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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,016 --> 00:00:03,916 http://Scene-RLS.net 2 00:00:03,940 --> 00:00:06,660 Here at The Repair Shop, we take amazing objects from the past... 3 00:00:06,680 --> 00:00:07,960 Oh, wow. Look at that! 4 00:00:07,960 --> 00:00:09,520 ..and bring them back to life. 5 00:00:09,520 --> 00:00:13,200 There's so much history that could've been lost there. 6 00:00:13,200 --> 00:00:15,560 You've got to have a love to do this type of work. 7 00:00:15,560 --> 00:00:17,960 It's absolutely a passion. Beautiful. 8 00:00:17,960 --> 00:00:20,640 But these things aren't just precious to the people 9 00:00:20,640 --> 00:00:22,680 we fix them for. Wow! 10 00:00:25,120 --> 00:00:27,200 I don't want to cry, but, oh, my God. 11 00:00:27,200 --> 00:00:28,560 Heck of a history, isn't it? 12 00:00:28,560 --> 00:00:31,480 They also tell a bigger story about Britain... 13 00:00:31,480 --> 00:00:34,800 These went out of service in 1938. 14 00:00:34,800 --> 00:00:39,800 Aha! It's from my family business, which started in 1862. 15 00:00:39,800 --> 00:00:42,440 Bagpipes. Over 100 years old. 16 00:00:42,440 --> 00:00:43,600 ..our history back then... 17 00:00:43,600 --> 00:00:45,760 They're just about the most modern design bikes 18 00:00:45,760 --> 00:00:48,840 that I've seen for ages. And it looks extremely sporty. 19 00:00:48,840 --> 00:00:50,480 ..and who we are now. 20 00:00:50,480 --> 00:00:52,160 Yes! 21 00:00:52,160 --> 00:00:53,360 I'm Jay Blades. 22 00:00:58,040 --> 00:01:00,400 I've no idea where to start on this. 23 00:01:00,400 --> 00:01:02,520 ..some of our favourite items in the barn... 24 00:01:02,520 --> 00:01:03,720 THEY CHEER 25 00:01:03,720 --> 00:01:06,600 Over 100 years old. And still it stands. 26 00:01:06,600 --> 00:01:08,240 ..unlocking how the past... 27 00:01:08,240 --> 00:01:10,360 Look, look, look! Where? Did you see that? Look! 28 00:01:10,360 --> 00:01:12,480 You've literally just unlocked the secret. 29 00:01:12,480 --> 00:01:13,640 Now that's a story. 30 00:01:13,640 --> 00:01:15,480 ..shapes the way we live now. 31 00:01:15,480 --> 00:01:17,440 I can feel the memories she feels from it. 32 00:01:17,440 --> 00:01:20,760 The story that is behind, this is what's kept it alive. 33 00:01:27,120 --> 00:01:30,480 # If you gave me a chance, I would take it... # 34 00:01:30,480 --> 00:01:33,640 At The Repair Shop, we love to listen to music while we work. 35 00:01:35,960 --> 00:01:38,520 And music has always been a big part of my life. 36 00:01:38,520 --> 00:01:39,640 Thank you, sir. 37 00:01:39,640 --> 00:01:43,360 These days, you can stream any tune you want almost instantly. 38 00:01:43,360 --> 00:01:45,840 But it wasn't always that way. 39 00:01:45,840 --> 00:01:48,200 Today, we're going to rewind... 40 00:01:48,200 --> 00:01:51,400 # I'll tell you what I want, what I really, really... # 41 00:01:51,400 --> 00:01:54,160 # Heaven, I'm in... # 42 00:01:54,160 --> 00:01:57,720 ..and take a look back at how modern music has been shaped by 43 00:01:57,720 --> 00:01:59,160 technologies of the past... 44 00:01:59,160 --> 00:02:01,800 # My heart beats so that I can hardly speak... # 45 00:02:01,800 --> 00:02:04,080 NEWSREEL: These girls believe in hiking to music, 46 00:02:04,080 --> 00:02:05,920 so they rigged up this gramophone hammock. 47 00:02:12,360 --> 00:02:13,800 THEY LAUGH 48 00:02:13,800 --> 00:02:17,400 # We're out together dancing cheek to cheek. # 49 00:02:17,400 --> 00:02:18,800 APPLAUSE 50 00:02:23,960 --> 00:02:27,240 Old-fashioned turntables and retro musical devices 51 00:02:32,080 --> 00:02:33,880 And luckily, at The Repair Shop, 52 00:02:33,880 --> 00:02:35,640 we've got Steve Kember to fix them. 53 00:02:43,520 --> 00:02:46,920 like this one owned by Sue and son Richard. 54 00:02:49,400 --> 00:02:52,120 Hiya. I'm Will. Hi, Will, I'm Sue. Nice to meet you, Sue. I'm Steve. 55 00:02:52,120 --> 00:02:53,960 Hi, Steve. Richard. Richard, hi, I'm Will. 56 00:02:53,960 --> 00:02:56,640 Hi, Richard. Richard. Nice to meet you. So what have we got here? 57 00:02:56,640 --> 00:03:00,560 This is my grandfather's musical box. 58 00:03:00,560 --> 00:03:03,960 It's a very loved item in our family. OK. 59 00:03:04,960 --> 00:03:10,840 It has about 20 of these discs that you place inside it. Yeah. 60 00:03:10,840 --> 00:03:15,400 And sadly, probably due to wear and tear, maybe, possibly... 61 00:03:15,400 --> 00:03:18,120 That was a pointed look, wasn't it? Yeah! "Wear and tear"! 62 00:03:18,120 --> 00:03:21,040 Yeah. I might be partly responsible. ..over the years of grandchildren 63 00:03:21,040 --> 00:03:24,520 playing with it, it's not in the best state now 64 00:03:24,520 --> 00:03:25,920 and it doesn't play properly. 65 00:03:25,920 --> 00:03:28,080 So how long has it been in your family? 66 00:03:28,080 --> 00:03:33,120 My grandfather purchased it, I would think, in the early 1900s. Yes. 67 00:03:33,120 --> 00:03:35,760 When my grandparents died, it came to my dad. 68 00:03:35,760 --> 00:03:40,240 Yeah. And my mum, she regularly used to dance around to it 69 00:03:40,240 --> 00:03:43,200 and make us all very embarrassed, but she loved... 70 00:03:43,200 --> 00:03:45,560 They do that, mums, don't they? No, she was wonderful. 71 00:03:45,560 --> 00:03:49,200 She loved to dance. If we would play this, she would start doing 72 00:03:49,200 --> 00:03:52,400 her Sugar Plum Fairy dance around the room. 73 00:03:52,400 --> 00:03:54,600 I know that when I was little, it used to have a... 74 00:03:54,600 --> 00:03:57,320 It wasn't an elephant, but it was like a curly motif 75 00:03:57,320 --> 00:03:59,360 of something white. Motif on the top. Yeah, yeah. 76 00:03:59,360 --> 00:04:01,240 Got a nice split there for Will to do that... 77 00:04:01,240 --> 00:04:03,040 Oh, sorry! ..and keep him up late tonight. 78 00:04:03,040 --> 00:04:06,280 It is very beautiful. And even when it plays badly, 79 00:04:06,280 --> 00:04:09,120 it's quite a magical sound. Yeah. 80 00:04:13,280 --> 00:04:16,480 You awkwardly have to try and place the disc in. Yeah. 81 00:04:16,480 --> 00:04:17,920 And then this has to click. 82 00:04:17,920 --> 00:04:19,120 HANDLE CLICKS 83 00:04:19,120 --> 00:04:20,600 Bit of a crank. 84 00:04:26,320 --> 00:04:30,400 It's always been stop-start. You know, very jittery. 85 00:04:30,400 --> 00:04:34,920 When I hear this play, I have memories of... 86 00:04:39,960 --> 00:04:44,840 and pointing her toes and telling us how she used to do ballet and... 87 00:04:46,360 --> 00:04:47,400 SHE INHALES SHARPLY 88 00:04:48,720 --> 00:04:49,840 And it... 89 00:04:48,720 --> 00:04:49,840 SHE CRIES 90 00:04:49,840 --> 00:04:51,760 Sorry. Sorry. It's OK. 91 00:04:53,960 --> 00:04:57,880 I really, really would like to be able to play it 92 00:04:57,880 --> 00:05:01,440 to my grandchildren and just to talk about Nana Katie 93 00:05:01,440 --> 00:05:04,520 because she died in 2013. 94 00:05:05,800 --> 00:05:09,720 And, yeah... So, I'm hoping you can perhaps... 95 00:05:10,840 --> 00:05:14,400 ..make it work and... So am I! ..fulfil that dream. 96 00:05:14,400 --> 00:05:16,520 That would be wonderful. 97 00:05:16,520 --> 00:05:20,080 Well, you've left it in the best hands. We have. Thank you so much. 98 00:05:20,080 --> 00:05:22,040 No pressure, then. Thank you so much. 99 00:05:22,040 --> 00:05:25,200 Thanks. I'll do my best. Good luck. I believe you will, definitely. 100 00:05:25,200 --> 00:05:27,560 Thanks, then. Thanks. Bye-bye. Bye-bye. Bye. 101 00:05:30,600 --> 00:05:33,640 It feels strange leaving it, really, because I always think of Mum 102 00:05:33,640 --> 00:05:36,880 in the same context as the musical box, so it's a bit like 103 00:05:36,880 --> 00:05:38,320 leaving your nana here. 104 00:05:42,480 --> 00:05:44,920 Music boxes started being mass-produced in 105 00:05:44,920 --> 00:05:47,280 the mid-19th century. 106 00:05:47,280 --> 00:05:50,880 Just imagine - before that, the only way you could listen to music 107 00:05:50,880 --> 00:05:53,840 was for someone to play it to you live. 108 00:05:53,840 --> 00:05:56,840 They came in a variety of shapes and sizes. 109 00:05:56,840 --> 00:05:59,040 The most common types used cylinders, 110 00:05:59,040 --> 00:06:01,640 with precisely placed pins that plucked a tune 111 00:06:01,640 --> 00:06:02,840 on a metal comb. 112 00:06:12,600 --> 00:06:15,600 This catalogue from 1901 shows Sue's model, 113 00:06:15,600 --> 00:06:19,400 the Gordon, on sale for £4 and five shillings - 114 00:06:19,400 --> 00:06:21,400 over £500 in today's money. 115 00:06:25,320 --> 00:06:29,160 Not surprisingly, any mechanical device that old needs maintenance 116 00:06:29,160 --> 00:06:31,480 to keep it playing for another 100 years. 117 00:06:34,240 --> 00:06:37,800 I'm going to take the mechanism from the case, strip it down, 118 00:06:37,800 --> 00:06:41,320 clean all the parts, locate the defects, correct them 119 00:06:41,320 --> 00:06:43,400 and put it back together again, 120 00:06:43,400 --> 00:06:46,040 and then it will sing beautifully. 121 00:06:46,040 --> 00:06:49,840 It's easier to say that than actually do it 122 00:06:49,840 --> 00:06:54,480 cos there's...a few little problems to cure on the way. 123 00:07:02,560 --> 00:07:04,240 ..it's a little piece of history. 124 00:07:04,240 --> 00:07:05,720 I'm doing it for the first time. 125 00:07:05,720 --> 00:07:07,560 It's sort of an untouched machine. 126 00:07:07,560 --> 00:07:10,120 You don't know what you're going to find. We can get the motor 127 00:07:10,120 --> 00:07:13,200 and governor in an ultrasonic tank of clock cleaning fluid. 128 00:07:20,800 --> 00:07:24,160 that has accumulated, which is degrading the performance. 129 00:07:24,160 --> 00:07:26,520 And it's going to come out beautifully clean. 130 00:07:27,680 --> 00:07:31,840 Music boxes like Sue's were made to look as good as they sounded, 131 00:07:31,840 --> 00:07:36,200 so it's over to furniture restorer Will to bring the case back to life. 132 00:07:36,200 --> 00:07:37,800 I call him the King of Veneers, 133 00:07:37,800 --> 00:07:39,880 and not just because of his shiny teeth. 134 00:07:41,040 --> 00:07:44,840 The first job is to replace the decorative inlay on the lid. 135 00:07:44,840 --> 00:07:47,440 So I'm just cutting by eye and see if it fits. 136 00:07:49,600 --> 00:07:52,040 And it's actually a perfect fit the first time round. 137 00:07:52,040 --> 00:07:54,440 Already, that's made a massive difference. 138 00:07:54,440 --> 00:07:57,400 If I can glue those in, I just want to make sure that this new piece 139 00:08:00,120 --> 00:08:02,640 There might be a few pieces of wood that are blocking it 140 00:08:02,640 --> 00:08:05,280 from being completely flat. I'm going to pick those out now, 141 00:08:05,280 --> 00:08:07,600 and once I'm satisfied that everything fits perfectly, 142 00:08:07,600 --> 00:08:09,920 I can glue it all in. 143 00:08:09,920 --> 00:08:12,400 And I can move on to the filling and the polishing. 144 00:08:13,440 --> 00:08:16,160 Mechanical parts often need clock cleaning fluid 145 00:08:16,160 --> 00:08:17,520 to get them running again. 146 00:08:17,520 --> 00:08:18,720 Phew! 147 00:08:18,720 --> 00:08:22,800 It's nasty stuff, so Steve's relocated to the outdoor workshop. 148 00:08:22,800 --> 00:08:25,720 All the congealed oil and the old paint has gone 149 00:08:25,720 --> 00:08:27,520 and we've got these star wheels here. 150 00:08:27,520 --> 00:08:31,240 You can still see the odd piece of oily fluff in there. 151 00:08:39,240 --> 00:08:41,640 Some objects just need a good clean. 152 00:08:41,640 --> 00:08:43,800 Others require major surgery. 153 00:08:46,440 --> 00:08:48,720 To hear music the way it was originally intended, 154 00:08:48,720 --> 00:08:50,720 it's vital to play it at the right speed. 155 00:08:51,880 --> 00:08:54,920 So without the governor mechanism, we'll be in a right spin. 156 00:08:55,920 --> 00:08:59,720 I'm suspicious of the governor springs here. 157 00:08:59,720 --> 00:09:01,640 I think they're too strong. 158 00:09:01,640 --> 00:09:06,320 When the motor rotates, the governor vanes fly out like this. 159 00:09:06,320 --> 00:09:10,800 If the springs are too tight, the governor vanes won't expand. 160 00:09:10,800 --> 00:09:13,040 There'll be no air resistance and the thing will just 161 00:09:13,040 --> 00:09:14,840 sort of go like the clappers. 162 00:09:17,240 --> 00:09:20,600 So, I'm going to time one revolution of the disc 163 00:09:20,600 --> 00:09:23,760 and see how long it takes. So, off we go. 164 00:09:25,920 --> 00:09:28,640 One revolution of the disc is in the order of 165 00:09:28,640 --> 00:09:31,320 40-something seconds. If it's less than that, obviously, 166 00:09:31,320 --> 00:09:32,920 the music sounds ever so fast. 167 00:09:32,920 --> 00:09:36,440 If it's slow, it sounds lethargic and not too great. 168 00:09:36,440 --> 00:09:39,200 So, we need to be very precise with the song. 169 00:09:41,160 --> 00:09:45,040 And so, there we are. We got 32 seconds. 170 00:09:45,040 --> 00:09:48,280 It is too fast. We have the solution to the problem - 171 00:09:48,280 --> 00:09:50,560 put a different set of springs so that we approach 172 00:09:50,560 --> 00:09:53,120 our 40-second rotation time. 173 00:10:04,080 --> 00:10:07,880 It seems that everything has dried properly, which is great. 174 00:10:07,880 --> 00:10:10,040 It already looks like a different box. 175 00:10:10,040 --> 00:10:13,720 This new piece in the middle has some areas round the outside of it 176 00:10:13,720 --> 00:10:17,400 that need to be filled along with split on the top of the box. 177 00:10:17,400 --> 00:10:20,120 I'm going to fill those now and once they've dried, 178 00:10:20,120 --> 00:10:21,720 I can then start cleaning the box. 179 00:10:34,800 --> 00:10:37,800 So, now I've got the timing hopefully right, 180 00:10:42,240 --> 00:10:45,960 I'm going to concentrate on a little bit of maintenance on the discs. 181 00:10:49,360 --> 00:10:52,840 The music disc, a distant relative of the records we're familiar with, 182 00:10:52,840 --> 00:10:54,920 was invented in 1886. 183 00:10:56,440 --> 00:10:58,960 Cylinders were more expensive to produce, 184 00:10:58,960 --> 00:11:01,880 and if you wanted to change the tune, harder to swap. 185 00:11:03,520 --> 00:11:07,120 With a playing time of 40 seconds or so, many musical styles 186 00:11:07,120 --> 00:11:09,880 were available, from hymns and classical 187 00:11:09,880 --> 00:11:11,840 to popular musical numbers. 188 00:11:14,600 --> 00:11:16,280 Like their later vinyl cousins, 189 00:11:16,280 --> 00:11:20,200 manufacturers would rush to release the most commercial tunes. 190 00:11:20,200 --> 00:11:22,600 Often, they could be sung along to at home. 191 00:11:24,760 --> 00:11:28,680 Here in the barn, we love it when we get musical objects playing again. 192 00:11:28,680 --> 00:11:31,080 Nothing is as powerful as music for bringing back 193 00:11:31,080 --> 00:11:32,760 happy family memories. 194 00:11:34,120 --> 00:11:36,720 But as well as getting the insides of an object working, 195 00:11:36,720 --> 00:11:41,360 it's just as important to give the outside a perfect polish. 196 00:11:41,360 --> 00:11:43,640 I can see that lovely colour, a lovely grain 197 00:11:50,360 --> 00:11:54,440 I really hope that this is going to look exactly like it did 198 00:11:54,440 --> 00:11:55,840 when Sue first saw it. 199 00:11:58,400 --> 00:11:59,520 NOTE PLAYS GENTLY 200 00:12:00,760 --> 00:12:04,720 Hey, Steve. Oh! Look at that. Cor, you clever old thing. 201 00:12:04,720 --> 00:12:07,280 Look at that. I can't wait to hear this working, Steve. I know. 202 00:12:07,280 --> 00:12:09,320 I hope it's as good as your case. 203 00:12:09,320 --> 00:12:10,840 Lovely. Thank you very much. 204 00:12:10,840 --> 00:12:12,840 No worries, pal. Cheers, then. Bye now. 205 00:12:14,200 --> 00:12:17,280 JAY: Putting something as beautiful as a Polyphon back together 206 00:12:17,280 --> 00:12:20,240 is what we live for at The Repair Shop. 207 00:12:20,240 --> 00:12:22,680 But the best bit is giving it back to its owner. 208 00:12:26,280 --> 00:12:28,560 Hello. Hi. Hello. How lovely to meet you. 209 00:12:28,560 --> 00:12:31,320 Likewise. And once again. Nice to see you again. You all right? 210 00:12:31,320 --> 00:12:33,560 Lovely, yes. Good, thank you. Hiya. Hi, Steve. Hiya. 211 00:12:33,560 --> 00:12:36,200 Nice to see you. Look at that smile. I know! 212 00:12:43,120 --> 00:12:45,560 Anything's going to be a positive. Right. Yeah. 213 00:12:45,560 --> 00:12:47,960 THEY EXHALE DEEPLY 214 00:12:47,960 --> 00:12:49,440 You ready? Uh-huh. Yeah. OK. 215 00:12:53,720 --> 00:12:56,720 Oh! That is beautiful. 216 00:12:56,720 --> 00:13:00,560 That is absolutely wonderful. 217 00:13:05,560 --> 00:13:07,440 Thank you so much, Will. Thank you, Will. 218 00:13:07,440 --> 00:13:10,720 An amazing job. Really, really appreciate it. It's wonderful. 219 00:13:10,720 --> 00:13:12,640 Beautiful, really. Pressure's off me, then. 220 00:13:18,920 --> 00:13:22,400 Oh, look. It's all ready to play. It is. 221 00:13:25,560 --> 00:13:27,600 MUSIC BOX PLAYS CLEARLY 222 00:13:27,600 --> 00:13:29,720 Unbelievable. 223 00:13:29,720 --> 00:13:31,200 That is unbelievable. 224 00:13:32,560 --> 00:13:33,720 Thank you. 225 00:13:37,920 --> 00:13:41,560 Oh, my mum would be here now. She would, wouldn't she? 226 00:13:49,600 --> 00:13:52,840 Oh, you're wonderful! 227 00:13:52,840 --> 00:13:54,880 Thank you. How clever you are. 228 00:13:54,880 --> 00:13:57,600 Oh, don't... That is absolutely amazing. Yeah. 229 00:13:57,600 --> 00:14:01,840 It's amazing. I remember hearing it like that and I can tell you now 230 00:14:01,840 --> 00:14:05,280 that my grandchildren will hear the story behind it. Yeah. 231 00:14:05,280 --> 00:14:07,920 And that will include this experience, too. Yeah. 232 00:14:07,920 --> 00:14:10,920 I mean that. Thank you. Yeah. 233 00:14:10,920 --> 00:14:13,640 All right. Well, you can take this home now. Can we? 234 00:14:13,640 --> 00:14:15,600 Rich, I'll let you do the honours. Thank you. 235 00:14:15,600 --> 00:14:17,720 OK. I'll try not to drop it. 236 00:14:17,720 --> 00:14:19,760 Bye. Take care. Bye-bye. Bye. Bye-bye. 237 00:14:21,680 --> 00:14:23,800 Well done, you. Well! God. Yes. Eh? 238 00:14:26,160 --> 00:14:31,080 The first thing I thought about when I saw that box again was my mum. 239 00:14:31,080 --> 00:14:36,800 And when I heard the music playing, I could see her right there dancing, 240 00:14:36,800 --> 00:14:41,080 and it really made me feel such happiness. 241 00:14:53,160 --> 00:14:56,520 But at the turn of the century, the music box's charms 242 00:14:56,520 --> 00:14:58,320 were replaced by the latest tech. 243 00:14:59,920 --> 00:15:02,360 Richard and Leslie from Cornwall are arriving at the barn 244 00:15:02,360 --> 00:15:04,840 with the music box's ingenious rival. 245 00:15:04,840 --> 00:15:06,800 Hello. How are we doing? Fine, thanks. 246 00:15:06,800 --> 00:15:09,360 I'm Jay. Jay, I'm Richard. All right, Richard? How we doing? 247 00:15:09,360 --> 00:15:12,840 I'm very well, thank you. And you? So what have we got in the bag? 248 00:15:17,960 --> 00:15:21,560 Well, it's quite small. I would say it looks like a camera. 249 00:15:21,560 --> 00:15:23,080 Yeah, it does indeed, doesn't it? 250 00:15:23,080 --> 00:15:25,680 Is it a camera? Shall I open it? Yes, please. OK. 251 00:15:29,280 --> 00:15:31,360 Whoa. OK. 252 00:15:32,800 --> 00:15:35,520 Don't tell me this is a record player. It's a record player, innit? 253 00:15:35,520 --> 00:15:38,080 It is. Oh, that is cool. Tim! You've got to see this. 254 00:15:38,080 --> 00:15:40,360 This is one for you, mate. Have a look at this. 255 00:15:40,360 --> 00:15:43,840 Gramophone expert Tim has been hooked on vintage record players 256 00:15:43,840 --> 00:15:47,840 since 1963, when his father bought him his first one 257 00:15:47,840 --> 00:15:49,160 at a jumble sale. 258 00:15:50,360 --> 00:15:52,760 It's a record player, but a portable one. 259 00:15:52,760 --> 00:15:53,880 And you wind it up... 260 00:15:55,600 --> 00:15:57,400 TIM CHUCKLES 261 00:15:57,400 --> 00:15:59,400 ..like that. Yeah. 262 00:15:59,400 --> 00:16:03,200 But when you put the record on, and I put this on here... 263 00:16:03,200 --> 00:16:05,800 RECORD STARTS AND STOPS 264 00:16:05,800 --> 00:16:07,920 Cor blimey. ..it grinds to a halt. Yeah. Yeah. 265 00:16:07,920 --> 00:16:10,760 If I might intervene at this point. Yeah, please. You're the expert. 266 00:16:10,760 --> 00:16:13,760 This is called a Peter Pan. 267 00:16:13,760 --> 00:16:18,160 This particular model were made only in 1924. 268 00:16:19,280 --> 00:16:22,320 And almost certainly it will have a Swiss motor in it... 269 00:16:22,320 --> 00:16:25,760 Right. ..with a single 2cm spring, 270 00:16:25,760 --> 00:16:28,080 which has probably just about had it. Yeah. Right. 271 00:16:28,080 --> 00:16:31,840 Because it's 95 years old isn't it, at least? Yeah. Yeah. 272 00:16:31,840 --> 00:16:34,440 So how come you guys have got this? What's the history behind it? 273 00:16:34,440 --> 00:16:37,560 It was given to me by my father. Right. And he told me stories 274 00:16:37,560 --> 00:16:39,560 about taking it out on picnics. OK. 275 00:16:39,560 --> 00:16:41,960 He was courting my mother at the time and he would 276 00:16:41,960 --> 00:16:45,440 play these records, perhaps some Ella Fitzgerald or something, 277 00:16:45,440 --> 00:16:46,960 on a portable record player. 278 00:16:46,960 --> 00:16:50,040 But I think it was given to him by my grandfather, his father. 279 00:16:50,040 --> 00:16:52,480 OK. He was a naval captain. 280 00:16:52,480 --> 00:16:54,960 So he would go from Liverpool down to Southampton, 281 00:16:54,960 --> 00:16:58,880 then down to Tenerife and then the Ivory Coast in West Africa. 282 00:16:58,880 --> 00:17:00,640 He had it and then he passed it to your dad 283 00:17:06,600 --> 00:17:09,400 And so, obviously, in time, when time's right... Yeah. 284 00:17:09,400 --> 00:17:12,040 ..I'm just dying to, you know, pass it on. 285 00:17:12,040 --> 00:17:14,760 And it did work. I think our daughters might have had 286 00:17:14,760 --> 00:17:16,320 something to do with it. 287 00:17:16,320 --> 00:17:18,800 So, when was the last time you heard it playing, anyway? Oh... 288 00:17:18,800 --> 00:17:22,320 Properly? Oh, probably about... Properly. 20 or 30 years ago. Yeah. 289 00:17:22,320 --> 00:17:24,320 So, what do you reckon, Tim? Can we sort this out? 290 00:17:24,320 --> 00:17:27,600 Well, if the motor's all there inside... Maybe? 291 00:17:27,600 --> 00:17:29,960 Yeah. OK. Yeah. 292 00:17:34,320 --> 00:17:36,920 Thank you. And leave it with us. OK. We'll get it sorted. 293 00:17:36,920 --> 00:17:40,080 Going to happen... All right. Bye-bye. Bye-bye. 294 00:17:47,680 --> 00:17:52,520 In 1877, Thomas Edison played back recorded sound for the first time 295 00:17:52,520 --> 00:17:55,280 on his new invention, the phonograph. 296 00:17:57,720 --> 00:17:59,600 Using a stylus and a diaphragm 297 00:17:59,600 --> 00:18:02,760 etching into a tinfoil-wrapped cylinder, he recorded 298 00:18:02,760 --> 00:18:04,520 a nursery rhyme. 299 00:18:04,520 --> 00:18:08,840 Here's his assistant recreating that moment in 1933. 300 00:18:10,240 --> 00:18:14,960 Mary had a little lamb. Its fleece was white as snow. 301 00:18:14,960 --> 00:18:20,200 Emile Berliner pioneered rubber and shellac records in 1887, 302 00:18:20,200 --> 00:18:22,920 replacing the cylinder and creating the gramophone. 303 00:18:24,440 --> 00:18:27,920 The first models went on sale in 1895, 304 00:18:27,920 --> 00:18:31,600 creating a new phenomena, which we take for granted today - 305 00:18:31,600 --> 00:18:33,160 listening on demand. 306 00:18:34,840 --> 00:18:36,680 Players continue to evolve, 307 00:18:36,680 --> 00:18:39,280 becoming louder, smaller and portable, 308 00:18:39,280 --> 00:18:40,640 like Richard's Peter Pan. 309 00:18:43,600 --> 00:18:46,640 But when you take them all apart, they work much the same, 310 00:18:46,640 --> 00:18:50,400 reproducing music from the grooves on a record using a sound box 311 00:18:50,400 --> 00:18:51,760 like this one. 312 00:18:53,480 --> 00:18:56,520 Something very peculiar has been done to this. 313 00:18:56,520 --> 00:18:59,640 Someone seems to have put what looks like a cardboard - 314 00:19:07,480 --> 00:19:11,280 ..we can see, possibly, what's inside there. 315 00:19:12,680 --> 00:19:17,760 Plop that in there. So, then we can lift the whole diaphragm, 316 00:19:17,760 --> 00:19:20,920 stylus bar and needle holder away, 317 00:19:20,920 --> 00:19:24,200 and then, let's see what's under here. 318 00:19:26,160 --> 00:19:27,200 Aha! 319 00:19:28,520 --> 00:19:31,360 Now, that's what you would expect to see. 320 00:19:31,360 --> 00:19:34,520 I don't know why somebody would've put that in there. 321 00:19:34,520 --> 00:19:37,760 If they were trying to sort of quieten the volume down, 322 00:19:37,760 --> 00:19:40,520 you would put... You know, you'd jam something into the end 323 00:19:40,520 --> 00:19:43,680 of the horn, literally. And, yes, that is where the expression, 324 00:19:43,680 --> 00:19:46,160 "Put a sock in it!" comes from. 325 00:19:47,680 --> 00:19:49,960 As well as a sound box and horn, 326 00:19:49,960 --> 00:19:53,680 every gramophone needs a mechanism to make the record turn around. 327 00:19:53,680 --> 00:19:55,480 RECORD PLAYER CLICKS 328 00:19:55,480 --> 00:19:58,560 Yes, it shouldn't be making that clicking, churning noise. 329 00:19:58,560 --> 00:20:02,120 So that suggests there's something stuck inside there 330 00:20:02,120 --> 00:20:05,440 on one of the gears. What it is, well, we shall find out 331 00:20:05,440 --> 00:20:06,680 when we get it apart. 332 00:20:08,280 --> 00:20:10,760 Right, then. A tricky little thing to get in here 333 00:20:10,760 --> 00:20:13,120 cos there's so little room for manoeuvre. 334 00:20:13,120 --> 00:20:14,160 Ah, there we go. 335 00:20:15,320 --> 00:20:17,480 Let's lift the top off the motor 336 00:20:17,480 --> 00:20:20,360 and let us see what we've got inside here. 337 00:20:32,600 --> 00:20:34,520 Ah! Now... 338 00:20:35,600 --> 00:20:41,480 ..you can probably see, here is one old needle. 339 00:20:41,480 --> 00:20:45,240 You always find these inside the boxes of gramophones, 340 00:20:45,240 --> 00:20:49,840 and that, jammed against that, will have been probably what's making 341 00:20:49,840 --> 00:20:52,800 that strange crunching, grinding noise 342 00:20:52,800 --> 00:20:56,640 as it was running round. So I'm glad we found that. 343 00:21:00,680 --> 00:21:04,360 One thing you can't do, that's a mistake that people often make, 344 00:21:04,360 --> 00:21:06,800 is they put a lot of fresh oil on 345 00:21:06,800 --> 00:21:09,520 without cleaning all the old stuff off first. 346 00:21:09,520 --> 00:21:14,320 And that is basically like polishing a car without washing it first. 347 00:21:20,280 --> 00:21:23,640 While Tim is top of the pops when it comes to fixing gramophones, 348 00:21:23,640 --> 00:21:28,120 anything made of leather is a case for saddle maker Suzie Fletcher. 349 00:21:28,120 --> 00:21:29,640 Suzie. Yeah? 350 00:21:31,360 --> 00:21:34,040 A favour. OK. Well... 351 00:21:34,040 --> 00:21:38,480 You see the handle on this little Peter Pan gramophone? 352 00:21:38,480 --> 00:21:40,880 Yeah. It's broken. OK. 353 00:21:40,880 --> 00:21:44,600 How about if I make another handle, 354 00:21:44,600 --> 00:21:46,920 the same thickness of leather as this? 355 00:21:46,920 --> 00:21:48,400 I've got some black leather 356 00:21:48,400 --> 00:21:50,760 that I think will do the trick quite nicely. 357 00:21:50,760 --> 00:21:54,080 That'll look lovely. You're a genius. Oh, I wouldn't go that far. 358 00:21:54,080 --> 00:21:56,160 THEY LAUGH 359 00:22:02,080 --> 00:22:06,120 I've used the old handle to give me a guide to making the pattern. 360 00:22:12,480 --> 00:22:15,720 So now I've finished creasing it, 361 00:22:15,720 --> 00:22:20,720 the next stage is to slide the tips underneath the bracket, 362 00:22:20,720 --> 00:22:22,200 which could be interesting. 363 00:22:27,200 --> 00:22:28,360 There we have it. 364 00:22:33,560 --> 00:22:36,880 The heart of a clockwork gramophone is its mainspring, 365 00:22:36,880 --> 00:22:41,040 a cord metal ribbon that provides the power to the mechanism. 366 00:22:41,040 --> 00:22:44,280 The major challenge with any of these things is not to 367 00:22:44,280 --> 00:22:48,680 get them to go round, it's to get it to do it at a steady 78 368 00:22:48,680 --> 00:22:50,600 for two and a half to three minutes. 369 00:23:00,600 --> 00:23:02,480 Well, that's down to the gramophone. 370 00:23:03,560 --> 00:23:06,760 Gramophone records were spun at a speed of 78 revolutions 371 00:23:06,760 --> 00:23:10,440 per minute, referred to as 78s. 372 00:23:10,440 --> 00:23:12,040 They came in two sizes. 373 00:23:12,040 --> 00:23:13,920 The 10-inch could play free minutes. 374 00:23:13,920 --> 00:23:17,600 And a 12 inch, four minutes per side. 375 00:23:17,600 --> 00:23:20,440 The gramophone was such a hit that composers and writers 376 00:23:20,440 --> 00:23:23,960 wrote songs to fit exactly on one side of a disc. 377 00:23:23,960 --> 00:23:27,640 And that's still the length DJs and music fans love to this day. 378 00:23:32,920 --> 00:23:34,120 There we go. 379 00:23:35,200 --> 00:23:36,640 So, and... 380 00:23:37,680 --> 00:23:40,080 Lastly, of course, we need the governor. 381 00:23:40,080 --> 00:23:42,880 Oh. Oh, fiddlesticks. 382 00:23:46,320 --> 00:23:49,960 One of these governor springs, this bit here... 383 00:23:51,200 --> 00:23:53,360 ..is broken away. 384 00:23:57,120 --> 00:23:59,960 The governor's spinning weights regulate the turntable 385 00:23:59,960 --> 00:24:04,440 and ensure it stays at a steady 78 revolutions per minute. 386 00:24:04,440 --> 00:24:09,800 Luckily, I have got an assortment of spare governor springs here. 387 00:24:09,800 --> 00:24:13,680 I bought these at an antique fair earlier this year. 388 00:24:13,680 --> 00:24:16,320 Bit of a nuisance, but better it's broken now than when 389 00:24:16,320 --> 00:24:17,640 we've got it all back together 390 00:24:17,640 --> 00:24:19,600 and we're trying to play records on it. 391 00:24:24,920 --> 00:24:27,920 The acid test now - wind her up 392 00:24:27,920 --> 00:24:31,600 and will it actually work? 393 00:24:33,080 --> 00:24:35,440 Oh, yes. She's turning. 394 00:24:35,440 --> 00:24:37,960 And the turntable... 395 00:24:41,400 --> 00:24:43,440 Well, that looks pretty good. 396 00:24:43,440 --> 00:24:46,280 It's doing a nice, consistent speed. 397 00:24:46,280 --> 00:24:48,640 And like a perfectly spinning turntable, 398 00:24:48,640 --> 00:24:51,520 The Repair Shop is at its best when everybody's skills 399 00:24:51,520 --> 00:24:53,440 are working in harmony. 400 00:24:59,320 --> 00:25:02,080 That's much better than the original would've been when it was new. 401 00:25:02,080 --> 00:25:06,080 Well, perhaps not, but I did clean this up a little bit 402 00:25:06,080 --> 00:25:08,040 because it was a bit dirty. That handle, 403 00:25:08,040 --> 00:25:10,720 that is absolutely splendid. Oh, you are a genius. 404 00:25:10,720 --> 00:25:13,680 Thank you very much. Great, Suzie. See you later. Thank you so much. 405 00:25:13,680 --> 00:25:14,720 Now... 406 00:25:15,800 --> 00:25:19,160 ..all we've got to do is put the works in it. 407 00:25:19,160 --> 00:25:22,960 Whilst we love working together as a team, the most important thing 408 00:25:22,960 --> 00:25:25,560 is what the owners Richard and Leslie think. 409 00:25:30,600 --> 00:25:31,880 to our gramophone. 410 00:25:35,920 --> 00:25:37,720 Good afternoon, Leslie. You too. 411 00:25:39,040 --> 00:25:41,320 Well, I'll take the cover off. 412 00:25:48,200 --> 00:25:51,640 Now, well, do you want to open it up and assemble it? Yeah, sure. 413 00:25:53,120 --> 00:25:54,160 OK. 414 00:25:55,680 --> 00:25:58,120 It's different. Oh, that looks totally different. Yeah. 415 00:25:58,120 --> 00:26:01,120 And needle's there. It still goes together in the same way. 416 00:26:01,120 --> 00:26:02,960 Oh, yeah, it still goes together. 417 00:26:02,960 --> 00:26:05,280 As to what was inside, a lot of the problem was 418 00:26:05,280 --> 00:26:08,600 old gramophone needles that had fallen down inside 419 00:26:08,600 --> 00:26:12,320 and were sticking into the gear. Really? Is that right? Fancy that. 420 00:26:12,320 --> 00:26:16,080 Now, we had a think about what you might like. Ah. 421 00:26:17,720 --> 00:26:20,320 Oh, wow. And there we go. 422 00:26:21,800 --> 00:26:24,520 MUSIC: Sentimental Journey by Ella Fitzgerald 423 00:26:25,600 --> 00:26:29,600 Lovely. Wow. A little birdie told us you like this one. Yeah. Oh. 424 00:26:29,600 --> 00:26:33,640 Right. That is one of your dad's... Your dad liked this. Yeah. 425 00:26:33,640 --> 00:26:35,320 Oh, yes. 426 00:26:39,480 --> 00:26:41,360 THEY CHUCKLE 427 00:26:43,960 --> 00:26:47,600 # If that whistle 428 00:26:47,600 --> 00:26:52,120 # Baby, I'm coming home. # 429 00:26:55,720 --> 00:26:57,280 APPLAUSE 430 00:26:59,560 --> 00:27:01,560 Well done, Tim. Thank you. Thank you. Well done. 431 00:27:01,560 --> 00:27:03,320 It's a pleasure. It's a pleasure. 432 00:27:03,320 --> 00:27:05,360 If it makes you happy... You're a remarkable man. 433 00:27:05,360 --> 00:27:07,920 A remarkable man. Well, it beats going out and getting 434 00:27:07,920 --> 00:27:09,920 a proper job, doesn't it? 435 00:27:09,920 --> 00:27:12,760 So, how does it feel to hear Ella Fitzgerald singing 436 00:27:12,760 --> 00:27:15,160 Sentimental Journey? I'm over the moon. I'm over the moon. 437 00:27:15,160 --> 00:27:18,160 And Sentimental Journey is such an apt piece of music to play anyway, 438 00:27:18,160 --> 00:27:20,520 considering, you know, what this is all about. Hm. 439 00:27:20,520 --> 00:27:24,200 It's remarkable that it's been able to be restored and we can listen 440 00:27:24,200 --> 00:27:26,800 to it again and we can pass it on to our grandson. 441 00:27:26,800 --> 00:27:29,080 As long as you're happy. Thank you very much. 442 00:27:29,080 --> 00:27:31,760 Thank you. Our pleasure. Bye-bye. Our pleasure. Bye. 443 00:27:31,760 --> 00:27:32,880 Safe journey. 444 00:27:51,440 --> 00:27:54,440 are also owners of an important music-playing device... 445 00:27:55,720 --> 00:27:58,360 ..something that had a bigger effect on our listening habits 446 00:27:58,360 --> 00:28:01,440 than the CD, the cassette or even the MP3. 447 00:28:04,520 --> 00:28:07,120 You must be Lynne. Hiya, yes. How we doing, Albert? Hello. 448 00:28:07,120 --> 00:28:08,480 Yeah. You all right? 449 00:28:08,480 --> 00:28:10,160 Bit out of breath. Oh, bless you. 450 00:28:10,160 --> 00:28:12,080 Well, take a seat. Thank you very much. 451 00:28:12,080 --> 00:28:14,360 You're more than welcome. What have you got here? 452 00:28:14,360 --> 00:28:16,080 A dilapidated radio. 453 00:28:16,080 --> 00:28:18,160 An old GEC. 454 00:28:18,160 --> 00:28:20,400 Oh. Yeah. Mark, if you don't mind joining me. 455 00:28:21,720 --> 00:28:24,080 It will be the perfect job for Mark Stuckey, 456 00:28:24,080 --> 00:28:26,440 whose love for all things electrical started when he took 457 00:28:26,440 --> 00:28:29,080 his parents' TV apart aged nine. 458 00:28:29,080 --> 00:28:31,080 Hello. Tell me about it, then, Albert. 459 00:28:31,080 --> 00:28:35,560 Well, when me and the wife, Eileen, started courting, 460 00:28:35,560 --> 00:28:40,320 we'd been courting about a year... OK. ..and while we was downtown, 461 00:28:40,320 --> 00:28:42,920 we saw these. I think it was in Boots. 462 00:28:42,920 --> 00:28:45,600 They used to sell all sorts at that time. 463 00:28:45,600 --> 00:28:48,120 And it was up there and it were £2.50. 464 00:28:48,120 --> 00:28:50,720 And me and the wife clubbed together and we bought it. Right. 465 00:28:50,720 --> 00:28:54,080 And we used to take it all over with us, you know, 466 00:28:54,080 --> 00:28:57,960 in the car and get out the car, go on the beach. 467 00:28:57,960 --> 00:29:00,480 Once we got on the beach and this were going, 468 00:29:00,480 --> 00:29:02,760 everybody started to come towards us. 469 00:29:02,760 --> 00:29:04,520 THEY LAUGH 470 00:29:04,520 --> 00:29:07,960 Yeah. So this radio has been like the life of the party 471 00:29:07,960 --> 00:29:10,320 for a lot of people and also the family. It has. It has. 472 00:29:10,320 --> 00:29:12,960 It used to go on holiday with us as well. Yeah. 473 00:29:12,960 --> 00:29:14,800 It's had a good life. It's had a good life. 474 00:29:14,800 --> 00:29:16,200 It's had a brilliant life. 475 00:29:16,200 --> 00:29:18,120 And it's lasted for years and years. 476 00:29:18,120 --> 00:29:22,760 And in 19... I think it were 1985, it just stopped. 477 00:29:22,760 --> 00:29:24,720 And I couldn't get it to go. 478 00:29:24,720 --> 00:29:28,600 And a nephew of mine, he fiddles about with electrics and that, 479 00:29:28,600 --> 00:29:32,400 and he got it going. Right. Those on there, my nephew... 480 00:29:32,400 --> 00:29:36,040 They're off of toothbrushes. No! 481 00:29:36,040 --> 00:29:37,880 They are. 482 00:29:36,040 --> 00:29:37,880 THEY LAUGH 483 00:29:37,880 --> 00:29:39,800 So that's what he did to get it going. 484 00:29:39,800 --> 00:29:42,280 I used to have it in the greenhouse with me. Yeah. 485 00:29:42,280 --> 00:29:44,560 And two years ago, it stopped, 486 00:29:44,560 --> 00:29:47,720 and it was two years to the day when Eileen passed away. 487 00:29:47,720 --> 00:29:51,040 She were an absolute ace. Oh, bless. And... 488 00:29:54,320 --> 00:29:56,480 I really do miss her. 489 00:29:56,480 --> 00:29:58,120 It's all right. It's all right. 490 00:29:58,120 --> 00:29:59,960 And it's never gone since. 491 00:29:59,960 --> 00:30:02,200 So it's very precious to you, isn't it? It is. 492 00:30:03,320 --> 00:30:05,040 Yeah. 493 00:30:05,040 --> 00:30:07,920 I just wondered if you could do anything with it 494 00:30:07,920 --> 00:30:12,120 and get it repaired, so I can get it back in my greenhouse. Yeah. 495 00:30:12,120 --> 00:30:14,760 We'll get this sorted for you. Our pleasure. Thank you very much. 496 00:30:20,800 --> 00:30:23,320 Yeah. Pleasure to meet you. You will look after it, won't you? 497 00:30:23,320 --> 00:30:25,760 Of course I would. Don't worry. Thank you. You take care now. 498 00:30:25,760 --> 00:30:27,600 Cheers. Bye-bye. Bye-bye, then. 499 00:30:32,240 --> 00:30:36,360 I would love it to get repaired cosmetically and sympathetically, 500 00:30:36,360 --> 00:30:38,520 so we could probably get Steve on these bits. 501 00:30:38,520 --> 00:30:40,440 Yeah. Everybody's going to be on this one. 502 00:30:40,440 --> 00:30:43,480 So, it's over to you to get that working. Thank you very much. 503 00:30:45,560 --> 00:30:49,160 In the UK, radio became mainstream in the 1920s. 504 00:30:50,600 --> 00:30:55,160 Marconi, one of the early pioneers, set up his transmitters in Essex. 505 00:30:56,280 --> 00:31:00,480 And on 15th June 1920 transmitted famous opera singer 506 00:31:00,480 --> 00:31:03,720 Dame Nellie Melba, singing live from Chelmsford. 507 00:31:06,600 --> 00:31:09,680 In 1922, the BBC was formed. 508 00:31:12,080 --> 00:31:15,200 And in that year, the first BBC broadcast was transmitted 509 00:31:15,200 --> 00:31:17,240 from Marconi House, London. 510 00:31:19,080 --> 00:31:23,280 2LO Marconi House, London calling. 2LO, Marconi... 511 00:31:23,280 --> 00:31:26,240 Radio brought the world into the home, and it had the ability 512 00:31:35,040 --> 00:31:37,680 hundreds of musical artists from across the globe. 513 00:31:40,520 --> 00:31:43,760 The technology also transformed the music itself. 514 00:31:43,760 --> 00:31:47,600 With better reproduction of vocals and individual instruments, 515 00:31:47,600 --> 00:31:49,320 artists such as Ella Fitzgerald 516 00:31:49,320 --> 00:31:53,080 and bandleaders like Duke Ellington were made famous by this new media. 517 00:31:55,800 --> 00:31:57,560 As well as an electronics expert, 518 00:31:57,560 --> 00:32:00,760 Mark is also a big fan of detective novels 519 00:32:00,760 --> 00:32:03,760 and treats every investigation like Sherlock Holmes. 520 00:32:05,320 --> 00:32:08,360 Looking at Albert's radio internally for the very first time, 521 00:32:08,360 --> 00:32:10,200 I can see there are a couple of things already 522 00:32:14,840 --> 00:32:16,400 the long wave coil. 523 00:32:16,400 --> 00:32:18,880 And I can see there's numerous components which will be 524 00:32:18,880 --> 00:32:21,880 needed to be replaced for safety anyway. 525 00:32:23,200 --> 00:32:27,040 Like all good detectives, Mark's secret to solving a mystery 526 00:32:27,040 --> 00:32:29,240 is to take the whole thing apart, bit by bit. 527 00:32:30,640 --> 00:32:32,560 So how are we doing, Mark? Yeah, fine. 528 00:32:36,120 --> 00:32:38,400 OK. These, we call them capacitors. 529 00:32:38,400 --> 00:32:41,840 And there's about a dozen or so I'm going to have to replace. 530 00:32:41,840 --> 00:32:44,960 And, effectively, I'm changing them for little ones like this. 531 00:32:44,960 --> 00:32:47,320 All right. Cool. So you've got a bit of work to do, then. 532 00:32:47,320 --> 00:32:49,320 I've got a fair amount of work to do. All right. 533 00:32:49,320 --> 00:32:51,080 Let me get that case off you. OK. Thank you. 534 00:32:51,080 --> 00:32:53,680 Get started on that. There we go. Thank you. Enjoy that. 535 00:32:53,680 --> 00:32:55,080 I will do, yeah. 536 00:32:56,200 --> 00:32:59,960 The capacitors enable the radio to tune in to particular frequencies. 537 00:33:04,960 --> 00:33:09,280 So, applying the voltmeter against one of the leads 538 00:33:09,280 --> 00:33:12,720 to the transistor, in reality, I'm expecting to get a voltage. 539 00:33:18,640 --> 00:33:21,600 in the wire, which I didn't initially see. 540 00:33:21,600 --> 00:33:24,280 It's like a whodunnit. Somebody's done a murder 541 00:33:24,280 --> 00:33:26,160 and you're now looking for the suspect. 542 00:33:26,160 --> 00:33:29,280 In this case, the murder - the transistor's been snuffed out, 543 00:33:29,280 --> 00:33:30,960 there's no voltage present, 544 00:33:30,960 --> 00:33:33,520 and I'm going to find the culprit, the smoking gun, 545 00:33:33,520 --> 00:33:35,520 and I think I may have found it. 546 00:33:35,520 --> 00:33:37,480 But just like real detective work, 547 00:33:37,480 --> 00:33:40,640 fixing a radio is hardly ever an open-and-shut case. 548 00:33:42,720 --> 00:33:45,600 Hm. It's trying to pick up. 549 00:33:45,600 --> 00:33:48,120 There might be another break somewhere. 550 00:33:48,120 --> 00:33:51,960 Now, there's a lot more to do with this. This is a sick radio. 551 00:33:51,960 --> 00:33:54,280 One of the problems we face in The Repair Shop 552 00:33:54,280 --> 00:33:56,080 is where to source parts. 553 00:33:56,080 --> 00:33:59,480 But clockwork genius Steve Fletcher can always be relied on 554 00:33:59,480 --> 00:34:02,640 to find some random bits and bobs from his box. 555 00:34:02,640 --> 00:34:04,760 I've found lots of components - 556 00:34:04,760 --> 00:34:08,520 a lid off a pot, various brass bits, 557 00:34:08,520 --> 00:34:11,680 this lamp stand that I'm going to turn the outside of. 558 00:34:17,400 --> 00:34:21,680 I'm just about to start the knurling of the lamp stand 559 00:34:21,680 --> 00:34:25,440 that's going to be the outside of the tuning knob. 560 00:34:30,680 --> 00:34:33,840 or anything, actually, just to give it some grip. 561 00:34:38,400 --> 00:34:40,600 That's brilliant. That worked really, really well. 562 00:34:40,600 --> 00:34:42,120 Very, very pleased with that. 563 00:34:51,200 --> 00:34:54,240 knew so much about old handles? 564 00:34:54,240 --> 00:34:56,200 It doesn't look very healthy, does it? No. 565 00:34:56,200 --> 00:34:57,960 What we didn't want to do, we didn't want 566 00:34:57,960 --> 00:34:59,320 to have a brand-new one on here. 567 00:34:59,320 --> 00:35:01,400 So this is from a similar radio. 568 00:35:01,400 --> 00:35:03,360 OK. So that's the original. 569 00:35:03,360 --> 00:35:06,600 That one's the donor, which is slightly too big, 570 00:35:06,600 --> 00:35:07,920 but it does look the part. 571 00:35:07,920 --> 00:35:10,560 I want you to work your magic. If anybody can, I know you can. 572 00:35:10,560 --> 00:35:12,560 OK. So, let's make this one special for Albert. 573 00:35:12,560 --> 00:35:13,920 Yeah, no problem. 574 00:35:20,960 --> 00:35:24,120 as possible, reinforcing original handles like this, 575 00:35:24,120 --> 00:35:27,240 and strengthening the back with more leather. 576 00:35:27,240 --> 00:35:32,560 With hand sewing, it is, overall, a much better quality finish. 577 00:35:32,560 --> 00:35:34,880 It just takes such a long time. 578 00:35:46,120 --> 00:35:50,080 Steve, meanwhile, is still working on the tuning knob. 579 00:35:55,720 --> 00:35:57,160 There we go, we're almost there. 580 00:35:57,160 --> 00:36:01,560 That's the... That's the centre boss for the tuning knob. 581 00:36:01,560 --> 00:36:04,560 Just got to do a few bits and pieces to it, and attach it, 582 00:36:04,560 --> 00:36:06,240 and we're almost there. 583 00:36:14,120 --> 00:36:16,360 Looks good, looks the part. 584 00:36:16,360 --> 00:36:17,800 Yeah, really pleased. 585 00:36:17,800 --> 00:36:22,400 Once Mark has got the electronics back in, 586 00:36:22,400 --> 00:36:24,480 and it's all working, 587 00:36:24,480 --> 00:36:26,040 get everything cleaned up again. 588 00:36:26,040 --> 00:36:28,960 it's going to look brilliant, absolutely great. 589 00:36:28,960 --> 00:36:32,640 It takes a team effort to get a radio like Albert's back 590 00:36:32,640 --> 00:36:36,040 to how it would have been when he bought it with wife Eileen. 591 00:36:36,040 --> 00:36:39,120 And things don't always go to plan. 592 00:36:39,120 --> 00:36:41,880 But we rarely find something we can't fix. 593 00:36:41,880 --> 00:36:43,480 Right, Mark? 594 00:36:43,480 --> 00:36:46,160 It's been quite a...a game, this particular one, 595 00:36:51,640 --> 00:36:54,200 and I can not locate where it's broken from, 596 00:36:54,200 --> 00:36:55,800 it's so fine, the wire. 597 00:36:55,800 --> 00:36:59,600 And the only way I'm now to resolve the problem is to actually replace 598 00:36:59,600 --> 00:37:00,720 the whole unit. 599 00:37:00,720 --> 00:37:03,480 And if I do it right, we will then have some magic, 600 00:37:03,480 --> 00:37:05,520 and may even hear some music in the air. 601 00:37:14,160 --> 00:37:17,720 Now we're used to being able to carry music everywhere, 602 00:37:17,720 --> 00:37:21,720 but it wasn't until the 1950s that a truly pocket-sized music 603 00:37:26,280 --> 00:37:28,400 So small that a dozen can be put in a thimble. 604 00:37:28,400 --> 00:37:31,280 Once again, we owe our thanks to science. 605 00:37:33,280 --> 00:37:36,800 Transistor radios like Albert's could be made smaller and lighter 606 00:37:36,800 --> 00:37:40,240 than valve radios, going on sale in 1954. 607 00:37:42,120 --> 00:37:44,800 Radios were suddenly in cars... 608 00:37:44,800 --> 00:37:46,720 ..on the street... 609 00:37:46,720 --> 00:37:48,080 ..in the parks... 610 00:37:49,320 --> 00:37:51,920 ..and, like Albert and Eileen, down on the beach. 611 00:37:55,440 --> 00:37:57,280 33 years since it's worked properly, 612 00:37:57,280 --> 00:38:00,080 the radio has had its faulty components replaced, 613 00:38:00,080 --> 00:38:03,520 so it can bring back some of those precious memories. 614 00:38:03,520 --> 00:38:05,440 This, actually, looks very encouraging. 615 00:38:05,440 --> 00:38:09,280 We've now got a, what we call sinusoidal waveform. 616 00:38:09,280 --> 00:38:12,080 That is one which is repetitive, goes up and down, 617 00:38:12,080 --> 00:38:14,440 and that is working well. 618 00:38:14,440 --> 00:38:17,680 So that now tells me we've got a good chance of getting 619 00:38:17,680 --> 00:38:20,600 this old lady back into operation again. 620 00:38:20,600 --> 00:38:21,880 Mark, how we doing, sir? Hi. 621 00:38:21,880 --> 00:38:23,760 Yeah. I'm getting ready. What we got? 622 00:38:23,760 --> 00:38:26,800 Well, we've got the radio casing cleaned. 623 00:38:26,800 --> 00:38:28,320 That looks a lot better, doesn't it? 624 00:38:28,320 --> 00:38:30,600 It does, doesn't it? Yes. Suzie has done the handle. 625 00:38:30,600 --> 00:38:32,880 Oh, superb. That looks really good. 626 00:38:32,880 --> 00:38:35,320 Steve has worked his magic. Look what he's made there. 627 00:38:35,320 --> 00:38:37,920 He's made a dial. I think that's for tuning, isn't it? 628 00:38:37,920 --> 00:38:39,880 That's right. You use that for the tuning. 629 00:38:39,880 --> 00:38:42,160 And it didn't have one originally, so he's made that up. 630 00:38:42,160 --> 00:38:44,640 And the knurling he's done on the edges is absolutely superb. 631 00:38:44,640 --> 00:38:46,480 He's clever, isn't he? Very. 632 00:38:46,480 --> 00:38:49,480 So all you got to do is put this in there. Put that back in there. 633 00:38:49,480 --> 00:38:52,720 Put it all back together, reassemble it, and then turn it on, 634 00:38:52,720 --> 00:38:54,600 and the magic will happen. 635 00:39:02,920 --> 00:39:06,040 Owner Albert was just 22 when he and his then girlfriend 636 00:39:06,040 --> 00:39:09,040 Eileen bought the radio, which provided the soundtrack 637 00:39:09,040 --> 00:39:12,160 to their love story for over 50 years. 638 00:39:12,160 --> 00:39:14,120 I think me dad's been quite lost without the radio. 639 00:39:14,120 --> 00:39:17,360 Even though it didn't work before, it was still in the house, 640 00:39:17,360 --> 00:39:19,400 so it was still there. 641 00:39:19,400 --> 00:39:22,320 I'm hoping that when he gets it back he can listen to it, 642 00:39:22,320 --> 00:39:25,680 and it'll bring back memories for him and me mum, 643 00:39:25,680 --> 00:39:28,720 when me mum was there, and so, yeah, I can't wait. 644 00:39:34,280 --> 00:39:35,920 We meet again. How we doing? 645 00:39:35,920 --> 00:39:37,560 Hello, Jay. Hi. 646 00:39:37,560 --> 00:39:40,280 Hello, mate. Come here. How you doing? 647 00:39:40,280 --> 00:39:42,440 Oh, all the better for seeing you, matey. 648 00:39:42,440 --> 00:39:43,960 Oh, bless you. 649 00:39:43,960 --> 00:39:45,560 Really am. Take a seat. 650 00:39:45,560 --> 00:39:47,240 Nice to see you. And you. 651 00:39:47,240 --> 00:39:49,120 Hello. Pleasure to meet you again. 652 00:39:49,120 --> 00:39:53,360 So, tell me, what was the radio like when you brought it in? 653 00:39:53,360 --> 00:39:54,880 I couldn't get it to go. 654 00:39:54,880 --> 00:39:56,960 It was just stood there, and hopefully... 655 00:39:56,960 --> 00:39:59,440 Hopefully? So what are you hoping, then? 656 00:39:59,440 --> 00:40:00,680 What are you hoping? 657 00:40:00,680 --> 00:40:04,080 I'm hoping... Yeah. ..it is in working order. 658 00:40:04,080 --> 00:40:05,560 I want it to play. 659 00:40:05,560 --> 00:40:07,400 You ready for it? 660 00:40:07,400 --> 00:40:08,640 ALBERT GASPS 661 00:40:10,880 --> 00:40:12,040 Oh, look at that. 662 00:40:12,040 --> 00:40:13,760 Oh, my God! You got your dial. 663 00:40:18,080 --> 00:40:19,480 Oh, and the volume. 664 00:40:22,640 --> 00:40:24,080 Oh, that is brilliant. 665 00:40:29,880 --> 00:40:32,680 One little thing - we left the toothbrush handles on it, 666 00:40:32,680 --> 00:40:34,080 cos I thought that was quite cute. 667 00:40:34,080 --> 00:40:35,640 Oh, thank you. I hope you don't mind. 668 00:40:35,640 --> 00:40:37,880 No, no, no. It's brilliant. 669 00:40:37,880 --> 00:40:39,600 Look at the handle. 670 00:40:40,640 --> 00:40:43,640 It's like it was when I bought it. 671 00:40:43,640 --> 00:40:46,760 Well, the next test is to show you if it's working or not. 672 00:40:46,760 --> 00:40:48,440 So... I'm not touching it! 673 00:40:48,440 --> 00:40:51,520 You're not touching it? All right. Well, I'm going to touch it. 674 00:40:51,520 --> 00:40:53,240 For this very special moment, 675 00:40:53,240 --> 00:40:55,840 I've enlisted the help of a local radio station. 676 00:40:57,320 --> 00:40:58,960 I'm Anna Bingham. 677 00:40:58,960 --> 00:41:03,040 I've got something a bit different for you now here, on Spirit FM. 678 00:41:03,040 --> 00:41:06,080 We had a request for Albert, and hopefully, 679 00:41:06,080 --> 00:41:08,960 this next tune will bring back a few memories. 680 00:41:08,960 --> 00:41:12,440 And this is dedicated to Albert and Eileen. 681 00:41:12,440 --> 00:41:16,600 # That beauty's often hidden... 682 00:41:16,600 --> 00:41:18,680 Oh, Eileen. 683 00:41:18,680 --> 00:41:21,240 I can see us dancing at the old baths. 684 00:41:23,680 --> 00:41:26,680 We used to smooch to this at last dance at the baths. 685 00:41:26,680 --> 00:41:29,560 This was the last dance, yeah? Yeah. 686 00:41:34,240 --> 00:41:36,120 That's fantastic. Good on you. 687 00:41:38,160 --> 00:41:40,920 I can't believe it. 688 00:41:40,920 --> 00:41:42,680 It's a pleasure. 689 00:41:44,920 --> 00:41:46,760 Glad we could do it for you. 690 00:41:48,760 --> 00:41:49,920 There we go. 691 00:41:49,920 --> 00:41:52,800 That is brilliant. Is that good? Thank you, guys. 692 00:41:52,800 --> 00:41:54,800 Pleasure. I don't know what to say! 693 00:41:54,800 --> 00:41:56,160 Don't have to say anything. 694 00:41:56,160 --> 00:41:58,240 You've said everything, by the way you are. 695 00:41:58,240 --> 00:42:00,880 This is absolutely superb. 696 00:42:00,880 --> 00:42:03,200 I never thought this'd be going again. 697 00:42:03,200 --> 00:42:04,680 Never. 698 00:42:04,680 --> 00:42:06,600 Come here, sir. 699 00:42:06,600 --> 00:42:09,120 It's been a pleasure. Nice to see you. Thank you. 700 00:42:10,520 --> 00:42:12,680 Well, let's get this wrapped up for you. Thank you. 701 00:42:12,680 --> 00:42:13,720 Get it all sorted. 702 00:42:15,160 --> 00:42:18,120 It's been an absolutely fantastic ordeal. 703 00:42:18,120 --> 00:42:19,840 I never expected that. 704 00:42:19,840 --> 00:42:21,200 Never. 705 00:42:21,200 --> 00:42:23,480 I didn't think he'd be able to do it. 706 00:42:23,480 --> 00:42:25,600 And it's all nice and clean, isn't it? 707 00:42:27,720 --> 00:42:30,320 I think, just looking at it, we was like, "Wow!" 708 00:42:30,320 --> 00:42:34,560 But then to actually hear it playing was even better. 709 00:42:40,160 --> 00:42:42,360 He wants a damn knighthood, he does. 710 00:42:44,040 --> 00:42:46,400 I'm still shaking now. 711 00:42:46,400 --> 00:42:49,160 I am absolutely over the moon with it. 712 00:42:55,200 --> 00:42:56,240 It's a magical feeling 713 00:42:56,240 --> 00:42:58,640 to see people's memories brought back to life... 714 00:42:58,640 --> 00:42:59,880 Oh, my word! 715 00:42:59,880 --> 00:43:01,680 ..and to learn the remarkable stories 716 00:43:01,680 --> 00:43:03,920 behind their treasured possessions. 717 00:43:03,920 --> 00:43:05,880 You are wonderful! 718 00:43:05,880 --> 00:43:08,400 And it never fails to touch my heart, 719 00:43:08,424 --> 00:43:12,424 http://Scene-RLS.net 59311

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