Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:08,039 --> 00:00:10,209
HEY, GUYS,
CHECK THIS OUT.
2
00:00:10,211 --> 00:00:12,381
I PICKED THIS UP
AT AUCTION TODAY,
3
00:00:12,383 --> 00:00:15,593
AND IT ONLY COST ME
A MILLION DOLLARS.
4
00:00:15,586 --> 00:00:18,246
FOR A SHEET?
5
00:00:18,249 --> 00:00:19,649
I GUESS I'D BETTER
START SAVING UP
6
00:00:19,650 --> 00:00:22,390
IF I'M GONNA BE
A GHOST FOR HALLOWEEN.
7
00:00:22,393 --> 00:00:25,703
IT'S A PAINTING, ADAM,
BY A VERY FAMOUS ARTIST
8
00:00:25,696 --> 00:00:29,326
NAMED VON SCHTOPP.
9
00:00:29,330 --> 00:00:30,660
HM. I WISH I WOULD HAVE
BEEN THERE
10
00:00:30,661 --> 00:00:33,661
TO "VON SCHTOPP"
YOU FROM BUYING IT.
11
00:00:35,206 --> 00:00:36,636
WHAT IS IT?
12
00:00:36,637 --> 00:00:39,637
IT'S ABSTRACT ART, ADAM.
IT'S WHATEVER YOU THINK IT IS.
13
00:00:39,640 --> 00:00:41,470
I THINK
IT'S A CRYING WOMAN.
14
00:00:41,472 --> 00:00:42,672
I THINK
IT'S A STORM AT SEA.
15
00:00:42,673 --> 00:00:45,323
I THINK SOMEONE JUST
BLEW A MILLION BUCKS.
16
00:00:46,347 --> 00:00:48,247
( musical ringtone plays )
17
00:00:48,249 --> 00:00:50,379
THAT'S ME.
DAVENPORT INDUSTRIES.
18
00:00:50,381 --> 00:00:52,681
HELLO? UH-HUH.
19
00:00:52,683 --> 00:00:55,393
OH, BOY. ALL RIGHT.
20
00:00:55,386 --> 00:00:57,686
LOOKS LIKE I'VE GOT TO
PUT OUT A FIRE AT WORK.
21
00:00:57,688 --> 00:00:59,688
WHAT HAPPENED?
BETTY FROM ACCOUNTING
GOT HER HEAD CAUGHT...
22
00:00:59,690 --> 00:01:02,190
IN THE POSITRON
COLLIDER AGAIN.
23
00:01:02,193 --> 00:01:03,463
OHH!
24
00:01:03,464 --> 00:01:04,604
THAT'S GONNA BE MESSY.
25
00:01:04,595 --> 00:01:07,265
CAN YOU GUYS PUT THAT
IN THE ART VAULT FOR ME?
26
00:01:07,268 --> 00:01:08,598
WAIT, YOU HAVE
AN ART VAULT?
27
00:01:08,599 --> 00:01:09,799
WHEN ARE YOU GUYS
GONNA LEARN?
28
00:01:09,800 --> 00:01:13,600
I HAVE A EVERYTHING.
( chuckles )
29
00:01:13,604 --> 00:01:18,654
BUT WHATEVER YOU DO,
DO NOT TOUCH THE DAVENPORTRAITS.
30
00:01:18,649 --> 00:01:20,549
WHAT'S A DAVENPORTRAIT?
31
00:01:33,093 --> 00:01:36,773
AM I SCREAMING OUT LOUD
OR JUST INSIDE MY HEAD?
32
00:01:36,767 --> 00:01:40,797
I'M JUST GONNA SAY IT:
DAVENPORT IS ONE WEIRD DUDE.
33
00:01:42,303 --> 00:01:43,733
AH. VOILA.
34
00:01:43,734 --> 00:01:46,314
THE VON SCHTO--
35
00:01:46,307 --> 00:01:48,707
EW, GROSS, GROSS, GROSS...!
TURN AROUND!
36
00:01:48,709 --> 00:01:51,539
AH-CHOO!
37
00:01:51,542 --> 00:01:53,712
WHOA.
38
00:01:53,714 --> 00:01:55,654
ADAM, WHAT DID YOU DO?
39
00:01:55,646 --> 00:01:58,586
OH, I THINK THAT SNEEZE
ACCIDENTALLY TRIGGERED
MY HEAT VISION!
40
00:01:58,589 --> 00:02:01,619
BIG "D" IS GOING
TO FREAK OUT!
41
00:02:01,622 --> 00:02:04,702
LET'S NOT PANIC.
THIS HOLE IS BARELY
NOTICEABLE.
42
00:02:04,695 --> 00:02:06,255
AH-CHOO!
43
00:02:07,558 --> 00:02:10,728
THAT, HOWEVER,
IS INCREDIBLY NOTICEABLE!
44
00:02:10,731 --> 00:02:13,701
ADAM, IF YOU'RE GOING
TO DESTROY PAINTINGS,
45
00:02:13,704 --> 00:02:15,614
DO IT TO THOSE!
46
00:02:17,268 --> 00:02:20,308
THE WORLD'S FIRST BIONIC
SUPER-HUMANS.
47
00:02:20,311 --> 00:02:24,421
THEY'RE STRONGER THAN US,
FASTER, SMARTER.
48
00:02:24,415 --> 00:02:26,745
THE NEXT GENERATION
OF THE HUMAN RACE IS...
49
00:02:26,747 --> 00:02:28,717
LIVING IN MY BASEMENT?
50
00:02:28,719 --> 00:02:29,719
♪♪
51
00:02:31,622 --> 00:02:33,552
♪ LAB RATS ♪
52
00:02:35,356 --> 00:02:37,256
♪ LAB RATS ♪
53
00:02:45,896 --> 00:02:47,696
♪ LAB RATS ♪
54
00:02:49,540 --> 00:02:51,540
♪ LAB RATS ♪
55
00:02:58,349 --> 00:02:59,909
♪ LAB RATS ♪
56
00:03:08,188 --> 00:03:10,188
ADAM, I CANNOT BELIEVE
YOU JUST DESTROYED
57
00:03:10,190 --> 00:03:12,890
MR. DAVENPORT'S
MILLION-DOLLAR PAINTING!
58
00:03:12,893 --> 00:03:16,533
MR. DAVENPORT'S GONNA KILL US
WHEN HE SEES WHAT HAPPENED.
59
00:03:16,527 --> 00:03:18,327
OKAY, WELL,
MAYBE HE WON'T NOTICE
60
00:03:18,329 --> 00:03:20,829
IF WE FILL THE ROOM WITH THINGS
THAT LOOK MUCH MORE HIDEOUS.
61
00:03:20,831 --> 00:03:22,971
MORE HIDEOUS?
62
00:03:22,973 --> 00:03:25,913
HAVE YOU SEEN THE DAVEN LISA?
63
00:03:29,510 --> 00:03:31,210
( ding )
64
00:03:37,848 --> 00:03:40,618
HEY. BIG "D."
WHAT ARE YOU DOING BACK?
65
00:03:40,621 --> 00:03:42,291
UH, I FORGOT SOMETHING.
66
00:03:42,293 --> 00:03:44,533
I FORGOT THAT I LEFT
MY MILLION-DOLLAR PAINTING
67
00:03:44,525 --> 00:03:46,425
IN THE HANDS OF THE FOUR
MOST DESTRUCTIVE
68
00:03:46,427 --> 00:03:48,457
TEENAGERS IN THE WORLD!
69
00:03:49,630 --> 00:03:51,400
PLEASE TELL ME IT'S OKAY.
70
00:03:51,402 --> 00:03:52,762
IT'S FINE.
LOOKS GREAT.
71
00:03:52,763 --> 00:03:54,973
IT'S FINE. GREAT.
72
00:03:54,965 --> 00:03:56,905
HEY, WAIT. HEY.
73
00:03:56,907 --> 00:03:59,767
WE'VE ALREADY SEEN THIS ONE,
AND IT'S BORING.
74
00:03:59,770 --> 00:04:03,470
I WOULD LIKE TO KNOW
MORE ABOUT THIS
75
00:04:03,474 --> 00:04:05,454
BEAUTIFUL...
76
00:04:05,446 --> 00:04:07,876
WHAT ARE WE LOOKING AT?
77
00:04:07,878 --> 00:04:10,248
YEAH, I REMEMBER
POSING FOR THAT ONE.
78
00:04:10,250 --> 00:04:11,920
YOU KNOW IT TOOK US HOURS
TO GET THE FRUIT
79
00:04:11,922 --> 00:04:14,332
POSITIONED JUST RIGHT?
80
00:04:18,389 --> 00:04:21,429
WELL, YOU'VE JUST KILLED
APPLES FOR ME.
81
00:04:22,663 --> 00:04:24,263
I WAS GONNA BE
THE BIG BANANA,
82
00:04:24,264 --> 00:04:25,504
BUT I THOUGHT THAT'D BE
A LITTLE TOO MUCH.
83
00:04:25,496 --> 00:04:27,296
( nonsensical sound )
DON'T DO THAT!
84
00:04:27,298 --> 00:04:28,438
WHY NOT?
85
00:04:28,439 --> 00:04:29,499
BECAUSE.
86
00:04:29,500 --> 00:04:33,570
B-BECAUSE I...
HAVE AN IDEA.
87
00:04:33,574 --> 00:04:39,314
YOU SHOULD POSE
FOR A DAVEN-SCULPTURE.
88
00:04:39,310 --> 00:04:42,380
DAVEN-SCULPTURE! YES!
89
00:04:42,383 --> 00:04:45,063
CHASE, YOUR BRILLIANCE
IS ONLY MATCHED BY
YOUR GOOD TASTE.
90
00:04:45,055 --> 00:04:47,055
I'M GONNA GET TO WORK
ON THAT RIGHT AWAY.
91
00:04:47,057 --> 00:04:51,357
OH! GET READY,
GUYS, FOR SIX FEET
OF STONE-COLD ME!
92
00:04:51,362 --> 00:04:52,692
SIX FEET?
93
00:04:52,693 --> 00:04:54,833
THERE'S A PEDESTAL!
94
00:04:58,068 --> 00:05:00,768
OKAY, MR. DAVENPORT'S GONNA
BE AT THE SCULPTOR'S STUDIO
95
00:05:00,771 --> 00:05:02,301
FOR A FEW MORE HOURS.
96
00:05:02,302 --> 00:05:05,082
THEY'RE ONLY
UP TO HIS KNEES.
HOW DO YOU KNOW THAT?
97
00:05:05,075 --> 00:05:07,575
BECAUSE HE'S GIVING ME
A PHOTO PLAY-BY-PLAY.
98
00:05:07,578 --> 00:05:10,308
( all reacting )
99
00:05:10,310 --> 00:05:12,480
OKAY, THERE'S GOT TO BE
SOME WAY TO FIX THIS PAINTING.
100
00:05:12,483 --> 00:05:14,493
I KNOW.
WE CAN MAKE A REPLICA.
101
00:05:14,485 --> 00:05:16,085
I CAN PULL AN IMAGE
OF THE PAINTING
102
00:05:16,086 --> 00:05:17,816
FROM MY INTERNAL HARD DRIVE
103
00:05:17,818 --> 00:05:19,448
AND PROJECT IT
ONTO A BLANK CANVAS.
104
00:05:19,450 --> 00:05:21,350
THEN WE CAN TRACE IT
AND PAINT OVER IT.
105
00:05:21,352 --> 00:05:22,952
THAT'LL NEVER WORK.
106
00:05:22,953 --> 00:05:25,363
WE CAN'T PAINT THAT FAST.
107
00:05:25,356 --> 00:05:27,426
( clears throat loudly )
108
00:05:27,428 --> 00:05:30,358
HEY, DO YOU MIND?
WE'RE TRYING TO THINK OVER HERE.
109
00:05:30,361 --> 00:05:32,801
I CAN PAINT THAT FAST.
110
00:05:32,803 --> 00:05:34,063
GOOD FOR YOU.
111
00:05:34,064 --> 00:05:36,744
QUIT BRAGGING AND HELP US
COME UP WITH THE SOLUTION.
112
00:05:39,339 --> 00:05:40,609
ALL RIGHT, HERE WE GO.
113
00:05:51,382 --> 00:05:53,452
ALL RIGHT, BREE,
DO YOUR THING.
114
00:06:01,792 --> 00:06:03,462
DONE AND DONE.
115
00:06:03,464 --> 00:06:04,774
WHAT DO YOU THINK?
116
00:06:04,765 --> 00:06:06,535
IT'S PERFECT.
CAN'T TELL THE DIFFERENCE.
117
00:06:06,537 --> 00:06:07,697
STILL UGLY.
118
00:06:07,698 --> 00:06:10,468
ALL RIGHT, WELL,
WE DON'T HAVE MUCH TIME.
119
00:06:10,471 --> 00:06:11,741
WE'LL GO HANG THE REPLICA.
120
00:06:11,742 --> 00:06:13,672
ADAM, YOU TAKE CARE
OF THE ORIGINAL.
121
00:06:13,674 --> 00:06:15,554
WHAT? WHAT AM I SUPPOSED
TO DO WITH IT?
122
00:06:15,546 --> 00:06:18,546
HIDE IT SOMEPLACE
THAT MR. DAVENPORT
WILL NEVER FIND IT.
123
00:06:18,549 --> 00:06:20,409
MAKE IT DISAPPEAR!
124
00:06:20,411 --> 00:06:21,911
OKAY, BUT I'M GONNA
NEED A MAGIC WAND
125
00:06:21,912 --> 00:06:24,112
AND A VOLUNTEER
FROM THE AUDIENCE.
126
00:06:24,114 --> 00:06:26,624
HOW 'BOUT YOU,
YOUNG LADY?
127
00:06:26,617 --> 00:06:28,787
JUST GO.
128
00:06:30,390 --> 00:06:31,890
AH. THERE.
129
00:06:31,892 --> 00:06:34,872
MR. DAVENPORT WILL NEVER
KNOW THE DIFFERENCE.
130
00:06:34,865 --> 00:06:37,125
OKAY, LET'S BE HONEST--
IF IT'S NOT A MIRROR
OR HIS BANK ACCOUNT,
131
00:06:37,127 --> 00:06:39,497
HE'S NOT REALLY
PAYING ATTENTION.
132
00:06:41,101 --> 00:06:43,731
HEY!
133
00:06:43,734 --> 00:06:46,514
WHAT ARE YOU DOING DOWN HERE?
134
00:06:46,507 --> 00:06:50,007
WHAT ARE WE DOING
DOWN HERE? WELL...
( chuckling )
135
00:06:50,010 --> 00:06:52,540
WE'RE DOWN HERE
'CAUSE YOUR PAINTING
136
00:06:52,543 --> 00:06:54,893
REALLY SPOKE TO US.
137
00:06:56,416 --> 00:06:58,886
THAT'S RIGHT. AND...
IT SAID...
138
00:06:58,889 --> 00:07:02,519
UH, "I'M LONELY.
COME HANG OUT WITH ME."
139
00:07:03,854 --> 00:07:05,534
IT'S A LOT LIKE YOU
THAT WAY.
140
00:07:08,499 --> 00:07:09,659
HMM.
141
00:07:13,133 --> 00:07:16,513
DID YOU GUYS REALLY THINK
I WOULDN'T NOTICE?
142
00:07:16,507 --> 00:07:18,007
WHAT DO YOU MEAN?
143
00:07:18,008 --> 00:07:19,968
( scoffs )
YOU ARE LOOKING AT IT
144
00:07:19,970 --> 00:07:21,210
UPSIDE DOWN!
145
00:07:23,443 --> 00:07:24,583
AH.
146
00:07:24,575 --> 00:07:27,145
( enthused reactions )
147
00:07:31,221 --> 00:07:32,921
THERE YOU ARE.
148
00:07:32,923 --> 00:07:35,793
IT WAS HIM!
IT WAS HIM!
IT WAS HIM!
149
00:07:35,786 --> 00:07:38,986
JUST TAKE THE HIT.
WE ALL KNOW YOU'RE
HIS FAVORITE.
150
00:07:38,989 --> 00:07:41,489
GOOD NEWS--
I SOLD THE PAINTING.
151
00:07:41,492 --> 00:07:42,832
WHAT? WHY?
152
00:07:42,833 --> 00:07:44,743
SOME WALL STREET GUY
E-MAILED ME AND SAID
153
00:07:44,735 --> 00:07:48,165
HE'D BUY IT FOR A MILLION
MORE THAN I PAID FOR IT.
154
00:07:49,239 --> 00:07:50,699
GUY CAME BY,
LOOKED IT OVER,
155
00:07:50,701 --> 00:07:52,671
AND HE WENT
STRAIGHT TO THE BANK.
156
00:07:52,673 --> 00:07:53,943
( doorbell rings )
157
00:07:53,944 --> 00:07:55,814
HEAR THAT?
THAT, MY FRIENDS,
158
00:07:55,806 --> 00:07:57,976
IS A SEVEN-FIGURE
DING DONG.
159
00:07:57,978 --> 00:07:59,608
♪ MONEY'S COMIN' ♪
160
00:07:59,610 --> 00:08:01,150
♪ MONEY'S COMIN' ♪
161
00:08:01,151 --> 00:08:03,881
♪ MONEY!
MONEY, MONEY, MONEY! ♪
162
00:08:03,884 --> 00:08:05,964
DONALD DAVENPORT?
UH-HUH.
163
00:08:05,956 --> 00:08:07,686
I'M SPECIAL AGENT RYKER.
164
00:08:07,688 --> 00:08:09,688
WE GOT A CALL FROM
A PROSPECTIVE BUYER
165
00:08:09,690 --> 00:08:12,520
THAT YOU WERE ATTEMPTING
TO SELL FORGED ART.
166
00:08:12,523 --> 00:08:14,903
FORGED ART?
WHAT ARE YOU TALKING ABOUT?
167
00:08:14,895 --> 00:08:16,265
I'M TALKING ABOUT THIS.
168
00:08:16,266 --> 00:08:20,166
THE BUYER REPORTED THAT
THIS CANVAS STILL HAD
THE PRICE TAG ATTACHED,
169
00:08:20,170 --> 00:08:23,200
THAT IT WAS PURCHASED
AT THE ART DEPOT...
170
00:08:23,203 --> 00:08:24,643
ON SALE.
171
00:08:26,036 --> 00:08:28,236
I-I DON'T UNDERSTAND.
172
00:08:28,238 --> 00:08:32,538
IT'S WHEN A STORE OFFERS
A PRODUCT AT A DISCOUNT.
173
00:08:32,543 --> 00:08:34,553
MR. DAVENPORT, SELLING
FAKE ART IS A FELONY.
174
00:08:34,545 --> 00:08:37,845
YOU COULD BE FACING
20 YEARS IN PRISON.
175
00:08:37,848 --> 00:08:39,888
TWENTY YEARS?!
176
00:08:39,890 --> 00:08:42,790
WELL, AT LEAST YOU'LL BE OUT
IN TIME FOR ADAM'S GRADUATION.
177
00:08:43,994 --> 00:08:45,834
GUESS I'D BETTER
START STUDYING.
178
00:08:54,765 --> 00:08:57,065
I DON'T UNDERSTAND
HOW THIS COULD HAVE HAPPENED.
179
00:08:57,067 --> 00:08:58,667
THAT PAINTING IS AN ORIGINAL.
180
00:08:58,669 --> 00:09:01,539
IT'S GOT AN I.D. CHIP IMBEDDED
IN THE CANVAS. SCAN IT.
181
00:09:03,914 --> 00:09:05,124
( buzzing sound )
182
00:09:05,115 --> 00:09:08,175
THAT, SIR,
IS THE BAD BUZZ,
WHICH MEANS NO CHIP.
183
00:09:08,178 --> 00:09:11,878
BUT THERE IS A CHIP
IN PRISON, AND HE IS MEAN.
184
00:09:14,224 --> 00:09:15,894
WAIT.
185
00:09:15,886 --> 00:09:17,726
HE IS TELLING THE TRUTH.
186
00:09:17,728 --> 00:09:20,758
WE PAINTED THE FAKE.
YOU WHAT?!
187
00:09:20,761 --> 00:09:22,731
WE ACCIDENTALLY RUINED
THE REAL PAINTING,
188
00:09:22,733 --> 00:09:25,243
SO WE FORGED A COPY
SO YOU WOULDN'T FIND OUT.
189
00:09:25,235 --> 00:09:26,735
YOU WHAT?!
190
00:09:26,737 --> 00:09:29,197
OKAY, WE'RE GONNA HAVE
TO ACT IT OUT FOR HIM.
191
00:09:29,199 --> 00:09:32,669
CHASE, YOU BE THE PAINTING,
I'LL SNEEZE A HOLE IN YOU.
192
00:09:32,673 --> 00:09:35,853
LOOK, I'M SURE THIS IS ALL
A BIG MISUNDERSTANDING.
193
00:09:35,846 --> 00:09:38,206
CHASE, GO GET THE ORIGINAL
AND SHOW IT TO THE NICE MAN
194
00:09:38,208 --> 00:09:40,248
WITH THE BIG BADGE
AND THE TINY LITTLE SCANNER.
195
00:09:40,250 --> 00:09:42,150
SURE.
196
00:09:42,152 --> 00:09:43,882
WAIT. ADAM, WHERE IS IT?
197
00:09:43,884 --> 00:09:46,894
OH, I THREW IT IN
THE DUMPSTER AT SCHOOL.
WHAT?!
198
00:09:46,887 --> 00:09:48,887
YOU TOLD ME TO PUT IT
WHERE HE WOULDN'T LOOK.
199
00:09:48,889 --> 00:09:51,219
DID HE LOOK THERE? NO.
YOU'RE WELCOME!
200
00:09:51,221 --> 00:09:54,831
OKAY, MAYBE IT'S STILL THERE.
201
00:09:54,825 --> 00:09:56,725
IF WE GET IT BACK,
WILL YOU LET HIM GO?
202
00:09:56,727 --> 00:09:57,997
I SUPPOSE.
203
00:09:57,998 --> 00:09:59,728
IF YOU PRODUCE
THE ORIGINAL,
204
00:09:59,730 --> 00:10:01,700
THEN HIS STORY CHECKS OUT,
BUT UNTIL THEN,
205
00:10:01,702 --> 00:10:03,102
I'VE GOT A WARRANT
TO SEARCH THE PLACE.
206
00:10:03,103 --> 00:10:05,143
FOR WHAT?
ANY FORGED ART.
207
00:10:05,135 --> 00:10:06,835
WE'LL HAVE TO CHECK
EVERY ROOM IN THE HOUSE.
208
00:10:06,837 --> 00:10:08,377
DON'T WORRY,
WE'LL BE CAREFUL.
209
00:10:16,186 --> 00:10:18,116
( objects crashing )
210
00:10:20,851 --> 00:10:22,191
RELAX, BIG "D."
211
00:10:22,192 --> 00:10:26,832
YOU DIDN'T REALLY
BREAK ANY LAWS...
THAT THEY KNOW OF.
212
00:10:26,827 --> 00:10:28,127
LOOK, HAVE YOU THOUGHT
ABOUT WHAT HAPPENS
213
00:10:28,128 --> 00:10:30,228
WHEN THEY FIND THE LAB
AND HOW TO EXPLAIN IT?
214
00:10:30,230 --> 00:10:31,230
THAT WOULD BE BAD!
215
00:10:31,231 --> 00:10:33,661
HEY, DON'T WORRY
ABOUT THIS. I GOT IT.
216
00:10:33,664 --> 00:10:36,144
HEY! MR. AGENT.
217
00:10:36,136 --> 00:10:37,736
WE'VE GOT NOTHING TO HIDE.
218
00:10:37,738 --> 00:10:40,168
BUT SAY WE DID--
HOW WOULD WE GO
ABOUT DOING THAT?
219
00:10:41,241 --> 00:10:44,071
LOOK, THE THREE OF YOU
GO FIND THAT PAINTING.
220
00:10:44,074 --> 00:10:47,654
LEO, YOU STAY HERE WITH ME
AND HELP ME DISTRACT
THESE AGENTS.
221
00:10:50,350 --> 00:10:52,050
SO...
222
00:10:52,052 --> 00:10:54,252
YOU'RE AN ART COP.
223
00:10:54,254 --> 00:10:56,834
HOPE YOU DON'T PLAN ON
"FRAMING" US.
224
00:10:58,228 --> 00:10:59,358
I'M SORRY.
225
00:10:59,359 --> 00:11:02,189
THIS IS MY FIRST
"BRUSH" WITH THE LAW.
226
00:11:02,192 --> 00:11:04,292
LEO, STOP IT.
227
00:11:04,294 --> 00:11:07,744
LET THESE MEN DO THEIR JOBS
AND "CANVAS" THE AREA.
228
00:11:09,700 --> 00:11:12,240
PLEASE DON'T MAKE ME
GET THE GERMAN SHEPHERD.
229
00:11:16,246 --> 00:11:20,006
UGH! STICKY!
230
00:11:20,010 --> 00:11:21,450
UGH! SQUISHY!
231
00:11:21,451 --> 00:11:23,151
AAH! IT'S MOVING!
232
00:11:24,815 --> 00:11:26,455
ADAM, WHERE IS THE PAINTING?
233
00:11:26,456 --> 00:11:27,816
I DON'T KNOW.
IT SHOULD BE IN HERE.
234
00:11:27,818 --> 00:11:28,988
I JUST THREW IT OUT
THIS MORNING.
235
00:11:28,989 --> 00:11:30,459
OKAY, THIS IS DISGUSTING.
236
00:11:30,460 --> 00:11:34,220
CAN'T DAVENPORT JUST GO
OFF TO JAIL FOR A LITTLE WHILE?
237
00:11:35,966 --> 00:11:37,266
HEY! SCHOOL'S OVER.
238
00:11:37,267 --> 00:11:39,897
GO HOME AND MAKE
YOUR PARENTS MISERABLE!
239
00:11:39,900 --> 00:11:43,130
PRINCIPAL PERRY,
WHAT ARE YOU DOING HERE?
240
00:11:43,133 --> 00:11:45,283
GETTING RID OF EXPIRED
CAFETERIA MEAT.
241
00:11:45,275 --> 00:11:47,135
IF YOU ASK ME,
IT'S STILL GOOD.
242
00:11:47,137 --> 00:11:49,277
MEAT'S ALWAYS EXPIRED--
IT'S DEAD!
243
00:11:49,279 --> 00:11:51,139
( disgusted gasps )
244
00:11:51,141 --> 00:11:53,281
I CAN'T BE HERE.
I DON'T WANNA BE HERE.
245
00:11:53,283 --> 00:11:55,053
GET ME OUT!
246
00:11:55,045 --> 00:11:56,445
OH, MAN UP, MARY.
247
00:11:56,446 --> 00:11:59,246
THE MAGGOTS DON'T SET IN
UNTIL THE NOON SUN HITS.
248
00:12:00,951 --> 00:12:05,001
( insect buzzes )
249
00:12:04,995 --> 00:12:06,295
SO... ( chuckles )
250
00:12:06,296 --> 00:12:09,326
YOU GUYS ARE DUMPSTER
DIVERS LIKE ME, HUH?
251
00:12:09,329 --> 00:12:13,199
NOPE, BUT THANKS FOR
THAT LITTLE GLIMPSE
INTO YOUR LIFE.
252
00:12:13,203 --> 00:12:16,343
YOU TWERPS ARE GONNA HAVE
TO DIVE ELSEWHERE.
253
00:12:16,336 --> 00:12:18,036
I'VE ALREADY HAULED OFF
ALL THE GOOD STUFF.
254
00:12:18,038 --> 00:12:19,338
FOUND THE PERFECT PAINTING
255
00:12:19,339 --> 00:12:22,809
TO USE AS THE LAST OBSTACLE
ON MY GOLF COURSE!
256
00:12:22,813 --> 00:12:25,283
PAINTING?
PAINTING?
GOLF COURSE?
257
00:12:32,152 --> 00:12:35,792
SO, THIS IS WHY YOU PICK
THROUGH THE TRASH?
258
00:12:35,786 --> 00:12:37,886
I KNOW THIS
MAY COME AS A SHOCK,
259
00:12:37,888 --> 00:12:41,458
BUT BEING A PRINCIPAL
ISN'T AS GLAMOROUS
AS I MAKE IT LOOK.
260
00:12:41,461 --> 00:12:43,231
SO...
261
00:12:43,233 --> 00:12:44,943
I'VE CREATED FOR MYSELF...
262
00:12:44,935 --> 00:12:47,765
( Scottish accent )
A FANCY LITTLE COUNTRY CLUB!
263
00:12:47,767 --> 00:12:49,897
WITH TRASH.
264
00:12:49,900 --> 00:12:52,070
THAT IS GLAMOROUS.
265
00:12:52,072 --> 00:12:55,482
YOU JUST LOST YOURSELF
A CADDY JOB, TINY WOODS.
266
00:12:57,307 --> 00:12:59,147
SO, THE TEE IS RIGHT THERE.
267
00:12:59,149 --> 00:13:01,079
I SHOOT THROUGH THE LIFE SAVER,
268
00:13:01,081 --> 00:13:02,851
OVER TO THE SPEAKERS,
OFF THE BONGOS,
269
00:13:02,853 --> 00:13:04,213
THEN THE TENNIS RACKET,
270
00:13:04,214 --> 00:13:06,894
OVER TO THE VACUUM,
UP TO THE FAN,
271
00:13:06,887 --> 00:13:09,117
OVER TO THE UMBRELLA,
INTO THE RAIN GUTTER,
272
00:13:09,119 --> 00:13:11,189
UP THE TREADMILL, THROUGH
THE HOLE IN THE PAINTING,
273
00:13:11,191 --> 00:13:13,361
INTO THE HELMET.
274
00:13:14,564 --> 00:13:17,274
BACK IN MY GLORY DAYS,
I WAS ON THE PRO CIRCUIT.
275
00:13:17,267 --> 00:13:19,897
GOTTA KEEP MY SKILLS SHARP.
276
00:13:19,900 --> 00:13:22,470
OHH!
OHH!
277
00:13:24,804 --> 00:13:26,214
GUYS, GETTING
THIS PAINTING BACK
278
00:13:26,206 --> 00:13:28,806
IS GONNA BE A LOT MORE
DIFFICULT THAN I THOUGHT.
279
00:13:28,808 --> 00:13:31,338
WHY DON'T WE JUST
GRAB IT AND RUN?
280
00:13:31,341 --> 00:13:33,281
THE WOMAN IS HOLDING
A METAL CLUB,
281
00:13:33,283 --> 00:13:36,253
AND I DON'T THINK
SHE'S AFRAID TO USE IT.
282
00:13:36,246 --> 00:13:38,416
( clears throat )
283
00:13:38,418 --> 00:13:40,588
HEADS UP.
I'M MORE POWER
THAN ACCURACY,
284
00:13:40,590 --> 00:13:44,050
SO COVER ANYTHING YOU DON'T
WANT A GOLF BALL TO SMASH.
285
00:13:48,398 --> 00:13:50,358
Principal Perry:
WHOO!
286
00:13:54,464 --> 00:13:56,144
AAHH!
287
00:13:56,136 --> 00:13:59,166
UGH! CHIMP PICKLES!
288
00:13:59,169 --> 00:14:03,069
UM, YOU KNOW WHAT WOULD
MAKE THIS COURSE A LOT EASIER?
289
00:14:03,073 --> 00:14:04,473
REMOVING THIS PAINTING.
290
00:14:04,474 --> 00:14:07,124
GET YOUR HANDS OFF MY JUNK!
291
00:14:08,478 --> 00:14:11,918
I WADED THROUGH BIOHAZARD WASTE
TO GET TO THAT.
292
00:14:11,922 --> 00:14:13,952
LOOK, PRINCIPAL PERRY,
THIS PAINTING IS OUR DAD'S,
293
00:14:13,954 --> 00:14:15,534
AND ADAM ACCIDENTALLY
THREW IT AWAY,
294
00:14:15,525 --> 00:14:17,325
BUT IT'S REALLY IMPORTANT
THAT WE GET IT BACK.
295
00:14:17,327 --> 00:14:20,027
OH. I'M SORRY.
I CAN'T GIVE IT BACK.
296
00:14:20,030 --> 00:14:22,160
IT HAS SENTIMENTAL VALUE.
297
00:14:22,162 --> 00:14:24,292
BUT YOU JUST FOUND IT.
298
00:14:24,294 --> 00:14:26,474
NOT TO ME. TO YOU!
299
00:14:26,466 --> 00:14:28,866
( laughing )
PLAYING THROUGH!
300
00:14:31,171 --> 00:14:34,441
WELL, LAST ROOM IN THE HOUSE
AND NO FORGED ART,
301
00:14:34,444 --> 00:14:36,354
SO AS SOON AS
THOSE KIDS GET BACK
302
00:14:36,346 --> 00:14:40,476
WITH THAT ORIGINAL PAINTING,
I AM SCOT-FREE.
303
00:14:40,480 --> 00:14:41,910
YOU KNOW,
INTERESTINGLY ENOUGH,
304
00:14:41,912 --> 00:14:43,212
I WENT TO HIGH SCHOOL
WITH A GUY NAMED
SCOTT FREE,
305
00:14:43,213 --> 00:14:45,923
AND IRONICALLY,
HE WENT TO JAIL.
306
00:14:45,916 --> 00:14:48,316
YOU TALK A LOT.
307
00:14:48,318 --> 00:14:49,888
YOU KNOW WHO ELSE
TALKS A LOT?
308
00:14:49,889 --> 00:14:52,019
PEOPLE WITH
SOMETHING TO HIDE.
309
00:14:52,022 --> 00:14:54,322
WELL, THEN YOU SHOULD
PROBABLY GO FIND
SOME OF THOSE.
310
00:14:54,324 --> 00:14:56,904
THIS HAS BEEN NICE.
311
00:14:56,896 --> 00:14:58,166
WHAT'S THAT?
312
00:14:58,168 --> 00:15:00,468
THAT? THAT--
THAT IS A--
313
00:15:00,470 --> 00:15:03,030
THAT'S A--
THAT'S A DOORBELL.
314
00:15:03,033 --> 00:15:04,133
A DOORBELL?
YEAH.
315
00:15:04,134 --> 00:15:06,144
INSIDE THE HOUSE?
MM-HMM, SURE.
316
00:15:06,136 --> 00:15:07,506
WELL, I MEAN I HAVE THE ONE
THAT RINGS INSIDE THE HOUSE.
317
00:15:07,507 --> 00:15:08,977
THIS ONE RINGS OUTSIDE
318
00:15:08,979 --> 00:15:10,279
SO I CAN MESS WITH THE PIZZA
GUY WHEN HE COMES.
319
00:15:10,280 --> 00:15:12,580
YOU KNOW--
BING-BONG, BING-BONG.
320
00:15:12,582 --> 00:15:15,192
I HATE PIZZA. ( chuckles )
321
00:15:16,246 --> 00:15:18,186
( mouths silently )
322
00:15:18,188 --> 00:15:19,918
( mouths silently )
323
00:15:22,322 --> 00:15:23,952
YOU HAVE A SECRET ELEVATOR?
324
00:15:23,954 --> 00:15:25,364
'COURSE I HAVE
A SECRET ELEVATOR.
325
00:15:25,355 --> 00:15:27,625
WHO DOESN'T HAVE
A SECRET ELEVATOR,
RIGHT, LEO?
326
00:15:27,627 --> 00:15:29,397
RIGHT! WE'RE--
WE'RE RICH.
327
00:15:29,399 --> 00:15:31,929
WE NEED TO BLOW
OUR MONEY ON SOMETHING!
328
00:15:31,931 --> 00:15:33,461
WHAT ARE YOU HIDING,
DAVENPORT?
329
00:15:33,463 --> 00:15:35,943
NOTHING! NOTHING!
WE'RE NOT HIDING
ANYTHING, RIGHT, LEO?
330
00:15:35,935 --> 00:15:37,165
RIGHT!
331
00:15:37,167 --> 00:15:39,607
WELL, THEN, I GUESS
YOU WOULDN'T MIND
IF WE TAKE A LOOK.
332
00:15:39,609 --> 00:15:41,309
NO, WE DON'T MIND
AT ALL, RIGHT, LEO?
333
00:15:41,311 --> 00:15:43,211
WILL YOU STOP SAYING THAT!
334
00:15:43,213 --> 00:15:44,713
Agent Ryker: LET'S GO.
335
00:15:48,318 --> 00:15:51,018
GUYS, WE HAVE TO GET
THAT PAINTING BACK FROM PERRY.
336
00:15:51,021 --> 00:15:53,251
LOOK, I HAVE AN IDEA.
JUST FOLLOW MY LEAD.
337
00:15:54,254 --> 00:15:55,594
PRINCIPAL PERRY!
338
00:15:55,585 --> 00:15:57,725
UGH! WHAT DO YOU WANT?
339
00:15:57,727 --> 00:16:00,127
LOOK, HOW 'BOUT
IF WE MAKE THIS SHOT,
340
00:16:00,130 --> 00:16:01,560
YOU GIVE US THE PAINTING?
341
00:16:01,561 --> 00:16:03,031
DONE.
342
00:16:03,033 --> 00:16:05,343
BUT IF YOU MISS THE SHOT,
THEN YOU THREE HAVE TO CUT
343
00:16:05,335 --> 00:16:08,195
ALL THE GRASS
IN THE FOOTBALL FIELD
FOR THE REST OF THE YEAR...
344
00:16:08,198 --> 00:16:09,468
DEAL.
345
00:16:09,469 --> 00:16:12,399
...WITH THESE
MUSTACHE SCISSORS.
346
00:16:12,402 --> 00:16:15,282
WHY DO YOU HAVE
MUSTACHE SCISSORS?
347
00:16:15,275 --> 00:16:17,975
WHY DO YOU ASK
SO MANY QUESTIONS?
348
00:16:19,309 --> 00:16:21,509
WHOA, WHOA, WHOA.
349
00:16:21,511 --> 00:16:25,261
I DON'T PLAY COED.
I'M NOT A SAVAGE.
350
00:16:25,255 --> 00:16:27,285
THIS COURSE IS LADIES ONLY.
351
00:16:27,287 --> 00:16:28,987
WHICH MEANS...
352
00:16:28,988 --> 00:16:31,188
SHE HAS TO TAKE THE PUTT.
353
00:16:31,191 --> 00:16:33,391
GOOD LUCK, SKIRT.
354
00:16:36,296 --> 00:16:39,096
I-I'VE NEVER PLAYED
GOLF BEFORE IN MY LIFE.
355
00:16:39,099 --> 00:16:41,169
DON'T WORRY. I'LL USE
MY MOLECULAR-KINESIS
356
00:16:41,171 --> 00:16:42,471
TO GUIDE THE BALL.
357
00:16:42,472 --> 00:16:44,672
QUIT YOUR MUTTER
AND GRAB YOUR PUTTER!
358
00:16:44,674 --> 00:16:46,314
LET'S DO THIS!
359
00:16:54,184 --> 00:16:56,524
( blows trumpet )
360
00:16:59,519 --> 00:17:02,189
WOW! SHE P UT A CRAZY
SPIN ON THAT ONE, HUH?
361
00:17:19,809 --> 00:17:22,209
( laughs )
362
00:17:23,713 --> 00:17:25,183
CHASE, WHERE'S THE BALL?
363
00:17:25,175 --> 00:17:27,115
IT MUST HAVE GOT
STUCK IN THE PIPE!
364
00:17:27,117 --> 00:17:29,377
I WIN, I WIN, I WIN!
365
00:17:29,379 --> 00:17:31,649
( ball rolling )
HUH? OH.
366
00:17:31,651 --> 00:17:32,721
UH-OH.
367
00:17:37,087 --> 00:17:39,287
YES!
368
00:17:39,289 --> 00:17:41,229
( comical shrieks )
369
00:17:41,231 --> 00:17:42,761
GET THE PAINTING!
370
00:17:48,568 --> 00:17:53,568
♪ TWINKLE, TWINKLE
LITTLE STAR ♪
371
00:17:53,573 --> 00:17:58,083
♪ HOW I WONDER
WHAT YOU ARE ♪
372
00:17:58,077 --> 00:18:00,407
IS THAT YOU SINGING?
373
00:18:00,410 --> 00:18:02,310
YEAH. ( chuckles )
374
00:18:02,312 --> 00:18:05,082
IT'S NEW. THOUGHT
I'D SPICE THINGS UP
A LITTLE BIT.
375
00:18:05,084 --> 00:18:07,824
IF YOU WANT A COPY,
I STILL HAVE 3,000 CDs LEFT.
376
00:18:10,190 --> 00:18:14,260
I THINK I CAN SPEAK
FOR EVERYONE WHEN I SAY,
"WE'RE GOOD."
377
00:18:19,329 --> 00:18:22,799
AND THIS IS MY ART VAULT.
378
00:18:22,802 --> 00:18:25,242
SO YOU'RE NOT A FORGER,
BUT YOU HAVE A SECRET ROOM
379
00:18:25,235 --> 00:18:27,305
FULL OF COPIED PAINTINGS.
380
00:18:27,307 --> 00:18:28,637
THESE ARE ORIGINALS.
381
00:18:28,638 --> 00:18:30,308
THAT I BELIEVE.
382
00:18:30,310 --> 00:18:31,810
IF YOU ASK ME,
383
00:18:31,811 --> 00:18:35,291
THESE PAINTINGS
SHOULD HANG THEMSELVES.
384
00:18:36,216 --> 00:18:38,186
WHEN ARE THEY GONNA GET HERE
WITH THAT PAINTING?
385
00:18:38,188 --> 00:18:39,448
I'VE BEEN TEXTING THEM.
386
00:18:39,449 --> 00:18:42,219
ADAM SAYS THEY'RE PLAYING
PUTT-PUTT WITH PERRY.
387
00:18:42,222 --> 00:18:44,192
WHAT DOES THAT MEAN?
388
00:18:44,194 --> 00:18:46,364
I DON'T WANT TO KNOW.
389
00:18:46,356 --> 00:18:49,426
WE HAVE TO DISTRACT
THESE AGENTS BEFORE
THEY FIND THE LAB.
390
00:18:49,429 --> 00:18:51,199
ON IT.
391
00:18:51,201 --> 00:18:52,301
HEY, WANNA HEAR A JOKE?
NO.
392
00:18:52,302 --> 00:18:54,362
TWENTY QUESTIONS?
NO.
393
00:18:54,364 --> 00:18:56,314
A POEM IT IS.
394
00:18:57,507 --> 00:18:59,807
WHEN THE NIGHT TURNS
INTO DAWN,
395
00:18:59,809 --> 00:19:02,369
LIGHTS, SHADOWS,
396
00:19:02,372 --> 00:19:04,472
A NEW DAY HAS BEGUN.
397
00:19:04,474 --> 00:19:06,824
HEY, I'VE GOT ONE
FOR YOU.
398
00:19:06,816 --> 00:19:09,716
"ROSES ARE RED,
VIOLETS ARE BLUE,
399
00:19:09,719 --> 00:19:11,219
STOP TALKING."
400
00:19:12,382 --> 00:19:13,782
OKAY, LOOKS LIKE
THIS ROOM'S CLEAR.
401
00:19:13,783 --> 00:19:15,633
SINCE THAT'S THE LAST
ROOM IN THE HOUSE,
402
00:19:15,625 --> 00:19:18,355
I GUESS THAT MEANS--
YOU'VE GOT ANOTHER FLOOR.
403
00:19:18,358 --> 00:19:19,888
N-NO I DON'T.
404
00:19:19,889 --> 00:19:21,389
THEN WHAT WAS THAT
UNLABELED BUTTON
405
00:19:21,391 --> 00:19:23,461
ON THE ELEVATOR'S
CONTROL PANEL?
406
00:19:23,463 --> 00:19:25,843
THAT WOULD BE A QUESTION
FOR THE ELEVATOR OPERATOR,
407
00:19:25,835 --> 00:19:29,235
AND HE IS NOT HERE TODAY,
RIGHT, LEO?
408
00:19:29,239 --> 00:19:31,899
I AM NOT GOING
TO JAIL WITH YOU.
409
00:19:31,901 --> 00:19:33,371
YOU EITHER TAKE US THERE,
410
00:19:33,373 --> 00:19:34,803
OR I'LL MAKE YOU
TAKE US THERE.
411
00:19:35,905 --> 00:19:37,205
WE HAVE THE PAINTING!
412
00:19:37,207 --> 00:19:38,207
HA! THEY HAVE THE PAINTING!
413
00:19:38,208 --> 00:19:40,748
I'M FREE! I'M FREE!
414
00:19:40,750 --> 00:19:44,180
I MEAN, THANK YOU
FOR COMING, OFFICER.
415
00:19:44,183 --> 00:19:46,193
THIS PROVES
MR. DAVENPORT
IS INNOCENT.
416
00:19:46,185 --> 00:19:48,355
PROVES.
WELL, I'LL BE THE JUDGE
OF THAT, MISS.
417
00:19:50,860 --> 00:19:52,320
( beeping sound )
418
00:19:52,322 --> 00:19:54,762
KID'S RIGHT.
IT CHECKS OUT.
419
00:19:54,764 --> 00:19:57,234
SORRY ABOUT
THE INCONVENIENCE,
MR. DAVENPORT.
420
00:19:57,227 --> 00:19:59,397
GOOD LUCK
WITH THE SINGING CAREER.
421
00:19:59,399 --> 00:20:01,229
YOU'VE, UM...
422
00:20:01,231 --> 00:20:03,231
REALLY GOT SOMETHING.
423
00:20:06,276 --> 00:20:08,906
MY ALBUM'S AVAILABLE
ONLINE, SO...
424
00:20:08,908 --> 00:20:10,838
WHAT'S AN ALBUM?
425
00:20:13,243 --> 00:20:16,293
THAT WAS CLOSE.
TOO CLOSE.
426
00:20:16,286 --> 00:20:18,286
THE FEDS WERE JUST ABOUT
TO DISCOVER THE LAB.
427
00:20:18,288 --> 00:20:20,588
WE DIDN'T MEAN FOR
ANY OF THIS TO HAPPEN.
428
00:20:20,590 --> 00:20:22,420
THINGS JUST
GOT OUT OF HAND.
429
00:20:22,422 --> 00:20:24,552
WE'RE REALLY SORRY,
MR. DAVENPORT.
430
00:20:24,554 --> 00:20:25,834
YEAH.
431
00:20:25,825 --> 00:20:27,795
WE PROMISE WE'LL ALWAYS
TELL YOU THE TRUTH.
432
00:20:27,797 --> 00:20:29,257
YEAH.
433
00:20:29,259 --> 00:20:30,329
( sighs )
434
00:20:30,330 --> 00:20:31,830
YOU'RE SELFISH,
YOU'RE BOSSY,
435
00:20:31,831 --> 00:20:34,231
AND I WISH I DIDN'T,
BUT I LOVE YOUR VOICE.
436
00:20:36,566 --> 00:20:39,006
MAN, I'M SO HAPPY
I GOT THAT OFF MY CHEST.
437
00:20:39,008 --> 00:20:40,708
GIVE ME THAT.
438
00:20:43,843 --> 00:20:46,383
IT'S DESTROYED.
WHY ARE YOU PUTTING IT UP?
439
00:20:46,376 --> 00:20:48,276
SO THAT EVERY TIME
YOU LOOK AT IT,
440
00:20:48,278 --> 00:20:50,378
YOU'LL REMEMBER
THAT YOU OWE ME
441
00:20:50,380 --> 00:20:51,920
A MILLION DOLLARS.
442
00:21:00,530 --> 00:21:03,590
AH. OKAY.
HERE'S THE SHOT--
443
00:21:03,593 --> 00:21:04,893
OFF THE RAIL,
HIT THE ROCK,
444
00:21:04,894 --> 00:21:07,374
OFF THAT THING,
OFF THE POST,
OFF THE GUITAR,
445
00:21:07,367 --> 00:21:09,767
OFF THE FRONT DOOR,
AND INTO THE UMBRELLA STAND.
446
00:21:09,769 --> 00:21:11,799
NO WAY.
NEVER.
447
00:21:11,801 --> 00:21:13,601
I NEED A SISTER.
448
00:21:18,047 --> 00:21:19,447
FORE!
449
00:21:22,452 --> 00:21:24,512
GOOD NEWS! I GOT
A NEW VON SCHTOPP!
450
00:21:26,285 --> 00:21:28,655
( comical shriek )
451
00:21:28,658 --> 00:21:31,288
WHOA HO!
HOLE IN ONE! OHH!
452
00:21:34,394 --> 00:21:35,634
AAAHHH!
453
00:21:39,028 --> 00:21:40,768
AAAHHH!
454
00:21:44,033 --> 00:21:45,613
♪ LAB RATS ♪
455
00:21:47,607 --> 00:21:50,707
♪ LAB RATS ♪
456
00:21:58,388 --> 00:21:59,718
♪ LAB RATS ♪
457
00:22:01,691 --> 00:22:03,691
♪ LAB RATS ♪
32422
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
