Original subtitles

Dilili?

Dilili!

Still, she is cute.

That's how it is? That is scary!

[woman] She's not as dark as the others.

[man] It's like poison.

[woman] They are strange, aren't they?

[majestic music]

You know how speak my tongue?

Yes, better than you.

Or so it would seem.

I would like to learn more about you.

I as well.

Shall we rendezvous?

Let's meet at 6:30 when I leave.

Outside of gate four.

[speaking in foreign language]

[playful music]

[man] Whoa!

My name is Dilili.

Mine's Orel.

I am pleased to make your acquaintance.

Likewise.

I brought some fries for you.

Thank you! Ooh!

It's hot but good.

How were you ever able to learn my language so well?

My school teacher was extremely good, Mrs. Michel.

And then I had a wonderful encounter

with the Countess.

Who was she?

She was the wife of an ambassador traveling

back to Paris, on the same ship as us.

It was this boat.

I treasure this prospectus.

A precious memory.

The Countess was attracted

by the shouting of the manager, when he discovered me.

Discovered you?

They did not want me to be a part

of the troupe that was to perform in Europe.

So I sneaked onto the ship without being seen.

When they discovered me,

after several days at sea, it was too late

to disembark me.

The Countess stood up for me and I ended up

traveling in luxury

in her company Above all, the dearest Countess taught

me all the words and all the manners

of her tribe.

Thank you.

Have more than one.

[munching]

-[child sobbing] -Stop!

You can't go around on your own.

Not nowadays!

Would you mind if I played with my jump rope

while we make conversation?

[Orel] Please do.

I love playing with my jump rope.

But I am never allowed to do it.

Not during the day

because it doesn't look authentically Kanak.

I admire how you managed to get yourself

on that boat.

It's just that I so wanted to see the world!

I have to confess, I also wanted to travel

to a country where I wouldn't be rejected

for having skin too fair.

How come your complexion is different?

I never met either of my parents.

But, one of them was French,

and the other one was Kanak.

True here they don't tell me that my complexion

is too light, but instead, they tell me

that it's too dark!

-I don't! -Yes.

There is a good side to it.

You can quickly sort out all of the fools from the others.

But sometimes I feel that it would be nice

to look just like everyone else.

Definitely not!

It's because you're different that people

want to know you.

I accomplished every task that I was given

in the Kanak village.

I'm not at all mad that it is all over.

Does that mean that you are going back to your country?

I'm not ready yet.

The Parisians have spent

several months observing me.

And now, I think it's only fair that I observe them too.

I'm just the person you need.

I know all of Paris like the back of my hand.

I know a lot of people.

Because, you see, I'm a courier.

My delivery tricycle can take us anywhere

that you would like.

Here's the latest news!

Another young girl has been abducted!

The Male-Masters have struck again!

Everything, there is to know concerning the news!

Some customs of yours are truly strange.

This isn't one of our customs!

This is all very new, and horrible.

The police are on high alert.

But why would anyone abduct little girls?

It is a mystery.

In fact, you should never go out alone.

I do not believe that I am the kind of girl

that they would seek.

-[snickering] -You don't know that.

At any rate, in my tricycle,

you will be safe.

Just look at this beauty!

It even has a cushion.

Of course there are more luxurious vehicles,

but they cannot go

where my tricycle goes!

It will be marvelous.

And it is by meeting a lot of people

and by asking them a lot of questions,

that we will unravel the mystery

of the Male-Masters and we will set free

all of those girls.

-It's a deal. -But not right now.

I have to go into town.

Where? I'll take you there.

Not this time because my carriage is here.

Hello, Mr. Leon.

Young lady.

Allow me to introduce you to Orel.

He is a courier.

Young man.

Could we possibly meet tomorrow,

one in the afternoon, at this address?

[Orel] Yes.

[playful music]

[Dilili] Goodbye, Orel!

[birds chirping]

Oh, don't bother.

The Countess is not in.

Ah, the Countess. Thank you, sir.

But I am visiting with her guest.

[doorbell rings]

Hello, young man. I'm sorry but the countess isn't in today.

Ooh.

Take care, Dilili!

-Let's go! -Let's go?

-Where to? -We are going to Paris!

[chuckles] Paris is finished.

You should let it die in peace.

Paris is not finished.

We are here.

[playful music]

This is Mr. Renan.

He's a historian.

He knows everything about Palestine in ancient times,

but nothing about today's Paris.

What are you writing?

The names of all of the people that I meet.

There are so many people in Paris,

I could easily forget half of them!

How nice this is.

Being with you in your tricycle!

On my very first day off in Paris!

Male-Masters robbed another jewelry store!

No traces of tampering!

-Yet another mystery! -How can we be so sure

the Male-Masters did it?

They always leave a sign.

A note that states:

"The Male-Masters will straighten up Paris."

[Dilili] We are the ones who are going to

straighten up the Male-Masters.

[snickering]

Stop, please! I'd like to see the poster.

Yes, it is beautiful.

A great can-can dancer by a great painter.

No.

Underneath.

"Public talk by Louise Michel,

human rights, men with women."

Who is this, Louise Michel?

She is someone who always says

what she thinks is right.

No matter what they do to her.

She once even participated

in a revolution. She was caught and deported

for several years to the other side of the Earth,

in New Caledonia.

It's Kanak land!

It's my school teacher!

This is amazing, right?

My Mrs. Michel!

I want to see her! Let's go to the convention.

But that convention will be in two weeks.

And I would love to meet your teacher with you.

I'm very intrigued.

I'll deliver this lemonade, and be right back.

Hello, ladies and gentlemen.

-Hello there, son! -Hello.

Oh! But, could it be you?

The skip rope virtuoso, herself?

Oh, of course!

I was admiring you yesterday while I was passing by.

I was completely amazed with you!

I feel so lucky that I get to see you again!

I am in need of the opinion of an expert.

I am looking to purchase a skip rope

for my goddaughter.

Look! And there's a toy booth over there.

Please help me pick out the perfect skip rope for her,

and I will thank you by buying you a toy,

you can pick any one!

Oh, come here.

My sweet little fairy!

I can carry you over there!

Don't you bother, good sir.

I will take her.

[Dilili] How beautiful.

[ominous music]

[Dilili] He left.

I should have known that the Male-Masters

are interested in you.

I blame myself.

I should have taken you with me

instead of leaving you out here alone.

I didn't even have time to say anything.

Everything just happened so fast!

At least now we know.

My last mission of the day will be a much nicer one.

We are going to pick up an adorable little girl

from school and take her home.

[man] Another young girl has been abducted in Montmartre!

-How awful. -Read L'Aurore!

Read the press!

[man] Ask for Le Petit Parisien!

[man] Another young girl has been abducted in Montmartre!

Eve is Marie Curie's daughter.

Marie is from Poland, she married Pierre Curie.

It's a wonderful union of two great researchers.

Both love and support each other.

They were just awarded a very prestigious distinction,

the Nobel prize.

Hello, ladies.

-Hello! -Hello, young man.

Hello, Eve!

Hello, Orel!

This is Dilili.

And she will be your travel companion.

I am pleased to make your acquaintance.

[Eve] Hello, Dilili.

[playful music]

You are boutiful.

Thank you, Eve.

It's beautiful.

[Eve] Boutiful.

Beautiful.

[Eve] Boutiful.

-Beautiful. -Bou-tiful.

-Beautiful. -Boutiful.

-Beautiful. -Bou-tiful.

-Beautiful. -Boutiful.

-Mommy! -My dear, Eve!

This is Dilili.

She is beautiful!

Your pronunciation is great!

Hello, young lady.

I am pleased to make your acquaintance.

So am I.

Orel, why don't you two come in?

I have baked a fresh pie today.

Hmm, it's tasty!

Mother, this pie has come out

even better than the last one.

It's because I observe what happens each time.

I note everything down and then improve upon

what I did.

[Dilili] When I grow older,

I am going to be a researcher, just like you.

No, I will.

Irene, there is room for plenty of scientists.

Madame, what do you know about the Male-Masters?

Nothing.

[man] The young girl was abducted in Montmartre

in front of the Bateau-Lavoir!

More details in La Depeche!

Orel, you need to go to the Bateau-Lavoir.

[whistle blows]

[Orel] I hope we can finally find some clues

at the boat wash house.

[Dilili] Are we going down to the water then?

[Orel] No. It is located on the hill of Montmartre.

Bateau-Lavoir is the name of a house

that hosts artists.

You can meet very interesting people there.

And they will tell us what they saw.

Me? I didn't see a thing.

Me neither.

Neither did I.

I don't even work here.

But Picasso, he saw everything.

Suzanne speaks truth.

They didn't even try to hide what they did.

There was nobody in the streets, but I here,

was by the window.

A nice automobile stopped near the little girl

as she was going up the hill carrying a heavy schoolbag.

A nice looking gentleman offered to take her home

because she looked so tired. Before I had the time to scream out...

[speaks in Spanish] the young girl was inside

of the car and it disappeared, heading over the hill top

at an incredible rate of speed.

People said that the automobile

was heading towards the old Devil's Mill.

The old abandoned Devil's Mill?

But nobody's afraid of that place.

Yes. But people are saying that it has become

an entrance to the Male-Masters' domain.

-Then I'm going there. -Me too.

Hey, but you shouldn't do that, pequeñita.

You would disappear, just like our little neighbor.

Stay with us. I will paint your portrait.

-So will I. -So will I.

-So will I. -[speaks in foreign language]

I would love to.

Your paintings, they amaze me.

I want to create, just like you.

But first, we must find the young girls

that have been abducted and stop the Male-Masters.

I will come back as soon as it is done.

[Orel] Our Paris tour isn't over just yet.

[snoring]

This hurts me.

You know, I have been hungry too.

You haven't told me everything yet.

Neither have you.

[chuckles] Takes time, I guess.

Yes.

Oh, look at this beautiful young lady

with such pretty dress on.

Surely she has some coins for me, right?

No, I am very sorry, sir.

They give me nice clothes to wear,

but they give me no money.

Come on, come on!

A nice young lady like you,

surely has something for a poor old man like myself!

I only have my dress, I doubt that it fits you.

What's that?

You're just a filthy girl!

Are you laughing at the poor?

No sir! Not at all.

Please, just let us go past you, sir.

We have an urgent errand to run.

Hey, come on, Gimpy! Just let them go.

They are good kids and they have nothing to give you.

[Gimpy] Where is this urgent errand you need to get to,

neat young man?

To the old Devil's Mill.

The old Devil's Mill?

Anyone who goes there either finds death,

or they give it!

Run off with you!

And don't come back through here!

He really scared me.

But maybe someday I will be able to

do something for these people.

[Orel] Never become like him.

That would be a great place to start.

Yes.

Here it is.

The old Devil's Mill.

[sighs] Someone recently repaired the fence.

And the entrance.

You stay here. I will check around inside.

There is no way that I'm staying here alone.

First off, I want to look as well.

And besides, I'm afraid to stay here after

what we've been through today.

Okay.

Dilili, don't go too far.

[gasps] Ah!

[growling]

[gasps]

[grunting]

[whining]

[Dilili] Orel!

Are you hurt?

Did you kill the dog?

No, I only kicked him one time.

He has died because of rabies.

And he infected me.

What is that? Rabies?

It's a very deadly disease, as you can see.

First, you start drooling to excess.

Then you become mean,

and then you die.

The Male-Masters have found a horrible way

to get rid of intruders.

But you are not drooling.

And you are still nice.

Maybe it does not happen instantly.

But, you are not going to die, are you?

There is only one person who could answer that, that's Mr. Pasteur.

But I can't pedal to the Pasteur Institute like this.

Help me please! My friend is wounded!

He needs to be taken to the Pasteur Institute without delay!

Please, help us!

Hurry!

He's got the rabies!

[screaming]

Nobody is going to want to help me now.

Wrong, me!

You're way too small to handle my tricycle.

You forget that we are up the hill,

which means that we have to ride down

to the Institute.

I don't need to pedal at all,

I just need to use the handlebars.

I am much stronger, than I appear.

You don't even know where it is.

[Dilili] But you do.

You will guide me.

[grunting]

Come on, let's see if you can get through.

[grunting]

-Ready? -Yes.

And don't take it easy on the brakes.

This is a fairly steep slope.

Duly noted.

You have saved me, it's my turn.

All right.

Go right.

Move aside, if you please!

If you please, move aside!

Watch out!

If you please, move aside!

Watch out!

I have a better idea.

Move aside!

I have rabies!

Step aside!

-I have rabies! -[chatter]

I have rabies!

I have rabies!

-I have rabies! -[screaming]

No, it was the one on the left.

This one leads to the stairway.

Never mind, it's a shortcut.

Hold on tight!

Step aside!

I have rabies!

Brake!

-The brakes are broken. -We're almost there.

Next one on the right!

Here we are!

[frantic music]

[glass shattering]

Orel has the rabies!

Vaccinate him!

Hurry, if you please!

The disease doesn't spread immediately.

You came to us in time.

With this injection

and the boosters, you will be cleared.

Thank you, Mr. Pasteur.

You can thank Marie, all my other companions,

and all the researchers.

Saving people is a very good trade.

Mr. Pasteur, what do you know

about the kidnappers?

Unfortunately, I know nothing but a rumor.

Dubious people often meet

at the Grenouillere's farm.

They are our clients.

Orel, as it so happens, I was about to ask you

to deliver some vaccines to them.

They are for the cows.

But I guess that you can't pedal right now.

I will not let you down.

I will use the waterway and I'll take

advantage of it and I will watch

the suspects from the inside.

I'm wondering, where is this waterway?

Under the streets.

After what we just went through,

I'm going to take you on a calming cruise.

But I still wanna meet new people.

People who do things.

And we shall, along the way.

I suppose you're right.

There are people everywhere in this city.

Yes, but the girls are still missing.

The ones that were abducted,

and those locked up in their homes.

It's so sad.

Yes, and now I understand

why all those men are in mourning.

[Orel] No, no, no.

They are always dressed in black.

[Dilili] Is there a law saying that men

should dress in black?

[Orel] No.

[Dilili] You have some strange customs here.

Where are we?

[Orel] This is the entrance to the opera's stage door.

You will meet a great person inside.

My good friend, Emma Calve,

one of the greatest opera singers in the world,

I've already told her about you.

This is her automobile..

and her driver. He's not nice.

Don't park that there, it's in my way.

I'll take it away.

Hello, Mr. Lebeuf.

I present you with Dilili.

I am pleased to make your acquaintance.

Why is that girl dressed up like that?

Lebeuf!

I completely understand your reaction sir,

as I have a similar reaction.

Your face reminds me irresistibly,

the face of a great pig.

-[grunts] -What do you intend?

Would you hurt this small child?

You call this a small child?

Do you know where Madame Calve is?

It's not my job to answer your questions. [grunts]

[ominous music]

Emma must be practicing downstairs.

Well, I'm really grateful you didn't think

that I looked like a pig as well.

Of course I thought so!

Everyone looks like a pig here.

But one gets used to everything.

And now, I take great pleasure in looking upon you!

[faint singing]

[singing in foreign language]

You have sung my new melody to perfection.

Now, give me a little bit more time to think

about it, though.

I am most thankful. Please accept my highest respects.

Here you are, my friends.

Dilili, this is Emma Calve.

I am pleased to make your acquaintance.

And you just missed the chance to meet

Debussy, a young and promising composer.

Oh, Orel, are you hurt?

No, no, it's nothing, really.

-What is inside of the box? -A vaccine for cows.

For the cows at Grenouillere's farm.

And I was wondering whether we could go there by swan.

Of course!

Let's go breathe some fresh air in the country

and say hello to my dear impressionist friends.

Dilili simply must meet them, especially since

they know all sorts of things concerning

the Male-Masters.

Come on, jump in.

Hello, my dear honey doll.

Orel, sweetheart, are you able to drive?

Sure.

[engine sputtering]

It reminds me of Jules Verne!

You know who Jules Verne is?

Of course I do!

The Countess has a grand collection,

and I have read it all!

I want more!

Although, I am not very fond of Bergson.

It does not smell nice.

We are in the sewers.

It's really convenient when I need to escape

from my fans.

Plus, I like the change of scenery.

Orel, you look annoyed.

-I'm not. -You are.

[sighs] Lebeuf was very rude to Dilili.

I don't even dare ask in what way.

I'm ashamed.

That is life.

That is life, but wounds to the soul tend to add up.

Oh, my poor little pumpkin.

Come here, I will give you a hug.

What is a... a hug?

You come here on my lap,

I squeeze you in my arms,

and you do the same and then we stay like that.

What's wrong?

No one has ever taught me this process before.

It's excellent.

[sings in foreign language]

[singing in foreign language]

Yes. Your friend has a beautiful voice.

He will enchant people.

[growling]

What kind of monster is that?

[Emma] What about you?

Could you sing us one of your favorite songs?

Yes.

¶ It's the sun and the rain... ¶

Wait.

That song is from here.

It's a song that Mrs. Michel taught us.

It's now my song.

¶ The night and the day ¶

[all] ¶ The flowers and fruits ¶

¶ He and he, she and she ¶

¶ She and he ¶

I am pleased to make your acquaintance.

Nice meeting you too.

You fit so nicely in the scenery.

And your colors are so beautiful!

Why, you are not painting the same thing at all!

Not this time.

Monet is all about colors.

While Renoir only thinks about happiness.

[Dilili] There is no more happiness.

Not when young girls have been abducted.

What do you know about the Male-Masters?

I have had the honor to have La Goulue as a model.

And she told me that the Moulin Rouge

has become a sort of hideout

for the Male-Masters.

The cow vaccines were successfully delivered, and I...

Look at that!

[growling]

I just saw that submarine at the farm.

It's full of provisions.

Not only that, there were men

who were wearing nose rings.

They don't speak, but they paid lavishly.

Seems as if we keep bumping into Male-Masters.

I intend to see more of them tonight.

I am going to the Moulin Rouge!

-Me too! -But you two are too young,

they'll never let you in the door.

I know my way in.

There's a watchman at the front door

but not at the stage entrance.

He never thinks of coming backstage.

[woman] He wouldn't be welcome here.

My dearest Orel, who is this with you?

[Orel] Dilili.

She is from Kanaky.

[Dilili] Madame.

I am pleased to make your acquaintance.

Oh, you can call me Colette,

you little nectarine!

What are you doing?

I'm removing my makeup after having

performed an Egyptian pantomime.

It was written by a lady friend.

I show my body a little bit during the dance,

because it's beautiful.

It is very nice of you.

It's an interesting activity.

I used to write novels,

but they were all in my husband's name.

I won't do that any longer.

I intend to go back to writing.

[Dilili] Excellent!

I write a bit myself.

So many things happen to me!

I'm eager to see you published.

Have you noticed any accomplices of the Male-Masters' around?

Not in here.

People we don't know wouldn't dare to come backstage.

However, they do meet

in the theater, among the audience.

And Male-Masters aren't the only ones.

Orel, your friend, Toulouse-Lautrec,

draws at his table and La Goulue dances!

-[upbeat music] -[cheering]

Mr. de Toulouse-Lautrec,

it is a real pleasure watching you draw!

I wish I could draw like you!

Do it. You draw, and don't ever stop.

I've been roaming around, I haven't seen anything.

There, I have your suspect.

Take a look at this man on your right.

I know everyone in here.

And I'm telling you, this guy

didn't come here to watch La Goulue.

It does not stop him ogling her.

But he's here to meet someone.

There are two glasses on the table.

Dilili, do you think you can

sneak over there and listen to what they say?

[man] The Male-Masters will mend.

[man 2] Pretty Paris, Putrid Paris.

In half an hour,

the district head will be at the Irish-American Bar.

There he will fill you in and give you

instructions concerning the next jewelry robbery.

[mumbling] ...Irish-American Bar.

Goodness!

What is this little girl doing in here?

Well, she is enjoying an excellent show.

Which wasn't designed for children to see!

What do you mean children can't see?

I can see that these ladies are beautiful,

and dance perfectly well.

Oh, come on!

Who brought this little girl in here with them?

I've been on my own for a long time.

It's incredible.

At a time where little girls are being abducted each day!

[clears throat] We will keep a close eye on her.

This place is too noisy for me anyway.

Let's go to the Irish-American Bar.

Great idea!

They have the best cocktails.

Let's head to the Irish-American Bar!

Let me see. My, my, young lady!

You are quite talented!

[yipping]

Lautrec!

I'm glad to run into you.

I went to Durand-Ruel's.

I saw your creations.

They have personality.

Good work!

Your talent is admirable.

Good evening.

Who's that?

He is a painter, Degas.

Well, apart from Degas' magnificent paintings

of ballet dancers, he's famous for being rude to people.

Degas just paid me a compliment!

Me, poor little Lautrec.

I'm about to die of happiness!

You are among the greatest, Henri.

It's no news to us.

But there still isn't any handsome cab approaching.

And it's raining on top of that.

It's all right, it won't last.

It's only creating atmosphere.

I'm afraid we're going without you.

It will only take us two minutes.

Mr. de Toulouse-Lautrec,

I could make some space for you.

-Dilili! -[laughing]

Yes, I have never been in a delivery tricycle.

Henri! You're not doing it, are you?

Do you have enough space?

Yes, I'm actually quite comfortable.

[Henri] I've never had a chance to see the scenery like this.

[Orel] We will not be taking the stairs this time.

What? You really went down the stairs with this?

Yes. And I will tell you that it hurt our bottoms.

I want to do that as well!

Let's go down the stairs!

But, Mr. Lautrec.

I can't do that to you.

[sings in foreign language]

[gasps]

[singing continues]

[laughing]

That was unforgettable!

What an incredible descent!

Dilili, I'm very surprised that you

happen to know that song!

It was the favorite one of Madame Michel.

-Good evening, everyone! -Hello, Henri.

Hello, Randolphe!

This is my little friend Dilili.

She is a princess from the other end of the Earth.

Randolphe is the best barman in Paris.

I am pleased to make your acquaintance.

[Randolphe] What will it be for you, your highness?

I would like an almond syrup, if you please.

And some cognac for me,

before we get to the cocktails.

I received some incredible compliments

I'd like to drink to!

Chocolat, how are you?

Hello, sir.

Hello, princess.

I am pleased to make your acquaintance.

What is your profession?

I work in a circus.

People kick my bottom and it makes

the audience happy.

[Gertrude] A rose is a rose is a rose.

[Henri] Chocolat is a great artist.

He makes people laugh.

[Dilili] What a trade!

[speaks in foreign language]

He also dances for fun,

and I try to keep up with him.

Oh!

Look over there, you two.

He is one of the conspirators.

I've seen him prowling around Emma Calve's car before.

[Dilili] So have I.

We're after some Male-Masters conspirators.

The man there is one of them waiting for another.

Dilili must hear what they're about to say.

Easy!

The villain is using the flower pot as a cover

to hide behind, as always.

I will help Dilili hide inside the flower pot.

Satie! Do you mind playing a song?

[man] He should use certain battery to--

[speaks in foreign language]

[gentle piano music]

-What will it be, gentlemen? -An absinthe.

-A glass of Bordeaux. -Right away, gentlemen.

The Male-Masters will mend.

Pretty Paris, Putrid Paris.

This is an official letter.

It will grant you access to the jewelry store.

The most precious gemstones,

will be taken out of the safe because Sarah Bernhardt

is their very best client.

This Wednesday will be unique!

You will be able to harvest everything

thanks to a secret weapon.

You will get out, nice and calm.

A buggy, with a very fast horse will be

waiting for you outside on Tuesday at five.

It will be behind The Gate of Hell.

I heard everything. [mumbles]

Orel!

[mumbling] ...Sarah Bernhardt.

...The Gate of Hell.

Tomorrow, first thing, we'll go to the police.

They'll arrest them in no time.

It will be our first victory against the Male-Masters.

We're making progress.

[man] What do you want me to do

with all these stories about Sarah Bernhardt,

secret weapons, and even The Gate of Hell?

It is your job, sir, and not ours.

[gasps] Get out!

Take them out now!

If you come back, I'll place you in jail!

If the police doesn't want to act,

the next best thing is to inform the lady herself.

Her image is everywhere.

[Orel] Yes. And this is another one

of Alphonse Mucha's wonderful posters.

But I can't get to Sarah Bernhardt.

-Isn't she in Paris? -Yes, she is.

She just came back from an international tour

in the Americas.

But I cannot reach that goddess just yet.

But you might know some other people

who know her.

Of course I do.

We are on our way to meet Marcel Proust.

-What does he do? -Nothing.

He would like to be a writer.

He says he lives, he observes,

and he will use it all when time has passed.

Anyway, he's in all the salons and he knows the great Sarah.

When I grow up, I will be a great actress.

[chuckles] Your dream job changes often.

I am not changing jobs.

I will do them all!

And my search is not yet completed.

And I am not the only one.

You would like to keep pedaling through Paris,

become a singer and a dancer too.

[chuckles] You're right there,

and I have been saving my money so that I can study law.

Injustice outrages me and justice interests me.

[gentle piano music]

[doorbell rings]

Hello, Mrs. Celeste.

Shh.

[bright piano music]

[Marcel] Such charm.

Yes, that is the proper term.

Hello, my dear Orel.

Hello, Mr. Proust.

Dilili, who comes from Kanaky, is visiting Paris.

I welcome you, young lady. My name is Marcel.

And this is my wonderful musician friend, Reynaldo Hahn.

I am pleased to make your acquaintance.

Orel, have you brought me any peaches

from the Ritz?

No, I'm bringing information.

We have discovered that the Male-Masters

are plotting against Sarah Bernhardt

-and her jewelry! -[both] What's that?

And the police do not believe us.

We do.

I have to admit, it is hard to believe

that there would be a secret weapon behind The Gate of Hell.

No, The Gate of Hell is actually a great sculpture by Rodin.

Tell us everything.

I'll call Sarah and tell her to stay home.

[upbeat music]

With Sarah Bernhardt, we failed.

That is typical of Sarah Bernhardt.

Danger or not, she'll be there.

Her motto is all the same!

[Dilili] But now we know what The Gate of Hell is.

[Orel] Hopefully we can get there before the thief does!

Mr. Rodin, I am pleased to make your acquaintance.

No, I am the one flattered by your visit,

dear young people who are interested

in my work.

.While you take a look around,

let me get going with my Balzac.

The noble Zola ordered this one.

He is another great writer,

and a heroic citizen.

[gentle music]

I am... captivated.

Of all your sculptures,

my favorite is this one.

Err, I'm glad to hear this.

But that one is not mine.

A colleague I love did that one.

Camille Claudel.

I am pleased to make your acquaintance.

It must be really nice to be a sculptress.

It is.

Oh! We forgot what we were looking for.

Where can we find The Gate of Hell?

In the garden.

[ominous music]

-Too late! -I will catch him!

But, it's not possible.

It's D-day.

Orel! What are you doing?

Oh, hello, beautiful child.

Hello, good sir.

I wish you a very nice walk.

[laughs] A beautiful and well-raised child.

It's most uncommon.

[gasps]

Don't be scared.

I am okay.

My cane has broken but I am fine.

I just need a hand to get back on my feet.

Please, help me, child.

What are you doing, little girl?

What have you done with all of the girls you abducted?

What now?

[grunts] What are you talking about?

I'm just a poor old man,

I only need a little help.

Oh, you poor old man.

I will carry you in my tricycle.

To the police, they will know how to deal with you.

You got a little too close, but you realized it quickly.

It was rather easy.

He was wearing a nose ring.

Don't judge only by that.

It was so silly of me to wait for you outside.

But despite another upsetting moment,

we are making a lot of progress.

The Male-Masters haven't managed

to capture me, and we are going to catch two of them.

This is the jewelry store.

[gentle music]

Sarah Bernhardt.

Oh, not yet.

[Dilili] But we can't see anything.

[Orel] We're going to visit her at the theater.

Your turn!

[playful music]

[horse snorts]

[man exclaiming]

You shouldn't play in the middle of the street, silly girl.

Learn to behave, you rude little brat!

I would teach you manners,

but I need to stay at my station.

[whistling]

[gasps]

How beautiful!

[tense music]

-Giddy up! -[horse neighs]

[yelling]

[whistle blowing]

[Dilili] Excuse me?

Could you please give me my jump rope back, gentlemen?

Go and play elsewhere.

-This is no place for a girl. -No place for a girl?

This young girl has just captured two Male-Masters.

Something you were never able to do yourselves!

What's that you say?

You two should go away now

or I'm putting you in jail with those two!

Mr. Officer, I witnessed the whole scene

and I would advise you

to give this brave girl's jump rope back.

This is for you, little one.

Bravo. A job well done!

Thank you.

Young man, let me congratulate you

on your swiftness and ability to unharness a horse

without unnecessary movements

and in complete silence.

And you, young lady,

on your jump rope abilities.

Brilliant!

What is your name, please?

Dilili. And yours?

-Edward. -Sorry?

Edward.

I am pleased to make your acquaintance.

-What do you do? -Not much, to be honest.

How do you make a living?

My mother sends me money.

-What is her job? -She is a queen.

Oh, no don't tell me tales!

I know that there are no more queens.

It is not in France, but in Great Britain.

You really do not do anything with your time?

I live.

I enjoy living in a beautiful capital city.

The different amusements it offers, and,

meeting the most interesting people,

just like right now.

I'm an observer, and I hope it leads

to something more, someday.

Like Marcel.

Ah? Really?

[chuckles] My dream is to bring various

different people to an understanding

that would be cordial.

I completely support you.

I'm glad that you do.

It's the Prince of Wales!

He'll be England's next king!

[man] Your Excellency, word has it that you witnessed

-the whole scene. -[man] Is it true that everyone

in the shop was sleeping?

[man] Were you with Sarah Bernhardt?

I am afraid that I have to go,

I'm on some urgent errands for a lady.

But this young person here,

will answer your questions better than I can.

I wish you good day.

[soft music]

You! You understand the language here?

[sighs]

[man] Ask for Le Petit Parisien!

[man] The Male-Masters are defeated for the first time

by a Kanak girl named Lididi!

[man] ...stopped a huge robbery from occurring!

-Sarah Bernard had fainted... -A huge robbery stopped by...

Everything in colored pictures in Le Petit Journal!

[majestic music]

Buy La Ciet da Ver!

-We are the only paper... -Did you here?

...offer a solution to Paris' problems:

Let's replace the prefect...

[man] ...by a Kanak girl named Dinini!

[man 2] Everything in colored pictures in Le Petit Journal!

Dilili, you have become

the most famous girl in all of Paris.

But also the most wanted person by the Male-Masters.

We need to find a way to protect you.

You're too vulnerable riding around in the tricycle.

I have too many errands to run this morning anyway.

From now on, Dilili,

you will be traveling around in my automobile.

Lebeuf will take you home and he will bring you back here later.

He might not be the nicest person ever,

but his stature is discouraging.

But I so loved being in Orel's tricycle!

[man] Her picture is everywhere.

Her picture is in my paper!

That little girl is famous now!

When will the Male-Masters put an end

to this scandal?

Quite soon.

Making such a big deal out of this creature,

or their pretended great Sarah, or your mistress.

Hmph! That word, mistress is an outraging word on its own.

She is the one who should be your driver,

and wait for your orders.

Oh sure!

But she would never be able to drive an automobile.

[man] Of course not.

And you know what the worst part is?

That Calve has decided it should be my job

to drive this brat around in order to protect her

from the Male-Masters.

[giggles] The idea is amusing.

See, I've been watching you closely

and I can tell that you are a Male-Master.

Oh.

I happen to be a member of the fellowship

that will bring order back to Paris.

Note that we are already ruling all of Paris's underground.

The Quarries, the catacombs, the sewers.

It's really easy for us to appear

or disappear from anywhere.

And more and more people, some of them quite powerful

have joined our brotherhood and our mission.

It is now your turn to join.

You will become generous, rich, powerful with us.

In order to join our ranks and become a real Male-Master,

you only need to deliver Dilili.

[gasps]

You will know everything,

once you join us.

This is the delivery address.

Sound the horn three times.

I've sent two bodyguards to your place,

they will protect you against the Male-Masters.

I have talked to your governess,

who is waiting.

Lebeuf, I'm entrusting you with our little star.

Goodbye, sweetie.

Have fun reading and jumping rope, Dilili!

Goodbye, Emma. Goodbye, Orel.

That Lebeuf is exasperating!

I've been waiting for hours!

What is he doing?

It's midnight. No one.

-[phone ringing] -Hello?

Madame Calve, this is Orel speaking.

I was in Dilili's neighborhood and I came by

to say hello and to visit with her.

She isn't here.

Lebeuf never brought her back here.

Where does he live?

Right! I'm off!

[frantic music]

There's no one.

Lebeuf didn't come back.

What should we do?

[gasps] Do you hear that?

What happened to you?

Where have you been?

Where is Dilili?

They can hear us from out here.

Let's go to the lake.

I warn you, it's ugly.

A man came to me saying he was a Male-Master,

and he said I had what it takes

to be a powerful Male-Master myself.

I only had to give them the girl, Dilili.

And then you entrusted me with the little girl.

Lebeuf, I'm entrusting you with our little star.

Goodbye, sweetie.

Have fun reading and jumping rope, Dilili!

Goodbye, Emma. Goodbye, Orel.

[ominous music]

[grunting]

[gasps] This isn't the right path!

Shut up, girl.

If anyone here knows the way to go, it's me.

[tense music]

[horn honks]

[Dilili gasps]

Congratulations, Lebeuf, you have passed your test.

You're one of us now.

You're about to meet the great Male-Master in person.

Go down this ramp.

Follow me.

The Male-Masters will mend.

[man] Pretty Paris, Putrid Paris.

[rumbling]

[ominous music]

[yawning]

[both] Praise the Great Male-Master!

I congratulate you, new brother.

You proved to be a real Male-Master.

Nothing will be hidden from you anymore.

Have a seat.

I will answer all your questions.

Master, why do we kidnap little girls?

-In order to save the world. -Uh...

In Paris, the natural law has been flouted by women

who have taken power.

We need to fix our Paris before this abomination

spreads through the rest of the world.

Well, they don't have that much power, yet.

Universities have granted access to women.

There are no more limits!

And, my poor friend, your own boss is a woman.

Uh, that is true.

All of these females

have implemented a devilish invention: The salons.

They invite in whomever they like.

They make people meet however they please.

They even help whomever they like.

It's true.

So there are no women here?

What do you mean, no women?

You are sitting on one.

S-260!

A four-leg must never look at a man.

Yes.

The right term isn't woman.

They are four-legs.

Why did you get up?

Is she not comfortable enough?

Would you like to have another four-leg?

No, no!

Uh, I can't stay seated for a long time,

I need to straighten my legs often.

You young people.

I can't even walk anymore.

I need four four-legs to support my seat.

Actually, there are never enough four-legs.

They are all so slow.

If they walk on all fours,

they can't go as fast as they normally would.

Normally?

My poor novice, four-leg's normally walk on all fours.

This is why they are called four-legs.

Anyway, they are so dumb.

We always need more four-legs.

First, we abducted some of your grown up four-legs.

Ah, but they had been perverted for too long,

we had too much difficulty in making them submit.

I see.

That is why you abduct little girls.

They are more docile and tamable!

You understand quickly, new Male-Master.

We are about to abduct

every young girl in Paris, and then educate them

in our school.

We only teach them what they should know as a good four-leg.

We will someday replace all of your perverted four-legs.

And there will be order in Paris!

The meeting ended there.

They say they will give me a nose ring

once I have delivered them a second girl.

But... why tell us

all of these... horrible things?

Because no one will ever put a ring

inside my nose!

What happened opened my eyes.

It was too much, even for me.

Yes, it is horrible.

And yes, I'm an idiot and a criminal.

But starting at this,

I will do anything to save Dilili,

and the other girls,

and the women.

And prevent those men from harming others.

They just harm everyone. Everyone, including themselves.

Madame Calve, I want to congratulate you

on singing so beautifully, and dressing so nicely.

It brings happiness to people.

Lebeuf.

In the course of one minute,

you have made me live

through the two biggest stupefactions ever.

I will search for clues in the sewers.

[ominous music]

-Oh, Mr. Jean! -Hello, Orel. What are you doing?

We have just learned that the abducted girls

are somewhere down here in the sewers,

and I'm looking for clues.

That's what I thought.

I have been picking up these little pieces

of paper that float from time to time.

There are names written on them.

It must be some kind of secret code.

I will give them to you.

I hope that these can help you find

all the girls.

Toulouse-Lautrec, Madame Curie.

Picasso, Pasteur, Debussy.

Monet, Colette, Degas.

Sarah Bernhardt, Proust.

She's leaving pages from her notebook behind!

I have to go!

Go to the left.

Yes, thank you.

Which way do I go now!

Rodin.

Camille Claudel.

Oh.

[banging]

No.

I found her! Come down!

[woman] One, two. One, two.

One, two.

One, two. One, two.

One, two.

One, two. Turn around!

To the right!

Lower your heads!

One, two. One, two.

One, two.

-One, two. -It's horrible!

And our poor Dilili is among

those indistinguishable creatures!

Stop right there!

I can see a zero-four-leg

with no hand-shoes on her right hand.

[Dilili] I have been looking for it everywhere,

but in vain.

How am I supposed to see a tiny little black glove

in all this darkness and straw?

A zero-four-leg must never answer back to me!

They have picked the wrong girl!

You will not last long here.

Go find it and be quick about it!

On your four legs! On your four legs!

Do something like that again

and I will throw you deep into the sewers!

Well? What are you waiting for?

What?

What?

What?

You can not imprison the sewage.

I am leaving with it.

[woman] What?

She is escaping!

[gasps]

No, no. She will drown in that.

We will recover her clothes and give them

to another zero-four-leg who deserves them.

The gates will stop her body

from floating too far away.

[ominous music]

Oh. I had not foreseen this gate.

Lebeuf have you come to capture me and take me back?

No, that is all over.

I'm here to liberate you.

Alas, I am still truly trapped.

No, you have won.

The head has passed through,

the rest will follow.

Lebeuf, pull on her arms.

Dilili, turn to your side.

[grunts]

[crying]

[Dilili] You hug me even though I'm covered in excrement!

No matter. It washes.

The actual poop are those men over there.

Cry. Let it all out, poor sweetheart.

We saw what they were doing to you.

[Dilili] Did you see me walking on all fours, then?

-[Orel] Yes. -Oh no!

I will die of utter shame.

[Orel] No, you are not going to die of shame.

We saw them humiliate you

and we all suffered with you.

We saw you being a heroine and we were so proud of you.

And our hearts were beating strong

for you all along.

I think it would be wise to get out of here

as soon as possible.

Orel, room 13.

Lebeuf, room 14.

And you are to stay there.

You now need to hide from the Male-Masters.

They will soon understand that you are

-no longer on their side. -Yeah.

The costumer will bring you some clean clothes.

I will take care of Dilili.

[laughing]

[knocking on door]

Come in.

[laughs] It's the only clean outfit

the costumer could find for me.

You are a prince!

And you are a firework display.

And I? What do I look like?

[Dilili] You look like a king.

Thank you.

Do you feel better, little one?

I still can't help shaking.

Orel, do you know how to give someone a hug?

Of course.

Poor little girl.

You are safe here with us.

Forget it all.

I don't want to forget it.

The others are currently walking around

down there on all fours.

We know that they train the girls on the sewer-side.

And then, the girls go clean up the men's dirt

in the underground city.

And at night, they are locked up

with the warden in a dormitory.

The only opening, is in another room.

A factory chimney, through which you see the sky.

There is no furnace underneath.

It must be there only to bring fresh air in.

But those girls aren't made of smoke.

They can't escape through a tall chimney.

Maybe they can, with a long enough rope ladder.

What next? Will they fly away?

-[Orel] Yes, -Huh?

aboard a large airship.

Mr. Santos-Dumont could help us with this.

Of course!

Alberto! The best Brazilian man ever.

But my dear Emma!

It's impossible!

My little engine barely has enough power

to support my own weight.

I could try to add a pedal powered propeller, but 20 girls?

I am not strong enough.

To pedal? All right!

There is no way those young ladies should

be released without participating.

They will pedal!

And I am a pedaling champion!

And I always have energy to burn off!

And I!

Have you not seen me dancing the Seguidilla?

-Oh, we have. -And I!

All of my hard training with jumping rope

has been providentially preparing me to pedal too.

All right. [laughs] I suppose I do have

a great pedaling crew.

But I'd need a huge and light structure in order

to take on that many people.

And we would need a huge amount

of fabric to make a large enough balloon.

Draw out the plans.

I know someone who can build it.

-Are you sure? -Yes.

I have friends all over town.

Uh, and where is this factory chimney?

I don't know.

Should we really be building this airship then?

Considering the sewer,

we were in the north part of the 19th district.

That is where most of the factory chimneys are!

But, do all of those factory chimneys

have a weathercock in the shape of a serpent?

Mr. Eiffel currently lives in the highest flat on earth.

[gentle music]

I would do anything to save all of those girls

and to lock up the Male-Masters.

A new metal, aluminum, will work wonders.

Mr. Eiffel!

I am amazed by what you have constructed here!

Do you think that I will be able to build such

a high building when I grow up?

Why sure. Even higher, too.

My lady, Berlin on the line.

Thank you, my friend.

[speaks in German]

Madame Calve speaks the foreign language very well.

Yes. She's studying German.

She would like to be able to sing Wagner, she admires him.

And she's close friends with the Count von Zeppelin

who builds huge aircrafts.

Ferdinand! What a pleasure.

Very well, thank you.

Well, not yet.

It's about saving little girls and our civilization.

I didn't expect any less from you!

I'm in urgent need of fabric in order to build

a structure of 10,000 cubic meters!

[man] It's a scandal! The two Male-Masters captured

by the young Kanak have escaped!

It's incredible.

How do the Male-Masters achieve all of this?

I have finally found out.

I'm taking you there.

No one understands how they escaped!

Where is the little Kanak girl?

We need her now.

Kanak, Kanak.

When I was in Kanaky, people called me French,

as if I had no Kanak blood.

In France, people call me Kanak,

as if I had no French blood.

I want both, or better, leave me alone.

[Orel] I live near the police commissioner.

This is his home.

[Emma] Nice building!

Opposite, there's a building with a blind wall.

No one can see inside the commissioner's.

It's here.

Where are you taking us?

[Orel] To my room, and then even higher.

We are going to see what no one else sees.

This is my nest.

Poor boy, it's not very big.

[Orel] It's my home, I feel good here.

And I have a nice view, come on.

[gentle music]

Hold my hand.

I would not want you to fall off.

Here we are.

What you will see next is really ugly.

We are above the commissioner's living room.

Well, it's really ill-decorated,

but why is that of any importance?

A four-leg!

They are seated on women!

The police commissioner

and his associates are part of the sect

of the Male-Masters.

Which means the authorities

won't be of any help.

What we should do is bring together Sarah Bernhardt,

Louise Michel and Madame Curie.

They will come up with some ideas.

[laughs] It's a nice thought, Dilili,

but alas, some stars never cross each other's paths.

[somber music]

My dear Sarah, Dilili sure knows

how to convince people.

It was enough for this young heroine

to ask me, and how could I pass this opportunity

to meet two other of my favorite heroines?

Marie Curie and Louise Michel.

Happiness strikes me from all sides.

Finding my adorable pupil from the other end

of the world, reconnecting with Sarah Bernhardt,

so much talent, and acts I will never forget.

And, to meet The Madame Curie.

Marie Skwodowska, how wonderful,

and how encouraging your existence is.

Thank you for coming.

Thank you, Louise Michel.

I don't know how useful

I may be in a council of war,

but no human being could turn down such an invitation.

I came to Paris to study,

since women aren't allowed in universities

in my country.

We must not allow things to go backwards.

Imagine men trying to force my sweet young daughters

to walk around on all fours!

Your daughters and you as well.

And the police are with the bad guys.

[Emma] Not all of them.

Of course.

Many of them do a necessary job well, but--

Your cats are very big here.

No, watch out!

[laughs] It's only Justina, my cheetah.

If the police can't help, the army will.

The army?

Those bunch of bloodthirsty idiots

who only know how to blame

and kill innocent and defenseless people?

It is not the army but some of the generals.

And some officers did not follow suit.

Indeed.

The lieutenant colonel, who was a key character

in the case was fortunately reinstated.

Sometimes, I do not understand a single thing.

Let's leave it for later.

[gentle music]

[Emma] And he won't be in Paris when the time comes.

The lieutenant colonel often goes to Vienna,

at Alma and Gustav Mahler's,

-since he is a music lover. -The perfect man.

Well, the army's tyrant will be in London,

thanks to Emma Calve and Queen Victoria.

Which gives free rein to the lieutenant colonel.

He and his soldiers will work wonders,

the Male-Masters will lose the battle.

It won't work.

The lieutenant colonel cannot embark

on such an operation by himself.

He needs to receive orders.

Then let the president of the republic give him the order.

Of course!

No half-measure here.

I will ask the president over,

he can never turn me down,

and I will explain it all.

The problem is solved.

We are just enjoying a hug.

But we will not wait until this operation

is all set up to free our little prisoners.

In two weeks, they will fly away with us!

It is time.

Santos-Dumont and his workers

have just achieved a tour de force.

[Emma] He must be on the roof already.

Here we are!

What's with that outfit you are wearing?

This outfit? Well, it is no ball gown.

Just because you are about to risk your life

doesn't mean you should be poorly dressed.

My dear Paul, please set this situation straight.

Besides, you need to impress the girls

in order to lead them.

And you will meet their parents if all goes well.

Do you know Paul Poiret?

No, I suppose not.

He works for other costumers.

But not for too long.

I am pleased to make your acquaintance.

You can't write while I'm dressing you up!

I'm writing down your name.

[Paul] I see.

Here you are!

[Emma] So nice!

[Paul] Put this in your pocket.

You can put it in your hair after your victory.

[gentle music]

[ominous music]

[grunting]

Now that she's tied up all nice and tight,

I would gladly throw her in the sewers,

as she was threatening all of the others.

-Lebeuf! -Don't worry.

I only wanted to say it, not do it.

Poor woman.

Get up, all of you. Get up, girls!

We are leaving.

We're escaping.

We are going back to Mom and Dad.

Quickly, run to the chimney!

[panting]

Run on two feet!

Never again on all fours.

Go on!

They expect you at the exit.

It's your turn.

Come on!

-Quick, hurry! -They're coming.

Hello, sweetie.

Come.

Have a seat.

Good evening... [speaks in foreign language]

This way.

Have a seat.

Hello, my little flower.

Your seat is ready.

Climb up.

Go!

Hurry!

[Alberto] Hello... [speaks in foreign language]

-[Dilili] Take my hand. -[Emma] Hello, my little princess!

[Dilili] This way.

[Alberto] Hello... [speaks in foreign language]

-[Dilili] Follow me. -[Emma] Hello, little star.

[man] What's going on? What's happening?

What are the girls doing this time?

Step aside! What?

-[tense music] -[yelling]

Cling to him, girls!

You can go! I'll take the small one.

-[man] Don't let them get away! -Let the airship up!

-[man 2] Let the airship up! -[Dilili] Let the airship up!

[yelling]

¶ It's the sun and the rain ¶

[all] ¶ The night and the day ¶

¶ The flowers and fruits ¶

¶ He and he ¶

¶ She and she ¶

¶ She and he ¶

¶ You and me ¶

¶ They and we ¶

¶ Those from near ¶

¶ And from far ¶

¶ If you're dark ¶

¶ Or rosy ¶

¶ And all together ¶

The Eiffel Tower's diners

are about to be flabbergasted!

And your parents will be delighted.

They're all waiting for you.

And I will sing for you,

girls who have been ill-treated,

girls who are coming back to us.

[gentle music]

Santos-Dumont, of course!

Oh, it's Emma Calve!

And her nice little friend as well.

Yes. And the little dark one.

That is Orel's small friend!

That's right! It's Dilili!

And all of the other rescued girls!

Champagne.

Oh, how wonderful!

The little girls are back!

The world has become whole again!

[angelic singing]

¶ Ooh ¶

[vocalizing]

[all vocalizing]

-Mom, Dad! -So great to see you!

-Mamma! -Dad!

-My girl! -Finally!

-Oh, come here. -Mommy!

-Oh my dear-- -Madame, madame!

Hello. I'm the greatest impresario in Paris!

Do this for me every night

and your fortune will be made! [laughs]

My dear sir, it's been a long time

since my fortune was made.

There are events that only occur once

but will live forever.

[girl] It was Dilili.

She's the one who freed us.

[girl 2] She managed to escape,

but, she came back to free us!

[girl] Dilili is brave.

[girl 3] Dilili is generous.

[girl 4] Dilili, thank you.

[girl 5] Thank you, Dilili.

-Thank you, Dilili! -But I wasn't alone.

-Dilili. -No, you are not alone.

-[girl] Dilili. -No, you're not alone.

-Dilili. -No, you are not alone.

Sometimes life turns out to be perfectly satisfying.

And it is only the beginning!

[gentle music]

You are wondering, "And what about the Male-Masters sect?"

All right, the lieutenant colonel worked wonders.

All of those villainous men were arrested,

the women were rescued, and they learned

how to walk on their two legs.

Some even learned how to dance.

Some older ladies didn't want to walk

if not done on all fours.

I conceded them a wing of my castle in Languedoc.

At least, there is fresh air and a wonderful view.

Lebeuf found the same woman

that he had seen in the underground city

and made her forget all the evil things

that those men did to her.

And our little prisoners?

They can meet whoever they like.

They can go to schools that elevate them

instead of having them on all fours,

and I give them all colorful dresses for each celebration!

¶ It's the sun and the rain ¶

¶ The night and the day ¶

¶ The flowers and fruits ¶

¶ He and he ¶

¶ She and she ¶

¶ She and he ¶

¶ You and me, they and... ¶

[all] ¶ We ¶

¶ Those from here and from... ¶

[all] ¶ Far ¶

¶ If you're dark or... ¶

[all] ¶ Rosy ¶

¶ And all together ¶

¶ It's the sun and the rain ¶

¶ The night and the day ¶

¶ The flowers and fruits ¶

¶ He and he ¶

¶ She and she ¶

¶ She and he ¶

¶ The sultans ¶

[all] ¶ And beggars ¶

¶ All the kings ¶

[all] ¶ And the valets ¶

¶ The wizards ¶

¶ And fairies ¶

¶ And all together ¶

¶ It's the sun and the rain ¶

¶ The night and the day ¶

¶ The flowers and fruits ¶

¶ He and he ¶

¶ She and she ¶

¶ She and he ¶

¶ All The moms and... ¶

[all] ¶ The dads ¶

¶ Grandparents ¶

[all] ¶ And babies ¶

¶ All the girls and... ¶

[all] ¶ The boys ¶

¶ And all together ¶

¶ It's the sun and the rain ¶

¶ The night and the day ¶

¶ The flowers and fruits ¶

¶ He and he ¶

¶ She and she ¶

¶ She and he ¶

¶ The beauty ¶

[all] ¶ And ugly ¶

¶ It's the wise and... ¶

[all] ¶ Pretty ¶

¶ It's the old and... ¶

[all] ¶ The young ¶

¶ And all together ¶

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