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- Transcribed and synced by chamallow -
- www.addic7ed.com -
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Wentworth is full of twists and turns
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and it constantly strives
to surprise its audience.
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At any given moment, anyone could...
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just come to a grinding halt, yeah.
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The stakes are always so high.
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00:00:29,217 --> 00:00:31,599
Top dogs, screws,
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laggers and back stabbers.
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Every double-crossing, heartbreaking,
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jaw-dropping moment
from the very beginning.
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It is worth the binge,
it's completely addictive.
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00:00:44,752 --> 00:00:48,087
Coming back to Wentworth is
like slipping on an old glove.
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Join us as we celebrate
Australia's most epic drama,
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the critically acclaimed,
multi-award winning global phenomenon.
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00:00:56,450 --> 00:01:00,067
I feel like I'm jumping on to the
shoulders of giants in this show,
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there's some just bloody
extraordinary people on it.
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I'm Celia Ireland,
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00:01:04,503 --> 00:01:06,105
you may know me as Liz,
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00:01:06,129 --> 00:01:09,210
and this is Wentworth: Behind the Bars,
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seasons 1 to 7.
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Since its premiere on Foxtel's
SoHo channel back in 2013,
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Wentworth has become a global franchise
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syndicated around the world
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and a proud recipient
of countless awards,
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including seven shiny Logies.
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I even pinched one of those myself.
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It's such a professional privilege
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to work with Foxtel.
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Yeah, when you look back
at the drama production,
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it's of such high quality.
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It is special. Like, I know
a lot of people say that,
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but there's somethin'...
there's something down here
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that's really special about
the crew, the production,
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and the cast which makes
it part of a great team.
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I think the thing that Foxtel does,
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and we know for a
fact, is it puts females
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in the centre and up in the lead.
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There's a great diversity to
their characters and their stories
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00:02:03,919 --> 00:02:08,258
and Foxtel's commitment
to that is second-to-none.
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00:02:08,354 --> 00:02:10,260
There is a universality
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00:02:10,269 --> 00:02:11,927
to the stories that we're telling,
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but also, in the capable
hands of these great actresses
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it resonates across the world.
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The US, UK, France, Canada,
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Macedonia, Israel,
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Wentworth plays in a whopping
170 territories worldwide.
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Some countries even
remake their own versions.
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_
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Wow...
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_
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_
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Please.
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Wow.
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That wasn't so hard, was it?
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I think audiences were crying out for
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interesting representation,
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and Wentworth provided that.
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We provided a full
cast of females who were
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00:03:01,288 --> 00:03:04,230
not just limited to love interests,
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00:03:04,251 --> 00:03:07,121
or the girlfriend or the
wife or the sexual object,
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00:03:07,135 --> 00:03:09,726
we actually said, "These
women are human, and,
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here's a story that you'll wanna watch",
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but also the LGBT representation
I think, came at a time,
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where it was needed and it was wanted
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and I think the fans have
gravitated because of that.
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Before we look at the highly
anticipated eighth season...
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Home sweet home now.
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Let's go back to day one.
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They think it takes a strong woman
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to rise the top in
here but it doesn't...
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it takes a smart one.
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In walks our central
character, Bea Smith,
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a victim of domestic violence.
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She's been sentenced to Wentworth
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for the attempted murder of her husband.
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And look out ladies, this prison
will never be the same again.
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We try to set up a very bold,
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very strong characters that are
living in this world that is Wentworth,
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and within that, it is about survival.
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You know, life and death,
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and I think that was pretty
gutsy to start where we did.
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Kyia!
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The fact that the end
of the first episode,
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we kill Catherine McClements
who was playing the governor,
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we showed to everybody, "ooh,
this was gonna be different."
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"Ooh, they're not afraid
to kill a main character."
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- Sierra 5 to Sierra 1...
- Someone call an ambulance!
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No!
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So Bea was lucky to make
it through episode 1 alive
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but she's about to learn just
how dangerous her enemies can be.
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Your husband found Debbie
in her bedroom unconscious.
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Someone just tell me if she's OK.
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Please! Anybody!
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Just tell me!
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I go to the morgue for Bea,
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'cause she couldn't
go, and I say to Debbie:
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"Your mum,
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loves you to the moon and back."
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No!
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The heartbreaking
death of Bea's daughter
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is the turning point for her.
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Now, she has nothing left to lose.
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Oh, you're gonna pay
for what you've done.
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I'll never forget the end of season 1,
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that shock of seeing Jacs have that...
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Bea stabbing her in the neck
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and that sort of bleeding out
moment was like, oh my God.
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But of course, when one villain falls,
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another one takes her place.
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00:05:37,974 --> 00:05:41,423
Season 2 sees the
introduction of The Freak
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and boy, does she bring a
whole new level of terror.
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Each and every person
here will know their place.
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- And who are you?
- My name's Ms Ferguson...
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but you can call me Governor.
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The nature of villainy
is that it's complex,
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and I was relishing the opportunity
to be unleashed... on The Freak.
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I would often ask the
directors of a particular scene,
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00:06:06,269 --> 00:06:07,838
"can you see my moustache twirling?"
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Freak!
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It was teetering that
fine line all the time.
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Ferguson is a master manipulator
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and she's soon using
Bea to get to Frankie.
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It's in your best
interest to strike first.
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I'll do it when I'm ready.
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00:06:21,924 --> 00:06:24,035
There was a knife fight, in...
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00:06:24,326 --> 00:06:26,817
just in this laundry,
between Frankie and Bea
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00:06:26,823 --> 00:06:28,436
which was a six hour fight,
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00:06:28,449 --> 00:06:31,673
and in the process, Nicole
Da Silva broke her wrist.
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00:06:31,679 --> 00:06:33,187
I came away from that scene
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00:06:33,193 --> 00:06:35,496
feeling like I had been in Fight Club.
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Done?
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My favourite moment in the series,
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and it still thrills me to think about
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00:06:43,227 --> 00:06:46,370
was where Bea escapes
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00:06:46,387 --> 00:06:51,481
and she emerges from the hospital
doors to the outside world
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00:06:51,487 --> 00:06:53,856
and the camera spins around to her
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00:06:53,862 --> 00:06:55,518
as she puts on her hoodie ready
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00:06:55,527 --> 00:06:58,278
to enter the world as
this escaped criminal...
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00:06:58,284 --> 00:07:02,639
and to this day, that
moment gives me goosebumps.
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00:07:03,691 --> 00:07:05,597
Now on the outside,
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Bea's on a mission to seek
revenge for Debbie's death.
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00:07:08,951 --> 00:07:10,073
All right.
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00:07:11,629 --> 00:07:13,671
So, I wanna know why
you killed my daughter.
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00:07:13,677 --> 00:07:17,333
In that scene, what we have
is the... the exploration of
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00:07:17,384 --> 00:07:19,216
one of the major themes
of the show for me,
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you have Bea coming into
prison as the hairdresser who
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attempted to kill her violent husband
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but couldn't go through with it,
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and then she's confronted
with the prospect:
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this bloke has killed her daughter.
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Can she pull the trigger?
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00:07:35,418 --> 00:07:36,983
And if she does pull the trigger,
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does it change her forever?
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With her new-found badass status,
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Bea returns to Wentworth and
assumes the burden of being Top Dog.
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- Freak.
- Which marks the beginning
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of The Freak's unravelling.
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00:08:03,697 --> 00:08:05,190
You don't run this prison...
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I do.
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00:08:10,623 --> 00:08:14,264
Of course, Wentworth isn't
all violence and vengeance,
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there's also a whole lotta love.
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Aww, bless.
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Oh, love...
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- darling, he's beautiful.
- Oh, my God.
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At its heart, Wentworth
is about a family,
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and it's about these women from
very disparate parts of life
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00:08:28,949 --> 00:08:31,748
being thrust together and
having to work out how to get on,
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00:08:31,754 --> 00:08:34,869
how to create a community
and live and exist together.
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When they're not killing each
other, it's a really nice family.
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But with The Freak in charge,
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well, let's just say...
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some people just wanna
watch the world burn.
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They call me a freak,
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a monster,
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they're right to be afraid.
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Shh. It's all good.
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00:09:00,009 --> 00:09:02,268
- Fuck!
- No!
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00:09:06,616 --> 00:09:09,791
So what do you do when you've
burned your set to the ground?
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00:09:09,971 --> 00:09:11,885
You build a bigger one, of course.
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- Here we are, girls.
- Yeah, home sweet fucking home.
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Whoo!
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It's an incredible set,
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that actually exudes
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00:09:22,379 --> 00:09:26,139
a personality and a
depth of darkness that
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invades you when you're
here and you're shooting.
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The details in everything,
everything is so
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beautifully thought
out that it brings you
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00:09:36,769 --> 00:09:40,307
to this place that it just gives
you your character instantly.
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Fuck you! Fuck!
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All the cells are identical
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but if you walk in into all of them,
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they each have such a different vibe,
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00:09:52,399 --> 00:09:54,419
and walking into mine,
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it taught me a lot about who Boomer was.
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You're way better than this place.
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Some days I don't know if I am.
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00:10:01,494 --> 00:10:02,768
Well, you are.
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00:10:02,892 --> 00:10:05,682
I was struck by how small it was,
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00:10:05,688 --> 00:10:09,058
and I thought, "Oh my God,
she's been here for seven years,
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00:10:09,064 --> 00:10:12,876
and this is her life,
this room is her life."
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00:10:14,619 --> 00:10:16,385
With a whole new set to play with,
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00:10:16,391 --> 00:10:18,933
we really had some fun in season 4.
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00:10:18,939 --> 00:10:22,718
Especially when the latest
inmate turns out to be...
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00:10:22,801 --> 00:10:24,310
The Freak.
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00:10:24,372 --> 00:10:26,157
A very tricky thing to try to pull off.
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00:10:26,163 --> 00:10:28,442
How in the world the person
who'd been running that prison
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00:10:28,443 --> 00:10:29,873
would end up in teal...
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00:10:30,157 --> 00:10:32,856
in that environment, and stay alive.
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00:10:32,895 --> 00:10:35,405
Certainly she would have
been kept in isolation, but,
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00:10:35,411 --> 00:10:37,480
isolation is no help
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00:10:37,486 --> 00:10:41,031
to a master Machiavellian
like Joan Ferguson.
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00:10:41,037 --> 00:10:42,722
- Freak!
- Oh, that's for sure.
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00:10:42,810 --> 00:10:46,281
Before long, The Freak's pulling
the strings from the inside
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00:10:46,287 --> 00:10:48,143
and has Kaz, a new inmate,
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00:10:48,149 --> 00:10:51,863
and Jake, the crooked new
guard, doing her bidding.
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00:10:52,111 --> 00:10:54,068
I've been warned about you, Joan.
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00:10:54,446 --> 00:10:57,947
Don't be too sure of anything
anyone tells you, Jake.
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00:10:57,953 --> 00:11:01,195
Bea starts to lose her
influence with the women...
219
00:11:01,233 --> 00:11:04,385
I can see the cracks, Smith,
and that means Ferguson can too.
220
00:11:04,451 --> 00:11:06,721
You need to remind
everyone who's in charge.
221
00:11:07,015 --> 00:11:09,001
... because she's too busy
222
00:11:09,178 --> 00:11:12,293
- falling in love.
- Everyone I care about ends up dead!
223
00:11:12,299 --> 00:11:15,706
- You care about me?
- Oh, we should get back for the count.
224
00:11:16,783 --> 00:11:19,747
She was in... in a domestically
violent relationship
225
00:11:19,753 --> 00:11:23,356
and then she also
encountered a relationship
226
00:11:23,362 --> 00:11:24,872
that she was a little bit confused by,
227
00:11:24,878 --> 00:11:26,537
she fell in love with another woman,
228
00:11:26,543 --> 00:11:30,035
even though she had defined
herself as heterosexual.
229
00:11:30,041 --> 00:11:31,337
I'm not gay.
230
00:11:31,731 --> 00:11:33,353
I don't care what you are.
231
00:11:33,359 --> 00:11:35,830
Looking back on four
seasons of Wentworth,
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00:11:35,836 --> 00:11:37,938
I think my favourite scene is
233
00:11:38,031 --> 00:11:39,924
looking up at the clouds
234
00:11:39,930 --> 00:11:42,391
and the clouds are forming seahorses.
235
00:11:42,422 --> 00:11:45,362
Did you know that seahorses
like to swim in pairs?
236
00:11:46,036 --> 00:11:47,340
- Do they?
- Yeah, they do,
237
00:11:47,346 --> 00:11:49,453
they link tails so they
don't lose each other.
238
00:11:50,176 --> 00:11:54,290
We didn't realise at the time
but it became such an iconic theme
239
00:11:54,405 --> 00:11:56,081
for that relationship.
240
00:11:56,087 --> 00:11:59,653
I get sent seahorses
all the time from my fans
241
00:11:59,659 --> 00:12:01,466
which is so incredibly sweet.
242
00:12:01,472 --> 00:12:02,648
Aww.
243
00:12:04,110 --> 00:12:07,502
The big shocker arrives
at the end of season 4
244
00:12:07,681 --> 00:12:09,195
and there's no doubt,
245
00:12:09,201 --> 00:12:11,024
no-one saw it coming.
246
00:12:11,030 --> 00:12:13,050
It wasn't difficult
247
00:12:13,056 --> 00:12:16,317
to keep Bea's death a secret because
248
00:12:16,323 --> 00:12:18,438
we didn't have that much warning.
249
00:12:18,816 --> 00:12:20,331
I didn't see that coming.
250
00:12:20,337 --> 00:12:22,425
We had to work really hard
at keeping that under wraps
251
00:12:22,431 --> 00:12:24,300
and a lot of the crew didn't even know
252
00:12:24,306 --> 00:12:27,087
that that was gonna be the final moment
253
00:12:27,093 --> 00:12:28,890
for that character.
254
00:12:28,896 --> 00:12:31,008
I don't think anyone was expecting that.
255
00:12:31,014 --> 00:12:34,436
It was such genius television making.
256
00:12:34,443 --> 00:12:35,908
I'm gonna finish this.
257
00:12:43,679 --> 00:12:47,260
The whole point in... in...
in making a show is to...
258
00:12:47,266 --> 00:12:48,562
is to move people,
259
00:12:48,568 --> 00:12:50,649
is to get a response out of them...
260
00:12:52,951 --> 00:12:55,118
and we certainly did it with that,
261
00:12:55,649 --> 00:12:57,249
but it was a big shock.
262
00:12:58,285 --> 00:12:59,918
I win.
263
00:13:06,079 --> 00:13:09,442
After killing off their main character,
264
00:13:09,557 --> 00:13:11,343
everyone was waiting to see
265
00:13:11,349 --> 00:13:14,774
where the writers would
take Wentworth in season 5.
266
00:13:14,780 --> 00:13:16,985
Even when I read the scripts I'm,
267
00:13:16,991 --> 00:13:18,993
"Ooh, oh, my God, I can't
wait to see what happens."
268
00:13:18,999 --> 00:13:21,063
You know, it's exciting television.
269
00:13:21,127 --> 00:13:22,290
- Fuck!
- Oh!
270
00:13:25,200 --> 00:13:26,363
Poor Allie.
271
00:13:26,551 --> 00:13:31,734
She has one very
focused idea in her mind
272
00:13:31,740 --> 00:13:34,751
and that is to... to kill The Freak...
273
00:13:35,010 --> 00:13:36,566
and she tries.
274
00:13:39,064 --> 00:13:41,478
A lot more goes into a fight scene
275
00:13:41,484 --> 00:13:45,259
than... than you might think,
because, it kinda looks so seamless.
276
00:13:45,503 --> 00:13:47,534
Hours and hours worth of rehearsals
277
00:13:47,540 --> 00:13:50,042
and stunt choreography is kinda reduced
278
00:13:50,048 --> 00:13:53,951
to maybe two minutes
of... of fight on screen.
279
00:13:56,799 --> 00:13:59,647
Everyone's fears would be realised when
280
00:13:59,660 --> 00:14:00,926
with Bea out of the way...
281
00:14:00,966 --> 00:14:02,129
Who's next?!
282
00:14:02,160 --> 00:14:04,521
... Ferguson really
steps up her villainy.
283
00:14:04,534 --> 00:14:05,847
Top dog!
284
00:14:06,301 --> 00:14:07,649
Top dog!
285
00:14:08,147 --> 00:14:09,659
They gave me such
286
00:14:10,874 --> 00:14:12,907
constant gifts.
287
00:14:13,177 --> 00:14:15,126
You can almost hear
288
00:14:15,282 --> 00:14:16,915
uh, the writers room,
289
00:14:17,430 --> 00:14:19,004
you know, quivering with glee
290
00:14:19,010 --> 00:14:20,790
as they come up with
some of those things.
291
00:14:20,796 --> 00:14:22,895
You've licked your last pussy.
292
00:14:22,901 --> 00:14:27,310
Woah! That really brings new
meaning to cat got your tongue.
293
00:14:30,763 --> 00:14:33,106
It wasn't just the
script we had fun with,
294
00:14:33,112 --> 00:14:36,048
we also tackled our
most ambitious stunt yet,
295
00:14:36,054 --> 00:14:40,508
the car accident that happens to
be a real turning point for Kaz.
296
00:14:40,645 --> 00:14:44,983
The most challenging scene was
definitely the brawler scene...
297
00:14:44,989 --> 00:14:47,466
They had this big van in a rotisserie,
298
00:14:47,472 --> 00:14:49,188
and then there was guys just pulling it,
299
00:14:49,189 --> 00:14:53,115
'cause Tammy was in there doing
her thing and I went, "Wow!"
300
00:14:53,121 --> 00:14:54,793
Shit! Argh!
301
00:15:04,546 --> 00:15:07,215
... and then we had a day in a tank
302
00:15:07,229 --> 00:15:09,618
while Will saves Kaz.
303
00:15:09,813 --> 00:15:13,334
A man saves her and that was
such a turning point for Kaz,
304
00:15:13,340 --> 00:15:14,857
and it was a beautiful moment to play.
305
00:15:14,863 --> 00:15:16,640
It was a really hard moment to play.
306
00:15:16,646 --> 00:15:18,531
Will?!
307
00:15:18,537 --> 00:15:21,100
All I wanted to do was
go, "Woo-hoo, spshh!".
308
00:15:21,106 --> 00:15:22,817
Will?!
309
00:15:26,516 --> 00:15:28,922
But not all the action
on Wentworth takes place
310
00:15:28,928 --> 00:15:31,028
on the road, or in the water,
311
00:15:31,034 --> 00:15:34,463
this season sees Vera
in bed with the enemy.
312
00:15:35,174 --> 00:15:36,855
I feel safe with you.
313
00:15:36,861 --> 00:15:39,222
So many times I've picked up scripts
314
00:15:39,231 --> 00:15:40,402
and gone,
315
00:15:40,818 --> 00:15:42,650
"Vera, you're an idiot... "
316
00:15:42,767 --> 00:15:44,165
"don't do it!"
317
00:15:48,657 --> 00:15:51,322
In many ways, the fans of the show
318
00:15:51,430 --> 00:15:53,786
have loved to hate Jake,
319
00:15:53,792 --> 00:15:57,007
kind of thing, in the same way
that they love to hate Ferguson.
320
00:15:57,604 --> 00:15:58,980
Ah, Ferguson,
321
00:15:58,986 --> 00:16:00,885
what a sweet, sweet treat it is
322
00:16:00,891 --> 00:16:05,374
when she finally gets her just
deserts at the end of the season.
323
00:16:06,037 --> 00:16:08,120
Wish I could have taken
credit for that one.
324
00:16:08,126 --> 00:16:11,101
That whole time, as I was
burying her, she was screaming.
325
00:16:11,918 --> 00:16:14,444
- She was screaming at me the whole time.
- No!
326
00:16:14,466 --> 00:16:15,941
Get me out of here!
327
00:16:16,724 --> 00:16:18,216
Get me out of here!
328
00:16:18,222 --> 00:16:21,147
And you know, you can never ever
get rid of something like that.
329
00:16:21,153 --> 00:16:25,716
- Never. That'll always be there.
- No!
330
00:16:25,722 --> 00:16:28,325
Am I happy with where
they left my character? No!
331
00:16:28,331 --> 00:16:31,500
No, of course not. Appalling,
appalling behaviour.
332
00:16:32,100 --> 00:16:35,949
So, in season 6, with
Ferguson out of the picture,
333
00:16:35,955 --> 00:16:37,844
could the writers introduce someone
334
00:16:37,850 --> 00:16:40,398
who'd give The Freak
a run for her money?
335
00:16:40,598 --> 00:16:42,115
You betcha!
336
00:16:42,121 --> 00:16:44,199
You're never gonna
fucking believe who's here.
337
00:16:44,205 --> 00:16:46,709
In walks Marie Winter.
338
00:16:46,715 --> 00:16:50,286
Mother, madam, murderer.
339
00:16:50,576 --> 00:16:52,101
How come everyone knows you?
340
00:16:52,107 --> 00:16:54,062
Well, I mean, hardly everyone.
341
00:16:54,068 --> 00:16:56,441
Well, a few women may know
me through my businesses.
342
00:16:56,447 --> 00:16:58,568
- Oh, yeah? What do you sell?
- Sex.
343
00:16:59,940 --> 00:17:01,742
Ooh, wasn't expecting that.
344
00:17:01,748 --> 00:17:04,643
So, it's the most complex
character we've had in the series
345
00:17:04,737 --> 00:17:06,742
in that she's a villain...
346
00:17:07,766 --> 00:17:09,867
and she's adorable at the same time.
347
00:17:09,873 --> 00:17:11,573
I really missed you, Allie.
348
00:17:11,737 --> 00:17:15,552
Marie soon finds a
formidable foe in Rita,
349
00:17:15,558 --> 00:17:16,721
another newbie...
350
00:17:16,727 --> 00:17:18,247
who's hiding the kind of secrets
351
00:17:18,253 --> 00:17:20,855
you really don't want on the inside.
352
00:17:20,932 --> 00:17:22,429
Good work, Detective.
353
00:17:23,975 --> 00:17:25,296
It was very daunting.
354
00:17:25,302 --> 00:17:28,012
I'm really glad that I
had Rarriwuy Hick with me,
355
00:17:28,018 --> 00:17:29,655
'cause we'd worked together before.
356
00:17:29,779 --> 00:17:31,749
It's better if nobody knows about us.
357
00:17:31,845 --> 00:17:33,571
They ain't gonna hear it from me.
358
00:17:33,978 --> 00:17:35,353
To protect her sister,
359
00:17:35,359 --> 00:17:38,596
Rita's eventually forced
to take down Marie's muscle.
360
00:17:38,663 --> 00:17:41,269
Ruby's out. You're fightin' me.
361
00:17:41,275 --> 00:17:42,986
- Bullshit.
- Let's go!
362
00:17:43,519 --> 00:17:45,181
When we did the big fight with Drago,
363
00:17:45,187 --> 00:17:46,799
it was a whole... it was twelve hours,
364
00:17:46,805 --> 00:17:48,421
and I said, "I wanna do my own stunts".
365
00:17:48,427 --> 00:17:49,928
One take, I turned around and said,
366
00:17:49,934 --> 00:17:51,435
"You wanna go again?!"
367
00:17:51,526 --> 00:17:52,849
I was tired,
368
00:17:52,912 --> 00:17:54,248
I was sore,
369
00:17:54,254 --> 00:17:56,420
and I just said, "I'm gotta
take this bitch out."
370
00:17:56,832 --> 00:17:58,004
And I did.
371
00:18:00,793 --> 00:18:02,496
Myself, as Rarriwuy,
372
00:18:02,502 --> 00:18:05,410
I wish I had a big sister
like her, you know?
373
00:18:06,472 --> 00:18:09,777
And how could we forget that
healthy dose of blackmail...
374
00:18:09,783 --> 00:18:11,273
Who is this?
375
00:18:11,279 --> 00:18:14,243
... that raised some really
disturbing questions.
376
00:18:15,747 --> 00:18:18,498
Could it be The Freak
blackmailing from the grave?
377
00:18:18,504 --> 00:18:21,375
- Or even worse... is she still alive?
- _
378
00:18:21,381 --> 00:18:23,760
How do you know she didn't...
379
00:18:24,541 --> 00:18:25,541
Oh, God!
380
00:18:26,333 --> 00:18:28,015
Dig her way out.
381
00:18:33,229 --> 00:18:38,156
In season 7, we reached new
levels of revenge and betrayal.
382
00:18:40,753 --> 00:18:43,296
Ray!
383
00:18:43,302 --> 00:18:44,684
Shh.
384
00:18:44,974 --> 00:18:47,251
Let me go to him. Please, please...
385
00:18:47,317 --> 00:18:49,495
There's a great scene between, um...
386
00:18:49,576 --> 00:18:51,020
Marie and Rita,
387
00:18:51,042 --> 00:18:53,703
where Rita finds out that
it was Marie that, uh,
388
00:18:53,868 --> 00:18:55,221
ah, put the hit on Ray.
389
00:18:55,227 --> 00:18:57,025
- You killed Ray!
- Hey, hey!
390
00:18:57,034 --> 00:18:58,401
- Rita...
- No, it's OK, babe.
391
00:18:58,407 --> 00:19:00,096
- What are you talking about?
- I know it was you.
392
00:19:00,102 --> 00:19:02,393
- You put Ray in this shit.
- That's fuckin' bullshit!
393
00:19:02,399 --> 00:19:05,262
Butchers hit Ray
because of what you did.
394
00:19:07,661 --> 00:19:09,150
So we work out that
395
00:19:09,156 --> 00:19:11,177
we should kill Marie,
and we work out how...
396
00:19:11,681 --> 00:19:13,562
and we decide we're
gonna build a pipe bomb.
397
00:19:13,925 --> 00:19:16,573
Let me out! Fuck you, Kaz, you... !
398
00:19:17,628 --> 00:19:18,844
Oh, shit!
399
00:19:24,421 --> 00:19:28,002
But Marie is like a cat with nine lives.
400
00:19:28,008 --> 00:19:29,648
I've tried to kill her a million times.
401
00:19:29,654 --> 00:19:31,073
She just won't die.
402
00:19:31,172 --> 00:19:32,870
You just can't kill Marie.
403
00:19:32,876 --> 00:19:34,544
Do you regret what you did...
404
00:19:35,797 --> 00:19:36,974
to Marie?
405
00:19:37,660 --> 00:19:41,301
Kaz is actually forced to
re-evaluate her entire world view
406
00:19:41,307 --> 00:19:43,690
with the help of Greg
Miller, the new psychiatrist.
407
00:19:43,695 --> 00:19:45,612
She gets challenged all the time.
408
00:19:45,684 --> 00:19:47,545
When I was a kid, I was the victim.
409
00:19:47,896 --> 00:19:49,227
I was Karen...
410
00:19:50,367 --> 00:19:53,014
but I refused to let that be my story.
411
00:19:53,627 --> 00:19:56,734
And just when we thought
Kaz had found peace,
412
00:19:56,740 --> 00:20:00,041
Wentworth delivered one
of its biggest blows.
413
00:20:00,047 --> 00:20:03,294
There was such a sacred, spiritual
414
00:20:03,392 --> 00:20:06,088
loving presence on that set that day
415
00:20:06,094 --> 00:20:08,619
that I didn't act that scene alone.
416
00:20:08,783 --> 00:20:11,665
I could feel every single crew member...
417
00:20:11,770 --> 00:20:12,808
I love you.
418
00:20:12,814 --> 00:20:14,360
... I could feel them.
419
00:20:23,392 --> 00:20:26,610
I think that the ability
to make those bold decisions
420
00:20:26,633 --> 00:20:29,781
is what makes this show stand apart
421
00:20:29,955 --> 00:20:33,197
and what... what makes it such
a roller-coaster of a ride.
422
00:20:37,395 --> 00:20:39,430
What's happening with Kaz's murder?
423
00:20:39,736 --> 00:20:41,710
The police aren't getting
anywhere with the women.
424
00:20:42,067 --> 00:20:43,350
Have you heard anything?
425
00:20:43,499 --> 00:20:45,537
Only that Miss Bennett thinks I did it.
426
00:20:45,900 --> 00:20:48,164
Vera had her suspicions.
427
00:20:48,351 --> 00:20:49,550
I know, Will.
428
00:20:50,359 --> 00:20:51,593
What do you know?
429
00:20:53,179 --> 00:20:55,425
That you have become
totally compromised.
430
00:20:56,609 --> 00:20:58,205
I will not...
431
00:20:58,211 --> 00:21:00,998
- let you destroy him.
- Fuck you all
432
00:21:01,004 --> 00:21:02,589
for killing Danny!
433
00:21:02,595 --> 00:21:05,947
And it's time for Marie
to bring out the big guns.
434
00:21:05,953 --> 00:21:09,252
If you don't get me out of
here in the next 48 hours,
435
00:21:09,258 --> 00:21:10,706
the whole country's gonna find out
436
00:21:10,712 --> 00:21:12,674
how you like to spend your holidays.
437
00:21:12,680 --> 00:21:14,508
And it all culminates in this siege
438
00:21:14,514 --> 00:21:16,304
at the very end of the season when
439
00:21:16,305 --> 00:21:20,057
Sean locks down the whole
prison, takes hostages.
440
00:21:20,264 --> 00:21:22,264
In total we spent about
441
00:21:22,270 --> 00:21:26,069
four days with guns pointed
at us, being screamed at,
442
00:21:26,075 --> 00:21:28,802
one by one, people just
being shot and killed.
443
00:21:28,808 --> 00:21:30,794
I killed fucking Proctor!
444
00:21:32,405 --> 00:21:34,046
You let Marie go
445
00:21:34,686 --> 00:21:36,385
or I'm gonna shoot your mum.
446
00:21:36,771 --> 00:21:39,923
There's one scene where I
have to shoot multiple people
447
00:21:39,928 --> 00:21:43,125
and that's when it all
sort of starts to unravel.
448
00:21:43,653 --> 00:21:46,788
Shootouts, hostages, murder.
449
00:21:46,794 --> 00:21:49,106
This was a finale with the lot.
450
00:21:49,112 --> 00:21:51,820
- Everyone down! Drop it!
- Hey, Marie...
451
00:21:51,826 --> 00:21:53,257
did you forget about me?
452
00:21:54,227 --> 00:21:55,293
Give me the gun.
453
00:21:55,299 --> 00:21:56,996
- We are leaving...
- Give me that gun!
454
00:21:57,002 --> 00:21:59,667
With that comes the most
uncharacteristic move
455
00:21:59,673 --> 00:22:01,207
that I think Allie has ever pulled.
456
00:22:01,213 --> 00:22:03,236
I don't think anyone expected
457
00:22:03,242 --> 00:22:06,314
- that she would be the person...
- For Danny. Oh!
458
00:22:06,320 --> 00:22:08,922
... that grabbed the
gun and saved the day.
459
00:22:13,314 --> 00:22:16,540
But the adrenaline of the
siege was quickly tempered
460
00:22:16,546 --> 00:22:19,635
by yet another tragic turn of events.
461
00:22:19,944 --> 00:22:23,213
So, dementia wasn't enough for ya, hey?
462
00:22:24,370 --> 00:22:26,669
Had to go and have a bloody
stroke too, you greedy bitch?
463
00:22:29,124 --> 00:22:30,492
It was very hard,
464
00:22:30,498 --> 00:22:32,729
it was very confronting to see Lizzie
465
00:22:32,735 --> 00:22:35,438
making those sounds
and just lying there.
466
00:22:36,909 --> 00:22:38,420
I love you.
467
00:22:43,173 --> 00:22:45,149
After we filmed the scene,
468
00:22:45,227 --> 00:22:49,557
I had the most incredible
sense of peace and calm...
469
00:22:50,453 --> 00:22:52,044
I love you.
470
00:22:52,879 --> 00:22:54,799
... because it was like, "Yes,
471
00:22:54,946 --> 00:22:58,064
I want this, thank you for helping me".
472
00:23:02,224 --> 00:23:06,670
It... I think at that moment, all
I had was white noise just going,
473
00:23:07,018 --> 00:23:08,816
"Make your arms work,
474
00:23:08,822 --> 00:23:10,691
"make your legs move,"
475
00:23:10,900 --> 00:23:13,995
and just go through the motions,
that's what I was having to do,
476
00:23:14,116 --> 00:23:17,311
and my arms naturally wanted
to start shaking and...
477
00:23:17,317 --> 00:23:19,102
and then the other part of
my actor's brain was like,
478
00:23:19,108 --> 00:23:22,175
"Please don't really smother
Celia in this moment".
479
00:23:24,175 --> 00:23:27,607
Emotions truly ran
the gamut in season 7,
480
00:23:27,701 --> 00:23:30,348
but there was one more
earth-shattering reveal
481
00:23:30,354 --> 00:23:32,177
before the credits rolled.
482
00:23:32,183 --> 00:23:34,919
Joan Ferguson has literally
risen from the dead.
483
00:23:34,925 --> 00:23:36,669
She has somehow escaped a box.
484
00:23:36,675 --> 00:23:40,275
That's right. Joan, The
Freak, Ferguson returns
485
00:23:40,281 --> 00:23:41,983
in the brand new season,
486
00:23:41,989 --> 00:23:44,252
and she's out for revenge.
487
00:23:44,258 --> 00:23:50,143
Jake, Vera and myself
will be her three targets.
488
00:23:50,724 --> 00:23:52,626
They are the people she's after.
489
00:23:53,411 --> 00:23:56,420
Get ready for the biggest season yet.
490
00:24:02,023 --> 00:24:03,785
- Holy shit, that was...
- Oh, jeez...
491
00:24:09,049 --> 00:24:11,619
This season is going to be so epic.
492
00:24:16,740 --> 00:24:19,421
Old enemies, new faces...
493
00:24:19,505 --> 00:24:22,154
and I think the most twisted plot line.
494
00:24:27,489 --> 00:24:32,429
In season 8, we open and
I have been in isolation.
495
00:24:32,912 --> 00:24:36,436
I've gone from Top Dog
to kinda like absolutely
496
00:24:36,505 --> 00:24:38,615
dog on the floor type of thing.
497
00:24:39,025 --> 00:24:42,190
One of the themes of Wentworth
this series is redemption.
498
00:24:42,196 --> 00:24:43,669
What the fuck is this about?
499
00:24:43,675 --> 00:24:45,452
Told ya, we're just
gonna have a little chat.
500
00:24:45,458 --> 00:24:48,979
I think that all of the characters
are worthy of redemption,
501
00:24:48,985 --> 00:24:53,060
whether or not they
achieve that redemption,
502
00:24:53,066 --> 00:24:54,245
I'm not sure.
503
00:24:54,251 --> 00:24:55,560
Now, tell us the truth.
504
00:24:55,872 --> 00:24:57,779
I am telling you the truth.
505
00:24:58,467 --> 00:25:01,399
In season 8, we're finally seeing Allie
506
00:25:01,618 --> 00:25:04,815
in all of her power and
in all of her strength,
507
00:25:04,924 --> 00:25:07,537
but pushed right to the very limit.
508
00:25:07,543 --> 00:25:09,963
I don't tolerate violence in my prison.
509
00:25:10,491 --> 00:25:11,684
I got the women on my side
510
00:25:11,690 --> 00:25:13,806
so if you try something,
there's gonna be consequences.
511
00:25:13,812 --> 00:25:15,803
We're also being introduced
512
00:25:15,809 --> 00:25:17,826
to a group of new characters
513
00:25:17,832 --> 00:25:20,292
who are the cream of Australian talent.
514
00:25:20,298 --> 00:25:22,519
They are so fabulous.
515
00:25:22,704 --> 00:25:26,745
Lou is a former Top Dog of Wentworth.
516
00:25:26,906 --> 00:25:28,430
Oh, hey, look.
517
00:25:28,436 --> 00:25:29,658
She's fierce... .
518
00:25:29,664 --> 00:25:32,422
- Nobody move.
- ... um, she's got a very dark sense of humour.
519
00:25:35,082 --> 00:25:36,871
Stay down! Coming through!
520
00:25:36,877 --> 00:25:38,874
- It's OK everybody, I got the fly.
- Back iin line! Come here!
521
00:25:38,880 --> 00:25:40,320
Stay back! Stay back!
522
00:25:40,326 --> 00:25:41,457
- Come on!
- Fuck!
523
00:25:41,463 --> 00:25:45,161
- I wanna go with her!
- And she's also wildly in love.
524
00:25:45,167 --> 00:25:48,005
- ... medical assistance required to sally port.
- Mr Jackson!
525
00:25:48,268 --> 00:25:50,505
Hey, you can't separate
us. Reb needs me.
526
00:25:50,721 --> 00:25:52,465
I'm playing Reb Keane.
527
00:25:52,473 --> 00:25:57,124
He has a pretty rough history.
Um, he's trans, female to male,
528
00:25:57,220 --> 00:26:00,422
and you know, the challenges that
come with being a transgender man
529
00:26:00,428 --> 00:26:02,827
- in a women's prison are endless.
- Hey.
530
00:26:02,910 --> 00:26:04,541
- Rebecca.
- It's Reb.
531
00:26:05,729 --> 00:26:06,851
Who are you?
532
00:26:07,007 --> 00:26:09,351
I've been a huge admirer of Wentworth...
533
00:26:09,357 --> 00:26:12,268
- I'm Sheila.
- ... and the dedication, commitment,
534
00:26:12,274 --> 00:26:14,720
and extraordinary acting
535
00:26:14,814 --> 00:26:17,445
that I see in every
scene, in every frame,
536
00:26:17,451 --> 00:26:18,922
with every character,
537
00:26:18,928 --> 00:26:22,122
it's an honour and a
privilege to be a part of it.
538
00:26:22,942 --> 00:26:25,472
And another new inmate, Judy Bryant,
539
00:26:25,478 --> 00:26:28,474
might be behind bars
for the wrong reasons.
540
00:26:28,845 --> 00:26:31,188
We're here outside
Wentworth Women's Prison,
541
00:26:31,197 --> 00:26:33,061
- awaiting the arrival of British hacktivist
- Judy Bryant, who faced court...
542
00:26:33,069 --> 00:26:34,971
- and whistle-blower, Judy Bryant,
- just a few hours ago.
543
00:26:34,977 --> 00:26:36,069
- who faced court just a few...
- a government deal
544
00:26:36,075 --> 00:26:37,456
- Hey, that's out the front!
- to establish a military base...
545
00:26:37,462 --> 00:26:39,060
Oh shit, we're on telly. Hey, hey!
546
00:26:39,066 --> 00:26:42,172
Oh, that's that hacker
chick. She is amazing.
547
00:26:42,750 --> 00:26:46,695
She lands in Wentworth
because she has leaked some
548
00:26:46,701 --> 00:26:49,716
precarious secrets about the
Australian government online
549
00:26:49,722 --> 00:26:55,246
and she kind of has this passion
and fire to fight for the underdog.
550
00:26:55,940 --> 00:26:59,221
The staff of Wentworth
are also in for a shake-up
551
00:26:59,227 --> 00:27:01,830
as the new GM of
Corrections is appointed.
552
00:27:01,836 --> 00:27:05,583
The new General Manager, uh,
Ann, is at Wentworth now,
553
00:27:05,589 --> 00:27:07,695
and she doesn't want
me to be the governor.
554
00:27:07,701 --> 00:27:10,011
Someone has to take the
rap for that siege, Vera.
555
00:27:10,017 --> 00:27:11,620
The siege wasn't Will's fault.
556
00:27:11,626 --> 00:27:14,985
She's used to getting what
she wants, put it that way,
557
00:27:15,206 --> 00:27:18,536
and she comes to Wentworth
to make sweeping changes.
558
00:27:18,611 --> 00:27:20,123
The decision has been made
559
00:27:20,129 --> 00:27:23,251
- to close the Protection Unit, immediately.
- You're kidding me.
560
00:27:23,257 --> 00:27:25,866
But the key character that I
561
00:27:25,872 --> 00:27:28,967
and the whole audience should
be excited about meeting
562
00:27:28,973 --> 00:27:30,301
is little Gracie.
563
00:27:30,307 --> 00:27:31,902
- Oh, my God!
- Oh, shit, it's Miss Bennett.
564
00:27:31,908 --> 00:27:33,388
Oh, she's got the baby!
565
00:27:33,394 --> 00:27:35,172
She is... she's gonna win awards.
566
00:27:35,178 --> 00:27:37,185
- She's delightful.
- Oh, my gawd, she's beautiful.
567
00:27:37,191 --> 00:27:39,393
One take wonder. She's beautiful.
568
00:27:40,060 --> 00:27:41,560
Fuck, I love babies.
569
00:27:42,985 --> 00:27:46,087
Yeah, little Gracie
is a cutie all right,
570
00:27:46,093 --> 00:27:48,087
and I don't want to give anything away
571
00:27:48,093 --> 00:27:51,939
but, someone else has
their eyes on her too.
572
00:27:53,245 --> 00:27:55,777
The moment Joan Ferguson
comes back into the picture,
573
00:27:55,964 --> 00:27:57,270
all bets are off.
574
00:27:57,276 --> 00:27:59,454
I can guarantee you, I
can't give anything away,
575
00:27:59,460 --> 00:28:01,665
but I can guarantee
you that the way that
576
00:28:01,671 --> 00:28:03,774
Ferguson comes back into this story
577
00:28:03,780 --> 00:28:06,175
is not what you are gonna expect.
578
00:28:06,181 --> 00:28:08,822
Thank you, Miss Maxwell.
579
00:28:09,195 --> 00:28:11,021
Do I know you from somewhere?
580
00:28:11,027 --> 00:28:12,896
Where has Joan been?
581
00:28:13,295 --> 00:28:15,027
I just have one of those faces.
582
00:28:15,521 --> 00:28:18,955
- And cut.
- It's a great little mystery.
583
00:28:18,961 --> 00:28:20,971
They have no idea what's coming.
584
00:28:21,331 --> 00:28:25,059
Wentworth season 8 is... out of control.
585
00:28:26,239 --> 00:28:28,048
It's just next level.
586
00:28:28,912 --> 00:28:30,311
For seven seasons,
587
00:28:30,317 --> 00:28:33,387
Wentworth has indeed been
an extraordinary journey,
588
00:28:33,393 --> 00:28:36,496
filled with characters we've
come to love and loathe.
589
00:28:39,502 --> 00:28:40,596
Argh!
590
00:28:40,602 --> 00:28:43,395
- I've got a meeing with my lawyer and...
- But the journey's far from over,
591
00:28:43,401 --> 00:28:46,909
with a whole new season
ready to thrill, shock,
592
00:28:46,915 --> 00:28:49,090
- and excite audiences.
- Hey!
593
00:28:49,096 --> 00:28:50,488
- Here she is!
- Ba-da-boom!
594
00:28:50,494 --> 00:28:53,656
It's bigger, badder, better.
595
00:28:53,662 --> 00:28:55,080
I'd say the holiday's over.
596
00:28:55,375 --> 00:28:59,875
This season covers some pretty
torturous and enthralling territory.
597
00:28:59,881 --> 00:29:02,629
It's The Freak, so
everybody is a target.
598
00:29:02,635 --> 00:29:05,580
I'm seeing there, "Oh my God, oh my God!
599
00:29:05,914 --> 00:29:07,697
So, it gets pretty hectic.
600
00:29:08,088 --> 00:29:10,610
- Get her in!
- Are you ready?
601
00:29:11,026 --> 00:29:12,520
Fuck!
602
00:29:15,002 --> 00:29:17,238
Is The Freak coming back for series 8?
603
00:29:19,130 --> 00:29:20,306
Is she?
604
00:29:23,936 --> 00:29:27,594
- Transcribed and synced by chamallow -
- www.addic7ed.com -
605
00:29:27,600 --> 00:29:29,009
♪ Dude, I'm killin' it, killin' it ♪
606
00:29:29,015 --> 00:29:30,833
♪ Smokin' 'em all like a
cigarette, cigarette ♪
607
00:29:30,994 --> 00:29:32,747
♪ That shit don't know
who I'm chillin' with ♪
608
00:29:32,753 --> 00:29:34,276
♪ But now you wanna hold me close ♪
609
00:29:34,282 --> 00:29:35,635
♪ And looks good because
you brag a lot ♪
610
00:29:35,641 --> 00:29:37,477
♪ Like on top, mother with no porfolio ♪
611
00:29:37,483 --> 00:29:40,094
♪ Doin' this for years but nothin'...
46810
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