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00:00:02,000 --> 00:00:07,000
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00:00:08,000 --> 00:00:13,000
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3
00:03:23,437 --> 00:03:24,705
HOW'S YOUR SHOULDER?
4
00:03:24,772 --> 00:03:25,639
WINDY UP THERE.
5
00:03:25,706 --> 00:03:27,508
YEAH. YOU CAME
TOO DAMN CLOSE
6
00:03:27,575 --> 00:03:28,776
BEFORE YOU OPENED
YOUR CHUTE!
7
00:03:28,842 --> 00:03:30,511
THEY CAME FOR A SHOW.
LISTEN TO 'EM, KID.
8
00:03:30,578 --> 00:03:32,380
THEY'LL SETTLE FOR A LOT
LESS THAN YOU'RE GIVING 'EM.
9
00:03:32,446 --> 00:03:34,114
YOU NEVER CAN TELL
WHAT THEY'LL SETTLE FOR
10
00:03:34,181 --> 00:03:35,516
UNTIL YOU'VE TRIED IT.
11
00:06:23,817 --> 00:06:24,885
HEY!
12
00:06:26,554 --> 00:06:28,155
FEW ROOT BEERS.
13
00:06:36,329 --> 00:06:38,666
I REALIZE IT DOESN'T LOOK
LIKE TOO MUCH NOW, MIKE,
14
00:06:38,732 --> 00:06:40,868
BUT, UH, WE'RE GONNA HAVE
A HELL OF A CROWD.
15
00:06:40,934 --> 00:06:41,869
WE WILL.
16
00:06:41,935 --> 00:06:43,270
GET PEOPLE COMING
INTO THIS TOWN
17
00:06:43,336 --> 00:06:46,206
ON A WEEKEND
FROM 25 MILES AROUND.
18
00:06:46,273 --> 00:06:47,941
I CHECKED ALL THAT OUT.
19
00:06:51,144 --> 00:06:52,145
YOU AND THE FELLAS
ARE, UH,
20
00:06:52,212 --> 00:06:53,380
PUTTIN' UP
THE STANDS FOR HER?
21
00:06:53,447 --> 00:06:54,548
THAT'S RIGHT.
22
00:06:54,615 --> 00:06:56,750
MM-HMM. HARRY TOLD ME
YOU WAS COMIN'.
23
00:06:56,817 --> 00:06:57,818
WHO'S HARRY?
24
00:06:57,885 --> 00:06:59,487
FELLA PUTTIN' UP
THE STANDS.
25
00:06:59,553 --> 00:07:00,721
NEVER SEEN NOTHIN'
26
00:07:00,788 --> 00:07:02,690
LIKE THAT
AROUND HERE BEFORE.
27
00:07:02,756 --> 00:07:03,557
NO, SIR.
28
00:07:03,624 --> 00:07:05,125
IT'S GONNA BE
SOMETHIN'.
29
00:07:05,192 --> 00:07:06,293
BROWDY?
30
00:07:06,359 --> 00:07:07,561
YEAH?
31
00:07:07,628 --> 00:07:09,497
WHAT ABOUT
THE HIGHWAY?
32
00:07:14,434 --> 00:07:15,603
WHAT ABOUT IT?
33
00:07:15,669 --> 00:07:18,939
IT'S TOO CLOSE
TO THE FIELD.
34
00:07:19,006 --> 00:07:20,974
WHO'S GONNA PAY 2.50
FOR A TICKET
35
00:07:21,041 --> 00:07:22,576
WHEN THEY CAN PARK
ALONG THE HIGHWAY
36
00:07:22,643 --> 00:07:23,944
AND WATCH IT
FOR NOTHING?
37
00:07:24,011 --> 00:07:25,613
ANYBODY PULL
A CHEAP TRICK LIKE THAT,
38
00:07:25,679 --> 00:07:27,380
I DON'T WANT
TO THINK ABOUT.
39
00:07:27,447 --> 00:07:29,116
WHAT DO I OWE YA?
40
00:07:29,182 --> 00:07:30,918
45 CENTS.
41
00:07:30,984 --> 00:07:33,654
YOU REALLY CHARGING
$2.50, SON?
42
00:07:33,721 --> 00:07:34,855
YOU'RE DAMN RIGHT
WE ARE,
43
00:07:34,922 --> 00:07:36,189
AND IT'S WORTH
EVERY PENNY OF IT.
44
00:07:36,256 --> 00:07:37,525
MM-HMM.
45
00:07:37,591 --> 00:07:39,392
STILL, NO,
SEEMS TO ME
46
00:07:39,459 --> 00:07:41,194
THE YOUNG FELLOW
HAS A POINT.
47
00:07:41,261 --> 00:07:44,598
KIND OF FOOLISH FOR SOMEONE
TO PAY $2.50 TO SEE IT
48
00:07:44,665 --> 00:07:46,133
IF HE COULD
JUST PARK HIS CAR
49
00:07:46,199 --> 00:07:47,868
RIGHT ALONG HERE
AND WATCH.
50
00:07:49,002 --> 00:07:50,203
OH.
51
00:07:50,270 --> 00:07:51,805
DO ME A FAVOR,
WILL YOU?
52
00:07:51,872 --> 00:07:53,473
DON'T SPREAD
THAT IDEA AROUND.
53
00:07:53,541 --> 00:07:55,142
OH, HELL, NO.
54
00:07:55,208 --> 00:07:57,811
BUSINESS--
I KNOW THAT.
55
00:07:57,878 --> 00:07:59,747
BESIDES, I HAPPEN
TO OWN THE LAND
56
00:07:59,813 --> 00:08:02,415
FOR 150 YARDS
BOTH WAYS ALONG HERE.
57
00:08:02,482 --> 00:08:04,752
ANYBODY WANTS TO PARK
TOMORROW AND WATCH,
58
00:08:04,818 --> 00:08:07,020
IT'S GONNA COST 'EM
A DOLLAR.
59
00:08:17,430 --> 00:08:19,299
THAT PILOT
SHOULD BE ALONG SOON.
60
00:08:19,366 --> 00:08:20,400
WE OUGHT TO GET MOVING.
61
00:08:20,467 --> 00:08:22,670
YOU EVER DONE THIS
BEFORE?
62
00:08:22,736 --> 00:08:24,672
NOPE. YOU TELL ME WHAT
TO DO, AND I'LL DO IT.
63
00:08:24,738 --> 00:08:26,039
HOW'S THE ALTIMETER?
64
00:08:26,106 --> 00:08:27,240
ALTIMETER?
YEAH.
65
00:08:27,307 --> 00:08:28,508
FINE.
ARE YOU SURE?
66
00:08:28,576 --> 00:08:29,977
SURE I'M SURE.
WHY?
67
00:08:30,043 --> 00:08:31,244
MIGHT HELP TOMORROW
IF WE KNEW
68
00:08:31,311 --> 00:08:32,846
HOW FAR WE ARE
FROM THE GROUND.
69
00:08:32,913 --> 00:08:35,182
I'VE SEEN SOME ALTIMETERS
THAT YOU WOULDN'T BELIEVE.
70
00:08:35,248 --> 00:08:36,383
MINE YOU CAN BELIEVE.
71
00:08:36,449 --> 00:08:39,186
WELL,
YOU HAVE AN HONEST FACE.
72
00:08:59,206 --> 00:09:02,075
I WAS BORN
IN THIS TOWN.
73
00:09:02,142 --> 00:09:03,844
IS THAT A FACT?
74
00:09:07,080 --> 00:09:10,350
YOU DON'T SEEM
VERY EXCITED ABOUT IT.
75
00:09:10,417 --> 00:09:12,753
I HAVEN'T BEEN HERE
IN A LONG TIME.
76
00:09:12,820 --> 00:09:14,421
LEFT WHEN
I WAS A KID.
77
00:09:14,487 --> 00:09:16,556
THAT'S THE BEST TIME
TO LEAVE.
78
00:09:18,425 --> 00:09:20,728
I MIGHT EVEN HAVE
SOME FAMILY HERE.
79
00:09:23,163 --> 00:09:24,765
THOUGHT YOU DIDN'T
HAVE ANY FAMILY.
80
00:09:24,832 --> 00:09:28,268
WELL, NOT REALLY FAMILY--
AN AUNT AND AN UNCLE.
81
00:09:28,335 --> 00:09:30,003
IT'S A LONG STORY,
82
00:09:30,070 --> 00:09:32,405
AND I KNOW YOU DON'T
LIKE LONG STORIES,
83
00:09:32,472 --> 00:09:34,274
SO I WON'T TELL IT.
84
00:09:34,341 --> 00:09:35,408
THANK YOU.
85
00:09:35,475 --> 00:09:37,477
HELL...
I WOULDN'T EVEN KNOW
86
00:09:37,544 --> 00:09:39,579
WHAT TO SAY TO 'EM
IF THEY WERE STILL HERE.
87
00:09:39,647 --> 00:09:41,682
START
BY SAYING HELLO.
88
00:09:41,749 --> 00:09:43,817
SEE HOW IT GOES
FROM THERE.
89
00:11:10,170 --> 00:11:12,272
WIND'S OUT THE SOUTH.
HOPE IT STAYS THAT WAY.
90
00:11:12,339 --> 00:11:13,306
WHY?
91
00:11:13,373 --> 00:11:14,708
WELL, IF IT TURNS
OUT OF THE NORTH
92
00:11:14,775 --> 00:11:15,943
WE HAVE TO COME IN
OVER THOSE PHONE WIRES
93
00:11:16,009 --> 00:11:17,711
TO GET ANYWHERE CLOSE
TO THAT GRANDSTAND.
94
00:11:17,778 --> 00:11:19,512
YEAH, WE HAD A GUY
WORKING WITH US ONCE,
95
00:11:19,579 --> 00:11:20,380
HE HIT THE WIRES.
96
00:11:20,447 --> 00:11:21,614
HE GET HURT?
97
00:11:21,681 --> 00:11:24,151
KILLED HIM,
AS A MATTER OF FACT.
98
00:11:31,658 --> 00:11:33,260
HOW WOULD YOU FEEL
ABOUT A HOME-COOKED MEAL
99
00:11:33,326 --> 00:11:34,728
FOR A CHANGE?
100
00:11:34,795 --> 00:11:36,529
I CAN HARDLY WAIT.
101
00:11:36,596 --> 00:11:38,265
YOU CYNICAL BASTARD.
102
00:11:49,743 --> 00:11:52,012
WE DON'T EVEN KNOW
THESE PEOPLE.
103
00:11:52,079 --> 00:11:53,981
THEY'RE NOT GOING
TO ADOPT US, BROWDY.
104
00:11:54,047 --> 00:11:56,183
THEY JUST WANT TO
PUT US UP FOR A NIGHT.
105
00:12:04,524 --> 00:12:06,393
WILL YOU DO IT
HERE, MIKE?
106
00:12:08,595 --> 00:12:09,729
I THINK
THIS MIGHT BE
107
00:12:09,797 --> 00:12:11,131
A GOOD SPOT
FOR IT.
108
00:12:11,198 --> 00:12:12,866
YOU THINK?
109
00:12:12,933 --> 00:12:15,135
WHO DOES IT,
YOU OR RETTIG?
110
00:12:15,202 --> 00:12:17,170
LOOK, KID,
THIS IS A BUSINESS.
111
00:12:17,237 --> 00:12:18,471
THEY DON'T PAY
TO WATCH US
112
00:12:18,538 --> 00:12:19,439
WALK ACROSS
THE STREET.
113
00:12:19,506 --> 00:12:20,507
NOW WHEN YOU
GONNA GET THAT
114
00:12:20,573 --> 00:12:23,010
THROUGH YOUR HEAD?
115
00:12:23,076 --> 00:12:24,144
YOU'RE SO CONCERNED
ABOUT RETTIG
116
00:12:24,211 --> 00:12:25,612
DOING THE CAPE JUMP,
I MEAN, YOU CAN
117
00:12:25,678 --> 00:12:26,814
LEARN IT YOURSELF.
THEN YOU WOULDN'T
118
00:12:26,880 --> 00:12:29,049
HAVE TO WORRY ABOUT
HIM DOING IT.
119
00:12:29,116 --> 00:12:32,452
I HAVE A BETTER IDEA.
WHY DON'T YOU DO IT?
120
00:12:33,887 --> 00:12:36,156
BECAUSE I RECOGNIZE
MY LIMITATIONS.
121
00:12:36,223 --> 00:12:38,525
THE SECRET OF
MY SUCCESS IN LIFE.
122
00:12:38,591 --> 00:12:40,360
HEH HEH HEH.
123
00:12:52,139 --> 00:12:54,141
LITTERING THE PUBLIC
THOROUGHFARE.
124
00:12:54,207 --> 00:12:57,410
$50 OR 10 DAYS,
TAKE YOUR CHOICE.
125
00:12:59,012 --> 00:13:00,447
THAT'S A CHOICE?
126
00:13:00,513 --> 00:13:01,849
WELL,
I SUPPOSE WE COULD
127
00:13:01,915 --> 00:13:04,217
MAKE A CASE FOR
FLYING THAT PLANE
128
00:13:04,284 --> 00:13:06,419
AT A DANGEROUSLY
LOW ALTITUDE,
129
00:13:06,486 --> 00:13:07,620
BUT TELL YOU
THE TRUTH,
130
00:13:07,687 --> 00:13:09,022
I HAVEN'T
THE FAINTEST IDEA
131
00:13:09,089 --> 00:13:10,590
WHAT THE STATUTE
IS ON THAT.
132
00:13:10,657 --> 00:13:11,959
IT'S JUST
TOO DAMN HOT.
133
00:13:12,025 --> 00:13:15,328
IF WE LIVED HERE,
WE'D BE HOME NOW.
134
00:14:01,875 --> 00:14:03,676
IT'S MALCOLM.
135
00:14:03,743 --> 00:14:06,346
MALCOLM!
136
00:14:09,616 --> 00:14:13,286
WELL, MALCOLM,
LOOK AT YOU.
137
00:14:17,257 --> 00:14:20,327
OHH! WELL,
LOOK AT YOU.
138
00:14:23,997 --> 00:14:25,298
WHAT ABOUT
YOUR FRIENDS?
139
00:14:25,365 --> 00:14:27,834
AREN'T THEY
COMING IN?
140
00:14:27,901 --> 00:14:29,903
THEY'RE
A LITTLE SHY.
141
00:14:29,970 --> 00:14:31,905
BROWDY! MIKE!
142
00:14:39,612 --> 00:14:41,982
LOOKS PRETTY NICE.
143
00:14:54,127 --> 00:14:56,363
SURE IS A HOT ONE
TODAY, ISN'T IT?
144
00:14:56,429 --> 00:14:59,399
YES, ISN'T IT?
145
00:15:04,237 --> 00:15:05,805
NICE LITTLE TOWN
YOU HAVE HERE.
146
00:15:05,872 --> 00:15:07,074
YES.
147
00:15:07,140 --> 00:15:08,841
MALCOLM TELLS US
THAT YOU HAVE
148
00:15:08,908 --> 00:15:10,043
A NICE LITTLE
COLLEGE HERE, TOO.
149
00:15:10,110 --> 00:15:14,047
MM-HMM.
WE HAVE A COLLEGE.
150
00:15:14,114 --> 00:15:16,083
WE HAVE A COLLEGE
AND A MISSILE BASE.
151
00:15:16,149 --> 00:15:18,218
TYPICAL LITTLE
AMERICAN TOWN.
152
00:15:18,285 --> 00:15:19,552
MM-HMM.
153
00:15:21,388 --> 00:15:23,523
YOU CONNECTED WITH
THE COLLEGE, ARE YOU?
154
00:15:23,590 --> 00:15:25,358
NO.
155
00:15:27,260 --> 00:15:28,895
I ALMOST WENT
TO COLLEGE ONCE.
156
00:15:28,962 --> 00:15:30,430
REALLY?
157
00:15:30,497 --> 00:15:32,399
YEAH.
158
00:15:36,069 --> 00:15:37,404
WHY DIDN'T YOU?
159
00:15:37,470 --> 00:15:38,738
HMM?
160
00:15:38,805 --> 00:15:41,408
YOU SAID YOU ALMOST
WENT TO COLLEGE.
161
00:15:41,474 --> 00:15:44,011
OH, YEAH.
162
00:15:44,077 --> 00:15:46,546
DIDN'T WORK OUT.
HEH HEH HEH!
163
00:15:50,083 --> 00:15:52,285
OH, NO, PLEASE,
GENTLEMEN, SIT DOWN.
164
00:15:54,454 --> 00:15:57,057
WE REALLY APPRECIATE
THIS, MRS. BRANDON.
165
00:15:57,124 --> 00:15:59,959
OH, WE'RE DELIGHTED
TO HAVE YOU.
166
00:16:00,027 --> 00:16:02,195
WE'VE PLENTY OF ROOM,
MORE THAN WE CAN USE.
167
00:16:02,262 --> 00:16:04,231
AS A MATTER OF FACT,
WE TAKE IN BOARDERS
168
00:16:04,297 --> 00:16:06,199
AS IT IS ALL THE TIME.
169
00:16:06,266 --> 00:16:07,967
YOU MAKE IT SOUND
AS THOUGH WE HAD
170
00:16:08,035 --> 00:16:10,170
A "ROOMS TO LET" SIGN
171
00:16:10,237 --> 00:16:13,506
ON THE FRONT LAWN,
ELIZABETH.
172
00:16:13,573 --> 00:16:15,575
WHAT MY WIFE MEANS IS
173
00:16:15,642 --> 00:16:18,078
THAT WE MAKE A ROOM
AVAILABLE EACH YEAR
174
00:16:18,145 --> 00:16:20,447
FOR A STUDENT
FROM THE COLLEGE.
175
00:16:20,513 --> 00:16:23,250
TO BE PRECISE.
176
00:16:23,316 --> 00:16:25,985
WHERE IS ANNIE,
BY THE WAY?
177
00:16:26,053 --> 00:16:28,321
AT THE LIBRARY.
178
00:16:28,388 --> 00:16:31,258
IT'S, UH--IT'S ONLY
LEMONADE, GENTLEMEN,
179
00:16:31,324 --> 00:16:32,925
BUT IF YOU'D CARE FOR
SOMETHING STRONGER--
180
00:16:32,992 --> 00:16:35,195
OH, NO, MRS. BRANDON.
181
00:16:35,262 --> 00:16:37,230
I HAVEN'T HAD
LEMONADE FOR YEARS.
182
00:16:37,297 --> 00:16:39,066
OF COURSE,
THE KID HERE,
183
00:16:39,132 --> 00:16:40,767
HE NEVER TOUCHES
ANYTHING STRONGER.
184
00:16:40,833 --> 00:16:41,968
ISN'T THAT
RIGHT, KID?
185
00:16:42,035 --> 00:16:43,170
HARDLY EVER.
186
00:16:43,236 --> 00:16:45,172
HEH HEH HEH!
OF COURSE, RETTIG--
187
00:16:45,238 --> 00:16:48,041
RETTIG, HE'LL
DRINK ANYTHING.
188
00:16:54,614 --> 00:16:56,949
MY, IT'S STUFFY IN HERE,
DON'T YOU THINK?
189
00:16:57,016 --> 00:17:00,587
WITH THE WINDOWS CLOSED,
THE HOUSE COOLS OFF.
190
00:17:00,653 --> 00:17:03,556
NO USE LETTING ALL THE WARM
AIR IN NOW, IS THERE?
191
00:17:03,623 --> 00:17:05,725
WELL, I'D...
192
00:17:05,792 --> 00:17:08,628
I'D RATHER HAVE THE WARM
AIR THAN NO AIR AT ALL,
193
00:17:08,695 --> 00:17:09,662
BUT...
194
00:17:11,164 --> 00:17:14,067
OHH. MALCOLM.
195
00:17:16,203 --> 00:17:18,037
IT'S HARD
TO BELIEVE.
196
00:17:18,105 --> 00:17:21,074
IT'S BEEN
SUCH A LONG TIME.
197
00:17:23,210 --> 00:17:25,011
I THINK MALCOLM WAS
ABOUT 10 YEARS OLD
198
00:17:25,078 --> 00:17:26,579
WHEN WE LAST
SAW HIM.
199
00:17:26,646 --> 00:17:30,317
YEAH, HE SAID IT'D BEEN
A PRETTY LONG TIME.
200
00:17:30,383 --> 00:17:32,719
THE SUMMER YOU FELL OUT
THE UPSTAIRS WINDOW.
201
00:17:32,785 --> 00:17:35,054
HE DIDN'T HAPPEN
TO FALL ON HIS HEAD, DID HE?
202
00:17:35,122 --> 00:17:37,324
BECAUSE THAT WOULD
EXPLAIN A FEW THINGS.
203
00:17:39,192 --> 00:17:42,095
WE'VE SEEN MALCOLM
SINCE THEN.
204
00:17:42,162 --> 00:17:43,330
AT THE FUNERAL
205
00:17:43,396 --> 00:17:44,864
THE FOLLOWING YEAR,
WASN'T IT?
206
00:17:44,931 --> 00:17:48,000
YES, OF COURSE.
207
00:17:48,067 --> 00:17:50,337
YES, THAT WAS
THE FOLLOWING YEAR.
208
00:17:50,403 --> 00:17:52,071
YOU BEAR
A MARKED RESEMBLANCE
209
00:17:52,139 --> 00:17:56,042
TO YOUR FATHER, MALCOLM.
210
00:17:56,109 --> 00:17:57,477
DOESN'T HE, ELIZABETH?
211
00:17:57,544 --> 00:17:59,712
YES, YOU DO.
212
00:18:02,949 --> 00:18:04,016
HOW LONG, UH,
213
00:18:04,083 --> 00:18:05,885
HOW LONG ARE YOU
THINKING OF STAYING?
214
00:18:05,952 --> 00:18:07,354
OH, JUST THROUGH
TOMORROW NIGHT.
215
00:18:07,420 --> 00:18:09,789
WE'LL HAVE TO LEAVE
FIRST THING MONDAY MORNING.
216
00:18:09,856 --> 00:18:11,591
OH, BUT MONDAY'S
THE FOURTH.
217
00:18:11,658 --> 00:18:13,993
OH, WE HAVE
A WONDERFUL PARADE
218
00:18:14,060 --> 00:18:15,328
AND A FIREWORKS
DISPLAY, OF COURSE,
219
00:18:15,395 --> 00:18:16,463
ON THE MONDAY NIGHT.
220
00:18:16,529 --> 00:18:17,864
YOU SHOULD AT LEAST
STAY FOR THAT.
221
00:18:17,930 --> 00:18:19,031
WELL, THANK YOU,
MRS. BRANDON,
222
00:18:19,098 --> 00:18:21,168
BUT WE REALLY
HAVE TO BE SHOVING OFF.
223
00:18:21,234 --> 00:18:23,035
YOU EXPECT
A GOOD CROWD TOMORROW?
224
00:18:23,102 --> 00:18:25,205
YEAH, WE EXPECT
TO PICK UP
225
00:18:25,272 --> 00:18:27,039
A NICE PIECE
OF CHANGE TOMORROW.
226
00:18:27,106 --> 00:18:29,075
PAYS WELL THEN,
THIS SORT OF THING?
227
00:18:29,142 --> 00:18:31,811
IF WE MAKE IT
INTERESTING ENOUGH.
228
00:18:31,878 --> 00:18:33,646
OH? HOW DO YOU
DO THAT?
229
00:18:33,713 --> 00:18:35,282
MAKE IT INTERESTING?
230
00:18:35,348 --> 00:18:37,150
MM-HMM.
YES, I MEAN,
231
00:18:37,217 --> 00:18:38,418
I SHOULDN'T THINK
YOU'D HAVE TO DO
232
00:18:38,485 --> 00:18:39,486
ANYTHING
IN PARTICULAR
233
00:18:39,552 --> 00:18:41,154
TO MAKE IT
MORE INTERESTING
234
00:18:41,221 --> 00:18:42,589
THAN IT
IS TO BEGIN WITH.
235
00:18:42,655 --> 00:18:44,591
WHAT BROWDY MEANS
IS THE CLOSER WE COME
236
00:18:44,657 --> 00:18:46,959
TO THE GROUND, THE MORE
INTERESTING IT IS
237
00:18:47,026 --> 00:18:48,628
FOR THE CUSTOMERS.
238
00:18:48,695 --> 00:18:51,998
AND FOR US,
TOO, OF COURSE.
239
00:18:55,702 --> 00:18:57,337
HOW TERRIFYING.
240
00:18:58,505 --> 00:19:01,107
ELIZABETH,
IT'S 3:30.
241
00:19:01,174 --> 00:19:02,575
HMM?
242
00:19:02,642 --> 00:19:04,511
YOU'LL BE LATE
FOR YOUR MEETING.
243
00:19:04,577 --> 00:19:06,479
OHH! OH, YES,
SO IT IS.
244
00:19:06,546 --> 00:19:08,047
OH, YOU'LL HAVE
TO EXCUSE ME.
245
00:19:08,114 --> 00:19:10,217
I'M THE CHAIRMAN.
I HAVE TO BE THERE.
246
00:19:10,283 --> 00:19:13,286
WHY DON'T YOU TAKE ONE
OF THEM ALONG WITH YOU?
247
00:19:14,587 --> 00:19:15,788
YOU COULD
TELL THE LADIES ALL ABOUT
248
00:19:15,855 --> 00:19:17,990
YOUR EXCITING SHOW.
I'D EXPECT YOU'D SELL
249
00:19:18,057 --> 00:19:20,493
QUITE A FEW TICKETS
THAT WAY.
250
00:19:20,560 --> 00:19:21,761
I LIKE IT. WHAT DO
YOU THINK, MRS. BRANDON?
251
00:19:21,828 --> 00:19:23,330
DO YOU THINK THE LADIES
MIGHT BE INTERESTED?
252
00:19:23,396 --> 00:19:25,164
WELL, I'M SURE
THEY'D BE FASCINATED--
253
00:19:25,232 --> 00:19:27,634
WHY DON'T I GO ALONG
WITH MRS. BRANDON, THEN?
254
00:19:27,700 --> 00:19:29,135
YOU?
255
00:19:29,202 --> 00:19:31,137
WHILE YOU PUT THE POSTERS
OUT AROUND TOWN.
256
00:19:31,204 --> 00:19:32,305
THE POSTERS ONLY
TAKE A FEW MINUTES--
257
00:19:32,372 --> 00:19:33,940
AM I DRESSED
ALL RIGHT, OR--
258
00:19:34,006 --> 00:19:34,941
NO, NO, YOU'RE FINE.
259
00:19:35,007 --> 00:19:36,809
I'LL GET THE CAR.
260
00:20:19,819 --> 00:20:22,989
IT REALLY DOES SOUND
VERY EXCITING.
261
00:20:23,055 --> 00:20:24,857
YOU SAID IT WAS
TERRIFYING.
262
00:20:24,924 --> 00:20:26,259
YES.
263
00:20:26,326 --> 00:20:28,194
WELL, I SUPPOSE
IN A WAY
264
00:20:28,261 --> 00:20:31,331
THAT'S WHAT MAKES IT
EXCITING, ISN'T IT?
265
00:20:32,332 --> 00:20:34,233
MOST ORDINARY PEOPLE
266
00:20:34,301 --> 00:20:35,268
CAN'T HELP
BUT RESPOND
267
00:20:35,335 --> 00:20:36,936
TO THE IDEA
OF SOME EXCITEMENT
268
00:20:37,003 --> 00:20:39,539
IN THEIR LIVES,
YOU KNOW.
269
00:20:39,606 --> 00:20:42,074
EVEN IF
IT TERRIFIES THEM?
270
00:20:42,141 --> 00:20:44,344
YES, EXACTLY.
271
00:20:56,289 --> 00:20:58,991
DO YOU REMEMBER THEM
VERY WELL?
272
00:20:59,058 --> 00:21:02,362
NO. NO, I DON'T.
273
00:21:02,429 --> 00:21:04,196
YOUR MOTHER WAS
A BEAUTIFUL WOMAN,
274
00:21:04,263 --> 00:21:05,332
A WONDERFUL WOMAN--
275
00:21:05,398 --> 00:21:06,666
MALCOLM?
YO!
276
00:21:06,733 --> 00:21:08,000
KID, IT'S CLOUDING UP
OUT THERE.
277
00:21:08,067 --> 00:21:09,802
I DON'T WANT THOSE CHUTES
LEFT OUT IF IT RAINS.
278
00:21:09,869 --> 00:21:11,604
WELL, WHAT SHOULD
WE DO WITH THEM?
279
00:21:11,671 --> 00:21:13,005
YOU CAN PUT THE TRAILER
IN THE GARAGE,
280
00:21:13,072 --> 00:21:14,240
IF YOU'D LIKE.
281
00:21:14,307 --> 00:21:15,808
OH, THANKS, MR. BRANDON,
THAT'D BE FINE
282
00:21:15,875 --> 00:21:16,876
IF YOU DON'T MIND.
283
00:21:16,943 --> 00:21:18,511
THE RADIO DID SAY RAIN.
284
00:21:18,578 --> 00:21:20,513
WELL, THEY'RE WRONG
9 TIMES OUT OF 10.
285
00:21:20,580 --> 00:21:22,214
I GOT AN ACCURATE REPORT
OUT AT THE FIELD.
286
00:21:22,281 --> 00:21:23,383
BROWDY--
287
00:21:23,450 --> 00:21:24,351
ACTUALLY, THE FORECAST
WAS FOR SHOWERS
288
00:21:24,417 --> 00:21:25,685
IN THE MORNING.
289
00:21:25,752 --> 00:21:27,354
YOU SEE? SHOWERS
IN THE MORNING.
290
00:21:27,420 --> 00:21:28,488
COULDN'T HURT US.
291
00:21:28,555 --> 00:21:29,856
THE CUSTOMERS'LL
COME.
292
00:21:29,922 --> 00:21:31,524
BROWDY...
293
00:21:32,925 --> 00:21:35,294
FORGET ABOUT THE CUSTOMERS.
IF THE CHUTES GET DAMP--
294
00:21:35,362 --> 00:21:36,429
LOOK, THE CHUTES'LL BE
IN THE GARAGE, RIGHT?
295
00:21:36,496 --> 00:21:38,197
SO THEY WON'T
GET DAMP, RIGHT?
296
00:21:38,264 --> 00:21:40,600
SO STOP WORRYING
ABOUT IT, RIGHT?
297
00:21:40,667 --> 00:21:42,301
BROWDY...
298
00:21:42,369 --> 00:21:44,771
THE GARAGE,
THE GARAGE.
299
00:21:47,707 --> 00:21:49,776
BESIDES,
LIKE RETTIG SAYS,
300
00:21:49,842 --> 00:21:51,043
WE HAVE TO MAKE IT
INTERESTING
301
00:21:51,110 --> 00:21:52,745
FOR OURSELVES.
302
00:21:54,113 --> 00:21:57,183
NOW THERE ARE SEVERAL PLACES
YOU CAN WEAR A CHUTE.
303
00:21:57,249 --> 00:21:59,486
ON YOUR BACK.
304
00:22:05,024 --> 00:22:06,559
ON YOUR CHEST.
305
00:22:07,794 --> 00:22:08,995
OR ON YOUR...
306
00:22:11,531 --> 00:22:13,666
OR YOU CAN SIT ON IT.
307
00:22:13,733 --> 00:22:15,568
NOW, LADIES, THIS
PARTICULAR PARACHUTE,
308
00:22:15,635 --> 00:22:17,336
THE ONE I'M WEARING,
309
00:22:17,404 --> 00:22:19,539
IS CALLED
A PARA-COMMANDER.
310
00:22:21,741 --> 00:22:23,676
IT'S A VERY
SOPHISTICATED CHUTE
311
00:22:23,743 --> 00:22:26,446
AND QUITE HEAVY,
AS YOU CAN SEE.
312
00:22:27,414 --> 00:22:28,415
IT TAKES QUITE A BIT
OF PRACTICE
313
00:22:28,481 --> 00:22:30,149
TO GET USED TO IT.
314
00:22:30,216 --> 00:22:33,119
IN FACT, IT TAKES BETWEEN
25 AND SOMETIMES 50 JUMPS
315
00:22:33,185 --> 00:22:34,754
WITH A TRAINING CHUTE
316
00:22:34,821 --> 00:22:36,889
BEFORE YOU CAN
HANDLE THIS BABY.
317
00:22:36,956 --> 00:22:38,891
I MENTION IT JUST IN CASE
SOME OF YOU LADIES
318
00:22:38,958 --> 00:22:40,460
THOUGHT YOU MIGHT
LIKE TO TRY IT ONCE.
319
00:22:42,361 --> 00:22:46,699
NOW THIS DEVICE HERE
IS YOUR RIPCORD HANDLE.
320
00:22:46,766 --> 00:22:49,769
THIS, WHEN PULLED SHARPLY,
OPENS YOUR PACK.
321
00:22:49,836 --> 00:22:51,303
NOW WATCH THIS.
322
00:22:51,370 --> 00:22:53,339
OOH!
OHH!
323
00:22:53,406 --> 00:22:55,575
SORRY.
324
00:22:57,577 --> 00:22:59,779
THIS IS YOUR PILOT CHUTE.
325
00:22:59,846 --> 00:23:01,313
THIS IS WHAT
PULLS YOUR CANOPY
326
00:23:01,380 --> 00:23:03,483
COMPLETELY
OUT OF THE PACK.
327
00:23:05,852 --> 00:23:07,487
LIKE THIS.
328
00:23:19,398 --> 00:23:21,601
THESE ARE YOUR
SUSPENSION LINES.
329
00:23:21,668 --> 00:23:22,869
AS YOU CAN SEE,
THEY EXTEND
330
00:23:22,935 --> 00:23:24,537
SOME 25 FEET
FROM THE HARNESS THERE
331
00:23:24,604 --> 00:23:25,872
TO THE CANOPY.
332
00:23:25,938 --> 00:23:28,140
WHEN THE CANOPY POPS OPEN,
YOU'RE TRAVELING
333
00:23:28,207 --> 00:23:29,609
DOWN TOWARD THE EARTH
AT A SPEED
334
00:23:29,676 --> 00:23:32,545
OF 125 TO 200 MILES
AN HOUR,
335
00:23:32,612 --> 00:23:34,080
DEPENDING ON
THE ANGLE OF THE BODY.
336
00:23:34,146 --> 00:23:35,414
YES, MA'AM?
337
00:23:35,482 --> 00:23:36,783
WHAT IS A CANOPY?
338
00:23:36,849 --> 00:23:40,687
THIS, MA'AM.
THIS IS A CANOPY.
339
00:23:40,753 --> 00:23:43,222
NOT TO BE CONFUSED
WITH SOME OF THE CANAPES
340
00:23:43,289 --> 00:23:45,191
YOU LADIES MIGHT HAVE WITH
A MARTINI BEFORE DINNER.
341
00:24:02,408 --> 00:24:04,577
NO, NO, NO.
342
00:24:04,644 --> 00:24:05,578
ALL RIGHT, PEOPLE,
343
00:24:05,645 --> 00:24:08,615
LET'S TRY IT
AGAIN FROM "B."
344
00:24:08,681 --> 00:24:11,684
AND, CLARINETS...
345
00:24:11,751 --> 00:24:14,220
COULD WE HEAR YOU?
346
00:24:14,286 --> 00:24:16,523
SOME VERVE.
347
00:24:16,589 --> 00:24:18,290
CON BRIO.
348
00:24:18,357 --> 00:24:20,560
PEP!
349
00:24:20,627 --> 00:24:21,961
ALL RIGHT,
ARE WE READY?
350
00:24:22,028 --> 00:24:24,030
FROM "B."
351
00:25:24,957 --> 00:25:27,359
OH...
352
00:25:27,426 --> 00:25:30,830
YOU'RE MALCOLM.
I'M ANNIE BURKE.
353
00:25:30,897 --> 00:25:32,298
THEY TOLD ME
YOU WERE COMING.
354
00:25:32,364 --> 00:25:34,366
I DIDN'T MEAN
TO INTERRUPT, I--
355
00:25:34,433 --> 00:25:36,102
THAT'S ALL RIGHT.
356
00:25:36,168 --> 00:25:37,637
YOU PLAY VERY WELL.
357
00:25:37,704 --> 00:25:39,772
THANK YOU.
358
00:25:39,839 --> 00:25:41,307
BUT YOU'RE
EITHER VERY KIND
359
00:25:41,373 --> 00:25:42,441
OR YOU KNOW
NOTHING AT ALL
360
00:25:42,508 --> 00:25:44,076
ABOUT PLAYING
THE PIANO.
361
00:25:44,143 --> 00:25:46,445
NO, I DON'T KNOW
362
00:25:46,512 --> 00:25:48,514
VERY MUCH ABOUT IT,
363
00:25:48,581 --> 00:25:50,850
BUT I DO KNOW
WHEN IT SOUNDS GOOD.
364
00:25:52,451 --> 00:25:54,120
YOU LIVE HERE, HUH?
365
00:25:54,186 --> 00:25:55,254
I RENT A ROOM.
366
00:25:55,321 --> 00:25:56,623
YOU GO TO THE COLLEGE?
367
00:25:58,457 --> 00:26:00,059
IN THE SUMMER?
368
00:26:00,126 --> 00:26:02,261
I FAILED A COURSE
LAST SEMESTER.
369
00:26:02,328 --> 00:26:03,763
I'M MAKING IT UP.
370
00:26:03,830 --> 00:26:06,232
THEY TOLD ME
WHAT YOU DO.
371
00:26:07,800 --> 00:26:09,636
IT SOUNDS
RIDICULOUS.
372
00:26:10,770 --> 00:26:12,939
I SUPPOSE IT DOES.
373
00:26:37,797 --> 00:26:39,699
WHY DID YOU DO THIS?
374
00:26:42,368 --> 00:26:43,369
DO WHAT?
375
00:26:45,337 --> 00:26:46,338
COME HERE.
376
00:26:49,441 --> 00:26:50,977
TO SELL SOME TICKETS.
377
00:26:58,885 --> 00:27:01,153
I DIDN'T WANT TO TURN DOWN
YOUR HUSBAND'S INVITATION.
378
00:27:02,789 --> 00:27:04,891
YOUR FRIEND COULD'VE
COME--MR. BROWDY.
379
00:27:04,957 --> 00:27:07,927
YOUR HUSBAND DIDN'T
INVITE MR. BROWDY.
380
00:27:27,880 --> 00:27:30,049
YOU HAVE CONTEMPT
FOR US, DON'T YOU?
381
00:27:32,384 --> 00:27:33,720
WHO?
382
00:27:35,287 --> 00:27:36,588
WELL...
383
00:27:36,655 --> 00:27:39,959
CERTAINLY EVERYBODY
HERE THIS AFTERNOON.
384
00:27:40,026 --> 00:27:43,395
MAYBE EVERYONE ELSE,
TOO. I DON'T KNOW.
385
00:27:43,462 --> 00:27:45,031
BUT CERTAINLY US.
386
00:27:52,471 --> 00:27:54,741
WHY ARE WE
CONTEMPTIBLE TO YOU?
387
00:27:56,475 --> 00:27:58,277
DO YOU CARE?
388
00:28:03,115 --> 00:28:04,150
Malcolm: NO,
AS A MATTER OF FACT,
389
00:28:04,216 --> 00:28:05,918
I HAVEN'T BEEN BACK
SINCE I LEFT.
390
00:28:05,985 --> 00:28:07,653
ABOUT 12 YEARS AGO
NOW.
391
00:28:07,720 --> 00:28:09,621
I WAS A KID.
392
00:28:09,688 --> 00:28:11,490
WHERE DOES
YOUR FAMILY LIVE NOW?
393
00:28:11,557 --> 00:28:13,392
THEY'RE DEAD.
394
00:28:13,459 --> 00:28:14,994
OH.
395
00:28:15,061 --> 00:28:16,528
UH, THAT'S
WHY I LEFT.
396
00:28:16,595 --> 00:28:18,931
THEY WERE KILLED
IN A CAR ACCIDENT.
397
00:28:18,998 --> 00:28:21,133
I GUESS MY FATHER
WAS DRUNK.
398
00:28:21,200 --> 00:28:22,701
I DIDN'T KNOW THAT
AT THE TIME,
399
00:28:22,769 --> 00:28:24,937
OF COURSE,
BUT LATER I FIGURED
400
00:28:25,004 --> 00:28:26,973
THAT'S WHAT
IT MUST'VE BEEN.
401
00:28:27,039 --> 00:28:28,340
HE WAS A PRETTY
RECKLESS CHARACTER
402
00:28:28,407 --> 00:28:30,676
ALL AROUND, I GUESS.
403
00:28:30,743 --> 00:28:32,945
ANYWAY, THEY PUT ME
IN THIS HOME.
404
00:28:33,012 --> 00:28:35,214
I WAS ADOPTED OUT
A COUPLE OF TIMES, AND--
405
00:28:35,281 --> 00:28:36,916
WELL, WHY DIDN'T
THEY EVER TAKE YOU?
406
00:28:36,983 --> 00:28:40,086
THE BRANDONS?
407
00:28:40,152 --> 00:28:42,822
I NEVER ASKED.
408
00:29:00,172 --> 00:29:02,274
BEATS MOTELS,
HUH, KID?
409
00:29:02,341 --> 00:29:04,911
YEAH. LISTEN,
410
00:29:04,977 --> 00:29:07,313
WHAT WAS THAT
THIS AFTERNOON?
411
00:29:11,183 --> 00:29:13,685
I MEAN, UH, WHAT WAS
THAT ALL ABOUT?
412
00:29:13,752 --> 00:29:15,321
WHAT WAS
WHAT ALL ABOUT?
413
00:29:15,387 --> 00:29:18,024
I CAN'T QUITE SEE YOU
MAKING SPEECHES
414
00:29:18,090 --> 00:29:19,658
TO LADIES CLUBS,
RETTIG.
415
00:29:19,725 --> 00:29:21,127
I MEAN, I TRY,
416
00:29:21,193 --> 00:29:23,395
BUT I CAN'T QUITE
PICTURE IT.
417
00:29:23,462 --> 00:29:24,396
YOU SHOULD'VE
BEEN THERE.
418
00:29:24,463 --> 00:29:25,731
I WAS A BIG HIT.
419
00:29:25,798 --> 00:29:27,934
I DON'T DOUBT THAT.
420
00:29:34,073 --> 00:29:36,208
WHAT'S ON
YOUR MIND, KID?
421
00:29:37,609 --> 00:29:39,078
APPLETON.
422
00:29:41,814 --> 00:29:43,215
FORGET IT.
423
00:29:43,282 --> 00:29:45,151
DO YOU?
424
00:29:45,217 --> 00:29:47,887
I DON'T THINK ABOUT IT
ONE WAY OR THE OTHER.
425
00:29:47,954 --> 00:29:49,889
YOU ALMOST WENT
INTO THE GROUND.
426
00:29:49,956 --> 00:29:52,091
SAME THING
AT LAWRENCEVILLE.
427
00:29:52,158 --> 00:29:54,827
NOW, HOW CAN YOU NOT
THINK ABOUT THAT?
428
00:29:56,428 --> 00:29:58,197
I SAID FORGET IT.
429
00:30:01,633 --> 00:30:03,102
REMEMBER WHAT
YOU ALWAYS SAID
430
00:30:03,169 --> 00:30:05,504
WHEN I FIRST
STARTED WITH YOU?
431
00:30:05,571 --> 00:30:06,672
"BE CAREFUL."
432
00:30:06,738 --> 00:30:08,975
THAT'S WHAT
YOU ALWAYS SAID.
433
00:30:09,041 --> 00:30:11,410
"THAT'S WHAT'S IMPORTANT
IN THIS BUSINESS, KID.
434
00:30:11,477 --> 00:30:13,112
BE CAREFUL."
435
00:30:13,179 --> 00:30:15,314
IS THAT WHAT
I ALWAYS SAID?
436
00:30:17,316 --> 00:30:20,052
WHY ARE YOU TAKING
SO MANY CHANCES NOW?
437
00:30:20,119 --> 00:30:23,522
WHAT ARE YOU TRYING
TO PROVE?
438
00:30:23,589 --> 00:30:24,490
WE'LL BE JUMPING
439
00:30:24,556 --> 00:30:27,093
FROM
A HOWARD DGA-15.
440
00:30:27,159 --> 00:30:29,695
DGA. THAT STANDS FOR
DAMN GOOD AIRPLANE,
441
00:30:29,761 --> 00:30:31,230
WHICH, OF COURSE,
IT IS.
442
00:30:31,297 --> 00:30:33,032
VERY TRICKY
TO LAND, THOUGH.
443
00:30:33,099 --> 00:30:34,100
YOU'RE
MUCH BETTER OFF
444
00:30:34,166 --> 00:30:35,167
JUMPING OUT OF IT
THEN YOU ARE
445
00:30:35,234 --> 00:30:37,469
TAKING YOUR CHANCE
ON LANDING IT.
446
00:30:37,536 --> 00:30:38,938
THIS ONE'S
IN GOOD SHAPE.
447
00:30:39,005 --> 00:30:40,606
WITH BROWDY,
A AIRPLANE'S IN GOOD SHAPE
448
00:30:40,672 --> 00:30:42,608
IF IT HAS WINGS
AND A PROP.
449
00:30:42,674 --> 00:30:44,176
WE'VE HAD
A LOT WORSE.
450
00:30:44,243 --> 00:30:45,844
YOU REMEMBER
THAT TIME IN ADLER?
451
00:30:45,912 --> 00:30:47,079
WE HAD AN AIRPLANE
IN ADLER
452
00:30:47,146 --> 00:30:49,081
THAT NEVER EVEN
GOT OFF THE GROUND.
453
00:30:49,148 --> 00:30:50,082
HIT THE END
OF THE RUNWAY,
454
00:30:50,149 --> 00:30:51,150
WENT INTO
A CORNFIELD,
455
00:30:51,217 --> 00:30:52,318
HARVESTED ABOUT
AN ACRE OF CORN
456
00:30:52,384 --> 00:30:53,385
BEFORE THE PILOT
457
00:30:53,452 --> 00:30:55,187
COULD GET IT
STOPPED.
458
00:30:55,254 --> 00:30:58,324
ARE YOU GOING TO WATCH US
JUMP TOMORROW?
459
00:30:58,390 --> 00:30:59,325
OH, YES.
460
00:30:59,391 --> 00:31:01,860
YES, WE'LL BE THERE,
WON'T BE, ELIZABETH?
461
00:31:01,928 --> 00:31:03,595
YES, I'M LOOKING
FORWARD TO IT.
462
00:31:08,200 --> 00:31:11,403
WHAT IS THE MOST DANGEROUS
STUNT THAT YOU DO?
463
00:31:11,470 --> 00:31:12,271
THE CAPE STUNT.
464
00:31:12,338 --> 00:31:13,605
THAT'S A STUNT
WE DO WITH A CAPE.
465
00:31:13,672 --> 00:31:15,942
AHH. DO YOU DO
THAT ONE?
466
00:31:16,008 --> 00:31:19,511
OH, NO. RETTIG
DOES THAT ONE.
467
00:31:19,578 --> 00:31:22,881
WHAT I DON'T
UNDERSTAND IS
468
00:31:22,949 --> 00:31:24,116
WHY YOU DO
THIS THING AT ALL.
469
00:31:24,183 --> 00:31:26,585
FOR ME,
IT'S A BUSINESS.
470
00:31:26,652 --> 00:31:28,921
AND YOU, MR. RETTIG.
471
00:31:28,988 --> 00:31:30,756
WHAT'S IT TO YOU,
472
00:31:30,822 --> 00:31:33,192
IF YOU DON'T MIND
MY ASKING?
473
00:31:38,564 --> 00:31:41,100
I HAD A FRIEND
IN THE ARMY, A SERGEANT--
474
00:31:41,167 --> 00:31:43,435
PARACHUTED FOR ABOUT
20 YEARS.
475
00:31:44,836 --> 00:31:46,172
HE USED TO SAY THAT
JUMPING WAS NOT ONLY
476
00:31:46,238 --> 00:31:50,943
A WAY TO LIVE...
BUT ALSO A WAY TO DIE.
477
00:31:51,010 --> 00:31:53,245
VERY FEW THINGS ARE.
478
00:31:54,513 --> 00:31:56,983
THAT'S VERY INTERESTING.
479
00:31:57,049 --> 00:31:58,317
"HE IS AT LIBERTY TO DIE
480
00:31:58,384 --> 00:32:00,119
WHO DOES NOT
WISH TO LIVE."
481
00:32:00,186 --> 00:32:01,420
YOU BELIEVE THAT?
482
00:32:01,487 --> 00:32:03,422
THAT'S DEAD WRONG.
483
00:32:03,489 --> 00:32:06,092
ARE YOU A RELIGIOUS MAN,
MR. BROWDY?
484
00:32:06,158 --> 00:32:08,127
WHAT'S RELIGION
HAVE TO DO WITH IT?
485
00:32:08,194 --> 00:32:09,328
Malcolm: BROWDY
GOES TO CHURCH
486
00:32:09,395 --> 00:32:10,362
EVERY SUNDAY.
487
00:32:10,429 --> 00:32:11,297
OK, OK, KID.
488
00:32:11,363 --> 00:32:12,331
DOES THAT EMBARRASS
YOU, MR. BROWDY?
489
00:32:12,398 --> 00:32:13,432
NO, IT DOESN'T
EMBARRASS ME.
490
00:32:13,499 --> 00:32:16,668
I MEAN, WHY SHOULD
IT EMBARRASS ME?
491
00:32:16,735 --> 00:32:18,137
LISTEN, IF WE GONNA GO
DOWNTOWN FOR THAT BEER,
492
00:32:18,204 --> 00:32:19,238
WE'D BETTER
GET STARTED.
493
00:32:19,305 --> 00:32:20,739
IF YOU'LL EXCUSE US,
MRS. BRANDON.
494
00:32:20,806 --> 00:32:22,074
YEAH, I THINK
THAT'S A GOOD IDEA.
495
00:32:22,141 --> 00:32:23,275
ANYBODY KNOW
OF A GOOD PLACE IN TOWN?
496
00:32:23,342 --> 00:32:24,876
WE'RE OPEN
TO SUGGESTIONS.
497
00:32:24,943 --> 00:32:26,212
THE HORSE'S HEAD
IS NICE.
498
00:32:26,278 --> 00:32:27,513
OH, I THINK
THE HORSE'S HEAD
499
00:32:27,579 --> 00:32:30,016
IS A BIT ON THE QUAINT
SIDE, DON'T YOU, ANNIE?
500
00:32:30,082 --> 00:32:32,184
THE PARADISE MIGHT BE
MORE THE SORT OF PLACE
501
00:32:32,251 --> 00:32:33,352
THAT WOULD
APPEAL TO YOU.
502
00:32:33,419 --> 00:32:36,488
WHAT SORT OF PLACE
WOULD APPEAL TO US?
503
00:32:36,555 --> 00:32:39,225
WELL, I JUST MEANT
THAT IT WAS LIVELY.
504
00:32:39,291 --> 00:32:42,261
I INTENDED NO OFFENSE.
505
00:32:42,328 --> 00:32:44,863
UH, ANNIE, WOULD YOU
CARE TO COME ALONG?
506
00:32:44,930 --> 00:32:46,698
UH, DO YOU HAVE
OTHER PLANS?
507
00:32:46,765 --> 00:32:48,234
THANK YOU, I HAVE.
I HAVE A DATE.
508
00:32:48,300 --> 00:32:51,503
MM-HMM, ALL RIGHT.
THAT'S THE BREAKS, KID.
509
00:32:53,372 --> 00:32:56,008
RETTIG, ARE
YOU COMING?
510
00:32:56,075 --> 00:32:58,544
MRS. BRANDON,
UH, A VERY NICE SUPPER.
511
00:32:58,610 --> 00:33:00,479
OHH, YOU'RE WELCOME.
512
00:33:52,864 --> 00:33:54,600
IS THAT YOURS?
513
00:33:54,666 --> 00:33:57,503
YOU WISH.
514
00:33:57,569 --> 00:33:58,904
WHAT'S IT FOR?
515
00:33:58,970 --> 00:34:01,840
MONEY FOR THE JUKEBOX.
516
00:34:01,907 --> 00:34:04,110
HEH HEH HEH.
517
00:34:19,024 --> 00:34:20,192
THAT DOESN'T LOOK
518
00:34:20,259 --> 00:34:22,261
LIKE SMALL-TOWN
STUFF TO ME.
519
00:34:22,328 --> 00:34:25,264
NOTHING LOOKS LIKE
SMALL-TOWN STUFF TO YOU.
520
00:34:25,331 --> 00:34:27,466
AND WHAT'S WRONG
WITH THAT?
521
00:34:34,540 --> 00:34:37,543
ALL RIGHT!
522
00:34:43,315 --> 00:34:46,017
OK, WHAT CAN I DO
FOR YOU BOYS?
523
00:34:46,084 --> 00:34:47,786
WELL, UM...
524
00:34:47,853 --> 00:34:50,256
YEAH, RIGHT.
BESIDES THAT.
525
00:34:50,322 --> 00:34:51,990
WHY DON'T WE START
WITH 3 BEERS,
526
00:34:52,057 --> 00:34:53,058
AND WE'LL GO ON
FROM THERE
527
00:34:53,125 --> 00:34:54,526
AND SEE
WHAT DEVELOPS.
528
00:34:54,593 --> 00:34:55,861
RIGHT.
529
00:34:59,331 --> 00:35:00,266
WHAT DO YOU
THINK, MIKE?
530
00:35:00,332 --> 00:35:02,201
I THINK
DEFINITELY.
531
00:35:02,268 --> 00:35:04,270
ONE OF THESE DAYS,
YOU'RE GONNA BE WRONG.
532
00:35:04,336 --> 00:35:06,872
I HOPE I'M THERE
TO SEE IT.
533
00:35:06,938 --> 00:35:09,208
I WAS WRONG ONCE.
534
00:35:09,275 --> 00:35:11,943
ABOUT, UH, 1953,
I THINK, WASN'T IT?
535
00:35:12,010 --> 00:35:14,213
HA HA!
536
00:35:15,681 --> 00:35:18,116
WHAT DO YOU MAKE OF
THESE PEOPLE, MIKE?
537
00:35:18,184 --> 00:35:19,685
WHAT PEOPLE?
538
00:35:19,751 --> 00:35:21,787
THE BRANDONS.
539
00:35:21,853 --> 00:35:23,054
I DON'T KNOW.
540
00:35:23,121 --> 00:35:25,391
WHAT SHOULD I
MAKE OF THEM?
541
00:35:25,457 --> 00:35:27,693
KIND OF PECULIAR,
DON'T YOU THINK?
542
00:35:27,759 --> 00:35:28,960
NO OFFENSE, KID.
543
00:35:29,027 --> 00:35:30,296
IT'S NOTHING
TO ME, BROWDY.
544
00:35:30,362 --> 00:35:31,230
THEY'RE AS MUCH
STRANGERS TO ME
545
00:35:31,297 --> 00:35:33,031
AS THEY ARE TO YOU.
546
00:35:33,098 --> 00:35:34,233
I MUST SAY, THE THREE
OF YOU DON'T ACT
547
00:35:34,300 --> 00:35:36,468
MUCH LIKE A FAMILY.
548
00:35:39,505 --> 00:35:42,608
TELL YOU
ONE THING, THOUGH.
549
00:35:42,674 --> 00:35:46,111
SHE'S ONE
GOOD-LOOKING WOMAN.
550
00:35:46,178 --> 00:35:48,180
CLASS.
551
00:35:57,656 --> 00:35:58,524
IT WAS SO QUIET,
552
00:35:58,590 --> 00:36:00,726
I WONDERED
WHERE YOU WERE.
553
00:36:03,094 --> 00:36:04,496
I'M HERE.
554
00:36:48,540 --> 00:36:50,776
SIT DOWN.
TAKE A LOAD OFF.
555
00:36:58,917 --> 00:37:00,352
HEY!
556
00:37:07,759 --> 00:37:11,096
YOU GONNA COME OUT
TOMORROW AND WATCH US JUMP?
557
00:37:11,162 --> 00:37:12,664
JUMP WHAT?
558
00:37:12,731 --> 00:37:14,766
HA HA HA!
559
00:37:14,833 --> 00:37:17,068
HERE.
560
00:37:17,135 --> 00:37:19,237
BE OUR GUEST.
561
00:37:21,307 --> 00:37:23,275
OHH! YOU'RE THEM!
562
00:37:23,342 --> 00:37:25,511
YEAH, WE'RE THEM!
563
00:37:25,577 --> 00:37:27,245
WHERE'S YOUR AIRPLANE?
564
00:37:27,313 --> 00:37:30,416
HEH HEH HEH!
IT'S PARKED OUTSIDE.
565
00:37:30,482 --> 00:37:33,285
HERE. BRING A FRIEND
IF YOU WANT.
566
00:37:34,252 --> 00:37:36,655
MY BOYFRIEND, MAYBE?
567
00:37:36,722 --> 00:37:39,425
THINK HE'D
GET ALONG WITH MIKE?
568
00:37:39,491 --> 00:37:41,360
WELL, IF HE DIDN'T,
I COULD.
569
00:37:41,427 --> 00:37:42,561
AHH, NO, NO.
570
00:37:42,628 --> 00:37:44,229
HE'S MARRIED
AND GOT 7 KIDS.
571
00:37:44,296 --> 00:37:46,131
YEAH, SURE,
I'LL BET.
572
00:37:46,197 --> 00:37:47,766
WHAT'S YOUR NAME?
573
00:37:47,833 --> 00:37:49,801
MARY.
574
00:37:49,868 --> 00:37:51,069
HEH HEH HEH!
575
00:37:51,136 --> 00:37:53,305
YOU'RE KIDDING.
576
00:37:53,372 --> 00:37:54,673
NO, AND IF YOU SAY
ANYTHING
577
00:37:54,740 --> 00:37:57,676
ABOUT MY BEING CONTRARY
OR HOW MY GARDEN GROWS,
578
00:37:57,743 --> 00:38:00,111
I SCREAM.
579
00:38:00,178 --> 00:38:01,313
I LOVE HER.
I REALLY DO.
580
00:38:01,380 --> 00:38:02,481
WILL YOU MARRY ME?
581
00:38:02,548 --> 00:38:03,582
YEAH, RIGHT.
TUESDAY.
582
00:38:03,649 --> 00:38:04,916
I'M TIED UP
TILL THEN.
583
00:38:04,983 --> 00:38:05,984
OK.
584
00:38:45,323 --> 00:38:46,291
SEE YOU LATER.
585
00:38:46,358 --> 00:38:47,292
WHERE ARE YOU GOIN'?
586
00:38:47,359 --> 00:38:48,259
FOR A WALK.
587
00:38:48,326 --> 00:38:49,461
OH, HO HO HO!
588
00:38:50,362 --> 00:38:51,663
I THINK
I'M TAKING OFF, TOO.
589
00:38:51,730 --> 00:38:53,131
THE MUSIC'S GIVING
ME A HEADACHE.
590
00:38:53,198 --> 00:38:55,467
WHAT, ARE YOU GONNA LEAVE
OLD BROWDY TO HIS OWN DEVICES?
591
00:38:55,534 --> 00:38:57,869
HEH! DON'T FORGET
TOMORROW'S SUNDAY.
592
00:38:57,936 --> 00:38:59,471
THINK YOU'LL BE ABLE
TO FIND A CHURCH?
593
00:38:59,538 --> 00:39:01,740
AHH, GET LOST,
WILL YA?
594
00:39:27,933 --> 00:39:29,367
SMELL IT?
595
00:39:32,871 --> 00:39:34,305
LOOK...
596
00:39:34,372 --> 00:39:37,208
IF IT RAINS,
WE DON'T JUMP.
597
00:39:37,275 --> 00:39:38,810
THAT'S SIMPLE ENOUGH,
ISN'T IT?
598
00:39:38,877 --> 00:39:40,412
SIMPLE ENOUGH.
599
00:39:45,817 --> 00:39:47,352
DO YOU WANT
SOME COMPANY?
600
00:39:47,419 --> 00:39:49,354
NO.
601
00:39:49,421 --> 00:39:51,389
YOU DON'T MIND,
DO YOU, KID?
602
00:39:53,058 --> 00:39:54,059
RETTIG.
603
00:39:55,594 --> 00:39:58,564
MAYBE YOU'LL FORGET
THE CAPE STUNT TOMORROW, HUH?
604
00:39:58,630 --> 00:40:00,699
MIGHT NOT BE
A BAD DAY FOR IT.
605
00:40:00,766 --> 00:40:02,468
THE AIR IS DAMP,
HEAVIER.
606
00:40:02,534 --> 00:40:04,035
SLOWER DESCENT.
607
00:40:04,102 --> 00:40:05,704
BY HOW MUCH?
608
00:40:05,771 --> 00:40:07,573
A COUPLE OF SECONDS?
WHAT DOES THAT MATTER?
609
00:40:07,639 --> 00:40:09,407
YOU CAN ONLY
STAY UP SO LONG.
610
00:40:09,475 --> 00:40:11,543
THEN YOU HAVE
TO COME DOWN, RIGHT?
611
00:40:12,377 --> 00:40:14,112
THAT'S RIGHT.
612
00:40:14,179 --> 00:40:16,715
SOMETIMES,
I THINK YOU HATE TO COME
613
00:40:16,782 --> 00:40:18,750
BACK TO THE GROUND AT ALL.
614
00:41:47,105 --> 00:41:48,707
BEAUTIFUL NIGHT.
615
00:41:50,175 --> 00:41:51,710
LITTLE COOLER.
616
00:41:59,918 --> 00:42:01,620
YOU'RE ALL
BACK EARLY.
617
00:42:02,721 --> 00:42:04,255
NO. I'M ALONE.
618
00:42:07,025 --> 00:42:10,028
WE'RE A LITTLE OUT OF PLACE
HERE, AREN'T WE?
619
00:42:10,095 --> 00:42:12,363
BROWDY AND I, ANYWAY.
620
00:42:12,430 --> 00:42:13,899
WHY, OF COURSE NOT.
621
00:42:13,965 --> 00:42:15,400
WE'RE DELIGHTED
TO HAVE YOU.
622
00:42:15,466 --> 00:42:17,202
YOU DON'T
HAVE TO DO THAT.
623
00:42:17,268 --> 00:42:19,004
DO WHAT?
624
00:42:19,070 --> 00:42:22,007
BE POLITE, GRACIOUS.
IT'S NOT NECESSARY.
625
00:42:23,441 --> 00:42:25,543
YOU'RE VERY DIRECT,
AREN'T YOU?
626
00:42:27,012 --> 00:42:28,614
NOT VERY SUBTLE,
YOU MEAN.
627
00:42:28,680 --> 00:42:30,782
NO. I DIDN'T
SAY THAT.
628
00:42:30,849 --> 00:42:33,051
I THINK YOU ALL
ARE VERY SUBTLE,
629
00:42:33,118 --> 00:42:35,921
BUT IN A DIRECT
SORT OF WAY.
630
00:43:06,017 --> 00:43:07,953
WANT A DRINK
OR SOMETHING?
631
00:45:02,433 --> 00:45:04,335
ARE YOU MARRIED?
632
00:45:07,672 --> 00:45:09,040
NO.
633
00:45:10,341 --> 00:45:13,244
WERE YOU, EVER?
634
00:45:13,311 --> 00:45:14,946
YES.
635
00:45:38,703 --> 00:45:41,672
WHAT ABOUT MALCOLM?
636
00:45:41,739 --> 00:45:43,374
WHAT DO YOU MEAN?
637
00:45:45,643 --> 00:45:48,046
HE MEANS A LOT TO YOU,
DOESN'T HE?
638
00:45:51,749 --> 00:45:54,052
HE MIGHT HAVE BEEN OURS.
639
00:45:56,187 --> 00:45:59,190
I MEAN, WE MIGHT
HAVE RAISED HIM...
640
00:45:59,257 --> 00:46:02,427
AFTER HIS MOTHER
AND FATHER WERE KILLED.
641
00:46:02,493 --> 00:46:04,262
BUT YOU DIDN'T.
642
00:46:07,465 --> 00:46:09,334
JOHN DIDN'T WANT HIM.
643
00:46:09,400 --> 00:46:10,468
DID YOU?
644
00:46:14,873 --> 00:46:16,875
YES, I WANTED HIM.
645
00:46:20,545 --> 00:46:23,281
MALCOLM'S MOTHER
WAS MY SISTER.
646
00:46:24,983 --> 00:46:28,786
I WAS IN LOVE WITH WALT,
MALCOLM'S FATHER.
647
00:46:28,854 --> 00:46:32,423
IT WAS SORT OF
TAKEN FOR GRANTED
648
00:46:32,490 --> 00:46:34,359
THAT WE
WOULD BE MARRIED.
649
00:46:34,425 --> 00:46:36,494
ONLY, I...
650
00:46:36,561 --> 00:46:38,830
I DON'T KNOW. I...
651
00:46:38,897 --> 00:46:42,267
I GUESS I JUST WASN'T
VERY OBSERVANT.
652
00:46:44,235 --> 00:46:48,506
ONE DAY, WALT
AND ELEANOR DISAPPEARED,
653
00:46:50,241 --> 00:46:52,477
AND WHEN THEY CAME BACK
A FEW DAYS LATER,
654
00:46:52,543 --> 00:46:53,845
THEY WERE MARRIED.
655
00:46:57,916 --> 00:47:00,618
AND AFTER A WHILE...
656
00:47:00,685 --> 00:47:03,288
AFTER WHAT
MIGHT BE CALLED
657
00:47:03,354 --> 00:47:06,057
A SUITABLE PERIOD
OF MOURNING...
658
00:47:07,058 --> 00:47:09,227
I MARRIED JOHN.
659
00:47:11,196 --> 00:47:14,499
AND IT WAS ALL RIGHT,
TOO, FOR A LONG TIME.
660
00:47:16,167 --> 00:47:18,603
I MEAN,
WE LIKED EACH OTHER.
661
00:47:18,669 --> 00:47:20,571
WE REALLY DID.
662
00:47:23,741 --> 00:47:27,212
AND THEN THERE WAS
THE ACCIDENT, AND...
663
00:47:27,278 --> 00:47:30,381
MALCOLM WAS
LEFT WITH NO ONE, AND...
664
00:47:30,448 --> 00:47:33,018
JOHN DIDN'T WANT HIM.
665
00:47:38,223 --> 00:47:40,625
I COULDN'T BLAME HIM
FOR THAT, REALLY.
666
00:47:42,360 --> 00:47:46,264
HE KNEW I WANTED MALCOLM
BECAUSE HE WAS WALT'S CHILD.
667
00:47:46,331 --> 00:47:49,400
IT WAS HIS RIGHT NOT
TO WANT HIM FOR THE SAME REASON.
668
00:47:51,236 --> 00:47:52,837
WHY DO YOU STAY
MARRIED TO HIM?
669
00:47:52,904 --> 00:47:55,106
WHY NOT?
670
00:48:00,011 --> 00:48:01,712
I IMAGINE
YOU'RE THE SORT OF MAN
671
00:48:01,779 --> 00:48:03,314
WHO ALWAYS MANAGES TO FIND
672
00:48:03,381 --> 00:48:07,485
THE BEST AND RIGHTEST REASONS
FOR EVERYTHING YOU DO.
673
00:48:07,552 --> 00:48:10,455
DO YOU THINK THAT'S
POSSIBLE FOR EVERYONE?
674
00:48:10,521 --> 00:48:13,291
I'M ALWAYS HOPEFUL.
675
00:48:29,907 --> 00:48:31,042
COME IN.
676
00:48:37,048 --> 00:48:38,449
WHAT ARE YOU DOING?
677
00:48:38,516 --> 00:48:40,885
I HAVE A RIP IN THIS.
IT'S, UH...
678
00:48:40,952 --> 00:48:42,920
PART OF MY COSTUME.
679
00:48:42,988 --> 00:48:45,856
BROWDY LIKES FOR US
TO LOOK NEAT.
680
00:48:45,923 --> 00:48:48,659
WOULD YOU LIKE ME
TO DO IT FOR YOU?
681
00:48:48,726 --> 00:48:51,296
NO, THANKS.
I SEW PRETTY GOOD.
682
00:48:55,400 --> 00:48:58,236
NO LUCK TONIGHT?
683
00:48:58,303 --> 00:48:59,604
WITH WHAT?
684
00:48:59,670 --> 00:49:00,838
WELL, USUALLY THERE ARE
685
00:49:00,905 --> 00:49:03,241
A LOT OF UNATTACHED
GIRLS AT THE PARADISE.
686
00:49:06,211 --> 00:49:08,946
I GUESS I HIT
AN OFF NIGHT.
687
00:49:10,215 --> 00:49:11,682
HOW WAS YOUR DATE?
688
00:49:12,950 --> 00:49:15,020
OK.
689
00:49:18,489 --> 00:49:20,158
SIT DOWN.
690
00:49:37,242 --> 00:49:38,509
HEY.
691
00:49:40,078 --> 00:49:42,347
TAXI!
COME HERE!
692
00:49:51,956 --> 00:49:55,026
WHOOPSY-DAISY!
HA HA HA HA!
693
00:49:55,093 --> 00:49:56,961
IS EVERYTHING ALL RIGHT,
YOUNG FELLA?
694
00:49:57,028 --> 00:50:00,265
I'M NEW AROUND TOWN
HERE, OFFICER. UH...
695
00:50:01,366 --> 00:50:03,000
I SAY,
I JUST REMEMBERED
696
00:50:03,068 --> 00:50:05,170
MY CAR IS RIGHT DOWN
THE STREET.
697
00:50:12,009 --> 00:50:13,444
HA HA HA HA!
AAH!
698
00:50:13,511 --> 00:50:15,280
WHOOPSY-DAISY!
699
00:50:15,346 --> 00:50:17,748
I ONCE JUMPED OUT
OF THIS WINDOW.
700
00:50:17,815 --> 00:50:18,816
WITH WHAT?
701
00:50:18,883 --> 00:50:21,186
IT WAS WHEN
I WAS A KID.
702
00:50:21,252 --> 00:50:23,054
I WONDERED WHAT
IT WOULD BE LIKE
703
00:50:23,121 --> 00:50:25,056
TO JUMP
FROM THIS HIGH UP.
704
00:50:25,123 --> 00:50:26,991
I THINK I HAD IT IN
THE BACK OF MY MIND
705
00:50:27,058 --> 00:50:29,194
THAT I COULD FLY.
706
00:50:36,134 --> 00:50:38,103
LOOK ALL RIGHT?
707
00:50:42,340 --> 00:50:43,908
YEAH.
708
00:50:43,974 --> 00:50:46,211
THAT'S PRETTY GOOD.
709
00:50:56,887 --> 00:50:58,989
GOOD NIGHT.
710
00:50:59,056 --> 00:51:00,691
GOOD NIGHT.
711
00:51:00,758 --> 00:51:02,527
THANKS.
712
00:52:57,342 --> 00:52:59,810
TELL YOU WHAT I'M GONNA DO
ONE OF THESE DAYS.
713
00:53:02,313 --> 00:53:04,114
ONE OF THESE DAYS,
I'M GONNA CUT OUT,
714
00:53:04,181 --> 00:53:06,284
AND I'M GONNA
GO OUT TO HOLLYWOOD.
715
00:53:08,018 --> 00:53:11,422
I'M GONNA GET ME A JOB
AS ONE OF THEM STUNT MEN.
716
00:53:13,458 --> 00:53:15,360
THEY MAKE GOOD DOUGH.
717
00:53:17,528 --> 00:53:19,664
I KNOW THAT FOR A FACT.
718
00:53:21,699 --> 00:53:22,700
AH...
719
00:53:26,103 --> 00:53:27,338
YOU ASLEEP?
720
00:53:30,608 --> 00:53:31,742
HEY...
721
00:53:31,809 --> 00:53:33,578
YOU ASLEEP?
722
00:53:41,819 --> 00:53:43,888
I'M NOT GONNA BE
DOING THIS FOREVER.
723
00:53:47,692 --> 00:53:49,627
I HAVE PLANS.
724
00:56:30,955 --> 00:56:33,357
LORD, I AM NOT WORTHY
725
00:56:33,424 --> 00:56:35,560
THAT YOU SHOULD COME
UNDER MY ROOF.
726
00:56:35,626 --> 00:56:38,496
SPEAK BUT THE WORD,
AND MY SOUL SHALL BE HEALED.
727
00:56:38,563 --> 00:56:39,930
LORD, I AM NOT WORTHY
728
00:56:39,997 --> 00:56:42,132
THAT YOU SHOULD COME
UNDER MY ROOF.
729
00:56:42,199 --> 00:56:45,335
SPEAK BUT THE WORD,
AND MY SOUL SHALL BE HEALED.
730
00:56:45,402 --> 00:56:46,971
LORD, I AM NOT WORTHY
731
00:56:47,037 --> 00:56:49,073
THAT YOU SHOULD
COME UNDER MY ROOF.
732
00:56:49,139 --> 00:56:52,076
SPEAK BUT THE WORD,
AND MY SOUL SHALL BE HEALED.
733
00:57:19,136 --> 00:57:20,204
HE KNOWS, DOESN'T HE?
734
00:57:33,718 --> 00:57:35,385
DOES IT HAPPEN OFTEN?
735
00:57:35,452 --> 00:57:37,021
NO, NOT OFTEN...
736
00:57:38,155 --> 00:57:40,024
BUT IT HAPPENS.
737
00:57:41,492 --> 00:57:43,460
ARE YOU SURPRISED?
738
00:57:49,534 --> 00:57:52,236
TOMORROW,
WHEN WE LEAVE HERE,
739
00:57:52,302 --> 00:57:54,471
I WANT YOU
TO COME WITH ME.
740
00:57:56,507 --> 00:57:58,175
COME WITH YOU?
741
00:57:58,242 --> 00:58:00,210
YES.
742
00:58:06,917 --> 00:58:10,420
YOU--DO YOU ALWAYS
OFFER SO MUCH MORE
743
00:58:10,487 --> 00:58:11,989
THAN YOU'RE ASKED FOR?
744
00:58:13,658 --> 00:58:14,925
ONLY TO THOSE WHO ASK
745
00:58:14,992 --> 00:58:17,161
SO MUCH LESS
THAN THEY WANT.
746
00:58:18,262 --> 00:58:19,964
IF IT WAS WHAT I WANT,
747
00:58:20,030 --> 00:58:22,600
DO YOU THINK
I COULD ACCEPT IT?
748
00:58:22,667 --> 00:58:24,735
THERE'S ALWAYS
ANOTHER CHOICE.
749
00:58:24,802 --> 00:58:26,270
DON'T YOU SEE THAT?
750
00:58:28,172 --> 00:58:30,040
NOT FOR EVERYONE.
751
00:58:30,107 --> 00:58:31,275
FOR EVERYONE.
752
00:58:33,878 --> 00:58:35,279
HOW DO YOU
COME TO HAVE
753
00:58:35,345 --> 00:58:37,447
THIS WONDERFUL
FREEDOM OF CHOICE?
754
00:58:37,514 --> 00:58:38,883
YOU TAKE IT.
755
00:58:38,949 --> 00:58:39,950
FROM WHOM?
756
00:58:40,017 --> 00:58:41,952
FROM ANYONE WHO SAYS
IT ISN'T YOURS TO TAKE.
757
00:58:42,019 --> 00:58:43,788
OH, I ENVY YOU.
758
00:58:43,854 --> 00:58:46,456
DON'T ENVY ME.
JOIN ME.
759
00:58:46,523 --> 00:58:47,524
LEAVE ME ALONE.
760
00:58:47,592 --> 00:58:48,659
DO IT.
761
00:58:48,726 --> 00:58:50,895
A MERCIFUL STRANGER
COME TO SAVE ME
762
00:58:50,961 --> 00:58:52,462
FROM THE
TERRIBLE BOREDOM
763
00:58:52,529 --> 00:58:53,798
AND LOVELESSNESS
OF MY LIFE!
764
00:58:53,864 --> 00:58:55,399
IS THAT WHAT
YOU THINK YOU ARE?
765
00:58:55,465 --> 00:58:57,835
I'M ONLY OFFERING YOU
A WAY OUT.
766
00:58:57,902 --> 00:59:00,470
I DON'T WANT A WAY OUT!
767
00:59:06,443 --> 00:59:09,046
OH, WELL.
768
00:59:09,113 --> 00:59:11,181
THAT'S THE DIFFERENCE.
769
00:59:11,248 --> 00:59:13,618
YOU HAVE TO WANT IT.
770
00:59:41,511 --> 00:59:43,714
IT'S EARLY.
COULD STOP ANYTIME.
771
00:59:43,781 --> 00:59:46,383
GOOD, STIFF WIND
OUT THERE.
772
00:59:46,450 --> 00:59:48,352
BLOW IT AWAY
IN A COUPLE HOURS.
773
00:59:51,155 --> 00:59:53,658
GOT 650 TICKETS ON ME.
774
00:59:53,724 --> 00:59:55,960
650 TICKETS.
775
00:59:56,026 --> 00:59:57,294
TERRIFIC!
776
00:59:58,495 --> 00:59:59,630
LOOK, KID, UH...
777
00:59:59,697 --> 01:00:00,798
THE BUSINESS
IS MY END OF IT.
778
01:00:00,865 --> 01:00:02,399
YOU LET ME
TAKE CARE OF ME.
779
01:00:02,466 --> 01:00:03,533
IT'S ALL YOURS, BROWDY.
780
01:00:03,600 --> 01:00:05,569
ALL RIGHT. WELL,
STOP NEEDLING ME
781
01:00:05,636 --> 01:00:06,937
FOR WORRYING
ABOUT IT, THEN, OK?
782
01:00:07,004 --> 01:00:08,939
I MEAN, I DON'T NOTICE
YOU PASSING UP YOUR CUT
783
01:00:09,006 --> 01:00:10,808
WHEN IT COMES TIME
TO SPLIT THE TAKE.
784
01:00:10,875 --> 01:00:12,476
YOU KNOW,
SOMETIMES I THINK
785
01:00:12,542 --> 01:00:14,111
YOU HAVE A CASH REGISTER
FOR A HEAD.
786
01:00:14,178 --> 01:00:16,847
YEAH, YEAH.
ALL RIGHT, KID, FINE.
787
01:00:16,914 --> 01:00:17,915
YOU DON'T HAVE TO JUMP
788
01:00:17,982 --> 01:00:19,283
IF YOU THINK
IT'S TOO DANGEROUS.
789
01:00:19,349 --> 01:00:20,918
I MEAN, RETTIG AND ME
CAN MAKE OUT OURSELVES.
790
01:00:20,985 --> 01:00:21,952
WHAT THE HELL
DO YOU MEAN...
791
01:00:22,019 --> 01:00:23,020
STOP TALKING TO ME,
WILL YOU?
792
01:00:23,087 --> 01:00:24,488
IF I "THINK
IT'S TOO DANGEROUS"?
793
01:00:24,554 --> 01:00:25,589
JUST WHAT I SAID. YOUR
CHICKEN STREAK IS SHOWING!
794
01:00:25,656 --> 01:00:26,791
MY CHICKEN STREAK!
795
01:00:26,857 --> 01:00:27,858
THAT'S WHAT I SAID,
YOUR CHICKEN STREAK!
796
01:00:27,925 --> 01:00:28,859
LISTEN, PAL.
I'VE SEEN YOUR HANDS
797
01:00:28,926 --> 01:00:30,060
SHAKING AND SWEATY
UP THERE.
798
01:00:30,127 --> 01:00:31,461
I'VE SEEN YOU TRYING
TO TALK TO YOURSELF
799
01:00:31,528 --> 01:00:32,797
INTO JUST ONE MORE JUMP,
800
01:00:32,863 --> 01:00:34,631
AND THE NEXT,
AND THE--
801
01:00:42,039 --> 01:00:44,709
JUST A SLIGHT MISUNDERSTANDING,
MRS. BRANDON. I'M SORRY.
802
01:00:46,076 --> 01:00:49,313
I'M SORRY, KID.
I'M A LITTLE BIT ON EDGE.
803
01:00:57,254 --> 01:00:58,889
WE'RE A LITTLE ON EDGE.
804
01:01:04,594 --> 01:01:06,263
YOUR NOSE
IS BLEEDIN', KID.
805
01:01:19,243 --> 01:01:20,377
BROWDY.
806
01:01:23,981 --> 01:01:26,183
YOU EVER
SEE HIM SWEAT, KID?
807
01:01:29,086 --> 01:01:31,288
YOU EVER SEE HIS HANDS
SHAKE UP THERE?
808
01:01:40,464 --> 01:01:42,699
NO. I NEVER HAVE, BROWDY.
809
01:03:03,747 --> 01:03:06,283
WHERE'S YOUR CROWD?
810
01:03:06,350 --> 01:03:07,551
THEY'LL COME.
811
01:03:14,091 --> 01:03:15,259
WE'RE GONNA BE ALL RIGHT.
812
01:03:15,325 --> 01:03:16,326
DEFINITELY.
813
01:03:21,365 --> 01:03:22,299
HEY!
814
01:03:22,366 --> 01:03:23,100
HEY!
815
01:03:23,167 --> 01:03:24,401
HI! GOOD MORNING!
OK!
816
01:03:24,468 --> 01:03:25,335
HOW'S OUR AIRPLANE?
817
01:03:25,402 --> 01:03:27,137
WELL, I'M FINISHED.
SHE'S GASSED UP,
818
01:03:27,204 --> 01:03:28,438
AND THE SEATS
TURNED AROUND,
819
01:03:28,505 --> 01:03:29,874
AND THE DOOR'S OFF.
820
01:03:29,940 --> 01:03:31,175
BOY, THAT DOORWAY'S
PRETTY NARROW, HUH?
821
01:03:31,241 --> 01:03:32,376
SEEIN' HOW
THE THREE OF YOU
822
01:03:32,442 --> 01:03:33,810
ARE GONNA GET OUT
OF THERE AT ONE TIME.
823
01:03:33,878 --> 01:03:35,145
IT'S ALL RIGHT.
WE'RE USED TO IT. LISTEN,
824
01:03:35,212 --> 01:03:36,213
RETTIG'S GONNA TELL YOU
WHAT HE WANTS YOU TO DO,
825
01:03:36,280 --> 01:03:37,647
BUT THE MAIN THING
FOR YOU TO DO
826
01:03:37,714 --> 01:03:39,149
IS JUST GET BACK DOWN ON
THE GROUND AS SOON AS POSSIBLE
827
01:03:39,216 --> 01:03:40,951
AFTER EVERY JUMP.
NOW, A LONG WAIT
828
01:03:41,018 --> 01:03:42,686
IS VERY BAD FOR A CROWD.
THEY GET RESTLESS.
829
01:03:42,752 --> 01:03:43,854
YOU SEE?
GOT IT.
830
01:03:43,921 --> 01:03:45,189
OK. JUST DON'T GET DOWN
BEFORE WE DO.
831
01:03:45,255 --> 01:03:46,290
WELL, IF I DO THAT,
I'M GONNA
832
01:03:46,356 --> 01:03:47,791
SHORTEN THE PROGRAM
CONSIDERABLY.
833
01:03:47,858 --> 01:03:49,193
HA HA!
THAT'S VERY GOOD.
834
01:03:49,259 --> 01:03:51,561
UH, THERE'S A GUY UP THERE
SETTIN' UP A P.A. SYSTEM.
835
01:03:51,628 --> 01:03:52,662
WILL YOU GIVE HIM THAT
836
01:03:52,729 --> 01:03:53,697
AND ASK HIM
TO GIVE US AN OUTLET?
837
01:03:53,763 --> 01:03:55,032
RIGHT.
HERE.
838
01:03:55,099 --> 01:03:57,467
SAY, THIS IS REALLY
EXCITING, YOU KNOW?
839
01:03:57,534 --> 01:03:58,602
I MEAN, I NEVER DID
840
01:03:58,668 --> 01:03:59,803
ANYTHING LIKE THIS
BEFORE.
841
01:03:59,870 --> 01:04:00,971
TERRIFIC. THERE'S
A COUPLE KIDS AROUND,
842
01:04:01,038 --> 01:04:02,439
IF YOU STIR 'EM UP
AND SEND 'EM IN
843
01:04:02,506 --> 01:04:04,174
TO MAKE A COUPLE BUCKS
FOR THE AFTERNOON.
844
01:04:04,241 --> 01:04:05,375
THAT'S NOT GONNA
BE HARD.
845
01:04:05,442 --> 01:04:06,376
YEAH. RIGHT.
846
01:04:09,779 --> 01:04:10,981
I'M READY.
847
01:04:13,183 --> 01:04:15,719
YOU CERTAIN THAT
YOU WON'T COME ALONG?
848
01:04:15,785 --> 01:04:18,288
YOU'RE NOT COMING,
MRS. BRANDON?
849
01:04:25,595 --> 01:04:27,031
OK, NOW, LOOK.
850
01:04:27,097 --> 01:04:28,732
WHEN WE COME DOWN
IN THE PARACHUTE,
851
01:04:28,798 --> 01:04:29,900
WE NEED SOME HELP.
852
01:04:29,967 --> 01:04:31,068
I WANT TWO OF YOU
TO COME OUT
853
01:04:31,135 --> 01:04:32,236
ON EACH PARACHUTE,
AND YOU GRAB IT,
854
01:04:32,302 --> 01:04:34,571
AND THEN YOU HELP US
COLLAPSE IT, OK?
855
01:04:34,638 --> 01:04:35,739
YOU UNDERSTAND THAT?
YES.
856
01:04:35,805 --> 01:04:36,941
OK, BUT THE MAIN
THING IS FOR YOU
857
01:04:37,007 --> 01:04:38,408
TO GET US AS MANY
PARACHUTES OUT THERE
858
01:04:38,475 --> 01:04:40,710
ON THAT TABLE IN FRONT
OF THE STANDS AS POSSIBLE.
859
01:04:40,777 --> 01:04:41,845
WE WANT PLENTY
OF PARACHUTES, RIGHT?
860
01:04:41,912 --> 01:04:44,481
RIGHT.
OK, IT'S TIME NOW.
861
01:04:45,715 --> 01:04:46,917
NOW, LISTEN, EVERYONE.
862
01:04:46,984 --> 01:04:48,852
DON'T LIFT ANY MORE
THAN YOU CAN CARRY, OK?
863
01:04:48,919 --> 01:04:50,187
OK.
864
01:04:53,423 --> 01:04:54,791
Ambulance driver:
MR. BROWDY?
865
01:04:54,858 --> 01:04:55,993
Browdy: YEAH.
866
01:04:57,694 --> 01:04:59,964
I'M THE AMBULANCE SERVICE.
867
01:05:00,030 --> 01:05:00,965
WELL, WHERE IS IT?
868
01:05:01,031 --> 01:05:02,199
PARKED OUT
BEHIND THE HANGAR.
869
01:05:02,266 --> 01:05:03,800
WELL, COME ON.
LET'S GET IT OUT HERE
870
01:05:03,867 --> 01:05:05,102
SO THEY CAN SEE IT.
871
01:05:05,169 --> 01:05:07,171
WELL, I DON'T--
I DON'T KNOW WHAT YOU MEAN.
872
01:05:07,237 --> 01:05:09,573
WELL, IT'S JUST PART OF
THE ACT, YOU UNDERSTAND.
873
01:05:09,639 --> 01:05:11,908
I MEAN, WE'RE NOT GONNA
NEED IT. KNOCK WOOD.
874
01:05:11,976 --> 01:05:13,910
WE HAVE TO LET THEM
SEE THAT.
875
01:05:13,978 --> 01:05:15,079
YOU GOT IT?
876
01:05:15,145 --> 01:05:16,580
OH, I UNDERSTAND.
I SEE WHAT YOU MEAN.
877
01:05:16,646 --> 01:05:19,249
YOU DRIVE THAT AMBULANCE
RIGHT IN FRONT OF THE STANDS
878
01:05:19,316 --> 01:05:20,284
NICE AND SLOW,
ALL RIGHT?
879
01:05:20,350 --> 01:05:21,818
AND YOU GET
THE LIGHT GOING,
880
01:05:21,885 --> 01:05:23,753
AND LET'S MAKE
SOME NOISE, HUH?
881
01:05:23,820 --> 01:05:25,455
UNDERSTAND?
882
01:05:25,522 --> 01:05:26,523
PARK IT RIGHT OVER THERE
883
01:05:26,590 --> 01:05:27,958
ON THE OTHER SIDE
OF THE STANDS.
884
01:05:28,025 --> 01:05:28,892
YOU GOT IT?
885
01:05:28,959 --> 01:05:30,527
RIGHT.
ALL RIGHT. GO.
886
01:05:41,805 --> 01:05:42,739
YOU DIG THAT CROWD?
887
01:05:42,806 --> 01:05:43,940
YEAH.
888
01:05:44,008 --> 01:05:45,442
WHAT'S WITH RETTIG?
889
01:05:45,509 --> 01:05:47,311
I DON'T KNOW.
890
01:05:47,377 --> 01:05:49,946
HELL OF A CROWD,
BROWDY.
891
01:05:50,014 --> 01:05:51,681
HA HA HA HA.
892
01:05:53,150 --> 01:05:56,987
Man: TESTING, 1, 2, 3, 4.
TESTING, 1, 2, 3, 4.
893
01:05:57,054 --> 01:06:00,924
TESTING, 1, 2, 3, 4.
IT'S OK HERE, EDDIE.
894
01:06:00,991 --> 01:06:02,926
LET'S PUT ON THE RECORD.
895
01:06:19,809 --> 01:06:20,910
ANY QUESTIONS?
896
01:06:20,977 --> 01:06:25,615
UH, NO. NO, I, UH,
I THINK I GOT IT.
897
01:06:25,682 --> 01:06:27,084
WHAT'S THE MATTER?
898
01:06:28,652 --> 01:06:30,254
LITTLE NERVOUS.
899
01:06:30,320 --> 01:06:33,190
YOU'RE GONNA GET OVER IT
REAL SOON, AREN'T YOU?
900
01:06:35,425 --> 01:06:38,662
OH, YEAH. JUST
DON'T WORRY ABOUT ME.
901
01:06:38,728 --> 01:06:39,796
DON'T WORRY ABOUT ME.
902
01:07:38,122 --> 01:07:39,523
Dick:
ARE WE ALL SET?
903
01:07:39,589 --> 01:07:41,425
Browdy: HEY, FELLAS,
SAY HELLO TO DICK DONFORD.
904
01:07:41,491 --> 01:07:42,859
HE'S FROM
THE LOCAL RADIO STATION.
905
01:07:42,926 --> 01:07:44,128
HI.
906
01:07:49,166 --> 01:07:50,267
Browdy: I'LL BE DOING
THE COMMENTARY
907
01:07:50,334 --> 01:07:51,468
ON ALL OF THE JUMPS.
908
01:07:51,535 --> 01:07:53,203
THE STUNTS THAT I GO UP ON,
909
01:07:53,270 --> 01:07:54,738
YOU JUST
DESCRIBE WHAT YOU SEE
910
01:07:54,804 --> 01:07:56,072
AND, UH, ADD A LITTLE COLOR.
911
01:07:56,140 --> 01:07:57,407
USE YOUR IMAGINATION.
912
01:07:57,474 --> 01:07:58,875
RIGHT, RIGHT. I'VE DONE
A LOT OF SPORTS EVENTS.
913
01:07:58,942 --> 01:08:00,444
YOU KNOW, BASKETBALL GAMES,
THAT KIND OF STUFF.
914
01:08:00,510 --> 01:08:02,279
THAT'S RIGHT. JUST CALL IT
LIKE A BASKETBALL GAME.
915
01:08:04,614 --> 01:08:06,683
Browdy on P.A.: ATTENTION.
ATTENTION, PLEASE.
916
01:08:06,750 --> 01:08:08,718
GOOD AFTERNOON...
917
01:08:08,785 --> 01:08:10,019
I DON'T SEE ANNIE.
918
01:08:10,086 --> 01:08:12,656
...FOR COMING OUT HERE
TO WATCH US THIS AFTERNOON.
919
01:08:12,722 --> 01:08:14,090
I DON'T THINK
YOU'RE GONNA BE DISAPPOINTED.
920
01:08:14,158 --> 01:08:15,692
I THINK
I CAN PROMISE YOU THAT.
921
01:08:15,759 --> 01:08:18,862
WE HAVE SOME VERY FINE STUNTS
LINED UP FOR YOU.
922
01:08:18,928 --> 01:08:20,897
WHICH ONE IS HE?
923
01:08:20,964 --> 01:08:22,599
THE ONE IN WHITE.
924
01:08:22,666 --> 01:08:24,568
I LIKE THE ONE
IN THE RED BETTER.
925
01:08:24,634 --> 01:08:27,871
YEAH. SO DID I.
926
01:08:27,937 --> 01:08:29,506
OH, WHAT THE HELL?
927
01:08:29,573 --> 01:08:32,642
THE WAY THINGS WORKED OUT,
I GOT NO COMPLAINTS.
928
01:08:32,709 --> 01:08:35,679
DID I INTRODUCE OURSELVES?
NO, I DIDN'T.
929
01:08:35,745 --> 01:08:38,615
IN THE YELLOW JUMPSUIT,
A LOCAL BOY MAKING GOOD,
930
01:08:38,682 --> 01:08:42,352
MR. MALCOLM WEBSON.
LET'S HEAR IT FOR MALCOLM.
931
01:08:42,419 --> 01:08:44,754
IN THE RED JUMPSUIT,
932
01:08:44,821 --> 01:08:46,356
A GENTLEMAN WHO'S GONNA
DO SOMETHING VERY SPECIAL
933
01:08:46,423 --> 01:08:47,557
FOR YOU LATER ON
THIS AFTERNOON,
934
01:08:47,624 --> 01:08:49,993
MR. MIKE RETTIG.
LET'S HEAR IT FOR MIKE!
935
01:08:50,059 --> 01:08:51,795
AND ME! MY NAME IS BROWDY!
936
01:10:04,934 --> 01:10:06,370
CUT.
937
01:17:44,694 --> 01:17:46,696
HERE HE COMES!
938
01:18:09,652 --> 01:18:10,754
THERE'S HIS CHUTE!
939
01:18:10,820 --> 01:18:12,789
OH! WHAT'S THIS?!
WHAT'S THIS?!
940
01:18:12,856 --> 01:18:14,457
WHAT'S HAPPENING?!
941
01:18:14,523 --> 01:18:16,259
LOOKS LIKE
HE LOST SOMETHING.
942
01:18:32,108 --> 01:18:34,210
P.A.:
I GUESS IT'S A JOKE!
943
01:18:50,159 --> 01:18:53,629
UH, WE HAVE
A LITTLE PROBLEM HERE.
944
01:18:53,696 --> 01:18:54,998
THAT JUMPSUIT THAT I LOST
945
01:18:55,064 --> 01:18:56,966
HAPPENED TO BE
THE ONLY ONE THAT I HAVE.
946
01:18:57,033 --> 01:18:59,368
WE HAVE PEOPLE OUT ALL OVER
THE COUNTRYSIDE LOOKING FOR IT.
947
01:18:59,435 --> 01:19:02,338
SO, UM, I'LL BE RIGHT BACK
WITH YOU AS SOON AS WE FIND IT.
948
01:19:02,405 --> 01:19:03,706
HOW DO YOU FEEL?
949
01:19:03,773 --> 01:19:05,074
IN THE MEANTIME,
I THOUGHT MAYBE
950
01:19:05,141 --> 01:19:06,876
I MIGHT MAKE MYSELF
USEFUL AROUND HERE,
951
01:19:06,943 --> 01:19:10,613
BY GOING UP WITH THE FELLAS
AND DESCRIBING A JUMP
952
01:19:10,679 --> 01:19:11,848
RIGHT FROM OUR POINT OF VIEW.
953
01:19:11,915 --> 01:19:13,749
YOU KNOW,
KIND OF A CHANGE OF PACE.
954
01:19:13,817 --> 01:19:15,618
HOW'S THAT SOUND TO YOU, HUH?
955
01:19:15,684 --> 01:19:18,087
ARE YOU READY, FOLKS? OK!
956
01:19:22,058 --> 01:19:24,560
OH, UH, INCIDENTALLY,
957
01:19:24,627 --> 01:19:26,595
THERE'S A REWARD
FOR THAT JUMPSUIT.
958
01:19:26,662 --> 01:19:30,266
ANYBODY FINDING THAT JUMPSUIT
GETS A FREE PARACHUTE JUMP.
959
01:19:32,768 --> 01:19:36,973
* OFF WE GO INTO
THE WILD BLUE YONDER *
960
01:19:37,040 --> 01:19:40,276
* CLIMBING HIGH
INTO THE SUN *
961
01:19:40,343 --> 01:19:42,778
HEY, DOWN THERE,
CAN YOU HEAR ME?!
962
01:19:42,846 --> 01:19:44,948
IF YOU CAN HEAR ME,
LET'S HEAR IT!
963
01:19:45,014 --> 01:19:47,250
COME ON! LET'S HEAR IT!
964
01:19:49,919 --> 01:19:51,387
NO, THAT'S
NOT LOUD ENOUGH.
965
01:19:51,454 --> 01:19:52,856
COME ON! LET'S HEAR IT!
966
01:19:54,924 --> 01:19:57,726
HEY!
THAT'S A LOT BETTER.
967
01:19:57,793 --> 01:19:59,295
IT'S A BEAUTIFUL SIGHT
UP HERE.
968
01:19:59,362 --> 01:20:01,097
I WISH YOU WERE ALL
UP HERE WITH ME.
969
01:20:01,164 --> 01:20:03,632
MIKE AND MALCOLM ARE
GETTING THEMSELVES SET NOW.
970
01:20:03,699 --> 01:20:05,034
I THINK YOU'RE GONNA
LIKE THIS STUNT.
971
01:20:05,101 --> 01:20:06,402
IT'S THE ONE
THEY'VE BEEN WORKING ON
972
01:20:06,469 --> 01:20:07,370
FOR QUITE A WHILE NOW.
973
01:20:07,436 --> 01:20:09,572
I'M GETTING THE GO-AHEAD
FROM MIKE NOW.
974
01:20:09,638 --> 01:20:10,840
OK.
975
01:20:10,907 --> 01:20:14,410
THERE THEY GO.
976
01:20:14,477 --> 01:20:15,879
OK, THEY'RE OFF.
977
01:20:15,945 --> 01:20:17,881
SHOULD BE ABLE
TO SEE THEM ABOUT NOW.
978
01:20:17,947 --> 01:20:20,049
IT LOOKS GOOD.
IT LOOKS REAL GOOD.
979
01:20:20,116 --> 01:20:22,451
YEAH, IT'S REAL GOOD.
980
01:20:22,518 --> 01:20:24,620
OH! I'M FALLING OUT!
981
01:20:24,687 --> 01:20:25,855
I FELL OUT!
982
01:20:25,922 --> 01:20:28,724
OH, NO!
983
01:20:28,791 --> 01:20:30,860
IS THERE A DOCTOR
IN THE HOUSE?!
984
01:20:30,927 --> 01:20:32,295
I THINK I'M GONNA FAINT!
985
01:20:32,361 --> 01:20:34,497
OH, I WANT Y'ALL TO KNOW
HOW MUCH I'VE ENJOYED
986
01:20:34,563 --> 01:20:35,798
BEING A PART OF THIS SHOW.
987
01:20:35,865 --> 01:20:37,766
I KNOW THAT MIKE RETTIG
AND MALCOLM ARE GONNA
988
01:20:37,833 --> 01:20:39,168
CARRY ON WITHOUT ME.
989
01:20:39,235 --> 01:20:41,770
I'D LIKE YOU TO TELL THEM
FOR ME, WILL YOU?
990
01:20:41,837 --> 01:20:43,706
NOW, I DON'T WANT ANYBODY
TO BE UPSET.
991
01:20:43,772 --> 01:20:45,241
NOW, THESE ARE
THE CHANCES WE TAKE.
992
01:20:45,308 --> 01:20:47,343
WE ALL KNOW
IT COULD HAPPEN ANYTIME.
993
01:20:47,410 --> 01:20:48,978
ESPECIALLY
IF YOU'RE STUPID ENOUGH
994
01:20:49,045 --> 01:20:50,513
TO FALL OUT OF A PLANE
WITHOUT A CHUTE.
995
01:20:50,579 --> 01:20:51,881
HA HA HA HA.
996
01:20:51,948 --> 01:20:54,483
TO TELL YOU THE TRUTH,
I'M NOT THAT STUPID.
997
01:20:54,550 --> 01:20:57,353
NO, I GUESS I BETTER
OPEN UP THIS PARACHUTE NOW,
998
01:20:57,420 --> 01:21:00,123
BEFORE THIS JOKE
GOES A LITTLE TOO FAR.
999
01:21:08,631 --> 01:21:11,667
NOW COMES THE MOST DANGEROUS
AND EXCITING STUNT
1000
01:21:11,734 --> 01:21:13,136
OF THE AFTERNOON.
1001
01:21:13,202 --> 01:21:14,737
I'D LIKE TO BE ABLE TO SAY
THAT WE ALL DREW LOTS
1002
01:21:14,803 --> 01:21:16,539
TO SEE WHO WAS GONNA PERFORM
THIS PARTICULAR STUNT,
1003
01:21:16,605 --> 01:21:17,941
BUT THAT'D BE A LIE
1004
01:21:18,007 --> 01:21:20,543
BECAUSE MALCOLM AND I
ARE CHICKEN, UH, MIKE RETTIG.
1005
01:21:22,078 --> 01:21:23,947
SERIOUSLY, THOUGH,
AS FAR AS WE KNOW,
1006
01:21:24,013 --> 01:21:25,481
MIKE IS THE ONLY PERSON
IN THIS COUNTRY
1007
01:21:25,548 --> 01:21:27,917
PERFORMING THIS PARTICULAR STUNT
AT THE PRESENT TIME.
1008
01:21:27,984 --> 01:21:29,718
WEARING
A SPECIALLY-DESIGNED CAPE,
1009
01:21:29,785 --> 01:21:33,022
MIKE IS GONNA JUMP AND DO
SOME VERY NICE THINGS FOR YOU
1010
01:21:33,089 --> 01:21:34,457
ON THE WAY DOWN.
1011
01:21:34,523 --> 01:21:38,461
HE'LL BE TRAVELING IN EXCESS
OF 200 MILES AN HOUR.
1012
01:21:38,527 --> 01:21:41,030
NOW, UP TO NOW, THE FASTEST
WE'VE GONE IS ABOUT 100,
1013
01:21:41,097 --> 01:21:42,598
SO YOU CAN SEE THE DIFFERENCE.
1014
01:21:42,665 --> 01:21:45,668
ANOTHER THING, UNLESS HE HOLDS
HIS ARMS ABSOLUTELY CORRECTLY,
1015
01:21:45,734 --> 01:21:47,436
THE WIND CAN BREAK THEM
RIGHT OFF.
1016
01:21:47,503 --> 01:21:50,273
ALSO, ATTACHED TO EACH FOOT
WILL BE THIS SMOKE FLARE
1017
01:21:50,339 --> 01:21:51,707
SO HE'LL LEAVE A TRAIL
THROUGH THE SKY
1018
01:21:51,774 --> 01:21:53,009
THAT YOU'LL BE ABLE
TO FOLLOW.
1019
01:21:53,076 --> 01:21:54,577
THAT IS, UNLESS
THE FLARE MALFUNCTIONS
1020
01:21:54,643 --> 01:21:57,380
AND BURNS HIS LEG, WHICH THEY
HAVE A NASTY HABIT OF DOING.
1021
01:21:57,446 --> 01:21:58,814
HEY, MIKE RETTIG!
NOW, LET'S HEAR IT FOR MIKE!
1022
01:21:58,881 --> 01:22:00,349
COME ON! LET'S HEAR IT!
1023
01:22:12,728 --> 01:22:13,729
SEE YA, KID.
1024
01:22:13,796 --> 01:22:15,064
RETTIG...
1025
01:22:17,933 --> 01:22:19,969
DON'T BE LATE FOR SUPPER.
1026
01:23:38,881 --> 01:23:40,616
THERE'S THE AIRCRAFT.
1027
01:23:49,558 --> 01:23:50,559
CUT.
1028
01:24:12,615 --> 01:24:14,150
THE FLARES ARE LIT!
1029
01:25:33,028 --> 01:25:34,297
PULL IT.
1030
01:25:42,705 --> 01:25:43,806
PULL IT!
1031
01:25:50,979 --> 01:25:52,648
RETTIG!
1032
01:26:41,196 --> 01:26:43,866
GET OUT OF HERE.
GET OUT OF HERE!
1033
01:26:43,932 --> 01:26:45,100
GET OUT OF HERE!
1034
01:26:45,167 --> 01:26:47,803
WHAT'S THE MATTER,
YOU MORBID CREEPS, YOU?!
1035
01:26:47,870 --> 01:26:50,473
COME ON!
GET OUT OF HERE!
1036
01:26:50,539 --> 01:26:54,076
COME ON!
GET OUT OF HERE!
1037
01:26:54,142 --> 01:26:55,611
MOVE 'EM BACK, DAMN IT!
1038
01:26:55,678 --> 01:26:57,179
WHAT THE HELL'S
WRONG WITH YOU?!
1039
01:26:57,246 --> 01:26:58,514
GET OUT OF HERE!
1040
01:28:31,740 --> 01:28:33,709
MALCOLM?
1041
01:28:42,084 --> 01:28:43,752
YOU ALL RIGHT?
1042
01:29:06,775 --> 01:29:09,211
IT'S ALL SET
FOR TUESDAY...
1043
01:29:09,277 --> 01:29:10,078
HERE
IN BRIDGEVILLE.
1044
01:29:10,145 --> 01:29:11,447
LISTEN...
1045
01:29:44,780 --> 01:29:46,048
LISTEN, KID,
1046
01:29:46,114 --> 01:29:48,617
I DON'T LIKE TO TALK ABOUT THIS
ANY MORE THAN YOU DO, BUT...
1047
01:29:48,684 --> 01:29:50,486
WE GOTTA GET SOME DOUGH...
1048
01:29:50,553 --> 01:29:53,989
I MEAN, FOR THE BURIAL
AND EVERYTHING.
1049
01:29:54,056 --> 01:29:56,391
TOMORROW'S THE FOURTH,
AND I THOUGHT MAYBE
1050
01:29:56,459 --> 01:29:58,961
WE COULD PUT ON
A SHORT PROGRAM,
1051
01:29:59,027 --> 01:30:03,131
CALL IT A MEMORIAL JUMP,
SOMETHING LIKE THAT,
1052
01:30:03,198 --> 01:30:05,000
MAYBE ONLY DO ONE JUMP.
1053
01:30:05,067 --> 01:30:07,970
I'D GET ON TELEVISION
AND RADIO TONIGHT
1054
01:30:08,036 --> 01:30:12,307
AND NEWSPAPERS
TOMORROW MORNING FOR SURE.
1055
01:30:12,374 --> 01:30:14,877
THEN TOMORROW
WE'LL JUST PASS THE HAT.
1056
01:30:18,413 --> 01:30:19,515
WHAT DO YOU THINK?
1057
01:30:19,582 --> 01:30:22,718
WHO'D COME TO SEE
ONE JUMP?
1058
01:30:22,785 --> 01:30:24,419
WELL, I--
1059
01:30:24,487 --> 01:30:25,621
UNLESS...
1060
01:30:25,688 --> 01:30:29,191
WE JUMP THE CAPE.
1061
01:30:31,293 --> 01:30:33,228
THAT'S NOT NECESSARY.
1062
01:30:33,295 --> 01:30:35,964
WE CAN LEND YOU
THE MONEY FOR THE BURIAL.
1063
01:30:36,031 --> 01:30:38,867
MRS. BRANDON, UH...
1064
01:30:41,804 --> 01:30:44,006
THAT WOULDN'T BE GOOD AT ALL.
1065
01:30:46,408 --> 01:30:47,876
I MEAN, UH...
1066
01:30:50,312 --> 01:30:52,748
YOU CAN UNDERSTAND THAT,
CAN'T YOU?
1067
01:30:54,483 --> 01:30:55,918
OK.
1068
01:30:55,984 --> 01:30:57,452
I'LL DO IT.
1069
01:31:04,860 --> 01:31:09,097
Mr. Brandon: HAS HE DONE
THIS--THIS JUMP BEFORE?
1070
01:31:12,868 --> 01:31:14,002
Browdy: NO.
1071
01:31:49,271 --> 01:31:51,306
YOU WANT ME TO DO IT?
1072
01:31:51,373 --> 01:31:54,209
DO WHAT?
1073
01:31:54,276 --> 01:31:56,712
THE JUMP TOMORROW.
1074
01:31:56,779 --> 01:31:58,714
I MEAN, WE DIDN'T
REALLY, REALLY TALK ABOUT IT.
1075
01:31:58,781 --> 01:32:01,049
YOU JUST SAID YOU'D DO IT.
1076
01:32:01,116 --> 01:32:03,518
I'LL DO IT.
1077
01:32:03,586 --> 01:32:06,454
IT DOESN'T MATTER
WHICH ONE OF US DOES IT,
1078
01:32:06,521 --> 01:32:08,657
SO I'LL DO IT.
1079
01:32:09,925 --> 01:32:13,195
I JUMPED THE CAPE ONCE,
YOU KNOW.
1080
01:32:18,400 --> 01:32:20,202
I DIDN'T KNOW THAT.
1081
01:32:21,570 --> 01:32:23,138
ONCE...
1082
01:32:26,575 --> 01:32:28,577
A LONG TIME AGO.
1083
01:32:33,548 --> 01:32:36,184
SOMETHING WEIRD
ABOUT THAT STUNT.
1084
01:32:38,621 --> 01:32:41,990
RETTIG ISN'T THE FIRST ONE TO GO
IN THE GROUND DOING THAT ONE.
1085
01:32:44,326 --> 01:32:46,328
I ALMOST DID MYSELF...
1086
01:32:48,731 --> 01:32:50,999
THE ONE TIME
I JUMPED THE CAPE.
1087
01:32:55,704 --> 01:32:58,807
I MEAN, THERE WAS
A COUPLE SECONDS THERE WHEN...
1088
01:33:00,342 --> 01:33:04,146
I THINK I FELT LIKE THE CAPE
WOULD ACTUALLY KEEP ME UP.
1089
01:33:07,482 --> 01:33:09,818
LIKE I HAD WINGS OR SOMETHING.
1090
01:33:13,188 --> 01:33:14,990
IT WAS CRAZY.
1091
01:33:19,527 --> 01:33:21,897
ALMOST DIDN'T PULL
THE RIPCORD.
1092
01:33:25,333 --> 01:33:27,903
CLOSE--I CAME REALLY CLOSE.
1093
01:33:33,041 --> 01:33:34,609
THERE'S BEEN A LOT OF GUYS
RIDE THE CAPE
1094
01:33:34,677 --> 01:33:36,745
RIGHT INTO THE GROUND.
1095
01:33:41,183 --> 01:33:42,918
I GUESS YOU REALLY DON'T KNOW
IF YOU'RE THE KIND
1096
01:33:42,985 --> 01:33:45,954
THAT MIGHT DO THAT UNTIL
YOU'VE RIDDEN THE CAPE ONCE.
1097
01:33:49,725 --> 01:33:51,259
AT LEAST ONCE.
1098
01:34:12,547 --> 01:34:13,348
Director:
LET'S HOLD IT.
1099
01:34:13,415 --> 01:34:14,883
ALL RIGHT, NOW.
1100
01:34:14,950 --> 01:34:16,685
ONCE AGAIN
FROM THE BEGINNING.
1101
01:34:16,752 --> 01:34:19,855
AND REMEMBER, PEOPLE,
TIME IS SHORT.
1102
01:34:19,922 --> 01:34:21,990
TIME IS VERY SHORT.
1103
01:34:22,057 --> 01:34:24,592
Radio: AND THAT CONCLUDES
THE NATIONAL NEWS.
1104
01:34:25,761 --> 01:34:27,162
COME IN.
1105
01:34:27,229 --> 01:34:28,731
Radio: WE'VE BEEN
ASKED TO ANNOUNCE
1106
01:34:28,797 --> 01:34:30,465
THAT TOMORROW'S
FOURTH OF JULY PARADE
1107
01:34:30,532 --> 01:34:32,000
WILL START AT CITY HALL
1108
01:34:32,067 --> 01:34:33,736
AND THEN PROCEED NORTH
ON MAIN STREET.
1109
01:34:33,802 --> 01:34:35,771
HUGE CROWDS ARE EXPECTED,
1110
01:34:35,838 --> 01:34:36,839
SO IF YOU'RE THINKING
OF TRAVELING
1111
01:34:36,905 --> 01:34:38,306
THROUGH THE DOWNTOWN AREA,
1112
01:34:38,373 --> 01:34:41,609
YOU'RE ADVISED TO USE
OUTLYING ALTERNATE ROUTES.
1113
01:34:41,676 --> 01:34:42,878
WE'LL KEEP YOU ADVISED,
1114
01:34:42,945 --> 01:34:44,813
SO FOR UP-TO-THE-MINUTE
TRAFFIC BULLETINS,
1115
01:34:44,880 --> 01:34:46,849
STAY TUNED TO THIS STATION.
1116
01:34:46,915 --> 01:34:48,751
AND HERE'S
THE WEATHER REPORT.
1117
01:34:48,817 --> 01:34:50,719
THE WEATHERMAN
HAS PROMISED TEMPERATURES
1118
01:34:50,786 --> 01:34:52,721
IN THE HIGH NINETIES,
1119
01:34:52,788 --> 01:34:54,723
SO DRESS ACCORDINGLY.
1120
01:34:54,790 --> 01:34:56,691
NOW FOR THE LOCAL
BASEBALL SCORES.
1121
01:35:13,241 --> 01:35:15,510
I KEEP REMEMBERING MYSELF
STARING
1122
01:35:15,577 --> 01:35:17,980
AT THE AIRPLANE
THIS AFTERNOON.
1123
01:35:19,782 --> 01:35:22,785
STANDING THERE
LOOKING AT HIM...
1124
01:35:22,851 --> 01:35:25,053
WANTING TO SAY SOMETHING.
1125
01:35:26,488 --> 01:35:29,925
LIKE THERE WERE
SOME MAGIC WORD TO SAVE HIM.
1126
01:35:32,160 --> 01:35:35,730
I COULDN'T SAY THAT WORD...
1127
01:35:35,798 --> 01:35:37,866
'CAUSE I DON'T KNOW
WHAT IT IS.
1128
01:38:28,003 --> 01:38:30,072
PAY ATTENTION, DAMN IT!
1129
01:38:53,928 --> 01:38:55,263
CUT.
1130
01:40:56,684 --> 01:40:58,086
OK, PULL IT!
1131
01:41:09,131 --> 01:41:10,598
COME ON! PULL IT!
1132
01:41:17,071 --> 01:41:18,740
RETTIG!
1133
01:41:53,908 --> 01:41:55,677
TERRIFIC! TERRIFIC!
1134
01:41:59,514 --> 01:42:01,283
YOU SCARED
THE HELL OUTTA ME!
1135
01:42:01,349 --> 01:42:04,752
WHAT'D YOU WAIT
SO LONG TO PULL FOR?!
1136
01:42:04,819 --> 01:42:06,521
BEAUTIFUL! BEAUTIFUL!
1137
01:42:18,633 --> 01:42:21,636
WHEN YOU PULLED IT, YOU REALLY
PULLED IT, DIDN'T YOU?
1138
01:42:21,703 --> 01:42:22,870
RIGHT OUT OF THE PACK.
1139
01:42:36,918 --> 01:42:38,853
HEY, KID, YOU READY?
1140
01:42:38,920 --> 01:42:41,055
JUST ABOUT.
1141
01:42:41,122 --> 01:42:42,190
IS EVERYTHING--
1142
01:42:42,257 --> 01:42:44,426
YEAH, EVERYTHING'S
ALL TAKEN CARE OF.
1143
01:42:46,528 --> 01:42:48,230
ARE YOU LEAVING, TOO,
MR. BROWDY?
1144
01:42:48,296 --> 01:42:50,432
NO. I'LL BE STAYING
THROUGH TOMORROW
1145
01:42:50,498 --> 01:42:53,701
FOR THE FUNERAL,
BUT I SEE NO POINT
1146
01:42:53,768 --> 01:42:56,037
IN MY STAYING HERE
TONIGHT.
1147
01:42:56,103 --> 01:42:57,505
I MEAN, YOU KNOW,
1148
01:42:57,572 --> 01:43:00,475
IT WOULDN'T FEEL RIGHT
IF THE KID WAS GONE.
1149
01:43:02,644 --> 01:43:05,647
WELL, LISTEN, I--I'LL WAIT
FOR YOU DOWNSTAIRS.
1150
01:43:05,713 --> 01:43:06,814
YOU HAVE ABOUT
A HALF AN HOUR
1151
01:43:06,881 --> 01:43:08,283
BEFORE THE TRAIN.
1152
01:43:46,788 --> 01:43:47,789
MALCOLM...
1153
01:43:50,191 --> 01:43:52,527
YOU WON'T STAY
FOR A WHILE, THOUGH?
1154
01:43:58,466 --> 01:43:59,867
WHERE ARE YOU GOING?
1155
01:43:59,934 --> 01:44:01,736
I DON'T KNOW.
1156
01:44:09,477 --> 01:44:12,980
WILL YOU LET US KNOW HOW
YOU ARE FROM TIME TO TIME?
1157
01:44:16,083 --> 01:44:17,952
I'D LIKE TO KNOW
HOW YOU ARE.
1158
01:44:18,019 --> 01:44:20,355
I WILL.
1159
01:44:58,393 --> 01:45:00,294
WHAT ARE YOU
GOING TO DO, BROWDY?
1160
01:45:00,362 --> 01:45:02,964
WELL, I THOUGHT
I MIGHT HEAD WEST.
1161
01:45:04,566 --> 01:45:06,901
I'VE BEEN THINKING
ABOUT THAT A LOT LATELY.
1162
01:45:10,705 --> 01:45:12,974
I THINK
I MIGHT JUST HEAD WEST.
1163
01:45:15,377 --> 01:45:18,112
BUT YOU NEVER CAN TELL
WHAT MIGHT TURN UP.
1164
01:45:18,179 --> 01:45:19,714
RIGHT?
1165
01:45:19,781 --> 01:45:22,517
YOU DON'T MIND
MY NOT STAYING, DO YOU--
1166
01:45:22,584 --> 01:45:23,885
FOR TOMORROW? I--
1167
01:45:23,951 --> 01:45:25,920
GET LOST, WILL YOU?
1168
01:45:29,391 --> 01:45:31,158
HEY, KID?
1169
01:45:31,225 --> 01:45:32,794
NEXT TIME
YOU GET IN AN AIRPLANE,
1170
01:45:32,860 --> 01:45:34,696
MAKE SURE IT'S GOT
A DOOR ON IT.
1171
01:45:34,762 --> 01:45:35,763
HEH HEH.
1172
01:45:52,480 --> 01:45:56,183
HE WANTED ME
TO GO WITH HIM.
1173
01:45:56,250 --> 01:45:57,852
DID HE?
1174
01:46:09,764 --> 01:46:12,066
THE THOUGHT
TERRIFIED ME.
1175
01:46:15,136 --> 01:46:16,838
AND ME.
73839
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