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1
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♪♪ RADIO VIDEO.
BOOGIE WITH A SUITCASE ♪♪
2
00:00:15,633 --> 00:00:17,100
WHAT ARE YOU GUYS DOING, MAN?
3
00:00:17,100 --> 00:00:20,333
YOU MISSED LAST NIGHT ‐‐
WHAT'S THE ‐‐ WHAT'S THE LINE?
4
00:00:20,333 --> 00:00:22,566
Man #1:
"YOU MISSED ALL THIS SEASON."
5
00:00:22,566 --> 00:00:24,900
OKAY.
THIS IS THE LAST EPISODE.
6
00:00:24,900 --> 00:00:26,766
Man #2: YOU KNOW THIS
IS THE SEASON FINALE, RIGHT?
7
00:00:26,766 --> 00:00:28,466
SO, THIS IS
THE SEASON FINALE?
8
00:00:28,466 --> 00:00:30,400
YEAH.
OKAY.
9
00:00:30,400 --> 00:00:32,300
[ BEEP ]
10
00:00:32,300 --> 00:00:34,700
YOU MISSED
THE WHOLE SEASON?
11
00:00:34,700 --> 00:00:36,233
IT'S THE BEST SEASON
OF "GRAVEYARD CARZ"
12
00:00:36,233 --> 00:00:39,600
IN THE HISTORY
OF THE SERIES!
13
00:00:39,600 --> 00:00:41,366
HERE'S AN IDEA
OF WHAT YOU ‐‐
14
00:00:41,366 --> 00:00:42,533
[ BLEEP ]
15
00:00:42,533 --> 00:00:43,933
"SO, HERE'S
WHAT YOU MISSED"?
16
00:00:43,933 --> 00:00:45,633
[ BEEP ]
17
00:00:49,266 --> 00:00:50,633
WHAT THE [BLEEP] MAN?
18
00:00:50,633 --> 00:00:54,300
YOU MISSED THE WHOLE SEASON?
ARE YINZ OUT YOUR MIND?
19
00:00:54,300 --> 00:00:57,566
IT'S "GRAVEYARD CARZ."
IT'S YOUR LAST CHANCE, MAN.
20
00:00:57,566 --> 00:01:01,166
YOUR LAST CHANCE TO POP MUSIC!
[ LAUGHS ]
21
00:01:01,166 --> 00:01:04,966
♪♪ RADIO VIDEO,
BOOGIE WITH A SUITCASE ♪♪
22
00:01:04,966 --> 00:01:07,033
♪♪ GO LIVE IN THE DISCO ♪♪
23
00:01:07,033 --> 00:01:10,566
♪♪ FORGET ABOUT THE RAT RACE ♪♪
24
00:01:10,566 --> 00:01:13,000
[ CHUCKLES ]
25
00:01:13,000 --> 00:01:15,666
Narrator: LAST TIME,
ON "GRAVEYARD CARZ"...
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00:01:15,666 --> 00:01:16,900
Mark: I HAVE BEEN LOOKING
27
00:01:16,900 --> 00:01:20,033
FOR MY OLD ORIGINAL
HIGH SCHOOL DODGE CHARGER.
28
00:01:20,033 --> 00:01:23,800
I HAVE PUT MULTIPLE POSTS
ON OUR FACEBOOK PAGE.
29
00:01:23,800 --> 00:01:26,133
I HAVE TAKEN OUT
CLASSIFIED ADS.
30
00:01:26,133 --> 00:01:28,633
YOU HAD THAT CAR
IN YOUR INVENTORY?
31
00:01:28,633 --> 00:01:33,033
THIS WRECKING YARD DOWN IN TEXAS
DID HAVE MY OLD CAR.
32
00:01:33,033 --> 00:01:34,900
I AM ON STANDBY TO FIND OUT.
33
00:01:34,900 --> 00:01:37,000
LAY IT ON ME.
WHAT'S THAT MEAN?
34
00:01:37,000 --> 00:01:38,866
Announcer: THIS STATION
WILL REMAIN ON THE AIR.
35
00:01:38,866 --> 00:01:41,000
Narrator: ON THIS EPISODE...
36
00:01:41,000 --> 00:01:43,300
THIS IS IT!
THIS IS THE BIG ONE!
37
00:01:43,300 --> 00:01:47,200
THIS IS THE BIGGEST DAY
IN "GRAVEYARD CARZ" HISTORY.
38
00:01:47,200 --> 00:01:50,200
Will:
IT'S A T7, DARK TURBINE BRONZE.
39
00:01:50,200 --> 00:01:51,600
THE FIRST TIME
WE'VE EVER DONE IT.
40
00:01:51,600 --> 00:01:56,366
THE "GRAVEYARD CARZ"
SEMA 2020 BUILD.
41
00:01:56,366 --> 00:01:59,066
Johnny: THEY'RE COMING
TO GET YOU, BARBARA.
42
00:01:59,066 --> 00:02:01,066
Narrator:
IN SPRINGFIELD, OREGON,
43
00:02:01,066 --> 00:02:05,800
DEAD MOPAR MUSCLE CARS
ARE COMING BACK TO LIFE.
44
00:02:05,800 --> 00:02:09,500
RESTORED BY MOPAR MASTER
MARK WORMAN...
45
00:02:09,500 --> 00:02:11,133
Mark: I'M A LIAR
AND A FAT MOUTH.
46
00:02:11,133 --> 00:02:13,500
...HIS DAUGHTER,
ALLYSA ROSE...
47
00:02:13,500 --> 00:02:15,033
Allysa: [ LAUGHS ]
WHY WOULD YOU DO THAT?
48
00:02:15,033 --> 00:02:17,300
...HIS PAINTER WILL SCOTT...
49
00:02:17,300 --> 00:02:19,533
Will: YOU GOT ONE JOB.
...AND HIS COUSIN DOUGIE.
50
00:02:19,533 --> 00:02:21,700
OH, HI, MARK.
WELCOME BACK TO...
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00:02:21,700 --> 00:02:23,866
‐‐Captions by VITAC‐‐
www.vitac.com
52
00:02:23,866 --> 00:02:26,066
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
53
00:02:26,066 --> 00:02:28,133
Mark: LAY IT ON ME,
WHAT DID YOU FIND OUT?
54
00:02:28,133 --> 00:02:29,833
OKAY.
55
00:02:29,833 --> 00:02:31,600
WHAT'S THAT MEAN?
56
00:02:31,600 --> 00:02:36,300
♪♪♪♪
57
00:02:36,300 --> 00:02:37,933
WHAT DOES THAT ‐‐
58
00:02:37,933 --> 00:02:42,333
AND YOU HAVE THE PAPERS
BACK FROM THE DMV ON THAT?
59
00:02:42,333 --> 00:02:45,433
NO, IT'S NOT YOUR FAULT.
YEAH, IT'S OKAY.
60
00:02:45,433 --> 00:02:48,433
I APPRECIATE IT,
AND YOU HAVE A GOOD DAY ‐‐
61
00:02:48,433 --> 00:02:50,100
A GOOD EVENING, I GUESS.
62
00:02:50,100 --> 00:02:53,200
OKAY. BYE‐BYE.
63
00:02:53,200 --> 00:02:56,066
WELL, SO...
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00:02:56,066 --> 00:02:57,800
SUCKS.
65
00:02:57,800 --> 00:03:04,266
LONG STORY SHORT, SHE CONFIRMED
THAT THEY DID CRUSH THE CAR.
66
00:03:04,266 --> 00:03:08,800
AND, SO, IT'S OUT OF CIRCULATION
IS WHAT THEY SAY.
67
00:03:08,800 --> 00:03:11,700
AND, SO, YOU KNOW, IT'S ‐‐
68
00:03:11,700 --> 00:03:14,500
I WANTED YOU TO SEE
THE REAL REACTION. IT'S OKAY.
69
00:03:14,500 --> 00:03:16,366
SO, THERE YOU GO.
70
00:03:16,366 --> 00:03:19,833
LIVE, SHOULD HAVE
FACEBOOK LIVED THIS THING.
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00:03:19,833 --> 00:03:21,333
YOU KNOW WHAT I'M SAYING?
72
00:03:21,333 --> 00:03:24,766
EVERYBODY AT HOME WANT TO WATCH,
WANT TO WATCH THE ICE TREY.
73
00:03:24,766 --> 00:03:27,466
I LOVE IT.
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00:03:27,466 --> 00:03:29,833
GOT THAT RIGHT THERE JUST
IN CASE ANYBODY'S WONDERING.
75
00:03:29,833 --> 00:03:34,266
SO, BRAND AMBASSADOR.
76
00:03:34,266 --> 00:03:37,600
THEY CAN'T CRUSH THAT, CAN THEY?
77
00:03:37,600 --> 00:03:41,433
CRUSH MY DREAMS, CRUSH MY CAR,
AIN'T GOING TO CRUSH THAT.
78
00:03:41,433 --> 00:03:44,400
A FEW SEASONS AGO,
WE FEATURED A 1969
79
00:03:44,400 --> 00:03:47,400
DODGE CHARGER R/T S.E.
80
00:03:47,400 --> 00:03:51,333
NOW, THE SPECIAL EDITION WAS
AVAILABLE ON THE R/T PACKAGE.
81
00:03:51,333 --> 00:03:52,933
WHAT THERE'S NOT A BREAKDOWN OF
82
00:03:52,933 --> 00:03:55,266
IS HOW MANY WERE BUILT
WITH A FOUR‐SPEED.
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00:03:55,266 --> 00:03:57,200
WE HAVE
THE TOTAL NUMBER R/T S. E. s,
84
00:03:57,200 --> 00:04:00,000
BUT WE DON'T KNOW HOW MANY WERE
BUILT WITH AN ACTUAL FOUR‐SPEED.
85
00:04:00,000 --> 00:04:02,200
THIS IS ONE OF THOSE
FOUR‐SPEED CARS.
86
00:04:02,200 --> 00:04:04,733
IT'S SPECULATED LESS THAN 50.
87
00:04:04,733 --> 00:04:06,733
THAT COULD BE TRUE,
IT COULD NOT BE TRUE,
88
00:04:06,733 --> 00:04:09,266
BUT BASED ON REGISTERED
KNOWN VEHICLES,
89
00:04:09,266 --> 00:04:11,266
IT'S PROBABLY PRETTY ACCURATE.
90
00:04:11,266 --> 00:04:13,466
Will: TODAY, I'M GETTING READY
TO DO THE PREPAINT ON THE BODY
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00:04:13,466 --> 00:04:16,800
ON OUR 1969 R/T S.E. CHARGER.
92
00:04:16,800 --> 00:04:20,100
IT'S A T7,
DARK TURBINE BRONZE.
93
00:04:20,100 --> 00:04:22,500
GORGEOUS COLOR. IT'S THE FIRST
TIME WE'VE EVER DONE IT.
94
00:04:22,500 --> 00:04:23,866
SO, I'M SUPER EXCITED
TO GET IN THERE
95
00:04:23,866 --> 00:04:25,533
AND GET THE PAINT
WORKED OUT ON IT.
96
00:04:25,533 --> 00:04:27,766
IT'S A BEAUTIFUL COLOR.
97
00:04:27,766 --> 00:04:30,033
THE OLDER I GET, THE MORE
I REALLY APPRECIATE
98
00:04:30,033 --> 00:04:31,300
SOME OF THE ODDBALL COLORS.
99
00:04:31,300 --> 00:04:33,600
AS A KID, I WANTED
BRIGHT ORANGE, BRIGHT YELLOW.
100
00:04:33,600 --> 00:04:35,933
NOW I REALLY START TO APPRECIATE
101
00:04:35,933 --> 00:04:38,266
SOME OF THESE FINE RICH COLORS
THAT CHRYSLER OFFERED.
102
00:04:38,266 --> 00:04:39,633
Will: THE FIRST THING I'LL DO
IS I'LL GO IN THERE
103
00:04:39,633 --> 00:04:41,300
AND PUT THE DP90 ON IT.
104
00:04:41,300 --> 00:04:43,200
AND THAT'S GREAT BECAUSE
IF YOU HAVE ANY BREAKTHROUGHS
105
00:04:43,200 --> 00:04:46,666
WITH BARE METAL, IT WILL ADHERE
TO IT WHERE PAINT WON'T.
106
00:04:46,666 --> 00:04:48,933
AND ON TOP OF THAT,
IT'S KIND OF USED LIKE A SEALER,
107
00:04:48,933 --> 00:04:50,733
SO IT WILL FILL
ANY LITTLE IMPERFECTION,
108
00:04:50,733 --> 00:04:52,666
LIKE SANDING SCRATCHES
AND WHATNOT,
109
00:04:52,666 --> 00:04:54,500
AND IT WILL BE READY
FOR OUR COLOR.
110
00:04:54,500 --> 00:04:57,166
Mark: THE CAR ALSO HAD
A BLACK VINYL TOP,
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00:04:57,166 --> 00:04:59,366
A BLACK BUMBLEBEE STRIPE
IN THE BACK.
112
00:04:59,366 --> 00:05:03,333
NOW, BECAUSE IT'S AN S. E.
AND IT'S AN R/T,
113
00:05:03,333 --> 00:05:06,566
IT GETS THE WOOD GRAINED ASH,
AND IT GETS LEATHER SEATS.
114
00:05:06,566 --> 00:05:08,800
SO, WHEN IT'S ALL DONE
IN TOTALITY,
115
00:05:08,800 --> 00:05:12,566
THIS IS GOING TO BE
A STUNNING '69 R/T S. E.,
116
00:05:12,566 --> 00:05:14,500
FACTORY 440 FOUR‐SPEED CAR.
117
00:05:14,500 --> 00:05:18,466
AND, BY THE WAY, JUST FOR FUN,
IT IS NUMBERS‐MATCHING.
118
00:05:18,466 --> 00:05:20,800
RIGHT NOW, EVERYBODY
IS IN THE KITCHEN AREA,
119
00:05:20,800 --> 00:05:23,633
THE DINER, WAITING FOR ME.
I WAS GOING TO SHARE WITH THEM
120
00:05:23,633 --> 00:05:25,933
THE GOOD NEWS
THAT I HAD FOUND MY CHARGER.
121
00:05:25,933 --> 00:05:27,833
AS IT SITS RIGHT NOW,
THAT'S NOT SUCH GREAT NEWS
122
00:05:27,833 --> 00:05:29,166
BECAUSE I DID FIND IT,
BUT IT LOOKS LIKE
123
00:05:29,166 --> 00:05:30,566
IT'S CRUSHED AND GONE.
124
00:05:30,566 --> 00:05:33,033
BUT THAT'S OKAY. I KNOW HOW
TO PUT MY HAPPY FACE ON
125
00:05:33,033 --> 00:05:35,233
BECAUSE AS A LEADER,
THAT'S WHAT YOU HAVE TO DO.
126
00:05:35,233 --> 00:05:37,966
THE LAST TIME WE WERE HERE,
WHAT WAS IT, THE,
127
00:05:37,966 --> 00:05:39,700
"HEY, I NEED YOU TO BUILD A CAR
IN 45 DAYS."
128
00:05:39,700 --> 00:05:40,966
George: OH, YEAH.
129
00:05:40,966 --> 00:05:43,000
"AND THEN I'LL GIVE YOU GUYS
A BIG BONUS IF YOU STAY
130
00:05:43,000 --> 00:05:44,633
AND GET IT ALL DONE."
131
00:05:44,633 --> 00:05:45,533
I DIDN'T HEAR
ABOUT THAT PART.
132
00:05:45,533 --> 00:05:47,800
OH. YEAH, ME, NEITHER.
133
00:05:47,800 --> 00:05:50,533
[ LAUGHS ]
NOR DID I.
134
00:05:50,533 --> 00:05:51,966
SO, ANYWAY.
135
00:05:51,966 --> 00:05:54,166
SO, WHO KNOWS.
136
00:05:54,166 --> 00:05:55,666
WHAT'S THE MATTER,
GEORGE?
137
00:05:55,666 --> 00:05:58,533
I HOPE IT'S NOT ANOTHER
45‐DAY BUILD.
138
00:05:58,533 --> 00:06:00,766
'CAUSE YOU PUT THE TEAM BEHIND
WHEN YOU DO?
139
00:06:00,766 --> 00:06:02,533
YEAH, YEAH, YEAH.
140
00:06:02,533 --> 00:06:03,800
YOU KNOW,
IT'S NOT MY FAULT
141
00:06:03,800 --> 00:06:05,733
HE'S GOT LITTLE
EXTRA THINGS WRONG.
142
00:06:05,733 --> 00:06:08,466
YOU GUYS, REAL QUICK,
RIGHT THERE, THERE'S MY MAN.
143
00:06:08,466 --> 00:06:09,566
THE CAMERA'S NEVER
LETTING A PERSON
144
00:06:09,566 --> 00:06:10,833
HAVE A MOMENT OF HUMANITY.
145
00:06:10,833 --> 00:06:12,966
HEY. HEY, LOOK AT THIS.
LOOK AT THIS.
146
00:06:12,966 --> 00:06:14,466
YOU LOVE THE CAMERA.
DON'T PLAY.
147
00:06:14,466 --> 00:06:15,633
NO, WILL,
I DON'T LOVE THE CAMERA.
148
00:06:15,633 --> 00:06:16,933
YES, MARK,
YOU DO.
149
00:06:16,933 --> 00:06:18,866
OKAY, WELL, WHY DON'T YOU SIT UP
LIKE A REGULAR ADULT?
150
00:06:18,866 --> 00:06:21,166
YOU'RE SITTING OVER THERE,
YOU'RE ALL INDIGENT‐LOOKING.
151
00:06:21,166 --> 00:06:25,366
OKAY, SEE, YOU START TO PRESS
ME DOWN. I WAS SO HAPPY.
152
00:06:25,366 --> 00:06:26,633
SO, I JUST WANTED
TO LET EVERYBODY KNOW
153
00:06:26,633 --> 00:06:27,866
THAT I'VE GOT A LITTLE
BIT OF GOOD NEWS,
154
00:06:27,866 --> 00:06:29,300
AND A LITTLE BIT
OF NOT‐SO‐GOOD NEWS.
155
00:06:29,300 --> 00:06:31,566
NOW, I'M GOING TO GIVE YOU
THE BAD NEWS
156
00:06:31,566 --> 00:06:33,700
OR NOT‐SO‐GOOD NEWS FIRST,
157
00:06:33,700 --> 00:06:36,100
BECAUSE IT'S GOING TO MAKE
THE GOOD NEWS THAT MUCH BETTER.
158
00:06:36,100 --> 00:06:38,633
NOTICE HOW IT'S
ABOUT LUNCH TIME?
159
00:06:38,633 --> 00:06:39,633
YEAH. YEAH.
160
00:06:39,633 --> 00:06:40,966
WE'RE GOING TO
MISS LUNCH?
161
00:06:40,966 --> 00:06:42,433
LOOK AT OL' GEORGE PERK
RIGHT UP.
162
00:06:42,433 --> 00:06:44,000
HE DOESN'T LOOK TIRED ANYMORE,
DOES HE?
163
00:06:44,000 --> 00:06:46,300
THIS IS ABOUT MY CHARGER.
164
00:06:46,300 --> 00:06:48,000
SO, YOU GUYS ALL KNOW,
EVERYBODY IN THE WORLD
165
00:06:48,000 --> 00:06:50,966
OUT THERE IN TV LAND KNOWS
ABOUT MY 1970 DODGE CHARGER.
166
00:06:50,966 --> 00:06:52,866
THE GOOD NEWS ‐‐
I DID FIND IT.
167
00:06:52,866 --> 00:06:56,966
THE BAD NEWS IS IT...
DIDN'T TURN OUT WELL.
168
00:06:56,966 --> 00:06:58,566
SO, I JUST WANTED
TO LET YOU GUYS KNOW
169
00:06:58,566 --> 00:07:00,633
BECAUSE I'M GOING TO BE
MAKING A POST ON FACEBOOK
170
00:07:00,633 --> 00:07:04,300
THAT IT'S "HASTA LA VISTA,
BABY," AND THAT'S THE END.
171
00:07:04,300 --> 00:07:06,300
IT'S TOO BAD BECAUSE
THE DREAM MAKER SHOULD HAVE
172
00:07:06,300 --> 00:07:08,533
HAD HIS OWN DREAM COME TRUE,
BUT I GUESS
173
00:07:08,533 --> 00:07:11,200
I DON'T DESERVE
TO HAVE DREAMS COME TRUE.
174
00:07:11,200 --> 00:07:12,600
YOU HAVE US.
175
00:07:12,600 --> 00:07:16,500
YEAH. YEAH.
SO, HERE'S THE GOOD NEWS.
176
00:07:16,500 --> 00:07:18,366
YOU GUYS HAVE DONE
A PHENOMENAL JOB THIS SEASON,
177
00:07:18,366 --> 00:07:20,933
AND I'M BUYING
EVERYBODY LUNCH FROM FINN'S.
178
00:07:20,933 --> 00:07:23,233
THANK YOU.
YOU'RE WELCOME.
179
00:07:23,233 --> 00:07:24,600
YEAH!
180
00:07:24,600 --> 00:07:26,866
YEAH, DON'T JUMP UP AND DOWN
TOO MUCH. DON'T OVERREACT.
181
00:07:26,866 --> 00:07:29,100
WILL, AT LEAST A THANK YOU
OR SOMETHING?
182
00:07:29,100 --> 00:07:31,800
THANKS.
OKAY.
183
00:07:31,800 --> 00:07:33,566
THANK YOU.
184
00:07:33,566 --> 00:07:38,100
SORRY I COULDN'T BE
BRINGING YOU BETTER NEWS.
185
00:07:38,100 --> 00:07:40,600
ON THE OTHER HAND...
186
00:07:40,600 --> 00:07:42,066
I'M GOING OUT
TO YOUR HOUSE TONIGHT
187
00:07:42,066 --> 00:07:43,933
IN LOWELL,
AND I WANT TO HAVE A LITTLE ‐‐
188
00:07:43,933 --> 00:07:45,366
[ Chuckling ]
THANKS FOR TELLING EVERYBODY.
189
00:07:45,366 --> 00:07:47,333
I WANT TO HAVE
A DISCUSSION WITH HEATHER.
190
00:07:47,333 --> 00:07:48,633
RIGHT.
191
00:07:48,633 --> 00:07:50,366
YEAH, I'M GOING TO BE OUT
IN THE YARD LIKE MR. T DID.
192
00:07:50,366 --> 00:07:53,100
"HEY, WOMAN!
HEY, WOMAN!"
193
00:07:53,100 --> 00:07:55,166
AND THEN WHEN SHE WALKS OUT
ON THE PORCH, I SAY,
194
00:07:55,166 --> 00:07:56,733
"WHY DON'T YOU BRING
YOUR PRETTY LITTLE SELF
195
00:07:56,733 --> 00:07:58,133
ON OVER TO MY PLACE TONIGHT,
196
00:07:58,133 --> 00:08:00,033
AND I'LL SHOW YOU
WHAT A REAL MAN IS?"
197
00:08:00,033 --> 00:08:01,966
AND THEN YOU GET ALL MAD,
"OH!" AND YOU COME AT ME.
198
00:08:01,966 --> 00:08:05,166
BUT THEN MICKY JUMPS
IN THE MIDDLE AND SAYS,
199
00:08:05,166 --> 00:08:07,800
"HE'LL KNOCK YOU
INTO TOMORROW, ARR!"
200
00:08:07,800 --> 00:08:10,333
YOU KNOW, MARK'S INSANE.
HE'S GOT THIS STUPID SHIRT ON.
201
00:08:10,333 --> 00:08:12,066
HE'S CALLING OUT HEATHER.
202
00:08:12,066 --> 00:08:14,700
BEST PART ABOUT THIS IS WE JUST
BOUGHT A HOUSE IN THE COUNTRY,
203
00:08:14,700 --> 00:08:16,833
HE'S GOT NO IDEA WHERE I'M AT.
204
00:08:16,833 --> 00:08:19,066
ONLY A COUPLE OF PEOPLE DO,
AND THAT WAS FOR A REASON.
205
00:08:19,066 --> 00:08:22,933
HE'S NEVER, EVER,
EVER INVITED OUT TO MY HOUSE
206
00:08:22,933 --> 00:08:25,633
OR GIVEN THE ADDRESS
OR WHERE I'M AT.
207
00:08:31,600 --> 00:08:34,666
♪♪♪♪
208
00:08:34,666 --> 00:08:39,800
I HAVE SOME VERY, VERY EXCITING
NEWS FOR ALL Y'ALL AT HOME.
209
00:08:39,800 --> 00:08:44,966
THE "GRAVEYARD CARZ"
SEMA 2020 BUILD
210
00:08:44,966 --> 00:08:48,700
IS A 1972 DODGE VAN, HALF TON.
211
00:08:48,700 --> 00:08:51,066
IT WILL BE FEATURING A 392 HEMI
212
00:08:51,066 --> 00:08:53,333
AND A SILVER SPORT
AUTOMATIC TRANSMISSION.
213
00:08:53,333 --> 00:08:55,400
"WELL WHAT'S THAT? ARE YOU
BUILDING AN OLD STREET VAN?
214
00:08:55,400 --> 00:08:56,900
YOU'RE JUST GOING TO BUILD
A LITTLE CUSTOM STREET VAN?"
215
00:08:56,900 --> 00:08:58,833
WHICH I WOULD,
AND THAT WOULD BE COOL.
216
00:08:58,833 --> 00:09:00,633
THIS ONE'S A LITTLE DIFFERENT.
217
00:09:00,633 --> 00:09:04,933
THIS ONE IS A DUPLICATE
TO THE HOT ROD MAGAZINE GIVEAWAY
218
00:09:04,933 --> 00:09:09,066
IN 1972 OF THE YAMAHAULER.
219
00:09:09,066 --> 00:09:10,900
THAT'S RIGHT, FOLKS,
THE YAMAHAULER,
220
00:09:10,900 --> 00:09:12,866
THE ONE‐OFF 50‐FOOT SHARK
221
00:09:12,866 --> 00:09:15,100
EVERYBODY'S HEARD ABOUT,
AND NOBODY'S SEEN IN REAL LIFE
222
00:09:15,100 --> 00:09:17,766
BECAUSE NOBODY KNOWS WHAT
HAPPENED TO THE ORIGINAL ONE.
223
00:09:17,766 --> 00:09:19,500
THIS WAS A '72 DODGE VAN
224
00:09:19,500 --> 00:09:21,666
THAT WAS CONVERTED OVER
TO HAUL MOTORCYCLES.
225
00:09:21,666 --> 00:09:25,066
THIS WAS A JOINT EFFORT
TO BUILD THE COOLEST
226
00:09:25,066 --> 00:09:28,566
MOTORCYCLE‐HAUNTING VAN
THAT THE WORLD HAD EVER KNOWN.
227
00:09:28,566 --> 00:09:31,333
REMEMBER THE '70s WAS VANS,
ALL ABOUT VANS.
228
00:09:31,333 --> 00:09:32,833
YAMAHA GOT TOGETHER WITH DODGE,
229
00:09:32,833 --> 00:09:34,566
GOT TOGETHER WITH HOT ROD
TO PROMOTE IT.
230
00:09:34,566 --> 00:09:37,166
YOU HAVE FRIGIKING
AIR CONDITIONING IN THERE.
231
00:09:37,166 --> 00:09:39,300
THE CRAGAR SCREAMER WHEELS,
232
00:09:39,300 --> 00:09:42,366
WHICH I JUST HAPPEN
TO HAVE A SET FOR,
233
00:09:42,366 --> 00:09:44,233
WHICH ARE IMPOSSIBLE TO FIND,
BUT I FOUND THEM.
234
00:09:44,233 --> 00:09:50,466
ALL ADDING UP TO THE 2020
"GRAVEYARD CARZ" SEMA SHOW...
235
00:09:50,466 --> 00:09:53,400
WHICH, IRONICALLY,
HAS BEEN CANCELED.
236
00:09:53,400 --> 00:09:54,733
THAT DOESN'T AFFECT US.
237
00:09:54,733 --> 00:09:56,366
WE ARE GOING TO HAVE
THE VAN READY TO GO
238
00:09:56,366 --> 00:09:59,266
FOR THE SEMA SHOW 2020
THAT DOESN'T EXIST.
239
00:09:59,266 --> 00:10:02,000
THAT MEANS YOU'LL ACTUALLY
SEE IT AT SEMA 2021.
240
00:10:02,000 --> 00:10:04,800
IT WILL BE IN THE MOPAR BOOTH
LIKE WE ALWAYS HAVE.
241
00:10:04,800 --> 00:10:07,100
WE'RE GOING TO BRING
SOME OF OUR OTHER CARS DOWN.
242
00:10:07,100 --> 00:10:08,933
WE'LL HAVE
THE LITTLE DEAD WAGON.
243
00:10:08,933 --> 00:10:13,033
WE'LL HAVE THE 1,000 HORSEPOWER
CHRISTINE ‐‐ BADASS CAR.
244
00:10:13,033 --> 00:10:16,033
WE MIGHT EVEN BRING UP
OUR OLD '71 392 CAR
245
00:10:16,033 --> 00:10:18,566
THAT WE DID THE VERY FIRST SEMA
THAT I EVER WENT TO.
246
00:10:18,566 --> 00:10:20,666
SO, IT'S GOING TO BE A BLAST.
247
00:10:20,666 --> 00:10:24,533
SO, SEMA ‐‐ WE'VE HAD SO MUCH
FUN DOWN AT SEMA OVER THE YEARS.
248
00:10:24,533 --> 00:10:27,033
IT'S THE SHOW PLACE
FOR EVERYBODY.
249
00:10:27,033 --> 00:10:30,600
I KNOW THAT IT IS
INSIDER, JOBBER ONLY,
250
00:10:30,600 --> 00:10:32,466
SO, LIKE, THE PUBLIC
CAN'T GET IN THERE TO SEE IT
251
00:10:32,466 --> 00:10:34,300
UNLESS YOU KNOW SOMEBODY.
252
00:10:34,300 --> 00:10:35,966
I HOPE THEY CHANGE THAT SOMEDAY
253
00:10:35,966 --> 00:10:39,033
BECAUSE THIS IS SUCH
A FANTASTIC SHOW.
254
00:10:39,033 --> 00:10:41,266
IT'S SO OVER THE TOP,
255
00:10:41,266 --> 00:10:44,900
IT'S SO BEST OF THE BEST
THAT YOU ACTUALLY CAN GO
256
00:10:44,900 --> 00:10:49,033
FROM A MIND‐BLOWING CAR
THAT YOU LOOK AT, AND YOU GO,
257
00:10:49,033 --> 00:10:51,333
"HOW DID THEY EVEN BUILD
THAT THING?"
258
00:10:51,333 --> 00:10:54,666
LET ALONE HOW DID THEY BUILD IT
WITH THIS SHOW IN MIND,
259
00:10:54,666 --> 00:10:57,066
COMPLETELY HAVE YOUR SOCKS
BLOWN OFF, SAY,
260
00:10:57,066 --> 00:10:59,000
"WOW. THAT WAS IT.
I'M READY TO GO HOME,"
261
00:10:59,000 --> 00:11:00,300
JUST TO WALK TO THE NEXT BOOTH
262
00:11:00,300 --> 00:11:03,000
AND SEE THE EXACT SAME CRAZY,
OVER‐THE‐TOP ‐‐
263
00:11:03,000 --> 00:11:08,800
I MEAN, IT IS THE BEST OF
THE BEST BUILDERS IN THE WORLD,
264
00:11:08,800 --> 00:11:10,366
PAST AND PRESENT.
265
00:11:10,366 --> 00:11:13,966
THEY HAVE A WHOLE GROUP
OF YOUNG‐GUN COMPETITIONS
266
00:11:13,966 --> 00:11:15,666
THAT ARE THERE EVERY YEAR.
267
00:11:15,666 --> 00:11:18,000
THEY'LL BE RUNNING
THAT PLACE IN 10, 20 YEARS
268
00:11:18,000 --> 00:11:20,333
AND WE'VE SHUFFLED
FROM THIS MORTAL COIL.
269
00:11:20,333 --> 00:11:23,366
BUT WHEN YOU WALK AROUND,
EVERY VENDOR IN THE WORLD
270
00:11:23,366 --> 00:11:24,900
THAT HAS ANYTHING TO DO
WITH AUTOMOTIVE,
271
00:11:24,900 --> 00:11:26,966
AND IN SOME CASES,
IT'S A STRETCH THAT THEY HAVE
272
00:11:26,966 --> 00:11:28,700
ANYTHING TO DO WITH AUTOMOTIVE,
ARE THERE.
273
00:11:28,700 --> 00:11:31,500
THEY ARE THE BIGGEST NAMES,
274
00:11:31,500 --> 00:11:33,066
ALL THE STARS
AND THE CELEBRITIES.
275
00:11:33,066 --> 00:11:35,533
NOW, I DON'T GET INTO ALL THAT
STUFF, BUT IT'S KIND OF FUN.
276
00:11:35,533 --> 00:11:37,133
I'VE GOT LOTS OF PICTURES
WITH ME
277
00:11:37,133 --> 00:11:39,466
WITH DIFFERENT TALENT
FROM THE OTHER SHOWS
278
00:11:39,466 --> 00:11:43,766
AND I THINK IT'S
SUCH A FANTASTIC BONDING MOMENT,
279
00:11:43,766 --> 00:11:46,533
THAT EVERY YEAR
AS SOON AS SEMA'S OVER,
280
00:11:46,533 --> 00:11:48,500
I BEGIN THINKING
ABOUT THE NEXT SEMA.
281
00:11:48,500 --> 00:11:51,400
THAT'S HOW CHRISTINE WAS THOUGHT
OF WHEN I WAS DRIVING BACK
282
00:11:51,400 --> 00:11:53,566
FROM THE LAST SEMA
THAT HAD JUST FINISHED,
283
00:11:53,566 --> 00:11:56,666
AND I THOUGHT, "WHAT'S
THE BADDEST CAR IN THE WORLD
284
00:11:56,666 --> 00:11:58,800
THAT I COULD PUT THE BADDEST
CRATE ENGINE IN?"
285
00:11:58,800 --> 00:12:00,600
IT WAS CHRISTINE.
286
00:12:00,600 --> 00:12:04,133
SO, FOR A FEW WEEKS A YEAR,
THE WORLD,
287
00:12:04,133 --> 00:12:07,100
THE AUTOMOTIVE WORLD, STOPS.
288
00:12:07,100 --> 00:12:10,333
IT SITS DOWN,
GETS A NICE BIG TUB OF POPCORN
289
00:12:10,333 --> 00:12:14,166
AND A SODY‐POP,
AND WATCHES SEMA,
290
00:12:14,166 --> 00:12:15,700
THE GREATEST SHOW ON EARTH.
291
00:12:15,700 --> 00:12:17,933
♪♪♪♪
292
00:12:17,933 --> 00:12:20,033
IF YOU RECALL BACK
A COUPLE OF SEASONS AGO,
293
00:12:20,033 --> 00:12:22,866
ALLYSA AND I WORKED ON DECODING
THE FENDER TAG
294
00:12:22,866 --> 00:12:27,100
ON A 1970 DODGE CHARGER R/T ‐‐
THE B7 BLUE WITH WHITE INTERIOR,
295
00:12:27,100 --> 00:12:29,866
440 AUTOMATIC,
AIR CONDITIONING CAR.
296
00:12:29,866 --> 00:12:31,200
THE ENGINE AND DRIVE TRAIN
297
00:12:31,200 --> 00:12:34,400
THAT DOUG IS WORKING ON NOW
GO INTO THAT CAR.
298
00:12:34,400 --> 00:12:36,366
THE METAL WORK IS
BASICALLY DONE ON THE CAR.
299
00:12:36,366 --> 00:12:38,300
IT'S WORKING ITS WAY
THROUGH THE MUDROOM.
300
00:12:38,300 --> 00:12:40,233
BUT WE ARE ALWAYS AHEAD
IN THE MACHINE SHOP
301
00:12:40,233 --> 00:12:42,266
COMPARED TO THE REST
OF THE SHOP.
302
00:12:42,266 --> 00:12:46,333
THIS IS A NUMBERS‐MATCHING,
440‐HP, 375‐HORSEPOWER
303
00:12:46,333 --> 00:12:48,433
U‐CODE ENGINE ‐‐
E86 IF YOU'RE LOOKING FOR
304
00:12:48,433 --> 00:12:50,333
THE ALPHANUMERIC SALES CODE.
305
00:12:50,333 --> 00:12:53,400
THE ENGINE HAS BEEN BUILT OUT.
THE LONG BLOCK HAS BEEN PAINTED.
306
00:12:53,400 --> 00:12:57,200
NOW IT'S TIME TO DRESS IT OUT.
THAT'S WHAT DOUG IS DOING TODAY.
307
00:12:57,200 --> 00:12:58,966
Doug:
THIS IS AN AIR‐CONDITIONED CAR,
308
00:12:58,966 --> 00:13:01,266
SO BARE WITH ME,
IT'S GOING TO BE A BEAR
309
00:13:01,266 --> 00:13:03,133
TO PUT THIS ONE TOGETHER.
I'M GOING TO GO AHEAD
310
00:13:03,133 --> 00:13:05,166
AND INSTALL
THE DISTRIBUTOR FIRST THING,
311
00:13:05,166 --> 00:13:09,166
GOT MY ROTOR FACED AT THE
NUMBER‐ONE SPARK PLUG POSITION,
312
00:13:09,166 --> 00:13:10,466
PUT OUR DISTRIBUTOR CAP ON.
313
00:13:10,466 --> 00:13:13,366
IT'S GOT A LITTLE NOTCH
IN IT RIGHT HERE.
314
00:13:13,366 --> 00:13:15,233
CLICK IT IN PLACE.
315
00:13:15,233 --> 00:13:20,000
HERE'S OUR TIE DOWN.
HOLDS THE DISTRIBUTOR IN PLACE.
316
00:13:20,000 --> 00:13:21,766
SO, I HAVE MY DISTRIBUTOR
IN PLACE.
317
00:13:21,766 --> 00:13:23,966
SO, BEFORE I PUT
THE PLUG WIRES ON,
318
00:13:23,966 --> 00:13:26,900
THEY GAVE YOU THIS HANDY LITTLE
KIT WITH DIELECTRIC GREASE.
319
00:13:26,900 --> 00:13:29,000
THE THING THAT WE TRY REALLY
HARD TO DO AT "GRAVEYARD CARZ"
320
00:13:29,000 --> 00:13:30,800
IS TO EMULATE
THE ASSEMBLY LINE.
321
00:13:30,800 --> 00:13:32,133
IF THEY USED
THE DIELECTRIC GREASE,
322
00:13:32,133 --> 00:13:33,666
WE USE THE DIELECTRIC GREASE.
323
00:13:33,666 --> 00:13:36,933
Doug: AND YOU RUB IT AROUND THE
PORCELAIN ON THE SPARK PLUG,
324
00:13:36,933 --> 00:13:40,766
THIS HELPS THE PLUG BOOT GO
ON THE PORCELAIN A LOT EASIER.
325
00:13:40,766 --> 00:13:42,566
MAKING SURE THAT
THE SPARK‐PLUG WIRES
326
00:13:42,566 --> 00:13:45,300
HAVE THE CORRECT DATE CODES,
AND THE CORRECT ROUTING.
327
00:13:45,300 --> 00:13:46,600
IT'S VERY IMPORTING.
328
00:13:46,600 --> 00:13:48,600
SO, HERE'S OUR
NUMBER‐EIGHT SPARK‐PLUG WIRE.
329
00:13:48,600 --> 00:13:50,533
IT GOES OVER THE TOP
OF THE VALVE COVER,
330
00:13:50,533 --> 00:13:52,100
COME AROUND
THE BACK OF THE HEAD.
331
00:13:52,100 --> 00:13:53,500
IT'S THE ONLY ONE
THAT DOES THAT.
332
00:13:53,500 --> 00:13:56,100
PUSH IT ON AND TWIST
UNTIL YOU HEAR IT CLICK.
333
00:13:56,100 --> 00:13:57,400
SO, HERE'S OUR NUMBER‐ONE.
334
00:13:57,400 --> 00:13:59,466
WE'RE GOING TO PUT NUMBER‐EIGHT
RIGHT NEXT TO IT,
335
00:13:59,466 --> 00:14:01,933
RIGHT IN THERE LIKE THAT.
336
00:14:01,933 --> 00:14:04,633
MAKE SURE IT LAYS SMOOTHLY.
337
00:14:04,633 --> 00:14:06,366
AND THEN PUT
YOUR LITTLE RETAINER,
338
00:14:06,366 --> 00:14:07,933
POP IT IN THIS LITTLE BRACKET.
339
00:14:07,933 --> 00:14:10,166
KEEPS IT FROM BLOWING OUT
AGAINST THE MANIFOLD
340
00:14:10,166 --> 00:14:12,033
OR ANYTHING ELSE.
341
00:14:12,033 --> 00:14:13,466
OKAY, THERE'S NUMBER‐EIGHT.
342
00:14:13,466 --> 00:14:17,100
NOW I'M DOING NUMBER‐SEVEN,
WHICH IS THE NEXT LONGEST.
343
00:14:17,100 --> 00:14:20,500
THAT'S GOING TO BE THE BACK
ON THE DRIVER'S SIDE.
344
00:14:20,500 --> 00:14:22,300
THERE ‐‐ SNAPPED RIGHT IN.
345
00:14:22,300 --> 00:14:26,400
THE FIRING LAYOUT ON THE ENGINE
IS DRIVER'S SIDE, FORWARD BANK.
346
00:14:26,400 --> 00:14:28,000
ALL THE WAY FORWARD IS ONE,
347
00:14:28,000 --> 00:14:32,300
TWO IS ACROSS, THREE, FOUR
AND FIVE IS OVER HERE.
348
00:14:32,300 --> 00:14:35,666
THIRD ONE BACK,
DRIVER'S SIDE, IS NUMBER‐FIVE.
349
00:14:35,666 --> 00:14:38,933
WE ARE PUTTING THEM BACK EXACTLY
THE WAY THE MANUFACTURER DID.
350
00:14:38,933 --> 00:14:41,600
SO, HAVING THE CORRECT PARTS
ON THE ENGINE
351
00:14:41,600 --> 00:14:44,666
WITH THE CORRECT DATE CODES
IS IMPERATIVE IF YOU'RE SAYING,
352
00:14:44,666 --> 00:14:47,966
"I'M GOING TO HAVE
AN O. E. M. RESTORATION."
353
00:14:47,966 --> 00:14:53,733
NOW WE'VE GOT THE WHOLE DRIVER'S
SIDE PLUG WIRE INSTALLED.
354
00:14:53,733 --> 00:14:57,666
IT IS REALLY COOL TO WORK
WITH THESE BRAND‐NEW PARTS
355
00:14:57,666 --> 00:15:01,400
WITH DATE CODES
FROM BACK IN THE DAY ‐‐
356
00:15:01,400 --> 00:15:04,666
ALL THE CORRECT NUMBERS
ON ALL THESE PARTS,
357
00:15:04,666 --> 00:15:07,266
IT'S REALLY NICE TO WORK
WITH ALL THIS STUFF.
358
00:15:07,266 --> 00:15:11,333
WHEN I WAS A YOUNG FELLA,
PROBABLY AROUND 14 YEARS OLD,
359
00:15:11,333 --> 00:15:13,066
I DREAMED OF THIS MOTORCYCLE.
360
00:15:13,066 --> 00:15:14,733
I WANTED ONE OF THESE SO BAD.
361
00:15:14,733 --> 00:15:17,033
COULDN'T HAVE ONE THEN,
BUT I GOT ONE NOW.
362
00:15:17,033 --> 00:15:19,433
THE YEAR IS 1976.
363
00:15:19,433 --> 00:15:22,166
THE MAKE IS HODAKA.
364
00:15:22,166 --> 00:15:24,066
WHAT MODEL IS IT?
365
00:15:24,066 --> 00:15:24,966
IF YOU'VE BEEN WATCHING
"GRAVEYARD CARZ,"
366
00:15:24,966 --> 00:15:26,833
YOU MAY KNOW THIS ANSWER.
367
00:15:26,833 --> 00:15:28,266
IS IT...
368
00:15:34,133 --> 00:15:35,966
THINK YOU KNOW THE ANSWER?
STAY TUNED AFTER THE BREAK.
369
00:15:35,966 --> 00:15:37,766
WE'LL FIND OUT.
370
00:15:44,466 --> 00:15:47,166
♪♪♪♪
371
00:15:47,166 --> 00:15:49,666
ALL RIGHT, GHOULS,
HOW DID WE DO ON THAT ONE?
372
00:15:49,666 --> 00:15:55,700
NOW, THE QUESTION IS
WHAT MODEL IS THIS 1976 HODAKA?
373
00:16:02,333 --> 00:16:03,833
THE COLOR MIGHT HAVE
GAVE IT AWAY.
374
00:16:03,833 --> 00:16:05,766
IT IS A ROAD TOAD.
375
00:16:05,766 --> 00:16:07,700
SO, IF YOU GUESSED THAT,
YOU ARE ABSOLUTELY CORRECT.
376
00:16:07,700 --> 00:16:10,133
NOW, THEY DID MAKE A SUPER RAT.
377
00:16:10,133 --> 00:16:11,366
I'M NOT A CONNOISSEUR
378
00:16:11,366 --> 00:16:13,500
LIKE PROBABLY A FEW OF YOU
OUT THERE ARE,
379
00:16:13,500 --> 00:16:15,566
BUT I KNOW THAT THEY MADE
A SUPER RAT,
380
00:16:15,566 --> 00:16:17,966
AND I KNOW THAT THEY MADE
A DIRT SQUIRT.
381
00:16:17,966 --> 00:16:19,733
I DIDN'T CARE MUCH
FOR EITHER ONE OF THOSE,
382
00:16:19,733 --> 00:16:22,066
FOR ME, IT WAS THE ROAD TOAD.
PROBABLY THE COLOR.
383
00:16:22,066 --> 00:16:23,633
BECAUSE I'M COLOR BLIND,
I CAN'T SEE A LOT,
384
00:16:23,633 --> 00:16:26,600
SO WHEN I SEE A BEAUTIFUL YELLOW
LIKE THAT, I JUST ‐‐
385
00:16:26,600 --> 00:16:29,333
I'M JUST KIDDING. IT'S GREEN.
I KNOW. [ CHUCKLES ]
386
00:16:29,333 --> 00:16:31,733
SO...
387
00:16:31,733 --> 00:16:34,366
OH YEAH, AND BY THE WAY ‐‐
I KNOW WHAT YOU'RE THINKING.
388
00:16:34,366 --> 00:16:35,733
WHAT'S THAT GOT TO DO
WITH MOPAR?
389
00:16:35,733 --> 00:16:38,266
NOTHING!
[ LAUGHS ]
390
00:16:38,266 --> 00:16:39,833
NOTHING!
391
00:16:39,833 --> 00:16:42,366
THAT'S WHAT MAKING 200 EPISODES
OF A SUCCESSFUL SHOW
392
00:16:42,366 --> 00:16:43,800
ALLOWS YOU TO BE ABLE TO DO.
393
00:16:43,800 --> 00:16:44,966
MARK, YOU'RE WRONG!
394
00:16:44,966 --> 00:16:46,666
WAIT UNTIL YOU SEE
THE NEXT TRUE OR FALSE.
395
00:16:46,666 --> 00:16:48,533
THAT'S GOING TO BE
A BLAST.
396
00:16:48,533 --> 00:16:50,600
MARK WORMAN, MAN.
IT'S THE ICE TREY.
397
00:16:50,600 --> 00:16:51,866
[ CHUCKLES ]
398
00:16:51,866 --> 00:16:54,066
YOU'RE A REAL PLAYER, AUDIENCE.
399
00:16:54,066 --> 00:16:55,933
♪♪♪♪
400
00:16:55,933 --> 00:16:57,566
Will:
NOW THAT I'VE GOT THE DP90 DONE,
401
00:16:57,566 --> 00:17:00,100
I'LL GO BACK IN
AND START LAYING OUT MY COLOR.
402
00:17:00,100 --> 00:17:01,866
THIS IS A HIGHLY
TRANSPARENT COLOR,
403
00:17:01,866 --> 00:17:03,666
SO WHEN WE DO THESE,
IT'S ONE OF THOSE THINGS
404
00:17:03,666 --> 00:17:05,966
THAT JUST KIND OF SLOW DOWN,
TAKE YOUR TIME,
405
00:17:05,966 --> 00:17:08,233
GET THOSE EXTRA COATS ON
FOR COVERAGE.
406
00:17:08,233 --> 00:17:09,933
BUT I AM ANXIOUS
TO GET THIS THING DONE,
407
00:17:09,933 --> 00:17:11,066
GETTING IT CLEARED
408
00:17:11,066 --> 00:17:12,466
AND THEN GETTING THAT
BLACK TOP ON IT
409
00:17:12,466 --> 00:17:15,066
ALONG WITH THE BLACK STRIPE
AND THEN THE BLACK INTERIOR.
410
00:17:15,066 --> 00:17:17,200
IT'S REALLY GOING TO BE
A GORGEOUS CAR.
411
00:17:17,200 --> 00:17:24,900
♪♪♪♪
412
00:17:24,900 --> 00:17:32,566
♪♪♪♪
413
00:17:32,566 --> 00:17:40,266
♪♪♪♪
414
00:17:40,266 --> 00:17:43,300
Mark: BEFORE I SEND OUR
YAMAHAULER DOWN TO THE GARAGE,
415
00:17:43,300 --> 00:17:46,133
I NEED TO MAKE SURE
THAT THEY HAVE ALL THE TOOLS
416
00:17:46,133 --> 00:17:48,133
THAT THEY NEED ‐‐
NOT PHYSICAL HAND TOOLS,
417
00:17:48,133 --> 00:17:51,900
BUT THAT THE DOORS HAVE BEEN FIT
AND REBUSHED,
418
00:17:51,900 --> 00:17:53,866
ALL THE HINGES
NEED TO BE REBUSHED.
419
00:17:53,866 --> 00:17:56,200
THEY NEED TO BE SQUARED
TO THE OPENINGS.
420
00:17:56,200 --> 00:17:58,766
THEY DON'T NEED TO SPEND
SIX MONTHS CUTTING AND WELDING
421
00:17:58,766 --> 00:18:00,066
AND MAKING THINGS FIT.
422
00:18:00,066 --> 00:18:03,433
SO, I SPENT THE TIME
BEFORE I HAD IT MEDIA BLASTED
423
00:18:03,433 --> 00:18:06,033
FITTING EVERY SINGLE PANEL
AND MAKING SURE THAT THE LATCHES
424
00:18:06,033 --> 00:18:07,800
AND THE MECHANISMS
ALL WORKED RIGHT.
425
00:18:07,800 --> 00:18:09,633
BECAUSE WHEN YOU'RE DOING
A BODY JOB ON A CAR,
426
00:18:09,633 --> 00:18:11,366
PUTTING MUD ON THERE,
YOU DON'T WANT TO FIGHT
427
00:18:11,366 --> 00:18:13,300
WITH TRYING TO GET THE DOOR OPEN
AND TRYING TO GET IT SHUT.
428
00:18:13,300 --> 00:18:15,100
YOU WANT ALL THAT ALIGNMENT DONE
429
00:18:15,100 --> 00:18:16,900
BEFORE YOU BEGIN
LAYING OUT THE MUD.
430
00:18:16,900 --> 00:18:18,500
THAT'S WHERE WE'RE AT NOW.
431
00:18:18,500 --> 00:18:19,900
THE VAN HAS BEEN EPOXIED,
432
00:18:19,900 --> 00:18:22,266
WHICH PROTECTS IT AFTER
IT WAS SANDBLASTED.
433
00:18:22,266 --> 00:18:28,033
NEXT TIME WE SEE IT, IT'S GOING
TO BE 1972 YAMAHA YELLOW.
434
00:18:28,033 --> 00:18:31,166
OKAY, SO, I'M GOING TO SET THIS
BEAUTIFULLY RESTORED CARBURETOR
435
00:18:31,166 --> 00:18:34,566
FROM HARMS AUTOMOTIVE ON.
THEY DO A BEAUTIFUL JOB.
436
00:18:34,566 --> 00:18:37,633
IT JUST LOOKS AS NICE AS THESE
ENGINES WHEN THEY'RE DONE.
437
00:18:37,633 --> 00:18:39,900
I JUST LOVE THESE CARBURETORS.
438
00:18:39,900 --> 00:18:42,600
GUIDE IT OVER THE CHOKE ROD
RIGHT THERE,
439
00:18:42,600 --> 00:18:45,433
YOU'VE GOT TO PUT THIS ON FIRST
BECAUSE OF ALL THE LINKAGE,
440
00:18:45,433 --> 00:18:48,000
THE WAY IT SITS.
WE CANT PUT IT ON AFTERWARDS.
441
00:18:48,000 --> 00:18:50,500
GOT THE CHOKE INSTALLED
OVER HERE.
442
00:18:50,500 --> 00:18:53,166
LINE UP THE CARBURETOR.
443
00:18:53,166 --> 00:18:55,033
SO, HERE'S MY FUEL LINE,
444
00:18:55,033 --> 00:18:58,833
GOES IN RIGHT THERE TO THE TOP
OF THE CARBURETOR INLET.
445
00:18:58,833 --> 00:19:02,233
CHOKE ROD'S GOING TO SET
RIGHT IN THERE.
446
00:19:02,233 --> 00:19:04,100
CHOKE JUST CLOSED.
447
00:19:04,100 --> 00:19:06,866
Mark: THE FUEL SYSTEM
ON THE 440 HP AND THE 426 HEMI
448
00:19:06,866 --> 00:19:10,100
ARE A BIT UNIQUE.
THEY USE A FUEL‐VAPOR SEPARATOR.
449
00:19:10,100 --> 00:19:14,500
THIS IS A SMALL CAN THAT MOUNTS
TO ONE OF THE FUEL‐PUMP BOLTS.
450
00:19:14,500 --> 00:19:18,666
IT HAS A 5/16 LINE GOING INTO
IT, 5/16 LINE GOING OUT OF IT,
451
00:19:18,666 --> 00:19:22,100
AND A QUARTER‐INCH VAPOR
OR FUEL‐RETURN LINE
452
00:19:22,100 --> 00:19:25,333
THAT TAKES THE UNUSED FUEL THAT
DIDN'T GO INTO THE CARBURETOR
453
00:19:25,333 --> 00:19:27,433
AND SENDS IT BACK TO THE TANK.
454
00:19:30,200 --> 00:19:33,233
SO, OUR 1971 BARRACUDA
THAT'S GOING TO BE
455
00:19:33,233 --> 00:19:36,700
A HEMI 'CUDA TRIBUTE CAR
REALLY HAS MOVED NICELY
456
00:19:36,700 --> 00:19:39,366
THROUGH THE SHOP,
AND I HOPE EVERYBODY HAS ENJOYED
457
00:19:39,366 --> 00:19:41,833
THE BUILD AS WE HAVE DONE IT
AS SUCH.
458
00:19:41,833 --> 00:19:44,166
THERE'S SO MANY PIECES,
AND IT TAKES SO MUCH TIME.
459
00:19:44,166 --> 00:19:47,266
AND I KNOW THERE ARE THINGS
THAT PEOPLE WANT TO SEE
460
00:19:47,266 --> 00:19:48,966
THAT WE JUST CAN'T
TAKE TIME TO SHOW.
461
00:19:48,966 --> 00:19:52,366
WE TRY, BUT WE HAVE TO GLOSS
OVER SOME OF IT.
462
00:19:52,366 --> 00:19:54,633
BUT TO DATE,
WE WERE ABLE TO BUILD A CAR
463
00:19:54,633 --> 00:19:58,266
COMPLETELY FROM SCRATCH,
EXCEPT FOR A USED ROOF ASSEMBLY,
464
00:19:58,266 --> 00:20:00,166
AND WE TALKED ABOUT THAT
AT GREAT LENGTH.
465
00:20:00,166 --> 00:20:01,733
WE DID FLOORS, PANS,
466
00:20:01,733 --> 00:20:04,166
RAILS, WHEEL HOUSES,
QUARTER INNER STRUCTURE,
467
00:20:04,166 --> 00:20:06,766
TRUNK FLOOR, DROP‐OFFS,
REAR BODY PANEL,
468
00:20:06,766 --> 00:20:10,133
"A" PILLARS, "B" PILLARS ‐‐
ALL OF THESE THINGS ALLOWED US
469
00:20:10,133 --> 00:20:12,966
TO BE ABLE TO PUT A ROOF ON IT
AND HAVE IT BE
470
00:20:12,966 --> 00:20:15,100
WHAT YOU WOULD CALL
THE REAR CLIP OF THE CAR,
471
00:20:15,100 --> 00:20:17,500
ALTHOUGH THE FRONT FRAME RAILS
ARE ON IT.
472
00:20:17,500 --> 00:20:20,766
NOW, WITH THE REAR BODY BUILT
OUT FROM THE FIREWALL BACK,
473
00:20:20,766 --> 00:20:22,700
WE CAN PUT THE FRONT APRONS ON.
474
00:20:22,700 --> 00:20:25,166
THIS IS A REALLY
INTRICATE PART, AS WELL.
475
00:20:25,166 --> 00:20:26,866
WHEN YINZ ARE
INSTALLING THE APRONS,
476
00:20:26,866 --> 00:20:28,800
OR THE INNER FENDERS,
IF YOU WILL,
477
00:20:28,800 --> 00:20:30,866
IT'S IMPORTANT
THAT THEY GO IN SPACE
478
00:20:30,866 --> 00:20:33,666
JUST LIKE EVERYTHING ELSE DOES,
WHERE THEY GO.
479
00:20:33,666 --> 00:20:36,866
WHAT WE DO IS MAKE SURE BY
PRE‐FITTING A FENDER ON THERE,
480
00:20:36,866 --> 00:20:38,300
AFTER WE PUT THE APRON IN PLACE,
481
00:20:38,300 --> 00:20:40,233
WE ALREADY DID THAT EARLIER
WITH GEORGE
482
00:20:40,233 --> 00:20:42,000
WHEN WE PRE‐FIT
THE WHOLE CAR OUT,
483
00:20:42,000 --> 00:20:45,300
SO NOW IT'S JUST A MATTER
OF INSTALLING ALL THE PIECES.
484
00:20:45,300 --> 00:20:46,833
ONCE THE INNER FENDERS
ARE IN PLACE
485
00:20:46,833 --> 00:20:48,800
WE CAN START WORKING
ON THE CORE SUPPORT.
486
00:20:48,800 --> 00:20:51,133
YOU HAVE A CORE SUPPORT
WITH TWO SIDE BAFFLES,
487
00:20:51,133 --> 00:20:54,733
A BOTTOM AND A TOP.
THOSE GOES IN AND ALSO ESTABLISH
488
00:20:54,733 --> 00:20:56,766
WHERE THE FENDERS
WILL GO ON THE CAR
489
00:20:56,766 --> 00:20:58,666
ADJACENT TO THE INNER FENDERS,
490
00:20:58,666 --> 00:21:01,800
ADJACENT TO THE DOORS
AND THE REST OF THE CAR.
491
00:21:01,800 --> 00:21:04,700
PUTTING THESE PIECES ON THE CAR,
TAKING YOUR TIME,
492
00:21:04,700 --> 00:21:08,733
CROSS‐MEASURING,
FITTING, DON'T GET IN A HURRY.
493
00:21:08,733 --> 00:21:10,833
YOU PUT THEM ON SLOWLY
AND CAREFULLY,
494
00:21:10,833 --> 00:21:13,200
AND WHEN YOU'RE DONE,
YOU'LL HAVE A CAR
495
00:21:13,200 --> 00:21:15,700
THAT LOOKS SQUARE AND TRUE
496
00:21:15,700 --> 00:21:18,600
AND IS READY TO MOVE THROUGH
TO THE MASSAGING PART.
497
00:21:18,600 --> 00:21:22,600
AND THAT IS WHERE
OUR 1971 BARRACUDA IS NOW.
498
00:21:25,600 --> 00:21:27,933
♪♪♪♪
499
00:21:27,933 --> 00:21:30,133
HEY, LITTLE,
TINY DANCER!
500
00:21:30,133 --> 00:21:32,300
I CALL HIM
"LITTLE, TINY DANCER."
501
00:21:32,300 --> 00:21:34,433
YEAH, ♪♪ HOLD ME CLOSER,
TINY DANCER ♪♪
502
00:21:34,433 --> 00:21:36,600
'CAUSE HE'S LITTLE ‐‐
ABOUT FOUR‐FOOT‐SOMETHING TALL.
503
00:21:36,600 --> 00:21:38,200
MARK, I'M
FIVE‐FOOT‐SOMETHING.
504
00:21:38,200 --> 00:21:39,433
YEAH, YEAH, YEAH.
505
00:21:39,433 --> 00:21:43,600
♪♪ COUNT THE HEADLIGHTS
ON THE HIGHWAY ♪♪
506
00:21:43,600 --> 00:21:46,200
COVERING UP
THE LITTLE DEAD WAGON,
507
00:21:46,200 --> 00:21:48,100
WHO'S COVERING UP
THE LITTLE DEAD WAGON?
508
00:21:48,100 --> 00:21:49,533
WHO'S COVERING UP
THE LITTLE DEAD WAGON?
509
00:21:49,533 --> 00:21:51,133
I'LL TELL YOU WHO'S COVERING UP
THE LITTLE DEAD WAGON.
510
00:21:51,133 --> 00:21:53,133
WHO?
LITTLE TINY DANCER!
511
00:21:53,133 --> 00:21:55,133
LET'S JUST GO
WITH T. D.
512
00:21:55,133 --> 00:21:56,900
MAKE SURE THAT ‐‐
YOU KNOW I'M NEUROTIC.
513
00:21:56,900 --> 00:21:58,000
MAKE SURE
THAT THING'S STRAIGHT.
514
00:21:58,000 --> 00:21:59,733
YEAH. [ LAUGHS ]
515
00:21:59,733 --> 00:22:01,900
YOU'RE A REAL PLAYER,
MR. GONZALES.
516
00:22:01,900 --> 00:22:04,700
♪♪ HOLD ME CLOSER,
TINY DANCER ♪♪
517
00:22:04,700 --> 00:22:05,866
♪♪ COUNT THE HEADLIGHTS ♪♪
518
00:22:05,866 --> 00:22:09,000
♪♪ COUNT THEM HEADLIGHTS
ON THE HIGHWAY ♪♪
519
00:22:09,000 --> 00:22:10,300
♪♪ LAY ME DOWN ON A ♪♪
520
00:22:10,300 --> 00:22:12,000
DOING SOMETHING
WITH JOHN LENNON?
521
00:22:12,000 --> 00:22:13,900
I DON'T ‐‐
WELL, THEY WERE...
522
00:22:13,900 --> 00:22:15,733
♪♪ I KNOW YOU'VE HAD
A LONG DAY ♪♪
523
00:22:15,733 --> 00:22:23,533
♪♪♪♪
524
00:22:23,533 --> 00:22:26,200
IF YOU GUYS RECALL,
BACK IN THE DAY,
525
00:22:26,200 --> 00:22:30,400
OUR PHANTOM 'CUDA ‐‐
WE HAD A GENEROUS OFFER
526
00:22:30,400 --> 00:22:32,600
FROM OUR FRIENDS
AT THE AMD INSTALLATION CENTER.
527
00:22:32,600 --> 00:22:35,233
CRAIG, HE KNEW
WE WERE INTO BIG TROUBLE
528
00:22:35,233 --> 00:22:36,833
TO GET CARS DONE,
WAY BEHIND.
529
00:22:36,833 --> 00:22:40,433
HE VOLUNTEERED TO DO ALL
OF THE METAL WORK ON THAT CAR.
530
00:22:40,433 --> 00:22:43,066
WELL, THE SITUATION
WITH THE GARAGE IS VERY SIMILAR.
531
00:22:43,066 --> 00:22:45,033
LAST SUMMER, WE HAD A GUY
BY THE NAME OF NOEL
532
00:22:45,033 --> 00:22:47,033
WITH HIS FAMILY
COME IN TO SEE THE SHOP.
533
00:22:47,033 --> 00:22:49,333
HE WANTED TO CHECK OUT THE SHOP
AND THE GIFT STORE.
534
00:22:49,333 --> 00:22:51,600
AND, SO, I CAME UP
AND MET HIM AND SHOOK HANDS.
535
00:22:51,600 --> 00:22:53,300
AND WE STARTED TALKING
A LITTLE BIT,
536
00:22:53,300 --> 00:22:55,166
AND HE LET ME KNOW THAT HE WAS
A PARTNER IN A BODY SHOP,
537
00:22:55,166 --> 00:22:57,333
AND THEY VOLUNTEERED
TO HELP US OUT
538
00:22:57,333 --> 00:22:59,633
WITH OUR YAMAHAULER,
WHICH IS A BIG JOB.
539
00:22:59,633 --> 00:23:01,766
IT'S A BIG JOB WHETHER OR NOT
YOU HAVE 100 OTHER CARS
540
00:23:01,766 --> 00:23:03,333
WAITING TO GO THROUGH OR NOT.
541
00:23:03,333 --> 00:23:05,233
SO, IT WAS
A VERY GENEROUS OFFER,
542
00:23:05,233 --> 00:23:07,500
AND I IMMEDIATELY
TOOK HIM UP ON THAT.
543
00:23:07,500 --> 00:23:09,233
WHEN HE APPROACHED ME
WITH THIS AND SAID,
544
00:23:09,233 --> 00:23:11,266
"HEY, DO YOU WANT TO TEAM UP
ON THIS PROJECT
545
00:23:11,266 --> 00:23:13,466
FOR SEMA AND MOPAR?"
546
00:23:13,466 --> 00:23:17,133
I THINK I SPENT ALL BUT TWO
SECONDS TO SAY, "HELL, YES."
547
00:23:17,133 --> 00:23:18,566
IT WAS A NO‐BRAINER.
548
00:23:18,566 --> 00:23:20,200
I MEAN, WITHOUT EVEN TALKING
TO MY BUSINESS PARTNER,
549
00:23:20,200 --> 00:23:22,366
WE'RE TEAMING UP,
AND WE'RE DOING A SEMA PROJECT,
550
00:23:22,366 --> 00:23:26,733
A '72 DODGE YAMAHAULER.
YOU KNOW, PRETTY RARE BUILD,
551
00:23:26,733 --> 00:23:28,500
SOMETHING SPECIAL THAT
YOU DON'T SEE EVERY DAY.
552
00:23:28,500 --> 00:23:30,433
WE'VE ALREADY STARTED
SOME OF THE PREP WORK
553
00:23:30,433 --> 00:23:31,900
AND THE, THE BODYWORK HERE.
554
00:23:31,900 --> 00:23:33,433
YOU KNOW, IT CAME ABOUT
TWO WEEKS AGO,
555
00:23:33,433 --> 00:23:35,500
AND WE JUMPED ON IT RIGHT AWAY.
556
00:23:35,500 --> 00:23:37,966
WE WERE THAT EXCITED ABOUT IT
AT OUR SHOP.
557
00:23:37,966 --> 00:23:40,066
Mark: EVEN THOUGH YOU HAVE
SOMEBODY WILLING TO HELP YOU OUT
558
00:23:40,066 --> 00:23:42,900
IN A SITUATION LIKE THIS,
WE'RE STILL "GRAVEYARD CARZ."
559
00:23:42,900 --> 00:23:44,300
WE ARE STILL KNOWN AS THE BEST
560
00:23:44,300 --> 00:23:46,800
MOPAR RESTORATION PLACE
IN THE WORLD.
561
00:23:46,800 --> 00:23:48,466
SO, THAT MEANS THE BODY
AND PAINTWORK
562
00:23:48,466 --> 00:23:50,966
THAT'S DONE ON THAT VAN
NEEDS TO LOOK LIKE WE DID IT.
563
00:23:50,966 --> 00:23:53,233
WE COULD HAVE GONE ANYWHERE,
BUT WE SELECTED THE GARAGE
564
00:23:53,233 --> 00:23:55,833
BASED ON THEIR REPUTATION
AND THEIR HISTORY.
565
00:23:55,833 --> 00:23:59,566
THEY DO WHAT WE DO
ON ALL KINDS OF CARS.
566
00:23:59,566 --> 00:24:03,200
MARK WAS VERY SPECIFIC ABOUT
THE MATERIAL TO BE USED,
567
00:24:03,200 --> 00:24:06,466
THE LEVEL OF QUALITY WORK
THAT HE WANTED FROM US.
568
00:24:06,466 --> 00:24:08,300
I THINK THERE'S ALWAYS
A LEVEL OF STRESS,
569
00:24:08,300 --> 00:24:09,866
ESPECIALLY KNOWING THAT,
YOU KNOW,
570
00:24:09,866 --> 00:24:12,300
MARK WORMAN
AND "GRAVEYARD CARZ,"
571
00:24:12,300 --> 00:24:13,933
AND THERE'S
THAT CERTAIN ASPECT OF,
572
00:24:13,933 --> 00:24:15,933
YOU KNOW,
WE WANT TO PERFORM PROPERLY
573
00:24:15,933 --> 00:24:18,233
AND MAKE SURE
THAT EVERYTHING'S DONE RIGHT.
574
00:24:18,233 --> 00:24:21,866
I THINK MARK PICKED THE GARAGE
LOOKING AT NOT ONLY OUR RAPPORT,
575
00:24:21,866 --> 00:24:23,933
BUT LOOKING US UP.
576
00:24:23,933 --> 00:24:26,366
I THINK HE QUICKLY REALIZED
THAT WE WERE THE SHOP
577
00:24:26,366 --> 00:24:28,466
THAT CAN TAKE
ON THIS TYPE OF PROJECT.
578
00:24:28,466 --> 00:24:30,866
YOU KNOW, WE'RE DEFINITELY
KNOWN, NOT ONLY IN OUR AREA,
579
00:24:30,866 --> 00:24:34,100
BUT OUTSIDE OF JUST
OUR CITY ALONE.
580
00:24:34,100 --> 00:24:35,500
WE'VE BEEN AROUND
FOR A LONG TIME,
581
00:24:35,500 --> 00:24:37,233
AND WE HAVE A GREAT REPUTATION.
582
00:24:37,233 --> 00:24:38,800
YOU KNOW,
OUR FIRST REACTION WAS,
583
00:24:38,800 --> 00:24:41,400
"HELL, YEAH, LET'S DO IT."
584
00:24:41,400 --> 00:24:43,933
Mark: I WILL ADMIT THAT IT'S
A BIT OF A STRESS RELIEVER
585
00:24:43,933 --> 00:24:46,400
TO HAVE A PARTNER
ON A SEMA BUILD.
586
00:24:46,400 --> 00:24:49,233
SEMA BUILDS ALWAYS COME DOWN
TO SUICIDE SHIFTS
587
00:24:49,233 --> 00:24:50,800
THREE WEEKS AHEAD OF TIME.
588
00:24:50,800 --> 00:24:52,900
AND THAT'S USUALLY BECAUSE
THE BODY AND PAINT ISN'T DONE
589
00:24:52,900 --> 00:24:55,066
TILL TWO WEEKS BEFORE THE SHOW.
590
00:24:55,066 --> 00:24:56,500
SO, IN THIS PARTICULAR CASE,
TO HAVE SOMEBODY
591
00:24:56,500 --> 00:24:58,533
TO COLLABORATE WITH,
SOMEBODY THAT I TRUST
592
00:24:58,533 --> 00:25:00,966
LIKE THE GARAGE,
IT'S A BLESSING FOR US.
593
00:25:00,966 --> 00:25:06,933
♪♪♪♪
594
00:25:06,933 --> 00:25:12,866
♪♪♪♪
595
00:25:17,466 --> 00:25:26,300
♪♪♪♪
596
00:25:26,300 --> 00:25:28,833
YES, I KILLED MARK IN SEASON 12.
597
00:25:28,833 --> 00:25:31,900
IT WAS ME,
AND I DID IT ALL FOR THIS.
598
00:25:31,900 --> 00:25:34,800
BUT THAT AWARD IS JUST
A USELESS LUMP OF PLASTIC.
599
00:25:34,800 --> 00:25:37,633
WHY ON EARTH WOULD YOU
KILL MY DAD OVER IT?
600
00:25:37,633 --> 00:25:39,300
I MEAN, A CAR OUT BACK,
I UNDERSTAND.
601
00:25:39,300 --> 00:25:41,100
[ GASPS ]
CAN IT BE?
602
00:25:41,100 --> 00:25:44,533
♪♪♪♪
603
00:25:44,533 --> 00:25:46,533
THE PRICELESS PANTHER
PINK DIAMOND,
604
00:25:46,533 --> 00:25:51,500
MANUFACTURED BY WALTER
P. CHRYSLER HIMSELF IN 1925
605
00:25:51,500 --> 00:25:54,033
AND THEN LATER STOLEN
FROM HIS SLEEPY HOLLOW
606
00:25:54,033 --> 00:25:57,166
MAUSOLEUM FOLLOWING
HIS DEATH IN 1940?
607
00:25:57,166 --> 00:26:01,500
I THOUGHT IT WAS A MYTH.
608
00:26:01,500 --> 00:26:03,933
WHAT?
I READ IT ON WIKIPEDIA.
609
00:26:03,933 --> 00:26:07,233
THAT'S RIGHT. IT WAS RIGHT UNDER
YOUR NOSES THE WHOLE TIME.
610
00:26:07,233 --> 00:26:10,533
AND NOW IT'S MINE, ALL MINE.
I'LL BE RICH!
611
00:26:10,533 --> 00:26:13,266
ALL RIGHT, BOYS,
I THINK WE'VE HEARD ENOUGH.
612
00:26:13,266 --> 00:26:14,766
WHAT DO YOU THINK?
613
00:26:14,766 --> 00:26:15,966
MORE THAN ENOUGH
FOR ME, SIR.
614
00:26:15,966 --> 00:26:18,833
ROYAL, I'D LIKE TO INTRODUCE YOU
TO DAVID STARSKY
615
00:26:18,833 --> 00:26:20,400
AND KENNETH HUTCHINSON,
616
00:26:20,400 --> 00:26:24,033
UNDERCOVER DETECTIVES FOR THE
SPRINGFIELD POLICE DEPARTMENT.
617
00:26:24,033 --> 00:26:27,100
WE'RE UNDERCOVER COPS...
AND CELEBRITY IMPERSONATORS.
618
00:26:27,100 --> 00:26:30,066
HERE'S OUR CARD, WE DO
BIRTHDAYS AND COUNTY FAIRS.
619
00:26:30,066 --> 00:26:32,800
AND WE'VE BEEN WEARING WIRES
THIS WHOLE EVENING.
620
00:26:32,800 --> 00:26:34,533
WE'VE GOT EVERYTHING
ON TAPE.
621
00:26:34,533 --> 00:26:38,000
YOU'RE BUSTED.
622
00:26:38,000 --> 00:26:40,466
MARK? BUT HOW?
623
00:26:40,466 --> 00:26:42,700
YOU'D BETTER CHECK YOUR AIM
NEXT TIME, BUDDY.
624
00:26:42,700 --> 00:26:46,266
THAT SHOT DIDN'T EVEN COME CLOSE
TO HITTING A VITAL ORGAN.
625
00:26:46,266 --> 00:26:49,200
IT WAS THE CONCUSSION
THAT KNOCKED ME DOWN.
626
00:26:49,200 --> 00:26:53,100
WHEN I WOKE UP, THAT'S WHEN
I NOTICED MY AWARD WAS MISSING.
627
00:26:53,100 --> 00:26:55,666
DIDN'T TAKE LONG
TO PUT THE PIECES TOGETHER
628
00:26:55,666 --> 00:26:58,533
AND FIGURE OUT
EXACTLY WHAT'S GOING ON.
629
00:26:58,533 --> 00:27:01,133
I KNOW YOU. I KNEW
YOU WOULDN'T ADMIT TO ANYTHING.
630
00:27:01,133 --> 00:27:03,533
I KNEW THESE IDIOTS
COULDN'T KEEP THEIR MOUTH SHUT.
631
00:27:03,533 --> 00:27:05,866
SO, I FAKED MY DEATH
AND HIRED THESE GENTLEMEN
632
00:27:05,866 --> 00:27:07,733
TO HELP ME CATCH YOU
IN THE ACT.
633
00:27:07,733 --> 00:27:10,633
WHAT I DIDN'T COUNT ON
WAS YOU ROPING IN MY OWN COUSIN
634
00:27:10,633 --> 00:27:12,433
INTO YOUR TWISTED GAME.
635
00:27:12,433 --> 00:27:15,666
CUFF 'EM, BOYS.
636
00:27:15,666 --> 00:27:18,033
DAMN YOU, MARK.
I WOULD HAVE GOTTEN AWAY WITH IT
637
00:27:18,033 --> 00:27:20,833
IF IT WASN'T FOR
YOUR MEDDLING DETECTIVES.
638
00:27:20,833 --> 00:27:23,533
WELL THAT'S IT, FOLKS.
YOU CAN ALL GO HOME.
639
00:27:23,533 --> 00:27:25,633
I'LL SEE YOU BACK
AT THE SHOP TOMORROW.
640
00:27:25,633 --> 00:27:28,333
♪♪♪♪
641
00:27:28,333 --> 00:27:30,233
WHY WAS DOUGIE PRETENDING
TO BE BLIND THIS WHOLE TIME?
642
00:27:30,233 --> 00:27:32,433
AND THEN HE WAS DEAD AT
ONE POINT, AND THEN HE WASN'T.
643
00:27:32,433 --> 00:27:36,333
‐WHAT WAS THE POINT?
‐AND HOW DID HE GET HIS HANDS
644
00:27:36,333 --> 00:27:38,200
ON A HAUNTED MANSION?
645
00:27:38,200 --> 00:27:41,666
[ ALL SPEAKING INDISTINCTLY ]
646
00:27:41,666 --> 00:27:43,833
Allysa: IF TONY WAS WITH US
IN THE DINING ROOM,
647
00:27:43,833 --> 00:27:45,166
WHO WAS CONTROLLING
THE LIGHTS?
648
00:27:45,166 --> 00:27:46,500
AND HOW DID HE MIMIC
TONY'S VOICE?
649
00:27:46,500 --> 00:27:49,233
Will: ARE WE GETTING PAID
FOR ANY OF THIS?
650
00:27:49,233 --> 00:27:54,666
♪♪♪♪
651
00:27:54,666 --> 00:28:00,066
♪♪♪♪
652
00:28:00,066 --> 00:28:02,600
[ LAUGHING MANIACALLY ]
653
00:28:02,600 --> 00:28:07,600
♪♪♪♪
654
00:28:07,600 --> 00:28:12,633
♪♪♪♪
655
00:28:12,633 --> 00:28:14,666
Allysa: DAD?
656
00:28:14,666 --> 00:28:17,233
♪♪♪♪
657
00:28:17,233 --> 00:28:21,000
DAD?
658
00:28:21,000 --> 00:28:25,300
DAD?
659
00:28:25,300 --> 00:28:28,333
DAD?
660
00:28:28,333 --> 00:28:31,900
HEY, BABY.
661
00:28:31,900 --> 00:28:34,500
WHAT'S WRONG
WITH YOU?
662
00:28:34,500 --> 00:28:37,733
HI. I THINK YOU FELL ASLEEP
WATCHING YOUR MOVIE.
663
00:28:37,733 --> 00:28:40,100
OH YEAH, I DID.
664
00:28:40,100 --> 00:28:41,966
WHAT DO YOU NEED?
665
00:28:41,966 --> 00:28:43,866
WE'RE SUPPOSED
TO DO PARTS AT 1:00.
666
00:28:43,866 --> 00:28:47,666
OH YEAH, SORRY.
667
00:28:47,666 --> 00:28:50,000
YEAH.
668
00:28:50,000 --> 00:28:52,500
THAT WAS CRAZY.
COULDN'T BELIEVE IT.
669
00:28:52,500 --> 00:28:54,233
CAN'T BELIEVE
THIS WEIRD DREAM.
670
00:28:54,233 --> 00:28:58,033
I HAD THIS DREAM THAT WE WERE
ALL CARTOON CHARACTERS.
671
00:28:58,033 --> 00:28:59,500
LIKE, I WAS
A CARTOON CHARACTER,
672
00:28:59,500 --> 00:29:00,800
YOU WERE
A CARTOON CHARACTER,
673
00:29:00,800 --> 00:29:02,933
MOM WAS
A CARTOON CHARACTER.
674
00:29:02,933 --> 00:29:04,366
DOUGIE WAS
A BLIND BUTLER.
675
00:29:04,366 --> 00:29:07,666
WE WERE AT THIS LIKE MANSION,
THIS WEIRD HAUNTED MANSION.
676
00:29:07,666 --> 00:29:09,633
AND I HAD BEEN MURDERED.
677
00:29:09,633 --> 00:29:12,200
YEAH, I HAD BEEN MURDERED
BY YOUR MOM.
678
00:29:12,200 --> 00:29:13,833
WELL, I MEAN,
THAT TRACKS.
679
00:29:13,833 --> 00:29:15,300
YEAH. I DON'T KNOW
HOW THAT TRACKS.
680
00:29:15,300 --> 00:29:16,500
MAKES SENSE.
YOU HAD THAT ONE COMING.
681
00:29:16,500 --> 00:29:17,566
WHAT DID I DO?
682
00:29:17,566 --> 00:29:18,966
WELL, I WASN'T IN THE DREAM.
I DON'T KNOW.
683
00:29:18,966 --> 00:29:20,233
I'M SURE YOU DID
SOMETHING.
684
00:29:20,233 --> 00:29:21,900
I DIDN'T DO ANYTHING!
NOTHING?
685
00:29:21,900 --> 00:29:23,833
IN THE DREAM,
I GOT SHOT FOR DOING NOTHING.
686
00:29:23,833 --> 00:29:25,500
IT'S VERY MUCH
LIKE REAL LIFE.
687
00:29:25,500 --> 00:29:26,866
CAN WE JUST GET
SOME PARTS ORDERED?
688
00:29:26,866 --> 00:29:27,966
YEAH,
THAT SOUNDS GOOD.
689
00:29:27,966 --> 00:29:29,833
ARE YOU GOING TO
SLEEP ON THE JOB?
690
00:29:29,833 --> 00:29:30,933
DAN WAS THERE,
LYNCH.
691
00:29:30,933 --> 00:29:33,100
THERE WAS A GUY NAMED
"GAMBO" THERE.
692
00:29:33,100 --> 00:29:37,066
AND A "JIM McCLEAN,"
WHO I DON'T ‐‐ SOMETHING.
693
00:29:37,066 --> 00:29:39,266
I DON'T KNOW WHAT
THAT WAS ALL ABOUT.
694
00:29:39,266 --> 00:29:41,933
IT JUST WAS SO WEIRD.
IT'S, LIKE, SURREAL.
695
00:29:48,100 --> 00:29:52,200
♪♪♪♪
696
00:29:52,200 --> 00:29:54,066
GOT MY ENGINE HARNESS
IN PLACE.
697
00:29:54,066 --> 00:29:56,366
I'VE GOT THE LOWER BRACKET
BOLTED IN PLACE.
698
00:29:56,366 --> 00:29:58,000
I'M GOING TO SET
THE ALTERNATOR IN,
699
00:29:58,000 --> 00:30:01,066
AND IT TAKES TWO FIELD WIRES,
WHICH JUST CLIP ON,
700
00:30:01,066 --> 00:30:04,233
AND WE HAVE OUR IDLER PULLEY
FOR THE AIR‐CONDITIONING BELT.
701
00:30:04,233 --> 00:30:06,500
HERE'S MY HOT LEAD
TO THE ALTERNATOR,
702
00:30:06,500 --> 00:30:08,466
THAT'S GOING TO GO
RIGHT ON THIS POST HERE.
703
00:30:08,466 --> 00:30:11,866
WE ALSO USE THIS LITTLE
PLASTIC ISOLATOR,
704
00:30:11,866 --> 00:30:13,400
SO THAT'S GOING TO GO
ON THIS POST.
705
00:30:13,400 --> 00:30:14,933
AND THEN THE WIRE'S
GOING TO GO ON
706
00:30:14,933 --> 00:30:17,266
SO IT'S PROTECTED
FROM GROUNDING.
707
00:30:17,266 --> 00:30:18,433
THINGS ARE GOING PRETTY GOOD.
708
00:30:18,433 --> 00:30:20,133
I'VE GOT ALL
THE PLUG WIRES INSTALLED.
709
00:30:20,133 --> 00:30:21,433
THAT WENT PRETTY SMOOTH.
710
00:30:21,433 --> 00:30:22,633
I'VE PUT THE CARBURETOR ON,
711
00:30:22,633 --> 00:30:25,866
THE FUEL LINE,
AND THE FUEL‐VAPOR SEPARATOR.
712
00:30:25,866 --> 00:30:27,600
GETTING READY
TO PUT THE HOSES ON.
713
00:30:27,600 --> 00:30:29,500
WE'LL GO AHEAD AND FINISH OUT
THE REST OF THE BUILD
714
00:30:29,500 --> 00:30:30,733
ON THE FRONT OF THE ENGINE.
715
00:30:30,733 --> 00:30:32,533
THESE ARE A REPRODUCTION HOSE
716
00:30:32,533 --> 00:30:35,733
THAT EVEN HAS THE RIBBING
ON THE BACKSIDE,
717
00:30:35,733 --> 00:30:37,266
JUST LIKE THE ORIGINALS.
718
00:30:37,266 --> 00:30:39,366
SO, THIS IS YOUR HEATER HOSE.
719
00:30:39,366 --> 00:30:41,100
IT'S GOING TO GO
TO THE FIREWALL,
720
00:30:41,100 --> 00:30:44,900
AND IT'S GOING TO GO
ON THE WATER PUMP RIGHT HERE.
721
00:30:44,900 --> 00:30:48,100
GOT A NEW RE‐MANUFACTURED
POWER‐STEERING PUMP HERE.
722
00:30:48,100 --> 00:30:50,333
OKAY, SO, NOW WE CAN INSTALL
THE AIR COMPRESSOR
723
00:30:50,333 --> 00:30:52,266
FROM CLASSIC AUTO AIR.
724
00:30:52,266 --> 00:30:56,333
WE'LL GIVE IT A TEST FIT.
HOPE FOR THE BEST HERE.
725
00:30:56,333 --> 00:31:00,366
SO, NOW WE'VE GOT OUR
AIR COMPRESSOR BOLTED IN PLACE.
726
00:31:00,366 --> 00:31:02,433
NOW I CAN PUT
MY FRONT PULLEYS ON.
727
00:31:02,433 --> 00:31:05,533
THE LOWER CRANK PULLEY IS
FOUR DIFFERENT PULLEYS
728
00:31:05,533 --> 00:31:07,233
VERSUS ONE OR TWO.
729
00:31:07,233 --> 00:31:08,733
THAT IS TWO GO
TO THE AIR CONDITIONER,
730
00:31:08,733 --> 00:31:12,400
ONE GOES TO THE IDLER, AND ONE
GOES TO THE POWER STEERING.
731
00:31:12,400 --> 00:31:18,133
WE HAVE A REALLY NICE CLUTCH FAN
HERE WITH THE CORRECT DATE CODE.
732
00:31:18,133 --> 00:31:20,433
SO, NOW I'M GOING
TO PUT THE A. C. BELTS ON.
733
00:31:20,433 --> 00:31:22,366
YOU HAVE TO FEED
THESE OVER THE FAN,
734
00:31:22,366 --> 00:31:25,266
PUT THEM OVER
THE AIR‐CONDITIONER PULLEY,
735
00:31:25,266 --> 00:31:27,866
DOWN AROUND THE LOWER
CRANK SHAFT PULLEY,
736
00:31:27,866 --> 00:31:29,366
UP OVER THE ALTERNATOR,
737
00:31:29,366 --> 00:31:34,033
WHICH IS THE DOUBLE PULLEY
FOR AN AIR‐CONDITIONED CAR.
738
00:31:34,033 --> 00:31:37,433
I'M JUST GOING TO PULL THAT UP
AND TIGHTEN THOSE BELTS.
739
00:31:37,433 --> 00:31:40,133
NEXT WE HAVE OUR POWER
STEERING BELT
740
00:31:40,133 --> 00:31:43,466
AND THEN YOUR SMALL BELT
FOR THE FAN.
741
00:31:43,466 --> 00:31:47,166
IT'S GOT A SQUARE HOLE
IN THE IDLER.
742
00:31:47,166 --> 00:31:49,000
I LOVE IT.
HERE'S OUR BREATHER,
743
00:31:49,000 --> 00:31:50,700
THAT'S GOING TO GO
TO THE AIR CLEANER.
744
00:31:50,700 --> 00:31:52,500
JUST POPS IN THE VALVE COVER.
745
00:31:52,500 --> 00:31:56,333
FINALLY GOT THE 440 ENGINE
FOR THE '70 CHARGER DONE.
746
00:31:56,333 --> 00:31:58,600
WE'LL BE PUTTING THIS
IN THE CAR PRETTY SOON.
747
00:31:58,600 --> 00:32:00,400
♪♪♪♪
748
00:32:00,400 --> 00:32:02,233
Mark: IT'S BEEN A LONG TIME
SINCE MARK AND ROYAL
749
00:32:02,233 --> 00:32:04,366
DROVE AROUND
IN ONE OF THESE.
750
00:32:04,366 --> 00:32:08,233
I LOOK OVER THERE, AND IT'S 1978
ALL OVER, MY LITTLE FRIEND.
751
00:32:08,233 --> 00:32:09,700
Royal:
EXCEPT THE HAIRLINE.
752
00:32:09,700 --> 00:32:12,866
HE HAD MORE HAIR BACK IN '78,
BUT IN FAIRNESS I DID, TOO.
753
00:32:12,866 --> 00:32:15,266
I NOTICED MINE'S
ALL WISPY NOW.
754
00:32:15,266 --> 00:32:19,366
DO YOU REMEMBER STANDING OUT IN
THE FRONT YARD WASHING THAT TOP?
755
00:32:19,366 --> 00:32:22,566
I REMEMBER WASHING THE WHOLE
THING OVER AND OVER AGAIN
756
00:32:22,566 --> 00:32:24,000
UNTIL IT CAME CLEAN.
757
00:32:24,000 --> 00:32:26,633
THAT TOP, WE USED
ALL OF MOM'S AJAX ON IT.
758
00:32:26,633 --> 00:32:28,100
OH, SHE WAS MAD.
759
00:32:28,100 --> 00:32:30,100
ROYAL SAID SHE WAS MAD.
SHE WASN'T MAD.
760
00:32:30,100 --> 00:32:31,566
I DON'T KNOW
WHAT HE'S TALKING ABOUT.
761
00:32:31,566 --> 00:32:34,000
SOMETIMES HE, YOU KNOW, THERE'S
SOME THINGS GOING ON IN HIS HEAD
762
00:32:34,000 --> 00:32:36,333
THAT HE DID WHEN HE WAS YOUNGER
THAT AFFECT HIS MEMORY.
763
00:32:36,333 --> 00:32:39,333
MOM WAS NEVER MAD.
MOM WAS THRILLED TO DEATH.
764
00:32:39,333 --> 00:32:42,833
SHE TOLD ME LATER,
SHE SAID BUT AT THE SAME TIME,
765
00:32:42,833 --> 00:32:45,266
SHE WAS STANDING IN THERE
LOOKING OUT THAT WINDOW AT US
766
00:32:45,266 --> 00:32:48,266
AND SHE REALLY,
SHE WAS SO TICKLED FOR ME,
767
00:32:48,266 --> 00:32:49,833
YOU KNOW,
LOOKING AT IT,
768
00:32:49,833 --> 00:32:51,366
OUT THERE WORKING LIKE
A COUPLE OF DOGS
769
00:32:51,366 --> 00:32:54,066
TRYING TO GET THAT OLD CAR
TO SCRUB UP.
770
00:32:54,066 --> 00:32:58,066
AND EVEN WHEN SHE WAS SICK,
RIGHT BEFORE SHE PASSED,
771
00:32:58,066 --> 00:33:00,533
WE HAD A CONVERSATION
ABOUT THIS, ABOUT, I SAID,
772
00:33:00,533 --> 00:33:02,000
"DO YOU REMEMBER THE DAY
I BROUGHT THE CHARGER HOME?"
773
00:33:02,000 --> 00:33:04,166
SHE WENT, "I'M NOT A FOOL.
OF COURSE I REMEMBER!"
774
00:33:04,166 --> 00:33:06,400
GETS MAD IF YOU THINK SHE'S
FORGOTTEN SOMETHING, RIGHT?
775
00:33:06,400 --> 00:33:07,900
AND SHE RECITED IT BACK TO ME
776
00:33:07,900 --> 00:33:09,366
THE SAME WAY
I'M RECITING IT TO YOU.
777
00:33:09,366 --> 00:33:12,033
SO, IT HAPPENED, IT WAS REAL,
AND IT WAS A, YOU KNOW,
778
00:33:12,033 --> 00:33:13,466
WONDERFUL, WONDERFUL MEMORY.
779
00:33:13,466 --> 00:33:16,166
DO YOU WANT TO PICK UP
SOME LUNCHES FOR EVERYBODY?
780
00:33:16,166 --> 00:33:20,166
YEAH.
LET'S DO IT.
781
00:33:20,166 --> 00:33:24,033
MY FAVORITE LITTLE 1976
HODAKA ROAD TOAD,
782
00:33:24,033 --> 00:33:25,800
WE LEARNED EARLIER,
783
00:33:25,800 --> 00:33:29,400
NOT ONLY IS IT ONE OF MY
FAVORITE BIKES OF ALL TIME,
784
00:33:29,400 --> 00:33:32,033
IT IS AN IDENTICAL TWIN
785
00:33:32,033 --> 00:33:35,233
TO ONE USED IN ONE OF MY
FAVORITE MOVIES OF ALL TIME.
786
00:33:35,233 --> 00:33:39,466
THE GENTLEMAN THAT RODE IT WAS
ONLY 14 YEARS OLD AT THE TIME.
787
00:33:39,466 --> 00:33:41,966
TRUE OR FALSE ‐‐
THE NAME OF THAT MOVIE
788
00:33:41,966 --> 00:33:44,466
IS "CHRISTINE."
789
00:33:44,466 --> 00:33:46,533
THINK YOU KNOW THE ANSWER?
STAYED TUNED AFTER THE BREAK.
790
00:33:46,533 --> 00:33:48,500
WE'LL FIND OUT HOW YOU DID.
791
00:33:48,500 --> 00:33:51,533
YEAH, IT AIN'T GOT NOTHING
TO DO WITH MOPAR.
792
00:33:51,533 --> 00:33:53,266
DEAL WITH IT.
793
00:33:59,666 --> 00:34:02,400
♪♪♪♪
794
00:34:02,400 --> 00:34:04,700
ALL RIGHT, GUYS,
HOW DID WE DO ON THAT ONE?
795
00:34:04,700 --> 00:34:06,533
I KNOW IT WASN'T
A MOPAR QUESTION.
796
00:34:06,533 --> 00:34:08,033
THAT'S UNFORTUNATE.
IT'S TOO BAD.
797
00:34:08,033 --> 00:34:12,966
SUE ME. THE QUESTION WAS
THIS 1976 HODAKA ROAD TOAD
798
00:34:12,966 --> 00:34:17,233
IS A TWIN TO A MOTORCYCLE USED
IN ONE OF MY FAVORITE MOVIES.
799
00:34:17,233 --> 00:34:21,200
TRUE OR FALSE ‐‐
THAT MOVIE IS "CHRISTINE."
800
00:34:21,200 --> 00:34:23,600
IF YOU GUESSED THAT IS TRUE...
801
00:34:23,600 --> 00:34:24,966
WELL, YOU'RE WRONG.
802
00:34:24,966 --> 00:34:27,900
THERE WEREN'T ANY MOTORCYCLES
IN THE MOVIE "CHRISTINE,"
803
00:34:27,900 --> 00:34:29,733
AT LEAST THAT I CAN REMEMBER.
804
00:34:29,733 --> 00:34:32,066
NOW, ONE OF MY OTHER
FAVORITE MOVIES
805
00:34:32,066 --> 00:34:36,066
IS "THE CAR" WITH JAMES BROLIN,
BASED ON A STEPHEN KING NOVEL.
806
00:34:36,066 --> 00:34:37,900
THERE WAS A MOTORCYCLE IN IT.
807
00:34:37,900 --> 00:34:41,133
IT HAPPENED TO BE
A SUZUKI TS400 APACHE.
808
00:34:41,133 --> 00:34:46,300
BUT THE REAL ANSWER ON THIS ONE
IS THE MOVIE "PHANTASM,"
809
00:34:46,300 --> 00:34:49,233
WITH A YOUNG ACTOR
AT THE AGE OF 14 YEARS OLD,
810
00:34:49,233 --> 00:34:51,000
A MICHAEL BALDWIN,
811
00:34:51,000 --> 00:34:54,366
RIDING THIS MOTORCYCLE
IN AND OUT OF A CEMETERY,
812
00:34:54,366 --> 00:34:57,033
WHILE THE LITTLE GREMLINS
WAS CHASING HIM.
813
00:34:57,033 --> 00:35:00,733
SO...I DON'T CARE.
I KNOW IT AIN'T ABOUT MOPAR.
814
00:35:00,733 --> 00:35:03,533
IT DON'T GOT TO BE ABOUT MOPAR.
THIS IS MY SHOW.
815
00:35:03,533 --> 00:35:05,833
♪♪♪♪
816
00:35:05,833 --> 00:35:07,633
Mark: SO, WHAT DOES IT TAKE
TO GET YOU BACK, MAN?
817
00:35:07,633 --> 00:35:10,233
WE ADMIT YOU HAVE
SO MANY FANS
818
00:35:10,233 --> 00:35:12,533
THAT ASK ABOUT YOU
ALL THE TIME ON TWITTER,
819
00:35:12,533 --> 00:35:14,033
ALL THE TIME
ON FACEBOOK.
820
00:35:14,033 --> 00:35:17,066
I KNOW,
BUT IT'S THE TIME.
821
00:35:17,066 --> 00:35:19,533
I MEAN,
I WORK EIGHT HOURS.
822
00:35:19,533 --> 00:35:21,133
SO, IT'S TIME?
YOU JUST DON'T HAVE ANY TIME?
823
00:35:21,133 --> 00:35:22,666
YEAH, I CAN'T,
I CAN'T GET OFF TILL 3:30,
824
00:35:22,666 --> 00:35:25,466
I CAN'T GET OVER HERE
TILL 4:00.
825
00:35:25,466 --> 00:35:28,133
YEAH, THE SOUND CREW
GOES HOME BY FIVE.
826
00:35:28,133 --> 00:35:29,833
THEY'RE CLEANING UP
AT 4:30.
827
00:35:29,833 --> 00:35:34,866
YEAH.
IT'S HARD.
828
00:35:34,866 --> 00:35:36,800
OH MAN.
829
00:35:36,800 --> 00:35:39,100
I KNOW HE'S BUSY.
I KNOW HE IS.
830
00:35:39,100 --> 00:35:41,933
BUT YOU JUST ‐‐ YOU'RE TALKING
ABOUT YOUR BEST FRIEND.
831
00:35:41,933 --> 00:35:43,333
I MISS THESE OLD CARS,
THOUGH.
832
00:35:43,333 --> 00:35:45,166
I KNOW.
THEY MISS YOU.
833
00:35:45,166 --> 00:35:46,866
AND YOU WERE
A GOOD TECHNICIAN,
834
00:35:46,866 --> 00:35:49,500
WE NEVER HAD PROBLEMS
WITH YOUR CARS AND YOUR BRAKES.
835
00:35:49,500 --> 00:35:50,600
THE THINGS THAT YOU DID
836
00:35:50,600 --> 00:35:54,133
WHEN YOU WERE WORKING
ON THEM WORKED GOOD.
837
00:35:54,133 --> 00:35:55,833
SEE, YOU COME BACK,
WE CAN PUT YOU ON THE ARTWORK
838
00:35:55,833 --> 00:35:57,100
FOR ALL THE MODELS
BEING BUILT.
839
00:35:57,100 --> 00:35:58,400
YOU HAVE YOUR OWN
LITTLE COLLECTION.
840
00:35:58,400 --> 00:36:01,000
WE CAN GO UPSTAIRS
IN THE ATTIC ON 14th STREET,
841
00:36:01,000 --> 00:36:03,400
PLAY HOT WHEELS LIKE WE USED TO.
THAT'S GREAT STUFF.
842
00:36:03,400 --> 00:36:10,600
♪♪♪♪
843
00:36:10,600 --> 00:36:12,000
SO, YOU GUYS KNOW
WHY WE'RE HERE?
844
00:36:12,000 --> 00:36:15,266
NO. PROBABLY
ANOTHER 45‐DAY BUILD.
845
00:36:15,266 --> 00:36:17,000
OH, I'M NOT DOING
A 45‐DAY BUILD.
846
00:36:17,000 --> 00:36:18,366
THAT'S NOT
GOING TO HAPPEN.
847
00:36:18,366 --> 00:36:20,233
ALL YOU HAD TO DO
WAS THE PAINT!
848
00:36:20,233 --> 00:36:22,300
AND PUT IT TOGETHER!
NO.
849
00:36:22,300 --> 00:36:24,233
THAT LAST ONE YOU BARELY EVEN
GOT DONE IF IT WASN'T FOR DOUG.
850
00:36:24,233 --> 00:36:26,566
DOUG HELPED. DOUG HELPED.
DOUG HELPED.
851
00:36:26,566 --> 00:36:28,200
AND THEN IN THE LAST ONE
WE HAD TO DO,
852
00:36:28,200 --> 00:36:30,200
GEORGE WAS WAY LATE
ON THE METAL SHOP.
853
00:36:30,200 --> 00:36:32,700
I DON'T KNOW WHAT YOU'RE TALKING
ABOUT. I'M ALWAYS ON TIME.
854
00:36:32,700 --> 00:36:34,833
AND, ANYWAYS, I THOUGHT
WE WERE HERE FOR LUNCH.
855
00:36:34,833 --> 00:36:36,833
SO, WE'RE EXPECTING
LUNCH NOW, RIGHT?
856
00:36:36,833 --> 00:36:39,400
GOD, GET OFF THE LUNCH THING!
IT DOESN'T MATTER.
857
00:36:39,400 --> 00:36:41,066
YES, IT DOES.
858
00:36:41,066 --> 00:36:42,666
WE'RE HERE FOR A REASON,
859
00:36:42,666 --> 00:36:43,933
YES, I SAW YOUR SON.
860
00:36:43,933 --> 00:36:47,033
HE WAS AT MY HOUSE
A COUPLE OF WEEKS AGO.
861
00:36:47,033 --> 00:36:50,366
SO, WE DON'T WORRY ABOUT LUNCH,
THEY'LL BE HERE SOON ENOUGH.
862
00:36:50,366 --> 00:36:52,533
[ HORN HONKS ]
863
00:36:55,666 --> 00:36:59,900
THIS IS THE BIGGEST DAY
IN "GRAVEYARD CARZ" HISTORY.
864
00:36:59,900 --> 00:37:02,000
HERE WE GO,
ANOTHER 45‐DAY BUILD.
865
00:37:02,000 --> 00:37:04,766
HEY, LOOK AT THE PLATES!
866
00:37:04,766 --> 00:37:06,066
THAT'S GOOD.
867
00:37:06,066 --> 00:37:08,266
WHAT IS GOOD ABOUT IT?
868
00:37:08,266 --> 00:37:09,966
IT'S ALL INTACT,
AND IT'S ORIGINAL.
869
00:37:09,966 --> 00:37:11,333
IT WILL NEVER
BE ORIGINAL AGAIN.
870
00:37:11,333 --> 00:37:12,933
‐AND THE AIR WORKS.
‐WE'LL DESTROY IT.
871
00:37:12,933 --> 00:37:15,033
‐WHY ARE YOU SO ANGRY?
‐I'M NOT ANGRY.
872
00:37:15,033 --> 00:37:17,233
‐HE'S ALWAYS NEGATIVE.
‐IT'S GOT POTENTIAL.
873
00:37:17,233 --> 00:37:20,200
IT IS SAID THAT WHEN ONE DOOR
CLOSES, ANOTHER DOOR OPENS.
874
00:37:20,200 --> 00:37:23,633
NOW, I'M NOT A BIG FAN OF ALL
THE PHILOSOPHICAL SILLINESS,
875
00:37:23,633 --> 00:37:25,000
BUT IT ALWAYS HAS BEEN TRUE.
876
00:37:25,000 --> 00:37:27,533
AND IN THIS CASE,
IT'S NEVER BEEN MORE TRUE.
877
00:37:27,533 --> 00:37:29,633
TAKE A FEAST
ON THAT BAD BOY!
878
00:37:29,633 --> 00:37:32,733
CHROMIUM DIOMSIDE!
LOOK AT CHROMIUM!
879
00:37:32,733 --> 00:37:36,466
CHROMIUM DIOMSIDE, AND I HAVE
LUNCH IN THE CAR FOR YOU,
880
00:37:36,466 --> 00:37:37,800
'CAUSE WE KEEP OUR WORD.
881
00:37:37,800 --> 00:37:39,833
YOU GUYS HAVE BEEN DOING
AN EXCELLENT JOB,
882
00:37:39,833 --> 00:37:41,400
APPRECIATE IT
VERY MUCH.
883
00:37:41,400 --> 00:37:44,600
YOU, UH...HAPPEN
TO NOTICE ANYTHING
884
00:37:44,600 --> 00:37:46,666
DOWN THERE
ON THE LICENSE PLATE?
885
00:37:46,666 --> 00:37:49,233
WHAT DOES IT SAY?
WHAT IS IT?
886
00:37:49,233 --> 00:37:51,133
‐"ICE TREY."
‐OH, YOU CAN READ?
887
00:37:51,133 --> 00:37:52,666
OKAY, THAT'S GOOD.
888
00:37:52,666 --> 00:37:55,966
YEAH, MY DREAMS WERE CRUSHED
TO BEING ABLE TO ‐‐
889
00:37:55,966 --> 00:37:57,233
LITERALLY CRUSHED ‐‐
890
00:37:57,233 --> 00:38:00,033
TO BE ABLE TO BRING
MY OLD CHARGER BACK TO LIFE.
891
00:38:00,033 --> 00:38:02,166
AS YOU KNOW, MY ORIGINAL
CAR IS LONG GONE.
892
00:38:02,166 --> 00:38:04,733
OH, SWEET [BLEEP]
YEAH.
893
00:38:04,733 --> 00:38:06,866
THIS IS IT!
THIS IS THE BIG ONE!
894
00:38:06,866 --> 00:38:08,400
JUST LIKE ROCKY BALBOA,
895
00:38:08,400 --> 00:38:10,533
FULL CIRCLE BACK
TO THE OLD NEIGHBORHOOD.
896
00:38:10,533 --> 00:38:13,466
I HAVE FOUND
THE 1970 DODGE CHARGER
897
00:38:13,466 --> 00:38:16,766
THAT WILL BE MY TRIBUTE,
FK5 WHITE‐TOP,
898
00:38:16,766 --> 00:38:18,300
BURNT‐ORANGE INTERIOR CAR.
899
00:38:18,300 --> 00:38:20,900
I'VE BEEN WAITING 35 YEARS
TO FIND THE RIGHT...
900
00:38:20,900 --> 00:38:23,966
YOU'VE BEEN WAITING 35 YEARS
TO DO A TRIBUTE CAR?
901
00:38:23,966 --> 00:38:29,800
...1970 DODGE CHARGER XP ‐‐
NOT AN XS OR AN XH ‐‐ AN XP CAR.
902
00:38:29,800 --> 00:38:32,700
THIS CAR RIGHT HERE IS GOING TO
BE THE BURNT‐ORANGE, WHITE‐TOP,
903
00:38:32,700 --> 00:38:36,833
BURNT‐ORANGE‐INTERIOR, BUCKET‐
SEAT CONSOLE, ORIGINAL CHARGER,
904
00:38:36,833 --> 00:38:39,600
ANATOMICALLY EXACTLY
THE WAY MY CAR WAS
905
00:38:39,600 --> 00:38:41,066
WHEN I HAD IT
AND ENJOYED IT,
906
00:38:41,066 --> 00:38:46,266
RIGHT DOWN TO THE CRUSHED‐VELVET
TUCK‐AND‐ROLL INTERIOR FROM...?
907
00:38:46,266 --> 00:38:49,366
SWEETPEA'S UPHOLSTERY.
SWEETPEA'S UPHOLSTERY.
908
00:38:49,366 --> 00:38:51,866
NOW, WHEN ROYAL TALKS
ABOUT SWEETPEA UPHOLSTERY,
909
00:38:51,866 --> 00:38:53,833
THAT WAS ACTUALLY
THE NAME OF THE COMPANY.
910
00:38:53,833 --> 00:38:56,033
IT WAS A FRIEND OF HIS,
911
00:38:56,033 --> 00:38:59,333
HIS MOM, THAT STARTED
THIS LITTLE UPHOLSTERY SHOP
912
00:38:59,333 --> 00:39:01,266
BACK IN THE '70s.
913
00:39:01,266 --> 00:39:03,133
YOU'RE NOT GONNA
REDO THAT, REALLY?
914
00:39:03,133 --> 00:39:05,533
YES, I'M GOING TO REDO THAT!
WE'RE GOING BACK!
915
00:39:05,533 --> 00:39:06,700
WE'RE GOING BACK, ROLO!
916
00:39:06,700 --> 00:39:08,333
I'M GOING TO HAVE
NIGHTMARES NOW.
917
00:39:08,333 --> 00:39:11,000
THIS IS THE OLDEN DAY.
ME AND ROLO ARE BACK.
918
00:39:11,000 --> 00:39:13,033
NOW THIS WAS
A COOL, LITTLE PLACE.
919
00:39:13,033 --> 00:39:16,066
WHEN WE WERE KIDS, IT WAS
THE OLD SPRINGFIELD AIRPORT,
920
00:39:16,066 --> 00:39:18,400
AND IT HAD A CAFé,
A LITTLE DINER.
921
00:39:18,400 --> 00:39:21,166
WHEN IT ALL WENT DOWN
AND THEY SHUT DOWN THE AIRPORT,
922
00:39:21,166 --> 00:39:24,266
THAT DINER WAS RENTED TO FAYE,
923
00:39:24,266 --> 00:39:26,266
AND SHE STARTED
SWEETPEA UPHOLSTERY.
924
00:39:26,266 --> 00:39:27,633
WELL, IF YOU'RE GOING TO
MAKE ME RELIVE IT
925
00:39:27,633 --> 00:39:29,466
I MIGHT AS WELL
HELP YOU ON IT.
926
00:39:29,466 --> 00:39:30,966
YOU'RE GOING TO GIVE ME
A HAND WITH THE OLD CAR?
927
00:39:30,966 --> 00:39:32,333
YEAH, I WILL.
928
00:39:32,333 --> 00:39:36,700
NOW "GRAVEYARD CARZ" AND
MARK WORMAN AND MY BEST FRIEND,
929
00:39:36,700 --> 00:39:39,700
WHO IS NOW BACK AT THE SHOP,
IS GOING TO HELP ME RESTORE
930
00:39:39,700 --> 00:39:44,033
THIS CAR LIVE IN FRONT OF
ALL OF YOU PEOPLE NEXT SEASON.
931
00:39:44,033 --> 00:39:45,300
I WANT YOU TO ANNOUNCE
IT RIGHT NOW.
932
00:39:45,300 --> 00:39:48,433
I WANT YOU TO LOOK
AT THAT GUY RIGHT DOWN THERE,
933
00:39:48,433 --> 00:39:50,533
AND I WANT YOU TO SAY,
"MY NAME IS ROYAL YOAKUM,
934
00:39:50,533 --> 00:39:52,300
AND I AM BACK
AT 'GRAVEYARD CARZ.'"
935
00:39:52,300 --> 00:39:54,933
RIGHT THERE. DO IT.
936
00:39:54,933 --> 00:39:57,800
MY NAME IS ROYAL YOAKUM, AND I'M
BACK AT "GRAVEYARD CARZ."
937
00:39:57,800 --> 00:40:00,233
♪♪ GONNA BE A PARTY,
HEY, NOW, HEY, NOW ♪♪
938
00:40:00,233 --> 00:40:02,433
[ LAUGHS ]
YEAH!
939
00:40:02,433 --> 00:40:05,500
♪♪ ROYAL'S BACK,
AND THERE'S GONNA BE A PARTY ♪♪
940
00:40:05,500 --> 00:40:07,866
♪♪ HEY, NOW, HEY, NOW. ♪♪
941
00:40:07,866 --> 00:40:10,533
OH, NO. DIDN'T YOUR WIFE
TELL YOU NOT TO DO THAT ANYMORE?
942
00:40:10,533 --> 00:40:12,033
THAT'S A MICHAEL JACKSON
FINISHER.
943
00:40:12,033 --> 00:40:14,366
WHY IS EVERYBODY COMING AT ME
FOR A LITTLE BIT OF DANCE MOVE?
944
00:40:14,366 --> 00:40:15,800
OKAY, THEY DIDN'T DO THAT
WITH MICHAEL JACKSON
945
00:40:15,800 --> 00:40:17,600
BACK IN THE DAY, RIGHT?
EVERYBODY WANT TO BE A DANCER.
946
00:40:17,600 --> 00:40:19,300
NOBODY WANT TO BE
A DANCER, RIGHT?
947
00:40:19,300 --> 00:40:21,433
WHAT ABOUT THAT QUESTION?
948
00:40:21,433 --> 00:40:24,233
[ LAUGHTER ]
949
00:40:24,233 --> 00:40:27,200
SO, THIS IS A MAJOR BIG DAY
IN THE LIFE OF MARK WORMAN,
950
00:40:27,200 --> 00:40:29,466
AND, I HOPE, MY BEST FRIEND,
ROYAL YOAKUM.
951
00:40:29,466 --> 00:40:34,000
I GET TO REBUILD A CHARGER,
FINALLY, THAT,
952
00:40:34,000 --> 00:40:35,966
SHOOT,
WE GREW UP IN IT, RIGHT?
953
00:40:35,966 --> 00:40:39,366
I MEAN, WHEN I MET ROYAL,
WE DISCOVERED THE CAR
954
00:40:39,366 --> 00:40:43,133
SITTING BEHIND A HOUSE
ON "A" STREET,
955
00:40:43,133 --> 00:40:44,500
JUST AFTER WE ‐‐
956
00:40:44,500 --> 00:40:45,600
WHAT WAS IT, "B"?
"B" STREET.
957
00:40:45,600 --> 00:40:47,000
ON "B" STREET.
YEAH. YEAH, "B" STREET.
958
00:40:47,000 --> 00:40:48,666
RIGHT NEXT TO BEALE CHAPEL
959
00:40:48,666 --> 00:40:50,833
WHERE THEY BURIED MY DAD
WHEN I WAS 12.
960
00:40:50,833 --> 00:40:53,766
SO, IF YOU WANT TO TALK
ABOUT THAT, WE CAN.
961
00:40:53,766 --> 00:40:55,200
NO, I ‐‐
962
00:40:55,200 --> 00:40:56,933
AND WHAT DO YOU THINK
ABOUT THE BURNT ORANGE?
963
00:40:56,933 --> 00:40:58,133
I THINK THAT'S GREAT.
964
00:40:58,133 --> 00:40:59,633
I MEAN, THAT'S GOING TO
CAUSE ME NIGHTMARES
965
00:40:59,633 --> 00:41:01,366
AND SCAR ME
FOR THE REST OF MY LIFE.
966
00:41:01,366 --> 00:41:02,633
WHY WOULD THAT BE?
967
00:41:02,633 --> 00:41:04,166
ALL THE WORK.
968
00:41:04,166 --> 00:41:05,466
WE DID SOME STRANGE THINGS.
YEAH, WE DID.
969
00:41:05,466 --> 00:41:08,766
ALL THE WORK WE DID, AND
WE NEVER DID NOTHING STRANGE.
970
00:41:08,766 --> 00:41:13,533
IF SOMEBODY WOULD HAVE SAID
IN 1980 THAT 40 YEARS FROM NOW
971
00:41:13,533 --> 00:41:16,633
YOU'RE GOING TO BE STANDING
IN A SHOP WITH A CAR
972
00:41:16,633 --> 00:41:19,333
THAT YOU'RE GOING TO TRIBUTE
TO YOUR ORIGINAL CHARGER,
973
00:41:19,333 --> 00:41:22,533
WITH YOUR BEST FRIEND, ROYAL,
AND THEY'RE GOING TO FILM IT
974
00:41:22,533 --> 00:41:24,333
AND MAKE A TELEVISION SHOW
OUT OF IT,
975
00:41:24,333 --> 00:41:25,366
I WOULD HAVE THOUGHT
THAT WAS ‐‐
976
00:41:25,366 --> 00:41:27,133
INSANE.
INSANE.
977
00:41:27,133 --> 00:41:29,000
INSANE.
BUT IT IS.
978
00:41:29,000 --> 00:41:31,766
I REMEMBER SITTING
IN THE CARPORT,
979
00:41:31,766 --> 00:41:33,966
SAYING YOU'RE GOING TO WORK
ON CARS THE REST OF YOUR LIFE,
980
00:41:33,966 --> 00:41:35,200
AND YOU HAVE.
981
00:41:35,200 --> 00:41:37,766
WE DID HAVE A LITTLE CARPORT
ON 14th STREET,
982
00:41:37,766 --> 00:41:39,766
ROYAL USED TO HANG OUT WITH ME
ALL THE TIME THERE.
983
00:41:39,766 --> 00:41:43,966
HERE WE ARE, 40 YEARS LATER,
NUMBER‐ONE, CHROMIUM DIOMSIDE.
984
00:41:43,966 --> 00:41:45,633
MY MOM WOULD LOVE
THIS MINUTE,
985
00:41:45,633 --> 00:41:47,766
SHE'D BE SITTING THERE
BAWLING HER EYES OUT.
986
00:41:47,766 --> 00:41:49,733
SHE LOVED MY CHARGER.
ABSOLUTELY.
987
00:41:49,733 --> 00:41:52,233
WHEN ALLYSA GAVE ME
THAT BURNT‐ORANGE CHARGER MODEL,
988
00:41:52,233 --> 00:41:55,733
SHE CALLED ME UP CRYING.
MY SISTER CRIED.
989
00:41:55,733 --> 00:41:58,266
AND IT'S FUNNY BECAUSE I TALK
ABOUT IT ALL THE TIME,
990
00:41:58,266 --> 00:42:00,066
ABOUT HOW, YOU KNOW,
THESE CARS CAN BE
991
00:42:00,066 --> 00:42:01,833
THE FABRIC OF OUR LIVES,
BUT, I MEAN,
992
00:42:01,833 --> 00:42:03,366
I'M JUST AS GUILTY
OF THAT.
993
00:42:03,366 --> 00:42:04,933
I'M NOT ABOVE THAT.
994
00:42:04,933 --> 00:42:08,366
EVERYTHING ‐‐
MY COMING OF ADULTHOOD,
995
00:42:08,366 --> 00:42:10,366
IN A MANNER OF SPEAKING,
WAS IN THAT CAR.
996
00:42:10,366 --> 00:42:12,600
YOU LEARNED ABOUT WORKING,
YOU LEARNED ABOUT GIRLFRIENDS,
997
00:42:12,600 --> 00:42:14,533
YOU LEARNED ABOUT LOVE,
YOU LEARNED ABOUT EVERYTHING,
998
00:42:14,533 --> 00:42:16,933
YOU LEARNED ABOUT
ROYAL NEVER BEING ON TIME.
999
00:42:16,933 --> 00:42:18,866
YOU'D GO DOWN TO PICK HIM UP,
AND HE WAS STILL UPSTAIRS
1000
00:42:18,866 --> 00:42:19,866
ASLEEP
IN HIS BEDROOM.
1001
00:42:19,866 --> 00:42:21,966
THAT HAPPENED ONCE.
OKAY, TWICE.
1002
00:42:21,966 --> 00:42:25,300
TWICE A DAY,
I TRIED TO GET HIM OUT.
1003
00:42:25,300 --> 00:42:27,133
THIS IS
THE UNDERDOG STORY.
1004
00:42:27,133 --> 00:42:29,833
I DIDN'T REALIZE
WHEN I GOT RID OF THE CAR
1005
00:42:29,833 --> 00:42:32,233
I WAS GOING TO BECOME
AN UNDERDOG, BUT I HAVE.
1006
00:42:32,233 --> 00:42:33,566
MILLIONS OF PEOPLE
AROUND THE WORLD
1007
00:42:33,566 --> 00:42:35,866
ARE PULLING FOR US
TO BE ABLE TO GET THIS CAR DONE.
1008
00:42:35,866 --> 00:42:39,566
AND THE THING THAT MAKES IT JUST
THE GREATEST THING IN MY MIND,
1009
00:42:39,566 --> 00:42:42,833
THE THING THAT REALLY PUSHES
THIS TO A DREAM COME TRUE,
1010
00:42:42,833 --> 00:42:44,500
IS THAT
MY BEST FRIEND, ROYAL,
1011
00:42:44,500 --> 00:42:46,466
IS HERE TO HELP ME
RESTORE THE CAR.
1012
00:42:46,466 --> 00:42:49,600
AND WE HAVE THE PRE‐EMINENT TEAM
1013
00:42:49,600 --> 00:42:51,333
EVER ASSEMBLED
AT "GRAVEYARD CARZ,"
1014
00:42:51,333 --> 00:42:53,200
IN THE HISTORY
OF "GRAVEYARD CARZ,"
1015
00:42:53,200 --> 00:42:56,100
ALTOGETHER WORKING
TO MAKE FULL CIRCLE
1016
00:42:56,100 --> 00:42:59,933
"GRAVEYARD CARZ"
PUNCH INTO NEXT SEASON.
1017
00:42:59,933 --> 00:43:03,333
NOBODY WILL SEE
THIS ONE COMING.
1018
00:43:03,333 --> 00:43:04,800
SO, I WANT TO SEE
IF I'VE GOT ALL THIS STRAIGHT.
1019
00:43:04,800 --> 00:43:07,366
WE'VE GOT ONE MORE LITTLE ONE
TO DROP ON EVERYBODY.
1020
00:43:07,366 --> 00:43:10,366
WE'RE GOING TO REDO AN ORIGINAL
TRIBUTE TO MY CHARGER,
1021
00:43:10,366 --> 00:43:13,033
BURNT‐ORANGE, WHITE‐TOP,
BURNT‐ORANGE INTERIOR.
1022
00:43:13,033 --> 00:43:16,133
ROYAL IS BACK
FOR SEASON 14.
1023
00:43:16,133 --> 00:43:18,300
AND HE JUST TOLD ME...
1024
00:43:18,300 --> 00:43:20,166
HE GOT ENGAGED.
1025
00:43:20,166 --> 00:43:21,700
YEAH, I DID.
1026
00:43:21,700 --> 00:43:23,533
MY MAN TOLD ME HE WOULD NEVER
GO GET MARRIED AGAIN
1027
00:43:23,533 --> 00:43:25,566
AFTER THE LAST TIME.
NO!
1028
00:43:25,566 --> 00:43:26,900
WELL, YOU SAID IT WAS GOING TO
TAKE THE RIGHT ‐‐
1029
00:43:26,900 --> 00:43:28,266
I NEVER SAID THAT.
I SAID I'D BE MARRIED SOMEDAY.
1030
00:43:28,266 --> 00:43:29,600
HE SAID IT'D BE
A VERY SPECIAL WOMAN.
1031
00:43:29,600 --> 00:43:31,933
SO, WHAT
I'D LIKE TO DO ‐‐
1032
00:43:31,933 --> 00:43:34,233
LOOK INTO THAT CAMERA
RIGHT OVER THERE
1033
00:43:34,233 --> 00:43:36,200
AND SAY HI
TO YOUR FIANCéE.
1034
00:43:36,200 --> 00:43:38,633
THAT'S ALL YOU GOT TO SAY.
JUST SAY HI.
1035
00:43:38,633 --> 00:43:41,366
HI, RONDA.
HI, RONDA.
1036
00:43:41,366 --> 00:43:43,600
BYE, RONDA,
WE GOT TO GO RESTORE CARS.
1037
00:43:43,600 --> 00:43:45,300
SEE YOU GUYS
NEXT SEASON.
1038
00:43:45,300 --> 00:43:47,666
KICKING "A"
AND TAKING NAMES!
81863
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