All language subtitles for Dilili In Paris 2018.HDRip.XviD.AC3-EVO

Dilili?

Dilili!

Still, she is cute.

That's how it is?
That is scary!

[woman] She's not as
dark as the others.

[man] It's like poison.

[woman] They are strange,
aren't they?

[majestic music]

You know how
speak my tongue?

Yes, better than you.

Or so it would seem.

I would like to
learn more about you.

I as well.

Shall we rendezvous?

Let's meet at 6:30
when I leave.

Outside of gate four.

[speaking in foreign language]

[playful music]

[man] Whoa!

My name is Dilili.

Mine's Orel.

I am pleased to make
your acquaintance.

Likewise.

I brought some fries for you.

Thank you!
Ooh!

It's hot but good.

How were you ever able to
learn my language so well?

My school teacher was
extremely good, Mrs. Michel.

And then I had a
wonderful encounter

with the Countess.

Who was she?

She was the wife of an
ambassador traveling

back to Paris,
on the same ship as us.

It was this boat.

I treasure this prospectus.

A precious memory.

The Countess was attracted

by the shouting of the manager,
when he discovered me.

Discovered you?

They did not want me
to be a part

of the troupe that was
to perform in Europe.

So I sneaked onto the ship
without being seen.

When they discovered me,

after several days at sea,
it was too late

to disembark me.

The Countess stood up
for me and I ended up

traveling in luxury

in her company Above all,
the dearest Countess taught

me all the words
and all the manners

of her tribe.

Thank you.

Have more than one.

[munching]

-[child sobbing]
-Stop!

You can't go around
on your own.

Not nowadays!

Would you mind if I
played with my jump rope

while we make conversation?

[Orel] Please do.

I love playing
with my jump rope.

But I am never allowed
to do it.

Not during the day

because it doesn't look
authentically Kanak.

I admire how you
managed to get yourself

on that boat.

It's just that I so
wanted to see the world!

I have to confess,
I also wanted to travel

to a country where
I wouldn't be rejected

for having skin too fair.

How come your
complexion is different?

I never met either
of my parents.

But, one of them was French,

and the other one was Kanak.

True here they don't tell me
that my complexion

is too light, but instead,
they tell me

that it's too dark!

-I don't!
-Yes.

There is a good side to it.

You can quickly sort out all
of the fools from the others.

But sometimes I feel
that it would be nice

to look just like
everyone else.

Definitely not!

It's because you're
different that people

want to know you.

I accomplished every task
that I was given

in the Kanak village.

I'm not at all mad
that it is all over.

Does that mean that you are
going back to your country?

I'm not ready yet.

The Parisians have spent

several months observing me.

And now, I think it's only
fair that I observe them too.

I'm just the person
you need.

I know all of Paris
like the back of my hand.

I know a lot of people.

Because, you see,
I'm a courier.

My delivery tricycle
can take us anywhere

that you would like.

Here's the latest news!

Another young girl
has been abducted!

The Male-Masters
have struck again!

Everything, there is to
know concerning the news!

Some customs of yours
are truly strange.

This isn't one of our customs!

This is all very new,
and horrible.

The police are on high alert.

But why would anyone
abduct little girls?

It is a mystery.

In fact, you should
never go out alone.

I do not believe that
I am the kind of girl

that they would seek.

-[snickering]
-You don't know that.

At any rate, in my tricycle,

you will be safe.

Just look at this beauty!

It even has a cushion.

Of course there are
more luxurious vehicles,

but they cannot go

where my tricycle goes!

It will be marvelous.

And it is by meeting
a lot of people

and by asking them
a lot of questions,

that we will unravel
the mystery

of the Male-Masters
and we will set free

all of those girls.

-It's a deal.
-But not right now.

I have to go into town.

Where?
I'll take you there.

Not this time because
my carriage is here.

Hello, Mr. Leon.

Young lady.

Allow me to introduce
you to Orel.

He is a courier.

Young man.

Could we possibly
meet tomorrow,

one in the afternoon,
at this address?

[Orel] Yes.

[playful music]

[Dilili]
Goodbye, Orel!

[birds chirping]

Oh, don't bother.

The Countess is not in.

Ah, the Countess.
Thank you, sir.

But I am visiting
with her guest.

[doorbell rings]

Hello, young man.
I'm sorry but the
countess isn't in today.

Ooh.

Take care, Dilili!

-Let's go!
-Let's go?

-Where to?
-We are going to Paris!

[chuckles]
Paris is finished.

You should let it die in peace.

Paris is not finished.

We are here.

[playful music]

This is Mr. Renan.

He's a historian.

He knows everything about
Palestine in ancient times,

but nothing about
today's Paris.

What are you writing?

The names of all of
the people that I meet.

There are so many
people in Paris,

I could easily
forget half of them!

How nice this is.

Being with you
in your tricycle!

On my very first
day off in Paris!

Male-Masters robbed
another jewelry store!

No traces of tampering!

-Yet another mystery!
-How can we be so sure

the Male-Masters did it?

They always leave a sign.

A note that states:

"The Male-Masters will
straighten up Paris."

[Dilili] We are the ones
who are going to

straighten up the Male-Masters.

[snickering]

Stop, please!
I'd like to see the poster.

Yes, it is beautiful.

A great can-can dancer
by a great painter.

No.

Underneath.

"Public talk by Louise Michel,

human rights, men with women."

Who is this, Louise Michel?

She is someone who always says

what she thinks is right.

No matter what they do to her.

She once even participated

in a revolution.
She was caught and deported

for several years to the
other side of the Earth,

in New Caledonia.

It's Kanak land!

It's my school teacher!

This is amazing, right?

My Mrs. Michel!

I want to see her!
Let's go to the convention.

But that convention
will be in two weeks.

And I would love to meet
your teacher with you.

I'm very intrigued.

I'll deliver this lemonade,
and be right back.

Hello, ladies and gentlemen.

-Hello there, son!
-Hello.

Oh!
But, could it be you?

The skip rope virtuoso,
herself?

Oh, of course!

I was admiring you yesterday
while I was passing by.

I was completely
amazed with you!

I feel so lucky that
I get to see you again!

I am in need of the
opinion of an expert.

I am looking to
purchase a skip rope

for my goddaughter.

Look! And there's
a toy booth over there.

Please help me pick out the
perfect skip rope for her,

and I will thank you
by buying you a toy,

you can pick any one!

Oh, come here.

My sweet little fairy!

I can carry you over there!

Don't you bother, good sir.

I will take her.

[Dilili]
How beautiful.

[ominous music]

[Dilili]
He left.

I should have known
that the Male-Masters

are interested in you.

I blame myself.

I should have
taken you with me

instead of leaving you
out here alone.

I didn't even have
time to say anything.

Everything just
happened so fast!

At least now we know.

My last mission of the day
will be a much nicer one.

We are going to pick up
an adorable little girl

from school and take her home.

[man] Another young girl has
been abducted in Montmartre!

-How awful.
-Read L'Aurore!

Read the press!

[man] Ask for
Le Petit Parisien!

[man] Another young girl has
been abducted in Montmartre!

Eve is Marie Curie's daughter.

Marie is from Poland,
she married Pierre Curie.

It's a wonderful union
of two great researchers.

Both love and
support each other.

They were just awarded
a very prestigious distinction,

the Nobel prize.

Hello, ladies.

-Hello!
-Hello, young man.

Hello, Eve!

Hello, Orel!

This is Dilili.

And she will be
your travel companion.

I am pleased to make
your acquaintance.

[Eve]
Hello, Dilili.

[playful music]

You are boutiful.

Thank you, Eve.

It's beautiful.

[Eve]
Boutiful.

Beautiful.

[Eve]
Boutiful.

-Beautiful.
-Bou-tiful.

-Beautiful.
-Boutiful.

-Beautiful.
-Bou-tiful.

-Beautiful.
-Boutiful.

-Mommy!
-My dear, Eve!

This is Dilili.

She is beautiful!

Your pronunciation is great!

Hello, young lady.

I am pleased to make
your acquaintance.

So am I.

Orel, why don't
you two come in?

I have baked a fresh pie today.

Hmm, it's tasty!

Mother, this pie
has come out

even better than the last one.

It's because I observe
what happens each time.

I note everything down
and then improve upon

what I did.

[Dilili]
When I grow older,

I am going to be a researcher,
just like you.

No, I will.

Irene, there is room
for plenty of scientists.

Madame, what do you know
about the Male-Masters?

Nothing.

[man] The young girl
was abducted in Montmartre

in front
of the Bateau-Lavoir!

More details in La Depeche!

Orel, you need to go
to the Bateau-Lavoir.

[whistle blows]

[Orel] I hope we can
finally find some clues

at the boat wash house.

[Dilili] Are we going
down to the water then?

[Orel] No. It is located on
the hill of Montmartre.

Bateau-Lavoir is
the name of a house

that hosts artists.

You can meet very
interesting people there.

And they will tell us
what they saw.

Me?
I didn't see a thing.

Me neither.

Neither did I.

I don't even work here.

But Picasso,
he saw everything.

Suzanne speaks truth.

They didn't even try
to hide what they did.

There was nobody in the
streets, but I here,

was by the window.

A nice automobile
stopped near the little girl

as she was going
up the hill carrying
a heavy schoolbag.

A nice looking gentleman
offered to take her home

because she looked so tired.
Before I had the
time to scream out...

[speaks in Spanish]
the young girl was inside

of the car and it disappeared,
heading over the hill top

at an incredible rate of speed.

People said that the automobile

was heading towards
the old Devil's Mill.

The old abandoned Devil's Mill?

But nobody's afraid
of that place.

Yes. But people are saying
that it has become

an entrance to the
Male-Masters' domain.

-Then I'm going there.
-Me too.

Hey, but you shouldn't do that,
pequeñita.

You would disappear,
just like our little neighbor.

Stay with us.
I will paint your portrait.

-So will I.
-So will I.

-So will I.
-[speaks in foreign language]

I would love to.

Your paintings, they amaze me.

I want to create,
just like you.

But first, we must find
the young girls

that have been abducted
and stop the Male-Masters.

I will come back
as soon as it is done.

[Orel] Our Paris tour
isn't over just yet.

[snoring]

This hurts me.

You know,
I have been hungry too.

You haven't told me
everything yet.

Neither have you.

[chuckles]
Takes time, I guess.

Yes.

Oh, look at this
beautiful young lady

with such pretty dress on.

Surely she has some
coins for me, right?

No, I am very sorry, sir.

They give me nice
clothes to wear,

but they give me no money.

Come on, come on!

A nice young lady like you,

surely has something for
a poor old man like myself!

I only have my dress,
I doubt that it fits you.

What's that?

You're just a filthy girl!

Are you laughing at the poor?

No sir!
Not at all.

Please, just let us
go past you, sir.

We have an urgent errand
to run.

Hey, come on, Gimpy!
Just let them go.

They are good kids and
they have nothing to give you.

[Gimpy] Where is this urgent
errand you need to get to,

neat young man?

To the old Devil's Mill.

The old Devil's Mill?

Anyone who goes there
either finds death,

or they give it!

Run off with you!

And don't come
back through here!

He really scared me.

But maybe someday
I will be able to

do something for these people.

[Orel]
Never become like him.

That would be a
great place to start.

Yes.

Here it is.

The old Devil's Mill.

[sighs] Someone recently
repaired the fence.

And the entrance.

You stay here.
I will check around inside.

There is no way that
I'm staying here alone.

First off,
I want to look as well.

And besides, I'm afraid
to stay here after

what we've
been through today.

Okay.

Dilili, don't go too far.

[gasps] Ah!

[growling]

[gasps]

[grunting]

[whining]

[Dilili] Orel!

Are you hurt?

Did you kill the dog?

No, I only kicked him one time.

He has died because of rabies.

And he infected me.

What is that?
Rabies?

It's a very deadly disease,
as you can see.

First, you start
drooling to excess.

Then you become mean,

and then you die.

The Male-Masters have
found a horrible way

to get rid of intruders.

But you are not drooling.

And you are still nice.

Maybe it does not
happen instantly.

But, you are not
going to die, are you?

There is only one person
who could answer that,
that's Mr. Pasteur.

But I can't pedal to the
Pasteur Institute like this.

Help me please!
My friend is wounded!

He needs to be taken
to the Pasteur Institute
without delay!

Please, help us!

Hurry!

He's got the rabies!

[screaming]

Nobody is going to
want to help me now.

Wrong, me!

You're way too small
to handle my tricycle.

You forget that
we are up the hill,

which means that
we have to ride down

to the Institute.

I don't need to pedal at all,

I just need to use
the handlebars.

I am much stronger,
than I appear.

You don't even know
where it is.

[Dilili] But you do.

You will guide me.

[grunting]

Come on, let's see
if you can get through.

[grunting]

-Ready?
-Yes.

And don't take it easy
on the brakes.

This is a fairly steep slope.

Duly noted.

You have saved me,
it's my turn.

All right.

Go right.

Move aside, if you please!

If you please, move aside!

Watch out!

If you please, move aside!

Watch out!

I have a better idea.

Move aside!

I have rabies!

Step aside!

-I have rabies!
-[chatter]

I have rabies!

I have rabies!

-I have rabies!
-[screaming]

No, it was the one
on the left.

This one leads to the stairway.

Never mind, it's a shortcut.

Hold on tight!

Step aside!

I have rabies!

Brake!

-The brakes are broken.
-We're almost there.

Next one on the right!

Here we are!

[frantic music]

[glass shattering]

Orel has the rabies!

Vaccinate him!

Hurry, if you please!

The disease doesn't
spread immediately.

You came to us in time.

With this injection

and the boosters,
you will be cleared.

Thank you, Mr. Pasteur.

You can thank Marie,
all my other companions,

and all the researchers.

Saving people is
a very good trade.

Mr. Pasteur, what do you know

about the kidnappers?

Unfortunately, I know
nothing but a rumor.

Dubious people often meet

at the Grenouillere's farm.

They are our clients.

Orel, as it so happens,
I was about to ask you

to deliver some
vaccines to them.

They are for the cows.

But I guess that you
can't pedal right now.

I will not let you down.

I will use the waterway
and I'll take

advantage of it
and I will watch

the suspects from the inside.

I'm wondering,
where is this waterway?

Under the streets.

After what we
just went through,

I'm going to take you
on a calming cruise.

But I still wanna
meet new people.

People who do things.

And we shall, along the way.

I suppose you're right.

There are people
everywhere in this city.

Yes, but the girls
are still missing.

The ones that were abducted,

and those locked up
in their homes.

It's so sad.

Yes, and now I understand

why all those men
are in mourning.

[Orel] No, no, no.

They are always
dressed in black.

[Dilili] Is there a law
saying that men

should dress in black?

[Orel] No.

[Dilili] You have some
strange customs here.

Where are we?

[Orel] This is the entrance
to the opera's stage door.

You will meet
a great person inside.

My good friend, Emma Calve,

one of the greatest
opera singers in the world,

I've already told her
about you.

This is her automobile..

and her driver.
He's not nice.

Don't park that there,
it's in my way.

I'll take it away.

Hello, Mr. Lebeuf.

I present you with Dilili.

I am pleased to make
your acquaintance.

Why is that girl
dressed up like that?

Lebeuf!

I completely understand
your reaction sir,

as I have a similar reaction.

Your face reminds me
irresistibly,

the face of a great pig.

-[grunts]
-What do you intend?

Would you hurt
this small child?

You call this a small child?

Do you know where
Madame Calve is?

It's not my job to answer
your questions. [grunts]

[ominous music]

Emma must be
practicing downstairs.

Well, I'm really grateful
you didn't think

that I looked like
a pig as well.

Of course I thought so!

Everyone looks like a pig here.

But one gets
used to everything.

And now, I take great
pleasure in looking upon you!

[faint singing]

[singing in foreign language]

You have sung my new
melody to perfection.

Now, give me a little
bit more time to think

about it, though.

I am most thankful. Please
accept my highest respects.

Here you are, my friends.

Dilili, this is Emma Calve.

I am pleased to make
your acquaintance.

And you just missed
the chance to meet

Debussy, a young
and promising composer.

Oh, Orel, are you hurt?

No, no, it's nothing, really.

-What is inside of the box?
-A vaccine for cows.

For the cows at
Grenouillere's farm.

And I was wondering whether
we could go there by swan.

Of course!

Let's go breathe some
fresh air in the country

and say hello to my dear
impressionist friends.

Dilili simply must meet
them, especially since

they know all sorts
of things concerning

the Male-Masters.

Come on, jump in.

Hello, my dear honey doll.

Orel, sweetheart,
are you able to drive?

Sure.

[engine sputtering]

It reminds me of Jules Verne!

You know who Jules Verne is?

Of course I do!

The Countess
has a grand collection,

and I have read it all!

I want more!

Although, I am not
very fond of Bergson.

It does not smell nice.

We are in the sewers.

It's really convenient
when I need to escape

from my fans.

Plus, I like the
change of scenery.

Orel, you look annoyed.

-I'm not.
-You are.

[sighs] Lebeuf
was very rude to Dilili.

I don't even dare
ask in what way.

I'm ashamed.

That is life.

That is life, but wounds
to the soul tend to add up.

Oh, my poor little pumpkin.

Come here,
I will give you a hug.

What is a... a hug?

You come here on my lap,

I squeeze you in my arms,

and you do the same and
then we stay like that.

What's wrong?

No one has ever taught me
this process before.

It's excellent.

[sings in foreign language]

[singing in foreign language]

Yes. Your friend has
a beautiful voice.

He will enchant people.

[growling]

What kind of monster is that?

[Emma] What about you?

Could you sing us one
of your favorite songs?

Yes.

¶ It's the sun and the rain... ¶

Wait.

That song is from here.

It's a song that
Mrs. Michel taught us.

It's now my song.

¶ The night and the day ¶

[all]
¶ The flowers and fruits ¶

¶ He and he, she and she ¶

¶ She and he ¶

I am pleased to make
your acquaintance.

Nice meeting you too.

You fit so nicely
in the scenery.

And your colors
are so beautiful!

Why, you are not painting
the same thing at all!

Not this time.

Monet is all about colors.

While Renoir
only thinks about happiness.

[Dilili]
There is no more happiness.

Not when young girls
have been abducted.

What do you know about
the Male-Masters?

I have had the honor to
have La Goulue as a model.

And she told me that
the Moulin Rouge

has become a sort of hideout

for the Male-Masters.

The cow vaccines were
successfully delivered, and I...

Look at that!

[growling]

I just saw that submarine
at the farm.

It's full of provisions.

Not only that, there were men

who were wearing nose rings.

They don't speak,
but they paid lavishly.

Seems as if we keep
bumping into Male-Masters.

I intend to see
more of them tonight.

I am going to the Moulin Rouge!

-Me too!
-But you two are too young,

they'll never let you
in the door.

I know my way in.

There's a watchman
at the front door

but not at the stage entrance.

He never thinks
of coming backstage.

[woman]
He wouldn't be welcome here.

My dearest Orel,
who is this with you?

[Orel] Dilili.

She is from Kanaky.

[Dilili] Madame.

I am pleased to make
your acquaintance.

Oh, you can call me Colette,

you little nectarine!

What are you doing?

I'm removing
my makeup after having

performed an Egyptian
pantomime.

It was written
by a lady friend.

I show my body a little bit
during the dance,

because it's beautiful.

It is very nice of you.

It's an interesting activity.

I used to write novels,

but they were all
in my husband's name.

I won't do that any longer.

I intend to go
back to writing.

[Dilili] Excellent!

I write a bit myself.

So many things happen to me!

I'm eager to see you published.

Have you noticed any
accomplices of the
Male-Masters' around?

Not in here.

People we don't know
wouldn't dare to come backstage.

However, they do meet

in the theater,
among the audience.

And Male-Masters
aren't the only ones.

Orel, your friend,
Toulouse-Lautrec,

draws at his table
and La Goulue dances!

-[upbeat music]
-[cheering]

Mr. de Toulouse-Lautrec,

it is a real pleasure
watching you draw!

I wish I could draw like you!

Do it. You draw,
and don't ever stop.

I've been roaming around,
I haven't seen anything.

There, I have your suspect.

Take a look at
this man on your right.

I know everyone in here.

And I'm telling you, this guy

didn't come here
to watch La Goulue.

It does not stop him
ogling her.

But he's here to meet someone.

There are two glasses
on the table.

Dilili, do you think you can

sneak over there and
listen to what they say?

[man] The Male-Masters
will mend.

[man 2] Pretty Paris,
Putrid Paris.

In half an hour,

the district head will be
at the Irish-American Bar.

There he will
fill you in and give you

instructions concerning
the next jewelry robbery.

[mumbling]
...Irish-American Bar.

Goodness!

What is this little girl
doing in here?

Well, she is enjoying
an excellent show.

Which wasn't designed
for children to see!

What do you mean
children can't see?

I can see that these
ladies are beautiful,

and dance perfectly well.

Oh, come on!

Who brought this little girl
in here with them?

I've been on my own
for a long time.

It's incredible.

At a time where little girls
are being abducted each day!

[clears throat] We will keep
a close eye on her.

This place is too noisy
for me anyway.

Let's go to the
Irish-American Bar.

Great idea!

They have the best cocktails.

Let's head to the
Irish-American Bar!

Let me see.
My, my, young lady!

You are quite talented!

[yipping]

Lautrec!

I'm glad to run into you.

I went to Durand-Ruel's.

I saw your creations.

They have personality.

Good work!

Your talent is admirable.

Good evening.

Who's that?

He is a painter, Degas.

Well, apart from Degas'
magnificent paintings

of ballet dancers, he's famous
for being rude to people.

Degas just paid me
a compliment!

Me, poor little Lautrec.

I'm about to die of happiness!

You are among the
greatest, Henri.

It's no news to us.

But there still isn't any
handsome cab approaching.

And it's raining
on top of that.

It's all right, it won't last.

It's only creating atmosphere.

I'm afraid we're going
without you.

It will only take us
two minutes.

Mr. de Toulouse-Lautrec,

I could make some space
for you.

-Dilili!
-[laughing]

Yes, I have never been
in a delivery tricycle.

Henri!
You're not doing it, are you?

Do you have enough space?

Yes, I'm actually
quite comfortable.

[Henri] I've never had a chance
to see the scenery like this.

[Orel] We will not be taking
the stairs this time.

What? You really went down
the stairs with this?

Yes. And I will tell you
that it hurt our bottoms.

I want to do that as well!

Let's go down the stairs!

But, Mr. Lautrec.

I can't do that to you.

[sings in foreign language]

[gasps]

[singing continues]

[laughing]

That was unforgettable!

What an incredible descent!

Dilili, I'm very
surprised that you

happen to know that song!

It was the favorite one
of Madame Michel.

-Good evening, everyone!
-Hello, Henri.

Hello, Randolphe!

This is my little friend
Dilili.

She is a princess from
the other end of the Earth.

Randolphe is the
best barman in Paris.

I am pleased to
make your acquaintance.

[Randolphe] What will it be
for you, your highness?

I would like an almond syrup,
if you please.

And some cognac for me,

before we get to the cocktails.

I received some
incredible compliments

I'd like to drink to!

Chocolat, how are you?

Hello, sir.

Hello, princess.

I am pleased to make
your acquaintance.

What is your profession?

I work in a circus.

People kick my bottom
and it makes

the audience happy.

[Gertrude] A rose
is a rose is a rose.

[Henri] Chocolat
is a great artist.

He makes people laugh.

[Dilili] What a trade!

[speaks in foreign language]

He also dances for fun,

and I try to keep up with him.

Oh!

Look over there, you two.

He is one of the conspirators.

I've seen him prowling
around Emma Calve's car before.

[Dilili] So have I.

We're after some
Male-Masters conspirators.

The man there is one of them
waiting for another.

Dilili must hear what
they're about to say.

Easy!

The villain is using the
flower pot as a cover

to hide behind, as always.

I will help Dilili hide
inside the flower pot.

Satie!
Do you mind playing a song?

[man] He should use
certain battery to--

[speaks in foreign language]

[gentle piano music]

-What will it be, gentlemen?
-An absinthe.

-A glass of Bordeaux.
-Right away, gentlemen.

The Male-Masters will mend.

Pretty Paris, Putrid Paris.

This is an official letter.

It will grant you access
to the jewelry store.

The most precious gemstones,

will be taken out of the safe
because Sarah Bernhardt

is their very best client.

This Wednesday will be unique!

You will be able to
harvest everything

thanks to a secret weapon.

You will get out,
nice and calm.

A buggy, with a very
fast horse will be

waiting for you outside
on Tuesday at five.

It will be behind
The Gate of Hell.

I heard everything. [mumbles]

Orel!

[mumbling] ...Sarah Bernhardt.

...The Gate of Hell.

Tomorrow, first thing,
we'll go to the police.

They'll arrest them
in no time.

It will be our first victory
against the Male-Masters.

We're making progress.

[man]
What do you want me to do

with all these stories
about Sarah Bernhardt,

secret weapons,
and even The Gate of Hell?

It is your job, sir,
and not ours.

[gasps] Get out!

Take them out now!

If you come back,
I'll place you in jail!

If the police
doesn't want to act,

the next best thing is to
inform the lady herself.

Her image is everywhere.

[Orel]
Yes. And this is another one

of Alphonse Mucha's
wonderful posters.

But I can't get
to Sarah Bernhardt.

-Isn't she in Paris?
-Yes, she is.

She just came back
from an international tour

in the Americas.

But I cannot reach
that goddess just yet.

But you might know
some other people

who know her.

Of course I do.

We are on our way
to meet Marcel Proust.

-What does he do?
-Nothing.

He would like to be a writer.

He says he lives, he observes,

and he will use it all
when time has passed.

Anyway, he's in all the salons
and he knows the great Sarah.

When I grow up,
I will be a great actress.

[chuckles] Your dream job
changes often.

I am not changing jobs.

I will do them all!

And my search
is not yet completed.

And I am not the only one.

You would like to keep
pedaling through Paris,

become a singer
and a dancer too.

[chuckles]
You're right there,

and I have been saving my money
so that I can study law.

Injustice outrages me
and justice interests me.

[gentle piano music]

[doorbell rings]

Hello, Mrs. Celeste.

Shh.

[bright piano music]

[Marcel] Such charm.

Yes, that is the proper term.

Hello, my dear Orel.

Hello, Mr. Proust.

Dilili, who comes from Kanaky,
is visiting Paris.

I welcome you, young lady.
My name is Marcel.

And this is my wonderful
musician friend, Reynaldo Hahn.

I am pleased to make
your acquaintance.

Orel, have you
brought me any peaches

from the Ritz?

No, I'm bringing information.

We have discovered
that the Male-Masters

are plotting against
Sarah Bernhardt

-and her jewelry!
-[both] What's that?

And the police
do not believe us.

We do.

I have to admit,
it is hard to believe

that there would be a secret
weapon behind The Gate of Hell.

No, The Gate of Hell
is actually a great
sculpture by Rodin.

Tell us everything.

I'll call Sarah and
tell her to stay home.

[upbeat music]

With Sarah Bernhardt,
we failed.

That is typical of
Sarah Bernhardt.

Danger or not, she'll be there.

Her motto is all the same!

[Dilili] But now we know
what The Gate of Hell is.

[Orel] Hopefully we can get
there before the thief does!

Mr. Rodin, I am pleased
to make your acquaintance.

No, I am the one
flattered by your visit,

dear young people
who are interested

in my work.

.While you take a look around,

let me get going
with my Balzac.

The noble Zola
ordered this one.

He is another great writer,

and a heroic citizen.

[gentle music]

I am... captivated.

Of all your sculptures,

my favorite is this one.

Err, I'm glad to hear this.

But that one is not mine.

A colleague I love
did that one.

Camille Claudel.

I am pleased to make
your acquaintance.

It must be really nice
to be a sculptress.

It is.

Oh! We forgot what
we were looking for.

Where can we find
The Gate of Hell?

In the garden.

[ominous music]

-Too late!
-I will catch him!

But, it's not possible.

It's D-day.

Orel!
What are you doing?

Oh, hello, beautiful child.

Hello, good sir.

I wish you a very nice walk.

[laughs] A beautiful
and well-raised child.

It's most uncommon.

[gasps]

Don't be scared.

I am okay.

My cane has broken
but I am fine.

I just need a hand
to get back on my feet.

Please, help me, child.

What are you doing,
little girl?

What have you done with all
of the girls you abducted?

What now?

[grunts] What are
you talking about?

I'm just a poor old man,

I only need a little help.

Oh, you poor old man.

I will carry you
in my tricycle.

To the police, they will
know how to deal with you.

You got a little too close,
but you realized it quickly.

It was rather easy.

He was wearing a nose ring.

Don't judge only by that.

It was so silly of me
to wait for you outside.

But despite another
upsetting moment,

we are making
a lot of progress.

The Male-Masters
haven't managed

to capture me, and we are
going to catch two of them.

This is the jewelry store.

[gentle music]

Sarah Bernhardt.

Oh, not yet.

[Dilili]
But we can't see anything.

[Orel] We're going to
visit her at the theater.

Your turn!

[playful music]

[horse snorts]

[man exclaiming]

You shouldn't play in
the middle of the street,
silly girl.

Learn to behave,
you rude little brat!

I would teach you manners,

but I need to stay
at my station.

[whistling]

[gasps]

How beautiful!

[tense music]

-Giddy up!
-[horse neighs]

[yelling]

[whistle blowing]

[Dilili] Excuse me?

Could you please give me my
jump rope back, gentlemen?

Go and play elsewhere.

-This is no place for a girl.
-No place for a girl?

This young girl has just
captured two Male-Masters.

Something you were never
able to do yourselves!

What's that you say?

You two should go away now

or I'm putting you
in jail with those two!

Mr. Officer, I witnessed
the whole scene

and I would advise you

to give this brave girl's
jump rope back.

This is for you, little one.

Bravo.
A job well done!

Thank you.

Young man,
let me congratulate you

on your swiftness and
ability to unharness a horse

without unnecessary movements

and in complete silence.

And you, young lady,

on your jump rope abilities.

Brilliant!

What is your name, please?

Dilili.
And yours?

-Edward.
-Sorry?

Edward.

I am pleased to make
your acquaintance.

-What do you do?
-Not much, to be honest.

How do you make a living?

My mother sends me money.

-What is her job?
-She is a queen.

Oh, no don't tell me tales!

I know that there are
no more queens.

It is not in France,
but in Great Britain.

You really do not do
anything with your time?

I live.

I enjoy living in a
beautiful capital city.

The different amusements
it offers, and,

meeting the most
interesting people,

just like right now.

I'm an observer,
and I hope it leads

to something more, someday.

Like Marcel.

Ah? Really?

[chuckles] My dream
is to bring various

different people
to an understanding

that would be cordial.

I completely support you.

I'm glad that you do.

It's the Prince of Wales!

He'll be England's next king!

[man] Your Excellency,
word has it that you witnessed

-the whole scene.
-[man] Is it true that everyone

in the shop was sleeping?

[man] Were you
with Sarah Bernhardt?

I am afraid that I have to go,

I'm on some urgent errands
for a lady.

But this young person here,

will answer your questions
better than I can.

I wish you good day.

[soft music]

You! You understand
the language here?

[sighs]

[man]
Ask for Le Petit Parisien!

[man] The Male-Masters are
defeated for the first time

by a Kanak girl named Lididi!

[man] ...stopped a huge robbery
from occurring!

-Sarah Bernard had fainted...
-A huge robbery stopped by...

Everything in colored
pictures in Le Petit Journal!

[majestic music]

Buy La Ciet da Ver!

-We are the only paper...
-Did you here?

...offer a solution
to Paris' problems:

Let's replace the prefect...

[man] ...by a Kanak
girl named Dinini!

[man 2] Everything in colored
pictures in Le Petit Journal!

Dilili, you have become

the most famous girl
in all of Paris.

But also the most wanted person
by the Male-Masters.

We need to find
a way to protect you.

You're too vulnerable riding
around in the tricycle.

I have too many errands
to run this morning anyway.

From now on, Dilili,

you will be traveling
around in my automobile.

Lebeuf will take you home
and he will bring you
back here later.

He might not be the
nicest person ever,

but his stature
is discouraging.

But I so loved being
in Orel's tricycle!

[man]
Her picture is everywhere.

Her picture is in my paper!

That little girl is famous now!

When will the
Male-Masters put an end

to this scandal?

Quite soon.

Making such a big deal
out of this creature,

or their pretended great
Sarah, or your mistress.

Hmph! That word, mistress is
an outraging word on its own.

She is the one who
should be your driver,

and wait for your orders.

Oh sure!

But she would never be able
to drive an automobile.

[man] Of course not.

And you know what
the worst part is?

That Calve has decided
it should be my job

to drive this brat around
in order to protect her

from the Male-Masters.

[giggles]
The idea is amusing.

See, I've been
watching you closely

and I can tell that you
are a Male-Master.

Oh.

I happen to be a member
of the fellowship

that will bring
order back to Paris.

Note that we are already ruling
all of Paris's underground.

The Quarries,
the catacombs, the sewers.

It's really easy
for us to appear

or disappear from anywhere.

And more and more people,
some of them quite powerful

have joined our brotherhood
and our mission.

It is now your turn to join.

You will become generous, rich,
powerful with us.

In order to join our ranks
and become a real Male-Master,

you only need
to deliver Dilili.

[gasps]

You will know everything,

once you join us.

This is the delivery address.

Sound the horn three times.

I've sent two bodyguards
to your place,

they will protect you
against the Male-Masters.

I have talked
to your governess,

who is waiting.

Lebeuf, I'm entrusting you
with our little star.

Goodbye, sweetie.

Have fun reading and
jumping rope, Dilili!

Goodbye, Emma.
Goodbye, Orel.

That Lebeuf is exasperating!

I've been waiting for hours!

What is he doing?

It's midnight.
No one.

-[phone ringing]
-Hello?

Madame Calve,
this is Orel speaking.

I was in Dilili's
neighborhood and I came by

to say hello and
to visit with her.

She isn't here.

Lebeuf never brought her
back here.

Where does he live?

Right! I'm off!

[frantic music]

There's no one.

Lebeuf didn't come back.

What should we do?

[gasps] Do you hear that?

What happened to you?

Where have you been?

Where is Dilili?

They can hear us from out here.

Let's go to the lake.

I warn you, it's ugly.

A man came to me saying
he was a Male-Master,

and he said I had what it takes

to be a powerful
Male-Master myself.

I only had to give them
the girl, Dilili.

And then you entrusted me
with the little girl.

Lebeuf, I'm entrusting you
with our little star.

Goodbye, sweetie.

Have fun reading and
jumping rope, Dilili!

Goodbye, Emma.
Goodbye, Orel.

[ominous music]

[grunting]

[gasps] This isn't
the right path!

Shut up, girl.

If anyone here knows
the way to go, it's me.

[tense music]

[horn honks]

[Dilili gasps]

Congratulations, Lebeuf,
you have passed your test.

You're one of us now.

You're about to meet the
great Male-Master in person.

Go down this ramp.

Follow me.

The Male-Masters will mend.

[man] Pretty Paris,
Putrid Paris.

[rumbling]

[ominous music]

[yawning]

[both] Praise the
Great Male-Master!

I congratulate you,
new brother.

You proved to be
a real Male-Master.

Nothing will be hidden
from you anymore.

Have a seat.

I will answer
all your questions.

Master, why do we kidnap
little girls?

-In order to save the world.
-Uh...

In Paris, the natural law
has been flouted by women

who have taken power.

We need to fix our Paris
before this abomination

spreads through
the rest of the world.

Well, they don't have
that much power, yet.

Universities have
granted access to women.

There are no more limits!

And, my poor friend,
your own boss is a woman.

Uh, that is true.

All of these females

have implemented a devilish
invention: The salons.

They invite in
whomever they like.

They make people meet
however they please.

They even help
whomever they like.

It's true.

So there are no women here?

What do you mean, no women?

You are sitting on one.

S-260!

A four-leg must
never look at a man.

Yes.

The right term isn't woman.

They are four-legs.

Why did you get up?

Is she not comfortable enough?

Would you like to have
another four-leg?

No, no!

Uh, I can't stay seated
for a long time,

I need to straighten
my legs often.

You young people.

I can't even walk anymore.

I need four four-legs
to support my seat.

Actually, there are
never enough four-legs.

They are all so slow.

If they walk on all fours,

they can't go as fast
as they normally would.

Normally?

My poor novice,
four-leg's normally walk
on all fours.

This is why they are
called four-legs.

Anyway, they are so dumb.

We always need more four-legs.

First, we abducted some of
your grown up four-legs.

Ah, but they had been
perverted for too long,

we had too much difficulty
in making them submit.

I see.

That is why you
abduct little girls.

They are more
docile and tamable!

You understand quickly,
new Male-Master.

We are about to abduct

every young girl in Paris,
and then educate them

in our school.

We only teach them what they
should know as a good four-leg.

We will someday replace all
of your perverted four-legs.

And there will be
order in Paris!

The meeting ended there.

They say they will give me
a nose ring

once I have delivered
them a second girl.

But... why tell us

all of these...
horrible things?

Because no one
will ever put a ring

inside my nose!

What happened opened my eyes.

It was too much, even for me.

Yes, it is horrible.

And yes, I'm an
idiot and a criminal.

But starting at this,

I will do anything
to save Dilili,

and the other girls,

and the women.

And prevent those men
from harming others.

They just harm everyone.
Everyone, including themselves.

Madame Calve,
I want to congratulate you

on singing so beautifully,
and dressing so nicely.

It brings happiness to people.

Lebeuf.

In the course of one minute,

you have made me live

through the two biggest
stupefactions ever.

I will search for clues
in the sewers.

[ominous music]

-Oh, Mr. Jean!
-Hello, Orel.
What are you doing?

We have just learned
that the abducted girls

are somewhere
down here in the sewers,

and I'm looking for clues.

That's what I thought.

I have been picking up
these little pieces

of paper that float
from time to time.

There are names
written on them.

It must be some kind
of secret code.

I will give them to you.

I hope that these
can help you find

all the girls.

Toulouse-Lautrec, Madame Curie.

Picasso, Pasteur, Debussy.

Monet, Colette, Degas.

Sarah Bernhardt, Proust.

She's leaving pages
from her notebook behind!

I have to go!

Go to the left.

Yes, thank you.

Which way do I go now!

Rodin.

Camille Claudel.

Oh.

[banging]

No.

I found her!
Come down!

[woman] One, two.
One, two.

One, two.

One, two.
One, two.

One, two.

One, two.
Turn around!

To the right!

Lower your heads!

One, two.
One, two.

One, two.

-One, two.
-It's horrible!

And our poor Dilili is among

those indistinguishable
creatures!

Stop right there!

I can see a zero-four-leg

with no hand-shoes
on her right hand.

[Dilili] I have been
looking for it everywhere,

but in vain.

How am I supposed to see
a tiny little black glove

in all this darkness
and straw?

A zero-four-leg must
never answer back to me!

They have picked
the wrong girl!

You will not last long here.

Go find it and
be quick about it!

On your four legs!
On your four legs!

Do something like that again

and I will throw you
deep into the sewers!

Well?
What are you waiting for?

What?

What?

What?

You can not imprison
the sewage.

I am leaving with it.

[woman] What?

She is escaping!

[gasps]

No, no.
She will drown in that.

We will recover her
clothes and give them

to another zero-four-leg
who deserves them.

The gates will stop her body

from floating too far away.

[ominous music]

Oh.
I had not foreseen this gate.

Lebeuf have you come to
capture me and take me back?

No, that is all over.

I'm here to liberate you.

Alas, I am still
truly trapped.

No, you have won.

The head has passed through,

the rest will follow.

Lebeuf, pull on her arms.

Dilili, turn to your side.

[grunts]

[crying]

[Dilili] You hug me even though
I'm covered in excrement!

No matter.
It washes.

The actual poop
are those men over there.

Cry. Let it all out,
poor sweetheart.

We saw what
they were doing to you.

[Dilili] Did you see me
walking on all fours, then?

-[Orel] Yes.
-Oh no!

I will die of utter shame.

[Orel] No, you are not
going to die of shame.

We saw them humiliate you

and we all suffered with you.

We saw you being a heroine
and we were so proud of you.

And our hearts
were beating strong

for you all along.

I think it would be wise
to get out of here

as soon as possible.

Orel, room 13.

Lebeuf, room 14.

And you are to stay there.

You now need to hide
from the Male-Masters.

They will soon
understand that you are

-no longer on their side.
-Yeah.

The costumer will bring you
some clean clothes.

I will take care of Dilili.

[laughing]

[knocking on door]

Come in.

[laughs]
It's the only clean outfit

the costumer could find for me.

You are a prince!

And you are a firework display.

And I?
What do I look like?

[Dilili]
You look like a king.

Thank you.

Do you feel better,
little one?

I still can't help shaking.

Orel, do you know how
to give someone a hug?

Of course.

Poor little girl.

You are safe here with us.

Forget it all.

I don't want to forget it.

The others
are currently walking around

down there on all fours.

We know that they train
the girls on the sewer-side.

And then, the girls go
clean up the men's dirt

in the underground city.

And at night,
they are locked up

with the warden in a dormitory.

The only opening,
is in another room.

A factory chimney,
through which you see the sky.

There is no furnace underneath.

It must be there only
to bring fresh air in.

But those girls
aren't made of smoke.

They can't escape
through a tall chimney.

Maybe they can,
with a long enough rope ladder.

What next?
Will they fly away?

-[Orel] Yes,
-Huh?

aboard a large airship.

Mr. Santos-Dumont
could help us with this.

Of course!

Alberto!
The best Brazilian man ever.

But my dear Emma!

It's impossible!

My little engine
barely has enough power

to support my own weight.

I could try to add
a pedal powered propeller,
but 20 girls?

I am not strong enough.

To pedal?
All right!

There is no way those
young ladies should

be released without
participating.

They will pedal!

And I am a pedaling champion!

And I always have
energy to burn off!

And I!

Have you not seen me
dancing the Seguidilla?

-Oh, we have.
-And I!

All of my hard training
with jumping rope

has been providentially
preparing me to pedal too.

All right.
[laughs] I suppose I do have

a great pedaling crew.

But I'd need a huge and
light structure in order

to take on that many people.

And we would need a huge amount

of fabric to make a
large enough balloon.

Draw out the plans.

I know someone
who can build it.

-Are you sure?
-Yes.

I have friends all over town.

Uh, and where is
this factory chimney?

I don't know.

Should we really be
building this airship then?

Considering the sewer,

we were in the north part
of the 19th district.

That is where most of
the factory chimneys are!

But, do all of those
factory chimneys

have a weathercock in
the shape of a serpent?

Mr. Eiffel currently lives
in the highest flat on earth.

[gentle music]

I would do anything to save
all of those girls

and to lock up
the Male-Masters.

A new metal, aluminum,
will work wonders.

Mr. Eiffel!

I am amazed by what
you have constructed here!

Do you think that I will
be able to build such

a high building
when I grow up?

Why sure.
Even higher, too.

My lady, Berlin on the line.

Thank you, my friend.

[speaks in German]

Madame Calve speaks the
foreign language very well.

Yes.
She's studying German.

She would like to be
able to sing Wagner,
she admires him.

And she's close friends
with the Count von Zeppelin

who builds huge aircrafts.

Ferdinand!
What a pleasure.

Very well, thank you.

Well, not yet.

It's about saving little girls
and our civilization.

I didn't expect
any less from you!

I'm in urgent need
of fabric in order to build

a structure of
10,000 cubic meters!

[man] It's a scandal!
The two Male-Masters captured

by the young Kanak
have escaped!

It's incredible.

How do the Male-Masters
achieve all of this?

I have finally found out.

I'm taking you there.

No one understands
how they escaped!

Where is the little Kanak girl?

We need her now.

Kanak, Kanak.

When I was in Kanaky,
people called me French,

as if I had no Kanak blood.

In France,
people call me Kanak,

as if I had no French blood.

I want both,
or better, leave me alone.

[Orel] I live near the
police commissioner.

This is his home.

[Emma]
Nice building!

Opposite, there's a
building with a blind wall.

No one can see inside
the commissioner's.

It's here.

Where are you taking us?

[Orel] To my room,
and then even higher.

We are going to see
what no one else sees.

This is my nest.

Poor boy, it's not very big.

[Orel] It's my home,
I feel good here.

And I have a nice view,
come on.

[gentle music]

Hold my hand.

I would not want
you to fall off.

Here we are.

What you will see next
is really ugly.

We are above the
commissioner's living room.

Well, it's really
ill-decorated,

but why is that
of any importance?

A four-leg!

They are seated on women!

The police commissioner

and his associates
are part of the sect

of the Male-Masters.

Which means the authorities

won't be of any help.

What we should do is bring
together Sarah Bernhardt,

Louise Michel and Madame Curie.

They will come up
with some ideas.

[laughs]
It's a nice thought, Dilili,

but alas, some stars never
cross each other's paths.

[somber music]

My dear Sarah,
Dilili sure knows

how to convince people.

It was enough for
this young heroine

to ask me, and how could
I pass this opportunity

to meet two other of
my favorite heroines?

Marie Curie and Louise Michel.

Happiness strikes me
from all sides.

Finding my adorable pupil
from the other end

of the world, reconnecting
with Sarah Bernhardt,

so much talent, and acts
I will never forget.

And, to meet The Madame Curie.

Marie Skwodowska, how wonderful,

and how encouraging
your existence is.

Thank you for coming.

Thank you, Louise Michel.

I don't know how useful

I may be in a council of war,

but no human being could
turn down such an invitation.

I came to Paris to study,

since women aren't
allowed in universities

in my country.

We must not allow things
to go backwards.

Imagine men trying to force
my sweet young daughters

to walk around on all fours!

Your daughters and you as well.

And the police
are with the bad guys.

[Emma]
Not all of them.

Of course.

Many of them do a
necessary job well, but--

Your cats are very big here.

No, watch out!

[laughs]
It's only Justina, my cheetah.

If the police can't help,
the army will.

The army?

Those bunch of
bloodthirsty idiots

who only know
how to blame

and kill innocent
and defenseless people?

It is not the army
but some of the generals.

And some officers
did not follow suit.

Indeed.

The lieutenant colonel,
who was a key character

in the case was
fortunately reinstated.

Sometimes, I do not
understand a single thing.

Let's leave it for later.

[gentle music]

[Emma] And he won't be in
Paris when the time comes.

The lieutenant
colonel often goes to Vienna,

at Alma and Gustav Mahler's,

-since he is a music lover.
-The perfect man.

Well, the army's tyrant
will be in London,

thanks to Emma Calve
and Queen Victoria.

Which gives free rein to
the lieutenant colonel.

He and his soldiers
will work wonders,

the Male-Masters
will lose the battle.

It won't work.

The lieutenant colonel
cannot embark

on such an operation
by himself.

He needs to receive orders.

Then let the president of the
republic give him the order.

Of course!

No half-measure here.

I will ask the president over,

he can never turn me down,

and I will explain it all.

The problem is solved.

We are just enjoying a hug.

But we will not wait
until this operation

is all set up to free
our little prisoners.

In two weeks,
they will fly away with us!

It is time.

Santos-Dumont and his workers

have just achieved
a tour de force.

[Emma] He must be
on the roof already.

Here we are!

What's with that
outfit you are wearing?

This outfit?
Well, it is no ball gown.

Just because you
are about to risk your life

doesn't mean you
should be poorly dressed.

My dear Paul, please set
this situation straight.

Besides, you need
to impress the girls

in order to lead them.

And you will meet their
parents if all goes well.

Do you know Paul Poiret?

No, I suppose not.

He works for other costumers.

But not for too long.

I am pleased to make
your acquaintance.

You can't write while
I'm dressing you up!

I'm writing down your name.

[Paul] I see.

Here you are!

[Emma] So nice!

[Paul]
Put this in your pocket.

You can put it in your hair
after your victory.

[gentle music]

[ominous music]

[grunting]

Now that she's tied up
all nice and tight,

I would gladly throw her
in the sewers,

as she was threatening
all of the others.

-Lebeuf!
-Don't worry.

I only wanted to say it,
not do it.

Poor woman.

Get up, all of you.
Get up, girls!

We are leaving.

We're escaping.

We are going back
to Mom and Dad.

Quickly, run to the chimney!

[panting]

Run on two feet!

Never again on all fours.

Go on!

They expect you at the exit.

It's your turn.

Come on!

-Quick, hurry!
-They're coming.

Hello, sweetie.

Come.

Have a seat.

Good evening...
[speaks in foreign language]

This way.

Have a seat.

Hello, my little flower.

Your seat is ready.

Climb up.

Go!

Hurry!

[Alberto] Hello...
[speaks in foreign language]

-[Dilili] Take my hand.
-[Emma] Hello,
my little princess!

[Dilili] This way.

[Alberto] Hello...
[speaks in foreign language]

-[Dilili] Follow me.
-[Emma] Hello, little star.

[man] What's going on?
What's happening?

What are the girls
doing this time?

Step aside!
What?

-[tense music]
-[yelling]

Cling to him, girls!

You can go!
I'll take the small one.

-[man] Don't let them get away!
-Let the airship up!

-[man 2] Let the airship up!
-[Dilili] Let the airship up!

[yelling]

¶ It's the sun and the rain ¶

[all]
¶ The night and the day ¶

¶ The flowers and fruits ¶

¶ He and he ¶

¶ She and she ¶

¶ She and he ¶

¶ You and me ¶

¶ They and we ¶

¶ Those from near ¶

¶ And from far ¶

¶ If you're dark ¶

¶ Or rosy ¶

¶ And all together ¶

The Eiffel Tower's diners

are about to be flabbergasted!

And your parents
will be delighted.

They're all waiting for you.

And I will sing for you,

girls who have been
ill-treated,

girls who are
coming back to us.

[gentle music]

Santos-Dumont, of course!

Oh, it's Emma Calve!

And her nice
little friend as well.

Yes.
And the little dark one.

That is Orel's small friend!

That's right!
It's Dilili!

And all of the
other rescued girls!

Champagne.

Oh, how wonderful!

The little girls are back!

The world has
become whole again!

[angelic singing]

¶ Ooh ¶

[vocalizing]

[all vocalizing]

-Mom, Dad!
-So great to see you!

-Mamma!
-Dad!

-My girl!
-Finally!

-Oh, come here.
-Mommy!

-Oh my dear--
-Madame, madame!

Hello. I'm the greatest
impresario in Paris!

Do this for me every night

and your fortune will be made!
[laughs]

My dear sir,
it's been a long time

since my fortune was made.

There are events
that only occur once

but will live forever.

[girl]
It was Dilili.

She's the one who freed us.

[girl 2]
She managed to escape,

but, she came back to free us!

[girl]
Dilili is brave.

[girl 3]
Dilili is generous.

[girl 4]
Dilili, thank you.

[girl 5]
Thank you, Dilili.

-Thank you, Dilili!
-But I wasn't alone.

-Dilili.
-No, you are not alone.

-[girl] Dilili.
-No, you're not alone.

-Dilili.
-No, you are not alone.

Sometimes life turns out
to be perfectly satisfying.

And it is only the beginning!

[gentle music]

You are wondering, "And what
about the Male-Masters sect?"

All right, the lieutenant
colonel worked wonders.

All of those villainous men
were arrested,

the women were rescued,
and they learned

how to walk
on their two legs.

Some even learned how to dance.

Some older ladies
didn't want to walk

if not done on all fours.

I conceded them a wing of
my castle in Languedoc.

At least, there is fresh air
and a wonderful view.

Lebeuf found the same woman

that he had seen
in the underground city

and made her forget
all the evil things

that those
men did to her.

And our little prisoners?

They can meet
whoever they like.

They can go to schools
that elevate them

instead of having them
on all fours,

and I give them all colorful
dresses for each celebration!

¶ It's the sun and the rain ¶

¶ The night and the day ¶

¶ The flowers and fruits ¶

¶ He and he ¶

¶ She and she ¶

¶ She and he ¶

¶ You and me, they and... ¶

[all] ¶ We ¶

¶ Those from here and from... ¶

[all] ¶ Far ¶

¶ If you're dark or... ¶

[all] ¶ Rosy ¶

¶ And all together ¶

¶ It's the sun and the rain ¶

¶ The night and the day ¶

¶ The flowers and fruits ¶

¶ He and he ¶

¶ She and she ¶

¶ She and he ¶

¶ The sultans ¶

[all] ¶ And beggars ¶

¶ All the kings ¶

[all] ¶ And the valets ¶

¶ The wizards ¶

¶ And fairies ¶

¶ And all together ¶

¶ It's the sun and the rain ¶

¶ The night and the day ¶

¶ The flowers and fruits ¶

¶ He and he ¶

¶ She and she ¶

¶ She and he ¶

¶ All The moms and... ¶

[all] ¶ The dads ¶

¶ Grandparents ¶

[all] ¶ And babies ¶

¶ All the girls and... ¶

[all] ¶ The boys ¶

¶ And all together ¶

¶ It's the sun and the rain ¶

¶ The night and the day ¶

¶ The flowers and fruits ¶

¶ He and he ¶

¶ She and she ¶

¶ She and he ¶

¶ The beauty ¶

[all] ¶ And ugly ¶

¶ It's the wise and... ¶

[all] ¶ Pretty ¶

¶ It's the old and... ¶

[all] ¶ The young ¶

¶ And all together ¶

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