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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,801 --> 00:00:03,267 YES, FOLKS, THIS IS ONE EXCITING NIGHT 2 00:00:03,369 --> 00:00:04,835 HERE IN STONE'S THROW. 3 00:00:04,937 --> 00:00:06,436 JUST ARRIVING, THE FABULOUS ACTRESS 4 00:00:06,539 --> 00:00:09,040 HELENA HARRIS AND HER NEW BOYFRIEND, 5 00:00:09,142 --> 00:00:10,207 CLARK GABLE. 6 00:00:10,309 --> 00:00:13,443 AND YES, THAT'S HIS REAL NAME. OH! 7 00:00:14,881 --> 00:00:16,246 RUMORS ARE FLYING THESE DAYS. 8 00:00:16,348 --> 00:00:18,115 CAN YOU TWO SET THE RECORD STRAIGHT 9 00:00:18,217 --> 00:00:19,383 ON YOUR RELATIONSHIP? 10 00:00:19,485 --> 00:00:20,885 WELL, CLARK AND I ARE WORKING 11 00:00:20,987 --> 00:00:22,720 ON A FANTASTIC NEW FILM TOGETHER. 12 00:00:22,822 --> 00:00:25,455 AND ENJOYING PLENTY OF ONE-ON-ONE TIME. 13 00:00:25,558 --> 00:00:28,159 OH, CLARK. THANK YOU. 14 00:00:28,260 --> 00:00:30,728 WELL, FOLKS, THERE YOU HAVE IT-- 15 00:00:30,830 --> 00:00:33,497 LIVING PROOF THAT DREAMS CAN COME TRUE, 16 00:00:33,599 --> 00:00:35,332 AS LONG AS YOU DON'T WAKE UP. 17 00:00:35,434 --> 00:00:37,634 WAKE UP. 18 00:00:37,737 --> 00:00:38,969 I SAID WAKE UP, SLEEPYHEADS, 19 00:00:39,072 --> 00:00:40,705 AND LET'S GET THIS DAY STARTED. 20 00:00:48,848 --> 00:00:50,948 - OVER TO YOU, LEANNA. - AND IN LOCAL NEWS, 21 00:00:51,050 --> 00:00:52,950 THE TOWN'S BEEN TALKING ABOUT IT FOR WEEKS. 22 00:00:53,052 --> 00:00:56,087 HOLLYWOOD COMES TO SUBURBAN STONE'S THROW 23 00:00:56,189 --> 00:00:59,056 WITH THE ARRIVAL OF TWO-TIME OSCAR NOMINEE HELENA HARRIS 24 00:00:59,158 --> 00:01:03,094 AND HER FAMED COSTAR-- AND EX-BOYFRIEND-- ROBERTO MOLINEZ. 25 00:01:03,196 --> 00:01:05,930 THEY'LL BE IN TOWN SHOOTING A NEW ROMANTIC COMEDY 26 00:01:06,032 --> 00:01:07,965 ENTITLED THIS MAGIC MOMENT. 27 00:01:08,067 --> 00:01:10,034 - WOW, EXCITING NEWS, LEANNA. - IT REALLY IS. 28 00:01:10,136 --> 00:01:14,404 THIS IS A BIG DEAL FOR STONE'S THROW. 29 00:01:18,444 --> 00:01:21,411 THERE YOU GO. BE CAREFUL, THAT'S VERY HOT. 30 00:01:26,318 --> 00:01:27,952 THERE SHOULD BE A SECOND ONE IN THE GRIP TRUCK. 31 00:01:28,054 --> 00:01:32,389 I'LL CHECK THAT. 32 00:01:32,491 --> 00:01:33,590 READY FOR THE ONSLAUGHT? 33 00:01:33,692 --> 00:01:35,126 THE MOVIE CREW? 34 00:01:35,228 --> 00:01:36,093 NO, I THINK THAT'S GONNA BE 35 00:01:36,195 --> 00:01:37,561 WAY MORE TROUBLE THAN IT'S WORTH. 36 00:01:37,663 --> 00:01:38,829 NEVER FOR YOU. 37 00:01:38,931 --> 00:01:40,931 I'M JUST SAYING. IT COULD BE FUN, THAT'S ALL. 38 00:01:41,033 --> 00:01:42,366 MM-HMM. 39 00:01:44,270 --> 00:01:45,770 - HI, MOM. - HEY, MOM. 40 00:01:45,872 --> 00:01:48,773 OH, HEY, DID YOU GUYS SEE THAT THAT FILM CREW 41 00:01:48,875 --> 00:01:50,174 IS ALREADY FIXING UP THE OLD DINER? 42 00:01:50,276 --> 00:01:52,476 DON'T YOU HAVE YOUR ZUMBA CLASS THIS MORNING? 43 00:01:52,578 --> 00:01:53,543 YES, I DO. 44 00:01:53,646 --> 00:01:55,412 I JUST CAME IN FOR A QUICK PICK-ME-UP. 45 00:01:55,514 --> 00:01:58,082 COULD I HAVE THE USUAL, HONEY? 46 00:01:58,184 --> 00:02:00,184 OH, I LOVE THIS ONE. 47 00:02:00,286 --> 00:02:03,154 I WILL NOT BE SHUNNED BY AN UNFORGIVING SOCIETY 48 00:02:03,256 --> 00:02:04,188 SIMPLY BECAUSE I LOVE YOU. 49 00:02:04,290 --> 00:02:06,657 A LITTLE MOON AND STARS TRIBUTE 50 00:02:06,759 --> 00:02:07,557 TO OUR SPECIAL VISITOR. 51 00:02:07,660 --> 00:02:08,558 GOOD IDEA. 52 00:02:08,661 --> 00:02:10,594 IT IS UNFAIR... 53 00:02:10,696 --> 00:02:13,297 AND I CANNOT ABIDE IT. 54 00:02:13,399 --> 00:02:14,531 WHAT AN AMAZING TALENT. 55 00:02:14,633 --> 00:02:15,632 SHE'S AN ACTRESS, CLARK. 56 00:02:15,734 --> 00:02:17,334 SHE'S NOT CURING RARE DISEASES. 57 00:02:17,436 --> 00:02:19,403 WELL, JUST FOR THE RECORD, NEITHER ARE YOU. 58 00:02:19,505 --> 00:02:20,570 OKAY. THAT'S FAIR. 59 00:02:20,673 --> 00:02:21,705 JUST DON'T BE SURPRISED 60 00:02:21,808 --> 00:02:22,973 IF YOU MEET HER AND SHE BLOWS YOU OFF. 61 00:02:23,075 --> 00:02:23,941 YOU KNOW, I HAVE READ 62 00:02:24,043 --> 00:02:26,110 THAT HELENA HARRIS IS A LOVELY PERSON. 63 00:02:26,212 --> 00:02:29,146 - HMM. - OR IS THAT A LONELY PERSON? 64 00:02:29,248 --> 00:02:30,848 OH, WAIT, WAIT, WAIT. THIS IS MY FAVORITE PART. 65 00:02:30,950 --> 00:02:32,749 I KNOW, RIGHT? 66 00:02:32,852 --> 00:02:35,752 OUR LOVE WILL CLEAR A PATH AND LIGHT THE WAY... 67 00:02:35,855 --> 00:02:38,122 TO BE TOGETHER. 68 00:02:38,224 --> 00:02:40,657 THAT IS OUR DESTINY. 69 00:02:42,862 --> 00:02:45,095 SO GOOD. 70 00:02:46,498 --> 00:02:48,232 CLARK. 71 00:02:48,334 --> 00:02:49,399 HEY. 72 00:02:49,501 --> 00:02:50,334 EMILY. 73 00:02:50,436 --> 00:02:51,802 HI. 74 00:02:51,904 --> 00:02:54,305 UH, HOW ARE YOU? 75 00:02:54,406 --> 00:02:55,639 - GOOD. - GOOD TO SEE YOU. 76 00:02:55,741 --> 00:02:56,640 YOU TOO. 77 00:02:56,742 --> 00:02:58,575 I-I'VE BEEN MEANING TO CALL 78 00:02:58,677 --> 00:03:01,278 SINCE YOU WERE BACK, BUT SORRY TO HEAR ABOUT YOUR DIVORCE. 79 00:03:01,380 --> 00:03:05,282 YEAH, WELL, SHE COMES CRAWLING BACK TO HER HOMETOWN. 80 00:03:05,384 --> 00:03:07,417 NO, NO. HARDLY CRAWLING BACK. 81 00:03:07,519 --> 00:03:10,120 I MEAN, GREAT NEW JOB AT C & D FINANCIAL. 82 00:03:10,223 --> 00:03:11,889 AND YOU LOOK-- YOU LOOK GREAT. 83 00:03:11,991 --> 00:03:15,492 THANK YOU. STORE STILL ALIVE AND KICKIN'? 84 00:03:15,594 --> 00:03:18,562 ALIVE, YES. KICKING, NOT SO MUCH. 85 00:03:18,664 --> 00:03:20,497 BIG DAY, HUH? 86 00:03:20,599 --> 00:03:22,833 HUGE. 87 00:03:22,935 --> 00:03:27,371 FIRST MOVIE TO EVER FILM IN STONE'S THROW. 88 00:03:27,473 --> 00:03:30,707 SOMETHING TO TELL OUR GRANDKIDS. 89 00:03:31,810 --> 00:03:35,346 I'M LATE FOR WORK, SO, I, UH-- 90 00:03:35,447 --> 00:03:37,147 IF YOU EVER NEED FINANCIAL ADVICE OR-- 91 00:03:37,250 --> 00:03:38,515 WELL, YOU KNOW WHERE TO FIND ME. 92 00:03:38,617 --> 00:03:43,854 I-I WILL. I MEAN, I DO. 93 00:03:43,956 --> 00:03:46,423 BYE. 94 00:04:13,019 --> 00:04:15,286 HEY. 95 00:04:17,823 --> 00:04:19,623 CAN YOU BELIEVE THAT IN ONE HOUR, 96 00:04:19,725 --> 00:04:21,825 HELENA HARRIS AND ROBERTO MOLINEZ 97 00:04:21,928 --> 00:04:23,693 WILL BE IN THE BACK OF MY LIMO? HUH? 98 00:04:23,796 --> 00:04:24,861 - YEAH. - HOW SURREAL IS THAT? 99 00:04:24,964 --> 00:04:26,596 HEY, I WANT YOU TO PAY CLOSE ATTENTION. 100 00:04:26,698 --> 00:04:28,498 I WANT A DETAILED REPORT. 101 00:04:28,600 --> 00:04:30,267 WELL, SPEAKING OF AMAZING WOMEN, 102 00:04:30,369 --> 00:04:32,403 HOW'S THE FETCHING JUSTINE? 103 00:04:32,504 --> 00:04:34,204 UH, CURRENTLY FETCHING LUNCH. 104 00:04:34,307 --> 00:04:36,006 OH, COME ON. DOES SHE EVER ASK ABOUT ME? 105 00:04:36,108 --> 00:04:37,607 PHIL, FOR THE 100TH TIME, 106 00:04:37,709 --> 00:04:39,843 IF YOU'RE GONNA ASK OUT MY SISTER, ASK HER OUT. 107 00:04:39,946 --> 00:04:41,078 I KNOW, IT'S JUST SOMETIMES 108 00:04:41,180 --> 00:04:42,012 SHE LOOKS AT ME A LITTLE FUNNY. 109 00:04:42,114 --> 00:04:43,814 - THEN TAKE A HINT. - NOT ME. 110 00:04:43,916 --> 00:04:45,082 ALL RIGHT, I GOTTA GET TO THE AIRPORT. 111 00:04:45,184 --> 00:04:47,551 THE STARS AND THE BIGWIGS ARE STAYING OVER AT THE INN. 112 00:04:47,653 --> 00:04:48,819 COME ON BY WHEN WE GET BACK. 113 00:04:48,921 --> 00:04:50,387 I'LL INTRODUCE YOU. - REALLY? 114 00:04:50,489 --> 00:04:51,555 - ALL RIGHT. - ALL RIGHT. 115 00:04:51,657 --> 00:04:52,489 - SEE YOU OUT THERE. - YEAH. 116 00:04:52,591 --> 00:04:54,791 ALL RIGHT. 117 00:05:04,236 --> 00:05:05,502 SORRY, IT WAS-- IT WAS PHIL, RIGHT? 118 00:05:05,604 --> 00:05:07,771 UH, WHERE EXACTLY ARE WE GOING AGAIN? 119 00:05:07,873 --> 00:05:09,206 STONE'S THROW, MA'AM, 120 00:05:09,308 --> 00:05:11,342 AS IN A STONE'S THROW FROM PARADISE. 121 00:05:11,444 --> 00:05:14,611 SOUNDS LOVELY. 122 00:05:18,117 --> 00:05:19,749 MAN, IT'S TOO BAD WE NEVER HAVE ANY TIME 123 00:05:19,852 --> 00:05:21,285 TO ACTUALLY ENJOY THESE PLACES. 124 00:05:21,387 --> 00:05:23,454 WHAT'S NOT TO ENJOY? 125 00:05:23,555 --> 00:05:24,989 THIS IS A GREAT PART FOR YOU. 126 00:05:25,091 --> 00:05:26,723 I MEAN, YOU'LL PROBABLY EVEN GET NOMINATED AGAIN. 127 00:05:26,825 --> 00:05:28,359 YOU'RE GETTING TOP DOLLAR. 128 00:05:28,461 --> 00:05:30,127 YOU'RE MORE FAMOUS NOW THAN I'VE EVER BEEN. 129 00:05:30,229 --> 00:05:31,061 WHAT MORE DO YOU WANT? 130 00:05:31,163 --> 00:05:33,530 TWO WEEKS IN A ROW AT HOME. 131 00:05:33,632 --> 00:05:36,200 A WHITE PICKET FENCE. 132 00:05:36,302 --> 00:05:38,402 A KID. 133 00:05:38,504 --> 00:05:40,204 YEAH. GOOD LUCK WITH THAT. 134 00:05:40,306 --> 00:05:43,073 - THANK YOU, ROBERTO. - FOR WHAT? 135 00:05:43,175 --> 00:05:47,844 REMINDING ME AGAIN WHY I BROKE UP WITH YOU. 136 00:05:49,948 --> 00:05:51,882 WE ARE HERE AT THE STONE'S THROW INN 137 00:05:51,984 --> 00:05:53,750 WATCHING THE ARRIVAL OF HELENA HARRIS 138 00:05:53,852 --> 00:05:55,119 AND ROBERTO MOLINEZ, 139 00:05:55,221 --> 00:05:58,055 AS WELL AS KEY MEMBERS OF THEIR PRODUCTION STAFF. 140 00:05:58,157 --> 00:05:59,589 NOW, I ALSO SEE DOYLE DUNCAN HERE. 141 00:05:59,691 --> 00:06:01,858 AND HOPEFULLY HE'S GOING TO CHAT WITH US 142 00:06:01,960 --> 00:06:02,926 A LITTLE BIT LATER. 143 00:06:03,029 --> 00:06:05,862 NOW, PLAY NICE. 144 00:06:05,964 --> 00:06:07,031 HERE ARE YOUR KEYS. 145 00:06:07,133 --> 00:06:08,532 - THANK YOU. - HAVE A NICE DAY. 146 00:06:08,634 --> 00:06:10,700 LAST CHANCE FOR CONNECTING ROOMS. 147 00:06:10,802 --> 00:06:12,336 THESE ROOMS ARE ON OPPOSITE SIDES 148 00:06:12,438 --> 00:06:14,104 OF THE HOTEL, RIGHT? - YES. 149 00:06:14,206 --> 00:06:16,373 - GOOD. - LISTEN. 150 00:06:16,475 --> 00:06:19,009 YOU MAY THINK THAT YOU WANT A NORMAL LIFE, 151 00:06:19,111 --> 00:06:20,810 BUT YOU WILL DIE OF BOREDOM. 152 00:06:20,913 --> 00:06:23,380 WORK ON YOUR DIALOGUE TONIGHT. 153 00:06:23,482 --> 00:06:25,249 I HATE IT WHEN YOU MAKE THINGS UP. 154 00:06:27,253 --> 00:06:28,052 YO, CLARK. 155 00:06:28,154 --> 00:06:29,286 YOU MADE IT. - HEY, YEAH. 156 00:06:29,388 --> 00:06:30,921 HEY, YOU WANT TO GIVE US A HAND WITH THE LUGGAGE? 157 00:06:31,023 --> 00:06:33,957 YEAH. YEAH, YEAH. 158 00:06:35,461 --> 00:06:38,628 - COME IN. - HI. 159 00:06:38,730 --> 00:06:40,531 OH, UM, JUST SET THOSE ON THE BED, 160 00:06:40,632 --> 00:06:42,132 AND RIGHT HERE WILL BE FINE. 161 00:06:42,234 --> 00:06:44,068 OKAY. 162 00:06:44,170 --> 00:06:46,803 SO, GOOD FLIGHT IN? 163 00:06:46,905 --> 00:06:48,672 OH, IT WAS AWFUL. STUDIO CHEAPED OUT. 164 00:06:48,774 --> 00:06:49,540 MADE US FLY COMMERCIAL. 165 00:06:49,641 --> 00:06:51,241 - BUMMER. - HERE YOU GO. 166 00:06:51,343 --> 00:06:52,909 IS THERE ANYTHING ELSE YOU NEED? 167 00:06:53,011 --> 00:06:54,178 NO, NO, NO. WE'RE GREAT. 168 00:06:54,280 --> 00:06:55,612 OH, NO. I CAN'T TAKE THAT. 169 00:06:55,714 --> 00:06:57,381 I DON'T WORK HERE. I WAS JUST HELPING OUT. 170 00:06:57,483 --> 00:06:58,449 >> YOU KNOW WHAT? WHY DON'T YOU GO AHEAD AND TAKE IT 171 00:06:58,551 --> 00:06:59,749 BECAUSE I'LL GET IN TROUBLE IF YOU DON'T. 172 00:06:59,851 --> 00:07:01,017 YOU KNOW WHAT? I WILL TAKE THE MONEY 173 00:07:01,120 --> 00:07:03,720 BECAUSE, HEY, NEVER TURN DOWN MONEY. 174 00:07:05,224 --> 00:07:07,257 SORRY. HI, I'M HELENA HARRIS. 175 00:07:07,359 --> 00:07:09,659 CLARK. CLARK GABLE. 176 00:07:09,761 --> 00:07:11,562 THAT'S CUTE. 177 00:07:11,663 --> 00:07:13,430 - OH, YOU'RE SERIOUS? - UH-HUH. 178 00:07:13,532 --> 00:07:14,565 GOOD NAME. DIDN'T EXPECT THAT. 179 00:07:14,666 --> 00:07:16,800 IT'S AMAZING TO MEET YOU. 180 00:07:16,902 --> 00:07:17,801 I SHOULD GO. 181 00:07:17,903 --> 00:07:19,603 - MONEY? - NO, THANK YOU. 182 00:07:19,705 --> 00:07:20,670 MORE FOR ME. 183 00:07:20,772 --> 00:07:23,673 - NICE TO MEET YOU. - YOU TOO, CLARK GABLE. 184 00:07:23,775 --> 00:07:26,143 MM, THEY GROW 'EM CUTE AROUND HERE. 185 00:07:26,245 --> 00:07:28,412 AMEN TO THAT. 186 00:07:30,749 --> 00:07:34,218 I JUST MET HELENA HARRIS. 187 00:07:37,990 --> 00:07:41,158 THANK YOU. 188 00:07:43,996 --> 00:07:45,229 WHAT DID YOU MEAN BEFORE? 189 00:07:45,331 --> 00:07:47,331 YOU HATE WHEN I MAKE THINGS UP? 190 00:07:47,433 --> 00:07:48,665 I KNOW THIS IS UNFAMILIAR TO YOU, 191 00:07:48,767 --> 00:07:50,534 BUT I'M WORKING ON THE SCRIPT. 192 00:07:50,636 --> 00:07:51,901 WHAT DID YOU MEAN? 193 00:07:52,004 --> 00:07:53,604 YOU KNOW, YOU'RE NOT GOOD WITH YOUR DIALOGUE. 194 00:07:53,705 --> 00:07:54,671 YOU IMPROVISE TOO MUCH. 195 00:07:54,773 --> 00:07:55,905 YOU MAKE IT HARDER ON EVERYONE ELSE. 196 00:07:56,008 --> 00:07:58,108 - THAT'S ALL? - LOOK, GO AWAY. 197 00:07:58,210 --> 00:08:00,277 ENJOY YOUR FREEDOM. SEE OTHER WOMEN. 198 00:08:00,379 --> 00:08:02,479 JUST LEAVE ME ALONE, OKAY? 199 00:08:02,581 --> 00:08:04,181 YOU DON'T MEAN THAT. 200 00:08:04,283 --> 00:08:06,883 I'M A GOOD ACTRESS, BUT I'M NOT THAT GOOD. 201 00:08:06,985 --> 00:08:10,086 YOU CAN SAY THAT AGAIN. 202 00:08:21,634 --> 00:08:23,099 FINANCIAL PLANNING, THIS IS EMILY. 203 00:08:23,202 --> 00:08:25,202 - EMILY, HEY, IT'S CLARK. - CLARK. 204 00:08:25,304 --> 00:08:26,637 YEAH, HEY, I WAS WONDERING 205 00:08:26,738 --> 00:08:28,572 IF I COULD GET SOME ADVICE ON MY LEASE RENEWAL. 206 00:08:28,674 --> 00:08:32,309 DINNER ON ME? - YES. 207 00:08:33,779 --> 00:08:34,744 I MEAN, IT DEPENDS ON YOUR RATE OF GROWTH. 208 00:08:34,846 --> 00:08:36,246 DO YOU THINK THE STORE WILL BE DOING BETTER 209 00:08:36,348 --> 00:08:37,914 IN FIVE YEARS THAN IT IS TODAY? 210 00:08:38,016 --> 00:08:40,884 IN REALITY, IT'S ONLY STILL OPEN 211 00:08:40,986 --> 00:08:42,986 'CAUSE I ADDED THE COFFEE BAR. 212 00:08:43,088 --> 00:08:45,889 WELL, YOU REINVENTED ONCE. YOU CAN DO IT AGAIN. 213 00:08:45,991 --> 00:08:48,392 YEAH, BUT DO I SEE MYSELF 214 00:08:48,494 --> 00:08:49,993 RUNNING THE PLACE IN FIVE YEARS? 215 00:08:50,095 --> 00:08:52,663 I DON'T KNOW. DO YOU? 216 00:08:52,764 --> 00:08:54,398 I MET HELENA HARRIS TODAY. 217 00:08:54,500 --> 00:08:55,365 - REALLY? - YEAH. 218 00:08:55,467 --> 00:08:58,835 WOW. HOW DID SHE LOOK? 219 00:08:58,937 --> 00:09:01,137 PRETTY GREAT, ACTUALLY. 220 00:09:01,240 --> 00:09:03,407 HEY, REMEMBER THE MOVIE WE SAW OF HERS ON OUR FIRST DATE? 221 00:09:03,509 --> 00:09:05,375 HEARTBREAK HIGH SCHOOL. 222 00:09:05,477 --> 00:09:06,776 BEAUTIFUL CHEERLEADER FALLS FOR 223 00:09:06,878 --> 00:09:07,777 A HANDSOME CLASS PRESIDENT... 224 00:09:07,879 --> 00:09:09,213 UNAWARE THAT HE'S A VAMPIRE. 225 00:09:11,450 --> 00:09:13,817 THAT WAS A FUN NIGHT. 226 00:09:18,090 --> 00:09:20,691 LISTEN, YOU DON'T HAVE TO SIGN THIS 227 00:09:20,792 --> 00:09:21,858 FOR ANOTHER MONTH, SO IN THE MEANTIME 228 00:09:21,960 --> 00:09:23,927 I COULD RUN SOME ACTUAL NUMBERS, 229 00:09:24,029 --> 00:09:27,130 HELP YOU MAKE AN INFORMED DECISION. 230 00:09:27,233 --> 00:09:30,334 IT'S REALLY GOOD TO HAVE YOU BACK IN TOWN, EMILY. 231 00:09:30,436 --> 00:09:32,969 IT'S NICE TO BE BACK. 232 00:09:39,745 --> 00:09:40,977 HEY. WHERE YOU HEADED? 233 00:09:41,079 --> 00:09:42,946 PICKING UP HELENA. TAKING HER TO SET. 234 00:09:43,048 --> 00:09:44,448 - LUCKY YOU. - I'M THINKING YOU 235 00:09:44,550 --> 00:09:45,782 SHOULD COME ON BY. - COME BY WHERE? 236 00:09:45,884 --> 00:09:48,318 THE SET. I GOT A LITTLE JUICE. 237 00:09:48,420 --> 00:09:49,819 I'LL LEAVE YOUR NAME UP FRONT. 238 00:09:59,698 --> 00:10:00,731 ALL RIGHT, COME ON, PEOPLE. 239 00:10:00,832 --> 00:10:02,866 LET'S MOVE THIS ALONG, SHALL WE? 240 00:10:02,968 --> 00:10:04,501 WE'RE NOT MAKING BEN-HUR. 241 00:10:04,603 --> 00:10:05,669 OKAY, HELENA. CAN WE HAVE YOU ON SET, PLEASE? 242 00:10:05,771 --> 00:10:06,670 WE'RE READY TO GO. 243 00:10:06,772 --> 00:10:10,073 - AFTER YOU. - YES. 244 00:10:17,750 --> 00:10:19,316 YOU LOOK A LITTLE SHINY. 245 00:10:19,418 --> 00:10:21,418 LET ME TAKE CARE OF THAT. - EXCUSE ME? 246 00:10:21,520 --> 00:10:23,720 YOU LOOK FAMILIAR. 247 00:10:23,822 --> 00:10:25,021 OH, I DON'T KNOW-- 248 00:10:25,123 --> 00:10:26,222 ALL RIGHT, MY GOOD MAN. 249 00:10:26,325 --> 00:10:27,424 SO, YOU KNOW WHAT TO DO, HMM? 250 00:10:27,526 --> 00:10:29,859 YOU JUST WALK IN, HAND THE PARCEL TO HELENA, 251 00:10:29,961 --> 00:10:31,227 THEN SCRAM. JUST GET OUT OF THE WAY. 252 00:10:31,330 --> 00:10:32,663 WELL, LOOK, I DON'T THINK THIS IS-- 253 00:10:32,765 --> 00:10:34,864 OH, RIGHT. FIRST-TIME JITTERS. 254 00:10:34,966 --> 00:10:36,366 DON'T YOU WORRY ABOUT A THING. 255 00:10:36,468 --> 00:10:38,868 EVEN OUR MOST ESTEEMED STARS STARTED THIS WAY. 256 00:10:38,970 --> 00:10:41,538 LISTEN, JUST BE GRATEFUL YOU DON'T HAVE ANY DIALOGUE, HUH? 257 00:10:41,640 --> 00:10:43,039 HERE. 258 00:10:43,141 --> 00:10:45,842 LOCAL HIRES. 259 00:10:45,944 --> 00:10:47,577 ALL RIGHTY THEN. LET'S DO THIS. 260 00:10:47,680 --> 00:10:50,280 JACK, IF YOU WOULD BE SO KIND. - OF COURSE. 261 00:10:50,382 --> 00:10:51,415 LOCK IT UP OUTSIDE. 262 00:10:51,517 --> 00:10:53,750 QUIET ON SET, PLEASE. - HOLD WORK. 263 00:10:53,852 --> 00:10:55,552 - ROLL SOUND. - ROLLING. 264 00:10:55,654 --> 00:10:59,423 SCENE 23, TAKE 1. MARK. 265 00:10:59,525 --> 00:11:03,393 AND ACTION. 266 00:11:03,495 --> 00:11:07,130 I SAID ACTION! 267 00:11:07,833 --> 00:11:10,600 THAT MEANS YOU, PAL. 268 00:11:11,337 --> 00:11:13,102 THANK YOU FOR EVERYTHING. 269 00:11:13,205 --> 00:11:16,506 I WON'T FORGET IT. 270 00:11:19,911 --> 00:11:22,479 CUT, PRINT, PERFECT. THANK YOU VERY MUCH, EVERYONE. 271 00:11:22,581 --> 00:11:23,814 MOVING ON. - HEY, WAIT, WAIT. 272 00:11:23,915 --> 00:11:25,281 AREN'T YOU THE BELLMAN FROM THE HOTEL? 273 00:11:25,384 --> 00:11:26,817 WHAT IS IT? UH, KIRK DOUGLAS. 274 00:11:26,918 --> 00:11:28,852 CLARK GABLE. 275 00:11:28,954 --> 00:11:30,119 AND I'M NOT A BELLMAN. 276 00:11:30,222 --> 00:11:32,255 OH. SO YOU'RE AN ACTOR? 277 00:11:32,358 --> 00:11:35,592 UH, NO. ACTUALLY, I-I RUN THE TOWN VIDEO STORE. 278 00:11:35,694 --> 00:11:37,093 SORRY I'M LATE. 279 00:11:37,195 --> 00:11:38,928 I'M HERE TO PLAY THE DELIVERY GUY. 280 00:11:44,269 --> 00:11:45,869 I DON'T KNOW WHY YOU DON'T LOOK HAPPIER. 281 00:11:45,971 --> 00:11:47,070 YOU JUST KISSED 282 00:11:47,172 --> 00:11:48,638 ONE OF THE WORLD'S BIGGEST, HOTTEST MOVIES STARS. 283 00:11:48,741 --> 00:11:50,374 I AM HAPPY. IT'S-- 284 00:11:50,476 --> 00:11:52,275 I MEAN, YOU KNOW, IT WAS AMAZING, 285 00:11:52,378 --> 00:11:56,079 BUT IT DOESN'T MEAN ANYTHING. - IT CAN IF YOU WANT IT TO. 286 00:11:56,181 --> 00:11:58,382 - WHAT DOES THAT MEAN? - SHE LIKES YOU. 287 00:11:58,484 --> 00:12:00,216 OR, AT LEAST, SHE DOESN'T NOT LIKE YOU, 288 00:12:00,318 --> 00:12:02,118 SO TAKE ADVANTAGE. SHOW HER YOUR SCRIPT. 289 00:12:02,220 --> 00:12:03,420 I'LL THINK ABOUT IT. 290 00:12:03,522 --> 00:12:05,889 YOU GO, BIG TIME. 291 00:12:05,991 --> 00:12:08,592 WOW. 292 00:12:08,694 --> 00:12:11,361 THEN AGAIN, NO TIME LIKE THE PRESENT. 293 00:12:15,233 --> 00:12:17,267 HOLY COW, WHAT'S SHE DOING HERE? 294 00:12:17,369 --> 00:12:19,569 LOOKING FOR A MOVIE. OR FOR YOU. 295 00:12:19,671 --> 00:12:21,471 HEY, PHIL. CARY GRANT! 296 00:12:21,573 --> 00:12:23,172 CLARK GABLE. 297 00:12:23,275 --> 00:12:24,508 AH, I WAS CLOSE. 298 00:12:24,610 --> 00:12:26,309 YOU REALLY DO LOOK LIKE A CARY, THOUGH. 299 00:12:26,412 --> 00:12:29,646 I'M NOT DEAD, AM I? 300 00:12:29,748 --> 00:12:32,115 NO, NO, UH... CONSIDER IT A TRIBUTE. 301 00:12:32,217 --> 00:12:35,519 RIGHT, WELL, THEN I'M HONORED. 302 00:12:35,621 --> 00:12:37,253 PARTY HARDY? REALLY? 303 00:12:37,355 --> 00:12:39,188 GOD, I SHOULD BUY UP EVERY COPY OF THIS 304 00:12:39,291 --> 00:12:40,857 AND HAVE, LIKE, A GIANT BONFIRE. 305 00:12:40,959 --> 00:12:42,292 THAT WAS YOUR FIRST FILM. 306 00:12:42,394 --> 00:12:43,493 WELL, ACTUALLY, YOUR SECOND, 307 00:12:43,595 --> 00:12:45,495 IF YOU COUNT THE AIRPORT SCENE IN LOOK SMART. 308 00:12:45,597 --> 00:12:48,131 WELL, YOU'RE A FAN. I'M IMPRESSED. 309 00:12:49,635 --> 00:12:51,334 SO, LISTEN, CLARK, 310 00:12:51,437 --> 00:12:52,903 WE'RE HAVING A LITTLE GET-TOGETHER AT THE INN TONIGHT. 311 00:12:53,004 --> 00:12:54,604 IT'S KIND OF A CAST AND CREW THING, 312 00:12:54,706 --> 00:12:57,273 BUT SINCE YOU'RE NOW OFFICIALLY PART OF THE CAST, 313 00:12:57,375 --> 00:12:58,575 I THOUGHT YOU MIGHT WANT TO COME. 314 00:12:58,677 --> 00:13:00,043 SAY NINE-ISH? 315 00:13:00,145 --> 00:13:03,279 NINE-ISH? UH, THAT'D BE FINE-ISH. 316 00:13:03,381 --> 00:13:05,148 PHIL? 317 00:13:05,250 --> 00:13:06,249 WORKING. 318 00:13:06,351 --> 00:13:08,151 NEXT TIME. 319 00:13:08,253 --> 00:13:12,656 ALL RIGHT, THEN, I WILL SEE YOU AT NINE... ISH. 320 00:13:16,027 --> 00:13:17,961 I'M GOING TO THE CAST AND CREW THING. 321 00:13:18,063 --> 00:13:21,498 DUDE! THE DOOR TO HOLLYWOOD IS NOW OPEN. 322 00:13:22,468 --> 00:13:24,901 OH, MAN, WHAT A DAY. 323 00:13:27,773 --> 00:13:28,772 ♪ 324 00:13:28,874 --> 00:13:30,607 HEY. ENJOYING YOURSELF? 325 00:13:30,709 --> 00:13:32,041 HEY, CUTIE. 326 00:13:32,143 --> 00:13:34,611 THIS PLACE IS PRETTY CUTE, ACTUALLY. 327 00:13:34,713 --> 00:13:35,979 WHAT DO YOU THINK? - YEAH, I LIKE IT. 328 00:13:36,081 --> 00:13:37,313 FOR THE WOODS. 329 00:13:37,415 --> 00:13:40,149 OH, IF IT ISN'T HUMPHREY BOGART. 330 00:13:40,251 --> 00:13:41,818 WELCOME TO OUR LITTLE SOIREE. 331 00:13:41,920 --> 00:13:43,119 CLARK GABLE. 332 00:13:43,221 --> 00:13:44,187 OH, I'M SO SORRY. 333 00:13:44,289 --> 00:13:45,689 NO, I'M HAPPY TO BE HERE. 334 00:13:45,791 --> 00:13:47,724 JOIN ME IN A COCKTAIL, WHY DON'T YOU, HMM? 335 00:13:47,826 --> 00:13:48,725 THANK YOU. 336 00:13:48,827 --> 00:13:50,259 LISTEN, YOU WERE AWFULLY GOOD 337 00:13:50,362 --> 00:13:51,461 IN THAT SCENE TODAY. 338 00:13:51,563 --> 00:13:53,262 LOOK, I KNOW I SHOULD'VE SAID SOMETHING FIRST, 339 00:13:53,365 --> 00:13:55,264 BUT EVERYTHING HAPPENED SO FAST. 340 00:13:55,367 --> 00:13:57,667 OH, NONSENSE. HAPPY ACCIDENT. 341 00:13:57,769 --> 00:14:00,103 CLARK GABLE, MY FAVORITE ACTOR. 342 00:14:00,205 --> 00:14:02,138 HELENA. HI. 343 00:14:02,240 --> 00:14:03,773 WELL, I BETTER GO MINGLE WITH THE CREW 344 00:14:03,876 --> 00:14:05,375 OR THEY'LL THINK I'M A SNOB. 345 00:14:05,477 --> 00:14:07,611 - THEY KNOW YOU'RE A SNOB. - YEAH, HAVE FUN. 346 00:14:07,713 --> 00:14:09,880 I'M SO GLAD YOU CAME. 347 00:14:09,982 --> 00:14:11,948 THESE THINGS CAN BE INCREDIBLY DULL. 348 00:14:12,050 --> 00:14:13,216 - REALLY? - HMM. 349 00:14:13,318 --> 00:14:14,718 'CAUSE FOR STONE'S THROW, 350 00:14:14,820 --> 00:14:15,619 THIS IS LIKE NEW YEAR'S EVE. 351 00:14:15,721 --> 00:14:18,321 THAT'S SO FUNNY. 352 00:14:18,423 --> 00:14:20,356 OH, MY GOD. I LOVE A GUY WITH A SENSE OF HUMOR. 353 00:14:20,458 --> 00:14:22,358 SO, TELL ME, YOU ATTACHED? YOU SINGLE? 354 00:14:22,460 --> 00:14:24,360 WHAT ARE YOU? - UH, THAT'D BE SINGLE. 355 00:14:24,462 --> 00:14:26,696 HMM. 356 00:14:28,934 --> 00:14:31,768 WELL, SOMEONE'S MISSING OUT. 357 00:14:31,870 --> 00:14:34,004 I HAVE AN IDEA, LET'S DANCE. - DANCE? 358 00:14:34,105 --> 00:14:35,572 - MM-HMM. - NO. I'M NOT-- 359 00:14:35,674 --> 00:14:37,507 HAND ME YOUR DRINK. I'M JUST GONNA SET IT OVER HERE. 360 00:14:37,609 --> 00:14:38,474 I DON'T KNOW. 361 00:14:38,577 --> 00:14:39,509 THANKS, GUYS. GIVE ME YOUR HAND. 362 00:14:39,611 --> 00:14:40,476 I DON'T THINK THIS IS A GOOD IDEA. 363 00:14:40,579 --> 00:14:41,545 NO, YOU CAN DO IT. TRUST ME. 364 00:14:41,647 --> 00:14:42,979 YOU'RE GONNA BE FINE. MM-HMM. - OKAY. 365 00:14:43,081 --> 00:14:44,848 I'M TRUSTING YOU ON THIS. - JUST FOLLOW ME. 366 00:14:44,950 --> 00:14:46,315 YOU CAN PRETEND. - OKAY, OKAY. 367 00:14:46,418 --> 00:14:47,851 - HAND UP. - I GOT THIS PART. 368 00:14:47,953 --> 00:14:49,118 IT'S NOT TOO BAD, RIGHT? 369 00:14:49,220 --> 00:14:51,487 - IT'S, UH... IT'S, UH... - OKAY. 370 00:14:51,590 --> 00:14:53,156 DRY MARTINI. 371 00:14:56,227 --> 00:15:02,065 ♪ 372 00:15:02,167 --> 00:15:04,400 OKAY. SHOW'S OVER. 373 00:15:05,637 --> 00:15:06,870 ROBERTO, GO AWAY. 374 00:15:06,972 --> 00:15:08,705 THIS HAS NOTHING TO DO WITH YOU. - OH, REALLY? 375 00:15:08,807 --> 00:15:12,108 I THINK IT HAS EVERYTHING TO DO WITH ME. 376 00:15:12,210 --> 00:15:15,411 CAN YOU GIVE US A MINUTE, PLEASE? 377 00:15:23,321 --> 00:15:27,490 I THINK YOU SHOULD PROBABLY GO. 378 00:15:27,593 --> 00:15:31,094 CLARK, I'M SORRY. 379 00:16:02,460 --> 00:16:03,693 HEY, CLARK. 380 00:16:03,795 --> 00:16:04,728 HELENA. 381 00:16:04,830 --> 00:16:06,796 CAN YOU CHAT? 382 00:16:08,533 --> 00:16:10,900 CLARK! HEY. 383 00:16:11,003 --> 00:16:13,803 OH, THIS IS MY SISTER, JUSTINE GABLE. 384 00:16:13,905 --> 00:16:15,338 JUSTINE, THIS IS HELENA HARRIS. 385 00:16:15,440 --> 00:16:16,906 I KNOW WHO THIS IS. 386 00:16:17,009 --> 00:16:17,974 HI. 387 00:16:18,076 --> 00:16:20,877 WELCOME TO STONE... THROW. 388 00:16:20,979 --> 00:16:22,278 I HOPE THAT YOU'RE ENJOYING YOUR STAY HERE. 389 00:16:22,380 --> 00:16:26,349 I AM ENJOYING MY STAY HERE. IT IS VERY NICE TO MEET YOU. 390 00:16:26,451 --> 00:16:27,483 WOW, WHAT LOVELY EYES YOU HAVE. 391 00:16:27,585 --> 00:16:29,953 THEY'RE SUCH A GORGEOUS SHADE OF BLUE. 392 00:16:30,055 --> 00:16:32,055 THANK YOU, MS. HARRIS. 393 00:16:32,157 --> 00:16:33,523 PLEASE, CALL ME HELENA. 394 00:16:33,625 --> 00:16:34,958 HELENA. 395 00:16:35,060 --> 00:16:36,559 OH, UM, CAN I GET YOU SOMETHING? 396 00:16:36,662 --> 00:16:38,427 LIKE, A CAPPUCCINO OR A LATTE? 397 00:16:38,530 --> 00:16:40,196 OH, OR A CHAI TEA? 398 00:16:40,298 --> 00:16:41,698 NO, NO, NO. I AM TOTALLY FINE. 399 00:16:41,800 --> 00:16:43,667 THANK YOU. I JUST NEED TO BORROW CLARK. 400 00:16:43,769 --> 00:16:45,735 YEAH. NO, ABSOLUTELY. 401 00:16:45,837 --> 00:16:47,671 HE'S ALL YOURS. 402 00:16:47,773 --> 00:16:50,406 GREAT. 403 00:16:50,508 --> 00:16:53,043 - GO-- YEAH. - JUST-- 404 00:16:53,145 --> 00:16:56,146 HELLO. 405 00:16:58,550 --> 00:17:00,483 SHE'S ADORABLE. 406 00:17:00,585 --> 00:17:04,287 UM, I JUST WANTED TO APOLOGIZE FOR LAST NIGHT. 407 00:17:04,389 --> 00:17:06,589 ROBERTO CAN BE SUCH A JERK SOMETIMES, 408 00:17:06,692 --> 00:17:10,093 AND AS I'M SURE YOU KNOW, WE HAVE A LOT OF HISTORY. 409 00:17:10,195 --> 00:17:11,227 SO, SORRY. 410 00:17:11,329 --> 00:17:13,830 NO, IT'S OKAY. I GUESS HE GOT THE WRONG IDEA. 411 00:17:13,932 --> 00:17:15,832 NO, IT'S NOT OKAY. IT WAS EMBARRASSING. 412 00:17:15,934 --> 00:17:17,300 AND I WANT TO MAKE IT UP TO YOU. 413 00:17:17,402 --> 00:17:18,234 NO, REALLY, HELENA. 414 00:17:18,336 --> 00:17:19,769 YOU DON'T HAVE TO DO ANYTHING FOR ME. 415 00:17:19,871 --> 00:17:23,740 YEAH, I DO. SO THINK OF SOMETHING GOOD. 416 00:17:23,842 --> 00:17:26,609 CLARK, THERE'S ONE THING I'VE LEARNED IN THIS LIFE. 417 00:17:26,712 --> 00:17:28,745 IF YOU DON'T ASK, YOU DON'T GET. 418 00:17:28,847 --> 00:17:30,814 SO ASK. - I WROTE A SCREENPLAY. 419 00:17:30,916 --> 00:17:33,116 - HMM. - WOULD YOU READ IT? 420 00:17:33,218 --> 00:17:34,951 A SCREENPLAY, HUH? 421 00:17:35,053 --> 00:17:36,252 ANYTHING IN IT FOR ME? 422 00:17:36,354 --> 00:17:37,653 YEAH, THE LEAD. 423 00:17:37,756 --> 00:17:38,722 WELL, I LIKE IT ALREADY. 424 00:17:38,824 --> 00:17:40,223 WHY DON'T YOU BRING IT BY THE SET, 425 00:17:40,325 --> 00:17:41,691 AND I'LL READ IT AS SOON AS I CAN. 426 00:17:41,793 --> 00:17:44,194 OKAY. BUT WHAT ABOUT ROBERTO? 427 00:17:44,295 --> 00:17:45,328 HE PROBABLY WON'T READ IT. 428 00:17:45,430 --> 00:17:46,495 NO. 429 00:17:46,598 --> 00:17:47,964 NO, I MEAN, I DON'T WANT TO CAUSE ANY TROUBLE. 430 00:17:48,066 --> 00:17:50,967 HE'S MOSTLY BARK, ONLY A TINY BIT OF BITE, OKAY? 431 00:17:51,069 --> 00:17:53,837 OKAY. 432 00:17:59,810 --> 00:18:03,178 CUT! OH... 433 00:18:03,280 --> 00:18:06,715 DARLINGS, DARLINGS, DARLINGS, YOU'RE KILLING ME. 434 00:18:06,817 --> 00:18:09,417 YOU'RE SUPPOSED TO BE ENJOYING THIS. 435 00:18:09,519 --> 00:18:11,987 PLEASE HELP ME OUT. LET'S TRY AGAIN, HMM? 436 00:18:12,089 --> 00:18:14,857 - HMM. - PLEASE? 437 00:18:14,959 --> 00:18:16,258 CAN YOU KEEP YOUR HANDS TO YOURSELF? 438 00:18:16,360 --> 00:18:18,693 CAN YOU KEEP YOUR HANDS OFF OF JOHN WAYNE, 439 00:18:18,796 --> 00:18:19,762 OR WHATEVER HE'S CALLED? 440 00:18:19,864 --> 00:18:20,896 YOU KNOW WHAT? I LIKE CLARK. 441 00:18:20,998 --> 00:18:22,564 UNLIKE SOME PEOPLE, HE'S SANE. 442 00:18:22,666 --> 00:18:24,933 OH, YEAH? I WAS SANE TOO, UNTIL I MET YOU. 443 00:18:25,035 --> 00:18:26,068 THAT'S DEBATABLE! 444 00:18:26,170 --> 00:18:27,202 ALL RIGHT, ALL RIGHT, ALL RIGHT. 445 00:18:27,304 --> 00:18:28,203 - ASK ANYBODY. - KIDS, KIDS, KIDS, KIDS! 446 00:18:28,305 --> 00:18:30,773 KIDS, COME ALONG NOW. PLAY NICE. 447 00:18:30,875 --> 00:18:33,776 WE'VE GOT A LONG SHOOT AHEAD OF US, HMM? 448 00:18:33,878 --> 00:18:37,246 OH, GREAT. NOW HERE COMES DELIVERY BOY. 449 00:18:37,347 --> 00:18:39,614 CLARK, WHAT A WONDERFUL SURPRISE. 450 00:18:39,716 --> 00:18:40,949 THESE ARE-- THESE ARE FOR YOU. 451 00:18:41,051 --> 00:18:43,886 OH, IRISES, MY FAVORITE. HOW DID YOU KNOW? 452 00:18:43,988 --> 00:18:46,388 WELL, JUST-- YOU KNOW, JUST SEEMED LIKE-- 453 00:18:46,490 --> 00:18:49,391 NO, IT'S THE INTERNET. 454 00:18:49,493 --> 00:18:51,293 UM, AND HERE'S MY SCRIPT. 455 00:18:51,395 --> 00:18:53,162 UH, HOPE IT'S UP TO YOUR STANDARDS. 456 00:18:53,264 --> 00:18:54,696 I CANNOT WAIT TO READ IT. 457 00:18:54,799 --> 00:18:56,965 A SCRIPT. REALLY? 458 00:18:57,067 --> 00:19:00,635 I DON'T THINK YOU TWO HAVE OFFICIALLY MET. 459 00:19:00,737 --> 00:19:02,570 ROBERTO MOLINEZ, THIS IS CLARK GABLE. 460 00:19:02,673 --> 00:19:04,106 CLARK, THIS IS ROBERTO. 461 00:19:04,208 --> 00:19:06,508 YOU GOT GOOD TASTE IN FLOWERS THERE, CLARK GABLE. 462 00:19:06,610 --> 00:19:08,476 - THANKS. - AND IN WOMEN. 463 00:19:08,578 --> 00:19:09,611 OKAY. 464 00:19:09,713 --> 00:19:10,712 YOU KNOW WHAT? YOU'RE DONE HERE. 465 00:19:10,815 --> 00:19:12,747 WHY DON'T YOU SAY GOOD-BYE, ROBERTO? 466 00:19:12,850 --> 00:19:15,017 ALL RIGHT. 467 00:19:15,119 --> 00:19:16,551 FOLKS, LET'S GET BACK TO OUR ONES. 468 00:19:16,653 --> 00:19:17,953 GET READY FOR ANOTHER TAKE. 469 00:19:18,055 --> 00:19:20,588 SO, LISTEN, WHY DON'T YOU COME BY THE INN LATER, 470 00:19:20,691 --> 00:19:21,690 AND WE CAN TALK ABOUT YOUR SCRIPT? 471 00:19:21,792 --> 00:19:23,992 UH, YEAH, SURE. YEAH. 472 00:19:24,094 --> 00:19:25,427 - BYE. - BYE. 473 00:19:25,529 --> 00:19:28,263 JACK. THANK YOU. 474 00:19:28,365 --> 00:19:31,566 YOU READY? 475 00:19:32,236 --> 00:19:34,803 THANKS. - MM-HMM. 476 00:19:36,207 --> 00:19:37,272 I'M LEANNA ANGELO 477 00:19:37,374 --> 00:19:39,674 WITH SOME HOMEGROWN ENTERTAINMENT NEWS. 478 00:19:39,776 --> 00:19:40,709 OH, HONEY, CLARK. 479 00:19:40,811 --> 00:19:42,344 TURN THIS UP. TURN THIS UP. 480 00:19:42,446 --> 00:19:44,179 ON THE SET OF THIS MAGIC MOMENT, 481 00:19:44,281 --> 00:19:47,382 THE NEW FILM NOW SHOOTING IN NEARBY STONE'S THROW. 482 00:19:47,484 --> 00:19:50,585 IT SEEMS THAT ACTOR ROBERTO MOLINEZ IS DISTURBED 483 00:19:50,687 --> 00:19:53,388 OVER COSTAR AND EX-SQUEEZE HELENA HARRIS'S 484 00:19:53,490 --> 00:19:56,325 ALLEGED FLIRTATIONS WITH A LOCAL MERCHANT NAMED-- 485 00:19:56,426 --> 00:19:58,693 ARE YOU READY?-- CLARK GABLE. 486 00:19:58,795 --> 00:20:00,229 WHAT? 487 00:20:00,331 --> 00:20:01,796 HELENA AND CLARK HAVE BEEN SEEN 488 00:20:01,899 --> 00:20:04,867 ACTING EXTREMELY COZY TOWARD ONE ANOTHER. 489 00:20:04,969 --> 00:20:07,769 ONE SOURCE SAYS THEY MAY EVEN BE IN LOVE. 490 00:20:07,872 --> 00:20:09,571 NEEDLESS TO SAY, THIS MUST BE 491 00:20:09,673 --> 00:20:11,306 PRETTY TOUGH FOR MOLINEZ, 492 00:20:11,408 --> 00:20:13,942 WHO WAS VOTED HOLLYWOOD'S SEXIEST MAN OF THE YEAR 493 00:20:14,044 --> 00:20:15,911 15 YEARS AGO. - 13, BOZO. 494 00:20:16,013 --> 00:20:17,179 WE'LL KEEP YOU POSTED AS MORE DEVELOPS. 495 00:20:17,281 --> 00:20:20,849 STAY TUNED TO K.O.Y.R. AS WE CONTINUE. 496 00:20:20,951 --> 00:20:23,385 OH, MY GOSH. 497 00:20:23,487 --> 00:20:25,687 HONEY, YOU'RE FAMOUS. 498 00:20:25,789 --> 00:20:26,989 THAT'S NOT TRUE. 499 00:20:27,091 --> 00:20:28,523 IS THAT TRUE? THAT'S NOT TRUE. 500 00:20:28,625 --> 00:20:30,759 NO, HONESTLY, I DON'T KNOW WHAT THAT WAS ABOUT. 501 00:20:30,861 --> 00:20:32,694 I MEAN, HELENA AND I ARE JUST SORT OF FRIENDS. 502 00:20:32,796 --> 00:20:34,196 BECAUSE I THOUGHT I SAW SOME WEIRD SPARK 503 00:20:34,298 --> 00:20:35,430 BETWEEN YOU TWO TODAY, 504 00:20:35,532 --> 00:20:37,032 BUT THEN I'M JUST LIKE, "JUSTINE, YOU'RE HALLUCINATING." 505 00:20:37,134 --> 00:20:39,268 WELL, IT'S NOT AN IMPOSSIBILITY. 506 00:20:39,370 --> 00:20:41,336 I MEAN, YOU KNOW, DON'T KNOCK 507 00:20:41,438 --> 00:20:42,971 THE POWER OF OUT-OF-TOWN ROMANCE. 508 00:20:43,073 --> 00:20:44,839 NO, IT'S ALL RIGHT, HONEY. 509 00:20:44,942 --> 00:20:48,443 YOU WILL TELL US WHENEVER YOU'RE READY. 510 00:20:58,355 --> 00:20:59,321 HELLO? 511 00:20:59,423 --> 00:21:01,156 CLARK. HEY, IT'S EMILY. 512 00:21:01,258 --> 00:21:03,658 - OH, HEY. HOW ARE YOU? - GOOD. 513 00:21:03,760 --> 00:21:05,560 LISTEN, I DID SOME WORK ON YOUR CONTRACT. 514 00:21:05,662 --> 00:21:06,795 I THOUGHT MAYBE WE COULD GET TOGETHER LATER, 515 00:21:06,897 --> 00:21:07,829 TALK ABOUT IT. 516 00:21:07,932 --> 00:21:11,166 OH, YOU KNOW, I'D LOVE TO, BUT... 517 00:21:11,268 --> 00:21:13,302 I KIND OF HAVE THIS MEETING WITH HELENA. 518 00:21:13,404 --> 00:21:15,437 A MEETING? WOW. 519 00:21:15,539 --> 00:21:17,139 SOUNDS IMPORTANT. 520 00:21:17,241 --> 00:21:19,174 OKAY. ANOTHER TIME THEN? 521 00:21:19,276 --> 00:21:21,509 YEAH, DEFINITELY. THANK YOU, EMILY. 522 00:21:21,611 --> 00:21:24,212 BYE. 523 00:21:30,487 --> 00:21:32,887 WAIT, YOU READ IT ALREADY? 524 00:21:32,990 --> 00:21:34,222 THE WHOLE THING? 525 00:21:34,325 --> 00:21:36,591 YEAH. FROM FADE IN TO FADE OUT. 526 00:21:36,693 --> 00:21:37,926 I MEAN, IT NEEDS SOME WORK, 527 00:21:38,028 --> 00:21:39,127 BUT YOU WROTE IT FROM THE HEART, 528 00:21:39,229 --> 00:21:41,629 AND I'M TELLING YOU, FOR A THRILLER, THAT'S RARE. 529 00:21:41,731 --> 00:21:43,098 ARE YOU SERIOUS? 530 00:21:43,200 --> 00:21:44,933 YEAH, I'M SO SERIOUS THAT, IF YOU WANT, 531 00:21:45,035 --> 00:21:46,201 I'M WILLING TO WORK WITH YOU ON IT, 532 00:21:46,303 --> 00:21:47,035 GIVE YOU SOME SPECIFIC NOTES. 533 00:21:47,137 --> 00:21:49,838 THAT'S AMAZING. I'M-- 534 00:21:49,940 --> 00:21:51,106 I DON'T KNOW WHAT TO SAY. 535 00:21:51,208 --> 00:21:52,975 JUST SAY THANK YOU, OKAY? THAT'S-- 536 00:21:53,077 --> 00:21:54,609 HEY, YOU DID ALL THE HEAVY LIFTING. 537 00:21:54,711 --> 00:21:56,979 THANK YOU. 538 00:21:57,081 --> 00:22:01,116 SO IS THIS REALLY YOUR FIRST SCRIPT? 539 00:22:01,218 --> 00:22:03,785 FIRST SCRIPT I'VE EVER WANTED TO SHOW ANYONE. 540 00:22:03,887 --> 00:22:05,820 AH, YOU EVER THINK ABOUT WRITING PROFESSIONALLY? 541 00:22:05,922 --> 00:22:07,055 ONLY HALF MY LIFE. 542 00:22:07,157 --> 00:22:08,490 SO WHAT'S STOPPING YOU? 543 00:22:08,592 --> 00:22:09,992 IT'S A LONG STORY. 544 00:22:10,094 --> 00:22:11,293 GOT IT. ALL RIGHT. 545 00:22:11,395 --> 00:22:12,760 WELL, MAYBE SOME DAY, YOU'LL TELL ME. 546 00:22:12,863 --> 00:22:15,998 OKAY, NOW YOU TELL ME WHAT I CAN DO FOR YOU. 547 00:22:16,100 --> 00:22:18,266 AND DON'T SAY NOTHING. THAT'S NOT GONNA FLY. 548 00:22:18,369 --> 00:22:19,801 I ALWAYS RETURN A FAVOR. 549 00:22:19,903 --> 00:22:23,305 I-I DON'T NEED ANYTHING. 550 00:22:23,407 --> 00:22:26,108 OKAY, DID YOU SEE THAT NEWS REPORT TONIGHT? 551 00:22:26,210 --> 00:22:27,876 YEAH, I DID. 552 00:22:27,978 --> 00:22:30,178 WH-- WHERE DID THEY GET ALL THAT LOVE TRIANGLE STUFF? 553 00:22:30,280 --> 00:22:31,980 I KNOW. LIKE, WHO WOULD BELIEVE IT? 554 00:22:32,082 --> 00:22:34,349 - NOT ME. - HMM. 555 00:22:34,451 --> 00:22:35,750 BUT I BET ROBERTO DOES. 556 00:22:35,852 --> 00:22:38,520 IT'S WEIRD HOW SOME THINGS WORK OUT, HUH? 557 00:22:38,622 --> 00:22:40,422 WAIT, YOU'VE BEEN USING ME TO MAKE ROBERTO JEALOUS, 558 00:22:40,524 --> 00:22:42,290 HAVEN'T YOU? - WHAT? NO. 559 00:22:42,393 --> 00:22:43,625 I-I WOULD NEVER DO THAT. 560 00:22:43,727 --> 00:22:45,760 REALLY, I WOULDN'T DO THAT. 561 00:22:45,862 --> 00:22:48,163 OKAY, MAYBE, JUST A TINY LITTLE BIT. 562 00:22:48,265 --> 00:22:50,698 IT WAS COMPLETELY UNINTENTIONAL, I SWEAR. 563 00:22:50,800 --> 00:22:52,434 BUT WHY? WHY? 564 00:22:52,536 --> 00:22:54,536 I THOUGHT YOU TWO BROKE UP. 565 00:22:54,638 --> 00:22:58,006 UNLESS YOU'RE GETTING BACK AT HIM FOR SOMETHING 566 00:22:58,108 --> 00:23:01,176 OR TRYING TO GET HIM BACK? - OH, LIKE I SAID, 567 00:23:01,278 --> 00:23:03,912 IT'S-- IT'S COMPLICATED. WE HAVE TONS OF HISTORY. 568 00:23:04,014 --> 00:23:05,880 YEAH, MEANWHILE, EVERYONE THINKS I'M IN LOVE 569 00:23:05,982 --> 00:23:07,849 WITH HELENA HARRIS. 570 00:23:07,951 --> 00:23:10,085 OH, AND IS THAT SO TERRIBLE? 571 00:23:10,187 --> 00:23:11,886 THERE ARE WORSE THINGS, I GUESS. 572 00:23:11,988 --> 00:23:14,456 YEAH. 573 00:23:16,860 --> 00:23:18,193 I HAVE AN IDEA. 574 00:23:18,295 --> 00:23:19,894 YOU WANTED TO DO ME A FAVOR? 575 00:23:19,996 --> 00:23:21,930 THIS IS IT. - WHAT'S IT? I DON'T-- 576 00:23:22,032 --> 00:23:23,565 EVERYONE THINKS THAT WE'RE HAVING 577 00:23:23,667 --> 00:23:24,966 THIS WHIRLWIND ROMANCE, RIGHT? 578 00:23:25,069 --> 00:23:26,734 SO LET'S KEEP IT GOING. 579 00:23:29,906 --> 00:23:32,740 OKAY. I'LL HELP YOU OUT. 580 00:23:32,842 --> 00:23:33,908 LOVE THIS ONE. 581 00:23:34,010 --> 00:23:35,944 "SHREWD AND SEXY HELENA HARRIS IS GETTING FRISKY 582 00:23:36,046 --> 00:23:37,412 WITH GUY AROUND TOWN CLARK GABLE." 583 00:23:37,514 --> 00:23:38,846 OOH! 584 00:23:38,949 --> 00:23:39,881 OOH, THERE'S MORE. 585 00:23:39,983 --> 00:23:41,583 "ROBERTO MOLINEZ SEES SCARLET 586 00:23:41,685 --> 00:23:42,917 AS HELENA DATES CLARK GABLE." 587 00:23:44,020 --> 00:23:47,689 - GINA, OUT. - SORRY. 588 00:23:48,858 --> 00:23:51,226 IF YOU'RE DOING THIS TO MAKE MY BLOOD BOIL, 589 00:23:51,328 --> 00:23:52,461 YOU'VE SUCCEEDED. 590 00:23:52,563 --> 00:23:55,930 AND IF YOU'RE DOING THIS TO RUIN MY CAREER, DON'T. 591 00:23:56,032 --> 00:23:58,133 HOW IS THIS RUINING YOUR CAREER? 592 00:23:58,235 --> 00:23:59,534 COUPLES BREAK UP ALL THE TIME. 593 00:23:59,636 --> 00:24:01,035 THEY START SEEING NEW PEOPLE ALL THE TIME. 594 00:24:01,138 --> 00:24:04,306 - I'M NOT. - NOT NOW. 595 00:24:04,408 --> 00:24:05,574 HELENA, 596 00:24:05,675 --> 00:24:07,675 THOSE TIMES IN THE PAST, THEY MEANT NOTHING TO ME. 597 00:24:07,777 --> 00:24:08,776 I ALWAYS CAME BACK TO YOU. 598 00:24:08,878 --> 00:24:10,278 NO, NO, NO, NO, NO, NO. 599 00:24:10,380 --> 00:24:13,615 I ALWAYS TOOK YOU BACK. 600 00:24:13,717 --> 00:24:14,983 ROBERTO, JUST DO YOUR JOB, 601 00:24:15,085 --> 00:24:18,453 STOP GRIPING, AND STAY OUT OF MY PRIVATE LIFE. 602 00:24:23,093 --> 00:24:24,559 HEY, EMILY. 603 00:24:24,661 --> 00:24:26,894 SO TELL AN OLD FRIEND THE TRUTH. 604 00:24:26,997 --> 00:24:29,131 ARE YOU AND HELENA HARRIS REALLY AN ITEM? 605 00:24:29,233 --> 00:24:30,398 WELL, IS THAT INCONCEIVABLE? 606 00:24:30,501 --> 00:24:32,667 OH, I DIDN'T MEAN IT LIKE THAT. 607 00:24:32,769 --> 00:24:34,236 SHE'D BE LUCKY TO HAVE YOU. 608 00:24:34,338 --> 00:24:35,670 WELL, THANK YOU, EMILY. 609 00:24:35,772 --> 00:24:38,072 YOU'RE A REAL PRINCE. 610 00:24:38,175 --> 00:24:40,275 UM, REMEMBER THIS? - MY HIGH SCHOOL PROM PICTURE? 611 00:24:41,578 --> 00:24:42,511 DID YOU SELL THIS TO THEM? 612 00:24:42,613 --> 00:24:43,478 YES, I DID. 613 00:24:43,580 --> 00:24:44,879 YOU'RE A REGULAR CASH COW FOR ME. 614 00:24:44,981 --> 00:24:46,681 NOW I THINK I'M GONNA RETIRE. 615 00:24:46,783 --> 00:24:48,883 OKAY. I'M JUST GOING TO SAY THIS. 616 00:24:48,985 --> 00:24:52,487 DON'T BELIEVE EVERY LITTLE THING YOU READ. 617 00:24:52,589 --> 00:24:55,857 WHATEVER. 618 00:24:55,959 --> 00:24:58,460 I HAVE TO GO TO WORK. 619 00:24:58,562 --> 00:25:01,729 EMILY, NO. 620 00:25:01,831 --> 00:25:03,231 - HI. - HI. OKAY. 621 00:25:03,333 --> 00:25:05,300 UM, DO ANY OF YOU WANT TO RENT ANYTHING 622 00:25:05,402 --> 00:25:06,535 OR BUY ANYTHING? 623 00:25:06,637 --> 00:25:10,172 - CAN I GET YOUR AUTOGRAPH? - JUST... AUTOGRAPHS. OKAY. 624 00:25:26,456 --> 00:25:29,891 I NEVER REALIZED HOW MUCH I CARED FOR HELENA. 625 00:25:29,993 --> 00:25:31,326 I MEAN, I KNEW, YOU KNOW, 626 00:25:31,428 --> 00:25:34,762 SHE WAS BEAUTIFUL AND TALENTED AND SMART. 627 00:25:34,864 --> 00:25:38,300 I GUESS AFTER THE INITIAL CONQUEST, 628 00:25:38,402 --> 00:25:41,536 I JUST STARTED TAKING OUR RELATIONSHIP FOR GRANTED. 629 00:25:41,638 --> 00:25:43,471 WELL, THAT'S PROBABLY BECAUSE 630 00:25:43,574 --> 00:25:47,642 YOU'RE A SELF-ABSORBED MACHO PIG, OLD CHAP. 631 00:25:47,744 --> 00:25:51,613 CONTRARY TO WHAT MY DWINDLING LEGIONS OF FANS BELIEVE, 632 00:25:51,715 --> 00:25:53,014 I AM ONLY HUMAN. 633 00:25:53,116 --> 00:25:57,419 THEN WHY DON'T YOU START ACTING LIKE ONE, ROBERTO, HMM? 634 00:25:57,521 --> 00:26:00,021 STOP TREATING HELENA LIKE SOMETHING YOU OWN 635 00:26:00,123 --> 00:26:04,158 AND START TREATING HER LIKE SOMEONE YOU WANT TO IMPRESS. 636 00:26:04,261 --> 00:26:07,095 TRY A LITTLE TENDERNESS. 637 00:26:16,142 --> 00:26:18,975 WOW. 638 00:26:23,081 --> 00:26:24,114 YOU LIKE THEM? 639 00:26:24,216 --> 00:26:27,417 THEY'RE MAGNIFICENT. 640 00:26:27,520 --> 00:26:32,756 JUST MY LITTLE WAY OF SAYING I FORGIVE YOU. 641 00:26:34,726 --> 00:26:36,893 WHAT? 642 00:26:39,632 --> 00:26:43,500 I'M SORRY. YOU... FORGIVE ME? 643 00:26:43,602 --> 00:26:48,205 YEAH, FOR, SHALL WE SAY, YOUR HASTY JUDGMENT. 644 00:26:48,307 --> 00:26:49,273 OH, RIGHT. 645 00:26:49,375 --> 00:26:52,509 WELL, IF ANYTHING, MY JUDGMENT ABOUT YOU 646 00:26:52,611 --> 00:26:54,511 WASN'T HASTY ENOUGH. - THAT'S GOOD. 647 00:26:54,613 --> 00:26:56,513 JUST-- JUST, YOU KNOW, LET THAT OUT. 648 00:26:56,615 --> 00:26:59,316 JUST PURGE THOSE DEMONS. JUST CLEAR YOUR CONSCIENCE. 649 00:26:59,418 --> 00:27:00,417 RIGHT, NO. 650 00:27:00,519 --> 00:27:02,152 THE ONLY DEMON THAT I NEED TO PURGE IS YOU, 651 00:27:02,254 --> 00:27:04,221 SO WHY DON'T YOU GET OUT! 652 00:27:04,323 --> 00:27:05,989 HELENA, YOU'RE BEING 653 00:27:06,091 --> 00:27:07,524 RIDICULOUSLY UNREASONABLE ABOUT THIS. 654 00:27:07,626 --> 00:27:08,592 WE CAN WORK THIS OUT. 655 00:27:08,694 --> 00:27:10,460 - NO, WE CAN'T. - YES, WE CAN. 656 00:27:10,563 --> 00:27:11,761 ALREADY HAVE. 657 00:27:11,863 --> 00:27:14,731 BYE-BYE. 658 00:27:19,071 --> 00:27:21,572 MOON AND STARS VIDEO AND CAFE. 659 00:27:21,674 --> 00:27:22,372 THIS IS CLARK. 660 00:27:22,474 --> 00:27:24,007 HI, CLARK, IT'S HELENA. 661 00:27:24,109 --> 00:27:26,109 OH. HEY, HELENA. 662 00:27:26,212 --> 00:27:28,011 - HOW ARE YOU? - GOOD. 663 00:27:28,113 --> 00:27:29,879 NICE. I WAS WONDERING, ARE YOU CRAZY BUSY? 664 00:27:29,981 --> 00:27:31,715 UH, NO. NOT CRAZY. 665 00:27:31,817 --> 00:27:33,049 WELL, I WAS THINKING ABOUT TAKING 666 00:27:33,151 --> 00:27:34,284 A LITTLE WALK AROUND TOWN, 667 00:27:34,386 --> 00:27:36,286 AND I WAS WONDERING IF YOU WANTED TO TAKE 668 00:27:36,388 --> 00:27:38,154 A LITTLE WALK AROUND TOWN WITH ME. 669 00:27:38,257 --> 00:27:40,557 - WELL, UH, RIGHT NOW? - YEAH. 670 00:27:40,659 --> 00:27:41,825 SURE, THAT'D BE GREAT. 671 00:27:41,927 --> 00:27:43,660 I'LL TAKE YOU SOMEWHERE SPECIAL. 672 00:27:43,762 --> 00:27:44,961 OOH, I LIKE THE SOUND OF THAT. 673 00:27:45,063 --> 00:27:48,064 OKAY, SO SEE YOU AT THE HOTEL IN, SAY, TEN? 674 00:27:48,166 --> 00:27:50,800 - SOUNDS GOOD. - EXCELLENT. 675 00:27:54,440 --> 00:27:56,106 CAN YOU HANG OUT UNTIL JUSTINE GETS BACK? 676 00:27:56,208 --> 00:27:57,207 GO ON. 677 00:27:57,309 --> 00:27:58,442 - THANKS, MAN. - GOOD LUCK. 678 00:28:00,879 --> 00:28:03,179 CITIES AND TOWNS ALONG THE FLORIDA PANHANDLE 679 00:28:03,282 --> 00:28:04,648 BREATHED A SIGH OF RELIEF TODAY 680 00:28:04,750 --> 00:28:06,650 AS HURRICANE HELENA MADE LANDFALL 681 00:28:06,752 --> 00:28:09,419 AND WAS PROMPTLY DOWNGRADED TO A TROPICAL STORM. 682 00:28:09,521 --> 00:28:10,954 COASTAL AREAS STILL FACE 683 00:28:11,056 --> 00:28:13,523 THE PROSPECT OF FLOODING FROM THE STORM SURGE, 684 00:28:13,626 --> 00:28:15,191 BUT WITH SUSTAINED WINDS EXPECTED TO TOP OUT 685 00:28:15,294 --> 00:28:16,560 AROUND 50 MILES PER HOUR... 686 00:28:16,662 --> 00:28:18,194 HURRICANE HELENA. 687 00:28:18,297 --> 00:28:19,229 COPE WITH THE STORM 688 00:28:19,331 --> 00:28:22,566 WITH LITTLE OR NO DISRUPTION OF SERVICES. 689 00:28:38,950 --> 00:28:41,918 SO, MYSTERY MAN, WHERE ARE YOU TAKING ME? 690 00:28:42,020 --> 00:28:43,853 A PLACE I GUARANTEE YOU'VE NEVER BEEN. 691 00:28:43,955 --> 00:28:47,791 OOH. 692 00:29:14,019 --> 00:29:16,186 YOU LIKE IT SO FAR? 693 00:29:16,288 --> 00:29:18,154 I LOVE IT. SUCH A CUTE LITTLE TOWN. 694 00:29:18,256 --> 00:29:20,457 YEAH. YOU KNOW, IT'S HOME. 695 00:29:20,559 --> 00:29:22,559 IT'S NICE. 696 00:29:22,661 --> 00:29:24,361 OKAY. 697 00:29:24,463 --> 00:29:26,730 THIS IS IT. 698 00:29:30,135 --> 00:29:31,368 "GONE." 699 00:29:31,470 --> 00:29:35,104 AS IN, "WITH THE WIND." 700 00:29:35,207 --> 00:29:36,873 IT WAS THE LAST MOVIE THAT EVER PLAYED HERE. 701 00:29:36,975 --> 00:29:38,942 BIG REVIVAL SHOWING. RESTORED PRINT. THE WORKS. 702 00:29:39,044 --> 00:29:41,745 OH, VERY APPROPRIATE, MR. CLARK GABLE. 703 00:29:41,847 --> 00:29:43,012 HOW DO YOU THINK I GOT MY NAME? 704 00:29:43,114 --> 00:29:46,616 IT'S MY MOM'S FAVORITE MOVIE. 705 00:29:46,719 --> 00:29:48,952 - NO. - YEAH. 706 00:29:56,294 --> 00:29:57,394 HERE IT IS. 707 00:29:57,496 --> 00:29:59,195 IT'S WONDERFUL. 708 00:29:59,297 --> 00:30:00,864 MY FATHER OWNED IT FOREVER. 709 00:30:00,966 --> 00:30:02,566 I PRACTICALLY LIVED HERE AS A KID. 710 00:30:02,668 --> 00:30:03,600 WHEN DID IT CLOSE? 711 00:30:03,702 --> 00:30:05,068 ABOUT EIGHT YEARS AGO. 712 00:30:05,170 --> 00:30:07,170 A FEW YEARS AFTER MY DAD DIED. 713 00:30:07,272 --> 00:30:08,772 MY MOM AND I TRIED TO KEEP IT GOING, 714 00:30:08,874 --> 00:30:11,174 RAN NEW MOVIES, OLD MOVIES, WHATEVER. 715 00:30:11,276 --> 00:30:14,010 BUT EVENTUALLY PEOPLE STOPPED COMING. 716 00:30:14,112 --> 00:30:17,013 AND THAT'S WHEN I OPENED UP THE VIDEO STORE. 717 00:30:17,115 --> 00:30:18,849 BUT I ALWAYS KEEP THE KEYS ON ME. 718 00:30:18,950 --> 00:30:20,484 IT'S WHERE I GO TO THINK. 719 00:30:20,586 --> 00:30:23,052 ABOUT WHAT? 720 00:30:23,154 --> 00:30:27,424 ABOUT WHAT IT'D BE LIKE TO MEET SOMEONE LIKE YOU. 721 00:30:29,027 --> 00:30:30,093 HAVE A SEAT. 722 00:30:30,195 --> 00:30:33,296 OOH, THANK YOU. 723 00:30:39,037 --> 00:30:41,371 OKAY, SO... 724 00:30:41,473 --> 00:30:44,274 WHY DID YOU BECOME AN ACTRESS? 725 00:30:44,376 --> 00:30:46,910 IT WAS THE ONLY THING I EVER WANTED TO BE. 726 00:30:47,012 --> 00:30:48,211 EVEN WHEN I WAS A LITTLE GIRL, 727 00:30:48,313 --> 00:30:51,114 I WOULD IMITATE PEOPLE AND ACT OUT SCENES 728 00:30:51,216 --> 00:30:52,549 FOR MY FRIENDS AND FAMILY. 729 00:30:52,651 --> 00:30:54,484 I JUST LOVED BEING THE CENTER OF ATTENTION, 730 00:30:54,586 --> 00:30:56,119 ENTERTAINING. 731 00:30:56,221 --> 00:30:57,487 HOW DO YOU LIKE IT NOW? 732 00:30:57,589 --> 00:30:59,222 SOMETIMES IT'S GREAT. 733 00:30:59,324 --> 00:31:00,990 SOMETIMES I HATE IT, 734 00:31:01,092 --> 00:31:05,595 MAINLY BECAUSE IT'S HARD TO BE MYSELF 735 00:31:05,697 --> 00:31:11,067 OR EVEN REMEMBER WHO MYSELF REALLY IS. 736 00:31:11,169 --> 00:31:14,671 OKAY, YOU DON'T HAVE TO ANSWER THIS, BUT... 737 00:31:14,773 --> 00:31:17,073 DO YOU LOVE ROBERTO? 738 00:31:17,175 --> 00:31:18,442 I HAVE BEEN IN LOVE WITH ROBERTO 739 00:31:18,544 --> 00:31:20,009 SINCE I FIRST SAW STREET REBEL. 740 00:31:20,111 --> 00:31:21,244 GREAT FILM. 741 00:31:21,346 --> 00:31:23,847 I THOUGHT HE WAS THE MOST BEAUTIFUL THING 742 00:31:23,949 --> 00:31:25,949 I'D EVER SEEN. 743 00:31:26,051 --> 00:31:27,851 AND IT WAS YEARS BEFORE WE ACTUALLY MET, 744 00:31:27,953 --> 00:31:30,454 BUT AROUND ROBERTO 745 00:31:30,556 --> 00:31:34,090 I STILL FELT LIKE A LOVE-STRUCK TEENAGER. 746 00:31:34,192 --> 00:31:37,260 SOMETIMES I STILL DO... 747 00:31:37,362 --> 00:31:38,995 WHEN HE'S NOT DRIVING ME TOTALLY INSANE, OF COURSE. 748 00:31:39,097 --> 00:31:40,396 YEAH. 749 00:31:40,499 --> 00:31:43,733 BUT LET'S TALK ABOUT YOU. YOUR LONG STORY. 750 00:31:43,836 --> 00:31:44,734 LIKE, WHY ARE YOU STILL LIVING UP HERE 751 00:31:44,837 --> 00:31:45,735 IF YOU WANT TO WRITE MOVIES? 752 00:31:45,838 --> 00:31:47,337 YOU SHOULD BE WHERE THE ACTION IS. 753 00:31:47,439 --> 00:31:49,773 MY FATHER DIED OF A HEART ATTACK 754 00:31:49,875 --> 00:31:51,975 RIGHT BEFORE I GRADUATED FROM COLLEGE. 755 00:31:52,077 --> 00:31:54,010 MY MOM WAS A WRECK. 756 00:31:54,112 --> 00:31:55,244 MY SISTER WAS STILL IN HIGH SCHOOL. 757 00:31:55,347 --> 00:31:57,246 SO, YOU KNOW, I JUST COULDN'T LEAVE THEM. 758 00:31:57,349 --> 00:32:00,016 THAT'S FAIR ENOUGH. 759 00:32:00,118 --> 00:32:01,818 WHAT ABOUT NOW? 760 00:32:01,920 --> 00:32:04,320 DO YOU KNOW, 761 00:32:04,422 --> 00:32:07,457 NOT ONE AGENT I EMAILED ABOUT READING MY SCRIPT 762 00:32:07,559 --> 00:32:09,793 EVER RESPONDED? 763 00:32:09,895 --> 00:32:12,496 WELL, THAT'S BEFORE YOU KNEW ME. 764 00:32:12,598 --> 00:32:13,630 BUT WHAT IF I'M TOO OLD? 765 00:32:13,732 --> 00:32:15,732 FROM WHAT I READ, IT SEEMS LIKE 766 00:32:15,834 --> 00:32:16,900 EVERY NEW HOLLYWOOD SCREENWRITER 767 00:32:17,002 --> 00:32:18,368 IS BARELY OUT OF COLLEGE. - OKAY, TRUST ME. 768 00:32:18,470 --> 00:32:19,469 IT'S NOT ABOUT YOUR AGE. 769 00:32:19,571 --> 00:32:23,406 IT'S ABOUT WHAT'S ON THE PAGE. THAT'S IT. 770 00:32:39,725 --> 00:32:43,126 I GOT SOMETHING FOR YOU. 771 00:32:44,496 --> 00:32:46,329 AN OLD MARQUEE LETTER. 772 00:32:46,431 --> 00:32:47,764 THANK YOU, CLARK. 773 00:32:47,866 --> 00:32:51,801 YEAH, SOMETHING TO REMEMBER ME BY. 774 00:32:51,904 --> 00:32:52,936 SHALL WE? 775 00:32:53,038 --> 00:32:55,839 - YES. - HMM. 776 00:32:55,941 --> 00:32:57,273 THANK YOU. 777 00:32:57,375 --> 00:32:58,708 - YEAH. - THAT WAS REALLY FUN. 778 00:32:58,810 --> 00:33:01,711 YOU WANT TO JOIN ME FOR A DRINK ON THE PATIO? 779 00:33:01,813 --> 00:33:02,913 - SURE. - NICE. 780 00:33:03,015 --> 00:33:04,748 MS. HARRIS. MS. HARRIS. EXCUSE ME. I'M SORRY. 781 00:33:04,850 --> 00:33:06,115 YOU WANT TO TALK TO ME? 782 00:33:06,217 --> 00:33:07,984 YES, PLEASE. JUST FOR A MOMENT. 783 00:33:08,086 --> 00:33:11,421 MS. HARRIS, I'M SORRY, BUT THERE'S BEEN 784 00:33:11,523 --> 00:33:14,558 KIND OF A MISHAP IN YOUR ROOM. 785 00:33:14,660 --> 00:33:17,561 A MISHAP? WHAT KIND OF A MISHAP? 786 00:33:17,663 --> 00:33:20,597 THE FIRE SPRINKLER WENT OFF SOMEHOW. 787 00:33:20,699 --> 00:33:21,865 IT'S PRETTY BAD. 788 00:33:21,967 --> 00:33:23,533 IT'S GOING TO TAKE SEVERAL DAYS TO DRY OUT. 789 00:33:23,635 --> 00:33:27,136 YOU'VE GOT TO BE KIDDING ME. 790 00:33:27,238 --> 00:33:29,806 HE'S NOT KIDDING. 791 00:33:29,908 --> 00:33:32,642 WHAT DO YOU THINK COULD'VE SET OFF THE FIRE SPRINKLERS? 792 00:33:32,744 --> 00:33:34,110 IS THERE A PROBLEM, HELENA? 793 00:33:34,212 --> 00:33:35,411 YOU TELL ME. 794 00:33:35,513 --> 00:33:39,148 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 795 00:33:41,286 --> 00:33:42,452 YOU'RE RIGHT, CLARK. 796 00:33:42,554 --> 00:33:43,620 I'M JUST GONNA HAVE TO BUNK WITH SOMEONE ELSE. 797 00:33:43,722 --> 00:33:45,121 HEY, WHY NOT ME? 798 00:33:45,223 --> 00:33:46,556 I'VE GOT A NICE, BIG, DRY SUITE 799 00:33:46,658 --> 00:33:49,459 WITH A NICE, BIG, DRY GUEST ROOM. 800 00:33:49,561 --> 00:33:51,160 YOU FLOODED MY ROOM SO I'D MOVE IN WITH YOU? 801 00:33:51,262 --> 00:33:54,564 OH, THAT'S PATHETIC. 802 00:33:54,666 --> 00:33:58,234 HELENA, THERE'S ROOM AT MY PLACE. 803 00:34:00,606 --> 00:34:04,207 CLARK. THAT IS A GREAT IDEA. 804 00:34:10,995 --> 00:34:12,328 OH, HELENA. 805 00:34:12,430 --> 00:34:13,496 THIS IS-- YOU REMEMBER MY SISTER, JUSTINE. 806 00:34:13,598 --> 00:34:15,097 HI, JUSTINE. IT'S NICE TO SEE YOU AGAIN. 807 00:34:15,199 --> 00:34:16,798 - AND THIS IS MY MOM, MARYELLEN. - HELLO. 808 00:34:16,900 --> 00:34:19,535 HOW DO YOU DO? IT'S SO NICE TO MEET YOU. 809 00:34:19,637 --> 00:34:23,572 AND THIS IS EMILY, MY OLD FRIEND. 810 00:34:23,674 --> 00:34:26,542 WOW, IT IS REALLY GREAT TO MEET BOTH OF YOU, MARYELLEN. 811 00:34:26,644 --> 00:34:29,578 YOU HAVE A GREAT SON, AND, EMILY, 812 00:34:29,680 --> 00:34:32,515 YOU HAVE A FANTASTIC OLD FRIEND. 813 00:34:32,617 --> 00:34:34,150 IT'S REALLY NICE TO MEET YOU GUYS. 814 00:34:34,252 --> 00:34:38,987 AND I AM JUST ONE OF YOUR GREATEST FANS. 815 00:34:39,089 --> 00:34:40,922 YOU WERE FABULOUS IN THE WOMAN DOTH PROTEST. 816 00:34:41,025 --> 00:34:42,591 JUST FABULOUS, REALLY. - THANK YOU. 817 00:34:42,693 --> 00:34:43,892 THAT'S INCREDIBLY KIND. 818 00:34:43,994 --> 00:34:45,161 YOU KNOW WHAT WAS REALLY FUN ABOUT THAT ONE? 819 00:34:45,263 --> 00:34:46,828 I WORE SNEAKERS THE ENTIRE TIME. 820 00:34:46,930 --> 00:34:49,765 NO, YOU DIDN'T. 821 00:34:49,867 --> 00:34:52,434 I FIGURED WITH THE LONG SKIRTS AND THE CORSETS, 822 00:34:52,537 --> 00:34:54,336 MIGHT AS WELL BE COMFORTABLE SOMEWHERE. 823 00:34:54,438 --> 00:34:57,640 YOU KNOW, YOU GUYS SHOULD COME VISIT SET SOMETIME. 824 00:34:57,741 --> 00:34:59,241 IT'D BE REALLY FUN TO HAVE YOU. 825 00:34:59,343 --> 00:35:02,211 - WE COULD? - I'D LOVE THAT. 826 00:35:02,313 --> 00:35:03,479 WELL, HERE, I'LL SHOW YOU THE PLACE. 827 00:35:03,581 --> 00:35:05,147 - OH, GREAT. OH, I GOT IT. - OH, YOU GOT IT? OKAY. 828 00:35:05,249 --> 00:35:07,249 YOU CAN OPEN THE DOOR. ANYWAY, I WILL SEE YOU ON SET. 829 00:35:07,351 --> 00:35:08,617 BYE, GUYS. 830 00:35:08,719 --> 00:35:10,052 - BYE, LADIES. - BYE. 831 00:35:10,154 --> 00:35:12,321 SHE REALLY IS EVEN MORE BEAUTIFUL IN PERSON. 832 00:35:12,423 --> 00:35:16,592 AND SO INCREDIBLY NICE. WOW. 833 00:35:17,961 --> 00:35:20,462 NO, CLARK. ARE YOU SURE? 834 00:35:20,565 --> 00:35:22,931 BECAUSE I REALLY, REALLY, REALLY CAN SLEEP ON THE COUCH. 835 00:35:23,033 --> 00:35:25,568 HELENA HARRIS IS NOT SLEEPING ON MY COUCH. 836 00:35:25,670 --> 00:35:27,035 NOT ON MY WATCH. 837 00:35:27,137 --> 00:35:29,037 ALL RIGHT, THANK YOU, CLARK. I REALLY APPRECIATE IT. 838 00:35:29,139 --> 00:35:31,973 HEY, IT'S WORTH IT JUST TO SEE ROBERTO SQUIRM, RIGHT? 839 00:35:32,076 --> 00:35:33,842 IT'S PRETTY GOOD, BUT THAT'S ACTUALLY 840 00:35:33,944 --> 00:35:36,044 NOT THE ONLY REASON I'M DOING IT. 841 00:35:36,146 --> 00:35:38,247 I CONSIDER YOU A FRIEND, 842 00:35:38,349 --> 00:35:40,583 AND SOMETIMES YOU JUST NEED A FRIEND. 843 00:35:40,685 --> 00:35:42,618 COME HERE, FRIEND. FRIEND HUG. 844 00:35:42,720 --> 00:35:45,654 YEAH. 845 00:35:48,058 --> 00:35:49,991 SPEAKING OF FRIENDS, 846 00:35:50,094 --> 00:35:52,528 WHY DON'T YOU TELL ME ABOUT EMILY? 847 00:35:52,630 --> 00:35:54,096 - EMILY? - YEAH. 848 00:35:54,198 --> 00:35:57,933 WELL, SHE'S-- AN OLD GIRLFRIEND. 849 00:35:58,035 --> 00:35:59,868 OH. AN OLD GIRLFRIEND, I SEE. 850 00:35:59,970 --> 00:36:02,170 MOVE ALONG. THERE'S NOTHING TO SEE HERE. 851 00:36:02,273 --> 00:36:03,939 OKAY. 852 00:36:04,041 --> 00:36:06,375 BY THE WAY, MY MOTHER INVITED YOU OVER 853 00:36:06,477 --> 00:36:09,612 FOR A HOME-COOKED MEAL TONIGHT. 854 00:36:09,714 --> 00:36:10,646 BUT DON'T WORRY. 855 00:36:10,748 --> 00:36:11,947 I TOLD HER I DIDN'T KNOW IF YOU WERE BUSY 856 00:36:12,049 --> 00:36:15,317 OR WORKING OR IF, YOU KNOW, YOU ATE DINNER. 857 00:36:15,419 --> 00:36:16,885 NO, OF COURSE I EAT DINNER. 858 00:36:16,987 --> 00:36:19,488 WHO DOESN'T EAT DINNER? TONIGHT? 859 00:36:19,590 --> 00:36:20,756 UH, YEAH, 8:00. 860 00:36:20,858 --> 00:36:22,758 PERFECT. 861 00:36:22,860 --> 00:36:24,627 ALL RIGHT, I'M JUST GONNA GO FINISH UNPACKING. 862 00:36:24,729 --> 00:36:27,028 OKAY. 863 00:36:27,831 --> 00:36:29,131 MARYELLEN, THIS WAS WONDERFUL, 864 00:36:29,233 --> 00:36:30,198 BUT REALLY YOU SHOULDN'T HAVE GONE 865 00:36:30,301 --> 00:36:31,567 TO SO MUCH TROUBLE. 866 00:36:31,669 --> 00:36:34,202 NO ONE IS GONNA BELIEVE THIS. 867 00:36:34,305 --> 00:36:37,273 HELENA HARRIS IS WASHING MY DISHES. 868 00:36:37,375 --> 00:36:38,807 YOU KNOW, GROWING UP, LIKE, WE COULDN'T AFFORD 869 00:36:38,909 --> 00:36:41,910 A DISHWASHER, SO DISHES? MY NIGHTLY CHORE. 870 00:36:42,012 --> 00:36:44,446 AH, WELL, LOOKS LIKE YOU'VE COME A LONG WAY. 871 00:36:44,548 --> 00:36:47,182 YEAH, BUT I NEVER TAKE ANY OF IT FOR GRANTED 872 00:36:47,285 --> 00:36:48,784 'CAUSE IT COULD ALL DISAPPEAR TOMORROW. 873 00:36:48,886 --> 00:36:50,218 WELL, EVEN IF IT DID, 874 00:36:50,321 --> 00:36:52,187 I BET YOU COULD AFFORD A DISHWASHER NOW. 875 00:36:52,290 --> 00:36:55,223 I HOPE SO. 876 00:36:55,326 --> 00:36:56,759 YOU KNOW WHAT? 877 00:36:56,860 --> 00:36:57,859 I JUST WANT YOU TO KNOW 878 00:36:57,961 --> 00:37:00,729 THAT, WHATEVER YOUR RELATIONSHIP WITH CLARK 879 00:37:00,831 --> 00:37:03,965 IS OR ISN'T, IT'S OKAY WITH ME. 880 00:37:04,067 --> 00:37:07,369 I JUST-- JUST ALWAYS WANT TO SEE HIM HAPPY. 881 00:37:07,471 --> 00:37:09,905 YOU'VE OBVIOUSLY BEEN AN AMAZING MOTHER 882 00:37:10,007 --> 00:37:11,640 TO BOTH OF YOUR CHILDREN. 883 00:37:11,742 --> 00:37:15,511 AND I'M REALLY SORRY TO HEAR ABOUT YOUR HUSBAND. 884 00:37:15,613 --> 00:37:18,246 IT MUST HAVE BEEN VERY HARD ON ALL OF YOU. 885 00:37:18,349 --> 00:37:22,117 THANK YOU. IT WAS. 886 00:37:22,219 --> 00:37:25,020 BUT CLARK WAS SUCH A ROCK. 887 00:37:25,122 --> 00:37:27,690 HE JUMPED RIGHT IN THERE AND KEPT US ALL GOING. 888 00:37:27,792 --> 00:37:30,726 DON'T KNOW HOW HE DID IT, HONESTLY. 889 00:37:30,828 --> 00:37:33,696 HE AND HIS FATHER WERE SO CLOSE. 890 00:37:33,798 --> 00:37:35,263 BEST FRIENDS, REALLY. 891 00:37:35,366 --> 00:37:37,132 SOUNDS LIKE HE WAS A GOOD MAN. 892 00:37:37,234 --> 00:37:39,067 HE WAS. 893 00:37:39,169 --> 00:37:44,373 AND I MISS HIM EVERY DAY. 894 00:37:53,751 --> 00:37:55,083 CAN I ASK YOU A QUESTION? 895 00:37:55,185 --> 00:37:56,318 ANYTHING. 896 00:37:56,420 --> 00:37:58,920 HOW DO YOU GET YOUR HAIR SO EXCITING? 897 00:37:59,022 --> 00:38:01,423 NO MATTER WHAT I TRY, NO MATTER WHAT I DO, 898 00:38:01,525 --> 00:38:04,493 MY HAIR IS JUST SO NOT EXCITING. 899 00:38:04,595 --> 00:38:07,262 WELL, I DON'T ACTUALLY DO ANYTHING. 900 00:38:07,365 --> 00:38:09,598 OUR STYLIST, GINA... - UH-HUH. 901 00:38:09,700 --> 00:38:11,166 SHE'S A MIRACLE WORKER. 902 00:38:11,268 --> 00:38:13,268 YOU KNOW WHAT? YOU SHOULD HAVE CLARK BRING YOU TO SET, 903 00:38:13,371 --> 00:38:16,772 AND SHE COULD GIVE YOU THE WORKS. 904 00:38:16,874 --> 00:38:18,907 I'LL SET IT ALL UP. JUSTINE, YOU TOO. 905 00:38:19,009 --> 00:38:20,743 IT'LL BE FUN. - SERIOUSLY? 906 00:38:20,845 --> 00:38:23,044 - YEAH. - YEAH. YEAH, ABSOLUTELY. 907 00:38:23,146 --> 00:38:24,546 MAKEOVER. 908 00:38:24,648 --> 00:38:26,849 MAKEOVER. I LOVE IT. 909 00:38:32,823 --> 00:38:35,323 CLARK, YOUR MOTHER IS ABSOLUTELY DELIGHTFUL. 910 00:38:35,426 --> 00:38:39,862 SHE IS THE MOST SUPPORTIVE, OPEN-MINDED MOM EVER. 911 00:38:39,963 --> 00:38:41,830 WHEN I FIRST BROUGHT UP MOVING TO L.A., 912 00:38:41,932 --> 00:38:43,031 YOU KNOW WHAT SHE SAID? 913 00:38:43,133 --> 00:38:46,435 SHE SAID, "DON'T THINK TWICE. FOLLOW YOUR DREAM." 914 00:38:46,537 --> 00:38:47,736 BLEW ME AWAY. 915 00:38:47,838 --> 00:38:49,137 WOW. 916 00:38:49,239 --> 00:38:50,439 WHAT ABOUT JUSTINE? 917 00:38:50,541 --> 00:38:53,609 JUSTINE WOULDN'T TALK TO ME ABOUT IT FOR MONTHS. 918 00:38:53,711 --> 00:38:55,644 SHE WOULDN'T EVEN WATCH A TV SHOW 919 00:38:55,746 --> 00:38:56,678 THAT TOOK PLACE IN L.A. 920 00:38:56,781 --> 00:38:58,013 TOTAL BOYCOTT. 921 00:38:58,115 --> 00:39:00,949 YEAH, WELL, SHE'D ALREADY LOST ONE MAN IN HER FAMILY. 922 00:39:01,051 --> 00:39:02,684 DIDN'T WANT TO LOSE ANOTHER. 923 00:39:02,787 --> 00:39:05,821 YOU KNOW, IF THIS ACTING THING DOESN'T PAN OUT FOR YOU, 924 00:39:05,923 --> 00:39:07,456 YOU MIGHT MAKE A HECK OF A SHRINK. 925 00:39:07,558 --> 00:39:10,626 JUST AN OBSERVER OF HUMAN NATURE, LIKE MOST ACTORS-- 926 00:39:10,728 --> 00:39:13,629 AND WRITERS, OF COURSE. - HMM. 927 00:39:13,731 --> 00:39:15,163 SPEAKING OF WHICH, I OWE YOU NOTES ON YOUR SCRIPT. 928 00:39:15,265 --> 00:39:16,264 DON'T LET ME FORGET, OKAY? 929 00:39:16,366 --> 00:39:19,902 WHAT ARE YOU DOING LATER? 930 00:39:20,003 --> 00:39:23,639 I-I UNDERSTAND WHY ROSS MARRIES OLIVIA, RIGHT? 931 00:39:23,741 --> 00:39:25,373 HE'S OPPORTUNISTIC, SHE'S LOADED. 932 00:39:25,476 --> 00:39:27,876 BUT WHAT I DON'T UNDERSTAND 933 00:39:27,978 --> 00:39:30,879 IS WHAT, EXACTLY, DOES SHE SEE IN HIM? 934 00:39:30,981 --> 00:39:34,015 WELL, SHE'S LONELY. ROSS CHARMS HER. 935 00:39:34,117 --> 00:39:35,951 HE PRETENDS TO HAVE MONEY OF HIS OWN, 936 00:39:36,053 --> 00:39:37,185 SO HE ISN'T A THREAT. 937 00:39:37,287 --> 00:39:38,253 YEAH, BUT FROM THE GET-GO, 938 00:39:38,355 --> 00:39:39,688 HE'S PLANNING ON KILLING HER FOR THE MONEY. 939 00:39:39,790 --> 00:39:42,290 SHE DOESN'T AT LEAST HAVE, LIKE, THE TINIEST INKLING? 940 00:39:42,392 --> 00:39:43,859 WELL, SHE'S CRAZY ABOUT HIM. 941 00:39:43,961 --> 00:39:46,061 I MEAN, SHE JUST SEES WHAT SHE WANTS TO SEE. 942 00:39:46,163 --> 00:39:47,162 ALL RIGHT. 943 00:39:47,264 --> 00:39:49,798 SO FOR OLIVIA, LOVE IS BLIND. LOVE TRUMPS ALL. 944 00:39:49,900 --> 00:39:52,334 UNTIL IT DOESN'T. THAT'S WHEN THE TABLES TURN. 945 00:39:52,436 --> 00:39:55,236 WHICH IS GREAT. I LOVE THAT PART. I LOVE IT. 946 00:39:55,339 --> 00:39:57,005 OKAY, BUT WHAT-- WHAT IF, 947 00:39:57,107 --> 00:39:58,239 AFTER ALL THE CAT AND MOUSE STUFF, 948 00:39:58,342 --> 00:39:59,875 THEY GET BACK TOGETHER? 949 00:39:59,977 --> 00:40:02,778 RIGHT? THAT IT WAS THE CHASE AND THE DANGER 950 00:40:02,880 --> 00:40:04,813 THAT INSPIRED THEM, RIGHT? NOT THE MONEY. 951 00:40:04,915 --> 00:40:06,348 IT'S VERY FILM NOIR. 952 00:40:06,450 --> 00:40:08,784 YEAH, IT'S VERY REAL LIFE. 953 00:40:08,886 --> 00:40:10,686 I MEAN, RELATIONSHIPS ARE NEVER WHAT THEY SEEM, RIGHT? 954 00:40:10,788 --> 00:40:16,959 - CLEARLY. - CLEARLY. 955 00:40:17,928 --> 00:40:19,227 CAN I GET A DRUM ROLL, PLEASE? 956 00:40:21,098 --> 00:40:22,498 SHOWTIME. 957 00:40:22,600 --> 00:40:24,232 - TA-DA! - WOW. 958 00:40:24,334 --> 00:40:27,836 WOW, SOMEBODY ALERT THE PAPARAZZI. 959 00:40:27,938 --> 00:40:29,605 AND, EMILY, YOU TOO, HUH? 960 00:40:29,707 --> 00:40:32,107 THEY OFFERED AND I ACCEPTED. 961 00:40:32,209 --> 00:40:34,376 WELL, YOU LOOK-- YOU LOOK AMAZING. 962 00:40:34,478 --> 00:40:35,343 REALLY? 963 00:40:35,445 --> 00:40:37,012 IT'S NOT TOO HOLLYWOOD, RIGHT? 964 00:40:37,114 --> 00:40:39,114 AND NOT TOO STONE'S THROW EITHER. 965 00:40:39,216 --> 00:40:40,549 SOMEWHERE PERFECTLY IN THE MIDDLE. 966 00:40:40,651 --> 00:40:42,417 AND, JUSTINE, 967 00:40:42,520 --> 00:40:43,685 PEOPLE ARE GONNA THINK I HIRED 968 00:40:43,787 --> 00:40:44,786 A SUPERMODEL TO SERVE COFFEE. 969 00:40:44,889 --> 00:40:46,622 OH, THEN I'M GONNA NEED MORE MONEY. 970 00:40:46,724 --> 00:40:50,392 LADIES, YOU LOOK SO GLAMOROUS. 971 00:40:50,494 --> 00:40:52,027 THANK YOU, HELENA, FOR ARRANGING THIS. 972 00:40:52,129 --> 00:40:53,495 IT'S BEEN LIKE A FANTASY. 973 00:40:53,597 --> 00:40:56,064 I DIDN'T DO ANYTHING. IT WAS ALL GINA. 974 00:40:56,166 --> 00:40:57,265 YOU ALL LOOK SO GORGEOUS. 975 00:40:57,367 --> 00:40:59,835 AND, EMILY, YOU LOOK FANTASTIC. 976 00:40:59,937 --> 00:41:01,937 CLARK, DOESN'T SHE LOOK FANTASTIC? 977 00:41:02,039 --> 00:41:05,306 DEFINITELY. 978 00:41:05,409 --> 00:41:06,675 WHAT DO WE HAVE HERE? 979 00:41:08,211 --> 00:41:12,347 WHO ARE THESE THREE GORGEOUS CREATURES? 980 00:41:12,449 --> 00:41:15,784 AND WHERE HAVE YOU BEEN ALL MY LIFE? 981 00:41:15,886 --> 00:41:17,485 LADIES, THIS IS ROBERTO. 982 00:41:17,588 --> 00:41:20,388 ROBERTO, THIS IS JUSTINE, CLARK'S SISTER. 983 00:41:20,490 --> 00:41:22,323 AH, JUSTINE. 984 00:41:22,426 --> 00:41:23,592 PLEASURE TO MEET YOU. - HI. 985 00:41:23,694 --> 00:41:26,094 CLARK'S VERY YOUNG AND BEAUTIFUL MOTHER, MARYELLEN. 986 00:41:26,196 --> 00:41:27,162 HELLO. 987 00:41:27,264 --> 00:41:31,299 - AND EMILY, CLARK'S EX-- - OLD FRIEND. 988 00:41:31,401 --> 00:41:34,069 UH-HUH. IT'S AN HONOR. 989 00:41:34,171 --> 00:41:36,538 CLARK, YOU NEVER MENTIONED 990 00:41:36,640 --> 00:41:38,540 YOU HAD SUCH A BEWITCHING ACQUAINTANCE. 991 00:41:38,642 --> 00:41:39,875 WE DON'T TALK, ROBERTO. 992 00:41:39,977 --> 00:41:41,509 WELL, THAT MUST STOP IMMEDIATELY. 993 00:41:41,612 --> 00:41:45,881 PLEASE, ALLOW ME TO SHOW YOU THE SET. 994 00:41:45,983 --> 00:41:47,282 SURE. 995 00:41:52,155 --> 00:41:53,221 OH, MY GOSH. 996 00:41:53,323 --> 00:41:56,792 DON'T BE IMPRESSED BY HIM. 997 00:41:59,396 --> 00:42:01,597 WOW, I THOUGHT YOU WERE KIDDING. 998 00:42:01,699 --> 00:42:03,031 OKAY, I'LL TALK TO YOU LATER. 999 00:42:03,133 --> 00:42:04,666 UH, CLARK. 1000 00:42:04,768 --> 00:42:05,867 YOU'RE NOT GONNA BELIEVE THIS. 1001 00:42:05,970 --> 00:42:08,503 BELIEVE WHAT? 1002 00:42:08,606 --> 00:42:10,338 YOU'RE NOT REALLY GOING, ARE YOU? 1003 00:42:10,440 --> 00:42:12,007 ROBERTO MOLINEZ ASKED ME ON A DATE. 1004 00:42:12,109 --> 00:42:13,141 WHY WOULD I NOT GO? 1005 00:42:13,243 --> 00:42:15,176 BECAUSE HE'S DOING THIS TO GET BACK AT ME 1006 00:42:15,278 --> 00:42:16,645 TO MAKE ME JEALOUS. 1007 00:42:16,747 --> 00:42:18,013 IS IT WORKING? 1008 00:42:18,115 --> 00:42:20,548 EMILY, HE'S A NUT CASE. 1009 00:42:20,651 --> 00:42:22,951 I THOUGHT HE WAS THOROUGHLY CHARMING, 1010 00:42:23,053 --> 00:42:26,554 BUT THANK YOU FOR YOUR CONCERN, CLARK. 1011 00:42:33,404 --> 00:42:36,105 OKAY, HELENA HARRIS, 1012 00:42:36,207 --> 00:42:40,543 YOU ARE ABOUT TO EXPERIENCE THE TASTE TREAT OF A LIFETIME. 1013 00:42:40,645 --> 00:42:43,312 I PRESENT CLARK GABLE'S 1014 00:42:43,414 --> 00:42:45,615 FAMOUS GRILLED MACARONI AND CHEESE SANDWICH. 1015 00:42:45,717 --> 00:42:47,516 I KNOW IT SOUNDS GROSS, 1016 00:42:47,619 --> 00:42:49,318 BUT TRUST ME, YOU'LL BE DREAMING ABOUT IT. 1017 00:42:49,420 --> 00:42:50,920 I'M NOT GONNA LIE. IT'S NOT WHAT I WAS EXPECTING. 1018 00:42:52,123 --> 00:42:53,623 THAT'S WHY I KEPT YOU IN HERE WHILE I MADE IT. 1019 00:42:53,725 --> 00:42:55,058 A-HA. 1020 00:42:55,159 --> 00:42:56,960 SO WHO-- WHO TAUGHT YOU HOW TO MAKE THIS? 1021 00:42:57,062 --> 00:43:00,329 UM, WELL, I KIND OF-- NOBODY REALLY TAUGHT ME. 1022 00:43:00,431 --> 00:43:01,664 IS THIS BACHELOR FOOD? IS THAT WHAT THIS IS? 1023 00:43:01,766 --> 00:43:03,633 IT'S PRETTY MUCH WHAT IT IS. THAT'S EXACTLY WHAT IT IS. 1024 00:43:03,735 --> 00:43:05,234 IT WAS WHATEVER I COULD FIND. - YEAH, OKAY. 1025 00:43:05,336 --> 00:43:06,402 YOU'RE GONNA WATCH ME? - NO, I-- 1026 00:43:06,504 --> 00:43:07,536 COUNT OF THREE, LET'S JUST TAKE A BITE. 1027 00:43:07,639 --> 00:43:08,537 COME ON, READY? - OKAY. 1028 00:43:08,640 --> 00:43:11,307 ONE, TWO, THREE. 1029 00:43:14,079 --> 00:43:16,579 OKAY. 1030 00:43:16,681 --> 00:43:17,814 THIS IS HEAVEN. 1031 00:43:17,916 --> 00:43:19,448 - AND SO BAD FOR YOU... - MMM. 1032 00:43:19,550 --> 00:43:20,483 WHICH IS WHY IT'S SO GOOD. 1033 00:43:20,585 --> 00:43:21,784 IT'S ALWAYS LIKE THAT. 1034 00:43:21,886 --> 00:43:23,352 MM, MM. 1035 00:43:23,454 --> 00:43:26,889 CLARK, DO YOU MIND THAT EMILY WENT OUT WITH ROBERTO? 1036 00:43:28,259 --> 00:43:29,592 YOU KNOW, WHAT EMILY AND I HAD 1037 00:43:29,694 --> 00:43:31,427 WAS A LONG TIME AGO. 1038 00:43:31,529 --> 00:43:32,662 A LOT HAS HAPPENED SINCE THEN. 1039 00:43:32,764 --> 00:43:35,131 STILL DIDN'T ANSWER MY QUESTION. 1040 00:43:35,233 --> 00:43:39,168 NO, I DON'T MIND. 1041 00:43:39,270 --> 00:43:41,804 UH, I ONLY HOPE SHE'S HAVING AS MUCH FUN AS I AM. 1042 00:43:43,108 --> 00:43:47,443 OKAY, NOW YOUR TURN. DO YOU MIND? 1043 00:43:47,545 --> 00:43:50,780 I-I REMEMBER MY FIRST DATE WITH ROBERTO. 1044 00:43:50,882 --> 00:43:53,382 IT WAS INCREDIBLY ROMANTIC, 1045 00:43:53,484 --> 00:43:55,551 AND I THOUGHT HE WAS THE MOST CAPTIVATING MAN 1046 00:43:55,654 --> 00:43:57,020 I'D EVER MET. 1047 00:43:57,122 --> 00:43:59,789 HE WAS A HUGE STAR. HOW COULD IT NOT BE EXCITING? 1048 00:43:59,891 --> 00:44:01,524 HE WAS REALLY DIFFERENT BACK THEN. 1049 00:44:01,626 --> 00:44:03,092 MAYBE YOU WERE TOO. 1050 00:44:03,194 --> 00:44:06,896 YEAH. 1051 00:44:09,333 --> 00:44:12,568 I CAN'T BELIEVE THIS WHOLE ELABORATE SET-UP 1052 00:44:12,671 --> 00:44:13,870 IS JUST FOR US. 1053 00:44:13,972 --> 00:44:15,972 THAT'S BECAUSE TONIGHT 1054 00:44:16,074 --> 00:44:20,543 THERE IS NO ONE ELSE IN THE WORLD. 1055 00:44:21,680 --> 00:44:23,146 TO LOVE. 1056 00:44:23,247 --> 00:44:26,716 TO LOVE. 1057 00:44:32,290 --> 00:44:36,258 YOU STILL LOVE HELENA, DON'T YOU? 1058 00:44:36,360 --> 00:44:38,127 IS IT THAT OBVIOUS? 1059 00:44:41,132 --> 00:44:44,400 WHAT IS IT ABOUT YOU TWO? IF IT'S NOT TOO PERSONAL. 1060 00:44:44,502 --> 00:44:47,636 IT'S COMPLETELY PERSONAL. SHE HATES ME. 1061 00:44:47,739 --> 00:44:50,372 WELL, SHE DIDN'T ALWAYS, OBVIOUSLY. 1062 00:44:50,474 --> 00:44:52,241 SHE DIDN'T ALWAYS WANT TO GET MARRIED. 1063 00:44:52,343 --> 00:44:54,243 AH... 1064 00:44:54,345 --> 00:44:55,411 AND NOW SHE DOES. 1065 00:44:55,513 --> 00:44:58,314 YEAH. 1066 00:44:58,416 --> 00:45:00,083 AND WHY AREN'T YOU MARRIED? 1067 00:45:00,185 --> 00:45:02,685 I WAS. I'M NOT ANYMORE. 1068 00:45:02,787 --> 00:45:06,589 BUT I-I STILL BELIEVE IN THE INSTITUTION COMPLETELY. 1069 00:45:10,762 --> 00:45:14,197 AH. THANK YOU. 1070 00:45:14,298 --> 00:45:16,199 QUAIL VERONIQUE. 1071 00:45:16,300 --> 00:45:19,568 PERFETTO. 1072 00:45:21,706 --> 00:45:24,207 I WILL NOT BE SHUNNED BY... 1073 00:45:24,308 --> 00:45:26,642 NO. NO, NO, NO. WE'RE NOT GONNA WATCH THIS. 1074 00:45:26,745 --> 00:45:28,111 - WHA-- - CHANGE IT, CHANGE IT. 1075 00:45:28,213 --> 00:45:29,812 OF COURSE WE'RE GONNA WATCH THIS. 1076 00:45:29,914 --> 00:45:32,414 THIS MOVIE IS AMAZING, AND YOU WERE AMAZING IN IT. 1077 00:45:32,516 --> 00:45:33,750 THANK YOU. THANK YOU VERY MUCH. 1078 00:45:33,852 --> 00:45:36,452 BUT IT'S STILL VERY STRANGE WATCHING YOURSELF ON TV. 1079 00:45:36,554 --> 00:45:38,320 WELL, WATCH IT FOR ME. 1080 00:45:38,422 --> 00:45:40,389 I WOULD LEAVE EVERYTHING BEHIND. 1081 00:45:40,491 --> 00:45:43,226 FINE. WHEN YOU PUT IT THAT WAY. 1082 00:45:43,327 --> 00:45:47,596 IT IS UNFAIR, AND I CANNOT ABIDE IT. 1083 00:45:52,837 --> 00:45:56,239 IS IT STRANGE TO KISS SOMEONE LIKE THAT 1084 00:45:56,340 --> 00:45:59,909 IN FRONT OF AN ENTIRE CREW? 1085 00:46:00,011 --> 00:46:01,510 AH, SOMETIMES. 1086 00:46:01,612 --> 00:46:02,645 THOUGH, HONESTLY, BY ABOUT THE TENTH TAKE, 1087 00:46:02,747 --> 00:46:03,646 YOU MIGHT AS WELL JUST BE SHAKING HANDS. 1088 00:46:03,748 --> 00:46:06,282 IT'S NOT, YOU KNOW, ROMANTIC, 1089 00:46:06,384 --> 00:46:09,752 IF THAT'S WHAT YOU'RE ASKING. 1090 00:46:10,889 --> 00:46:13,256 EMILY, I KNOW CLARK IS YOUR FRIEND-- 1091 00:46:13,357 --> 00:46:14,157 OLD BOYFRIEND, WHATEVER. 1092 00:46:14,259 --> 00:46:17,860 AND I'M SURE HE'S AN OKAY GUY. 1093 00:46:17,962 --> 00:46:19,295 BUT, TO BE HONEST, 1094 00:46:19,397 --> 00:46:21,764 I FIND THIS WHOLE SITUATION WITH HIM AND HELENA 1095 00:46:21,866 --> 00:46:22,865 TO BE INTOLERABLE. 1096 00:46:22,967 --> 00:46:24,901 DON'T YOU? - INTOLERABLE? 1097 00:46:25,003 --> 00:46:26,535 NO. 1098 00:46:26,637 --> 00:46:31,507 I MEAN, CLARK HAS EVERY RIGHT TO BE HAPPY. 1099 00:46:31,609 --> 00:46:33,542 FRANKLY, SO DOES HELENA. 1100 00:46:33,644 --> 00:46:36,345 YEAH, BUT NOT WITH EACH OTHER. 1101 00:46:43,188 --> 00:46:47,957 LISTEN, HAS CLARK MENTIONED ANYTHING SPECIFIC TO YOU 1102 00:46:48,059 --> 00:46:51,260 ABOUT THE TWO OF THEM? 1103 00:46:51,362 --> 00:46:55,397 WELL, MAYBE JUST DON'T BELIEVE 1104 00:46:55,499 --> 00:46:57,666 EVERY LITTLE THING YOU READ. 1105 00:46:57,768 --> 00:46:59,468 HMM. 1106 00:46:59,570 --> 00:47:04,207 VERY ENCOURAGING. 1107 00:47:20,124 --> 00:47:21,824 I HAD A WONDERFUL NIGHT. 1108 00:47:21,926 --> 00:47:24,160 THANK YOU FOR MAKING ME FEEL SO SPECIAL. 1109 00:47:24,262 --> 00:47:27,230 THAT WAS EASY. YOU ARE SPECIAL. 1110 00:47:28,733 --> 00:47:30,299 THANK YOU FOR MAKING ME FEEL BETTER ABOUT HELENA. 1111 00:47:30,401 --> 00:47:33,236 YOU KNOW, ABOUT WHAT CLARK SAID, 1112 00:47:33,338 --> 00:47:35,171 I PROBABLY SHOULDN'T HAVE REPEATED THAT. 1113 00:47:35,273 --> 00:47:36,805 I DON'T EVEN REALLY KNOW WHAT HE MEANT, SO-- 1114 00:47:36,908 --> 00:47:38,941 DON'T YOU WORRY YOUR PRETTY LITTLE HEAD. 1115 00:47:39,043 --> 00:47:41,810 THAT'S JUST BETWEEN US. 1116 00:47:41,913 --> 00:47:44,947 WELL, GOOD NIGHT. 1117 00:47:45,049 --> 00:47:48,251 GOOD NIGHT. 1118 00:48:15,141 --> 00:48:18,943 SHE'LL BE DOWN IN A MINUTE. 1119 00:48:20,413 --> 00:48:21,979 YOU LOOK HAPPY. 1120 00:48:22,081 --> 00:48:24,315 EH. YOU NEVER SEEN ME SMILE? 1121 00:48:24,417 --> 00:48:26,450 WAIT, WAIT, YOU AND HELENA? 1122 00:48:26,552 --> 00:48:28,252 CRAZY, HUH? 1123 00:48:28,354 --> 00:48:29,921 AH, WHO KNOWS, RIGHT? 1124 00:48:30,023 --> 00:48:31,889 YOU MOVE TO L.A., YOU MIGHT HAVE A BUILT-IN GIRLFRIEND. 1125 00:48:31,991 --> 00:48:35,326 LET'S NOT JUMP THE GUN. IT WAS JUST A KISS. 1126 00:48:35,428 --> 00:48:36,427 OR TWO. 1127 00:48:36,529 --> 00:48:38,029 THIS IS WILD. 1128 00:48:38,131 --> 00:48:39,830 YOU AND HELENA, EMILY AND ROBERTO. 1129 00:48:39,933 --> 00:48:41,765 I MEAN, WHAT'S NEXT, ME AND JUSTINE? 1130 00:48:41,867 --> 00:48:43,500 YOU KNOW WHAT, I THINK I'M GONNA ASK HER OUT. 1131 00:48:43,602 --> 00:48:45,002 WHAT DO YOU MEAN, EMILY AND ROBERTO? 1132 00:48:45,104 --> 00:48:46,237 THAT WASN'T A REAL DATE. 1133 00:48:46,339 --> 00:48:48,239 WELL, YEAH, THE DATE MIGHT HAVE BEEN A SET-UP, 1134 00:48:48,341 --> 00:48:51,943 BUT THE GOOD NIGHT KISS? THAT WAS 3D. 1135 00:48:53,712 --> 00:48:55,579 YOU OKAY? 1136 00:48:55,681 --> 00:48:56,647 YEAH, YEAH, OF COURSE. 1137 00:48:56,749 --> 00:48:58,950 I MEAN, EMILY CAN DO WHATEVER SHE WANTS. 1138 00:48:59,052 --> 00:49:02,053 YOU KNOW, I'D JUST HATE TO SEE HER GET HURT. 1139 00:49:03,556 --> 00:49:07,325 - THANK YOU, ALEXANDRA. - YOU'RE WELCOME. 1140 00:49:07,427 --> 00:49:09,593 EMILY, DON'T KEEP ME WAITING. 1141 00:49:09,695 --> 00:49:11,329 THEN WHAT HAPPENED? 1142 00:49:11,431 --> 00:49:12,863 HE... 1143 00:49:12,966 --> 00:49:16,467 KISSED ME. - HOW WAS IT? 1144 00:49:16,569 --> 00:49:18,602 DID YOU FEEL THE EARTHQUAKE LAST NIGHT, 1145 00:49:18,704 --> 00:49:19,636 OR WAS IT JUST ME? 1146 00:49:25,445 --> 00:49:27,711 THANKS, STACY. 1147 00:49:31,584 --> 00:49:32,416 ROBERTO. 1148 00:49:32,518 --> 00:49:34,785 WELL, IF IT ISN'T MARLON BRANDO. 1149 00:49:34,887 --> 00:49:36,187 I THINK YOU KNOW MY NAME BY NOW. 1150 00:49:36,289 --> 00:49:39,390 DOESN'T MEAN I HAVE TO USE IT. 1151 00:49:39,492 --> 00:49:42,360 SO, WHAT BRINGS YOU HERE TODAY? 1152 00:49:42,462 --> 00:49:44,061 LUNCH. HELENA. 1153 00:49:44,163 --> 00:49:47,664 AH, HELENA. YES, OF COURSE. 1154 00:49:47,766 --> 00:49:50,901 BY THE WAY, I HAD A SUPERB TIME WITH EMILY LAST NIGHT. 1155 00:49:51,004 --> 00:49:52,636 SHE'S QUITE A DESIRABLE LADY, 1156 00:49:52,738 --> 00:49:55,072 BUT I GUESS YOU KNOW THAT ALREADY. 1157 00:49:55,174 --> 00:49:56,974 - CAN I SAY SOMETHING? - CAN I STOP YOU? 1158 00:49:57,076 --> 00:49:59,477 DON'T BLAME ME FOR HOW THINGS ARE BETWEEN YOU AND HELENA. 1159 00:49:59,578 --> 00:50:01,278 THAT SCRIPT WAS WRITTEN WAY BEFORE I SHOWED UP. 1160 00:50:01,381 --> 00:50:03,147 - I DON'T BLAME YOU, KIRK. - CLARK. 1161 00:50:03,249 --> 00:50:06,217 BECAUSE I KNOW THAT THIS WHOLE LITTLE ROMANCE 1162 00:50:06,319 --> 00:50:08,819 BETWEEN YOU AND HELENA IS JUST SOME COOKED-UP SCHEME. 1163 00:50:08,921 --> 00:50:12,089 WHY DON'T YOU GUESS AGAIN, MOLINEZ? 1164 00:50:13,759 --> 00:50:18,762 HELENA, IF YOU DON'T STOP THIS NONSENSE RIGHT NOW... 1165 00:50:18,864 --> 00:50:21,232 YOU'LL WHAT? 1166 00:50:21,334 --> 00:50:23,934 I WILL QUIT THE FILM. 1167 00:50:24,037 --> 00:50:27,138 WELL, THAT'S FINE, BECAUSE THEN I CAN TELL 1168 00:50:27,240 --> 00:50:28,739 THE WHOLE WORLD THE TRUTH, 1169 00:50:28,841 --> 00:50:29,873 THAT I ONLY AGREED TO DO THIS FILM 1170 00:50:29,975 --> 00:50:31,975 BECAUSE YOU COULDN'T GET IT MADE ON YOUR OWN. 1171 00:50:32,078 --> 00:50:33,677 BECAUSE I FELT SORRY FOR YOU 1172 00:50:33,779 --> 00:50:35,846 BECAUSE YOU'VE TURNED INTO A B-LIST ACTOR 1173 00:50:35,948 --> 00:50:37,281 WHO IS COASTING ON THE SUCCESS 1174 00:50:37,383 --> 00:50:39,950 OF A MOVIE THAT IS 20 YEARS OLD. 1175 00:50:40,053 --> 00:50:41,052 IS THAT TRUE? 1176 00:50:41,154 --> 00:50:43,220 RIGHT NOW, ROBERTO, 1177 00:50:43,322 --> 00:50:47,558 IT'S THE ONLY THING BETWEEN US THAT IS. 1178 00:50:53,799 --> 00:50:55,766 HI. 1179 00:50:55,868 --> 00:50:57,201 JUSTINE, CAN I TALK TO YOU? 1180 00:50:57,303 --> 00:50:58,169 HI, PHIL. 1181 00:50:58,271 --> 00:51:00,071 UM, I'M A LITTLE BUSY RIGHT NOW. 1182 00:51:00,173 --> 00:51:01,138 OKAY. 1183 00:51:01,240 --> 00:51:03,774 I'M JUST GONNA COME RIGHT OUT AND SAY IT THEN. 1184 00:51:03,876 --> 00:51:05,809 YOU LOOK AWESOME, AND I THINK 1185 00:51:05,911 --> 00:51:07,478 YOU SHOULD BE SHARING THIS NEW YOU WITH SOMEONE. 1186 00:51:07,580 --> 00:51:10,847 YOU THINK I LOOK AWESOME? 1187 00:51:12,418 --> 00:51:14,118 I ALWAYS HAVE. 1188 00:51:14,220 --> 00:51:16,787 EVEN WHEN I WAS SIX? 1189 00:51:16,889 --> 00:51:18,556 NO, THAT WOULD BE CREEPY. 1190 00:51:18,657 --> 00:51:21,125 RIGHT. 1191 00:51:21,227 --> 00:51:22,159 I'M FLATTERED. 1192 00:51:22,261 --> 00:51:23,627 SO IS IT A DATE? 1193 00:51:23,729 --> 00:51:24,928 CAN I GET BACK TO YOU? 1194 00:51:25,030 --> 00:51:27,898 ONLY ON WHICH DAY YOU WANT TO GO. 1195 00:51:28,000 --> 00:51:30,267 COME ON, WHY SHOULD CLARK AND HELENA 1196 00:51:30,369 --> 00:51:34,138 HAVE ALL THE FUN? 1197 00:51:36,709 --> 00:51:38,709 - YOU'RE STILL HERE. - YEAH. 1198 00:51:38,811 --> 00:51:40,611 OKAY, UM, CAN I ASK YOU A QUESTION? 1199 00:51:40,713 --> 00:51:41,878 AND DO YOU PROMISE YOU'LL BE 1200 00:51:41,981 --> 00:51:43,780 COMPLETELY HONEST WITH ME? - YEAH. 1201 00:51:43,882 --> 00:51:46,484 UM, WOULD IT BE WEIRD IF I DATED PHIL? 1202 00:51:46,586 --> 00:51:47,884 I LOVE PHIL LIKE A BROTHER. 1203 00:51:47,987 --> 00:51:50,087 I DO TOO. THAT'S THE PROBLEM. 1204 00:51:50,189 --> 00:51:51,489 I DON'T KNOW IF I'M READY TO TAKE THAT LEAP 1205 00:51:51,591 --> 00:51:53,591 OR IF IT'LL EVEN WORK OUT. 1206 00:51:53,692 --> 00:51:57,428 YOU'LL NEVER KNOW IF YOU DON'T TRY. 1207 00:52:00,799 --> 00:52:03,834 I'M THINKING ABOUT MOVING TO L.A., 1208 00:52:03,936 --> 00:52:05,603 SERIOUSLY THIS TIME. 1209 00:52:05,704 --> 00:52:11,242 YOU'LL NEVER KNOW IF YOU DON'T TRY. 1210 00:52:11,344 --> 00:52:13,677 IT'S NOT LIKE THE STORE IS DOING SO GREAT. 1211 00:52:13,779 --> 00:52:16,447 AND THE LEASE IS ALMOST UP ANYWAY. 1212 00:52:16,549 --> 00:52:19,583 I MEAN, MAYBE YOU CAN FINALLY GET YOUR DEGREE, 1213 00:52:19,685 --> 00:52:21,418 BECOME A TEACHER LIKE YOU'VE ALWAYS WANTED TO. 1214 00:52:21,521 --> 00:52:22,786 I JUST-- I DON'T KNOW IF I'M READY 1215 00:52:22,888 --> 00:52:24,522 TO LEAVE THE COFFEE GAME. 1216 00:52:24,624 --> 00:52:27,691 THE THING IS, WE'RE A FAMILY, 1217 00:52:27,793 --> 00:52:31,362 AND I'D NEVER GO WITHOUT YOUR BLESSING. 1218 00:52:32,998 --> 00:52:36,133 WELL, IT'S NOT GONNA BE THE SAME WITHOUT YOU HERE. 1219 00:52:38,538 --> 00:52:40,204 BUT JUST BECAUSE I'M STUCK IN A RUT 1220 00:52:40,306 --> 00:52:44,107 DOESN'T MEAN YOU HAVE TO BE. 1221 00:52:46,279 --> 00:52:48,945 THANK YOU, SIS. 1222 00:52:49,048 --> 00:52:53,350 THAT MEANS A LOT. 1223 00:52:57,923 --> 00:53:03,427 DO WHAT YOU WANT. YOU ALWAYS DO. 1224 00:53:03,529 --> 00:53:05,362 COME WITH ME. I'LL JUST SHOW YOU WHERE IT IS. 1225 00:53:08,167 --> 00:53:11,902 IT ALL GOES SO FAST. 1226 00:53:12,004 --> 00:53:14,305 WHAT DOES? 1227 00:53:14,407 --> 00:53:16,707 TIME. LIFE. 1228 00:53:16,809 --> 00:53:18,141 I MEAN, DO YOU REALIZE 1229 00:53:18,244 --> 00:53:19,577 WE ONLY HAVE A FEW DAYS LEFT ON THIS MOVIE? 1230 00:53:19,679 --> 00:53:22,112 BEFORE YOU KNOW IT, WE'LL BE READING THE REVIEWS, 1231 00:53:22,215 --> 00:53:23,480 AND IN NO TIME WE'LL BE WATCHING 1232 00:53:23,583 --> 00:53:25,449 THE DARN THING ON CABLE. 1233 00:53:25,551 --> 00:53:27,718 WHAT'S YOUR POINT, ROBERTO? 1234 00:53:27,820 --> 00:53:31,855 MY POINT IS... 1235 00:53:31,957 --> 00:53:34,592 WE ONLY GO AROUND ONCE, 1236 00:53:34,694 --> 00:53:36,927 AND I DON'T WANT TO DO IT SOLO. 1237 00:53:37,029 --> 00:53:38,696 WELL, THEN, DON'T. 1238 00:53:38,797 --> 00:53:40,130 I'M SURE THERE ARE A MILLION WOMEN 1239 00:53:40,233 --> 00:53:42,299 IN L.A. ALONE THAT'LL BE HAPPY TO KEEP YOU COMPANY. 1240 00:53:42,401 --> 00:53:45,769 I DON'T WANT ANY OTHER WOMEN. 1241 00:53:45,871 --> 00:53:49,139 I LOVE YOU. 1242 00:53:49,242 --> 00:53:51,609 AND AFTER YOU TOLD ME WHY YOU SIGNED ON TO DO THIS MOVIE, 1243 00:53:51,711 --> 00:53:55,846 I REALIZED JUST HOW MUCH YOU LOVE ME TOO. 1244 00:53:57,049 --> 00:53:59,350 I'M SORRY, ROBERTO. 1245 00:53:59,452 --> 00:54:01,051 IT'S TOO LITTLE, TOO LATE. 1246 00:54:01,153 --> 00:54:03,420 YOU WANT ME TO APOLOGIZE? 1247 00:54:03,522 --> 00:54:07,458 I APOLOGIZE. 1248 00:54:07,560 --> 00:54:08,925 YOU WANT ME TO TELL YOU THAT I'VE BEEN A FOOL? 1249 00:54:09,027 --> 00:54:11,328 I'VE BEEN A FOOL. 1250 00:54:11,430 --> 00:54:14,531 YOU WANT ME TO TELL YOU THAT I WANT YOU TO BE MY WIFE? 1251 00:54:14,634 --> 00:54:19,670 HELENA, WE BELONG TOGETHER. 1252 00:54:19,772 --> 00:54:22,740 MARRY ME. 1253 00:54:22,841 --> 00:54:27,811 YOU DON'T HAVE TO GIVE ME YOUR ANSWER NOW. 1254 00:54:27,913 --> 00:54:31,081 JUST THINK ABOUT IT. 1255 00:54:37,375 --> 00:54:40,210 SO GUESS WHAT? 1256 00:54:40,312 --> 00:54:42,345 YOU FINALLY DUMPED ALL THOSE COPIES OF PARTY HARDY? 1257 00:54:42,447 --> 00:54:43,914 - WHAT? - I HATE THAT MOVIE! 1258 00:54:44,016 --> 00:54:47,084 HATE IT, HATE IT. - I'M MOVING TO L.A. 1259 00:54:47,185 --> 00:54:48,685 GONNA GO WHERE THE ACTION IS. 1260 00:54:48,787 --> 00:54:49,720 - WHAT? - YEAH. 1261 00:54:49,822 --> 00:54:50,721 - REALLY? - YEAH. 1262 00:54:50,823 --> 00:54:52,055 OH, MY GOD, THAT'S FABULOUS. 1263 00:54:52,157 --> 00:54:53,289 I'M REALLY HAPPY FOR YOU, CLARK. 1264 00:54:53,391 --> 00:54:55,492 WELL, I COULDN'T HAVE DONE IT WITHOUT YOU. 1265 00:54:55,594 --> 00:54:57,761 I MEAN, YOU GAVE ME THE CONFIDENCE I NEEDED. 1266 00:54:57,863 --> 00:54:58,662 THANK YOU FOR THAT. 1267 00:54:58,764 --> 00:54:59,830 WELL, YOU'RE WELCOME. 1268 00:54:59,932 --> 00:55:02,032 BUT I GUESS IT'S LIKE ALL THINGS 1269 00:55:02,134 --> 00:55:03,066 IN LIFE, THOUGH, RIGHT? 1270 00:55:03,168 --> 00:55:07,938 YOU WAKE UP ONE MORNING, AND YOU'RE READY. 1271 00:55:08,040 --> 00:55:10,040 SO, YOU TELL EMILY YET? - NOT YET. 1272 00:55:10,142 --> 00:55:12,142 WHY? - OH, NO REASON. 1273 00:55:12,244 --> 00:55:14,111 I JUST FIGURED EVERYONE AROUND HERE 1274 00:55:14,212 --> 00:55:15,078 WILL MISS YOU, THAT'S ALL. 1275 00:55:15,180 --> 00:55:18,682 SO IF YOU HAVE ANY SUGGESTIONS 1276 00:55:18,784 --> 00:55:20,784 ON WHERE TO LOOK FOR A PLACE OR, YOU KNOW, 1277 00:55:20,886 --> 00:55:22,819 ANYTHING ABOUT L.A., THAT'D BE GREAT, 1278 00:55:22,921 --> 00:55:26,089 SINCE YOU'RE THE ONLY PERSON I'LL REALLY KNOW THERE. 1279 00:55:26,191 --> 00:55:27,257 YOU'LL FIND YOUR WAY. 1280 00:55:27,359 --> 00:55:29,760 I MEAN, L.A. IS A REALLY EASY CITY TO NAVIGATE. 1281 00:55:29,862 --> 00:55:31,895 AND-- AND YOU, YOU'RE GONNA MEET PEOPLE 1282 00:55:31,997 --> 00:55:34,531 LEFT AND RIGHT, SO I'M NOT WORRIED ABOUT YOU. 1283 00:55:34,633 --> 00:55:38,401 BUT, UM... I'LL GIVE YOU MY PRIVATE NUMBER. 1284 00:55:38,503 --> 00:55:42,605 YOU CAN CALL ANYTIME. 1285 00:56:39,231 --> 00:56:40,864 HEY, JUSTINE. 1286 00:56:40,966 --> 00:56:43,299 HEY, EMILY. 1287 00:56:43,401 --> 00:56:44,901 HEY, CLARK. 1288 00:56:45,003 --> 00:56:46,970 WHAT BRINGS YOU TO MY HUMBLE WORKPLACE? 1289 00:56:47,072 --> 00:56:49,239 A SUDDEN URGE TO SEE TITANIC. 1290 00:56:49,341 --> 00:56:50,406 DO YOU HAVE A COPY? 1291 00:56:50,508 --> 00:56:52,342 I HAVE SIX COPIES, 1292 00:56:52,444 --> 00:56:55,712 AND SURPRISINGLY, THEY'RE ALL HERE. 1293 00:56:55,814 --> 00:56:57,680 SO, UH, 1294 00:56:57,783 --> 00:56:59,349 WHY AREN'T YOU STREAMING OFF THE INTERNET 1295 00:56:59,451 --> 00:57:01,484 LIKE EVERYONE ELSE? 1296 00:57:01,586 --> 00:57:04,320 OLD HABITS DIE HARD. FOR ME, ANYWAYS. 1297 00:57:07,226 --> 00:57:09,659 SO I HEAR YOU'RE MOVING TO L.A. 1298 00:57:09,762 --> 00:57:12,629 YES, FINALLY GONNA TAKE THE PLUNGE. 1299 00:57:12,731 --> 00:57:14,131 THAT'S GREAT NEWS, CLARK. 1300 00:57:14,233 --> 00:57:16,900 AND I KNOW IT'S SOMETHING YOU'VE ALWAYS WANTED TO DO, 1301 00:57:17,002 --> 00:57:17,901 SO CONGRATS. 1302 00:57:18,003 --> 00:57:20,137 AND I HEARD YOU HAD QUITE THE DATE 1303 00:57:20,239 --> 00:57:21,938 WITH ROBERTO MOLINEZ. 1304 00:57:23,075 --> 00:57:25,408 WELL, HOW HANDY IS IT BEING BEST FRIENDS 1305 00:57:25,510 --> 00:57:27,410 WITH THE TOWN'S LIMO DRIVER? 1306 00:57:27,512 --> 00:57:30,647 IT HAS ITS PERKS, BUT ROBERTO ALSO WEIGHED IN. 1307 00:57:30,749 --> 00:57:34,651 TOLD ME HE FOUND YOU DESIRABLE. 1308 00:57:34,753 --> 00:57:39,489 LOOK, CLARK, I KNOW WHAT ROBERTO'S ALL ABOUT. 1309 00:57:39,591 --> 00:57:41,557 BUT IT WAS A MEMORABLE NIGHT. 1310 00:57:41,660 --> 00:57:44,460 WELL, SO WAS THE NIGHT THE TITANIC WENT DOWN. 1311 00:57:44,562 --> 00:57:47,063 OKAY, HOW MUCH DO I OWE YOU? 1312 00:57:47,166 --> 00:57:48,665 TODAY ONLY, ALL DVDs FREE 1313 00:57:48,767 --> 00:57:50,801 IF YOU EVER DATED A MOVIE STAR. 1314 00:57:50,903 --> 00:57:53,436 I'M KIDDING. 1315 00:57:53,538 --> 00:57:54,971 IT'S ON ME. ENJOY. 1316 00:57:55,073 --> 00:57:57,473 THANK YOU. 1317 00:58:04,049 --> 00:58:05,682 PACKING ALREADY? 1318 00:58:05,784 --> 00:58:06,883 STARTING TO. 1319 00:58:06,985 --> 00:58:08,785 YOU KNOW, TOMORROW IS OUR LAST DAY ON SET, 1320 00:58:08,887 --> 00:58:10,320 SO I THOUGHT I'D, YOU KNOW? 1321 00:58:10,422 --> 00:58:13,589 AND THEN YOU'RE GONE? 1322 00:58:13,692 --> 00:58:16,359 I TELL YOU, IT IS GONNA BE SO GOOD TO GET HOME. 1323 00:58:16,461 --> 00:58:18,461 OF COURSE I HAVE TO DECIDE WHAT I'M GONNA DO NEXT. 1324 00:58:18,563 --> 00:58:20,630 MY AGENT, HE'S BEEN JUGGLING SOME OFFERS. 1325 00:58:20,732 --> 00:58:22,999 I HAVEN'T WANTED TO HEAR ANYTHING, SO... 1326 00:58:23,101 --> 00:58:27,838 WELL, UH, MAYBE WHILE YOU'RE FIGURING THINGS OUT, HELENA, 1327 00:58:27,940 --> 00:58:29,706 WHAT ABOUT US? 1328 00:58:29,808 --> 00:58:31,474 WHAT DO YOU MEAN? 1329 00:58:31,576 --> 00:58:34,177 I SAID I'D SEE YOU IN L.A. 1330 00:58:34,279 --> 00:58:37,480 CLARK... 1331 00:58:39,251 --> 00:58:41,151 YOU'RE A WONDERFUL MAN. 1332 00:58:41,253 --> 00:58:42,518 YOU'RE FUNNY. 1333 00:58:42,620 --> 00:58:44,721 AND YOU'RE SMART, AND YOU'RE KIND. 1334 00:58:44,823 --> 00:58:46,089 BUT? 1335 00:58:46,191 --> 00:58:47,190 YEAH, WHAT HAPPENS IN STONE'S THROW 1336 00:58:47,292 --> 00:58:51,728 STAYS IN STONE'S THROW. 1337 00:58:51,830 --> 00:58:56,699 I THINK YOU MEAN IN STONE'S THROW. 1338 00:58:56,801 --> 00:58:58,768 YOU KNOW, WE'RE JUST FROM DIFFERENT WORLDS. 1339 00:58:58,871 --> 00:59:00,971 IT'S, UH, IT'S NOTHING. 1340 00:59:01,073 --> 00:59:02,839 SURE, I KNOW. 1341 00:59:02,941 --> 00:59:03,974 YOU'RE HELENA HARRIS, 1342 00:59:04,076 --> 00:59:06,042 AND... I'M JUST SOME NOBODY FROM NOWHERE. 1343 00:59:06,144 --> 00:59:07,277 I GET IT. - THAT'S NOT IT AT ALL. 1344 00:59:07,379 --> 00:59:11,014 THAT'S NOT IT AT ALL. - NO? THEN WHAT IS IT? 1345 00:59:11,116 --> 00:59:13,716 I JUST CAN'T. 1346 00:59:13,818 --> 00:59:17,653 LOOK, I JUST CAN'T. PLEASE, JUST PLEASE UNDERSTAND. 1347 00:59:17,756 --> 00:59:18,955 WH-- 1348 00:59:19,057 --> 00:59:20,023 THEN JUST SAY IT. 1349 00:59:20,125 --> 00:59:22,092 YOU'RE STILL IN LOVE WITH ROBERTO. 1350 00:59:22,194 --> 00:59:25,095 MY LIFE, IT'S, UH... 1351 00:59:25,197 --> 00:59:26,897 MY LIFE, CLARK, IT'S VERY COMPLICATED. 1352 00:59:26,999 --> 00:59:31,101 EXCEPT THIS PART. IT'S SIMPLE. 1353 00:59:31,203 --> 00:59:32,369 YOU SAID IT YOURSELF, 1354 00:59:32,470 --> 00:59:34,537 WHAT IF, AFTER ALL THAT CAT AND MOUSE STUFF, 1355 00:59:34,639 --> 00:59:35,671 THEY END UP BACK TOGETHER? 1356 00:59:35,774 --> 00:59:39,943 THAT IT WAS THE CHASE THAT INSPIRED THEM? 1357 00:59:44,883 --> 00:59:48,118 I'M SORRY, CLARK. 1358 00:59:49,854 --> 00:59:54,624 THE HOTEL CALLED, AND THEY SAID THAT MY ROOM IS READY. 1359 00:59:54,726 --> 00:59:59,796 SO-- - SURE. OF COURSE. 1360 01:00:03,435 --> 01:00:05,068 OH, MAN. 1361 01:00:05,170 --> 01:00:11,007 WHEN YOU'RE DONE PACKING, I'LL DRIVE YOU. 1362 01:00:20,285 --> 01:00:23,453 THANKS, MONTY. 1363 01:00:25,991 --> 01:00:30,493 CLARK, THANKS FOR EVERYTHING. 1364 01:00:30,595 --> 01:00:31,761 YOU WERE AN AMAZING HOST, 1365 01:00:31,863 --> 01:00:35,265 AND I ENJOYED EVERY MINUTE. 1366 01:00:38,971 --> 01:00:41,438 LISTEN, HELENA, I-- 1367 01:00:45,944 --> 01:00:49,712 BYE. 1368 01:01:01,059 --> 01:01:02,225 ACTION. 1369 01:01:02,327 --> 01:01:04,160 OH, YEAH. WE LOVE IT UP HERE. 1370 01:01:04,262 --> 01:01:05,628 I'D SAY DIVORCE 1371 01:01:05,730 --> 01:01:07,230 IS NOW THE FURTHEST THING FROM OUR MINDS. 1372 01:01:07,332 --> 01:01:10,800 BELIEVE ME, NO ONE'S MORE SURPRISED THAN US. 1373 01:01:10,902 --> 01:01:13,103 AND THAT'S A CUT. PRINT THAT ONE. 1374 01:01:13,205 --> 01:01:15,905 LOVELY STUFF, ROBERTO. THANK YOU VERY MUCH. 1375 01:01:16,008 --> 01:01:18,308 ALL RIGHT, FOLKS. WE ARE MOVING ON TO SCENE 100. 1376 01:01:18,410 --> 01:01:21,411 SCENE 100. LET'S GET IT GOING. 1377 01:01:26,385 --> 01:01:29,685 I RECEIVED YOUR MESSAGE. 1378 01:01:29,787 --> 01:01:31,654 WE CANNOT KEEP MEETING IN SECRET. 1379 01:01:31,756 --> 01:01:33,423 OUR LOVE MUST BE SET FREE. 1380 01:01:33,525 --> 01:01:35,225 NO, I MUST SPEAK. 1381 01:01:35,327 --> 01:01:38,128 IT MATTERS NOT WHAT OTHERS THINK. 1382 01:01:38,230 --> 01:01:41,464 I WOULD FORFEIT MY WORLD TO BE WITH YOU. 1383 01:02:19,204 --> 01:02:21,237 SO YOU GONNA DROP BY THE SET, 1384 01:02:21,339 --> 01:02:23,005 SAY GOOD-BYE TO EVERYONE TODAY? 1385 01:02:23,108 --> 01:02:24,541 UH, NO, I DON'T THINK SO. 1386 01:02:24,642 --> 01:02:26,242 I GOT A LOT TO DO AT THE STORE. 1387 01:02:26,344 --> 01:02:27,643 LIKE WHAT? 1388 01:02:27,745 --> 01:02:30,180 YOU KNOW, STUFF. 1389 01:02:30,282 --> 01:02:32,215 WELL, YOU KNOW YOU'RE GONNA SEE HELENA 1390 01:02:32,317 --> 01:02:33,216 WHEN YOU MOVE TO LOS ANGELES. 1391 01:02:33,318 --> 01:02:34,917 I'M SURE YOU'RE GONNA BE GREAT FRIENDS. 1392 01:02:35,019 --> 01:02:36,186 IF I MOVE TO L.A. 1393 01:02:36,288 --> 01:02:37,554 "IF"? 1394 01:02:37,655 --> 01:02:39,855 I THOUGHT YOU SAID YOU ALREADY DECIDED. 1395 01:02:39,958 --> 01:02:43,159 IT'S A BIG MOVE. THERE'S A LOT TO THINK ABOUT. 1396 01:02:43,261 --> 01:02:45,195 OKAY. 1397 01:02:45,297 --> 01:02:47,430 BUT JUST PROMISE ME YOU'RE NOT HAVING 1398 01:02:47,532 --> 01:02:50,400 SECOND THOUGHTS BECAUSE OF ME OR YOUR SISTER. 1399 01:02:50,502 --> 01:02:52,202 I PROMISE. 1400 01:02:52,304 --> 01:02:55,305 ALL RIGHT. 1401 01:03:22,770 --> 01:03:25,637 AM I INTERRUPTING ANYTHING? 1402 01:03:25,739 --> 01:03:27,472 OH, NO. JUST TRYING TO FIGURE OUT 1403 01:03:27,574 --> 01:03:28,740 WHAT TO DO WITH THE REST OF MY LIFE. 1404 01:03:28,842 --> 01:03:30,742 PEOPLE STILL JOIN THE PEACE CORPS? 1405 01:03:30,844 --> 01:03:33,478 WHAT ABOUT L.A.? 1406 01:03:33,580 --> 01:03:37,849 UH, SUDDENLY, L.A.'S NOT LOOKING SO SUNNY. 1407 01:03:37,951 --> 01:03:41,352 I HEARD ABOUT YOU AND HELENA, CLARK. I'M SORRY. 1408 01:03:41,455 --> 01:03:43,722 I DIDN'T KNOW YOU WERE ROOTING FOR US. 1409 01:03:43,824 --> 01:03:44,923 SHUT UP. 1410 01:03:45,025 --> 01:03:47,292 WE HAVE KNOWN EACH OTHER WAY TOO LONG FOR THAT. 1411 01:03:47,394 --> 01:03:48,927 I WANT YOU TO BE HAPPY. 1412 01:03:49,029 --> 01:03:51,195 LOOK, WE HAVEN'T TALKED ENOUGH SINCE YOU GOT BACK. 1413 01:03:51,298 --> 01:03:52,964 I APOLOGIZE FOR THAT. 1414 01:03:53,066 --> 01:03:55,099 YOU HAVE YOUR LIFE. I HAVE MINE. 1415 01:03:55,201 --> 01:03:57,669 BUT HOW IS YOUR LIFE, REALLY? 1416 01:03:57,771 --> 01:03:58,904 IT'S GOOD. 1417 01:03:59,005 --> 01:04:01,706 STRANGE, NOT TO BE MARRIED AFTER ALL THAT TIME. 1418 01:04:01,809 --> 01:04:04,643 BUT IT WAS FOR THE BEST. 1419 01:04:04,745 --> 01:04:07,946 I'M SORRY IT DIDN'T WORK OUT. 1420 01:04:08,048 --> 01:04:10,715 BACK THEN, YOU WERE TALKING ABOUT MOVING TO L.A., 1421 01:04:10,818 --> 01:04:15,053 AND... MAYBE I SHOULD HAVE GONE WITH YOU. 1422 01:04:15,155 --> 01:04:17,055 I WANTED YOU TO GO WITH ME, 1423 01:04:17,157 --> 01:04:19,090 BUT YOU JUST DIDN'T BELIEVE IN MY DREAM ENOUGH. 1424 01:04:19,192 --> 01:04:23,662 I JUST THOUGHT YOU BELIEVED IN IT TOO MUCH. 1425 01:04:23,764 --> 01:04:25,530 YEAH, AND LOOK WHERE THAT GOT ME. 1426 01:04:25,632 --> 01:04:26,531 CLARK, LISTEN. 1427 01:04:26,633 --> 01:04:30,836 BIG DREAMS ARE BETTER THAN NO DREAMS. 1428 01:04:30,938 --> 01:04:35,607 ANYWAY, THANK YOU FOR THE MOVIE. 1429 01:04:35,709 --> 01:04:37,776 AND, IN CASE YOU'RE WONDERING, 1430 01:04:37,878 --> 01:04:40,879 THE BOAT STILL SINKS, AND PEOPLE STILL DIE. 1431 01:04:40,981 --> 01:04:42,246 CAN'T REWRITE HISTORY? 1432 01:04:42,349 --> 01:04:44,816 I GUESS NOT, HUH? 1433 01:04:44,918 --> 01:04:47,285 GOOD TO SEE YOU. 1434 01:04:47,387 --> 01:04:50,221 YOU TOO. 1435 01:04:58,966 --> 01:05:00,866 YOU SHOULD GO TO THAT WRAP PARTY. 1436 01:05:00,968 --> 01:05:03,735 - NAH, IT'S TOO WEIRD. - CLARK, COME ON, MAN. 1437 01:05:03,837 --> 01:05:05,370 YOU WERE PART OF THIS AMAZING EXPERIENCE, OKAY? 1438 01:05:05,472 --> 01:05:07,839 DON'T GO GET ALL MOPEY NOW JUST BECAUSE-- 1439 01:05:07,941 --> 01:05:10,609 OKAY, LOOK, I GET IT. - I DON'T KNOW. 1440 01:05:10,711 --> 01:05:13,111 I MEAN, EVERYBODY'S GONNA BE PARTYING AND DANCING AND ALL. 1441 01:05:13,213 --> 01:05:14,613 SO YOU NEED A WING-PERSON. 1442 01:05:14,715 --> 01:05:16,381 WHAT ABOUT EMILY? 1443 01:05:16,483 --> 01:05:17,983 EMILY? WHAT ABOUT YOU? 1444 01:05:18,084 --> 01:05:19,317 NO, YOU WOULD HATE DANCING WITH ME. 1445 01:05:19,419 --> 01:05:20,418 I HAVE TWO LEFT FEET. 1446 01:05:20,521 --> 01:05:23,889 BESIDES, I-I HAVE A DATE. 1447 01:05:23,991 --> 01:05:25,624 - WITH WHO? - JUSTINE. 1448 01:05:25,726 --> 01:05:27,592 JUSTINE? SHE FINALLY SAID YES? 1449 01:05:27,694 --> 01:05:29,093 YEAH, SOMETHING ABOUT NEEDING 1450 01:05:29,195 --> 01:05:30,061 TO CLIMB OUT OF A RUT. 1451 01:05:30,163 --> 01:05:31,696 SO I TOLD HER, "I AM HERE FOR YOU." 1452 01:05:31,798 --> 01:05:34,065 THAT'S GREAT. 1453 01:05:34,167 --> 01:05:36,334 BUT JUST REMEMBER, SHE'S MY SISTER, 1454 01:05:36,436 --> 01:05:37,368 AND I KNOW WHERE YOU LIVE. 1455 01:05:37,470 --> 01:05:38,670 DON'T WORRY. 1456 01:05:38,772 --> 01:05:40,805 I WILL TREAT HER EXACTLY LIKE SHE'S MY OWN SISTER. 1457 01:05:40,908 --> 01:05:42,273 NOT EXACTLY. 1458 01:05:42,375 --> 01:05:46,678 HEY, YOU, GO TO THE PARTY. ASK EMILY. 1459 01:05:46,780 --> 01:05:50,048 OKAY? 1460 01:05:57,223 --> 01:05:58,423 I WANT TO THANK YOU 1461 01:05:58,525 --> 01:06:02,027 FOR FORGIVING ME 1462 01:06:02,128 --> 01:06:04,062 AND FOR COMING BACK. 1463 01:06:04,164 --> 01:06:09,167 I LOVE YOU, HELENA. 1464 01:06:22,649 --> 01:06:24,716 WELL, IF IT ISN'T MR. GABLE. 1465 01:06:24,818 --> 01:06:27,085 SO GLAD YOU WERE ABLE TO JOIN US. 1466 01:06:27,187 --> 01:06:29,921 YEAH, I THOUGHT I'D COME BY FOR A DRINK. 1467 01:06:30,023 --> 01:06:31,957 I'LL TAKE A BEER, PLEASE. 1468 01:06:32,059 --> 01:06:35,727 THAT IS A CAPITAL IDEA. 1469 01:06:35,829 --> 01:06:37,596 SO, LISTEN, WHEN AM I GONNA READ 1470 01:06:37,698 --> 01:06:39,764 THAT MARVELOUS SCRIPT YOU'VE BEEN WRITING? 1471 01:06:39,866 --> 01:06:42,266 UH, AFTER I MAKE IT MARVELOUS. 1472 01:06:42,368 --> 01:06:43,768 I'M SERIOUS. 1473 01:06:43,870 --> 01:06:44,970 I WANT YOU TO SEND IT OVER TO ME 1474 01:06:45,072 --> 01:06:46,270 JUST WHEN YOU'RE READY. 1475 01:06:46,372 --> 01:06:48,940 I'M ALWAYS LOOKING TO FALL IN LOVE WITH A NEW SCRIPT. 1476 01:06:49,042 --> 01:06:50,875 LADIES AND GENTLEMEN, 1477 01:06:50,978 --> 01:06:51,910 DEAR FRIENDS, FELLOW COWORKERS, 1478 01:06:52,012 --> 01:06:53,277 MAY I HAVE YOUR ATTENTION, PLEASE? 1479 01:06:53,379 --> 01:06:56,214 HELENA AND I WOULD LIKE TO SHARE SOME EXCITING NEWS 1480 01:06:56,316 --> 01:06:58,316 BEFORE YOU READ ABOUT IT ONLINE. 1481 01:06:58,418 --> 01:07:00,384 OH, LORD, YOU'RE GONNA BE FIGHTING EACH OTHER 1482 01:07:00,487 --> 01:07:02,320 ON PAY-PER-VIEW. - CLOSE. 1483 01:07:02,422 --> 01:07:04,990 AFTER THIS, MAYBE. 1484 01:07:05,092 --> 01:07:07,291 HELENA AND I ARE GETTING MARRIED. 1485 01:07:09,730 --> 01:07:12,263 - WOW. - FINALLY. 1486 01:07:12,365 --> 01:07:16,334 - YOU GOT IT, JACK. - ALL RIGHT. 1487 01:07:16,436 --> 01:07:18,302 HEY. ALL RIGHT. 1488 01:07:18,404 --> 01:07:21,239 THANK YOU. 1489 01:07:22,375 --> 01:07:24,909 AH... OH! 1490 01:07:25,012 --> 01:07:27,345 LADY HUG, LADY HUG. 1491 01:07:27,447 --> 01:07:32,150 - THANKS. - THANK YOU. 1492 01:07:32,252 --> 01:07:34,119 CONGRATULATIONS, YOU TWO. 1493 01:07:34,220 --> 01:07:36,554 THAT IS INCREDIBLY SWEET OF YOU, CLARK. UM-- 1494 01:07:36,657 --> 01:07:41,159 I KNOW YOU DON'T MEAN IT, BUT THANKS ANYWAY. 1495 01:07:41,261 --> 01:07:42,661 HAVE A GOOD NIGHT. OKAY? 1496 01:07:42,763 --> 01:07:46,230 YOU TOO. 1497 01:07:48,001 --> 01:07:51,936 SMILE AND SAY, "HONEYMOON." 1498 01:07:52,039 --> 01:07:54,539 HONEYMOON. 1499 01:07:54,641 --> 01:07:57,042 OH, YOU'D BE AMAZED AT THE AMOUNT OF RUBBISH 1500 01:07:57,144 --> 01:07:58,076 I HAVE TO WADE THROUGH. 1501 01:07:58,178 --> 01:07:59,544 NOT THAT YOURS ISN'T REALLY NICE, I'M SURE. 1502 01:07:59,646 --> 01:08:01,179 SO YOU SEND ME THAT SCRIPT, ALL RIGHT? 1503 01:08:01,281 --> 01:08:03,347 DARLING DOYLE, 1504 01:08:03,449 --> 01:08:04,582 MAY I HAVE A WORD WITH CLARK, PLEASE? 1505 01:08:04,685 --> 01:08:07,919 OH, YES, OF COURSE YOU MAY. 1506 01:08:08,021 --> 01:08:11,189 JUST BE GENTLE, HMM? 1507 01:08:12,993 --> 01:08:17,528 - HI. - HEY. 1508 01:08:17,630 --> 01:08:20,799 I JUST WANTED TO APOLOGIZE TO YOU FOR ROBERTO. 1509 01:08:20,901 --> 01:08:23,001 NO, NO. 1510 01:08:23,103 --> 01:08:26,738 REALLY, UNDERNEATH ALL THAT TYPE-"A" BRAVADO, 1511 01:08:26,840 --> 01:08:31,710 HE'S JUST-- JUST AN INSECURE GUY. 1512 01:08:34,081 --> 01:08:36,681 AND YOU... 1513 01:08:36,783 --> 01:08:40,685 YOU'RE SO SWEET. 1514 01:08:40,787 --> 01:08:45,323 AND THIS IS GONNA SOUND LIKE A LINE, BUT... 1515 01:08:45,425 --> 01:08:48,827 YOU DESERVE SOMEONE BETTER. 1516 01:08:50,430 --> 01:08:52,063 EMILY, IT'S SO NICE TO SEE YOU. 1517 01:08:52,165 --> 01:08:54,298 HEY. NICE TO SEE YOU. 1518 01:08:54,400 --> 01:08:55,600 I GOT YOUR MESSAGE. 1519 01:08:55,702 --> 01:08:57,702 HOPE IT'S NOT TOO LATE. 1520 01:08:57,804 --> 01:09:02,774 UM, ACTUALLY, EMILY, I WAS JUST LEAVING. 1521 01:09:02,876 --> 01:09:05,210 OH. OKAY. 1522 01:09:05,311 --> 01:09:07,912 GOOD-BYE, HELENA. 1523 01:09:08,014 --> 01:09:09,214 SAFE TRAVELS. 1524 01:09:09,315 --> 01:09:12,884 TAKE CARE, CLARK. 1525 01:09:20,660 --> 01:09:22,794 MARRIED? 1526 01:09:22,896 --> 01:09:24,562 WOW. 1527 01:09:24,664 --> 01:09:26,364 YOU OKAY? 1528 01:09:26,466 --> 01:09:29,567 YEAH. I'M FINE. 1529 01:09:29,669 --> 01:09:32,603 THAT'S SHOW BIZ, RIGHT? 1530 01:09:35,475 --> 01:09:38,542 YOU WANT TO GO FOR A WALK? 1531 01:09:38,645 --> 01:09:40,745 I'D LOVE TO. 1532 01:09:45,518 --> 01:09:47,952 SO IF DOYLE LIKES YOUR SCRIPT, 1533 01:09:48,054 --> 01:09:50,454 YOU THINK HE'D WANT TO DIRECT IT? 1534 01:09:50,556 --> 01:09:52,991 WELL, HE CAN DIRECT ANY SCRIPT HE WANTS. 1535 01:09:53,093 --> 01:09:54,926 I DON'T KNOW WHY HE'D WANT TO PICK MINE. 1536 01:09:55,028 --> 01:09:56,861 SINCE WHEN ARE YOU SUCH A PESSIMIST? 1537 01:09:56,963 --> 01:09:58,429 BESIDES, I THOUGHT YOU LIKED HIM. 1538 01:09:58,531 --> 01:10:02,533 I DID. UH, I DO. 1539 01:10:02,635 --> 01:10:03,701 I'M A LITTLE CONFUSED 1540 01:10:03,804 --> 01:10:07,872 ABOUT HOW I FEEL ABOUT EVERYONE RIGHT NOW. 1541 01:10:07,974 --> 01:10:10,208 DOES THAT INCLUDE ME? 1542 01:10:10,310 --> 01:10:13,311 OH, EMILY, I NEVER STOPPED THINKING ABOUT YOU. 1543 01:10:13,413 --> 01:10:15,947 AND YOU KNOW THAT, DON'T YOU? 1544 01:10:16,049 --> 01:10:19,583 WELL, I DO NOW, BUT, LIKE YOU SAID, 1545 01:10:19,686 --> 01:10:23,021 WE CAN'T REWRITE HISTORY. 1546 01:10:23,123 --> 01:10:25,924 DID I SAY THAT? 1547 01:10:36,002 --> 01:10:37,001 I SHOULD GO. 1548 01:10:37,103 --> 01:10:39,037 GO WHERE? 1549 01:10:39,139 --> 01:10:41,405 EMILY, UM... 1550 01:11:08,401 --> 01:11:10,268 SO YOU AND PHIL REALLY HAD A GOOD TIME? 1551 01:11:10,370 --> 01:11:12,971 YEAH, NO ONE'S MORE SURPRISED ABOUT THAT THAN I AM, 1552 01:11:13,073 --> 01:11:16,540 BUT HE WAS ACTUALLY SWEET AND FUNNY AND RESPECTFUL. 1553 01:11:16,642 --> 01:11:18,576 I MEAN, IT WAS LIKE HE WAS A COMPLETELY DIFFERENT PERSON. 1554 01:11:18,678 --> 01:11:20,411 LIKE A STRANGER, ONLY IN A GOOD WAY. 1555 01:11:20,513 --> 01:11:21,779 YOU THINK THERE'S A FUTURE? 1556 01:11:21,882 --> 01:11:24,749 ONE BIG STEP AT A TIME. 1557 01:11:24,851 --> 01:11:27,285 HOW WAS THE WRAP PARTY? 1558 01:11:27,387 --> 01:11:29,988 I DON'T KNOW. WE LEFT AS SOON AS I GOT THERE. 1559 01:11:30,090 --> 01:11:33,491 THINGS WERE WEIRD BETWEEN ME AND CLARK. 1560 01:11:33,593 --> 01:11:35,659 YOU KNOW, I DON'T CARE WHAT ANYONE SAYS. 1561 01:11:35,762 --> 01:11:37,362 THERE REALLY ARE NO SECOND CHANCES. 1562 01:11:37,463 --> 01:11:39,797 IT KIND OF SEEMS LIKE THERE IS WITH ROBERTO AND HELENA. 1563 01:11:39,900 --> 01:11:43,034 WELL, WE'LL SEE HOW LONG THAT LASTS. 1564 01:11:43,136 --> 01:11:45,803 LET'S GO. 1565 01:12:06,227 --> 01:12:07,160 I'LL BE RIGHT BACK, OKAY? 1566 01:12:07,262 --> 01:12:09,128 WHAT-- UH, WHERE ARE YOU GOING? 1567 01:12:30,418 --> 01:12:32,586 LET ME GET THE DOOR FOR YOU. 1568 01:12:32,688 --> 01:12:34,053 I DON'T SEE WHY YOU NEED TO STOP HERE. 1569 01:12:34,155 --> 01:12:38,324 I FORGOT SOMETHING. IT'LL ONLY TAKE A MINUTE, OKAY? 1570 01:13:10,392 --> 01:13:11,958 ONE MORE STOP. COOL YOUR JETS. 1571 01:13:12,060 --> 01:13:15,028 IT'LL BE ONE SECOND. 1572 01:13:15,130 --> 01:13:17,063 HELENA! 1573 01:13:19,067 --> 01:13:21,968 COME ON, ALREADY, LET'S GO! 1574 01:14:04,212 --> 01:14:06,512 "DEAREST CLARK, THANK YOU AGAIN 1575 01:14:06,615 --> 01:14:09,983 "FOR YOUR LOVE AND FRIENDSHIP DURING MY STAY IN STONE'S THROW. 1576 01:14:10,085 --> 01:14:12,919 "YOU MADE MY TIME HERE THOROUGHLY ENJOYABLE 1577 01:14:13,021 --> 01:14:17,356 "AND HELPED REMIND ME WHAT I LOVE MOST ABOUT ACTING: 1578 01:14:17,459 --> 01:14:20,126 "SEEING THE WORLD THROUGH A WHOLE NEW SET OF EYES. 1579 01:14:20,228 --> 01:14:24,097 "PLEASE GET IN TOUCH ONCE YOU'RE SETTLED IN L.A. 1580 01:14:24,199 --> 01:14:26,967 "ANY WAY I CAN HELP YOU WOULD BE AN HONOR. 1581 01:14:27,069 --> 01:14:28,802 "I JUST ASK YOU ONE THING: 1582 01:14:28,904 --> 01:14:31,304 "WHEN YOU BECOME A FAMOUS SCREENWRITER, 1583 01:14:31,406 --> 01:14:33,707 "DON'T FORGET ABOUT ME. 1584 01:14:33,809 --> 01:14:37,410 "P.S., I'VE CONVINCED THE STUDIO 1585 01:14:37,512 --> 01:14:39,345 "TO HOLD A SCREENING OF THIS MAGIC MOMENT 1586 01:14:39,447 --> 01:14:40,480 "AT YOUR THEATER. 1587 01:14:40,582 --> 01:14:41,681 "I KNOW, PRETTY EXCITING. 1588 01:14:41,783 --> 01:14:44,250 "AND GUESS WHAT'S EVEN MORE EXCITING? 1589 01:14:44,352 --> 01:14:47,787 RENOVATIONS ARE ON ME. SEE YOU THERE." 1590 01:15:03,438 --> 01:15:05,005 I'VE BEEN THINKING. 1591 01:15:05,107 --> 01:15:06,572 AS SOON AS WE GET BACK TO L.A., 1592 01:15:06,675 --> 01:15:07,974 WE'LL SET A WEDDING DATE, 1593 01:15:08,076 --> 01:15:09,643 AND WE'LL PUT YOUR HOUSE ON THE MARKET. 1594 01:15:09,745 --> 01:15:11,911 WHY CAN'T WE LIVE IN MY HOUSE AFTER WE GET MARRIED? 1595 01:15:12,014 --> 01:15:13,346 - IT'S TOO SMALL. - SMALL? 1596 01:15:13,448 --> 01:15:15,148 ANY BIGGER, IT WOULD HAVE ITS OWN ZIP CODE. 1597 01:15:15,250 --> 01:15:18,217 BESIDES, YOU LOVE MY OCEAN VIEW... 1598 01:15:18,319 --> 01:15:20,754 THE HORSES, THE TENNIS COURTS... 1599 01:15:20,856 --> 01:15:24,024 AND ME. 1600 01:15:31,232 --> 01:15:33,599 IT'S GONNA BE GREAT, HELENA. 1601 01:15:33,702 --> 01:15:38,371 IT'S GONNA BE GREAT. 1602 01:15:41,076 --> 01:15:44,210 - PHIL, STOP. I'M ON MY WAY. - 10-4, BUDDY. 1603 01:15:53,855 --> 01:15:55,421 ALL RIGHT, WAIT. WHERE ARE YOU? 1604 01:15:55,523 --> 01:15:57,724 JUST CROSSING THE BRIDGE. YOU HURRY. 1605 01:15:57,826 --> 01:15:59,492 ALL RIGHT, GOT IT. 1606 01:16:05,100 --> 01:16:07,100 SORRY, FOLKS, WE HAVE TO PULL OVER. 1607 01:16:07,202 --> 01:16:09,569 CAR TROUBLE. 1608 01:16:18,580 --> 01:16:21,848 THANK YOU. 1609 01:16:30,192 --> 01:16:32,525 IT IS WHAT IT IS. 1610 01:16:32,627 --> 01:16:35,095 THEY'RE NICE PEOPLE, OKAY, ROBERTO? 1611 01:16:35,197 --> 01:16:36,863 LOOK, THEY'RE DOING THE BEST THEY CAN. 1612 01:16:36,965 --> 01:16:38,264 IT'S A SMALL TOWN. 1613 01:16:38,366 --> 01:16:39,265 HELENA! 1614 01:16:39,367 --> 01:16:42,168 WHAT ARE YOU DOING HERE? 1615 01:16:42,270 --> 01:16:44,303 - OH, GOODY, ANOTHER SCENE. - I KNOW. 1616 01:16:44,405 --> 01:16:48,141 I NEED TO TALK TO HELENA. 1617 01:16:48,243 --> 01:16:51,310 CLARK... YOU GOT MY NOTE. 1618 01:16:51,412 --> 01:16:53,813 I DID. IT WAS BEAUTIFUL. THANK YOU. 1619 01:16:53,915 --> 01:16:55,248 I MEANT EVERY WORD, YOU KNOW. 1620 01:16:55,350 --> 01:16:57,350 I WANTED TO SAY GOOD-BYE. I JUST COULDN'T. 1621 01:16:57,452 --> 01:16:59,819 - HELENA! - DON'T WORRY ABOUT HIM. 1622 01:16:59,921 --> 01:17:01,520 WHAT WERE YOU SAYING, CLARK? 1623 01:17:01,623 --> 01:17:05,792 OH, WAIT. I ALMOST FORGOT. 1624 01:17:12,267 --> 01:17:14,734 MY "H"! 1625 01:17:14,836 --> 01:17:16,936 I CAN'T BELIEVE I LEFT WITHOUT IT. 1626 01:17:18,039 --> 01:17:19,338 I ALSO COULDN'T LET YOU LEAVE WITHOUT SAYING THIS. 1627 01:17:19,440 --> 01:17:21,074 WHAT, CLARK? 1628 01:17:21,176 --> 01:17:22,541 YOU CAN'T MARRY ROBERTO. 1629 01:17:22,644 --> 01:17:24,410 YOU TOLD ME I DESERVE BETTER. 1630 01:17:24,512 --> 01:17:27,313 WELL, I WAS THINKING ABOUT THAT, AND SO DO YOU. 1631 01:17:27,415 --> 01:17:28,948 WHAT ARE YOU TELLING ME, CLARK? 1632 01:17:29,050 --> 01:17:31,317 TO LEAVE ROBERTO. START OVER. 1633 01:17:31,419 --> 01:17:32,618 FIND TRUE LOVE, JUST LIKE IN THE MOVIES. 1634 01:17:32,720 --> 01:17:33,887 WITH YOU? 1635 01:17:33,989 --> 01:17:39,192 NO. YOU WERE RIGHT. 1636 01:17:39,294 --> 01:17:40,794 I MEAN, WE'RE JUST TOO DIFFERENT, 1637 01:17:40,896 --> 01:17:41,928 FROM WAY TOO DIFFERENT WORLDS. 1638 01:17:42,030 --> 01:17:45,198 EVEN IF I WAS LIVING IN L.A. WRITING MOVIES, 1639 01:17:45,300 --> 01:17:47,767 WE'D STILL BE DAY AND NIGHT. 1640 01:17:47,869 --> 01:17:50,703 BUT YOU'VE HELPED ME SO MUCH. I HAD TO RETURN THE FAVOR. 1641 01:17:50,806 --> 01:17:53,807 YOU CAN LISTEN TO ME OR NOT. 1642 01:17:53,909 --> 01:17:57,543 BUT YOU DESERVE A SECOND CHANCE AT HAPPINESS. 1643 01:17:57,645 --> 01:18:00,013 NOT WITH ROBERTO. 1644 01:18:00,115 --> 01:18:04,317 HELENA, I WANT YOU BACK IN THE CAR RIGHT NOW! 1645 01:18:04,419 --> 01:18:08,421 - OR WHAT? - OR... 1646 01:18:08,523 --> 01:18:11,624 THE WEDDING IS OFF! 1647 01:18:11,726 --> 01:18:15,328 WELL, I HAVE A NEWSFLASH FOR YOU, ROBERTO. 1648 01:18:15,430 --> 01:18:18,898 THE WEDDING IS OFF. - WHAT ARE YOU SAYING? 1649 01:18:19,000 --> 01:18:22,001 I'M NOT IN LOVE WITH YOU. 1650 01:18:28,576 --> 01:18:30,576 I'LL BE WAITING IN THE CAR. 1651 01:18:38,019 --> 01:18:41,520 REALLY, THANK YOU SO MUCH. 1652 01:18:41,622 --> 01:18:44,457 RIGHT BACK AT YOU, HELENA HARRIS. 1653 01:18:44,559 --> 01:18:47,894 YOU REALLY DID CHANGE MY LIFE, CLARK GABLE. 1654 01:18:47,996 --> 01:18:52,232 BY THE WAY, YOUR OFFER TO FIX UP THE CAMEO, 1655 01:18:52,334 --> 01:18:54,700 THAT'S AMAZING. 1656 01:18:54,802 --> 01:18:57,503 NOBODY IN TOWN WILL EVER FORGET IT, 1657 01:18:57,605 --> 01:18:58,838 ESPECIALLY ME. 1658 01:18:58,940 --> 01:19:01,941 YOU REALLY CAN HAVE IT ALL, CLARK. 1659 01:19:02,043 --> 01:19:06,045 THE RELATIONSHIP YOU WANT, THE CAREER YOU WANT... 1660 01:19:06,147 --> 01:19:07,180 THE LIFE YOU WANT-- 1661 01:19:07,282 --> 01:19:10,383 IT'S ALL JUST THERE FOR THE TAKING. 1662 01:19:10,485 --> 01:19:12,418 AND DON'T WORRY ABOUT GOING TO L.A. 1663 01:19:12,520 --> 01:19:16,155 YOU CAN WRITE ANYWHERE. JUST-- 1664 01:19:16,258 --> 01:19:19,359 JUST BE HAPPY. 1665 01:19:28,003 --> 01:19:30,036 THANK YOU. 1666 01:19:33,574 --> 01:19:37,176 IT'S ALL FIXED. 1667 01:19:37,279 --> 01:19:38,577 WE SHOULD GET GOING. 1668 01:19:38,679 --> 01:19:40,880 OKAY. 1669 01:19:40,982 --> 01:19:43,249 ALL RIGHT, TIME TO GO. 1670 01:19:43,351 --> 01:19:48,121 OH, AND SAY GOOD-BYE TO EMILY FOR ME, WOULD YOU? 1671 01:19:48,223 --> 01:19:51,090 SHE'S A KEEPER. 1672 01:19:55,696 --> 01:20:00,333 LAST CHANCE, HELENA. 1673 01:20:00,435 --> 01:20:02,568 PURSE. 1674 01:20:08,143 --> 01:20:10,109 MAY I? 1675 01:20:10,211 --> 01:20:11,344 BY ALL MEANS, MY DARLING. 1676 01:20:11,446 --> 01:20:14,080 THANK YOU, THANK YOU, THANK YOU. 1677 01:21:05,233 --> 01:21:08,667 SO IS EVERYONE GONE? 1678 01:21:08,769 --> 01:21:12,205 WITH THE WIND. 1679 01:21:13,375 --> 01:21:15,941 I'M GLAD YOU CAME. - ME TOO. 1680 01:21:16,044 --> 01:21:17,377 WHY HERE? 1681 01:21:17,479 --> 01:21:19,379 THIS IS WHERE WE WENT ON OUR FIRST DATE. 1682 01:21:19,481 --> 01:21:21,947 OH. 1683 01:21:22,050 --> 01:21:24,117 I REMEMBER, THAT NIGHT, THINKING WE 1684 01:21:24,219 --> 01:21:25,818 WERE GONNA SPEND THE REST OF OUR LIVES TOGETHER. 1685 01:21:25,920 --> 01:21:27,420 AND I THOUGHT YOU LOOKED MORE BEAUTIFUL 1686 01:21:27,522 --> 01:21:31,090 THAN ANY GIRL I'D EVER SEEN. 1687 01:21:31,192 --> 01:21:34,727 SO ARE YOU, UM... CLOSING THE STORE 1688 01:21:34,829 --> 01:21:36,129 AND MOVING TO L.A.? 1689 01:21:36,231 --> 01:21:38,697 ACTUALLY, JUST THE OPPOSITE. 1690 01:21:38,799 --> 01:21:41,967 WHAT ABOUT YOUR WRITING? YOUR-- YOUR DREAM? 1691 01:21:42,070 --> 01:21:44,303 I CAN WRITE RIGHT HERE. 1692 01:21:44,406 --> 01:21:48,107 AND, UH... I KIND OF HAVE A NEW DREAM. 1693 01:22:04,225 --> 01:22:05,958 - THAT WAS THE BEST. - OH, MY GOSH. 1694 01:22:06,061 --> 01:22:08,061 I'M SO PROUD OF CLARK. - OH, I AM TOO. 1695 01:22:08,163 --> 01:22:10,096 AND THIS IS ALL SO EXCITING, I JUST-- 1696 01:22:10,198 --> 01:22:11,497 DO YOU THINK I'LL GET A RAISE THEN? 1697 01:22:11,599 --> 01:22:12,565 WELL, I WOULD DEFINITELY ASK HIM. 1698 01:22:12,667 --> 01:22:14,534 HELENA, ARE YOU HAPPY WITH THE MOVIE? 1699 01:22:14,635 --> 01:22:16,001 I COULDN'T BE HAPPIER. 1700 01:22:16,104 --> 01:22:18,171 OUR DIRECTOR DID A FABULOUS JOB. 1701 01:22:18,273 --> 01:22:20,506 AND, CLARK, I UNDERSTAND YOU HAD A ROLE IN THE FILM TOO. 1702 01:22:20,608 --> 01:22:22,108 SO ANY OTHER PLANS TO ACT? 1703 01:22:22,210 --> 01:22:23,642 UH, NO. NO. 1704 01:22:23,744 --> 01:22:26,045 BUT I DID JUST SELL MY FIRST SCREENPLAY, 1705 01:22:26,147 --> 01:22:27,547 WHICH STARTS SHOOTING THIS SUMMER, 1706 01:22:27,648 --> 01:22:30,249 RIGHT AFTER THIS BEAUTIFUL LADY AND I GET MARRIED. 1707 01:22:30,351 --> 01:22:31,951 ANY DETAILS ON THE PROJECT? 1708 01:22:32,053 --> 01:22:34,387 IT'S A ROMANTIC THRILLER CALLED A MILLION REASONS. 1709 01:22:34,489 --> 01:22:37,557 FINANCING IS SET, DOYLE DUNCAN IS DIRECTING, 1710 01:22:37,658 --> 01:22:40,726 AND OUR LEAD JUST SIGNED HER CONTRACT. 1711 01:22:40,828 --> 01:22:42,027 CAN YOU TELL US WHO THAT IS? 1712 01:22:42,130 --> 01:22:44,897 HE CAN'T, BUT I CAN. 1713 01:22:44,999 --> 01:22:45,998 IT IS ME. 1714 01:22:46,101 --> 01:22:48,701 SO, CLARK, HOW DOES THIS ALL FEEL? 1715 01:22:48,803 --> 01:22:51,904 LIKE ANYTHING IS POSSIBLE. 1716 01:22:52,006 --> 01:22:53,772 - THANK YOU, GUYS. - THANKS. 1717 01:22:53,874 --> 01:22:57,776 OH, MISS HARRIS, MISS HARRIS, ONE MORE QUESTION... 1718 01:23:02,383 --> 01:23:03,316 HOW YOU DOING? 1719 01:23:06,588 --> 01:23:08,221 THANK YOU. THANK YOU. APPRECIATE IT. 120957