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These are the user uploaded subtitles that are being translated: Eߣ�B��B��B�B�B��matroskaB��B��S�g�<M�t�M��S��I�fS��M��S��T�kS���M��S��S�kS��?�M��S��T�gS�����O�I�f�*ױ�B@M��libebml v1.3.10 + libmatroska v1.5.2WA�mkvmerge v44.0.0 ('Domino') 64-bitD��AU��@Da��/��O�s��f��� �5c��5T�k���ׁsňXE蛞gn'��������S_TEXT/UTF8�D%C�u��:�����I can't resist, I can't resist�������KI can't resist, I can't resist, I can't resist���C�u��\렷���A boy in a uniform, a boy in a uniform��������`A soldier handsome and brave�� �C�u@��{I�����When I am kissed, when I am kissed���ȡlWhen I am kissed I must insist that I be kissed���C�u���d�����By a boy in a uniform A boy in a uniform��JC�u��������And he can make me his slave�� ������ �Look at that manly figure���C�u���P�����He's always so well-dressed����¡��His strong physique makes me feel so weak��C�u���Ġ����Look at that caveman chest�� ͠����I can't resist���C�u��������I can't resist��(�����7I can't resist, I can't resist, I can't resist���C�u��������A boy in a uniform, a boy in a uniform��9�����A handsome soldier�� mC�u��?r�����Just like you���C�u��`�ơ��She abused me which, of course, means she's crazy about me.�� ꠭����The way she keeps running after me.��rC�u��x������Oh, well, I might as well give in.�� g����� �I just simply can't escape her desire to love me.�� JC�u���砯���I can't resist, I can't resist��٠����KI can't resist, I can't resist, I can't resist���C�u���q�����A boy in a uniform, a boy in a uniform��9������A handsome soldier�� C�u��ڌ�����Just like you�� �C�u���!�����But he's mine, he's mine��������aAll mine�� xC�u@��N������- Oh, Hap, you're wonderful. - I am?�� ��̡Ɓ aGee, every other girl that ever kissed me thought I was a square.�� �C�u@��f�١ӁThe way the act went over tonight, well, it was the biggest thrill I ever had.��.������- Didn't you get a thrill, too? - Yeah.���C�u@��}��ǡ��Every other girl that ever kissed me thought I was a square.�� a����� �- Hap, you said that before. - Oh, yeah.���������Well, aren't you happy the act went over?�� C�u@���G�ΡȁOh, sure, Betsy. And I wanna thank you for having confidence in me.����š���You see, when my partner, Chick, went in the paratroopers,�� �C�u@��������I never thought I'd be able to do an act without him.��.������Well, you're doing a darn good one.��.�͡ǁ5- Well, you're pretty... - Oh, I'm in it, Hap, but you're the act.�� (C�u���%�����No. We're a team. And, I'd like us to be a team.���C�u���z�����I mean, all the time.��~����� �And, well, Betsy,���C�u��𠷡��I was wondering if maybe tonight we could...��꠯���WNow, Hap, we do a swell act on stage.�� �C�u��#�����Let's just keep it that way, huh?��P����� �The army turned me down because I have a bum ear.�� ?C�u��.x�����- But I heard you say no. - You know something, Hap?�� ���WYou're just about the nicest boy I know.�� �C�u@��Rr�����Here, here, Betsy, as your agent, I get 10% of that.�� x�ġ�� �Oh, fine thing. I don't suppose you have anything for us.�� C�u@��h������Yeah, I sure do. Earl White liked you��9������and he wants to see us at 11:30, Wednesday.��9����� LEarl White! Oh, Sam, that's wonderful. Isn't it, Hap?�� mC�u@���ؠ����- Yeah. That means Broadway. - Yeah.�� ����� x- The big time. - Yes.��~�����`Sit down, Sam. You sit here, Betsy.�� �C�u@���K�����I can see it all now. It's opening night.�� ��ޡ؁ �And everyone's all seated in their seats, and they're all dressed up, too, waiting.��EC�u��Ƶ�����And then the conductor comes out to start the show.�� �C�u��箠ɡÁHe smiles at the audience and looks around, and he gets ready.�� C�u��#Š͡ǁAnd he stops the music. And the MC is introduced and he comes out.�� �C�u@��?�ӡ́Hello there, folks! Just starting our show! I'm sorry I'm a little late.�� Ӡ���� ABut on the way over to the theater,��E������a panhandler stopped me on the street and said,���C�u@��V�����"Buddy, give me a dime, will you, and hurry up."�������� I said, "Why hurry up?" He says, "I'm double-parked."�� xC�u@��j'�����Anyhow, we'd like to start the show, folks.��~������We'd like to start with that beautiful chanteuse,��9�Ρȁ �the very lovely mademoiselle Sally Sack, and here she comes!��EC�u���'�����I'm in the mood for love��xC�u���|�����Simply because you're near me�� �����aFunny, but when you're near me��C�u���������I'm in the mood for love��(C�u@������And then they clap, and then the MC comes out again.�� ������ +He says, "Ladies and gentlemen,���ơ���"we're going to introduce those two wonderful entertainers,��rC�u@�� �����"and here they are, Betsy Carver and Hap Smith!"�� �ơ��xAnd we come out, Betsy, see, and we're on the stage, Betsy.�� �C�u�� ~�̡Ɓ- The both of us are out there, see? - But what are you gonna do?�� ������ I don't know, I'm too tired.��C�u��>������Where you been? You missed the whole show.��������- Telegram for Hap Smith. - Oh, that's me.�� ?C�u@��Sנ����Oh, certainly, the tip.��䠧��� �Anybody got change of a dime?��������l- Okay, keep the whole thing. - Thank you, mister.�� �C�u��qm�����That's all right.�������� AExcuse me.��C�u@��;�סсIf I'd have known you were that hungry, I would have brought you a sandwich.�� ������ b- What is it, Hap? - Yeah, what does this mean?�� �C�u��U������I'm sorry. I can't explain.�� �������Where you going?��C�u��s�����Even I don't know.��\C�u���4�����"Important patriotic mission."�� �C�u���Ӡ����"Secrecy essential."��.C�u��:X�����It'd be easier to see if you took those glasses off.�� ?����� �I beg your pardon.��\C�u��Z&�����Oh, I'm sorry, lady.���C�u@���͠����- Hap! - Chick!��������!Hiya, pal!������� �- You're my chum - I'm your chum���̡Ɓ- You're my friend - Through thick and through thin�� VC�u��򥠳���- Hey, just like old times, huh? - Yeah.��������Sit down. You sit over there. Here, over here.�� C�u@�� ������Hey, how's your new partner?���������Oh, great. Has something you'll never have.��ꠢ���V- Yeah? What? - Skirts.��\C�u@�� !-�����Hey, it's good to see you, Hap.��.�ġ���Don't mention my name. I'm here on a very secret mission.�� �������- I know. - You know?��(C�u�� ;>�����Sure. I sent the telegram.�� á�� LOh, and I thought this was gonna be something patriotic.�� �C�u@�� Q������- It is. - Yeah?�������� Yeah, look, Hap. Now, we're in a spot.��P������See, we're putting on a show tonight and we need you.���C�u@� h������I've been working with Dogface.��x�͡ǁ�Wait, Chick, I know from blackface, but I don't know from dogface.��.C�u�� }�����Well, this is Dogface Dolan.��r����� - Are you sure? - It's only a nickname.�� ?C�u�� �ɠ����My folks never christened me that.�������n- What'd they call you? - Dogface.���C�u�� ���ɡÁNow, look, Hap. The big wheel of this camp is General Timmons.�� ����� mAnd he doesn't like soldier shows.��mC�u@�� �̠ȡBut our colonel has finally talked him into seeing this show.�� 4�֡Ё �Now, we've got to sell him. You and I, Hap, have got to sell him this show.�� JC�u@�� ������- It's got to be great. - Or no more shows.�� �á�� mIf it's great, then plenty of entertainment for the boys�� aC�u@�� �I�����and an extra stripe for Chick.����á�� Now, the first thing we have to do is get you a uniform.�� 4������Oh, I got one. Right in here and it's a real doozy.�� EC�u@�� ������Do you want to get us all landed in the clink?����ȡOh, don't be silly. This is a trick suit I use in my new act.�� ������We'll see it in a minute. You can put it on in there.�� ?C�u@�� 'j�����Well, why can't I change backstage?�������� ABecause you're not GI. This is an all-army show.�� ������)So?��C�u�� ?�����So, your being in it is a top military secret.�� #����� �You're not even supposed to be on the post.�� �C�u�� T������Forget you're Hap Smith. You're Dogface Dolan.�� ��� xOh, I'm Smith out here and I'm Dolan in there.�� �C�u@�� j�ơ��And if they find out that Smith ain't Dolan... Bye, fellas.�� ��ġ�� aOkay, Hap. I never thought you'd let your old buddy down.��PC�u�� �������But what if I get caught? Ain't this illegal?��������I'm surprised at you, Hap.��C�u�� ���ȡDidn't you once say you'd cut your arm off up to here for me?�� 䠫��� mUp to here, yeah. Up to here, no.���C�u@�� �D�ʡāBesides, I have an important spot in a Broadway show coming up.�� ޠ���� LI can't take no chances.������And how about me?��9C�u@�� �������I'm in charge of entertainment in this outfit.�� g�ȡ �Wouldn't you like to see your old buddy with an extra stripe?���C�u@�� � �ɡÁ- Of course I would. - I knew you'd do it, pal. We can't miss.�� m�ҡ́ �Now, you go ahead, put on your uniform. We'll see you at the main gate.�� C�u�� V�����Good luck, Dogface.��V������- Who you calling dog-face? - You.�� �C�u�� ������Dog.��C�u�� ;X�����Dogface.���C�u�� �������Why, you're all jealous.��䠖����- Hi. - Hi.��~C�u�� �Ӡʡā- Well, where are you? - I'm in there someplace. How do I look?�����w- Gee, I... - GI, swell.���C�u@�� �I�ơ��- That's what I hoped you'd say. - Now, look, listen to me.�� �Ρȁ yAfter you get through the gate, you can't miss the main auditorium.�� �C�u@�� �֠����Well, why don't you go with me?��V�ڡԁ�I can't. I have to round up the boys for a quick rehearsal. I'll see you there.��PC�u@�� �蠨���Then why don't you go with me?����ˡŁBecause you've got my pass. And hang on to it. It's my lifeline.�� ��ɡÁ�Now, as soon as the show is over, we'll meet you here. Got it?���C�u�� &�����- Yeah. - Show that to him.���C�u�� n�����Hey, soldier, come here.��J����� L- Let me see your pass. - My, but you're inquisitive.�� �C�u�� 3Ϡơ��You didn't think I had one, huh? Well, there it is, smarty.�� ������ Ha ha and ho.���C�u�� N렡���- Hey, Wilkes. - Yeah?��x������If I saw what I think I saw, I need a psycho test.�� \C�u@�� z�����Maybe we'll bump into each other again sometime.�� ޠ����x- Didn't you forget something? - I don't think so.�� C�u@�� � �ġ��A little matter of a salute. And say "sir" to an officer.�� ����� x- You watch it. - Of course, sir. Yes, sir!�� �C�u�� �x�����- Morning, sir. - Good morning.�� ������ Details will report to the orderly room at 0700.�� �C�u�� �͠����- Hello, sir. - Hey, soldier!�� E�����)Yes, sir?��#C�u@�� ��á��- Do I look like a commissioned officer? - Oh, yes, sir.����Ρȁ�What kind of a goon are you? I'm a sergeant. I don't rate a salute.��xC�u�� "�����- Yes, sir. - And I don't rate no "sir."�� ������ �Yes.��C�u@�� 6ʠ����You're a disgrace to the outfit.��J�ѡˁ�Look at that uniform. It has more wrinkles than an unfolded parachute.�� xC�u�� JW�����Straighten it out!��V�̡ƁVWhy don't you take better care of your issue? It's falling apart.�� �C�u@�� i⠴���Well, you see, it was made that way, sir.��ӠɡÁAThe Quartermaster Corps issued that uniform in good condition.�� 9������Keep it that way!��gC�u@�� �������- Well, let me explain, sir. - Explain what?�� ޠ���� LThat this pocket is made to fall off?�� ����wAnd these buttons are supposed to be loose?��JC�u@�� � ����Well, now I'm all dressed for the summer.��������cPull up those pants!�� ԡ΁XWhere did a yard bird like you ever manage to pick up those fancy medals?�� �C�u@�� �q�����- In a pawnshop? - Oh, no, sir.��P������Stop that "sir."��������There's one I've never seen. What is it?�� �C�u�� ق�����- Oh, nothing, nothing. - What's it for?�� ����� �- Slow fire. - And this?�� #C�u�� �q�����- Rapid fire, but please don't... - And this?�� 9������- Extinguish fire. - Extinguish fire?��xC�u@��4�����Let me at him. I'll bend those medals around his ears.�� ͠���� 6Easy, Sarge. Easy, Sarge.��Ƞ����bHey, Chick, he thinks I'm a regular soldier.��\C�u@��J@�����Tell him I'm not, tell him the truth.���������Of course I'll tell him the truth. You see, Sarge,�� ���� *this fellow doesn't ordinarily look like this.���C�u@��^t�����Why, he's one of the neatest men in his outfit.����¡��He's only wearing a trick uniform for our show tonight.�� �C�u@��r������It is, huh? Why doesn't he say so? Trying to rib me?�� ~�Ρȁ �Well, no, he's a little upset. You know how this amateur talent is.�� �C�u�����ɡÁHere, amateur talent? I ask you, Sergeant, is this amateurish?��\C�u���ˠ����- "What a rogue and peasant slave am I" - Hey. Hey.�� ������ "Is it not monstrous that the player here�� 9C�u���x�����"Is it not"��ޠ����MKnock it off!����� Acting. Theatricals. What an army.��gC�u@��֠�ҡ́I remember, in the old days, when the army wanted to raise your morale,���������they'd issue you a pass and you'd...�� �C�u���+�ˡŁSergeant, careful or we'll have to wash out your mind with soap.��x����� Get him out of my sight!��~C�u�������Relax, watch your blood pressure. How about a cigar.��٠���� AHave a cigarette.���C�u��(������That's him there, Hap. General Timmons.�� #C�u��<𠫡��Wonder what would make him laugh.��������Blood.��gC�u��S}�����Well, it was nice being in the show.�� ?����� �Look, you stay here. I go on first.�� �C�u���.�����The parachute jump��\����� �The parachute jump��\C�u@��� �����It's thrilling to do a dance that's new�� ������ *The parachute jump�������lWhen the music begins to ride�� �C�u���g�����Then you begin to glide�� ޠơ�� LBouncing from side to side the parachute jump�� 9C�u�������You leap into space�������� LSmile on your face��\C�u�������But what do you know down there below�� ������ the world is in place��C�u��(p�����Hold it steady, so you won't slip�� V�����Attaboy, let her rip���C�u��@J�����Then you begin to dip the parachute jump�� ~������You dance, and while you dance��EC�u��f�ǡ��Angels are singing songs from high in the blue��C�u��zJ�����You dance, oh, how you dance��mC�u���������Suddenly heaven's doors are open to you��?C�u���o�����You sway, and as you sway��JC�u���?�ġ��All of your dreams it seems are coming true��?C�u���0�����You whirl, into a spin����ơ��JLoving the spin you're in when you do, do, do���C�u��������The parachute jump��\����� �The parachute jump��\C�u@����֡ЁYou drop and you drop, then pop you stop and land with a bump��P�����kIf you really would like to fly�� JC�u��&ܠ����Be like a bird on high�� ?�¡�� �Take my advice and try the parachute jump�� �C�u��Aנ����The parachute jump��~����� �The parachute jump, jump, jump, jump�� C�u��U頮���Jump, jump, jump, jump, jump!�� �C�u��?������The parachute jump��\����� �The parachute jump��9C�u��T��ӡ́You want to fly like a bird in the sky then you better try���C�u��j������The parachute jump�� �C�u@�����á��I told you Hap would make the show. You were great, Hap.�� V�֡Ё �Oh, no, Chick. We worked together tonight just like we did in the old days.�� �C�u@���T�����And I sure hope you make sergeant now.��~������- Me, too. - Holy mackerel!��9����� �I better hurry. I'll miss the last train.���C�u@���E�աρOh, don't worry, Hap. Dogface will have a cab waiting for you at the gate.�� 4����� �Oh, swell. Well, so long, fellas.���������- So long. - So long.��#C�u��揠ӡ́It was sure nice knowing all of you. And give my regards to the General.��.������- Attention! - At ease.���C�u@�� �����At ease, men.�������y- Who is Corporal Allen? - I am, sir.�� �������I want to congratulate you, Corporal.���C�u@��/K�СʁYou and the rest of your cast have turned out a most successful show.�� V����� �- Thank you, sir. - And where is Private Dolan?���C�u@��O[�����Well, I don't believe Private Dolan's on stage, sir.�� ������The last I saw of him, he was on his way off the post.�� C�u@��i������- Oh, that's too bad. - Yes, sir.��r������I wanted to congratulate him personally.��J������Thank you, sir.��C�u@���O�֡ЁWell, Dolan, it appears you're as much a clown off the stage as you are on.�� Ӡ���� @Yeah.��#������- Corporal. - Yes, sir.���C�u@���4�ȡTonight's show has convinced me that Colonel Bradon is right.��٠ɡÁ AThese shows mean a lot to the men. Now, keep up the good work.�� �C�u@���������- Yes, sir. - Oh, but this show��������will please the men in any army camp, sir.��\�¡�� �You know, in show business, shows go from town to town.�� gC�u@���o�����Say, that's a brilliant idea, Dolan.�������n- Lieutenant? - Yes, sir.����š�� bDetach this unit to tour the other army camps in our area.�� �C�u@���Ġ����Yes, sir.���������There may have to be a few minor changes made, sir.�� ��ӡ́�Oh, don't be silly, Chick. This show could play just like you put it on.�� C�u@��.�����What would you want to make changes for?��������He's right. It's perfect as is. Don't change a thing.�� ������w- Now, that's an order. - Yes, sir.���C�u@����СʁAnd since I'll be traveling around myself, I'll see it several times.�� x�ơ�� �Congratulations again, Corporal. I'll be seeing you, Dolan.�� VC�u��6Q�����Oh, thank you, General. Yes, sir. Thank you, sir.�� 9C�u@��J!�����Say, you should use that routine in the show.��J������Yeah, you could use that in a show, huh, Chick.����¡���Well, anytime the army wants me to help out again, sir,�� C�u��cH�����don't hesitate to call on me.��E������I won't.��ޠ�����Attention!��C�u��w�����He's a nice man.������� �Well, let me hear from you guys.���C�u@���@�����Drop me a post card sometime.��r������Now you've done it. You and your big mouth.��r������"The men in the other camps will like this show.��mC�u@���������"Chick, what do you want to make changes for?"����ϡɁ- I was only trying to get you in good. - You know what you've done?�� ������You've cooked us all including yourself.��C�u@���c�����I have?�������nYou were supposed to open on Broadway, weren't you?��Ƞ���� �- Well, your season just closed. - Oh, no!�� �C�u���S�����- This show goes on tour as is. - Oh, no!��������And you'll go with it, Private Dolan. That's an order.���C�u���Ӡ����Oh, no!��Ӡ����A- Oh, yes! - Oh, yes!���C�u���¡��Come on, fellas, this is blackmail. This is kidnapping.��ޠ����KThis is self-protection.��C�u@��+Z�����If I let you go now, the whole story will get out���������and we'll end up in the hoosegow.��͠ڡԁ *If you guys don't let me go, I'll call an officer and tell him the whole story.��gC�u��U1�����I'll scream.��VC�u@��kߠ����- What happens if I do? - I'm glad you asked that.�� ~�ѡˁ *Evans, what's the penalty for wearing a uniform under false pretences?��C�u@���ؠ����Oh, they put you in jail for six months.���������Well, that's not so tough.��Ӡ����@And then they take you out and shoot you.��PC�u@���Ԡ����Because you wore a uniform to sneak into an army camp.�� ������ And that comes under the heading of "Espionage."�� C�u���w�����You're a spy, see?��䠔��� �Espionage?��C�u@���ˠ����They shoot spies, don't they?���������Naturally.��������lBut usually, the first volley of shots does the trick.�� VC�u����ġ��If they don't hit a vital spot, they shoot until they do.�� �����And you know that old motto,���C�u@��i�����"If at first you don't succeed,��(������- "you try and try again." - "You try and try again."���������Try again. I know.��EC�u@����ʡāI wonder, are they supposed to shoot for the head or the heart?��͠����wOh, the heart. That's so they don't bleed so much.�� �C�u@��8>�ȡAll right, fellas. If the execution is over, can I go to bed?��E�����U- I don't feel so good. - All right, come on.�� �C�u@��^������Attention!������� +At ease, men.����١ӁKThis is Sergeant McClusky. He'll be in charge of this unit while it's on tour.�� �C�u@��| ����I've given him full instructions.��䠬���M- Carry on, Sergeant. - Yes, sir.��m������All right, men, fall in at the foot of your bunks.�� �C�u@���W�����When you men volunteered for the paratroops,�� �ɡÁ �you knew you were entering the toughest branch of the service.�� �C�u@����ϡɁThe General has okayed the show, but he wants your training kept up.��٠�����Now, I know how it is when you get a new sergeant.�� C�u���ޠ����You don't know what to expect and it upsets you.�� Ӡ���� @Well, let me put your minds at ease.�� ?C�u@���Ġġ��Just to let you know a little more about me, I'm a louse!��?�š��(Now, turn in, because tomorrow's gonna be a very busy day.�� �C�u@�� �����- Sergeant? - Yes?��\������Aren't you gonna say good night?���������I'll do that when I come back to tuck you in.�� xC�u@��%�ԡ΁Alrighty, because it wouldn't be very nice of you to go to bed mad at us.�� m����� �Save the comedy for the paying customers.�� aC�u��?9�ġ��Well, if you don't like it, break me. Make me a civilian.�� ~����� �Turn in!���C�u@��n��ɡÁBoy, what a break. A new sergeant, and he thinks you're Dolan.�� �����WWell, if he thinks he's Dolan, what does that make me?��PC�u@�����ѡˁNow, look, you have to lay low until the General sees this show again.�� (����� �And you take his bunk. Dogface's.��.C�u@���àá��Oh, fine. It ain't bad enough I got to give him my name.�� ?�ǡ�� �- Now, I got to give him my bunk, too. - Pipe down in there!�� �C�u@���[�����- Where am I gonna sleep? - Oh, you can have your bed.��  �����I'll sleep outside. The fresh air will give me a lift.�� �C�u@��ј�����Nice try, kid, but you stay here.�� ��Ρȁ �What's the matter? Do I have to come in there and shut you guys up?�� �C�u@��浠����Now, look, we have to turn in. Take off your clothes.��r������Here?��#������- Here in front of all these fellows? - Take them off.�� �C�u��Ѡ����Well, I'll take them off my own way.��PC�u��������I happen to like privacy.���C�u��O�����You'll have to get out of here.�������� +Go on. Run along.��\������Outside. Shoo. Come on. Hurry.���C�u���꠹���Well, some people are more modest than others.�� �������Okay, now that you're all undressed, turn in!�� gC�u���򠗡��Hey, Dogface.����ġ���Here's the key to the boiler room. Now, go hide yourself.�� C�u@�����ġ��There's no window in there. If I can't breathe, I'll die.�� ������ �Good, then there'll only be one Dolan.���������- Yeah. - Go on. Beat it.�� �C�u@����ǡ��- Chick, I'm scared. - Cheer up, we're all in the same boat.��P�¡���Yeah, but why does it have to leak right under my seat?���C�u@��/������Now, go to bed.��#������- I don't want to. - Why not?��E����� AI'm not going to bed till that Sergeant comes back��\����� and tucks me in like he promised.���C�u��V(�����I'll tuck you in. Hit it for 10.�������W- What do you mean? - I said, hit it for 10 push-ups.�� �C�u@��i������- For what? - For being naughty.��(������I wasn't naughty, and I don't have to do it anyhow.��.�����)- You don't? - No, because I don't know how to do it.�� �C�u@���5�����- And, if you want me to do it... - Yes?��.������Well, you'll have to show me how to do it.��\�����bWell, come here and I'll show you.���C�u����ġ��- Should I go with him? - I think it'd be nice. Go ahead.�� ����� m- Alrighty. Bye. - Bye.��\C�u���������All right. Go ahead.�� ���� �One, two, three.�� �C�u���������You do it.��������- All right, how many did you do? - Three.�� gC�u���ɠ����Four, five...���C�u��V$�����What?��͠���� �Wise guy.��xC�u���[�����- Turn off the radio. - All right. Come on. Get up.�� �C�u@��������- It's the middle of the night. - Come on, get up.�� ������ Okay, Allen, get your men up.��r�¡��)Good morning, everybody. Come on. Everybody out of bed.��#C�u@���[�����Got a big day's work ahead of us. Come on.����Сʁ bHey, Kelsey, shake that guy. He'll never get to be sergeant that way.���C�u@��͡ǁCome on, now, you bunch of debutantes. This ain't the Plaza Hotel.�� Ƞ����5Here we go. Come on. Everybody. Up.�� �C�u��������Oh, a wise guy, huh? A real smart guy.�� mC�u��/������You heard me. Everybody up. Come on!�� ������ LLet's go. Last one out's a second lieutenant.�� C�u��Cr�����Come on, children. Naptime is over.��r������Time for crackers and milk. You down there, up.�� �C�u��X������On your feet. Rise and shine!�� �C�u���B�����Everybody up!���C�u��࣠����Morning.���C�u���������Well, Mr. Dolan, you left a 5:30 call.��?C�u@�� �á��What are you, one of these tough corporals or something?�� 9����� �No, I'm one of those tough sergeants. What about it?��.C�u��<ɠ����No, nothing. I'm one of those scared privates.�� 9�����Okay, you guys. This is still the army.�� (C�u@��]�ơ��You have exactly four minutes and 35 seconds for roll call.�� J�š�� �- That means uniform "C." - Now, hurry up and get dressed.�� �C�u@��u��ڡԁWe got to go outside. Every man has to answer roll call to show that he's here.�� �á�� LBut the man just saw us. You mean, we have to go outside���C�u@���)�͡ǁto tell the man we're here when he knows we're here? That's silly.�� ޠˡŁ LNo, that's the army. Now, get into your jump boots and fatigues.�� �C�u��ַ�����Yahoo!��������J- Army. - Yep.��VC�u��������Parade rest!��V������- Archdeacon. - Here!��V����� L- Baker. - Here!��Ƞ����w- Benton. - Here!���C�u��ؠ����- Chambers. - Here!��Ƞ����,- Dobie. - Here!��������Dolan! Dolan!��J������- Here! - Here!���C�u��'�����As you were. Dolan?�� �������Here!��#C�u��??�����You! Front and center.�� ?�����JNot bad. Fall in.���C�u@��[E�����- You. - No, you!��~����� I said "Fall in," didn't I?��9�ġ���Yeah, but, you didn't say what to fall into. I'm looking.�� �C�u@��xV�ܡցStill a clown, eh? Well, it may take a little time, but I'll knock it out of you.��r������Now, get back in line.��JC�u@���젚���It's your fault.��x������You're slipping, Corporal Allen.��J�ҡ́ �I remember you when you were one of the 10 best-dressed men in America.�� (C�u@��������I'm sorry, Sarge.��Ƞ����,I know, trying to grab a little extra shuteye.��P����� �But, your sidekick here was right on the ball.�� aC�u��Ƕ�����Next time, try to shape up the way he did.�� a����� �And that goes for the rest of you men.���C�u���頒���Fall in.����¡���- I said "Fall in!" - Okay, okay, but where's the hole?�� �C�u���à����All right, funny man, get a shovel and dig one!�� �C�u@�� !�����At ease, men.���������We got riggers to pack parachutes.�� a�ڡԁaAt the same time, every man has to learn to pack a chute himself.���C�u@�� ;R�ǡ��So, even if you've done this 100 times before,�� \����� mtoday you're gonna do it again.�� aC�u�� T������Okay, start packing.���C�u�� �p�����Hey, Chick? Chick? Chick?�� 4����� *Chick!��gC�u@�� �K�����What do I do?��Ƞڡԁ,Make-believe you're packing and I'll fix it for you when I'm through with mine.�� ������Now, hurry up.��VC�u��!W������Cut it, will you? Cut it!��~C�u��!������Hurry up, get them chutes folded.�� aC�u��!���ˡŁRemember, would you jump the chute you're folding?��.������You may have to.��C�u��"������- Dolan, finished already? - Yes, sir.�� �����(This, I got to see.���C�u��"B������Not bad at all.��Ӡ���� �Nice work, Corporal. All chutes folded?�� \C�u��"YC�����Yes, sir. All except that one under Chick's table.�� a����� �Chick, show that one to the Sergeant.���C�u��"|�ġ��Well, Corporal, what's that chute doing under your table?��P�����I put it there, Sarge.��C�u@��"���ѡˁCan't fold a chute, so you hide it and let someone else do it for you.���š���Well, I don't know what kind of pull got you them stripes,�� �C�u@��"�3�̡Ɓbut I do know what kind of pull is gonna take them away from you!�� ������ No, Sarge, that's my chute.���á��UDon't try taking up for your buddy! It don't go with me.�� \C�u��"�{�����- I'm sorry, Chick. - What are you sorry about?�� ������ �You done the right thing.���C�u@��#�����At ease, men.���������It's been decided to send you on tour immediately.�� �̡Ɓ)I want you to go back to the barracks, and get ready to move out.��PC�u@��#)͠����In 45 minutes, you'll march over to the auditorium,�� 9�Сʁ �load your equipment on trucks, and catch the train for Camp Crutcher.�� C�u��#Dꠟ���That's all, Sergeant.���¡�� mAll right, men, turn in those chutes and start packing.�� mC�u��#c������Sarge, can I help you?��\�����LYou know, I'm beginning to like you.��������KYou are? Is that good?��\C�u��#z������Yeah, and I'm gonna let you in on a little secret.�� ͠���� �- What? - I'm not half as tough as I sound.�� �C�u@��#�������You're not?��#������Nah. It's just something that comes over me.�������� �Sometimes I think I'm my own worst enemy.�� �C�u��#�/�����No, you're not, Sarge. Not as long as I'm alive.�� (C�u��#��֡ЁHey, buddy, if you think you can pull that on me, you're perfectly welcome.��������Yes, sir, Lieutenant.��VC�u��$������I'm sorry, sir. Go right ahead. Help yourself, sir.�� �C�u@��$Ԡ����- Hi, fellas. - Hi.�� ����+- Having a big time, huh? - Yep.��~�����Don't let him use too much cream. He's got to drive.�� �C�u��$3������All right. Thank you.����¡�� bJust a minute, son. How long have you been in the army?�� C�u@��$H֠����- Well, I'm not exactly in... - What?���������Long enough to know better, sir. I'm sorry, sir.�� �ġ��l- Now, if you'll excuse me... - Just a minute, young man.�� �C�u@��$dw�����You're a paratrooper now.����͡ǁ�And discipline and military courtesy mean more than they ever did.�� ~�ϡɁ�Yeah, I know that, sir. Yes, I'm sorry, sir. And I'll watch it, sir.�� �C�u@��$�������And the next time...�������oThere won't be any next time, do you understand?������� �Oh, I do, sir. Yes, sir.��Ƞġ��- That's better. - Thank you, sir. All right, Lieutenant.���C�u@��$��¡��- As you were. - Yes, thank you. Thank you, Lieutenant.��Ƞ����6- At ease. - Yes, sir.��ޠ���� �- At ease. - Yes, sir.���C�u��$ų�����Wise guy.���C�u��$�l�����- Hello? - Hello, Betsy?�� ������This is Hap. Happy to hear from me?�� �C�u��$�;�����I have to be very careful. A captain just walked in.�� ꠧ����This is Dolan. Dogface Dolan.�� �C�u��%򠫡��Where did I ever meet you before?��P������You know, I'm a friend of Hap Smith's.�� JC�u��%+;�����Hap, where are you?�� �ơ�� And what do you mean calling me in the middle of the night?���C�u��%Ad�����Middle of the night? It's 7:05.�� ������ Rise and shine.��������)What's this all about?���C�u@��%VĠ����I can't tell you now, Betsy. I can't tell you now,�� �ӡ́xbut all I can tell you is I can't make that appointment with Earl White.�� VC�u@��%p������You listen to me, Hap Smith.����ݡׁ You either be at Earl White's office at 11:30 sharp or this is the end of the act.���C�u@��%�������Oh, is that so? Well, you listen to me, young lady.�� J����� �I'm getting pretty sick and tired of your tantrums.��rC�u@��%�D�ΡȁAnd from now on, I'm gonna be the boss around here, you understand?�� \�ϡɁ �- And furthermore... - Your party has been disconnected, sir.�� �C�u@��%�V�����You keep out of this!�����XAnd get this straight.���ϡɁ �You can't make a fool out of me. Just what do you think I am anyway?�� (C�u��%۶�ܡցI'm sorry, sir, but we're not allowed to give out that information.�� (C�u��& ������At ease, men. Keep your smokes.�� �C�u��&������It's 9:15.���ɡÁnThe schedule says, "9:15, instruction in hand-to-hand combat."��~C�u��&9򠿡��And train or no train, we're gonna keep on schedule.�� C�u@��&P�����Williams.��͠¡��,Now, you're sneaking up on an enemy sentry in the dark.�� ������Where would you knife him?���C�u��&iB�����Under the ribs.����ڡԁ�And before I take the knife out, I'd give it a twist, so it wouldn't get stuck.�� �C�u��&}3�����That's wrong. Evans.�������� �How would you do it?���C�u��&�������Well, I'd...��������- Like this. - That's wrong.���C�u��&�������You could hear him gurgle 200 yards away.�� ޠ���� KDolan.��gC�u��&ר�����Now, the correct method is a down stroke�� g����� �between the shoulder blades and the backbone.�� �C�u��&�������- Sarge? - Yes.��͠����7- That's very interesting. - I'm glad you like it.�� �C�u��'N�����Dolan, where you going?��J�š���- Oh, sometimes, I don't hear so good. - No alibis, Dolan.�� �C�u��'-������Supposing you were disarmed,�������nand some guy was ready to put his bayonet in your gut.�� �C�u@��'A\�ǡ��Supposing he was coming at you like this, what would you do?�� \����� �- Well, I'd probably faint. - That's right!�� �C�u@��'XM�����You'd feint him out of position.�� �١Ӂ ASupposing that failed, how would you parry the thrust and take away his rifle?��C�u��'tt�����Well...���C�u��'���¡��That was absolutely perfect, Dolan. Absolutely perfect.���C�u��'ɐ�����Who are you? Who are you?��(������Sarge. Sarge!�� C�u��'�>�����May I cut in?���C�u@��(������- Hey, Chick. - What?��P������I'm hungry.��Ƞ���� �Now, wait a minute, will you? Will you wait?��������J"Wait a minute." I'm so weak now, I can hardly write.�� �C�u@��("2�����Give me something to eat.��������There you are, gentlemen. I hope you enjoy it.��P������Thank you. Leave some for the others.�� �C�u��(>U�š��What do you mean, "the others?" Ain't I one of the others?�� \�����V- I'm hungry. - You'll eat last.���C�u��(ox�����How come you're taking the little fella's sandwich?�� V����� �This isn't his. This belongs to everybody.�� �C�u��(�͠����- Do you mind? - No.��(C�u��(�J�����Let him have it.��������Do you mind if I have one?��r�����V- Well... - No, not at all.��mC�u��(�4�����Look, Dolan.��V�����AIf you don't want me to have a sandwich, say so.��������aDon't try to be funny.��\C�u��)\�����I'm not trying to be funny. Honest.�� �C�u@��).�ѡˁWell, as soon as we have something to eat, we'll do a little training.�� ͠���� 5Nothing like keeping a fella in shape.���C�u��)�������Two hands. One for each head.����ġ�� LYou know, boy, you're getting funnier to me all the time.�� �C�u��)�?�����What's that?��g�ҡ́�We used to belong to Beaver Patrol. That was our pack call. Wanna join?�� JC�u��*!������Move along, let's go there.��ꠕ��� �Snap it up!��4C�u@��*;M�ۡՁAll right, men, it'll be an hour before the next train leaves for Camp Crutcher.�� �����xCorporal Allen, I got to make out my report.�� C�u@��*SH�����I'm putting you in charge until I get back.�������� Okay, Sarge.��Ƞơ�� 6You can send somebody to Lindy's for coffee and sandwiches,�� �C�u@��*h������but nobody else leaves this spot, understand?���������I got you.��ޠ���� AYou better, because I'm making you responsible.�� aC�u@��*~������I can go for the sandwiches, Chick.�������n- No, let me. - I don't mind.��Ƞ���� �- No, I'll go get them. - Will you wait a minute?���������- I think I ought to go. - "Wait a minute," he said.���C�u@��*�]�����He wants I should go for the sandwiches.�������� No, not you. You're staying with me.��ꠚ���aWhy can't he go?��xC�u@��*�������Why can't I go?�������� Well, I thought, maybe he'd stay and keep me company.��P������He's my buddy.��ޠǡ��(Well, if I'm his buddy, I should go for the sandwiches, huh?�� aC�u��*ʋ�����- Go ahead, get sandwiches. - But, Sarge...��r������When I give an order, it's an order! Get going.�� �C�u@��*�"�����Thank you, Sarge. Thank you very much.��9������Would you like mustard or ketchup?���������Keep your eye on my duffel bag, will you, Chick?��JC�u��*�k�����I won't be... I mean, I'll be back. Thank you, Sarge.�� (C�u@��+렻���Now, why do you always pick on the little fella?�� ?�ϡɁ �In my book, he's the only one I'd trust outside these station gates.��C�u��+3������And I know men.��.������He knows men.���C�u��+R|�����Yes, it's 11:35.��9����� Better late than never.��(C�u��+g�����Hap, why didn't you tell me over the phone?��r�����bI couldn't tell you then, but I'll explain now.��JC�u@��+~&�����You don't have to. Hap, I think it's just wonderful.�� ����� �I don't want to interrupt this touching scene,�� �C�u@�+�������but I'd like to know which Sam is representing you?�� ��� W- Gilmore or Uncle? - Well, Uncle, of course.�� �C�u@��+�U�����He's a paratrooper. See?��Ƞءҁ,- And when did you take basic training? - And when did your bad ear get well?�� ������*And how come you're not quarantined?���C�u@��+���ɡÁI didn't take any basic training and I didn't get quarantined.�� E�ǡ�� �I suppose all they did was to slap a uniform on you and say,�� �C�u@��+Ԑ�����- "Okay, you're a soldier." - That's exactly...��~������Now, see here, Mr. White, I don't like your tone.��������KAnd I don't like what's going on here.���C�u@��+�堛���But, Mr. White...��Ƞ����,Hold up those Hap Smith contracts, Miss Brady.��Ƞ���� bNow, wait a minute! I'm gonna be in the show!���C�u��,[�����Oh, no, you're not. I refuse to let you be a deserter.�� m����� �I'm not gonna be a deserter.��C�u@��,������Everybody's talking so fast, I'm in a tizzy.�� #�ʡā �Now, if you'll just be quiet for a minute, maybe I can explain.�� �C�u@��,.�����I thought I'd find you here.��Ƞ����6Why, Chick, what are you doing in town?��������5I'm doing his booking for the time being.���C�u@��,C{�����Now, come on, we'll miss our train.��������cJust a minute.��V�ϡɁ - You can at least let him say goodbye. - I don't wanna say goodbye.�� �C�u@��,\Ġ̡ƁDon't you know when you leave a lady, it's polite to say goodbye?�� 9����� �And when you meet a lady, it's customary to say hello.�� �C�u��,t������- I'm Chick Allen. - Hello. I'm Betsy Carver.�� 4������I've heard a lot about you, Chick, and...���C�u@��,���ʡāWell, I'm awfully glad that you and Hap are in the same outfit.�� ��á�� �So am I. I don't know what we'd do without good old Hap.�� C�u@��,��¡��Tell her how I became a paratrooper in one easy lesson.�� ������ *You will look after him, won't you?�� ����UWon't let him out of my sight for a minute.���C�u��,�ɠ����He's like a brother to me.���ȡWI'd like to write to his sister, let her know how he's doing.�� �C�u@��,�)�ġ��In fact, after General Timmons sees Hap at Camp Crutcher,�� �¡�� xyou two may be able to work in White's show, after all.�� �C�u@��,�̠����Do you think you could get him a leave of absence?�� �����yI'll use my influence.����ʡā �Meanwhile you and I will have to keep in touch with each other.�� �C�u��,�n�����Of course.�������cWell, I'll go tell Mr. White.��(����� �- Goodbye. - Bye.��\C�u@��-�����Bye, Hap.��#�ءҁ�I told you, I don't wanna say goodbye, and I don't wanna go back to the camp.�� 9�����5And I don't want any part of army life.���C�u@��-0������Hap, you don't know what you're saying.��m�աρ�When you talk like that, you sound like you didn't belong in that uniform.�� (C�u@��-G������That's exactly what I'm trying to tell you!�� ��ȡ Come on, Hap. There's a lot of people waiting to talk to you.�� C�u��-[������Well, I don't wanna talk to them. I hate people!�� �C�u��-�8�����Gonna fly, fly away�������� Fly over the mountain��ꠤ���xGonna fly, fly away��\C�u��-�w�����Fly over the sea�� ?����� �Gonna keep flying around�� �C�u��-������And never, never come down�� �ġ��x'Cause the big blue sky is the place for me��#C�u@��-�Ҡ����- Got a gal out in Wyoming - Yeah?�������� And a gal in Tennessee�� ������One thing they've got in common�� C�u@��.���- They want no part of me - No?��������Oh, a gal here on Earth�� �����)Is more trouble than she's worth��rC�u@��.������So I'll leave them all behind yessiree�� ������ Yessiree��������4- Gonna fly - Fly away��C�u@��.6������- Fly away - Over the mountain��������Over the mountain������� �Gonna fly, fly away��������UFly over the sea�� C�u@��.Q������Gonna keep flying around��P�š���- Flying around - And never, never come down�� ?�ġ��a'Cause the big blue sky is the place for me���C�u@��.v'�����You will find me playing leapfrog���������With the man up in the moon��(������Have myself a time each evening�� aC�u@��.�{�����Sleep each day till noon��m������And the bluebirds I'll bet��(�����bLet me sing in their quartet���C�u@��.�������And we'll harmonize a barbershop tune�� x����� �Tune���������- Gonna fly, fly away - Gonna fly away��rC�u@��.�ˠġ��- Fly over the mountain - Over the mountain���������- Gonna fly away - Gonna fly, fly away�������lFly over the sea��rC�u@��.������Gonna keep flying around��r�š���- Flying around - And never, never come down����ġ��?'Cause the big blue sky is the place for me��RC�u@��.�t�����Gonna hobnob with the angels�������� bWho could want a better crowd?�� ������Gonna dance all over heaven���C�u@��/M�����And boy, will I be proud��������Gonna play peekaboo��.������With the stars up in the blue��rC�u��/3٠����And when I get tired, I'll rest on a cloud���������Gonna fly, fly away��(C�u@��/L9�͡ǁ- Fly over the mountain - Fly away over the mountain�� ~����� �Fly away, fly away over the sea�� �C�u@��/g4�����Gonna keep flying around�� ������ �And never, never come down���������'Cause the big blue sky���C�u��/�q�����is the place I want to be�� 䠧��� LGonna fly over the sea�� �C�u��/������Yes, the big blue sky�� E����� �is the place for me�� ~C�u��/�������The big blue sky��#������is the place for me���C�u@��/�Ѡ����"The General was unable to see the show.��4������"So I shall continue to remain in hiding."����ءҁ �Hey, I'm writing a letter to Betsy tonight. You want me to say hello for you?�� \C�u@��0%�����No. Say goodbye from me to you.�������nNow, look, Hap. When we were working together�� ������ayou never wanted to quit after every show, did you?���C�u@��0������- No. - Well, we're still doing our act together.�� �ˡŁ �Only we're using different wardrobe. You're giving a great show.�� mC�u@��05٠����Oh, thank you so much, sir.��䠤���MSo glad you liked it, sir,��4�ġ�� �because, you see, tonight I gave me farewell performance.�� �C�u@��0Nߠ����No, don't try and stop me, sir.�� ޡ؁,I should like to make me final exit while the applause is still ringing in me ears.��rC�u@��0d样���- Now, look, Hap... - Don't say a word, sir.����ɡÁ!Just close your eyes. And when you open them, I shall be gone.�� g������- Oh, no. - Oh, yes.��C�u��0{Q�����- You can't. - Why?��E������Military security.�������� �Can't hear you. Don't want to. Leaving.�� �C�u��0�,�����Staying.��C�u��0�-�����Rip! Pull!��E������1,000, 2,000, 3,000.�� ���� �Recover. Next man.��4C�u@��0��ΡȁBend your knees. Look straight ahead. Lower your hands on the door.�� ~����� �Rip. Pull! Spring out.���������- 1,000, 2,000, 3,000... - Put your feet together.��(C�u@��0�\�����Bring your hands around the end of the reserve.��Ӡ����AAround the end. Around the end of reserve.��\����� Sit on your chest. That's the way. Recover.��PC�u��1 �����Thank you.��Ƞ�����Men, as you know, this tower is designed�� xC�u@��1 ��ϡɁto teach you the proper body position when exiting from the aircraft����ʡā�and to give you the feel of the opening shock of the parachute.��.C�u@��1>-�����Now, I know you guys have done this before,�� ͠���� 5so be sure you do it right����ȡ)because I'll be waiting for you at the other end of the ride.���C�u��1eh�����1,000, 2,000, 3,000.�� C�u��1�������I don't like it. I want to go back down.��٠���� ANo, no. There's only one way down. This way.�� �C�u��1�󠸡��This tower is to get you guys used to a jerk,�� ������ �a real big jerk.��mC�u@��1�àȡJust remember, Dolan, you've been given a little rubber ball.��٠͡ǁ@Well, it ain't to play catch with. It's to test your coordination.���C�u@��1�7�ȡJust remember, you got to hold onto it all through your fall.�� ӠˡŁ @'Cause if you drop it, you got to do the whole thing over again.��aC�u@��2������Rest of the men, normal procedure.�������� All right, Dolan.��͠ǡ��VI want to see that ball in your hand when you get down here.�� �C�u��2-ޠ����My heart ain't in it. It's up here.�� ����� mSarge, we better have the men sound off their names.�� �C�u��2F������Hold it!��͠����yWell, that's me.��������U1,000, 2,000, 3,000. Look out!�� �C�u��2b�����Chick!��g�����6Chick!��xC�u��2�,�����You! Come here!��C�u@��2�������What's the matter? Didn't you hear me say hold it?�� ޠ���� LHuh? I mean, sure.��������KOh, I thought you said, "Dolan."���C�u��2�.�����You'll have to do it all over again.��r������Do it all over?�������VYeah. You dropped the ball.��mC�u��2�V�����No, I didn't, Sarge. See?����ǡ�� �You're clowning around, but you come through like a trooper.�� �C�u@��3~�����Oh, yeah. I've been a trouper all my life.��������See, this ball is stuck to my hand like it was glued.�� #������You don't have to do it over again.���C�u��3y�����Thanks a lot, Sarge. Thank you.�� E����� @Thanks, Sergeant.��9C�u@��3E���ہEverybody sound off just as soon as you hit the ground. What do you say?�� 4����� �- Yeah! - Yeah!���C�u@��3Z �͡ǁRigs are coming down. You boys ready to rig them up?�� ?�ǡ�� �So, all the jumpers, get shoulder-to-shoulder.����͡ǁ�Riggers, get shoulder-to-shoulder with your jumpers.���C�u@��3t�ҡ́Let's move on these rigs, on the double, and rig them up.��������Now, which army is coming in first?��C�u��3�z�ݡׁIt's gonna be a close call. We're gonna see which one it's gonna be.�� �C�u��3�"�����Oh, no!��͠����7Shape up, Dolan!��Ӡ���� xCome on now.��\C�u��3�۠����I'm not gonna do that.��J������Okay.��E����� aIf it'll make you any happier, you don't have to jump.�� C�u@��3�������I don't have to jump? You're not kidding me?�� ��á�� *- I guarantee it. After all, I'm your chum. - My friend.�� JC�u��4 ������Your pal.��#������I don't have to jump.��Ӡ���� KI don't have to jump.��\C�u��4+������Quick time. March!��(������Platoon, halt!��Ӡ����wRight face!���C�u��4F6�����At ease.���������Okay, Allen, you take on three.��٠����wDolan, you come with me.���C�u��4p������Hello.��g����� �What are you fellas fussing around about?�� �C�u@��4�h�СʁOh, no, you don't! I mean, I can't. Chick said I didn't have to jump.��Ӡ����?That's right, you don't have to jump.��PC�u��4�b�����This just takes you up, then drops you.�� g����� �Oh, fine.��͠����Then I don't have to jump.���C�u��4֠�ɡÁThat's nice. See, I don't have to jump. This thing takes me up�� (����� �and drops me?���C�u��4푠����Chick! Let me down!�� ������ I'm scared. Chick!�� �C�u��5ڠ����Dolan, you're a card.�� ����+Well, what goes up must come down.�� ͠�����Chick!��mC�u��5#"�����It's so high.��������!Chick! You said I didn't have to jump.�� C�u��5>`�����Ma!���C�u��5s򠐡��Chick!��g����� @Ma! Ma!��͠�����Ma, help!���C�u��5�砗���It's so high.�������� *I'll be a good boy. I promise. Let me down.�� mC�u��5�᠐���Sarge!��gC�u��5�7�����I'm scared, Chick.��\����� Chick! Please help me!�� ������Oh, please help me!��9C�u��5�h�����I'm scared, Chick!��~����� WMa! Ma!��rC�u��5�������Chick! Oh, Chick!�� �C�u��6/Ƞ����Where's Hap? Dolan? Anyone see him land?�� ������ mHey, Dolan.��E�����Chick! Chick!���C�u��6QG�����Chick!��������Chick!���C�u��6x������I'm sorry, fellas.��\������I didn't ask to become a corporal.�� aC�u@��6�������And I didn't ask Sergeant McClusky to like me, either.�� ~�ѡˁ5And I certainly didn't ask him to go out and get me this 48-hour pass.���C�u@�6�s�����48-hour pass?��V������You can't use that. You won't come back.��J����� lI'll say hello to Betsy for you.���C�u��6�B�����All right, men, cover the exits.��Ӡ����BCover the exits.��͠���� yYou aren't going anyplace. Sit down.���C�u@��6׸�����Wait a minute. I'm a corporal, remember?�� ޠǡ�� LAnd a private is not supposed to tell a corporal what to do.��rC�u��7<�����Come on, fellas, now stop fooling around.��ꠤ���WI'm a corporal. Attention!���C�u��76������Come on, fellas.������� AAttention, fellas.���������Attention!��C�u��7K������Forward march! One, two, three...�� a����� 5No. March.��4������We're gonna march together.���C�u@��7d������All right? March.��4������Attention.��Ƞ���� �Forward. Double-time. Here.�� �����?One, two, three, four...�� C�u@��7�������Come on, suck in those stomachs. Stick out the chest.�� ����� xThat's it. Here we go!���������Marching along together.�� �C�u��7�������One, two, three, four...�� a����� �- You fellas don't play fair. - Knock it off.�� C�u@��7�蠴���Well, at least he paid me some attention.��m������- All right. Give me the pass. - No.�������V- Give me the pass. - No.��xC�u��7������Give me the pass!��VC�u��7�l�����Did you have a nice trip?���C�u��8i򠯡��Come on, gang. Lengthen it out there.�� �������After him!��C�u��8�~�����Out the back way! After him!��.C�u��8�������Come on, Kelsey!��C�u��8ᙠ����Wait a minute.��Ӡ���� mGo get your hats.��9C�u@��960�ϡɁAny time a patient's to be operated on, don't leave him in the hall.�� ������ �- But I... - No arguments.���������Get him to the operating room.���C�u��9O6�����No visitors. Out.���������- Yes, sir. - Yes, sir.���C�u��9�������What's going on here?��䠼��� LNothing, Sarge. I just stopped in for a Band-Aid.�� 4C�u@��9ͤ�����You'll miss your train if you don't hurry.��~������Come on, I'll give you a lift to the station.���̡Ɓ5Oh, fine. Thanks, Sarge. 'Cause I wouldn't want to miss my train.�� C�u��9�P�����These fellows don't have their hats.��~������- Go get your hats. - Okay, Sarge.�� �����VYes, Sarge.��4C�u��:�����Shall we go?��VC�u��:`$�����Hey, buddy, you got a match?��P����� �Hello, Chick. I've been looking all over for you.�� mC�u@��:y򠬡��Where do you keep disappearing to?���������Look how far I had to come this time to find you.�� ��סсOh, sure, sure. You know, if I hadn't won myself a pass in a fast crap game,��aC�u@��:�֠����you wouldn't have found me at all.��䠹���LAnd that would've been more than I could bear.�� ������How did you find me so fast?��\C�u@�:�b�����I knew you'd run right straight to Betsy.�� g�á�� �Oh, sure, but I was gonna tell her all about you, Chick.�� �C�u��:Ȋ�����That's fine.����ءҁNow, when you're through doing this, you and I will go back to camp together.��C�u@��:� �ϡɁAnd in the meantime, I won't let you out of my sight for one minute.�� (����� �'Cause I don't trust you! Now, come on!�� gC�u@��;͠����- Where we going? - Servicemen's Center.�������� What we going there for?��V������That's where Betsy is. She runs a show there.�� xC�u@��;#B�ơ��Chick, you know, I don't want to spoil it for you two kids.��P������I mean... Well, you know, three is a crowd.���C�u��;<�ϡɁI thought maybe I could meet you someplace later, like maybe Denver.��������*Okay? I'll see you.���C�u��;iŠ����Did you have a nice trip?���������- Why didn't you write? - I was busy.��PC�u��;͗�����- Hi. - Hi.��͠���� �What outfit you with, soldier?���C�u��;�.�����Pretty good outfit.���C�u@��;�������What's the matter, you having trouble?��٠���� ATough beard.��������VMaybe you're using the wrong kind of a razor.�� xC�u��<à����This is the only kind.��J�����XHere, I'll show you.��䠲����I've been using this razor for 23 years.�� ~C�u��<;N�����For the fastest, cleanest, smoothest shave.�� Ӡ���� @You can't beat it.��\C�u��Don't throw away the stub coupons. You may be the lucky winner.��C�u��=�ؠ����I know a dream�� ����� yWhen I see one�� �C�u��>!�����For I'm a dreamer, you know���C�u��>4 ����I know a dream�� ������5When I hold one�� gC�u��>Ry�����Do you mind�������� If I never let you go?�� (C�u��>uF�����I'm so afraid�� 䠞��� mIf I kiss you�� �C�u��>�ܠ����You'll vanish��.������As dreams always do�� �C�u��>�:�����But make no mistake��.������Although I'm wide awake�� C�u��>�U�����I know a dream�� ������ mWhen I see one���C�u��>�q�����And I see one��䠣���MWhen I look at you��~C�u@��?������Darling, this is just wonderful.��꠬���X- Sure is. You know what? - What?��������bWhen this thing's all over and we're out of uniform,�� �C�u@��?/f�����we're gonna form a new act. Just you, Hap and me.�� ͠ơ�� 5- The three of us? - The three of us. Partners all the way.�� ~C�u��?G������In everything?����ӡ́ Except when we say good night. Then it's just the two of us, you and me.��PC�u��?\]�����That'll be much better.��rC�u��?������What are you in for?�� ���� �You don't have to talk if you don't wanna.��.C�u@��?�y�����- Well? - Wasn't there, either.��������- Did you try O'Hoolihan's Bar? - Yep.��(�����- Dirty Frankie's? - Yep.���C�u@��?�Π����The Stork Club?����á���Now, look. We got to find him before he brings Hap back.�� Ӡ����@There's still only room for one Dogface Dolan.�� C�u��?�{�����Yeah, you're right.���������Hey, you there! Turn down that radio!�� ?C�u��?������Radio? What's that?���C�u@��@$�����Attention, everybody.��������Hey, Kelsey, look who's on TV.���������Tonight we have two young paratroopers��(C�u@��@.������that are going to entertain us.��͠����6So let's give them a big hand.������� �Servicemen's Center.���C�u��@R/�����Keep a little dream handy�� Ƞ����5Tell me why, and I'll try��~C�u��@gL�����For a melancholy day�� �á�� �Listen, Arabella dream about another fella�� EC�u��@~�����Life is ice cream and candy�� ~����� �Chocolate filler or vanilla��9C�u@�@� �����For a dreamer, so they say�� ��ˡŁ bI'm no good at dreams I just fall asleep, it seems�� �C�u��@�?�š��When a gray cloud keeps the sun from shining�� ������ �Say, sing it now���C�u@��@�R�á��- You can dream up - Sing that pretty song��(�͡ǁ�- A sterling, sterling - Sing it, now, let's hear it�� �C�u��@�ߠ����So keep that little��J������Dream handy����� You better had, or I'll be mad��9C�u��@獠����And dream your cares away�� \����� �Like Rip van Winkle���C�u��@�~�����And dream your cares away�� ����� �Say nighty-nighty���������Dream your cares away�� aC�u��AҠ����It's time for bed now�������� And dream your cares away�� �C�u��A,_�����And dream your cares away��gC�u��AR�����You were wonderful, both of you.���C�u��Afp�����I thought you said both of us.��������Oh, thanks a heap.��~C�u@��A}a�����- Which one of you is Private Allen? - I am.�� ��ʡā �There's a telephone call for you. They say it's very important.�� ~C�u��A�0�����Thanks.��������BExcuse me.�������I think you're just terribly amusing.�� C�u��A�������- You're cute. - You're not so bad yourself.�� ���`I hope you're the lucky winner tonight.�� �C�u��A������"1777."�������� �What a perfectly darling little old number.�� �C�u��B������I'll think of something.���C�u��B=��ơ��Excuse me. But I've got to talk to Hap right away. Come on.�� mC�u@��BT������They got Dogface.�������nThey got Dogface?�� á�� �Now, listen, don't get excited. It's really very simple.�� �C�u@��Bj��̡ƁFirst thing you do is get out of this uniform. Beat it. Get lost.�� 9����� �Forget the whole thing ever happened, you understand?�� C�u@�B�᠜���Now, listen to me.��\����� - If I'm lucky - Yeah?���������...maybe they'll only give me 30 or 40 years�� �C�u��B�������in Alcatraz.��x����� cThirty or 40 years?���C�u��B�������Hap?������� cThis is it.��4������Chick, this is what?�� C�u��B�ܠ����This is it.��E����� Well, Chick, I only have one thing to say.���C�u��B�������What is it, pal?��9������Bye!��#C�u��Ca�����Hey, soldier!���C�u@��C0𠗡��Quiet!��g�����BQuiet, everybody.��\�ҡ́ LAs you know, each week our sponsors donate their products�� �C�u@��CJ[�����to some lucky person in the service.�� �܁+So look closely at your stubs and you may be the fortunate winner. Julie.��C�u��Cb������The lucky ticket tonight is 17...�� ����� �1777.��mC�u��Cw������The winner. Here he is.��r����� *I didn't do nothing, fellas! I'm innocent!�� ?C�u@��C�d�����I knew you'd win!��\����� Well?��#�͡ǁ�It's very confusing, sir. His fingerprints check with the records.�� gC�u@��C�Π����And Lieutenant Green knows him as Private Dolan,�� �����ya regular member of the company.�������� �Well, then, why the confusion?��͠�����Sergeant McClusky insists he never saw the man before�� �C�u@��C�ߠ����except possibly for a brief instant on the train.�� ޠ���� LPerhaps we'd better have a talk with the other Dolan.���C�u��C�l�����Sir, this report just came in.���C�u@��C�/�����Gentlemen, here's what we've been waiting for.���������This command will move tomorrow������� mfor combined maneuvers under the corps command.��.C�u@��D 6�����- Yes, sir. - Put Dolan under heavy guard.��������I'm afraid we'll have to let his case wait.��9����� *Right.��ȠΡȁVWe're going to beat General Bond if it's the last thing we ever do.�� C�u@��D'�����Ted, send down the word to all commands.�� ����,And order all leaves and passes canceled immediately.��ꠟ����- Right, sir. - Sir.��\C�u@��D@��ΡȁAnd just the thing, for any hour of the day or night,�� \����� �direct from the salons of Paris,���C�u��DV������this exquisite sheer silk negligée!�� 4C�u@��Dx�����Wrap it up. I'll take it.��Ƞ���� �And now, best of all...��꠹���I'm sorry to interrupt, but this is important.��JC�u@��D�堏���Sure.��#�ơ���"Attention, all men of the airborne division.��P����� L"Return immediately.��͠ǡ���"All passes and furloughs are hereby canceled.�� #C�u��D���ӡ́"By order of Brigadier General W. W. Timmons, commanding."�� �C�u@��D�a�����Oh, no, you don't.��4������Oh, no, you don't. The last prize is the best of all.�� 9�����?All right. All right. What is it?��C�u@��D�%�ȡThrough the courtesy of Jack Saper and Company,����աρ and in cooperation with the New York City Police Department,�� C�u��D�ءҁa police escort to the train that takes you right back to camp.��gC�u��E Π����Left face!��Ӡ���� �Forward march!���C�u��E5�����Hey, Chick!��J������Bye!��#C�u@��EZ|�ˡŁ- Yep, it's maneuvers, all right. - Yeah, but I don't want to...�� ������ But it's okay. We'll get you lost somehow.���C�u@��Ep砻���- What are we gonna do? - There's nothing to it.��٠���� BYou get on a plane, you go up 20,000 feet, jump out,��PC�u@��E�㠬���and the chute opens automatically.�������nYeah, what if it doesn't open?������� �Then you pull your reserve parachute.�� �C�u@��E�!�����Well, what if that doesn't open?���ӡ́�Well, we haven't had a complaint yet from a guy whose chute didn't open.��C�u��E�󠙡��All right, men.��Ӡ����BStart loading into your trucks.��٠����KOkay, Chick, I'll be brave about it.�� 4C�u@��E�;�����- I'll go up in a plane. - Attaboy.��.������But I won't jump.��4�����5- Oh, yes, you will. - Oh, no, I won't.�� aC�u��F7�����- Oh, yes, you will! - Oh, no, I won't!�� 4C�u@��F�����Now what?��ޠ����M- I hurt my ankle. - What's the matter, Dolan?�� g�����@- I hurt my ankle. - That's too bad.�� �C�u@��F2D�����- But I'll jump just the same, Sarge. - No, you won't.�� ������ �I'm not gonna take the chance��V������of anything happening to one of my best men.���C�u@��FM?�����- Thank you, Sarge. - I'll tell you what.�������� �You go over to the DZ and meet the recovery detail,�� ?�����)and help them bring the chutes back.��C�u@��Ff져���That is, if the ankle doesn't feel too badly.�� ޠ���� LDon't worry about me, Sarge. I'll make it all right.�� �C�u��F~������Good.��g����� I told you I wouldn't have to jump.��(������- Sarge! Sarge! - Yeah?�� C�u��F�������But you will let me jump tomorrow?��P������We'll see. It all depends on how the ankle is.�� C�u��F�B�����Thank you, Sarge.��9C�u@��GyϠΡȁHey, what's the matter with Hap? He's going in the wrong direction.�� �ɡÁ mLet him go. The further away he is from McClusky and the army,�� C�u@��G�������the better off he is.��Ƞ����+Yeah, but he's going toward the enemy lines.�������� LThey'll take him prisoner.��ޠҡ́�Look, with his brains, it'll just be a short time before he's captured.�� (C�u@��G�砷���Has he had the extensive training we've had?�� �����yNo.��Ƞҡ́ �He doesn't know the first thing about combat, camouflage or patrolling.�� �C�u��GÔ�����How could he?��Ƞš��,They'll grab that poor kid the first time he turns around.�� C�u��G�?�����Well, that was a short battle.���������Move on, boys. Move on.��JC�u��H>᠓���Grab him!���C�u��J#������Who's there?��VC�u��Jb\�����- Oh, no! - Get going.���C�u@��J�v�����Look who's a prisoner.��(������Well, another one of Timmons' paratroopers.�� �������What are you doing here?���C�u@��J���̡ƁI'm a war correspondent for the Weehawken Daily Messenger.�� ޠΡȁ L- What do you think I'm doing here? - Get in there with the others.�� �C�u@��J�ݠ����Take these men to the stockades.��J������You and you, come with me.��Ӡơ�� �All right, you Joes, let's go. Come on, move out. Move out.�� �C�u@��J�p�ɡÁHey, soldier, can't you let me go? I won't go back to my side.��٠����@Are you crazy, or do you think I am?�� �C�u��Kڠ����Go ahead, let the kid go. I won't tell.�� ޠ���� LGet going and put your hands on your heads.�� �C�u��Kg�����- Chick, what am I gonna do? - Let me go, will you?��  �����Here's your gun.���C�u@��K,c�����- That was quick work, Corporal. - Thank you.����ҡ́�- What do we do with this guy? - Well, tie him up and do away with him.��aC�u��KE&�����- Anything you say, Corporal. - Thank you.�������� Now's your chance to take off.��������xTake off.���C�u@��K[������- Yeah. Which way is our side? - That way.�� ������ xI'm going this way.���ơ���No, Corporal. It's no good if you're captured by the enemy.�� #C�u@��Kwv�ˡŁListen, these paratroops know how to operate behind enemy lines.�� ������ +We better stick with this guy or we're dead pigeons.���ӡ́wThat might be all right with you guys, but we're heading down that road.�� �C�u@��K�#�����That's what you think, Private.�������nUnless you got a lot more rank than you're showing,��9����� you better come with us.��E������- Yeah, but he's not even a... - Not even what?�� �C�u��K������- Nothing. - He didn't say nothing.�������WThat's better. Let's go. And remember, he's in charge.�� VC�u��K�/�����I'm in charge.���������Okay, this way, men. Onward.�� �C�u��K�6�����You know, I think we've built ourselves a monster.�� ������ Well, I think you're right.�� C�u��K�������General Bond, sir. Word has been received�������� that our tank battalion is approaching the Rock River.�� gC�u��L������Head of column should be at the bridge by 11:50, sir.�� ~����� �That's what I call perfect timing.���C�u@��L%v�ϡɁBefore the day's over, we'll have old man Timmons and his paratroops�� ������ brun right out of the state.��Ƞ�����Yes, sir.���C�u@��LaJ�����We'd make much better time if we had that car.�� a����� �How you gonna get it?��V������You think I'm gonna tell you?���C�u@��LyE�ӡ́The purpose of these maneuvers are to make you men think for yourselves.�� ����� �How would you get it?��V�ɡÁ@Go behind the tent, create a diversion, then you get the jeep.�� �C�u��L�Š����You took the words right out of my mouth.��x������Go ahead, create a diversion.���������Go ahead.��C�u@��L�������Call my driver.�������nI'm gonna join Colonel Jackson at Rock River bridge.��.����� I wanna be with the column when they surprise Timmons.���C�u��Lϯ�����Yes, sir. Driver!���C�u��L�q�����Let's go!���������All right, men, spread out to the left.���C�u@��MO������I thought I got rid of you guys.�������� �Oh, well, I'm off to town.�� ����- I hope you don't mind. - I certainly do!�� �C�u��Mjʠ����Well, that's too bad about you.���C�u��M�������Yes, sir. I'm sorry, sir.�� ͠����4Look out! Look out! They'll hit us!���C�u��M�䠫���Soldier! Bring back that vehicle!�� ����� �Yes, sir!��C�u@��Mꅠ����- Yes, sir. - What's wrong with you, driver?��.�ѡˁ�Now, take me to the Rock River bridge and this time, stay on the road.�� �C�u��NI�����Yes, sir.��VC�u��N-Ơ����Give me that wheel!�������� �No, no! Put it back, you birdbrain.��#C�u��NG������Stop this car.��\C�u@��N�������- He's down there, sir. - Come out of there!�� ������ �Come out of there. You're captured.��������Hold it. What's in that bag there?���C�u��N�{�����I don't know.��������@- Grenades. - Grenades?��JC�u@��N�0�����Release that man.����ȡ�The way these grenades were placed, they wrecked this bridge.�� �������Your tank column can't cross, General.���C�u@��O������The bridge has been destroyed by Timmons' paratroops.��.������- Now, see here... - I can't listen to you, General.���������Theoretically, you have been blown up, too.�� �C�u��O1G�����I'm sorry, General.���������Spoilsport! Spoilsport!��m������Say, he's a sore loser.��\C�u��OIȠ����I'll tell him. He's my father.��ꠖ��� �Your father?��xC�u��O|��ǡ��How can I blow up a bridge with a grenade that don't go off?���C�u��O깠͡ǁBlowing up the bridge won the victory for General Timmons' forces.�� x����� �So you men are being released.���C�u@��P������- Now what? - I caught him going the wrong way.�� g����� �Well, he didn't know maneuvers were over.��J������- I didn't know. - He was still looking for the enemy.�� �C�u@�P%Ġ����- He didn't know. - He was lost.��(�ˡŁ�And I suppose he thought he'd find them at the railroad station.���C�u��P<������- Attention! - At ease.�������mIs the soldier who took General Bond's jeep, here?�� 9C�u��PU������Me.��ޠ�����- General Timmons wants to see you. - This is it.�� �C�u@��Py󠻡��Here's the man you've been looking for, General.��m������That's all, Captain.���������Come in. Come in, Corporal.�� C�u@��P���ơ��So you're the man who stole the car and blew up the bridge.�� �ȡ yYes, sir, but I'd like to make a clean breast of things, sir.���C�u@��P�������You see, it all started the night of the army show.�� 9����� �- Your name is... - Well, you know me as Dolan, sir,�� 4C�u��P�䠯���but my real name is Smith, Hap Smith,�� ������ �and I'm a nightclub entertainer.��������I remember you.��C�u@��P�p�����Did you say your name is not Dolan?�� ?����� �That's right, sir.��V�����@The real Dolan's in the guardhouse.�� C�u@��QP�����Do you mean to say you're not in the army at all?�� ��ġ�� �They wouldn't take me, sir, but I can hear very good now.�� ~C�u@��Q**�����I think my ear popped when I took that tower jump.�� \����� �Well, young man, as I see it,��������Kyou're either going to be a corporal named Smith,�� aC�u��QG;�̡Ɓwhose daring heroism has given me the last laugh on General Bond,��?������or a civilian.���C�u��Q^������Make that condemned prisoner��r�ȡ�who's about to eat his last meal before going to the gallows.�� mC�u��Qu>�����Now, I leave the choice entirely up to you.�� ������ �Which one are you?��~�����(Let me see.���C�u@��Q�������Come on.��������Now that I'm A-one, I mean, 1-A,�� a�ҡ́�I'd like to stay with the paratroopers if it's all right with you, sir.�� 9C�u@��Q������I think that can be arranged.���ơ��MAfter all, in the interests of preserving military secrecy,�� ������ayou should be sworn in as soon as possible,���C�u��QŇ�����even if we have to shoot you later.���C�u��R �¡��Don't be surprised if he comes out a Brigadier General.�� �������Could be.��#C�u��RE������From one through 16, left to right, count off.���C�u��Rn0�����Sixteen.��ޠ�����On your feet!���C�u��R�������Face to your right!�������� �And load out!���C�u��S�&�����My ears feel like they're gonna pop.�������� bWe've been flying at a pretty high altitude�� #C�u@��S������but we're coming down now for the jump.��ꠏ���XGood.��#�ơ���I'm gonna wait till we're about three feet from the ground.�� 9C�u��S�`�����Corporal Smith.��Ӡԡ΁LIt's about time you started taking over some of the responsibilities now.��C�u��T������You're static jumpmaster and you don't have to jump.�� ������4Right.��gC�u��T4Ϡ����Now, from here on in, anything can happen.�� ������ *All right, you men, get ready.�� �C�u��TRD�����Stand up!��͠���� LHook up!��������JCheck your equipment.���C�u��TqI�ϡɁNow, you guys have been in the game long enough to know the routine.��EC�u��T�K�����Stand in the door.��~����� �Don't be all day about it. Get moving!�� #C�u��T�������Go!�������n1,000, 2,000...���C�u��T�ꠞ���1,000, 2,000, 3,000.�� �C�u��T渠����Chick, be my guest.��.������1,000...�������Sorry I can't be with you this time!���C�u��U5֠����He hasn't any chute on!��JC�u��UY�����Chick!�������� �Ma!���C�u@��U��ʡā- What are you doing up there? - What are you doing down there?�� ������ - Come down here. - What?��~�����- I said come down here. - All right.�� �C�u��U������Chick!��Ӡ���� �Chick!���C�u��U瞠����Chick! Chick!��r������- Come down here! - Chick!��������)Chick!���C�u��V&�����- You do me a favor? - What?��P������Let go.�������lLet go?��xC�u��VHu�����Hold on.������Chick! Chick!��C�u��Vb������Hold on!������� Hold on!��xC�u��V�<�����Chick! Chick!������� �Chick!���C�u��V������Chick!��g����� �Chick!��EC�u��W�����Chick, Chick, I can't hold on no more.�� ������ +All right, let go.��VC�u@��W#󠢡��- My chum. - My friend.��m������My pal.����¡�� *After what we've been through, nothing can separate us.�� 4C�u��W<������That's right.��������wChick! 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