All language subtitles for the Gypsy Moths (John Frankenheimer) - 1969 - Eng

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:03:23,437 --> 00:03:24,705 HOW'S YOUR SHOULDER? 4 00:03:24,772 --> 00:03:25,639 WINDY UP THERE. 5 00:03:25,706 --> 00:03:27,508 YEAH. YOU CAME TOO DAMN CLOSE 6 00:03:27,575 --> 00:03:28,776 BEFORE YOU OPENED YOUR CHUTE! 7 00:03:28,842 --> 00:03:30,511 THEY CAME FOR A SHOW. LISTEN TO 'EM, KID. 8 00:03:30,578 --> 00:03:32,380 THEY'LL SETTLE FOR A LOT LESS THAN YOU'RE GIVING 'EM. 9 00:03:32,446 --> 00:03:34,114 YOU NEVER CAN TELL WHAT THEY'LL SETTLE FOR 10 00:03:34,181 --> 00:03:35,516 UNTIL YOU'VE TRIED IT. 11 00:06:23,817 --> 00:06:24,885 HEY! 12 00:06:26,554 --> 00:06:28,155 FEW ROOT BEERS. 13 00:06:36,329 --> 00:06:38,666 I REALIZE IT DOESN'T LOOK LIKE TOO MUCH NOW, MIKE, 14 00:06:38,732 --> 00:06:40,868 BUT, UH, WE'RE GONNA HAVE A HELL OF A CROWD. 15 00:06:40,934 --> 00:06:41,869 WE WILL. 16 00:06:41,935 --> 00:06:43,270 GET PEOPLE COMING INTO THIS TOWN 17 00:06:43,336 --> 00:06:46,206 ON A WEEKEND FROM 25 MILES AROUND. 18 00:06:46,273 --> 00:06:47,941 I CHECKED ALL THAT OUT. 19 00:06:51,144 --> 00:06:52,145 YOU AND THE FELLAS ARE, UH, 20 00:06:52,212 --> 00:06:53,380 PUTTIN' UP THE STANDS FOR HER? 21 00:06:53,447 --> 00:06:54,548 THAT'S RIGHT. 22 00:06:54,615 --> 00:06:56,750 MM-HMM. HARRY TOLD ME YOU WAS COMIN'. 23 00:06:56,817 --> 00:06:57,818 WHO'S HARRY? 24 00:06:57,885 --> 00:06:59,487 FELLA PUTTIN' UP THE STANDS. 25 00:06:59,553 --> 00:07:00,721 NEVER SEEN NOTHIN' 26 00:07:00,788 --> 00:07:02,690 LIKE THAT AROUND HERE BEFORE. 27 00:07:02,756 --> 00:07:03,557 NO, SIR. 28 00:07:03,624 --> 00:07:05,125 IT'S GONNA BE SOMETHIN'. 29 00:07:05,192 --> 00:07:06,293 BROWDY? 30 00:07:06,359 --> 00:07:07,561 YEAH? 31 00:07:07,628 --> 00:07:09,497 WHAT ABOUT THE HIGHWAY? 32 00:07:14,434 --> 00:07:15,603 WHAT ABOUT IT? 33 00:07:15,669 --> 00:07:18,939 IT'S TOO CLOSE TO THE FIELD. 34 00:07:19,006 --> 00:07:20,974 WHO'S GONNA PAY 2.50 FOR A TICKET 35 00:07:21,041 --> 00:07:22,576 WHEN THEY CAN PARK ALONG THE HIGHWAY 36 00:07:22,643 --> 00:07:23,944 AND WATCH IT FOR NOTHING? 37 00:07:24,011 --> 00:07:25,613 ANYBODY PULL A CHEAP TRICK LIKE THAT, 38 00:07:25,679 --> 00:07:27,380 I DON'T WANT TO THINK ABOUT. 39 00:07:27,447 --> 00:07:29,116 WHAT DO I OWE YA? 40 00:07:29,182 --> 00:07:30,918 45 CENTS. 41 00:07:30,984 --> 00:07:33,654 YOU REALLY CHARGING $2.50, SON? 42 00:07:33,721 --> 00:07:34,855 YOU'RE DAMN RIGHT WE ARE, 43 00:07:34,922 --> 00:07:36,189 AND IT'S WORTH EVERY PENNY OF IT. 44 00:07:36,256 --> 00:07:37,525 MM-HMM. 45 00:07:37,591 --> 00:07:39,392 STILL, NO, SEEMS TO ME 46 00:07:39,459 --> 00:07:41,194 THE YOUNG FELLOW HAS A POINT. 47 00:07:41,261 --> 00:07:44,598 KIND OF FOOLISH FOR SOMEONE TO PAY $2.50 TO SEE IT 48 00:07:44,665 --> 00:07:46,133 IF HE COULD JUST PARK HIS CAR 49 00:07:46,199 --> 00:07:47,868 RIGHT ALONG HERE AND WATCH. 50 00:07:49,002 --> 00:07:50,203 OH. 51 00:07:50,270 --> 00:07:51,805 DO ME A FAVOR, WILL YOU? 52 00:07:51,872 --> 00:07:53,473 DON'T SPREAD THAT IDEA AROUND. 53 00:07:53,541 --> 00:07:55,142 OH, HELL, NO. 54 00:07:55,208 --> 00:07:57,811 BUSINESS-- I KNOW THAT. 55 00:07:57,878 --> 00:07:59,747 BESIDES, I HAPPEN TO OWN THE LAND 56 00:07:59,813 --> 00:08:02,415 FOR 150 YARDS BOTH WAYS ALONG HERE. 57 00:08:02,482 --> 00:08:04,752 ANYBODY WANTS TO PARK TOMORROW AND WATCH, 58 00:08:04,818 --> 00:08:07,020 IT'S GONNA COST 'EM A DOLLAR. 59 00:08:17,430 --> 00:08:19,299 THAT PILOT SHOULD BE ALONG SOON. 60 00:08:19,366 --> 00:08:20,400 WE OUGHT TO GET MOVING. 61 00:08:20,467 --> 00:08:22,670 YOU EVER DONE THIS BEFORE? 62 00:08:22,736 --> 00:08:24,672 NOPE. YOU TELL ME WHAT TO DO, AND I'LL DO IT. 63 00:08:24,738 --> 00:08:26,039 HOW'S THE ALTIMETER? 64 00:08:26,106 --> 00:08:27,240 ALTIMETER? YEAH. 65 00:08:27,307 --> 00:08:28,508 FINE. ARE YOU SURE? 66 00:08:28,576 --> 00:08:29,977 SURE I'M SURE. WHY? 67 00:08:30,043 --> 00:08:31,244 MIGHT HELP TOMORROW IF WE KNEW 68 00:08:31,311 --> 00:08:32,846 HOW FAR WE ARE FROM THE GROUND. 69 00:08:32,913 --> 00:08:35,182 I'VE SEEN SOME ALTIMETERS THAT YOU WOULDN'T BELIEVE. 70 00:08:35,248 --> 00:08:36,383 MINE YOU CAN BELIEVE. 71 00:08:36,449 --> 00:08:39,186 WELL, YOU HAVE AN HONEST FACE. 72 00:08:59,206 --> 00:09:02,075 I WAS BORN IN THIS TOWN. 73 00:09:02,142 --> 00:09:03,844 IS THAT A FACT? 74 00:09:07,080 --> 00:09:10,350 YOU DON'T SEEM VERY EXCITED ABOUT IT. 75 00:09:10,417 --> 00:09:12,753 I HAVEN'T BEEN HERE IN A LONG TIME. 76 00:09:12,820 --> 00:09:14,421 LEFT WHEN I WAS A KID. 77 00:09:14,487 --> 00:09:16,556 THAT'S THE BEST TIME TO LEAVE. 78 00:09:18,425 --> 00:09:20,728 I MIGHT EVEN HAVE SOME FAMILY HERE. 79 00:09:23,163 --> 00:09:24,765 THOUGHT YOU DIDN'T HAVE ANY FAMILY. 80 00:09:24,832 --> 00:09:28,268 WELL, NOT REALLY FAMILY-- AN AUNT AND AN UNCLE. 81 00:09:28,335 --> 00:09:30,003 IT'S A LONG STORY, 82 00:09:30,070 --> 00:09:32,405 AND I KNOW YOU DON'T LIKE LONG STORIES, 83 00:09:32,472 --> 00:09:34,274 SO I WON'T TELL IT. 84 00:09:34,341 --> 00:09:35,408 THANK YOU. 85 00:09:35,475 --> 00:09:37,477 HELL... I WOULDN'T EVEN KNOW 86 00:09:37,544 --> 00:09:39,579 WHAT TO SAY TO 'EM IF THEY WERE STILL HERE. 87 00:09:39,647 --> 00:09:41,682 START BY SAYING HELLO. 88 00:09:41,749 --> 00:09:43,817 SEE HOW IT GOES FROM THERE. 89 00:11:10,170 --> 00:11:12,272 WIND'S OUT THE SOUTH. HOPE IT STAYS THAT WAY. 90 00:11:12,339 --> 00:11:13,306 WHY? 91 00:11:13,373 --> 00:11:14,708 WELL, IF IT TURNS OUT OF THE NORTH 92 00:11:14,775 --> 00:11:15,943 WE HAVE TO COME IN OVER THOSE PHONE WIRES 93 00:11:16,009 --> 00:11:17,711 TO GET ANYWHERE CLOSE TO THAT GRANDSTAND. 94 00:11:17,778 --> 00:11:19,512 YEAH, WE HAD A GUY WORKING WITH US ONCE, 95 00:11:19,579 --> 00:11:20,380 HE HIT THE WIRES. 96 00:11:20,447 --> 00:11:21,614 HE GET HURT? 97 00:11:21,681 --> 00:11:24,151 KILLED HIM, AS A MATTER OF FACT. 98 00:11:31,658 --> 00:11:33,260 HOW WOULD YOU FEEL ABOUT A HOME-COOKED MEAL 99 00:11:33,326 --> 00:11:34,728 FOR A CHANGE? 100 00:11:34,795 --> 00:11:36,529 I CAN HARDLY WAIT. 101 00:11:36,596 --> 00:11:38,265 YOU CYNICAL BASTARD. 102 00:11:49,743 --> 00:11:52,012 WE DON'T EVEN KNOW THESE PEOPLE. 103 00:11:52,079 --> 00:11:53,981 THEY'RE NOT GOING TO ADOPT US, BROWDY. 104 00:11:54,047 --> 00:11:56,183 THEY JUST WANT TO PUT US UP FOR A NIGHT. 105 00:12:04,524 --> 00:12:06,393 WILL YOU DO IT HERE, MIKE? 106 00:12:08,595 --> 00:12:09,729 I THINK THIS MIGHT BE 107 00:12:09,797 --> 00:12:11,131 A GOOD SPOT FOR IT. 108 00:12:11,198 --> 00:12:12,866 YOU THINK? 109 00:12:12,933 --> 00:12:15,135 WHO DOES IT, YOU OR RETTIG? 110 00:12:15,202 --> 00:12:17,170 LOOK, KID, THIS IS A BUSINESS. 111 00:12:17,237 --> 00:12:18,471 THEY DON'T PAY TO WATCH US 112 00:12:18,538 --> 00:12:19,439 WALK ACROSS THE STREET. 113 00:12:19,506 --> 00:12:20,507 NOW WHEN YOU GONNA GET THAT 114 00:12:20,573 --> 00:12:23,010 THROUGH YOUR HEAD? 115 00:12:23,076 --> 00:12:24,144 YOU'RE SO CONCERNED ABOUT RETTIG 116 00:12:24,211 --> 00:12:25,612 DOING THE CAPE JUMP, I MEAN, YOU CAN 117 00:12:25,678 --> 00:12:26,814 LEARN IT YOURSELF. THEN YOU WOULDN'T 118 00:12:26,880 --> 00:12:29,049 HAVE TO WORRY ABOUT HIM DOING IT. 119 00:12:29,116 --> 00:12:32,452 I HAVE A BETTER IDEA. WHY DON'T YOU DO IT? 120 00:12:33,887 --> 00:12:36,156 BECAUSE I RECOGNIZE MY LIMITATIONS. 121 00:12:36,223 --> 00:12:38,525 THE SECRET OF MY SUCCESS IN LIFE. 122 00:12:38,591 --> 00:12:40,360 HEH HEH HEH. 123 00:12:52,139 --> 00:12:54,141 LITTERING THE PUBLIC THOROUGHFARE. 124 00:12:54,207 --> 00:12:57,410 $50 OR 10 DAYS, TAKE YOUR CHOICE. 125 00:12:59,012 --> 00:13:00,447 THAT'S A CHOICE? 126 00:13:00,513 --> 00:13:01,849 WELL, I SUPPOSE WE COULD 127 00:13:01,915 --> 00:13:04,217 MAKE A CASE FOR FLYING THAT PLANE 128 00:13:04,284 --> 00:13:06,419 AT A DANGEROUSLY LOW ALTITUDE, 129 00:13:06,486 --> 00:13:07,620 BUT TELL YOU THE TRUTH, 130 00:13:07,687 --> 00:13:09,022 I HAVEN'T THE FAINTEST IDEA 131 00:13:09,089 --> 00:13:10,590 WHAT THE STATUTE IS ON THAT. 132 00:13:10,657 --> 00:13:11,959 IT'S JUST TOO DAMN HOT. 133 00:13:12,025 --> 00:13:15,328 IF WE LIVED HERE, WE'D BE HOME NOW. 134 00:14:01,875 --> 00:14:03,676 IT'S MALCOLM. 135 00:14:03,743 --> 00:14:06,346 MALCOLM! 136 00:14:09,616 --> 00:14:13,286 WELL, MALCOLM, LOOK AT YOU. 137 00:14:17,257 --> 00:14:20,327 OHH! WELL, LOOK AT YOU. 138 00:14:23,997 --> 00:14:25,298 WHAT ABOUT YOUR FRIENDS? 139 00:14:25,365 --> 00:14:27,834 AREN'T THEY COMING IN? 140 00:14:27,901 --> 00:14:29,903 THEY'RE A LITTLE SHY. 141 00:14:29,970 --> 00:14:31,905 BROWDY! MIKE! 142 00:14:39,612 --> 00:14:41,982 LOOKS PRETTY NICE. 143 00:14:54,127 --> 00:14:56,363 SURE IS A HOT ONE TODAY, ISN'T IT? 144 00:14:56,429 --> 00:14:59,399 YES, ISN'T IT? 145 00:15:04,237 --> 00:15:05,805 NICE LITTLE TOWN YOU HAVE HERE. 146 00:15:05,872 --> 00:15:07,074 YES. 147 00:15:07,140 --> 00:15:08,841 MALCOLM TELLS US THAT YOU HAVE 148 00:15:08,908 --> 00:15:10,043 A NICE LITTLE COLLEGE HERE, TOO. 149 00:15:10,110 --> 00:15:14,047 MM-HMM. WE HAVE A COLLEGE. 150 00:15:14,114 --> 00:15:16,083 WE HAVE A COLLEGE AND A MISSILE BASE. 151 00:15:16,149 --> 00:15:18,218 TYPICAL LITTLE AMERICAN TOWN. 152 00:15:18,285 --> 00:15:19,552 MM-HMM. 153 00:15:21,388 --> 00:15:23,523 YOU CONNECTED WITH THE COLLEGE, ARE YOU? 154 00:15:23,590 --> 00:15:25,358 NO. 155 00:15:27,260 --> 00:15:28,895 I ALMOST WENT TO COLLEGE ONCE. 156 00:15:28,962 --> 00:15:30,430 REALLY? 157 00:15:30,497 --> 00:15:32,399 YEAH. 158 00:15:36,069 --> 00:15:37,404 WHY DIDN'T YOU? 159 00:15:37,470 --> 00:15:38,738 HMM? 160 00:15:38,805 --> 00:15:41,408 YOU SAID YOU ALMOST WENT TO COLLEGE. 161 00:15:41,474 --> 00:15:44,011 OH, YEAH. 162 00:15:44,077 --> 00:15:46,546 DIDN'T WORK OUT. HEH HEH HEH! 163 00:15:50,083 --> 00:15:52,285 OH, NO, PLEASE, GENTLEMEN, SIT DOWN. 164 00:15:54,454 --> 00:15:57,057 WE REALLY APPRECIATE THIS, MRS. BRANDON. 165 00:15:57,124 --> 00:15:59,959 OH, WE'RE DELIGHTED TO HAVE YOU. 166 00:16:00,027 --> 00:16:02,195 WE'VE PLENTY OF ROOM, MORE THAN WE CAN USE. 167 00:16:02,262 --> 00:16:04,231 AS A MATTER OF FACT, WE TAKE IN BOARDERS 168 00:16:04,297 --> 00:16:06,199 AS IT IS ALL THE TIME. 169 00:16:06,266 --> 00:16:07,967 YOU MAKE IT SOUND AS THOUGH WE HAD 170 00:16:08,035 --> 00:16:10,170 A "ROOMS TO LET" SIGN 171 00:16:10,237 --> 00:16:13,506 ON THE FRONT LAWN, ELIZABETH. 172 00:16:13,573 --> 00:16:15,575 WHAT MY WIFE MEANS IS 173 00:16:15,642 --> 00:16:18,078 THAT WE MAKE A ROOM AVAILABLE EACH YEAR 174 00:16:18,145 --> 00:16:20,447 FOR A STUDENT FROM THE COLLEGE. 175 00:16:20,513 --> 00:16:23,250 TO BE PRECISE. 176 00:16:23,316 --> 00:16:25,985 WHERE IS ANNIE, BY THE WAY? 177 00:16:26,053 --> 00:16:28,321 AT THE LIBRARY. 178 00:16:28,388 --> 00:16:31,258 IT'S, UH--IT'S ONLY LEMONADE, GENTLEMEN, 179 00:16:31,324 --> 00:16:32,925 BUT IF YOU'D CARE FOR SOMETHING STRONGER-- 180 00:16:32,992 --> 00:16:35,195 OH, NO, MRS. BRANDON. 181 00:16:35,262 --> 00:16:37,230 I HAVEN'T HAD LEMONADE FOR YEARS. 182 00:16:37,297 --> 00:16:39,066 OF COURSE, THE KID HERE, 183 00:16:39,132 --> 00:16:40,767 HE NEVER TOUCHES ANYTHING STRONGER. 184 00:16:40,833 --> 00:16:41,968 ISN'T THAT RIGHT, KID? 185 00:16:42,035 --> 00:16:43,170 HARDLY EVER. 186 00:16:43,236 --> 00:16:45,172 HEH HEH HEH! OF COURSE, RETTIG-- 187 00:16:45,238 --> 00:16:48,041 RETTIG, HE'LL DRINK ANYTHING. 188 00:16:54,614 --> 00:16:56,949 MY, IT'S STUFFY IN HERE, DON'T YOU THINK? 189 00:16:57,016 --> 00:17:00,587 WITH THE WINDOWS CLOSED, THE HOUSE COOLS OFF. 190 00:17:00,653 --> 00:17:03,556 NO USE LETTING ALL THE WARM AIR IN NOW, IS THERE? 191 00:17:03,623 --> 00:17:05,725 WELL, I'D... 192 00:17:05,792 --> 00:17:08,628 I'D RATHER HAVE THE WARM AIR THAN NO AIR AT ALL, 193 00:17:08,695 --> 00:17:09,662 BUT... 194 00:17:11,164 --> 00:17:14,067 OHH. MALCOLM. 195 00:17:16,203 --> 00:17:18,037 IT'S HARD TO BELIEVE. 196 00:17:18,105 --> 00:17:21,074 IT'S BEEN SUCH A LONG TIME. 197 00:17:23,210 --> 00:17:25,011 I THINK MALCOLM WAS ABOUT 10 YEARS OLD 198 00:17:25,078 --> 00:17:26,579 WHEN WE LAST SAW HIM. 199 00:17:26,646 --> 00:17:30,317 YEAH, HE SAID IT'D BEEN A PRETTY LONG TIME. 200 00:17:30,383 --> 00:17:32,719 THE SUMMER YOU FELL OUT THE UPSTAIRS WINDOW. 201 00:17:32,785 --> 00:17:35,054 HE DIDN'T HAPPEN TO FALL ON HIS HEAD, DID HE? 202 00:17:35,122 --> 00:17:37,324 BECAUSE THAT WOULD EXPLAIN A FEW THINGS. 203 00:17:39,192 --> 00:17:42,095 WE'VE SEEN MALCOLM SINCE THEN. 204 00:17:42,162 --> 00:17:43,330 AT THE FUNERAL 205 00:17:43,396 --> 00:17:44,864 THE FOLLOWING YEAR, WASN'T IT? 206 00:17:44,931 --> 00:17:48,000 YES, OF COURSE. 207 00:17:48,067 --> 00:17:50,337 YES, THAT WAS THE FOLLOWING YEAR. 208 00:17:50,403 --> 00:17:52,071 YOU BEAR A MARKED RESEMBLANCE 209 00:17:52,139 --> 00:17:56,042 TO YOUR FATHER, MALCOLM. 210 00:17:56,109 --> 00:17:57,477 DOESN'T HE, ELIZABETH? 211 00:17:57,544 --> 00:17:59,712 YES, YOU DO. 212 00:18:02,949 --> 00:18:04,016 HOW LONG, UH, 213 00:18:04,083 --> 00:18:05,885 HOW LONG ARE YOU THINKING OF STAYING? 214 00:18:05,952 --> 00:18:07,354 OH, JUST THROUGH TOMORROW NIGHT. 215 00:18:07,420 --> 00:18:09,789 WE'LL HAVE TO LEAVE FIRST THING MONDAY MORNING. 216 00:18:09,856 --> 00:18:11,591 OH, BUT MONDAY'S THE FOURTH. 217 00:18:11,658 --> 00:18:13,993 OH, WE HAVE A WONDERFUL PARADE 218 00:18:14,060 --> 00:18:15,328 AND A FIREWORKS DISPLAY, OF COURSE, 219 00:18:15,395 --> 00:18:16,463 ON THE MONDAY NIGHT. 220 00:18:16,529 --> 00:18:17,864 YOU SHOULD AT LEAST STAY FOR THAT. 221 00:18:17,930 --> 00:18:19,031 WELL, THANK YOU, MRS. BRANDON, 222 00:18:19,098 --> 00:18:21,168 BUT WE REALLY HAVE TO BE SHOVING OFF. 223 00:18:21,234 --> 00:18:23,035 YOU EXPECT A GOOD CROWD TOMORROW? 224 00:18:23,102 --> 00:18:25,205 YEAH, WE EXPECT TO PICK UP 225 00:18:25,272 --> 00:18:27,039 A NICE PIECE OF CHANGE TOMORROW. 226 00:18:27,106 --> 00:18:29,075 PAYS WELL THEN, THIS SORT OF THING? 227 00:18:29,142 --> 00:18:31,811 IF WE MAKE IT INTERESTING ENOUGH. 228 00:18:31,878 --> 00:18:33,646 OH? HOW DO YOU DO THAT? 229 00:18:33,713 --> 00:18:35,282 MAKE IT INTERESTING? 230 00:18:35,348 --> 00:18:37,150 MM-HMM. YES, I MEAN, 231 00:18:37,217 --> 00:18:38,418 I SHOULDN'T THINK YOU'D HAVE TO DO 232 00:18:38,485 --> 00:18:39,486 ANYTHING IN PARTICULAR 233 00:18:39,552 --> 00:18:41,154 TO MAKE IT MORE INTERESTING 234 00:18:41,221 --> 00:18:42,589 THAN IT IS TO BEGIN WITH. 235 00:18:42,655 --> 00:18:44,591 WHAT BROWDY MEANS IS THE CLOSER WE COME 236 00:18:44,657 --> 00:18:46,959 TO THE GROUND, THE MORE INTERESTING IT IS 237 00:18:47,026 --> 00:18:48,628 FOR THE CUSTOMERS. 238 00:18:48,695 --> 00:18:51,998 AND FOR US, TOO, OF COURSE. 239 00:18:55,702 --> 00:18:57,337 HOW TERRIFYING. 240 00:18:58,505 --> 00:19:01,107 ELIZABETH, IT'S 3:30. 241 00:19:01,174 --> 00:19:02,575 HMM? 242 00:19:02,642 --> 00:19:04,511 YOU'LL BE LATE FOR YOUR MEETING. 243 00:19:04,577 --> 00:19:06,479 OHH! OH, YES, SO IT IS. 244 00:19:06,546 --> 00:19:08,047 OH, YOU'LL HAVE TO EXCUSE ME. 245 00:19:08,114 --> 00:19:10,217 I'M THE CHAIRMAN. I HAVE TO BE THERE. 246 00:19:10,283 --> 00:19:13,286 WHY DON'T YOU TAKE ONE OF THEM ALONG WITH YOU? 247 00:19:14,587 --> 00:19:15,788 YOU COULD TELL THE LADIES ALL ABOUT 248 00:19:15,855 --> 00:19:17,990 YOUR EXCITING SHOW. I'D EXPECT YOU'D SELL 249 00:19:18,057 --> 00:19:20,493 QUITE A FEW TICKETS THAT WAY. 250 00:19:20,560 --> 00:19:21,761 I LIKE IT. WHAT DO YOU THINK, MRS. BRANDON? 251 00:19:21,828 --> 00:19:23,330 DO YOU THINK THE LADIES MIGHT BE INTERESTED? 252 00:19:23,396 --> 00:19:25,164 WELL, I'M SURE THEY'D BE FASCINATED-- 253 00:19:25,232 --> 00:19:27,634 WHY DON'T I GO ALONG WITH MRS. BRANDON, THEN? 254 00:19:27,700 --> 00:19:29,135 YOU? 255 00:19:29,202 --> 00:19:31,137 WHILE YOU PUT THE POSTERS OUT AROUND TOWN. 256 00:19:31,204 --> 00:19:32,305 THE POSTERS ONLY TAKE A FEW MINUTES-- 257 00:19:32,372 --> 00:19:33,940 AM I DRESSED ALL RIGHT, OR-- 258 00:19:34,006 --> 00:19:34,941 NO, NO, YOU'RE FINE. 259 00:19:35,007 --> 00:19:36,809 I'LL GET THE CAR. 260 00:20:19,819 --> 00:20:22,989 IT REALLY DOES SOUND VERY EXCITING. 261 00:20:23,055 --> 00:20:24,857 YOU SAID IT WAS TERRIFYING. 262 00:20:24,924 --> 00:20:26,259 YES. 263 00:20:26,326 --> 00:20:28,194 WELL, I SUPPOSE IN A WAY 264 00:20:28,261 --> 00:20:31,331 THAT'S WHAT MAKES IT EXCITING, ISN'T IT? 265 00:20:32,332 --> 00:20:34,233 MOST ORDINARY PEOPLE 266 00:20:34,301 --> 00:20:35,268 CAN'T HELP BUT RESPOND 267 00:20:35,335 --> 00:20:36,936 TO THE IDEA OF SOME EXCITEMENT 268 00:20:37,003 --> 00:20:39,539 IN THEIR LIVES, YOU KNOW. 269 00:20:39,606 --> 00:20:42,074 EVEN IF IT TERRIFIES THEM? 270 00:20:42,141 --> 00:20:44,344 YES, EXACTLY. 271 00:20:56,289 --> 00:20:58,991 DO YOU REMEMBER THEM VERY WELL? 272 00:20:59,058 --> 00:21:02,362 NO. NO, I DON'T. 273 00:21:02,429 --> 00:21:04,196 YOUR MOTHER WAS A BEAUTIFUL WOMAN, 274 00:21:04,263 --> 00:21:05,332 A WONDERFUL WOMAN-- 275 00:21:05,398 --> 00:21:06,666 MALCOLM? YO! 276 00:21:06,733 --> 00:21:08,000 KID, IT'S CLOUDING UP OUT THERE. 277 00:21:08,067 --> 00:21:09,802 I DON'T WANT THOSE CHUTES LEFT OUT IF IT RAINS. 278 00:21:09,869 --> 00:21:11,604 WELL, WHAT SHOULD WE DO WITH THEM? 279 00:21:11,671 --> 00:21:13,005 YOU CAN PUT THE TRAILER IN THE GARAGE, 280 00:21:13,072 --> 00:21:14,240 IF YOU'D LIKE. 281 00:21:14,307 --> 00:21:15,808 OH, THANKS, MR. BRANDON, THAT'D BE FINE 282 00:21:15,875 --> 00:21:16,876 IF YOU DON'T MIND. 283 00:21:16,943 --> 00:21:18,511 THE RADIO DID SAY RAIN. 284 00:21:18,578 --> 00:21:20,513 WELL, THEY'RE WRONG 9 TIMES OUT OF 10. 285 00:21:20,580 --> 00:21:22,214 I GOT AN ACCURATE REPORT OUT AT THE FIELD. 286 00:21:22,281 --> 00:21:23,383 BROWDY-- 287 00:21:23,450 --> 00:21:24,351 ACTUALLY, THE FORECAST WAS FOR SHOWERS 288 00:21:24,417 --> 00:21:25,685 IN THE MORNING. 289 00:21:25,752 --> 00:21:27,354 YOU SEE? SHOWERS IN THE MORNING. 290 00:21:27,420 --> 00:21:28,488 COULDN'T HURT US. 291 00:21:28,555 --> 00:21:29,856 THE CUSTOMERS'LL COME. 292 00:21:29,922 --> 00:21:31,524 BROWDY... 293 00:21:32,925 --> 00:21:35,294 FORGET ABOUT THE CUSTOMERS. IF THE CHUTES GET DAMP-- 294 00:21:35,362 --> 00:21:36,429 LOOK, THE CHUTES'LL BE IN THE GARAGE, RIGHT? 295 00:21:36,496 --> 00:21:38,197 SO THEY WON'T GET DAMP, RIGHT? 296 00:21:38,264 --> 00:21:40,600 SO STOP WORRYING ABOUT IT, RIGHT? 297 00:21:40,667 --> 00:21:42,301 BROWDY... 298 00:21:42,369 --> 00:21:44,771 THE GARAGE, THE GARAGE. 299 00:21:47,707 --> 00:21:49,776 BESIDES, LIKE RETTIG SAYS, 300 00:21:49,842 --> 00:21:51,043 WE HAVE TO MAKE IT INTERESTING 301 00:21:51,110 --> 00:21:52,745 FOR OURSELVES. 302 00:21:54,113 --> 00:21:57,183 NOW THERE ARE SEVERAL PLACES YOU CAN WEAR A CHUTE. 303 00:21:57,249 --> 00:21:59,486 ON YOUR BACK. 304 00:22:05,024 --> 00:22:06,559 ON YOUR CHEST. 305 00:22:07,794 --> 00:22:08,995 OR ON YOUR... 306 00:22:11,531 --> 00:22:13,666 OR YOU CAN SIT ON IT. 307 00:22:13,733 --> 00:22:15,568 NOW, LADIES, THIS PARTICULAR PARACHUTE, 308 00:22:15,635 --> 00:22:17,336 THE ONE I'M WEARING, 309 00:22:17,404 --> 00:22:19,539 IS CALLED A PARA-COMMANDER. 310 00:22:21,741 --> 00:22:23,676 IT'S A VERY SOPHISTICATED CHUTE 311 00:22:23,743 --> 00:22:26,446 AND QUITE HEAVY, AS YOU CAN SEE. 312 00:22:27,414 --> 00:22:28,415 IT TAKES QUITE A BIT OF PRACTICE 313 00:22:28,481 --> 00:22:30,149 TO GET USED TO IT. 314 00:22:30,216 --> 00:22:33,119 IN FACT, IT TAKES BETWEEN 25 AND SOMETIMES 50 JUMPS 315 00:22:33,185 --> 00:22:34,754 WITH A TRAINING CHUTE 316 00:22:34,821 --> 00:22:36,889 BEFORE YOU CAN HANDLE THIS BABY. 317 00:22:36,956 --> 00:22:38,891 I MENTION IT JUST IN CASE SOME OF YOU LADIES 318 00:22:38,958 --> 00:22:40,460 THOUGHT YOU MIGHT LIKE TO TRY IT ONCE. 319 00:22:42,361 --> 00:22:46,699 NOW THIS DEVICE HERE IS YOUR RIPCORD HANDLE. 320 00:22:46,766 --> 00:22:49,769 THIS, WHEN PULLED SHARPLY, OPENS YOUR PACK. 321 00:22:49,836 --> 00:22:51,303 NOW WATCH THIS. 322 00:22:51,370 --> 00:22:53,339 OOH! OHH! 323 00:22:53,406 --> 00:22:55,575 SORRY. 324 00:22:57,577 --> 00:22:59,779 THIS IS YOUR PILOT CHUTE. 325 00:22:59,846 --> 00:23:01,313 THIS IS WHAT PULLS YOUR CANOPY 326 00:23:01,380 --> 00:23:03,483 COMPLETELY OUT OF THE PACK. 327 00:23:05,852 --> 00:23:07,487 LIKE THIS. 328 00:23:19,398 --> 00:23:21,601 THESE ARE YOUR SUSPENSION LINES. 329 00:23:21,668 --> 00:23:22,869 AS YOU CAN SEE, THEY EXTEND 330 00:23:22,935 --> 00:23:24,537 SOME 25 FEET FROM THE HARNESS THERE 331 00:23:24,604 --> 00:23:25,872 TO THE CANOPY. 332 00:23:25,938 --> 00:23:28,140 WHEN THE CANOPY POPS OPEN, YOU'RE TRAVELING 333 00:23:28,207 --> 00:23:29,609 DOWN TOWARD THE EARTH AT A SPEED 334 00:23:29,676 --> 00:23:32,545 OF 125 TO 200 MILES AN HOUR, 335 00:23:32,612 --> 00:23:34,080 DEPENDING ON THE ANGLE OF THE BODY. 336 00:23:34,146 --> 00:23:35,414 YES, MA'AM? 337 00:23:35,482 --> 00:23:36,783 WHAT IS A CANOPY? 338 00:23:36,849 --> 00:23:40,687 THIS, MA'AM. THIS IS A CANOPY. 339 00:23:40,753 --> 00:23:43,222 NOT TO BE CONFUSED WITH SOME OF THE CANAPES 340 00:23:43,289 --> 00:23:45,191 YOU LADIES MIGHT HAVE WITH A MARTINI BEFORE DINNER. 341 00:24:02,408 --> 00:24:04,577 NO, NO, NO. 342 00:24:04,644 --> 00:24:05,578 ALL RIGHT, PEOPLE, 343 00:24:05,645 --> 00:24:08,615 LET'S TRY IT AGAIN FROM "B." 344 00:24:08,681 --> 00:24:11,684 AND, CLARINETS... 345 00:24:11,751 --> 00:24:14,220 COULD WE HEAR YOU? 346 00:24:14,286 --> 00:24:16,523 SOME VERVE. 347 00:24:16,589 --> 00:24:18,290 CON BRIO. 348 00:24:18,357 --> 00:24:20,560 PEP! 349 00:24:20,627 --> 00:24:21,961 ALL RIGHT, ARE WE READY? 350 00:24:22,028 --> 00:24:24,030 FROM "B." 351 00:25:24,957 --> 00:25:27,359 OH... 352 00:25:27,426 --> 00:25:30,830 YOU'RE MALCOLM. I'M ANNIE BURKE. 353 00:25:30,897 --> 00:25:32,298 THEY TOLD ME YOU WERE COMING. 354 00:25:32,364 --> 00:25:34,366 I DIDN'T MEAN TO INTERRUPT, I-- 355 00:25:34,433 --> 00:25:36,102 THAT'S ALL RIGHT. 356 00:25:36,168 --> 00:25:37,637 YOU PLAY VERY WELL. 357 00:25:37,704 --> 00:25:39,772 THANK YOU. 358 00:25:39,839 --> 00:25:41,307 BUT YOU'RE EITHER VERY KIND 359 00:25:41,373 --> 00:25:42,441 OR YOU KNOW NOTHING AT ALL 360 00:25:42,508 --> 00:25:44,076 ABOUT PLAYING THE PIANO. 361 00:25:44,143 --> 00:25:46,445 NO, I DON'T KNOW 362 00:25:46,512 --> 00:25:48,514 VERY MUCH ABOUT IT, 363 00:25:48,581 --> 00:25:50,850 BUT I DO KNOW WHEN IT SOUNDS GOOD. 364 00:25:52,451 --> 00:25:54,120 YOU LIVE HERE, HUH? 365 00:25:54,186 --> 00:25:55,254 I RENT A ROOM. 366 00:25:55,321 --> 00:25:56,623 YOU GO TO THE COLLEGE? 367 00:25:58,457 --> 00:26:00,059 IN THE SUMMER? 368 00:26:00,126 --> 00:26:02,261 I FAILED A COURSE LAST SEMESTER. 369 00:26:02,328 --> 00:26:03,763 I'M MAKING IT UP. 370 00:26:03,830 --> 00:26:06,232 THEY TOLD ME WHAT YOU DO. 371 00:26:07,800 --> 00:26:09,636 IT SOUNDS RIDICULOUS. 372 00:26:10,770 --> 00:26:12,939 I SUPPOSE IT DOES. 373 00:26:37,797 --> 00:26:39,699 WHY DID YOU DO THIS? 374 00:26:42,368 --> 00:26:43,369 DO WHAT? 375 00:26:45,337 --> 00:26:46,338 COME HERE. 376 00:26:49,441 --> 00:26:50,977 TO SELL SOME TICKETS. 377 00:26:58,885 --> 00:27:01,153 I DIDN'T WANT TO TURN DOWN YOUR HUSBAND'S INVITATION. 378 00:27:02,789 --> 00:27:04,891 YOUR FRIEND COULD'VE COME--MR. BROWDY. 379 00:27:04,957 --> 00:27:07,927 YOUR HUSBAND DIDN'T INVITE MR. BROWDY. 380 00:27:27,880 --> 00:27:30,049 YOU HAVE CONTEMPT FOR US, DON'T YOU? 381 00:27:32,384 --> 00:27:33,720 WHO? 382 00:27:35,287 --> 00:27:36,588 WELL... 383 00:27:36,655 --> 00:27:39,959 CERTAINLY EVERYBODY HERE THIS AFTERNOON. 384 00:27:40,026 --> 00:27:43,395 MAYBE EVERYONE ELSE, TOO. I DON'T KNOW. 385 00:27:43,462 --> 00:27:45,031 BUT CERTAINLY US. 386 00:27:52,471 --> 00:27:54,741 WHY ARE WE CONTEMPTIBLE TO YOU? 387 00:27:56,475 --> 00:27:58,277 DO YOU CARE? 388 00:28:03,115 --> 00:28:04,150 Malcolm: NO, AS A MATTER OF FACT, 389 00:28:04,216 --> 00:28:05,918 I HAVEN'T BEEN BACK SINCE I LEFT. 390 00:28:05,985 --> 00:28:07,653 ABOUT 12 YEARS AGO NOW. 391 00:28:07,720 --> 00:28:09,621 I WAS A KID. 392 00:28:09,688 --> 00:28:11,490 WHERE DOES YOUR FAMILY LIVE NOW? 393 00:28:11,557 --> 00:28:13,392 THEY'RE DEAD. 394 00:28:13,459 --> 00:28:14,994 OH. 395 00:28:15,061 --> 00:28:16,528 UH, THAT'S WHY I LEFT. 396 00:28:16,595 --> 00:28:18,931 THEY WERE KILLED IN A CAR ACCIDENT. 397 00:28:18,998 --> 00:28:21,133 I GUESS MY FATHER WAS DRUNK. 398 00:28:21,200 --> 00:28:22,701 I DIDN'T KNOW THAT AT THE TIME, 399 00:28:22,769 --> 00:28:24,937 OF COURSE, BUT LATER I FIGURED 400 00:28:25,004 --> 00:28:26,973 THAT'S WHAT IT MUST'VE BEEN. 401 00:28:27,039 --> 00:28:28,340 HE WAS A PRETTY RECKLESS CHARACTER 402 00:28:28,407 --> 00:28:30,676 ALL AROUND, I GUESS. 403 00:28:30,743 --> 00:28:32,945 ANYWAY, THEY PUT ME IN THIS HOME. 404 00:28:33,012 --> 00:28:35,214 I WAS ADOPTED OUT A COUPLE OF TIMES, AND-- 405 00:28:35,281 --> 00:28:36,916 WELL, WHY DIDN'T THEY EVER TAKE YOU? 406 00:28:36,983 --> 00:28:40,086 THE BRANDONS? 407 00:28:40,152 --> 00:28:42,822 I NEVER ASKED. 408 00:29:00,172 --> 00:29:02,274 BEATS MOTELS, HUH, KID? 409 00:29:02,341 --> 00:29:04,911 YEAH. LISTEN, 410 00:29:04,977 --> 00:29:07,313 WHAT WAS THAT THIS AFTERNOON? 411 00:29:11,183 --> 00:29:13,685 I MEAN, UH, WHAT WAS THAT ALL ABOUT? 412 00:29:13,752 --> 00:29:15,321 WHAT WAS WHAT ALL ABOUT? 413 00:29:15,387 --> 00:29:18,024 I CAN'T QUITE SEE YOU MAKING SPEECHES 414 00:29:18,090 --> 00:29:19,658 TO LADIES CLUBS, RETTIG. 415 00:29:19,725 --> 00:29:21,127 I MEAN, I TRY, 416 00:29:21,193 --> 00:29:23,395 BUT I CAN'T QUITE PICTURE IT. 417 00:29:23,462 --> 00:29:24,396 YOU SHOULD'VE BEEN THERE. 418 00:29:24,463 --> 00:29:25,731 I WAS A BIG HIT. 419 00:29:25,798 --> 00:29:27,934 I DON'T DOUBT THAT. 420 00:29:34,073 --> 00:29:36,208 WHAT'S ON YOUR MIND, KID? 421 00:29:37,609 --> 00:29:39,078 APPLETON. 422 00:29:41,814 --> 00:29:43,215 FORGET IT. 423 00:29:43,282 --> 00:29:45,151 DO YOU? 424 00:29:45,217 --> 00:29:47,887 I DON'T THINK ABOUT IT ONE WAY OR THE OTHER. 425 00:29:47,954 --> 00:29:49,889 YOU ALMOST WENT INTO THE GROUND. 426 00:29:49,956 --> 00:29:52,091 SAME THING AT LAWRENCEVILLE. 427 00:29:52,158 --> 00:29:54,827 NOW, HOW CAN YOU NOT THINK ABOUT THAT? 428 00:29:56,428 --> 00:29:58,197 I SAID FORGET IT. 429 00:30:01,633 --> 00:30:03,102 REMEMBER WHAT YOU ALWAYS SAID 430 00:30:03,169 --> 00:30:05,504 WHEN I FIRST STARTED WITH YOU? 431 00:30:05,571 --> 00:30:06,672 "BE CAREFUL." 432 00:30:06,738 --> 00:30:08,975 THAT'S WHAT YOU ALWAYS SAID. 433 00:30:09,041 --> 00:30:11,410 "THAT'S WHAT'S IMPORTANT IN THIS BUSINESS, KID. 434 00:30:11,477 --> 00:30:13,112 BE CAREFUL." 435 00:30:13,179 --> 00:30:15,314 IS THAT WHAT I ALWAYS SAID? 436 00:30:17,316 --> 00:30:20,052 WHY ARE YOU TAKING SO MANY CHANCES NOW? 437 00:30:20,119 --> 00:30:23,522 WHAT ARE YOU TRYING TO PROVE? 438 00:30:23,589 --> 00:30:24,490 WE'LL BE JUMPING 439 00:30:24,556 --> 00:30:27,093 FROM A HOWARD DGA-15. 440 00:30:27,159 --> 00:30:29,695 DGA. THAT STANDS FOR DAMN GOOD AIRPLANE, 441 00:30:29,761 --> 00:30:31,230 WHICH, OF COURSE, IT IS. 442 00:30:31,297 --> 00:30:33,032 VERY TRICKY TO LAND, THOUGH. 443 00:30:33,099 --> 00:30:34,100 YOU'RE MUCH BETTER OFF 444 00:30:34,166 --> 00:30:35,167 JUMPING OUT OF IT THEN YOU ARE 445 00:30:35,234 --> 00:30:37,469 TAKING YOUR CHANCE ON LANDING IT. 446 00:30:37,536 --> 00:30:38,938 THIS ONE'S IN GOOD SHAPE. 447 00:30:39,005 --> 00:30:40,606 WITH BROWDY, A AIRPLANE'S IN GOOD SHAPE 448 00:30:40,672 --> 00:30:42,608 IF IT HAS WINGS AND A PROP. 449 00:30:42,674 --> 00:30:44,176 WE'VE HAD A LOT WORSE. 450 00:30:44,243 --> 00:30:45,844 YOU REMEMBER THAT TIME IN ADLER? 451 00:30:45,912 --> 00:30:47,079 WE HAD AN AIRPLANE IN ADLER 452 00:30:47,146 --> 00:30:49,081 THAT NEVER EVEN GOT OFF THE GROUND. 453 00:30:49,148 --> 00:30:50,082 HIT THE END OF THE RUNWAY, 454 00:30:50,149 --> 00:30:51,150 WENT INTO A CORNFIELD, 455 00:30:51,217 --> 00:30:52,318 HARVESTED ABOUT AN ACRE OF CORN 456 00:30:52,384 --> 00:30:53,385 BEFORE THE PILOT 457 00:30:53,452 --> 00:30:55,187 COULD GET IT STOPPED. 458 00:30:55,254 --> 00:30:58,324 ARE YOU GOING TO WATCH US JUMP TOMORROW? 459 00:30:58,390 --> 00:30:59,325 OH, YES. 460 00:30:59,391 --> 00:31:01,860 YES, WE'LL BE THERE, WON'T BE, ELIZABETH? 461 00:31:01,928 --> 00:31:03,595 YES, I'M LOOKING FORWARD TO IT. 462 00:31:08,200 --> 00:31:11,403 WHAT IS THE MOST DANGEROUS STUNT THAT YOU DO? 463 00:31:11,470 --> 00:31:12,271 THE CAPE STUNT. 464 00:31:12,338 --> 00:31:13,605 THAT'S A STUNT WE DO WITH A CAPE. 465 00:31:13,672 --> 00:31:15,942 AHH. DO YOU DO THAT ONE? 466 00:31:16,008 --> 00:31:19,511 OH, NO. RETTIG DOES THAT ONE. 467 00:31:19,578 --> 00:31:22,881 WHAT I DON'T UNDERSTAND IS 468 00:31:22,949 --> 00:31:24,116 WHY YOU DO THIS THING AT ALL. 469 00:31:24,183 --> 00:31:26,585 FOR ME, IT'S A BUSINESS. 470 00:31:26,652 --> 00:31:28,921 AND YOU, MR. RETTIG. 471 00:31:28,988 --> 00:31:30,756 WHAT'S IT TO YOU, 472 00:31:30,822 --> 00:31:33,192 IF YOU DON'T MIND MY ASKING? 473 00:31:38,564 --> 00:31:41,100 I HAD A FRIEND IN THE ARMY, A SERGEANT-- 474 00:31:41,167 --> 00:31:43,435 PARACHUTED FOR ABOUT 20 YEARS. 475 00:31:44,836 --> 00:31:46,172 HE USED TO SAY THAT JUMPING WAS NOT ONLY 476 00:31:46,238 --> 00:31:50,943 A WAY TO LIVE... BUT ALSO A WAY TO DIE. 477 00:31:51,010 --> 00:31:53,245 VERY FEW THINGS ARE. 478 00:31:54,513 --> 00:31:56,983 THAT'S VERY INTERESTING. 479 00:31:57,049 --> 00:31:58,317 "HE IS AT LIBERTY TO DIE 480 00:31:58,384 --> 00:32:00,119 WHO DOES NOT WISH TO LIVE." 481 00:32:00,186 --> 00:32:01,420 YOU BELIEVE THAT? 482 00:32:01,487 --> 00:32:03,422 THAT'S DEAD WRONG. 483 00:32:03,489 --> 00:32:06,092 ARE YOU A RELIGIOUS MAN, MR. BROWDY? 484 00:32:06,158 --> 00:32:08,127 WHAT'S RELIGION HAVE TO DO WITH IT? 485 00:32:08,194 --> 00:32:09,328 Malcolm: BROWDY GOES TO CHURCH 486 00:32:09,395 --> 00:32:10,362 EVERY SUNDAY. 487 00:32:10,429 --> 00:32:11,297 OK, OK, KID. 488 00:32:11,363 --> 00:32:12,331 DOES THAT EMBARRASS YOU, MR. BROWDY? 489 00:32:12,398 --> 00:32:13,432 NO, IT DOESN'T EMBARRASS ME. 490 00:32:13,499 --> 00:32:16,668 I MEAN, WHY SHOULD IT EMBARRASS ME? 491 00:32:16,735 --> 00:32:18,137 LISTEN, IF WE GONNA GO DOWNTOWN FOR THAT BEER, 492 00:32:18,204 --> 00:32:19,238 WE'D BETTER GET STARTED. 493 00:32:19,305 --> 00:32:20,739 IF YOU'LL EXCUSE US, MRS. BRANDON. 494 00:32:20,806 --> 00:32:22,074 YEAH, I THINK THAT'S A GOOD IDEA. 495 00:32:22,141 --> 00:32:23,275 ANYBODY KNOW OF A GOOD PLACE IN TOWN? 496 00:32:23,342 --> 00:32:24,876 WE'RE OPEN TO SUGGESTIONS. 497 00:32:24,943 --> 00:32:26,212 THE HORSE'S HEAD IS NICE. 498 00:32:26,278 --> 00:32:27,513 OH, I THINK THE HORSE'S HEAD 499 00:32:27,579 --> 00:32:30,016 IS A BIT ON THE QUAINT SIDE, DON'T YOU, ANNIE? 500 00:32:30,082 --> 00:32:32,184 THE PARADISE MIGHT BE MORE THE SORT OF PLACE 501 00:32:32,251 --> 00:32:33,352 THAT WOULD APPEAL TO YOU. 502 00:32:33,419 --> 00:32:36,488 WHAT SORT OF PLACE WOULD APPEAL TO US? 503 00:32:36,555 --> 00:32:39,225 WELL, I JUST MEANT THAT IT WAS LIVELY. 504 00:32:39,291 --> 00:32:42,261 I INTENDED NO OFFENSE. 505 00:32:42,328 --> 00:32:44,863 UH, ANNIE, WOULD YOU CARE TO COME ALONG? 506 00:32:44,930 --> 00:32:46,698 UH, DO YOU HAVE OTHER PLANS? 507 00:32:46,765 --> 00:32:48,234 THANK YOU, I HAVE. I HAVE A DATE. 508 00:32:48,300 --> 00:32:51,503 MM-HMM, ALL RIGHT. THAT'S THE BREAKS, KID. 509 00:32:53,372 --> 00:32:56,008 RETTIG, ARE YOU COMING? 510 00:32:56,075 --> 00:32:58,544 MRS. BRANDON, UH, A VERY NICE SUPPER. 511 00:32:58,610 --> 00:33:00,479 OHH, YOU'RE WELCOME. 512 00:33:52,864 --> 00:33:54,600 IS THAT YOURS? 513 00:33:54,666 --> 00:33:57,503 YOU WISH. 514 00:33:57,569 --> 00:33:58,904 WHAT'S IT FOR? 515 00:33:58,970 --> 00:34:01,840 MONEY FOR THE JUKEBOX. 516 00:34:01,907 --> 00:34:04,110 HEH HEH HEH. 517 00:34:19,024 --> 00:34:20,192 THAT DOESN'T LOOK 518 00:34:20,259 --> 00:34:22,261 LIKE SMALL-TOWN STUFF TO ME. 519 00:34:22,328 --> 00:34:25,264 NOTHING LOOKS LIKE SMALL-TOWN STUFF TO YOU. 520 00:34:25,331 --> 00:34:27,466 AND WHAT'S WRONG WITH THAT? 521 00:34:34,540 --> 00:34:37,543 ALL RIGHT! 522 00:34:43,315 --> 00:34:46,017 OK, WHAT CAN I DO FOR YOU BOYS? 523 00:34:46,084 --> 00:34:47,786 WELL, UM... 524 00:34:47,853 --> 00:34:50,256 YEAH, RIGHT. BESIDES THAT. 525 00:34:50,322 --> 00:34:51,990 WHY DON'T WE START WITH 3 BEERS, 526 00:34:52,057 --> 00:34:53,058 AND WE'LL GO ON FROM THERE 527 00:34:53,125 --> 00:34:54,526 AND SEE WHAT DEVELOPS. 528 00:34:54,593 --> 00:34:55,861 RIGHT. 529 00:34:59,331 --> 00:35:00,266 WHAT DO YOU THINK, MIKE? 530 00:35:00,332 --> 00:35:02,201 I THINK DEFINITELY. 531 00:35:02,268 --> 00:35:04,270 ONE OF THESE DAYS, YOU'RE GONNA BE WRONG. 532 00:35:04,336 --> 00:35:06,872 I HOPE I'M THERE TO SEE IT. 533 00:35:06,938 --> 00:35:09,208 I WAS WRONG ONCE. 534 00:35:09,275 --> 00:35:11,943 ABOUT, UH, 1953, I THINK, WASN'T IT? 535 00:35:12,010 --> 00:35:14,213 HA HA! 536 00:35:15,681 --> 00:35:18,116 WHAT DO YOU MAKE OF THESE PEOPLE, MIKE? 537 00:35:18,184 --> 00:35:19,685 WHAT PEOPLE? 538 00:35:19,751 --> 00:35:21,787 THE BRANDONS. 539 00:35:21,853 --> 00:35:23,054 I DON'T KNOW. 540 00:35:23,121 --> 00:35:25,391 WHAT SHOULD I MAKE OF THEM? 541 00:35:25,457 --> 00:35:27,693 KIND OF PECULIAR, DON'T YOU THINK? 542 00:35:27,759 --> 00:35:28,960 NO OFFENSE, KID. 543 00:35:29,027 --> 00:35:30,296 IT'S NOTHING TO ME, BROWDY. 544 00:35:30,362 --> 00:35:31,230 THEY'RE AS MUCH STRANGERS TO ME 545 00:35:31,297 --> 00:35:33,031 AS THEY ARE TO YOU. 546 00:35:33,098 --> 00:35:34,233 I MUST SAY, THE THREE OF YOU DON'T ACT 547 00:35:34,300 --> 00:35:36,468 MUCH LIKE A FAMILY. 548 00:35:39,505 --> 00:35:42,608 TELL YOU ONE THING, THOUGH. 549 00:35:42,674 --> 00:35:46,111 SHE'S ONE GOOD-LOOKING WOMAN. 550 00:35:46,178 --> 00:35:48,180 CLASS. 551 00:35:57,656 --> 00:35:58,524 IT WAS SO QUIET, 552 00:35:58,590 --> 00:36:00,726 I WONDERED WHERE YOU WERE. 553 00:36:03,094 --> 00:36:04,496 I'M HERE. 554 00:36:48,540 --> 00:36:50,776 SIT DOWN. TAKE A LOAD OFF. 555 00:36:58,917 --> 00:37:00,352 HEY! 556 00:37:07,759 --> 00:37:11,096 YOU GONNA COME OUT TOMORROW AND WATCH US JUMP? 557 00:37:11,162 --> 00:37:12,664 JUMP WHAT? 558 00:37:12,731 --> 00:37:14,766 HA HA HA! 559 00:37:14,833 --> 00:37:17,068 HERE. 560 00:37:17,135 --> 00:37:19,237 BE OUR GUEST. 561 00:37:21,307 --> 00:37:23,275 OHH! YOU'RE THEM! 562 00:37:23,342 --> 00:37:25,511 YEAH, WE'RE THEM! 563 00:37:25,577 --> 00:37:27,245 WHERE'S YOUR AIRPLANE? 564 00:37:27,313 --> 00:37:30,416 HEH HEH HEH! IT'S PARKED OUTSIDE. 565 00:37:30,482 --> 00:37:33,285 HERE. BRING A FRIEND IF YOU WANT. 566 00:37:34,252 --> 00:37:36,655 MY BOYFRIEND, MAYBE? 567 00:37:36,722 --> 00:37:39,425 THINK HE'D GET ALONG WITH MIKE? 568 00:37:39,491 --> 00:37:41,360 WELL, IF HE DIDN'T, I COULD. 569 00:37:41,427 --> 00:37:42,561 AHH, NO, NO. 570 00:37:42,628 --> 00:37:44,229 HE'S MARRIED AND GOT 7 KIDS. 571 00:37:44,296 --> 00:37:46,131 YEAH, SURE, I'LL BET. 572 00:37:46,197 --> 00:37:47,766 WHAT'S YOUR NAME? 573 00:37:47,833 --> 00:37:49,801 MARY. 574 00:37:49,868 --> 00:37:51,069 HEH HEH HEH! 575 00:37:51,136 --> 00:37:53,305 YOU'RE KIDDING. 576 00:37:53,372 --> 00:37:54,673 NO, AND IF YOU SAY ANYTHING 577 00:37:54,740 --> 00:37:57,676 ABOUT MY BEING CONTRARY OR HOW MY GARDEN GROWS, 578 00:37:57,743 --> 00:38:00,111 I SCREAM. 579 00:38:00,178 --> 00:38:01,313 I LOVE HER. I REALLY DO. 580 00:38:01,380 --> 00:38:02,481 WILL YOU MARRY ME? 581 00:38:02,548 --> 00:38:03,582 YEAH, RIGHT. TUESDAY. 582 00:38:03,649 --> 00:38:04,916 I'M TIED UP TILL THEN. 583 00:38:04,983 --> 00:38:05,984 OK. 584 00:38:45,323 --> 00:38:46,291 SEE YOU LATER. 585 00:38:46,358 --> 00:38:47,292 WHERE ARE YOU GOIN'? 586 00:38:47,359 --> 00:38:48,259 FOR A WALK. 587 00:38:48,326 --> 00:38:49,461 OH, HO HO HO! 588 00:38:50,362 --> 00:38:51,663 I THINK I'M TAKING OFF, TOO. 589 00:38:51,730 --> 00:38:53,131 THE MUSIC'S GIVING ME A HEADACHE. 590 00:38:53,198 --> 00:38:55,467 WHAT, ARE YOU GONNA LEAVE OLD BROWDY TO HIS OWN DEVICES? 591 00:38:55,534 --> 00:38:57,869 HEH! DON'T FORGET TOMORROW'S SUNDAY. 592 00:38:57,936 --> 00:38:59,471 THINK YOU'LL BE ABLE TO FIND A CHURCH? 593 00:38:59,538 --> 00:39:01,740 AHH, GET LOST, WILL YA? 594 00:39:27,933 --> 00:39:29,367 SMELL IT? 595 00:39:32,871 --> 00:39:34,305 LOOK... 596 00:39:34,372 --> 00:39:37,208 IF IT RAINS, WE DON'T JUMP. 597 00:39:37,275 --> 00:39:38,810 THAT'S SIMPLE ENOUGH, ISN'T IT? 598 00:39:38,877 --> 00:39:40,412 SIMPLE ENOUGH. 599 00:39:45,817 --> 00:39:47,352 DO YOU WANT SOME COMPANY? 600 00:39:47,419 --> 00:39:49,354 NO. 601 00:39:49,421 --> 00:39:51,389 YOU DON'T MIND, DO YOU, KID? 602 00:39:53,058 --> 00:39:54,059 RETTIG. 603 00:39:55,594 --> 00:39:58,564 MAYBE YOU'LL FORGET THE CAPE STUNT TOMORROW, HUH? 604 00:39:58,630 --> 00:40:00,699 MIGHT NOT BE A BAD DAY FOR IT. 605 00:40:00,766 --> 00:40:02,468 THE AIR IS DAMP, HEAVIER. 606 00:40:02,534 --> 00:40:04,035 SLOWER DESCENT. 607 00:40:04,102 --> 00:40:05,704 BY HOW MUCH? 608 00:40:05,771 --> 00:40:07,573 A COUPLE OF SECONDS? WHAT DOES THAT MATTER? 609 00:40:07,639 --> 00:40:09,407 YOU CAN ONLY STAY UP SO LONG. 610 00:40:09,475 --> 00:40:11,543 THEN YOU HAVE TO COME DOWN, RIGHT? 611 00:40:12,377 --> 00:40:14,112 THAT'S RIGHT. 612 00:40:14,179 --> 00:40:16,715 SOMETIMES, I THINK YOU HATE TO COME 613 00:40:16,782 --> 00:40:18,750 BACK TO THE GROUND AT ALL. 614 00:41:47,105 --> 00:41:48,707 BEAUTIFUL NIGHT. 615 00:41:50,175 --> 00:41:51,710 LITTLE COOLER. 616 00:41:59,918 --> 00:42:01,620 YOU'RE ALL BACK EARLY. 617 00:42:02,721 --> 00:42:04,255 NO. I'M ALONE. 618 00:42:07,025 --> 00:42:10,028 WE'RE A LITTLE OUT OF PLACE HERE, AREN'T WE? 619 00:42:10,095 --> 00:42:12,363 BROWDY AND I, ANYWAY. 620 00:42:12,430 --> 00:42:13,899 WHY, OF COURSE NOT. 621 00:42:13,965 --> 00:42:15,400 WE'RE DELIGHTED TO HAVE YOU. 622 00:42:15,466 --> 00:42:17,202 YOU DON'T HAVE TO DO THAT. 623 00:42:17,268 --> 00:42:19,004 DO WHAT? 624 00:42:19,070 --> 00:42:22,007 BE POLITE, GRACIOUS. IT'S NOT NECESSARY. 625 00:42:23,441 --> 00:42:25,543 YOU'RE VERY DIRECT, AREN'T YOU? 626 00:42:27,012 --> 00:42:28,614 NOT VERY SUBTLE, YOU MEAN. 627 00:42:28,680 --> 00:42:30,782 NO. I DIDN'T SAY THAT. 628 00:42:30,849 --> 00:42:33,051 I THINK YOU ALL ARE VERY SUBTLE, 629 00:42:33,118 --> 00:42:35,921 BUT IN A DIRECT SORT OF WAY. 630 00:43:06,017 --> 00:43:07,953 WANT A DRINK OR SOMETHING? 631 00:45:02,433 --> 00:45:04,335 ARE YOU MARRIED? 632 00:45:07,672 --> 00:45:09,040 NO. 633 00:45:10,341 --> 00:45:13,244 WERE YOU, EVER? 634 00:45:13,311 --> 00:45:14,946 YES. 635 00:45:38,703 --> 00:45:41,672 WHAT ABOUT MALCOLM? 636 00:45:41,739 --> 00:45:43,374 WHAT DO YOU MEAN? 637 00:45:45,643 --> 00:45:48,046 HE MEANS A LOT TO YOU, DOESN'T HE? 638 00:45:51,749 --> 00:45:54,052 HE MIGHT HAVE BEEN OURS. 639 00:45:56,187 --> 00:45:59,190 I MEAN, WE MIGHT HAVE RAISED HIM... 640 00:45:59,257 --> 00:46:02,427 AFTER HIS MOTHER AND FATHER WERE KILLED. 641 00:46:02,493 --> 00:46:04,262 BUT YOU DIDN'T. 642 00:46:07,465 --> 00:46:09,334 JOHN DIDN'T WANT HIM. 643 00:46:09,400 --> 00:46:10,468 DID YOU? 644 00:46:14,873 --> 00:46:16,875 YES, I WANTED HIM. 645 00:46:20,545 --> 00:46:23,281 MALCOLM'S MOTHER WAS MY SISTER. 646 00:46:24,983 --> 00:46:28,786 I WAS IN LOVE WITH WALT, MALCOLM'S FATHER. 647 00:46:28,854 --> 00:46:32,423 IT WAS SORT OF TAKEN FOR GRANTED 648 00:46:32,490 --> 00:46:34,359 THAT WE WOULD BE MARRIED. 649 00:46:34,425 --> 00:46:36,494 ONLY, I... 650 00:46:36,561 --> 00:46:38,830 I DON'T KNOW. I... 651 00:46:38,897 --> 00:46:42,267 I GUESS I JUST WASN'T VERY OBSERVANT. 652 00:46:44,235 --> 00:46:48,506 ONE DAY, WALT AND ELEANOR DISAPPEARED, 653 00:46:50,241 --> 00:46:52,477 AND WHEN THEY CAME BACK A FEW DAYS LATER, 654 00:46:52,543 --> 00:46:53,845 THEY WERE MARRIED. 655 00:46:57,916 --> 00:47:00,618 AND AFTER A WHILE... 656 00:47:00,685 --> 00:47:03,288 AFTER WHAT MIGHT BE CALLED 657 00:47:03,354 --> 00:47:06,057 A SUITABLE PERIOD OF MOURNING... 658 00:47:07,058 --> 00:47:09,227 I MARRIED JOHN. 659 00:47:11,196 --> 00:47:14,499 AND IT WAS ALL RIGHT, TOO, FOR A LONG TIME. 660 00:47:16,167 --> 00:47:18,603 I MEAN, WE LIKED EACH OTHER. 661 00:47:18,669 --> 00:47:20,571 WE REALLY DID. 662 00:47:23,741 --> 00:47:27,212 AND THEN THERE WAS THE ACCIDENT, AND... 663 00:47:27,278 --> 00:47:30,381 MALCOLM WAS LEFT WITH NO ONE, AND... 664 00:47:30,448 --> 00:47:33,018 JOHN DIDN'T WANT HIM. 665 00:47:38,223 --> 00:47:40,625 I COULDN'T BLAME HIM FOR THAT, REALLY. 666 00:47:42,360 --> 00:47:46,264 HE KNEW I WANTED MALCOLM BECAUSE HE WAS WALT'S CHILD. 667 00:47:46,331 --> 00:47:49,400 IT WAS HIS RIGHT NOT TO WANT HIM FOR THE SAME REASON. 668 00:47:51,236 --> 00:47:52,837 WHY DO YOU STAY MARRIED TO HIM? 669 00:47:52,904 --> 00:47:55,106 WHY NOT? 670 00:48:00,011 --> 00:48:01,712 I IMAGINE YOU'RE THE SORT OF MAN 671 00:48:01,779 --> 00:48:03,314 WHO ALWAYS MANAGES TO FIND 672 00:48:03,381 --> 00:48:07,485 THE BEST AND RIGHTEST REASONS FOR EVERYTHING YOU DO. 673 00:48:07,552 --> 00:48:10,455 DO YOU THINK THAT'S POSSIBLE FOR EVERYONE? 674 00:48:10,521 --> 00:48:13,291 I'M ALWAYS HOPEFUL. 675 00:48:29,907 --> 00:48:31,042 COME IN. 676 00:48:37,048 --> 00:48:38,449 WHAT ARE YOU DOING? 677 00:48:38,516 --> 00:48:40,885 I HAVE A RIP IN THIS. IT'S, UH... 678 00:48:40,952 --> 00:48:42,920 PART OF MY COSTUME. 679 00:48:42,988 --> 00:48:45,856 BROWDY LIKES FOR US TO LOOK NEAT. 680 00:48:45,923 --> 00:48:48,659 WOULD YOU LIKE ME TO DO IT FOR YOU? 681 00:48:48,726 --> 00:48:51,296 NO, THANKS. I SEW PRETTY GOOD. 682 00:48:55,400 --> 00:48:58,236 NO LUCK TONIGHT? 683 00:48:58,303 --> 00:48:59,604 WITH WHAT? 684 00:48:59,670 --> 00:49:00,838 WELL, USUALLY THERE ARE 685 00:49:00,905 --> 00:49:03,241 A LOT OF UNATTACHED GIRLS AT THE PARADISE. 686 00:49:06,211 --> 00:49:08,946 I GUESS I HIT AN OFF NIGHT. 687 00:49:10,215 --> 00:49:11,682 HOW WAS YOUR DATE? 688 00:49:12,950 --> 00:49:15,020 OK. 689 00:49:18,489 --> 00:49:20,158 SIT DOWN. 690 00:49:37,242 --> 00:49:38,509 HEY. 691 00:49:40,078 --> 00:49:42,347 TAXI! COME HERE! 692 00:49:51,956 --> 00:49:55,026 WHOOPSY-DAISY! HA HA HA HA! 693 00:49:55,093 --> 00:49:56,961 IS EVERYTHING ALL RIGHT, YOUNG FELLA? 694 00:49:57,028 --> 00:50:00,265 I'M NEW AROUND TOWN HERE, OFFICER. UH... 695 00:50:01,366 --> 00:50:03,000 I SAY, I JUST REMEMBERED 696 00:50:03,068 --> 00:50:05,170 MY CAR IS RIGHT DOWN THE STREET. 697 00:50:12,009 --> 00:50:13,444 HA HA HA HA! AAH! 698 00:50:13,511 --> 00:50:15,280 WHOOPSY-DAISY! 699 00:50:15,346 --> 00:50:17,748 I ONCE JUMPED OUT OF THIS WINDOW. 700 00:50:17,815 --> 00:50:18,816 WITH WHAT? 701 00:50:18,883 --> 00:50:21,186 IT WAS WHEN I WAS A KID. 702 00:50:21,252 --> 00:50:23,054 I WONDERED WHAT IT WOULD BE LIKE 703 00:50:23,121 --> 00:50:25,056 TO JUMP FROM THIS HIGH UP. 704 00:50:25,123 --> 00:50:26,991 I THINK I HAD IT IN THE BACK OF MY MIND 705 00:50:27,058 --> 00:50:29,194 THAT I COULD FLY. 706 00:50:36,134 --> 00:50:38,103 LOOK ALL RIGHT? 707 00:50:42,340 --> 00:50:43,908 YEAH. 708 00:50:43,974 --> 00:50:46,211 THAT'S PRETTY GOOD. 709 00:50:56,887 --> 00:50:58,989 GOOD NIGHT. 710 00:50:59,056 --> 00:51:00,691 GOOD NIGHT. 711 00:51:00,758 --> 00:51:02,527 THANKS. 712 00:52:57,342 --> 00:52:59,810 TELL YOU WHAT I'M GONNA DO ONE OF THESE DAYS. 713 00:53:02,313 --> 00:53:04,114 ONE OF THESE DAYS, I'M GONNA CUT OUT, 714 00:53:04,181 --> 00:53:06,284 AND I'M GONNA GO OUT TO HOLLYWOOD. 715 00:53:08,018 --> 00:53:11,422 I'M GONNA GET ME A JOB AS ONE OF THEM STUNT MEN. 716 00:53:13,458 --> 00:53:15,360 THEY MAKE GOOD DOUGH. 717 00:53:17,528 --> 00:53:19,664 I KNOW THAT FOR A FACT. 718 00:53:21,699 --> 00:53:22,700 AH... 719 00:53:26,103 --> 00:53:27,338 YOU ASLEEP? 720 00:53:30,608 --> 00:53:31,742 HEY... 721 00:53:31,809 --> 00:53:33,578 YOU ASLEEP? 722 00:53:41,819 --> 00:53:43,888 I'M NOT GONNA BE DOING THIS FOREVER. 723 00:53:47,692 --> 00:53:49,627 I HAVE PLANS. 724 00:56:30,955 --> 00:56:33,357 LORD, I AM NOT WORTHY 725 00:56:33,424 --> 00:56:35,560 THAT YOU SHOULD COME UNDER MY ROOF. 726 00:56:35,626 --> 00:56:38,496 SPEAK BUT THE WORD, AND MY SOUL SHALL BE HEALED. 727 00:56:38,563 --> 00:56:39,930 LORD, I AM NOT WORTHY 728 00:56:39,997 --> 00:56:42,132 THAT YOU SHOULD COME UNDER MY ROOF. 729 00:56:42,199 --> 00:56:45,335 SPEAK BUT THE WORD, AND MY SOUL SHALL BE HEALED. 730 00:56:45,402 --> 00:56:46,971 LORD, I AM NOT WORTHY 731 00:56:47,037 --> 00:56:49,073 THAT YOU SHOULD COME UNDER MY ROOF. 732 00:56:49,139 --> 00:56:52,076 SPEAK BUT THE WORD, AND MY SOUL SHALL BE HEALED. 733 00:57:19,136 --> 00:57:20,204 HE KNOWS, DOESN'T HE? 734 00:57:33,718 --> 00:57:35,385 DOES IT HAPPEN OFTEN? 735 00:57:35,452 --> 00:57:37,021 NO, NOT OFTEN... 736 00:57:38,155 --> 00:57:40,024 BUT IT HAPPENS. 737 00:57:41,492 --> 00:57:43,460 ARE YOU SURPRISED? 738 00:57:49,534 --> 00:57:52,236 TOMORROW, WHEN WE LEAVE HERE, 739 00:57:52,302 --> 00:57:54,471 I WANT YOU TO COME WITH ME. 740 00:57:56,507 --> 00:57:58,175 COME WITH YOU? 741 00:57:58,242 --> 00:58:00,210 YES. 742 00:58:06,917 --> 00:58:10,420 YOU--DO YOU ALWAYS OFFER SO MUCH MORE 743 00:58:10,487 --> 00:58:11,989 THAN YOU'RE ASKED FOR? 744 00:58:13,658 --> 00:58:14,925 ONLY TO THOSE WHO ASK 745 00:58:14,992 --> 00:58:17,161 SO MUCH LESS THAN THEY WANT. 746 00:58:18,262 --> 00:58:19,964 IF IT WAS WHAT I WANT, 747 00:58:20,030 --> 00:58:22,600 DO YOU THINK I COULD ACCEPT IT? 748 00:58:22,667 --> 00:58:24,735 THERE'S ALWAYS ANOTHER CHOICE. 749 00:58:24,802 --> 00:58:26,270 DON'T YOU SEE THAT? 750 00:58:28,172 --> 00:58:30,040 NOT FOR EVERYONE. 751 00:58:30,107 --> 00:58:31,275 FOR EVERYONE. 752 00:58:33,878 --> 00:58:35,279 HOW DO YOU COME TO HAVE 753 00:58:35,345 --> 00:58:37,447 THIS WONDERFUL FREEDOM OF CHOICE? 754 00:58:37,514 --> 00:58:38,883 YOU TAKE IT. 755 00:58:38,949 --> 00:58:39,950 FROM WHOM? 756 00:58:40,017 --> 00:58:41,952 FROM ANYONE WHO SAYS IT ISN'T YOURS TO TAKE. 757 00:58:42,019 --> 00:58:43,788 OH, I ENVY YOU. 758 00:58:43,854 --> 00:58:46,456 DON'T ENVY ME. JOIN ME. 759 00:58:46,523 --> 00:58:47,524 LEAVE ME ALONE. 760 00:58:47,592 --> 00:58:48,659 DO IT. 761 00:58:48,726 --> 00:58:50,895 A MERCIFUL STRANGER COME TO SAVE ME 762 00:58:50,961 --> 00:58:52,462 FROM THE TERRIBLE BOREDOM 763 00:58:52,529 --> 00:58:53,798 AND LOVELESSNESS OF MY LIFE! 764 00:58:53,864 --> 00:58:55,399 IS THAT WHAT YOU THINK YOU ARE? 765 00:58:55,465 --> 00:58:57,835 I'M ONLY OFFERING YOU A WAY OUT. 766 00:58:57,902 --> 00:59:00,470 I DON'T WANT A WAY OUT! 767 00:59:06,443 --> 00:59:09,046 OH, WELL. 768 00:59:09,113 --> 00:59:11,181 THAT'S THE DIFFERENCE. 769 00:59:11,248 --> 00:59:13,618 YOU HAVE TO WANT IT. 770 00:59:41,511 --> 00:59:43,714 IT'S EARLY. COULD STOP ANYTIME. 771 00:59:43,781 --> 00:59:46,383 GOOD, STIFF WIND OUT THERE. 772 00:59:46,450 --> 00:59:48,352 BLOW IT AWAY IN A COUPLE HOURS. 773 00:59:51,155 --> 00:59:53,658 GOT 650 TICKETS ON ME. 774 00:59:53,724 --> 00:59:55,960 650 TICKETS. 775 00:59:56,026 --> 00:59:57,294 TERRIFIC! 776 00:59:58,495 --> 00:59:59,630 LOOK, KID, UH... 777 00:59:59,697 --> 01:00:00,798 THE BUSINESS IS MY END OF IT. 778 01:00:00,865 --> 01:00:02,399 YOU LET ME TAKE CARE OF ME. 779 01:00:02,466 --> 01:00:03,533 IT'S ALL YOURS, BROWDY. 780 01:00:03,600 --> 01:00:05,569 ALL RIGHT. WELL, STOP NEEDLING ME 781 01:00:05,636 --> 01:00:06,937 FOR WORRYING ABOUT IT, THEN, OK? 782 01:00:07,004 --> 01:00:08,939 I MEAN, I DON'T NOTICE YOU PASSING UP YOUR CUT 783 01:00:09,006 --> 01:00:10,808 WHEN IT COMES TIME TO SPLIT THE TAKE. 784 01:00:10,875 --> 01:00:12,476 YOU KNOW, SOMETIMES I THINK 785 01:00:12,542 --> 01:00:14,111 YOU HAVE A CASH REGISTER FOR A HEAD. 786 01:00:14,178 --> 01:00:16,847 YEAH, YEAH. ALL RIGHT, KID, FINE. 787 01:00:16,914 --> 01:00:17,915 YOU DON'T HAVE TO JUMP 788 01:00:17,982 --> 01:00:19,283 IF YOU THINK IT'S TOO DANGEROUS. 789 01:00:19,349 --> 01:00:20,918 I MEAN, RETTIG AND ME CAN MAKE OUT OURSELVES. 790 01:00:20,985 --> 01:00:21,952 WHAT THE HELL DO YOU MEAN... 791 01:00:22,019 --> 01:00:23,020 STOP TALKING TO ME, WILL YOU? 792 01:00:23,087 --> 01:00:24,488 IF I "THINK IT'S TOO DANGEROUS"? 793 01:00:24,554 --> 01:00:25,589 JUST WHAT I SAID. YOUR CHICKEN STREAK IS SHOWING! 794 01:00:25,656 --> 01:00:26,791 MY CHICKEN STREAK! 795 01:00:26,857 --> 01:00:27,858 THAT'S WHAT I SAID, YOUR CHICKEN STREAK! 796 01:00:27,925 --> 01:00:28,859 LISTEN, PAL. I'VE SEEN YOUR HANDS 797 01:00:28,926 --> 01:00:30,060 SHAKING AND SWEATY UP THERE. 798 01:00:30,127 --> 01:00:31,461 I'VE SEEN YOU TRYING TO TALK TO YOURSELF 799 01:00:31,528 --> 01:00:32,797 INTO JUST ONE MORE JUMP, 800 01:00:32,863 --> 01:00:34,631 AND THE NEXT, AND THE-- 801 01:00:42,039 --> 01:00:44,709 JUST A SLIGHT MISUNDERSTANDING, MRS. BRANDON. I'M SORRY. 802 01:00:46,076 --> 01:00:49,313 I'M SORRY, KID. I'M A LITTLE BIT ON EDGE. 803 01:00:57,254 --> 01:00:58,889 WE'RE A LITTLE ON EDGE. 804 01:01:04,594 --> 01:01:06,263 YOUR NOSE IS BLEEDIN', KID. 805 01:01:19,243 --> 01:01:20,377 BROWDY. 806 01:01:23,981 --> 01:01:26,183 YOU EVER SEE HIM SWEAT, KID? 807 01:01:29,086 --> 01:01:31,288 YOU EVER SEE HIS HANDS SHAKE UP THERE? 808 01:01:40,464 --> 01:01:42,699 NO. I NEVER HAVE, BROWDY. 809 01:03:03,747 --> 01:03:06,283 WHERE'S YOUR CROWD? 810 01:03:06,350 --> 01:03:07,551 THEY'LL COME. 811 01:03:14,091 --> 01:03:15,259 WE'RE GONNA BE ALL RIGHT. 812 01:03:15,325 --> 01:03:16,326 DEFINITELY. 813 01:03:21,365 --> 01:03:22,299 HEY! 814 01:03:22,366 --> 01:03:23,100 HEY! 815 01:03:23,167 --> 01:03:24,401 HI! GOOD MORNING! OK! 816 01:03:24,468 --> 01:03:25,335 HOW'S OUR AIRPLANE? 817 01:03:25,402 --> 01:03:27,137 WELL, I'M FINISHED. SHE'S GASSED UP, 818 01:03:27,204 --> 01:03:28,438 AND THE SEATS TURNED AROUND, 819 01:03:28,505 --> 01:03:29,874 AND THE DOOR'S OFF. 820 01:03:29,940 --> 01:03:31,175 BOY, THAT DOORWAY'S PRETTY NARROW, HUH? 821 01:03:31,241 --> 01:03:32,376 SEEIN' HOW THE THREE OF YOU 822 01:03:32,442 --> 01:03:33,810 ARE GONNA GET OUT OF THERE AT ONE TIME. 823 01:03:33,878 --> 01:03:35,145 IT'S ALL RIGHT. WE'RE USED TO IT. LISTEN, 824 01:03:35,212 --> 01:03:36,213 RETTIG'S GONNA TELL YOU WHAT HE WANTS YOU TO DO, 825 01:03:36,280 --> 01:03:37,647 BUT THE MAIN THING FOR YOU TO DO 826 01:03:37,714 --> 01:03:39,149 IS JUST GET BACK DOWN ON THE GROUND AS SOON AS POSSIBLE 827 01:03:39,216 --> 01:03:40,951 AFTER EVERY JUMP. NOW, A LONG WAIT 828 01:03:41,018 --> 01:03:42,686 IS VERY BAD FOR A CROWD. THEY GET RESTLESS. 829 01:03:42,752 --> 01:03:43,854 YOU SEE? GOT IT. 830 01:03:43,921 --> 01:03:45,189 OK. JUST DON'T GET DOWN BEFORE WE DO. 831 01:03:45,255 --> 01:03:46,290 WELL, IF I DO THAT, I'M GONNA 832 01:03:46,356 --> 01:03:47,791 SHORTEN THE PROGRAM CONSIDERABLY. 833 01:03:47,858 --> 01:03:49,193 HA HA! THAT'S VERY GOOD. 834 01:03:49,259 --> 01:03:51,561 UH, THERE'S A GUY UP THERE SETTIN' UP A P.A. SYSTEM. 835 01:03:51,628 --> 01:03:52,662 WILL YOU GIVE HIM THAT 836 01:03:52,729 --> 01:03:53,697 AND ASK HIM TO GIVE US AN OUTLET? 837 01:03:53,763 --> 01:03:55,032 RIGHT. HERE. 838 01:03:55,099 --> 01:03:57,467 SAY, THIS IS REALLY EXCITING, YOU KNOW? 839 01:03:57,534 --> 01:03:58,602 I MEAN, I NEVER DID 840 01:03:58,668 --> 01:03:59,803 ANYTHING LIKE THIS BEFORE. 841 01:03:59,870 --> 01:04:00,971 TERRIFIC. THERE'S A COUPLE KIDS AROUND, 842 01:04:01,038 --> 01:04:02,439 IF YOU STIR 'EM UP AND SEND 'EM IN 843 01:04:02,506 --> 01:04:04,174 TO MAKE A COUPLE BUCKS FOR THE AFTERNOON. 844 01:04:04,241 --> 01:04:05,375 THAT'S NOT GONNA BE HARD. 845 01:04:05,442 --> 01:04:06,376 YEAH. RIGHT. 846 01:04:09,779 --> 01:04:10,981 I'M READY. 847 01:04:13,183 --> 01:04:15,719 YOU CERTAIN THAT YOU WON'T COME ALONG? 848 01:04:15,785 --> 01:04:18,288 YOU'RE NOT COMING, MRS. BRANDON? 849 01:04:25,595 --> 01:04:27,031 OK, NOW, LOOK. 850 01:04:27,097 --> 01:04:28,732 WHEN WE COME DOWN IN THE PARACHUTE, 851 01:04:28,798 --> 01:04:29,900 WE NEED SOME HELP. 852 01:04:29,967 --> 01:04:31,068 I WANT TWO OF YOU TO COME OUT 853 01:04:31,135 --> 01:04:32,236 ON EACH PARACHUTE, AND YOU GRAB IT, 854 01:04:32,302 --> 01:04:34,571 AND THEN YOU HELP US COLLAPSE IT, OK? 855 01:04:34,638 --> 01:04:35,739 YOU UNDERSTAND THAT? YES. 856 01:04:35,805 --> 01:04:36,941 OK, BUT THE MAIN THING IS FOR YOU 857 01:04:37,007 --> 01:04:38,408 TO GET US AS MANY PARACHUTES OUT THERE 858 01:04:38,475 --> 01:04:40,710 ON THAT TABLE IN FRONT OF THE STANDS AS POSSIBLE. 859 01:04:40,777 --> 01:04:41,845 WE WANT PLENTY OF PARACHUTES, RIGHT? 860 01:04:41,912 --> 01:04:44,481 RIGHT. OK, IT'S TIME NOW. 861 01:04:45,715 --> 01:04:46,917 NOW, LISTEN, EVERYONE. 862 01:04:46,984 --> 01:04:48,852 DON'T LIFT ANY MORE THAN YOU CAN CARRY, OK? 863 01:04:48,919 --> 01:04:50,187 OK. 864 01:04:53,423 --> 01:04:54,791 Ambulance driver: MR. BROWDY? 865 01:04:54,858 --> 01:04:55,993 Browdy: YEAH. 866 01:04:57,694 --> 01:04:59,964 I'M THE AMBULANCE SERVICE. 867 01:05:00,030 --> 01:05:00,965 WELL, WHERE IS IT? 868 01:05:01,031 --> 01:05:02,199 PARKED OUT BEHIND THE HANGAR. 869 01:05:02,266 --> 01:05:03,800 WELL, COME ON. LET'S GET IT OUT HERE 870 01:05:03,867 --> 01:05:05,102 SO THEY CAN SEE IT. 871 01:05:05,169 --> 01:05:07,171 WELL, I DON'T-- I DON'T KNOW WHAT YOU MEAN. 872 01:05:07,237 --> 01:05:09,573 WELL, IT'S JUST PART OF THE ACT, YOU UNDERSTAND. 873 01:05:09,639 --> 01:05:11,908 I MEAN, WE'RE NOT GONNA NEED IT. KNOCK WOOD. 874 01:05:11,976 --> 01:05:13,910 WE HAVE TO LET THEM SEE THAT. 875 01:05:13,978 --> 01:05:15,079 YOU GOT IT? 876 01:05:15,145 --> 01:05:16,580 OH, I UNDERSTAND. I SEE WHAT YOU MEAN. 877 01:05:16,646 --> 01:05:19,249 YOU DRIVE THAT AMBULANCE RIGHT IN FRONT OF THE STANDS 878 01:05:19,316 --> 01:05:20,284 NICE AND SLOW, ALL RIGHT? 879 01:05:20,350 --> 01:05:21,818 AND YOU GET THE LIGHT GOING, 880 01:05:21,885 --> 01:05:23,753 AND LET'S MAKE SOME NOISE, HUH? 881 01:05:23,820 --> 01:05:25,455 UNDERSTAND? 882 01:05:25,522 --> 01:05:26,523 PARK IT RIGHT OVER THERE 883 01:05:26,590 --> 01:05:27,958 ON THE OTHER SIDE OF THE STANDS. 884 01:05:28,025 --> 01:05:28,892 YOU GOT IT? 885 01:05:28,959 --> 01:05:30,527 RIGHT. ALL RIGHT. GO. 886 01:05:41,805 --> 01:05:42,739 YOU DIG THAT CROWD? 887 01:05:42,806 --> 01:05:43,940 YEAH. 888 01:05:44,008 --> 01:05:45,442 WHAT'S WITH RETTIG? 889 01:05:45,509 --> 01:05:47,311 I DON'T KNOW. 890 01:05:47,377 --> 01:05:49,946 HELL OF A CROWD, BROWDY. 891 01:05:50,014 --> 01:05:51,681 HA HA HA HA. 892 01:05:53,150 --> 01:05:56,987 Man: TESTING, 1, 2, 3, 4. TESTING, 1, 2, 3, 4. 893 01:05:57,054 --> 01:06:00,924 TESTING, 1, 2, 3, 4. IT'S OK HERE, EDDIE. 894 01:06:00,991 --> 01:06:02,926 LET'S PUT ON THE RECORD. 895 01:06:19,809 --> 01:06:20,910 ANY QUESTIONS? 896 01:06:20,977 --> 01:06:25,615 UH, NO. NO, I, UH, I THINK I GOT IT. 897 01:06:25,682 --> 01:06:27,084 WHAT'S THE MATTER? 898 01:06:28,652 --> 01:06:30,254 LITTLE NERVOUS. 899 01:06:30,320 --> 01:06:33,190 YOU'RE GONNA GET OVER IT REAL SOON, AREN'T YOU? 900 01:06:35,425 --> 01:06:38,662 OH, YEAH. JUST DON'T WORRY ABOUT ME. 901 01:06:38,728 --> 01:06:39,796 DON'T WORRY ABOUT ME. 902 01:07:38,122 --> 01:07:39,523 Dick: ARE WE ALL SET? 903 01:07:39,589 --> 01:07:41,425 Browdy: HEY, FELLAS, SAY HELLO TO DICK DONFORD. 904 01:07:41,491 --> 01:07:42,859 HE'S FROM THE LOCAL RADIO STATION. 905 01:07:42,926 --> 01:07:44,128 HI. 906 01:07:49,166 --> 01:07:50,267 Browdy: I'LL BE DOING THE COMMENTARY 907 01:07:50,334 --> 01:07:51,468 ON ALL OF THE JUMPS. 908 01:07:51,535 --> 01:07:53,203 THE STUNTS THAT I GO UP ON, 909 01:07:53,270 --> 01:07:54,738 YOU JUST DESCRIBE WHAT YOU SEE 910 01:07:54,804 --> 01:07:56,072 AND, UH, ADD A LITTLE COLOR. 911 01:07:56,140 --> 01:07:57,407 USE YOUR IMAGINATION. 912 01:07:57,474 --> 01:07:58,875 RIGHT, RIGHT. I'VE DONE A LOT OF SPORTS EVENTS. 913 01:07:58,942 --> 01:08:00,444 YOU KNOW, BASKETBALL GAMES, THAT KIND OF STUFF. 914 01:08:00,510 --> 01:08:02,279 THAT'S RIGHT. JUST CALL IT LIKE A BASKETBALL GAME. 915 01:08:04,614 --> 01:08:06,683 Browdy on P.A.: ATTENTION. ATTENTION, PLEASE. 916 01:08:06,750 --> 01:08:08,718 GOOD AFTERNOON... 917 01:08:08,785 --> 01:08:10,019 I DON'T SEE ANNIE. 918 01:08:10,086 --> 01:08:12,656 ...FOR COMING OUT HERE TO WATCH US THIS AFTERNOON. 919 01:08:12,722 --> 01:08:14,090 I DON'T THINK YOU'RE GONNA BE DISAPPOINTED. 920 01:08:14,158 --> 01:08:15,692 I THINK I CAN PROMISE YOU THAT. 921 01:08:15,759 --> 01:08:18,862 WE HAVE SOME VERY FINE STUNTS LINED UP FOR YOU. 922 01:08:18,928 --> 01:08:20,897 WHICH ONE IS HE? 923 01:08:20,964 --> 01:08:22,599 THE ONE IN WHITE. 924 01:08:22,666 --> 01:08:24,568 I LIKE THE ONE IN THE RED BETTER. 925 01:08:24,634 --> 01:08:27,871 YEAH. SO DID I. 926 01:08:27,937 --> 01:08:29,506 OH, WHAT THE HELL? 927 01:08:29,573 --> 01:08:32,642 THE WAY THINGS WORKED OUT, I GOT NO COMPLAINTS. 928 01:08:32,709 --> 01:08:35,679 DID I INTRODUCE OURSELVES? NO, I DIDN'T. 929 01:08:35,745 --> 01:08:38,615 IN THE YELLOW JUMPSUIT, A LOCAL BOY MAKING GOOD, 930 01:08:38,682 --> 01:08:42,352 MR. MALCOLM WEBSON. LET'S HEAR IT FOR MALCOLM. 931 01:08:42,419 --> 01:08:44,754 IN THE RED JUMPSUIT, 932 01:08:44,821 --> 01:08:46,356 A GENTLEMAN WHO'S GONNA DO SOMETHING VERY SPECIAL 933 01:08:46,423 --> 01:08:47,557 FOR YOU LATER ON THIS AFTERNOON, 934 01:08:47,624 --> 01:08:49,993 MR. MIKE RETTIG. LET'S HEAR IT FOR MIKE! 935 01:08:50,059 --> 01:08:51,795 AND ME! MY NAME IS BROWDY! 936 01:10:04,934 --> 01:10:06,370 CUT. 937 01:17:44,694 --> 01:17:46,696 HERE HE COMES! 938 01:18:09,652 --> 01:18:10,754 THERE'S HIS CHUTE! 939 01:18:10,820 --> 01:18:12,789 OH! WHAT'S THIS?! WHAT'S THIS?! 940 01:18:12,856 --> 01:18:14,457 WHAT'S HAPPENING?! 941 01:18:14,523 --> 01:18:16,259 LOOKS LIKE HE LOST SOMETHING. 942 01:18:32,108 --> 01:18:34,210 P.A.: I GUESS IT'S A JOKE! 943 01:18:50,159 --> 01:18:53,629 UH, WE HAVE A LITTLE PROBLEM HERE. 944 01:18:53,696 --> 01:18:54,998 THAT JUMPSUIT THAT I LOST 945 01:18:55,064 --> 01:18:56,966 HAPPENED TO BE THE ONLY ONE THAT I HAVE. 946 01:18:57,033 --> 01:18:59,368 WE HAVE PEOPLE OUT ALL OVER THE COUNTRYSIDE LOOKING FOR IT. 947 01:18:59,435 --> 01:19:02,338 SO, UM, I'LL BE RIGHT BACK WITH YOU AS SOON AS WE FIND IT. 948 01:19:02,405 --> 01:19:03,706 HOW DO YOU FEEL? 949 01:19:03,773 --> 01:19:05,074 IN THE MEANTIME, I THOUGHT MAYBE 950 01:19:05,141 --> 01:19:06,876 I MIGHT MAKE MYSELF USEFUL AROUND HERE, 951 01:19:06,943 --> 01:19:10,613 BY GOING UP WITH THE FELLAS AND DESCRIBING A JUMP 952 01:19:10,679 --> 01:19:11,848 RIGHT FROM OUR POINT OF VIEW. 953 01:19:11,915 --> 01:19:13,749 YOU KNOW, KIND OF A CHANGE OF PACE. 954 01:19:13,817 --> 01:19:15,618 HOW'S THAT SOUND TO YOU, HUH? 955 01:19:15,684 --> 01:19:18,087 ARE YOU READY, FOLKS? OK! 956 01:19:22,058 --> 01:19:24,560 OH, UH, INCIDENTALLY, 957 01:19:24,627 --> 01:19:26,595 THERE'S A REWARD FOR THAT JUMPSUIT. 958 01:19:26,662 --> 01:19:30,266 ANYBODY FINDING THAT JUMPSUIT GETS A FREE PARACHUTE JUMP. 959 01:19:32,768 --> 01:19:36,973 * OFF WE GO INTO THE WILD BLUE YONDER * 960 01:19:37,040 --> 01:19:40,276 * CLIMBING HIGH INTO THE SUN * 961 01:19:40,343 --> 01:19:42,778 HEY, DOWN THERE, CAN YOU HEAR ME?! 962 01:19:42,846 --> 01:19:44,948 IF YOU CAN HEAR ME, LET'S HEAR IT! 963 01:19:45,014 --> 01:19:47,250 COME ON! LET'S HEAR IT! 964 01:19:49,919 --> 01:19:51,387 NO, THAT'S NOT LOUD ENOUGH. 965 01:19:51,454 --> 01:19:52,856 COME ON! LET'S HEAR IT! 966 01:19:54,924 --> 01:19:57,726 HEY! THAT'S A LOT BETTER. 967 01:19:57,793 --> 01:19:59,295 IT'S A BEAUTIFUL SIGHT UP HERE. 968 01:19:59,362 --> 01:20:01,097 I WISH YOU WERE ALL UP HERE WITH ME. 969 01:20:01,164 --> 01:20:03,632 MIKE AND MALCOLM ARE GETTING THEMSELVES SET NOW. 970 01:20:03,699 --> 01:20:05,034 I THINK YOU'RE GONNA LIKE THIS STUNT. 971 01:20:05,101 --> 01:20:06,402 IT'S THE ONE THEY'VE BEEN WORKING ON 972 01:20:06,469 --> 01:20:07,370 FOR QUITE A WHILE NOW. 973 01:20:07,436 --> 01:20:09,572 I'M GETTING THE GO-AHEAD FROM MIKE NOW. 974 01:20:09,638 --> 01:20:10,840 OK. 975 01:20:10,907 --> 01:20:14,410 THERE THEY GO. 976 01:20:14,477 --> 01:20:15,879 OK, THEY'RE OFF. 977 01:20:15,945 --> 01:20:17,881 SHOULD BE ABLE TO SEE THEM ABOUT NOW. 978 01:20:17,947 --> 01:20:20,049 IT LOOKS GOOD. IT LOOKS REAL GOOD. 979 01:20:20,116 --> 01:20:22,451 YEAH, IT'S REAL GOOD. 980 01:20:22,518 --> 01:20:24,620 OH! I'M FALLING OUT! 981 01:20:24,687 --> 01:20:25,855 I FELL OUT! 982 01:20:25,922 --> 01:20:28,724 OH, NO! 983 01:20:28,791 --> 01:20:30,860 IS THERE A DOCTOR IN THE HOUSE?! 984 01:20:30,927 --> 01:20:32,295 I THINK I'M GONNA FAINT! 985 01:20:32,361 --> 01:20:34,497 OH, I WANT Y'ALL TO KNOW HOW MUCH I'VE ENJOYED 986 01:20:34,563 --> 01:20:35,798 BEING A PART OF THIS SHOW. 987 01:20:35,865 --> 01:20:37,766 I KNOW THAT MIKE RETTIG AND MALCOLM ARE GONNA 988 01:20:37,833 --> 01:20:39,168 CARRY ON WITHOUT ME. 989 01:20:39,235 --> 01:20:41,770 I'D LIKE YOU TO TELL THEM FOR ME, WILL YOU? 990 01:20:41,837 --> 01:20:43,706 NOW, I DON'T WANT ANYBODY TO BE UPSET. 991 01:20:43,772 --> 01:20:45,241 NOW, THESE ARE THE CHANCES WE TAKE. 992 01:20:45,308 --> 01:20:47,343 WE ALL KNOW IT COULD HAPPEN ANYTIME. 993 01:20:47,410 --> 01:20:48,978 ESPECIALLY IF YOU'RE STUPID ENOUGH 994 01:20:49,045 --> 01:20:50,513 TO FALL OUT OF A PLANE WITHOUT A CHUTE. 995 01:20:50,579 --> 01:20:51,881 HA HA HA HA. 996 01:20:51,948 --> 01:20:54,483 TO TELL YOU THE TRUTH, I'M NOT THAT STUPID. 997 01:20:54,550 --> 01:20:57,353 NO, I GUESS I BETTER OPEN UP THIS PARACHUTE NOW, 998 01:20:57,420 --> 01:21:00,123 BEFORE THIS JOKE GOES A LITTLE TOO FAR. 999 01:21:08,631 --> 01:21:11,667 NOW COMES THE MOST DANGEROUS AND EXCITING STUNT 1000 01:21:11,734 --> 01:21:13,136 OF THE AFTERNOON. 1001 01:21:13,202 --> 01:21:14,737 I'D LIKE TO BE ABLE TO SAY THAT WE ALL DREW LOTS 1002 01:21:14,803 --> 01:21:16,539 TO SEE WHO WAS GONNA PERFORM THIS PARTICULAR STUNT, 1003 01:21:16,605 --> 01:21:17,941 BUT THAT'D BE A LIE 1004 01:21:18,007 --> 01:21:20,543 BECAUSE MALCOLM AND I ARE CHICKEN, UH, MIKE RETTIG. 1005 01:21:22,078 --> 01:21:23,947 SERIOUSLY, THOUGH, AS FAR AS WE KNOW, 1006 01:21:24,013 --> 01:21:25,481 MIKE IS THE ONLY PERSON IN THIS COUNTRY 1007 01:21:25,548 --> 01:21:27,917 PERFORMING THIS PARTICULAR STUNT AT THE PRESENT TIME. 1008 01:21:27,984 --> 01:21:29,718 WEARING A SPECIALLY-DESIGNED CAPE, 1009 01:21:29,785 --> 01:21:33,022 MIKE IS GONNA JUMP AND DO SOME VERY NICE THINGS FOR YOU 1010 01:21:33,089 --> 01:21:34,457 ON THE WAY DOWN. 1011 01:21:34,523 --> 01:21:38,461 HE'LL BE TRAVELING IN EXCESS OF 200 MILES AN HOUR. 1012 01:21:38,527 --> 01:21:41,030 NOW, UP TO NOW, THE FASTEST WE'VE GONE IS ABOUT 100, 1013 01:21:41,097 --> 01:21:42,598 SO YOU CAN SEE THE DIFFERENCE. 1014 01:21:42,665 --> 01:21:45,668 ANOTHER THING, UNLESS HE HOLDS HIS ARMS ABSOLUTELY CORRECTLY, 1015 01:21:45,734 --> 01:21:47,436 THE WIND CAN BREAK THEM RIGHT OFF. 1016 01:21:47,503 --> 01:21:50,273 ALSO, ATTACHED TO EACH FOOT WILL BE THIS SMOKE FLARE 1017 01:21:50,339 --> 01:21:51,707 SO HE'LL LEAVE A TRAIL THROUGH THE SKY 1018 01:21:51,774 --> 01:21:53,009 THAT YOU'LL BE ABLE TO FOLLOW. 1019 01:21:53,076 --> 01:21:54,577 THAT IS, UNLESS THE FLARE MALFUNCTIONS 1020 01:21:54,643 --> 01:21:57,380 AND BURNS HIS LEG, WHICH THEY HAVE A NASTY HABIT OF DOING. 1021 01:21:57,446 --> 01:21:58,814 HEY, MIKE RETTIG! NOW, LET'S HEAR IT FOR MIKE! 1022 01:21:58,881 --> 01:22:00,349 COME ON! LET'S HEAR IT! 1023 01:22:12,728 --> 01:22:13,729 SEE YA, KID. 1024 01:22:13,796 --> 01:22:15,064 RETTIG... 1025 01:22:17,933 --> 01:22:19,969 DON'T BE LATE FOR SUPPER. 1026 01:23:38,881 --> 01:23:40,616 THERE'S THE AIRCRAFT. 1027 01:23:49,558 --> 01:23:50,559 CUT. 1028 01:24:12,615 --> 01:24:14,150 THE FLARES ARE LIT! 1029 01:25:33,028 --> 01:25:34,297 PULL IT. 1030 01:25:42,705 --> 01:25:43,806 PULL IT! 1031 01:25:50,979 --> 01:25:52,648 RETTIG! 1032 01:26:41,196 --> 01:26:43,866 GET OUT OF HERE. GET OUT OF HERE! 1033 01:26:43,932 --> 01:26:45,100 GET OUT OF HERE! 1034 01:26:45,167 --> 01:26:47,803 WHAT'S THE MATTER, YOU MORBID CREEPS, YOU?! 1035 01:26:47,870 --> 01:26:50,473 COME ON! GET OUT OF HERE! 1036 01:26:50,539 --> 01:26:54,076 COME ON! GET OUT OF HERE! 1037 01:26:54,142 --> 01:26:55,611 MOVE 'EM BACK, DAMN IT! 1038 01:26:55,678 --> 01:26:57,179 WHAT THE HELL'S WRONG WITH YOU?! 1039 01:26:57,246 --> 01:26:58,514 GET OUT OF HERE! 1040 01:28:31,740 --> 01:28:33,709 MALCOLM? 1041 01:28:42,084 --> 01:28:43,752 YOU ALL RIGHT? 1042 01:29:06,775 --> 01:29:09,211 IT'S ALL SET FOR TUESDAY... 1043 01:29:09,277 --> 01:29:10,078 HERE IN BRIDGEVILLE. 1044 01:29:10,145 --> 01:29:11,447 LISTEN... 1045 01:29:44,780 --> 01:29:46,048 LISTEN, KID, 1046 01:29:46,114 --> 01:29:48,617 I DON'T LIKE TO TALK ABOUT THIS ANY MORE THAN YOU DO, BUT... 1047 01:29:48,684 --> 01:29:50,486 WE GOTTA GET SOME DOUGH... 1048 01:29:50,553 --> 01:29:53,989 I MEAN, FOR THE BURIAL AND EVERYTHING. 1049 01:29:54,056 --> 01:29:56,391 TOMORROW'S THE FOURTH, AND I THOUGHT MAYBE 1050 01:29:56,459 --> 01:29:58,961 WE COULD PUT ON A SHORT PROGRAM, 1051 01:29:59,027 --> 01:30:03,131 CALL IT A MEMORIAL JUMP, SOMETHING LIKE THAT, 1052 01:30:03,198 --> 01:30:05,000 MAYBE ONLY DO ONE JUMP. 1053 01:30:05,067 --> 01:30:07,970 I'D GET ON TELEVISION AND RADIO TONIGHT 1054 01:30:08,036 --> 01:30:12,307 AND NEWSPAPERS TOMORROW MORNING FOR SURE. 1055 01:30:12,374 --> 01:30:14,877 THEN TOMORROW WE'LL JUST PASS THE HAT. 1056 01:30:18,413 --> 01:30:19,515 WHAT DO YOU THINK? 1057 01:30:19,582 --> 01:30:22,718 WHO'D COME TO SEE ONE JUMP? 1058 01:30:22,785 --> 01:30:24,419 WELL, I-- 1059 01:30:24,487 --> 01:30:25,621 UNLESS... 1060 01:30:25,688 --> 01:30:29,191 WE JUMP THE CAPE. 1061 01:30:31,293 --> 01:30:33,228 THAT'S NOT NECESSARY. 1062 01:30:33,295 --> 01:30:35,964 WE CAN LEND YOU THE MONEY FOR THE BURIAL. 1063 01:30:36,031 --> 01:30:38,867 MRS. BRANDON, UH... 1064 01:30:41,804 --> 01:30:44,006 THAT WOULDN'T BE GOOD AT ALL. 1065 01:30:46,408 --> 01:30:47,876 I MEAN, UH... 1066 01:30:50,312 --> 01:30:52,748 YOU CAN UNDERSTAND THAT, CAN'T YOU? 1067 01:30:54,483 --> 01:30:55,918 OK. 1068 01:30:55,984 --> 01:30:57,452 I'LL DO IT. 1069 01:31:04,860 --> 01:31:09,097 Mr. Brandon: HAS HE DONE THIS--THIS JUMP BEFORE? 1070 01:31:12,868 --> 01:31:14,002 Browdy: NO. 1071 01:31:49,271 --> 01:31:51,306 YOU WANT ME TO DO IT? 1072 01:31:51,373 --> 01:31:54,209 DO WHAT? 1073 01:31:54,276 --> 01:31:56,712 THE JUMP TOMORROW. 1074 01:31:56,779 --> 01:31:58,714 I MEAN, WE DIDN'T REALLY, REALLY TALK ABOUT IT. 1075 01:31:58,781 --> 01:32:01,049 YOU JUST SAID YOU'D DO IT. 1076 01:32:01,116 --> 01:32:03,518 I'LL DO IT. 1077 01:32:03,586 --> 01:32:06,454 IT DOESN'T MATTER WHICH ONE OF US DOES IT, 1078 01:32:06,521 --> 01:32:08,657 SO I'LL DO IT. 1079 01:32:09,925 --> 01:32:13,195 I JUMPED THE CAPE ONCE, YOU KNOW. 1080 01:32:18,400 --> 01:32:20,202 I DIDN'T KNOW THAT. 1081 01:32:21,570 --> 01:32:23,138 ONCE... 1082 01:32:26,575 --> 01:32:28,577 A LONG TIME AGO. 1083 01:32:33,548 --> 01:32:36,184 SOMETHING WEIRD ABOUT THAT STUNT. 1084 01:32:38,621 --> 01:32:41,990 RETTIG ISN'T THE FIRST ONE TO GO IN THE GROUND DOING THAT ONE. 1085 01:32:44,326 --> 01:32:46,328 I ALMOST DID MYSELF... 1086 01:32:48,731 --> 01:32:50,999 THE ONE TIME I JUMPED THE CAPE. 1087 01:32:55,704 --> 01:32:58,807 I MEAN, THERE WAS A COUPLE SECONDS THERE WHEN... 1088 01:33:00,342 --> 01:33:04,146 I THINK I FELT LIKE THE CAPE WOULD ACTUALLY KEEP ME UP. 1089 01:33:07,482 --> 01:33:09,818 LIKE I HAD WINGS OR SOMETHING. 1090 01:33:13,188 --> 01:33:14,990 IT WAS CRAZY. 1091 01:33:19,527 --> 01:33:21,897 ALMOST DIDN'T PULL THE RIPCORD. 1092 01:33:25,333 --> 01:33:27,903 CLOSE--I CAME REALLY CLOSE. 1093 01:33:33,041 --> 01:33:34,609 THERE'S BEEN A LOT OF GUYS RIDE THE CAPE 1094 01:33:34,677 --> 01:33:36,745 RIGHT INTO THE GROUND. 1095 01:33:41,183 --> 01:33:42,918 I GUESS YOU REALLY DON'T KNOW IF YOU'RE THE KIND 1096 01:33:42,985 --> 01:33:45,954 THAT MIGHT DO THAT UNTIL YOU'VE RIDDEN THE CAPE ONCE. 1097 01:33:49,725 --> 01:33:51,259 AT LEAST ONCE. 1098 01:34:12,547 --> 01:34:13,348 Director: LET'S HOLD IT. 1099 01:34:13,415 --> 01:34:14,883 ALL RIGHT, NOW. 1100 01:34:14,950 --> 01:34:16,685 ONCE AGAIN FROM THE BEGINNING. 1101 01:34:16,752 --> 01:34:19,855 AND REMEMBER, PEOPLE, TIME IS SHORT. 1102 01:34:19,922 --> 01:34:21,990 TIME IS VERY SHORT. 1103 01:34:22,057 --> 01:34:24,592 Radio: AND THAT CONCLUDES THE NATIONAL NEWS. 1104 01:34:25,761 --> 01:34:27,162 COME IN. 1105 01:34:27,229 --> 01:34:28,731 Radio: WE'VE BEEN ASKED TO ANNOUNCE 1106 01:34:28,797 --> 01:34:30,465 THAT TOMORROW'S FOURTH OF JULY PARADE 1107 01:34:30,532 --> 01:34:32,000 WILL START AT CITY HALL 1108 01:34:32,067 --> 01:34:33,736 AND THEN PROCEED NORTH ON MAIN STREET. 1109 01:34:33,802 --> 01:34:35,771 HUGE CROWDS ARE EXPECTED, 1110 01:34:35,838 --> 01:34:36,839 SO IF YOU'RE THINKING OF TRAVELING 1111 01:34:36,905 --> 01:34:38,306 THROUGH THE DOWNTOWN AREA, 1112 01:34:38,373 --> 01:34:41,609 YOU'RE ADVISED TO USE OUTLYING ALTERNATE ROUTES. 1113 01:34:41,676 --> 01:34:42,878 WE'LL KEEP YOU ADVISED, 1114 01:34:42,945 --> 01:34:44,813 SO FOR UP-TO-THE-MINUTE TRAFFIC BULLETINS, 1115 01:34:44,880 --> 01:34:46,849 STAY TUNED TO THIS STATION. 1116 01:34:46,915 --> 01:34:48,751 AND HERE'S THE WEATHER REPORT. 1117 01:34:48,817 --> 01:34:50,719 THE WEATHERMAN HAS PROMISED TEMPERATURES 1118 01:34:50,786 --> 01:34:52,721 IN THE HIGH NINETIES, 1119 01:34:52,788 --> 01:34:54,723 SO DRESS ACCORDINGLY. 1120 01:34:54,790 --> 01:34:56,691 NOW FOR THE LOCAL BASEBALL SCORES. 1121 01:35:13,241 --> 01:35:15,510 I KEEP REMEMBERING MYSELF STARING 1122 01:35:15,577 --> 01:35:17,980 AT THE AIRPLANE THIS AFTERNOON. 1123 01:35:19,782 --> 01:35:22,785 STANDING THERE LOOKING AT HIM... 1124 01:35:22,851 --> 01:35:25,053 WANTING TO SAY SOMETHING. 1125 01:35:26,488 --> 01:35:29,925 LIKE THERE WERE SOME MAGIC WORD TO SAVE HIM. 1126 01:35:32,160 --> 01:35:35,730 I COULDN'T SAY THAT WORD... 1127 01:35:35,798 --> 01:35:37,866 'CAUSE I DON'T KNOW WHAT IT IS. 1128 01:38:28,003 --> 01:38:30,072 PAY ATTENTION, DAMN IT! 1129 01:38:53,928 --> 01:38:55,263 CUT. 1130 01:40:56,684 --> 01:40:58,086 OK, PULL IT! 1131 01:41:09,131 --> 01:41:10,598 COME ON! PULL IT! 1132 01:41:17,071 --> 01:41:18,740 RETTIG! 1133 01:41:53,908 --> 01:41:55,677 TERRIFIC! TERRIFIC! 1134 01:41:59,514 --> 01:42:01,283 YOU SCARED THE HELL OUTTA ME! 1135 01:42:01,349 --> 01:42:04,752 WHAT'D YOU WAIT SO LONG TO PULL FOR?! 1136 01:42:04,819 --> 01:42:06,521 BEAUTIFUL! BEAUTIFUL! 1137 01:42:18,633 --> 01:42:21,636 WHEN YOU PULLED IT, YOU REALLY PULLED IT, DIDN'T YOU? 1138 01:42:21,703 --> 01:42:22,870 RIGHT OUT OF THE PACK. 1139 01:42:36,918 --> 01:42:38,853 HEY, KID, YOU READY? 1140 01:42:38,920 --> 01:42:41,055 JUST ABOUT. 1141 01:42:41,122 --> 01:42:42,190 IS EVERYTHING-- 1142 01:42:42,257 --> 01:42:44,426 YEAH, EVERYTHING'S ALL TAKEN CARE OF. 1143 01:42:46,528 --> 01:42:48,230 ARE YOU LEAVING, TOO, MR. BROWDY? 1144 01:42:48,296 --> 01:42:50,432 NO. I'LL BE STAYING THROUGH TOMORROW 1145 01:42:50,498 --> 01:42:53,701 FOR THE FUNERAL, BUT I SEE NO POINT 1146 01:42:53,768 --> 01:42:56,037 IN MY STAYING HERE TONIGHT. 1147 01:42:56,103 --> 01:42:57,505 I MEAN, YOU KNOW, 1148 01:42:57,572 --> 01:43:00,475 IT WOULDN'T FEEL RIGHT IF THE KID WAS GONE. 1149 01:43:02,644 --> 01:43:05,647 WELL, LISTEN, I--I'LL WAIT FOR YOU DOWNSTAIRS. 1150 01:43:05,713 --> 01:43:06,814 YOU HAVE ABOUT A HALF AN HOUR 1151 01:43:06,881 --> 01:43:08,283 BEFORE THE TRAIN. 1152 01:43:46,788 --> 01:43:47,789 MALCOLM... 1153 01:43:50,191 --> 01:43:52,527 YOU WON'T STAY FOR A WHILE, THOUGH? 1154 01:43:58,466 --> 01:43:59,867 WHERE ARE YOU GOING? 1155 01:43:59,934 --> 01:44:01,736 I DON'T KNOW. 1156 01:44:09,477 --> 01:44:12,980 WILL YOU LET US KNOW HOW YOU ARE FROM TIME TO TIME? 1157 01:44:16,083 --> 01:44:17,952 I'D LIKE TO KNOW HOW YOU ARE. 1158 01:44:18,019 --> 01:44:20,355 I WILL. 1159 01:44:58,393 --> 01:45:00,294 WHAT ARE YOU GOING TO DO, BROWDY? 1160 01:45:00,362 --> 01:45:02,964 WELL, I THOUGHT I MIGHT HEAD WEST. 1161 01:45:04,566 --> 01:45:06,901 I'VE BEEN THINKING ABOUT THAT A LOT LATELY. 1162 01:45:10,705 --> 01:45:12,974 I THINK I MIGHT JUST HEAD WEST. 1163 01:45:15,377 --> 01:45:18,112 BUT YOU NEVER CAN TELL WHAT MIGHT TURN UP. 1164 01:45:18,179 --> 01:45:19,714 RIGHT? 1165 01:45:19,781 --> 01:45:22,517 YOU DON'T MIND MY NOT STAYING, DO YOU-- 1166 01:45:22,584 --> 01:45:23,885 FOR TOMORROW? I-- 1167 01:45:23,951 --> 01:45:25,920 GET LOST, WILL YOU? 1168 01:45:29,391 --> 01:45:31,158 HEY, KID? 1169 01:45:31,225 --> 01:45:32,794 NEXT TIME YOU GET IN AN AIRPLANE, 1170 01:45:32,860 --> 01:45:34,696 MAKE SURE IT'S GOT A DOOR ON IT. 1171 01:45:34,762 --> 01:45:35,763 HEH HEH. 1172 01:45:52,480 --> 01:45:56,183 HE WANTED ME TO GO WITH HIM. 1173 01:45:56,250 --> 01:45:57,852 DID HE? 1174 01:46:09,764 --> 01:46:12,066 THE THOUGHT TERRIFIED ME. 1175 01:46:15,136 --> 01:46:16,838 AND ME. 73839

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