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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,826 --> 00:00:02,176 [THUNDER CRASHING] 2 00:00:04,613 --> 00:00:07,403 RUSS: Okay, last scene. 3 00:00:07,485 --> 00:00:08,915 [LEVER CREAKING] 4 00:00:13,317 --> 00:00:16,887 [LAUGHING] Oh. 5 00:00:16,973 --> 00:00:18,933 Genius! 6 00:00:19,019 --> 00:00:22,069 Wow, Archie. I don't know why you tried to destroy this film. 7 00:00:22,152 --> 00:00:23,682 [THUNDER CRASHING] 8 00:00:24,981 --> 00:00:27,071 Oh, come on. Don't start that again. 9 00:00:27,157 --> 00:00:29,897 This film needs to be restored for future generations. 10 00:00:29,986 --> 00:00:31,466 [THUNDER RUMBLING] 11 00:00:31,553 --> 00:00:32,773 Whoa, whoa! 12 00:00:32,858 --> 00:00:33,988 What's with the personal attacks? 13 00:00:35,470 --> 00:00:37,520 You leave Laura out of this. 14 00:00:37,602 --> 00:00:39,522 How many times do I have to tell you? We're taking a mutual break. 15 00:00:39,604 --> 00:00:40,914 She'll come back. 16 00:00:40,997 --> 00:00:42,607 [THUNDER CRASHING] 17 00:00:42,694 --> 00:00:46,134 Oh, you wanna go? It's on, flat boy. 18 00:00:46,220 --> 00:00:47,180 [GRUNTING] 19 00:00:56,230 --> 00:00:58,930 Stay down, man. Come on, this isn't us. 20 00:00:59,015 --> 00:01:00,445 [THUNDER CRASHES] 21 00:01:02,888 --> 00:01:05,148 Archie? Uh, look, man. 22 00:01:05,239 --> 00:01:07,419 Things were said, it got a little heated. 23 00:01:07,502 --> 00:01:09,072 It's just the job, man. 24 00:01:09,156 --> 00:01:10,976 The pressure's getting to us. 25 00:01:11,071 --> 00:01:13,641 You'll see. The world will love your final film. 26 00:01:13,725 --> 00:01:15,415 [THUNDER CRASHES] 27 00:01:15,510 --> 00:01:16,470 Hmm? 28 00:01:18,034 --> 00:01:19,644 [SCREAMING] 29 00:01:19,731 --> 00:01:21,691 [THEME MUSIC PLAYING] 30 00:01:37,314 --> 00:01:39,104 SCOOBY-DOO: Scooby-Dooby-Doo! 31 00:01:46,106 --> 00:01:47,716 TOUR GUIDE: And to your left is the house where 32 00:01:47,803 --> 00:01:50,413 they recently filmed, I Married a Dachshund. 33 00:01:50,501 --> 00:01:53,771 Boy, did that movie put Fletcher Films in the doghouse. 34 00:01:53,852 --> 00:01:56,292 Come on, this stuff has to be scripted for you, right? 35 00:01:56,377 --> 00:01:59,637 Life isn't scripted. Let's get the real tour. 36 00:01:59,728 --> 00:02:00,768 She's right. 37 00:02:00,859 --> 00:02:02,639 [ALL SCREAMING] 38 00:02:03,775 --> 00:02:04,775 TOUR GUIDE: Unscripted! 39 00:02:04,863 --> 00:02:06,693 [ALL SCREAMING] 40 00:02:06,778 --> 00:02:08,648 Okay, here's the real deal. 41 00:02:08,737 --> 00:02:11,087 A hundred years ago, Fletcher Films silent movies 42 00:02:11,174 --> 00:02:12,924 were the pinnacle of Hollywood artistry. 43 00:02:13,002 --> 00:02:15,142 They have stood the test of time. 44 00:02:15,222 --> 00:02:17,352 Nowadays, the studio only releases garbage 45 00:02:17,441 --> 00:02:19,441 that panders to the lowest common denominator. 46 00:02:19,530 --> 00:02:21,660 LikeMonkey Wearing a Suit 3. 47 00:02:23,186 --> 00:02:25,316 Yeah, like eve Monkey Wearing a Suit 2, 48 00:02:25,406 --> 00:02:27,496 was a crass retread of the original. 49 00:02:27,582 --> 00:02:29,802 Such potential squandered. 50 00:02:29,888 --> 00:02:32,408 It all started to go bad when famous silent film star, 51 00:02:32,500 --> 00:02:34,020 Archie Barnes, quit the studio. 52 00:02:34,110 --> 00:02:36,110 SCOOBY-DOO: Who? 53 00:02:36,199 --> 00:02:38,109 Archie Barnes was one of the masters of the silent comedy era. 54 00:02:38,201 --> 00:02:40,771 He wrote, directed and starred in 60 movies, 55 00:02:40,856 --> 00:02:43,816 includingBonk! on the Head and theQuiet Funny Person. 56 00:02:43,902 --> 00:02:46,122 He put Fletcher Studios on the map. 57 00:02:46,209 --> 00:02:48,779 Legend has it, studio head, Frank Fletcher tampered 58 00:02:48,864 --> 00:02:51,264 with Archie's final movie, Road Tripping. 59 00:02:51,345 --> 00:02:53,385 Archie hated the film so much, he destroyed it 60 00:02:53,477 --> 00:02:55,087 before it was ever completed. 61 00:02:55,175 --> 00:02:58,735 Archie quit and was never heard from again. 62 00:02:58,830 --> 00:03:02,400 Uh, Velma, how do you know so much about Archie Barnes? 63 00:03:02,486 --> 00:03:05,746 Yeah, I never saw you as a fan of slapstick comedy. 64 00:03:05,837 --> 00:03:07,707 Or just comedy in general. 65 00:03:07,796 --> 00:03:11,056 Or even having fun in any recognizable sense of the word. 66 00:03:11,147 --> 00:03:13,497 Great comedy is about mathematical precision, 67 00:03:13,584 --> 00:03:14,934 physics and timing. 68 00:03:15,020 --> 00:03:17,850 In fact, one can't truly appreciate what's funny 69 00:03:17,936 --> 00:03:20,456 until one has thoroughly analyzed and dissected it. 70 00:03:20,548 --> 00:03:21,508 Scientifically. 71 00:03:22,680 --> 00:03:24,120 Yup, that's comedy. 72 00:03:24,204 --> 00:03:26,474 So, that was the end of Archie Barnes? 73 00:03:26,554 --> 00:03:30,864 Until recently, an archivist found Archie's legendary last movie. 74 00:03:30,949 --> 00:03:33,079 Just as he restored the last frame, 75 00:03:33,169 --> 00:03:35,169 Archie Barnes' ghost attacked him! 76 00:03:35,258 --> 00:03:38,088 It was artistic integrity from beyond the grave. 77 00:03:38,174 --> 00:03:40,314 BOTH: Artistic integrity? 78 00:03:40,394 --> 00:03:42,404 Sounds like a silent, funny mystery. 79 00:03:42,483 --> 00:03:44,273 No, it's justice! 80 00:03:44,354 --> 00:03:45,664 The only mystery is, 81 00:03:45,747 --> 00:03:48,097 why are they trying to release it? 82 00:03:48,184 --> 00:03:50,534 -Look, they're even shooting new scenes for this movie. -[BELL RINGING] 83 00:03:50,621 --> 00:03:53,151 All this studio does, is revamp old stuff. 84 00:03:53,233 --> 00:03:56,933 What happened to originality? Oh, it makes me so mad. 85 00:03:57,019 --> 00:03:59,409 You know what? That's it, I quit. 86 00:03:59,500 --> 00:04:00,460 ALL: Hmm? 87 00:04:01,197 --> 00:04:02,497 [ALL SCREAMING] 88 00:04:08,030 --> 00:04:10,340 Now, that was unscripted. 89 00:04:10,424 --> 00:04:12,344 And if you look to your right, 90 00:04:12,426 --> 00:04:14,166 -you can see Tony giving up all hope. -[TONY WAILING] 91 00:04:14,254 --> 00:04:16,134 And so, on kind of a downer note, 92 00:04:16,212 --> 00:04:18,132 that concludes our studio tour. 93 00:04:18,214 --> 00:04:20,004 And begins our mystery. 94 00:04:20,085 --> 00:04:22,215 Velma and Daphne and I will check out the archives 95 00:04:22,305 --> 00:04:23,515 where the ghost was last seen. 96 00:04:23,611 --> 00:04:25,481 Shaggy, Scooby, look for any place 97 00:04:25,569 --> 00:04:27,529 Archie's films are being shown. 98 00:04:27,615 --> 00:04:29,695 There may be a link between the ghost and all of his movies. 99 00:04:29,791 --> 00:04:32,531 I'm Daphne and I'll be your tour guide on this mystery. 100 00:04:32,620 --> 00:04:34,320 If you'll look to both your left and right, 101 00:04:34,404 --> 00:04:36,544 you'll see your fellow mystery solvers realize 102 00:04:36,624 --> 00:04:38,974 I'm not going to stop doing this. 103 00:04:39,061 --> 00:04:40,321 Can I go with them? 104 00:04:40,410 --> 00:04:42,760 [SIGHS] Fine. 105 00:04:42,847 --> 00:04:45,417 This theater plays Archie's first film Skyscraping 106 00:04:45,502 --> 00:04:46,852 on a continuous loop. 107 00:04:46,938 --> 00:04:48,678 Like, do they have a concession stand? 108 00:04:48,766 --> 00:04:50,676 We can't watch a movie without popcorn, hotdogs, 109 00:04:50,768 --> 00:04:52,418 candy, nachos, and soft pretzels! 110 00:04:52,509 --> 00:04:53,549 It's in our contracts. 111 00:04:57,471 --> 00:05:00,211 You realize this movie is only 16-minutes long. 112 00:05:00,300 --> 00:05:01,740 You won't have time to eat all... 113 00:05:06,915 --> 00:05:08,395 [SHAGGY AND SCOOBY-DOO LAUGHING] 114 00:05:17,534 --> 00:05:19,014 SCOOBY-DOO: Hmm. 115 00:05:19,101 --> 00:05:21,151 [SHAGGY AND SCOOBY-DOO GASPING] 116 00:05:21,233 --> 00:05:22,933 SCOOBY-DOO: Huh. SHAGGY: Oh, look out! 117 00:05:26,369 --> 00:05:27,979 I agree, it's amusing. 118 00:05:28,066 --> 00:05:30,026 But, this was only his first film. 119 00:05:30,112 --> 00:05:32,512 Most of these jokes are lifted directly from Isaac Newton's 120 00:05:32,593 --> 00:05:35,383 First and Third Laws of Motion from 1687. 121 00:05:38,555 --> 00:05:40,075 BOTH: Hmm? 122 00:05:40,165 --> 00:05:41,295 [BOTH CLEARING THROAT] 123 00:05:42,603 --> 00:05:45,043 [CLEARING THROAT LOUDER] 124 00:05:50,959 --> 00:05:52,259 BOTH: Hmm. 125 00:05:52,352 --> 00:05:55,572 Like, excuse me, but we can't see Archie. 126 00:05:55,659 --> 00:05:56,619 [WHIMPERING] 127 00:06:00,534 --> 00:06:02,364 -Now, we can. -Run! 128 00:06:02,449 --> 00:06:03,799 [SCREAMING] 129 00:06:12,937 --> 00:06:14,157 [LAUGHING] 130 00:06:17,551 --> 00:06:20,641 DAPHNE: We are now entering Fletcher Studios' film archive room. 131 00:06:20,728 --> 00:06:23,988 This is where people archive 132 00:06:24,079 --> 00:06:26,039 film in a room? 133 00:06:28,692 --> 00:06:29,652 [BOTH SCREAM] 134 00:06:31,129 --> 00:06:32,959 Uh, hi. 135 00:06:33,044 --> 00:06:37,054 Are we interrupting something weird? 136 00:06:37,135 --> 00:06:39,955 Who are you? Friends of yours? 137 00:06:40,051 --> 00:06:42,311 We're, uh... We're just looking into these stories 138 00:06:42,402 --> 00:06:44,062 about the ghost of Archie Barnes? 139 00:06:44,142 --> 00:06:46,362 They're not stories. It really happened. 140 00:06:46,449 --> 00:06:48,449 We were there. 141 00:06:48,538 --> 00:06:50,798 He attacked me because he doesn't want anyone to see that film. 142 00:06:50,888 --> 00:06:52,458 It's cursed. 143 00:06:52,542 --> 00:06:54,332 Ray Fletcher, the studio head, insisted I transfer 144 00:06:54,414 --> 00:06:56,334 this footage so he could finish that film 145 00:06:56,416 --> 00:06:57,936 and finally share it with the world. 146 00:06:58,026 --> 00:07:00,376 But I say anyone foolish enough to watch that movie 147 00:07:00,463 --> 00:07:02,123 gets what they deserve. Right? 148 00:07:02,683 --> 00:07:03,993 See? 149 00:07:04,075 --> 00:07:06,425 Yeah. 150 00:07:06,513 --> 00:07:08,733 So, where did you find the film to begin with? 151 00:07:08,819 --> 00:07:11,429 We discovered this trunk in the old prop warehouse. 152 00:07:11,518 --> 00:07:13,998 Inside is what Archie left in his office when he quit. 153 00:07:14,085 --> 00:07:15,695 Including his last damaged film. 154 00:07:21,005 --> 00:07:23,225 FRED: This must be Archie's notebook. 155 00:07:23,312 --> 00:07:26,102 It shows, in his own hand, how he worked out the stunts and visual effects 156 00:07:26,184 --> 00:07:27,404 for all his films. 157 00:07:27,490 --> 00:07:29,490 Amazing, isn't it? 158 00:07:29,579 --> 00:07:32,449 You may be a violent monster, Archie, but you're also a genius. 159 00:07:33,757 --> 00:07:36,187 You take that back. [GRUNTS] 160 00:07:36,281 --> 00:07:38,891 And if you look to your right... Wow! 161 00:07:38,980 --> 00:07:40,680 Uh, actually, no. Don't look to your right. 162 00:07:40,764 --> 00:07:42,774 Uh, Film Archive tour is over! 163 00:07:44,855 --> 00:07:46,725 And now, we come to the part of our tour 164 00:07:46,814 --> 00:07:48,344 where we collide with our friends. 165 00:07:48,424 --> 00:07:50,084 [ALL GRUNTING] 166 00:07:50,165 --> 00:07:51,685 What happened to you guys? 167 00:07:51,775 --> 00:07:53,165 Like, we saw an Archie Barnes movie 168 00:07:53,255 --> 00:07:54,595 followed by the sequel, 169 00:07:54,691 --> 00:07:57,301 Archie Barnes 2 Horrifying Ghost Attack. 170 00:07:57,389 --> 00:08:00,089 They ruined the franchise. 171 00:08:00,175 --> 00:08:02,565 I've studied Archie Barnes and I gotta say 172 00:08:02,656 --> 00:08:05,786 the ghost looked, moved and didn't talk just like him. 173 00:08:05,876 --> 00:08:07,356 -Hmm. -[RATTLING] 174 00:08:08,009 --> 00:08:09,009 Hmm? 175 00:08:14,406 --> 00:08:15,496 Hey, watch out! 176 00:08:19,107 --> 00:08:20,237 [PIANO KEYS POUNDING DISCORDANTLY] 177 00:08:21,152 --> 00:08:23,592 That was close. 178 00:08:23,677 --> 00:08:27,067 Lucky for you, I've developed an almost superhuman awareness of my surroundings. 179 00:08:27,158 --> 00:08:28,378 DIRECTOR: Cut! 180 00:08:28,464 --> 00:08:29,944 CREW MEMBER: Man, that was the 80th take! 181 00:08:31,249 --> 00:08:34,119 [LAUGHING] Get off me. Novice. 182 00:08:34,209 --> 00:08:36,469 Who are you supposed to be? Super ascot man? 183 00:08:36,559 --> 00:08:38,169 Is this another Ray Fletcher rewrite? 184 00:08:38,256 --> 00:08:40,516 -Ray Fletcher? -Yeah. 185 00:08:40,607 --> 00:08:42,907 As in Fletcher Studios. The guy who owns this place and whose bright ideas 186 00:08:43,000 --> 00:08:44,610 are currently ruining my movie. 187 00:08:44,698 --> 00:08:47,398 I'm sorry. I saw the woman and the piano and... 188 00:08:47,483 --> 00:08:51,103 [GROANS] Someone get me Ray on the phone. And where's my latte? 189 00:08:51,182 --> 00:08:54,802 And there, storming away, is up-and-coming director Lori Logan, 190 00:08:54,882 --> 00:08:57,492 in front of whom Fred just humiliated himself. 191 00:08:57,580 --> 00:08:59,100 -She must be directing.. -Badly. 192 00:08:59,190 --> 00:09:00,890 She must be directing the new scenes for Archie's 193 00:09:00,975 --> 00:09:02,925 unfinished film, Road Tripping. 194 00:09:03,020 --> 00:09:05,330 You know, they recovered that film in the old prop warehouse. 195 00:09:05,414 --> 00:09:06,814 Let's check it out for clues. 196 00:09:12,769 --> 00:09:18,429 VELMA: Amazing! These props and sets go back to the golden age of silent movies. 197 00:09:18,514 --> 00:09:19,994 Hmm. 198 00:09:20,081 --> 00:09:21,521 May I direct your attention to the way 199 00:09:21,604 --> 00:09:23,654 they treat these gorgeous old costumes? 200 00:09:23,737 --> 00:09:25,607 Looks like my high school bedroom. 201 00:09:25,695 --> 00:09:27,515 [ALL GASPING] 202 00:09:27,610 --> 00:09:29,570 And now, we come to the screamy part of the tour. 203 00:09:29,656 --> 00:09:30,786 [SCREAMING] 204 00:09:34,008 --> 00:09:35,098 Run! 205 00:09:38,186 --> 00:09:39,186 [SCREAMING] 206 00:09:40,057 --> 00:09:41,187 SCOOBY-DOO: Shaggy! 207 00:09:48,065 --> 00:09:49,235 Whoa! 208 00:09:51,503 --> 00:09:52,553 [SHAGGY YELPS] 209 00:09:52,635 --> 00:09:54,195 [WHIMPERING] 210 00:09:55,812 --> 00:09:57,472 SHAGGY: Cut! 211 00:09:57,553 --> 00:09:59,563 Like, this is not how we rehearsed this scene, Archie. 212 00:09:59,642 --> 00:10:03,652 Decades of lifelessness is no excuse for a lack of professionalism. 213 00:10:03,733 --> 00:10:07,743 Script! It's simple. Your character is a pharaoh, groom, ballerina, 214 00:10:07,824 --> 00:10:10,524 baseball player, Arctic-explorer carrot 215 00:10:10,610 --> 00:10:14,790 who's come to jail on the moon in a pet store 216 00:10:14,875 --> 00:10:16,695 in the middle of the ocean 217 00:10:16,790 --> 00:10:20,660 in a log cabin in a dentist office 218 00:10:20,750 --> 00:10:26,060 to confront, the reverse mermaid, judge, ancient Roman cowboy 219 00:10:26,147 --> 00:10:27,797 who has stolen your... 220 00:10:27,888 --> 00:10:29,148 Grape! 221 00:10:29,237 --> 00:10:31,887 See! A story as old as time itself. 222 00:10:31,979 --> 00:10:35,849 Now, let's see your, "I'm so angry without my grape," face. 223 00:10:37,288 --> 00:10:39,418 Now that is what I call, grape anger. 224 00:10:39,508 --> 00:10:43,508 Okay, everyone, let's try this again. From the beginning. 225 00:10:43,599 --> 00:10:45,729 You go backstage and wait for your cue, which is, 226 00:10:45,819 --> 00:10:48,039 "Quick, let's get out of here before he figures out this whole thing 227 00:10:48,125 --> 00:10:50,125 "has been a ruse to allow us to escape." 228 00:10:50,214 --> 00:10:51,174 [SHAGGY YELLS] 229 00:10:57,308 --> 00:10:58,308 [INAUDIBLE] 230 00:11:00,921 --> 00:11:03,271 [PANTING] 231 00:11:03,358 --> 00:11:06,398 DAPHNE: And if you look to your left, you can't see us. 232 00:11:06,491 --> 00:11:09,231 -[BOTH GASPING] -Like, don't do that. 233 00:11:09,320 --> 00:11:11,540 [WHINES] I lost the grape. 234 00:11:11,627 --> 00:11:15,627 Guys, keep it down. I don't think we're allowed to be here after hours. 235 00:11:15,718 --> 00:11:17,938 The last thing we need is for someone to ask us... 236 00:11:18,025 --> 00:11:19,365 Who are you and what are you doing here? 237 00:11:19,461 --> 00:11:21,811 Now, this is a special treat! 238 00:11:21,898 --> 00:11:23,938 Standing right in front of us is Ray Fletcher, 239 00:11:24,031 --> 00:11:27,991 the owner of Fletcher Studios, and... 240 00:11:28,078 --> 00:11:30,558 Uh, this is Charlie Dairy, my right hand. 241 00:11:30,646 --> 00:11:34,076 And Charlie Dairy, which is a special treat for our right hands. 242 00:11:34,171 --> 00:11:37,171 We heard you found Archie Barnes' legendary last film. 243 00:11:37,261 --> 00:11:39,661 I'm on my way to the editorial building to see it now. 244 00:11:39,742 --> 00:11:41,482 I think it could be our next big hit. 245 00:11:41,570 --> 00:11:46,010 Of course, we had no choice but to give it some updates. 246 00:11:46,096 --> 00:11:48,706 Uh, Ray, we really should check in with Lori Logan first. 247 00:11:48,795 --> 00:11:50,665 She's having some issues with those 248 00:11:50,753 --> 00:11:52,843 updates you've requested. 249 00:11:52,929 --> 00:11:55,669 Oh, she's impossible. It's nothing we can't fix by adding a few... 250 00:11:55,758 --> 00:11:58,198 Uh, what's those things that kids are into these days? 251 00:11:58,282 --> 00:11:59,982 Health, hope and a secure future? 252 00:12:00,067 --> 00:12:02,677 Education, environmental solutions, love? 253 00:12:02,765 --> 00:12:05,375 No, those remote whirly-gig things! 254 00:12:05,463 --> 00:12:08,473 -Quadcopters. -Quadcopters, exactly! 255 00:12:08,553 --> 00:12:10,083 The grandkids love them! 256 00:12:10,164 --> 00:12:11,954 [IMITATES WHIRRING] 257 00:12:13,167 --> 00:12:15,737 [LAUGHS] You kids enjoy the tour. 258 00:12:15,822 --> 00:12:17,082 [CHUCKLES] 259 00:12:17,171 --> 00:12:18,781 Wow, Ray and Lori are really at odds 260 00:12:18,868 --> 00:12:20,698 on how to handle Archie's last movie. 261 00:12:20,783 --> 00:12:23,133 I wonder what other modernizations he's trying to make. 262 00:12:23,220 --> 00:12:25,140 There's only one way to find out. 263 00:12:27,790 --> 00:12:30,050 We are now in the editorial building. 264 00:12:30,140 --> 00:12:32,190 On your left and right, 265 00:12:32,273 --> 00:12:33,323 are all the possible screening rooms, that might be showing 266 00:12:33,404 --> 00:12:34,364 Archie's last movie. 267 00:12:35,319 --> 00:12:36,449 [TAPPING] 268 00:12:36,538 --> 00:12:38,018 I think I hear something in this one. 269 00:12:40,194 --> 00:12:43,204 Ray, this is Archie Barnes' final masterpiece. 270 00:12:43,284 --> 00:12:45,334 All this stuff you're adding just kills it. 271 00:12:45,416 --> 00:12:47,716 What are you talking about? Kids are gonna love it. 272 00:12:47,810 --> 00:12:49,900 If we ever finish it. 273 00:12:49,986 --> 00:12:51,726 Now there's rumors that Archie's ghost is haunting the production. 274 00:12:51,814 --> 00:12:54,084 He always did have to be the center of attention. 275 00:12:54,164 --> 00:12:55,514 Psst! 276 00:12:55,600 --> 00:12:57,470 I think this is the Road Trippingedit bay. 277 00:12:57,559 --> 00:12:59,039 I bet we can see it in here. 278 00:13:02,607 --> 00:13:05,957 Russ, the archivist, said he sent Ray a digital copy of the film. 279 00:13:06,046 --> 00:13:08,046 Ha! There. 280 00:13:08,135 --> 00:13:10,135 FRED: "Road Tripping Cursed Version slash You're All Doomed." 281 00:13:10,224 --> 00:13:11,274 That must be it. 282 00:13:11,355 --> 00:13:13,435 Got it. Opening file... 283 00:13:13,531 --> 00:13:14,971 [SLURPING NOISES] 284 00:13:15,055 --> 00:13:17,875 It's in our contracts. 285 00:13:17,971 --> 00:13:20,501 We're about to become the first people in history 286 00:13:20,582 --> 00:13:22,672 to watch Archie Barnes' last movie 287 00:13:22,758 --> 00:13:25,408 and supposed masterpiece Road Tripping. 288 00:13:29,634 --> 00:13:32,384 Okay, I just felt the pilomotor reflex. 289 00:13:33,116 --> 00:13:34,246 Goosebumps. 290 00:13:34,335 --> 00:13:36,075 [MUSIC PLAYING ON COMPUTER] 291 00:13:39,775 --> 00:13:40,985 [INAUDIBLE] 292 00:13:43,039 --> 00:13:44,559 So far, so good. 293 00:13:46,390 --> 00:13:47,350 [EXPLOSION] 294 00:13:48,436 --> 00:13:49,386 [INAUDIBLE] 295 00:14:00,361 --> 00:14:01,841 [ELECTRONIC MUSIC PLAYING] 296 00:14:23,253 --> 00:14:27,003 Uh, okay. Now I just felt the gag reflex. 297 00:14:27,083 --> 00:14:29,783 Like, that was 298 00:14:30,521 --> 00:14:31,571 awesome! 299 00:14:31,653 --> 00:14:33,443 Still needs some quadcopters. 300 00:14:33,524 --> 00:14:34,534 Hmm? 301 00:14:36,701 --> 00:14:39,011 -[WHINING] -I know, Scoob, quadcopters! 302 00:14:39,095 --> 00:14:41,225 But otherwise, I think it's his best work. 303 00:14:41,315 --> 00:14:43,485 Great, tell him that. 304 00:14:43,578 --> 00:14:44,928 [SCREAMING] 305 00:14:47,103 --> 00:14:48,153 Run! 306 00:14:48,235 --> 00:14:49,575 [PUNK ROCK MUSIC] 307 00:14:49,671 --> 00:14:52,241 ♪ Two, three, four 308 00:14:52,326 --> 00:14:54,416 ♪ Two, three, four 309 00:14:54,502 --> 00:14:55,682 [TIRES SCREECHING] 310 00:14:57,070 --> 00:14:58,380 ♪ Two, three, four 311 00:15:09,038 --> 00:15:11,608 ♪ Left all away 312 00:15:11,693 --> 00:15:14,223 ♪ Been here for too long 313 00:15:14,304 --> 00:15:16,184 ♪ We ain't gonna stand for it 314 00:15:16,263 --> 00:15:18,483 ♪ Baby, now 315 00:15:18,569 --> 00:15:19,699 Cut! 316 00:15:19,788 --> 00:15:22,748 ♪ A rags to riches story 317 00:15:22,834 --> 00:15:24,624 ♪ I don't have to worry 318 00:15:24,706 --> 00:15:27,266 ♪ A rags to riches story 319 00:15:27,361 --> 00:15:29,671 ♪ I don't have to worry 320 00:15:30,755 --> 00:15:33,315 ♪ I don't have to worry 321 00:15:40,287 --> 00:15:41,767 ♪ Two, three, four 322 00:15:49,600 --> 00:15:52,210 ♪ A rags to riches story 323 00:15:52,299 --> 00:15:54,869 ♪ I don't have to worry 324 00:15:54,954 --> 00:15:57,574 ♪ A rags to riches story 325 00:15:57,652 --> 00:16:00,572 ♪ On your path to glory 326 00:16:00,655 --> 00:16:02,785 ♪ Path to glory 327 00:16:02,874 --> 00:16:04,704 ♪ Hey, hey, hey 328 00:16:05,834 --> 00:16:06,844 [THUDS] 329 00:16:10,056 --> 00:16:13,966 Like, great, isn't this the set of that sitcom, Monkey Gets a Show Now 330 00:16:14,060 --> 00:16:15,710 that just got canceled? 331 00:16:15,800 --> 00:16:18,930 Yeah, it looks like this mystery just got canceled as well. 332 00:16:19,021 --> 00:16:22,981 Sorry, gang, we started out in an exciting action adventure mystery 333 00:16:23,069 --> 00:16:25,809 and ended up in a failed situation comedy. 334 00:16:25,897 --> 00:16:28,507 [CANNED LAUGHTER PLAYING] 335 00:16:31,599 --> 00:16:33,509 [AUDIENCE GASPING] 336 00:16:33,601 --> 00:16:36,081 I can't believe it. Once that movie gets out, 337 00:16:36,169 --> 00:16:39,089 this historic studio will go down the drain. 338 00:16:39,172 --> 00:16:42,392 Along with the reputation of the great Archie Barnes. 339 00:16:42,479 --> 00:16:44,389 Well, you gotta give Archie credit for going 340 00:16:44,481 --> 00:16:47,401 to such great lengths to prevent that movie from coming out. 341 00:16:47,484 --> 00:16:50,534 After all, your reputation outlives you. 342 00:16:50,618 --> 00:16:53,618 I can only hope, one day, people look back at me and say... 343 00:16:53,708 --> 00:16:57,098 Wait, Daphne. That's it. That's the key to this mystery. 344 00:16:57,190 --> 00:16:59,150 ALL: Huh? 345 00:16:59,235 --> 00:17:01,405 Fred, you're right! We've been looking in the wrong direction 346 00:17:01,498 --> 00:17:04,498 -the whole time. -Hmm... 347 00:17:04,588 --> 00:17:07,068 Hey, what do you want from me? It was my first tour. 348 00:17:07,156 --> 00:17:09,456 Gang, this mystery isn't wrapped yet. 349 00:17:09,550 --> 00:17:11,640 We have a ghost to catch. 350 00:17:11,726 --> 00:17:14,026 Ladies and gentlemen, fasten your seatbelts. 351 00:17:14,120 --> 00:17:16,120 We're about to enter, The Trap. 352 00:17:22,432 --> 00:17:26,442 Wow, I can't believe we get to watch the never before seen Archie Barnes film. 353 00:17:26,523 --> 00:17:27,833 It was worth the wait. 354 00:17:39,188 --> 00:17:41,928 -Excuse us. Excuse us. -Pardon us. Pardon us. 355 00:17:44,541 --> 00:17:45,671 [FANFARE PLAYING] 356 00:17:48,632 --> 00:17:50,072 [MUNCHING] 357 00:17:55,726 --> 00:17:56,726 BOTH: Hmm? 358 00:18:00,688 --> 00:18:03,948 Like, I guess he doesn't like what they've done with this movie, either. 359 00:18:04,039 --> 00:18:05,779 Attacking is a valid criticism. 360 00:18:13,048 --> 00:18:14,048 [YELPS] 361 00:18:15,833 --> 00:18:17,013 [WHIMPERING] 362 00:18:20,186 --> 00:18:21,136 [SCREAMING] 363 00:18:23,537 --> 00:18:26,497 Come on, Archie. Your calculations have to be perfect. 364 00:18:26,583 --> 00:18:27,543 I have faith in you. 365 00:18:29,760 --> 00:18:31,330 Almost there. 366 00:18:33,199 --> 00:18:34,499 [BOTH WHIMPERING] 367 00:18:36,811 --> 00:18:37,811 BOTH: Now! 368 00:18:41,381 --> 00:18:42,341 [GRUNTING] 369 00:18:52,087 --> 00:18:54,657 Mathematical precision, physics and timing. 370 00:18:54,742 --> 00:18:56,702 Way to go, Archie! 371 00:18:56,787 --> 00:18:58,487 Can we open our eyes yet? 372 00:18:58,572 --> 00:18:59,662 Was it funny? 373 00:19:02,924 --> 00:19:04,194 So I've been meaning to ask, 374 00:19:04,273 --> 00:19:06,233 how is it handcuffs work on ghosts? 375 00:19:06,319 --> 00:19:08,579 Good question, if it was a ghost. 376 00:19:09,931 --> 00:19:12,061 ALL: Lori Logan? 377 00:19:12,151 --> 00:19:13,371 Lori, what is this? 378 00:19:13,456 --> 00:19:15,676 Are you pitching an Archie Barnes biopic? 379 00:19:15,763 --> 00:19:17,773 No, but as an aside, 380 00:19:17,852 --> 00:19:19,162 I'd see that movie. 381 00:19:21,421 --> 00:19:23,471 Lori Logan is a talented young director 382 00:19:23,553 --> 00:19:25,643 with a reputation for quality movies. 383 00:19:25,729 --> 00:19:28,169 Being an Archie Barnes fan, she was thrilled to be chosen 384 00:19:28,254 --> 00:19:29,604 to complete his final film. 385 00:19:29,690 --> 00:19:31,820 But Ray Fletcher got too involved, 386 00:19:31,909 --> 00:19:33,739 forcing his ideas into her movie. 387 00:19:33,824 --> 00:19:36,184 She thought the film would be the end of her career. 388 00:19:36,262 --> 00:19:39,482 VELMA: Lori knew the legend of Frank Fletcher ruining Archie's last film. 389 00:19:39,569 --> 00:19:41,919 She could relate a little too much. 390 00:19:42,006 --> 00:19:44,096 Lori decided to use his legend to make sure 391 00:19:44,183 --> 00:19:46,193 her movie never saw the light of day, 392 00:19:46,272 --> 00:19:49,932 even if it meant ruining Fletcher Studios in the process. 393 00:19:50,014 --> 00:19:52,234 DAPHNE: Archie's film was found in the prop warehouse 394 00:19:52,321 --> 00:19:54,931 where Lori also found Archie's trademark costume 395 00:19:55,019 --> 00:19:58,459 and where we found evidence someone had rifled through the wardrobe trunks. 396 00:19:58,545 --> 00:20:01,765 But it takes more than clothes to make a man like Archie Barnes. 397 00:20:01,852 --> 00:20:05,252 VELMA: To be believable, Lori had to do physical comedy stunts. 398 00:20:05,334 --> 00:20:07,774 That's why she chased Russ out of the archive room. 399 00:20:07,858 --> 00:20:11,078 We assumed it was Archie's revenge for restoring his film. 400 00:20:11,166 --> 00:20:13,726 But really, Lori wanted to see Archie's notebook 401 00:20:13,821 --> 00:20:16,081 to learn how he did his stunts. 402 00:20:16,171 --> 00:20:20,041 At first, we thought the ghost was connected to the discovery of Archie's film. 403 00:20:20,131 --> 00:20:23,401 When Daphne mentioned how far Archie went to make sure his studio-tampered film 404 00:20:23,483 --> 00:20:24,753 would never be seen, 405 00:20:24,832 --> 00:20:26,662 we were reminded of another director 406 00:20:26,747 --> 00:20:29,007 who was in the same situation. 407 00:20:29,097 --> 00:20:31,447 The only way to be sure was to do the very thing Lori was trying to avoid. 408 00:20:31,534 --> 00:20:33,584 Show people her movie. 409 00:20:33,667 --> 00:20:35,707 Ironically, thanks to Archie Barnes 410 00:20:35,799 --> 00:20:37,369 and his scientific approach to humor, 411 00:20:37,453 --> 00:20:39,983 we were able to catch Lori in the act. 412 00:20:40,064 --> 00:20:41,894 My film would have been great too, 413 00:20:41,979 --> 00:20:43,979 if it wasn't for you meddling with it. 414 00:20:44,068 --> 00:20:47,638 And if you take a look to your future, jail. 415 00:20:47,724 --> 00:20:50,074 Thank you, kids. You know, I should have learned from 416 00:20:50,161 --> 00:20:51,291 my grandfather's mistakes, 417 00:20:51,380 --> 00:20:52,430 instead of repeating them. 418 00:20:52,512 --> 00:20:53,992 How can I ever repay you? 419 00:20:54,078 --> 00:20:56,908 Actually, I'd love to study Archie's notebook. 420 00:20:56,994 --> 00:20:58,304 May I borrow it? 421 00:20:58,387 --> 00:20:59,817 As long as I am still in charge 422 00:20:59,910 --> 00:21:02,300 of making horrible decisions, you can have it. 423 00:21:02,391 --> 00:21:04,521 Thank you, Mr. Fletcher. 424 00:21:04,611 --> 00:21:08,481 Velma, I apologize for what I said about you not appreciating comedy. 425 00:21:08,571 --> 00:21:10,751 I see now by totally disengaging from it 426 00:21:10,834 --> 00:21:12,664 on an emotional and visceral level 427 00:21:12,749 --> 00:21:14,489 and breaking it down scientifically, 428 00:21:14,577 --> 00:21:16,617 until all the life has been sucked out of it, 429 00:21:16,710 --> 00:21:18,450 you understand what's funny on a level 430 00:21:18,538 --> 00:21:20,628 the rest of us aren't even capable of. 431 00:21:20,714 --> 00:21:22,544 Is that a joke? 432 00:21:22,629 --> 00:21:23,589 You tell me. 32230

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