Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:00,000 --> 00:00:01,666
(crickets chirp)
(cow moos)
2
00:00:01,666 --> 00:00:03,118
(glass breaks)
3
00:00:02,000 --> 00:00:07,000
Downloaded from
YTS.MX
4
00:00:03,118 --> 00:00:05,785
(air whooshing)
5
00:00:08,000 --> 00:00:13,000
Official YIFY movies site:
YTS.MX
6
00:00:20,643 --> 00:00:25,470
♪ I'm gonna walk around
Zion one of these mornings ♪
7
00:00:25,470 --> 00:00:29,128
♪ I'm gonna walk around
Zion one of these mornings ♪
8
00:00:29,128 --> 00:00:33,699
♪ I'm gonna walk around
Zion one of these mornings ♪
9
00:00:33,699 --> 00:00:37,932
♪ I'm gonna walk around
Zion one of these mornings ♪
10
00:00:37,932 --> 00:00:42,816
♪ I'm gonna start troubles
over one of these mornings ♪
11
00:00:42,816 --> 00:00:46,666
♪ I'm gonna start troubles
over one of these mornings ♪
12
00:00:46,666 --> 00:00:51,535
♪ I'm gonna start troubles
over one of these mornings ♪
13
00:00:51,535 --> 00:00:54,405
♪ I'm gonna start troubles
over one of these mornings ♪
14
00:00:54,405 --> 00:00:59,165
♪ I'm gonna see my mother
one of these mornings ♪
15
00:00:59,165 --> 00:01:02,332
(rain splashing down)
16
00:01:16,451 --> 00:01:19,284
(thunder crashes)
17
00:01:54,065 --> 00:01:57,922
(footsteps sloshing on floor)
18
00:01:57,922 --> 00:01:58,755
- Look at you.
19
00:01:58,755 --> 00:01:59,593
Soaked to the skin.
20
00:02:00,960 --> 00:02:02,230
- Did you see?
21
00:02:02,230 --> 00:02:04,000
- Did I see what?
22
00:02:04,000 --> 00:02:04,833
- Nothing, sir.
23
00:02:08,962 --> 00:02:12,431
(doors slam shut)
24
00:02:12,431 --> 00:02:15,098
(pensive music)
25
00:02:21,602 --> 00:02:23,629
- [Narrator] In his bed,
the writer rolled over
26
00:02:23,629 --> 00:02:25,360
and laid quite still.
27
00:02:25,360 --> 00:02:28,777
♪ I lay quiet even still ♪
28
00:02:30,130 --> 00:02:31,410
He had done some hard living
29
00:02:31,410 --> 00:02:33,115
and his heart flooded.
30
00:02:33,115 --> 00:02:37,370
♪ I have done some hard living ♪
31
00:02:37,370 --> 00:02:38,203
The idea got into his mind,
32
00:02:38,203 --> 00:02:40,453
that he would sometime die unexpectedly.
33
00:02:41,346 --> 00:02:46,346
♪ My heart floods ♪
34
00:02:47,646 --> 00:02:52,646
♪ I know I will die in an unexpected way ♪
35
00:02:54,259 --> 00:02:59,176
♪ But I'm alive in my
bed, perfectly still ♪
36
00:03:01,790 --> 00:03:05,710
His body was old and
not of much use anymore,
37
00:03:05,710 --> 00:03:08,260
but something inside of
him was all together young.
38
00:03:09,270 --> 00:03:12,903
Perfectly still he lay, turning
matters over in his mind,
39
00:03:14,000 --> 00:03:16,450
trying to make sense of
what had happened to him.
40
00:03:17,481 --> 00:03:18,715
(typewriter keys clacking)
41
00:03:18,715 --> 00:03:21,548
♪ Perfectly still ♪
42
00:03:23,520 --> 00:03:26,793
He had counted the world's
finest writers among his friends.
43
00:03:29,880 --> 00:03:31,423
He had been a mentor to many.
44
00:03:33,905 --> 00:03:38,640
♪ I'm just like a bird, I am born ♪
45
00:03:38,640 --> 00:03:40,280
He had given the blessing of success
46
00:03:40,280 --> 00:03:42,740
to the best-known writer in our time.
47
00:03:42,740 --> 00:03:44,840
But the younger writer
had betrayed him so deeply
48
00:03:44,840 --> 00:03:46,890
that he could not bear to think about it.
49
00:03:48,800 --> 00:03:52,070
The younger writer's work would
be remembered and revered,
50
00:03:52,070 --> 00:03:53,827
while his own best work,
51
00:03:53,827 --> 00:03:57,003
"The Book of the Grotesque,"
remained unpublished.
52
00:03:58,120 --> 00:04:01,150
The writer never found the
courage to seek a publisher,
53
00:04:01,150 --> 00:04:02,850
but I saw the book once
54
00:04:02,850 --> 00:04:05,975
and it made an indelible
impression on my mind.
55
00:04:05,975 --> 00:04:10,060
♪ In the beginning when
the word was young ♪
56
00:04:10,060 --> 00:04:11,760
And though now he blended one place
57
00:04:11,760 --> 00:04:13,143
with another in his memory,
58
00:04:14,720 --> 00:04:17,450
the places where his life changed course
59
00:04:17,450 --> 00:04:19,288
still haunt his mind.
60
00:04:19,288 --> 00:04:21,997
♪ But no one, no one, no one really knew ♪
61
00:04:21,997 --> 00:04:23,478
♪ If his name was true ♪
62
00:04:23,478 --> 00:04:26,396
♪ Perfectly still ♪
63
00:04:26,396 --> 00:04:28,979
♪ I lay, I lay ♪
64
00:04:30,536 --> 00:04:34,203
(motorcycle engine purring)
65
00:04:44,530 --> 00:04:46,650
- Everything springs outta nothing
66
00:04:46,650 --> 00:04:49,610
and flies forward to infinity.
67
00:04:49,610 --> 00:04:51,400
Who could figure this out?
68
00:04:51,400 --> 00:04:53,420
The one who made this shit.
69
00:04:53,420 --> 00:04:56,613
And He, and He alone, is going to get it.
70
00:04:57,610 --> 00:05:01,640
It's true, a little philosophy
makes you an atheist.
71
00:05:01,640 --> 00:05:06,370
But go deeper and your
mind moves to religion.
72
00:05:06,370 --> 00:05:08,290
When you look at the chain of things,
73
00:05:08,290 --> 00:05:11,020
you start talking providence,
74
00:05:11,020 --> 00:05:13,913
you start talking deity.
75
00:05:19,540 --> 00:05:22,080
- [Narrator] He had known
people, many people,
76
00:05:22,080 --> 00:05:23,983
known them in a peculiarly intimate way,
77
00:05:23,983 --> 00:05:25,250
that was different from the way
78
00:05:25,250 --> 00:05:26,803
in which you and I know people.
79
00:05:27,690 --> 00:05:30,080
When he wrote about them
now, he did not know
80
00:05:30,080 --> 00:05:33,540
if he was drawing from memories or dreams.
81
00:05:33,540 --> 00:05:35,860
People were truly a blend in his mind,
82
00:05:35,860 --> 00:05:40,661
some blossoming, silent,
stark, and beautiful.
83
00:05:40,661 --> 00:05:43,319
♪ Perfectly still ♪
84
00:05:43,319 --> 00:05:46,652
♪ I lay perfectly still ♪
85
00:05:48,580 --> 00:05:51,363
Others adrift, passing into oblivion,
86
00:05:52,420 --> 00:05:53,420
utterly lost to him.
87
00:05:54,329 --> 00:05:57,162
♪ Perfectly still ♪
88
00:06:00,044 --> 00:06:03,044
(people chattering)
89
00:06:13,840 --> 00:06:15,323
They were all grotesque,
90
00:06:16,160 --> 00:06:18,550
all of the men and women
the writer had ever known
91
00:06:18,550 --> 00:06:19,923
had become grotesque.
92
00:06:29,490 --> 00:06:31,900
Although Elizabeth Walker was still young,
93
00:06:31,900 --> 00:06:34,633
some obscure disease had
taken the fire from her.
94
00:06:35,910 --> 00:06:37,490
When she was able to be about,
95
00:06:37,490 --> 00:06:39,210
she did the work of a chambermaid,
96
00:06:39,210 --> 00:06:42,713
among beds soiled by the
slumbers of fat traveling men.
97
00:06:45,150 --> 00:06:47,000
Her husband, Tom Walker,
98
00:06:47,000 --> 00:06:48,900
tried to put the wife out of his mind.
99
00:06:51,320 --> 00:06:53,990
The place in which he had
begun his working life
100
00:06:53,990 --> 00:06:56,700
so hopefully, was now a mere ghost
101
00:06:56,700 --> 00:06:58,503
of what a boarding house should be.
102
00:07:09,360 --> 00:07:12,413
Tom Walker always thought of
himself as a successful man,
103
00:07:13,580 --> 00:07:14,413
although nothing he had done
104
00:07:14,413 --> 00:07:16,203
had ever turned out successfully.
105
00:07:17,640 --> 00:07:19,220
As he went spruce and businesslike
106
00:07:19,220 --> 00:07:21,200
through the streets of Chicago Heights,
107
00:07:21,200 --> 00:07:24,010
he sometimes stopped
and turned quickly about
108
00:07:24,010 --> 00:07:26,294
as though fearing that
the spirit of the house,
109
00:07:26,294 --> 00:07:28,923
and of the woman, would
follow him even here.
110
00:08:06,660 --> 00:08:07,743
- Even though I die,
111
00:08:09,504 --> 00:08:12,423
I will in some way keep
Daveed away from you.
112
00:08:16,225 --> 00:08:18,110
I ask God for the privilege.
113
00:08:18,110 --> 00:08:20,033
No, I demand it.
114
00:08:21,390 --> 00:08:24,233
God, you can beat me with your fist.
115
00:08:25,540 --> 00:08:27,663
I'll take any blow you deliver,
116
00:08:27,663 --> 00:08:31,573
just as long as you allow
him to express something.
117
00:08:32,917 --> 00:08:35,000
Something for both of us.
118
00:08:39,757 --> 00:08:44,757
♪ There are times that
I feel so sad inside ♪
119
00:08:50,757 --> 00:08:55,135
♪ 'Cause I don't know which way to go ♪
120
00:08:55,135 --> 00:09:00,135
♪ I really wonder, yeah ♪
121
00:09:00,266 --> 00:09:03,647
♪ And though it came, you'd say to me ♪
122
00:09:03,647 --> 00:09:05,665
♪ Is this real ♪
123
00:09:05,665 --> 00:09:10,665
♪ Did I ever have a choice ♪
124
00:09:11,964 --> 00:09:16,661
♪ 'Cause a dream just doesn't come ♪
125
00:09:16,661 --> 00:09:20,221
♪ A dream that never comes ♪
126
00:09:20,221 --> 00:09:25,103
♪ A dream that never comes ♪
127
00:09:25,103 --> 00:09:29,634
♪ A change is coming ♪
128
00:09:29,634 --> 00:09:32,717
♪ A change must come ♪
129
00:09:34,430 --> 00:09:36,140
- [Narrator] Chicago Heights is an excerpt
130
00:09:36,140 --> 00:09:39,730
that stands 33 miles outside
the shadows of the skyscrapers
131
00:09:39,730 --> 00:09:42,700
of the city that is its namesake.
132
00:09:42,700 --> 00:09:45,060
City gives way to country here,
133
00:09:45,060 --> 00:09:47,570
residents of the Heights
live under the flight path
134
00:09:47,570 --> 00:09:51,052
of a constant stream of jets
departing Midway Airport.
135
00:09:51,052 --> 00:09:54,634
♪ Don't know which way to go ♪
136
00:09:54,634 --> 00:09:59,186
♪ But I had to fall, yeah, yeah ♪
137
00:09:59,186 --> 00:10:04,186
♪ I can't go on, and on, and on, and on ♪
138
00:10:04,740 --> 00:10:09,740
♪ Living this way ♪
139
00:10:10,081 --> 00:10:12,650
♪ 'Cause a change has got to come ♪
140
00:10:12,650 --> 00:10:15,450
The grotesque were not at all horrible.
141
00:10:15,450 --> 00:10:19,490
There was the mother, the
father, the son, the teacher.
142
00:10:19,490 --> 00:10:21,283
One of them was a man of God.
143
00:10:24,060 --> 00:10:27,560
Pastor Curtis Hartman was a
man filled with the spirit,
144
00:10:27,560 --> 00:10:31,783
but embattled by forces he
could not comprehend or control.
145
00:10:33,110 --> 00:10:37,800
- Give me the strength and
courage to do Your work, Lord.
146
00:10:37,800 --> 00:10:38,633
Amen.
147
00:10:48,784 --> 00:10:53,784
In the beginning, when
the world was young,
148
00:10:53,950 --> 00:10:55,993
there were a great many thoughts,
149
00:10:56,830 --> 00:11:00,683
but no such thing as a truth.
150
00:11:13,930 --> 00:11:18,053
Does the flame of your spirit
really burn in me, O Lord?
151
00:11:23,250 --> 00:11:26,473
Give to me the strong
sweet current of Thy power.
152
00:11:28,460 --> 00:11:31,333
Make Thyself the thunder
in my voice, in my soul.
153
00:11:32,260 --> 00:11:35,401
Make the people tremble
before the spirit of Thee.
154
00:11:35,401 --> 00:11:37,768
My God, make manifest in me...
155
00:11:37,768 --> 00:11:40,851
(bedsheets rustling)
156
00:11:53,066 --> 00:11:54,240
(glass bangs on table)
157
00:11:54,240 --> 00:11:55,405
Thank you, dear.
158
00:11:55,405 --> 00:11:56,970
- My daddy will be here in a few days,
159
00:11:56,970 --> 00:11:59,293
so I'd like us to make sure
to keep the house clean.
160
00:12:00,290 --> 00:12:02,313
- Yeah. Yes, dear, that's very nice.
161
00:12:06,034 --> 00:12:09,534
(pen scratching on paper)
162
00:12:20,810 --> 00:12:23,023
Man made the truths himself.
163
00:12:26,020 --> 00:12:30,933
Each truth was a composite of
a great many vague thoughts.
164
00:12:33,500 --> 00:12:35,733
All about in the world were the truths,
165
00:12:37,210 --> 00:12:39,253
and they were all beautiful.
166
00:12:57,172 --> 00:12:58,005
(book slams shut)
167
00:12:58,005 --> 00:12:58,838
Jesus!
168
00:12:58,838 --> 00:13:01,755
(papers crumpling)
169
00:13:05,732 --> 00:13:08,880
(footsteps on floor)
170
00:13:08,880 --> 00:13:10,807
- Mom feeling any better?
171
00:13:12,923 --> 00:13:15,440
- [Elizabeth] You are here way too much.
172
00:13:15,440 --> 00:13:17,773
You need to go downtown
every now and then.
173
00:13:18,780 --> 00:13:20,860
- [Nathan] We went to Taste of Chicago.
174
00:13:20,860 --> 00:13:24,423
- [Elizabeth] You need to go
downtown and look for a job.
175
00:13:26,670 --> 00:13:27,503
Nathan!
176
00:13:28,670 --> 00:13:29,960
I know you hear me, son.
177
00:13:34,790 --> 00:13:35,873
- Good night.
178
00:13:39,591 --> 00:13:41,181
(door clicks shut)
179
00:13:41,181 --> 00:13:43,848
(clock ticking)
180
00:13:48,436 --> 00:13:51,269
(Elizabeth cries)
181
00:13:53,620 --> 00:13:58,620
- There is the truth of virginity,
and the truth of passion,
182
00:14:01,670 --> 00:14:06,670
of thrift and profligacy,
of carelessness and abandon.
183
00:14:09,800 --> 00:14:11,750
Hundreds and hundreds are the truths,
184
00:14:11,750 --> 00:14:13,884
and they are all beautiful.
185
00:14:13,884 --> 00:14:15,705
(choir vocalizing)
186
00:14:15,705 --> 00:14:18,135
And then the people come,
187
00:14:18,135 --> 00:14:20,560
and each one of them, as they appear,
188
00:14:20,560 --> 00:14:23,330
snatches up one of the truths.
189
00:14:23,330 --> 00:14:26,553
And some, who are quite strong,
snatch up a dozen of them.
190
00:14:29,590 --> 00:14:34,453
When a man takes a truth
and calls it his truth,
191
00:14:35,480 --> 00:14:40,480
and tries to live his life by
it, he becomes a grotesque,
192
00:14:40,670 --> 00:14:43,413
and the truth he embraces
becomes a falsehood.
193
00:14:47,500 --> 00:14:50,933
And it's the truths that
make the people grotesques.
194
00:14:57,210 --> 00:14:58,850
- [Narrator] The pastor wondered,
195
00:14:58,850 --> 00:15:01,720
even as he was carried by
the spirit of the Lord,
196
00:15:01,720 --> 00:15:03,940
if the neighbor woman could hear him,
197
00:15:03,940 --> 00:15:07,310
if his voice was carrying
a message into her soul.
198
00:15:07,310 --> 00:15:10,370
Someday, he felt, he would reach her.
199
00:15:10,370 --> 00:15:13,327
Yet he knew she was very
far gone in her sin.
200
00:15:18,071 --> 00:15:20,727
(Elizabeth breathing laboriously)
201
00:15:20,727 --> 00:15:23,394
(clock ticking)
202
00:16:04,948 --> 00:16:07,281
(dog barks)
203
00:16:13,720 --> 00:16:15,270
- There's nothing for you here.
204
00:16:17,720 --> 00:16:18,920
You need to go downtown.
205
00:16:31,322 --> 00:16:34,822
(pen scratching on paper)
206
00:16:46,130 --> 00:16:49,013
- We must take hold of the devil's desire.
207
00:16:51,200 --> 00:16:53,597
We must break our lust like
we break in a new horse.
208
00:16:53,597 --> 00:16:56,870
- [Narrator] In the soul of
the minister a struggle awoke.
209
00:16:56,870 --> 00:16:59,542
For wanting to reach
the ears of Kate Swift,
210
00:16:59,542 --> 00:17:03,140
and through his sermons
to delve into her soul.
211
00:17:03,140 --> 00:17:05,710
He began to want, to also to look again
212
00:17:05,710 --> 00:17:06,883
at her elegant figure.
213
00:17:11,822 --> 00:17:15,989
(Elizabeth breathing laboriously)
214
00:17:26,523 --> 00:17:30,023
(pen scratching on paper)
215
00:17:37,973 --> 00:17:39,806
- There was a mission.
216
00:17:40,683 --> 00:17:45,516
You know, I came here to start
something new, and I can't.
217
00:17:48,200 --> 00:17:49,560
There's a reason I...
218
00:17:53,120 --> 00:17:55,867
Well, something else, you know.
219
00:17:58,930 --> 00:18:00,606
There's a woman coming.
220
00:18:00,606 --> 00:18:03,356
(birds chirping)
221
00:18:04,363 --> 00:18:08,113
Aye, Miss Tracy, she
did not come in my time.
222
00:18:09,400 --> 00:18:10,550
You might be the woman.
223
00:18:12,190 --> 00:18:15,260
Oh, it would be like fate to
stand here in your presence,
224
00:18:15,260 --> 00:18:17,220
for once on a night like this,
225
00:18:17,220 --> 00:18:19,653
when you are just only a child.
226
00:18:22,480 --> 00:18:25,170
(pensive music)
227
00:18:25,170 --> 00:18:27,370
All of Nathan Walker's
experiences with girls
228
00:18:27,370 --> 00:18:28,433
had been furtive.
229
00:18:33,170 --> 00:18:35,340
He believed he was in
love with Helen White,
230
00:18:35,340 --> 00:18:36,863
a girl he knew in his church.
231
00:18:38,251 --> 00:18:41,800
♪ Nobody, nobody, nobody knows ♪
232
00:18:41,800 --> 00:18:43,990
He knew Louise Trunnion better,
233
00:18:43,990 --> 00:18:46,701
as she had stayed for a
time in New Walker House.
234
00:18:46,701 --> 00:18:50,618
♪ Who am I, who am I, who am I ♪
235
00:18:52,360 --> 00:18:54,003
- Nathan!
236
00:18:54,003 --> 00:18:55,082
Nathan, hide me, please. (laughs)
237
00:18:55,082 --> 00:19:00,082
♪ Nobody, nobody, nobody knows ♪
238
00:19:01,602 --> 00:19:06,602
♪ The last soul on a summer night ♪
239
00:19:09,285 --> 00:19:14,285
♪ The last soul on a summer night ♪
240
00:19:16,973 --> 00:19:21,973
♪ Nobody, nobody, nobody knows ♪
241
00:19:24,635 --> 00:19:29,235
♪ Who am I, who am I, who am I ♪
242
00:19:29,235 --> 00:19:32,235
(door chime clangs)
243
00:19:35,360 --> 00:19:36,560
- Evening, Mr. Williams.
244
00:19:37,850 --> 00:19:39,970
- [Narrator] Nathan feared women a little.
245
00:19:39,970 --> 00:19:41,840
The fear sprang from a story told him
246
00:19:41,840 --> 00:19:44,973
by Mr. Wash Williams,
another boarder in his house.
247
00:19:47,430 --> 00:19:48,680
- Heard you were married.
248
00:19:51,123 --> 00:19:53,223
S'pose you were and your wife's dead, huh?
249
00:19:54,540 --> 00:19:55,913
- All women are dead.
250
00:19:56,910 --> 00:20:00,890
My mother, your mother,
the mother's we make.
251
00:20:00,890 --> 00:20:02,370
- [Narrator] Rumors had
it that Wash Williams
252
00:20:02,370 --> 00:20:06,130
was such a tortured soul that
he had set fire to himself.
253
00:20:06,130 --> 00:20:08,890
To Nathan, he seemed
at one moment hideous.
254
00:20:08,890 --> 00:20:10,730
In the next, handsome.
255
00:20:10,730 --> 00:20:12,920
At one moment, blindly hateful.
256
00:20:12,920 --> 00:20:15,503
In the next, eloquent, poetic.
257
00:20:17,070 --> 00:20:19,030
- On the day I got married,
258
00:20:19,030 --> 00:20:20,913
I got a promotion and a raise.
259
00:20:22,150 --> 00:20:24,380
We got a house and I was gonna pay it off
260
00:20:24,380 --> 00:20:26,186
over several years.
261
00:20:26,186 --> 00:20:27,353
I was in love.
262
00:20:28,370 --> 00:20:31,493
I saved my virginity
until after I got married.
263
00:20:33,860 --> 00:20:35,760
- Diggin' in your dirt again, are you?
264
00:20:37,620 --> 00:20:39,013
- Seeds.
265
00:20:39,013 --> 00:20:42,013
(paper bag rustles)
266
00:20:42,854 --> 00:20:45,604
(birds chirping)
267
00:20:48,970 --> 00:20:49,823
I loved her.
268
00:20:51,410 --> 00:20:53,800
Me? I don't claim not to be a fool.
269
00:20:53,800 --> 00:20:55,187
I still love her.
270
00:21:00,400 --> 00:21:03,350
- [Margot] Watch your hands,
honey, I just took a shower.
271
00:21:03,350 --> 00:21:06,133
- I found out she had
lovers, three bastard lovers.
272
00:21:08,450 --> 00:21:12,300
I didn't say a goddamn thing!
273
00:21:12,300 --> 00:21:14,763
I just took her to her mother's house.
274
00:21:16,060 --> 00:21:19,220
I had money in the bank
and I gave her that.
275
00:21:19,220 --> 00:21:22,490
Her mother sent for me,
she called me on the phone
276
00:21:22,490 --> 00:21:24,630
and told me to come to
her house in Rockford.
277
00:21:24,630 --> 00:21:28,217
Her mother took me in the
living room and just left me.
278
00:21:28,217 --> 00:21:30,563
And my body was just trembling.
279
00:21:31,840 --> 00:21:35,023
I hated the man that I
thought had wronged her.
280
00:21:36,341 --> 00:21:37,952
I was tired of living alone
281
00:21:37,952 --> 00:21:40,000
and I just wanted her back.
282
00:21:40,000 --> 00:21:43,500
I thought if she just reached out
283
00:21:43,500 --> 00:21:45,943
and touched me with her hand, I'd faint.
284
00:21:47,860 --> 00:21:49,173
I ached to forgive.
285
00:21:54,220 --> 00:21:55,484
Then her mother made her.
286
00:21:55,484 --> 00:21:56,504
- [Margot's Mother] The
Neighbors and everybody in church
287
00:21:56,504 --> 00:21:57,777
will be out there!
- No.
288
00:21:57,777 --> 00:21:58,946
- Her mother made her.
289
00:21:58,946 --> 00:22:00,317
- You goin' out there!
- No! No!
290
00:22:00,317 --> 00:22:02,817
(loud strike)
291
00:22:34,261 --> 00:22:37,761
(cord slams to the floor)
292
00:22:40,202 --> 00:22:41,774
(door slams)
293
00:22:41,774 --> 00:22:44,024
- [Margot's Mother] No! No!
294
00:22:47,633 --> 00:22:49,473
- I know all about the woman,
295
00:22:50,460 --> 00:22:52,263
though she's never crossed my path.
296
00:22:54,080 --> 00:22:58,160
I know all about her
struggles and her defeats.
297
00:22:58,160 --> 00:23:01,743
Out of her defeats has been
born a new quality in woman.
298
00:23:03,570 --> 00:23:07,823
I have a name for it, I call her Calla.
299
00:23:10,120 --> 00:23:12,640
Made up the name when
I was a true dreamer,
300
00:23:12,640 --> 00:23:15,393
before my body became vile.
301
00:23:19,085 --> 00:23:23,087
It means the quality of
being strong, to be loved.
302
00:23:28,420 --> 00:23:29,913
Be Calla, little one.
303
00:23:32,180 --> 00:23:34,323
Dare to be strong and courageous.
304
00:23:37,330 --> 00:23:39,963
That is the road, venture anything.
305
00:23:41,800 --> 00:23:44,063
Be brave enough to dare to be loved.
306
00:23:45,220 --> 00:23:50,220
Be something more than
man or woman, be Calla.
307
00:23:54,310 --> 00:23:59,310
Ah, I haven't lost my faith,
I brought it to the place
308
00:24:00,520 --> 00:24:04,893
where I realize my
faith is too unfaithful.
309
00:24:07,929 --> 00:24:10,596
(wood creaking)
310
00:24:11,857 --> 00:24:15,090
(birds chirping)
311
00:24:15,090 --> 00:24:16,783
The days are long here.
312
00:24:23,008 --> 00:24:28,008
♪ Nobody, nobody, nobody knows ♪
313
00:24:30,740 --> 00:24:35,740
♪ Who am I, who am I, who am I ♪
314
00:24:38,500 --> 00:24:43,500
♪ Nobody, nobody, nobody knows ♪
315
00:24:46,055 --> 00:24:50,222
♪ The last soul on a summer night ♪
316
00:24:52,980 --> 00:24:54,870
- [Narrator] Although no
one in Chicago Heights
317
00:24:54,870 --> 00:24:56,080
would have suspected it,
318
00:24:56,080 --> 00:24:59,200
Kate Swift's life had
been very adventurous.
319
00:24:59,200 --> 00:25:00,533
It was still adventurous.
320
00:25:01,930 --> 00:25:04,490
Day by day she worked in the classroom,
321
00:25:04,490 --> 00:25:06,690
but on weekends she was 30 miles north,
322
00:25:06,690 --> 00:25:09,393
on the streets of Chicago, walking alone.
323
00:25:10,810 --> 00:25:13,283
Hope and desire fought within her.
324
00:25:15,150 --> 00:25:17,570
In the five years since she
had come back from her travels
325
00:25:17,570 --> 00:25:19,900
to settle in the Heights
and become a teacher,
326
00:25:19,900 --> 00:25:21,700
she had been compelled to go downtown
327
00:25:21,700 --> 00:25:23,300
and walk half through the night.
328
00:25:28,078 --> 00:25:28,911
- These little epiphinal moments
329
00:25:28,911 --> 00:25:30,720
- [Narrator] In her classroom
at State University,
330
00:25:30,720 --> 00:25:32,730
she was cold, stern, and far too honest.
331
00:25:32,730 --> 00:25:35,792
- Nothing beyond right now,
- Yet in an odd way,
332
00:25:35,792 --> 00:25:36,760
very close to her students.
333
00:25:36,760 --> 00:25:40,103
- Not living, not dying, nothing.
334
00:25:42,090 --> 00:25:44,240
Who are you going to be?
335
00:25:44,240 --> 00:25:45,163
Malcolm?
336
00:25:46,500 --> 00:25:47,403
Martin?
337
00:25:48,490 --> 00:25:49,323
Reverend Right?
338
00:25:50,590 --> 00:25:51,973
Mr. Wrong?
339
00:25:56,100 --> 00:25:58,160
- [Narrator] Kate had
known her share of men,
340
00:25:58,160 --> 00:25:59,810
but their company generally tended
341
00:25:59,810 --> 00:26:01,573
to make her miss her solitude.
342
00:26:08,700 --> 00:26:12,400
- Nathan Walker has written
something brilliant.
343
00:26:12,400 --> 00:26:14,130
- [Narrator] Kate Swift's mind was ablaze
344
00:26:14,130 --> 00:26:15,710
with thoughts of Nathan Walker.
345
00:26:15,710 --> 00:26:16,798
- If he sets his mind.
346
00:26:16,798 --> 00:26:18,260
- [Narrator] In something
he had written as a student
347
00:26:18,260 --> 00:26:21,360
she thought she had
recognized a spark of genius
348
00:26:21,360 --> 00:26:23,170
and wanted to blow on the spark.
349
00:26:23,170 --> 00:26:25,560
- Nathan, why don't you come up here
350
00:26:25,560 --> 00:26:27,500
and share some of your story?
351
00:26:27,500 --> 00:26:30,117
It's called "The Torrents of Summer."
352
00:26:35,157 --> 00:26:38,407
(Nathan clears throat)
353
00:26:42,930 --> 00:26:45,760
- Three days is too goddamn long
354
00:26:45,760 --> 00:26:48,513
for a boy not to visit his sick mother.
355
00:27:25,370 --> 00:27:27,158
- [Nathan] Dad, what's wrong with that?
356
00:27:27,158 --> 00:27:29,018
This is what I like to do.
357
00:27:29,018 --> 00:27:31,484
- [Tom] You can't make a
living writing, Nathan.
358
00:27:31,484 --> 00:27:34,364
- [Nathan] I can be a writer.
359
00:27:34,364 --> 00:27:37,005
You gotta work with your
hands and your mind.
360
00:27:37,005 --> 00:27:39,198
Writing books? You don't
make money off that.
361
00:27:39,198 --> 00:27:41,207
Nobody I know makes money off of that.
362
00:27:41,207 --> 00:27:44,038
(feet shuffling)
363
00:27:44,038 --> 00:27:45,433
- [Nathan] That's what I like to do.
364
00:27:45,433 --> 00:27:47,530
- Nathan, you gotta wake up.
365
00:27:47,530 --> 00:27:49,790
You go on for hours without
hearing when you're spoken to.
366
00:27:49,790 --> 00:27:51,110
What the hell's bothering you?
367
00:27:51,110 --> 00:27:53,277
- [Nathan] I just wanna be a writer.
368
00:27:53,277 --> 00:27:54,510
- You'll get over it.
369
00:27:54,510 --> 00:27:55,343
You're not a fool.
370
00:27:55,343 --> 00:27:57,793
You're Tom Walker's
son and you'll wake up.
371
00:27:59,211 --> 00:28:02,388
(door slams)
372
00:28:02,388 --> 00:28:05,048
(footstep on floor)
373
00:28:05,048 --> 00:28:07,881
(heavy breathing)
374
00:28:09,820 --> 00:28:11,987
- I've gotta do something.
375
00:28:14,343 --> 00:28:17,740
There's something threatening my boy
376
00:28:17,740 --> 00:28:19,753
and I gotta stop it.
377
00:28:22,958 --> 00:28:24,458
How dare that man?
378
00:28:26,028 --> 00:28:30,445
I thought they've got
something special between them.
379
00:28:31,479 --> 00:28:35,062
(bicycle wheel ratcheting)
380
00:28:37,078 --> 00:28:39,661
(somber music)
381
00:28:51,858 --> 00:28:56,233
♪ Nobody, nobody, nobody knows ♪
382
00:28:56,233 --> 00:28:58,400
- It must be so exciting.
383
00:28:58,400 --> 00:28:59,637
You get to go all around the world
384
00:28:59,637 --> 00:29:02,030
and see all different kinds of people.
385
00:29:02,030 --> 00:29:03,930
- It's really not like that.
386
00:29:03,930 --> 00:29:06,060
It's just as dull as can be.
387
00:29:06,060 --> 00:29:08,460
Actually, I'm only doing it
until I move back to Michigan
388
00:29:08,460 --> 00:29:11,360
and then I'm moving
back in with my parents.
389
00:29:11,360 --> 00:29:14,890
You know, we all need
something magical in our lives,
390
00:29:14,890 --> 00:29:16,848
I hope you get your magic.
391
00:29:16,848 --> 00:29:20,550
♪ The last soul on a summer night ♪
392
00:29:20,550 --> 00:29:21,850
- [Narrator] In her younger years,
393
00:29:21,850 --> 00:29:24,530
Elizabeth had her share of adventures.
394
00:29:24,530 --> 00:29:27,360
Many of them in a forest
of Christmas trees
395
00:29:27,360 --> 00:29:30,263
in summer storage under
Pastor Hartman's church.
396
00:29:31,310 --> 00:29:36,310
- Someday, I'm gonna travel
around the world, just like you.
397
00:29:36,329 --> 00:29:37,162
- Of course you will.
398
00:29:39,136 --> 00:29:40,719
- That was so good.
399
00:29:44,827 --> 00:29:46,985
(Elizabeth moans)
400
00:29:46,985 --> 00:29:51,985
♪ Nobody, nobody, nobody knows ♪
401
00:29:54,660 --> 00:29:58,768
♪ The last soul on a summer night ♪
402
00:29:58,768 --> 00:30:00,700
♪ On a summer night ♪
403
00:30:00,700 --> 00:30:03,200
- [Narrator] Her adventures
ended with Tom Walker.
404
00:30:04,380 --> 00:30:05,213
- What's wrong?
405
00:30:07,230 --> 00:30:09,977
- It's like you suddenly
became a little boy.
406
00:30:11,006 --> 00:30:14,985
When did you become a teen? (laughs)
407
00:30:14,985 --> 00:30:17,376
♪ Nobody, nobody knows ♪
408
00:30:17,376 --> 00:30:20,272
♪ Who am I, Who am I, who am I ♪
409
00:30:20,272 --> 00:30:25,154
♪ Oh, oh, oh ♪
410
00:30:25,154 --> 00:30:30,154
♪ Nobody, nobody, nobody knows ♪
411
00:30:32,540 --> 00:30:37,540
♪ The last soul on a summer night ♪
412
00:30:40,351 --> 00:30:44,518
♪ The last soul on a summer night ♪
413
00:30:48,389 --> 00:30:51,389
(Elizabeth screams)
414
00:30:52,285 --> 00:30:56,452
♪ The last soul on a summer night ♪
415
00:30:58,468 --> 00:30:59,496
(knock on door)
416
00:30:59,496 --> 00:31:00,960
(scissors clatter to floor)
417
00:31:00,960 --> 00:31:01,793
- Just a minute.
418
00:31:08,790 --> 00:31:10,480
- I'm going to get out of here.
419
00:31:10,480 --> 00:31:11,860
I don't know where I'm gonna go,
420
00:31:11,860 --> 00:31:12,850
or what I'm gonna do,
421
00:31:12,850 --> 00:31:14,633
but I'm going away.
422
00:31:15,480 --> 00:31:20,103
- So, you gonna go
downtown and make money.
423
00:31:24,120 --> 00:31:26,650
- I guess I can't make you understand.
424
00:31:26,650 --> 00:31:29,799
I wish I could, but there's just no use.
425
00:31:29,799 --> 00:31:34,100
I just want to go away and
watch people and think.
426
00:31:34,100 --> 00:31:35,253
I wanna be a writer.
427
00:31:37,840 --> 00:31:39,430
I suppose it won't
happen for a year or two,
428
00:31:39,430 --> 00:31:41,030
but I've been thinking about it.
429
00:31:43,130 --> 00:31:45,397
For sure, I'll go away
and I'll be a writer.
430
00:32:00,690 --> 00:32:02,965
♪ You don't have to leave Chicago ♪
431
00:32:02,965 --> 00:32:07,345
♪ I don't know, ya, ah ♪
432
00:32:07,345 --> 00:32:08,434
♪ Just gotta leave you ♪
433
00:32:08,434 --> 00:32:10,729
- [Singer] Hey, let's cut that again
434
00:32:10,729 --> 00:32:13,433
'cause I'm losing my rhythm.
435
00:32:13,433 --> 00:32:14,901
(train rails clattering)
436
00:32:14,901 --> 00:32:17,068
Ready, let's try it again.
437
00:32:20,483 --> 00:32:22,770
♪ You don't have to leave Chicago ♪
438
00:32:22,770 --> 00:32:24,826
♪ I don't know ♪
439
00:32:24,826 --> 00:32:26,890
♪ But you gotta make it ♪
440
00:32:26,890 --> 00:32:28,648
♪ You gotta leave you ♪
441
00:32:28,648 --> 00:32:32,435
♪ Yeah, oh, you don't
have to leave Chicago ♪
442
00:32:32,435 --> 00:32:34,465
♪ I don't know ♪
443
00:32:34,465 --> 00:32:36,586
♪ You gotta make it, y'all ♪
444
00:32:36,586 --> 00:32:37,605
♪ You gotta leave you ♪
445
00:32:37,605 --> 00:32:39,620
♪ Come on, say it one more time ♪
446
00:32:39,620 --> 00:32:41,807
♪ You don't have to leave Chicago ♪
447
00:32:41,807 --> 00:32:44,135
♪ I don't know ♪
448
00:32:44,135 --> 00:32:46,240
♪ But you gotta make it ♪
449
00:32:46,240 --> 00:32:47,337
♪ You gotta leave you ♪
450
00:32:47,337 --> 00:32:49,155
(drummers drumming)
♪ Let me tell you, yeah ♪
451
00:32:49,155 --> 00:32:50,789
♪ Just got to, oh ♪
452
00:32:50,789 --> 00:32:52,496
♪ Gotta leave you ♪
453
00:32:52,496 --> 00:32:53,688
♪ Oh, oh, oh ♪
454
00:32:53,688 --> 00:32:55,527
♪ Oh, yes, you gotta ♪
455
00:32:55,527 --> 00:32:56,974
♪ You got to leave you ♪
456
00:32:56,974 --> 00:32:58,190
♪ Yeah ♪
457
00:32:58,190 --> 00:33:00,134
♪ You got to, yeah, yeah ♪
458
00:33:00,134 --> 00:33:01,242
♪ Gotta leave you ♪
459
00:33:01,242 --> 00:33:04,984
♪ Oh. yeah ♪
460
00:33:04,984 --> 00:33:09,609
♪ You gotta leave you ♪
461
00:33:09,609 --> 00:33:12,100
♪ You got to leave you ♪
462
00:33:12,100 --> 00:33:14,154
♪ He's got to, yeah, yeah ♪
463
00:33:14,154 --> 00:33:16,639
♪ You gotta leave you ♪
464
00:33:16,639 --> 00:33:18,609
♪ You ain't got to leave, you know ♪
465
00:33:18,609 --> 00:33:20,649
♪ You gotta leave you ♪
466
00:33:20,649 --> 00:33:22,616
♪ Come on and let me
hear you sing it loud ♪
467
00:33:22,616 --> 00:33:23,449
♪ Oh, yeah ♪
468
00:33:23,449 --> 00:33:24,940
♪ You gotta leave you ♪
469
00:33:24,940 --> 00:33:25,968
♪ Yeah, yeah ♪
470
00:33:25,968 --> 00:33:27,224
♪ Gotta leave you ♪
471
00:33:27,224 --> 00:33:28,548
♪ He's got to leave ♪
472
00:33:28,548 --> 00:33:29,580
♪ Gotta leave you ♪
473
00:33:29,580 --> 00:33:30,959
♪ Chicago Heights ♪
474
00:33:30,959 --> 00:33:31,893
♪ You gotta leave you ♪
475
00:33:31,893 --> 00:33:33,409
♪ Got to leave ♪
476
00:33:33,409 --> 00:33:34,748
♪ You gotta leave you ♪
477
00:33:34,748 --> 00:33:36,998
♪ Oh, yeah ♪
478
00:33:37,991 --> 00:33:42,708
I like that. (laughs)
479
00:33:42,708 --> 00:33:46,291
(street people chattering)
480
00:33:49,196 --> 00:33:52,363
(rain splashing down)
481
00:33:59,987 --> 00:34:02,268
- Louise.
482
00:34:02,268 --> 00:34:07,268
Louise!
483
00:34:09,687 --> 00:34:12,127
- You think you're better than me?
484
00:34:12,127 --> 00:34:13,588
- No, Louise.
485
00:34:13,588 --> 00:34:15,838
I think you're real pretty.
486
00:34:39,436 --> 00:34:42,686
(glass bangs on table)
487
00:34:45,934 --> 00:34:48,351
(lips smack)
488
00:35:50,930 --> 00:35:53,513
(chair creaks)
489
00:35:57,770 --> 00:35:59,554
(chair slams floor)
490
00:35:59,554 --> 00:36:02,121
- Thank you, Jesus. Thank
you, Jesus, thank you, Lord.
491
00:36:02,121 --> 00:36:03,246
Thank you, Jesus, thank you, Lord.
492
00:36:03,246 --> 00:36:05,460
It would be wrong for you
493
00:36:05,460 --> 00:36:10,460
to think of your minister
as a man set aside,
494
00:36:10,760 --> 00:36:14,020
and intended by nature to be...
495
00:36:15,730 --> 00:36:17,433
Lead a blameless life.
496
00:36:20,670 --> 00:36:24,173
I am beset by all the
temptations that assail you.
497
00:36:26,370 --> 00:36:27,473
I've been tempted.
498
00:36:29,210 --> 00:36:32,763
I have surrendered to temptation.
499
00:36:37,000 --> 00:36:39,940
But it was only by the hand of God,
500
00:36:39,940 --> 00:36:43,683
placed beneath my head,
that I was raised up.
501
00:36:44,930 --> 00:36:46,623
And as He raised me,
502
00:36:47,870 --> 00:36:50,953
so also shall He raise you.
503
00:36:51,960 --> 00:36:52,933
Amen.
504
00:36:54,930 --> 00:36:59,690
Do not despair, for in your hour of sin,
505
00:36:59,690 --> 00:37:01,880
turn your eyes to the sky,
506
00:37:01,880 --> 00:37:06,880
and you will be saved
again, and again, and again.
507
00:37:31,127 --> 00:37:34,044
(chair taps floor)
508
00:37:35,020 --> 00:37:39,023
I do not want to kiss Kate Swift's body.
509
00:37:42,335 --> 00:37:43,168
Oh.
510
00:37:44,488 --> 00:37:45,919
♪ Wake up, yeah ♪
511
00:37:45,919 --> 00:37:47,290
♪ Children, wake up ♪
512
00:37:47,290 --> 00:37:48,998
♪ Wake up ♪
513
00:37:48,998 --> 00:37:49,967
♪ Wake up ♪
514
00:37:49,967 --> 00:37:50,800
♪ People ♪
515
00:37:50,800 --> 00:37:51,916
♪ People, wake up ♪
516
00:37:51,916 --> 00:37:55,109
♪ Walk into, yeah, the light ♪
517
00:37:55,109 --> 00:37:57,278
♪ Walk into the light ♪
518
00:37:57,278 --> 00:38:01,488
♪ Hey, yeah ♪
519
00:38:01,488 --> 00:38:02,787
♪ Oh ♪
520
00:38:02,787 --> 00:38:03,903
♪ Oh, oh ♪
521
00:38:03,903 --> 00:38:05,070
What you want?
522
00:38:06,607 --> 00:38:08,973
I wanna fuck Kate Swift
523
00:38:08,973 --> 00:38:10,890
I wanna fuck Kate Swift
524
00:38:11,984 --> 00:38:13,363
No, no, no.
525
00:38:13,363 --> 00:38:15,963
I am a child of God and He
must save me from myself.
526
00:38:18,320 --> 00:38:19,570
Please, Father, do not forget me.
527
00:38:19,570 --> 00:38:21,100
- [Narrator] The pastor
pleaded now with God
528
00:38:21,100 --> 00:38:23,490
to give him the power
to ignore his window.
529
00:38:23,490 --> 00:38:26,450
And to stay with his
servant in his hour of need.
530
00:38:27,395 --> 00:38:30,690
- Humble servant in his hour of need.
531
00:38:30,690 --> 00:38:32,240
- If you wanna be a writer,
532
00:38:32,240 --> 00:38:34,840
you've gotta talk to your reader.
533
00:38:34,840 --> 00:38:38,920
Keep it simple, draw on nature.
534
00:38:38,920 --> 00:38:43,180
Think in circles, not in lines.
535
00:38:43,180 --> 00:38:47,793
Plot does not matter,
character is everything.
536
00:38:48,680 --> 00:38:53,560
Writing is easy, all
you do is sit and stare
537
00:38:53,560 --> 00:38:57,110
at a blank screen until the drops of blood
538
00:38:57,110 --> 00:38:59,163
form on your forehead.
539
00:39:01,600 --> 00:39:06,270
A writer must possess
the courage to express
540
00:39:06,270 --> 00:39:09,253
what others fear to express.
541
00:39:11,223 --> 00:39:14,806
(rain patters on the roof)
542
00:39:19,870 --> 00:39:21,843
Make love to words.
543
00:39:26,130 --> 00:39:28,093
Make love to me.
544
00:39:32,470 --> 00:39:33,683
- Oh, Miss Swift.
545
00:39:34,893 --> 00:39:37,885
(birds chirping)
546
00:39:37,885 --> 00:39:40,552
(water pouring)
547
00:39:44,355 --> 00:39:47,188
- You think you're better than me?
548
00:39:55,406 --> 00:39:56,741
(Nathan moaning)
549
00:39:56,741 --> 00:39:57,741
- Oh, Helen.
550
00:40:03,299 --> 00:40:04,882
(rain pouring down)
551
00:40:13,853 --> 00:40:15,496
♪ You gotta leave you ♪
552
00:40:15,496 --> 00:40:18,578
♪ Oh, yes, he's got to ♪
553
00:40:18,578 --> 00:40:19,887
♪ You gotta leave you ♪
554
00:40:19,887 --> 00:40:21,263
♪ Yeah ♪
555
00:40:21,263 --> 00:40:22,489
♪ He's got to ♪
556
00:40:22,489 --> 00:40:23,322
♪ Hey, hey ♪
557
00:40:23,322 --> 00:40:24,155
♪ You gotta leave you ♪
558
00:40:24,155 --> 00:40:27,838
♪ Oh, yeah, hey, hey ♪
559
00:40:27,838 --> 00:40:29,380
♪ You gotta leave you ♪
560
00:40:29,380 --> 00:40:31,047
- You put her there.
561
00:40:35,033 --> 00:40:36,717
This is Your fault.
562
00:40:36,717 --> 00:40:37,930
What have I done?
563
00:40:37,930 --> 00:40:39,043
Why tempt me now?
564
00:40:40,234 --> 00:40:41,734
(wind blowing)
565
00:40:41,734 --> 00:40:43,560
I'm a married man.
566
00:40:43,560 --> 00:40:45,260
And my wife is ashamed of passion.
567
00:40:46,540 --> 00:40:47,440
I've been cheated.
568
00:40:49,000 --> 00:40:52,640
A man has a right to expect living passion
569
00:40:52,640 --> 00:40:53,753
and beauty in a woman.
570
00:40:54,910 --> 00:40:56,953
He has no right to forget he's an animal.
571
00:40:58,318 --> 00:41:00,666
I will see this woman.
572
00:41:00,666 --> 00:41:02,270
And I will let myself think thoughts
573
00:41:02,270 --> 00:41:03,670
I have never dared to think.
574
00:41:06,638 --> 00:41:10,380
- You don't have to leave Chicago Heights.
575
00:41:10,380 --> 00:41:13,767
You have to make Chicago
Heights leave you.
576
00:41:22,771 --> 00:41:23,950
What's the use?
577
00:41:23,950 --> 00:41:27,463
It'll be 10 years before
you begin to understand.
578
00:41:33,083 --> 00:41:34,567
Oh, God.
579
00:41:34,567 --> 00:41:36,650
Nathan, you're a student.
580
00:41:39,328 --> 00:41:40,161
No, no.
581
00:41:44,948 --> 00:41:48,365
- Professor Swift, what's wrong with you?
582
00:41:49,219 --> 00:41:50,629
Shit!
583
00:41:50,629 --> 00:41:51,962
Stupid! Come on.
584
00:42:13,108 --> 00:42:14,725
- Oh, yeah.
585
00:42:14,725 --> 00:42:15,642
Here we go.
586
00:42:31,303 --> 00:42:32,523
Oh, my God!
587
00:42:32,523 --> 00:42:33,356
Oh.
588
00:42:33,356 --> 00:42:34,189
Jesus!
589
00:42:49,190 --> 00:42:50,023
Oh.
590
00:42:51,023 --> 00:42:52,320
Oh, God.
591
00:42:52,320 --> 00:42:56,070
(feet shuffling on sidewalk)
592
00:43:05,936 --> 00:43:09,920
Son, the ways of God are beyond human...
593
00:43:09,920 --> 00:43:10,753
He's so...
594
00:43:11,780 --> 00:43:15,173
The Virgin Mary appeared to me
in the body of a naked woman.
595
00:43:16,410 --> 00:43:17,560
Do you know Kate Swift?
596
00:43:18,610 --> 00:43:19,670
She might not be aware of it,
597
00:43:19,670 --> 00:43:21,720
but she is a messenger of God.
598
00:43:21,720 --> 00:43:23,323
Bearing a message of truth.
599
00:43:24,270 --> 00:43:25,670
Do you know what that means?
600
00:43:27,611 --> 00:43:28,958
I'm delivered.
601
00:43:28,958 --> 00:43:30,250
I'm delivered!
602
00:43:30,250 --> 00:43:31,440
Have no fear!
603
00:43:31,440 --> 00:43:33,813
I'll see you in church on Sunday.
604
00:43:35,199 --> 00:43:39,199
(footsteps tapping on sidewalk)
605
00:43:43,010 --> 00:43:44,950
- [Narrator] Nathan Walker
rolled about in the bed
606
00:43:44,950 --> 00:43:48,470
on which he had laid in the
afternoon hugging the pillow,
607
00:43:48,470 --> 00:43:50,710
and thinking thoughts of Kate Swift.
608
00:43:50,710 --> 00:43:52,310
The words of the pastor,
609
00:43:52,310 --> 00:43:54,950
who he'd thought had gone suddenly insane,
610
00:43:54,950 --> 00:43:56,550
rang in his ears.
611
00:43:56,550 --> 00:43:58,630
His eyes stared about the room
612
00:43:58,630 --> 00:44:02,030
and he tried to understand
what had happened.
613
00:44:02,030 --> 00:44:05,040
Over and over he turned
the matter in his mind.
614
00:44:05,040 --> 00:44:08,560
Hours passed and he began
to think it must be time
615
00:44:08,560 --> 00:44:09,913
for another day to come.
616
00:44:11,300 --> 00:44:12,550
- Do you know Kate Swift?
617
00:44:13,510 --> 00:44:16,610
She might not be aware of it
but she is a messenger of God,
618
00:44:16,610 --> 00:44:18,023
bearing a message of truth.
619
00:44:25,210 --> 00:44:26,450
- [Narrator] Then he slept.
620
00:44:26,450 --> 00:44:29,670
And in all Chicago Heights,
he was the last soul
621
00:44:29,670 --> 00:44:31,613
on that summer night to go to sleep.
622
00:44:40,111 --> 00:44:42,576
(typewriter keys clacking)
623
00:44:42,576 --> 00:44:45,159
(somber music)
624
00:44:55,437 --> 00:45:00,437
♪ Nobody, nobody, nobody knows ♪
625
00:45:02,519 --> 00:45:07,519
♪ Who am I, who am I, who am I ♪
626
00:45:10,395 --> 00:45:15,395
♪ Nobody, nobody, nobody knows ♪
627
00:45:19,544 --> 00:45:24,544
♪ The last soul on a summer night ♪
628
00:45:25,991 --> 00:45:30,158
♪ The last soul on a summer night ♪
629
00:45:38,990 --> 00:45:42,790
He assured himself that
of memory and the moment,
630
00:45:42,790 --> 00:45:45,410
those two distinct realms in time.
631
00:45:45,410 --> 00:45:46,903
Memory ranked first,
632
00:45:47,870 --> 00:45:50,870
no matter how fragmented and grotesque.
633
00:45:50,870 --> 00:45:53,440
Memory is a colander of experience
634
00:45:53,440 --> 00:45:57,363
through which only manifestations
of the truth may pass.
635
00:46:02,175 --> 00:46:06,008
(wind blowing through leaves)
636
00:46:08,535 --> 00:46:12,118
(rain patters on the roof)
637
00:46:18,694 --> 00:46:21,444
(birds chirping)
638
00:46:24,490 --> 00:46:26,620
The story of Dr. Reefy and his association
639
00:46:26,620 --> 00:46:30,300
with Mrs. Elizabeth Walker
is a very curious story.
640
00:46:30,300 --> 00:46:32,090
It is delicious.
641
00:46:32,090 --> 00:46:33,880
Like the twisted little apples,
642
00:46:33,880 --> 00:46:36,253
they grow in the backyards
of Chicago Heights.
643
00:46:37,750 --> 00:46:40,710
The apples have been taken
from the trees by children.
644
00:46:40,710 --> 00:46:43,390
On the trees are only a few gnarled apples
645
00:46:43,390 --> 00:46:45,370
that they have rejected.
646
00:46:45,370 --> 00:46:48,960
One nibbles at them
and they are delicious.
647
00:46:48,960 --> 00:46:51,120
Into a little round place
at the side of the apple
648
00:46:51,120 --> 00:46:53,070
has been gathered all of its sweetness.
649
00:46:54,410 --> 00:46:57,010
Only a few know the sweetness
of the twisted apples.
650
00:47:12,860 --> 00:47:14,410
After his wife's death,
651
00:47:14,410 --> 00:47:17,900
Dr. Eli Reefy worked all day, every day.
652
00:47:17,900 --> 00:47:20,550
Alone in his home office
on Black Hawk Drive,
653
00:47:20,550 --> 00:47:24,320
near Lincoln Highway, the
therapist worked ceaselessly
654
00:47:24,320 --> 00:47:26,743
building up something
that he himself destroyed.
655
00:47:27,580 --> 00:47:31,030
Little pyramids of truth he
erected and after erecting
656
00:47:31,030 --> 00:47:32,480
knocked them down again.
657
00:47:32,480 --> 00:47:35,463
That he might have the truth
to erect other pyramids.
658
00:47:36,490 --> 00:47:38,600
Dr. Reefy had a habit
of writing little truths
659
00:47:38,600 --> 00:47:41,270
about people on scraps of paper.
660
00:47:41,270 --> 00:47:42,810
He stuffed the truths in the pockets
661
00:47:42,810 --> 00:47:44,680
of his one tweed jacket.
662
00:47:44,680 --> 00:47:46,000
When the pockets were filled
663
00:47:46,000 --> 00:47:47,713
he dumped them out upon the floor.
664
00:47:50,350 --> 00:47:52,330
Mrs. Elizabeth Walker and Dr. Reefy
665
00:47:52,330 --> 00:47:55,330
began what we shall
characterize as an odd courtship
666
00:47:55,330 --> 00:47:56,430
on a summer afternoon.
667
00:47:57,550 --> 00:48:00,870
When he met her she was
already fatally ill,
668
00:48:00,870 --> 00:48:02,773
but she came to life in his presence.
669
00:48:05,233 --> 00:48:06,473
- I had come to a point in time in my life
670
00:48:06,473 --> 00:48:08,960
when prayer became necessary,
671
00:48:08,960 --> 00:48:12,073
so I invented gods and I prayed to them.
672
00:48:13,200 --> 00:48:15,210
I didn't say my prayer in words
673
00:48:15,210 --> 00:48:16,523
nor did I kneel down.
674
00:48:17,810 --> 00:48:19,783
I sat perfectly still in my chair.
675
00:48:21,380 --> 00:48:24,690
It was an experience that
I really can't explain.
676
00:48:24,690 --> 00:48:26,480
Though I suppose it
happens to men and women
677
00:48:26,480 --> 00:48:27,823
in all sorts of places.
678
00:48:32,507 --> 00:48:35,174
(fan whooshing)
679
00:49:01,825 --> 00:49:04,492
(knock on door)
680
00:49:23,030 --> 00:49:24,000
- [Narrator] Always, there was something
681
00:49:24,000 --> 00:49:26,060
Elizabeth saw blindly,
682
00:49:26,060 --> 00:49:29,300
passionately, the hidden wonder in life.
683
00:49:29,300 --> 00:49:31,250
And all the babble of words that fell
684
00:49:31,250 --> 00:49:34,070
from the lips of the men
who opened her presents
685
00:49:34,070 --> 00:49:36,830
in that perpetual
Christmas under the church.
686
00:49:36,830 --> 00:49:37,880
She was trying to find
687
00:49:37,880 --> 00:49:41,035
what would be for her the true word.
688
00:49:41,035 --> 00:49:43,616
- [Man] God. You are beautiful.
689
00:49:43,616 --> 00:49:46,207
Oh, my God. You are beautiful.
690
00:49:46,207 --> 00:49:47,453
(Elizabeth moans)
691
00:49:47,453 --> 00:49:49,953
Oh, my God. You are beautiful.
692
00:49:51,040 --> 00:49:53,540
Oh, my God. You are beautiful.
693
00:49:56,308 --> 00:49:57,141
God. You are beautiful.
694
00:49:57,141 --> 00:50:00,449
- [Elizabeth] I don't think anybody else
695
00:50:00,449 --> 00:50:01,723
ever truly loved me.
696
00:50:02,690 --> 00:50:05,727
- [Man] Oh, my God. You are beautiful.
697
00:50:07,160 --> 00:50:12,160
- [Elizabeth] You saw exactly
who I hoped and wanted to be.
698
00:50:19,490 --> 00:50:22,040
- You must not try to make love definite,
699
00:50:22,040 --> 00:50:24,450
it's a divine accident of life.
700
00:50:24,450 --> 00:50:25,962
If you try to be sure about it,
701
00:50:25,962 --> 00:50:28,379
you're gonna be disappointed.
702
00:50:30,573 --> 00:50:32,657
(door slams)
703
00:50:32,657 --> 00:50:37,430
- I went to bed last night
and I started thinking.
704
00:50:37,430 --> 00:50:39,920
I thought about you going
up with all these people,
705
00:50:39,920 --> 00:50:43,277
these drifters passing through the house.
706
00:50:43,277 --> 00:50:45,033
- I'm just fine, father.
707
00:50:46,134 --> 00:50:47,884
- I'm worried about you, Elizabeth.
708
00:50:52,940 --> 00:50:55,263
Marriage isn't what it's cracked up to be.
709
00:50:56,430 --> 00:50:57,663
Don't do it.
710
00:50:58,867 --> 00:51:01,587
You'll be stuck here in Chicago Heights
711
00:51:01,587 --> 00:51:02,950
the rest of your life.
712
00:51:02,950 --> 00:51:05,080
- And then I was married and...
713
00:51:06,890 --> 00:51:09,640
just didn't work out at all.
714
00:51:09,640 --> 00:51:12,900
Maybe I just knew too much
about him before then and...
715
00:51:16,560 --> 00:51:19,010
maybe I just found out
way too much about 'em
716
00:51:19,010 --> 00:51:20,233
during that first night.
717
00:51:23,428 --> 00:51:25,063
I'm such a damn fool.
718
00:51:26,226 --> 00:51:28,403
It wasn't Tom Walker that I wanted,
719
00:51:29,630 --> 00:51:31,093
it was marriage.
720
00:51:32,450 --> 00:51:35,006
I didn't like 'em.
721
00:51:35,006 --> 00:51:36,593
He always smelled like paint.
722
00:51:37,860 --> 00:51:42,860
Look, I'm not a ho, but
there were so many stories
723
00:51:44,210 --> 00:51:46,103
around Chicago Heights about me.
724
00:51:48,140 --> 00:51:52,923
It was cloudy one day
and a storm was coming.
725
00:51:54,600 --> 00:51:57,580
Black clouds made the green of the trees
726
00:51:57,580 --> 00:52:00,640
and the grass standout,
so that the colors...
727
00:52:02,070 --> 00:52:03,993
The colors hurt my eyes.
728
00:52:08,550 --> 00:52:09,740
The thoughts had began to come,
729
00:52:09,740 --> 00:52:13,777
and I just wanted to get away from 'em.
730
00:52:15,514 --> 00:52:16,880
So I began to peddle harder
731
00:52:16,880 --> 00:52:21,880
and I wanted to go at a terrible speed.
732
00:52:24,250 --> 00:52:25,743
I wanted to get out of town.
733
00:52:27,499 --> 00:52:29,483
I wanted to get out of my clothes.
734
00:52:30,800 --> 00:52:32,900
I wanted to get out of my marriage.
735
00:52:32,900 --> 00:52:35,180
I wanted to get out of my body.
736
00:52:35,180 --> 00:52:37,760
I wanted out of everything.
737
00:52:37,760 --> 00:52:39,083
I peddled hard.
738
00:52:40,299 --> 00:52:41,132
I peddled hard.
739
00:52:41,132 --> 00:52:45,260
I peddled so hard that
my legs began to hurt,
740
00:52:45,260 --> 00:52:49,070
and when I couldn't
peddle any more I got off
741
00:52:49,070 --> 00:52:50,006
and I fell.
742
00:52:50,006 --> 00:52:53,820
I fell on the ground and it... (crying)
743
00:52:59,898 --> 00:53:03,398
I just wanted to run away from everything.
744
00:53:09,250 --> 00:53:11,803
But I wanted to run towards something too.
745
00:53:15,340 --> 00:53:20,153
Don't you see, darling?
Don't you see how it was?
746
00:53:23,447 --> 00:53:25,440
I cried all the way home.
747
00:53:29,291 --> 00:53:31,156
- You are a beautiful, beautiful woman.
748
00:53:31,156 --> 00:53:31,989
(newspaper smacks step)
749
00:53:31,989 --> 00:53:33,072
So beautiful.
750
00:53:33,917 --> 00:53:36,750
(Elizabeth gasps)
751
00:53:37,960 --> 00:53:40,410
(door slams)
752
00:53:40,410 --> 00:53:42,500
(Elizabeth crying)
753
00:53:42,500 --> 00:53:44,060
- [Narrator] The thing that
had come to life in her
754
00:53:44,060 --> 00:53:46,533
as she talked to Dr. Reefy died suddenly.
755
00:53:47,410 --> 00:53:49,260
Along the street she went
756
00:53:49,260 --> 00:53:51,810
with the blood still singing in her body,
757
00:53:51,810 --> 00:53:55,494
crying so hard that she
feared she might fall.
758
00:53:55,494 --> 00:54:00,494
- [Elizabeth] Okay. (crying)
759
00:54:02,853 --> 00:54:06,020
(train whistle blows)
760
00:54:15,970 --> 00:54:16,803
- [Narrator] The sick woman
761
00:54:16,803 --> 00:54:18,160
spent the last few months of her life
762
00:54:18,160 --> 00:54:19,453
hungering for death.
763
00:54:23,430 --> 00:54:27,180
Elizabeth faded one day in
August in the year when her son,
764
00:54:27,180 --> 00:54:30,380
Nathan, was becoming a
man, but was still so young
765
00:54:30,380 --> 00:54:33,623
that he had but little
sense of what was happening.
766
00:54:34,580 --> 00:54:36,080
Only time would give him that.
767
00:54:41,722 --> 00:54:44,722
(rain pouring down)
768
00:54:58,050 --> 00:55:01,480
Before she died, Elizabeth
laid paralyzed for six days,
769
00:55:01,480 --> 00:55:03,310
unable to speak or move.
770
00:55:03,310 --> 00:55:06,260
And with only her mind and her eyes alive.
771
00:55:06,260 --> 00:55:08,400
For three of the six days she struggled,
772
00:55:08,400 --> 00:55:09,710
thinking of her boy,
773
00:55:09,710 --> 00:55:13,290
trying to say some few words
in regards to his future.
774
00:55:13,290 --> 00:55:16,220
And in her eyes there
was an appeal so touching
775
00:55:16,220 --> 00:55:19,330
that all who saw it kept a
memory of the dying woman
776
00:55:19,330 --> 00:55:20,733
in their mind for years.
777
00:55:26,168 --> 00:55:30,251
(claws clicking along the floor)
778
00:55:33,484 --> 00:55:36,234
(rain pattering)
779
00:56:00,124 --> 00:56:03,124
(floorboards creak)
780
00:56:05,325 --> 00:56:08,742
(footsteps tap on floor)
781
00:56:23,050 --> 00:56:25,740
The body under the sheets
was long and in death
782
00:56:25,740 --> 00:56:27,700
looked young and graceful.
783
00:56:27,700 --> 00:56:31,120
To the boy, it was unspeakably lovely.
784
00:56:31,120 --> 00:56:33,670
He began to think that the body before him
785
00:56:33,670 --> 00:56:35,123
was breathing and alive.
786
00:56:36,550 --> 00:56:38,870
In the dining room with his dead mother,
787
00:56:38,870 --> 00:56:41,490
the young man began to have thoughts.
788
00:56:41,490 --> 00:56:44,810
His mind hungered for life
the way his mother's mind
789
00:56:44,810 --> 00:56:46,053
had hungered for death.
790
00:56:46,956 --> 00:56:48,303
He closed his eyes.
791
00:56:49,757 --> 00:56:52,978
(rain pouring down)
792
00:56:52,978 --> 00:56:57,145
(thunder rumbles in the distance)
793
00:57:14,578 --> 00:57:17,161
(Nathan moans)
794
00:57:21,114 --> 00:57:23,697
(Nathan cries)
795
00:57:25,303 --> 00:57:28,303
(floorboards creak)
796
00:57:39,254 --> 00:57:41,921
- That's not my mother in there.
797
00:57:45,654 --> 00:57:48,321
That's not my mother in there.
798
00:58:15,544 --> 00:58:18,211
(hopeful music)
799
00:58:28,904 --> 00:58:31,904
(alarm clock beeps)
800
00:58:32,894 --> 00:58:36,795
♪ Where do we go from here ♪
801
00:58:36,795 --> 00:58:41,173
♪ When all we have is fear ♪
802
00:58:41,173 --> 00:58:45,433
♪ How do we dedicate ♪
803
00:58:45,433 --> 00:58:49,733
♪ If we don't have the faith ♪
804
00:58:49,733 --> 00:58:53,852
♪ How can we consecrate ♪
805
00:58:53,852 --> 00:58:58,192
♪ When we are too afraid ♪
806
00:58:58,192 --> 00:59:00,832
♪ We need a new world ♪
807
00:59:00,832 --> 00:59:05,832
♪ A change on Lincoln Highway ♪
808
00:59:06,778 --> 00:59:09,140
♪ We need a new world ♪
809
00:59:09,140 --> 00:59:13,531
♪ A change on Lincoln Highway ♪
810
00:59:13,531 --> 00:59:15,001
- [Man] Where do we go from here?
811
00:59:15,001 --> 00:59:17,460
♪ Where do we go from here ♪
812
00:59:17,460 --> 00:59:19,340
On this Lincoln Highway.
813
00:59:19,340 --> 00:59:22,182
♪ If all we have is fear ♪
814
00:59:22,182 --> 00:59:23,643
How can we dedicate?
815
00:59:23,643 --> 00:59:26,691
♪ How can we dedicate ♪
816
00:59:26,691 --> 00:59:27,889
When we have no faith?
817
00:59:27,889 --> 00:59:30,681
♪ When we don't have the faith ♪
818
00:59:30,681 --> 00:59:32,203
How can we consecrate?
819
00:59:32,203 --> 00:59:36,081
♪ How can we consecrate ♪
820
00:59:36,081 --> 00:59:39,042
♪ A place we want to be safe ♪
821
00:59:39,042 --> 00:59:41,340
♪ We need a new world now ♪
822
00:59:41,340 --> 00:59:43,649
♪ We need a new world ♪
823
00:59:43,649 --> 00:59:47,146
♪ A change on Lincoln Highway ♪
824
00:59:47,146 --> 00:59:48,738
♪ We all need a ♪
825
00:59:48,738 --> 00:59:51,431
♪ We need a new world ♪
826
00:59:51,431 --> 00:59:55,694
♪ A change on Lincoln Highway ♪
827
00:59:55,694 --> 00:59:57,298
♪ Where do we go from here ♪
828
00:59:57,298 --> 01:00:00,184
♪ Where do we go from here ♪
829
01:00:00,184 --> 01:00:03,684
♪ On this Lincoln Highway ♪
830
01:00:04,607 --> 01:00:05,540
(knock on door)
831
01:00:05,540 --> 01:00:06,440
- Professor Swift?
832
01:00:09,313 --> 01:00:10,603
I wrote another story.
833
01:00:15,902 --> 01:00:17,858
- That's good.
834
01:00:17,858 --> 01:00:19,858
- I want you to read it.
835
01:00:22,327 --> 01:00:23,707
- No.
836
01:00:23,707 --> 01:00:25,290
I'm sorry, I can't.
837
01:00:27,578 --> 01:00:28,411
- But I just wrote-
838
01:00:28,411 --> 01:00:29,411
- I'm sorry.
839
01:00:31,736 --> 01:00:33,785
♪ We need a new world ♪
840
01:00:33,785 --> 01:00:37,618
♪ A change on Lincoln highway ♪
841
01:00:39,165 --> 01:00:41,498
- Fornication, twice a week.
842
01:00:43,323 --> 01:00:45,048
♪ Come sing ♪
843
01:00:45,048 --> 01:00:47,999
♪ Oh, yeah ♪
844
01:00:47,999 --> 01:00:50,424
♪ We need a new world ♪
845
01:00:50,424 --> 01:00:55,195
♪ A change on Lincoln Highway ♪
846
01:00:55,195 --> 01:00:56,362
♪ We need a new world, yeah ♪
847
01:00:56,362 --> 01:00:58,841
♪ We need a new world ♪
848
01:00:58,841 --> 01:01:02,674
♪ A change on Lincoln Highway ♪
849
01:01:15,795 --> 01:01:18,962
(train whistle blows)
850
01:01:21,730 --> 01:01:24,480
(birds chirping)
851
01:01:46,490 --> 01:01:49,990
(train station PA blares)
852
01:01:52,120 --> 01:01:55,690
- [Narrator] The young man
riding downtown began to think,
853
01:01:55,690 --> 01:01:58,770
but he did not think of
anything very big or traumatic,
854
01:01:58,770 --> 01:02:01,440
things like his mother's
death, his adventured departure
855
01:02:01,440 --> 01:02:05,290
from Chicago Heights, the
uncertainty of his future life.
856
01:02:05,290 --> 01:02:07,360
The serious and larger aspects of his life
857
01:02:07,360 --> 01:02:09,540
did not come into his mind.
858
01:02:09,540 --> 01:02:10,940
He thought of little things.
859
01:02:12,470 --> 01:02:15,453
Nathan Walker closed his eyes,
and leaned back in his seat.
860
01:02:17,090 --> 01:02:17,923
One looking at him
861
01:02:17,923 --> 01:02:20,220
would not have thought
him particularly sharp.
862
01:02:23,010 --> 01:02:25,710
He stayed that way for a long time
863
01:02:25,710 --> 01:02:27,550
and when he aroused himself later
864
01:02:27,550 --> 01:02:30,350
and again looked out of the train window.
865
01:02:30,350 --> 01:02:33,620
The excerpt of Chicago
Heights had disappeared
866
01:02:33,620 --> 01:02:36,370
and his life there had
become but a background
867
01:02:36,370 --> 01:02:38,720
on which to paint the
dreams of his manhood.
868
01:02:43,171 --> 01:02:45,921
(dramatic music)
869
01:03:02,911 --> 01:03:07,911
♪ Someone broke my heart and ♪
870
01:03:07,940 --> 01:03:12,107
♪ Tore me apart ♪
871
01:03:12,107 --> 01:03:16,462
♪ Someone told a lie ♪
872
01:03:16,462 --> 01:03:21,158
♪ That a man should never cry ♪
873
01:03:21,158 --> 01:03:25,422
♪ Now I'm so much older ♪
874
01:03:25,422 --> 01:03:30,189
♪ And my heart has grown colder ♪
875
01:03:30,189 --> 01:03:34,178
♪ I can see ♪
876
01:03:34,178 --> 01:03:36,178
♪ That it was a lie ♪
877
01:03:36,178 --> 01:03:38,808
♪ But this is what I had to do ♪
878
01:03:38,808 --> 01:03:42,003
♪ Wake up, children, wake up ♪
879
01:03:42,003 --> 01:03:43,641
♪ Come on, wake up, y'all ♪
880
01:03:43,641 --> 01:03:47,594
♪ Wake up, uh-oh, people, wake up ♪
881
01:03:47,594 --> 01:03:50,005
♪ Walk into the light ♪
882
01:03:50,005 --> 01:03:51,954
♪ Walk into the light ♪
883
01:03:51,954 --> 01:03:54,205
♪ Oh, yeah, yeah, oh ♪
884
01:03:54,205 --> 01:03:56,542
♪ 'Cause what I had to do is wake up ♪
885
01:03:56,542 --> 01:03:59,739
♪ Wake up, children, wake up ♪
886
01:03:59,739 --> 01:04:01,222
♪ Wake up ♪
887
01:04:01,222 --> 01:04:02,213
♪ Wake up ♪
888
01:04:02,213 --> 01:04:03,046
♪ People ♪
889
01:04:03,046 --> 01:04:04,196
♪ People, wake up ♪
890
01:04:04,196 --> 01:04:06,996
♪ Walk into the light ♪
891
01:04:06,996 --> 01:04:09,624
♪ Walk into the light ♪
892
01:04:09,624 --> 01:04:13,873
♪ Hey, yeah ♪
893
01:04:13,873 --> 01:04:15,137
♪ Oh ♪
894
01:04:15,137 --> 01:04:15,970
♪ Uh-oh ♪
895
01:04:15,970 --> 01:04:17,027
♪ Oh ♪
896
01:04:17,027 --> 01:04:17,860
♪ Uh-oh ♪
897
01:04:17,860 --> 01:04:19,275
♪ Oh ♪
898
01:04:19,275 --> 01:04:20,358
♪ Uh-oh ♪
899
01:04:20,358 --> 01:04:21,574
♪ Oh ♪
900
01:04:21,574 --> 01:04:22,665
♪ Uh-oh ♪
901
01:04:22,665 --> 01:04:23,993
♪ Oh ♪
902
01:04:23,993 --> 01:04:24,826
♪ Walk in it ♪
903
01:04:24,826 --> 01:04:27,455
♪ Walk into the light ♪
904
01:04:27,455 --> 01:04:31,333
♪ Hey, yeah, oh ♪
905
01:04:31,333 --> 01:04:33,249
♪ Oh ♪
906
01:04:33,249 --> 01:04:34,340
♪ Oh ♪
907
01:04:34,340 --> 01:04:35,173
♪ Uh-oh ♪
908
01:04:35,173 --> 01:04:36,006
♪ Do it ♪
909
01:04:36,006 --> 01:04:36,839
♪ Oh ♪
910
01:04:36,839 --> 01:04:37,814
♪ Yeah ♪
911
01:04:37,814 --> 01:04:38,647
♪ Oh ♪
912
01:04:38,647 --> 01:04:39,598
♪ Uh-oh ♪
913
01:04:39,598 --> 01:04:41,737
♪ Yeah ♪
914
01:04:41,737 --> 01:04:44,278
♪ Walk into the light ♪
915
01:04:44,278 --> 01:04:45,471
♪ Oh ♪
916
01:04:45,471 --> 01:04:48,636
(hands clapping)
917
01:04:48,636 --> 01:04:51,053
(vocalizing)
918
01:04:51,962 --> 01:04:56,962
♪ Wake up, children ♪
919
01:04:58,962 --> 01:05:01,462
♪ Walk into the light ♪
920
01:05:01,462 --> 01:05:05,276
♪ Oh, you stop lying, everybody ♪
921
01:05:05,276 --> 01:05:06,659
♪ Oh ♪
922
01:05:06,659 --> 01:05:07,492
♪ Oh ♪
923
01:05:07,492 --> 01:05:08,325
♪ Oh ♪
924
01:05:08,325 --> 01:05:09,268
♪ Uh-oh ♪
925
01:05:09,268 --> 01:05:10,101
♪ Yeah ♪
926
01:05:10,101 --> 01:05:11,701
♪ Oh ♪
927
01:05:11,701 --> 01:05:13,809
♪ Oh, uh-oh ♪
928
01:05:13,809 --> 01:05:14,939
♪ Oh ♪
929
01:05:14,939 --> 01:05:15,802
♪ Walk into ♪
930
01:05:15,802 --> 01:05:17,919
♪ Walk into the light ♪
931
01:05:17,919 --> 01:05:21,886
♪ Walk into the light, yeah ♪
932
01:05:21,886 --> 01:05:26,067
♪ Oh, oh, uh-oh ♪
933
01:05:26,067 --> 01:05:30,040
♪ Oh, oh, uh-oh ♪
934
01:05:30,040 --> 01:05:32,109
♪ Uh-oh ♪
935
01:05:32,109 --> 01:05:35,485
♪ Walk into the light ♪
936
01:05:35,485 --> 01:05:38,436
♪ Oh, you don't have to keep killing ♪
937
01:05:38,436 --> 01:05:42,247
♪ Oh, oh, oh ♪
938
01:05:42,247 --> 01:05:44,737
♪ You don't have to
leave Chicago Heights ♪
939
01:05:44,737 --> 01:05:47,045
♪ Oh, oh, uh-oh ♪
940
01:05:47,045 --> 01:05:49,003
♪ Oh ♪
941
01:05:49,003 --> 01:05:51,254
♪ Walk into the light ♪
942
01:05:51,254 --> 01:05:55,556
♪ Oh, yeah ♪
943
01:05:55,556 --> 01:05:57,806
♪ Wake up ♪
63380
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Irish
Italian
Japanese
Javanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof