Original subtitles

- Synced and corrected by chamallow - - www.addic7ed.com -

(INDISTINCT CHATTER)

NEWSMAN: A teenage girl has been taken into custody

following an attack on the Belgian offices

of Passway Pharmaceuticals,

during which two people were killed.

The incident, which took place during a medical research trial

being conducted on young volunteers, has led

to heightened security in the area.

Passway denies all responsibility,

though the company concedes the suspect

was one of the trial participants.

(LINE RINGS)

(PHONE VIBRATES)

Dumont.

CARMICHAEL: This is Carmichael.

Did you get the file?

Yeah.

What do we know about this girl?

Monica Gastner.

History of anxiety and depression,

which we think she lied about on the form.

She have a history of violence?

Nothing on her record.

You have police there?

I've been here all night talking to them.

I've kept them away from the storage area.

Your shipment for the Meadows is secure.

Yeah, well, I'm not taking that risk.

Accelerate delivery. Do it yourself.

(PHONE VIBRATING)

What do you need?

(BIRDS CHIRPING)

♪ ♪

KIM: This is Central.

MARISSA: Kim, it's Wiegler. I'm just calling

to say that I won't be in today.

- Okay. - Tell Sonia, please.

Uh, she just called in.

She's not gonna be here, either.

Did she say why?

She just said it was personal.

Okay. Thanks, Kim.

You gonna talk to me?

Why?

Because I came for you, and if I hadn't, you'd be dead.

Is this Clara's?

There's a place called the Meadows.

It's where they've taken her.

You know it?

But they didn't tell me where it is.

I saw this man

writing about it on a computer last night in Passway.

He was writing about sending a shipment of drugs.

I remember his face.

If we can find him,

he could lead us to Clara.

Hanna, listen to me.

Clara is gone. You can't save her.

If you do what I say, you fly to Canada today,

then you're safe.

She will escape, or try to again.

And they will kill her.

It's my fault.

Not your fault.

Go looking for that place,

they'll see you, they'll know you're alive.

Everything we've been working on will be ruined.

You're dead to them right now. You have to stay that way.

You lied to Clara.

You told her you were her mother.

You gave her hope so that they could take her back.

How could you do that?

I did it for you.

I never asked you to.

She can't live in that place.

If we don't do something, she will die.

What do you suggest?

That we find her.

Together.

CARMICHAEL: How'd she sleep?

TERRI: She didn't.

CARMICHAEL: Is she talking to you?

TERRI: Not yet.

I have to put a deadline on this.

Sir...

She's a drag on the boat.

We can change that.

And you think the others will welcome her back?

It's...

not impossible.

(EXHALES) I'll give you two days.

Then I make the call.

♪ ♪

(INDISTINCT CHATTER)

(MAN SPEAKING FRENCH)

(PHONE VIBRATES)

- Are you there? - HANNA: Yes.

I can't see him.

- Okay, stay outside. I won't be long. - (KNOCK ON DOOR)

If you see him, call me.

J'arrive.

Salut.

This will cost you double.

Yes, of course.

(FOOTSTEPS APPROACHING)

(DOOR OPENS)

There's no point doing this.

What am I doing?

Trying to make me the same as the others.

But I'm not the same. I think different.

And how do you know what the others are thinking?

I can tell.

They don't question things the way I do.

It's not a bad thing to question.

It is here.

Why did you sleep in my room?

Did you think you'd get to know me?

You won't.

If this is a test, I will fail it,

so maybe you should just give up now.

I have no intention of giving up.

Why do you care? You're just doing a job.

I don't know.

I understand what it is to be the odd one out

in every situation.

Do you have a mother?

Yes, I do.

Then don't try and pretend you and I are the same.

We're not even close.

So how could you possibly understand?

(LINE RINGS)

Richter.

Hi, it's Marissa.

How can I help?

Listen, I... I've been thinking

that I owe you an apology for what I said.

I mean, you were only doing your job.

If I'm gonna be pissed at anyone,

it should be Carmichael.

Don't worry about it.

Well, I would like us to get past it,

so I was thinking maybe we could start with a coffee.

I'm available this afternoon,

if you're around.

This afternoon's gonna be tough.

Uh, how about sometime next week?

Sure, that works.

We don't have to decide anything now

except for the fact that I'm buying.

(CHUCKLES) I'll hold you to that.

(LAUGHS) Good.

(WOMAN SPEAKING FRENCH OVER P.A.)

Is it true you are searching all cars as they leave?

- Yes, Monsieur Dumont. - Bon.

Well, I have a private shipment I need to deliver.

Already authorized. Can you open the back gates in one hour.

And tell no one.

- Yes, sir. - Okay. Merci.

Fuck.

♪ ♪

(WOMAN SPEAKING FRENCH OVER P.A.)

(PHONE VIBRATES)

WOMAN: Due to increased security,

staff are urged to wear their security passes

at all times.

Police will be questioning members of staff...

(PHONE VIBRATES)

(ELECTRONIC CHIME)

(MAN SPEAKING FRENCH OVER RADIO)

♪ ♪

(INDISTINCT CHATTER)

You didn't give anyone the security codes?

Why are you questioning me?

I'm just doing my job.

I wasn't even here last night.

What's your name?

- Jamal. - OFFICER: Jamal?

Take me to your supervisor.

Okay?

(CAR UNLOCKS)

(CHUCKLES SOFTLY)

(KNOCKING)

(DOOR OPENS)

Hey, how's my favorite trainee?

Shit.

Doesn't matter.

It's just skin.

Where is she?

Clara?

She's in isolation.

She shouldn't be allowed to be in here.

- She's not safe. - Fine by me.

I don't like her any more than you do.

What's this?

Oh, that arrived for you.

From your parents.

Apparently you used to love reading it as a little girl?

I don't remember that.

I went to Sunday school for years,

but... (LAUGHS)

I can barely remember a thing they taught us.

(FOOTSTEPS APPROACHING)

Are you Monica Gastner?

Who are you?

I work for the INL.

Investigating the illegal trade of prescription drugs.

I've already fucking told them.

Why does nobody believe me?

It wasn't me.

- It was the girl. - What girl?

The girl who grabbed me and gave me the money.

What did she look like, this girl?

She took Monica's clothes

and consent form.

- The same age? - Yeah, 16 or 17.

Does this girl have any distinguishing features?

Nothing we can use for an I.D.

But apparently she was strong.

Oh, um, I'll call you back.

What's wrong with her arm?

We had to implant new meds.

She cut the old ones out.

Or someone did.

♪ ♪

(MAN SPEAKING FRENCH OVER RADIO)

(LINE RINGING)

Come on, Hanna.

Answer your phone.

(WOMAN SPEAKING FRENCH)

Okay.

Take your time.

That's number one.

MONICA: No.

SONIA: No?

Number two?

No.

Not her?

No.

SONIA: Number three?

Yes, it's her.

I'm good with faces.

She was blond, but...

it's her.

(PHONE RINGS)

Well, you're persistent.

I'll give you that.

Where are you?

Driving to a farmers market

in the Eighth arrondissement.

In Paris?

Well, yes, in Paris.

Why?

Have you heard from Hanna?

What do you mean, John?

You told me Hanna was dead.

Yeah, well, I might've been wrong.

Stop fucking around.

Is she alive or not?

I don't know.

It might've been a false flag.

But if she does try to contact you,

you call me immediately, okay?

Sure.

Where are you, Hanna?

They know you're alive.

♪ ♪

(WOMEN SPEAKING FRENCH OVER P.A.)

(ALARM BLARING)

(MAN SPEAKING FRENCH)

Garage clear. I'm coming out.

(KEYPAD BEEPING)

(WOMAN SPEAKING FRENCH OVER P.A.)

(ALARM CONTINUES BLARING)

(ENGINE STARTS)

(BIRDS CHIRPING)

(LEO CLEARS THROAT)

Change of scenery?

Something like that.

How's it going with Sandy?

Oh, you know.

Slowly but surely.

Hmm.

(SIGHS)

Let me guess.

You're struggling.

I made a mistake.

I tried to make her feel as though

I was like her somehow.

But she's too smart for that.

Mm-hmm.

Sad thing is I don't think she wants help.

I think she wants to destroy herself.

Why?

She's clinging on to something.

Some...

pain she refuses to get rid of.

Something out there?

Her mother, I think.

But they never met.

Doesn't matter.

She knows about her.

And now, she can't let it go.

Let what go, exactly?

She needs to know

if her mother ever loved her.

♪ ♪

JULES: Why are you reading that?

HELEN: You said it was good.

JULES: Fuck that.

Such a shitty phallocentric piece of shit.

Last week you said you liked it.

"Last week"?

You better keep up, girl.

Things move fast around here.

Do you guys believe in God?

God is a human construct.

What does that mean?

It means he's made up.

How do you know God is a man?

Because he was invented by men.

Is this about Aaron?

No, it's not about Aaron.

Then what do you have against men?

Nothing.

I just prefer women.

Since when?

Since always.

You're attracted to women?

That's the general idea, Helen.

Hmm.

Are you attracted to me?

(SCOFFS) Don't worry, you're not my type.

- Hmm. - What about me?

I see you more like a sister.

I'm the same.

And anyway, you've got your lover.

I can't beat him.

(CAR DOOR OPENS, CLOSES)

♪ ♪

(PHONE VIBRATES)

MARISSA: Where are you, Hanna?

They know you're alive.

♪ ♪

- (PHONE RINGS) - Where the hell have you been?

HANNA: I'm following him.

He's eating in a diner.

Send me the address now.

(BIRD SQUAWKING)

♪ ♪

♪ And stare and smile ♪

♪ Well, pididdle-a-diddle ♪

♪ Pididdle-a-diddle, pididdle-a-diddle ♪

♪ Oh, babe, babe, baby, pididdle, oh, baby ♪

♪ Just want a kiss from you... ♪

(INDISTINCT CHATTER)

♪ Well, a-down this a-road there came a 'rod ♪

♪ With one lamp off and one lamp on... ♪

Mademoiselle?

Ah, merci.

Yeah, I got it out. I need to arrange a pickup.

Noon tomorrow. Usual place.

License plate 1-LDF-564.

The driver will have it with him.

♪ Just want a kiss from you ♪

♪ Oh, let's drive now ♪

♪ First ♪

♪ Second ♪

♪ Third ♪

♪ Man, we're goin' now. ♪

(KEYS JANGLE)

(BEEPING)

♪ ♪

(BIRDS CHIRPING)

Tell the driver it's not marked. But it's here. There's a gate.

A tree-lined drive. Leading to an old manor.

Okay. Okay, I understand.

Can I help you?

No, I'm fine. Just going to my car.

Is that really your car?

(BRAKES SQUEAK, ENGINE TURNS OFF)

(KEYS JANGLE)

Sonia. Sorry.

I didn't mean to freak you out.

Carmichael called. He asked me to bring you this.

(SILENCED GUNSHOT)

(GULLS CALLING)

How old are you?

Nineteen.

And you're driving a car like that?

Sure. What's the big deal?

(VEHICLE APPROACHING)

(TIRES SCREECH)

Why do you never listen to me?!

Now your father's gone and called the police.

What do you think about that?

Hey!

I asked you a question!

Fuck you.

You get in this car.

You get in this fucking car! Get in.

I'm sorry about this. (CHUCKLES)

She stole her father's keys.

- You have kids her age? - Yes, yes.

Ah, yes. So you know how it is.

He'll pick up his fucking car later.

I told you to stay outside the building.

What were you thinking?

If I'd waited, we would have lost him.

We have to follow the truck.

It's going to the Meadows.

This is from your mother.

She wrote you a letter.

That's impossible. When?

When you were born.

We were supposed to give it to you before your first mission.

But, because it's you,

we thought we'd bend the rules.

Go ahead.

Have you read it?

I didn't feel it was any of my business.

You can take your time.

(EXHALES)

(CRYING SOFTLY)

(WHISPERS): Thank you.

I know you miss her.

- You've never even met her. - (SNIFFLES)

And that hurts inside.

If she was here now, what would you say?

Go on. Try.

(SHUDDERS) Why didn't you want me?

- (CRYING) - I know.

I'm here. I'm here. I'm here.

Let it go.

(CRYING)

- You were right. - (SNIFFLES)

You were right.

I'm nothing like you.

I can't even begin to imagine how all this feels.

But there are 30 girls around here who do.

And who will never, ever abandon you.

(BREATHING HEAVILY)

Okay?

Will they forgive me?

We always wanted you here.

And we still do.

(TICKING)

♪ Laughter cracking through the walls ♪

♪ It sends you spinning... ♪

MARISSA: What is it about Clara?

It's not just guilt, is it?

♪ Cracking through the walls... ♪

Why do you care so much?

♪ You have no choice... ♪

When we were in the forest,

I felt something I'd never felt before.

We are the same.

But you barely know each other.

I don't need to.

♪ Spellbound, spellbound ♪

♪ Oh ♪

♪ Spellbound ♪

Can I change it?

♪ Spellbound... ♪

Oh.

You don't like it?

Do you?

MARISSA: Maybe it's not meant for you.

Who is it meant for?

♪ Whenever we meet... ♪

Older people.

Like you.

Yeah, like me.

♪ I'm a big girl and I'm grown... ♪

I think you look good for your age.

Depends on how old you think I am.

Old enough to look good for your age.

(CHUCKLES) Very good.

♪ Or one of these bros, pull up a man and let his shit blow ♪

♪ Nuff man, choke on all of this smoke ♪

♪ Ain't what he wants but nine times out of ten. ♪

(LOCK BEEPS)

(SOFT CHATTER)

(LOCK BEEPS, DOOR OPENS)

LEO: She's watching 'em run.

Where is she?

LEO: She's been there nearly half an hour.

You know what that means?

She's jealous.

She wants to get back with them.

So,

now it's over to me.

(KNOCKING)

Come in.

(DOOR OPENS)

Oh. Sorry.

It's okay.

You sure?

How's it going?

Okay, you know.

(CHUCKLES)

I'm so impressed,

seeing you embrace your parents' values.

How's Clara?

Uh...

we're deciding what to do with her right now.

Before you do,

can I see her?

Oh.

I see. (CHUCKLES)

I didn't think you'd want to.

No, I'd like to see her.

Okay. (EXHALES)

Let me see what I can do.

- (GULLS CALLING) - (WOMAN SPEAKING INDISTINCTLY)

(EXHALES)

We're not going in guns blazing.

I hope you know that.

That's not my style.

We find her, we get her out, we leave.

What is Canada like?

It's really beautiful.

There's lots of mountains,

forests.

You'll love it.

Both of you.

Will you come visit us?

I would like that,

but I don't think it's a... good idea.

Why are you helping then?

I don't know.

Can I see Clara's passport?

Yeah.

Oh.

I'm sorry.

There.

There you go.

(CHUCKLES SOFTLY)

(PHONE VIBRATING)

It's my ex.

Sorry. I won't be long.

Hi.

Hanna's alive.

She killed one of my people.

(INDISTINCT CHATTER)

MARISSA: Where is she?

Is she in Paris? Is that why you're calling me?

Last night, she was in Charleroi, Belgium.

And you sent Sonia to find her.

Come on, John.

She took a day off without any notice.

It's not exactly subtle.

I'm gonna send you a photograph.

(UNZIPPING)

CARMICHAEL: I think it was Hanna.

I think she's trying to find the Meadows.

MARISSA: Okay.

What do you need from me?

I need you to find her.

(SHIP HORN BLOWS)

♪ ♪

CARMICHAEL: This is Carmichael.

Who is this?

(GULL SQUAWKING IN DISTANCE)

♪ ♪

Hanna?

Hanna!

Hanna!

Hanna?

Hanna?

Whoa.

(YELLS) What are you doing?

(GRUNTING)

Hanna, it's me.

(GRUNTS)

(YELLS)

(GRUNTING)

(YELLS)

I'm the only ally you have.

(GASPING)

(PANTING)

You lied to me.

You always lie.

(FLAP OPENS)

(SQUAWKING)

♪ ♪

Can I sit?

You can really fight, you know that?

You know why I did it.

Is that all you have to say?

- 'Cause I'm the one giving you a chance here. - No.

I was wrong.

- To attack me? - No.

I... I mean yes.

Of course.

But more than that.

About this... whole place.

It's not what I expected.

It feels...

Different.

Like home.

Maybe it's time you realized

who your family really are.

(BIRD CAWING IN DISTANCE)

CLARA: Uh...

this wasn't like this before.

SANDY: It's cool.

I guess.

(DOOR OPENS)

SANDY: Wow.

They know you pretty well.

Do they?

How about... this?

You think it's me?

Try it.

Don't you get it, Clemency?

They're giving you a second chance.

CLARA: What about the others?

Will they be okay?

With me coming back?

SANDY: If they're not, they'll have me to deal with.

You can come eat with us tonight.

And we can go for a walk in the grounds after.

It's really beautiful.

How's it going?

CLARA: I'm almost ready.

(INDISTINCT CHATTER)

♪ ♪

♪ Too far away to call ♪

♪ Can't see the light ♪

♪ Light, light ♪

♪ Call through the dark ♪

♪ Into your ♪

♪ Into your heart ♪

♪ Ooh ♪

♪ Ooh, ooh ♪

♪ Ooh, tonight ♪

♪ Into night ♪

♪ Ooh ♪

♪ Ooh... ♪

♪ Ooh ♪

♪ Ooh, tonight ♪

♪ Into night... ♪

MAN: Be advised, the girls have made their way outside

and appear to be gathering in the garden.

MAN 2: Yeah, I've got eyes on them.

MAN: Uh, Unit 2, you there?

(RADIO CHATTER CONTINUES)

(PANTING)

(INDISTINCT CHATTER)

(SHOUTS)

(SPEAKING INDISTINCTLY)

JULES: ... or Charity or Grace.

SANDY: I don't know why you're so upset about this.

JULES: I'm not upset, I'm just, I'm just explaining.

- You're upset. - I'm just explaining

you're, uh... like we're in some medieval fucking romance

with all those men on horses.

Uh... I don't know where you're getting this from.

- All right. Guys, come on. - No. Wait.

- JULES: Come on. - Why... why did you say that?

JULES: Because, Sandy, it's a thing.

You got me.

I don't mean anything by it, Clemency.

(INDISTINCT CHATTER)

(PANTING)

♪ Too far away to call ♪

♪ Can't see the light ♪

♪ Light, light ♪

♪ Make me out a fool ♪

♪ Can't see the light ♪

♪ Light, light ♪

♪ Call through the dark ♪

♪ Into your ♪

♪ Into your heart ♪

♪ Ooh ♪

♪ Ooh, tonight ♪

♪ This light ♪

♪ Ooh... ♪

♪ Ooh ♪

♪ Make me out a fool ♪

♪ Can't see the light ♪

♪ Light, light ♪

♪ Call through the dark ♪

♪ Into your ♪

♪ Into your heart ♪

♪ Ooh ♪

♪ Ooh, tonight ♪

♪ This light ♪

♪ Ooh ♪

♪ Ooh. ♪

- Synced and corrected by chamallow - - www.addic7ed.com -