All language subtitles for Hanna - 02x07 - Tacitus.NTG.English.HI.C.orig.Addic7ed.com

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali Download
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu

Original subtitles

- Synced and corrected by chamallow - - www.addic7ed.com -

(REPORTER ON TV): That southwestern wind will be pushing its way

into the capital by midday.

But despite the winds, the temperature will remain...

(WATER RUNNING)

♪ ♪

♪ Never mind what's happening in my brain ♪

♪ In love, my heart is not insane ♪

♪ I feel there are no more chains ♪

♪ I love, that's what I claim ♪

♪ And when darkness impresses the night ♪

♪ I know we will fight ♪

♪ Don't be sorry, I'll be ready ♪

♪ Don't be sorry, I'll be your seed ♪

♪ Whenever you need... ♪

He has a briefcase with him?

Yeah.

We need it.

♪ ♪

♪ I push myself into emergency ♪

♪ Deep inside of me I find the key ♪

♪ I have to stay, I have to pray ♪

♪ To get the key of harmony ♪

♪ And when darkness impresses the night ♪

♪ We'll stand up till the morning light ♪

♪ Don't be sorry, I'll be ready ♪

♪ Don't be sorry, I'll be your seed ♪

♪ Whenever you need ♪

(VOCALIZING)

- ♪ I need you badly ♪ - ♪ Oh, yeah ♪

♪ I need you badly ♪

- ♪ I need you badly ♪ - ♪ Oh, yeah ♪

♪ I need you bad. ♪

(BIRDS SINGING)

- Hey. - Hey.

- Come here. - Mm.

Good to see you.

- Everything okay? - Yeah.

Let's walk.

Why couldn't we meet at the hotel?

I'm not staying there anymore.

So, where are you now?

Oh, I haven't decided yet.

Listen, uh... something's happened, Kat.

Unexpected.

As I was flying here.

I don't think I can stay as long as I wanted.

Okay. How long can you stay?

I may have to leave tonight.

- Why? - I can't say.

It might put you in danger.

You were never coming here just to see me, were you?

- Of course I was. - No, you weren't.

Did some intelligence meeting you can't tell me about

- get cancelled? - Kats...

No, don't bullshit me.

- I've heard it all before, Dad. - Please.

Okay. See you around.

No, Kat... Kat, please.

LEO: Tacitus checked out of Hotel Oriental

first thing this morning.

His phone is deactivated, and we don't have

enough CCTV access to use face recognition.

So we've lost him?

I've asked Sandy to go through the daughter.

We'll find him again.

Before he leaves.

CARMICHAEL: Do the girls know we need the briefcase?

LEO: They know.

And Mia Wolff?

Disappeared.

CARMICHAEL: She's not getting in the way of this.

Fly out to Barcelona. Make sure it runs smoothly.

Bring them home.

If you see Mia...

you take her out.

(DOOR OPENS)

(DOOR CLOSES)

(PIANO PLAYING SLOWLY)

♪ ♪

The State Department's got it all wrong.

Vernon Bennett's an asshole, in my view.

They're a fountain of morality and truth

until they reach the top, and then the faucet

suddenly gets turned off.

Power corrupts, my friend.

So... how's things with you?

(LOCK BUZZES, LATCH CLICKS)

(DOOR CREAKS)

Where's the other guard?

You come with us.

GUARD: Keep moving.

- Get in. - Where are we going?

Just get in.

TERRI: Hey, sweetie, how's things?

Great to hear about your new friend Kat.

I hear her father's checked out of his hotel.

Where is he now?

Find out for us. We'd love to know.

LECTURER: When we are looking at the relation

between law and the rights of the individual,

one of the key concepts we need to understand

is "legal personality."

The ability of any legal person

to amend rights and obligations.

But who has legal personality?

(MUSIC PLAYING IN DORM)

Kat?

- What are you doing here? - I wanted to check on you.

You weren't at the lecture.

I'm fine. My dad's just an asshole, that's all.

- Oh. Is he here? - Yeah.

He arrived last night. Got me up at the crack of dawn

to tell me he can't see me anymore.

What's the fucking point in that?

- Why can't he see you? - I don't know.

Some kind of work thing that, of course, he won't tell me about.

- Where is he? - He's moved hotels,

but he won't tell me where.

I think he's gonna leave tonight.

Oh, sweetie.

It's fine.

(BELL TOLLING)

- Hey. - Hey.

- Hey, you. - Where's Sandy?

She wasn't at the lecture.

Probably still sleeping off the karaoke catastrophe.

This is the most interesting book.

It transpires that the real story behind Vietnam

is John F. Kennedy.

He started the war. If Kennedy hadn't been shot,

Vietnam would've been on his watch.

Kennedy's the luckiest president ever.

He was shot dead, Ray, in front of his wife.

(RAY FADING): All I'm saying is that...

(DIALOGUE FADES)

RAY: When will people understand

that liberalism is not the body but the disease?

Actually, I have to go.

TERESA: I thought you were waiting for Sandy.

I forgot I have an interview.

- RAY: We just ordered you a coffee. - You have it.

(TOUR GUIDE SPEAKING INDISTINCTLY)

♪ ♪

What are you doing here? You should be in London.

I was in London.

- What is this? - She was a journalist.

She was killed.

She was about to come here to meet a man called Robert Gelder.

Jules killed her.

Robert Gelder is your target, isn't he?

No.

Don't lie.

(TOUR GUIDE SPEAKING INDISTINCTLY)

What did they tell you about him?

Did they tell you why they want him dead?

It's not our job to question what we do.

It's called service.

Serving who?

America.

How can you serve America, Clara?

You've never even been there.

(TOUR GUIDE CONTINUES)

HANNA: Gelder came here to give

information to Nicola Gough, about Utrax.

He has a list of everybody

- you've been trained to kill. - I don't have to listen to this.

The people who sent you here

are not the force of good that they claim to be.

- I need that list, Clara. - Just leave me alone.

Clara, I won't let you do this.

I mean it.

Leave the city.

If I see you again, you'll regret it.

Your mother's not dead.

You're making that up.

They lied to you.

She changed her name because she got married,

but now she lives in Egypt.

They knew all this time, and they didn't tell you.

- That's a lie! - TOUR GUIDE: Are you girls okay?

We're fine. We just lost our tour group.

Well, go to the reception. Someone will help you.

I'll be in touch.

(MAN OVER RADIO): Confirm arrival at termination site.

T minus 12 minutes.

Roger that.

Execute and return.

You don't have to do this.

I have money.

- I know people. - Sure you do.

Who do you know, Minnie Mouse?

(GASPS)

(TIRES SCREECHING)

♪ ♪

(GRUNTING)

(GRUNTS)

(COUGHING)

(PANTING)

We said we'd get you out.

Get in the truck.

(ENGINE STARTS)

♪ ♪

(INDISTINCT CHATTER)

SANDY: Hi, Mom.

I have some news about my friend Kat.

Her father's leaving sooner than expected.

She thinks tonight.

TERRI: That's a shame.

Better get to know him quick.

By the way, Uncle Leo is flying over on business.

He might drop by.

Where have you been?

- Didn't you hear my messages? - What happened?

The target's leaving. We have to move fast.

(LIBRARIAN SHUSHES)

I thought we had three days.

(WHISPERING): Not anymore.

I'm finding out where he's staying.

Leo's coming to support.

- Why? - I think something's wrong.

What is it?

I'm just tired. Didn't sleep.

Are you nervous?

Clem, we've gone through this a hundred times.

I'm going to find Kat, I'll find where he's staying.

You go home and get the gun and we'll do it together.

This is why we're here.

GIRL: Going to the lecture this afternoon?

GIRL 2: Yeah, I'll see you around.

- All right. Bye! - See you later.

Hello. My name is Alison, I'm looking for a student here.

Her name is Katherine Gelder.

I'm afraid I cannot give you that information.

Please. It's very important.

I have something I need to give her.

RECEPTIONIST: You understand data protection, Miss?

I can't tell you anything.

♪ Oh, my lover, won't you tell me now ♪

♪ All the things that you fear? ♪

Hola. Um, can I please have one orange juice?

- SANDY: Hey. - Hey.

KAT: I thought you had a seminar at the business school.

SANDY: Yeah, well, the sun's out, so...

The sun's always out, Sandy. It's fucking Spain.

You're gonna miss a lot of seminars.

- (CHUCKLES) You want to sit down? - Yeah. Sure.

SANDY: You heard any more from your dad?

Mm, nothing.

You have any way of contacting him?

KAT: I have a Spanish phone number.

So use it. Surprise him.

Clemency.

Hola. A friend of yours dropped this off.

She said you'd know what it is.

What did she look like?

Uh... Dark hair.

German, maybe.

Thanks.

You want to catch a movie later?

There is a place in town.

Sure.

Cool. The name of the cinema is Cine de Barnes.

Let's meet there.

- Okay. - 7:00.

Don't be late.

♪ I heard a flash ♪

♪ I heard a flash ♪

♪ I heard a flash ♪

♪ ♪

♪ I heard a flash ♪

♪ I heard a flash... ♪

SANDY: Kat, I have a ball-breaker

of a dad, too.

Always working, always got his head

- in some P and L account. - (LAUGHS SOFTLY)

You're his daughter. You mean everything to him.

Get him on the phone.

Tell him you want one lunch together.

Remind him how much he loves you.

(KEYBOARD CLICKING)

♪ Don't you wonder ♪

♪ When the Earth ♪

♪ Will go? ♪

♪ Watch the oceans ♪

♪ Wash away ♪

♪ The snow... ♪

(BOTTLE POPS)

(LIQUID POURING)

GRANT: Feeling better?

MARISSA: Who are you?

We work with Stephen Mannion.

We infiltrated Camp G to get you out.

I got to tell you, it took a lot to believe you were on our side.

Who said I was?

Mannion is dead.

They killed him.

(EXHALES)

You heard of the Pioneer Group?

No.

But you've noticed a change, haven't you?

Over the last five years?

The systematic takeover of the agency

by people loyal to a new cause.

People like John Carmichael.

Well, now they're about to ramp it up using a unique new weapon.

Utrax.

- Who is he? - GRANT: Robert Gelder.

Washington insider.

We think he's in Barcelona with a list of the Utrax targets.

MARISSA: Hanna?

GRANT: She's operating under the name Mia Wolff.

She was part of a London kill team,

but she refused to go through with it.

We think she may go to Barcelona to protect Robert Gelder.

We have to find her, Marissa. And help her.

And we need that target list, before they kill Robert Gelder.

CARMICHAEL: Listen, I don't know him,

I don't know how he got ahold of the documents.

But the team in Barcelona is fully operational.

Sending Leo Garner as backup.

We will take out the whistleblower,

retrieve the target list,

and no one will know this ever happened.

Sir, Sandy Phillips just messaged.

Gelder is having lunch with his daughter.

In Barceloneta by the harbor.

Good. This time, we don't lose him.

Alba, this is Tacitus.

I'm here in Barcelona with the target list,

but it is not safe for us to meet,

and I need to leave as soon as possible.

So this is what I'm gonna do...

Don't be scared, okay?

I'm such a coward.

Time to grow up, daddy's girl.

- (CHUCKLES): Shut up. - You shut up.

- (LAUGHS): You shut up. - You shut up.

- Hi. - Hey.

I said "alone."

KAT: Sandy's my friend. This place was her idea.

Don't worry, Mr. Gelder, I'm not staying.

It's just Kat talks about you endlessly, and it was getting

a little irritating not knowing the real thing.

Well, it's... it's very nice to meet you, but, um,

I just need a little time with my daughter.

Sure. Oh, just so you know,

this restaurant doesn't actually have menus,

which I personally think is so awesome.

Make sure you get the merluza.

It's a white fish. They take it fresh

from the boat every morning,

stick it in a pan with a touch of garlic.

It's incredible.

Enjoy your meal.

(CELL PHONE BUZZING)

(SANDY OVER PHONE): He's here at the restaurant.

Where the hell are you?

On my way.

This has been really nice,

which makes this kind of a tough thing to say.

KAT: I know, Dad.

You're leaving. You told me.

I didn't tell you all of it.

You need to leave, too.

Wait, what do you mean?

I mean, I'm gonna pay the bill,

and then we're gonna get a taxi together.

We'll go back to your dorm, pick up your passport

and whatever stuff you want to take,

and then I'm gonna accompany you to the airport

'cause I booked you on a flight at 9:00 tonight.

Wait, where the hell am I going?

Back to your mother in Missouri.

- No way. - Kat...

- No fucking way. - Kat.

Keep your... keep your voice down, Kat.

I'm in trouble here.

- Hey. - You took your time.

CLARA: I had to go pick up the gun.

SANDY: Have you got it?

- Yeah. - They're inside.

When he comes out,

follow him to his hotel,

do it there.

Okay.

What's wrong now?

Nothing.

Tell me what the fuck is going on, Clemency.

You've been acting weird all day.

You carry on like this,

and you're gonna screw this thing up.

You understand?

A woman just got killed in London,

and she was supposed to come here and meet me.

I have a document

in my possession and I'm supposed to give it

to someone here in Barcelona.

I should not have gotten you involved

in any of this, I know, but...

we're here, so help me, please.

No, but why do I have to go back to Mom?

Why can't you just leave me here?

Because it's not safe for you.

Maybe you can go stay with your aunt in Osage Beach,

but you cannot stay here. Now, please...

Why is it always me, Dad?

Why am I always in the middle of your shit?

Will you listen to me? It's dangerous.

But you used me.

You put me in danger by coming here.

No... No. I'm not going.

Not this time.

Kat... K... Katherine. K...

What the hell?

- Kat. - What are you doing here?

I thought I'd wait for you. What happened?

- It doesn't matter. - Okay, well, where do you want to go?

Anywhere, just out of here.

SANDY: Wait, I'm coming with you.

- Let him go. - I can't.

- You have to. - Get out of my way.

Did you get the envelope I left?

Did you try the website?

You see her face?

She has your eyes, Clara.

- Stop. - She's alive.

If they cared about you so much then

why would they lie to you?

Are you going to shoot me?

Go on, then.

Sandy will find out where he's staying.

Leo's flying over. You can't stop this.

I have to. It's what Erik trained me for.

- To do what? - To fight them.

(CELL PHONE BUZZES)

Is that Sandy texting you?

I need to stop her, Clara.

Where did she take her?

Tell me.

Let's go out, get drunk.

Has your dad contacted you?

He left a couple of messages, but I don't care.

- All right, then, where do you want to go? - Anywhere.

- (PHONE BUZZES) - Day drinking.

So long as I'm not put on a plane ride to hell.

He just expects me to do what he says.

Never thinks about what I want.

Never did.

You should go and see him, talk to him about it.

Put this on.

We're going dancing, and I'm not coming back until he's gone.

(INDISTINCT CHATTER)

SANDY: So, tell me where we're going.

KAT: He's always patronized me.

I'm just another trophy in his cabinet.

SANDY: That's why I'm saying you should confront him.

Ask him about it.

If I do that, I'll end up going home to my crazy fucking mother.

No fucking way.

What's happening?

We lost the target.

Sandy's trying to locate the hotel.

Okay, good.

Find out where he's staying.

You execute tonight.

And remember, we need his briefcase.

Just follow the training.

It's all gonna be fine.

- (LOUD DANCE MUSIC PLAYING) - Someone get me a drink.

I want a mojito. Hey, Gary.

- Can you get me a mojito, yeah? - Sure thing.

And get her a Sex on the Beach.

Thanks.

♪ ♪

(GROANS)

Is that your dad?

Yeah, screw him.

(LAUGHS)

I'll be right back.

I need to pee. Don't drink my cocktail.

♪ ♪

Power corrupts, my friend.

So...

how's things with you?

(TELEPHONE RINGING)

What is it?

Tacitus is staying at Hotel Metro-Plaza.

Room 532.

All right, I'm coming. Tell Leo.

We do this now.

(CELL PHONE BUZZES)

(LOUD DANCE MUSIC PLAYING)

Excuse me.

- Are you Kat Gelder? - Who wants to know?

- I know your father. - Hell you do.

- Please, I need you to come with me. Now. - What is this?

- Just keep walking. - My arm!

- Who are you? - I'm here to save your father's life.

I need to know where he is.

I'm not telling you that. Get lost.

- Sandy Phillips. - What about her?

- You know who she is? - Yes.

She's a business major from fucking Ohio, okay?

She's never been to Ohio in her life.

She's here to kill your father.

Are you on drugs or something?

She took your phone just now.

See that?

KAT: What about it?

HANNA: Go back and ask her

about Golden Hawk School in Bentleyville, Ohio.

She'll pretend she knows it.

Go on, just do it.

- Hey. - Where did you go?

I smoked a joint in the backyard. Why?

Listen, this isn't really my kind of place.

I'm gonna get out of here. You stay if you want, though.

No, no, no. Wait, I'll come, too.

I lost my phone. Have you seen it?

Maybe one of the guys took it.

Hey, um, one of the Americans was from Ohio.

Can you believe that? He said he knew Bentleyville.

Oh, yeah?

Yeah, he went to Golden Hawk School, I think it was.

Oh, yeah, that's right on the other side of town.

Oh, yeah?

Yeah. We totally would lose to them at sports,

like, all the time.

Okay, um, I got to go pee.

Then we'll go. You wait here.

(LINE RINGING)

Leo?

I've lost her. I think I screwed up.

Hotel Metro-Plaza, rápido.

(WOMAN SPEAKING SPANISH OVER RADIO)

(TIRES SCREECH)

(EXCLAIMS)

Dios mío!

(SPEAKS SPANISH)

(SPANISH CONVERSATION OVER RADIO)

(TIRES SCREECHING)

(DIALS PHONE)

(SNIFFLES)

(LINE RINGING)

(WOMAN OVER PHONE): Reception...

Uh, this is suite 532.

Um, I need to leave something

for a friend of mine to collect tomorrow, please.

Of course, sir. What is their name?

- Her name is Alba Paredes. - Paretes.

- Paredes. - Paredes.

Yes, can you send someone to the room, please?

Of course, sir.

♪ ♪

TERRI: She's inside.

The cameras inside are off?

Fully disabled, sir.

Sorry. Room 410.

Leave your clothes in the suitcase.

(LINE RINGING)

Contact made.

♪ ♪

♪ ♪

♪ ♪

We're just picking up something from my apartment

and then going on.

Can you drive a bit faster, please?

♪ ♪

(ELEVATOR BELL DINGS)

ROBERT: You understand that?

MAN: Yes, I understand completely, sir.

I can do that for you right away.

ROBERT: Thanks so much.

MAN: Of course.

(DOOR CLOSES)

(ELEVATOR BELL DINGS)

♪ ♪

AUTOMATED VOICE: You are going to...

Fifth floor.

WOMAN: I can help next.

AUTOMATED VOICE: You are going to...

Fifth floor.

TERRI: His daughter's there.

Tell her to kill both of them.

You sure?

Do it.

MAN: Pickup of Clemency Jones' clothes complete.

Heading back.

(KNOCKING)

CLARA: Maid service.

Not now, please.

I just need to restock the bathroom, sir.

Well, I'm leaving in 30 minutes.

You can do it when I'm gone.

It'll only take ten seconds, sir.

All right, but be fast.

Dad?

Dad? Dad!

I went to my place.

- I have my passport. - All right, just get in, get in.

Did you see her?

We have to kill her, too.

You sure?

That's the order.

We kill them, get the briefcase, and leave.

(FOOTFALLS APPROACHING)

(GRUNTING)

(BOTH PANTING)

Which room are they?

Which room?!

(MAN SCREAMING)

(THUD)

- Let's just go. - Dad, I'm scared.

It'll be okay, stay with me.

Sorry, I just need to...

(GRUNTS)

(KAT SCREAMS)

- Just shut up and sit down. - SANDY: Sit down.

(ROBERT STAMMERING): Please don't touch her.

It's okay, Kat, be calm.

Just, please do as they ask.

- Where's the briefcase? - KAT: No.

No, no.

- Where is it?! - It's not here.

What do you mean it's not here?

Dad...

It's okay...

SANDY: I can't see it!

Where the fuck is it?!

The briefcase.

It's brown, you had it at the airport... where is it?

I told you, it's not here. Now, please, can we just talk

- about this? - Where's the fucking briefcase?!

(GASPS)

KAT: Oh, my God, oh, my God.

You don't say a goddamn word.

Okay?

We'll find it after. Do it.

KAT: No.

ROBERT: Wait, what are you doing?

What are you doing?

Please, no. No.

Please.

Get a fucking move on!

KAT: No, no.

No, please.

ROBERT: Please.

SANDY: Do it, Clemency.

Do it now.

I can't.

Do it, for Christ's sake!

No, I won't.

- (PANTING) - One last chance.

- Where is the briefcase? - KAT: No.

ROBERT: I promise you it's not here.

- SANDY: You're lying. - I'm not lying.

- KAT: No, no. - SANDY: I'm going to count to three.

One, two...

(KAT SCREAMS)

(GUNFIRE)

(GRUNTS)

Nobody come in here or I'll fucking shoot him!

Please.

Please don't do this.

I could have killed him.

I didn't.

(GUNSHOT)

Dad?

Dad?!

(SOBBING): Dad.

Dad?

Kat. Kat.

(CRYING): Dad...

Kat.

KAT: Get off me! Get off me.

HANNA: Dad?

Wake up.

KAT: Dad.

CLARA: Hanna.

Hanna.

We can't be here.

We need to go.

Kat, listen to me.

My name is Hanna.

If you want to live...

we go now.

("F.W.T.B." BY YONAKA PLAYING)

♪ Shut your mouth for a minute ♪

♪ Eyes red, tight chest ♪

♪ Lips that won't quit it ♪

♪ I'm sick to death of this business ♪

♪ Who are you to tell me I'm finished? ♪

♪ I know you know I'm gonna give it right back ♪

♪ There ain't no way that I'm gonna ♪

♪ Give you the satisfaction ♪

♪ I left my conscience burning in the tarmac ♪

♪ Load my ammo, click it back ♪

♪ Bang, bang, and attack, yeah ♪

♪ Yeah ♪

♪ You're messin' with the boss now ♪

♪ Yeah ♪

♪ You're messin' with the boss now ♪

♪ Yeah ♪

♪ You're messin' with the boss now ♪

♪ Hush, hush, legs crossed ♪

- ♪ Messin' with the boss now ♪ - ♪ Yeah ♪

♪ You're messin' with the boss now ♪

♪ Yeah ♪

♪ You're messin' with the boss now ♪

♪ Yeah ♪

♪ You're messin' with the boss now ♪

♪ Hush, hush, legs crossed ♪

♪ Messin' with the boss now ♪

♪ Yeah ♪

♪ You're messin' with the boss now ♪

♪ Yeah ♪

♪ You're messin' with the boss now ♪

♪ Yeah ♪

♪ You're messin' with the boss now ♪

♪ Hush, hush, legs crossed ♪

♪ Messin' with the boss now ♪

♪ You like a fight when your friend's near ♪

♪ Now you're alone, you lay low 'cause you smell fear ♪

♪ Call for backup, I'm in fifth gear ♪

♪ Screaming at the walls ♪

♪ And knocking you back into last year ♪

♪ I know you know I'm gonna give it right back ♪

♪ There ain't no way that I'm gonna ♪

♪ Give you the satisfaction ♪

♪ I left my conscience burning in the tarmac ♪

♪ Load my ammo, click it back ♪

♪ Bang, bang, and attack, yeah ♪

♪ Yeah ♪

♪ You're messin' with the boss now ♪

♪ Hush, hush, legs crossed ♪

♪ Messin' with the boss now ♪

♪ Yeah ♪

♪ You're messin' with the boss now ♪

♪ Yeah ♪

♪ You're messin' with the boss now ♪

♪ Yeah ♪

♪ You're messin' with the boss now ♪

♪ Hush, hush, legs crossed, messin' with the boss now. ♪

- Synced and corrected by chamallow - - www.addic7ed.com -

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.