYS HAVE DONE A PHENOMENAL JOB THIS SEASON, 177 00:07:18,366 --> 00:07:20,933 AND I'M BUYING EVERYBODY LUNCH FROM FINN'S. 178 00:07:20,933 --> 00:07:23,233 THANK YOU. YOU'RE WELCOME. 179 00:07:23,233 --> 00:07:24,600 YEAH! 180 00:07:24,600 --> 00:07:26,866 YEAH, DON'T JUMP UP AND DOWN TOO MUCH. DON'T OVERREACT. 181 00:07:26,866 --> 00:07:29,100 WILL, AT LEAST A THANK YOU OR SOMETHING? 182 00:07:29,100 --> 00:07:31,800 THANKS. OKAY. 183 00:07:31,800 --> 00:07:33,566 THANK YOU. 184 00:07:33,566 --> 00:07:38,100 SORRY I COULDN'T BE BRINGING YOU BETTER NEWS. 185 00:07:38,100 --> 00:07:40,600 ON THE OTHER HAND... 186 00:07:40,600 --> 00:07:42,066 I'M GOING OUT TO YOUR HOUSE TONIGHT 187 00:07:42,066 --> 00:07:43,933 IN LOWELL, AND I WANT TO HAVE A LITTLE ‐‐ 188 00:07:43,933 --> 00:07:45,366 [ Chuckling ] THANKS FOR TELLING EVERYBODY. 189 00:07:45,366 --> 00:07:47,333 I WANT TO HAVE A DISCUSSION WITH HEATHER. 190 00:07:47,333 --> 00:07:48,633 RIGHT. 191 00:07:48,633 --> 00:07:50,366 YEAH, I'M GOING TO BE OUT IN THE YARD LIKE MR. T DID. 192 00:07:50,366 --> 00:07:53,100 "HEY, WOMAN! HEY, WOMAN!" 193 00:07:53,100 --> 00:07:55,166 AND THEN WHEN SHE WALKS OUT ON THE PORCH, I SAY, 194 00:07:55,166 --> 00:07:56,733 "WHY DON'T YOU BRING YOUR PRETTY LITTLE SELF 195 00:07:56,733 --> 00:07:58,133 ON OVER TO MY PLACE TONIGHT, 196 00:07:58,133 --> 00:08:00,033 AND I'LL SHOW YOU WHAT A REAL MAN IS?" 197 00:08:00,033 --> 00:08:01,966 AND THEN YOU GET ALL MAD, "OH!" AND YOU COME AT ME. 198 00:08:01,966 --> 00:08:05,166 BUT THEN MICKY JUMPS IN THE MIDDLE AND SAYS, 199 00:08:05,166 --> 00:08:07,800 "HE'LL KNOCK YOU INTO TOMORROW, ARR!" 200 00:08:07,800 --> 00:08:10,333 YOU KNOW, MARK'S INSANE. HE'S GOT THIS STUPID SHIRT ON. 201 00:08:10,333 --> 00:08:12,066 HE'S CALLING OUT HEATHER. 202 00:08:12,066 --> 00:08:14,700 BEST PART ABOUT THIS IS WE JUST BOUGHT A HOUSE IN THE COUNTRY, 203 00:08:14,700 --> 00:08:16,833 HE'S GOT NO IDEA WHERE I'M AT. 204 00:08:16,833 --> 00:08:19,066 ONLY A COUPLE OF PEOPLE DO, AND THAT WAS FOR A REASON. 205 00:08:19,066 --> 00:08:22,933 HE'S NEVER, EVER, EVER INVITED OUT TO MY HOUSE 206 00:08:22,933 --> 00:08:25,633 OR GIVEN THE ADDRESS OR WHERE I'M AT. 207 00:08:31,600 --> 00:08:34,666 ♪♪♪♪ 208 00:08:34,666 --> 00:08:39,800 I HAVE SOME VERY, VERY EXCITING NEWS FOR ALL Y'ALL AT HOME. 209 00:08:39,800 --> 00:08:44,966 THE "GRAVEYARD CARZ" SEMA 2020 BUILD 210 00:08:44,966 --> 00:08:48,700 IS A 1972 DODGE VAN, HALF TON. 211 00:08:48,700 --> 00:08:51,066 IT WILL BE FEATURING A 392 HEMI 212 00:08:51,066 --> 00:08:53,333 AND A SILVER SPORT AUTOMATIC TRANSMISSION. 213 00:08:53,333 --> 00:08:55,400 "WELL WHAT'S THAT? ARE YOU BUILDING AN OLD STREET VAN? 214 00:08:55,400 --> 00:08:56,900 YOU'RE JUST GOING TO BUILD A LITTLE CUSTOM STREET VAN?" 215 00:08:56,900 --> 00:08:58,833 WHICH I WOULD, AND THAT WOULD BE COOL. 216 00:08:58,833 --> 00:09:00,633 THIS ONE'S A LITTLE DIFFERENT. 217 00:09:00,633 --> 00:09:04,933 THIS ONE IS A DUPLICATE TO THE HOT ROD MAGAZINE GIVEAWAY 218 00:09:04,933 --> 00:09:09,066 IN 1972 OF THE YAMAHAULER. 219 00:09:09,066 --> 00:09:10,900 THAT'S RIGHT, FOLKS, THE YAMAHAULER, 220 00:09:10,900 --> 00:09:12,866 THE ONE‐OFF 50‐FOOT SHARK 221 00:09:12,866 --> 00:09:15,100 EVERYBODY'S HEARD ABOUT, AND NOBODY'S SEEN IN REAL LIFE 222 00:09:15,100 --> 00:09:17,766 BECAUSE NOBODY KNOWS WHAT HAPPENED TO THE ORIGINAL ONE. 223 00:09:17,766 --> 00:09:19,500 THIS WAS A '72 DODGE VAN 224 00:09:19,500 --> 00:09:21,666 THAT WAS CONVERTED OVER TO HAUL MOTORCYCLES. 225 00:09:21,666 --> 00:09:25,066 THIS WAS A JOINT EFFORT TO BUILD THE COOLEST 226 00:09:25,066 --> 00:09:28,566 MOTORCYCLE‐HAUNTING VAN THAT THE WORLD HAD EVER KNOWN. 227 00:09:28,566 --> 00:09:31,333 REMEMBER THE '70s WAS VANS, ALL ABOUT VANS. 228 00:09:31,333 --> 00:09:32,833 YAMAHA GOT TOGETHER WITH DODGE, 229 00:09:32,833 --> 00:09:34,566 GOT TOGETHER WITH HOT ROD TO PROMOTE IT. 230 00:09:34,566 --> 00:09:37,166 YOU HAVE FRIGIKING AIR CONDITIONING IN THERE. 231 00:09:37,166 --> 00:09:39,300 THE CRAGAR SCREAMER WHEELS, 232 00:09:39,300 --> 00:09:42,366 WHICH I JUST HAPPEN TO HAVE A SET FOR, 233 00:09:42,366 --> 00:09:44,233 WHICH ARE IMPOSSIBLE TO FIND, BUT I FOUND THEM. 234 00:09:44,233 --> 00:09:50,466 ALL ADDING UP TO THE 2020 "GRAVEYARD CARZ" SEMA SHOW... 235 00:09:50,466 --> 00:09:53,400 WHICH, IRONICALLY, HAS BEEN CANCELED. 236 00:09:53,400 --> 00:09:54,733 THAT DOESN'T AFFECT US. 237 00:09:54,733 --> 00:09:56,366 WE ARE GOING TO HAVE THE VAN READY TO GO 238 00:09:56,366 --> 00:09:59,266 FOR THE SEMA SHOW 2020 THAT DOESN'T EXIST. 239 00:09:59,266 --> 00:10:02,000 THAT MEANS YOU'LL ACTUALLY SEE IT AT SEMA 2021. 240 00:10:02,000 --> 00:10:04,800 IT WILL BE IN THE MOPAR BOOTH LIKE WE ALWAYS HAVE. 241 00:10:04,800 --> 00:10:07,100 WE'RE GOING TO BRING SOME OF OUR OTHER CARS DOWN. 242 00:10:07,100 --> 00:10:08,933 WE'LL HAVE THE LITTLE DEAD WAGON. 243 00:10:08,933 --> 00:10:13,033 WE'LL HAVE THE 1,000 HORSEPOWER CHRISTINE ‐‐ BADASS CAR. 244 00:10:13,033 --> 00:10:16,033 WE MIGHT EVEN BRING UP OUR OLD '71 392 CAR 245 00:10:16,033 --> 00:10:18,566 THAT WE DID THE VERY FIRST SEMA THAT I EVER WENT TO. 246 00:10:18,566 --> 00:10:20,666 SO, IT'S GOING TO BE A BLAST. 247 00:10:20,666 --> 00:10:24,533 SO, SEMA ‐‐ WE'VE HAD SO MUCH FUN DOWN AT SEMA OVER THE YEARS. 248 00:10:24,533 --> 00:10:27,033 IT'S THE SHOW PLACE FOR EVERYBODY. 249 00:10:27,033 --> 00:10:30,600 I KNOW THAT IT IS INSIDER, JOBBER ONLY, 250 00:10:30,600 --> 00:10:32,466 SO, LIKE, THE PUBLIC CAN'T GET IN THERE TO SEE IT 251 00:10:32,466 --> 00:10:34,300 UNLESS YOU KNOW SOMEBODY. 252 00:10:34,300 --> 00:10:35,966 I HOPE THEY CHANGE THAT SOMEDAY 253 00:10:35,966 --> 00:10:39,033 BECAUSE THIS IS SUCH A FANTASTIC SHOW. 254 00:10:39,033 --> 00:10:41,266 IT'S SO OVER THE TOP, 255 00:10:41,266 --> 00:10:44,900 IT'S SO BEST OF THE BEST THAT YOU ACTUALLY CAN GO 256 00:10:44,900 --> 00:10:49,033 FROM A MIND‐BLOWING CAR THAT YOU LOOK AT, AND YOU GO, 257 00:10:49,033 --> 00:10:51,333 "HOW DID THEY EVEN BUILD THAT THING?" 258 00:10:51,333 --> 00:10:54,666 LET ALONE HOW DID THEY BUILD IT WITH THIS SHOW IN MIND, 259 00:10:54,666 --> 00:10:57,066 COMPLETELY HAVE YOUR SOCKS BLOWN OFF, SAY, 260 00:10:57,066 --> 00:10:59,000 "WOW. THAT WAS IT. I'M READY TO GO HOME," 261 00:10:59,000 --> 00:11:00,300 JUST TO WALK TO THE NEXT BOOTH 262 00:11:00,300 --> 00:11:03,000 AND SEE THE EXACT SAME CRAZY, OVER‐THE‐TOP ‐‐ 263 00:11:03,000 --> 00:11:08,800 I MEAN, IT IS THE BEST OF THE BEST BUILDERS IN THE WORLD, 264 00:11:08,800 --> 00:11:10,366 PAST AND PRESENT. 265 00:11:10,366 --> 00:11:13,966 THEY HAVE A WHOLE GROUP OF YOUNG‐GUN COMPETITIONS 266 00:11:13,966 --> 00:11:15,666 THAT ARE THERE EVERY YEAR. 267 00:11:15,666 --> 00:11:18,000 THEY'LL BE RUNNING THAT PLACE IN 10, 20 YEARS 268 00:11:18,000 --> 00:11:20,333 AND WE'VE SHUFFLED FROM THIS MORTAL COIL. 269 00:11:20,333 --> 00:11:23,366 BUT WHEN YOU WALK AROUND, EVERY VENDOR IN THE WORLD 270 00:11:23,366 --> 00:11:24,900 THAT HAS ANYTHING TO DO WITH AUTOMOTIVE, 271 00:11:24,900 --> 00:11:26,966 AND IN SOME CASES, IT'S A STRETCH THAT THEY HAVE 272 00:11:26,966 --> 00:11:28,700 ANYTHING TO DO WITH AUTOMOTIVE, ARE THERE. 273 00:11:28,700 --> 00:11:31,500 THEY ARE THE BIGGEST NAMES, 274 00:11:31,500 --> 00:11:33,066 ALL THE STARS AND THE CELEBRITIES. 275 00:11:33,066 --> 00:11:35,533 NOW, I DON'T GET INTO ALL THAT STUFF, BUT IT'S KIND OF FUN. 276 00:11:35,533 --> 00:11:37,133 I'VE GOT LOTS OF PICTURES WITH ME 277 00:11:37,133 --> 00:11:39,466 WITH DIFFERENT TALENT FROM THE OTHER SHOWS 278 00:11:39,466 --> 00:11:43,766 AND I THINK IT'S SUCH A FANTASTIC BONDING MOMENT, 279 00:11:43,766 --> 00:11:46,533 THAT EVERY YEAR AS SOON AS SEMA'S OVER, 280 00:11:46,533 --> 00:11:48,500 I BEGIN THINKING ABOUT THE NEXT SEMA. 281 00:11:48,500 --> 00:11:51,400 THAT'S HOW CHRISTINE WAS THOUGHT OF WHEN I WAS DRIVING BACK 282 00:11:51,400 --> 00:11:53,566 FROM THE LAST SEMA THAT HAD JUST FINISHED, 283 00:11:53,566 --> 00:11:56,666 AND I THOUGHT, "WHAT'S THE BADDEST CAR IN THE WORLD 284 00:11:56,666 --> 00:11:58,800 THAT I COULD PUT THE BADDEST CRATE ENGINE IN?" 285 00:11:58,800 --> 00:12:00,600 IT WAS CHRISTINE. 286 00:12:00,600 --> 00:12:04,133 SO, FOR A FEW WEEKS A YEAR, THE WORLD, 287 00:12:04,133 --> 00:12:07,100 THE AUTOMOTIVE WORLD, STOPS. 288 00:12:07,100 --> 00:12:10,333 IT SITS DOWN, GETS A NICE BIG TUB OF POPCORN 289 00:12:10,333 --> 00:12:14,166 AND A SODY‐POP, AND WATCHES SEMA, 290 00:12:14,166 --> 00:12:15,700 THE GREATEST SHOW ON EARTH. 291 00:12:15,700 --> 00:12:17,933 ♪♪♪♪ 292 00:12:17,933 --> 00:12:20,033 IF YOU RECALL BACK A COUPLE OF SEASONS AGO, 293 00:12:20,033 --> 00:12:22,866 ALLYSA AND I WORKED ON DECODING THE FENDER TAG 294 00:12:22,866 --> 00:12:27,100 ON A 1970 DODGE CHARGER R/T ‐‐ THE B7 BLUE WITH WHITE INTERIOR, 295 00:12:27,100 --> 00:12:29,866 440 AUTOMATIC, AIR CONDITIONING CAR. 296 00:12:29,866 --> 00:12:31,200 THE ENGINE AND DRIVE TRAIN 297 00:12:31,200 --> 00:12:34,400 THAT DOUG IS WORKING ON NOW GO INTO THAT CAR. 298 00:12:34,400 --> 00:12:36,366 THE METAL WORK IS BASICALLY DONE ON THE CAR. 299 00:12:36,366 --> 00:12:38,300 IT'S WORKING ITS WAY THROUGH THE MUDROOM. 300 00:12:38,300 --> 00:12:40,233 BUT WE ARE ALWAYS AHEAD IN THE MACHINE SHOP 301 00:12:40,233 --> 00:12:42,266 COMPARED TO THE REST OF THE SHOP. 302 00:12:42,266 --> 00:12:46,333 THIS IS A NUMBERS‐MATCHING, 440‐HP, 375‐HORSEPOWER 303 00:12:46,333 --> 00:12:48,433 U‐CODE ENGINE ‐‐ E86 IF YOU'RE LOOKING FOR 304 00:12:48,433 --> 00:12:50,333 THE ALPHANUMERIC SALES CODE. 305 00:12:50,333 --> 00:12:53,400 THE ENGINE HAS BEEN BUILT OUT. THE LONG BLOCK HAS BEEN PAINTED. 306 00:12:53,400 --> 00:12:57,200 NOW IT'S TIME TO DRESS IT OUT. THAT'S WHAT DOUG IS DOING TODAY. 307 00:12:57,200 --> 00:12:58,966 Doug: THIS IS AN AIR‐CONDITIONED CAR, 308 00:12:58,966 --> 00:13:01,266 SO BARE WITH ME, IT'S GOING TO BE A BEAR 309 00:13:01,266 --> 00:13:03,133 TO PUT THIS ONE TOGETHER. I'M GOING TO GO AHEAD 310 00:13:03,133 --> 00:13:05,166 AND INSTALL THE DISTRIBUTOR FIRST THING, 311 00:13:05,166 --> 00:13:09,166 GOT MY ROTOR FACED AT THE NUMBER‐ONE SPARK PLUG POSITION, 312 00:13:09,166 --> 00:13:10,466 PUT OUR DISTRIBUTOR CAP ON. 313 00:13:10,466 --> 00:13:13,366 IT'S GOT A LITTLE NOTCH IN IT RIGHT HERE. 314 00:13:13,366 --> 00:13:15,233 CLICK IT IN PLACE. 315 00:13:15,233 --> 00:13:20,000 HERE'S OUR TIE DOWN. HOLDS THE DISTRIBUTOR IN PLACE. 316 00:13:20,000 --> 00:13:21,766 SO, I HAVE MY DISTRIBUTOR IN PLACE. 317 00:13:21,766 --> 00:13:23,966 SO, BEFORE I PUT THE PLUG WIRES ON, 318 00:13:23,966 --> 00:13:26,900 THEY GAVE YOU THIS HANDY LITTLE KIT WITH DIELECTRIC GREASE. 319 00:13:26,900 --> 00:13:29,000 THE THING THAT WE TRY REALLY HARD TO DO AT "GRAVEYARD CARZ" 320 00:13:29,000 --> 00:13:30,800 IS TO EMULATE THE ASSEMBLY LINE. 321 00:13:30,800 --> 00:13:32,133 IF THEY USED THE DIELECTRIC GREASE, 322 00:13:32,133 --> 00:13:33,666 WE USE THE DIELECTRIC GREASE. 323 00:13:33,666 --> 00:13:36,933 Doug: AND YOU RUB IT AROUND THE PORCELAIN ON THE SPARK PLUG, 324 00:13:36,933 --> 00:13:40,766 THIS HELPS THE PLUG BOOT GO ON THE PORCELAIN A LOT EASIER. 325 00:13:40,766 --> 00:13:42,566 MAKING SURE THAT THE SPARK‐PLUG WIRES 326 00:13:42,566 --> 00:13:45,300 HAVE THE CORRECT DATE CODES, AND THE CORRECT ROUTING. 327 00:13:45,300 --> 00:13:46,600 IT'S VERY IMPORTING. 328 00:13:46,600 --> 00:13:48,600 SO, HERE'S OUR NUMBER‐EIGHT SPARK‐PLUG WIRE. 329 00:13:48,600 --> 00:13:50,533 IT GOES OVER THE TOP OF THE VALVE COVER, 330 00:13:50,533 --> 00:13:52,100 COME AROUND THE BACK OF THE HEAD. 331 00:13:52,100 --> 00:13:53,500 IT'S THE ONLY ONE THAT DOES THAT. 332 00:13:53,500 --> 00:13:56,100 PUSH IT ON AND TWIST UNTIL YOU HEAR IT CLICK. 333 00:13:56,100 --> 00:13:57,400 SO, HERE'S OUR NUMBER‐ONE. 334 00:13:57,400 --> 00:13:59,466 WE'RE GOING TO PUT NUMBER‐EIGHT RIGHT NEXT TO IT, 335 00:13:59,466 --> 00:14:01,933 RIGHT IN THERE LIKE THAT. 336 00:14:01,933 --> 00:14:04,633 MAKE SURE IT LAYS SMOOTHLY. 337 00:14:04,633 --> 00:14:06,366 AND THEN PUT YOUR LITTLE RETAINER, 338 00:14:06,366 --> 00:14:07,933 POP IT IN THIS LITTLE BRACKET. 339 00:14:07,933 --> 00:14:10,166 KEEPS IT FROM BLOWING OUT AGAINST THE MANIFOLD 340 00:14:10,166 --> 00:14:12,033 OR ANYTHING ELSE. 341 00:14:12,033 --> 00:14:13,466 OKAY, THERE'S NUMBER‐EIGHT. 342 00:14:13,466 --> 00:14:17,100 NOW I'M DOING NUMBER‐SEVEN, WHICH IS THE NEXT LONGEST. 343 00:14:17,100 --> 00:14:20,500 THAT'S GOING TO BE THE BACK ON THE DRIVER'S SIDE. 344 00:14:20,500 --> 00:14:22,300 THERE ‐‐ SNAPPED RIGHT IN. 345 00:14:22,300 --> 00:14:26,400 THE FIRING LAYOUT ON THE ENGINE IS DRIVER'S SIDE, FORWARD BANK. 346 00:14:26,400 --> 00:14:28,000 ALL THE WAY FORWARD IS ONE, 347 00:14:28,000 --> 00:14:32,300 TWO IS ACROSS, THREE, FOUR AND FIVE IS OVER HERE. 348 00:14:32,300 --> 00:14:35,666 THIRD ONE BACK, DRIVER'S SIDE, IS NUMBER‐FIVE. 349 00:14:35,666 --> 00:14:38,933 WE ARE PUTTING THEM BACK EXACTLY THE WAY THE MANUFACTURER DID. 350 00:14:38,933 --> 00:14:41,600 SO, HAVING THE CORRECT PARTS ON THE ENGINE 351 00:14:41,600 --> 00:14:44,666 WITH THE CORRECT DATE CODES IS IMPERATIVE IF YOU'RE SAYING, 352 00:14:44,666 --> 00:14:47,966 "I'M GOING TO HAVE AN O. E. M. RESTORATION." 353 00:14:47,966 --> 00:14:53,733 NOW WE'VE GOT THE WHOLE DRIVER'S SIDE PLUG WIRE INSTALLED. 354 00:14:53,733 --> 00:14:57,666 IT IS REALLY COOL TO WORK WITH THESE BRAND‐NEW PARTS 355 00:14:57,666 --> 00:15:01,400 WITH DATE CODES FROM BACK IN THE DAY ‐‐ 356 00:15:01,400 --> 00:15:04,666 ALL THE CORRECT NUMBERS ON ALL THESE PARTS, 357 00:15:04,666 --> 00:15:07,266 IT'S REALLY NICE TO WORK WITH ALL THIS STUFF. 358 00:15:07,266 --> 00:15:11,333 WHEN I WAS A YOUNG FELLA, PROBABLY AROUND 14 YEARS OLD, 359 00:15:11,333 --> 00:15:13,066 I DREAMED OF THIS MOTORCYCLE. 360 00:15:13,066 --> 00:15:14,733 I WANTED ONE OF THESE SO BAD. 361 00:15:14,733 --> 00:15:17,033 COULDN'T HAVE ONE THEN, BUT I GOT ONE NOW. 362 00:15:17,033 --> 00:15:19,433 THE YEAR IS 1976. 363 00:15:19,433 --> 00:15:22,166 THE MAKE IS HODAKA. 364 00:15:22,166 --> 00:15:24,066 WHAT MODEL IS IT? 365 00:15:24,066 --> 00:15:24,966 IF YOU'VE BEEN WATCHING "GRAVEYARD CARZ," 366 00:15:24,966 --> 00:15:26,833 YOU MAY KNOW THIS ANSWER. 367 00:15:26,833 --> 00:15:28,266 IS IT... 368 00:15:34,133 --> 00:15:35,966 THINK YOU KNOW THE ANSWER? STAY TUNED AFTER THE BREAK. 369 00:15:35,966 --> 00:15:37,766 WE'LL FIND OUT. 370 00:15:44,466 --> 00:15:47,166 ♪♪♪♪ 371 00:15:47,166 --> 00:15:49,666 ALL RIGHT, GHOULS, HOW DID WE DO ON THAT ONE? 372 00:15:49,666 --> 00:15:55,700 NOW, THE QUESTION IS WHAT MODEL IS THIS 1976 HODAKA? 373 00:16:02,333 --> 00:16:03,833 THE COLOR MIGHT HAVE GAVE IT AWAY. 374 00:16:03,833 --> 00:16:05,766 IT IS A ROAD TOAD. 375 00:16:05,766 --> 00:16:07,700 SO, IF YOU GUESSED THAT, YOU ARE ABSOLUTELY CORRECT. 376 00:16:07,700 --> 00:16:10,133 NOW, THEY DID MAKE A SUPER RAT. 377 00:16:10,133 --> 00:16:11,366 I'M NOT A CONNOISSEUR 378 00:16:11,366 --> 00:16:13,500 LIKE PROBABLY A FEW OF YOU OUT THERE ARE, 379 00:16:13,500 --> 00:16:15,566 BUT I KNOW THAT THEY MADE A SUPER RAT, 380 00:16:15,566 --> 00:16:17,966 AND I KNOW THAT THEY MADE A DIRT SQUIRT. 381 00:16:17,966 --> 00:16:19,733 I DIDN'T CARE MUCH FOR EITHER ONE OF THOSE, 382 00:16:19,733 --> 00:16:22,066 FOR ME, IT WAS THE ROAD TOAD. PROBABLY THE COLOR. 383 00:16:22,066 --> 00:16:23,633 BECAUSE I'M COLOR BLIND, I CAN'T SEE A LOT, 384 00:16:23,633 --> 00:16:26,600 SO WHEN I SEE A BEAUTIFUL YELLOW LIKE THAT, I JUST ‐‐ 385 00:16:26,600 --> 00:16:29,333 I'M JUST KIDDING. IT'S GREEN. I KNOW. [ CHUCKLES ] 386 00:16:29,333 --> 00:16:31,733 SO... 387 00:16:31,733 --> 00:16:34,366 OH YEAH, AND BY THE WAY ‐‐ I KNOW WHAT YOU'RE THINKING. 388 00:16:34,366 --> 00:16:35,733 WHAT'S THAT GOT TO DO WITH MOPAR? 389 00:16:35,733 --> 00:16:38,266 NOTHING! [ LAUGHS ] 390 00:16:38,266 --> 00:16:39,833 NOTHING! 391 00:16:39,833 --> 00:16:42,366 THAT'S WHAT MAKING 200 EPISODES OF A SUCCESSFUL SHOW 392 00:16:42,366 --> 00:16:43,800 ALLOWS YOU TO BE ABLE TO DO. 393 00:16:43,800 --> 00:16:44,966 MARK, YOU'RE WRONG! 394 00:16:44,966 --> 00:16:46,666 WAIT UNTIL YOU SEE THE NEXT TRUE OR FALSE. 395 00:16:46,666 --> 00:16:48,533 THAT'S GOING TO BE A BLAST. 396 00:16:48,533 --> 00:16:50,600 MARK WORMAN, MAN. IT'S THE ICE TREY. 397 00:16:50,600 --> 00:16:51,866 [ CHUCKLES ] 398 00:16:51,866 --> 00:16:54,066 YOU'RE A REAL PLAYER, AUDIENCE. 399 00:16:54,066 --> 00:16:55,933 ♪♪♪♪ 400 00:16:55,933 --> 00:16:57,566 Will: NOW THAT I'VE GOT THE DP90 DONE, 401 00:16:57,566 --> 00:17:00,100 I'LL GO BACK IN AND START LAYING OUT MY COLOR. 402 00:17:00,100 --> 00:17:01,866 THIS IS A HIGHLY TRANSPARENT COLOR, 403 00:17:01,866 --> 00:17:03,666 SO WHEN WE DO THESE, IT'S ONE OF THOSE THINGS 404 00:17:03,666 --> 00:17:05,966 THAT JUST KIND OF SLOW DOWN, TAKE YOUR TIME, 405 00:17:05,966 --> 00:17:08,233 GET THOSE EXTRA COATS ON FOR COVERAGE. 406 00:17:08,233 --> 00:17:09,933 BUT I AM ANXIOUS TO GET THIS THING DONE, 407 00:17:09,933 --> 00:17:11,066 GETTING IT CLEARED 408 00:17:11,066 --> 00:17:12,466 AND THEN GETTING THAT BLACK TOP ON IT 409 00:17:12,466 --> 00:17:15,066 ALONG WITH THE BLACK STRIPE AND THEN THE BLACK INTERIOR. 410 00:17:15,066 --> 00:17:17,200 IT'S REALLY GOING TO BE A GORGEOUS CAR. 411 00:17:17,200 --> 00:17:24,900 ♪♪♪♪ 412 00:17:24,900 --> 00:17:32,566 ♪♪♪♪ 413 00:17:32,566 --> 00:17:40,266 ♪♪♪♪ 414 00:17:40,266 --> 00:17:43,300 Mark: BEFORE I SEND OUR YAMAHAULER DOWN TO THE GARAGE, 415 00:17:43,300 --> 00:17:46,133 I NEED TO MAKE SURE THAT THEY HAVE ALL THE TOOLS 416 00:17:46,133 --> 00:17:48,133 THAT THEY NEED ‐‐ NOT PHYSICAL HAND TOOLS, 417 00:17:48,133 --> 00:17:51,900 BUT THAT THE DOORS HAVE BEEN FIT AND REBUSHED, 418 00:17:51,900 --> 00:17:53,866 ALL THE HINGES NEED TO BE REBUSHED. 419 00:17:53,866 --> 00:17:56,200 THEY NEED TO BE SQUARED TO THE OPENINGS. 420 00:17:56,200 --> 00:17:58,766 THEY DON'T NEED TO SPEND SIX MONTHS CUTTING AND WELDING 421 00:17:58,766 --> 00:18:00,066 AND MAKING THINGS FIT. 422 00:18:00,066 --> 00:18:03,433 SO, I SPENT THE TIME BEFORE I HAD IT MEDIA BLASTED 423 00:18:03,433 --> 00:18:06,033 FITTING EVERY SINGLE PANEL AND MAKING SURE THAT THE LATCHES 424 00:18:06,033 --> 00:18:07,800 AND THE MECHANISMS ALL WORKED RIGHT. 425 00:18:07,800 --> 00:18:09,633 BECAUSE WHEN YOU'RE DOING A BODY JOB ON A CAR, 426 00:18:09,633 --> 00:18:11,366 PUTTING MUD ON THERE, YOU DON'T WANT TO FIGHT 427 00:18:11,366 --> 00:18:13,300 WITH TRYING TO GET THE DOOR OPEN AND TRYING TO GET IT SHUT. 428 00:18:13,300 --> 00:18:15,100 YOU WANT ALL THAT ALIGNMENT DONE 429 00:18:15,100 --> 00:18:16,900 BEFORE YOU BEGIN LAYING OUT THE MUD. 430 00:18:16,900 --> 00:18:18,500 THAT'S WHERE WE'RE AT NOW. 431 00:18:18,500 --> 00:18:19,900 THE VAN HAS BEEN EPOXIED, 432 00:18:19,900 --> 00:18:22,266 WHICH PROTECTS IT AFTER IT WAS SANDBLASTED. 433 00:18:22,266 --> 00:18:28,033 NEXT TIME WE SEE IT, IT'S GOING TO BE 1972 YAMAHA YELLOW. 434 00:18:28,033 --> 00:18:31,166 OKAY, SO, I'M GOING TO SET THIS BEAUTIFULLY RESTORED CARBURETOR 435 00:18:31,166 --> 00:18:34,566 FROM HARMS AUTOMOTIVE ON. THEY DO A BEAUTIFUL JOB. 436 00:18:34,566 --> 00:18:37,633 IT JUST LOOKS AS NICE AS THESE ENGINES WHEN THEY'RE DONE. 437 00:18:37,633 --> 00:18:39,900 I JUST LOVE THESE CARBURETORS. 438 00:18:39,900 --> 00:18:42,600 GUIDE IT OVER THE CHOKE ROD RIGHT THERE, 439 00:18:42,600 --> 00:18:45,433 YOU'VE GOT TO PUT THIS ON FIRST BECAUSE OF ALL THE LINKAGE, 440 00:18:45,433 --> 00:18:48,000 THE WAY IT SITS. WE CANT PUT IT ON AFTERWARDS. 441 00:18:48,000 --> 00:18:50,500 GOT THE CHOKE INSTALLED OVER HERE. 442 00:18:50,500 --> 00:18:53,166 LINE UP THE CARBURETOR. 443 00:18:53,166 --> 00:18:55,033 SO, HERE'S MY FUEL LINE, 444 00:18:55,033 --> 00:18:58,833 GOES IN RIGHT THERE TO THE TOP OF THE CARBURETOR INLET. 445 00:18:58,833 --> 00:19:02,233 CHOKE ROD'S GOING TO SET RIGHT IN THERE. 446 00:19:02,233 --> 00:19:04,100 CHOKE JUST CLOSED. 447 00:19:04,100 --> 00:19:06,866 Mark: THE FUEL SYSTEM ON THE 440 HP AND THE 426 HEMI 448 00:19:06,866 --> 00:19:10,100 ARE A BIT UNIQUE. THEY USE A FUEL‐VAPOR SEPARATOR. 449 00:19:10,100 --> 00:19:14,500 THIS IS A SMALL CAN THAT MOUNTS TO ONE OF THE FUEL‐PUMP BOLTS. 450 00:19:14,500 --> 00:19:18,666 IT HAS A 5/16 LINE GOING INTO IT, 5/16 LINE GOING OUT OF IT, 451 00:19:18,666 --> 00:19:22,100 AND A QUARTER‐INCH VAPOR OR FUEL‐RETURN LINE 452 00:19:22,100 --> 00:19:25,333 THAT TAKES THE UNUSED FUEL THAT DIDN'T GO INTO THE CARBURETOR 453 00:19:25,333 --> 00:19:27,433 AND SENDS IT BACK TO THE TANK. 454 00:19:30,200 --> 00:19:33,233 SO, OUR 1971 BARRACUDA THAT'S GOING TO BE 455 00:19:33,233 --> 00:19:36,700 A HEMI 'CUDA TRIBUTE CAR REALLY HAS MOVED NICELY 456 00:19:36,700 --> 00:19:39,366 THROUGH THE SHOP, AND I HOPE EVERYBODY HAS ENJOYED 457 00:19:39,366 --> 00:19:41,833 THE BUILD AS WE HAVE DONE IT AS SUCH. 458 00:19:41,833 --> 00:19:44,166 THERE'S SO MANY PIECES, AND IT TAKES SO MUCH TIME. 459 00:19:44,166 --> 00:19:47,266 AND I KNOW THERE ARE THINGS THAT PEOPLE WANT TO SEE 460 00:19:47,266 --> 00:19:48,966 THAT WE JUST CAN'T TAKE TIME TO SHOW. 461 00:19:48,966 --> 00:19:52,366 WE TRY, BUT WE HAVE TO GLOSS OVER SOME OF IT. 462 00:19:52,366 --> 00:19:54,633 BUT TO DATE, WE WERE ABLE TO BUILD A CAR 463 00:19:54,633 --> 00:19:58,266 COMPLETELY FROM SCRATCH, EXCEPT FOR A USED ROOF ASSEMBLY, 464 00:19:58,266 --> 00:20:00,166 AND WE TALKED ABOUT THAT AT GREAT LENGTH. 465 00:20:00,166 --> 00:20:01,733 WE DID FLOORS, PANS, 466 00:20:01,733 --> 00:20:04,166 RAILS, WHEEL HOUSES, QUARTER INNER STRUCTURE, 467 00:20:04,166 --> 00:20:06,766 TRUNK FLOOR, DROP‐OFFS, REAR BODY PANEL, 468 00:20:06,766 --> 00:20:10,133 "A" PILLARS, "B" PILLARS ‐‐ ALL OF THESE THINGS ALLOWED US 469 00:20:10,133 --> 00:20:12,966 TO BE ABLE TO PUT A ROOF ON IT AND HAVE IT BE 470 00:20:12,966 --> 00:20:15,100 WHAT YOU WOULD CALL THE REAR CLIP OF THE CAR, 471 00:20:15,100 --> 00:20:17,500 ALTHOUGH THE FRONT FRAME RAILS ARE ON IT. 472 00:20:17,500 --> 00:20:20,766 NOW, WITH THE REAR BODY BUILT OUT FROM THE FIREWALL BACK, 473 00:20:20,766 --> 00:20:22,700 WE CAN PUT THE FRONT APRONS ON. 474 00:20:22,700 --> 00:20:25,166 THIS IS A REALLY INTRICATE PART, AS WELL. 475 00:20:25,166 --> 00:20:26,866 WHEN YINZ ARE INSTALLING THE APRONS, 476 00:20:26,866 --> 00:20:28,800 OR THE INNER FENDERS, IF YOU WILL, 477 00:20:28,800 --> 00:20:30,866 IT'S IMPORTANT THAT THEY GO IN SPACE 478 00:20:30,866 --> 00:20:33,666 JUST LIKE EVERYTHING ELSE DOES, WHERE THEY GO. 479 00:20:33,666 --> 00:20:36,866 WHAT WE DO IS MAKE SURE BY PRE‐FITTING A FENDER ON THERE, 480 00:20:36,866 --> 00:20:38,300 AFTER WE PUT THE APRON IN PLACE, 481 00:20:38,300 --> 00:20:40,233 WE ALREADY DID THAT EARLIER WITH GEORGE 482 00:20:40,233 --> 00:20:42,000 WHEN WE PRE‐FIT THE WHOLE CAR OUT, 483 00:20:42,000 --> 00:20:45,300 SO NOW IT'S JUST A MATTER OF INSTALLING ALL THE PIECES. 484 00:20:45,300 --> 00:20:46,833 ONCE THE INNER FENDERS ARE IN PLACE 485 00:20:46,833 --> 00:20:48,800 WE CAN START WORKING ON THE CORE SUPPORT. 486 00:20:48,800 --> 00:20:51,133 YOU HAVE A CORE SUPPORT WITH TWO SIDE BAFFLES, 487 00:20:51,133 --> 00:20:54,733 A BOTTOM AND A TOP. THOSE GOES IN AND ALSO ESTABLISH 488 00:20:54,733 --> 00:20:56,766 WHERE THE FENDERS WILL GO ON THE CAR 489 00:20:56,766 --> 00:20:58,666 ADJACENT TO THE INNER FENDERS, 490 00:20:58,666 --> 00:21:01,800 ADJACENT TO THE DOORS AND THE REST OF THE CAR. 491 00:21:01,800 --> 00:21:04,700 PUTTING THESE PIECES ON THE CAR, TAKING YOUR TIME, 492 00:21:04,700 --> 00:21:08,733 CROSS‐MEASURING, FITTING, DON'T GET IN A HURRY. 493 00:21:08,733 --> 00:21:10,833 YOU PUT THEM ON SLOWLY AND CAREFULLY, 494 00:21:10,833 --> 00:21:13,200 AND WHEN YOU'RE DONE, YOU'LL HAVE A CAR 495 00:21:13,200 --> 00:21:15,700 THAT LOOKS SQUARE AND TRUE 496 00:21:15,700 --> 00:21:18,600 AND IS READY TO MOVE THROUGH TO THE MASSAGING PART. 497 00:21:18,600 --> 00:21:22,600 AND THAT IS WHERE OUR 1971 BARRACUDA IS NOW. 498 00:21:25,600 --> 00:21:27,933 ♪♪♪♪ 499 00:21:27,933 --> 00:21:30,133 HEY, LITTLE, TINY DANCER! 500 00:21:30,133 --> 00:21:32,300 I CALL HIM "LITTLE, TINY DANCER." 501 00:21:32,300 --> 00:21:34,433 YEAH, ♪♪ HOLD ME CLOSER, TINY DANCER ♪♪ 502 00:21:34,433 --> 00:21:36,600 'CAUSE HE'S LITTLE ‐‐ ABOUT FOUR‐FOOT‐SOMETHING TALL. 503 00:21:36,600 --> 00:21:38,200 MARK, I'M FIVE‐FOOT‐SOMETHING. 504 00:21:38,200 --> 00:21:39,433 YEAH, YEAH, YEAH. 505 00:21:39,433 --> 00:21:43,600 ♪♪ COUNT THE HEADLIGHTS ON THE HIGHWAY ♪♪ 506 00:21:43,600 --> 00:21:46,200 COVERING UP THE LITTLE DEAD WAGON, 507 00:21:46,200 --> 00:21:48,100 WHO'S COVERING UP THE LITTLE DEAD WAGON? 508 00:21:48,100 --> 00:21:49,533 WHO'S COVERING UP THE LITTLE DEAD WAGON? 509 00:21:49,533 --> 00:21:51,133 I'LL TELL YOU WHO'S COVERING UP THE LITTLE DEAD WAGON. 510 00:21:51,133 --> 00:21:53,133 WHO? LITTLE TINY DANCER! 511 00:21:53,133 --> 00:21:55,133 LET'S JUST GO WITH T. D. 512 00:21:55,133 --> 00:21:56,900 MAKE SURE THAT ‐‐ YOU KNOW I'M NEUROTIC. 513 00:21:56,900 --> 00:21:58,000 MAKE SURE THAT THING'S STRAIGHT. 514 00:21:58,000 --> 00:21:59,733 YEAH. [ LAUGHS ] 515 00:21:59,733 --> 00:22:01,900 YOU'RE A REAL PLAYER, MR. GONZALES. 516 00:22:01,900 --> 00:22:04,700 ♪♪ HOLD ME CLOSER, TINY DANCER ♪♪ 517 00:22:04,700 --> 00:22:05,866 ♪♪ COUNT THE HEADLIGHTS ♪♪ 518 00:22:05,866 --> 00:22:09,000 ♪♪ COUNT THEM HEADLIGHTS ON THE HIGHWAY ♪♪ 519 00:22:09,000 --> 00:22:10,300 ♪♪ LAY ME DOWN ON A ♪♪ 520 00:22:10,300 --> 00:22:12,000 DOING SOMETHING WITH JOHN LENNON? 521 00:22:12,000 --> 00:22:13,900 I DON'T ‐‐ WELL, THEY WERE... 522 00:22:13,900 --> 00:22:15,733 ♪♪ I KNOW YOU'VE HAD A LONG DAY ♪♪ 523 00:22:15,733 --> 00:22:23,533 ♪♪♪♪ 524 00:22:23,533 --> 00:22:26,200 IF YOU GUYS RECALL, BACK IN THE DAY, 525 00:22:26,200 --> 00:22:30,400 OUR PHANTOM 'CUDA ‐‐ WE HAD A GENEROUS OFFER 526 00:22:30,400 --> 00:22:32,600 FROM OUR FRIENDS AT THE AMD INSTALLATION CENTER. 527 00:22:32,600 --> 00:22:35,233 CRAIG, HE KNEW WE WERE INTO BIG TROUBLE 528 00:22:35,233 --> 00:22:36,833 TO GET CARS DONE, WAY BEHIND. 529 00:22:36,833 --> 00:22:40,433 HE VOLUNTEERED TO DO ALL OF THE METAL WORK ON THAT CAR. 530 00:22:40,433 --> 00:22:43,066 WELL, THE SITUATION WITH THE GARAGE IS VERY SIMILAR. 531 00:22:43,066 --> 00:22:45,033 LAST SUMMER, WE HAD A GUY BY THE NAME OF NOEL 532 00:22:45,033 --> 00:22:47,033 WITH HIS FAMILY COME IN TO SEE THE SHOP. 533 00:22:47,033 --> 00:22:49,333 HE WANTED TO CHECK OUT THE SHOP AND THE GIFT STORE. 534 00:22:49,333 --> 00:22:51,600 AND, SO, I CAME UP AND MET HIM AND SHOOK HANDS. 535 00:22:51,600 --> 00:22:53,300 AND WE STARTED TALKING A LITTLE BIT, 536 00:22:53,300 --> 00:22:55,166 AND HE LET ME KNOW THAT HE WAS A PARTNER IN A BODY SHOP, 537 00:22:55,166 --> 00:22:57,333 AND THEY VOLUNTEERED TO HELP US OUT 538 00:22:57,333 --> 00:22:59,633 WITH OUR YAMAHAULER, WHICH IS A BIG JOB. 539 00:22:59,633 --> 00:23:01,766 IT'S A BIG JOB WHETHER OR NOT YOU HAVE 100 OTHER CARS 540 00:23:01,766 --> 00:23:03,333 WAITING TO GO THROUGH OR NOT. 541 00:23:03,333 --> 00:23:05,233 SO, IT WAS A VERY GENEROUS OFFER, 542 00:23:05,233 --> 00:23:07,500 AND I IMMEDIATELY TOOK HIM UP ON THAT. 543 00:23:07,500 --> 00:23:09,233 WHEN HE APPROACHED ME WITH THIS AND SAID, 544 00:23:09,233 --> 00:23:11,266 "HEY, DO YOU WANT TO TEAM UP ON THIS PROJECT 545 00:23:11,266 --> 00:23:13,466 FOR SEMA AND MOPAR?" 546 00:23:13,466 --> 00:23:17,133 I THINK I SPENT ALL BUT TWO SECONDS TO SAY, "HELL, YES." 547 00:23:17,133 --> 00:23:18,566 IT WAS A NO‐BRAINER. 548 00:23:18,566 --> 00:23:20,200 I MEAN, WITHOUT EVEN TALKING TO MY BUSINESS PARTNER, 549 00:23:20,200 --> 00:23:22,366 WE'RE TEAMING UP, AND WE'RE DOING A SEMA PROJECT, 550 00:23:22,366 --> 00:23:26,733 A '72 DODGE YAMAHAULER. YOU KNOW, PRETTY RARE BUILD, 551 00:23:26,733 --> 00:23:28,500 SOMETHING SPECIAL THAT YOU DON'T SEE EVERY DAY. 552 00:23:28,500 --> 00:23:30,433 WE'VE ALREADY STARTED SOME OF THE PREP WORK 553 00:23:30,433 --> 00:23:31,900 AND THE, THE BODYWORK HERE. 554 00:23:31,900 --> 00:23:33,433 YOU KNOW, IT CAME ABOUT TWO WEEKS AGO, 555 00:23:33,433 --> 00:23:35,500 AND WE JUMPED ON IT RIGHT AWAY. 556 00:23:35,500 --> 00:23:37,966 WE WERE THAT EXCITED ABOUT IT AT OUR SHOP. 557 00:23:37,966 --> 00:23:40,066 Mark: EVEN THOUGH YOU HAVE SOMEBODY WILLING TO HELP YOU OUT 558 00:23:40,066 --> 00:23:42,900 IN A SITUATION LIKE THIS, WE'RE STILL "GRAVEYARD CARZ." 559 00:23:42,900 --> 00:23:44,300 WE ARE STILL KNOWN AS THE BEST 560 00:23:44,300 --> 00:23:46,800 MOPAR RESTORATION PLACE IN THE WORLD. 561 00:23:46,800 --> 00:23:48,466 SO, THAT MEANS THE BODY AND PAINTWORK 562 00:23:48,466 --> 00:23:50,966 THAT'S DONE ON THAT VAN NEEDS TO LOOK LIKE WE DID IT. 563 00:23:50,966 --> 00:23:53,233 WE COULD HAVE GONE ANYWHERE, BUT WE SELECTED THE GARAGE 564 00:23:53,233 --> 00:23:55,833 BASED ON THEIR REPUTATION AND THEIR HISTORY. 565 00:23:55,833 --> 00:23:59,566 THEY DO WHAT WE DO ON ALL KINDS OF CARS. 566 00:23:59,566 --> 00:24:03,200 MARK WAS VERY SPECIFIC ABOUT THE MATERIAL TO BE USED, 567 00:24:03,200 --> 00:24:06,466 THE LEVEL OF QUALITY WORK THAT HE WANTED FROM US. 568 00:24:06,466 --> 00:24:08,300 I THINK THERE'S ALWAYS A LEVEL OF STRESS, 569 00:24:08,300 --> 00:24:09,866 ESPECIALLY KNOWING THAT, YOU KNOW, 570 00:24:09,866 --> 00:24:12,300 MARK WORMAN AND "GRAVEYARD CARZ," 571 00:24:12,300 --> 00:24:13,933 AND THERE'S THAT CERTAIN ASPECT OF, 572 00:24:13,933 --> 00:24:15,933 YOU KNOW, WE WANT TO PERFORM PROPERLY 573 00:24:15,933 --> 00:24:18,233 AND MAKE SURE THAT EVERYTHING'S DONE RIGHT. 574 00:24:18,233 --> 00:24:21,866 I THINK MARK PICKED THE GARAGE LOOKING AT NOT ONLY OUR RAPPORT, 575 00:24:21,866 --> 00:24:23,933 BUT LOOKING US UP. 576 00:24:23,933 --> 00:24:26,366 I THINK HE QUICKLY REALIZED THAT WE WERE THE SHOP 577 00:24:26,366 --> 00:24:28,466 THAT CAN TAKE ON THIS TYPE OF PROJECT. 578 00:24:28,466 --> 00:24:30,866 YOU KNOW, WE'RE DEFINITELY KNOWN, NOT ONLY IN OUR AREA, 579 00:24:30,866 --> 00:24:34,100 BUT OUTSIDE OF JUST OUR CITY ALONE. 580 00:24:34,100 --> 00:24:35,500 WE'VE BEEN AROUND FOR A LONG TIME, 581 00:24:35,500 --> 00:24:37,233 AND WE HAVE A GREAT REPUTATION. 582 00:24:37,233 --> 00:24:38,800 YOU KNOW, OUR FIRST REACTION WAS, 583 00:24:38,800 --> 00:24:41,400 "HELL, YEAH, LET'S DO IT." 584 00:24:41,400 --> 00:24:43,933 Mark: I WILL ADMIT THAT IT'S A BIT OF A STRESS RELIEVER 585 00:24:43,933 --> 00:24:46,400 TO HAVE A PARTNER ON A SEMA BUILD. 586 00:24:46,400 --> 00:24:49,233 SEMA BUILDS ALWAYS COME DOWN TO SUICIDE SHIFTS 587 00:24:49,233 --> 00:24:50,800 THREE WEEKS AHEAD OF TIME. 588 00:24:50,800 --> 00:24:52,900 AND THAT'S USUALLY BECAUSE THE BODY AND PAINT ISN'T DONE 589 00:24:52,900 --> 00:24:55,066 TILL TWO WEEKS BEFORE THE SHOW. 590 00:24:55,066 --> 00:24:56,500 SO, IN THIS PARTICULAR CASE, TO HAVE SOMEBODY 591 00:24:56,500 --> 00:24:58,533 TO COLLABORATE WITH, SOMEBODY THAT I TRUST 592 00:24:58,533 --> 00:25:00,966 LIKE THE GARAGE, IT'S A BLESSING FOR US. 593 00:25:00,966 --> 00:25:06,933 ♪♪♪♪ 594 00:25:06,933 --> 00:25:12,866 ♪♪♪♪ 595 00:25:17,466 --> 00:25:26,300 ♪♪♪♪ 596 00:25:26,300 --> 00:25:28,833 YES, I KILLED MARK IN SEASON 12. 597 00:25:28,833 --> 00:25:31,900 IT WAS ME, AND I DID IT ALL FOR THIS. 598 00:25:31,900 --> 00:25:34,800 BUT THAT AWARD IS JUST A USELESS LUMP OF PLASTIC. 599 00:25:34,800 --> 00:25:37,633 WHY ON EARTH WOULD YOU KILL MY DAD OVER IT? 600 00:25:37,633 --> 00:25:39,300 I MEAN, A CAR OUT BACK, I UNDERSTAND. 601 00:25:39,300 --> 00:25:41,100 [ GASPS ] CAN IT BE? 602 00:25:41,100 --> 00:25:44,533 ♪♪♪♪ 603 00:25:44,533 --> 00:25:46,533 THE PRICELESS PANTHER PINK DIAMOND, 604 00:25:46,533 --> 00:25:51,500 MANUFACTURED BY WALTER P. CHRYSLER HIMSELF IN 1925 605 00:25:51,500 --> 00:25:54,033 AND THEN LATER STOLEN FROM HIS SLEEPY HOLLOW 606 00:25:54,033 --> 00:25:57,166 MAUSOLEUM FOLLOWING HIS DEATH IN 1940? 607 00:25:57,166 --> 00:26:01,500 I THOUGHT IT WAS A MYTH. 608 00:26:01,500 --> 00:26:03,933 WHAT? I READ IT ON WIKIPEDIA. 609 00:26:03,933 --> 00:26:07,233 THAT'S RIGHT. IT WAS RIGHT UNDER YOUR NOSES THE WHOLE TIME. 610 00:26:07,233 --> 00:26:10,533 AND NOW IT'S MINE, ALL MINE. I'LL BE RICH! 611 00:26:10,533 --> 00:26:13,266 ALL RIGHT, BOYS, I THINK WE'VE HEARD ENOUGH. 612 00:26:13,266 --> 00:26:14,766 WHAT DO YOU THINK? 613 00:26:14,766 --> 00:26:15,966 MORE THAN ENOUGH FOR ME, SIR. 614 00:26:15,966 --> 00:26:18,833 ROYAL, I'D LIKE TO INTRODUCE YOU TO DAVID STARSKY 615 00:26:18,833 --> 00:26:20,400 AND KENNETH HUTCHINSON, 616 00:26:20,400 --> 00:26:24,033 UNDERCOVER DETECTIVES FOR THE SPRINGFIELD POLICE DEPARTMENT. 617 00:26:24,033 --> 00:26:27,100 WE'RE UNDERCOVER COPS... AND CELEBRITY IMPERSONATORS. 618 00:26:27,100 --> 00:26:30,066 HERE'S OUR CARD, WE DO BIRTHDAYS AND COUNTY FAIRS. 619 00:26:30,066 --> 00:26:32,800 AND WE'VE BEEN WEARING WIRES THIS WHOLE EVENING. 620 00:26:32,800 --> 00:26:34,533 WE'VE GOT EVERYTHING ON TAPE. 621 00:26:34,533 --> 00:26:38,000 YOU'RE BUSTED. 622 00:26:38,000 --> 00:26:40,466 MARK? BUT HOW? 623 00:26:40,466 --> 00:26:42,700 YOU'D BETTER CHECK YOUR AIM NEXT TIME, BUDDY. 624 00:26:42,700 --> 00:26:46,266 THAT SHOT DIDN'T EVEN COME CLOSE TO HITTING A VITAL ORGAN. 625 00:26:46,266 --> 00:26:49,200 IT WAS THE CONCUSSION THAT KNOCKED ME DOWN. 626 00:26:49,200 --> 00:26:53,100 WHEN I WOKE UP, THAT'S WHEN I NOTICED MY AWARD WAS MISSING. 627 00:26:53,100 --> 00:26:55,666 DIDN'T TAKE LONG TO PUT THE PIECES TOGETHER 628 00:26:55,666 --> 00:26:58,533 AND FIGURE OUT EXACTLY WHAT'S GOING ON. 629 00:26:58,533 --> 00:27:01,133 I KNOW YOU. I KNEW YOU WOULDN'T ADMIT TO ANYTHING. 630 00:27:01,133 --> 00:27:03,533 I KNEW THESE IDIOTS COULDN'T KEEP THEIR MOUTH SHUT. 631 00:27:03,533 --> 00:27:05,866 SO, I FAKED MY DEATH AND HIRED THESE GENTLEMEN 632 00:27:05,866 --> 00:27:07,733 TO HELP ME CATCH YOU IN THE ACT. 633 00:27:07,733 --> 00:27:10,633 WHAT I DIDN'T COUNT ON WAS YOU ROPING IN MY OWN COUSIN 634 00:27:10,633 --> 00:27:12,433 INTO YOUR TWISTED GAME. 635 00:27:12,433 --> 00:27:15,666 CUFF 'EM, BOYS. 636 00:27:15,666 --> 00:27:18,033 DAMN YOU, MARK. I WOULD HAVE GOTTEN AWAY WITH IT 637 00:27:18,033 --> 00:27:20,833 IF IT WASN'T FOR YOUR MEDDLING DETECTIVES. 638 00:27:20,833 --> 00:27:23,533 WELL THAT'S IT, FOLKS. YOU CAN ALL GO HOME. 639 00:27:23,533 --> 00:27:25,633 I'LL SEE YOU BACK AT THE SHOP TOMORROW. 640 00:27:25,633 --> 00:27:28,333 ♪♪♪♪ 641 00:27:28,333 --> 00:27:30,233 WHY WAS DOUGIE PRETENDING TO BE BLIND THIS WHOLE TIME? 642 00:27:30,233 --> 00:27:32,433 AND THEN HE WAS DEAD AT ONE POINT, AND THEN HE WASN'T. 643 00:27:32,433 --> 00:27:36,333 ‐WHAT WAS THE POINT? ‐AND HOW DID HE GET HIS HANDS 644 00:27:36,333 --> 00:27:38,200 ON A HAUNTED MANSION? 645 00:27:38,200 --> 00:27:41,666 [ ALL SPEAKING INDISTINCTLY ] 646 00:27:41,666 --> 00:27:43,833 Allysa: IF TONY WAS WITH US IN THE DINING ROOM, 647 00:27:43,833 --> 00:27:45,166 WHO WAS CONTROLLING THE LIGHTS? 648 00:27:45,166 --> 00:27:46,500 AND HOW DID HE MIMIC TONY'S VOICE? 649 00:27:46,500 --> 00:27:49,233 Will: ARE WE GETTING PAID FOR ANY OF THIS? 650 00:27:49,233 --> 00:27:54,666 ♪♪♪♪ 651 00:27:54,666 --> 00:28:00,066 ♪♪♪♪ 652 00:28:00,066 --> 00:28:02,600 [ LAUGHING MANIACALLY ] 653 00:28:02,600 --> 00:28:07,600 ♪♪♪♪ 654 00:28:07,600 --> 00:28:12,633 ♪♪♪♪ 655 00:28:12,633 --> 00:28:14,666 Allysa: DAD? 656 00:28:14,666 --> 00:28:17,233 ♪♪♪♪ 657 00:28:17,233 --> 00:28:21,000 DAD? 658 00:28:21,000 --> 00:28:25,300 DAD? 659 00:28:25,300 --> 00:28:28,333 DAD? 660 00:28:28,333 --> 00:28:31,900 HEY, BABY. 661 00:28:31,900 --> 00:28:34,500 WHAT'S WRONG WITH YOU? 662 00:28:34,500 --> 00:28:37,733 HI. I THINK YOU FELL ASLEEP WATCHING YOUR MOVIE. 663 00:28:37,733 --> 00:28:40,100 OH YEAH, I DID. 664 00:28:40,100 --> 00:28:41,966 WHAT DO YOU NEED? 665 00:28:41,966 --> 00:28:43,866 WE'RE SUPPOSED TO DO PARTS AT 1:00. 666 00:28:43,866 --> 00:28:47,666 OH YEAH, SORRY. 667 00:28:47,666 --> 00:28:50,000 YEAH. 668 00:28:50,000 --> 00:28:52,500 THAT WAS CRAZY. COULDN'T BELIEVE IT. 669 00:28:52,500 --> 00:28:54,233 CAN'T BELIEVE THIS WEIRD DREAM. 670 00:28:54,233 --> 00:28:58,033 I HAD THIS DREAM THAT WE WERE ALL CARTOON CHARACTERS. 671 00:28:58,033 --> 00:28:59,500 LIKE, I WAS A CARTOON CHARACTER, 672 00:28:59,500 --> 00:29:00,800 YOU WERE A CARTOON CHARACTER, 673 00:29:00,800 --> 00:29:02,933 MOM WAS A CARTOON CHARACTER. 674 00:29:02,933 --> 00:29:04,366 DOUGIE WAS A BLIND BUTLER. 675 00:29:04,366 --> 00:29:07,666 WE WERE AT THIS LIKE MANSION, THIS WEIRD HAUNTED MANSION. 676 00:29:07,666 --> 00:29:09,633 AND I HAD BEEN MURDERED. 677 00:29:09,633 --> 00:29:12,200 YEAH, I HAD BEEN MURDERED BY YOUR MOM. 678 00:29:12,200 --> 00:29:13,833 WELL, I MEAN, THAT TRACKS. 679 00:29:13,833 --> 00:29:15,300 YEAH. I DON'T KNOW HOW THAT TRACKS. 680 00:29:15,300 --> 00:29:16,500 MAKES SENSE. YOU HAD THAT ONE COMING. 681 00:29:16,500 --> 00:29:17,566 WHAT DID I DO? 682 00:29:17,566 --> 00:29:18,966 WELL, I WASN'T IN THE DREAM. I DON'T KNOW. 683 00:29:18,966 --> 00:29:20,233 I'M SURE YOU DID SOMETHING. 684 00:29:20,233 --> 00:29:21,900 I DIDN'T DO ANYTHING! NOTHING? 685 00:29:21,900 --> 00:29:23,833 IN THE DREAM, I GOT SHOT FOR DOING NOTHING. 686 00:29:23,833 --> 00:29:25,500 IT'S VERY MUCH LIKE REAL LIFE. 687 00:29:25,500 --> 00:29:26,866 CAN WE JUST GET SOME PARTS ORDERED? 688 00:29:26,866 --> 00:29:27,966 YEAH, THAT SOUNDS GOOD. 689 00:29:27,966 --> 00:29:29,833 ARE YOU GOING TO SLEEP ON THE JOB? 690 00:29:29,833 --> 00:29:30,933 DAN WAS THERE, LYNCH. 691 00:29:30,933 --> 00:29:33,100 THERE WAS A GUY NAMED "GAMBO" THERE. 692 00:29:33,100 --> 00:29:37,066 AND A "JIM McCLEAN," WHO I DON'T ‐‐ SOMETHING. 693 00:29:37,066 --> 00:29:39,266 I DON'T KNOW WHAT THAT WAS ALL ABOUT. 694 00:29:39,266 --> 00:29:41,933 IT JUST WAS SO WEIRD. IT'S, LIKE, SURREAL. 695 00:29:48,100 --> 00:29:52,200 ♪♪♪♪ 696 00:29:52,200 --> 00:29:54,066 GOT MY ENGINE HARNESS IN PLACE. 697 00:29:54,066 --> 00:29:56,366 I'VE GOT THE LOWER BRACKET BOLTED IN PLACE. 698 00:29:56,366 --> 00:29:58,000 I'M GOING TO SET THE ALTERNATOR IN, 699 00:29:58,000 --> 00:30:01,066 AND IT TAKES TWO FIELD WIRES, WHICH JUST CLIP ON, 700 00:30:01,066 --> 00:30:04,233 AND WE HAVE OUR IDLER PULLEY FOR THE AIR‐CONDITIONING BELT. 701 00:30:04,233 --> 00:30:06,500 HERE'S MY HOT LEAD TO THE ALTERNATOR, 702 00:30:06,500 --> 00:30:08,466 THAT'S GOING TO GO RIGHT ON THIS POST HERE. 703 00:30:08,466 --> 00:30:11,866 WE ALSO USE THIS LITTLE PLASTIC ISOLATOR, 704 00:30:11,866 --> 00:30:13,400 SO THAT'S GOING TO GO ON THIS POST. 705 00:30:13,400 --> 00:30:14,933 AND THEN THE WIRE'S GOING TO GO ON 706 00:30:14,933 --> 00:30:17,266 SO IT'S PROTECTED FROM GROUNDING. 707 00:30:17,266 --> 00:30:18,433 THINGS ARE GOING PRETTY GOOD. 708 00:30:18,433 --> 00:30:20,133 I'VE GOT ALL THE PLUG WIRES INSTALLED. 709 00:30:20,133 --> 00:30:21,433 THAT WENT PRETTY SMOOTH. 710 00:30:21,433 --> 00:30:22,633 I'VE PUT THE CARBURETOR ON, 711 00:30:22,633 --> 00:30:25,866 THE FUEL LINE, AND THE FUEL‐VAPOR SEPARATOR. 712 00:30:25,866 --> 00:30:27,600 GETTING READY TO PUT THE HOSES ON. 713 00:30:27,600 --> 00:30:29,500 WE'LL GO AHEAD AND FINISH OUT THE REST OF THE BUILD 714 00:30:29,500 --> 00:30:30,733 ON THE FRONT OF THE ENGINE. 715 00:30:30,733 --> 00:30:32,533 THESE ARE A REPRODUCTION HOSE 716 00:30:32,533 --> 00:30:35,733 THAT EVEN HAS THE RIBBING ON THE BACKSIDE, 717 00:30:35,733 --> 00:30:37,266 JUST LIKE THE ORIGINALS. 718 00:30:37,266 --> 00:30:39,366 SO, THIS IS YOUR HEATER HOSE. 719 00:30:39,366 --> 00:30:41,100 IT'S GOING TO GO TO THE FIREWALL, 720 00:30:41,100 --> 00:30:44,900 AND IT'S GOING TO GO ON THE WATER PUMP RIGHT HERE. 721 00:30:44,900 --> 00:30:48,100 GOT A NEW RE‐MANUFACTURED POWER‐STEERING PUMP HERE. 722 00:30:48,100 --> 00:30:50,333 OKAY, SO, NOW WE CAN INSTALL THE AIR COMPRESSOR 723 00:30:50,333 --> 00:30:52,266 FROM CLASSIC AUTO AIR. 724 00:30:52,266 --> 00:30:56,333 WE'LL GIVE IT A TEST FIT. HOPE FOR THE BEST HERE. 725 00:30:56,333 --> 00:31:00,366 SO, NOW WE'VE GOT OUR AIR COMPRESSOR BOLTED IN PLACE. 726 00:31:00,366 --> 00:31:02,433 NOW I CAN PUT MY FRONT PULLEYS ON. 727 00:31:02,433 --> 00:31:05,533 THE LOWER CRANK PULLEY IS FOUR DIFFERENT PULLEYS 728 00:31:05,533 --> 00:31:07,233 VERSUS ONE OR TWO. 729 00:31:07,233 --> 00:31:08,733 THAT IS TWO GO TO THE AIR CONDITIONER, 730 00:31:08,733 --> 00:31:12,400 ONE GOES TO THE IDLER, AND ONE GOES TO THE POWER STEERING. 731 00:31:12,400 --> 00:31:18,133 WE HAVE A REALLY NICE CLUTCH FAN HERE WITH THE CORRECT DATE CODE. 732 00:31:18,133 --> 00:31:20,433 SO, NOW I'M GOING TO PUT THE A. C. BELTS ON. 733 00:31:20,433 --> 00:31:22,366 YOU HAVE TO FEED THESE OVER THE FAN, 734 00:31:22,366 --> 00:31:25,266 PUT THEM OVER THE AIR‐CONDITIONER PULLEY, 735 00:31:25,266 --> 00:31:27,866 DOWN AROUND THE LOWER CRANK SHAFT PULLEY, 736 00:31:27,866 --> 00:31:29,366 UP OVER THE ALTERNATOR, 737 00:31:29,366 --> 00:31:34,033 WHICH IS THE DOUBLE PULLEY FOR AN AIR‐CONDITIONED CAR. 738 00:31:34,033 --> 00:31:37,433 I'M JUST GOING TO PULL THAT UP AND TIGHTEN THOSE BELTS. 739 00:31:37,433 --> 00:31:40,133 NEXT WE HAVE OUR POWER STEERING BELT 740 00:31:40,133 --> 00:31:43,466 AND THEN YOUR SMALL BELT FOR THE FAN. 741 00:31:43,466 --> 00:31:47,166 IT'S GOT A SQUARE HOLE IN THE IDLER. 742 00:31:47,166 --> 00:31:49,000 I LOVE IT. HERE'S OUR BREATHER, 743 00:31:49,000 --> 00:31:50,700 THAT'S GOING TO GO TO THE AIR CLEANER. 744 00:31:50,700 --> 00:31:52,500 JUST POPS IN THE VALVE COVER. 745 00:31:52,500 --> 00:31:56,333 FINALLY GOT THE 440 ENGINE FOR THE '70 CHARGER DONE. 746 00:31:56,333 --> 00:31:58,600 WE'LL BE PUTTING THIS IN THE CAR PRETTY SOON. 747 00:31:58,600 --> 00:32:00,400 ♪♪♪♪ 748 00:32:00,400 --> 00:32:02,233 Mark: IT'S BEEN A LONG TIME SINCE MARK AND ROYAL 749 00:32:02,233 --> 00:32:04,366 DROVE AROUND IN ONE OF THESE. 750 00:32:04,366 --> 00:32:08,233 I LOOK OVER THERE, AND IT'S 1978 ALL OVER, MY LITTLE FRIEND. 751 00:32:08,233 --> 00:32:09,700 Royal: EXCEPT THE HAIRLINE. 752 00:32:09,700 --> 00:32:12,866 HE HAD MORE HAIR BACK IN '78, BUT IN FAIRNESS I DID, TOO. 753 00:32:12,866 --> 00:32:15,266 I NOTICED MINE'S ALL WISPY NOW. 754 00:32:15,266 --> 00:32:19,366 DO YOU REMEMBER STANDING OUT IN THE FRONT YARD WASHING THAT TOP? 755 00:32:19,366 --> 00:32:22,566 I REMEMBER WASHING THE WHOLE THING OVER AND OVER AGAIN 756 00:32:22,566 --> 00:32:24,000 UNTIL IT CAME CLEAN. 757 00:32:24,000 --> 00:32:26,633 THAT TOP, WE USED ALL OF MOM'S AJAX ON IT. 758 00:32:26,633 --> 00:32:28,100 OH, SHE WAS MAD. 759 00:32:28,100 --> 00:32:30,100 ROYAL SAID SHE WAS MAD. SHE WASN'T MAD. 760 00:32:30,100 --> 00:32:31,566 I DON'T KNOW WHAT HE'S TALKING ABOUT. 761 00:32:31,566 --> 00:32:34,000 SOMETIMES HE, YOU KNOW, THERE'S SOME THINGS GOING ON IN HIS HEAD 762 00:32:34,000 --> 00:32:36,333 THAT HE DID WHEN HE WAS YOUNGER THAT AFFECT HIS MEMORY. 763 00:32:36,333 --> 00:32:39,333 MOM WAS NEVER MAD. MOM WAS THRILLED TO DEATH. 764 00:32:39,333 --> 00:32:42,833 SHE TOLD ME LATER, SHE SAID BUT AT THE SAME TIME, 765 00:32:42,833 --> 00:32:45,266 SHE WAS STANDING IN THERE LOOKING OUT THAT WINDOW AT US 766 00:32:45,266 --> 00:32:48,266 AND SHE REALLY, SHE WAS SO TICKLED FOR ME, 767 00:32:48,266 --> 00:32:49,833 YOU KNOW, LOOKING AT IT, 768 00:32:49,833 --> 00:32:51,366 OUT THERE WORKING LIKE A COUPLE OF DOGS 769 00:32:51,366 --> 00:32:54,066 TRYING TO GET THAT OLD CAR TO SCRUB UP. 770 00:32:54,066 --> 00:32:58,066 AND EVEN WHEN SHE WAS SICK, RIGHT BEFORE SHE PASSED, 771 00:32:58,066 --> 00:33:00,533 WE HAD A CONVERSATION ABOUT THIS, ABOUT, I SAID, 772 00:33:00,533 --> 00:33:02,000 "DO YOU REMEMBER THE DAY I BROUGHT THE CHARGER HOME?" 773 00:33:02,000 --> 00:33:04,166 SHE WENT, "I'M NOT A FOOL. OF COURSE I REMEMBER!" 774 00:33:04,166 --> 00:33:06,400 GETS MAD IF YOU THINK SHE'S FORGOTTEN SOMETHING, RIGHT? 775 00:33:06,400 --> 00:33:07,900 AND SHE RECITED IT BACK TO ME 776 00:33:07,900 --> 00:33:09,366 THE SAME WAY I'M RECITING IT TO YOU. 777 00:33:09,366 --> 00:33:12,033 SO, IT HAPPENED, IT WAS REAL, AND IT WAS A, YOU KNOW, 778 00:33:12,033 --> 00:33:13,466 WONDERFUL, WONDERFUL MEMORY. 779 00:33:13,466 --> 00:33:16,166 DO YOU WANT TO PICK UP SOME LUNCHES FOR EVERYBODY? 780 00:33:16,166 --> 00:33:20,166 YEAH. LET'S DO IT. 781 00:33:20,166 --> 00:33:24,033 MY FAVORITE LITTLE 1976 HODAKA ROAD TOAD, 782 00:33:24,033 --> 00:33:25,800 WE LEARNED EARLIER, 783 00:33:25,800 --> 00:33:29,400 NOT ONLY IS IT ONE OF MY FAVORITE BIKES OF ALL TIME, 784 00:33:29,400 --> 00:33:32,033 IT IS AN IDENTICAL TWIN 785 00:33:32,033 --> 00:33:35,233 TO ONE USED IN ONE OF MY FAVORITE MOVIES OF ALL TIME. 786 00:33:35,233 --> 00:33:39,466 THE GENTLEMAN THAT RODE IT WAS ONLY 14 YEARS OLD AT THE TIME. 787 00:33:39,466 --> 00:33:41,966 TRUE OR FALSE ‐‐ THE NAME OF THAT MOVIE 788 00:33:41,966 --> 00:33:44,466 IS "CHRISTINE." 789 00:33:44,466 --> 00:33:46,533 THINK YOU KNOW THE ANSWER? STAYED TUNED AFTER THE BREAK. 790 00:33:46,533 --> 00:33:48,500 WE'LL FIND OUT HOW YOU DID. 791 00:33:48,500 --> 00:33:51,533 YEAH, IT AIN'T GOT NOTHING TO DO WITH MOPAR. 792 00:33:51,533 --> 00:33:53,266 DEAL WITH IT. 793 00:33:59,666 --> 00:34:02,400 ♪♪♪♪ 794 00:34:02,400 --> 00:34:04,700 ALL RIGHT, GUYS, HOW DID WE DO ON THAT ONE? 795 00:34:04,700 --> 00:34:06,533 I KNOW IT WASN'T A MOPAR QUESTION. 796 00:34:06,533 --> 00:34:08,033 THAT'S UNFORTUNATE. IT'S TOO BAD. 797 00:34:08,033 --> 00:34:12,966 SUE ME. THE QUESTION WAS THIS 1976 HODAKA ROAD TOAD 798 00:34:12,966 --> 00:34:17,233 IS A TWIN TO A MOTORCYCLE USED IN ONE OF MY FAVORITE MOVIES. 799 00:34:17,233 --> 00:34:21,200 TRUE OR FALSE ‐‐ THAT MOVIE IS "CHRISTINE." 800 00:34:21,200 --> 00:34:23,600 IF YOU GUESSED THAT IS TRUE... 801 00:34:23,600 --> 00:34:24,966 WELL, YOU'RE WRONG. 802 00:34:24,966 --> 00:34:27,900 THERE WEREN'T ANY MOTORCYCLES IN THE MOVIE "CHRISTINE," 803 00:34:27,900 --> 00:34:29,733 AT LEAST THAT I CAN REMEMBER. 804 00:34:29,733 --> 00:34:32,066 NOW, ONE OF MY OTHER FAVORITE MOVIES 805 00:34:32,066 --> 00:34:36,066 IS "THE CAR" WITH JAMES BROLIN, BASED ON A STEPHEN KING NOVEL. 806 00:34:36,066 --> 00:34:37,900 THERE WAS A MOTORCYCLE IN IT. 807 00:34:37,900 --> 00:34:41,133 IT HAPPENED TO BE A SUZUKI TS400 APACHE. 808 00:34:41,133 --> 00:34:46,300 BUT THE REAL ANSWER ON THIS ONE IS THE MOVIE "PHANTASM," 809 00:34:46,300 --> 00:34:49,233 WITH A YOUNG ACTOR AT THE AGE OF 14 YEARS OLD, 810 00:34:49,233 --> 00:34:51,000 A MICHAEL BALDWIN, 811 00:34:51,000 --> 00:34:54,366 RIDING THIS MOTORCYCLE IN AND OUT OF A CEMETERY, 812 00:34:54,366 --> 00:34:57,033 WHILE THE LITTLE GREMLINS WAS CHASING HIM. 813 00:34:57,033 --> 00:35:00,733 SO...I DON'T CARE. I KNOW IT AIN'T ABOUT MOPAR. 814 00:35:00,733 --> 00:35:03,533 IT DON'T GOT TO BE ABOUT MOPAR. THIS IS MY SHOW. 815 00:35:03,533 --> 00:35:05,833 ♪♪♪♪ 816 00:35:05,833 --> 00:35:07,633 Mark: SO, WHAT DOES IT TAKE TO GET YOU BACK, MAN? 817 00:35:07,633 --> 00:35:10,233 WE ADMIT YOU HAVE SO MANY FANS 818 00:35:10,233 --> 00:35:12,533 THAT ASK ABOUT YOU ALL THE TIME ON TWITTER, 819 00:35:12,533 --> 00:35:14,033 ALL THE TIME ON FACEBOOK. 820 00:35:14,033 --> 00:35:17,066 I KNOW, BUT IT'S THE TIME. 821 00:35:17,066 --> 00:35:19,533 I MEAN, I WORK EIGHT HOURS. 822 00:35:19,533 --> 00:35:21,133 SO, IT'S TIME? YOU JUST DON'T HAVE ANY TIME? 823 00:35:21,133 --> 00:35:22,666 YEAH, I CAN'T, I CAN'T GET OFF TILL 3:30, 824 00:35:22,666 --> 00:35:25,466 I CAN'T GET OVER HERE TILL 4:00. 825 00:35:25,466 --> 00:35:28,133 YEAH, THE SOUND CREW GOES HOME BY FIVE. 826 00:35:28,133 --> 00:35:29,833 THEY'RE CLEANING UP AT 4:30. 827 00:35:29,833 --> 00:35:34,866 YEAH. IT'S HARD. 828 00:35:34,866 --> 00:35:36,800 OH MAN. 829 00:35:36,800 --> 00:35:39,100 I KNOW HE'S BUSY. I KNOW HE IS. 830 00:35:39,100 --> 00:35:41,933 BUT YOU JUST ‐‐ YOU'RE TALKING ABOUT YOUR BEST FRIEND. 831 00:35:41,933 --> 00:35:43,333 I MISS THESE OLD CARS, THOUGH. 832 00:35:43,333 --> 00:35:45,166 I KNOW. THEY MISS YOU. 833 00:35:45,166 --> 00:35:46,866 AND YOU WERE A GOOD TECHNICIAN, 834 00:35:46,866 --> 00:35:49,500 WE NEVER HAD PROBLEMS WITH YOUR CARS AND YOUR BRAKES. 835 00:35:49,500 --> 00:35:50,600 THE THINGS THAT YOU DID 836 00:35:50,600 --> 00:35:54,133 WHEN YOU WERE WORKING ON THEM WORKED GOOD. 837 00:35:54,133 --> 00:35:55,833 SEE, YOU COME BACK, WE CAN PUT YOU ON THE ARTWORK 838 00:35:55,833 --> 00:35:57,100 FOR ALL THE MODELS BEING BUILT. 839 00:35:57,100 --> 00:35:58,400 YOU HAVE YOUR OWN LITTLE COLLECTION. 840 00:35:58,400 --> 00:36:01,000 WE CAN GO UPSTAIRS IN THE ATTIC ON 14th STREET, 841 00:36:01,000 --> 00:36:03,400 PLAY HOT WHEELS LIKE WE USED TO. THAT'S GREAT STUFF. 842 00:36:03,400 --> 00:36:10,600 ♪♪♪♪ 843 00:36:10,600 --> 00:36:12,000 SO, YOU GUYS KNOW WHY WE'RE HERE? 844 00:36:12,000 --> 00:36:15,266 NO. PROBABLY ANOTHER 45‐DAY BUILD. 845 00:36:15,266 --> 00:36:17,000 OH, I'M NOT DOING A 45‐DAY BUILD. 846 00:36:17,000 --> 00:36:18,366 THAT'S NOT GOING TO HAPPEN. 847 00:36:18,366 --> 00:36:20,233 ALL YOU HAD TO DO WAS THE PAINT! 848 00:36:20,233 --> 00:36:22,300 AND PUT IT TOGETHER! NO. 849 00:36:22,300 --> 00:36:24,233 THAT LAST ONE YOU BARELY EVEN GOT DONE IF IT WASN'T FOR DOUG. 850 00:36:24,233 --> 00:36:26,566 DOUG HELPED. DOUG HELPED. DOUG HELPED. 851 00:36:26,566 --> 00:36:28,200 AND THEN IN THE LAST ONE WE HAD TO DO, 852 00:36:28,200 --> 00:36:30,200 GEORGE WAS WAY LATE ON THE METAL SHOP. 853 00:36:30,200 --> 00:36:32,700 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. I'M ALWAYS ON TIME. 854 00:36:32,700 --> 00:36:34,833 AND, ANYWAYS, I THOUGHT WE WERE HERE FOR LUNCH. 855 00:36:34,833 --> 00:36:36,833 SO, WE'RE EXPECTING LUNCH NOW, RIGHT? 856 00:36:36,833 --> 00:36:39,400 GOD, GET OFF THE LUNCH THING! IT DOESN'T MATTER. 857 00:36:39,400 --> 00:36:41,066 YES, IT DOES. 858 00:36:41,066 --> 00:36:42,666 WE'RE HERE FOR A REASON, 859 00:36:42,666 --> 00:36:43,933 YES, I SAW YOUR SON. 860 00:36:43,933 --> 00:36:47,033 HE WAS AT MY HOUSE A COUPLE OF WEEKS AGO. 861 00:36:47,033 --> 00:36:50,366 SO, WE DON'T WORRY ABOUT LUNCH, THEY'LL BE HERE SOON ENOUGH. 862 00:36:50,366 --> 00:36:52,533 [ HORN HONKS ] 863 00:36:55,666 --> 00:36:59,900 THIS IS THE BIGGEST DAY IN "GRAVEYARD CARZ" HISTORY. 864 00:36:59,900 --> 00:37:02,000 HERE WE GO, ANOTHER 45‐DAY BUILD. 865 00:37:02,000 --> 00:37:04,766 HEY, LOOK AT THE PLATES! 866 00:37:04,766 --> 00:37:06,066 THAT'S GOOD. 867 00:37:06,066 --> 00:37:08,266 WHAT IS GOOD ABOUT IT? 868 00:37:08,266 --> 00:37:09,966 IT'S ALL INTACT, AND IT'S ORIGINAL. 869 00:37:09,966 --> 00:37:11,333 IT WILL NEVER BE ORIGINAL AGAIN. 870 00:37:11,333 --> 00:37:12,933 ‐AND THE AIR WORKS. ‐WE'LL DESTROY IT. 871 00:37:12,933 --> 00:37:15,033 ‐WHY ARE YOU SO ANGRY? ‐I'M NOT ANGRY. 872 00:37:15,033 --> 00:37:17,233 ‐HE'S ALWAYS NEGATIVE. ‐IT'S GOT POTENTIAL. 873 00:37:17,233 --> 00:37:20,200 IT IS SAID THAT WHEN ONE DOOR CLOSES, ANOTHER DOOR OPENS. 874 00:37:20,200 --> 00:37:23,633 NOW, I'M NOT A BIG FAN OF ALL THE PHILOSOPHICAL SILLINESS, 875 00:37:23,633 --> 00:37:25,000 BUT IT ALWAYS HAS BEEN TRUE. 876 00:37:25,000 --> 00:37:27,533 AND IN THIS CASE, IT'S NEVER BEEN MORE TRUE. 877 00:37:27,533 --> 00:37:29,633 TAKE A FEAST ON THAT BAD BOY! 878 00:37:29,633 --> 00:37:32,733 CHROMIUM DIOMSIDE! LOOK AT CHROMIUM! 879 00:37:32,733 --> 00:37:36,466 CHROMIUM DIOMSIDE, AND I HAVE LUNCH IN THE CAR FOR YOU, 880 00:37:36,466 --> 00:37:37,800 'CAUSE WE KEEP OUR WORD. 881 00:37:37,800 --> 00:37:39,833 YOU GUYS HAVE BEEN DOING AN EXCELLENT JOB, 882 00:37:39,833 --> 00:37:41,400 APPRECIATE IT VERY MUCH. 883 00:37:41,400 --> 00:37:44,600 YOU, UH...HAPPEN TO NOTICE ANYTHING 884 00:37:44,600 --> 00:37:46,666 DOWN THERE ON THE LICENSE PLATE? 885 00:37:46,666 --> 00:37:49,233 WHAT DOES IT SAY? WHAT IS IT? 886 00:37:49,233 --> 00:37:51,133 ‐"ICE TREY." ‐OH, YOU CAN READ? 887 00:37:51,133 --> 00:37:52,666 OKAY, THAT'S GOOD. 888 00:37:52,666 --> 00:37:55,966 YEAH, MY DREAMS WERE CRUSHED TO BEING ABLE TO ‐‐ 889 00:37:55,966 --> 00:37:57,233 LITERALLY CRUSHED ‐‐ 890 00:37:57,233 --> 00:38:00,033 TO BE ABLE TO BRING MY OLD CHARGER BACK TO LIFE. 891 00:38:00,033 --> 00:38:02,166 AS YOU KNOW, MY ORIGINAL CAR IS LONG GONE. 892 00:38:02,166 --> 00:38:04,733 OH, SWEET [BLEEP] YEAH. 893 00:38:04,733 --> 00:38:06,866 THIS IS IT! THIS IS THE BIG ONE! 894 00:38:06,866 --> 00:38:08,400 JUST LIKE ROCKY BALBOA, 895 00:38:08,400 --> 00:38:10,533 FULL CIRCLE BACK TO THE OLD NEIGHBORHOOD. 896 00:38:10,533 --> 00:38:13,466 I HAVE FOUND THE 1970 DODGE CHARGER 897 00:38:13,466 --> 00:38:16,766 THAT WILL BE MY TRIBUTE, FK5 WHITE‐TOP, 898 00:38:16,766 --> 00:38:18,300 BURNT‐ORANGE INTERIOR CAR. 899 00:38:18,300 --> 00:38:20,900 I'VE BEEN WAITING 35 YEARS TO FIND THE RIGHT... 900 00:38:20,900 --> 00:38:23,966 YOU'VE BEEN WAITING 35 YEARS TO DO A TRIBUTE CAR? 901 00:38:23,966 --> 00:38:29,800 ...1970 DODGE CHARGER XP ‐‐ NOT AN XS OR AN XH ‐‐ AN XP CAR. 902 00:38:29,800 --> 00:38:32,700 THIS CAR RIGHT HERE IS GOING TO BE THE BURNT‐ORANGE, WHITE‐TOP, 903 00:38:32,700 --> 00:38:36,833 BURNT‐ORANGE‐INTERIOR, BUCKET‐ SEAT CONSOLE, ORIGINAL CHARGER, 904 00:38:36,833 --> 00:38:39,600 ANATOMICALLY EXACTLY THE WAY MY CAR WAS 905 00:38:39,600 --> 00:38:41,066 WHEN I HAD IT AND ENJOYED IT, 906 00:38:41,066 --> 00:38:46,266 RIGHT DOWN TO THE CRUSHED‐VELVET TUCK‐AND‐ROLL INTERIOR FROM...? 907 00:38:46,266 --> 00:38:49,366 SWEETPEA'S UPHOLSTERY. SWEETPEA'S UPHOLSTERY. 908 00:38:49,366 --> 00:38:51,866 NOW, WHEN ROYAL TALKS ABOUT SWEETPEA UPHOLSTERY, 909 00:38:51,866 --> 00:38:53,833 THAT WAS ACTUALLY THE NAME OF THE COMPANY. 910 00:38:53,833 --> 00:38:56,033 IT WAS A FRIEND OF HIS, 911 00:38:56,033 --> 00:38:59,333 HIS MOM, THAT STARTED THIS LITTLE UPHOLSTERY SHOP 912 00:38:59,333 --> 00:39:01,266 BACK IN THE '70s. 913 00:39:01,266 --> 00:39:03,133 YOU'RE NOT GONNA REDO THAT, REALLY? 914 00:39:03,133 --> 00:39:05,533 YES, I'M GOING TO REDO THAT! WE'RE GOING BACK! 915 00:39:05,533 --> 00:39:06,700 WE'RE GOING BACK, ROLO! 916 00:39:06,700 --> 00:39:08,333 I'M GOING TO HAVE NIGHTMARES NOW. 917 00:39:08,333 --> 00:39:11,000 THIS IS THE OLDEN DAY. ME AND ROLO ARE BACK. 918 00:39:11,000 --> 00:39:13,033 NOW THIS WAS A COOL, LITTLE PLACE. 919 00:39:13,033 --> 00:39:16,066 WHEN WE WERE KIDS, IT WAS THE OLD SPRINGFIELD AIRPORT, 920 00:39:16,066 --> 00:39:18,400 AND IT HAD A CAFé, A LITTLE DINER. 921 00:39:18,400 --> 00:39:21,166 WHEN IT ALL WENT DOWN AND THEY SHUT DOWN THE AIRPORT, 922 00:39:21,166 --> 00:39:24,266 THAT DINER WAS RENTED TO FAYE, 923 00:39:24,266 --> 00:39:26,266 AND SHE STARTED SWEETPEA UPHOLSTERY. 924 00:39:26,266 --> 00:39:27,633 WELL, IF YOU'RE GOING TO MAKE ME RELIVE IT 925 00:39:27,633 --> 00:39:29,466 I MIGHT AS WELL HELP YOU ON IT. 926 00:39:29,466 --> 00:39:30,966 YOU'RE GOING TO GIVE ME A HAND WITH THE OLD CAR? 927 00:39:30,966 --> 00:39:32,333 YEAH, I WILL. 928 00:39:32,333 --> 00:39:36,700 NOW "GRAVEYARD CARZ" AND MARK WORMAN AND MY BEST FRIEND, 929 00:39:36,700 --> 00:39:39,700 WHO IS NOW BACK AT THE SHOP, IS GOING TO HELP ME RESTORE 930 00:39:39,700 --> 00:39:44,033 THIS CAR LIVE IN FRONT OF ALL OF YOU PEOPLE NEXT SEASON. 931 00:39:44,033 --> 00:39:45,300 I WANT YOU TO ANNOUNCE IT RIGHT NOW. 932 00:39:45,300 --> 00:39:48,433 I WANT YOU TO LOOK AT THAT GUY RIGHT DOWN THERE, 933 00:39:48,433 --> 00:39:50,533 AND I WANT YOU TO SAY, "MY NAME IS ROYAL YOAKUM, 934 00:39:50,533 --> 00:39:52,300 AND I AM BACK AT 'GRAVEYARD CARZ.'" 935 00:39:52,300 --> 00:39:54,933 RIGHT THERE. DO IT. 936 00:39:54,933 --> 00:39:57,800 MY NAME IS ROYAL YOAKUM, AND I'M BACK AT "GRAVEYARD CARZ." 937 00:39:57,800 --> 00:40:00,233 ♪♪ GONNA BE A PARTY, HEY, NOW, HEY, NOW ♪♪ 938 00:40:00,233 --> 00:40:02,433 [ LAUGHS ] YEAH! 939 00:40:02,433 --> 00:40:05,500 ♪♪ ROYAL'S BACK, AND THERE'S GONNA BE A PARTY ♪♪ 940 00:40:05,500 --> 00:40:07,866 ♪♪ HEY, NOW, HEY, NOW. ♪♪ 941 00:40:07,866 --> 00:40:10,533 OH, NO. DIDN'T YOUR WIFE TELL YOU NOT TO DO THAT ANYMORE? 942 00:40:10,533 --> 00:40:12,033 THAT'S A MICHAEL JACKSON FINISHER. 943 00:40:12,033 --> 00:40:14,366 WHY IS EVERYBODY COMING AT ME FOR A LITTLE BIT OF DANCE MOVE? 944 00:40:14,366 --> 00:40:15,800 OKAY, THEY DIDN'T DO THAT WITH MICHAEL JACKSON 945 00:40:15,800 --> 00:40:17,600 BACK IN THE DAY, RIGHT? EVERYBODY WANT TO BE A DANCER. 946 00:40:17,600 --> 00:40:19,300 NOBODY WANT TO BE A DANCER, RIGHT? 947 00:40:19,300 --> 00:40:21,433 WHAT ABOUT THAT QUESTION? 948 00:40:21,433 --> 00:40:24,233 [ LAUGHTER ] 949 00:40:24,233 --> 00:40:27,200 SO, THIS IS A MAJOR BIG DAY IN THE LIFE OF MARK WORMAN, 950 00:40:27,200 --> 00:40:29,466 AND, I HOPE, MY BEST FRIEND, ROYAL YOAKUM. 951 00:40:29,466 --> 00:40:34,000 I GET TO REBUILD A CHARGER, FINALLY, THAT, 952 00:40:34,000 --> 00:40:35,966 SHOOT, WE GREW UP IN IT, RIGHT? 953 00:40:35,966 --> 00:40:39,366 I MEAN, WHEN I MET ROYAL, WE DISCOVERED THE CAR 954 00:40:39,366 --> 00:40:43,133 SITTING BEHIND A HOUSE ON "A" STREET, 955 00:40:43,133 --> 00:40:44,500 JUST AFTER WE ‐‐ 956 00:40:44,500 --> 00:40:45,600 WHAT WAS IT, "B"? "B" STREET. 957 00:40:45,600 --> 00:40:47,000 ON "B" STREET. YEAH. YEAH, "B" STREET. 958 00:40:47,000 --> 00:40:48,666 RIGHT NEXT TO BEALE CHAPEL 959 00:40:48,666 --> 00:40:50,833 WHERE THEY BURIED MY DAD WHEN I WAS 12. 960 00:40:50,833 --> 00:40:53,766 SO, IF YOU WANT TO TALK ABOUT THAT, WE CAN. 961 00:40:53,766 --> 00:40:55,200 NO, I ‐‐ 962 00:40:55,200 --> 00:40:56,933 AND WHAT DO YOU THINK ABOUT THE BURNT ORANGE? 963 00:40:56,933 --> 00:40:58,133 I THINK THAT'S GREAT. 964 00:40:58,133 --> 00:40:59,633 I MEAN, THAT'S GOING TO CAUSE ME NIGHTMARES 965 00:40:59,633 --> 00:41:01,366 AND SCAR ME FOR THE REST OF MY LIFE. 966 00:41:01,366 --> 00:41:02,633 WHY WOULD THAT BE? 967 00:41:02,633 --> 00:41:04,166 ALL THE WORK. 968 00:41:04,166 --> 00:41:05,466 WE DID SOME STRANGE THINGS. YEAH, WE DID. 969 00:41:05,466 --> 00:41:08,766 ALL THE WORK WE DID, AND WE NEVER DID NOTHING STRANGE. 970 00:41:08,766 --> 00:41:13,533 IF SOMEBODY WOULD HAVE SAID IN 1980 THAT 40 YEARS FROM NOW 971 00:41:13,533 --> 00:41:16,633 YOU'RE GOING TO BE STANDING IN A SHOP WITH A CAR 972 00:41:16,633 --> 00:41:19,333 THAT YOU'RE GOING TO TRIBUTE TO YOUR ORIGINAL CHARGER, 973 00:41:19,333 --> 00:41:22,533 WITH YOUR BEST FRIEND, ROYAL, AND THEY'RE GOING TO FILM IT 974 00:41:22,533 --> 00:41:24,333 AND MAKE A TELEVISION SHOW OUT OF IT, 975 00:41:24,333 --> 00:41:25,366 I WOULD HAVE THOUGHT THAT WAS ‐‐ 976 00:41:25,366 --> 00:41:27,133 INSANE. INSANE. 977 00:41:27,133 --> 00:41:29,000 INSANE. BUT IT IS. 978 00:41:29,000 --> 00:41:31,766 I REMEMBER SITTING IN THE CARPORT, 979 00:41:31,766 --> 00:41:33,966 SAYING YOU'RE GOING TO WORK ON CARS THE REST OF YOUR LIFE, 980 00:41:33,966 --> 00:41:35,200 AND YOU HAVE. 981 00:41:35,200 --> 00:41:37,766 WE DID HAVE A LITTLE CARPORT ON 14th STREET, 982 00:41:37,766 --> 00:41:39,766 ROYAL USED TO HANG OUT WITH ME ALL THE TIME THERE. 983 00:41:39,766 --> 00:41:43,966 HERE WE ARE, 40 YEARS LATER, NUMBER‐ONE, CHROMIUM DIOMSIDE. 984 00:41:43,966 --> 00:41:45,633 MY MOM WOULD LOVE THIS MINUTE, 985 00:41:45,633 --> 00:41:47,766 SHE'D BE SITTING THERE BAWLING HER EYES OUT. 986 00:41:47,766 --> 00:41:49,733 SHE LOVED MY CHARGER. ABSOLUTELY. 987 00:41:49,733 --> 00:41:52,233 WHEN ALLYSA GAVE ME THAT BURNT‐ORANGE CHARGER MODEL, 988 00:41:52,233 --> 00:41:55,733 SHE CALLED ME UP CRYING. MY SISTER CRIED. 989 00:41:55,733 --> 00:41:58,266 AND IT'S FUNNY BECAUSE I TALK ABOUT IT ALL THE TIME, 990 00:41:58,266 --> 00:42:00,066 ABOUT HOW, YOU KNOW, THESE CARS CAN BE 991 00:42:00,066 --> 00:42:01,833 THE FABRIC OF OUR LIVES, BUT, I MEAN, 992 00:42:01,833 --> 00:42:03,366 I'M JUST AS GUILTY OF THAT. 993 00:42:03,366 --> 00:42:04,933 I'M NOT ABOVE THAT. 994 00:42:04,933 --> 00:42:08,366 EVERYTHING ‐‐ MY COMING OF ADULTHOOD, 995 00:42:08,366 --> 00:42:10,366 IN A MANNER OF SPEAKING, WAS IN THAT CAR. 996 00:42:10,366 --> 00:42:12,600 YOU LEARNED ABOUT WORKING, YOU LEARNED ABOUT GIRLFRIENDS, 997 00:42:12,600 --> 00:42:14,533 YOU LEARNED ABOUT LOVE, YOU LEARNED ABOUT EVERYTHING, 998 00:42:14,533 --> 00:42:16,933 YOU LEARNED ABOUT ROYAL NEVER BEING ON TIME. 999 00:42:16,933 --> 00:42:18,866 YOU'D GO DOWN TO PICK HIM UP, AND HE WAS STILL UPSTAIRS 1000 00:42:18,866 --> 00:42:19,866 ASLEEP IN HIS BEDROOM. 1001 00:42:19,866 --> 00:42:21,966 THAT HAPPENED ONCE. OKAY, TWICE. 1002 00:42:21,966 --> 00:42:25,300 TWICE A DAY, I TRIED TO GET HIM OUT. 1003 00:42:25,300 --> 00:42:27,133 THIS IS THE UNDERDOG STORY. 1004 00:42:27,133 --> 00:42:29,833 I DIDN'T REALIZE WHEN I GOT RID OF THE CAR 1005 00:42:29,833 --> 00:42:32,233 I WAS GOING TO BECOME AN UNDERDOG, BUT I HAVE. 1006 00:42:32,233 --> 00:42:33,566 MILLIONS OF PEOPLE AROUND THE WORLD 1007 00:42:33,566 --> 00:42:35,866 ARE PULLING FOR US TO BE ABLE TO GET THIS CAR DONE. 1008 00:42:35,866 --> 00:42:39,566 AND THE THING THAT MAKES IT JUST THE GREATEST THING IN MY MIND, 1009 00:42:39,566 --> 00:42:42,833 THE THING THAT REALLY PUSHES THIS TO A DREAM COME TRUE, 1010 00:42:42,833 --> 00:42:44,500 IS THAT MY BEST FRIEND, ROYAL, 1011 00:42:44,500 --> 00:42:46,466 IS HERE TO HELP ME RESTORE THE CAR. 1012 00:42:46,466 --> 00:42:49,600 AND WE HAVE THE PRE‐EMINENT TEAM 1013 00:42:49,600 --> 00:42:51,333 EVER ASSEMBLED AT "GRAVEYARD CARZ," 1014 00:42:51,333 --> 00:42:53,200 IN THE HISTORY OF "GRAVEYARD CARZ," 1015 00:42:53,200 --> 00:42:56,100 ALTOGETHER WORKING TO MAKE FULL CIRCLE 1016 00:42:56,100 --> 00:42:59,933 "GRAVEYARD CARZ" PUNCH INTO NEXT SEASON. 1017 00:42:59,933 --> 00:43:03,333 NOBODY WILL SEE THIS ONE COMING. 1018 00:43:03,333 --> 00:43:04,800 SO, I WANT TO SEE IF I'VE GOT ALL THIS STRAIGHT. 1019 00:43:04,800 --> 00:43:07,366 WE'VE GOT ONE MORE LITTLE ONE TO DROP ON EVERYBODY. 1020 00:43:07,366 --> 00:43:10,366 WE'RE GOING TO REDO AN ORIGINAL TRIBUTE TO MY CHARGER, 1021 00:43:10,366 --> 00:43:13,033 BURNT‐ORANGE, WHITE‐TOP, BURNT‐ORANGE INTERIOR. 1022 00:43:13,033 --> 00:43:16,133 ROYAL IS BACK FOR SEASON 14. 1023 00:43:16,133 --> 00:43:18,300 AND HE JUST TOLD ME... 1024 00:43:18,300 --> 00:43:20,166 HE GOT ENGAGED. 1025 00:43:20,166 --> 00:43:21,700 YEAH, I DID. 1026 00:43:21,700 --> 00:43:23,533 MY MAN TOLD ME HE WOULD NEVER GO GET MARRIED AGAIN 1027 00:43:23,533 --> 00:43:25,566 AFTER THE LAST TIME. NO! 1028 00:43:25,566 --> 00:43:26,900 WELL, YOU SAID IT WAS GOING TO TAKE THE RIGHT ‐‐ 1029 00:43:26,900 --> 00:43:28,266 I NEVER SAID THAT. I SAID I'D BE MARRIED SOMEDAY. 1030 00:43:28,266 --> 00:43:29,600 HE SAID IT'D BE A VERY SPECIAL WOMAN. 1031 00:43:29,600 --> 00:43:31,933 SO, WHAT I'D LIKE TO DO ‐‐ 1032 00:43:31,933 --> 00:43:34,233 LOOK INTO THAT CAMERA RIGHT OVER THERE 1033 00:43:34,233 --> 00:43:36,200 AND SAY HI TO YOUR FIANCéE. 1034 00:43:36,200 --> 00:43:38,633 THAT'S ALL YOU GOT TO SAY. JUST SAY HI. 1035 00:43:38,633 --> 00:43:41,366 HI, RONDA. HI, RONDA. 1036 00:43:41,366 --> 00:43:43,600 BYE, RONDA, WE GOT TO GO RESTORE CARS. 1037 00:43:43,600 --> 00:43:45,300 SEE YOU GUYS NEXT SEASON. 1038 00:43:45,300 --> 00:43:47,666 KICKING "A" AND TAKING NAMES! 81863

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