All language subtitles for world.of.dance.s04e09.web.h264-trump_Subtitles01.ENG

af Afrikaans
sq Albanian
am Amharic
ar Arabic Download
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German
el Greek
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish Download
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:05,088 --> 00:00:05,130 . 2 00:00:05,464 --> 00:00:06,340 [The Blue Stones' "Shakin' Off The Rust"] 3 00:00:06,965 --> 00:00:09,009 ‐ The last Duels, baby. Whoo! 4 00:00:09,009 --> 00:00:10,427 ‐ History's gonna be made. 5 00:00:10,427 --> 00:00:12,012 Lives are gonna be changed 6 00:00:12,012 --> 00:00:13,680 because the talent's tremendous. 7 00:00:13,680 --> 00:00:16,517 ‐ ♪ Bang my head against the wall ♪ 8 00:00:16,517 --> 00:00:18,477 ‐ It's amazing to see the Juniors. 9 00:00:18,477 --> 00:00:19,811 It's, like, I have my own kids. 10 00:00:19,811 --> 00:00:21,688 Like, they're gonna show you what it is 11 00:00:21,688 --> 00:00:23,148 that they're interested in. 12 00:00:23,148 --> 00:00:24,483 What's gonna be next? ‐ Yellow. 13 00:00:24,483 --> 00:00:26,526 ‐ So when you see a little dance group, 14 00:00:26,526 --> 00:00:30,113 they have a drive, an ambition, a passion, 15 00:00:30,113 --> 00:00:31,823 that you don't find in everybody. 16 00:00:31,823 --> 00:00:32,866 Amazing. 17 00:00:32,866 --> 00:00:34,618 ‐ ♪ Take another step ♪ 18 00:00:34,618 --> 00:00:35,869 ♪ Push it to the edge ♪ 19 00:00:35,869 --> 00:00:37,371 ‐ Duel Juniors. Round two. 20 00:00:37,371 --> 00:00:38,872 Still not envying your job. 21 00:00:38,872 --> 00:00:40,541 You have the power of Redemption. 22 00:00:40,541 --> 00:00:42,209 You make the decision, okay? 23 00:00:42,209 --> 00:00:43,710 Going what you want to do. 24 00:00:43,710 --> 00:00:46,129 This show is about separating those who are ready 25 00:00:46,129 --> 00:00:47,673 from those that think they're ready. 26 00:00:47,673 --> 00:00:50,384 ‐ Just like last time, I got crazy decisions to make. 27 00:00:50,384 --> 00:00:51,677 Who's ready and who's not? 28 00:00:51,677 --> 00:00:53,553 ‐ Who's gonna thrive under that pressure? 29 00:00:53,553 --> 00:00:55,180 ‐ Absolutely. ‐ That Duel. Mm. 30 00:00:55,180 --> 00:00:56,556 ‐ One, two, three. 31 00:00:56,556 --> 00:00:57,683 both: Duels. 32 00:00:57,683 --> 00:00:59,017 ‐ ♪ Shakin' off the rust ♪ 33 00:00:59,017 --> 00:01:01,186 ♪ And you've got no trust ♪ 34 00:01:01,186 --> 00:01:03,981 [laughter] ♪ It's in my head ♪ 35 00:01:03,981 --> 00:01:05,357 ‐ I feel everything. ‐ Yeah, I'm nervous, but‐‐ 36 00:01:05,357 --> 00:01:07,568 ‐ Excited, nervous, scared, happy. 37 00:01:07,568 --> 00:01:09,236 ‐ I'm really eager to see who we're dueling. 38 00:01:09,236 --> 00:01:10,362 ‐ Yeah. ‐ Me too. 39 00:01:10,362 --> 00:01:11,572 ‐ You just gotta prepare for, like‐‐‐ 40 00:01:11,572 --> 00:01:12,573 ‐ Anybody. 41 00:01:12,573 --> 00:01:14,366 ‐ [whispering] I got the power. 42 00:01:14,366 --> 00:01:16,577 ‐ ♪ Now I'm shaking off the rust ♪ 43 00:01:16,577 --> 00:01:18,412 [crowd cheering] 44 00:01:18,412 --> 00:01:19,705 ‐ Yeah! 45 00:01:19,705 --> 00:01:21,748 What's up, World of Dance? 46 00:01:21,748 --> 00:01:23,959 Then what do you say we bring out the judges? 47 00:01:23,959 --> 00:01:25,919 [crowd cheers] Ne‐Yo! 48 00:01:25,919 --> 00:01:28,589 ♪ ♪ 49 00:01:28,589 --> 00:01:30,257 Derek Hough! 50 00:01:30,257 --> 00:01:32,092 ♪ ♪ 51 00:01:32,092 --> 00:01:33,760 And... 52 00:01:33,760 --> 00:01:38,390 Jennifer Lopez! 53 00:01:38,390 --> 00:01:40,559 And tonight's guest judge, 54 00:01:40,559 --> 00:01:42,269 tWitch! 55 00:01:42,269 --> 00:01:44,271 ‐ ♪ Shaking off the rust ♪ 56 00:01:44,271 --> 00:01:46,440 ♪ ♪ 57 00:01:46,440 --> 00:01:48,608 ♪ Shaking off the rust ♪ 58 00:01:48,608 --> 00:01:49,901 ‐ Whoo! 59 00:01:49,901 --> 00:01:51,903 ♪ ♪ 60 00:01:51,903 --> 00:01:54,698 ‐ Our three judges will be deciding 61 00:01:54,698 --> 00:01:56,950 who wins each Duel. 62 00:01:56,950 --> 00:01:58,577 tWitch, we are saving your votes 63 00:01:58,577 --> 00:01:59,953 for the Redemption round. 64 00:01:59,953 --> 00:02:02,122 You'll be selecting two acts 65 00:02:02,122 --> 00:02:05,500 for one more shot at the semifinals. 66 00:02:05,500 --> 00:02:09,963 It's 'bout to be a good show tonight! 67 00:02:09,963 --> 00:02:11,590 ‐ Whoo! 68 00:02:11,590 --> 00:02:13,050 ‐ ♪ I'm a champion ♪ 69 00:02:13,050 --> 00:02:14,426 ♪ I'm a killer, I'm a savage ♪ 70 00:02:14,426 --> 00:02:16,053 ♪ Been that way since the beginning ♪ 71 00:02:16,053 --> 00:02:18,221 ‐ Bailey and Kida vs. James and Harris. 72 00:02:18,221 --> 00:02:20,766 We have one group that is very much hip‐hop, 73 00:02:20,766 --> 00:02:22,809 we have one group that is very much contemporary. 74 00:02:22,809 --> 00:02:24,436 ‐ ♪ We never second guessed it ♪ 75 00:02:24,436 --> 00:02:25,979 ♪ 'Cause we always had a vision ♪ 76 00:02:25,979 --> 00:02:27,064 ♪ I'm a beast ♪ 77 00:02:27,064 --> 00:02:28,398 ‐ Bailey and Kida are some 78 00:02:28,398 --> 00:02:29,483 of the most sought‐after dancers 79 00:02:29,483 --> 00:02:30,651 in the industry right now. 80 00:02:30,651 --> 00:02:32,444 They are professional dancers 81 00:02:32,444 --> 00:02:33,987 but just started dancing together. 82 00:02:33,987 --> 00:02:37,157 So the only thing missing is a little more chemistry. 83 00:02:37,157 --> 00:02:40,243 So why not pair them against James and Harris? 84 00:02:40,243 --> 00:02:42,496 These two amateur dancers show promise, 85 00:02:42,496 --> 00:02:45,165 who have the most chemistry of anyone 86 00:02:45,165 --> 00:02:46,500 in the Junior Division. 87 00:02:46,500 --> 00:02:47,751 ♪ ♪ 88 00:02:47,751 --> 00:02:49,127 ‐ Bailey and Kida are coming in 89 00:02:49,127 --> 00:02:50,170 with a reputation. 90 00:02:50,170 --> 00:02:51,338 People know who they are, 91 00:02:51,338 --> 00:02:52,673 you know, on social media. 92 00:02:52,673 --> 00:02:54,841 Their musicality is just on another level. 93 00:02:54,841 --> 00:02:56,009 ‐ ♪ I'm a champion ♪ 94 00:02:56,009 --> 00:02:57,260 ♪ Oh, oh‐oh ♪ 95 00:02:57,260 --> 00:02:58,637 ‐ Here's the bad news. 96 00:02:58,637 --> 00:03:00,013 We can tell that you haven't been dancing together 97 00:03:00,013 --> 00:03:01,264 a long time. I can. 98 00:03:01,264 --> 00:03:02,849 ‐ But there's no reason 99 00:03:02,849 --> 00:03:04,434 that y'all can't potentially go all the way. 100 00:03:04,434 --> 00:03:06,645 ‐ The judges liked our performance, 101 00:03:06,645 --> 00:03:08,480 but we felt like we could've had some improvement. 102 00:03:08,480 --> 00:03:09,940 ‐ Mm‐hmm. ‐ In certain areas. 103 00:03:09,940 --> 00:03:12,609 ‐ Their main note for us was just chemistry. 104 00:03:12,609 --> 00:03:14,528 ‐ Yeah. ‐ Which was expected. 105 00:03:14,528 --> 00:03:16,780 What do I not know about you? 106 00:03:16,780 --> 00:03:18,156 Favorite food? 107 00:03:18,156 --> 00:03:19,282 ‐ Cucumbers. 108 00:03:19,282 --> 00:03:20,325 ‐ Cucumbers? 109 00:03:20,325 --> 00:03:22,119 [both laugh] Oh, my God. 110 00:03:22,119 --> 00:03:24,538 ‐ I'm not really too nervous about anybody. 111 00:03:24,538 --> 00:03:26,039 I know exactly what we're capable of 112 00:03:26,039 --> 00:03:27,332 together onstage, so... 113 00:03:27,332 --> 00:03:29,376 I think we can take anybody 114 00:03:29,376 --> 00:03:30,419 in this competition. 115 00:03:31,962 --> 00:03:34,714 There's chemistry right here. ‐ This is chemistry. 116 00:03:34,714 --> 00:03:35,882 [both laugh] 117 00:03:35,882 --> 00:03:38,051 ‐ Bailey and Kida came into this competition 118 00:03:38,051 --> 00:03:40,053 as frontrunners, but if anything 119 00:03:40,053 --> 00:03:41,680 could take 'em down, it's the magic 120 00:03:41,680 --> 00:03:42,722 that best friends, James and Harris, 121 00:03:42,722 --> 00:03:43,723 create on stage. 122 00:03:43,723 --> 00:03:45,058 ‐ ♪ I said I can do it ♪ 123 00:03:45,058 --> 00:03:46,393 ♪ It's 'cause I know that I can ♪ 124 00:03:46,393 --> 00:03:48,061 ‐ Our qualifier performance 125 00:03:48,061 --> 00:03:49,729 had a very deep message to it. 126 00:03:49,729 --> 00:03:51,565 And a heavier story behind it. 127 00:03:51,565 --> 00:03:53,233 ♪ ♪ 128 00:03:53,233 --> 00:03:54,693 In my freshman year of high school, 129 00:03:54,693 --> 00:03:57,487 a close friend of mine had taken his life. 130 00:03:57,487 --> 00:04:00,073 No matter how hard I struggled through it, 131 00:04:00,073 --> 00:04:02,826 Harris is always by my side, always trying to... 132 00:04:02,826 --> 00:04:04,077 lift me up. 133 00:04:04,077 --> 00:04:06,538 ‐ It's, it's... 134 00:04:06,538 --> 00:04:09,040 It's hard. [sniffles] 135 00:04:09,040 --> 00:04:11,710 I just knew I just needed to be there for James, 136 00:04:11,710 --> 00:04:15,088 and made it clear that James meant... 137 00:04:15,088 --> 00:04:16,756 the world to me. 138 00:04:16,756 --> 00:04:18,925 And that if I didn't have James, 139 00:04:18,925 --> 00:04:20,594 I wouldn't be where I am today. 140 00:04:20,594 --> 00:04:22,387 [judges applauding] ‐ Yeah. 141 00:04:22,387 --> 00:04:24,514 ‐ You were a little bit nervous at the top. 142 00:04:24,514 --> 00:04:26,892 And then I started seeing the strength of your dancing. 143 00:04:26,892 --> 00:04:29,436 And that encouraged me. I was, like, "Okay." 144 00:04:29,436 --> 00:04:32,606 These two could actually make an impact here. 145 00:04:32,606 --> 00:04:34,441 ‐ Nerves cannot get to us this time. 146 00:04:34,441 --> 00:04:36,568 ‐ I'm not as scared of it at all. 147 00:04:36,568 --> 00:04:38,695 ‐ We're so much more confident in this piece. 148 00:04:39,696 --> 00:04:40,947 ‐ Whoever we're dueling, 149 00:04:40,947 --> 00:04:42,574 you're not ready for this heat. 150 00:04:42,574 --> 00:04:44,910 ‐ You ain't ready. ‐ We're ready to bring it. 151 00:04:44,910 --> 00:04:47,245 And we're not scared of anybody or anything. 152 00:04:47,245 --> 00:04:49,748 ‐ This next piece is all about the attack, 153 00:04:49,748 --> 00:04:52,918 and all about, just... [grunts] 154 00:04:52,918 --> 00:04:54,711 ‐ We don't seem intimidating now, 155 00:04:54,711 --> 00:04:56,588 but just wait until you see us onstage. 156 00:04:58,089 --> 00:05:00,467 [dramatic electronic music] 157 00:05:00,467 --> 00:05:02,135 ‐ If we just give it our all, 158 00:05:02,135 --> 00:05:04,262 we won't have to think about going into Redemption, 159 00:05:04,262 --> 00:05:05,472 and no matter who we're going against, 160 00:05:05,472 --> 00:05:07,140 so that's our main focus right now 161 00:05:07,140 --> 00:05:09,309 is just giving the judges a show. 162 00:05:09,309 --> 00:05:11,812 ‐ We want to make it through this round 163 00:05:11,812 --> 00:05:13,480 and be on that "World of Dance" stage. 164 00:05:13,480 --> 00:05:14,815 ‐ Yeah. ‐ This is what we live for. 165 00:05:14,815 --> 00:05:16,775 We live to be on that stage. ‐ Mm‐hmm. 166 00:05:16,775 --> 00:05:17,984 [cheers and applause] 167 00:05:17,984 --> 00:05:19,903 ‐ For the first Duel of the night, 168 00:05:19,903 --> 00:05:21,822 it's James and Harris 169 00:05:21,822 --> 00:05:24,115 versus Bailey and Kida! 170 00:05:24,115 --> 00:05:26,076 ♪ ♪ 171 00:05:26,076 --> 00:05:27,619 ‐ Oh! 172 00:05:27,619 --> 00:05:34,417 ♪ ♪ 173 00:05:34,417 --> 00:05:36,211 [Ne‐Yo yelling] 174 00:05:37,420 --> 00:05:40,131 Looking at faces. Looking at faces. 175 00:05:40,131 --> 00:05:42,676 ‐ First up, it's Bailey and Kida! 176 00:05:42,676 --> 00:05:44,135 ‐ Whoo! 177 00:05:50,684 --> 00:05:51,935 ‐ Let's go. ‐ Let's go. 178 00:05:51,935 --> 00:05:53,436 ‐ You know what to do. [chuckles] 179 00:05:56,523 --> 00:05:58,483 [electronic hip‐hop music] 180 00:05:58,483 --> 00:06:01,027 ‐ Attention Deficit Hyperactivity Disorder 181 00:06:01,027 --> 00:06:02,654 or better known as ADHD... ‐ Oh. Oh. 182 00:06:02,654 --> 00:06:04,447 ‐ Is a mental disorder that affects 183 00:06:04,447 --> 00:06:06,199 an individual's ability to focus, 184 00:06:06,199 --> 00:06:08,702 causing them to move around more frequently. 185 00:06:08,702 --> 00:06:10,203 They may also have trouble controlling 186 00:06:10,203 --> 00:06:12,873 their impulsive behaviors. [echoing] Behaviors... 187 00:06:12,873 --> 00:06:14,374 ‐ ♪ One time for them prayin' on my downfall ♪ 188 00:06:14,374 --> 00:06:15,834 ‐ ♪ Yeah ♪ ‐ ♪ Two times for the homies ♪ 189 00:06:15,834 --> 00:06:16,877 ♪ In the chow hall ♪ ‐ ♪ Whoa ♪ 190 00:06:16,877 --> 00:06:18,044 ♪ Three times for the [...] ♪ 191 00:06:18,044 --> 00:06:19,546 ♪ On the internet ♪ ‐ Whoo! 192 00:06:19,546 --> 00:06:21,047 ‐ ♪ When they really should get out more ♪ 193 00:06:21,047 --> 00:06:22,507 ♪ Four times for the days that were all bad ♪ 194 00:06:22,507 --> 00:06:23,675 ♪ Five times for the [...] ♪ 195 00:06:23,675 --> 00:06:25,051 ♪ Ain't called back ♪ ‐ Hey. 196 00:06:25,051 --> 00:06:26,720 ‐ ♪ Six times for the kids like me ♪ 197 00:06:26,720 --> 00:06:28,555 ♪ Who got ADHD just to‐‐ ♪ ‐ ♪ Brap, brap, brap ♪ 198 00:06:28,555 --> 00:06:30,223 ‐ ♪ Kidnap a [...] like ISIS ♪ ‐ Whoo! 199 00:06:30,223 --> 00:06:32,058 ‐ ♪ Whoa, turn a whole world to a crisis ♪ 200 00:06:32,058 --> 00:06:33,393 ‐ ♪ Whoa, walk around the city ♪ 201 00:06:33,393 --> 00:06:34,895 ♪ With a ice pick, I been paranoid ♪ 202 00:06:34,895 --> 00:06:36,479 ♪ I ain't like this ♪ ‐ ♪ Boop, boop ♪ 203 00:06:36,479 --> 00:06:38,148 ‐ ♪ Ain't no tellin' how crazy I might get ♪ 204 00:06:38,148 --> 00:06:40,025 ♪ I'm so fly, I'm a [...] flight risk ♪ 205 00:06:40,025 --> 00:06:41,359 ‐ ♪ Whoo! Whoa! ♪ ‐ Oh! 206 00:06:41,359 --> 00:06:42,986 ‐ Come on! ‐ ♪ Like a cash cow, whoa ♪ 207 00:06:42,986 --> 00:06:44,529 ‐ ♪ Errybody dissin' just to have clout ♪ 208 00:06:44,529 --> 00:06:46,072 ‐ ♪ Whoa, thought you had a chance ♪ 209 00:06:46,072 --> 00:06:47,574 ♪ Now you [...] out, [...] I'm the [...] ♪ 210 00:06:47,574 --> 00:06:49,075 ♪ Man, where you at, now? Whoa ♪ 211 00:06:49,075 --> 00:06:50,577 ‐ Whoo! [bones crack on track] 212 00:06:50,577 --> 00:06:52,370 [clicking] 213 00:06:52,370 --> 00:06:54,164 ‐ Whoo‐hoo‐hoo! ‐ Yeah! 214 00:06:54,164 --> 00:07:00,086 ♪ ♪ 215 00:07:00,086 --> 00:07:01,421 both: Whoa! 216 00:07:01,421 --> 00:07:04,674 ♪ ♪ 217 00:07:05,550 --> 00:07:08,637 [cheers and applause] 218 00:07:12,766 --> 00:07:14,392 ‐ [yelling] 219 00:07:21,024 --> 00:07:23,860 ‐ Yo, Bailey and Kida, that was sick. 220 00:07:23,860 --> 00:07:25,945 Hot out of the gate. Just the isolations. 221 00:07:25,945 --> 00:07:28,531 Just, every movement, just so intentional 222 00:07:28,531 --> 00:07:30,367 and executed to perfection. 223 00:07:30,367 --> 00:07:31,451 ‐ Thank you. ‐ This was just, like, 224 00:07:31,451 --> 00:07:33,912 a clinic of "Oh, you like this," 225 00:07:33,912 --> 00:07:35,789 and the small nuances... ‐ Isolation. 226 00:07:35,789 --> 00:07:38,166 ‐ Of that were so powerful. ‐ Right. 227 00:07:38,166 --> 00:07:39,709 ‐ Like, those isolations, there, with the feet, 228 00:07:39,709 --> 00:07:40,919 you're just... ‐ Sick. 229 00:07:40,919 --> 00:07:43,129 ‐ So in the pocket. It was so satisfying 230 00:07:43,129 --> 00:07:44,464 to watch. Well done. 231 00:07:44,464 --> 00:07:45,799 ‐ Thank you so much. ‐ Thank you. 232 00:07:45,799 --> 00:07:47,425 [cheers and applause] 233 00:07:47,425 --> 00:07:49,636 ‐ Okay. Each individual part of your body 234 00:07:49,636 --> 00:07:51,763 has its own brain, which is ridiculous. 235 00:07:51,763 --> 00:07:53,890 It's, like, every single... 236 00:07:53,890 --> 00:07:57,143 The isolation is...unreal! 237 00:07:57,143 --> 00:08:00,146 It's like‐‐it's almost like you're not doing dance. 238 00:08:00,146 --> 00:08:02,065 Okay, let me, let me, let me get 239 00:08:02,065 --> 00:08:03,650 a little more technical with what I'm saying. 240 00:08:03,650 --> 00:08:04,984 You know what? Damn technical. 241 00:08:04,984 --> 00:08:07,070 I thoroughly enjoyed that entire piece. 242 00:08:07,070 --> 00:08:08,446 [Derek laughs] ‐ Yeah. 243 00:08:08,446 --> 00:08:11,157 ‐ From the jabs at them to the isolations 244 00:08:11,157 --> 00:08:13,576 to the pink shoes. I'm‐‐I was in all the way. 245 00:08:13,576 --> 00:08:14,994 I was in through the whole piece. 246 00:08:14,994 --> 00:08:17,163 [cheers and applause] ‐ That was a killer routine. 247 00:08:17,163 --> 00:08:18,581 That had everybody, I mean‐‐ 248 00:08:18,581 --> 00:08:20,625 [stammers] I got goosies. I'm not gonna lie. 249 00:08:20,625 --> 00:08:21,835 I got the goosies. ‐ Thank you. 250 00:08:21,835 --> 00:08:23,837 [applause] 251 00:08:23,837 --> 00:08:25,171 ‐ That was really great. 252 00:08:25,171 --> 00:08:26,506 ‐ Thank you. ‐ It was such a step up 253 00:08:26,506 --> 00:08:28,174 from what you guys showed us the first time. 254 00:08:28,174 --> 00:08:31,636 And I've seen you on Instagram, so I know what you can do, 255 00:08:31,636 --> 00:08:33,972 so when you did your first audition, I was, like, 256 00:08:33,972 --> 00:08:35,765 "Is that what they're gonna do together? 257 00:08:35,765 --> 00:08:37,434 'Cause then that's not the thing." 258 00:08:37,434 --> 00:08:39,686 ‐ Yeah. ‐ But this was more... 259 00:08:39,686 --> 00:08:41,354 like, I see the potential 260 00:08:41,354 --> 00:08:44,023 of what you guys can do, routine‐wise, 261 00:08:44,023 --> 00:08:45,692 that really can wow America. 262 00:08:45,692 --> 00:08:48,611 [cheers and applause] 263 00:08:48,611 --> 00:08:50,697 ‐ The nuances really‐‐ 264 00:08:50,697 --> 00:08:53,199 It's like y'all are architects of sound. 265 00:08:53,199 --> 00:08:54,451 Do you know what I mean? 266 00:08:54,451 --> 00:08:57,370 Like, we could see what that music looked like 267 00:08:57,370 --> 00:08:59,831 by how clearly your bodies were moving. 268 00:08:59,831 --> 00:09:02,959 Now, with that, I think the challenge for y'all 269 00:09:02,959 --> 00:09:04,711 if you go to the next round. 270 00:09:04,711 --> 00:09:07,547 We wanna see the edge of your envelope, right? 271 00:09:07,547 --> 00:09:09,632 So that's where you've kind of put yourself, 272 00:09:09,632 --> 00:09:11,176 which is a great place to be. 273 00:09:11,176 --> 00:09:12,510 But it's also... 274 00:09:12,510 --> 00:09:14,054 it's a very, very hard place to be, 275 00:09:14,054 --> 00:09:16,222 because you have to almost be working harder 276 00:09:16,222 --> 00:09:18,516 than anybody else here. ‐ Right. 277 00:09:18,516 --> 00:09:19,559 ‐ Great job. 278 00:09:19,559 --> 00:09:20,894 ‐ Great job. ‐ All right! 279 00:09:20,894 --> 00:09:22,562 ‐ All right, we gon' see what your competitors got. 280 00:09:22,562 --> 00:09:24,564 [cheers and applause] ‐ Come on out, fellas. 281 00:09:24,564 --> 00:09:27,150 ‐ Next up, it's James and Harris! 282 00:09:28,401 --> 00:09:31,196 [dramatic music] 283 00:09:31,196 --> 00:09:38,078 ♪ ♪ 284 00:09:45,085 --> 00:09:45,126 . 285 00:09:47,420 --> 00:09:48,171 ‐ Next up, it's James and Harris! 286 00:09:49,422 --> 00:09:50,507 [cheers and applause] 287 00:09:50,507 --> 00:09:52,509 ‐ I would hate to go second. 288 00:09:52,509 --> 00:09:54,427 ‐ Yeah. I'm, like, just please let me go first. 289 00:09:54,427 --> 00:09:56,221 ‐ I would rather go first. ‐ Yeah, me too. 290 00:09:58,598 --> 00:10:01,434 [haunting hip‐hop music] 291 00:10:01,434 --> 00:10:03,561 ‐ ♪ Talk to you with my hands tied ♪ 292 00:10:03,561 --> 00:10:05,688 ♪ Walk towards you on a fine line ♪ 293 00:10:05,688 --> 00:10:07,398 ♪ Everybody has a dark side ♪ 294 00:10:07,398 --> 00:10:09,692 ♪ I feel embarrassed when they see mine ♪ 295 00:10:09,692 --> 00:10:11,027 ♪ Rain falling from my dark skies ♪ 296 00:10:11,027 --> 00:10:12,445 ‐ Hey. Oh. ‐ ♪ Clouds parting ♪ 297 00:10:12,445 --> 00:10:13,780 ♪ But it's all lies ♪ 298 00:10:13,780 --> 00:10:15,573 ♪ Shouldn't I see the sunshine now? ♪ 299 00:10:15,573 --> 00:10:16,741 ♪ Wonder how I look ♪ 300 00:10:16,741 --> 00:10:18,034 ‐ Hey! ‐ ♪ In God's eyes ♪ 301 00:10:18,034 --> 00:10:19,619 ♪ Am I good person or a lost one? ♪ 302 00:10:19,619 --> 00:10:21,621 ♪ Will this feel worth it when I'm all done? ♪ 303 00:10:21,621 --> 00:10:23,957 ♪ Will I feel ashamed or like who I was? ♪ 304 00:10:23,957 --> 00:10:25,959 ♪ Will the pain vanish or will more come? ♪ 305 00:10:25,959 --> 00:10:28,128 ♪ Will I stay numb or regain love? ♪ 306 00:10:28,128 --> 00:10:29,963 ♪ Maybe someday have a taste of freedom? ♪ 307 00:10:29,963 --> 00:10:30,964 ♪ Will I take the poison ♪ ‐ Whoo! 308 00:10:30,964 --> 00:10:32,465 ‐ ♪ Out of my blood? ♪ 309 00:10:32,465 --> 00:10:34,092 ♪ Or just leave it there inside of my lungs? ♪ 310 00:10:34,092 --> 00:10:35,552 ♪ I know, know, know, know ♪ 311 00:10:35,552 --> 00:10:37,470 ‐ ♪ I should let you go, hands are feeling cold ♪ 312 00:10:37,470 --> 00:10:39,806 ♪ Just leave me alone, no, no, no ♪ 313 00:10:39,806 --> 00:10:41,599 ♪ I just want control, I feel so exposed ♪ 314 00:10:41,599 --> 00:10:43,810 ♪ Liars in my home, no, no, no ♪ 315 00:10:43,810 --> 00:10:45,478 ♪ Please do not provoke, noose around my soul ♪ 316 00:10:45,478 --> 00:10:46,813 ♪ I cut down a rope ♪ 317 00:10:46,813 --> 00:10:48,481 ‐ Hey! ‐ ♪ They don't want me happy ♪ 318 00:10:48,481 --> 00:10:49,983 ♪ They don't want me fixed, they don't want me better ♪ 319 00:10:49,983 --> 00:10:51,651 ♪ They just want me broke, talk but never listen ♪ 320 00:10:51,651 --> 00:10:53,736 ♪ At least I admit it, block out all my vision ♪ 321 00:10:53,736 --> 00:10:55,947 ♪ Watchin' me diminish, time is of the essence ♪ 322 00:10:55,947 --> 00:10:57,782 ♪ Don't like how we spend it, you just want perfection ♪ 323 00:10:57,782 --> 00:10:58,992 ♪ I need you to let me ♪ 324 00:10:58,992 --> 00:11:01,411 ♪ Let me go, let me go ♪ 325 00:11:01,411 --> 00:11:03,413 ♪ Let me go, let me go ♪ 326 00:11:06,166 --> 00:11:08,668 [cheers and applause] 327 00:11:08,668 --> 00:11:10,837 ‐ All right. All right. 328 00:11:10,837 --> 00:11:13,339 All right. ‐ Let's go! 329 00:11:13,339 --> 00:11:14,424 ‐ [laughs] 330 00:11:18,261 --> 00:11:19,679 ‐ One of my favorite parts was at the very end, 331 00:11:19,679 --> 00:11:21,472 with the face, with the...[sighs] 332 00:11:21,472 --> 00:11:23,183 and then, suddenly... 333 00:11:23,183 --> 00:11:24,934 [laughter] ‐ Yeah. 334 00:11:24,934 --> 00:11:29,022 ‐ I think you guys complement each other so beautifully. 335 00:11:29,022 --> 00:11:31,482 It's like a match made in Heaven, 336 00:11:31,482 --> 00:11:32,942 the way you two dance together. 337 00:11:32,942 --> 00:11:35,028 [cheers and applause] ‐ Thank you so much. 338 00:11:36,154 --> 00:11:38,781 ‐ It really is. I know you're best friends, 339 00:11:38,781 --> 00:11:40,325 and, you know, we're, like, "Are you... 340 00:11:40,325 --> 00:11:42,327 brothers, are you twins? What's happening?" 341 00:11:42,327 --> 00:11:44,037 You're, like, "No, we're just starting to look alike." 342 00:11:44,037 --> 00:11:45,872 [laughter] ‐ Yeah. 343 00:11:45,872 --> 00:11:47,540 ‐ It's even in your body shapes, 344 00:11:47,540 --> 00:11:49,000 even though one's a little bit taller than the other, 345 00:11:49,000 --> 00:11:52,629 there's just such a great dance duo here. 346 00:11:53,796 --> 00:11:54,797 It's a battle. 347 00:11:54,797 --> 00:11:55,840 ‐ Yeah. ‐ IT's a battle! 348 00:11:55,840 --> 00:11:57,884 ‐ It is! ‐ Yeah. 349 00:11:57,884 --> 00:12:01,137 ‐ You guys are such strong dancers. 350 00:12:01,137 --> 00:12:04,015 Like, there's certain moves that really, really pointed out 351 00:12:04,015 --> 00:12:06,476 how much strength you guys have. 352 00:12:06,476 --> 00:12:07,727 Here's my problem. 353 00:12:07,727 --> 00:12:10,021 You're not dancing as strong as you are, to me. 354 00:12:10,021 --> 00:12:11,731 I feel like y'all could fly across this stage 355 00:12:11,731 --> 00:12:13,149 if y'all felt like it. 356 00:12:13,149 --> 00:12:15,235 ‐ You didn't see them fly across the stage right there? 357 00:12:15,235 --> 00:12:16,903 ‐ That's what I'm saying! That's what I'm saying! 358 00:12:16,903 --> 00:12:18,571 They gave us a taste of it. ‐ Oh, come on. 359 00:12:18,571 --> 00:12:19,739 ‐ They gave us a taste of it, 360 00:12:19,739 --> 00:12:21,407 but I know that there's more in there. 361 00:12:21,407 --> 00:12:23,368 And I don't know where the holdback is, 362 00:12:23,368 --> 00:12:24,994 or what it is, or why it is, 363 00:12:24,994 --> 00:12:26,496 but it needs to cease if you guys 364 00:12:26,496 --> 00:12:27,580 are gonna get to the next round. 365 00:12:27,580 --> 00:12:28,581 ‐ For sure. ‐ See, I feel like 366 00:12:28,581 --> 00:12:30,416 Ne‐Yo is wrong. [crowd exclaims] 367 00:12:30,416 --> 00:12:31,918 I think you guys were flying. 368 00:12:31,918 --> 00:12:33,503 I think y'all were strong. 369 00:12:33,503 --> 00:12:35,088 I think that was a great routine, 370 00:12:35,088 --> 00:12:36,506 and I think that's so cool and so fresh. 371 00:12:36,506 --> 00:12:37,924 It just, like, suits you guys so well. 372 00:12:37,924 --> 00:12:39,259 Flying through the air, 373 00:12:39,259 --> 00:12:40,593 and the artistry in the storytelling, 374 00:12:40,593 --> 00:12:43,388 and the‐‐just that heart. One critique. 375 00:12:43,388 --> 00:12:46,849 I think that, when you guys‐‐ in some moments, 376 00:12:46,849 --> 00:12:49,185 I'm talking, like, a fraction out of sync with each other. 377 00:12:49,185 --> 00:12:52,272 You know, a jump one lands just a fraction later. 378 00:12:52,272 --> 00:12:53,690 And it's just those little moments 379 00:12:53,690 --> 00:12:55,108 that count at this stage. 380 00:12:55,108 --> 00:12:56,401 ‐ And sometimes, you're perfect. 381 00:12:56,401 --> 00:12:57,610 That's the thing. ‐ Yeah. 382 00:12:57,610 --> 00:12:59,612 ‐ You guys have amazing foundation 383 00:12:59,612 --> 00:13:01,197 of, like, just great dancing. 384 00:13:01,197 --> 00:13:03,366 And I think that was a great Duel, 385 00:13:03,366 --> 00:13:05,201 so y'all did yourselves proud. 386 00:13:05,201 --> 00:13:06,744 It was great. It was great. ‐ Thank you. 387 00:13:06,744 --> 00:13:08,705 ‐ First thing I thought, too, was strong. 388 00:13:08,705 --> 00:13:10,248 You can fly. 389 00:13:10,248 --> 00:13:12,000 You know, Ne‐Yo's not wrong. 390 00:13:12,000 --> 00:13:14,127 I feel like there's a lot more there, too, 391 00:13:14,127 --> 00:13:15,712 and I'm anxious to see it. 392 00:13:15,712 --> 00:13:17,463 But if you don't bring it out, we'll never know. 393 00:13:17,463 --> 00:13:18,589 Right? ‐ For sure. 394 00:13:18,589 --> 00:13:21,467 [cheers and applause] 395 00:13:21,467 --> 00:13:23,594 ‐ And the thing that everybody is saying to you, 396 00:13:23,594 --> 00:13:26,264 to create that next level within your artistry, 397 00:13:26,264 --> 00:13:27,432 which y'all already have. 398 00:13:27,432 --> 00:13:29,225 You're already willing to connect 399 00:13:29,225 --> 00:13:31,936 with each other and emote these feelings 400 00:13:31,936 --> 00:13:33,604 that we can really feel, 401 00:13:33,604 --> 00:13:35,273 but what takes us out of feeling it, 402 00:13:35,273 --> 00:13:38,818 is feeling that you're not giving everything, right? 403 00:13:38,818 --> 00:13:41,654 That you're so worried about being absolutely perfect 404 00:13:41,654 --> 00:13:44,490 that you don't take risk, that reckless abandon 405 00:13:44,490 --> 00:13:46,159 if that makes any sense. When you're almost, like, 406 00:13:46,159 --> 00:13:47,577 "Oh, my God! Are they gon' land that?" 407 00:13:47,577 --> 00:13:50,496 Right? Like, that's what I want to see from y'all, 408 00:13:50,496 --> 00:13:52,665 because I know that you have that in you. 409 00:13:52,665 --> 00:13:54,542 And I know that that's what you need 410 00:13:54,542 --> 00:13:56,461 to touch that "World of Dance" stage. 411 00:13:56,461 --> 00:13:57,670 ‐ For sure. ‐ Yeah. 412 00:13:57,670 --> 00:13:58,838 [cheers and applause] 413 00:13:58,838 --> 00:14:00,173 ‐ Bailey and Kida... 414 00:14:00,173 --> 00:14:01,966 [dramatic music] 415 00:14:01,966 --> 00:14:03,176 Let's bring it out. 416 00:14:03,176 --> 00:14:09,807 ♪ ♪ 417 00:14:10,808 --> 00:14:12,602 It is time to find out 418 00:14:12,602 --> 00:14:15,104 who is the winner of this Duel! 419 00:14:15,104 --> 00:14:16,939 Again, we've got three judges, 420 00:14:16,939 --> 00:14:18,608 which means three votes. 421 00:14:18,608 --> 00:14:21,027 The majority wins. 422 00:14:21,027 --> 00:14:23,821 Ne‐Yo? You're up first. 423 00:14:23,821 --> 00:14:26,115 ‐ There's no question that there are amazing dancers 424 00:14:26,115 --> 00:14:27,533 standing in front of us right now. 425 00:14:27,533 --> 00:14:29,118 You guys are super‐duper strong, 426 00:14:29,118 --> 00:14:30,453 but you're holding something back. 427 00:14:30,453 --> 00:14:31,871 You guys are super‐duper strong, 428 00:14:31,871 --> 00:14:34,707 but you might feel like you got it in the bag already, 429 00:14:34,707 --> 00:14:36,334 and you can't come in here like that, 430 00:14:36,334 --> 00:14:39,170 because if you do, you might get disappointed. 431 00:14:39,170 --> 00:14:40,546 At the end of it all, 432 00:14:40,546 --> 00:14:42,882 my decision is for... 433 00:14:42,882 --> 00:14:44,634 Bailey and Kida. 434 00:14:44,634 --> 00:14:47,053 [cheers and applause] ‐ Bailey and Kida. 435 00:14:47,053 --> 00:14:48,221 All right. 436 00:14:48,221 --> 00:14:49,639 Jennifer? 437 00:14:50,515 --> 00:14:51,891 ‐ I respect talent. 438 00:14:51,891 --> 00:14:54,227 I always respect talent. 439 00:14:54,227 --> 00:14:56,479 But for me, I respect hard work more. 440 00:14:56,479 --> 00:14:59,190 Because I believe that hard work beats talent 441 00:14:59,190 --> 00:15:00,858 when talent don't work hard. 442 00:15:00,858 --> 00:15:02,026 ♪ ♪ 443 00:15:02,026 --> 00:15:03,986 I think today and from what I've seen, 444 00:15:03,986 --> 00:15:05,738 I'm gonna go with James and Harris. 445 00:15:05,738 --> 00:15:09,909 [cheers and applause] 446 00:15:09,909 --> 00:15:11,661 ‐ Derek. ‐ It's on you, Derek! 447 00:15:11,661 --> 00:15:15,331 ‐ Derek, that means you are the tiebreaker. 448 00:15:15,331 --> 00:15:17,291 Your vote will be the winner... 449 00:15:17,291 --> 00:15:19,085 ‐ I'll be right back. ‐ Of this Duel. 450 00:15:19,085 --> 00:15:21,045 Yeah. I don't want your job. ‐ I'm so glad it was not me. 451 00:15:21,045 --> 00:15:22,421 ‐ Yeah, thanks, Jen. ‐ At all. 452 00:15:22,421 --> 00:15:24,590 ‐ Um, no, first of all, I'm a fan of dance. 453 00:15:24,590 --> 00:15:26,092 I love dancing. 454 00:15:26,092 --> 00:15:27,593 And so, sometimes it's hard for me 455 00:15:27,593 --> 00:15:29,095 to judge them, it's, like, "Ah, it's so good. 456 00:15:29,095 --> 00:15:30,596 I love it. It's just, I enjoy it." 457 00:15:30,596 --> 00:15:32,390 I have to remind myself, no, it's a competition. 458 00:15:32,390 --> 00:15:33,599 I gotta judge this. 459 00:15:33,599 --> 00:15:35,601 Fellas, I thought you guys were beautiful. 460 00:15:35,601 --> 00:15:37,270 Your guys' storytelling... 461 00:15:37,270 --> 00:15:39,438 your dancing's incredible. It's amazing. 462 00:15:39,438 --> 00:15:40,940 Bailey and Kida, I'm just‐‐ 463 00:15:40,940 --> 00:15:43,776 musicality, isolation, artistry‐‐beautiful. 464 00:15:43,776 --> 00:15:46,404 And so for me, I have to go with my instincts 465 00:15:46,404 --> 00:15:48,614 with this Duel. 466 00:15:48,614 --> 00:15:49,615 ‐ So Derek. 467 00:15:49,615 --> 00:15:51,450 Who is the winner of this Duel? 468 00:15:51,450 --> 00:15:53,452 ‐ The winner of this Duel for me is... 469 00:15:53,452 --> 00:15:54,954 Bailey and Kida. 470 00:15:54,954 --> 00:15:57,206 [cheers and applause] ‐ Bailey and Kida! 471 00:15:57,206 --> 00:15:59,458 ‐ [laughs] ‐ Oh, my God! 472 00:15:59,458 --> 00:16:00,626 Oh, my God! 473 00:16:00,626 --> 00:16:02,962 [cheers and applause] 474 00:16:02,962 --> 00:16:04,463 ‐ Guys, can I tell you something real quick? 475 00:16:04,463 --> 00:16:06,632 Congratulations. Right? 476 00:16:06,632 --> 00:16:08,968 And y'all, I got my eye on y'all 477 00:16:08,968 --> 00:16:12,138 and that is a good place to be right now. 478 00:16:12,138 --> 00:16:13,431 ‐ 'Cause he gets to vote. 479 00:16:13,431 --> 00:16:14,640 [laughter] 480 00:16:14,640 --> 00:16:16,642 ‐ Stay warm! Stay warm. 481 00:16:16,642 --> 00:16:19,478 ‐ I cannot wait to see who tWitch picks for Redemption. 482 00:16:19,478 --> 00:16:20,938 ‐ Whoa‐ho! 483 00:16:21,772 --> 00:16:23,441 ‐ Give it up one more time! 484 00:16:23,441 --> 00:16:25,067 For James and Harris, 485 00:16:25,067 --> 00:16:27,403 and Bailey and Kida! 486 00:16:27,403 --> 00:16:28,654 [cheers and applause] 487 00:16:28,654 --> 00:16:29,822 ‐ All right. ‐ We'll be back. 488 00:16:29,822 --> 00:16:31,908 ‐ Oh, let's go! ‐ We'll be back, he said. 489 00:16:32,950 --> 00:16:34,493 ‐ You can't get swept away in all these emotions, 490 00:16:34,493 --> 00:16:36,329 because there is that Redemption, 491 00:16:36,329 --> 00:16:38,664 and you can't go into it with such a negative mindset. 492 00:16:38,664 --> 00:16:39,665 ‐ A chance to redeem ourselves 493 00:16:39,665 --> 00:16:41,042 would be the best thing possible. 494 00:16:41,042 --> 00:16:42,168 Leaving it all on the floor. 495 00:16:42,168 --> 00:16:43,586 ‐ Yo, that was hard. 496 00:16:43,586 --> 00:16:44,587 That was hard. 497 00:16:44,587 --> 00:16:48,049 ♪ ♪ 498 00:16:51,093 --> 00:16:51,135 . 499 00:16:52,345 --> 00:16:52,845 [mellow electronic music] 500 00:16:54,513 --> 00:16:56,641 ‐ I've worked every fast food job imaginable. 501 00:16:56,641 --> 00:16:58,017 ‐ Really? ‐ All of them. 502 00:16:58,017 --> 00:17:00,186 ‐ McDonalds, Burger King, Pizza Hut, Taco Bell. 503 00:17:00,186 --> 00:17:01,771 ‐ Oh, wow. ‐ All of 'em. 504 00:17:01,771 --> 00:17:04,523 And none of 'em for longer than two weeks. 505 00:17:04,523 --> 00:17:05,775 ‐ [laughs] You got fired? 506 00:17:05,775 --> 00:17:07,485 ‐ I either got fired or I quit, yeah. 507 00:17:07,485 --> 00:17:09,111 ‐ I worked at a jeans store when I was a teenager. 508 00:17:09,111 --> 00:17:10,613 Like, before I started working. 509 00:17:10,613 --> 00:17:12,031 ‐ Really? ‐ In the business. Yeah. 510 00:17:12,031 --> 00:17:14,533 ‐ I would buy jeans from J‐Lo. ‐ And I got fired, too. 511 00:17:14,533 --> 00:17:16,160 ‐ Why, what happened? 512 00:17:16,160 --> 00:17:17,286 ‐ I just would dance down the aisles 513 00:17:17,286 --> 00:17:18,371 too much to the music. 514 00:17:18,371 --> 00:17:20,206 ‐ [laughs] ‐ My first paid gig 515 00:17:20,206 --> 00:17:23,793 was pantomime in England at Windsor Castle. 516 00:17:23,793 --> 00:17:25,878 ‐ Pantomime. ‐ Pantomime. 517 00:17:25,878 --> 00:17:28,172 I was on stilts with a giant outfit. 518 00:17:28,172 --> 00:17:29,882 And then I had this giant head on. 519 00:17:29,882 --> 00:17:32,051 [laughter] There was, like, this wire 520 00:17:32,051 --> 00:17:33,219 I put in my mouth. 521 00:17:33,219 --> 00:17:34,720 And when I did this... 522 00:17:34,720 --> 00:17:37,390 the eyes would blink, but they got crisscrossed somehow, 523 00:17:37,390 --> 00:17:39,308 so the eyes were doing this. 524 00:17:39,308 --> 00:17:40,851 So I just looked like this crazy giant. 525 00:17:40,851 --> 00:17:42,562 But that was my first gig. ‐ Of course, nothing regular 526 00:17:42,562 --> 00:17:43,563 for you, though. 527 00:17:43,563 --> 00:17:45,189 ‐ [laughing] ‐ Wow. 528 00:17:45,189 --> 00:17:46,399 ‐ Stand by. 529 00:17:46,399 --> 00:17:48,025 ‐ [laughs] Oh. ‐ All right, last one. 530 00:17:48,025 --> 00:17:49,569 ‐ And then Redemption. 531 00:17:49,569 --> 00:17:51,320 ‐ Let's go! Yeah, baby! 532 00:17:51,320 --> 00:17:52,697 [dramatic electronic music] 533 00:17:52,697 --> 00:17:54,740 ‐ ♪ I've got a fire ♪ 534 00:17:54,740 --> 00:17:57,243 ‐ We're pairing Keagan Capps against Maddy Penney. 535 00:17:57,243 --> 00:17:58,828 Both are at the top of their game. 536 00:17:58,828 --> 00:18:00,371 ‐ ♪ Are you ready for what's coming? ♪ 537 00:18:00,371 --> 00:18:02,748 ♪ Hey, hey‐ey‐ey‐ey ♪ 538 00:18:02,748 --> 00:18:05,251 ‐ They're two beautiful dancers 539 00:18:05,251 --> 00:18:07,420 who just have amazing technique. 540 00:18:07,420 --> 00:18:08,921 One's a little more classic. 541 00:18:08,921 --> 00:18:10,756 One's a little bit more out of the box. 542 00:18:10,756 --> 00:18:13,593 ‐ ♪ Get ready! Get ready ♪ 543 00:18:13,593 --> 00:18:17,263 ‐ Keagan Capps may have been a pretzel in her former life. 544 00:18:17,263 --> 00:18:20,057 Her ability to infuse contortion 545 00:18:20,057 --> 00:18:23,060 into her dancing makes her one of the most unique 546 00:18:23,060 --> 00:18:25,187 and memorable dancers we have in this competition. 547 00:18:25,187 --> 00:18:26,897 ♪ ♪ 548 00:18:26,897 --> 00:18:28,941 ‐ I love what Derek wrote here, "alien." 549 00:18:28,941 --> 00:18:30,234 [both laugh] 550 00:18:30,234 --> 00:18:32,695 We didn't see all of what you had today. 551 00:18:32,695 --> 00:18:35,948 There's something even more special there, I feel. 552 00:18:35,948 --> 00:18:38,576 ‐ For this piece, since I am thinking of the story 553 00:18:38,576 --> 00:18:40,703 as, like, I'm fighting for Duels. 554 00:18:40,703 --> 00:18:42,955 I really need to, like, portray the emotions 555 00:18:42,955 --> 00:18:44,123 so the judges can see, like, 556 00:18:44,123 --> 00:18:45,750 "Oh, she, like, really wants this." 557 00:18:45,750 --> 00:18:47,710 ‐ ♪ Are you ready for what's coming ♪ 558 00:18:47,710 --> 00:18:50,254 ♪ Hey, hey‐ey‐ey‐ey ♪ 559 00:18:50,254 --> 00:18:52,590 ‐ Maddy's background is definitely classical ballet, 560 00:18:52,590 --> 00:18:55,259 but she blends it with contemporary dance. 561 00:18:55,259 --> 00:18:57,637 Maddy's technique is top‐notch. 562 00:18:57,637 --> 00:18:59,305 ‐ ♪ Get ready! ♪ 563 00:18:59,305 --> 00:19:00,765 ‐ There's so many opportunities for there to be 564 00:19:00,765 --> 00:19:02,975 so much emotional, just, ugh! 565 00:19:02,975 --> 00:19:05,144 That I didn't get. 566 00:19:05,144 --> 00:19:07,897 ‐ My next dance is very fierce. 567 00:19:07,897 --> 00:19:09,649 It's more of my personality. 568 00:19:09,649 --> 00:19:11,442 ‐ ♪ Get ready for it ♪ 569 00:19:11,442 --> 00:19:13,319 ♪ Oh, oh‐oh‐oh ♪ 570 00:19:13,319 --> 00:19:16,656 ‐ In this Duel, the act that best moves us here 571 00:19:16,656 --> 00:19:19,283 is gonna be the act that moves on to the semifinals. 572 00:19:19,283 --> 00:19:20,951 ‐ ♪ Get ready! ♪ 573 00:19:20,951 --> 00:19:22,995 ♪ Get ready for it ♪ 574 00:19:22,995 --> 00:19:25,998 ♪ ♪ 575 00:19:27,375 --> 00:19:28,668 ‐ Taking the stage, 576 00:19:28,668 --> 00:19:30,586 it's Maddy Penney! 577 00:19:30,586 --> 00:19:32,004 [cheers and applause] 578 00:19:32,004 --> 00:19:34,256 Versus Keagan Capps! 579 00:19:34,256 --> 00:19:36,676 [dramatic music] 580 00:19:36,676 --> 00:19:38,844 ‐ Here we go. Here we go. Hey! 581 00:19:38,844 --> 00:19:41,347 Hey! Hey! Hey! Hey! Hey! 582 00:19:41,347 --> 00:19:43,349 Hey! 583 00:19:43,349 --> 00:19:46,185 ♪ ♪ 584 00:19:46,185 --> 00:19:47,687 ‐ Uh‐oh, uh‐oh. 585 00:19:47,687 --> 00:19:50,856 ♪ ♪ 586 00:19:50,856 --> 00:19:52,692 She's, like, "I'm not breaking my stare." 587 00:19:52,692 --> 00:19:54,944 [cheers and applause] 588 00:19:54,944 --> 00:19:57,196 ‐ Oh, I can tell their Duel is gonna be insane. 589 00:19:57,196 --> 00:19:59,365 ‐ First up, it's Maddy Penney! 590 00:19:59,365 --> 00:20:01,450 ‐ Maddy Penney! 591 00:20:01,450 --> 00:20:02,702 Let's go, Maddy! 592 00:20:02,702 --> 00:20:05,121 [cheers and applause] 593 00:20:05,121 --> 00:20:06,872 ‐ Yeah, Mama, let's go with that foot! 594 00:20:09,041 --> 00:20:12,002 [singer singing in French] 595 00:20:12,002 --> 00:20:15,005 [sultry music] 596 00:20:15,005 --> 00:20:20,886 ♪ ♪ 597 00:20:20,886 --> 00:20:22,221 [audience cheers] 598 00:20:22,221 --> 00:20:27,560 ♪ ♪ 599 00:20:27,560 --> 00:20:28,728 [music enhances] 600 00:20:28,728 --> 00:20:30,563 [audience cheers] ‐ Hey! 601 00:20:30,563 --> 00:20:37,611 ♪ ♪ 602 00:20:42,408 --> 00:20:43,951 ‐ Hey. 603 00:20:55,171 --> 00:21:01,719 ♪ ♪ 604 00:21:01,719 --> 00:21:04,597 [cheers and applause] 605 00:21:04,597 --> 00:21:06,474 ‐ Yeah! ‐ Yeah! 606 00:21:08,768 --> 00:21:10,227 ‐ Ah! Yes! ‐ Whoo! 607 00:21:10,227 --> 00:21:11,729 ‐ Yes! 608 00:21:12,772 --> 00:21:14,190 Oh! 609 00:21:14,190 --> 00:21:15,775 ‐ First of all, I feel like I need to critique you 610 00:21:15,775 --> 00:21:17,109 in this position right now. 611 00:21:17,109 --> 00:21:18,944 [laughter] Just holding it strong, 612 00:21:18,944 --> 00:21:20,571 holding it strong, baby. 613 00:21:20,571 --> 00:21:22,364 She's a professional! 614 00:21:22,364 --> 00:21:25,117 I'm a professional! 615 00:21:25,117 --> 00:21:26,702 [applause and laughter] New boots. 616 00:21:26,702 --> 00:21:28,913 ‐ During that performance, we were all, like, 617 00:21:28,913 --> 00:21:31,248 felt like we needed a beret and a baguette 618 00:21:31,248 --> 00:21:33,042 and maybe an almond croissant. 619 00:21:33,042 --> 00:21:35,127 You took us to Paris there, for a second. 620 00:21:35,127 --> 00:21:37,129 [cheers and applause] [laughs] 621 00:21:37,129 --> 00:21:39,632 It was a good routine. You're a beautiful dancer. 622 00:21:39,632 --> 00:21:40,800 An amazing dancer. 623 00:21:40,800 --> 00:21:42,468 I love that you dance en pointe. 624 00:21:42,468 --> 00:21:43,803 That was one of the things that caught me 625 00:21:43,803 --> 00:21:44,887 in your first audition. 626 00:21:44,887 --> 00:21:45,888 I was, like, "Okay." 627 00:21:45,888 --> 00:21:47,473 You actually made it exciting. 628 00:21:47,473 --> 00:21:49,975 This, to me, fell a little bit short of that. 629 00:21:49,975 --> 00:21:51,602 We'll just have to wait and see. 630 00:21:51,602 --> 00:21:52,645 ‐ Thank you. 631 00:21:52,645 --> 00:21:55,272 [cheers and applause] 632 00:21:55,272 --> 00:21:57,983 ‐ Your technique is incredible, but there's a difference 633 00:21:57,983 --> 00:22:00,486 between looking at just a beautiful picture, 634 00:22:00,486 --> 00:22:02,780 and then something that is, like, really compelling. 635 00:22:02,780 --> 00:22:05,324 Even from the moments where you're looking front, 636 00:22:05,324 --> 00:22:07,159 there was a moment when you were here, 637 00:22:07,159 --> 00:22:08,661 and you were looking to the front, 638 00:22:08,661 --> 00:22:10,913 but you were looking here and not at us. 639 00:22:10,913 --> 00:22:12,748 Remember that you have to invite us 640 00:22:12,748 --> 00:22:14,959 into your world and let us be compelled. 641 00:22:14,959 --> 00:22:17,336 ‐ That's a good point, tWitch, because I noticed that, too, 642 00:22:17,336 --> 00:22:19,088 and I thought to myself, "Is she looking at somebody..." 643 00:22:19,088 --> 00:22:21,423 ‐ "Who's she looking at?" ‐ It's always about connecting 644 00:22:21,423 --> 00:22:23,843 with each one of these people, who want to be entertained... 645 00:22:23,843 --> 00:22:25,344 ‐ Yes. Yeah. ‐ Who want to feel something. 646 00:22:25,344 --> 00:22:26,762 That's why you're doing this! 647 00:22:26,762 --> 00:22:28,347 [applause] 648 00:22:28,347 --> 00:22:30,015 ‐ You do have extraordinary technique. 649 00:22:30,015 --> 00:22:31,475 It's beautiful. It's so, like, 650 00:22:31,475 --> 00:22:33,185 just pleasant to watch. ‐ Effortless. 651 00:22:33,185 --> 00:22:35,145 ‐ And I love that this routine was more playful. 652 00:22:35,145 --> 00:22:37,523 There was a few little bobbles in there I found, 653 00:22:37,523 --> 00:22:39,024 you know, just, like, less supporting legs. 654 00:22:39,024 --> 00:22:40,442 A little bit. ‐ Yeah. [laughs] 655 00:22:40,442 --> 00:22:42,194 ‐ But hey, it's okay. It was a good routine. 656 00:22:42,194 --> 00:22:43,946 It was well done. 657 00:22:43,946 --> 00:22:45,197 [cheers and applause] ‐ Initially, when we 658 00:22:45,197 --> 00:22:49,034 first saw you, we felt you were all technique, 659 00:22:49,034 --> 00:22:50,369 not enough heart. 660 00:22:50,369 --> 00:22:52,872 And then we actually got to see... 661 00:22:52,872 --> 00:22:55,040 a little bit of what I feel is your personality 662 00:22:55,040 --> 00:22:57,001 through this one, so I'm happy about that. 663 00:22:57,001 --> 00:22:59,211 I did catch the slight wobble there, 664 00:22:59,211 --> 00:23:00,379 which I was actually shocked by 665 00:23:00,379 --> 00:23:02,214 in that your technique is so strong. 666 00:23:02,214 --> 00:23:04,049 But I definitely see the improvement. Great job. 667 00:23:04,049 --> 00:23:05,175 ‐ Thank you. ‐ It was a great job. 668 00:23:05,175 --> 00:23:07,386 [cheers and applause] 669 00:23:07,386 --> 00:23:08,679 ‐ I think it's time 670 00:23:08,679 --> 00:23:09,722 to bring out your competitor! ‐ Let's see! 671 00:23:09,722 --> 00:23:11,807 [cheers and applause] 672 00:23:11,807 --> 00:23:13,142 ‐ Good luck. ‐ Next up 673 00:23:13,142 --> 00:23:14,894 is Keagan Capps! 674 00:23:14,894 --> 00:23:18,314 [cheers and applause] 675 00:23:18,314 --> 00:23:20,816 ‐ Over and over! ‐ Let's go! 676 00:23:20,816 --> 00:23:23,819 [upbeat synth music] 677 00:23:23,819 --> 00:23:28,240 ♪ ♪ 678 00:23:28,240 --> 00:23:29,533 ‐ Let's go! 679 00:23:32,828 --> 00:23:35,831 [emotional music] 680 00:23:35,831 --> 00:23:42,212 ♪ ♪ 681 00:23:42,212 --> 00:23:44,673 ‐ ♪ Once I had a love ♪ 682 00:23:44,673 --> 00:23:46,717 ♪ And it was a gas ♪ 683 00:23:46,717 --> 00:23:47,760 ‐ Yes! 684 00:23:47,760 --> 00:23:51,722 ♪ ♪ 685 00:23:51,722 --> 00:23:53,223 ♪ Soon turned out ♪ 686 00:23:53,223 --> 00:23:54,600 [audience cheers] 687 00:23:54,600 --> 00:23:56,769 ♪ Had a heart of glass ♪ 688 00:23:56,769 --> 00:24:01,398 ♪ ♪ 689 00:24:01,398 --> 00:24:03,275 ♪ Seemed like the real thing ♪ 690 00:24:03,275 --> 00:24:04,610 ♪ ♪ 691 00:24:04,610 --> 00:24:07,404 ♪ But I was so blind ♪ 692 00:24:07,404 --> 00:24:10,032 ‐ And she broke my heart with that. 693 00:24:10,032 --> 00:24:11,283 ♪ ♪ 694 00:24:11,283 --> 00:24:13,285 ‐ ♪ Much o' mistrust ♪ 695 00:24:13,285 --> 00:24:15,955 ♪ Love's gone behind ♪ ‐ [indistinct] her back is. 696 00:24:15,955 --> 00:24:17,539 [audience cheers] 697 00:24:17,539 --> 00:24:19,833 ‐ Whoa! 698 00:24:19,833 --> 00:24:21,710 ‐ ♪ In between ♪ 699 00:24:21,710 --> 00:24:23,796 ♪ What I find is pleasing ♪ 700 00:24:23,796 --> 00:24:26,465 ♪ And I'm feeling fine ♪ 701 00:24:26,465 --> 00:24:28,467 ♪ Love is so confusing ♪ 702 00:24:28,467 --> 00:24:31,136 ♪ There's no peace of mind ♪ 703 00:24:31,136 --> 00:24:33,472 ♪ If I fear I'm losing you ♪ 704 00:24:33,472 --> 00:24:35,808 ♪ It's just no good ♪ 705 00:24:35,808 --> 00:24:39,269 ♪ You teasing like you do ♪ 706 00:24:40,813 --> 00:24:44,066 [cheers and applause] 707 00:24:44,066 --> 00:24:46,151 ‐ Whoo... ‐ Our alien. 708 00:24:46,151 --> 00:24:47,319 Alien's back. 709 00:24:47,319 --> 00:24:49,113 ‐ Wow! 710 00:24:49,113 --> 00:24:50,990 That was so emotional. 711 00:24:50,990 --> 00:24:52,658 It was‐‐it just had the ooze, 712 00:24:52,658 --> 00:24:54,493 it was in, like, it's so much sauce. 713 00:24:54,493 --> 00:24:58,122 There was so much kind of yumminess... 714 00:24:58,122 --> 00:24:59,331 ‐ Thank you. ‐ To the movements 715 00:24:59,331 --> 00:25:02,001 that you were doing, and your expression. 716 00:25:02,001 --> 00:25:03,335 You broke my heart at one point 717 00:25:03,335 --> 00:25:05,421 when you just had your leg up here, 718 00:25:05,421 --> 00:25:08,298 it was just the look, and you looked through us. 719 00:25:08,298 --> 00:25:09,842 And it was...awesome. 720 00:25:09,842 --> 00:25:11,176 ‐ Thank you. ‐ Awesome. 721 00:25:11,176 --> 00:25:12,344 ‐ Yeah. ‐ Really, really good. 722 00:25:12,344 --> 00:25:14,513 [cheers and applause] 723 00:25:14,513 --> 00:25:15,639 ‐ She broke your heart. 724 00:25:16,849 --> 00:25:18,350 She broke my hamstring. 725 00:25:18,350 --> 00:25:19,435 [laughter] ‐ Like, I was, like, 726 00:25:19,435 --> 00:25:20,686 I was, like, "Ah..." 727 00:25:20,686 --> 00:25:22,021 Now, you know what, exactly what she said, 728 00:25:22,021 --> 00:25:23,522 ‐ She broke your back. ‐ Oh, my gosh, my back. 729 00:25:23,522 --> 00:25:24,565 ‐ "She broke my back!" 730 00:25:25,357 --> 00:25:26,859 It was the intensity. 731 00:25:26,859 --> 00:25:28,694 The intensity that you have, and that's the power 732 00:25:28,694 --> 00:25:30,029 of just, intention. 733 00:25:30,029 --> 00:25:32,031 Where it doesn't even take an incredible move, 734 00:25:32,031 --> 00:25:34,033 it just takes a...just, like, an awareness 735 00:25:34,033 --> 00:25:36,618 of your body that really just draws us in, 736 00:25:36,618 --> 00:25:38,287 and that's exactly what you did. 737 00:25:38,287 --> 00:25:39,663 ‐ And please take that compliment to heart, 738 00:25:39,663 --> 00:25:41,206 because you're looking at, like, 739 00:25:41,206 --> 00:25:44,043 some of the best performers that there are right now. 740 00:25:44,043 --> 00:25:45,961 Right? This is something that happens 741 00:25:45,961 --> 00:25:47,713 before a routine starts. 742 00:25:47,713 --> 00:25:49,381 Before a song starts. 743 00:25:49,381 --> 00:25:51,550 When the lights hit, and you just see that stance, 744 00:25:51,550 --> 00:25:52,885 and you go, "Okay, here we go." 745 00:25:52,885 --> 00:25:54,887 Right? You have that. 746 00:25:54,887 --> 00:25:57,639 [cheers and applause] 747 00:25:57,639 --> 00:26:01,060 ‐ It takes a level of maturity... 748 00:26:01,060 --> 00:26:02,728 to know how to really milk a moment. 749 00:26:02,728 --> 00:26:04,146 ‐ Yes. ‐ You know what I mean? 750 00:26:04,146 --> 00:26:06,065 There wasn't a whole lot of movement in the piece, 751 00:26:06,065 --> 00:26:07,566 but it's, like, it wasn't needed 752 00:26:07,566 --> 00:26:09,735 because of the emotional connection. 753 00:26:09,735 --> 00:26:12,029 ‐ In the future, if you make it through to the next round, 754 00:26:12,029 --> 00:26:13,906 just be aware... 755 00:26:13,906 --> 00:26:16,492 that it isn't just from move... 756 00:26:16,492 --> 00:26:19,578 to picture...to picture. 757 00:26:19,578 --> 00:26:21,580 Make sure there's dancing in between. 758 00:26:21,580 --> 00:26:22,915 ‐ Thank you. ‐ Sure. Absolutely. 759 00:26:22,915 --> 00:26:26,418 [cheers and applause] 760 00:26:26,418 --> 00:26:27,669 Yeah! 761 00:26:27,669 --> 00:26:30,422 [dramatic music] 762 00:26:30,422 --> 00:26:31,924 ♪ ♪ 763 00:26:31,924 --> 00:26:33,425 ‐ I don't want anyone to lose. 764 00:26:33,425 --> 00:26:35,719 ♪ ♪ 765 00:26:35,719 --> 00:26:39,264 ‐ You know what time it is, folks. 766 00:26:39,264 --> 00:26:41,850 It's time to get the decision. 767 00:26:41,850 --> 00:26:43,352 Who won this Duel? 768 00:26:43,352 --> 00:26:53,028 ♪ ♪ 769 00:26:53,112 --> 00:26:53,153 . 770 00:26:54,613 --> 00:26:54,905 ‐ Bring 'em out. 771 00:26:55,739 --> 00:26:58,408 [cheers and applause] 772 00:26:58,408 --> 00:26:59,785 [dramatic music] 773 00:26:59,785 --> 00:27:01,411 ‐ I don't want anyone to lose. 774 00:27:01,411 --> 00:27:03,247 ♪ ♪ 775 00:27:03,247 --> 00:27:07,459 ‐ You know what time it is, folks. 776 00:27:07,459 --> 00:27:10,129 We got three judges. Three votes. 777 00:27:10,129 --> 00:27:12,214 Majority rules. 778 00:27:12,214 --> 00:27:14,550 It's time to give the decision. 779 00:27:14,550 --> 00:27:16,093 Who won this Duel? 780 00:27:16,093 --> 00:27:18,929 [suspenseful music] 781 00:27:18,929 --> 00:27:21,306 ‐ Keagan, that was an exceptional performance. 782 00:27:21,306 --> 00:27:23,642 Maddy, stunning dancer, 783 00:27:23,642 --> 00:27:25,143 beautiful legs, beautiful technique. 784 00:27:25,143 --> 00:27:26,979 ♪ ♪ 785 00:27:26,979 --> 00:27:28,522 I think, for this Duel... 786 00:27:29,648 --> 00:27:31,108 I'm gonna have to give it to Keagan. 787 00:27:31,108 --> 00:27:32,568 ‐ One for Keagan Capps. 788 00:27:32,568 --> 00:27:33,652 [cheers and applause] 789 00:27:33,652 --> 00:27:34,987 ‐ Jennifer. 790 00:27:34,987 --> 00:27:37,906 ‐ Maddy, I think you're missing some of the... 791 00:27:37,906 --> 00:27:40,325 kind of emotion and connectivity 792 00:27:40,325 --> 00:27:41,994 that Keagan has. 793 00:27:41,994 --> 00:27:44,162 But Keagan, you were missing some of the dancing 794 00:27:44,162 --> 00:27:47,833 and coquettishness that Maddy has. 795 00:27:47,833 --> 00:27:49,001 I still... 796 00:27:49,001 --> 00:27:50,669 ♪ ♪ 797 00:27:50,669 --> 00:27:51,879 Have to go with... 798 00:27:54,840 --> 00:27:56,341 Keagan. 799 00:27:56,341 --> 00:27:57,843 [cheers and applause] 800 00:27:57,843 --> 00:28:00,304 ‐ Oh, Keagan Capps, you are through 801 00:28:00,304 --> 00:28:02,681 to the semifinals. Congratulations. 802 00:28:02,681 --> 00:28:05,601 Which means, Maddy Penney, 803 00:28:05,601 --> 00:28:07,477 you've done such an amazing job. 804 00:28:07,477 --> 00:28:08,520 ‐ Hey. 805 00:28:08,520 --> 00:28:10,355 [upbeat electronic music] 806 00:28:10,355 --> 00:28:11,857 ‐ I was also gonna go with Keagan. 807 00:28:11,857 --> 00:28:14,860 Again, from a standpoint of technique, you're there. 808 00:28:14,860 --> 00:28:16,278 Now we just need to get‐‐ 809 00:28:16,278 --> 00:28:17,529 you might need your heart broken or something. 810 00:28:17,529 --> 00:28:19,865 I don't know. We gotta get to them emotions. 811 00:28:19,865 --> 00:28:21,116 We gotta get to them emotions. 812 00:28:21,116 --> 00:28:22,492 ‐ She's, like, "Thanks." ‐ We gotta pull that part 813 00:28:22,492 --> 00:28:23,702 of it out. Hey, listen, 814 00:28:23,702 --> 00:28:25,162 it works for songwriting. What I'm saying is‐‐ 815 00:28:25,162 --> 00:28:26,788 [laughter] 816 00:28:26,788 --> 00:28:28,373 What I'm saying is, 817 00:28:28,373 --> 00:28:30,542 ‐ [laughs] ‐ You are an amazing dancer, 818 00:28:30,542 --> 00:28:31,668 that's not‐‐ 819 00:28:31,668 --> 00:28:33,003 ‐ Thank you. ‐ There's no denying that. 820 00:28:33,003 --> 00:28:35,505 Thank you so much for everything, appreciate you. 821 00:28:35,505 --> 00:28:37,549 ‐ Give it up one more time for... 822 00:28:37,549 --> 00:28:39,843 Keagan! 823 00:28:39,843 --> 00:28:41,720 [cheers and applause] 824 00:28:41,720 --> 00:28:42,888 ‐ Aw... 825 00:28:42,888 --> 00:28:44,806 ‐ Hey! 826 00:28:46,141 --> 00:28:47,517 ‐ Coquettish. Tell me that‐‐ 827 00:28:47,517 --> 00:28:48,727 I've never heard that word before. 828 00:28:48,727 --> 00:28:50,187 ‐ It's‐‐it means, like, flirty. 829 00:28:50,187 --> 00:28:51,480 ‐ I'm obsessed with that word. ‐ It's almost, like, 830 00:28:51,480 --> 00:28:53,148 you know, like, tease. ‐ Is this coquettish? 831 00:28:53,148 --> 00:28:54,900 ‐ No, I don't coquettish with you guys. 832 00:28:54,900 --> 00:28:56,026 You're like my brothers. ‐ [laughing] 833 00:28:56,026 --> 00:28:58,153 ‐ No coquettish here? ‐ No! 834 00:28:58,153 --> 00:28:59,905 Oh, are you coquettish? 835 00:28:59,905 --> 00:29:01,657 ‐ I am always coquettish. ‐ It's mostly for girls. 836 00:29:01,657 --> 00:29:02,824 ‐ [laughs] 837 00:29:05,661 --> 00:29:07,913 ‐ Us too. Thank you. ‐ You guys are gonna kill it. 838 00:29:07,913 --> 00:29:09,247 [cheers and applause] 839 00:29:09,247 --> 00:29:13,585 ‐ Whoo! The Junior Duels were fire! 840 00:29:13,585 --> 00:29:16,046 ‐ Whoo! ‐ Whoa. Really good. 841 00:29:16,046 --> 00:29:18,173 ‐ Well, since the Duels are over, 842 00:29:18,173 --> 00:29:19,925 tWitch, it's up to you now. 843 00:29:19,925 --> 00:29:23,261 We gotta go backstage and reveal your choice 844 00:29:23,261 --> 00:29:26,056 for the two acts who've been eliminated 845 00:29:26,056 --> 00:29:27,891 who get one last shot 846 00:29:27,891 --> 00:29:29,768 in the Redemption Duel 847 00:29:29,768 --> 00:29:32,396 for their spot in the semifinals! 848 00:29:32,396 --> 00:29:34,231 ‐ I don't envy you! 849 00:29:34,231 --> 00:29:35,607 [cheers and applause] 850 00:29:35,607 --> 00:29:37,859 Will it be The Young Cast? 851 00:29:37,859 --> 00:29:38,944 [upbeat electronic music] 852 00:29:38,944 --> 00:29:41,113 ‐ What we have here is hip‐hop 853 00:29:41,113 --> 00:29:42,781 taken to the next level 854 00:29:42,781 --> 00:29:45,951 with a more current version of what's going on today. 855 00:29:45,951 --> 00:29:48,537 ‐ 305. ‐ What I love about y'all, 856 00:29:48,537 --> 00:29:51,957 what I love that you bring, is just fire. 857 00:29:51,957 --> 00:29:55,419 Right? Like, I can definitely feel y'all. 858 00:29:55,419 --> 00:29:57,212 ‐ Chibi Unity. 859 00:29:57,212 --> 00:29:58,714 ♪ ♪ 860 00:29:58,714 --> 00:30:00,757 ‐ I really enjoyed what just happened right now. 861 00:30:00,757 --> 00:30:02,467 Saw elements of light feet 862 00:30:02,467 --> 00:30:04,636 and a little bit of krump, and I love that. 863 00:30:04,636 --> 00:30:07,222 ‐ James and Harris. 864 00:30:07,222 --> 00:30:08,807 ‐ You're already willing to connect 865 00:30:08,807 --> 00:30:10,976 with each other and emote. 866 00:30:10,976 --> 00:30:12,978 And I know that that's what you need 867 00:30:12,978 --> 00:30:15,647 to touch that "World of Dance" stage. 868 00:30:15,647 --> 00:30:18,275 ‐ Or Maddy Penney. 869 00:30:18,275 --> 00:30:20,569 ‐ Your technique is incredible. 870 00:30:20,569 --> 00:30:22,821 ‐ You're a beautiful dancer. An amazing dancer. 871 00:30:22,821 --> 00:30:24,156 ♪ ♪ 872 00:30:24,156 --> 00:30:25,574 ‐ Come on. ‐ Let's go. 873 00:30:25,574 --> 00:30:27,159 ‐ All right. 874 00:30:27,159 --> 00:30:28,118 ‐ Whoo! 875 00:30:28,118 --> 00:30:30,328 [cheers and applause] 876 00:30:30,328 --> 00:30:31,455 Wish me luck. 877 00:30:32,581 --> 00:30:33,749 ‐ [laughs] 878 00:30:33,749 --> 00:30:35,333 ♪ ♪ 879 00:30:35,333 --> 00:30:37,085 ‐ Whoo! ‐ I don't envy him. 880 00:30:37,085 --> 00:30:40,464 ♪ ♪ 881 00:30:40,464 --> 00:30:43,175 ‐ I'm coming here to represent ballet. 882 00:30:43,175 --> 00:30:45,302 And it would just mean a lot to me 883 00:30:45,302 --> 00:30:47,512 if I had another shot to show the world. 884 00:30:47,512 --> 00:30:53,852 ♪ ♪ 885 00:30:53,852 --> 00:30:56,313 ‐ It would be a dream to be on the real stage 886 00:30:56,313 --> 00:31:00,984 and show people that hard work really pays off. 887 00:31:00,984 --> 00:31:03,779 ‐ Being called for Redemption would mean the world to us. 888 00:31:03,779 --> 00:31:05,363 We'd like to just come back way stronger 889 00:31:05,363 --> 00:31:06,865 than we did right now. 890 00:31:06,865 --> 00:31:09,159 ‐ Dude, I'm so ready for this. 891 00:31:09,159 --> 00:31:10,535 ‐ If we get this opportunity, I really want it 892 00:31:10,535 --> 00:31:11,620 to be about who we are. 893 00:31:11,620 --> 00:31:13,455 Let's go! ‐ This is our time. 894 00:31:13,455 --> 00:31:15,207 ‐ We still got fight in us. ‐ That hard work never dies. 895 00:31:15,207 --> 00:31:16,917 ‐ They're all very talented dancers. 896 00:31:16,917 --> 00:31:18,460 ‐ They all brought heart. ‐ Everybody. 897 00:31:18,460 --> 00:31:20,045 ‐ They all still made their mark. 898 00:31:20,045 --> 00:31:22,005 [cheers and applause] 899 00:31:22,005 --> 00:31:23,632 ‐ All right! ‐ Ah... 900 00:31:23,632 --> 00:31:25,342 ‐ Just wanted to say how incredibly proud 901 00:31:25,342 --> 00:31:26,885 we are of all of you. 902 00:31:26,885 --> 00:31:28,553 I've got my boy tWitch here, 903 00:31:28,553 --> 00:31:31,389 because it is now his responsibility 904 00:31:31,389 --> 00:31:33,975 to reveal which two acts 905 00:31:33,975 --> 00:31:36,895 will be competing tonight in the Redemption Duel 906 00:31:36,895 --> 00:31:40,482 for one last spot for semifinals. 907 00:31:40,482 --> 00:31:41,983 So without further ado, brother, 908 00:31:41,983 --> 00:31:43,568 I'ma leave the rest to you. ‐ Thank you. 909 00:31:43,568 --> 00:31:45,570 This is, uh... 910 00:31:45,570 --> 00:31:48,532 really, really, really difficult. 911 00:31:48,532 --> 00:31:49,908 [suspenseful music] 912 00:31:49,908 --> 00:31:53,745 You should be proud because y'all made it that way. 913 00:31:53,745 --> 00:31:56,414 And my first pick... 914 00:31:56,414 --> 00:31:58,416 to go into Redemption... 915 00:31:58,416 --> 00:32:03,922 ♪ ♪ 916 00:32:03,922 --> 00:32:04,923 Is... 917 00:32:04,923 --> 00:32:08,176 ♪ ♪ 918 00:32:08,176 --> 00:32:09,594 James and Harris. 919 00:32:09,594 --> 00:32:11,555 [cheers and applause] 920 00:32:11,555 --> 00:32:13,390 ‐ Congratulations, fellas. 921 00:32:13,390 --> 00:32:15,767 You are one of the acts going through 922 00:32:15,767 --> 00:32:18,770 to the Redemption Duel tonight. You got one more. 923 00:32:18,770 --> 00:32:20,522 ‐ Okay. 924 00:32:20,522 --> 00:32:25,277 The next group that's going through is... 925 00:32:25,277 --> 00:32:31,616 ♪ ♪ 926 00:32:38,165 --> 00:32:38,206 . 927 00:32:40,000 --> 00:32:40,375 ‐ And my first pick... 928 00:32:42,210 --> 00:32:43,962 to go into Redemption... 929 00:32:43,962 --> 00:32:44,963 [suspenseful music] 930 00:32:44,963 --> 00:32:46,256 Is... 931 00:32:46,256 --> 00:32:47,632 James and Harris. 932 00:32:47,632 --> 00:32:49,634 [cheers and applause] 933 00:32:49,634 --> 00:32:51,261 ‐ Congratulations, fellas. 934 00:32:51,261 --> 00:32:53,138 You are one of the acts 935 00:32:53,138 --> 00:32:55,891 going through to the Redemption Duel tonight. 936 00:32:55,891 --> 00:32:58,602 You got one more. ‐ Okay. 937 00:32:58,602 --> 00:33:03,273 The next group that's going through is... 938 00:33:03,273 --> 00:33:09,946 ♪ ♪ 939 00:33:11,823 --> 00:33:12,949 The Young Cast. 940 00:33:12,949 --> 00:33:15,285 [all cheering] 941 00:33:15,285 --> 00:33:17,120 ‐ The Young Cast! ‐ The Young Cast. 942 00:33:17,120 --> 00:33:18,455 ‐ Congratulations. 943 00:33:18,455 --> 00:33:21,499 That means James and Harris, The Young Cast, 944 00:33:21,499 --> 00:33:23,835 one of you will be moving through 945 00:33:23,835 --> 00:33:26,171 to the "World of Dance" stage. 946 00:33:26,171 --> 00:33:28,506 ‐ We just got the chance to do Redemption. 947 00:33:28,506 --> 00:33:30,091 We got the chance to prove that 948 00:33:30,091 --> 00:33:31,676 we really work hard to stay. 949 00:33:31,676 --> 00:33:33,261 ‐ We're ready to fight. 950 00:33:33,261 --> 00:33:36,431 ‐ ♪ The fate is hitting heavy on my shoulders ♪ 951 00:33:36,431 --> 00:33:39,768 ‐ I'm kinda anxious. I hope he picked the two I wanted. 952 00:33:39,768 --> 00:33:42,604 ‐ ♪ I'm still fighting for it! ♪ 953 00:33:42,604 --> 00:33:46,483 ♪ Yeah, it feels like I'm living a dream ♪ 954 00:33:46,483 --> 00:33:48,151 [cheers and applause] 955 00:33:48,151 --> 00:33:50,695 ‐ I'm worried! Why do you look like that? 956 00:33:50,695 --> 00:33:52,364 Why do you look like that? 957 00:33:52,364 --> 00:33:53,531 ‐ You look like a man that has had to make 958 00:33:53,531 --> 00:33:55,200 a very difficult decision. ‐ Y'all. 959 00:33:55,200 --> 00:33:57,035 ‐ There's some trauma there. 960 00:33:57,035 --> 00:33:59,037 ‐ I'm not gonna lie to you, that was definitely 961 00:33:59,037 --> 00:34:00,622 the hardest thing I've done today. 962 00:34:00,622 --> 00:34:01,957 [laughter] For sure. I, like... 963 00:34:01,957 --> 00:34:04,626 y'all, they just came with so much heart, y'all. 964 00:34:04,626 --> 00:34:06,503 You know what I mean? And y'all know what it is 965 00:34:06,503 --> 00:34:10,048 to face rejection in the face of your passion, right? 966 00:34:10,048 --> 00:34:11,341 ‐ I'm glad you had to do that, not us. 967 00:34:11,341 --> 00:34:12,634 ‐ Yeah. ‐ Yeah... 968 00:34:12,634 --> 00:34:14,177 ‐ ♪ 'Cause this ain't over, no ♪ 969 00:34:14,177 --> 00:34:15,553 ♪ ♪ 970 00:34:15,553 --> 00:34:17,389 ‐ We gotta be ready for everything, 971 00:34:17,389 --> 00:34:19,391 and this next dance is super representative 972 00:34:19,391 --> 00:34:21,559 of who we are and what we love to do. 973 00:34:21,559 --> 00:34:24,479 And we're just gonna leave our souls on the floor. 974 00:34:24,479 --> 00:34:28,692 ‐ ♪ Times it feels like I'm living a dream ♪ 975 00:34:28,692 --> 00:34:31,820 ♪ But I know that it's real, 'cause... ♪ 976 00:34:31,820 --> 00:34:34,572 [cheers and applause] 977 00:34:34,572 --> 00:34:36,199 ‐ Let's go! 978 00:34:36,199 --> 00:34:38,201 ‐ Competing for Redemption, 979 00:34:38,201 --> 00:34:39,577 it's James and Harris! 980 00:34:39,577 --> 00:34:41,538 ‐ Oh! 981 00:34:41,538 --> 00:34:42,831 ♪ ♪ 982 00:34:42,831 --> 00:34:44,499 ‐ Versus... 983 00:34:44,499 --> 00:34:46,418 ♪ ♪ 984 00:34:46,418 --> 00:34:47,711 The Young Cast! 985 00:34:47,711 --> 00:34:50,547 ‐ Oh! Okay! 986 00:34:50,547 --> 00:34:52,799 ‐ ♪ I'm still fighting for it! ♪ 987 00:34:54,509 --> 00:34:56,428 [cheers and applause] 988 00:34:56,428 --> 00:34:57,804 ‐ Let's go! 989 00:35:00,098 --> 00:35:02,601 ‐ First up, it's The Young Cast! 990 00:35:02,601 --> 00:35:04,644 ‐ Nice. 991 00:35:13,445 --> 00:35:15,238 [upbeat funky music] 992 00:35:15,238 --> 00:35:17,240 [cheers and applause] ‐ Whoo‐hoo‐hoo! 993 00:35:17,240 --> 00:35:19,951 ‐ Watch me! Hey! ‐ Hey! 994 00:35:19,951 --> 00:35:22,287 ‐ ♪ I got something that makes me wanna shout ♪ 995 00:35:22,287 --> 00:35:23,371 ♪ ♪ 996 00:35:23,371 --> 00:35:24,581 Ha! Ha! 997 00:35:24,581 --> 00:35:26,666 ♪ I got soul! ♪ 998 00:35:26,666 --> 00:35:30,795 ♪ And I'm super bad ♪ 999 00:35:30,795 --> 00:35:32,547 Uh! ‐ Whoo! 1000 00:35:32,547 --> 00:35:38,136 ♪ ♪ 1001 00:35:38,136 --> 00:35:40,388 ‐ Ah... ‐ Hey! 1002 00:35:40,388 --> 00:35:43,600 ♪ ♪ 1003 00:35:43,600 --> 00:35:45,226 ‐ Hey! 1004 00:35:45,226 --> 00:35:46,645 ‐ Hey! 1005 00:35:46,645 --> 00:35:48,146 ‐ Hey! [laughs] 1006 00:35:48,146 --> 00:35:50,982 ♪ ♪ 1007 00:35:50,982 --> 00:35:52,484 ‐ ♪ And round and round ♪ 1008 00:35:52,484 --> 00:35:55,153 ♪ ♪ 1009 00:35:55,153 --> 00:35:56,738 ‐ Hey, hey! ‐ ♪ Up and down! ♪ 1010 00:35:56,738 --> 00:35:58,657 ‐ Hey! Hey! 1011 00:35:58,657 --> 00:36:00,450 Hey! Hey! ‐ ♪ All right! ♪ 1012 00:36:00,450 --> 00:36:02,911 ♪ ♪ 1013 00:36:02,911 --> 00:36:04,162 ‐ Hey! 1014 00:36:04,162 --> 00:36:05,330 ‐ Come on! 1015 00:36:05,330 --> 00:36:06,748 Hey! 1016 00:36:08,667 --> 00:36:11,378 [cheers and applause] 1017 00:36:21,012 --> 00:36:22,806 ‐ All right, all right, all right. 1018 00:36:24,683 --> 00:36:25,850 ‐ Here's what's nice. 1019 00:36:25,850 --> 00:36:27,143 Here's what's nice about you guys. 1020 00:36:27,143 --> 00:36:28,853 Y'all got a bag of tricks that we don't know about. 1021 00:36:28,853 --> 00:36:30,647 Like, there's different things, there's different colors, 1022 00:36:30,647 --> 00:36:32,023 there's different sides to you. 1023 00:36:32,023 --> 00:36:33,525 [cheers and applause] ‐ Thank you. 1024 00:36:33,525 --> 00:36:34,693 ‐ [imitating James Brown] Hey! 1025 00:36:34,693 --> 00:36:36,486 [laughter] ‐ Papa got a brand new bag. 1026 00:36:37,654 --> 00:36:39,030 ‐ It's interesting, because, obviously, you guys, 1027 00:36:39,030 --> 00:36:40,699 in my opinion, have a slight advantage 1028 00:36:40,699 --> 00:36:42,117 in the sense that there's more of you 1029 00:36:42,117 --> 00:36:44,285 to create pictures and create energy, 1030 00:36:44,285 --> 00:36:47,372 but it is, it is‐‐ it's gonna be interesting. 1031 00:36:47,372 --> 00:36:50,166 ‐ I agree. I don't know what‐‐ I don't know what I feel yet. 1032 00:36:50,166 --> 00:36:51,376 I'ma wait and see what they do 1033 00:36:51,376 --> 00:36:52,836 before I know exactly what it is, so, yeah. 1034 00:36:52,836 --> 00:36:54,713 Let's see your competitors. 1035 00:36:54,713 --> 00:36:56,047 ‐ Next up! 1036 00:36:56,047 --> 00:36:58,049 It's James and Harris! 1037 00:36:58,049 --> 00:37:01,720 [cheers and applause] 1038 00:37:01,720 --> 00:37:03,680 ‐ Fight for your life! 1039 00:37:03,680 --> 00:37:06,641 [dramatic music] 1040 00:37:06,641 --> 00:37:13,690 ♪ ♪ 1041 00:37:22,824 --> 00:37:23,575 ‐ Next up, it's James and Harris! 1042 00:37:24,909 --> 00:37:26,411 [cheers and applause] 1043 00:37:26,411 --> 00:37:28,246 ‐ Fight for your life! 1044 00:37:28,246 --> 00:37:31,207 [upbeat hip‐hop music] 1045 00:37:33,752 --> 00:37:35,754 [mellow pop music] 1046 00:37:35,754 --> 00:37:39,424 ♪ ♪ 1047 00:37:39,424 --> 00:37:41,009 ‐ Oh, wow. 1048 00:37:41,009 --> 00:37:42,427 ♪ ♪ 1049 00:37:42,427 --> 00:37:44,220 [cheers and applause] 1050 00:37:44,220 --> 00:37:46,598 ‐ ♪ Oh, oh, oh ♪ 1051 00:37:46,598 --> 00:37:51,853 ♪ ♪ 1052 00:37:51,853 --> 00:37:55,273 ♪ We couldn't turn around ♪ 1053 00:37:55,273 --> 00:37:58,359 ♪ Till we were upside down ♪ ‐ Nice. 1054 00:37:58,359 --> 00:37:59,944 ♪ ♪ 1055 00:37:59,944 --> 00:38:02,405 ‐ ♪ You don't believe it ♪ 1056 00:38:02,405 --> 00:38:03,907 ♪ ♪ 1057 00:38:03,907 --> 00:38:05,700 ♪ We do this every time ♪ 1058 00:38:05,700 --> 00:38:07,285 ♪ Seasons change 1059 00:38:07,285 --> 00:38:10,371 ♪ And our love went cold ♪ both: Hey! 1060 00:38:10,371 --> 00:38:14,083 ‐ ♪ Feed the flame 'cause we can't let go ♪ 1061 00:38:14,083 --> 00:38:17,962 ♪ Run away, but we're running in circles ♪ 1062 00:38:17,962 --> 00:38:20,298 ♪ Run away, run away ♪ 1063 00:38:20,298 --> 00:38:24,636 ♪ I dare you to do something ♪ 1064 00:38:24,636 --> 00:38:27,931 ♪ I'm waiting on you again ♪ 1065 00:38:27,931 --> 00:38:29,724 ♪ So I don't take the blame ♪ 1066 00:38:29,724 --> 00:38:30,725 ♪ Run away ♪ 1067 00:38:30,725 --> 00:38:31,726 ‐ Whoo! 1068 00:38:31,726 --> 00:38:33,478 ‐ That was pretty. 1069 00:38:33,478 --> 00:38:39,067 ‐ ♪ Run away, run away, run away ♪ 1070 00:38:39,067 --> 00:38:41,486 [cheers and applause] 1071 00:38:41,486 --> 00:38:43,321 ‐ There you go. 1072 00:38:43,321 --> 00:38:46,407 ‐ All right, all right, all right. 1073 00:38:48,159 --> 00:38:49,494 ‐ I've already talked about you guys. 1074 00:38:49,494 --> 00:38:51,579 You're absolutely incredible dancers. 1075 00:38:51,579 --> 00:38:53,832 That was another example of that. 1076 00:38:53,832 --> 00:38:55,875 ‐ Such strong dancers on this side, 1077 00:38:55,875 --> 00:38:57,752 such amazing personality. 1078 00:38:57,752 --> 00:39:00,463 You guys bring something totally different, 1079 00:39:00,463 --> 00:39:02,590 which I really love, too. 1080 00:39:02,590 --> 00:39:03,842 ‐ Awesome. Thank you. 1081 00:39:03,842 --> 00:39:05,343 [cheers and applause] 1082 00:39:05,343 --> 00:39:06,511 ‐ I think there were some moments in there, 1083 00:39:06,511 --> 00:39:08,263 I felt like it kinda ramped up. 1084 00:39:08,263 --> 00:39:10,849 A little off‐balance at the end there with the double tour. 1085 00:39:10,849 --> 00:39:13,601 But honestly, great job. Great job. 1086 00:39:13,601 --> 00:39:14,602 ‐ Thank you so much. 1087 00:39:14,602 --> 00:39:15,854 [cheers and applause] 1088 00:39:15,854 --> 00:39:17,856 ‐ Yeah. It's on y'all, now. 1089 00:39:17,856 --> 00:39:20,775 ‐ We're gonna have to see who wins this Redemption. 1090 00:39:20,775 --> 00:39:24,028 [cheers and applause] 1091 00:39:24,028 --> 00:39:26,364 [dramatic music] 1092 00:39:26,364 --> 00:39:29,200 ‐ All right, it is time to reveal 1093 00:39:29,200 --> 00:39:32,871 who is the winner of this Redemption Duel. 1094 00:39:32,871 --> 00:39:35,164 It came with fire, but Jennifer, 1095 00:39:35,164 --> 00:39:37,542 will it be James and Harris, 1096 00:39:37,542 --> 00:39:39,711 or The Young Cast? 1097 00:39:39,711 --> 00:39:42,380 ‐ Doing the Duels this way was new this year. 1098 00:39:42,380 --> 00:39:45,633 And it made it so much harder, 1099 00:39:45,633 --> 00:39:48,344 because when you guys used to choose each other, 1100 00:39:48,344 --> 00:39:51,556 you kinda chose people that you thought you could beat, 1101 00:39:51,556 --> 00:39:54,726 and what we did was such a different strategy. 1102 00:39:54,726 --> 00:39:57,562 We put up formidable opponents against each other, 1103 00:39:57,562 --> 00:40:00,064 which made for a very exciting show today. 1104 00:40:00,064 --> 00:40:02,233 ‐ Absolutely. ‐ But it also made it 1105 00:40:02,233 --> 00:40:03,735 super difficult on us. [laughs] 1106 00:40:03,735 --> 00:40:05,236 [laughter] 1107 00:40:05,236 --> 00:40:07,864 With that being said, we love both of you. 1108 00:40:07,864 --> 00:40:09,073 But I think... 1109 00:40:09,073 --> 00:40:12,493 ♪ ♪ 1110 00:40:12,493 --> 00:40:14,329 I'm gonna have to go with... 1111 00:40:14,329 --> 00:40:15,580 Young Cast. 1112 00:40:15,580 --> 00:40:18,416 [cheers and applause] 1113 00:40:20,752 --> 00:40:25,173 ‐ Derek, who wins this Redemption Duel for you? 1114 00:40:25,173 --> 00:40:27,759 [dramatic music] 1115 00:40:27,759 --> 00:40:29,761 ‐ The winner, for me... 1116 00:40:29,761 --> 00:40:31,429 ♪ ♪ 1117 00:40:31,429 --> 00:40:32,513 The Young Cast. 1118 00:40:32,513 --> 00:40:33,932 ‐ I have to agree with Derek. 1119 00:40:33,932 --> 00:40:36,684 ‐ ♪ I'm the champion! ♪ 1120 00:40:36,684 --> 00:40:38,186 ‐ Congratulations! 1121 00:40:38,186 --> 00:40:39,771 [cheers and applause] 1122 00:40:39,771 --> 00:40:44,233 The Young Cast, you are through to the semifinals. 1123 00:40:44,233 --> 00:40:46,861 You gotta feel good about that. 1124 00:40:46,861 --> 00:40:49,113 Unfortunately, James and Harris, 1125 00:40:49,113 --> 00:40:51,616 that means this is the end of the road. 1126 00:40:51,616 --> 00:40:54,369 Judges, any advice? ‐ We hate to see you go. 1127 00:40:54,369 --> 00:40:56,871 Honestly, I wish we could keep both of you right now. 1128 00:40:56,871 --> 00:40:58,456 You really do deserve to be here. 1129 00:40:58,456 --> 00:41:01,125 I hope we see you again. I really, really, do. 1130 00:41:01,125 --> 00:41:03,628 ‐ ♪ Oh‐oh‐oh‐oh, oh‐oh‐oh‐oh♪ 1131 00:41:03,628 --> 00:41:04,963 ♪ I'm the champion! ♪ ‐ Thank you so much. 1132 00:41:04,963 --> 00:41:06,089 ‐ Thanks, fellas! 1133 00:41:06,089 --> 00:41:09,133 [cheers and applause] 1134 00:41:09,133 --> 00:41:10,802 ♪ ♪ 1135 00:41:10,802 --> 00:41:12,470 ‐ And while we're at it, 1136 00:41:12,470 --> 00:41:18,476 go join the rest of the Junior semifinalists! 1137 00:41:18,476 --> 00:41:21,229 ‐ Hey! Hey! Hey! 1138 00:41:21,229 --> 00:41:23,982 [cheers and applause] 1139 00:41:23,982 --> 00:41:25,316 ‐ Everybody, this is it. You guys are going 1140 00:41:25,316 --> 00:41:26,776 to the main stage. You guys ready? 1141 00:41:26,776 --> 00:41:28,444 [cheers and applause] 1142 00:41:28,444 --> 00:41:29,904 But listen up. Here's the thing. 1143 00:41:29,904 --> 00:41:31,489 What you don't want to do is you don't want 1144 00:41:31,489 --> 00:41:33,324 to get swallowed up. Right? 1145 00:41:33,324 --> 00:41:34,659 We're gonna be in this big set, 1146 00:41:34,659 --> 00:41:36,786 big stage, big audience, big lights. 1147 00:41:36,786 --> 00:41:39,080 You gotta make sure that you raise the game. 1148 00:41:39,080 --> 00:41:41,290 Come with amazing routines, great costumes, 1149 00:41:41,290 --> 00:41:42,875 great choreography, the whole thing. 1150 00:41:42,875 --> 00:41:44,627 Execution. Do it. ‐ No weak moments. 1151 00:41:44,627 --> 00:41:45,628 No weak moments. ‐ Here we go! 1152 00:41:45,628 --> 00:41:46,963 ‐ No weak moments. 1153 00:41:46,963 --> 00:41:51,509 ‐ The Junior Division Duels are complete! 1154 00:41:51,509 --> 00:41:53,511 They've all won a place in the semifinals 1155 00:41:53,511 --> 00:41:57,181 where they will compete on our "World of Dance" stage 1156 00:41:57,181 --> 00:41:58,683 for the very first time! 1157 00:41:58,683 --> 00:42:00,309 ‐ That's it, guys. The Duel is done. 1158 00:42:00,309 --> 00:42:01,686 Back to the big stage! ‐ The big stage! 1159 00:42:01,686 --> 00:42:03,771 ‐ To the arena! ‐ Give it up for tWitch! 1160 00:42:03,771 --> 00:42:05,023 [cheers and applause] 1161 00:42:05,023 --> 00:42:07,817 And our incredible judges! 1162 00:42:07,817 --> 00:42:10,528 ♪ ♪ 1163 00:42:10,528 --> 00:42:11,696 ‐ Bye, sweetie. ‐ Thank you 1164 00:42:11,696 --> 00:42:13,197 for this amazing experience! 1165 00:42:13,197 --> 00:42:15,199 ‐ Aw. Did you have fun? all: Yeah! 1166 00:42:15,199 --> 00:42:17,201 ‐ Ee‐yah! ‐ [laughs] 1167 00:42:17,201 --> 00:42:19,162 ‐ This is part of the‐‐ this is part of the journey. 1168 00:42:19,162 --> 00:42:20,496 ‐ Great job. ‐ You know what I'm saying? 1169 00:42:20,496 --> 00:42:22,123 ‐ This is not the end. 1170 00:42:22,123 --> 00:42:23,708 Learn from what happened here today. 1171 00:42:23,708 --> 00:42:26,335 Get stronger. Come back. Yes? 1172 00:42:26,335 --> 00:42:27,336 ‐ Yes. ‐ We will. 1173 00:42:27,336 --> 00:42:28,713 ‐ Can I get a hug? 1174 00:42:28,713 --> 00:42:30,048 ‐ Of course you can! Of course you can! 1175 00:42:30,048 --> 00:42:31,841 ‐ ♪ Little did I know, I'm a champion ♪ 1176 00:42:31,841 --> 00:42:33,760 ♪ I'm a champion! ♪ 84309

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.