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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:07,674 --> 00:00:11,512 >> Announcer: TONIGHT, ON "LATE NIGHT WITH SETH MEYERS ‐‐" 2 00:00:11,512 --> 00:00:14,114 JEFF GOLDBLUM. STAR OF "SCHITT'S CREEK," 3 00:00:14,114 --> 00:00:19,253 ACTRESS ANNIE MURPHY WRITER AND COMEDIAN, SAM JAY 4 00:00:19,253 --> 00:00:25,459 FEATURING THE 8G BAND WITH FRED ARMISEN AND NOW, SETH MEYERS 5 00:00:27,461 --> 00:00:30,297 TONIGHT? LAST NIGHT, MY MASK SHOOK ME 6 00:00:30,297 --> 00:00:33,066 AWAKE AND ASKED, "ARE YOU EVER GOING TO WASH ME?" 7 00:00:33,066 --> 00:00:35,536 LET'S GET TO THE NEWS. FORMER VICE PRESIDENT JOE BIDEN 8 00:00:35,536 --> 00:00:37,638 ANNOUNCED YESTERDAY THAT SENATOR KAMALA HARRIS WOULD BE HIS BEST 9 00:00:37,638 --> 00:00:39,373 FRIEND I MEAN, RUNNING MATE 10 00:00:39,373 --> 00:00:42,342 SORRY, SORRY I GET ATTACHED TOO QUICK 11 00:00:42,342 --> 00:00:44,511 A FORCE OF HABIT PRESIDENT TRUMP TWEETED TODAY 12 00:00:44,511 --> 00:00:48,115 THAT FORMER VICE PRESIDENT JOE BIDEN'S PICK OF CALIFORNIA 13 00:00:48,115 --> 00:00:51,385 SENATOR KAMALA HARRIS AS HIS RUNNING MATE IS, QUOTE, "THE 14 00:00:51,385 --> 00:00:54,021 KIND OF OPPONENT THAT EVERYONE DREAMS OF. 15 00:00:54,021 --> 00:01:00,594 SAID, PENCE, "OH, I'M NOT ALLOWED TO DREAM OF OTHER WOMEN. 16 00:01:00,594 --> 00:01:03,764 I'M OFTEN ‐‐ I'M OFTEN VEXED." PRESIDENT TRUMP ALSO TWEETED 17 00:01:03,764 --> 00:01:06,400 TODAY, QUOTE, "THE SUBURBAN HOUSEWIFE WILL BE VOTING FOR ME. 18 00:01:06,400 --> 00:01:10,737 THEY WANT SAFETY AND THRILLED I ENDED THE LONG RUNNING PROGRAM 19 00:01:10,737 --> 00:01:12,506 WHERE LOW‐INCOME HOUSING WOULD INVADE THEIR NEIGHBORHOOD. 20 00:01:12,506 --> 00:01:15,008 BIDEN WOULD REINSTALL IT IN A BIGGER FORM WITH CORY BOOKER IN 21 00:01:15,008 --> 00:01:17,644 CHARGE." FIRST OF ALL, INCREDIBLY RACIST, 22 00:01:17,644 --> 00:01:20,047 BUT MOSTLY, I LOVE HOW MUCH HE SEEMS TO KNOW ABOUT WHAT OTHER 23 00:01:20,047 --> 00:01:23,116 CANDIDATES WILL DO AND WHAT THEIR PLANS ARE DOWN TO WHO WILL 24 00:01:23,116 --> 00:01:27,988 BE PUT IN CHARGE BUT WHAT HAPPENS WHEN YOU ASK HIM ABOUT HIS OWN PLANS? 25 00:01:29,656 --> 00:01:31,858 >> WE HAVE TO LOOK INTO THAT, SO WE'RE GOING TO LOOK INTO IT. 26 00:01:31,858 --> 00:01:33,594 >> Seth: COOL, AND BY THE WAY, THE SUBURBAN HOUSEWIFE WILL BE 27 00:01:33,594 --> 00:01:36,363 VOTING FOR YOU THEN I GUESS YOU HAVE A GOOD 28 00:01:36,363 --> 00:01:40,067 CHANCE OF DEFEATING DWIGHT EISENHOWER. 29 00:01:40,067 --> 00:01:42,235 PRESIDENT TRUMP YESTERDAY CRITICIZED FORMER VICE PRESIDENT 30 00:01:42,235 --> 00:01:46,273 JOE BIDEN FOR BEING WEAK ON CHINA, AND WARNED THAT IF BIDEN 31 00:01:46,273 --> 00:01:49,676 WINS, AMERICANS WILL HAVE TO LEARN TO SPEAK CHINESE 32 00:01:49,676 --> 00:01:53,046 WELL, THANKS TO YOUR HANDLING OF CORONAVIRUS, WE HAVE THE TIME. 33 00:01:53,046 --> 00:01:56,984 WE HAVE THE TIME TO LEARN OTHER LANGUAGES. 34 00:01:56,984 --> 00:01:59,386 PRESIDENT TRUMP SAID IN AN INTERVIEW YESTERDAY THAT SOME 35 00:01:59,386 --> 00:02:01,788 MEN MAY FEEL INSULTED BY JOE BIDEN'S DECISION TO CHOOSE A 36 00:02:01,788 --> 00:02:05,959 WOMAN AS HIS RUNNING MATE AND ADDED THAT BIDEN HAD, QUOTE, 37 00:02:05,959 --> 00:02:08,362 "ROPED HIMSELF INTO A CERTAIN GROUP OF PEOPLE. 38 00:02:08,362 --> 00:02:13,300 LUCKY FOR BIDEN, THAT GROUP OF PEOPLE IS 51% OF THE POPULATION. 39 00:02:13,300 --> 00:02:15,569 AFTER RUSSIA ANNOUNCED THAT IT HAS PROVEN ITS VACCINE AGAINST 40 00:02:15,569 --> 00:02:17,437 THE CORONAVIRUS TO BE SAFE AND EFFECTIVE, INFECTIOUS DISEASE 41 00:02:17,437 --> 00:02:21,375 EXPERT DR. ANTHONY FAUCI SAID YESTERDAY, QUOTE, "I SERIOUSLY 42 00:02:21,375 --> 00:02:26,079 DOUBT THEY'VE DONE THAT. REPLIED DOCTORS IN RUSSIA ‐‐ 43 00:02:26,079 --> 00:02:29,783 NOTHING. DIDN'T SAY ANYTHING. 44 00:02:29,783 --> 00:02:32,419 PRESIDENT TRUMP TODAY PARTICIPATED IN A KIDS FIRST, 45 00:02:32,419 --> 00:02:35,689 GETTING AMERICA'S CHILDREN SAFELY BACK TO SCHOOL PANEL. 46 00:02:35,689 --> 00:02:39,760 IT'S CALLED KIDS FIRST, BECAUSE THAT'S WHO'S GOING TO GET THE 47 00:02:39,760 --> 00:02:41,261 VIRUS, KIDS FIRST, AND THEN TEACHERS, THEN THE LUNCH LADY, 48 00:02:41,261 --> 00:02:44,231 BUS DRIVERS, CUSTODIAL STAFF, GUIDANCE COUNSELORS, AND 49 00:02:44,231 --> 00:02:46,767 FINALLY, VAPE STORE OWNERS VICE PRESIDENT MIKE PENCE 50 00:02:46,767 --> 00:02:49,236 TRAVELED TO ARIZONA YESTERDAY TO SPEAK TO A GROUP OF MORMON 51 00:02:49,236 --> 00:02:51,104 VOTERS SO FOR ONCE, IT WAS THE MORMONS 52 00:02:51,104 --> 00:02:52,939 WHO HAD TO PRETEND THEY WEREN'T HOME 53 00:02:52,939 --> 00:02:57,444 "NO, HE'S ‐‐ NO, HE'S STILL OUT THERE. 54 00:02:57,444 --> 00:03:01,481 HE LOOKS VERY VEXED. THE LAST REMAINING BLOCKBUSTER 55 00:03:01,481 --> 00:03:03,984 VIDEO HAS RECENTLY STARTED RENTING OUT ITS BEND, OREGON, 56 00:03:03,984 --> 00:03:06,386 LOCATION ON AIRBNB FOR NOSTALGIC MOVIE NIGHTS WHICH INCLUDES FREE 57 00:03:06,386 --> 00:03:09,890 RUN TO THE STORE, UNLIMITED SNACKS, AND AN OVERNIGHT STAY IN 58 00:03:09,890 --> 00:03:14,161 A REPLICA '90s LIVING ROOM WOW, IT'S GOT EVERYTHING YOU'D 59 00:03:14,161 --> 00:03:17,130 EVER WANT, EXCEPT, WELL, YOU KNOW, NETFLIX. 60 00:03:17,130 --> 00:03:19,566 A STUNT DOUBLE IN ENGLAND RECENTLY SET HIMSELF ON FIRE TO 61 00:03:19,566 --> 00:03:22,903 PROPOSE TO HIS GIRLFRIEND. SO HE'S EXTREMELY ROMANTIC AND 62 00:03:22,903 --> 00:03:24,671 BONUS, HE ALREADY KNOWS HOW IT FEELS TO BE MARRIED. 63 00:03:24,671 --> 00:03:33,714 AND FINALLY, AUTHORITIES IN ALASKA RECENTLY DISCOVERED THAT 64 00:03:33,714 --> 00:03:37,117 A BEAR BROKE INTO A PIZZA DELIVERY MAN'S CAR WHILE HE WAS 65 00:03:37,117 --> 00:03:39,519 ASLEEP IN HIS HOME EVEN CRAZIER, THE BEAR FINISHED 66 00:03:39,519 --> 00:03:41,722 HIS SHIFT. THAT'S THE MONOLOGUE, EVERYBODY. 67 00:03:41,722 --> 00:03:43,223 WE'VE GOT A GREAT SHOW FOR YOU TONIGHT. 68 00:03:43,223 --> 00:03:44,758 THE ALWAYS FUNNY JEFF GOLDBLUM WILL BE HERE TO TELL US ABOUT 69 00:03:44,758 --> 00:03:47,728 HIS SHOW, "THE WORLD ACCORDING TO JEFF," PLUS, FROM "SCHITT'S 70 00:03:47,728 --> 00:03:51,898 CREEK," ANNIE MURPHY JOINS ME. THAT SHOW GOT 15 EMMY 71 00:03:51,898 --> 00:03:55,168 NOMINATIONS INCLUDING ONE FOR ANNIE. 72 00:03:55,168 --> 00:03:57,337 I'M SO EXCITED TO TALK TO HER AND SAM JAY WILL BE HERE 73 00:03:57,337 --> 00:04:02,275 SHE'S AN "SNL" WRITER WITH A GREAT NEW NETFLIX SPECIAL OUT NOW, BUT FIRST ‐ 74 00:04:04,111 --> 00:04:05,979 DOWN FOR AN INTERVIEW WITH AXIOS 75 00:04:05,979 --> 00:04:10,884 RECENTLY WHERE HE SAID MANY RIDICULOUS THINGS. 76 00:04:10,884 --> 00:04:11,551 PERHAPS THE MOST RIDICULOUS, 77 00:04:11,551 --> 00:04:14,588 HOWEVER, WAS THIS COMMENT HE MADE WHILE DISCUSSING THE LATE CONGRESSMAN, JOHN LEWIS. 78 00:04:16,256 --> 00:04:17,891 >> NOBODY HAS DONE MORE FOR ‐‐ >> RIGHT 79 00:04:17,891 --> 00:04:19,426 >> ‐‐ BLACK AMERICANS THAN I HAVE 80 00:04:19,426 --> 00:04:20,494 >> Seth: HERE TO TALK ABOUT IT IS ONE OF OUR WRITERS, 81 00:04:20,494 --> 00:04:23,697 AMBER RUFFIN >> HI, SETH. 82 00:04:23,697 --> 00:04:25,565 >> Seth: SO AMBER, WHAT DID YOU THINK WHEN YOU HEARD 83 00:04:25,565 --> 00:04:27,067 DONALD TRUMP SAY, "NO ONE'S DONE MORE FOR BLACK AMERICANS THAN I 84 00:04:27,067 --> 00:04:30,337 HAVE?" >> I THINK HE'S CORRECT. 85 00:04:30,337 --> 00:04:31,772 >> Seth: YOU DON'T DISAGREE WITH THAT STATEMENT 86 00:04:31,772 --> 00:04:34,941 >> WHY SHOULD I? IT'S TRUE. 87 00:04:34,941 --> 00:04:36,576 ♪ >> Seth: IT IS 88 00:04:36,576 --> 00:04:38,345 >> IT IS >> Seth: HOW IS THAT POSSIBLE? 89 00:04:38,345 --> 00:04:40,080 I MEAN, WHAT HAS HE DONE >> WHAT HAS TRUMP DONE FOR BLACK 90 00:04:40,080 --> 00:04:43,150 PEOPLE WELL ‐ 91 00:04:43,150 --> 00:04:47,087 ♪ HE'S DONE THIS 92 00:04:47,087 --> 00:04:50,023 ♪ HE'S DONE THAT 93 00:04:50,023 --> 00:04:54,060 ♪ HE'S DONE THIS AND THIS AND 94 00:04:54,060 --> 00:04:56,463 THIS DON'T YOU FORGET ABOUT THAT. 95 00:04:56,463 --> 00:05:03,470 ♪ >> Seth: BUT THOSE ARE ALL BAD 96 00:05:03,470 --> 00:05:05,005 THINGS >> HE DIDN'T SAY HE'S DONE GOOD 97 00:05:05,005 --> 00:05:07,507 THINGS FOR BLACK PEOPLE. HE JUST SAID NO ONE HAS DONE 98 00:05:07,507 --> 00:05:10,811 MORE, AND HE'S RIGHT NO ONE HAS DONE MORE FOR BLACK 99 00:05:10,811 --> 00:05:13,213 AMERICANS, TO MAKE OUR LIVES WORSE. 100 00:05:13,213 --> 00:05:17,684 ♪ HE'S DONE THIS 101 00:05:17,684 --> 00:05:22,489 ♪ HE EVEN DID THIS 102 00:05:22,489 --> 00:05:24,124 ♪ HE'S DONE THIS, AND THIS AND 103 00:05:24,124 --> 00:05:28,728 THIS DON'T YOU FORGET ABOUT THAT. 104 00:05:28,728 --> 00:05:32,799 ♪ >> Seth: WOW, THAT'S A LOT 105 00:05:32,799 --> 00:05:46,880 ♪ AND THIS ♪ >> Seth: WOW, THAT'S MORE THAN A 106 00:05:46,880 --> 00:05:50,684 LOT. SO YOU DONE? 107 00:05:50,684 --> 00:05:53,420 >> HMM‐MM. >> Seth: OKAY. 108 00:05:53,420 --> 00:05:56,590 ♪ >> HE'S DONE THIS. 109 00:05:56,590 --> 00:06:01,394 ♪ HE EVEN DID THIS 110 00:06:01,394 --> 00:06:04,931 ♪ HE'S DID THIS. 111 00:06:04,931 --> 00:06:10,704 BUT MOST OF ALL, HE DID THIS ♪ 112 00:06:10,704 --> 00:06:26,119 ♪ ♪ 113 00:06:26,119 --> 00:06:41,101 ♪ ♪ 114 00:06:41,101 --> 00:06:44,371 ♪ THAT'S WHAT HE DID ♪ >> Seth: THANKS, AMBER 115 00:06:44,371 --> 00:06:47,540 WE'LL BE RIGHT BACK WITH MORE "LATE NIGHT. 116 00:06:57,844 --> 00:07:10,497 ♪ >> Seth: WELCOME BACK. 117 00:07:10,497 --> 00:07:11,598 WE'RE SO EXCITED THAT FRED ARMISEN IS BACK ON DRUMS 118 00:07:11,598 --> 00:07:15,735 THIS WEEK. AND MARK YOUR CALENDAR, FOR 119 00:07:15,735 --> 00:07:18,171 FRED'S NEW MOVIE "ALL TOGETHER NOW," WHICH PREMIERES ON NETFLIX 120 00:07:18,171 --> 00:07:20,674 AUGUST 28th. I MISS YOU, FRED 121 00:07:20,674 --> 00:07:24,511 OUR FIRST GUEST TONIGHT IS AN EMMY AND ACADEMY AWARD NOMINATED 122 00:07:24,511 --> 00:07:29,416 ACTOR AND MUSICIAN YOU KNOW FROM THE "JURASSIC 123 00:07:29,416 --> 00:07:31,551 PARK" FRANCHISE AND "THOR: RAGNAROK." 124 00:07:31,551 --> 00:07:33,553 HE'S THE EXECUTIVE PRODUCER AND HOST OF THE DISNEY PLUS SHOW 125 00:07:33,553 --> 00:07:34,788 "THE WORLD ACCORDING TO JEFF GOLDBLUM," WHICH WAS 126 00:07:34,788 --> 00:07:38,058 RECENTLY NOMINATED FOR AN EMMY HERE'S MY CONVERSATION WITH 127 00:07:38,058 --> 00:07:40,660 JEFF GOLDBLUM. JEFF, WONDERFUL TO SEE YOU 128 00:07:40,660 --> 00:07:43,530 HOW ARE YOU? >> IT'S VERY WONDERFUL TO SEE 129 00:07:43,530 --> 00:07:47,267 YOU, SETH. I AM GOOD, EVERYTHING 130 00:07:47,267 --> 00:07:50,070 CONSIDERED, YOU KNOW MY HEART GOES OUT TO ALL THOSE 131 00:07:50,070 --> 00:07:53,907 WHO ARE NOT SO FORTUNATE, OF COURSE 132 00:07:53,907 --> 00:07:56,309 >> Seth: BUT YOU ARE ‐ >> BUT NOW, WE'RE OKAY 133 00:07:56,309 --> 00:07:59,145 I'M HERE WITH MY FAMILY IN ENGLAND. 134 00:07:59,145 --> 00:08:01,014 WE'RE SHOOTING THAT "JURASSIC WORLD" MOVIE 135 00:08:01,014 --> 00:08:02,449 AND THEY'VE PUT THEIR HEART AND SOUL INTO THE PROTOCOLS, AND 136 00:08:02,449 --> 00:08:07,120 WE'RE SAFE AND HAVING A CREATIVE BLAST, YOU KNOW. 137 00:08:07,120 --> 00:08:09,856 >> Seth: THAT'S REALLY NICE. YOU WERE ONE OF THE FIRST 138 00:08:09,856 --> 00:08:11,925 PRODUCTIONS TO GO BACK, THE NEW JURASSIC PARK FILM 139 00:08:11,925 --> 00:08:15,562 AND I THINK ONE OF THE THINGS THAT WAS NICE, WAS NOT JUST THE 140 00:08:15,562 --> 00:08:17,063 SAFETY PROTOCOLS YOU WERE TALKING ABOUT, BUT THIS IS THE 141 00:08:17,063 --> 00:08:19,399 FIRST TIME THAT YOU AND SAM NEILL AND LAURA DERN HAVE 142 00:08:19,399 --> 00:08:21,868 BEEN TOGETHER FOR 30 YEARS, CORRECT? 143 00:08:21,868 --> 00:08:24,838 >> YES, YES, THAT'S RIGHT. OUR CHARACTERS, CERTAINLY. 144 00:08:24,838 --> 00:08:27,674 OH, WE'VE BEEN IN TOUCH HERE AND THERE. 145 00:08:27,674 --> 00:08:28,975 >> Seth: YEAH. >> BUT, THAT'S RIGHT 146 00:08:28,975 --> 00:08:35,081 OUR CHARACTERS, SAM NEILL'S CHARACTER AND LAURA DERN, WE'RE 147 00:08:35,081 --> 00:08:36,683 BACK TOGETHER. COLIN TREVORROW, GREAT 148 00:08:36,683 --> 00:08:38,718 WRITER/DIRECTOR. HE'S DIRECTING IT. 149 00:08:38,718 --> 00:08:40,787 HE'S FANTASTIC, BUT OF COURSE, CHRIS PRATT IS IN IT 150 00:08:40,787 --> 00:08:44,958 BRYCE DALLAS HOWARD AND MAMOUDOU ATHIE, DeWANDA WISE, 151 00:08:44,958 --> 00:08:48,328 BD WONG, JUSTICE SMITH IT'S A WHOLE COTERIE OF 152 00:08:48,328 --> 00:08:50,730 LUMINARIES [ LAUGHTER ] 153 00:08:50,730 --> 00:08:54,034 >> Seth: HOW DO YOUR CHILDREN ‐‐ I KNOW WE HAVE KIDS THAT ARE 154 00:08:54,034 --> 00:08:56,636 SIMILAR AGE. ARE THEY ENJOYING ENGLAND SO 155 00:08:56,636 --> 00:08:59,172 FAR? >> WELL, THEY ARE. 156 00:08:59,172 --> 00:09:01,241 THEY ARE WE'RE JUST ‐‐ OF COURSE, WE HAVE 157 00:09:01,241 --> 00:09:04,844 A VERY SPECIAL VIEW OF IT RIGHT HERE, BUT THIS IS A GREAT PLACE. 158 00:09:04,844 --> 00:09:09,349 THEY LOVE IT I'M AROUND ALL THE TIME. 159 00:09:09,349 --> 00:09:11,751 >> Seth: YEAH. >> AND EMILY'S MOM IS HERE, 160 00:09:11,751 --> 00:09:13,920 ACTUALLY AND SO WE'VE GOT LOTS OF ‐‐ IT'S 161 00:09:13,920 --> 00:09:17,290 VERY COZY, AND THEY'RE HAVING A GOOD TIME. 162 00:09:17,290 --> 00:09:19,059 THEY'RE DOING ALL KIND OF ‐‐ THEY'RE JUST ‐‐ THEY'RE LOVING 163 00:09:19,059 --> 00:09:22,896 IT THEY FEED THE DUCKS. 164 00:09:22,896 --> 00:09:25,965 THEY TOUCH COWS. THEY WERE KIND OF ‐‐ 165 00:09:25,965 --> 00:09:28,902 THEY FEED DONKEYS. THEY'RE GOOD 166 00:09:28,902 --> 00:09:30,970 >> Seth: WELL, THAT'S WONDERFUL TO HEAR. 167 00:09:30,970 --> 00:09:32,272 >> I HAVE A PIANO IN MY ROOM AND CHARLIE IS TAKING PIANO LESSONS, 168 00:09:32,272 --> 00:09:36,876 HAD BEEN, BUT I'M TAKING HIM THROUGH ‐‐ 169 00:09:36,876 --> 00:09:39,612 NOT ONLY DO I DO MY PIANO HOMEWORK, BUT TAKING HIM THROUGH 170 00:09:39,612 --> 00:09:42,782 HIS SUZUKI LESSON EVERY DAY. HE'S PROCEEDING TODAY. 171 00:09:42,782 --> 00:09:45,285 >> Seth: AND NOW TELL ME, HOW YOUNG WERE YOU WHEN YOU STARTED? 172 00:09:45,285 --> 00:09:48,788 WHEN YOU GOT YOUR FIRST LESSON >> I THINK AS I REMEMBERED, 173 00:09:48,788 --> 00:09:52,058 TEN‐ISH OR NINE‐ISH, OR TEN‐ISH. HE'S, FOR HEAVEN'S SAKES, FIVE 174 00:09:52,058 --> 00:09:53,827 HE'S WAY AHEAD OF ME, NOT TO MENTION THE BICYCLE. 175 00:09:53,827 --> 00:09:55,228 I THINK AROUND THE SAME TIME, TEN. 176 00:09:55,228 --> 00:09:59,632 I STARTED GET ON THE BIKE. HE'S WHIZZING AROUND, YOU KNOW 177 00:09:59,632 --> 00:10:03,002 >> Seth: AND IS HE TAKING THE PIANO? 178 00:10:03,002 --> 00:10:04,304 DO YOU FEEL LIKE HE HAS A NATURAL SKILL FOR IT 179 00:10:04,304 --> 00:10:07,707 >> WELL, WHO KNOWS I DON'T THINK HE'S ANY MOZART, 180 00:10:07,707 --> 00:10:09,109 BUT THERE'S NO INDICATION OF THAT YET 181 00:10:09,109 --> 00:10:11,077 BUT HE'S KIND OF LIKE ME, DISCIPLINED. 182 00:10:11,077 --> 00:10:13,613 I MIX AROUND ALL THE TIME AND HE SEES ME PLAYING ALL THE TIME, SO 183 00:10:13,613 --> 00:10:17,217 HE LIKES TO CHECK IN WE GO THROUGH THE STUFF AND I'LL 184 00:10:17,217 --> 00:10:21,020 BE DARNED IF HE ISN'T, YOU KNOW, PLAYING A BUNCH OF STUFF 185 00:10:21,020 --> 00:10:23,756 YOU KNOW, IT'S THRILLING FOR ME. >> Seth: THAT'S AMAZING. 186 00:10:23,756 --> 00:10:25,525 >> IT'S SOMETIMES MADDENING FOR ME TOO 187 00:10:25,525 --> 00:10:28,261 I'M VERY KIND OF, AROUND PIANO, I GET KIND OF, YOU KNOW, I'M NOT 188 00:10:28,261 --> 00:10:31,231 LIKE THE FATHER IN SHINE I'M NOT, YOU KNOW, A MANIAC. 189 00:10:31,231 --> 00:10:37,437 I'M NOT GOING TO ‐‐ BUT I'M, YOU KNOW, FOCUSED NOW. 190 00:10:37,437 --> 00:10:40,273 I WANT TO BE FOCUSED, A LITTLE TOUGH, BUT YOU KNOW, I THINK 191 00:10:40,273 --> 00:10:44,310 IT'S GOOD. HE'S TAKING TO IT. 192 00:10:44,310 --> 00:10:46,179 YEAH, HE'S DOING OKAY. THE OTHER ONE ‐‐ THE OTHER ONE 193 00:10:46,179 --> 00:10:50,450 IS TAKING A LITTLE LESSONS RIVER IS TAKING LESSONS, 194 00:10:50,450 --> 00:10:53,620 HORRIBLE, HORRIBLE HE COMES IN AND ALL I'M SUPPOSED 195 00:10:53,620 --> 00:10:56,689 TO DO IS IF HE DOESN'T DO IT, WHICH HE DOESN'T, IS TAKE HIS 196 00:10:56,689 --> 00:10:58,758 FINGERS LIKE A PUPPET AND PUSH THEM AGAINST THE THING 197 00:10:58,758 --> 00:11:02,128 I PLAY "TWINKLE TWINKLE LITTLE STAR" EVERY DAY WITH HIS RIGHT 198 00:11:02,128 --> 00:11:05,465 HAND, HIS LEFT HAND, AS HE'S MOANING AND STUFF, AND I JUST 199 00:11:05,465 --> 00:11:08,368 KIND OF DO IT. [ LAUGHTER ] 200 00:11:08,368 --> 00:11:10,570 YOU HAVE TO SAY, "DO IT QUICK, QUICK AS YOU CAN." 201 00:11:10,570 --> 00:11:12,105 BECAUSE AFTERWARDS, WE GIVE HIM GUMMY BEARS. 202 00:11:12,105 --> 00:11:13,406 SO THAT'S A ‐‐ >> Seth: OH, WELL, THERE YOU GO. 203 00:11:13,406 --> 00:11:15,175 YOU HAVE TO REWARD THEM SOMEHOW. I'D ALSO LIKE TO SAY, YOU'VE 204 00:11:15,175 --> 00:11:17,544 BEEN DOING THIS SHOW ‐ YOU KNOW, WE'VE DONE MORE THAN A 205 00:11:17,544 --> 00:11:19,746 THOUSAND OF THESE AND YOU'RE THE FIRST PERSON TO REFERENCE THE 206 00:11:19,746 --> 00:11:23,683 FATHER IN SHINE. AND I REALLY APPRECIATE BECAUSE 207 00:11:23,683 --> 00:11:26,019 I FEEL LIKE THAT'S A CALL TO A REFERENCE WE'VE LOST OVER THE 208 00:11:26,019 --> 00:11:27,820 YEARS. >> OH, YEAH. 209 00:11:27,820 --> 00:11:31,324 NO, WE HAVE TO APPEAL TO THE KIDS 210 00:11:31,324 --> 00:11:32,192 THEY LOVE THAT SHINE STUFF [ LAUGHTER ] 211 00:11:32,192 --> 00:11:33,626 YEAH, CALL ME A PANDERER, BUT I DON'T CARE 212 00:11:33,626 --> 00:11:36,496 >> Seth: YEAH, YOU LIKE TO PLAY TO YOUR TEEN BASE. 213 00:11:36,496 --> 00:11:39,999 HEY, I WANT TO ASK ABOUT THIS. I IMAGINE ONE OF THE THINGS, 214 00:11:39,999 --> 00:11:42,368 AGAIN, IT WAS GROUND BREAKING TECH IN THE FIRST "JURASSIC 215 00:11:42,368 --> 00:11:45,872 PARK" FILM THAT NOW MUST SEEM INCREDIBLY DATED, AND I THINK 216 00:11:45,872 --> 00:11:48,274 YOU MUST LOOK BACK THEY WERE ACTUALLY PRETTY 217 00:11:48,274 --> 00:11:53,179 DANGEROUS, THE EARLY T‐REXES, YES? 218 00:11:53,179 --> 00:11:54,280 >> I KNOW WHAT YOU'RE TALKING ABOUT. 219 00:11:54,280 --> 00:11:56,816 WELL, NOT REALLY THERE'S NO SUCH THING AS 220 00:11:56,816 --> 00:11:58,117 DINOSAURS. [ LAUGHTER ] 221 00:11:58,117 --> 00:12:00,753 BUT YES, IT WAS DANGEROUS BACK THEN 222 00:12:00,753 --> 00:12:02,388 THE ‐‐ [ LAUGHTER ] 223 00:12:02,388 --> 00:12:03,790 I HATE TO BE THE ONE TO BREAK IT TO YOU, YOU KNOW 224 00:12:03,790 --> 00:12:06,526 >> Seth: NO, SOMEBODY HAD TO >> YEAH, THERE'S NO EASTER BUNNY 225 00:12:06,526 --> 00:12:08,928 EITHER NO EASTER BUNNY. 226 00:12:08,928 --> 00:12:11,497 >> Seth: AH, MAN >> BUT YEAH, IN THE FIRST ONE, 227 00:12:11,497 --> 00:12:13,900 STEVEN SPIELBERG, IF I CAN INVOKE HIS NAME, WAS OFF THE 228 00:12:13,900 --> 00:12:18,871 SCREEN GOING, "RAWRRR. EVERYBODY LOOK AT THE TENNIS 229 00:12:18,871 --> 00:12:22,175 BALL RAWRRR." 230 00:12:22,175 --> 00:12:25,979 IN THIS ONE, YOU KNOW, THEY HAVE SOUND EFFECTS, YOU HEAD 231 00:12:25,979 --> 00:12:30,583 DINOSAURS. AND THEY'VE GOT THE BIG 232 00:12:30,583 --> 00:12:34,420 DINOSAURS AND IT'S GREAT, YOU KNOW 233 00:12:34,420 --> 00:12:36,489 BUT, STAN WINSTON HAD BACK THEN WON THE OSCAR FOR THE ‐‐ WHAT HE 234 00:12:36,489 --> 00:12:37,590 DID. BUT THEY WERE NEW, THEY WERE 235 00:12:37,590 --> 00:12:38,725 GROUND BREAKING AND ON AN OCCASION, THERE WAS T‐REX THAT 236 00:12:38,725 --> 00:12:41,294 WAS LIFE SIZE THAT WHEN YOU WENT INTO THE SOUND STAGE THEY SAID, 237 00:12:41,294 --> 00:12:44,264 AND "DON'T GO ANYWHERE NEAR IT BECAUSE IT CAN GET KIND OF 238 00:12:44,264 --> 00:12:45,698 MORBID AND WE'RE STILL TRYING TO FIGURE OUT HOW TO OPERATE IT." 239 00:12:45,698 --> 00:12:47,066 SO IT CAN GO INTO UNEXPECTED COMPULSIONS AND DROP ON YOU OR 240 00:12:47,066 --> 00:12:49,168 ATTACK YOU, OR ‐ YOU KNOW, WE DIDN'T WANT TO GET 241 00:12:49,168 --> 00:12:52,238 KILLED BY THE FAKE T‐REX SO, YOU KNOW 242 00:12:52,238 --> 00:12:54,407 >> Seth: OH, YEAH. THAT WOULD HAVE BEEN ‐‐ 243 00:12:54,407 --> 00:12:55,642 CERTAINLY WOULD HAVE MADE THE PRESS JUNKET A LOT HARDER IF ONE 244 00:12:55,642 --> 00:12:57,277 OF YOU HAD DIED VIA THE MECHANICAL T‐REX 245 00:12:57,277 --> 00:13:02,081 >> IT WOULD HAVE BEEN ‐‐ IT WOULD HAVE BEEN DARK DAYS 246 00:13:02,081 --> 00:13:13,067 >> Seth: WE'LL BE BACK WITH MORE JEFF GOLDBLUM. 247 00:13:16,227 --> 00:13:27,240 ♪ >> Seth: HERE'S MORE OF MY CONVERSATION WITH JEFF GOLDBLUM. 248 00:13:29,876 --> 00:13:31,878 JEFF GOLDBLUM. WE TALKED ABOUT IT LAST TIME 249 00:13:31,878 --> 00:13:35,682 HERE, THIS IS YOU EXPLORING TOPICS THAT YOU WERE NOT AN 250 00:13:35,682 --> 00:13:40,820 EXPERT IN BEFORE AN EPISODE WOULD TAKE THEM INTO ACCOUNT 251 00:13:40,820 --> 00:13:43,856 I KNOW YOU HAD TO CUT SHORT YOUR SECOND SEASON, BUT ARE THERE 252 00:13:43,856 --> 00:13:47,260 THINGS WHILE YOU'VE BEEN IN QUARANTINE THAT YOU THOUGHT, 253 00:13:47,260 --> 00:13:48,861 "OH, I'D REALLY LIKE TO ‐‐ MOVING ON, I'D LOVE TO EXPLORE 254 00:13:48,861 --> 00:13:54,167 THIS?" >> YES 255 00:13:54,167 --> 00:13:56,235 WE'RE ALL TALKING. WE WERE EXCITED ABOUT DOING IT 256 00:13:56,235 --> 00:14:00,373 WE LOVE WHAT WE DID THE FIRST TIME, AND SORT OF 257 00:14:00,373 --> 00:14:05,511 COINCIDENTALLY, THE THEME BECAME, THE FIRST SEASON, 258 00:14:05,511 --> 00:14:08,514 OBJECTS THAT WE ALL LOVE AND THAT BRING US TOGETHER AROUND 259 00:14:08,514 --> 00:14:12,852 WHICH WE HAVE A CONNECTION YOU KNOW, RVs AND, YOU KNOW, 260 00:14:12,852 --> 00:14:16,556 BARBECUES AND DENIM AND JEWELRY AND COSMETICS AND POOLS AND ALL 261 00:14:16,556 --> 00:14:19,459 THAT SO WE'RE SORT OF SET OFF IN AN 262 00:14:19,459 --> 00:14:22,562 AREA THAT MIGHT ADAPT TO THE NEW CHANGING AND CHANGED WORLD, BUT 263 00:14:22,562 --> 00:14:28,267 WE'RE ALSO THINKING, FEVERISHLY, ABOUT WHAT COULD EVEN MORE 264 00:14:28,267 --> 00:14:33,072 RELEVANTLY, AND INTERESTINGLY BE TALKED ABOUT THIS YEAR 265 00:14:33,072 --> 00:14:37,643 WE HAD STARTED WITH FIREWORKS. WHICH WAS ANOTHER THING THAT, 266 00:14:37,643 --> 00:14:41,714 YOU KNOW, HAD A LONG HISTORY IN SCIENCE AND FUTURE AND BRINGS 267 00:14:41,714 --> 00:14:44,317 PEOPLE TOGETHER AND ALL THAT >> Seth: SURE. 268 00:14:44,317 --> 00:14:50,323 >> AND IT SORT OF SET US OFF INTO LEFT FIELD AREAS LIKE 269 00:14:50,323 --> 00:14:54,694 PEOPLE WHO LIVE IN THE DARKEST PLACES, NEIGHBORHOODS IN AMERICA 270 00:14:54,694 --> 00:14:58,898 SO THAT THEY CAN SEE AT NIGHT. AND THEY ALL HAVE GREAT BIG 271 00:14:58,898 --> 00:15:06,539 TELESCOPES IN THEIR BACKYARD AND THEN WE TALKED TO AN ASTRONAUT 272 00:15:06,539 --> 00:15:10,576 WHO'D BEEN UP THERE AND SEEN THE PLANET FROM AFAR AND BEEN CLOSE 273 00:15:10,576 --> 00:15:13,646 TO THE STARS BECAUSE WE THOUGHT THAT 274 00:15:13,646 --> 00:15:18,217 FIREWORKS WERE POSSIBLY DEPICTIONS, ANOTHER SORT OF 275 00:15:18,217 --> 00:15:19,986 ERSATZ WAY OF, YOU KNOW, FINDING THE MYSTERY, MAJESTY AND POETRY 276 00:15:19,986 --> 00:15:22,588 AND AWESOMENESS OF WHERE WE ARE IN THE UNIVERSE. 277 00:15:22,588 --> 00:15:26,659 ALL THAT KIND OF STUFF, AND WE'RE TRYING TO IN THE SECOND 278 00:15:26,659 --> 00:15:27,860 SEASON IN THIS VEIN, KIND OF EXPAND OUR INTELLECTUAL 279 00:15:27,860 --> 00:15:32,031 SUBSTANCE AND ALL THAT WE HAVE PEOPLE ON THE TEAM TO 280 00:15:32,031 --> 00:15:35,601 HELP US DO THAT. NOT ME, YOU KNOW, I'M AN EXPERT 281 00:15:35,601 --> 00:15:38,871 IN NOTHING BUT I'M AN EAGER LEARNER 282 00:15:38,871 --> 00:15:40,740 >> Seth: YOU MENTIONED RVs WHICH, YOU KNOW, RVs ARE HAVING 283 00:15:40,740 --> 00:15:44,010 A REAL HOT MOMENT RIGHT NOW. YOU WERE SORT OF AT THE 284 00:15:44,010 --> 00:15:46,446 FOREFRONT OF THIS BECAUSE NOW YOU COULDN'T GET AN RV IF YOU 285 00:15:46,446 --> 00:15:49,382 TRIED BECAUSE THIS IS THE SAFEST WAY, I GUESS, TO HAVE A VACATION 286 00:15:49,382 --> 00:15:55,822 WITH YOUR FAMILY RIGHT NOW >> I'M JUST LEARNING THAT, YES 287 00:15:55,822 --> 00:15:58,224 WE WERE, YOU KNOW, WE WENT TO JAYCO, THE PEOPLE ‐‐ THE AMISH 288 00:15:58,224 --> 00:16:00,426 PEOPLE WHO PUT THEM ALL TOGETHER, THESE STATE‐OF‐THE‐ART 289 00:16:00,426 --> 00:16:03,262 THINGS, AND TALKED ABOUT THE HISTORY OF IT. 290 00:16:03,262 --> 00:16:06,566 BUT ‐‐ AND WENT TO THE FAMILY WHO JUST ‐‐ THE DAD HAD TAKEN 291 00:16:06,566 --> 00:16:08,401 OFF WORK AND THEY ALL WENT ACROSS THE COUNTRY 292 00:16:08,401 --> 00:16:11,571 YOU KNOW AND WE'RE FINDING A BEAUTIFUL 293 00:16:11,571 --> 00:16:13,439 TIME TOGETHER, BUT NOW THAT THIS LAST PERIOD OF TIME, THIS LAST 294 00:16:13,439 --> 00:16:17,477 UNFORTUNATE PERIOD OF TIME HAS BEFALLEN US, YEAH. 295 00:16:17,477 --> 00:16:20,313 I GUESS PEOPLE ‐‐ I HADN'T THOUGHT OF IT THAT MUCH. 296 00:16:20,313 --> 00:16:22,515 YEAH, THEY GET IT. IT'S A WAY THAT YOU CAN, YOU 297 00:16:22,515 --> 00:16:24,484 KNOW, CLEAN UP YOUR OWN AREA YOU DON'T HAVE TO RELY ON OTHER 298 00:16:24,484 --> 00:16:27,753 PEOPLE'S BATHROOMS AND STUFF, SLEEP IN YOUR OWN BED BUT NOT BE 299 00:16:27,753 --> 00:16:30,389 COOPED UP, GET THE FAMILY UNDER CONTROL. 300 00:16:30,389 --> 00:16:32,325 [ LAUGHTER ] KEEP THEM ‐‐ 301 00:16:32,325 --> 00:16:34,093 >> Seth: HAVE YOU ‐‐ >> ‐‐ AND MOVE AROUND. 302 00:16:34,093 --> 00:16:35,328 >> Seth: DID IT APPEAL TO YOU WHEN YOU DID YOUR EPISODE ABOUT 303 00:16:35,328 --> 00:16:37,296 IT DID YOU THINK, "OH, THIS IS 304 00:16:37,296 --> 00:16:41,968 SOMETHING THE GOLDBLUMS SHOULD DO?" 305 00:16:41,968 --> 00:16:46,339 >> WELL, I'M A KIND OF ‐‐ I'M NOT A BIG CAMPER 306 00:16:46,339 --> 00:16:48,941 AND IT FEELS A LITTLE ADJACENT MENTALLY, CAMPING. 307 00:16:48,941 --> 00:16:50,376 >> Seth: YEAH, I AGREE WITH THAT, I AGREE WITH THAT. 308 00:16:50,376 --> 00:16:53,980 >> YEAH, YEAH. ALTHOUGH, THEY'RE VERY NICE. 309 00:16:53,980 --> 00:16:57,149 WE MET NICE PEOPLE AND IT'S ‐‐ YOU KNOW, IF I COULD CLONE 310 00:16:57,149 --> 00:16:59,452 MYSELF AND LIVE IN PARALLEL UNIVERSES, YEAH, PART OF ME, I'D 311 00:16:59,452 --> 00:17:06,993 LOVE TO DO WHAT ALBERT BROOKS DOES IN "LOST IN AMERICA" AND 312 00:17:06,993 --> 00:17:09,829 JUST GO ON THE ROAD AGAIN LIKE THEY DO AND, YOU KNOW. 313 00:17:09,829 --> 00:17:12,798 >> Seth: YEAH, THAT'S TRUE ONCE AGAIN, A REFERENCE FOR THE 314 00:17:12,798 --> 00:17:15,201 TEENS, ALBERT BROOKS' "LOST IN AMERICA. 315 00:17:15,201 --> 00:17:19,005 A MOVIE THAT DID NOT REALLY SERVE AS GREAT ADVERTISEMENT 316 00:17:19,005 --> 00:17:22,942 FOR ‐‐ AS CITY PEOPLE LIKE US JOINING THE CAMPING LIFESTYLE. 317 00:17:22,942 --> 00:17:28,748 >> NO, NO. 'CAUSE NOWADAYS ‐‐ NO, YOU AND I 318 00:17:28,748 --> 00:17:32,251 ARE BOTH, YOU KNOW, URBANE >> Seth: YES 319 00:17:32,251 --> 00:17:36,055 >> AUTHENTIC AND CONNECTED TO THE EARTH. 320 00:17:36,055 --> 00:17:39,792 >> Seth: YES I TRIED TO ‐‐ YEAH, I TRIED TO 321 00:17:39,792 --> 00:17:41,861 HAVE ONE FOOT IN EACH. YOU KNOW, EACH BUCKET, IF 322 00:17:41,861 --> 00:17:43,162 POSSIBLE >> AND YOU DO. 323 00:17:43,162 --> 00:17:47,033 YOU STRIDE THE EARTH IN SEVEN LEAGUE BOOTS LIKE A COLOSSUS 324 00:17:47,033 --> 00:17:49,168 >> Seth: HEY, I WANT TO ASK BEFORE WE GO, YOU KNOW, WE HAVE 325 00:17:49,168 --> 00:17:52,371 A VERY POLARIZING ADDITION TO THE SHOW SINCE WE STARTED DOING 326 00:17:52,371 --> 00:17:55,541 THEM IN THIS LOCATION, WHICH IS THE SEA CAPTAIN. 327 00:17:55,541 --> 00:18:00,446 ARE YOU PRO OR ANTI THE SEA CAPTAIN? 328 00:18:00,446 --> 00:18:03,716 >> HERE'S WHAT I THINK, HONESTLY 329 00:18:03,716 --> 00:18:07,119 I LOVE HIM I LOVE HIM IN THE SET JUST 330 00:18:07,119 --> 00:18:11,490 AESTHETICALLY. I LIKE THAT PARTICULAR PICTURE 331 00:18:11,490 --> 00:18:13,359 THAT OPERATION IS A LITTLE LIKE, YOU KNOW, LIKE "CLUTCH CARGO." 332 00:18:13,359 --> 00:18:15,761 >> Seth: YEAH. >> YOU KNOW. 333 00:18:15,761 --> 00:18:17,063 >> Seth: I THINK WOULD DEFINITELY OWE A DEBT OF 334 00:18:17,063 --> 00:18:20,800 GRATITUDE TO "CLUTCH CARGO." YES. 335 00:18:20,800 --> 00:18:21,901 >> I THINK THAT'S NICE WHOEVER DOES THE VOICE IS VERY 336 00:18:21,901 --> 00:18:26,672 GOOD IT COULD BE KITSCH BUT THE WAY 337 00:18:26,672 --> 00:18:28,774 YOU INCORPORATE IS, I THINK, SOPHISTICATED AND ENTIRELY 338 00:18:28,774 --> 00:18:31,711 DELIGHTFUL [ LAUGHTER ] 339 00:18:31,711 --> 00:18:34,146 SO IT GETS TEN GOLDBLUMS OUT OF A POSSIBLE TEN GOLDBLUMS 340 00:18:34,146 --> 00:18:37,717 >> Seth: TEN OUT OF TEN. WELL, THANK YOU VERY MUCH JEFF 341 00:18:37,717 --> 00:18:41,554 I'M SO HAPPY THAT YOU ARE HAPPY, HEALTHY AND WORKING. 342 00:18:41,554 --> 00:18:45,224 WE SHOULD ALL BE SO LUCKY. CAN'T WAIT TO SEE WHAT YOU ARE 343 00:18:45,224 --> 00:18:49,095 COMING UP WITH OVER THERE. >> YOU ARE SO SWEET. 344 00:18:49,095 --> 00:18:50,796 THANK YOU. I WISH YOU ALL THE BEST IN THE 345 00:18:50,796 --> 00:18:52,398 WORLD. I'M GLAD TO SEE YOU'RE AS 346 00:18:52,398 --> 00:18:55,334 RADIANT AS EVER. >> Seth: THANK YOU, JEFF 347 00:18:55,334 --> 00:18:58,838 WE'LL SEE YOU NEXT TIME. >> THANK YOU, SETH, THANK YOU. 348 00:18:58,838 --> 00:19:00,039 >> Seth: WE'LL BE RIGHT BACK WITH ANNIE MURPHY FROM "SCHITT'S 349 00:19:00,039 --> 00:19:00,851 CREEK. ♪ 350 00:19:24,764 --> 00:19:27,967 >> Seth: OUR NEXT GUEST RECEIVED AN EMMY NOMINATION FOR HER 351 00:19:27,967 --> 00:19:30,636 PORTRAYAL OF ALEXIS ROSE ON POPTV'S CRITICALLY ACCLAIMED 352 00:19:30,636 --> 00:19:33,172 SERIES "SCHITT'S CREEK." HERE'S MY CONVERSATION WITH 353 00:19:33,172 --> 00:19:34,540 ANNIE MURPHY HI, ANNIE. 354 00:19:34,540 --> 00:19:36,108 HOW ARE YOU? >> HI, SETH. 355 00:19:36,108 --> 00:19:38,744 I AM DOING JUST FINE HOW ARE YOU DOING? 356 00:19:38,744 --> 00:19:41,147 >> Seth: I'M DOING WELL. IT'S REALLY NICE TO MEET YOU 357 00:19:41,147 --> 00:19:44,216 I WISH IT WAS IN PERSON. BUT I WAS TALKING TO YOUR 358 00:19:44,216 --> 00:19:48,254 CO‐STAR DAN LEVY AND HE WAS SAYING THAT REALLY, IT'S THE 359 00:19:48,254 --> 00:19:50,556 MOST FITTING OUTCOME THAT THE YEAR "SCHITT'S CREEK" GETS 360 00:19:50,556 --> 00:19:56,562 15 NOMINATIONS IT WILL BE A VIRTUAL EMMYS 361 00:19:56,562 --> 00:19:57,530 BECAUSE WE'RE IN THE MIDDLE OF A PANDEMIC 362 00:19:57,530 --> 00:19:58,898 >> PRECISELY I COULDN'T AGREE WITH HIM MORE 363 00:19:58,898 --> 00:20:03,002 [ LAUGHTER ] >> Seth: IT MUST HAVE BEEN, YOU 364 00:20:03,002 --> 00:20:06,939 KNOW, YOUR SHOW TOOK THIS, I FEEL LIKE HAD THIS CRAZY ARC 365 00:20:06,939 --> 00:20:09,341 ISN'T EVEN THE RIGHT WORD BECAUSE IT KEPT GOING UP 366 00:20:09,341 --> 00:20:13,179 WHICH IS, IT WAS A SHOW NOT A LOT OF PEOPLE SAW AND THEN IT 367 00:20:13,179 --> 00:20:15,247 WAS THIS BUILDING SORT OF CULT FEELING ABOUT IT AND THEN ALL OF 368 00:20:15,247 --> 00:20:18,417 A SUDDEN, IN ITS FINAL YEAR, IT'S AN EMMY DARLING 369 00:20:18,417 --> 00:20:21,253 WHAT A FUN RUN THAT MUST HAVE BEEN FOR YOU 370 00:20:21,253 --> 00:20:25,091 >> IT'S BEEN SO WILD BECAUSE WHEN WE STARTED OUT, IT WAS 371 00:20:25,091 --> 00:20:28,027 REALLY JUST THIS LITTLE SHOW ON THE CBC IN CANADA AND WE SHOT, 372 00:20:28,027 --> 00:20:32,665 YOU KNOW, IN TORONTO AND THEN WE GO UP NORTH 373 00:20:32,665 --> 00:20:36,035 45 MINUTES AND SHOOT IN THIS LITTLE TOWN CALLED 374 00:20:36,035 --> 00:20:39,205 GOODWOOD, ONTARIO. [ LAUGHTER ] 375 00:20:39,205 --> 00:20:41,707 >> Seth: THAT'S HILARIOUS. >> HOLD ON TO THAT FOR A SECOND. 376 00:20:41,707 --> 00:20:45,845 SO YEAH, IT FELT REALLY SMALL AND INSULAR. 377 00:20:45,845 --> 00:20:51,450 AND SO TO HAVE IT BE WHERE IT IS NOW IS, IT'S PRETTY WONDERFUL. 378 00:20:51,450 --> 00:20:54,153 >> Seth: IS IT TRUE THAT YOU FELT NOSTALGIC AND MAKE A TRIP 379 00:20:54,153 --> 00:20:56,889 BACK TO GOODWOOD RECENTLY? >> YEP, YEP. 380 00:20:56,889 --> 00:21:02,161 [ LAUGHTER ] IT IS NOT MY FINEST MOMENT, I 381 00:21:02,161 --> 00:21:06,132 WOULD SAY. I WAS GETTING A LITTLE STIR 382 00:21:06,132 --> 00:21:08,501 CRAZY AND NOSTALGIC, AND I WAS LIKE, I WANT TO TAKE A LITTLE 383 00:21:08,501 --> 00:21:10,569 DRIVE. I'M GO TO GO TO GOODWOOD 384 00:21:10,569 --> 00:21:12,972 AND THEY HAVE THESE, THERE'S A BAKERY IN GOODWOOD CALLED 385 00:21:12,972 --> 00:21:16,575 ANNINA'S, WHICH IS THE BEST BAKERY AND THEY HAVE ‐‐ DO YOU 386 00:21:16,575 --> 00:21:18,778 GUYS HAVE BUTTER TARTS IN AMERICA? 387 00:21:18,778 --> 00:21:21,480 >> Seth: NO, I'VE NEVER HEARD OF A BUTTER TART. 388 00:21:21,480 --> 00:21:24,383 >> OKAY, A BUTTER TART IS JUST THAT, A BUTTER TART, BUT WITH 389 00:21:24,383 --> 00:21:27,086 BROWN SUGAR. AND ANYWAY, IT'S DELICIOUS 390 00:21:27,086 --> 00:21:29,188 >> Seth: YEAH. >> SO I WAS LIKE, I'M GOING TO 391 00:21:29,188 --> 00:21:30,256 GO GET A BUTTER TART AND WALK AROUND AND ‐ 392 00:21:30,256 --> 00:21:34,827 SO I DID THAT, AND I WAS STROLLING AROUND THE STREETS OF 393 00:21:34,827 --> 00:21:37,897 GOODWOOD, AND THIS CAR OF LADIES PULLS UP TO ME AND THEY'RE LIKE, 394 00:21:37,897 --> 00:21:45,104 "ALEXIS? I WAS LIKE 395 00:21:45,104 --> 00:21:48,607 [ LAUGHTER ] "WHAT ARE YOU DOING HERE?" 396 00:21:48,607 --> 00:21:51,677 LIKE THEY HAVE ‐‐ BECAUSE GOODWOOD, I GUESS, HAS BECOME A 397 00:21:51,677 --> 00:21:55,481 BIT OF A HOT SPOT FOR TOURISTS NOW. 398 00:21:55,481 --> 00:21:59,418 >> Seth: SURE. >> BUT THEY HAD DRIVEN THREE 399 00:21:59,418 --> 00:22:01,821 HOURS TO COME AND TAKE PICTURES OF GOODWOOD AND THERE I WAS JUST 400 00:22:01,821 --> 00:22:06,425 WANDERING THE STREETS LIKE A MANIAC 401 00:22:06,425 --> 00:22:10,696 AND THEN LITERALLY, THREE DAYS LATER, THE SHOW "SCHITT'S CREEK" 402 00:22:10,696 --> 00:22:15,067 POSTED ON SOCIALS. "PLEASE, PEOPLE, STOP GOING TO 403 00:22:15,067 --> 00:22:17,803 GOODWOOD THERE IS A PANDEMIC. 404 00:22:17,803 --> 00:22:21,273 EVERYONE NEEDS TO CALM." AND I WAS LIKE 405 00:22:21,273 --> 00:22:25,444 [ LAUGHTER ] >> Seth: IT IS REALLY FUNNY 406 00:22:25,444 --> 00:22:27,746 BECAUSE OF COURSE THE LAST ‐‐ I MEAN, YOU MIGHT EXPECT TO SEE, 407 00:22:27,746 --> 00:22:32,117 LIKE, AN ANNIE LOOK‐ALIKE THAT THE TOWN HIRED FOR THE PURPOSE 408 00:22:32,117 --> 00:22:35,054 OF TOURISTS, BUT TO GET THE REAL THING JUST WANDERING AROUND. 409 00:22:35,054 --> 00:22:38,023 [ LAUGHTER ] >> NOW I THINK THAT THEY THINK 410 00:22:38,023 --> 00:22:40,726 THAT I JUST GO THERE EVERY DAY JUST TO WAIT FOR PEOPLE TO COME 411 00:22:40,726 --> 00:22:46,665 AND TAKE MY PICTURE. >> Seth: TO RECOGNIZE YOU, SURE. 412 00:22:46,665 --> 00:22:48,634 THIS IS SOMETHING ELSE THAT'S A LITTLE BIT EMBARRASSING, BUT 413 00:22:48,634 --> 00:22:51,570 AGAIN, THIS IS SOMETHING YOU MADE THE MISTAKE OF SHARING WITH 414 00:22:51,570 --> 00:22:55,708 THE WORLD, WHICH IS THAT WHEN YOU FOUND OUT YOU WERE NOMINATED 415 00:22:55,708 --> 00:22:57,176 FOR AN EMMY, THIS IS GOING AROUND, YOU CHOKED ON BACON. 416 00:22:57,176 --> 00:22:59,445 [ LAUGHTER ] WHICH IS, BY THE WAY, THE WAY I 417 00:22:59,445 --> 00:23:00,579 WOULD IMAGINE ALL CANADIAN ACTORS FINDING OUT ABOUT EMMY 418 00:23:00,579 --> 00:23:03,249 NOMINATIONS, JUST CHOKING ON BACON. 419 00:23:03,249 --> 00:23:05,351 [ LAUGHTER ] >> IT WAS ONE OF THE THINGS THAT 420 00:23:05,351 --> 00:23:07,419 LIKE AS I WAS SAYING IT, I WAS LIKE, DON'T SAY THIS OUT LOUD TO 421 00:23:07,419 --> 00:23:10,155 SOMEBODY BUT YEAH, I WAS SITTING ON THE 422 00:23:10,155 --> 00:23:12,758 FLOOR EATING PANCAKES, AS ONE DOES 423 00:23:12,758 --> 00:23:17,363 [ LAUGHTER ] GOT THE NEWS AND INHALED OR 424 00:23:17,363 --> 00:23:21,867 EXHALED IN A POOR WAY AND YEAH, AND THAT'S HOW I RUNG IN THE 425 00:23:21,867 --> 00:23:30,276 NEWS WAS CHOKING ON BACON. [ LAUGHTER ] 426 00:23:30,276 --> 00:23:32,544 >> Seth: WHAT, I CAN'T EVEN IMAGINE WHAT IT WAS LIKE TO HAVE 427 00:23:32,544 --> 00:23:34,647 BOTH COMEDY ROYALTY AND CANADIAN ROYALTY IN EUGENE LEVY AND 428 00:23:34,647 --> 00:23:38,250 CATHERINE O'HARA AS YOUR PARENTS. 429 00:23:38,250 --> 00:23:40,419 WHAT WAS IT LIKE WHEN YOU FIRST STARTED WORKING WITH THEM? 430 00:23:40,419 --> 00:23:41,954 I MEAN, OBVIOUSLY, THE SCRIPTS ARE SO FUNNY, BUT YOU KNOW, THEY 431 00:23:41,954 --> 00:23:43,923 ELEVATED SO MUCH BY BEING THE KIND OF PERFORMERS THEY WERE 432 00:23:43,923 --> 00:23:46,225 WAS IT INTIMIDATING OR WAS IT JUST AMAZING FROM THE START? 433 00:23:46,225 --> 00:23:48,294 >> UH, BOTH. >> Seth: YEAH. 434 00:23:48,294 --> 00:23:54,233 >> I'M GOING TO SAY BOTH THEY ARE ‐‐ THEY HAVE BEEN MY 435 00:23:54,233 --> 00:23:59,338 IDOLS FOR SO MANY YEARS AND WHEN I FOUND OUT I GOT THE JOB, 436 00:23:59,338 --> 00:24:06,445 BECAUSE I HADN'T WORKED FOR SO LONG, TEEMED WITH THE FACT THAT 437 00:24:06,445 --> 00:24:09,748 LIKE, IT WAS MY DREAM JOB THAT I BOOKED 438 00:24:09,748 --> 00:24:14,119 I WAS KIND OF FLOATING ON THIS HIGH THAT I HAD A JOB AND I WAS 439 00:24:14,119 --> 00:24:16,422 GOING TO BE WORKING WITH EUGENE AND CATHERINE, BUT I DIDN'T 440 00:24:16,422 --> 00:24:20,993 REALLY REALIZE UNTIL A COUPLE OF DAYS BEFORE WHEN A FRIEND WAS 441 00:24:20,993 --> 00:24:25,064 LIKE, "HEY, YOU HAVE TO NOW ACT WITH EUGENE LEVY AND 442 00:24:25,064 --> 00:24:28,968 CHATHERINE O'HARA. [ LAUGHTER ] 443 00:24:28,968 --> 00:24:31,937 AND I WAS LIKE, "OH, NO. OH, NO, NO, NO." 444 00:24:31,937 --> 00:24:35,240 AND IT REALLY DAWNED ON ME AND I HAD A BIT OF A ‐‐ A BIT OF 445 00:24:35,240 --> 00:24:38,711 MOMENT AND WAS TERRIFIED GOING IN THE FIRST DAY 446 00:24:38,711 --> 00:24:43,082 I WAS SO NERVOUS BUT LUCKILY, DAN LEVY WAS 447 00:24:43,082 --> 00:24:47,553 EQUALLY GREEN AND HE WAS NERVOUS TOO. 448 00:24:47,553 --> 00:24:50,723 AND SO WE KIND OF WENT IN TREMBLING TOGETHER AND GOT THE 449 00:24:50,723 --> 00:24:57,730 FIRST FEW TAKES OUT OF THE WAY AND THEN EUGENE AND CATHERINE 450 00:24:57,730 --> 00:25:00,265 BEING WHO THEY ARE, IT NEVER FELT LIKE WE WERE THE NEW 451 00:25:00,265 --> 00:25:05,070 INEXPERIENCED KIDS THAT WE WERE. IT WAS SO WARM AND AWESOME AND 452 00:25:05,070 --> 00:25:08,774 THEY COULDN'T HAVE BEEN MORE LOVELY 453 00:25:08,774 --> 00:25:11,276 SO ‐ >> Seth: I WAS TALKING TO DAN 454 00:25:11,276 --> 00:25:14,013 ABOUT THIS YOU KNOW, SIX YEARS AGO, HE AND 455 00:25:14,013 --> 00:25:16,648 EUGENE CAME ON TO PROMOTE THE PREMIERE OF "SCHITT'S CREEK" AND 456 00:25:16,648 --> 00:25:20,586 AT THE TIME, I THINK THE ONLY THING ANYONE KNEW ABOUT THE SHOW 457 00:25:20,586 --> 00:25:26,025 WAS THE CHOICE THAT THEY HAD MADE WITH THE NAME AND IT WAS 458 00:25:26,025 --> 00:25:27,693 REALLY FUN ONE, THEY OBVIOUSLY, YOU KNOW, 459 00:25:27,693 --> 00:25:31,063 THE SECRET'S OUT THEY HAVE A VERY LOVING FATHER/SON 460 00:25:31,063 --> 00:25:33,499 RELATIONSHIP, BUT YOU ACTUALLY IN THE CITY DOING PRESS AND I'VE 461 00:25:33,499 --> 00:25:35,567 HEARD THAT YOU ACTUALLY WENT BACK ‐‐ YOU WENT TO THEIR HOTEL 462 00:25:35,567 --> 00:25:39,471 ROOM TO WATCH IT AIR, WHICH IS PROBABLY PRETTY LATE AT NIGHT. 463 00:25:39,471 --> 00:25:42,107 >> I DID, AND IT WAS I CAN STAY UP LATE 464 00:25:42,107 --> 00:25:44,610 [ LAUGHTER ] YEAH, SO THAT WAS ONE OF MY VERY 465 00:25:44,610 --> 00:25:46,912 FIRST OF MANY, BUT VERY FIRST MOMENTS OF WHAT IS MY LIFE RIGHT 466 00:25:46,912 --> 00:25:56,855 NOW. BECAUSE I WAS IN NEW YORK CITY 467 00:25:56,855 --> 00:26:00,592 FOR PRESS AND THEY PUT US UP AT THE WALDORF HOTEL AND WE'D JUST 468 00:26:00,592 --> 00:26:04,730 GONE OUT FOR THIS BEAUTIFUL STEAK DINNER AND THERE WAS A 469 00:26:04,730 --> 00:26:06,298 SNOWSTORM. AND I WAS LIKE, I WAS CRAWLING 470 00:26:06,298 --> 00:26:09,101 INTO BED AND I GOT A CALL FROM DAN BEING LIKE, "WE'RE GOING TO 471 00:26:09,101 --> 00:26:12,604 WATCH SETH MEYERS. COME ON UP AND GIVE ME YOUR ROOM 472 00:26:12,604 --> 00:26:16,642 NUMBER." AND SO, I PULLED ON MY CRUMPLED 473 00:26:16,642 --> 00:26:20,045 CLOTHES AND WENT UP. [ LAUGHTER ] 474 00:26:20,045 --> 00:26:22,981 AND IT WAS LIKE AN IMPRESSIVE NUMBER IN THE HOTEL. 475 00:26:22,981 --> 00:26:28,887 AND SO I WENT UP TO THE ROOM, AND KNOCKED ON THE DOOR AND 476 00:26:28,887 --> 00:26:31,723 MARTIN SHORT, DRESSED IN A TUXEDO, OPENS THE DOOR ‐‐ AND 477 00:26:31,723 --> 00:26:40,632 GOES WITH A TRAY OF CHAMPAGNE AND GOES, "ANNIE MURPHY! 478 00:26:40,632 --> 00:26:45,170 AND I WAS LIKE, "WHAT? AND I PROCEEDED TO GO INTO 479 00:26:45,170 --> 00:26:51,643 MARTIN SHORT'S HOTEL ROOM AT THE WALDORF AND WATCH MY FRIENDS, 480 00:26:51,643 --> 00:26:58,417 EUGENE AND DAN LEVY, ON SETH MYERS 481 00:26:58,417 --> 00:27:00,152 AND IT WAS A VERY, VERY ‐‐ I THINK IT'S LIKE A FLASH BEFORE 482 00:27:00,152 --> 00:27:04,323 MY EYES WHILE I'M DYING MOMENT >> Seth: IT ALSO SEEMS VERY COOL 483 00:27:04,323 --> 00:27:09,228 AND I THINK ONE OF THE MOST SPECIAL THINGS ABOUT ALL THE 484 00:27:09,228 --> 00:27:10,762 NOMINATIONS IS THAT BOTH EUGENE AND DAN GOT NOMINATED AND I CAN 485 00:27:10,762 --> 00:27:14,299 ONLY IMAGINE HOW PROUD IT MADE EUGENE 486 00:27:14,299 --> 00:27:17,336 YOU KNOW, HE'S GOT TWO KIDS IN THE CAST AS WELL 487 00:27:17,336 --> 00:27:19,605 IS IT TRUE THAT HE JUST DELIGHTS IN WATCHING HIS CHILDREN 488 00:27:19,605 --> 00:27:24,209 PERFORM? >> COULDN'T BE MORE DELIGHTED 489 00:27:24,209 --> 00:27:28,046 WATCHING HIS KIDS PERFORM. IT IS, THAT IS ACTUALLY ONE OF 490 00:27:28,046 --> 00:27:30,215 THE THINGS THAT I'M GOING TO MISS THE VERY MOST ABOUT 491 00:27:30,215 --> 00:27:36,121 SHOOTING IS WATCHING EUGENE WATCH SARAH AND DAN. 492 00:27:36,121 --> 00:27:39,625 BECAUSE HE STANDS ‐‐ HE GOES, FIRST OF ALL, HE GOES TO GET 493 00:27:39,625 --> 00:27:42,561 SNACKS AND THEN HE STANDS BEHIND THE MONITOR AND JUST WATCHES 494 00:27:42,561 --> 00:27:48,500 THEM ACT AND HE'S MUCH LIKE A DANCE MOM 495 00:27:48,500 --> 00:27:53,272 OR LIKE A STAGE MOTHER HE MOUTHS THEIR LINES AND IS 496 00:27:53,272 --> 00:27:57,776 VERY SAD WHEN THEY'RE SAD AND HAPPY WHEN THEY'RE HAPPY 497 00:27:57,776 --> 00:28:01,380 [ LAUGHTER ] LIKE WHEN IT'S GOING ON, ALL OF 498 00:28:01,380 --> 00:28:03,348 THE CREW KIND OF NUDGE EACH OTHER AND WE ALL TAKE GREAT 499 00:28:03,348 --> 00:28:05,651 PLEASURE IN WATCHING HIM WATCH THEM 500 00:28:05,651 --> 00:28:08,253 >> Seth: IT IS FULLY ADORABLE. AND I WANT TO ASK ABOUT 501 00:28:08,253 --> 00:28:10,889 CATHERINE. SHE MADE SO MANY WONDERFUL 502 00:28:10,889 --> 00:28:14,059 CHOICES IN HER DELIVERY AND DICTION. 503 00:28:14,059 --> 00:28:18,630 WAS THERE A CERTAIN WORD OF HERS THAT YOU ENJOYED HEARING THE 504 00:28:18,630 --> 00:28:22,701 MOST OVER THE COURSE OF THE SIX SEASONS? 505 00:28:22,701 --> 00:28:25,204 >> YEAH, AND IT'S NOT THE WORD YOU WOULD EXPECT BECAUSE IT'S 506 00:28:25,204 --> 00:28:28,273 NOT ONE OF THE FLOWERY, YOU KNOW, PIECES OF VOCABULARY THAT 507 00:28:28,273 --> 00:28:34,179 SHE CHOOSES. BUT SHE WAS ABLE TO MAKE THE 508 00:28:34,179 --> 00:28:40,619 WORD "HOW," JUST THE WORD HOW, H‐O‐W, THREE SYLLABLES 509 00:28:40,619 --> 00:28:47,392 IT WENT FROM HOW TO "H‐O‐W." [ LAUGHTER ] 510 00:28:47,392 --> 00:28:51,230 AND IT BLEW MY MIND. IT BLEW MY MIND. 511 00:28:51,230 --> 00:28:55,067 SHE'S A MIRACLE. >> Seth: YEAH WELL, YOU WERE 512 00:28:55,067 --> 00:28:59,738 VERY LUCKY TO BE THAT PROXIMITY TO GREATNESS 513 00:28:59,738 --> 00:29:03,575 IT'S VERY RARE IN THIS GAME, AND IT'S REALLY AWESOME THAT THE 514 00:29:03,575 --> 00:29:09,047 EMMY VOTERS RECOGNIZED HOW ACROSS THE BOARD WONDERFUL YOU 515 00:29:09,047 --> 00:29:10,882 ALL WERE ON THAT SHOW. AND CONGRATULATIONS, ANNIE 516 00:29:10,882 --> 00:29:12,084 >> THANK YOU THANKS, SETH 517 00:29:12,084 --> 00:29:15,821 IT WAS REALLY NICE TO MEET YOU >> Seth: IT WAS THE SAME HERE. 518 00:29:15,821 --> 00:29:20,092 WE'LL BE RIGHT BACK WITH COMEDIAN SAM JAY 519 00:29:20,092 --> 00:29:20,822 ♪ 520 00:29:30,435 --> 00:29:40,779 >> Seth: OUR NEXT GUEST IS AN 521 00:29:40,779 --> 00:29:46,685 EMMY NOMINATED WRITER AND COMEDIAN WHOSE WORK YOU KNOW 522 00:29:46,685 --> 00:29:49,154 FROM "SATURDAY NIGHT LIVE. HER STAND‐UP SPECIAL "SAM JAY 523 00:29:49,154 --> 00:29:50,522 3:00 IN THE MORNING" IS AVAILABLE ON NETFLIX NOW 524 00:29:50,522 --> 00:29:52,924 HERE'S MY CONVERSATION WITH SAM JAY. 525 00:29:52,924 --> 00:29:54,326 HI, SAM, HOW ARE YOU >> HEY, SETH, WHAT'S GOING ON? 526 00:29:54,326 --> 00:29:56,962 HOW ARE YOU? >> Seth: I'M DOING GREAT 527 00:29:56,962 --> 00:29:58,263 I WANT TO TALK ABOUT YOUR SPECIAL WHICH I LOVED, BUT I 528 00:29:58,263 --> 00:30:00,932 ALSO WANT TO TALK ABOUT WHEN WE COLLABORATED, I GUESS YOU COULD 529 00:30:00,932 --> 00:30:04,069 SAY. WHEN I HOSTED SNL, YOU AND 530 00:30:04,069 --> 00:30:06,138 GARY RICHARDSON WROTE A SKETCH FOR ME 531 00:30:06,138 --> 00:30:11,410 DO YOU WANT TO DESCRIBE THE PREMISE TO EVERYONE? 532 00:30:11,410 --> 00:30:14,780 >> WELL, THE PREMISE OF THE SKETCH WAS THAT YOU WERE LIKE AN 533 00:30:14,780 --> 00:30:18,617 EXECUTIVE FOR A COMPANY AND YOU HAD DRESSED UP LIKE CARDI B. FOR 534 00:30:18,617 --> 00:30:21,453 HALLOWEEN BUT ALL YOU DID WAS THE WIG AND THE PURSE, AND I 535 00:30:21,453 --> 00:30:24,222 THINK THE NAILS. AND EVERYTHING ELSE WAS JUST A 536 00:30:24,222 --> 00:30:26,625 MAN'S BUSINESS SUIT, SO YOU DIDN'T REALLY COMMIT TO THE 537 00:30:26,625 --> 00:30:29,628 COSTUME. AND THEN YOU GOT VERY FRUSTRATED 538 00:30:29,628 --> 00:30:33,498 WITH YOUR EMPLOYEES BECAUSE THEY DIDN'T RECOGNIZE WHO YOU WERE. 539 00:30:33,498 --> 00:30:36,635 [ LAUGHTER ] >> Seth: IT WAS A LOT OF FUN, 540 00:30:36,635 --> 00:30:40,472 AND IT WAS ‐‐ A VERY NATURAL CONCLUSION AS TO WHAT TO WRITE 541 00:30:40,472 --> 00:30:44,176 FOR SETH MEYERS. I APPRECIATE ‐ 542 00:30:44,176 --> 00:30:48,013 >> IT WAS DEFINITELY ONE OF THOSE ONES WHERE WE WERE INTO 543 00:30:48,013 --> 00:30:52,284 THE SKETCH, AND WE'RE LIKE ‐‐ IN THE FIRST BLOCKING, I WAS LIKE, 544 00:30:52,284 --> 00:30:53,485 "GARY, I DON'T KNOW IF SETH WANTS TO DO THIS." 545 00:30:53,485 --> 00:30:55,454 [ LAUGHTER ] >> Seth: NO, NO. 546 00:30:55,454 --> 00:30:57,856 I SWEAR, I WAS ALL IN. [ LAUGHTER ] 547 00:30:57,856 --> 00:31:00,792 I WAS ALL IN IF ANYTHING ‐‐ 548 00:31:00,792 --> 00:31:03,528 >> I DON'T KNOW IF HE LIKES THIS 549 00:31:03,528 --> 00:31:04,763 >> Seth: I THINK YOU WERE UP AGAINST MY LIMITATIONS AS A 550 00:31:04,763 --> 00:31:08,500 PERFORMER IF ANYTHING. SO YOU ‐‐ YOU'RE A WRITER ON THE 551 00:31:08,500 --> 00:31:10,535 SHOW, BUT YOU ‐‐ I DIDN'T REALIZE THAT YOU HAD AUDITIONED. 552 00:31:10,535 --> 00:31:13,171 THAT'S HOW THEY ‐‐ THAT ‐‐ THEY BASICALLY FOUND YOU TO JOIN THE 553 00:31:13,171 --> 00:31:16,775 STAFF. WHAT DID YOU AUDITION WITH WHEN 554 00:31:16,775 --> 00:31:18,510 YOU ‐‐ >> JUST STAND‐UP 555 00:31:18,510 --> 00:31:22,114 THAT'S ALL I HAD SO I JUST WENT UP AND JUST DID 556 00:31:22,114 --> 00:31:25,183 MY JOKES WHICH WAS VERY NERVE‐WRACKING 557 00:31:25,183 --> 00:31:28,453 BECAUSE THAT'S SUCH A WEIRD SPACE TO DO JUST STRAIGHT COMEDY 558 00:31:28,453 --> 00:31:31,957 IN >> Seth: SURE. 559 00:31:31,957 --> 00:31:36,094 >> NOT THAT THERE'S WORSE SPACE TO DO ANYTHING IN BUT 560 00:31:36,094 --> 00:31:39,431 PARTICULARLY, LIKE, COMEDY BECAUSE EVERYONE IS JUST OFF IN 561 00:31:39,431 --> 00:31:41,833 A CORNER, LIKE, STARING AT YOU, YOU KNOW 562 00:31:41,833 --> 00:31:47,472 >> Seth: YEAH, IT'S DEFINITELY ONE OF THE HARDEST ROOMS I'VE 563 00:31:47,472 --> 00:31:49,341 EVER BEEN IN AND I CAN IMAGINE HOW IT WOULD BE PARTICULARLY 564 00:31:49,341 --> 00:31:50,542 TOUGH FOR STAND‐UP WHERE YOU'RE USED TO DOING IT FOR AN 565 00:31:50,542 --> 00:31:51,510 AUDIENCE >> YEAH, OR AT LEAST PEOPLE THAT 566 00:31:51,510 --> 00:31:54,379 ARE WILLING TO REACT LIKE GIVE YOU A REACTION 567 00:31:54,379 --> 00:31:55,747 [ LIGHT LAUGHTER ] >> Seth: IT'S A PRETTY CHILLY 568 00:31:55,747 --> 00:31:59,384 ROOM SO SAM, IT WAS INTERESTING 569 00:31:59,384 --> 00:32:03,221 BECAUSE, AGAIN I ‐‐ YOU KNOW, I MET YOU AT "SNL," AND BEING A 570 00:32:03,221 --> 00:32:07,058 WRITER AT SNL OFTENTIMES, YOU'RE TRYING TO FIGURE OUT, LIKE, 571 00:32:07,058 --> 00:32:10,429 WHAT'S THE VOICE I CAN WRITE FOR THIS HOST THIS WEEK OR HOW DO I 572 00:32:10,429 --> 00:32:13,098 FIND THE RIGHT THING FOR THIS PERSON TO SAY. 573 00:32:13,098 --> 00:32:16,568 AND I LOVED WATCHING YOUR SPECIAL BECAUSE OBVIOUSLY, THAT 574 00:32:16,568 --> 00:32:22,474 IS NATURALLY YOUR VOICE. YOU KNOW, IT WOULD HAVE BEEN 575 00:32:22,474 --> 00:32:26,178 NOTHING IN THAT SPECIAL WOULD HAVE WORKED IN ANYONE ELSE'S ‐‐ 576 00:32:26,178 --> 00:32:29,681 YOU KNOW, FOR ANYONE BUT YOU SO HOW ‐‐ WHAT IS THE DIFFERENCE 577 00:32:29,681 --> 00:32:31,082 LIKE WHEN YOU'RE TRYING TO WRITE FOR "SNL" AND WRITE FOR STAND‐UP 578 00:32:31,082 --> 00:32:34,186 AT THE SAME TIME >> I MEAN, I THINK IT'S JUST, 579 00:32:34,186 --> 00:32:38,757 YOU HAVE TO LEARN HOW TO WRITE FOR OTHER VOICES, REALLY, AND 580 00:32:38,757 --> 00:32:42,260 ALSO KIND OF LIKE START TO WATCH THE CAST AND REALLY FIGURE OUT 581 00:32:42,260 --> 00:32:45,096 WHAT THEY LIKE AND WHAT TYPE OF THINGS THEY REALLY THRIVE IN 582 00:32:45,096 --> 00:32:48,166 SO, IT'S WAY MORE COLLABORATIVE AND LIKE, STAND‐UP, WHICH IS 583 00:32:48,166 --> 00:32:49,568 ALL, LIKE, IN A CORNER BEING CYNICAL, YOU KNOW, WITH 584 00:32:49,568 --> 00:32:51,303 OURSELVES. >> Seth: YEAH. 585 00:32:51,303 --> 00:32:53,705 >> AND THEN, LIKE, IMPROV'S SO HAPPY. 586 00:32:53,705 --> 00:33:01,913 ONE, IT'S JUST SUCH A HAPPIER SPACE. 587 00:33:01,913 --> 00:33:08,153 AND SOMETIMES, THAT WAS DEFINITELY OFF‐PUTTING AT FIRST. 588 00:33:08,153 --> 00:33:11,223 I WAS JUST LIKE, "I DON'T GET WHY EVERYONE IS SO JOYOUS. 589 00:33:11,223 --> 00:33:15,460 AND THEN, IT'S ALSO JUST LEARNING HOW TO WRITE FOR FOUR 590 00:33:15,460 --> 00:33:18,196 AND FIVE DIFFERENT PEOPLE AND TRULY CAST A PIECE, AND CHOOSE 591 00:33:18,196 --> 00:33:19,898 THE RIGHT PEOPLE FOR THE RIGHT THINGS 592 00:33:19,898 --> 00:33:22,501 >> Seth: OF COURSE, THE NICE DIFFERENCE IS, I FEEL LIKE AFTER 593 00:33:22,501 --> 00:33:23,735 WATCHING YOUR SPECIAL, I HAVE A FAR BETTER SENSE OF WHO YOU ARE. 594 00:33:23,735 --> 00:33:24,870 I FEEL LIKE I KNOW YOU NOW, WHICH IS, YOU KNOW AGAIN, I 595 00:33:24,870 --> 00:33:25,737 THINK WHAT THE BEST STAND‐UP SPECIALS DO. 596 00:33:25,737 --> 00:33:26,538 YOU CALLED IT 3:00 IN THE MORNING. 597 00:33:26,538 --> 00:33:28,707 WHY DID YOU COME UP WITH THAT TITLE? 598 00:33:28,707 --> 00:33:29,908 >> I JUST REALLY FELT LIKE THAT'S WHERE THE SPECIAL GOT 599 00:33:29,908 --> 00:33:31,376 MADE I JUST FELT LIKE THAT'S WHEN I 600 00:33:31,376 --> 00:33:35,814 WAS UP AT THE CELLAR ARGUING WITH KEITH ROBINSON ABOUT, YOU 601 00:33:35,814 --> 00:33:38,116 KNOW, WHO'S BETTER, WHITNEY OR BEYONCE OR JUST HAVING SOME, 602 00:33:38,116 --> 00:33:42,587 LIKE, MINDLESS COMIC FIGHT THAT WOULD INFORM A JOKE OR AN IDEA 603 00:33:42,587 --> 00:33:45,757 OR IT WHEN IT WAS UP ‐‐ WHEN MY MIND WAS STEWING ON THINGS 604 00:33:45,757 --> 00:33:48,693 OR WHEN I WAS ARGUING WITH MY GIRL FOR BEING OUT TOO LATE AT 605 00:33:48,693 --> 00:33:51,229 THE CELLAR, YOU KNOW, SO IT JUST KIND OF FELT TO ME, LIKE THAT'S 606 00:33:51,229 --> 00:33:54,299 WHERE ALL THE SWEAT EQUITY HAPPENED 607 00:33:54,299 --> 00:33:57,569 AND I DIDN'T WANT TO CALL IT, LIKE, SHE'S UPSET OR SOMETHING, 608 00:33:57,569 --> 00:33:59,971 YOU KNOW >> Seth: RIGHT 609 00:33:59,971 --> 00:34:01,506 >> I WANTED TO THINK OF SOMETHING THAT FELT NATURAL AND 610 00:34:01,506 --> 00:34:05,877 GOOD AND REALLY EMBODIED WHAT THE SPECIAL WAS FOR ME 611 00:34:05,877 --> 00:34:07,846 >> Seth: IT ALSO ‐‐ YOU KNOW OBVIOUSLY I'M GONNA ASSUME YOU 612 00:34:07,846 --> 00:34:10,248 DIDN'T SHOOT IT AT 3:00 IN THE MORNING BUT IT REALLY HAS THIS 613 00:34:10,248 --> 00:34:13,285 NICE LOOK AND FEEL TO IT THAT I THINK CAPTURES THE IDEA OF THE 614 00:34:13,285 --> 00:34:16,154 KIND OF CONVERSATIONS AND KIND OF THINGS YOU SAY WHEN YOU'RE 615 00:34:16,154 --> 00:34:17,455 WITH A GROUP OF PEOPLE YOU FEEL COMFORTABLE WITH THAT LATE IN 616 00:34:17,455 --> 00:34:21,393 THE NIGHT. >> YEAH, THAT WAS ALSO, LIKE, 617 00:34:21,393 --> 00:34:23,461 I'M GLAD YOU PICKED THAT UP BECAUSE THAT WAS A PART OF MY 618 00:34:23,461 --> 00:34:24,763 GENIUS YOU KNOW WHAT I'M SAYING 619 00:34:24,763 --> 00:34:29,034 [ LAUGHTER ] BUT ‐‐ THAT WAS DEFINITELY, 620 00:34:29,034 --> 00:34:31,102 LIKE, SOMETHING THAT I WANTED PEOPLE TO FEEL 621 00:34:31,102 --> 00:34:34,940 I WANTED IT TO HAVE THAT OLD, LIKE RED FOX SPECIAL FEEL LIKE, 622 00:34:34,940 --> 00:34:37,008 THIS IS LATE NIGHT THING AND YOU'RE PROBABLY GOING TO HEAR 623 00:34:37,008 --> 00:34:40,845 SOME THINGS THAT YOU PROBABLY DON'T WANT TO BE PLAYING IN THE 624 00:34:40,845 --> 00:34:43,915 DAY. BUT LIKE, WE'RE UP, WE'RE 625 00:34:43,915 --> 00:34:45,216 DRINKING, AND IT'S GROWN FOLK TALK 626 00:34:45,216 --> 00:34:47,085 YOU KNOW WHAT I MEAN I JUST ‐‐ I DEFINITELY WANTED IT 627 00:34:47,085 --> 00:34:49,688 TO FEEL LIKE THAT. >> Seth: ONE OF THE COOL THINGS 628 00:34:49,688 --> 00:34:53,191 ABOUT "SNL" IS YOU GET TO WORK WITH YOUR HEROES, SOMETIMES ON 629 00:34:53,191 --> 00:34:56,027 THINGS THAT ARE SPECIFICALLY THE REASON THEY'RE YOUR HEROES 630 00:34:56,027 --> 00:34:58,330 I REMEMBER GETTING TO WORK ON "WAYNE'S WORLD" WITH MIKE MYERS 631 00:34:58,330 --> 00:35:01,433 AND DANA CARVEY AND PINCHING MYSELF THE WHOLE TIME. 632 00:35:01,433 --> 00:35:05,236 WHEN EDDIE MURPHY CAME BACK, YOU GOT TO WORK WITH HIM ON 633 00:35:05,236 --> 00:35:07,205 VELVET JONES WHAT WAS THAT LIKE 634 00:35:07,205 --> 00:35:08,974 >> IT WAS SURREAL, BECAUSE IT DEFINITELY WAS ONE OF THOSE 635 00:35:08,974 --> 00:35:11,876 RELATIONSHIPS WHERE I USED TO WATCH THE BEST OF EDDIE MURPHY 636 00:35:11,876 --> 00:35:15,513 "SNL" TAPE EVERY DAY FOR LIKE A WHOLE SUMMER, AND I WOULD JUST 637 00:35:15,513 --> 00:35:19,017 WATCH THOSE SKETCHES OVER AND OVER AND VELVET JONES WAS 638 00:35:19,017 --> 00:35:22,821 DEFINITELY ONE THAT STOOD OUT TO ME AND ALWAYS MADE ME LAUGH. 639 00:35:22,821 --> 00:35:27,192 SO WHEN I GOT ‐‐ WHEN I WAS ABLE TO DO THAT AND LIKE, THE 640 00:35:27,192 --> 00:35:31,129 ORIGINAL WRITERS THAT CAME WITH EDDIE TO, YOU KNOW, HELP HIM 641 00:35:31,129 --> 00:35:33,565 THAT WEEK AND WHEN THEY WERE EVEN LIKE, YEAH, THIS IS SUPER 642 00:35:33,565 --> 00:35:35,967 FUNNY. IT JUST FELT LIKE A WEIRD 643 00:35:35,967 --> 00:35:38,670 VALIDATION OF LIKE, "OH, I'M LIKE A GOOD SUPER FAN. 644 00:35:38,670 --> 00:35:43,808 [ LAUGHTER ] >> Seth: YEAH, ABSOLUTELY. 645 00:35:43,808 --> 00:35:46,878 WHEN YOU REALIZED, LOOK, YOU KNOW I'M A FAN, BUT AT LEAST I'M 646 00:35:46,878 --> 00:35:48,179 THE RIGHT KIND OF FAN BECAUSE I UNDERSTOOD WHAT WAS FUNNY ABOUT 647 00:35:48,179 --> 00:35:49,381 YOU. >> YEAH, EXACTLY 648 00:35:49,381 --> 00:35:51,449 AND SO THAT FELT ‐‐ THAT FELT AMAZING. 649 00:35:51,449 --> 00:35:56,154 >> Seth: IT WAS SUCH A FANTASTIC WEEK TO WATCH BECAUSE IT'S WEIRD 650 00:35:56,154 --> 00:35:59,124 HOW I JUST FORGOT THE BEST THING ABOUT EDDIE IS THAT ALL HIS 651 00:35:59,124 --> 00:36:01,960 CHARACTERS ARE IN A GOOD MOOD. THEY'RE JUST ALL HAPPY 652 00:36:01,960 --> 00:36:05,664 >> YEAH. >> Seth: AND THEN YOU'RE JUST ‐‐ 653 00:36:05,664 --> 00:36:08,333 IT'S JUST SO CONTAGIOUS TO WATCH HIM. 654 00:36:08,333 --> 00:36:10,602 >> YEAH, AND IT WAS CRAZY TO, LIKE, WATCH HIM GET HIS FEET 655 00:36:10,602 --> 00:36:12,671 UNDER HIM. YOU KNOW, YOU COULD TELL WHEN HE 656 00:36:12,671 --> 00:36:14,839 WAS FIRST WALKING AROUND, IT WAS LIKE, THIS IS FAMILIAR SPACE BUT 657 00:36:14,839 --> 00:36:18,677 UNFAMILIAR SPACE, YOU KNOW WHAT I MEAN 658 00:36:18,677 --> 00:36:20,945 AND THEN BY LIKE, FRIDAY, YOU'RE IN BLOCKING AND YOU'RE LIKE, OH 659 00:36:20,945 --> 00:36:25,116 NO, HE'S FULL EDDIE MURPHY HE'S IN IT AGAIN AND IT WAS KIND 660 00:36:25,116 --> 00:36:26,985 OF COOL TO JUST WATCH HIM GET HIS LEGS BACK UNDER HIM AND GET 661 00:36:26,985 --> 00:36:29,187 TO RUNNING IT WAS GREAT 662 00:36:29,187 --> 00:36:30,588 >> Seth: YOU TALK ABOUT YOUR GIRLFRIEND A FAIR AMOUNT IN THE 663 00:36:30,588 --> 00:36:34,092 SPECIAL AND YOU ALSO GIVE HER A SPECIAL THANKS AND YOU REFERENCE 664 00:36:34,092 --> 00:36:36,828 A PURPLE COUCH CAN YOU GIVE US THE BACKGROUND 665 00:36:36,828 --> 00:36:39,798 OF THE PURPLE COUCH? >> YEAH, WELL, WHEN I FIRST WAS 666 00:36:39,798 --> 00:36:42,967 WITH MY GIRLFRIEND, SHE WAS LIKE, SHE HAD A BUSINESS AND 667 00:36:42,967 --> 00:36:46,337 STUFF, SO SHE RAN HER OWN BUSINESS ON AUBURN AVE IN 668 00:36:46,337 --> 00:36:51,142 ATLANTA. AND SHE WAS THE FIRST 669 00:36:51,142 --> 00:36:52,444 PROFESSIONAL GIRL I HAD EVER DATED AND I WAS LIKE KIND OF A 670 00:36:52,444 --> 00:36:56,381 SUPER BUM. AND LIKE, I WORKED AT A 671 00:36:56,381 --> 00:36:58,917 STARBUCKS AND I DIDN'T EVEN HAVE MONEY TO BUY HER PIZZA ON OUR 672 00:36:58,917 --> 00:37:02,087 FIRST DATE IT WAS SUPER EMBARRASSING AND 673 00:37:02,087 --> 00:37:06,458 ALL OF THAT. BUT SHE WAS LIKE, THE FIRST GIRL 674 00:37:06,458 --> 00:37:08,760 THAT I EVER HAD TO CALL A ‐‐ A DOORMAN HAD TO CALL UP TO LET ME 675 00:37:08,760 --> 00:37:12,797 UP ‐‐ THAT KIND OF JAZZ. AND SHE HAD THIS VERY 676 00:37:12,797 --> 00:37:15,667 UNCOMFORTABLE PURPLE COUCH IN HER APARTMENT THAT SHE HAD 677 00:37:15,667 --> 00:37:18,470 PURELY FOR VANITY AND NOT FOR COMFORT IN ANY WAY 678 00:37:18,470 --> 00:37:21,873 [ LAUGHTER ] AND ONE NIGHT, WE WERE SITTING 679 00:37:21,873 --> 00:37:23,508 ON IT AND SHE JUST KIND ASKED ME WHAT I WANTED TO DO WITH MY 680 00:37:23,508 --> 00:37:26,111 LIFE SHE WAS LIKE, I JUST DON'T FEEL 681 00:37:26,111 --> 00:37:27,979 LIKE THIS IS WHAT YOU WANT TO BE 682 00:37:27,979 --> 00:37:30,281 AND YOU KNOW, WHAT IS IT THAT YOU REALLY WANT AND I TOLD HER 683 00:37:30,281 --> 00:37:35,186 THAT I WANTED TO BE A COMEDIAN AND SHE ASKED ME WHY I JUST 684 00:37:35,186 --> 00:37:37,388 DON'T GO DO IT AND I TOLD HER BECAUSE I WAS AFRAID 685 00:37:37,388 --> 00:37:40,024 SO SHE WAS THE FIRST PERSON THAT I WAS VULNERABLE ABOUT MY DREAMS 686 00:37:40,024 --> 00:37:45,463 WITH IN THAT WAY AND TO THEN BE ABLE TO SHARE 687 00:37:45,463 --> 00:37:49,067 DOING A SPECIAL WITH HER, IT WAS JUST SUCH A FULL CIRCLE, LIKE, 688 00:37:49,067 --> 00:37:53,004 REALLY, TOUCHING MOMENT FOR US >> Seth: THAT'S REALLY COOL. 689 00:37:53,004 --> 00:37:54,973 IT'S ALSO, I MEAN, I COULD SAY THE SAME ABOUT HOW SUPPORTIVE MY 690 00:37:54,973 --> 00:37:58,042 WIFE HAS BEEN. OF COURSE, THE PRICE THEY PAY 691 00:37:58,042 --> 00:38:00,445 FOR BEING WITH COMEDIANS, AS WE TALK ABOUT THEM A GREAT DEAL 692 00:38:00,445 --> 00:38:03,081 WHEN WE GET ON STAGE DOES SHE SIGN OFF ON THE THINGS 693 00:38:03,081 --> 00:38:06,584 YOU TALK ABOUT >> YEAH, FOR SURE. 694 00:38:06,584 --> 00:38:08,787 LIKE, I ALWAYS RUN THINGS BY HER. 695 00:38:08,787 --> 00:38:10,822 EVEN IF I GET UP AND I JUST SAY IT WITHOUT HER KNOWING 696 00:38:10,822 --> 00:38:13,358 BEFOREHAND, AS SOON AS I GET OFF STAGE, I'M LIKE, WERE YOU COOL 697 00:38:13,358 --> 00:38:15,794 WITH THAT? WOULD YOU RATHER I NEVER SAID 698 00:38:15,794 --> 00:38:19,731 THAT AGAIN YOU KNOW, I'M VERY, LIKE, 699 00:38:19,731 --> 00:38:22,233 PARTICULAR ABOUT CHECKING IN WITH HER BECAUSE I LIVE WITH HER 700 00:38:22,233 --> 00:38:23,968 AND I ‐‐ >> Seth: YEAH. 701 00:38:23,968 --> 00:38:28,873 >> NEXT TO HER, SO I SHOULD WANT TO MAKE SURE THAT SHE'S GOOD 702 00:38:28,873 --> 00:38:30,308 >> Seth: THAT'S A VERY, YOU'RE PLAYING IT VERY WISELY 703 00:38:30,308 --> 00:38:35,547 LATELY I FEEL LIKE THE BEST THING TO DO IS SAY, LIKE, HEY, 704 00:38:35,547 --> 00:38:38,283 HERE'S WHAT I WANT MY SPECIAL TO BE 705 00:38:38,283 --> 00:38:41,019 YOU CAN VETO THREE JOKES AND I FEEL LIKE YOU TRY TO HAVE AT 706 00:38:41,019 --> 00:38:45,056 LEAST 20 IN ABOUT THEM, THEN THREE IS A VERY FAIR TRADE‐OFF 707 00:38:45,056 --> 00:38:47,992 >> YEAH. PLUS, WITH MY GIRL, LIKE, SHE 708 00:38:47,992 --> 00:38:50,094 LIKES FOR ME TO TALK ABOUT HER A LITTLE BIT 709 00:38:50,094 --> 00:38:51,830 YOU KNOW WHAT I MEAN >> Seth: SURE, YEAH. 710 00:38:51,830 --> 00:38:54,499 >> SO SHE'S LIKE, YEAH THAT'S ‐‐ SHE'S KIND OF INTO IT, DEPENDING 711 00:38:54,499 --> 00:38:58,369 ON WHAT I SAY. >> Seth: WELL, THAT WOULD, I 712 00:38:58,369 --> 00:39:02,774 REMEMBER SAYING TO MY WIFE, WHAT ELSE DO YOU WANT ME TO TELL 713 00:39:02,774 --> 00:39:04,509 JOKES ABOUT? I LITERALLY SPEND MORE TIME WITH 714 00:39:04,509 --> 00:39:05,944 YOU THAN ANYONE. >> RIGHT, I DON'T HAVE ANY OTHER 715 00:39:05,944 --> 00:39:08,646 OPTIONS. SOMETIMES IT FEELS BAD, LIKE 716 00:39:08,646 --> 00:39:10,748 YOU'RE MINING YOUR PARTNER, BUT IT'S LIKE, I'M WITH YOU ALL THE 717 00:39:10,748 --> 00:39:12,050 TIME SO, LIKE, I DON'T KNOW WHAT ELSE 718 00:39:12,050 --> 00:39:16,187 TO DO. >> Seth: I THINK WE'RE BOTH VERY 719 00:39:16,187 --> 00:39:18,623 LUCKY TO HAVE UNDERSTANDING PARTNERS IN THAT REGARD. 720 00:39:18,623 --> 00:39:21,559 >> SURE. >> Seth: HEY, CONGRATS AGAIN ON 721 00:39:21,559 --> 00:39:24,195 THE SPECIAL AND IT'S REALLY NICE TO SEE YOU SAM AND HOPEFULLY, 722 00:39:24,195 --> 00:39:26,397 ONE OF THESE DAYS, I'LL BUMP TO YOU IN 30 ROCK AGAIN 723 00:39:26,397 --> 00:39:30,201 >> YEAH, AND MAYBE THIS HALLOWEEN YOU'LL BE CARDI B. 724 00:39:30,201 --> 00:39:34,138 [ LAUGHTER ] >> Seth: I GOT THE WIG 725 00:39:34,138 --> 00:39:36,541 [ LAUGHTER ] THANKS, THANKS, SAM. 726 00:39:36,541 --> 00:39:38,710 >> THANKS. >> Seth: WE'LL BE RIGHT BACK 727 00:39:38,710 --> 00:39:39,228 WITH MORE "LATE NIGHT. ♪ 728 00:40:01,032 --> 00:40:02,333 >> Seth: I WANT TO THANK JEFF GOLDBLUM, ANNIE MURPHY AND 729 00:40:02,333 --> 00:40:04,269 SAM JAY. I WANT TO THANK FRED ARMISEN AND 730 00:40:04,269 --> 00:40:07,639 THE 8G BAND. STAY TUNED FOR LILLY SINGH 731 00:40:07,639 --> 00:40:09,073 STAY SAFE. WASH YOUR HANDS. 732 00:40:09,073 --> 00:40:13,878 WEAR A MASK, WE LOVE YOU ♪ 733 00:40:13,878 --> 00:40:54,886 ♪ 65685

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