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[RADIO TRANSMISSION CHATTER]
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Narrator: THIS IS THE CREW
OF APOLLO 17...
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00:00:16,960 --> 00:00:22,240
FIVE HOURS AFTER LIFTOFF,
THE EARTH ALREADY FAR BEHIND.
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Harrison Schmitt:
YOU'RE LOUD AND CLEAR, BOB,
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00:00:26,800 --> 00:00:31,200
AND COULD YOU GIVE US OUR
DISTANCE FROM THE EARTH, PLEASE?
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Bob: ROGER.
I'D GUESS ABOUT 19,000 MILES,
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BUT LET ME GET IT EXACT.
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Schmitt: JUST APPROXIMATE'S
GOOD ENOUGH.
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Narrator: HARRISON SCHMITT
IS BOUND FOR THE MOON.
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Schmitt: WE WERE MOVING
AT 25,000 MILES AN HOUR,
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00:00:47,000 --> 00:00:51,320
SO THINGS GOT SMALLER VERY FAST.
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Narrator: SCHMITT IS ABOUT
TO BECOME THE FIRST ASTRONAUT
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TO PHOTOGRAPH THE WHOLE EARTH.
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Schmitt:
THE APOLLO 17 LANDING SITE
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DETERMINED THAT WE WOULD SEE
A NEARLY FULL EARTH
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SOON AFTER LAUNCH.
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LOOK AT THAT.
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YEAH, MADAGASCAR.
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AND AFRICA!
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HEY, THERE'S ANTARCTICA,
IT'S ALL FULL OF SNOW!
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OK, YOU WANT TO LOOK?
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Narrator: SCHMITT'S PHOTOGRAPH
BECAME KNOWN AS THE BLUE MARBLE.
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Schmitt: A HUMAN BEING
TOOK A PICTURE
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THAT THEN EVERYBODY
ON THE PLANET,
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ONCE THEY SAW IT,
COULD IDENTIFY WITH.
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THEY'D SAY, WELL, THERE'S HOME
UP THERE IN THE SKY.
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Schmitt on radio:
I TELL YOU, IF THERE EVER WAS
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A FRAGILE-APPEARING
PIECE OF BLUE IN SPACE,
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IT'S THE EARTH RIGHT NOW.
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Man: THAT'S GREAT.
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Narrator: 45 YEARS LATER,
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OUR HOME PLANET
HAS BEEN TRANSFORMED.
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♪
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TODAY, THE INTERNATIONAL
SPACE STATION CIRCLES THE EARTH,
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250 MILES UP.
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A NEW GENERATION OF ASTRONAUTS
HAS A GRANDSTAND VIEW.
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Tim Peake: I WAS BORN IN 1972,
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THE YEAR THAT THE LAST MAN
WALKED ON THE MOON IN APOLLO 17.
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Narrator: IN 45 YEARS,
THE HUMAN POPULATION HAS DOUBLED
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TO 7.4 BILLION.
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ASTRONAUTS AND SATELLITES
HAVE A STORY TO TELL...
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OF STARTLING CHANGE
ON PLANET EARTH.
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WE'VE MADE STRANGE
AND BEAUTIFUL FORMS...
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Nicole Stott:
IT STUNS YOU ON EVERY LEVEL.
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Narrator: ...AS WE BLAZE A TRAIL
ACROSS OUR WORLD.
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Don Pettit: IF IT WASN'T
FOR THAT PLACE DOWN THERE,
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I WOULDN'T BE HERE IN SPACE
LOOKING DOWN AT IT.
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IT'S LIKE, WOW!
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Narrator: NEW CITIES APPEAR
BY MAGIC.
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MYSTERIES SHIMMER IN THE SUN.
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Luca Parmitano: FROM SPACE,
THAT CAPTURES OUR ATTENTION
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AND IMAGINATION.
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Narrator:
ASTRONAUTS ARE WATCHING
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AS WE MAKE OUR MARK ON EARTH.
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Don: THERE'S HUMANS DOWN THERE.
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I'M HUMAN.
THIS IS A GOOD THING.
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Narrator: IT'S THE STORY
OF HUMAN PROGRESS...
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FROM A UNIQUE PERSPECTIVE.
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Luca: IT IS JUST BEAUTIFUL.
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Narrator: THIS IS HOW
WE CHANGED THE WORLD,
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THEN LOOKED DOWN
TO SEE WHAT WE HAD DONE.
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Man: ♪ THAT'S A METAPHOR...
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Woman: YOU MAKE IT SOUND EASY.
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Narrator: FOR ASTRONAUTS,
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THE MOST OBVIOUS CHANGE
IN OUR PLANET
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CAN BE SEEN FROM ANY WINDOW.
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AS THE HUMAN POPULATION GROWS,
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OUR CITIES SPIN A WEB OF LIGHT
ACROSS THE GLOBE.
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Don: FROM THE FIRST TIME I FLEW,
WHICH WAS 2002,
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TO THE LAST TIME,
WHICH WAS 2012,
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THE MAIN EFFECT I SAW ON EARTH
WAS AT NIGHTTIME,
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AND IT WAS THE EXTENT
OF LIGHTING.
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Narrator: ANY CITY OF
10 MILLION PEOPLE IS A MEGACITY.
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BUT AN ASTRONAUT'S CAMERA
SWALLOWS IT WHOLE.
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Kjell Lindgren: WE LOVE
TAKING PICTURES OF CITIES,
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TO THE POINT WHERE YOU
CAN PICK OUT THE CITY
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WHEN YOU JUST SEE THE PHOTO
VERY QUICKLY.
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Narrator: THE BIGGEST MEGACITIES
ARE TOKYO...
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DELHI...
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AND SHANGHAI.
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00:04:44,000 --> 00:04:47,680
NEXT IN LINE ARE MUMBAI...
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00:04:47,720 --> 00:04:50,200
SAO PAULO...
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AND THE CHINESE CAPITAL,
BEIJING.
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Nicole: TO SEE
THESE GLOWING CITIES
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KIND OF POPPING OUT AT YOU
AT NIGHT
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IS REALLY PRETTY INCREDIBLE.
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00:05:02,520 --> 00:05:04,800
FOR ME IT OPENED UP
THIS WHOLE NEW VIEW
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00:05:04,840 --> 00:05:08,360
OF LOOKING AT PLACES LIKE CHINA.
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00:05:11,960 --> 00:05:16,400
Narrator: IN SOUTHEAST CHINA,
NEXT DOOR TO HONG KONG,
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AN ENTIRELY NEW MEGACITY
HAS GROWN
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FROM THE MOST HUMBLE
OF BEGINNINGS.
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♪
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Nicole: THE CHANGE
THAT HAS HAPPENED THERE,
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IT'S INCREDIBLE.
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IT ALMOST DOESN'T SEEM REAL.
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♪
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Narrator: 30 YEARS AGO, THERE
WAS A VILLAGE CALLED BAISHIZHOU.
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POPULATION, 1,000.
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THERE WAS A BABY BOY,
AND HIS NAME WAS JET CUI.
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THE BOY GREW UP FAST,
BUT THE VILLAGE GREW FASTER.
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AND THE STREETS OF BAISHIZHOU
BECAME A LABYRINTH.
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Jet Cui: BAISHIZHOU IS A LOT
OF THINGS, A LOT OF PEOPLE,
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A LOT OF STUFF, JUST PACKED
IN A REALLY TINY SPACE.
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Narrator:
SOON IT WAS HARD TO TELL
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WHERE ONE VILLAGE ENDED
AND THE NEXT ONE BEGAN.
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THE STREETS WERE SO NARROW
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THAT NEIGHBORS COULD SHAKE HANDS
ACROSS THE GAP.
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00:06:23,520 --> 00:06:25,760
Jet: IF YOU GET A STRANGER
IN THERE,
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I WILL BET HE WILL NEVER
GET OUT FROM BAISHIZHOU.
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YOU HAVE TO, LIKE, TURN
LIKE 20 TIMES TO GET THERE.
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IT'S REALLY EASY TO GET LOST.
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Narrator: THERE'S NO VILLAGE
ON EARTH LIKE BAISHIZHOU.
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IN LESS THAN 40 YEARS
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A MEGACITY OF 11 MILLION
HAS GROWN AROUND IT.
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♪
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ITS NAME IS SHENZHEN.
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♪
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Nicole: YOU CAN IMAGINE
ALL OF THESE PEOPLE
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BUSTLING AROUND THAT AREA...
120
00:07:06,560 --> 00:07:10,640
BUT IT'S LIKE
THE MUTE BUTTON IS ON.
121
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IT'S A VERY SURREAL THING.
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IT GETS YOU THINKING ABOUT
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WHAT ARE ALL THOSE PEOPLE
DOING DOWN THERE?
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♪
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Narrator:
JET CUI STILL HANGS OUT
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WITH THE BOYS
FROM THE OLD VILLAGE.
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THEY'RE THE SAME AGE
AS THE NEW CITY,
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00:07:30,640 --> 00:07:32,960
AND THEIR EYES
ARE ON THE FUTURE.
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♪
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Jet: ELECTRONICS!
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MY BUSINESS IS
IN ELECTRONICS INDUSTRY.
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BECAUSE OF BASKETBALL.
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RIGHT?
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00:07:45,280 --> 00:07:48,080
MY FAVORITE PLAYER
IS MICHAEL JORDAN,
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00:07:48,120 --> 00:07:52,160
AND HE SAID SOMETHING
LIKE, JUST DO IT!
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00:07:52,200 --> 00:07:55,560
BUT I THOUGHT IT WAS,
JUST DO I.T.
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00:07:55,600 --> 00:07:59,080
SO I MUST, I MUST DO I.T., THEN!
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00:08:02,720 --> 00:08:05,280
Narrator: JET'S GENERATION
IS SURFING THE WAVE
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00:08:05,320 --> 00:08:09,920
OF I.T., ELECTRONICS,
AND COMMUNICATIONS.
140
00:08:09,960 --> 00:08:12,920
THE CITY'S VAST MARKET
HAS A MIND-BOGGLING ARRAY
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00:08:12,960 --> 00:08:16,360
OF HIGH-TECH PRODUCTS.
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00:08:16,400 --> 00:08:19,440
Jet: SHENZHEN IS REALLY,
LIKE, HIGH EFFICIENCY.
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00:08:19,480 --> 00:08:21,200
IT'S PRETTY INTERNATIONAL
AS WELL.
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SHENZHEN HAS A DNA OF...
OF STARTING UP SOMETHING.
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THERE'S A LOT OF GIANT
ENTERPRISE STARTED FROM HERE.
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Narrator: SHENZHEN IS HOME
147
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TO THE WORLD'S BIGGEST
DRONE COMPANY.
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00:08:36,120 --> 00:08:37,760
AND IT'S SAID TO MAKE
ONE QUARTER
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OF ALL SMART PHONES
SOLD ON EARTH.
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♪
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ELECTRONICS MAKE THE CITY
A BLAZE OF COLOR.
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♪
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Don: WHEN YOU LOOK
AT A CITY AT NIGHT,
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YOU CAN SEE THE COLOR
HAS CHANGED.
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THERE ARE NOW
MANY DIFFERENT COLORS.
156
00:09:02,040 --> 00:09:03,880
Narrator:
WESTERN CITIES GLOW ORANGE
157
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FROM SODIUM STREET LIGHTS.
158
00:09:07,280 --> 00:09:12,800
ASIAN CITIES GLOW GREEN
FROM MERCURY VAPOR LAMPS.
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00:09:12,840 --> 00:09:16,440
BUT SHENZHEN IS
A COLOR-CHANGING CHAMELEON.
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00:09:20,400 --> 00:09:25,440
Don: YOU CAN SEE BRIGHT COLORS
OF PINKS AND BLUES,
161
00:09:25,480 --> 00:09:29,400
AND THESE ARE COMING
FROM THE L.E.D. BILLBOARDS
162
00:09:29,440 --> 00:09:34,480
AND OTHER L.E.D. LIGHTING
THAT'S COMING OUT IN CITIES.
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00:09:36,000 --> 00:09:38,280
Nicole: YOU JUST FEEL
LIKE YOU'RE LOOKING
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AT A PLACE THAT'S ALIVE.
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00:09:48,160 --> 00:09:51,720
Narrator: THESE ARE THE CHILDREN
OF THE MEGACITY AGE.
166
00:09:51,760 --> 00:09:54,960
BUT THEY HAVEN'T FORGOTTEN
THEIR VILLAGE ROOTS.
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00:09:55,000 --> 00:09:58,480
Jet: BAISHIZHOU IS SPECIAL
FOR US BECAUSE WE GREW UP THERE.
168
00:09:58,520 --> 00:10:02,600
WE HAVE BEEN THROUGH A LOT
TOGETHER.
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00:10:02,640 --> 00:10:06,880
Narrator: MEGACITIES ARE
THE SHAPE OF THINGS TO COME.
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00:10:06,920 --> 00:10:11,920
BY 2056, THERE WILL BE
10 BILLION PEOPLE ON EARTH.
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00:10:11,960 --> 00:10:16,520
WE'LL NEED MORE MEGACITIES,
MORE FOOD, MORE ENERGY--
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00:10:16,560 --> 00:10:19,240
MORE EVERYTHING.
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00:10:19,280 --> 00:10:23,840
THE QUESTION IS, DOES OUR PLANET
HAVE THE RESOURCES WE NEED?
174
00:10:29,600 --> 00:10:34,480
IN THE LAST 45 YEARS,
THE HUMAN RACE HAS DOUBLED.
175
00:10:34,520 --> 00:10:36,000
AS WE MULTIPLY,
176
00:10:36,040 --> 00:10:39,760
THE EARTH GLITTERS
WITH THE LIGHT OF NEW CITIES.
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00:10:39,800 --> 00:10:45,680
BUT ASTRONAUTS ALSO SEE
THE PRICE WE PAY FOR PROGRESS.
178
00:10:45,720 --> 00:10:48,800
Tim: TO SEE HOW FRAGILE
OUR ATMOSPHERE IS
179
00:10:48,840 --> 00:10:52,480
MAKES YOU VERY AWARE
THAT WE HAVE TO BE RESPONSIBLE
180
00:10:52,520 --> 00:10:55,880
ABOUT HOW WE DO THINGS
ON PLANET EARTH.
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00:10:55,920 --> 00:10:57,720
WE ARE CHANGING THE PLANET
182
00:10:57,760 --> 00:11:02,320
IN WAYS THAT OTHER SPECIES OF
ANIMALS HAVEN'T DONE BEFORE US.
183
00:11:04,360 --> 00:11:08,760
Narrator: SATELLITES SEE
HUGE LONG-TERM CHANGES.
184
00:11:08,800 --> 00:11:11,160
CENTRAL ASIA'S ARAL SEA
185
00:11:11,200 --> 00:11:16,120
HAS SHRUNK DRAMATICALLY
SINCE THE SIXTIES.
186
00:11:16,160 --> 00:11:19,560
SINCE 1980
ALASKA'S COLUMBIA GLACIER
187
00:11:19,600 --> 00:11:22,240
HAS LOST HALF ITS VOLUME.
188
00:11:25,880 --> 00:11:27,720
IN SOUTH AMERICA,
189
00:11:27,760 --> 00:11:32,040
BOLIVIA'S LAKE POOPOÓ
HAS DRIED UP ALMOST COMPLETELY.
190
00:11:33,680 --> 00:11:39,200
ALL THREE HAVE BEEN TRACED
TO MAN-MADE CAUSES.
191
00:11:39,240 --> 00:11:41,760
Don: WE DO NOT WANT
TO FOUL OUR NEST
192
00:11:41,800 --> 00:11:45,480
TO THE POINT WHERE
WE CAN NO LONGER LIVE
193
00:11:45,520 --> 00:11:47,720
IN THE PLACES WE WANT TO.
194
00:11:50,240 --> 00:11:51,960
Narrator: THE VIEW FROM SPACE
195
00:11:52,000 --> 00:11:56,160
GIVES US A VITAL WAY
TO UNDERSTAND CHANGES ON EARTH.
196
00:11:56,200 --> 00:11:58,960
[RADIO TRANSMISSION]
Man: GO AHEAD, LUCA.
197
00:11:59,000 --> 00:12:00,560
Narrator: ASTRONAUTS SEE THINGS
198
00:12:00,600 --> 00:12:04,400
THE REST OF US
CAN ONLY DREAM OF.
199
00:12:04,440 --> 00:12:09,200
Luca: I DO HAVE THIS VERY VIVID
MEMORY OF MY FIRST SPACEWALK.
200
00:12:09,240 --> 00:12:10,600
Woman: LUCA, READY FOR MOTION?
201
00:12:10,640 --> 00:12:11,920
Luca: READY FOR MOTION,
GO AHEAD.
202
00:12:11,960 --> 00:12:15,240
WHILE WE WERE OVER
THE ATLANTIC OCEAN,
203
00:12:15,280 --> 00:12:16,720
THE SUN CAME UP.
204
00:12:17,400 --> 00:12:24,360
♪
205
00:12:24,400 --> 00:12:28,880
A SUNRISE WHILE YOU'RE OUTSIDE,
ON A SPACEWALK,
206
00:12:28,920 --> 00:12:32,800
WITH NOTHING TO DO BUT JUST
OBSERVE AND LET IT ALL SINK IN.
207
00:12:36,040 --> 00:12:39,720
THE BLUE OF THE OCEAN,
THAT SUPER DEEP BLUE,
208
00:12:39,760 --> 00:12:41,640
CAME UP ALL AT ONCE.
209
00:12:41,680 --> 00:12:48,000
♪
210
00:12:48,040 --> 00:12:52,240
AND THEN IT TRANSFORMED INTO
THE TERRACOTTA COLOR OF AFRICA,
211
00:12:52,280 --> 00:12:54,560
THAT EXTENDS
AND IT TURNS INTO GREEN.
212
00:12:54,600 --> 00:12:58,240
AND YOU'RE LOOKING
AT THE FOREST OF AFRICA.
213
00:12:58,280 --> 00:13:02,000
AND THEN THE MAJESTY
OF MOUNT KILIMANJARO,
214
00:13:02,040 --> 00:13:05,480
CLIMBING OVER EVERYTHING ELSE
THAT WAS COVERED IN CLOUDS.
215
00:13:08,480 --> 00:13:10,960
JUST THE EYE OF THE VOLCANO,
COMING OUT.
216
00:13:11,000 --> 00:13:12,240
AND IT LOOKED LIKE AN EYE,
217
00:13:12,280 --> 00:13:14,680
EVEN THE SHAPE
OF THE CLOUDS AROUND IT.
218
00:13:14,720 --> 00:13:16,240
AND I TOOK A PICTURE OF IT,
219
00:13:16,280 --> 00:13:19,080
AND IT LOOKED ALMOST LIKE
STARING AT A DINOSAUR,
220
00:13:19,120 --> 00:13:20,880
A LIVING THING.
221
00:13:20,920 --> 00:13:23,440
IT JUST TAKES YOUR BREATH AWAY.
222
00:13:23,480 --> 00:13:25,880
IT LITERALLY
TAKES YOUR BREATH AWAY.
223
00:13:25,920 --> 00:13:35,920
♪
224
00:13:38,080 --> 00:13:40,520
Narrator: MOUNT KILIMANJARO
IS THE GREAT ICON
225
00:13:40,560 --> 00:13:43,160
OF THE AFRICAN CONTINENT.
226
00:13:43,200 --> 00:13:46,360
FROM THE TANZANIAN FOREST,
THE DORMANT VOLCANO
227
00:13:46,400 --> 00:13:51,000
CLIMBS 19,000 FEET
TO A FROZEN PEAK.
228
00:13:51,040 --> 00:13:53,480
ULTRA-MARATHON RUNNER SIMON MTUY
229
00:13:53,520 --> 00:13:56,560
HAS LIVED HIS ENTIRE LIFE
IN THE FOOTHILLS.
230
00:13:56,600 --> 00:14:01,080
HE HAS CLIMBED TO THE TOP
NEARLY 500 TIMES.
231
00:14:01,120 --> 00:14:02,520
Simon Mtuy:
YOU'RE FEELING EVERY TWIST
232
00:14:02,560 --> 00:14:04,320
OF THE STONES
THAT YOU'RE STEPPING ON.
233
00:14:04,360 --> 00:14:06,200
YOU'RE MORE AWARE OF YOUR SOUND.
234
00:14:06,240 --> 00:14:08,120
YOU'RE MORE AWARE
OF YOUR BREATHING.
235
00:14:08,160 --> 00:14:10,320
SO YOU'RE IN THIS ZONE.
236
00:14:10,360 --> 00:14:12,520
ZOOMING.
237
00:14:12,560 --> 00:14:16,880
Narrator: IN 2006, SIMON RAN
TO THE TOP AND BACK UNAIDED
238
00:14:16,920 --> 00:14:20,400
IN 9 HOURS, 21 MINUTES...
239
00:14:20,440 --> 00:14:24,680
A RECORD THAT STILL STANDS.
240
00:14:24,720 --> 00:14:26,600
BUT THE GLACIERS AT THE SUMMIT--
241
00:14:26,640 --> 00:14:29,440
THE CELEBRATED SNOWS
OF KILIMANJARO--
242
00:14:29,480 --> 00:14:31,200
ARE SHRINKING.
243
00:14:34,840 --> 00:14:40,440
Simon: SOME OF THEM USED TO BE
VERY HUGE, MAYBE 20 METERS HIGH.
244
00:14:40,480 --> 00:14:43,400
I'VE SEEN IT AT FIVE METER.
CAN I TELL A DIFFERENCE?
245
00:14:43,440 --> 00:14:45,720
OF COURSE I CAN TELL
A DIFFERENCE.
246
00:14:49,280 --> 00:14:53,240
Narrator: FROM SPACE,
THE LOSS OF ICE IS OBVIOUS.
247
00:14:53,280 --> 00:14:59,560
SINCE 1976, MORE THAN HALF
HAS DISAPPEARED.
248
00:14:59,600 --> 00:15:04,320
THE PROBLEM HAS BEEN BLAMED
ON GLOBAL WARMING.
249
00:15:04,360 --> 00:15:08,440
KILIMANJARO'S FOOTHILLS ARE
GOING THROUGH LONG-TERM DROUGHT.
250
00:15:11,080 --> 00:15:13,480
Simon: WHEN I REMEMBER
MY CHILDHOOD,
251
00:15:13,520 --> 00:15:15,200
THERE WERE SO MANY PLACES
I COULDN'T GO
252
00:15:15,240 --> 00:15:18,120
BECAUSE IT WAS A HUGE RIVER.
253
00:15:18,160 --> 00:15:20,600
NOW YOU CAN ALMOST COVER
THE WHOLE ENTIRE MOUNTAIN
254
00:15:20,640 --> 00:15:24,200
WITHOUT GETTING YOUR SHOES WET.
255
00:15:24,240 --> 00:15:26,240
Narrator: IN FACT,
KILIMANJARO'S PROBLEM
256
00:15:26,280 --> 00:15:30,280
MAY BE MORE LOCAL THAN GLOBAL.
257
00:15:30,320 --> 00:15:34,240
AND THE EVIDENCE COMES
FROM SPACE.
258
00:15:34,280 --> 00:15:38,760
THE MOUNTAIN STANDS
ON AN ISLAND OF TREES.
259
00:15:38,800 --> 00:15:41,960
Don: WHEN YOU LOOK
AT KILIMANJARO FROM SPACE,
260
00:15:42,000 --> 00:15:46,160
YOU SEE IT IS SURROUNDED
BY WHAT LOOKS LIKE DESERT.
261
00:15:46,200 --> 00:15:50,120
IT'S BROWN, AND THEN IT CHANGES
GOING UP THE SIDE,
262
00:15:50,160 --> 00:15:52,080
AND IT BECOMES GREEN,
263
00:15:52,120 --> 00:15:55,040
AND THEN IT CHANGES AGAIN
BACK TO BROWN
264
00:15:55,080 --> 00:15:57,920
WHEN YOU GET ABOVE TIMBER LINE.
265
00:15:57,960 --> 00:16:01,440
Narrator: THESE RECTANGLES MEAN
THE FOREST IS BEING DESTROYED...
266
00:16:01,480 --> 00:16:04,800
BY US.
267
00:16:04,840 --> 00:16:11,920
PEOPLE NEED FIELDS FOR CROPS
AND WOOD FOR FUEL AND MATERIALS.
268
00:16:11,960 --> 00:16:16,080
BUT TREES PUMP WATER
BACK INTO THE ATMOSPHERE.
269
00:16:16,120 --> 00:16:18,040
SO WHEN WE CUT DOWN THE TREES,
270
00:16:18,080 --> 00:16:22,880
WE TURN OFF THE TAPS
THAT WATER THE GLACIERS.
271
00:16:22,920 --> 00:16:24,720
IN THE LAST 70 YEARS,
272
00:16:24,760 --> 00:16:29,360
KILIMANJARO HAS LOST
ONE THIRD OF ITS FOREST.
273
00:16:29,400 --> 00:16:32,640
Simon: WE CAN'T JUST TAKE
AND TAKE AND TAKE.
274
00:16:32,680 --> 00:16:36,360
THIS SELFISHNESS OF TAKING,
TAKING, TAKING.
275
00:16:38,920 --> 00:16:40,400
Narrator:
IN THIS SATELLITE IMAGE,
276
00:16:40,440 --> 00:16:44,760
RED DOTS HIGHLIGHT
INDIVIDUAL FIRES.
277
00:16:44,800 --> 00:16:49,040
THEY MAKE A BLANKET OF SMOKE
THE BREADTH OF AFRICA.
278
00:16:49,080 --> 00:16:52,480
Luca: IT'S JUST MAN
DESTROYING PRISTINE FOREST
279
00:16:52,520 --> 00:16:55,800
TO MAKE SPACE FOR CULTIVATION.
280
00:16:55,840 --> 00:16:57,440
YOU CANNOT HELP BUT BE SADDENED
281
00:16:57,480 --> 00:17:01,720
BY THE SIGHT
OF THESE HUGE FIRES.
282
00:17:01,760 --> 00:17:05,040
Simon: AT SOME POINT
WE MUST SAY IT'S ENOUGH.
283
00:17:05,080 --> 00:17:09,040
THE WORLD NEEDS TO HEAL.
284
00:17:09,080 --> 00:17:11,280
Narrator: KILIMANJARO
HAS FOUND ITS HEALER.
285
00:17:11,320 --> 00:17:13,120
[PEOPLE SINGING]
286
00:17:13,160 --> 00:17:16,840
A MAN OF FAITH
AND BIOLOGICAL SCIENCE.
287
00:17:16,880 --> 00:17:20,080
HIS NAME IS
BISHOP FREDRICK SHOO.
288
00:17:20,120 --> 00:17:22,560
BUT THEY CALL HIM
THE TREE BISHOP.
289
00:17:22,600 --> 00:17:32,600
[SINGING]
290
00:17:35,720 --> 00:17:40,160
[PEOPLE ULULATING]
291
00:17:40,200 --> 00:17:43,920
Fredrick Shoo: WHEN I PLANT
TREES, I FEEL GREAT.
292
00:17:43,960 --> 00:17:46,080
I FEEL HAPPY.
293
00:17:46,120 --> 00:17:50,080
I REALLY FEEL LIKE
I'M CONTRIBUTING SOMETHING
294
00:17:50,120 --> 00:17:53,520
TO THE PROTECTION OF LIFE.
295
00:17:53,560 --> 00:17:58,200
[PEOPLE SINGING]
296
00:17:58,240 --> 00:18:01,800
[SPEAKING NATIVE LANGUAGE]
297
00:18:01,840 --> 00:18:06,480
Narrator: THE BISHOP'S DIOCESE
IS 360,000 STRONG.
298
00:18:06,520 --> 00:18:10,480
AND THESE MANY HANDS
CAN MOVE MOUNTAINS.
299
00:18:10,520 --> 00:18:12,720
Fredrick: IT'S ABOUT THE FUTURE
OF OUR PLANET,
300
00:18:12,760 --> 00:18:16,640
IT'S ABOUT THE FUTURE
OF OUR CHILDREN.
301
00:18:16,680 --> 00:18:19,600
Narrator: SINCE 2003,
BY THE BISHOP'S ESTIMATE,
302
00:18:19,640 --> 00:18:22,360
THEY'VE PLANTED
THREE MILLION TREES.
303
00:18:22,400 --> 00:18:26,720
[SINGING]
304
00:18:26,760 --> 00:18:31,200
Fredrick: WE HAVE SEEN
SOME STREAMS COMING BACK.
305
00:18:31,240 --> 00:18:33,200
IT IS VERY, VERY IMPORTANT.
306
00:18:33,240 --> 00:18:37,360
IT IS AN ONGOING PROJECT.
307
00:18:37,400 --> 00:18:40,080
Simon: I DO BELIEVE
THERE'S A FUTURE.
308
00:18:40,120 --> 00:18:41,840
I CLIMBED THE MOUNTAIN.
309
00:18:41,880 --> 00:18:45,160
I'VE CLIMBED
THE HIGHEST PEAK OF AFRICA.
310
00:18:45,200 --> 00:18:47,800
"KILIMA KA NJARO."
A MOUNTAIN OF OURS.
311
00:18:47,840 --> 00:18:49,560
A MOUNTAIN OF GREATNESS.
312
00:18:49,600 --> 00:18:51,120
THE MOUNTAIN OF EVERYTHING.
313
00:18:51,160 --> 00:18:54,920
OF THE WATERS, THE FOREST,
AND EVERYTHING.
314
00:18:58,200 --> 00:19:03,720
Don: WE HAVE TO BE SMART ABOUT
HOW WE CHANGE OUR ENVIRONMENT
315
00:19:03,760 --> 00:19:07,560
SO THAT WE CAN CONTINUE
TO THRIVE.
316
00:19:07,600 --> 00:19:10,720
Nicole: OVER TIME WE TAKE
THOSE LESSONS INTO ACCOUNT,
317
00:19:10,760 --> 00:19:13,520
AS WE FIGURE OUT HOW
WE'LL FARM IN NEW PLACES,
318
00:19:13,560 --> 00:19:17,280
OR HOW WE'LL GENERATE OUR POWER
AND OUR ENERGY
319
00:19:17,320 --> 00:19:19,600
TO LIVE HERE ON EARTH.
320
00:19:19,640 --> 00:19:22,400
♪
321
00:19:22,440 --> 00:19:25,400
Narrator: IN 2014,
ASTRONAUTS PHOTOGRAPHED
322
00:19:25,440 --> 00:19:29,800
THESE MYSTERY FLASHES
IN THE AMERICAN WILDERNESS.
323
00:19:29,840 --> 00:19:31,720
Kjell: THESE THINGS
CATCH YOUR EYE,
324
00:19:31,760 --> 00:19:35,560
AND IT MAKES YOU...
IT MAKES YOU LOOK AT IT.
325
00:19:35,600 --> 00:19:41,240
YOU ALMOST INNATELY KNOW THAT
THAT IS NOT A NATURAL THING.
326
00:19:41,280 --> 00:19:46,480
Narrator: THIS IS AN ENERGY
SOURCE FOR THE FUTURE.
327
00:19:46,520 --> 00:19:50,160
AND IT COMES FROM OUTER SPACE.
328
00:19:53,440 --> 00:20:00,600
♪
329
00:20:00,640 --> 00:20:06,760
1.2 BILLION PEOPLE ON EARTH
HAVE NO ACCESS TO ELECTRICITY.
330
00:20:06,800 --> 00:20:13,040
BUT ASTRONAUTS SEE US FINDING
NEW WAYS TO LIGHT THE WORLD.
331
00:20:13,080 --> 00:20:17,560
Don: LIGHTING AT NIGHTTIME
IS A SIGNATURE TO THE EXPANSION
332
00:20:17,600 --> 00:20:21,200
OF HUMAN BEINGS
ON THE SURFACE OF EARTH.
333
00:20:21,240 --> 00:20:22,880
BEFORE LIGHTING,
334
00:20:22,920 --> 00:20:27,280
YOU COULD BARELY READ A BOOK
AT NIGHTTIME BY CANDLELIGHT.
335
00:20:27,320 --> 00:20:32,160
IT EFFECTIVELY EXTENDS
OUR LIFETIME.
336
00:20:32,200 --> 00:20:33,560
Narrator: THERE'S ONE CITY
337
00:20:33,600 --> 00:20:35,720
THAT WILL TAKE ALL THE LIGHT
IT CAN GET.
338
00:20:35,760 --> 00:20:37,360
[CAMERA SHUTTER CLICKING]
339
00:20:37,400 --> 00:20:41,640
Don: I LIKE TO REFER
TO LAS VEGAS, TONGUE IN CHEEK,
340
00:20:41,680 --> 00:20:43,920
AS THE BEACON OF HUMANITY.
341
00:20:43,960 --> 00:20:47,160
AND I DON'T KNOW IF IT'S
THE BRIGHTEST CITY ON EARTH,
342
00:20:47,200 --> 00:20:52,680
BUT IT IS REALLY, REALLY BRIGHT.
343
00:20:52,720 --> 00:20:57,360
Narrator: THEY BUILT THIS CITY
ON ELECTRIC POWER.
344
00:20:57,400 --> 00:21:00,120
THE VEGAS STRIP IS LEGENDARY
345
00:21:00,160 --> 00:21:07,040
FOR ITS CASINOS, HOTELS, AND
NO-HOLDS-BARRED ENTERTAINMENT.
346
00:21:07,080 --> 00:21:09,680
THE SPACE BEAM
FROM THE LUXOR HOTEL
347
00:21:09,720 --> 00:21:13,880
HAS 42 BILLION CANDLE POWER.
348
00:21:13,920 --> 00:21:15,760
AN UNMISSABLE SIGNAL...
349
00:21:15,800 --> 00:21:19,640
FROM THE HEART
OF THE MOJAVE DESERT.
350
00:21:19,680 --> 00:21:21,840
Don: LAS VEGAS IS
SO STRIKING FROM SPACE
351
00:21:21,880 --> 00:21:24,280
BECAUSE IT'S SURROUNDED
BY DARKNESS.
352
00:21:24,320 --> 00:21:27,680
BUT IN THE WILD AMERICAN WEST,
353
00:21:27,720 --> 00:21:32,480
THERE'S STILL PLENTY OF PLACES
FOR DARKNESS TO HIDE OUT.
354
00:21:34,600 --> 00:21:36,800
Narrator: THE LIGHTS OF VEGAS
WERE SWITCHED ON
355
00:21:36,840 --> 00:21:39,000
BY A WONDER OF ENGINEERING.
356
00:21:39,040 --> 00:21:47,360
♪
357
00:21:47,400 --> 00:21:51,520
THE HOOVER DAM CREATED LAKE MEAD
358
00:21:51,560 --> 00:21:57,640
AND A VAST NEW SOURCE
OF HYDROELECTRIC POWER.
359
00:21:57,680 --> 00:22:02,400
IN THE EIGHTIES,
SIN CITY BOOMED.
360
00:22:02,440 --> 00:22:09,680
SATELLITES WATCHED IT GROW
BY 15% A YEAR.
361
00:22:09,720 --> 00:22:13,200
BUT THE POPULATION
WAS DRAINING THE LAKE.
362
00:22:16,400 --> 00:22:19,320
TODAY THERE ARE RINGS
AROUND THE BATHTUB...
363
00:22:19,360 --> 00:22:24,120
AND THE DAM ALONE
CAN'T PRODUCE ENOUGH POWER.
364
00:22:24,160 --> 00:22:27,600
Nicole: WE NEED NEW WAYS
OF LOOKING AT HOW WE LIVE HERE,
365
00:22:27,640 --> 00:22:29,720
HOW WE NEED TO LIVE HERE,
366
00:22:29,760 --> 00:22:34,120
AND HOW WE'RE GENERATING
POWER ON EARTH.
367
00:22:37,480 --> 00:22:39,920
Narrator: NEVADA IS BLAZING
A NEW TRAIL
368
00:22:39,960 --> 00:22:43,800
IN ITS QUEST FOR ELECTRICITY.
369
00:22:43,840 --> 00:22:47,120
IN THESE VAST EMPTY SPACES,
370
00:22:47,160 --> 00:22:50,440
THE ENERGY THEY NEED CAN GROW...
371
00:22:52,400 --> 00:22:54,200
AND GROW.
372
00:22:59,520 --> 00:23:04,360
IT LOOKS LIKE THE FIRST BASE
ON MARS.
373
00:23:04,400 --> 00:23:08,800
WELCOME TO NEVADA SOLAR ONE--
374
00:23:08,840 --> 00:23:14,720
HALF A SQUARE MILE
OF PRISTINE POWER.
375
00:23:14,760 --> 00:23:16,200
Tim Kendziorski:
THERE'S A FREE ENERGY SOURCE
376
00:23:16,240 --> 00:23:19,760
THAT'S POURING DOWN ON US
EVERY SINGLE DAY,
377
00:23:19,800 --> 00:23:23,760
AND ONCE WE'VE COLLECTED IT,
WE CAN PUT IT ON THE GRID.
378
00:23:23,800 --> 00:23:26,600
Narrator: TIM KENDZIORSKI
IS A TRANSMISSIONS EXPERT
379
00:23:26,640 --> 00:23:29,880
IN THE NEVADA POWER INDUSTRY.
380
00:23:29,920 --> 00:23:32,680
Tim: IT'S HARD FOR PEOPLE
TO LIVE HERE IN THE DESERT
381
00:23:32,720 --> 00:23:36,920
BECAUSE THE DESERT ENVIRONMENT
IS NOT HOSPITABLE
382
00:23:36,960 --> 00:23:41,560
TO OUR KIND OF LIFE.
383
00:23:41,600 --> 00:23:44,960
SO TO MAKE IT HABITABLE,
WE HAVE TO GET OUR POWER,
384
00:23:45,000 --> 00:23:48,040
OUR ELECTRICITY,
TO WHERE WE'RE AT.
385
00:23:48,080 --> 00:23:52,560
Narrator: FOCUSED BY MIRRORS,
SUNLIGHT TURNS WATER TO STEAM
386
00:23:52,600 --> 00:23:57,360
TO DRIVE SOLAR ONE'S TURBINES.
387
00:23:57,400 --> 00:24:00,400
Tim: IT IS USING OUR HEADS
TO PROVIDE POWER
388
00:24:00,440 --> 00:24:02,280
TO THOUSANDS OF HOMES
389
00:24:02,320 --> 00:24:06,360
WITHOUT HAVING TO BURN
A SINGLE DROP OF FOSSIL FUEL.
390
00:24:06,400 --> 00:24:09,320
Narrator: THE DOWNSIDE IS THAT
IT WOULD TAKE EIGHT SOLAR ONES
391
00:24:09,360 --> 00:24:13,280
TO MATCH A COAL-FIRED STATION.
392
00:24:13,320 --> 00:24:18,840
BUT THE MOJAVE DESERT HAS PLENTY
OF SUN AND PLENTY OF ROOM.
393
00:24:18,880 --> 00:24:23,640
ITS SOLAR POWER PLANTS
ARE VISIBLE FROM SPACE.
394
00:24:23,680 --> 00:24:26,440
Nicole: YOU PULL THAT CAMERA OUT
AND YOU LOOK A LITTLE BIT CLOSER
395
00:24:26,480 --> 00:24:28,440
AND YOU SEE THAT, WOW,
DOWN THERE ON EARTH
396
00:24:28,480 --> 00:24:30,480
WE ARE WORKING VERY HARD
397
00:24:30,520 --> 00:24:33,800
TO SHIFT THE WAY WE'RE
GENERATING OUR ELECTRICITY
398
00:24:33,840 --> 00:24:37,800
SO THAT WE CAN CONTINUE
TO SURVIVE HERE.
399
00:24:37,840 --> 00:24:40,600
Narrator: SOLAR RESERVE
AT CRESCENT DUNES
400
00:24:40,640 --> 00:24:44,040
HAS A DIFFERENT DESIGN.
401
00:24:44,080 --> 00:24:48,240
THE MIRRORS REFLECT LIGHT
TO A CENTRAL TOWER.
402
00:24:50,560 --> 00:24:54,640
THE PEOPLE OF THE MOJAVE
ARE WORSHIPPING THE SUN.
403
00:24:59,240 --> 00:25:02,440
SOLAR POWER IS LIGHTING
THE WORLD...
404
00:25:02,480 --> 00:25:05,840
FROM SPAIN...
405
00:25:05,880 --> 00:25:08,520
TO MOROCCO...
406
00:25:08,560 --> 00:25:10,200
TO SOUTH AFRICA.
407
00:25:15,360 --> 00:25:18,200
FOR TIM KENDZIORSKI,
PLANTS LIKE THESE
408
00:25:18,240 --> 00:25:21,560
ARE THE HOOVER DAMS
OF THE 21st CENTURY.
409
00:25:21,600 --> 00:25:23,120
Tim: IT'S HUMBLING.
410
00:25:23,160 --> 00:25:26,280
IT'S AS IF I'M STANDING
ON THE BACKS OF GIANTS.
411
00:25:26,320 --> 00:25:33,760
♪
412
00:25:33,800 --> 00:25:37,360
Narrator: THE SPACE BEAM
STILL BURNS BRIGHTLY.
413
00:25:40,240 --> 00:25:44,920
AND TIM HAS COME TO SEE
A SPECIAL VEGAS APPEARANCE.
414
00:25:44,960 --> 00:25:47,800
HE'S ALSO AN AMATEUR ASTRONOMER.
415
00:25:47,840 --> 00:25:56,160
♪
416
00:25:56,200 --> 00:25:58,560
Tim: DO YOU SEE THAT?
417
00:25:58,600 --> 00:26:00,840
Narrator: IT'S THE INTERNATIONAL
SPACE STATION
418
00:26:00,880 --> 00:26:04,240
MOVING AT FIVE MILES A SECOND.
419
00:26:04,280 --> 00:26:06,400
Tim: I SEE YOU!
420
00:26:08,480 --> 00:26:10,080
Narrator: THE WORLD TURNS,
421
00:26:10,120 --> 00:26:13,880
AND THE SPACE STATION'S
SOLAR PANELS CATCH THE SUN.
422
00:26:13,920 --> 00:26:15,960
Nicole: THEY'RE VERY BEAUTIFUL.
423
00:26:16,000 --> 00:26:17,800
AND WE DO THAT SAME THING,
424
00:26:17,840 --> 00:26:20,720
GENERATING POWER
FOR OURSELVES ON EARTH.
425
00:26:20,760 --> 00:26:24,560
♪
426
00:26:24,600 --> 00:26:26,800
Narrator: DAYLIGHT REVEALS
NEW MYSTERIES
427
00:26:26,840 --> 00:26:29,720
FOR THE ASTRONAUTS TO SOLVE.
428
00:26:34,280 --> 00:26:36,320
Nicole:
THERE'S A VERY HUMAN THING
429
00:26:36,360 --> 00:26:38,280
TO LOOKING OUT THE WINDOW
AT EARTH,
430
00:26:38,320 --> 00:26:43,560
AND I THINK THAT'S
WHY WE PUT HUMANS IN SPACE.
431
00:26:43,600 --> 00:26:45,120
Narrator: IN DAYLIGHT,
432
00:26:45,160 --> 00:26:49,200
ASTRONAUTS SEE MYSTERIOUS SHAPES
ON THE SURFACE OF EARTH.
433
00:26:49,240 --> 00:26:52,720
Tim: YOU START TO FOCUS IN
ON THE DETAILS.
434
00:26:52,760 --> 00:26:54,480
SOMETIMES YOU WOULD BE STRUCK
435
00:26:54,520 --> 00:27:00,160
BY THINGS THAT YOU HADN'T
APPRECIATED WERE EVEN THERE.
436
00:27:00,200 --> 00:27:01,600
Narrator:
ON THE COAST OF MEXICO,
437
00:27:01,640 --> 00:27:05,880
STRANGE BLUE RECTANGLES
COME AND GO.
438
00:27:05,920 --> 00:27:07,640
THEY'RE MAN-MADE FARMS...
439
00:27:07,680 --> 00:27:10,520
TO MEET THE DEMAND
FOR SUPERMARKET SHRIMP.
440
00:27:10,560 --> 00:27:16,240
♪
441
00:27:16,280 --> 00:27:17,760
IN THE SOUTHERN HEMISPHERE,
442
00:27:17,800 --> 00:27:21,640
A VAST AUSTRALIAN
IRRIGATION PROJECT.
443
00:27:21,680 --> 00:27:24,720
COTTON FIELDS BLOOM
IN THE WILDERNESS.
444
00:27:27,200 --> 00:27:28,840
Luca:
THERE IS THE INGENUITY OF MAN
445
00:27:28,880 --> 00:27:33,560
THAT'S WORKING TO MAKE ORDER
OUT OF DISORDER.
446
00:27:33,600 --> 00:27:37,720
Narrator: THE ARABIAN DESERT
HAS A STRIKING MYSTERY.
447
00:27:37,760 --> 00:27:41,400
ALIEN SHAPES,
MARCHING ACROSS THE SANDS.
448
00:27:41,440 --> 00:27:44,760
Luca: THEY LOOK LIKE PIXELS,
FROM A VIDEO GAME,
449
00:27:44,800 --> 00:27:47,400
YOU KNOW, SPACE INVADERS.
450
00:27:47,440 --> 00:27:49,000
Nicole: EVERYBODY WANTS TO GET
PICTURES OF THEM
451
00:27:49,040 --> 00:27:51,720
BECAUSE IT'S LIKE
A PIECE OF ART.
452
00:27:51,760 --> 00:27:55,680
THESE CIRCLES OF COLOR
SEEM TO COME OUT OF NOWHERE.
453
00:27:55,720 --> 00:28:05,720
♪
454
00:28:07,920 --> 00:28:12,400
Narrator: THIS IS JORDAN, ONE OF
THE DRIEST COUNTRIES ON EARTH.
455
00:28:17,760 --> 00:28:24,760
WADI RUM IS A DESERT OUTPOST
OF SANDSTONE AND GRANITE.
456
00:28:24,800 --> 00:28:30,880
15 YEARS AGO, SIJAL MAJALI CAME
HERE TO ATTEMPT THE IMPOSSIBLE.
457
00:28:33,480 --> 00:28:34,800
Sijal Majali:
IT'S CALLED DESERT.
458
00:28:34,840 --> 00:28:37,840
I MEAN, LOOK AROUND YOU,
IT'S ALL DRY.
459
00:28:37,880 --> 00:28:41,000
DRY SAND.
460
00:28:41,040 --> 00:28:47,160
IT RAINS ONCE OR TWICE A YEAR
IN THIS PART OF THE COUNTRY.
461
00:28:47,200 --> 00:28:51,800
♪
462
00:28:51,840 --> 00:28:54,720
Narrator:
SIJAL MANAGES RUM FARM.
463
00:28:57,240 --> 00:29:02,600
A MASTERPIECE OF GEOMETRY FOR
EFFICIENT USE OF PRECIOUS WATER.
464
00:29:02,640 --> 00:29:07,680
♪
465
00:29:07,720 --> 00:29:09,720
Sijal: IT'S REALLY HARD LAND
TO CULTIVATE.
466
00:29:09,760 --> 00:29:11,400
LOTS OF EVAPORATION.
467
00:29:11,440 --> 00:29:16,160
SO WE HAVE TO THINK OF THE BEST
TECHNIQUES FOR IRRIGATING.
468
00:29:19,840 --> 00:29:24,560
Narrator: SIJAL HAS LIQUID GOLD
IN THE CELLAR.
469
00:29:24,600 --> 00:29:27,560
BENEATH THE DESERT,
THERE'S AN AQUIFER--
470
00:29:27,600 --> 00:29:32,720
60 TRILLION GALLONS OF WATER
IN NATURAL STORAGE.
471
00:29:32,760 --> 00:29:34,720
PIVOTING AT CENTRAL WELLS,
472
00:29:34,760 --> 00:29:38,760
THE IRRIGATION ARMS
SWEEP OUT PERFECT CIRCLES.
473
00:29:38,800 --> 00:29:40,880
IF THERE'S A SLICE
OF ROCKY GROUND,
474
00:29:40,920 --> 00:29:43,040
THEY JUST AVOID IT.
475
00:29:43,080 --> 00:29:45,240
Don: SOMETIMES YOU HAVE
A CIRCULAR PATTERN,
476
00:29:45,280 --> 00:29:47,600
AND IT'S ONLY THREE QUARTERS
OF THE CIRCLE,
477
00:29:47,640 --> 00:29:51,440
SO THEY ALMOST LOOK LIKE PAC-MAN
HAS INVADED EARTH.
478
00:29:51,480 --> 00:29:54,560
AND THERE'LL BE ANOTHER CIRCULAR
PATTERN RIGHT NEXT TO IT,
479
00:29:54,600 --> 00:29:59,080
AND IT LOOKS LIKE THEY'RE EATING
EACH OTHER IN THE CLASSIC GAME.
480
00:29:59,120 --> 00:30:02,240
IT JUST REMINDS ME THAT
HUMAN BEINGS ARE DOWN THERE,
481
00:30:02,280 --> 00:30:04,480
AND THEY'RE RAISING FOOD.
482
00:30:06,480 --> 00:30:11,800
Narrator: SIJAL GROWS POTATOES,
ONIONS AND OTHER STAPLE CROPS.
483
00:30:11,840 --> 00:30:15,240
BUT THESE ARE THE GREEN SHOOTS
OF EARLY SPRING.
484
00:30:15,280 --> 00:30:18,680
SIJAL HAS ANXIOUS WEEKS AHEAD.
485
00:30:18,720 --> 00:30:23,400
Sijal: IN AGRICULTURE,
GOD IS YOUR PARTNER.
486
00:30:23,440 --> 00:30:26,640
WE MIGHT GET FROST
IN THE COMING 2 OR 3 WEEKS.
487
00:30:26,680 --> 00:30:32,960
IF WE GET FROST, WE REALLY LOSE
A LOT OF OUR PRODUCTION.
488
00:30:33,000 --> 00:30:36,600
Narrator: FROM YEAR TO YEAR,
THE SATELLITES LOOK ON
489
00:30:36,640 --> 00:30:42,080
AS SIJAL'S FORTUNES
WAX AND WANE.
490
00:30:42,120 --> 00:30:44,280
IN A GOOD YEAR, THIS ONE FARM
491
00:30:44,320 --> 00:30:47,600
FEEDS A FIFTH
OF JORDAN'S PEOPLE.
492
00:30:47,640 --> 00:30:49,040
Sijal: IT MAKES ME PROUD
493
00:30:49,080 --> 00:30:51,440
THAT JORDANIANS
ARE EATING OUR POTATOES.
494
00:30:51,480 --> 00:30:53,160
AND WE'RE KEEPING
EVEN THE PRICES DOWN
495
00:30:53,200 --> 00:30:56,040
BECAUSE THEY'RE NOT
IMPORTING POTATOES,
496
00:30:56,080 --> 00:30:58,080
WHICH IS MUCH MORE EXPENSIVE.
497
00:30:58,120 --> 00:31:02,520
AND THE QUALITY
IS MUCH BETTER OVER HERE.
498
00:31:02,560 --> 00:31:05,400
Narrator: THE AQUIFER
PROVIDES VITAL DRINKING WATER
499
00:31:05,440 --> 00:31:08,280
FOR JORDAN AND SAUDI ARABIA.
500
00:31:08,320 --> 00:31:12,480
AGRICULTURE IN BOTH COUNTRIES
DEPENDS ON IT.
501
00:31:12,520 --> 00:31:15,120
BUT IT'S NOT RENEWABLE.
502
00:31:15,160 --> 00:31:21,320
ONE ESTIMATE SAYS THE AQUIFER
HAS ONLY 50 YEARS LEFT.
503
00:31:21,360 --> 00:31:25,960
Sijal: I HOPE THIS PROJECT
STAYS THE WAY IT IS,
504
00:31:26,000 --> 00:31:29,480
BECAUSE IT'S FEEDING
TOO MANY MOUTHS AT THE MOMENT,
505
00:31:29,520 --> 00:31:34,200
AND MANY PEOPLE DEPEND
ON OUR PRODUCE.
506
00:31:34,240 --> 00:31:37,560
Narrator: THIS IS AGRICULTURE
AT ITS MOST EXTREME.
507
00:31:37,600 --> 00:31:42,600
SIJAL IS GROWING VEGETABLES
IN A MOONSCAPE.
508
00:31:42,640 --> 00:31:44,880
Don: YOU CANNOT DENY
THAT THIS IS THE EXPANSION
509
00:31:44,920 --> 00:31:46,560
OF HUMAN BEINGS.
510
00:31:46,600 --> 00:31:51,720
THAT'S HUMAN BEINGS MAKING FOOD
SO THAT YOU CAN LIVE.
511
00:31:56,040 --> 00:31:57,960
Sijal: THE FACT THAT ASTRONAUTS
512
00:31:58,000 --> 00:32:04,520
CAN SEE THIS PARTICULAR FARM
FROM SPACE IS REALLY AMAZING.
513
00:32:04,560 --> 00:32:06,080
I WISH I WERE
A LITTLE BIT YOUNGER,
514
00:32:06,120 --> 00:32:09,400
I WOULD HAVE GONE UP TO SPACE
AND TOOK A VIEW.
515
00:32:11,440 --> 00:32:15,200
Luca: WE ARE USED TO THINK
OF DESERTS AS EMPTY PLACES
516
00:32:15,240 --> 00:32:17,960
OR DEAD PLACES.
517
00:32:18,000 --> 00:32:23,320
WHEN HUMANS GET THEIR WAY, THEY
CAN BECOME COMPLETELY DIFFERENT.
518
00:32:23,360 --> 00:32:26,400
DESERTS ARE LIVING.
519
00:32:26,440 --> 00:32:28,720
Narrator: IF WE CAN MAKE
A LIVING DESERT,
520
00:32:28,760 --> 00:32:31,760
WE CAN MAKE A LIVING ANYWHERE.
521
00:32:31,800 --> 00:32:33,240
Nicole:
LOOKING AT EARTH FROM SPACE
522
00:32:33,280 --> 00:32:35,400
GIVES US THIS OPPORTUNITY TO SEE
523
00:32:35,440 --> 00:32:42,240
THAT AS HUMAN BEINGS
WE ADAPT AND WE FIND OUR HOME.
524
00:32:42,280 --> 00:32:44,320
Narrator: WE'RE MOVING
INTO THE BARREN REACHES
525
00:32:44,360 --> 00:32:46,600
OF EVERY LAND MASS ON EARTH.
526
00:32:46,640 --> 00:32:52,520
BUT ASTRONAUTS SEE DANGER,
AND IT COMES FROM THE OCEAN.
527
00:32:57,800 --> 00:32:59,680
ASTRONAUTS ARE LOOKING ON
528
00:32:59,720 --> 00:33:03,680
AS HUMANITY EXPANDS
ACROSS THE GLOBE.
529
00:33:03,720 --> 00:33:08,960
BUT 40% OF US STILL LIVE
WITHIN 60 MILES OF THE OCEAN.
530
00:33:09,000 --> 00:33:11,440
Tim: AS A HUMAN SPECIES
WE'VE EMERGED FROM THE WATER,
531
00:33:11,480 --> 00:33:12,920
WHICH IS A SOURCE OF FOOD
532
00:33:12,960 --> 00:33:14,960
AND A SOURCE OF COMMERCE
AND TRAVEL.
533
00:33:15,000 --> 00:33:19,160
SO WHEREVER THERE'S A COASTLINE,
YOU WILL FIND HABITATION.
534
00:33:19,200 --> 00:33:23,800
♪
535
00:33:23,840 --> 00:33:28,480
Narrator: SATELLITES SEE BOOMING
POPULATION ON EVERY SHORE.
536
00:33:28,520 --> 00:33:32,480
PEARL CITY, KUWAIT,
IS AN EARTHLY WORK OF ART.
537
00:33:34,920 --> 00:33:39,920
SOUTH KOREA'S SONGDO WAS BUILT
FROM SCRATCH IN JUST TEN YEARS.
538
00:33:44,280 --> 00:33:48,120
AND THERE'S ONE COASTLINE
EVEN ASTRONAUTS CAN'T RESIST.
539
00:33:48,160 --> 00:33:54,040
♪
540
00:33:54,080 --> 00:33:55,960
Nicole:
WELL, I GREW UP IN FLORIDA,
541
00:33:56,000 --> 00:33:58,400
SO I WANTED TO SEE FLORIDA
FROM SPACE.
542
00:33:58,440 --> 00:34:03,200
AND IT HAS
A VERY UNIQUE SHAPE TO IT.
543
00:34:03,240 --> 00:34:08,200
IT JUST STANDS RIGHT OUT.
544
00:34:08,240 --> 00:34:12,960
YOU CAN SEE THESE JUST
TRANSLUCENT BLUES AND TURQUOISES
545
00:34:13,000 --> 00:34:18,040
OF THE WATER
AROUND THE WHOLE STATE.
546
00:34:18,080 --> 00:34:19,760
Narrator:
IN THE LAST 50 YEARS,
547
00:34:19,800 --> 00:34:23,200
THE POPULATION OF FLORIDA
HAS DOUBLED...
548
00:34:23,240 --> 00:34:25,160
TWICE.
549
00:34:25,200 --> 00:34:29,240
AND THREE OUT OF FOUR PEOPLE
LIVE NEAR THE BEACH.
550
00:34:29,280 --> 00:34:31,040
Nicole: YOU WANT TO GO THERE.
551
00:34:31,080 --> 00:34:34,560
I MEAN, IT JUST INVITES YOU
TO BE THERE.
552
00:34:34,600 --> 00:34:38,880
LIVING ON THE BEACH,
IT'S LIKE A DREAM.
553
00:34:38,920 --> 00:34:45,520
Narrator: THIS IS MATANZAS,
ON THE ATLANTIC COAST.
554
00:34:45,560 --> 00:34:51,080
IN 1990, JONI AND JERRY GALASSO
CAME DOWN FROM NEW YORK
555
00:34:51,120 --> 00:34:54,640
TO START A NEW RESTAURANT
AND A NEW LIFE.
556
00:34:57,680 --> 00:34:59,200
Joni: THERE WERE
BARELY ANY HOUSES.
557
00:34:59,240 --> 00:35:02,080
THERE WERE A FEW OLD
BEACH HOUSES ON THE OCEANFRONT,
558
00:35:02,120 --> 00:35:04,600
AND THAT WAS ABOUT IT.
559
00:35:04,640 --> 00:35:06,920
Jerry: THE FIRST FEW YEARS THERE
WE COULDN'T AFFORD A HOUSE,
560
00:35:06,960 --> 00:35:12,240
AND WE ACTUALLY RAISED OUR
THREE KIDS IN THE RESTAURANT.
561
00:35:12,280 --> 00:35:14,200
♪
562
00:35:14,240 --> 00:35:17,840
Narrator: AS THE NEIGHBORHOOD
TOOK OFF, SO DID THE BUSINESS.
563
00:35:17,880 --> 00:35:20,040
Joni: THE AREA HAS JUST BOOMED.
564
00:35:20,080 --> 00:35:24,440
IT'S JUST BEEN
A HUGE GROWTH SPURT.
565
00:35:24,480 --> 00:35:28,640
MY STAFF KNEW NEARLY
EVERY CUSTOMER BY NAME.
566
00:35:31,320 --> 00:35:33,880
AS SOMEBODY WOULD WALK IN,
THE CHORUS WOULD START IN--
567
00:35:33,920 --> 00:35:36,640
"HELLO, GEORGE,"
OR "HELLO, DAVE!"
568
00:35:36,680 --> 00:35:40,320
SO IT WAS ALWAYS LIKE THAT.
569
00:35:40,360 --> 00:35:42,720
Narrator:
LIFE ON THE BEACH WAS GOOD.
570
00:35:50,320 --> 00:35:56,680
BUT IN FLORIDA, THE OCEAN
CAN TAKE IT ALL AWAY.
571
00:35:56,720 --> 00:36:02,320
Joni: THIS TIME, THE BULL'S-EYE
WAS ON THE ROOF, I GUESS.
572
00:36:02,360 --> 00:36:04,680
Narrator: IN OCTOBER 2016,
573
00:36:04,720 --> 00:36:11,440
INTERNATIONAL SPACE STATION
CAMERAS WATCHED EVENTS UNFOLD.
574
00:36:11,480 --> 00:36:13,720
Nicole: YOU SEE
THIS BIG WHITE STRUCTURE
575
00:36:13,760 --> 00:36:15,520
THAT ALMOST LOOKS
LIKE ITS OWN SHIP
576
00:36:15,560 --> 00:36:18,600
MOVING, YOU KNOW,
MOVING ACROSS THE PLANET.
577
00:36:22,000 --> 00:36:26,920
FROM SPACE IT LOOKS...
LIKE BILLOWY AND WHITE.
578
00:36:26,960 --> 00:36:29,400
IT LOOKS BEAUTIFUL.
579
00:36:29,440 --> 00:36:32,160
IT ALMOST LOOKS PEACEFUL.
580
00:36:32,200 --> 00:36:33,520
Announcer: WE BEGIN
WITH BREAKING NEWS.
581
00:36:33,560 --> 00:36:35,640
HURRICANE MATTHEW
BEARING DOWN ON FLORIDA
582
00:36:35,680 --> 00:36:41,000
AND SENDING RIPPLES OF FEAR
ALL ALONG THE SOUTHEAST COAST...
583
00:36:41,040 --> 00:36:44,800
Rick Scott:
EVACUATE, EVACUATE, EVACUATE.
584
00:36:46,920 --> 00:36:48,720
[CAMERA SHUTTER CLICKS]
585
00:36:48,760 --> 00:36:52,000
Luca: IT'S ALMOST EERIE, BECAUSE
YOU DON'T HEAR ANY NOISE.
586
00:36:52,040 --> 00:36:56,560
BECAUSE YOU'RE FAR AWAY,
AND YOU'RE ISOLATED.
587
00:36:56,600 --> 00:36:57,680
[WIND ROARING]
588
00:37:01,480 --> 00:37:02,720
[CLICK]
589
00:37:04,200 --> 00:37:06,640
[WIND ROARING]
590
00:37:12,880 --> 00:37:14,840
[SURF POUNDING]
591
00:37:14,880 --> 00:37:18,640
Narrator: THE HURRICANE DROVE
A WALL OF WATER OVER THE COAST.
592
00:37:22,040 --> 00:37:24,000
Luca: IT'S SO QUIET
FROM UP THERE,
593
00:37:24,040 --> 00:37:26,520
IT ALMOST SEEMS MORE OMINOUS.
594
00:37:26,560 --> 00:37:30,680
[WATER RUSHING]
595
00:37:33,680 --> 00:37:35,480
Narrator:
THE DAY AFTER THE HURRICANE,
596
00:37:35,520 --> 00:37:38,960
JERRY AND JONI CAME BACK
TO MATANZAS.
597
00:37:41,480 --> 00:37:44,600
Jerry: WE HAD THIS WATER SURGE
WITH A FIVE-FOOT WAVE
598
00:37:44,640 --> 00:37:47,240
BLOWING OUT THE WHOLE NORTH SIDE
OF OUR BUILDING.
599
00:37:47,280 --> 00:37:51,320
WE DROVE A MILE SOUTH,
AND WE SAW HALF THE DECK
600
00:37:51,360 --> 00:37:54,760
DOWN THE ROAD
ABOUT A MILE FROM HERE.
601
00:37:54,800 --> 00:37:57,440
Narrator: THE WATER THREW
A WALK-IN REFRIGERATOR
602
00:37:57,480 --> 00:38:00,360
ACROSS THE PARKING LOT.
603
00:38:00,400 --> 00:38:03,600
EVERYTHING IN THE RESTAURANT
WAS DESTROYED.
604
00:38:05,920 --> 00:38:08,240
Joni: CHAIRS AND TABLES
THAT WERE IN THE DINING ROOM
605
00:38:08,280 --> 00:38:11,920
THAT JUST GOT...WHOOSH...
WASHED THROUGH.
606
00:38:16,160 --> 00:38:21,320
IT'S SHOCKING WHEN IT'S BEEN
SUCH A VIBRANT PLACE
607
00:38:21,360 --> 00:38:22,680
FOR SO LONG.
608
00:38:22,720 --> 00:38:26,120
TO COME IN HERE AND SAY,
YOUR WHOLE LIFE'S WORK,
609
00:38:26,160 --> 00:38:28,760
OH, MY GOD, IT'S ALL--
IT'S GONE.
610
00:38:31,160 --> 00:38:35,000
Narrator: HURRICANES ARE POWERED
BY HEAT FROM THE OCEAN.
611
00:38:35,040 --> 00:38:37,520
SO THERE ARE FEARS
THAT GLOBAL WARMING
612
00:38:37,560 --> 00:38:41,760
MAY CAUSE HURRICANES
TO GET WORSE.
613
00:38:41,800 --> 00:38:44,640
BUT SCIENTISTS CAN'T PROVE
THERE'S A LINK,
614
00:38:44,680 --> 00:38:46,520
BECAUSE THERE'S
NO CONSISTENT WAY
615
00:38:46,560 --> 00:38:50,080
TO MEASURE HURRICANE INTENSITY.
616
00:38:50,120 --> 00:38:54,560
♪
617
00:38:54,600 --> 00:38:56,280
HERE ON THE FLORIDA COAST,
618
00:38:56,320 --> 00:39:00,360
SOMEONE IS RISING
TO THE CHALLENGE.
619
00:39:00,400 --> 00:39:02,080
GEORGE DILLER WORKS
620
00:39:02,120 --> 00:39:06,920
AT THE MOST CELEBRATED
BEACHFRONT PROPERTY ON EARTH.
621
00:39:06,960 --> 00:39:10,280
THIS IS KENNEDY SPACE CENTER
ON CAPE CANAVERAL,
622
00:39:10,320 --> 00:39:14,800
WHERE ASTRONAUTS SET SAIL
FROM PLANET EARTH.
623
00:39:14,840 --> 00:39:16,320
George Diller:
THE FIRING CHAIN IS ARMED.
624
00:39:16,360 --> 00:39:18,120
Narrator: IT'S GEORGE'S VOICE...
625
00:39:18,160 --> 00:39:19,960
George: WE ARE GO
FOR MAIN ENGINE START.
626
00:39:20,000 --> 00:39:21,400
Narrator: ...THAT SENDS THEM
ON THEIR WAY.
627
00:39:21,440 --> 00:39:25,880
George: 5, 4, 3, 2, 1...
628
00:39:25,920 --> 00:39:28,600
AND LIFTOFF OF
THE SPACE SHUTTLE DISCOVERY!
629
00:39:28,640 --> 00:39:31,400
LIFTOFF OF
SPACE SHUTTLE ATLANTIS!
630
00:39:31,440 --> 00:39:33,760
THE FINAL LIFTOFF OF ATLANTIS!
631
00:39:33,800 --> 00:39:35,680
ON THE SHOULDERS
OF THE SPACE SHUTTLE,
632
00:39:35,720 --> 00:39:38,240
AMERICA WILL CONTINUE THE DREAM.
633
00:39:38,280 --> 00:39:43,800
♪
634
00:39:43,840 --> 00:39:46,360
George: IT CERTAINLY BEATS
WORKING FOR A LIVING.
635
00:39:46,400 --> 00:39:49,920
IT'S A LOT OF FUN.
636
00:39:49,960 --> 00:39:52,520
Narrator: NASA'S VAST
VEHICLE ASSEMBLY BUILDING
637
00:39:52,560 --> 00:39:57,280
IS HEAVILY REINFORCED
AGAINST HURRICANE WINDS.
638
00:39:57,320 --> 00:39:59,120
BUT THE REST OF THE SPACE CENTER
639
00:39:59,160 --> 00:40:03,400
IS LESS THAN TEN FEET
ABOVE SEA LEVEL.
640
00:40:03,440 --> 00:40:06,640
George: BUT WE DO HAVE SCENARIOS
WHERE THE SPACE CENTER,
641
00:40:06,680 --> 00:40:10,240
IF YOU LOOKED OUT THE WINDOW,
YOU WOULD JUST SEE WATER.
642
00:40:10,280 --> 00:40:12,000
SO THE ONLY THINGS
RISING ABOVE IT
643
00:40:12,040 --> 00:40:14,800
WOULD BE THINGS LIKE
THE VEHICLE ASSEMBLY BUILDING
644
00:40:14,840 --> 00:40:18,360
AND THE TOPS OF THE LAUNCH PADS.
645
00:40:18,400 --> 00:40:19,760
Narrator:
THE ONLY WAY TO MEASURE
646
00:40:19,800 --> 00:40:21,480
THE STRENGTH OF A HURRICANE
647
00:40:21,520 --> 00:40:23,400
IS TO LOOK INSIDE.
648
00:40:23,440 --> 00:40:25,280
Man on radio: RUDDER DOWN.
649
00:40:25,320 --> 00:40:28,200
Narrator: SO JUST SIX WEEKS
AFTER HURRICANE MATTHEW,
650
00:40:28,240 --> 00:40:31,120
NASA'S CYGNSS MISSION
IS A GAME CHANGER.
651
00:40:31,160 --> 00:40:33,640
George: T MINUS 12.
652
00:40:33,680 --> 00:40:34,840
T MINUS 10.
653
00:40:34,880 --> 00:40:37,080
PEGASUS, GO FOR LAUNCH.
654
00:40:37,120 --> 00:40:39,200
Narrator: THE SATELLITE
IS LAUNCHED FROM MID-AIR
655
00:40:39,240 --> 00:40:41,120
ON A PEGASUS ROCKET.
656
00:40:41,160 --> 00:40:42,280
George: AND DROP.
657
00:40:42,320 --> 00:40:43,840
PEGASUS IS AWAY.
658
00:40:43,880 --> 00:40:46,800
♪
659
00:40:46,840 --> 00:40:49,960
IGNITION OF THE PEGASUS ROCKET
WITH CYGNSS,
660
00:40:50,000 --> 00:40:51,880
HELPING HURRICANE FORECASTERS
661
00:40:51,920 --> 00:40:57,480
UNDERSTAND AND PREDICT
THE INTENSITY OF HURRICANES.
662
00:40:57,520 --> 00:41:00,160
Narrator: CYGNSS IS
EIGHT SATELLITES IN ONE,
663
00:41:00,200 --> 00:41:03,800
THROWING A RING OF PROTECTION
AROUND THE EARTH.
664
00:41:03,840 --> 00:41:06,120
THEY MEASURE THE HEIGHT
OF OCEAN WAVES--
665
00:41:06,160 --> 00:41:11,640
THE CRUCIAL INDICATOR
OF HURRICANE WIND SPEED.
666
00:41:11,680 --> 00:41:13,960
AS GLOBAL WARMING CONTINUES,
667
00:41:14,000 --> 00:41:17,440
CYGNSS WILL WARN US
IF HURRICANES GET MORE POWERFUL
668
00:41:17,480 --> 00:41:19,720
AND MORE DANGEROUS.
669
00:41:19,760 --> 00:41:22,760
Luca: ALL THIS MASSIVE AMOUNT
OF DATA GIVES US AN IDEA
670
00:41:22,800 --> 00:41:27,720
OF HOW MUCH WE ARE AFFECTING
THE NATURE OF OUR PLANET.
671
00:41:27,760 --> 00:41:31,880
♪
672
00:41:31,920 --> 00:41:33,520
George: THE MORE WE SEE,
673
00:41:33,560 --> 00:41:35,440
THE MORE WE WANT
TO PAY ATTENTION TO IT,
674
00:41:35,480 --> 00:41:41,080
BECAUSE WE'RE NOT SURE
ALL THE CHANGES ARE FOR GOOD.
675
00:41:41,120 --> 00:41:43,880
SO LOOKING DOWN
ON THE EARTH FROM SPACE
676
00:41:43,920 --> 00:41:46,960
IS JUST AS IMPORTANT
AS BEING ABLE TO LOOK OUT.
677
00:41:47,000 --> 00:41:50,800
♪
678
00:41:50,840 --> 00:41:53,280
Narrator: JERRY AND JONI GALASSO
HAVE RETIRED
679
00:41:53,320 --> 00:41:56,920
FROM THE RESTAURANT BUSINESS.
680
00:41:56,960 --> 00:42:00,320
BUT LIKE THREE BILLION PEOPLE
WHO STILL LIVE ON THE COAST,
681
00:42:00,360 --> 00:42:03,400
THEY NOW HAVE SOMEONE
TO WATCH OVER THEM.
682
00:42:03,440 --> 00:42:06,520
Joni: YOU CAN'T LIVE IN FEAR.
683
00:42:06,560 --> 00:42:08,000
IF YOU'RE LIVING IN FEAR,
684
00:42:08,040 --> 00:42:10,600
YOU'RE ALWAYS LOOKING
OVER YOUR SHOULDER.
685
00:42:10,640 --> 00:42:12,960
IT'S NOT THE RIGHT WAY TO LIVE.
686
00:42:13,000 --> 00:42:17,960
♪
687
00:42:18,000 --> 00:42:21,440
Narrator: IN 1972,
ASTRONAUT HARRISON SCHMITT
688
00:42:21,480 --> 00:42:23,960
WENT TO THE MOON,
689
00:42:24,000 --> 00:42:27,800
BUT DISCOVERED THE EARTH.
690
00:42:27,840 --> 00:42:34,760
ASTRONAUTS HAVE BEEN FOLLOWING
OUR PROGRESS EVER SINCE.
691
00:42:34,800 --> 00:42:37,560
Schmitt: WE STILL HAVE
TO REALIZE THAT CIVILIZATION,
692
00:42:37,600 --> 00:42:40,520
IF YOU WANT CIVILIZATION,
REQUIRES RESOURCES,
693
00:42:40,560 --> 00:42:42,120
AND YOU HAVE TO BALANCE THAT
694
00:42:42,160 --> 00:42:45,600
WITH THE WELL-BEING
OF THE PLANET.
695
00:42:45,640 --> 00:42:48,400
I THINK ASTRONAUTS THAT ARE
IN ORBIT AROUND THE EARTH
696
00:42:48,440 --> 00:42:52,880
ARE GOING TO LEARN MORE AND MORE
ABOUT THE EARTH ITSELF
697
00:42:52,920 --> 00:42:57,360
AND THE RESOURCES
THAT WE MIGHT USE HERE.
698
00:42:57,400 --> 00:42:58,920
THE BETTER WE DO THAT,
699
00:42:58,960 --> 00:43:03,120
THE BETTER OFF
WE'RE GOING TO BE.
700
00:43:03,160 --> 00:43:07,800
Narrator:
THE HUMAN STORY CONTINUES.
701
00:43:07,840 --> 00:43:10,320
ASTRONAUTS SEE US
FINDING NEW SOURCES
702
00:43:10,360 --> 00:43:15,480
OF FOOD, POWER AND SHELTER.
703
00:43:15,520 --> 00:43:17,000
SHAPING OUR FUTURE...
704
00:43:17,040 --> 00:43:19,360
AND RESHAPING THE PLANET.
705
00:43:19,400 --> 00:43:24,560
THERE'S ONLY ONE BLUE MARBLE.
706
00:43:24,600 --> 00:43:26,440
Nicole: WE ARE THRIVING HERE.
707
00:43:26,480 --> 00:43:29,400
WE ALSO HAVE TO TAKE CARE
OF THIS PLACE.
708
00:43:29,440 --> 00:43:34,520
♪
709
00:43:34,560 --> 00:43:36,280
HOME IS THE WORD.
710
00:43:36,320 --> 00:43:44,800
♪
711
00:43:44,840 --> 00:43:48,720
♪
712
00:43:48,760 --> 00:43:51,360
Houston: I JUST WANT TO SAY
GOODNIGHT AND SLEEP TIGHT.
713
00:43:51,400 --> 00:44:01,400
♪
54867
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