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[bright tones]
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[ambient music]
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‐ Aw, yeah.
Semifinals.
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‐ We're on the big stage.
We're in the main arena.
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‐ It is absolutely a privilege
to make it to the stage.
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♪ ♪
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‐ Semifinal.
‐ Here we go.
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all:
G‐R‐V‐M‐N‐T!
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‐ To be on the main stage
finally‐‐like,
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this is what we've,
like, always wanted.
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‐ We're now within
the top 12 acts in the world,
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and just four acts make it
to the finals.
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‐ One step closer
to that $1 million prize.
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[crowd cheering]
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‐ This is gonna be
the first time
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they're gonna be stepping
onto the stage.
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‐ The stage is really cool.
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It's just a dream come true.
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‐ We only have one option,
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and that's to really give
everything we have.
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[music swells]
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‐ What's going out there?
Anything exciting?
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♪ ♪
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‐ It's time.
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‐ We are back on
our big, beautiful stage
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for the semifinals.
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[crowd cheering]
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male narrator:
This is "World of Dance."
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It's the semifinals.
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Give it up for your judges.
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Derek Hough.
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‐ ♪ I'm blinded
by the lights ♪
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narrator:
Ne‐Yo.
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‐ ♪ I can't sleep
until I touch ♪
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narrator:
And Jennifer Lopez.
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♪ ♪
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‐ ♪ I said, ooh ♪
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‐ Hey!
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‐ ♪ I'm drowning
in the night ♪
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‐ Yeah!
‐ Whoo!
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‐ We're back!
‐ Let's go!
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Breathe out.
‐ We're back!
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narrator: Please welcome
your host, Scott Evans.
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‐ Whoo!
Whoo‐hoo!
45
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Wow, we have finally made it
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to the "World of Dance" stage.
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Yeah, yeah.
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12 acts have earned
their chance
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to perform on our stage,
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and tonight, 6 of the 12 acts
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will compete for just two
places in the "World" final.
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[crowd cheering]
Yeah.
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Performing tonight:
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The Young Cast,
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Savannah Manzel,
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Jefferson and Adrianita,
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GRVMNT,
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Kurtis Sprung,
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and Géométrie Variable.
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So judges, what do
tonight's acts need to do
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to impress you?
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‐ Honestly, we are looking
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for something that
we've never seen before
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and for everybody in this arena
right here to go nuts.
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If they don't go nuts,
they're not making it through.
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‐ Yeah.
‐ Y'all hear that?
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‐ Derek?
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‐ You know, preparation
meets opportunity,
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and right now, they have
the opportunity
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to go for gold 'cause
this is big time stuff.
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So bring it.
Let's go.
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‐ All right.
‐ Ne‐Yo, how about you?
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‐ We've seen greatness
touch this stage before,
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which means when
we see it again,
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we will readily identify it,
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and that person
will win $1 million.
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‐ Whoo!
‐ $1 million.
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Well, without further ado,
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let the semifinals begin.
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‐ Let's go!
Whoo!
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[crowd cheering]
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[funky music]
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narrator: First to perform:
The Young Cast.
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‐ The Young Cast are warriors.
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They have fought tooth
and nail to be here.
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They just need to figure out
what that last ingredient is
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to make them
a world champion style group.
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‐ ♪ I'm gonna break through,
break through ♪
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‐ We are finally on that
big "World of Dance" stage.
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‐ There's gonna be lights.
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We're gonna have our names
on the screen.
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And we're so excited.
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We can't believe
we're there finally.
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‐ ♪ You can't stop me now ♪
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‐ We are the only team that
has been through Qualifiers,
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Callbacks, Duels,
and Redemption.
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‐ But we weren't going to let
the rejection take us down.
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‐ So now that we are
on the big stage,
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we feel as ready
as we ever been.
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00:03:52,232 --> 00:03:54,234
We got underestimated,
but we're here
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and we have our place
on this show,
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and we have to prove that.
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‐ ♪ I wanna break through,
break through ♪
104
00:04:00,407 --> 00:04:02,742
‐ Tonight, we're going
to put our heart and soul
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on that stage.
106
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[crowd cheering]
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‐ Winning "World of Dance"
is more than money.
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We're proving to ourselves
what we always believe.
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‐ That with hard work
and dedication,
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dreams come true.
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00:04:18,341 --> 00:04:20,927
narrator: Welcome
to the stage The Young Cast.
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‐ There it is.
‐ Let's go, whoo!
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[exciting music]
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♪ ♪
115
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‐ Aye, aye, aye, aye,
aye, aye, aye.
116
00:04:30,353 --> 00:04:34,941
Aye, aye, aye, aye.
Whoo!
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‐ Let's go, Young Cast.
‐ [chuckles]
118
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‐ Let's go!
119
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‐ These kids got it
in them, though.
120
00:04:41,448 --> 00:04:43,867
The last time we saw them, they
really, really surprised me
121
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how great they were.
122
00:04:45,076 --> 00:04:48,079
[dramatic tone]
123
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‐ And take us to the opera.
Let's go.
124
00:04:51,249 --> 00:04:53,376
[whirs]
125
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‐ ♪ Is this the real life? ♪
‐ Good song.
126
00:04:56,797 --> 00:04:59,966
‐ ♪ Is this just fantasy? ♪
127
00:04:59,966 --> 00:05:04,971
♪ ♪
128
00:05:04,971 --> 00:05:07,974
♪ I see a little silhouetto
of a man ♪
129
00:05:07,974 --> 00:05:11,645
♪ Scaramouche, Scaramouche,
will you do the Fandango? ♪
130
00:05:11,645 --> 00:05:13,563
♪ Thunderbolts and lightning ♪
both: Whoo!
131
00:05:13,563 --> 00:05:15,232
‐ ♪ Very, very frightening
me ♪
132
00:05:15,232 --> 00:05:16,608
♪ Galileo, Galileo ♪
‐ Hey!
133
00:05:16,608 --> 00:05:19,486
‐ ♪ Figaro magnifico ♪
134
00:05:19,486 --> 00:05:22,614
♪ I'm just a poor boy,
nobody loves me ♪
135
00:05:22,614 --> 00:05:24,324
♪ ♪
136
00:05:24,324 --> 00:05:25,826
‐ Yes!
137
00:05:25,826 --> 00:05:30,372
♪ ♪
138
00:05:30,372 --> 00:05:32,207
‐ Whoo!
‐ Whoo!
139
00:05:32,207 --> 00:05:34,501
‐ Yes, isolations.
140
00:05:34,501 --> 00:05:37,921
♪ ♪
141
00:05:37,921 --> 00:05:40,173
‐ [vocalizes]
142
00:05:40,173 --> 00:05:47,222
♪ ♪
143
00:05:48,932 --> 00:05:50,433
[music swells]
144
00:05:50,433 --> 00:05:51,518
‐ Hey!
145
00:05:51,518 --> 00:05:58,650
♪ ♪
146
00:06:03,280 --> 00:06:06,199
[crowd cheering]
‐ Hey!
147
00:06:06,199 --> 00:06:10,036
‐ Whoo!
Nice!
148
00:06:10,036 --> 00:06:14,374
[crowd cheering]
‐ That gave me goose bumps.
149
00:06:14,374 --> 00:06:17,335
‐ Listen, that was
a fantastic performance.
150
00:06:17,335 --> 00:06:19,504
That was a really great way
to open the show.
151
00:06:19,504 --> 00:06:20,714
‐ I totally agree.
152
00:06:20,714 --> 00:06:22,716
It was
a perfect song selection,
153
00:06:22,716 --> 00:06:24,217
the way you cut the music,
everything.
154
00:06:24,217 --> 00:06:25,635
It made it so dynamic.
155
00:06:25,635 --> 00:06:27,220
‐ Thank you.
‐ Thank you so much.
156
00:06:27,220 --> 00:06:30,223
‐ You guys are, like,
a perfect example
157
00:06:30,223 --> 00:06:33,518
of perseverance, because even
before you came on the show,
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you guys tried out
for "World of Dance"
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00:06:34,895 --> 00:06:36,229
a couple years
beforehand, right?
160
00:06:36,229 --> 00:06:38,732
You kept coming back,
you kept coming back,
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00:06:38,732 --> 00:06:40,650
and you guys have been
through every single round
162
00:06:40,650 --> 00:06:43,069
in this competition, and now
you're here on the main stage.
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00:06:43,069 --> 00:06:45,238
Congratulations for making it
to this point.
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00:06:45,238 --> 00:06:47,657
‐ Thank you.
[crowd cheering]
165
00:06:47,657 --> 00:06:49,409
‐ A lot of energy.
I love the outfits.
166
00:06:49,409 --> 00:06:51,244
You guys are creating
those beautiful pictures.
167
00:06:51,244 --> 00:06:53,121
Those lines, the roll offs.
Great job.
168
00:06:53,121 --> 00:06:54,623
I loved it.
I loved it.
169
00:06:54,623 --> 00:06:57,375
‐ Yes, and for me,
170
00:06:57,375 --> 00:07:00,670
I felt like there was
so many things going on
171
00:07:00,670 --> 00:07:02,714
sometimes that I didn't know
where to look.
172
00:07:02,714 --> 00:07:04,382
Like I almost went,
like, into a...
173
00:07:04,382 --> 00:07:06,343
[vocalizes]
You know when that happens?
174
00:07:06,343 --> 00:07:08,094
‐ I get it, yeah.
‐ And then I was like...
175
00:07:08,094 --> 00:07:10,055
[vocalizes]
Like a short circuit
176
00:07:10,055 --> 00:07:12,182
where I was like, "Okay, where
do I look, what am I doing?"
177
00:07:12,182 --> 00:07:14,184
But other than that,
perfect performance.
178
00:07:14,184 --> 00:07:16,936
‐ Well done.
‐ Thank you so much.
179
00:07:16,936 --> 00:07:19,272
‐ If I may critique
anything at all,
180
00:07:19,272 --> 00:07:20,774
so there were some parts
181
00:07:20,774 --> 00:07:22,609
where some musicality
was slightly missed for me.
182
00:07:22,609 --> 00:07:24,444
There was a part where
you guys kind of did this‐‐
183
00:07:24,444 --> 00:07:27,197
I call it the Shiva thing now,
where it's like
184
00:07:27,197 --> 00:07:28,948
one is in the middle,
and there's all the arms.
185
00:07:28,948 --> 00:07:30,450
And it was like a...
[vocalizes]
186
00:07:30,450 --> 00:07:31,951
But the music didn't do that.
187
00:07:31,951 --> 00:07:33,870
But then there was a place
in the beat where it was...
188
00:07:33,870 --> 00:07:36,581
[imitates percussions]
189
00:07:36,581 --> 00:07:38,333
And it's like that was where...
[vocalizes]
190
00:07:38,333 --> 00:07:40,126
That's where it would've
made the most sense.
191
00:07:40,126 --> 00:07:41,586
‐ Okay, yeah.
192
00:07:41,586 --> 00:07:42,962
‐ That's literally
my only critique.
193
00:07:42,962 --> 00:07:44,798
Everything else‐‐flawless.
Great job.
194
00:07:44,798 --> 00:07:46,466
‐ Thank you.
‐ Thank you so much.
195
00:07:46,466 --> 00:07:48,968
[crowd cheering]
196
00:07:48,968 --> 00:07:51,638
‐ All right, guys, we're gonna
give you your scores.
197
00:07:51,638 --> 00:07:53,390
Good luck.
‐ Thank you so much.
198
00:07:53,390 --> 00:07:55,141
‐ ♪ When a light dies,
a love is born ♪
199
00:07:55,141 --> 00:07:56,476
‐ I loved the choreography.
200
00:07:56,476 --> 00:07:59,896
‐ ♪ When the stars start
to shine down ♪
201
00:07:59,896 --> 00:08:03,942
♪ Heart is racing
and it's hard to touch ♪
202
00:08:03,942 --> 00:08:06,319
♪ ♪
203
00:08:06,319 --> 00:08:09,155
‐ All right, it is time
to get your scores.
204
00:08:09,155 --> 00:08:11,157
‐ ♪ Now we're heading
for danger ♪
205
00:08:11,157 --> 00:08:12,492
♪ ♪
206
00:08:12,492 --> 00:08:15,620
♪ But that's the only way
that we learn ♪
207
00:08:15,620 --> 00:08:17,038
♪ ♪
208
00:08:17,038 --> 00:08:19,708
♪ And there's no power
in changes ♪
209
00:08:19,708 --> 00:08:24,587
♪ 'Cause dangerous
is just how we learn ♪
210
00:08:24,587 --> 00:08:25,672
♪ Light it up, light it up ♪
211
00:08:25,672 --> 00:08:27,465
‐ Ooh!
Yeah!
212
00:08:27,465 --> 00:08:28,842
♪ ♪
213
00:08:28,842 --> 00:08:30,343
‐ ♪ Sparking my fire ♪
214
00:08:30,343 --> 00:08:32,345
‐ Rising high.
‐ Yes!
215
00:08:32,345 --> 00:08:36,349
‐ 90.7 points.
216
00:08:36,349 --> 00:08:38,685
A pretty impressive score.
217
00:08:38,685 --> 00:08:40,812
Let's get it up
on the leaderboard.
218
00:08:40,812 --> 00:08:44,190
Obviously, you're the first act
to perform tonight,
219
00:08:44,190 --> 00:08:46,443
so you're in first place.
220
00:08:46,443 --> 00:08:48,361
We got five more acts to go,
221
00:08:48,361 --> 00:08:49,863
so let's see if you can
hold on to that spot.
222
00:08:49,863 --> 00:08:52,824
Please give it up one more time
for The Young Cast.
223
00:08:52,824 --> 00:08:55,869
‐ Yeah!
‐ Thank you.
224
00:08:55,869 --> 00:08:57,287
‐ I love you guys.
‐ Good job, guys.
225
00:08:57,287 --> 00:09:00,582
‐ Good job.
‐ ♪ We learn, yeah, we learn ♪
226
00:09:00,582 --> 00:09:03,710
‐ Next to hit the stage,
it's our youngest ever soloist,
227
00:09:03,710 --> 00:09:05,378
Savannah Manzel.
228
00:09:05,378 --> 00:09:06,713
You don't wanna miss this.
229
00:09:06,713 --> 00:09:09,174
‐ ♪ Now we're heading
for danger ♪
230
00:09:17,723 --> 00:09:19,309
[crowd cheering]
231
00:09:20,143 --> 00:09:22,312
‐ Little Savannah is next up.
Let's go.
232
00:09:22,312 --> 00:09:23,730
‐ She's a little stick
of dynamite.
233
00:09:23,730 --> 00:09:25,065
‐ Little magic.
234
00:09:25,065 --> 00:09:26,399
[hopeful music]
235
00:09:26,399 --> 00:09:29,194
narrator: Next up,
it's Savannah Manzel.
236
00:09:29,194 --> 00:09:31,154
‐ Here we are.
237
00:09:31,154 --> 00:09:34,032
‐ Savannah Manzel is honestly
a child prodigy.
238
00:09:34,032 --> 00:09:36,367
She dances with the confidence
of an adult.
239
00:09:36,367 --> 00:09:39,079
I have to keep reminding myself
that she's just nine years old.
240
00:09:39,079 --> 00:09:42,957
‐ It's just crazy to be here.
‐ We're so proud of you.
241
00:09:42,957 --> 00:09:45,418
‐ ♪ I may be small,
but I'll give it my all ♪
242
00:09:45,418 --> 00:09:49,672
‐ The story of this performance
is about following your dreams.
243
00:09:49,672 --> 00:09:51,716
When I first started
"World of Dance,"
244
00:09:51,716 --> 00:09:55,220
my dream was to get past
the Qualifiers,
245
00:09:55,220 --> 00:09:58,014
and then my dream was
to get past the Duels.
246
00:09:58,014 --> 00:10:01,684
And now my dream is to get
to the "World" final.
247
00:10:01,684 --> 00:10:04,938
I'm starting to think I might
be able to win this thing.
248
00:10:04,938 --> 00:10:06,231
[giggles]
249
00:10:06,231 --> 00:10:09,734
‐ ♪ Say it, better say ♪
250
00:10:09,734 --> 00:10:11,945
‐ Now that we're
on the "World of Dance" stage,
251
00:10:11,945 --> 00:10:16,282
I wanna show the world
what a nine‐year‐old can do.
252
00:10:16,282 --> 00:10:20,537
narrator: Put your hands
together for Savannah Manzel.
253
00:10:20,537 --> 00:10:22,789
[crowd cheering]
254
00:10:22,789 --> 00:10:24,415
‐ All right, baby.
‐ Hey, little mama.
255
00:10:24,415 --> 00:10:27,418
[dramatic tone]
256
00:10:28,962 --> 00:10:31,714
She just makes you smile.
‐ [giggles]
257
00:10:35,927 --> 00:10:40,640
‐ Oh.
‐ What's happening?
258
00:10:40,640 --> 00:10:41,975
‐ Nice.
259
00:10:43,768 --> 00:10:46,813
[whirs]
260
00:10:46,813 --> 00:10:50,316
[J2's "Dreamweaver" playing]
261
00:10:50,316 --> 00:10:53,987
‐ ♪ I've just closed my eyes ♪
262
00:10:53,987 --> 00:10:56,614
♪ Again ♪
263
00:10:56,614 --> 00:10:58,158
♪ Climbed aboard ♪
264
00:10:58,158 --> 00:11:02,495
♪ The dreamweaver train ♪
265
00:11:02,495 --> 00:11:05,206
♪ Ooh, dreamweaver ♪
266
00:11:05,206 --> 00:11:06,541
♪ ♪
267
00:11:06,541 --> 00:11:10,003
♪ You can get me
through the night ♪
268
00:11:10,003 --> 00:11:11,171
‐ Whoo!
‐ Whoo!
269
00:11:11,171 --> 00:11:14,632
‐ [vocalizes]
270
00:11:14,632 --> 00:11:18,178
♪ Ooh, dreamweaver ♪
271
00:11:18,178 --> 00:11:19,512
♪ ♪
272
00:11:19,512 --> 00:11:22,682
♪ We can reach
the morning light ♪
273
00:11:22,682 --> 00:11:28,771
♪ Ooh ♪
274
00:11:28,771 --> 00:11:30,190
‐ [chuckles]
‐ What?
275
00:11:30,190 --> 00:11:32,358
♪ ♪
276
00:11:32,358 --> 00:11:34,360
‐ Hey.
‐ Whoo.
277
00:11:34,360 --> 00:11:36,154
‐ Whoo!
‐ Hey!
278
00:11:36,154 --> 00:11:38,364
‐ [vocalizes]
279
00:11:38,364 --> 00:11:42,327
♪ Ooh, dreamweaver ♪
‐ Yes!
280
00:11:42,327 --> 00:11:45,705
‐ ♪ We can reach
the morning light ♪
281
00:11:45,705 --> 00:11:49,209
♪ ♪
282
00:11:49,209 --> 00:11:50,710
‐ Whoo!
283
00:11:50,710 --> 00:11:52,378
♪ ♪
284
00:11:52,378 --> 00:11:55,381
[cheering and applause]
285
00:11:55,381 --> 00:11:59,802
Let's go, Savannah.
‐ Yeah!
286
00:11:59,802 --> 00:12:02,555
‐ Wow.
‐ What?
287
00:12:02,555 --> 00:12:05,892
‐ Savannah, you are a marvel.
288
00:12:05,892 --> 00:12:08,811
We've seen a lot
of contemporary,
289
00:12:08,811 --> 00:12:12,357
and balletic acts,
and acrobatics up there,
290
00:12:12,357 --> 00:12:13,691
but you are putting a new spin
291
00:12:13,691 --> 00:12:15,735
on every single move
I've ever seen.
292
00:12:15,735 --> 00:12:17,237
‐ Thank you.
293
00:12:17,237 --> 00:12:19,405
‐ You are, like, one of the
most technically sound dancers
294
00:12:19,405 --> 00:12:20,907
we have on the show
this season,
295
00:12:20,907 --> 00:12:23,159
and you're nine years old.
It's extraordinary.
296
00:12:23,159 --> 00:12:24,911
How long have you done
aerial work?
297
00:12:24,911 --> 00:12:27,956
‐ Only one week.
both: One week?
298
00:12:27,956 --> 00:12:30,250
‐ I love it!
‐ Risk‐taker.
299
00:12:30,250 --> 00:12:33,336
She's fearless.
Fearless.
300
00:12:33,336 --> 00:12:37,257
I am so...proud and excited
301
00:12:37,257 --> 00:12:38,758
for the next generation
of dance
302
00:12:38,758 --> 00:12:41,261
because of little girls
like you,
303
00:12:41,261 --> 00:12:42,845
because of what you are.
304
00:12:42,845 --> 00:12:45,348
‐ Thank you.
‐ All right, sweetie.
305
00:12:45,348 --> 00:12:46,849
We're gonna score you.
306
00:12:46,849 --> 00:12:49,102
and then we'll see where you
land on the leaderboard, okay?
307
00:12:49,102 --> 00:12:51,104
‐ Okay.
308
00:12:51,104 --> 00:12:54,107
[Katy Perry's "Daisies"
playing]
309
00:12:54,107 --> 00:12:56,401
‐ ♪ Told them your dreams ♪
310
00:12:56,401 --> 00:12:58,945
♪ And they all
started laughing ♪
311
00:12:58,945 --> 00:13:02,907
♪ ♪
312
00:13:02,907 --> 00:13:06,953
♪ When did we all stop
believing in magic? ♪
313
00:13:06,953 --> 00:13:09,414
‐ All right, judges.
Are you locked in?
314
00:13:09,414 --> 00:13:10,665
‐ Yes.
‐ We are locked.
315
00:13:10,665 --> 00:13:12,333
‐ All right.
Let's get your scores.
316
00:13:12,333 --> 00:13:14,419
♪ ♪
317
00:13:14,419 --> 00:13:19,966
‐ ♪ Hey, hey ♪
318
00:13:19,966 --> 00:13:23,136
Oh, cover me in daisies ♪
319
00:13:23,136 --> 00:13:26,097
♪ Hey, hey ♪
320
00:13:26,097 --> 00:13:33,146
♪ ♪
321
00:13:33,146 --> 00:13:37,108
‐ Savannah, that's a 90.3,
322
00:13:37,108 --> 00:13:40,653
a pretty impressive score.
‐ Look at how she's...
323
00:13:40,653 --> 00:13:42,238
[crowd cheering]
324
00:13:42,238 --> 00:13:46,909
‐ All right, second up
and in second place.
325
00:13:46,909 --> 00:13:48,119
‐ That's good, baby.
326
00:13:48,119 --> 00:13:49,495
‐ Let's see if you hold on
to that spot.
327
00:13:49,495 --> 00:13:52,206
All right, little lady?
‐ Yes.
328
00:13:52,206 --> 00:13:54,167
‐ Good job, Savannah.
329
00:13:54,167 --> 00:13:56,335
‐ Our Colombian
salsa champions,
330
00:13:56,335 --> 00:13:59,172
Jefferson and Adrianita,
are warming up,
331
00:13:59,172 --> 00:14:02,467
preparing to take the floor
right after this.
332
00:14:02,467 --> 00:14:04,510
‐ ♪ Hey ♪
333
00:14:04,510 --> 00:14:06,304
‐ Goodbye.
‐ All right.
334
00:14:15,123 --> 00:14:16,339
[upbeat music]
335
00:14:17,482 --> 00:14:19,233
‐ Give me one second
to say good night.
336
00:14:19,859 --> 00:14:21,527
‐ Hi, baby.
I'm on stage.
337
00:14:21,527 --> 00:14:23,029
I just wanted to call
to say good night.
338
00:14:23,029 --> 00:14:24,363
‐ We're on hold right now
339
00:14:24,363 --> 00:14:26,032
because she's gonna say
good night to her kids.
340
00:14:26,032 --> 00:14:27,700
Family first.
That's what I love about her.
341
00:14:27,700 --> 00:14:28,951
‐ Being a working mom is hard.
342
00:14:28,951 --> 00:14:30,870
Any working mom
will tell you that.
343
00:14:30,870 --> 00:14:33,247
I'm so happy to have
this amazing career,
344
00:14:33,247 --> 00:14:36,042
but there's a lot of guilt
that goes along
345
00:14:36,042 --> 00:14:38,544
with missing things that
you wish you were there for
346
00:14:38,544 --> 00:14:39,879
when it comes to your children.
347
00:14:39,879 --> 00:14:41,714
I love you.
348
00:14:41,714 --> 00:14:44,383
All right, my baby, I'll talk
to you in a little while, okay?
349
00:14:44,383 --> 00:14:45,843
‐ This guy's getting
older and older
350
00:14:45,843 --> 00:14:47,720
every time I see him
on the damn FaceTime.
351
00:14:47,720 --> 00:14:49,555
‐ So do I.
352
00:14:49,555 --> 00:14:51,891
I keep getting older and older
on the FaceTime too.
353
00:14:51,891 --> 00:14:53,518
‐ [chuckles]
354
00:14:53,518 --> 00:14:54,560
[energetic music]
355
00:14:54,560 --> 00:14:56,062
narrator: Next to perform,
356
00:14:56,062 --> 00:14:58,564
Jefferson and Adrianita.
357
00:14:58,564 --> 00:14:59,649
♪ ♪
358
00:15:03,152 --> 00:15:05,738
‐ Whoo!
‐ A little more.
359
00:15:05,738 --> 00:15:08,032
‐ You have
Jefferson and Adrianita
360
00:15:08,032 --> 00:15:11,035
with these amazing moves
that I've never seen before.
361
00:15:11,035 --> 00:15:13,246
You go home after watching
them just feeling like‐‐
362
00:15:13,246 --> 00:15:14,789
Whoa!
363
00:15:14,789 --> 00:15:15,915
And they named their kid
after me.
364
00:15:15,915 --> 00:15:17,542
How memorable is that?
365
00:15:17,542 --> 00:15:20,086
‐ [vocalizes]
366
00:15:20,086 --> 00:15:23,047
[singing in Spanish]
367
00:15:32,515 --> 00:15:34,976
[roars]
368
00:15:37,436 --> 00:15:40,273
‐ Hello, Derek.
Say hi.
369
00:15:46,445 --> 00:15:48,072
[crowd cheering]
370
00:16:01,127 --> 00:16:05,756
narrator: Joining us now,
it's Jefferson and Adrianita.
371
00:16:05,756 --> 00:16:07,884
‐ There you go.
‐ Yeah!
372
00:16:07,884 --> 00:16:10,928
[dramatic crescendo]
373
00:16:19,145 --> 00:16:21,314
‐ She's so damn strong.
374
00:16:21,314 --> 00:16:24,150
Her whole persona is like,
"Yup, you see it."
375
00:16:24,150 --> 00:16:25,651
‐ Whoo!
376
00:16:25,651 --> 00:16:29,155
[overlapping chatter]
377
00:16:29,155 --> 00:16:32,992
[whirs]
378
00:16:32,992 --> 00:16:35,828
‐ Let's go.
Let's go.
379
00:16:35,828 --> 00:16:37,288
‐ Whoo!
380
00:16:37,288 --> 00:16:39,207
♪ ♪
381
00:16:39,207 --> 00:16:41,542
Hey!
Hey!
382
00:16:41,542 --> 00:16:44,670
‐ [singing in Spanish]
383
00:16:44,670 --> 00:16:46,464
‐ Hey.
384
00:16:46,464 --> 00:16:53,471
♪ ♪
385
00:16:53,471 --> 00:16:56,682
‐ Hey, hey.
386
00:16:56,682 --> 00:17:00,311
both: Whoo.
‐ Hey!
387
00:17:00,311 --> 00:17:01,687
‐ Whoa.
388
00:17:01,687 --> 00:17:03,856
‐ Whoo!
‐ Whoa!
389
00:17:03,856 --> 00:17:05,816
‐ They're just like, "Hey."
390
00:17:05,816 --> 00:17:12,031
♪ ♪
391
00:17:12,031 --> 00:17:14,116
‐ Whoo, whoo!
‐ Yes!
392
00:17:14,116 --> 00:17:21,207
♪ ♪
393
00:17:23,334 --> 00:17:27,964
‐ Hey, hey, hey, hey.
‐ Hey, hey, hey.
394
00:17:27,964 --> 00:17:29,131
both: Whoo!
395
00:17:29,131 --> 00:17:36,180
♪ ♪
396
00:17:39,684 --> 00:17:42,562
‐ Hey.
‐ Whoo, yes.
397
00:17:42,562 --> 00:17:45,189
♪ ♪
398
00:17:45,189 --> 00:17:47,400
Hey!
399
00:17:47,400 --> 00:17:49,235
♪ ♪
400
00:17:49,235 --> 00:17:52,238
Whoo, yes!
401
00:17:52,238 --> 00:17:54,198
Let's go!
402
00:17:54,198 --> 00:17:57,285
[crowd cheering]
403
00:17:58,703 --> 00:18:02,582
‐ Guys, they were so good.
‐ That was so good.
404
00:18:02,582 --> 00:18:05,001
‐ You cannot deny
the electricity
405
00:18:05,001 --> 00:18:09,005
that just flowed through
this whole room right now.
406
00:18:09,005 --> 00:18:10,756
‐ Gracias.
‐ Yes.
407
00:18:10,756 --> 00:18:13,551
‐ I was just thinking that
the kiss at the beginning
408
00:18:13,551 --> 00:18:14,927
is like,
"Please don't drop me,"
409
00:18:14,927 --> 00:18:16,262
and the kiss at the end is,
410
00:18:16,262 --> 00:18:17,680
"Thank you
for not dropping me."
411
00:18:17,680 --> 00:18:19,098
[laughter]
412
00:18:19,098 --> 00:18:21,851
‐ I think one note that
we gave you, Jefferson,
413
00:18:21,851 --> 00:18:25,855
is that our eye tends
to instantly find her
414
00:18:25,855 --> 00:18:27,231
and not so much you.
415
00:18:27,231 --> 00:18:30,067
I still kind of have that issue
just a little bit.
416
00:18:30,067 --> 00:18:33,195
In some of the tricks, I could
see your effort a little.
417
00:18:33,195 --> 00:18:36,449
That's really the only thing
that I could critique at all.
418
00:18:36,449 --> 00:18:39,535
For me, Jefferson, this time
419
00:18:39,535 --> 00:18:42,163
was very in step
with Adrianita,
420
00:18:42,163 --> 00:18:43,914
especially
in the dancing parts.
421
00:18:43,914 --> 00:18:46,125
‐ And I think that's the sign
of a great partner,
422
00:18:46,125 --> 00:18:47,627
'cause as a guy,
we're here just to frame,
423
00:18:47,627 --> 00:18:49,795
and just to honor the lady,
and just be her guide
424
00:18:49,795 --> 00:18:51,130
the whole way through‐‐
425
00:18:51,130 --> 00:18:52,965
‐ That's how it should be.
‐ Yeah, that's right.
426
00:18:52,965 --> 00:18:54,967
That's right‐‐that's what
we do with you, Jennifer.
427
00:18:54,967 --> 00:18:57,637
We just frame her.
Just look at her.
428
00:18:57,637 --> 00:19:00,765
[laughter]
429
00:19:02,933 --> 00:19:05,478
I loved seeing the tricks.
430
00:19:05,478 --> 00:19:07,480
There were some tricks in
there I haven't seen before,
431
00:19:07,480 --> 00:19:08,981
and I love that.
I love being surprised,
432
00:19:08,981 --> 00:19:10,483
and I love being,
like, scared.
433
00:19:10,483 --> 00:19:14,278
‐ The footwork was amazing.
The footwork was top‐notch.
434
00:19:14,278 --> 00:19:16,322
‐ Thank you, thank you.
‐ Gracias, gracias.
435
00:19:16,322 --> 00:19:18,449
So real quick,
436
00:19:18,449 --> 00:19:20,993
when we first saw you guys,
you told us
437
00:19:20,993 --> 00:19:25,539
that you named your baby
after this guy here, right?
438
00:19:25,539 --> 00:19:28,501
‐ Sí.
‐ Sí.
439
00:19:28,501 --> 00:19:30,127
‐ And I heard a rumor
440
00:19:30,127 --> 00:19:31,962
that baby Derek is actually
in the house tonight.
441
00:19:31,962 --> 00:19:34,799
‐ Yes, there's baby Derek.
‐ Aquí esta.
442
00:19:34,799 --> 00:19:38,177
Hey!
‐ Oh, my gosh.
443
00:19:38,177 --> 00:19:40,971
‐ Hey, Baby D!
[chuckles]
444
00:19:40,971 --> 00:19:44,350
‐ Oh, my God.
‐ Oh!
445
00:19:44,350 --> 00:19:46,018
‐ It's nice to meet you.
446
00:19:46,018 --> 00:19:48,771
It's like looking
into the mirror.
447
00:19:48,771 --> 00:19:49,814
[laughter]
448
00:19:49,814 --> 00:19:53,025
Hey, buddy.
Oh, my gosh.
449
00:19:53,025 --> 00:19:56,696
‐ Oh, my God.
‐ Thank you.
450
00:19:56,696 --> 00:19:58,364
‐ We are gonna score you now
451
00:19:58,364 --> 00:20:00,116
and see where you wind up
on the leaderboard.
452
00:20:00,116 --> 00:20:02,034
‐ Okay.
453
00:20:02,034 --> 00:20:04,286
‐ Their technique is
really good, you know?
454
00:20:04,286 --> 00:20:07,331
[R3HAB's "Flames" playing]
455
00:20:07,331 --> 00:20:10,376
♪ ♪
456
00:20:10,376 --> 00:20:12,795
‐ There's some great stuff
in there.
457
00:20:12,795 --> 00:20:16,132
‐ All right, judges,
are you locked in?
458
00:20:16,132 --> 00:20:17,717
‐ We are.
‐ Yes.
459
00:20:17,717 --> 00:20:19,552
‐ You need more than a 90.3
460
00:20:19,552 --> 00:20:22,304
to make it into the top two.
461
00:20:22,304 --> 00:20:23,389
And let's get your scores.
462
00:20:23,389 --> 00:20:25,975
‐ ♪ If I go ♪
463
00:20:25,975 --> 00:20:28,811
♪ Let me go ♪
464
00:20:28,811 --> 00:20:32,648
♪ I will let you down ♪
465
00:20:32,648 --> 00:20:34,859
♪ Let me go ♪
466
00:20:34,859 --> 00:20:36,360
‐ Whoo!
‐ Yes.
467
00:20:36,360 --> 00:20:38,571
‐ ♪ Your heart can't
take it lightly ♪
468
00:20:38,571 --> 00:20:41,240
‐ You.
‐ Yeah!
469
00:20:41,240 --> 00:20:43,576
‐ ♪ Light me up in, oh ♪
470
00:20:43,576 --> 00:20:46,036
‐ Hey.
471
00:20:46,036 --> 00:20:49,623
‐ 94.3!
472
00:20:49,623 --> 00:20:53,753
That puts you in first place
for now,
473
00:20:53,753 --> 00:20:57,590
but that also means you have
knocked out Savannah Manzel.
474
00:20:57,590 --> 00:21:01,218
Aw.
Little mama.
475
00:21:01,218 --> 00:21:03,220
‐ Sorry to see
little Savannah go‐‐
476
00:21:03,220 --> 00:21:05,598
she has been amazing
in this competition‐‐
477
00:21:05,598 --> 00:21:07,933
but very happy for Jefferson
and Adrianita.
478
00:21:07,933 --> 00:21:09,268
‐ Gracias.
‐ Good job, guys.
479
00:21:09,268 --> 00:21:13,272
‐ Give it up one more time
for Jefferson and Adrianita.
480
00:21:13,272 --> 00:21:17,610
‐ ♪ And oh, light me up ♪
481
00:21:17,610 --> 00:21:19,528
‐ Don't go anywhere.
482
00:21:19,528 --> 00:21:22,448
Hip‐hop team GRVMNT
is up next.
483
00:21:22,448 --> 00:21:24,200
‐ ♪ Oh, light me up ♪
484
00:21:24,200 --> 00:21:27,703
♪ Oh, light me up in flames ♪
485
00:21:35,544 --> 00:21:37,500
‐ That's my dad.
‐ That's your dad?
486
00:21:38,297 --> 00:21:41,884
‐ Oh, hey, my man.
‐ Good to see you, brother.
487
00:21:41,884 --> 00:21:44,094
‐ Derek's dad is cooler
than he is.
488
00:21:44,094 --> 00:21:45,971
‐ Are you dressing him now?
‐ I am not.
489
00:21:45,971 --> 00:21:49,058
‐ No, you don't recognize it.
This is from Grandma's couch.
490
00:21:49,058 --> 00:21:51,727
‐ Oh, that's right.
Yeah, it could be.
491
00:21:51,727 --> 00:21:52,937
‐ All his dad jokes
come from you?
492
00:21:52,937 --> 00:21:53,979
‐ No, no, no, no, no.
‐ No?
493
00:21:53,979 --> 00:21:55,314
‐ I love telling Dad jokes,
494
00:21:55,314 --> 00:21:58,818
and sometimes he laughs.
Oh, ho, ho, ho!
495
00:21:58,818 --> 00:22:01,487
‐ Good night, everybody.
‐ He's running out of here.
496
00:22:01,487 --> 00:22:03,989
Dad.
‐ [chuckles, sighs]
497
00:22:03,989 --> 00:22:05,324
[hopeful music]
498
00:22:05,324 --> 00:22:07,618
narrator:
Taking the stage next‐‐GRVMNT.
499
00:22:07,618 --> 00:22:09,662
‐ Five, six, seven, eight.
500
00:22:09,662 --> 00:22:12,498
‐ GRVMNT have that chemistry,
and they work hard,
501
00:22:12,498 --> 00:22:14,500
and they find it,
and they become one.
502
00:22:14,500 --> 00:22:16,335
You could see that in them.
503
00:22:16,335 --> 00:22:18,796
I'm excited to see
what they're gonna bring
504
00:22:18,796 --> 00:22:21,841
to the table that's
new and exciting.
505
00:22:21,841 --> 00:22:23,759
‐ We're really desperate
to get to the "World" final
506
00:22:23,759 --> 00:22:27,012
because we know that it could
be our last competition
507
00:22:27,012 --> 00:22:28,347
as a full group here
508
00:22:28,347 --> 00:22:31,600
because me and Emily‐‐
we're both 17.
509
00:22:31,600 --> 00:22:33,102
We're heading off
to university soon.
510
00:22:33,102 --> 00:22:36,105
‐ ♪ I'll lift you when
you're feeling low ♪
511
00:22:36,105 --> 00:22:38,148
‐ When you join the group,
512
00:22:38,148 --> 00:22:42,361
you don't have a sense that
you're gonna split up one day.
513
00:22:42,361 --> 00:22:45,364
It just hurts
to see them leave.
514
00:22:45,364 --> 00:22:46,699
‐ [giggles]
515
00:22:46,699 --> 00:22:50,286
‐ ♪ You'll never have
to be alone ♪
516
00:22:50,286 --> 00:22:53,581
♪ And that's all
you need to know ♪
517
00:22:53,581 --> 00:22:56,959
‐ Being on "World of Dance" is
really a great finale for us,
518
00:22:56,959 --> 00:23:00,379
and now, we're driven towards
one unified purpose‐‐
519
00:23:00,379 --> 00:23:02,631
to know that we did
the very best that we could
520
00:23:02,631 --> 00:23:05,467
and left everything
on that stage.
521
00:23:05,467 --> 00:23:08,637
narrator: Make some noise
for GRVMNT.
522
00:23:08,637 --> 00:23:12,808
‐ Oh.
‐ GRVMNT!
523
00:23:12,808 --> 00:23:14,226
‐ Ready for war.
524
00:23:14,226 --> 00:23:16,562
[eerie tone]
525
00:23:16,562 --> 00:23:19,064
‐ Determination.
I like it.
526
00:23:19,064 --> 00:23:22,151
[whirs]
527
00:23:26,864 --> 00:23:29,909
[inhales deeply]
528
00:23:31,577 --> 00:23:34,622
[step music]
529
00:23:34,622 --> 00:23:40,419
♪ ♪
530
00:23:40,419 --> 00:23:42,004
‐ Hey.
531
00:23:42,004 --> 00:23:43,589
‐ ♪ Bounce, baby,
bounce, baby ♪
532
00:23:43,589 --> 00:23:45,257
♪ Bounce, baby,
bounce, bounce ♪
533
00:23:45,257 --> 00:23:47,092
♪ When I come through,
hit y'all with the one‐two ♪
534
00:23:47,092 --> 00:23:48,594
‐ Hey.
535
00:23:48,594 --> 00:23:51,722
♪ ♪
536
00:23:51,722 --> 00:23:52,765
‐ Whoa.
‐ Whoo!
537
00:23:52,765 --> 00:23:57,019
♪ ♪
538
00:23:57,019 --> 00:23:59,355
‐ ♪ What you talkin' 'bout,
make y'all scream and shout ♪
539
00:23:59,355 --> 00:24:01,774
♪ Y'all know what to do,
okay, tear da roof off ♪
540
00:24:01,774 --> 00:24:04,276
♪ Off, off, off,
tear da roof off ♪
541
00:24:04,276 --> 00:24:05,903
♪ Yo, bounce, baby,
bounce, baby ♪
542
00:24:05,903 --> 00:24:07,613
♪ Bounce, baby,
bounce, bounce ♪
543
00:24:07,613 --> 00:24:09,239
♪ ♪
544
00:24:09,239 --> 00:24:12,117
[crowd cheering]
‐ Whoo!
545
00:24:12,117 --> 00:24:15,079
Hey!
‐ Hey.
546
00:24:15,079 --> 00:24:16,956
Yeah.
[applause]
547
00:24:16,956 --> 00:24:19,500
‐ Yo, first of all,
I love the whole concept.
548
00:24:19,500 --> 00:24:20,626
I love the look.
549
00:24:20,626 --> 00:24:22,127
Your energy was just
off the charts.
550
00:24:22,127 --> 00:24:23,712
It was fantastic.
My one comment
551
00:24:23,712 --> 00:24:25,297
I have to say is
I just feel like you stay
552
00:24:25,297 --> 00:24:27,132
in this sort of V‐formation
a little bit too long.
553
00:24:27,132 --> 00:24:29,718
‐ The execution was great
of the choreography
554
00:24:29,718 --> 00:24:31,637
that you were given,
but for me,
555
00:24:31,637 --> 00:24:34,223
some of the steps lack
a little originality,
556
00:24:34,223 --> 00:24:35,975
and that worries me
for you guys.
557
00:24:35,975 --> 00:24:37,226
‐ I have to agree
with everything
558
00:24:37,226 --> 00:24:38,644
that's been said so far.
559
00:24:38,644 --> 00:24:40,479
Like, I was waiting on
that moment that made me go,
560
00:24:40,479 --> 00:24:42,982
"That's GRVMNT."
I didn't get that moment.
561
00:24:42,982 --> 00:24:45,150
But you guys
danced it amazingly.
562
00:24:45,150 --> 00:24:47,152
‐ Thank you.
‐ Thank you.
563
00:24:47,152 --> 00:24:49,154
‐ We're gonna lock in our
scores right now, so good luck.
564
00:24:49,154 --> 00:24:50,656
‐ Thank you.
565
00:24:50,656 --> 00:24:53,325
‐ ♪ Simple as can be ♪
566
00:24:53,325 --> 00:24:55,160
♪ I got your hands in mine ♪
567
00:24:55,160 --> 00:24:57,663
♪ And that's all
you need to know ♪
568
00:24:57,663 --> 00:24:59,665
‐ All right,
let's get your scores.
569
00:24:59,665 --> 00:25:01,959
♪ ♪
570
00:25:01,959 --> 00:25:05,129
‐ ♪ And that's all
you need to know ♪
571
00:25:05,129 --> 00:25:09,258
♪ ♪
572
00:25:09,258 --> 00:25:11,635
♪ And that's all
you need to know ♪
573
00:25:11,635 --> 00:25:13,262
♪ ♪
574
00:25:13,262 --> 00:25:15,973
‐ 89.7.
575
00:25:15,973 --> 00:25:18,934
Let's get that up
on the leaderboard.
576
00:25:18,934 --> 00:25:22,688
All right, GRVMNT,
89.7 puts you in fourth place,
577
00:25:22,688 --> 00:25:25,274
so that is the end
of the competition.
578
00:25:25,274 --> 00:25:27,026
Judges, anything
that you wanna say?
579
00:25:27,026 --> 00:25:28,193
‐ This is the end
of this chapter.
580
00:25:28,193 --> 00:25:29,361
This is not the end
of the book.
581
00:25:29,361 --> 00:25:31,113
Take this, learn from it.
582
00:25:31,113 --> 00:25:33,032
We'll see you guys
another time.
583
00:25:33,032 --> 00:25:36,118
We appreciate everything you've
brought to the competition.
584
00:25:36,118 --> 00:25:38,954
‐ ♪ And that's all
you need to know ♪
585
00:25:38,954 --> 00:25:42,207
♪ ♪
586
00:25:42,207 --> 00:25:44,543
narrator:
Next up, Kurtis Sprung.
587
00:25:44,543 --> 00:25:46,879
‐ Moving from the warehouse
to the "World of Dance" stage,
588
00:25:46,879 --> 00:25:49,381
that change in scenery
is unreal.
589
00:25:49,381 --> 00:25:51,216
The entertainment value
and the production level
590
00:25:51,216 --> 00:25:53,719
goes so much further up
through the roof
591
00:25:53,719 --> 00:25:57,514
that we on our end have
to step up just as much.
592
00:25:57,514 --> 00:25:59,058
[solemn music]
593
00:25:59,058 --> 00:26:02,352
I came to "World of Dance"
to show the world me, really.
594
00:26:02,352 --> 00:26:04,063
You know, I went
through a lot as a kid,
595
00:26:04,063 --> 00:26:06,565
so I didn't trust myself
as a dancer
596
00:26:06,565 --> 00:26:08,067
to put myself out there,
597
00:26:08,067 --> 00:26:10,069
but now I truly am open
598
00:26:10,069 --> 00:26:13,322
and want to showcase
what I have to offer.
599
00:26:13,322 --> 00:26:16,241
‐ Kurtis Sprung‐‐he is
an exceptional dancer.
600
00:26:16,241 --> 00:26:19,995
His dancing is athletic,
it's strong, it's emotional.
601
00:26:19,995 --> 00:26:21,121
He's connected to it.
602
00:26:21,121 --> 00:26:23,957
He loves it so much
603
00:26:23,957 --> 00:26:25,542
that you just‐‐
you just feel that.
604
00:26:27,753 --> 00:26:29,505
‐ So this piece
for the semifinals
605
00:26:29,505 --> 00:26:30,923
goes through this period
606
00:26:30,923 --> 00:26:33,092
where my father and I just
didn't understand each other.
607
00:26:33,092 --> 00:26:35,260
I was dealing with a lot
of bullying and a lot of abuse,
608
00:26:35,260 --> 00:26:36,595
and when I would get home,
609
00:26:36,595 --> 00:26:39,181
I just wanted to be able
to have someone to talk to.
610
00:26:39,181 --> 00:26:41,767
‐ ♪ Didn't I, didn't I,
didn't I love you ♪
611
00:26:41,767 --> 00:26:45,187
‐ But my dad is somebody
who expected a lot out of me,
612
00:26:45,187 --> 00:26:46,438
so he would look at me
and be like,
613
00:26:46,438 --> 00:26:48,065
"I need you to be strong."
614
00:26:48,065 --> 00:26:50,901
And I was just thinking, like,
"Why is he not listening to me?
615
00:26:50,901 --> 00:26:52,277
I have so much going wrong."
616
00:26:52,277 --> 00:26:55,197
‐ ♪ Didn't I, didn't I,
didn't I love you ♪
617
00:26:55,197 --> 00:26:57,199
‐ I would go upstairs, and
you know, you shut the door,
618
00:26:57,199 --> 00:26:58,617
and you just stay in there,
and the more
619
00:26:58,617 --> 00:27:00,744
you shut the door, the more
the problems fester inside.
620
00:27:00,744 --> 00:27:02,621
‐ ♪ Know that I, know that I
still care for you ♪
621
00:27:02,621 --> 00:27:04,498
‐ Now that I'm an adult,
I look back, and I realize
622
00:27:04,498 --> 00:27:07,126
that he saw potential
in what I could become.
623
00:27:07,126 --> 00:27:09,294
He was one of the
hardest workers I ever saw,
624
00:27:09,294 --> 00:27:11,463
and he made me want
to be the best
625
00:27:11,463 --> 00:27:14,133
because he expected it
out of me my entire life.
626
00:27:14,133 --> 00:27:16,760
‐ ♪ Know that I, know that I
still care for you ♪
627
00:27:16,760 --> 00:27:18,971
‐ The semifinals
are gonna be epic,
628
00:27:18,971 --> 00:27:21,390
and you have to know that
if you don't make it
629
00:27:21,390 --> 00:27:23,809
through this round,
you were that close,
630
00:27:23,809 --> 00:27:26,979
and that's gonna stay
with me the most.
631
00:27:26,979 --> 00:27:30,148
narrator: Coming to the stage,
it's Kurtis Sprung.
632
00:27:30,148 --> 00:27:32,818
[crowd cheering]
633
00:27:32,818 --> 00:27:35,946
[dramatic crescendo]
634
00:27:42,327 --> 00:27:43,537
‐ Let's go.
635
00:27:45,789 --> 00:27:48,834
[whirs]
636
00:28:00,846 --> 00:28:01,770
[crowd cheering]
637
00:28:02,347 --> 00:28:03,515
‐ Let's go.
638
00:28:05,684 --> 00:28:08,812
[whirs]
639
00:28:12,149 --> 00:28:14,860
‐ ♪ Oh ♪
640
00:28:14,860 --> 00:28:18,697
♪ Before they turn off
all the lights ♪
641
00:28:18,697 --> 00:28:20,532
♪ ♪
642
00:28:20,532 --> 00:28:23,035
♪ I won't read you
your wrongs ♪
643
00:28:23,035 --> 00:28:25,120
♪ Or your rights ♪
644
00:28:25,120 --> 00:28:28,749
♪ The time has gone ♪
645
00:28:28,749 --> 00:28:30,834
♪ I'll tell you good night ♪
646
00:28:30,834 --> 00:28:34,504
♪ Close the door ♪
647
00:28:34,504 --> 00:28:39,134
♪ Tell you I love you
once more ♪
648
00:28:39,134 --> 00:28:41,845
♪ The time has gone ♪
649
00:28:41,845 --> 00:28:44,473
♪ So here it is ♪
650
00:28:44,473 --> 00:28:47,225
♪ I'm not your son ♪
651
00:28:47,225 --> 00:28:50,062
♪ You're not my father ♪
652
00:28:50,062 --> 00:28:52,898
♪ We're just two grown men ♪
653
00:28:52,898 --> 00:28:54,858
♪ Saying goodbye ♪
654
00:28:54,858 --> 00:28:57,069
‐ Whoo.
‐ That was close.
655
00:28:57,069 --> 00:28:59,529
‐ ♪ And I'll need to forgive ♪
656
00:28:59,529 --> 00:29:02,407
‐ Hey.
‐ ♪ And I'll need to forget ♪
657
00:29:02,407 --> 00:29:06,411
♪ I know your mistakes
and you know mine ♪
658
00:29:06,411 --> 00:29:08,455
♪ ♪
659
00:29:08,455 --> 00:29:10,749
♪ And while you're sleeping ♪
660
00:29:10,749 --> 00:29:14,044
♪ I'll try to make you proud ♪
‐ Hey.
661
00:29:14,044 --> 00:29:18,423
‐ ♪ Daddy, won't you
just close your eyes? ♪
662
00:29:18,423 --> 00:29:20,926
♪ Don't be afraid ♪
663
00:29:20,926 --> 00:29:23,095
♪ It's my turn ♪
664
00:29:23,095 --> 00:29:27,224
♪ To chase the monsters away ♪
665
00:29:27,224 --> 00:29:30,268
[crowd cheering]
666
00:29:34,439 --> 00:29:36,441
‐ Unbelievable.
‐ Beautiful.
667
00:29:36,441 --> 00:29:39,611
‐ That was so emotional.
668
00:29:39,611 --> 00:29:41,822
There's a lot of emotion
right now.
669
00:29:44,241 --> 00:29:45,951
‐ I have an idea,
but I wanna hear from you
670
00:29:45,951 --> 00:29:47,369
what this piece was about.
671
00:29:47,369 --> 00:29:49,997
‐ So growing up, as a kid,
672
00:29:49,997 --> 00:29:53,000
at school, I was bullied a lot.
673
00:29:53,000 --> 00:29:54,793
And you come home,
and my dad was trying
674
00:29:54,793 --> 00:29:57,254
to be the best that
he could to be a dad,
675
00:29:57,254 --> 00:30:00,048
but at 10 years old,
I didn't understand that.
676
00:30:00,048 --> 00:30:01,633
And I was so stressed
with everything else
677
00:30:01,633 --> 00:30:03,135
that I just wanted
to fight back.
678
00:30:03,135 --> 00:30:05,804
And we didn't have a great
relationship for a long time.
679
00:30:05,804 --> 00:30:07,639
And I think for me,
this was an opportunity
680
00:30:07,639 --> 00:30:09,474
to actually release it
off my chest,
681
00:30:09,474 --> 00:30:11,059
and say we've opened the door,
682
00:30:11,059 --> 00:30:13,145
we're not shutting
those feelings out anymore.
683
00:30:13,145 --> 00:30:16,565
But we're talking about it, and
him and I are great now, so...
684
00:30:16,565 --> 00:30:17,649
‐ Hmm.
685
00:30:17,649 --> 00:30:20,736
[cheers and applause]
686
00:30:23,572 --> 00:30:25,949
‐ Kurtis, well, you know, I was
trying to figure out the piece,
687
00:30:25,949 --> 00:30:28,744
and then the lyric.
688
00:30:28,744 --> 00:30:30,829
I heard, "I am not your son
and you're not my‐‐"
689
00:30:30,829 --> 00:30:32,205
‐ "Father."
‐ "My father."
690
00:30:32,205 --> 00:30:34,207
‐ "We're just two grown men
saying goodbye."
691
00:30:34,207 --> 00:30:37,586
‐ Right, and that
hit me because...
692
00:30:37,586 --> 00:30:39,504
[sighs]
I'm gonna segue really fast
693
00:30:39,504 --> 00:30:41,673
because I don't wanna get
too emotional, but‐‐
694
00:30:41,673 --> 00:30:43,175
‐ Get emotional.
‐ I'm not‐‐
695
00:30:43,175 --> 00:30:44,843
‐ Don't be scared.
We're here‐‐I got you.
696
00:30:44,843 --> 00:30:46,511
‐ You got me?
‐ Yeah, I'll hold you.
697
00:30:46,511 --> 00:30:48,180
‐ You with family, bro.
You good, you good.
698
00:30:48,180 --> 00:30:50,182
‐ No, but it's just
your athleticism
699
00:30:50,182 --> 00:30:51,516
and your actual technique.
700
00:30:51,516 --> 00:30:53,602
And there's moments where
I literally thought, like,
701
00:30:53,602 --> 00:30:54,978
"Oh, my gosh,
he's gonna fall over,"
702
00:30:54,978 --> 00:30:56,521
because you were
hitting it so hard.
703
00:30:56,521 --> 00:30:58,857
You were throwing yourself
so just, like, recklessly,
704
00:30:58,857 --> 00:31:00,859
but that piece calls
for that recklessness.
705
00:31:00,859 --> 00:31:02,152
So I appreciate that, man,
706
00:31:02,152 --> 00:31:03,820
and thank you for sharing that
with all of us.
707
00:31:03,820 --> 00:31:04,821
Thanks, bro.
‐ Thank you.
708
00:31:04,821 --> 00:31:07,365
[crowd cheering]
709
00:31:07,365 --> 00:31:09,701
‐ Here's my one
and only critique.
710
00:31:09,701 --> 00:31:11,036
I kind of understand
that the piece
711
00:31:11,036 --> 00:31:13,705
called for this angst
and this constant movement,
712
00:31:13,705 --> 00:31:15,749
but I was waiting
for one picture.
713
00:31:15,749 --> 00:31:17,459
I was waiting
for some of the moves
714
00:31:17,459 --> 00:31:18,710
to stop just long enough
715
00:31:18,710 --> 00:31:20,545
for me to get a picture here,
a picture here.
716
00:31:20,545 --> 00:31:23,882
It feels like it just
kept moving, it kept going,
717
00:31:23,882 --> 00:31:26,718
and I missed that a little bit.
‐ Yeah.
718
00:31:26,718 --> 00:31:28,136
‐ I'm gonna disagree
with you, Ne‐Yo.
719
00:31:28,136 --> 00:31:30,055
I thought there was
beautiful pictures in there
720
00:31:30,055 --> 00:31:31,890
and amazing moments.
721
00:31:31,890 --> 00:31:35,018
And there was moments where
you hung in the balance,
722
00:31:35,018 --> 00:31:37,395
and there was moments where you
were fighting through the air.
723
00:31:37,395 --> 00:31:39,231
And the picture of him
just closing that door
724
00:31:39,231 --> 00:31:42,150
and staying there for a second
was a very impactful,
725
00:31:42,150 --> 00:31:44,152
and, you know, powerful moment.
726
00:31:44,152 --> 00:31:46,154
It doesn't always have
to be this big dance‐y moment.
727
00:31:46,154 --> 00:31:48,406
It could just be
standing there sometimes.
728
00:31:48,406 --> 00:31:52,035
And I know this, for you,
was about a lot of things,
729
00:31:52,035 --> 00:31:54,913
but it's different for
everybody when you watch it,
730
00:31:54,913 --> 00:31:56,623
and that's what
I liked about it.
731
00:31:56,623 --> 00:31:58,875
I thought that
it was interpretive,
732
00:31:58,875 --> 00:32:00,752
and that is a real testament
to your artistry.
733
00:32:00,752 --> 00:32:02,671
So I loved that.
‐ Thank you.
734
00:32:02,671 --> 00:32:05,590
[crowd cheering]
735
00:32:05,590 --> 00:32:07,592
‐ So listen, we're
gonna collect ourselves,
736
00:32:07,592 --> 00:32:08,760
and we're gonna score you.
737
00:32:08,760 --> 00:32:10,846
We'll see where you land
on the leaderboard.
738
00:32:10,846 --> 00:32:12,764
‐ Well, thank you.
739
00:32:12,764 --> 00:32:14,683
‐ ♪ When you're out
in the open ♪
740
00:32:14,683 --> 00:32:16,059
‐ He's better.
‐ Yeah.
741
00:32:16,059 --> 00:32:17,936
‐ ♪ And you're tired
of hoping ♪
742
00:32:17,936 --> 00:32:21,273
‐ So...oh, okay.
743
00:32:21,273 --> 00:32:25,068
‐ ♪ I'll be by your side ♪
744
00:32:25,068 --> 00:32:28,280
‐ Judges, are you locked in?
‐ Yes, we are.
745
00:32:28,280 --> 00:32:31,783
‐ All right, you need more
than a 90.7
746
00:32:31,783 --> 00:32:33,410
to make it into the top two.
747
00:32:33,410 --> 00:32:36,246
‐ I feel so nervous right now.
‐ I don't wanna go home.
748
00:32:38,331 --> 00:32:39,666
‐ You ready to see your scores?
‐ I am.
749
00:32:39,666 --> 00:32:40,959
‐ All right, let's get them.
750
00:32:40,959 --> 00:32:43,461
‐ ♪ When you lose your feet ♪
751
00:32:43,461 --> 00:32:47,048
♪ Fall down to your knees ♪
752
00:32:47,048 --> 00:32:49,593
♪ And your heart's
about to break ♪
753
00:32:49,593 --> 00:32:52,554
♪ I will be
your saving grace ♪
754
00:32:52,554 --> 00:32:55,765
♪ When your eyes can't see ♪
755
00:32:55,765 --> 00:32:59,769
♪ Take my eyes from me ♪
756
00:32:59,769 --> 00:33:03,148
♪ Oh, be my, be my ♪
757
00:33:03,148 --> 00:33:05,483
‐ 90.3.
758
00:33:05,483 --> 00:33:08,820
Let's get that up
on the leaderboard.
759
00:33:08,820 --> 00:33:12,407
Tied for third place.
760
00:33:12,407 --> 00:33:15,952
We also now know that
Jefferson and Adrianita,
761
00:33:15,952 --> 00:33:17,662
as they are in first place,
762
00:33:17,662 --> 00:33:20,332
are guaranteed a spot
in the final.
763
00:33:20,332 --> 00:33:21,708
‐ Oh, my God!
‐ I know!
764
00:33:21,708 --> 00:33:23,668
[indistinct chatter]
765
00:33:23,668 --> 00:33:26,463
‐ ♪ Be my saving grace ♪
766
00:33:26,463 --> 00:33:28,340
♪ Won't you ♪
767
00:33:28,340 --> 00:33:30,050
♪ Oh ♪
768
00:33:32,260 --> 00:33:34,679
‐ Judges, anything
you wanna say?
769
00:33:34,679 --> 00:33:37,682
‐ Are you free this summer?
‐ Is he offering him a job?
770
00:33:37,682 --> 00:33:39,517
‐ Maybe?
I don't know.
771
00:33:39,517 --> 00:33:41,686
‐ Is that a...
772
00:33:41,686 --> 00:33:44,481
[crowd cheering]
773
00:33:44,481 --> 00:33:46,858
‐ But, like, for real.
Keep it open if you will.
774
00:33:46,858 --> 00:33:49,361
‐ He gon' DM you.
‐ Yeah.
775
00:33:49,361 --> 00:33:53,531
‐ Give it up one more time
for Kurtis Sprung.
776
00:33:53,531 --> 00:33:56,534
‐ ♪ Fall down to your knees ♪
777
00:33:56,534 --> 00:33:59,537
♪ And your heart's
about to break ♪
778
00:33:59,537 --> 00:34:01,581
♪ I will be
your saving grace ♪
779
00:34:01,581 --> 00:34:04,125
‐ Don't go anywhere,
because up next,
780
00:34:04,125 --> 00:34:07,379
France's hypnotic
Géométrie Variable
781
00:34:07,379 --> 00:34:11,049
takes their shot at a place
in the "World" final.
782
00:34:11,049 --> 00:34:14,010
You do not wanna miss it.
783
00:34:14,010 --> 00:34:15,804
‐ ♪ Be my, be my ♪
784
00:34:15,804 --> 00:34:19,224
♪ Be my saving grace,
won't you ♪
785
00:34:19,224 --> 00:34:21,893
♪ Be my, be my ♪
786
00:34:21,893 --> 00:34:24,688
♪ Be my saving grace ♪
787
00:34:28,108 --> 00:34:28,149
.
788
00:34:30,235 --> 00:34:33,251
‐ Wait, even the snack board
is bedazzled?
789
00:34:33,488 --> 00:34:34,906
‐ Yeah.
‐ Come on.
790
00:34:34,906 --> 00:34:36,741
‐ I didn't ask for it.
‐ [giggles]
791
00:34:36,741 --> 00:34:38,243
‐ He said,
"Even this is bedazzled?
792
00:34:38,243 --> 00:34:40,662
I said, "I didn't ask for it."
‐ Right, even the snack board.
793
00:34:40,662 --> 00:34:43,123
‐ What?
‐ Right.
794
00:34:43,123 --> 00:34:45,625
‐ Oh.
[laughter]
795
00:34:45,625 --> 00:34:47,252
There's the squad right there.
‐ All right.
796
00:34:47,252 --> 00:34:48,837
Look at right here.
Straight ahead, guys.
797
00:34:48,837 --> 00:34:50,839
‐ Oh.
‐ Did you get it?
798
00:34:50,839 --> 00:34:52,424
Was that a video?
‐ That was a vid.
799
00:34:52,424 --> 00:34:54,759
Oh, we'll get a picture, ready?
One, two, three, here.
800
00:34:54,759 --> 00:34:56,011
Get in there, kids.
Ne‐Yo.
801
00:34:56,011 --> 00:34:59,097
‐ Right here, right here.
802
00:34:59,097 --> 00:35:01,016
narrator: For the last
performance of the night,
803
00:35:01,016 --> 00:35:04,185
Géométrie Variable.
804
00:35:04,185 --> 00:35:05,687
‐ You know how much
it's important for us
805
00:35:05,687 --> 00:35:06,938
to be in the final?
‐ Yeah, yeah.
806
00:35:06,938 --> 00:35:09,524
‐ Yes, we work really,
really, really hard.
807
00:35:09,524 --> 00:35:11,192
‐ Yo, we have to kill it.
808
00:35:25,332 --> 00:35:28,126
‐ ♪ I just wanna shine ♪
809
00:35:28,126 --> 00:35:29,961
♪ Like the Sun
when it comes up ♪
810
00:35:29,961 --> 00:35:31,963
‐ Géométrie Variable‐‐
811
00:35:31,963 --> 00:35:34,049
they've taken something
that was kind of a nuance
812
00:35:34,049 --> 00:35:36,134
and created a whole style
around it
813
00:35:36,134 --> 00:35:38,303
that is unique to them.
814
00:35:38,303 --> 00:35:39,929
I love that about them.
815
00:35:39,929 --> 00:35:44,476
My only fear is that
their style is so specific
816
00:35:44,476 --> 00:35:47,312
that they have to work
really, really hard
817
00:35:47,312 --> 00:35:48,647
to keep it fresh.
818
00:35:48,647 --> 00:35:51,316
‐ We have to take some risk
for the semifinal.
819
00:35:51,316 --> 00:35:56,279
‐ Yes, so every step, we put
another ingredient, okay?
820
00:35:56,279 --> 00:35:57,489
I think Jennifer will love it.
821
00:35:57,489 --> 00:36:00,742
‐ ♪ Wake up and I ♪
822
00:36:08,375 --> 00:36:09,668
‐ [vocalizing]
823
00:36:09,668 --> 00:36:11,336
‐ ♪ Sure good things
will happen ♪
824
00:36:11,336 --> 00:36:14,089
♪ If I get out of my way ♪
825
00:36:23,973 --> 00:36:25,517
[crowd cheering]
826
00:36:34,317 --> 00:36:35,860
narrator:
Put your hands together
827
00:36:35,860 --> 00:36:37,862
for Géométrie Variable.
828
00:36:37,862 --> 00:36:40,865
[dramatic tone]
829
00:36:40,865 --> 00:36:43,284
‐ Géométrie, hey!
830
00:36:45,370 --> 00:36:46,705
‐ All right.
831
00:36:46,705 --> 00:36:49,457
‐ Let's go.
Saddle up.
832
00:36:52,335 --> 00:36:55,213
‐ Look at Mr. Cool.
‐ Right.
833
00:36:55,213 --> 00:36:57,549
Cool as a fan.
I like it, I like it.
834
00:36:57,549 --> 00:37:01,469
‐ So swag.
‐ All three of them.
835
00:37:01,469 --> 00:37:04,514
[whirs]
836
00:37:07,892 --> 00:37:10,895
[Ellie Goulding's
"Tessellate" playing]
837
00:37:10,895 --> 00:37:12,230
♪ ♪
838
00:37:12,230 --> 00:37:16,067
‐ Hey.
‐ That was so smooth.
839
00:37:16,067 --> 00:37:19,320
I didn't see that coming.
840
00:37:19,320 --> 00:37:21,740
‐ So clean.
841
00:37:21,740 --> 00:37:25,076
‐ ♪ Wild green stones ♪
‐ Whoo.
842
00:37:25,076 --> 00:37:27,579
‐ ♪ Alone, my lover ♪
843
00:37:27,579 --> 00:37:29,789
♪ ♪
844
00:37:29,789 --> 00:37:31,875
♪ Wild green stones ♪
‐ Hey.
845
00:37:31,875 --> 00:37:34,878
‐ ♪ Alone, my lover ♪
846
00:37:34,878 --> 00:37:37,589
♪ ♪
847
00:37:37,589 --> 00:37:41,551
♪ And keep us on my heart ♪
848
00:37:41,551 --> 00:37:43,094
both:
Whoo.
849
00:37:43,094 --> 00:37:47,766
♪ ♪
850
00:37:47,766 --> 00:37:49,601
‐ Hey.
851
00:37:49,601 --> 00:37:52,353
♪ ♪
852
00:37:52,353 --> 00:37:54,272
Oh, hey.
That little pop out.
853
00:37:54,272 --> 00:37:57,108
‐ Okay, how did they
just make this sexy?
854
00:37:57,108 --> 00:37:58,860
I don't understand that.
855
00:37:58,860 --> 00:38:02,447
♪ ♪
856
00:38:02,447 --> 00:38:04,949
‐ Hey, hey, hey.
857
00:38:04,949 --> 00:38:09,287
♪ ♪
858
00:38:09,287 --> 00:38:10,914
‐ Oh, my goodness.
859
00:38:10,914 --> 00:38:15,084
♪ ♪
860
00:38:15,084 --> 00:38:18,755
‐ ♪ Three, and one goes off ♪
861
00:38:18,755 --> 00:38:22,884
♪ One's empty,
one's not quick enough ♪
862
00:38:22,884 --> 00:38:25,136
[crowd cheering]
863
00:38:25,136 --> 00:38:28,807
‐ Whoo!
That's so effortless.
864
00:38:30,391 --> 00:38:32,477
‐ Whoo!
‐ That was cool.
865
00:38:32,477 --> 00:38:33,978
[applause]
866
00:38:36,481 --> 00:38:40,151
‐ First of all, I could not
walk out and be that cool.
867
00:38:40,151 --> 00:38:41,820
Ever.
‐ They're French.
868
00:38:41,820 --> 00:38:45,490
They're French.
It was very cool.
869
00:38:45,490 --> 00:38:47,617
You're, like, oddly satisfying.
870
00:38:47,617 --> 00:38:52,163
Somehow, you made all this,
like, real sexy.
871
00:38:52,163 --> 00:38:56,000
I was like...
872
00:38:56,000 --> 00:38:58,169
‐ Sexy math dancing.
873
00:38:58,169 --> 00:38:59,838
[laughter]
‐ Sexy math dancing.
874
00:38:59,838 --> 00:39:01,506
‐ It's a new name.
875
00:39:01,506 --> 00:39:03,591
‐ Every time
we've seen these guys,
876
00:39:03,591 --> 00:39:06,010
the question always is,
877
00:39:06,010 --> 00:39:07,679
"What can they do
that's gonna be new?"
878
00:39:07,679 --> 00:39:10,473
because they have
a very specific style.
879
00:39:10,473 --> 00:39:12,976
And when the umbrella came out,
I was like,
880
00:39:12,976 --> 00:39:14,519
"I didn't see that coming.
881
00:39:14,519 --> 00:39:16,354
Did you see that coming?
I didn't see it."
882
00:39:16,354 --> 00:39:18,690
But it was amazing,
and it's those little things
883
00:39:18,690 --> 00:39:23,027
sometimes, that innovation,
that makes it exciting.
884
00:39:23,027 --> 00:39:24,487
And that's what you do.
885
00:39:24,487 --> 00:39:26,948
You make every time you
come out here very exciting.
886
00:39:26,948 --> 00:39:28,950
So I really enjoyed
this routine.
887
00:39:28,950 --> 00:39:32,120
‐ Thank you very much.
‐ The vibe of it, everything.
888
00:39:34,414 --> 00:39:36,249
‐ It was a great performance,
first and foremost.
889
00:39:36,249 --> 00:39:38,710
You guys literally dance
with one brain.
890
00:39:38,710 --> 00:39:41,170
You're all so synchronized.
It's amazing.
891
00:39:41,170 --> 00:39:42,964
I love how clean and how tight
everything is.
892
00:39:42,964 --> 00:39:46,175
‐ Yeah, it's so good.
‐ It's dope.
893
00:39:46,175 --> 00:39:49,304
‐ It was so surgical.
894
00:39:49,304 --> 00:39:51,055
Every movement
was so intentional.
895
00:39:51,055 --> 00:39:54,225
I find myself the whole time
watching like, "What is hap..."
896
00:39:54,225 --> 00:39:55,977
The tie‐ography,
you know what I mean?
897
00:39:55,977 --> 00:39:58,479
Like using the ties to create
more lines and shapes.
898
00:39:58,479 --> 00:39:59,814
Well, I'm looking
at the score pad.
899
00:39:59,814 --> 00:40:01,900
You know, it says
"musicality," "originality,"
900
00:40:01,900 --> 00:40:03,067
"artistic choices."
901
00:40:03,067 --> 00:40:06,404
You check all those boxes
with this.
902
00:40:06,404 --> 00:40:08,364
So it's interesting because
strategically,
903
00:40:08,364 --> 00:40:09,741
at this point
in the competition,
904
00:40:09,741 --> 00:40:11,075
you're thinking, like,
"All right, we gotta throw in
905
00:40:11,075 --> 00:40:12,076
"everything
but the kitchen sink.
906
00:40:12,076 --> 00:40:13,745
We gotta go big.
We gotta go loud."
907
00:40:13,745 --> 00:40:15,955
And you guys went the
complete opposite direction.
908
00:40:15,955 --> 00:40:20,084
You went chill, you went swag,
and you went flawless.
909
00:40:20,084 --> 00:40:21,377
‐ Thank you.
‐ Thank you very much.
910
00:40:21,377 --> 00:40:23,212
‐ Thank you so much.
911
00:40:23,212 --> 00:40:24,589
‐ Let us lock in your scores,
912
00:40:24,589 --> 00:40:28,092
and let's see if you make it
through to the final.
913
00:40:28,092 --> 00:40:30,386
‐ Whoo.
914
00:40:30,386 --> 00:40:32,055
‐ We don't wanna go home.
915
00:40:32,055 --> 00:40:33,890
‐ We're, like,
so, so, so close.
916
00:40:33,890 --> 00:40:35,099
‐ We're so, so super close.
917
00:40:35,099 --> 00:40:36,684
‐ The cleanliness‐‐
it's, like, crazy.
918
00:40:36,684 --> 00:40:39,020
‐ I know.
919
00:40:39,020 --> 00:40:43,066
‐ All personality,
very creative.
920
00:40:43,066 --> 00:40:46,945
‐ ♪ Hearts are racing ♪
‐ Whoo!
921
00:40:46,945 --> 00:40:50,448
Judges, are your scores
locked in?
922
00:40:50,448 --> 00:40:53,785
‐ Yes, they are.
‐ All right.
923
00:40:53,785 --> 00:40:55,912
[chuckles]
924
00:40:55,912 --> 00:40:59,666
Now remember,
you need more than a 90.7
925
00:40:59,666 --> 00:41:01,918
to make it
into the "World" final.
926
00:41:01,918 --> 00:41:05,421
So fellas, let's
get your scores.
927
00:41:05,421 --> 00:41:09,634
‐ ♪ We're not running
when the world's on fire ♪
928
00:41:09,634 --> 00:41:10,802
‐ My heart is beating.
929
00:41:10,802 --> 00:41:13,805
‐ Mine's going...
[vocalizes]
930
00:41:13,805 --> 00:41:16,432
‐ ♪ We'll be dancing
in the smoke ♪
931
00:41:16,432 --> 00:41:20,645
♪ ♪
932
00:41:20,645 --> 00:41:22,480
♪ We'll be dancing
in the smoke ♪
933
00:41:22,480 --> 00:41:25,817
♪ ♪
934
00:41:25,817 --> 00:41:28,152
♪ We'll be dancing ♪
935
00:41:28,152 --> 00:41:30,488
♪ We'll be dancing
in the smoke ♪
936
00:41:30,488 --> 00:41:33,491
‐ Hey!
‐ 94?
937
00:41:33,491 --> 00:41:35,284
‐ Yes, they put in the work.
938
00:41:35,284 --> 00:41:39,205
‐ Let's get that 94 up
on the leaderboard.
939
00:41:39,205 --> 00:41:41,708
Second place!
940
00:41:41,708 --> 00:41:44,669
‐ You made it to the final!
[all cheering]
941
00:41:44,669 --> 00:41:46,337
‐ ♪ Oh, oh ♪
942
00:41:46,337 --> 00:41:48,673
‐ Man.
‐ Thank you.
943
00:41:48,673 --> 00:41:50,675
‐ Which means
944
00:41:50,675 --> 00:41:53,678
you've knocked out
The Young Cast.
945
00:41:53,678 --> 00:41:56,264
‐ I wanna give a personal
shout‐out to The Young Cast.
946
00:41:56,264 --> 00:41:58,349
That is a group
of absolute fighters,
947
00:41:58,349 --> 00:42:00,852
so I wanna
personally stand up
948
00:42:00,852 --> 00:42:04,689
and give The Young Cast
the flowers.
949
00:42:04,689 --> 00:42:06,691
‐ Yeah.
‐ Wow.
950
00:42:06,691 --> 00:42:09,694
Absolute fighters.
‐ What a night!
951
00:42:09,694 --> 00:42:11,487
All right, we've got
Jefferson and Adrianita
952
00:42:11,487 --> 00:42:14,157
and Géométrie Variable
953
00:42:14,157 --> 00:42:16,534
as your finalists for tonight.
954
00:42:16,534 --> 00:42:20,872
Join us next week,
when the semifinals continue.
955
00:42:20,872 --> 00:42:25,001
Good night.
‐ ♪ Whoa, no, whoa, no ♪
956
00:42:27,712 --> 00:42:33,509
‐ ♪ We'll be dancing
in the smoke ♪
957
00:42:33,677 --> 00:42:34,950
[exciting music]
958
00:42:36,304 --> 00:42:43,352
♪ ♪
959
00:43:02,121 --> 00:43:04,207
[drumming]
960
00:43:06,084 --> 00:43:07,418
[ascending tone]
69643
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