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>>> FROM ROCKEFELLER CENTER IN
THE HEART OF NEW YORK CITY,
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00:00:18,881 --> 00:00:23,185
IT'S "THE TONIGHT SHOW STARRING
JIMMY FALLON."
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TONIGHT JOIN JIMMY AND HIS
GUESTS, SETH MEYERS, DAVID
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00:00:24,253 --> 00:00:25,387
BLAINE, MUSICAL GUEST, BURNA
BOY AND FEATURING THE LEGEND
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DAY ROOTS CREW
AND NOW HERE IS YOUR HOST,
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JIMMY FALLON
♪
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>> HI, EVERYONE.
THANK YOU VERY MUCH FOR TUNING
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IN
WELCOME TO THE TONIGHT SHOW.
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00:00:57,982 --> 00:01:01,252
MY NAME IS JIMMY FALLON AND
THERE'S THE ROOTS RIGHT THERE.
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00:01:01,252 --> 00:01:03,754
ALWAYS GOOD TO SEE THE ROOTS
LET'S GET TO THE NEWS AND
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00:01:03,754 --> 00:01:06,657
JOKES.
WELL, GUYS, THIS MORNING
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PRESIDENT TRUMP CALLED INTO FOX
BUSINESS AND SPENT THE MAJORITY
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00:01:07,959 --> 00:01:13,064
OF THE INTERVIEW ATTACKING
DIFFERENT WOMEN.
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00:01:13,064 --> 00:01:14,599
LISTEN TO THIS
>> WHAT IS YOUR REACTION TO
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KAMALA HARRIS?
>> NOW YOU HAVE SORT OF A MAD
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WOMAN, WITH HER.
AOC WAS A POOR STUDENT
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THIS IS NOT EVEN A SMART
STUDENT.
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SHE GOES OUT AND YAPS.
NANCY PELOSI IS STONE COLD
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CRAZY.
>> MAN
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LOOKS LIKE SOMEONE WOKE UP ON
THE WRONG SIDE OF THE MY
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PILLOW
MAD WOMAN, NOT SMART AND STONE
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00:01:36,988 --> 00:01:39,890
COLD CRAZY
YEAH
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HE'S TOUGH ON THE PHONE, BUT IF
YOU REALLY HAD GUTS, HE WOULD
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SAY ALL OF THAT ON "THE VIEW."
JUST TO DROP A CHERRY ON TOP OF
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THE MISOGYNY SUNDAY, TRUMP ALSO
SENT A TWEET CALLING "MORNING
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JOE'S" MIKA BRZEZINSKI A DITSY
AIR HEAD
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SERIOUSLY?
IF YOU HAD A CO‐WORKER WHO CAME
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00:01:56,874 --> 00:01:58,075
IN AND SAID THAT KIND OF STUFF
ABOUT WOMEN, THEY WOULDN'T BE
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00:01:58,075 --> 00:02:02,046
YOUR CO‐WORKER BY THE END OF
THE DAY.
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00:02:02,046 --> 00:02:03,014
IT'S LIKE, I'M JUST GOING TO
GET MY COAT.
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00:02:03,014 --> 00:02:06,884
SEE MYSELF OUT
AT THIS POINT OUR BEST SHOT AT
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00:02:06,884 --> 00:02:07,985
TRUMP ATTACKING COVID IS
SOMEONE TELLING HIM THE VIRUS
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00:02:07,985 --> 00:02:16,227
OVULATES
[ LAUGHTER ]
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>> IF THE ELECTION DOESN'T WORK
OUT, TRUMP CAN ALWAYS GET A JOB
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AS THE WORST HALLMARK CARD
WRITER EVER.
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HAPPY VALENTINE'S DAY TO MY
SUBURBAN HOUSEWIFE
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PLEASE DON'T BECOME A COLD
STONE, CRAZY, DITSY MAD WOMAN
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WHO GOES OUT AND YAPS.
RIGHT NOW AOC IS LIKE, I DOUBLE
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MAJORED IN ECONOMICS AND
INTERNATIONAL RELATIONS.
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00:02:33,177 --> 00:02:40,518
YOU DOUBLE MIDDLE‐AGED IN
ELEPHANTS AND LUNCH.
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00:02:40,518 --> 00:02:41,552
[ LAUGHTER ]
>> DESPITE ALL THAT, THE
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00:02:41,552 --> 00:02:42,687
PRESIDENT'S CAMPAIGN NOW HAS A
A WOMEN FOR TRUMP BUS THAT
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00:02:42,687 --> 00:02:47,324
TRAVELS THE COUNTRY.
LOOK AT THIS THING
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FUN FACT, THAT'S ACTUALLY THE
OLD ACCESS HOLLYWOOD BUS WITH
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00:02:48,526 --> 00:02:56,534
A NEW PAINT JOB.
MEANWHILE THE WIENERMOBILE SAW
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00:02:56,534 --> 00:03:02,940
THAT AND SAID, WELL, HELLO
ALSO IN HIS INTERVIEW TRUMP
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00:03:02,940 --> 00:03:04,108
DISCUSSED HOW DEMOCRATS WANT
FUNDING FOR THE POSTAL SERVICE
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00:03:04,108 --> 00:03:07,178
AND HE SAID SOMETHING KIND OF
ALARMING
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00:03:07,178 --> 00:03:09,480
LISTEN TO THIS
>> THEY WANT $25 BILLION,
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BILLION, FOR THE POST OFFICE
NOW THEY NEED THAT MONEY IN
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ORDER TO HAVE THE POST OFFICE
WORK SO IT CAN TAKE ALL OF
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00:03:14,719 --> 00:03:19,023
THESE MILLIONS AND MILLIONS OF
BALLOTS.
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00:03:19,023 --> 00:03:20,891
IF WE DON'T MAKE A DEAL, THAT
MEANS THEY DON'T GET THE MONEY
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00:03:20,891 --> 00:03:22,393
THAT MEANS THEY CAN'T HAVE
UNIVERSAL MAIL‐VOTING.
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THEY JUST CAN'T HAVE IT.
>> OKAY.
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HE JUST ADMITTED THAT HE'S NOT
AGREEING TO A DEAL TO FUND THE
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00:03:29,800 --> 00:03:31,001
POSTAL SERVICE BECAUSE HE
DOESN'T WANT MAIL‐IN VOTING TO
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00:03:31,001 --> 00:03:36,807
BE POSSIBLE FOR THE ELECTION
TRUMP IS LIKE ONE OF THOSE
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00:03:36,807 --> 00:03:37,975
MOVIE VILLAINS WHO SPENDS SO
MUCH TIME EXPLAINING HIS PLAN
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00:03:37,975 --> 00:03:39,076
OUTLOUD THAT THE GOOD GUY
MANAGES TO SHIMMY OUT OF HIS
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00:03:39,076 --> 00:03:44,315
HANDCUFFS.
FIRST, I'M GOING TO TAKE YOUR
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BODY, AND I'M GOING TO PUT YOU
IN THE PA RAN IN A TANK.
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THEN I'M GOING TO GET A BUZZ
SAW AND IT'S GOING TO COME ‐‐
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HE'S GONE.
[ LAUGHTER ]
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>> POSTAL WORKERS WERE LIKE HOW
MUCH LESS FUNDING CAN YOU GIVE
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00:03:57,394 --> 00:04:00,097
US
WE DON'T EVEN HAVE PANTS
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00:04:00,097 --> 00:04:04,335
[ LAUGHTER ]
>> NO ONE IS HAPPY ABOUT THIS.
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00:04:04,335 --> 00:04:05,569
MILLIONS OF AMERICANS WROTE
TRUMP ANGRY LETTERS ABOUT IT
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00:04:05,569 --> 00:04:11,776
BUT HE WAS LIKE, WEIRD, I
DIDN'T GET ANYTHING.
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00:04:11,776 --> 00:04:13,043
BUT THIS IS NICE WHEN HE FOUND
OUT TRUMP WAS MEDDLING IN THE
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00:04:13,043 --> 00:04:16,914
ELECTION HIMSELF
PUTIN WAS LIKE, THEY GROW UP SO
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00:04:16,914 --> 00:04:22,019
FAST
SPEAKING OF THE ELECTION AFTER
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00:04:22,019 --> 00:04:23,587
JOE BIDEN ANNOUNCED THAT KAMALA
HARRIS WAS HIS VP PICK, THE
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00:04:23,587 --> 00:04:28,659
TRUMP CAMPAIGN WAS QUICK TO
RELEASE AN OFFICIAL STATEMENT.
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00:04:28,659 --> 00:04:29,927
IT SEEMS LIKE THEY CAN'T MAKE
UP THEIR MIND ON HOW TO
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00:04:29,927 --> 00:04:32,563
CRITICIZE HER.
CHECK OUT THIS AD.
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00:04:32,563 --> 00:04:33,697
>> HEY, PROGRESSIVES, DO YOU
REALLY WANT KAMALA TOUGH ON
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00:04:33,697 --> 00:04:39,003
CRIME HARRIS AS YOUR VP?
WE DIDN'T THINK SO
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00:04:39,003 --> 00:04:40,137
AND, HEY, MODERATES, DO YOU
REALLY WANT KAMALA NOT TOUGH
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00:04:40,137 --> 00:04:44,041
ENOUGH ON CRIME HARRIS AS YOUR
VP
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00:04:44,041 --> 00:04:48,179
WE DIDN'T THINK SO EITHER.
LOOK, HERE'S THE TRUTH
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00:04:48,179 --> 00:04:50,047
KAMALA HARRIS IS A RADICAL
SORRY IF THAT TRIGGERS YOU
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00:04:50,047 --> 00:04:51,081
BUT AT THE VERY SAME TIME,
SHE'S NOT NEARLY RADICAL
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00:04:51,081 --> 00:04:55,186
ENOUGH
DOUBLE TRIGGERED MUCH?
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00:04:55,186 --> 00:04:56,387
KAMALA LOVES UNICORNS BUT SHE
HATES HORSES WITH HORNING
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00:04:56,387 --> 00:04:59,790
GROWING OUT OF THEIR HEAD.
SHE THINKS KITTENS ARE CUTE BUT
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00:04:59,790 --> 00:05:03,494
SHE THINKS THAT BABY CATS ARE
OVERRATED.
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00:05:03,494 --> 00:05:05,129
SHE'S THE YIN AND YANG
SHE'S ANTI AND PRO SHE IS
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00:05:05,129 --> 00:05:11,569
BORING AND SHE'S TOO SPICY
BOTTOM LINE, KAMALA HARRIS IS
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00:05:11,569 --> 00:05:12,570
TOO EXTREME AND/OR NOT EXTREME
ENOUGH
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00:05:12,570 --> 00:05:16,841
THIS AD BROUGHT TO YOU BY THE
TRUMP CAMPAIGN FOR
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00:05:16,841 --> 00:05:22,947
NONSELF‐CONFLICTING MESSAGES
>> HARD TO UNDERSTAND.
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00:05:22,947 --> 00:05:24,248
EVEN THOUGH TRUMP SPENDING HIS
TIME CALLING INTO FOX, I'M SURE
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00:05:24,248 --> 00:05:25,449
HIS ADMINISTRATION IS FOCUSED
ON THE IMPORTANT ISSUES FACING
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00:05:25,449 --> 00:05:30,387
OUR NATION, RIGHT?
>> THE TRUMP ADMINISTRATION
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WANTS TO CHANGE THE DEFINITION
OF A SHOWER HEAD TO LET MORE
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00:05:31,555 --> 00:05:35,993
WATER FLOW
PRESIDENT TRUMP TALKED ABOUT
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00:05:35,993 --> 00:05:37,161
THE NEED TO KEEP HIS HAIR
PERFECT AND COMPLAINED MULTIPLE
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00:05:37,161 --> 00:05:42,399
TIMES THAT HE WAS NOT GETTING
WET ENOUGH
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[ LAUGHTER ]
>> WOW
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FIRST OF ALL, I JUST WANT TO
APOLOGIZE FOR MAKING EVERYONE
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PICTURE TRUMP IN THE SHOWER.
EVEN MORE UPSETTING, HE TOOK
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00:05:55,546 --> 00:06:02,519
OUR TOP SCIENTISTS OFF VACCINE
RESEARCH AND PUT THEM ON THIS.
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00:06:02,519 --> 00:06:06,390
NOT GETTING WET ENOUGH IN THE
SHOWER
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00:06:06,390 --> 00:06:07,691
MEANWHILE, AMERICANS WERE LIKE,
SHOWER HEADS, WE HAVEN'T BATHED
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00:06:07,691 --> 00:06:11,695
IN FIVE MONTHS
LET'S GET TO SOME BUSINESS NEWS
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00:06:11,695 --> 00:06:13,564
AS MOVIE THEATERS ACROSS THE
COUNTRY ATTEMPT TO REOPEN.
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00:06:13,564 --> 00:06:15,299
AMC HAS COME UP WITH A WAY TO
BRING CUSTOMERS BACK
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00:06:15,299 --> 00:06:19,570
LISTEN TO THIS
>> AMC HAS ANNOUNCED IT'S
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00:06:19,570 --> 00:06:20,671
REOPENING ITS THEATERS NEXT
WEEK AND TICKETS WILL BE
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00:06:20,671 --> 00:06:31,482
15 CENTS ON REOPENING DAY.
>> FOR 15 CENTS YOU CAN SPEND
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00:06:31,482 --> 00:06:34,652
TWO HOURS IN FULL PANIC
WONDERING IF IT WAS WORTH IT
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00:06:34,652 --> 00:06:43,294
[ LAUGHTER ]
>> AM I DOING THIS
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>> A DIME AND A NICKEL
>> OLD PEOPLE ARE LIKE, WE'RE
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00:06:47,831 --> 00:06:53,570
GOING TO GO TO THE MATINEE
BECAUSE IT ONLY COSTS A DIME
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00:06:53,570 --> 00:06:56,740
>> THE NICKELODEON
>> THAT'S EXACTLY WHAT IT IS
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IS THIS WORTH IT
ALL IT TAKES IS ONE PERSON TO
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00:07:00,678 --> 00:07:03,080
GO ‐‐ I'M OUT.
OKAY
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00:07:03,080 --> 00:07:04,481
I'M GOOD
I'M GOOD
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00:07:04,481 --> 00:07:07,518
WHAT AM I DOING?
MORE SERIOUS NEWS, PRINGLES IS
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00:07:07,518 --> 00:07:16,193
NOW ‐‐
[ LAUGHTER ]
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00:07:16,193 --> 00:07:17,294
>> PRINGLES IS NOW SELLING A
A CHIP THAT TASTES LIKE
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00:07:17,294 --> 00:07:18,395
A WENDY'S BACONATER AND THEY
WANT PEOPLE TO DIP THEM IN
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00:07:18,395 --> 00:07:26,904
THEIR FROSTIES
THEY'RE ACTUALLY TRYING OUT
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00:07:26,904 --> 00:07:28,973
SOME NEW SLOGANS
FIRST THERE'S A PERSONAL
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00:07:28,973 --> 00:07:30,507
PANDEMIC FOR YOUR INSIDES.
NEXT THERE'S HONESTLY IT'S
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PROBABLY SAFER TO SWALLOW THE
CAN.
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00:07:41,652 --> 00:07:42,886
THEN THERE'S THEY DON'T EXPIRE
BECAUSE THEY WERE NEVER OKAY TO
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00:07:42,886 --> 00:07:47,291
BEGIN WITH
NEXT THERE'S JUST TRY NOT TO
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00:07:47,291 --> 00:07:48,425
THINK ABOUT HOW WEIRD OF A
A COUPLE MR. PRINGLE AND WENDY
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00:07:48,425 --> 00:07:52,796
ARE.
AND FINALLY, ONCE YOU POP, YOUR
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HEART WILL STOP.
JUST BE CAREFUL WHEN YOU'RE ‐‐
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FINALLY THIS IS GOING VIRAL.
THIS SKINNY HOUSE IN ILLINOIS
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WAS SOLD FOR $260,000.
CHECK THIS THING OUT
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00:08:05,609 --> 00:08:08,979
LOOK AT THIS
LOOK AT THAT
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00:08:08,979 --> 00:08:10,748
SEE IT AGAIN
PUT IT UP AGAIN.
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00:08:10,748 --> 00:08:14,685
YEAH
IT'S A SKINNY HOUSE.
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00:08:14,685 --> 00:08:17,087
YEAH
WHEN YOU PUT YOUR MOUTH THROUGH
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00:08:17,087 --> 00:08:18,188
THE FRONT SLOT IT JUST FLIES
OUT THE BACK
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00:08:18,188 --> 00:08:21,291
THAT HOUSE IS THE ONLY THING IN
AMERICA THAT STAYED SKINNY
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00:08:21,291 --> 00:08:24,194
DURING QUARANTINE.
RIGHT NOW EVERY OTHER HOUSE ON
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THE BLOCK IS LIKE, WAIT, AM I
FAT?
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00:08:25,062 --> 00:08:30,134
YEAH, THE SIZE OF THE HOUSE
JUST THREE FEET WIDE WHERE AS
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00:08:30,134 --> 00:08:35,773
NEW YORKERS CALL THAT A PALACE
WE HAVE A GREAT SHOW FOR YOU
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00:08:35,773 --> 00:08:36,874
TONIGHT.
FROM LATE NIGHT WITH SETH
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00:08:36,874 --> 00:08:38,842
MEYERS, SETH MEYERS IS HERE
TONIGHT.
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00:08:38,842 --> 00:08:45,816
PLUS HE JUST ANNOUNCED HIS
FIRST LIVE EVENT IN NEARLY A
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00:08:45,816 --> 00:08:52,156
A DECADE, DAVID BLAINE IS HERE
I CAN'T ‐‐ WAIT UNTIL YOU SEE.
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I CAN'T EVEN ‐‐ I CAN'T EVEN
TALK ABOUT IT.
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00:08:56,760 --> 00:08:57,861
IN THE SPECIAL, HE'S GOING
TO ‐
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00:08:57,861 --> 00:08:59,063
HE WANTS TO FLY AWAY IN A HOT
AIR ‐‐ HOLDING BALLOONS LIKE
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00:08:59,063 --> 00:09:04,635
UP
>> YEAH.
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00:09:04,635 --> 00:09:05,769
>> HE'S GOING TO SEE IF HE CAN
PULL THAT OFF, WEATHER
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00:09:05,769 --> 00:09:07,304
PERMITTING
WHAT HE DOES ON THE SHOW
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00:09:07,304 --> 00:09:11,942
TONIGHT IS ‐‐ IT'S JUST ‐‐ I
DON'T KNOW
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00:09:11,942 --> 00:09:14,578
REMEMBER LAST NIGHT YOU ‐‐
>> THREW UP?
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00:09:14,578 --> 00:09:15,779
>> YES, THREW UP
THIS WILL ‐‐
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00:09:15,779 --> 00:09:17,314
>> TOP THAT?
>> YEAH, YOU'LL FEEL LIKE
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00:09:17,314 --> 00:09:18,515
YOU'RE RIGHT AT HOME WATCHING
THE SAME ‐‐ IT'S HONESTLY ‐‐
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00:09:18,515 --> 00:09:27,091
HE'S UN ‐‐ HE'S UNBELIEVABLE
THE GUY.
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00:09:27,091 --> 00:09:29,026
>> HIS MAGIC IS REAL
>> HIS MAGIC IS REAL
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00:09:29,026 --> 00:09:31,095
AND WE HAVE GREAT MUSIC FROM
BURN A BOY, EVERYBODY.
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00:09:31,095 --> 00:09:34,798
RIGHT NOW, LET'S GIVE IT UP FOR
THE BOOKS.
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00:09:34,798 --> 00:09:48,579
♪
>> IT'S THE END OF THE WEEK AND
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00:09:48,579 --> 00:09:50,447
THAT'S WHEN I CATCH UP WITH
PERSONAL STUFF
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00:09:50,447 --> 00:09:55,018
CHECK MY INBOX, RETURN EMAILS
AND SEND OUT THANK YOU NOTES
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00:09:55,018 --> 00:09:58,622
I WOULD LIKE TO WRITE SOME
THANK YOU NOTES RIGHT NOW, I
168
00:09:58,622 --> 00:10:01,391
HOPE THAT'S COOL WITH YOU GUYS
CAN I GET SOME THANK YOU NOTE
169
00:10:01,391 --> 00:10:11,869
WRITING MUSIC, PLEASE?
♪
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00:10:11,869 --> 00:10:13,070
>> THANK YOU, KAMALA HARRIS,
FOR BEING HALF‐JAMAICAN AND
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00:10:13,070 --> 00:10:25,616
HALF‐INDIAN WHEREAS MIKE PENCE
IS JUST HALF AND HALF.
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00:10:25,616 --> 00:10:27,951
♪
>> THANK YOU, JOE BIDEN, FOR
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00:10:27,951 --> 00:10:29,153
ALWAYS LOOKING LIKE YOU JUST
CAME FROM A TOP GUN AUDITION
174
00:10:29,153 --> 00:10:40,931
YOU THINK YOU TOTALLY NAILED
NAILED IT.
175
00:10:40,931 --> 00:10:43,133
♪
>> THANK YOU, WOMEN FOR TRUMP
176
00:10:43,133 --> 00:10:44,234
BUS, FOR LOOKING LIKE AN
OPTIONAL ACCESSORY YOU CAN BUY
177
00:10:44,234 --> 00:10:56,346
FOR ALT‐RIGHT BLOGGER BARBIE
♪
178
00:10:56,346 --> 00:10:58,749
>> THANK YOU, SHARK WEEK IN
2020, FOR MANAGING TO MAKE TV
179
00:10:58,749 --> 00:10:59,816
SHOWS ABOUT DEADLY SHARK
ATTACKS FEEL LIKE A RELAXING
180
00:10:59,816 --> 00:11:11,094
ESCAPE
♪
181
00:11:11,094 --> 00:11:12,196
>> THANK YOU, STUDY THAT FOUND
THAT McDONALDS PACKAGING
182
00:11:12,196 --> 00:11:15,599
CONTAINS TOXIC CHEMICALS
OR AS THEIR HAMBURGERS CALL IT,
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00:11:15,599 --> 00:11:25,976
TWIN SEES.
TWINSIES
184
00:11:25,976 --> 00:11:27,844
♪
>> THANK YOU, BELUGA WHALE,
185
00:11:27,844 --> 00:11:29,079
BEING RESCUED THIS WEEK FOR
LOOKING LIKE YOUR DRUNK FRIEND
186
00:11:29,079 --> 00:11:34,918
AT THE PARTY WHO NEEDED HELP
GETTING HIS JACKET ON.
187
00:11:34,918 --> 00:11:38,989
THERE YOU HAVE IT.
THOSE ARE MY THANK YOU NOTES
188
00:11:38,989 --> 00:11:39,938
WE'LL BE RIGHT BACK WITH MORE
"TONIGHT SHOW," EVERYBODY.
189
00:12:03,227 --> 00:12:04,094
♪
>>> MY FIRST GUEST IS THE HOST
190
00:12:04,094 --> 00:12:05,062
OF "LATE NIGHT WITH SETH
MEYERS" WHICH AIRS AT
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00:12:05,062 --> 00:12:12,936
12:35 A. M. RIGHT HERE ON NBC
DO I NEED TO SAY THAT TIME
192
00:12:12,936 --> 00:12:15,205
BECAUSE HE'S ON RIGHT AFTER US
HERE IS OUR GOOD FRIEND, SETH
193
00:12:15,205 --> 00:12:21,311
MEYERS
12:35 IS WHEN YOU AIR?
194
00:12:21,311 --> 00:12:23,614
>> YEAH.
JUST BECAUSE I THINK THERE
195
00:12:23,614 --> 00:12:27,117
MIGHT BE, LIKE, FIVE SECONDS
BETWEEN YOUR SHOW AND MY SHOW.
196
00:12:27,117 --> 00:12:28,519
PEOPLE ARE TRYING TO SCHEDULE
SOMETHING IN BETWEEN, MAKE SURE
197
00:12:28,519 --> 00:12:31,789
YOU'RE BACK AT 12:35
>> PEOPLE SETTING THEIR DVRs TO
198
00:12:31,789 --> 00:12:37,828
REMIND THEM WHEN YOU'RE ON
AS OUR SHOW ENDS, YOU BEGIN.
199
00:12:37,828 --> 00:12:42,199
>> THE FIVE IS THE KILLER.
IT'S BAD ENOUGH.
200
00:12:42,199 --> 00:12:44,802
I SAY THIS TO A MAN WHO IS ALSO
ON AT 12:35.
201
00:12:44,802 --> 00:12:46,003
THE FACT THEY PUSHED IT TO
12:35 MAKES IT SOUND LIKE IT'S
202
00:12:46,003 --> 00:12:55,646
NOT REAL
>> YOU'RE THIS CLOSE
203
00:12:55,646 --> 00:12:57,448
>> I HAVE A TV SHOW.
>> YOU'RE CLOSE TO INFOMERCIAL
204
00:12:57,448 --> 00:12:59,883
TIME
YOU VERSE SOME ‐‐ THE MY PILLOW
205
00:12:59,883 --> 00:13:05,022
GUY OR SOMETHING
>> EXACTLY
206
00:13:05,022 --> 00:13:06,356
>> THE LAST NIGHT YOU WERE ON
OUR SHOW WAS MARCH 5th, IS WHAT
207
00:13:06,356 --> 00:13:13,130
I'M REMEMBERING, FROM RESEARCH
>> YEAH.
208
00:13:13,130 --> 00:13:15,532
>> AND IT WAS TWO WEEKS BEFORE
30 ROCK WAS SHUT DOWN.
209
00:13:15,532 --> 00:13:17,301
>> A WEEK BEFORE
IT WAS A THURSDAY ‐‐ IT WAS
210
00:13:17,301 --> 00:13:21,872
A THURSDAY AND WE BOTH CANCELED
THE FOLLOWING THURSDAY
211
00:13:21,872 --> 00:13:22,840
>> WE TALKED ‐‐ WE DIDN'T SHAKE
HANDS.
212
00:13:22,840 --> 00:13:23,974
WE JOKED ABOUT NOT SHAKING
HANDS AND THEN BY MISTAKE WE
213
00:13:23,974 --> 00:13:30,848
WERE DOING A BIT ‐‐ WE ENDED UP
TOUCHING EACH OTHER'S FACES.
214
00:13:30,848 --> 00:13:32,349
>> WELL, I DON'T THINK IT WAS
A MISTAKE.
215
00:13:32,349 --> 00:13:33,550
I LOOK BACK AND I THINK THE
MISTAKE WAS THAT I WAS BEING
216
00:13:33,550 --> 00:13:39,590
VERY GLIB ABOUT WHAT TURNED
INTO A PANDEMIC.
217
00:13:39,590 --> 00:13:40,791
AND I BELIEVE I WAS SAYING THAT
YOU'RE NOT SUPPOSED TO TOUCH
218
00:13:40,791 --> 00:13:41,892
YOUR FACE, BUT NOBODY SAID
ANYTHING ABOUT TEACHING EACH
219
00:13:41,892 --> 00:13:44,495
OTHER'S FACES WHICH IS LIKE
HA‐HA.
220
00:13:44,495 --> 00:13:47,431
>> AND THE AUDIENCE LAUGHED.
I LAUGHED AND AND THEN WE DID
221
00:13:47,431 --> 00:13:50,334
IT
>> WE ALL HAD A GRAND OLD TIME
222
00:13:50,334 --> 00:13:52,836
WITH IT.
>> BOY, WERE WE WRONG.
223
00:13:52,836 --> 00:13:58,709
>> YEAH.
>> CUT TO FIVE MONTHS LATER.
224
00:13:58,709 --> 00:13:59,943
LET'S TALK ABOUT THIS BECAUSE
YOU'RE DOING A GREAT JOB AT
225
00:13:59,943 --> 00:14:01,078
HOME AND, YOU KNOW, WE CAN
ACTUALLY TALKING BECAUSE WE DO
226
00:14:01,078 --> 00:14:07,684
THE SAME JOB
>> YEAH.
227
00:14:07,684 --> 00:14:08,719
>> WHAT WAS THE MOST
CHALLENGING PARTS OF DOING THE
228
00:14:08,719 --> 00:14:11,321
SHOW FROM HOME FROM YOU?
YOU HAVE TO DO EVERYTHING? YOU
229
00:14:11,321 --> 00:14:12,923
HAVE TO BE ‐
>> YEAH.
230
00:14:12,923 --> 00:14:14,124
IN THE BEGINNING IT WAS JUST
FIGURING OUT, YOU KNOW, THE
231
00:14:14,124 --> 00:14:15,325
TECH OF IT AND WE ‐‐ WITH
THINGS LIKE ‐‐ LONG SCRIPTS, WE
232
00:14:15,325 --> 00:14:16,527
FIGURED OUT A TELEPROMPTER APP
BUT YOU HAVE TO SET THE SPEED
233
00:14:16,527 --> 00:14:29,873
IN THE BEGINNING AND YOU'RE
MARRIED TO THAT SPEED.
234
00:14:29,873 --> 00:14:31,108
AND OBVIOUSLY THE SOURCE VIDEO
CAN THEN BE EDITED BUT NOTHING
235
00:14:31,108 --> 00:14:32,309
IS WORSE THAN KNOWING THAT MY
STAFF IS WATCHING ME WHEN I
236
00:14:32,309 --> 00:14:33,544
SCREW UP, LIKE BASICALLY WHAT
IT LOOKS LIKE, WHAT THEY SEE IS
237
00:14:33,544 --> 00:14:49,193
ME GOING ‐‐ AND I HAVE TO LEAN
FORWARD AND, LIKE, DO THIS
238
00:14:49,193 --> 00:14:52,362
>> YEAH, YEAH, YEAH.
EXACTLY RIGHT.
239
00:14:52,362 --> 00:14:55,332
BUT ALSO, YEAH, IT CHANGES THE
TEMPO OF YOUR JOKE READING TOO
240
00:14:55,332 --> 00:14:56,633
>> YEAH.
I THINK WE'VE ALL FIGURED OUT,
241
00:14:56,633 --> 00:15:02,539
LIKE, YOU JUST GOT TO MOVE
AHEAD A LOT FASTER
242
00:15:02,539 --> 00:15:03,740
IT'S NOT THAT ‐‐ I THINK THERE
WAS A SENSE THAT WE'RE ALL
243
00:15:03,740 --> 00:15:10,414
WAITING FOR OUR LAUGHS THAT
AREN'T THERE
244
00:15:10,414 --> 00:15:11,715
IT'S MORE JUST THAT WE'RE
PROGRAMMED TO WORK IN FRONT OF
245
00:15:11,715 --> 00:15:13,817
AN AUDIENCE SO YOU DON'T WANT
TO TALK OVER LAUGHS.
246
00:15:13,817 --> 00:15:16,320
YOU DON'T WANT PEOPLE TO MISS
THE SETUP FOR THE NEXT JOKE.
247
00:15:16,320 --> 00:15:18,956
IT WAS LEARNING LIKE I DON'T
THINK PEOPLE ARE LAUGHING SO
248
00:15:18,956 --> 00:15:24,728
HARD THAT THEY CAN'T HEAR THE
LAST JOKE.
249
00:15:24,728 --> 00:15:28,232
>> THAT'S A GREAT WAY OF
PUTTING IT
250
00:15:28,232 --> 00:15:29,499
THEY'RE LAUGHING THAT HARD THAT
THEY ‐‐ NO, IT'S NOT THE WAY IT
251
00:15:29,499 --> 00:15:32,436
WORKS FOR THE TELEVISION ‐
>> WHEN YOU'RE ON AT 12:35,
252
00:15:32,436 --> 00:15:33,570
YOU'RE PROBABLY BEING WATCHED
NEXT TO A PERSON WHO IS
253
00:15:33,570 --> 00:15:36,640
SLEEPING
SO I DON'T THINK THEY'RE
254
00:15:36,640 --> 00:15:41,144
LAUGHING THAT HARD
>> IT IS VERY ‐‐ IT COOLS YOU
255
00:15:41,144 --> 00:15:42,279
RIGHT DOWN WHEN YOU TELL A JOKE
AND THERE'S NO RESPONSE,
256
00:15:42,279 --> 00:15:48,552
DOESN'T IT
IT IS ‐‐
257
00:15:48,552 --> 00:15:50,220
>> THAT'S THE GREAT THING ABOUT
NO AUDIENCE.
258
00:15:50,220 --> 00:15:52,956
EVERYTHING PLAYS THE SAME,
RIGHT?
259
00:15:52,956 --> 00:15:54,157
SO I THINK THE HARDEST THING IS
WHEN YOU HAVE A JOKE PLAY TO
260
00:15:54,157 --> 00:15:59,062
SILENCE IN A ROOM FULL OF
PEOPLE
261
00:15:59,062 --> 00:16:03,867
HAVING OPERATED NOW LIKE
60‐PLUS SHOWS WITH NO AUDIENCE,
262
00:16:03,867 --> 00:16:06,303
THE GOOD ONES SOUND JUST LIKE
THE BAD ONES
263
00:16:06,303 --> 00:16:09,006
THEY'RE ALL ‐‐
>> YEAH, YEAH.
264
00:16:09,006 --> 00:16:11,508
THAT WAS A CRUSHER JOKE.
>> NOTHING
265
00:16:11,508 --> 00:16:14,044
>> NOTHING
STILL.
266
00:16:14,044 --> 00:16:16,313
NOTHING.
OF COURSE THERE'S NO AUDIO
267
00:16:16,313 --> 00:16:17,547
>> I THINK THERE'S TWO WAYS OF
LOOKING, MAN, I HAVEN'T HAD
268
00:16:17,547 --> 00:16:18,715
A LAUGH FOR FOUR MONTHS OR YOU
CAN JUST SAY, LIKE, I'M ON A
269
00:16:18,715 --> 00:16:25,289
A ROLL
EVERYTHING IS EXACTLY THE SAME
270
00:16:25,289 --> 00:16:27,057
>> ONE AFTER THE OTHER
>> CONSISTENCY, WELL DONE,
271
00:16:27,057 --> 00:16:30,227
JIMMY.
I LOVE ‐‐ THIS IS YOUR SECOND
272
00:16:30,227 --> 00:16:31,962
LOCATION
I LOVE THE SET NOW OF YOUR ‐
273
00:16:31,962 --> 00:16:38,769
WHERE IS THIS SET?
>> WE'RE IN OUR ‐‐ MY INLAW'S
274
00:16:38,769 --> 00:16:43,340
HOUSE.
THESE ARE MY WIFE'S PARENTS.
275
00:16:43,340 --> 00:16:47,911
THEY'VE BEEN KIND TO LET ME
FIND A CORNER AND DO THE SHOW.
276
00:16:47,911 --> 00:16:49,112
THEY'VE BEEN ESPECIALLY KIND
BECAUSE I'VE JUST USED A LOT OF
277
00:16:49,112 --> 00:17:01,258
THEIR ARTWORK AND LET IT BECOME
CHARACTERS IN THE SHOW
278
00:17:01,258 --> 00:17:02,392
>> I KNOW THAT ‐‐ THE SEA
CAPTAIN IS A PREDOMINANT SIDE
279
00:17:02,392 --> 00:17:05,195
KICK ON YOUR SHOW AND I LOVE
IT
280
00:17:05,195 --> 00:17:06,430
HE'S NOW BECOME A CHARACTER ON
THE SHOW, AS THE DUCK, AS WELL,
281
00:17:06,430 --> 00:17:10,667
THE WOODEN DUCK.
>> YEAH.
282
00:17:10,667 --> 00:17:13,870
REALLY ‐‐ REALLY POLARIZING
CHARACTERS
283
00:17:13,870 --> 00:17:15,105
A LOT OF PEOPLE ON TWITTER MAKE
IT VERY CLEAR THEY DON'T LIKE
284
00:17:15,105 --> 00:17:16,340
IT AND I JUST LIKE TO STRESS TO
THEM IT'S NOT GOING TO HAPPEN
285
00:17:16,340 --> 00:17:23,580
FOR A LOT LONGER
NO ONE IS COMING BACK TO ME
286
00:17:23,580 --> 00:17:26,183
WITH NEW YORK CITY
THEY BELONG TO THE SEA AND THEY
287
00:17:26,183 --> 00:17:31,989
DON'T WANT TO BE ‐‐ THEY DON'T
WANT TO BE ON MANHATTAN.
288
00:17:31,989 --> 00:17:34,057
BUT, YEAH, IT'S BEEN FUN
THE SHOW HAS TURNED INTO
289
00:17:34,057 --> 00:17:38,628
PEEWEE'S PLAY HOUSE AND I'M
HAPPY ABOUT IT
290
00:17:38,628 --> 00:17:45,569
>> CAN I TALK TO THE SEA
CAPTAIN?
291
00:17:45,569 --> 00:17:47,104
>> I TOLD THE CAPTAIN I WAS
COMING ON YOUR SHOW TONIGHT?
292
00:17:47,104 --> 00:17:52,209
DO YOU HAVE ANYTHING YOU WANT
TO SAY TO JIMMY?
293
00:17:52,209 --> 00:17:55,479
>> ALL RIGHT, JIMMY, I LOVE THE
ROOTS!
294
00:17:55,479 --> 00:17:59,616
>> THAT'S SO NICE.
THANK YOU, SEA CAPTAIN
295
00:17:59,616 --> 00:18:00,617
THANK YOU FOR BEING ON THE
SHOW
296
00:18:00,617 --> 00:18:05,756
THAT'S SO ‐‐ THAT VOICE SOUNDS
FAMILIAR
297
00:18:05,756 --> 00:18:07,858
OH, MY GOSH.
>> THE VOICE SOUNDS FAMILIAR
298
00:18:07,858 --> 00:18:09,092
AND THE MOST ‐‐ AGAIN, I CAN'T
EVEN GIVE A HINT AS TO WHO THE
299
00:18:09,092 --> 00:18:12,195
VOICE IS
BECAUSE WE'RE PLAYING IT REAL
300
00:18:12,195 --> 00:18:15,532
CLOSE TO THE VEST.
>> ONCE THAT COMES OUT, FORGET
301
00:18:15,532 --> 00:18:18,502
IT
>> BUT I WILL SAY THE FUNNIEST
302
00:18:18,502 --> 00:18:19,603
PART OF MY DAY IS TEXTING
A PERSON THAT YOU AND I BOTH
303
00:18:19,603 --> 00:18:20,871
KNOW, A BUNCH OF LINES WITH NO
CONTEXT AND GETTING A TEXT BACK
304
00:18:20,871 --> 00:18:34,284
IN A SEA CAPTAIN VOICE
>> IT'S WELL DONE.
305
00:18:34,284 --> 00:18:35,485
ARE YOUR IN‐LAWS ‐‐ ARE THEY
HAPPY THAT YOU'RE THERE OR ‐
306
00:18:35,485 --> 00:18:41,391
HOW IS THAT ‐‐
>> THEY WERE PRETTY HAPPY.
307
00:18:41,391 --> 00:18:42,659
I THINK THEY WERE BRAGGING IT
UP TO THEIR FRIENDS, YOU KNOW,
308
00:18:42,659 --> 00:18:45,662
THAT THEIR HOME HAD BECOME A
A STUDIO
309
00:18:45,662 --> 00:18:50,667
BUT THEY WERE A LITTLE UNHAPPY
BECAUSE ‐‐ TOTALLY TONGUE IN
310
00:18:50,667 --> 00:18:54,204
CHEEK AND SHAME ON ME, WE DID
A BIT WHERE I SAID, HEY, WE
311
00:18:54,204 --> 00:18:58,775
WOULD LOVE TO HEAR WHAT YOU
THINK ABOUT THE SEA CAPTAIN.
312
00:18:58,775 --> 00:18:59,976
WE WOULD LIKE YOU TO GOOGLE SEA
CAPTAIN, PRINT THAT PAGE OFF
313
00:18:59,976 --> 00:19:01,211
YOUR COMPUTER, AND THEN EITHER
WRITE YES OR NO AND MAIL IT TO
314
00:19:01,211 --> 00:19:08,051
YOUR BEST GUESTS AS WHERE THEY
IN‐LAWS LIVE
315
00:19:08,051 --> 00:19:09,386
AND, WELL, SOME PEOPLE DID SOME
SLEUTHING AND WE RECEIVED 30
316
00:19:09,386 --> 00:19:19,663
LETTERS.
NOW, IN THE MIDDLE OF
317
00:19:19,663 --> 00:19:20,797
A PANDEMIC WHAT YOU'RE NOT
SUPERLOOKING FOR IS MAIL FROM
318
00:19:20,797 --> 00:19:25,001
STRANGERS.
AND SO PRETTY MUCH EVERY DAY MY
319
00:19:25,001 --> 00:19:30,240
IN‐LAWS ARE LIKE, WHY ARE WE
GETTING THIS MAIL?
320
00:19:30,240 --> 00:19:35,479
I'VE BEEN IN THIS HOUSE BEFORE
NO ONE HAS EVER SENT FAN MAIL.
321
00:19:35,479 --> 00:19:36,746
AND IT IS DEFINITELY A BUMMER
TO HAVE TO TELL THEM, HERE IS
322
00:19:36,746 --> 00:19:39,983
WHY THE MAIL IS COMING
I MADE A DUMB JOKE AND PEOPLE
323
00:19:39,983 --> 00:19:47,090
DECIDED TO ENGAGE WITH IT.
>> HOPEFULLY THAT STOPS SOON
324
00:19:47,090 --> 00:19:50,360
THE SEA CAPTAIN ‐‐
>> SOMEONE FROM AUSTRALIA SENT
325
00:19:50,360 --> 00:19:55,932
US A LETTER AND THE BEST PART
ABOUT IT WAS THEIR VOTE WAS NO
326
00:19:55,932 --> 00:19:58,935
THEY HATED THE SEA CAPTAIN SO
MUCH
327
00:19:58,935 --> 00:20:01,538
THEY SENT A LETTER FROM
AUSTRALIA.
328
00:20:01,538 --> 00:20:02,706
>> AND MADE IT ALL THE WAY FROM
AUSTRALIA TO SAY NO MORE SEA
329
00:20:02,706 --> 00:20:07,410
CAPTAIN.
THIS IS ‐‐ YOUR NEXT LOCATION
330
00:20:07,410 --> 00:20:10,046
WILL BE 30 ROCK.
>> YEAH, WE'RE COMING BACK
331
00:20:10,046 --> 00:20:12,916
SOON
I WANT TO THANK YOU AND YOUR
332
00:20:12,916 --> 00:20:14,117
WHOLE CREW AND EVERYBODY ‐‐ YOU
BASICALLY HAVE LIKE SET THE
333
00:20:14,117 --> 00:20:21,291
TONE AND BASICALLY TAKEN ALL
THE RISKS ON BEHALF OF US.
334
00:20:21,291 --> 00:20:23,994
THANK YOU SO MUCH.
>> IT'S ‐‐ IT'S REALLY A
335
00:20:23,994 --> 00:20:27,864
A BIZARRE TIME TO BE IN THIS
BUILDING
336
00:20:27,864 --> 00:20:29,399
I THINK YOU'RE GOING TO BE ‐
NBC IS DOING AN AMAZING JOB
337
00:20:29,399 --> 00:20:33,370
WITH THIS THING, TAKING IT VERY
SERIOUSLY.
338
00:20:33,370 --> 00:20:35,939
BUT THERE'S NO CAMERA OPERATORS
RIGHT NOW.
339
00:20:35,939 --> 00:20:38,675
THEY'RE ROBOTS AND THERE'S
NO ‐
340
00:20:38,675 --> 00:20:39,709
IT'S ‐‐ THERE'S ONE STAGE
MANAGER, HAS A MASK AND
341
00:20:39,709 --> 00:20:43,480
A SHIELD
IT'S DEFINITELY DIFFERENT.
342
00:20:43,480 --> 00:20:49,619
BUT IT ‐
>> HOW IS HIGGINS TAKING ‐
343
00:20:49,619 --> 00:20:52,455
FINDING OUT HE'S NONESSENTIAL?
>> HE'S LOVING LIFE.
344
00:20:52,455 --> 00:20:56,159
ARE YOU KIDDING ME
HE'S SO HAPPY.
345
00:20:56,159 --> 00:20:57,427
HE'S DOING VOICEOVERS FROM HIS
HOUSE, SENDING ME PICTURES OF
346
00:20:57,427 --> 00:21:05,602
JUMPING IN THE POOL.
TODAY IS HIS BIRTH, BY THE WAY
347
00:21:05,602 --> 00:21:09,072
>> HAPPY BIRTHDAY!
THERE YOU GO
348
00:21:09,072 --> 00:21:11,575
THAT'S GREAT TO HEAR
>>> MORE WITH SETH MEYERS WHEN
349
00:21:11,575 --> 00:21:13,461
WE COME BACK, EVERYBODY.
350
00:21:31,485 --> 00:21:34,247
>>> WELCOME BACK, EVERYBODY.
351
00:21:34,247 --> 00:21:36,416
I'M TALKING WITH SETH MEYERS
SETH, THANKS, AGAIN, FOR COMING
352
00:21:36,416 --> 00:21:39,953
ON THE SHOW.
I APPRECIATE IT.
353
00:21:39,953 --> 00:21:42,155
THANK YOU, THANK YOU SO MUCH
I KNOW YOU'RE SUPERBUSY AND I
354
00:21:42,155 --> 00:21:46,492
WANT TO SAY, CONGRATULATIONS
FOR THE EMMY NOMINATIONS
355
00:21:46,492 --> 00:21:48,761
ONE FOR ‐‐
>> THANK YOU
356
00:21:48,761 --> 00:21:49,996
>> ONE FOR LATE NIGHT AND ALSO
THE NETFLIX SPECIAL "LOBBY
357
00:21:49,996 --> 00:21:54,667
BABY."
>> THAT WAS A NICE SURPRISE AND
358
00:21:54,667 --> 00:21:59,939
REALLY HONORED
>> YOU GUYS ARE AWESOME, MAN
359
00:21:59,939 --> 00:22:01,908
I'M HAPPY FOR YOU GUYS
CONGRATS TO THE WHOLE CREW OVER
360
00:22:01,908 --> 00:22:05,378
THERE.
"LOBBY BABY" WAS FANTASTIC
361
00:22:05,378 --> 00:22:06,579
IF YOU HAVEN'T SEEN IT, IT
REFERS TO YOUR YOUNGEST SON WHO
362
00:22:06,579 --> 00:22:14,053
WAS BORN IN THE LOBBY OF YOUR
APARTMENT.
363
00:22:14,053 --> 00:22:15,888
>> YES, AXLE WAS BORN IN THE
LOBBY.
364
00:22:15,888 --> 00:22:19,058
>> HOW OLD IS AXLE NOW
IS HE 1?
365
00:22:19,058 --> 00:22:22,462
>> HE'S 2 1/2 NOW.
HE'S A LITTLE DUDE
366
00:22:22,462 --> 00:22:26,265
>> WOW
IS HE TALKING?
367
00:22:26,265 --> 00:22:28,334
>> HE'S TALKING BUT HE'S NOT
ENUNCIATING.
368
00:22:28,334 --> 00:22:31,504
IT'S REALLY ‐‐ WE'RE VERY
LUCKY.
369
00:22:31,504 --> 00:22:35,241
HIS OLDER BROTHER ASH IS GOOGLE
TRANSLATE FOR AXLE
370
00:22:35,241 --> 00:22:41,147
AXLE WILL COME IN THE ROOM AND
SAY ‐‐ I HAVE NO IDEA.
371
00:22:41,147 --> 00:22:45,218
YOU'LL LOOK AT ASH AND ASH WILL
BE DOING SOMETHING ELSE AND BE
372
00:22:45,218 --> 00:22:50,757
LIKE, HE WANTS HIS LEGO BRIDGE
THAT'S INCREDIBLE.
373
00:22:50,757 --> 00:22:52,492
>> THAT'S WILD
>> THEY'RE VERY FUN.
374
00:22:52,492 --> 00:22:55,662
THEY'RE VERY FUN THAT WAY.
>> AND DO THE PARENTS SPOIL THE
375
00:22:55,662 --> 00:22:58,831
KIDS
>> OH, MAN
376
00:22:58,831 --> 00:23:01,901
MY PARENTS WERE HERE FOR THE
WEEKEND AND I'M REALIZING THAT
377
00:23:01,901 --> 00:23:02,935
GRANDPARENTS ARE JUST
A TERRIBLE INFLUENCE ON YOUR
378
00:23:02,935 --> 00:23:06,639
CHILDREN
I WOULD RATHER MY KIDS JOIN
379
00:23:06,639 --> 00:23:09,342
A GANG THAN SPEND THREE HOURS
WITH MY PARENTS.
380
00:23:09,342 --> 00:23:10,643
THEY CAME BACK THE OTHER DAY
AND MY 4‐YEAR‐OLD WALKED UP AND
381
00:23:10,643 --> 00:23:17,650
SAID, DADDY, I HAVE A SECRET
AND I HAVE WHAT IS IT?
382
00:23:17,650 --> 00:23:21,788
HE SAID ‐‐ HE WAS LIKE, GRANDMA
SAYS I CAN'T TELL YOU.
383
00:23:21,788 --> 00:23:23,222
THAT SECRETS ARE THINGS YOU
CAN'T TELL
384
00:23:23,222 --> 00:23:24,424
I'M LIKE, WHY ARE YOU TEACHING
HIM THAT
385
00:23:24,424 --> 00:23:32,498
WHY ARE YOU CUTTING OFF
INFORMATION FROM THE PARENT?
386
00:23:32,498 --> 00:23:33,700
AND I WANT YOU ‐‐ YOU KNOW HOW
YOU WANT YOUR PARENTS TO TAKE
387
00:23:33,700 --> 00:23:34,434
YOUR KIDS OUT AND TIRE THEM
OUT?
388
00:23:34,434 --> 00:23:35,802
MY KIDS COME BACK SO AMPED UP
BECAUSE MY DAD ‐‐ GOD BLESS MY
389
00:23:35,802 --> 00:23:41,708
DAD.
HE'S GETTING OLDER
390
00:23:41,708 --> 00:23:44,310
ALL HE DOES IS CHASE THEM FOR
THREE HOURS.
391
00:23:44,310 --> 00:23:45,545
THEY COME BACK LIKE CHARACTERS
IN A HORROR MOVIE, THEIR HEARTS
392
00:23:45,545 --> 00:23:46,512
ARE POUNDING
BECAUSE IT'S SO ‐‐ AND THEY
393
00:23:46,512 --> 00:23:52,652
FEED THEM ‐‐ THEY COMPLETELY
THROW THEIR DIET OFF
394
00:23:52,652 --> 00:23:57,223
THEY'LL SAY ‐‐ THEY DON'T WANT
DINNER
395
00:23:57,223 --> 00:24:00,727
YOU'LL SAY, WHAT DID YOU FEED
THEM
396
00:24:00,727 --> 00:24:04,764
THEY'RE LIKE A BAG OF SKITTLES
AND HALF A CUP OF COFFEE
397
00:24:04,764 --> 00:24:05,865
>> MY MOM AND DAD FOR MY
SISTER'S KIDS, THEY GAVE THEM
398
00:24:05,865 --> 00:24:11,003
PINTS OF ICE CREAM OF BEN AND
JERRY'S.
399
00:24:11,003 --> 00:24:21,714
I GO, YOU GIVE THEM A SCOOP ‐‐
THEY'RE LIKE, LET THEM LIVE.
400
00:24:21,714 --> 00:24:22,915
>> ALEXEI'S DAD SAID WHEN ASH
WAS 1, WE CAME HOME AND HE HAD
401
00:24:22,915 --> 00:24:24,016
BEEN WATCHING HIM, AND HE
ASKED, HAS ASH EVER HAD ICE
402
00:24:24,016 --> 00:24:32,859
CREAM?
AND WE SAID NO
403
00:24:32,859 --> 00:24:35,862
HE HAS NOW
HE GOES, DON'T WORRY, HE LIKED
404
00:24:35,862 --> 00:24:37,563
IT
WE WANTED TO SAY, WE DIDN'T
405
00:24:37,563 --> 00:24:43,269
THINK HE WOULDN'T LIKE IT.
>> IT WAS NEVER ON THE TABLE
406
00:24:43,269 --> 00:24:44,470
>> WE SHOULD HOLD OFF ON ICE
CREAM UNTIL HE DEVELOPS A TASTE
407
00:24:44,470 --> 00:24:53,179
FOR DAIRY AND SUGAR.
>> WHO DO YOU HAVE ON THE SHOW
408
00:24:53,179 --> 00:24:55,515
TONIGHT?
>> WE HAVE PAULA PELL, JOHN
409
00:24:55,515 --> 00:25:03,022
LUTZ AND FROM CNN JOHN BERMAN.
>> THAT SHOW, BY THE WAY, IT'S
410
00:25:03,022 --> 00:25:07,493
SO FUNNY ON QUIBI.
THAT MUST BE A BLAST
411
00:25:07,493 --> 00:25:08,528
>> THE TRUEST FORM OF
RELENTLESSLY DUMB JOKES, ONE
412
00:25:08,528 --> 00:25:15,034
AFTER ANOTHER.
>> JUST HITTING ‐‐ LOBBING
413
00:25:15,034 --> 00:25:17,904
HOMERS OVER ‐‐ I GO, ANOTHER
ONE.
414
00:25:17,904 --> 00:25:24,443
AND THE SET MUST BE SO MUCH FUN
BECAUSE SHE'S JUST LIKE ‐‐ IS
415
00:25:24,443 --> 00:25:25,611
EXACTLY PAULA WHEN SHE'S AT HER
HOTTEST, SHOOTING FROM ALL
416
00:25:25,611 --> 00:25:33,786
CYLINDERS.
SHE'S AMAZING.
417
00:25:33,786 --> 00:25:34,754
I DIDN'T EVEN TALK ABOUT THAT
BIT.
418
00:25:34,754 --> 00:25:35,922
DO YOU REMEMBER THAT BIT SHE
DOES WHEN SHE INSULTS EVERYBODY
419
00:25:35,922 --> 00:25:37,156
AND LEAVES THE ROOM AND HAS TO
COME BACK BECAUSE SHE FORGOT
420
00:25:37,156 --> 00:25:45,531
HER KEYS
I CAN'T WAIT TO HEAR BACK ON 30
421
00:25:45,531 --> 00:25:49,168
ROCK AND WE'LL GIVE YOU A BIG
WELCOME WHEN YOU COME BACK
422
00:25:49,168 --> 00:25:50,369
THANK YOU FOR DOING THE SHOWS
THAT YOU'RE DOING BECAUSE
423
00:25:50,369 --> 00:25:51,537
YOU'RE MAKING PEOPLE LAUGH AND
IT'S A ‐‐ THAT LITTLE BIT OF
424
00:25:51,537 --> 00:25:58,010
NORMALCY THAT GOES A LONG, LONG
WAY.
425
00:25:58,010 --> 00:26:00,179
DOING A GREAT JOB.
>> THANKS FOR BEING BACK AND
426
00:26:00,179 --> 00:26:05,484
BEING READY TO SHOW US HOW IT'S
DONE WHEN WE JOIN YOU.
427
00:26:05,484 --> 00:26:07,753
>> SETH MEYERS, EVERYBODY.
DAVID BLAINE AFTER THE BREAK
428
00:26:07,753 --> 00:26:09,388
STRIKE AROUND.
THANKS, SETH
429
00:26:09,388 --> 00:26:12,033
>> THAT WAS SUPERFUN
♪
430
00:26:27,548 --> 00:26:32,040
>>> MY NEXT GUEST IS AN
UNBELIEVABLE MAGICIAN WHO JUST
431
00:26:32,040 --> 00:26:33,241
ANNOUNCED HIS FIRST LIVE STUNT
IN NEARLY A DECADE ON AUGUST
432
00:26:33,241 --> 00:26:39,581
31st
YOU CAN WATCH DAVID BLAINE,
433
00:26:39,581 --> 00:26:43,318
"ASCENSION", LIVE ON YOUTUBE
HERE TO TELL US MORE ABOUT IT
434
00:26:43,318 --> 00:26:47,455
IS DAVID BLAINE.
GREAT TO SEE YOU, BUD.
435
00:26:47,455 --> 00:26:52,460
>> GREAT TO SEE YOU.
>> I'M ALWAYS HAPPY TO SEE YOU
436
00:26:52,460 --> 00:26:55,430
I'M ALWAYS A LITTLE NERVOUS
WHEN I SEE YOU AND ANXIOUS
437
00:26:55,430 --> 00:26:57,599
BUT ALWAYS IN A GOOD WAY
WE'VE BEEN THROUGH ‐‐ WE'VE
438
00:26:57,599 --> 00:26:58,733
SEEN YOU ‐‐ I'VE SEWED YOUR
LIPS SHUT WITH A NEEDLE AND
439
00:26:58,733 --> 00:27:06,775
THREAD
>> LET'S TRY SOMETHING SIMPLE.
440
00:27:06,775 --> 00:27:10,846
>> OKAY.
>> DO YOU WANT TO TAKE OUT THE
441
00:27:10,846 --> 00:27:17,052
NUMBERS OR THE PICTURES?
NUMBER CARDS OR PICTURE CARDS?
442
00:27:17,052 --> 00:27:21,990
>> PICTURES.
>> OKAY.
443
00:27:21,990 --> 00:27:23,725
THE PICTURES, YOU HAVE THE
JACKS, THE QUEENS OR THE KINGS
444
00:27:23,725 --> 00:27:26,695
WHICH ONES DO YOU WANT
YOU DECIDE
445
00:27:26,695 --> 00:27:29,097
>> I LIKE JACKS.
>> OKAY.
446
00:27:29,097 --> 00:27:31,933
JACKS, YOU HAVE A RED JACK OR
A BLACK JACK
447
00:27:31,933 --> 00:27:33,702
REDS OR BLACKS
>> I'M GOING TO SEE A BLACK
448
00:27:33,702 --> 00:27:36,972
JACK
>> BY THE WAY, YOU CAN CHANGE
449
00:27:36,972 --> 00:27:38,773
YOUR MIND AT ANY POINT
I DON'T WANT YOU TO THINK THAT
450
00:27:38,773 --> 00:27:41,877
I'M MAKING YOU SAY THIS.
DO YOU WANT TO CHANGE?
451
00:27:41,877 --> 00:27:44,946
>> NO, I'LL STICK WITH BLACK
JACK
452
00:27:44,946 --> 00:27:46,047
>> THE BLACK JACKS, YOU HAVE
CLUBS OR SPADES.
453
00:27:46,047 --> 00:27:50,852
WHICH ONE DO YOU WANT?
>> I'LL DO CLUBS
454
00:27:50,852 --> 00:27:52,587
>> BY THE WAY, NOBODY EVER
CHANGES, BUT YOU CAN
455
00:27:52,587 --> 00:27:58,226
IT'S UP TO YOU
>> YOU'RE SO IN MY HEAD RIGHT
456
00:27:58,226 --> 00:28:00,562
NOW.
>> IF YOU WANT TO CHANGE TO THE
457
00:28:00,562 --> 00:28:03,198
OTHER ONE, YOU CAN
YOU CAN DO WHATEVER YOU WANT
458
00:28:03,198 --> 00:28:07,469
>> I WILL CHANGE
>> TO WHICH ONE?
459
00:28:07,469 --> 00:28:09,971
YOU WANT TO GO TO THE SPADE OR
THE CLUB OR ‐‐
460
00:28:09,971 --> 00:28:16,111
>> I'LL SAY ‐‐ I'LL SAY SPADE.
>> ARE YOU SURE?
461
00:28:16,111 --> 00:28:19,714
DO YOU WANT TO CHANGE BACK
>> NO, JACK OF SPADES.
462
00:28:19,714 --> 00:28:23,218
>> YOU'RE SURE
>> YES
463
00:28:23,218 --> 00:28:24,519
>> LOOK, HERE, I JUST WANT TO
SHOW YOU SOMETHING FUNNY IN THE
464
00:28:24,519 --> 00:28:29,224
DECK
HERE IT IS
465
00:28:29,224 --> 00:28:30,425
THERE'S ONE CARD THAT'S
A LITTLE DIFFERENT THAN ALL THE
466
00:28:30,425 --> 00:28:31,459
OTHERS
AND YOU CAN SEE, LOOK, THE ONE
467
00:28:31,459 --> 00:28:32,694
CARD THAT IS DIFFERENT IS IN
THE MIDDLE AND IT'S ‐‐ SEE THAT
468
00:28:32,694 --> 00:28:43,772
ONE CARD
IT'S A JACK OF SPADES.
469
00:28:43,772 --> 00:28:48,009
JIMMY, LISTEN TO ME, IT'S
POSSIBLE THAT I DID SOME SLIGHT
470
00:28:48,009 --> 00:28:50,912
OF HAND.
WHEN I WAS REMOVING THE CARDS
471
00:28:50,912 --> 00:28:58,186
IN THE BOX, MAYBE I FLICKED IT
REALLY FAST, CORRECT
472
00:28:58,186 --> 00:28:59,821
>> SURE.
>> NO, IT'S NOT POSSIBLE
473
00:28:59,821 --> 00:29:00,956
BECAUSE THIS, THE JACK OF
SPADES IS THE ONLY RED CARD IN
474
00:29:00,956 --> 00:29:06,494
THIS DECK.
SEE.
475
00:29:06,494 --> 00:29:07,595
NOT ONLY IS IT THE ONLY RED
CARD IN THE DECK, YOU'RE
476
00:29:07,595 --> 00:29:09,564
THINKING, WAIT, MAYBE HE
CONVINCED ME
477
00:29:09,564 --> 00:29:14,035
THERE'S NO OTHER CARD THAT
WOULD HAVE WORKED.
478
00:29:14,035 --> 00:29:16,004
ONLY THE JACK OF SPADES WOULD
HAVE WORKED FROM THE VERY
479
00:29:16,004 --> 00:29:20,275
BEGINNING.
LOOK
480
00:29:20,275 --> 00:29:26,848
THE WHOLE DECK
BLANK.
481
00:29:26,848 --> 00:29:30,251
>> YOU'RE UNBELIEVABLE, MAN.
THAT IS INSANITY
482
00:29:30,251 --> 00:29:34,589
>> HOLD ON
YOU CAN SEE ALL THE CARDS.
483
00:29:34,589 --> 00:29:35,690
YOU CAN SEE ALL OF THE CARDS ON
THE DECK
484
00:29:35,690 --> 00:29:37,525
YOU CAN SEE THEY'RE ALL
DIFFERENT, YES
485
00:29:37,525 --> 00:29:38,860
>> YES
>> YOU THOUGHT OF A JACK OF
486
00:29:38,860 --> 00:29:41,796
SPADES BUT YOU CHANGED FROM THE
JACK OF CLUBS.
487
00:29:41,796 --> 00:29:43,064
NOW I WANT YOU TO THINK OF A
A NEW CARD THAT WOULD BE YOUR
488
00:29:43,064 --> 00:29:51,539
FAVORITE CARD BUT ONE THAT I
COULD NEVER KNOW
489
00:29:51,539 --> 00:30:08,590
>> OKAY.
[ LAUGHTER ]
490
00:30:08,590 --> 00:30:09,891
>> WAIT, JIMMY
WHAT WAS THE CARD THAT YOU WERE
491
00:30:09,891 --> 00:30:12,961
THINKING OF?
>> IT WAS DIFFERENT CARD
492
00:30:12,961 --> 00:30:16,431
IT WAS 8 OF HEARTS
>> OH, YEAH, GOOD.
493
00:30:16,431 --> 00:30:26,708
THAT WORKED.
[ LAUGHTER ]
494
00:30:26,708 --> 00:30:30,545
>> OH, MY GOSH
>> YOU KNOW THE ‐‐ JIMMY, YOU
495
00:30:30,545 --> 00:30:31,713
KNOW THAT WHEN YOU THINK OF
CARDS, LIKE, ANY CARD THAT YOU
496
00:30:31,713 --> 00:30:37,252
WOULD THINK OF, I WOULD BE ABLE
TO PRODUCE
497
00:30:37,252 --> 00:30:40,622
IT DOESN'T MAKE A DIFFERENCE
>> I DON'T KNOW HOW.
498
00:30:40,622 --> 00:30:43,224
>> ANY CARD THAT YOU WOULD
CHOOSE ‐
499
00:30:43,224 --> 00:30:44,526
>> I DON'T KNOW ‐‐ I DON'T KNOW
HOW.
500
00:30:44,526 --> 00:30:47,262
I DON'T KNOW HOW
>> DO YOU WANT ME TO TELL YOU
501
00:30:47,262 --> 00:30:49,798
HOW?
>> SURE.
502
00:30:49,798 --> 00:30:51,966
>> YOU WANT ME TO TELL YOU HOW
>> NO.
503
00:30:51,966 --> 00:30:54,936
DO I
>> THE REASON I CAN SPIT YOUR
504
00:30:54,936 --> 00:30:59,641
CARD OUT OF MY MOUTH IS BECAUSE
I HAVE A SECRET ASSISTANT.
505
00:30:59,641 --> 00:31:02,677
YOU MIGHT REMEMBER HIM
HE'S GROWN A BIT SINCE THE LAST
506
00:31:02,677 --> 00:31:06,414
TIME YOU SAW HIM
>> IT'S NOT A FROG, PLEASE
507
00:31:06,414 --> 00:31:10,585
PLEASE DON'T DO THIS
NO, IT'S NOT
508
00:31:10,585 --> 00:31:21,162
YOU'RE NOT DOING THIS.
[ LAUGHTER ]
509
00:31:21,162 --> 00:31:30,338
>> WHAT IS GOING ON?
WHAT IS GOING ON
510
00:31:30,338 --> 00:31:31,339
YOU HAVE TO STOP DOING THAT,
MAN.
511
00:31:31,339 --> 00:31:33,541
THAT IS UN ‐
>> THIS IS MY MAGICAL
512
00:31:33,541 --> 00:31:37,378
ASSISTANT, SEE
>> AND HE HANDS YOU DIFFERENT
513
00:31:37,378 --> 00:31:39,647
CARDS.
HE'S A VERY GOOD ‐‐ OH, MY
514
00:31:39,647 --> 00:31:42,851
GOSH
DAVID, HE'S ‐‐ HE'S GETTING ‐‐
515
00:31:42,851 --> 00:31:47,355
OH, MY GOD
DAVID BLAINE, WE HAVE TO TALK
516
00:31:47,355 --> 00:31:48,189
ABOUT YOUR NEW SPECIAL, "THE
ASCENSION.
517
00:31:48,189 --> 00:31:49,591
IT'S ON YOUTUBE AUGUST 31st.
FROM WHAT I'VE HEARD ABOUT
518
00:31:49,591 --> 00:31:57,232
DAVID BLAINE "ASCENSION" IS
THAT ‐
519
00:31:57,232 --> 00:32:07,175
[ LAUGHTER ]
>> SORRY
520
00:32:07,175 --> 00:32:15,316
THERE WAS ANOTHER ONE.
>> OH, MY GOSH
521
00:32:15,316 --> 00:32:24,459
YOU HAVE TWO ASSISTANTS.
>> YEAH.
522
00:32:24,459 --> 00:32:28,596
SO THE NEW ONE THAT I'M WORKING
ON, IT'S CALLED "ASCENSION",
523
00:32:28,596 --> 00:32:29,764
AND THE GOAL IS I WANT TO TAKE
A BUNCH OF BALLOONS AND JUST
524
00:32:29,764 --> 00:32:33,101
FLOAT UP INTO THE SKY UNTIL I
VANISH
525
00:32:33,101 --> 00:32:38,973
MY DREAM HAS ALWAYS BEEN
LOOKING UP INTO THE SKY, IT
526
00:32:38,973 --> 00:32:42,477
WOULD BE AMAZING TO JUST ‐‐
LIKE THE MOVIE, GRAB A BUNCH OF
527
00:32:42,477 --> 00:32:45,847
BALLOONS AND GO DRIFTING AWAY.
I'VE BEEN PUTTING THIS TOGETHER
528
00:32:45,847 --> 00:32:46,948
AND I HAVE AN AMAZING TEAM AND
WORKING WITH YOUTUBE HAS
529
00:32:46,948 --> 00:32:58,993
ALLOWED ME TO KIND OF JUST PUT
TOGETHER THIS INSANE IDEA.
530
00:32:58,993 --> 00:33:00,094
>> HOPEFULLY YOU'RE DOING THIS
SAFELY
531
00:33:00,094 --> 00:33:06,100
>> YEAH, WE'RE DOING IT SAFELY
AND I'VE BEEN PRACTICING AND I
532
00:33:06,100 --> 00:33:10,038
HAD TO GET A HOT AIR BALLOON
PILOT LICENSE.
533
00:33:10,038 --> 00:33:14,175
IT GOT MY GAS RESTRICTION
LIFTED SO I COULD FLY
534
00:33:14,175 --> 00:33:17,045
HELIUM‐FILLED BALLOONS WHICH IS
PRETTY RARE.
535
00:33:17,045 --> 00:33:18,213
I'VE BEEN JUMPING OUT OF
AIRPLANES TO GET COMFORTABLE IN
536
00:33:18,213 --> 00:33:24,786
THE AIR.
>> WILL YOU HAVE A PARACHUTE OR
537
00:33:24,786 --> 00:33:30,925
ANYTHING
WHAT IF THE BALLOONS POP
538
00:33:30,925 --> 00:33:34,862
>> I WOULD HAVE ONE UP IN THE
BALLOONS
539
00:33:34,862 --> 00:33:36,064
BECAUSE I ‐‐ I WANT IT TO BE
THE IMAGE OF JUST A BOY HOLDING
540
00:33:36,064 --> 00:33:37,198
A BUNCH OF BALLOONS AND
DRIFTING AWAY LIKE THE MOVIE I
541
00:33:37,198 --> 00:33:44,572
SAW.
I WANT IT TO BE SIMPLISTIC
542
00:33:44,572 --> 00:33:45,673
>> I UNDERSTAND WHAT YOU WANT
IT TO LOOK LIKE.
543
00:33:45,673 --> 00:33:52,113
YOU CAN ALWAYS DRAW IT
YOU DON'T HAVE TO DO IT.
544
00:33:52,113 --> 00:33:53,281
>> SO BEHIND ME IS SOME OF
THE ‐‐ WE'RE IN THE WAREHOUSE,
545
00:33:53,281 --> 00:33:55,116
ACTUALLY
BEHIND ME IS ENOUGH OF THE
546
00:33:55,116 --> 00:33:59,887
BALLOONS THAT MY DAUGHTER
WOULD ‐‐ THIS IS ENOUGH TO
547
00:33:59,887 --> 00:34:04,259
FLOAT MY DAUGHTER RIGHT HERE
THIS IS JUST A LITTLE BIT OF
548
00:34:04,259 --> 00:34:09,163
THE RIG WHICH WE'RE GOING TO BE
USING.
549
00:34:09,163 --> 00:34:13,534
AND THEN OBVIOUSLY FOR ME IT'S
MUCH ‐‐ MUCH BIGGER RIG AND I
550
00:34:13,534 --> 00:34:19,874
WOULD SAY CAN 20 MORE OF THOSE
BALLOONS I WOULD GO FLOATING
551
00:34:19,874 --> 00:34:27,415
ALL THE WAY UP AND DISAPPEAR
INTO THE SKY LEGITIMATELY.
552
00:34:27,415 --> 00:34:28,716
ANYTHING OVER, YOU KNOW, 18,000
FEET GETS ‐‐ BECOMES MORE AND
553
00:34:28,716 --> 00:34:29,851
MORE DANGEROUS BECAUSE THE
TEMPERATURES DROP AND YOU CAN
554
00:34:29,851 --> 00:34:39,460
BECOME HYPOXIC AND THINGS LIKE
THAT
555
00:34:39,460 --> 00:34:42,630
I'VE BEEN PRACTICING AND
LEARNING ALL OF THAT
556
00:34:42,630 --> 00:34:46,134
>> THIS IS AUGUST 31st THIS IS
HAPPENING, LIVE ON YOUTUBE
557
00:34:46,134 --> 00:34:48,536
>> DEPENDING ON THE WINDS.
>> OKAY.
558
00:34:48,536 --> 00:34:50,938
WEATHER PERMITTING
YOU DON'T WANT TO END UP ‐
559
00:34:50,938 --> 00:34:54,008
>> WEATHER PERMITTING.
>> YOU'RE GOING TO END UP IN
560
00:34:54,008 --> 00:34:55,176
CALIFORNIA AGAIN AND YOU'RE
GOING TO GO, WHAT HAPPENED TO
561
00:34:55,176 --> 00:34:57,478
DAVID BLAINE
HE'S STILL FLOATING.
562
00:34:57,478 --> 00:35:01,015
I CANNOT WAIT TO SEE THIS.
I'M PSYCHED FOR YOU.
563
00:35:01,015 --> 00:35:02,116
CHECK OUT DAVID BLAINE,
"ASCENSION", STREAMING LIVE ON
564
00:35:02,116 --> 00:35:10,291
YOUTUBE IN JUST A FEW WEEKS,
AUGUST 31st WEATHER PERMITTING
565
00:35:10,291 --> 00:35:12,460
DAVID, YOU'RE ALWAYS A GREAT
GUEST.
566
00:35:12,460 --> 00:35:17,165
PLEASE BE SAFE, BUDDY.
I WANT TO SEE YOU AGAIN.
567
00:35:17,165 --> 00:35:18,132
>> THANK YOU AND THANKS FOR
HAVING ME.
568
00:35:18,132 --> 00:35:21,769
GOOD TO SEE YOU.
>> WE'LL BE RIGHT BACK WITH
569
00:35:21,769 --> 00:35:22,389
A PERFORMANCE FROM BURNA BOY
COME ON BACK
570
00:35:40,876 --> 00:35:41,604
♪
>> Jimmy: PERFORMING A MEDLEY
571
00:35:41,604 --> 00:35:44,441
OF THE SONGS "WONDERFUL" AND
"MONSTERS YOU MADE" FROM HIS
572
00:35:44,441 --> 00:35:49,646
NEW ALBUM "TWICE AS TALL," OUT
NOW.
HERE IS BURNA BOY.
573
00:35:50,680 --> 00:35:54,951
♪ ANYWHERE I GO
[ SINGING IN FOREIGN LANGUAGE
574
00:35:54,951 --> 00:35:58,989
'CAUSE MAMA ♪
[ SINGING IN FOREIGN LANGUAGE
575
00:35:58,989 --> 00:36:02,359
♪ I NO WANT MAKE PERSON
TELL ME SAY I TOO LAZY ♪
576
00:36:02,359 --> 00:36:09,065
[ SINGING IN FOREIGN LANGUAGE
♪ AS I DEY HUSTLE
577
00:36:09,065 --> 00:36:14,070
LIKE ADEBAYOR OGUNLESI ♪
♪ NO GO TALK SAY ME
578
00:36:14,070 --> 00:36:16,806
I TOO LAZY
ANYWHERE I GO ♪
579
00:36:16,806 --> 00:36:19,876
[ SINGING IN FOREIGN LANGUAGE
♪ 'CAUSE MAMA ♪
580
00:36:19,876 --> 00:36:36,259
[ SINGING IN FOREIGN LANGUAGE
♪
581
00:36:36,259 --> 00:36:40,997
♪ WONDERFUL
I GO SHOW YOU WONDER ♪
582
00:36:40,997 --> 00:36:44,901
[ SINGING IN FOREIGN LANGUAGE
♪ YOU NO GO BELIEVE
583
00:36:44,901 --> 00:36:48,705
WETIN WON HAPPEN
NO DISTURBANCE WHEN TH
584
00:36:48,705 --> 00:36:52,776
CATCH YOU ♪
♪ LIKE YOU DEY SLEE
585
00:36:52,776 --> 00:36:59,416
BUT THIS ONE PASS YO
AS THE DON'T START ♪
586
00:36:59,416 --> 00:37:03,686
[ SINGING IN FOREIGN LANGUAGE
♪ FROM YOUR FEE
587
00:37:03,686 --> 00:37:07,090
ALL OVER ♪
[ SINGING IN FOREIGN LANGUAGE
588
00:37:07,090 --> 00:37:10,360
♪ WITH SOMEBODY DAUGHTE
[ SINGING IN FOREIGN LANGUAGE
589
00:37:10,360 --> 00:37:15,632
'CAUSE I'M FEELING I
IN MY SOUL ♪
590
00:37:15,632 --> 00:37:19,969
♪ SOMETHING IS CHANGING
RIGHT IN YOUR FACE
591
00:37:19,969 --> 00:37:25,341
DEY THERE SLOW
SOMETHING DEY SCRATCH ME ♪
592
00:37:25,341 --> 00:37:43,726
♪ KON BE LIKE JAZZ ♪
♪
593
00:37:43,726 --> 00:37:47,897
♪ ANYWHERE I GO
[ SINGING IN FOREIGN LANGUAGE
594
00:37:47,897 --> 00:37:53,570
'CAUSE MAMA ♪
[ SINGING IN FOREIGN LANGUAGE
595
00:37:53,570 --> 00:37:55,405
♪ I NO WANT MAKE PERSON
TELL ME SAY I TOO LAZY ♪
596
00:37:55,405 --> 00:38:01,311
[ SINGING IN FOREIGN LANGUAGE
♪ AS I DEY HUSTLE
597
00:38:01,311 --> 00:38:06,349
LIKE ADEBAYOR OGUNLESI
NO GO TALK SAY M
598
00:38:06,349 --> 00:38:10,186
I TOO LAZY ♪
♪ ANYWHERE I GO
599
00:38:10,186 --> 00:38:24,267
[ SINGING IN FOREIGN LANGUAGE
♪ CALLING ME A MONSTE
600
00:38:24,267 --> 00:38:27,237
CALLING US FAK
NO WAY NO WAY NO WAY
601
00:38:27,237 --> 00:38:33,009
CALLING ME A MONSTER ♪
♪ JUST 'CAUSE WE SAFE
602
00:38:33,009 --> 00:38:36,079
WELCOME WHERE IT RAINS
WHERE WE CREATE BARRICADES
603
00:38:36,079 --> 00:38:38,481
KEEP OUR POSITIONAL WEIGHT ♪
♪ THAT'S WHY WE STRAP
604
00:38:38,481 --> 00:38:40,450
WITH THE CAS
DON'T GET UP FRO
605
00:38:40,450 --> 00:38:41,985
YOU PLACE ♪
♪ 'CAUSE IT COULD
606
00:38:41,985 --> 00:38:43,520
HAPPEN TODAY
NOT KNOWING HO
607
00:38:43,520 --> 00:38:45,255
TO BEHAVE ♪
♪ THAT IS A SIG
608
00:38:45,255 --> 00:38:47,023
THAT YOU MAK
JUST LOOSE YOUR LIFE
609
00:38:47,023 --> 00:38:48,658
WHAT A WASTE ♪
♪ YOUR BODY FOUND
610
00:38:48,658 --> 00:38:51,060
IN A LAK
YOU ‐‐ AROUND IN THE FIS
611
00:38:51,060 --> 00:38:53,029
MAN FOUND YOU DROWNIN' ♪
♪ FOR DAY
612
00:38:53,029 --> 00:38:55,031
YOU KNOW WE COME
FROM A PLACE
613
00:38:55,031 --> 00:38:56,733
WHERE PEOPLE SMILE ♪
♪ BUT IT'S FAKE
614
00:38:56,733 --> 00:38:58,701
HOW COULD THEY SMILE
IF YOU LOOK AROUND M
615
00:38:58,701 --> 00:39:00,470
SURROUNDED BY PAINT ♪
♪ I SEEN THE SK
616
00:39:00,470 --> 00:39:02,105
TURN TO GREY
IT TOOK THE LIGH
617
00:39:02,105 --> 00:39:03,873
FROM THE DAY ♪
♪ IT'S LIKE THEIR
618
00:39:03,873 --> 00:39:05,475
HEADS OF THE STATE
AIN'T COMPREHENDIN
619
00:39:05,475 --> 00:39:07,243
THE HATE ♪
♪ THAT THE OPPRESSE
620
00:39:07,243 --> 00:39:09,512
GENERATE WHEN THEY
BEEN WORKING LIKE SLAVES
621
00:39:09,512 --> 00:39:11,948
TO GET SOME MINIMUM WAGE ♪
♪ YOU TURN AROUND
622
00:39:11,948 --> 00:39:14,884
AND YOU BLAME THEM
THE HECK OF ENRAGE
623
00:39:14,884 --> 00:39:16,519
PUT THEM IN SHACKLES ♪
♪ AND CHAIN
624
00:39:16,519 --> 00:39:18,821
BECAUSE OF WHAT THEY BECAM
WE ARE THE MONSTER
625
00:39:18,821 --> 00:39:23,293
YOU MADE ♪
♪ CALLING ME A MONSTE
626
00:39:23,293 --> 00:39:28,031
CALLING US FAK
NO WAY NO WAY NO WAY
627
00:39:28,031 --> 00:39:32,268
CALLING ME A MONSTER ♪
♪ JUST 'CAUSE WE SAFE
628
00:39:32,268 --> 00:39:36,206
NO WAY NO WAY NO WAY
CALLING ME A MONSTER
629
00:39:36,206 --> 00:39:39,275
MAKE NO MISTAKE ♪
♪ THAT THERE'S ONLY
630
00:39:39,275 --> 00:39:43,413
SO MUCH THAT YOU CAN TAK
WE ARE THE MONSTERS ♪
631
00:39:43,413 --> 00:39:47,350
♪ YOU MAD
WE ARE THE MONSTER
632
00:39:47,350 --> 00:39:50,186
YOU MADE ♪
>> Jimmy: THANK YOU TO
633
00:39:50,186 --> 00:39:51,487
BURNA BOY.
MORE TONIGHT SHOW WHEN WE COME
634
00:39:51,487 --> 00:39:52,334
BACK, EVERYBODY.
♪
635
00:40:07,255 --> 00:40:11,648
>> Jimmy: THANK YOU SO MUCH FOR
WATCHING
636
00:40:11,648 --> 00:40:13,183
STAY SAFE OUT THERE.
WASH YOUR HANDS.
637
00:40:13,183 --> 00:40:14,718
DON'T TOUCH YOUR FACE.
WE'LL SEE YOU TOMORROW
638
00:40:14,718 --> 00:40:16,787
GOODNIGHT, EVERYBODY
♪
639
00:40:16,787 --> 00:40:51,888
♪
55052
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