All language subtitles for NYPD Blue (1993) - S07E07 - Along Came Jones (1080p HULU WEB-DL x265 LION)

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:22,560 --> 00:00:24,160 HOW�S IT GOING, GREG? 2 00:00:24,200 --> 00:00:25,770 I�M A SOLO ACT. 3 00:00:25,800 --> 00:00:27,170 MORNING, ANDY. 4 00:00:27,200 --> 00:00:29,600 YOU LOOK LIKE HAM WITHOUT CHEESE. 5 00:00:29,630 --> 00:00:32,170 I�M A SOLO ACT WITHOUT JAMES NEXT TO ME. 6 00:00:32,200 --> 00:00:35,640 GUY HAD BEEN IN THE DRUGSTORE. LOOKS LIKE HE WAS GOING TO HIS CAR. 7 00:00:35,670 --> 00:00:37,470 CLERK WAS THE ONLY ONE THAT CAME FORWARD. 8 00:00:37,510 --> 00:00:39,110 YOU SEE THE SHOOTER? 9 00:00:39,140 --> 00:00:40,880 WHEN I HEARD THE SHOT, I RAN OUTSIDE 10 00:00:40,910 --> 00:00:42,640 AND THEN CALLED 911. 11 00:00:42,680 --> 00:00:44,980 ANYONE SUSPICIOUS IN THE STORE JUST BEFORE? 12 00:00:45,020 --> 00:00:47,230 I DIDN�T SEE ANYONE. 13 00:00:51,390 --> 00:00:53,490 AW, JEEZ. 14 00:00:53,520 --> 00:00:55,120 ROBBED. DID YOU GET HER NUMBER? 15 00:00:55,160 --> 00:00:56,730 YEAH, ALL HER INFORMATION. 16 00:00:56,760 --> 00:00:58,490 THANK YOU. WE�LL BE CONTACTING YOU LATER. 17 00:00:58,530 --> 00:00:59,360 Woman: SORRY. 18 00:01:01,330 --> 00:01:04,030 FRANCIS XAVIER COLLINS. 19 00:01:09,210 --> 00:01:10,880 GOD. HE�S A COP! 20 00:01:10,910 --> 00:01:13,210 YOU DIDN�T GO THROUGH HIS POCKETS? 21 00:01:13,240 --> 00:01:14,880 WE�RE NOT SUPPOSED TO. 22 00:01:14,910 --> 00:01:16,310 ALL RIGHT. 23 00:01:16,350 --> 00:01:20,190 YOU DIDN�T SEE THIS BULGE ON THE SIDE OF HIS SHIRT? 24 00:01:20,220 --> 00:01:22,920 MILLER, LET ME GET THE COMMAND CHIEF NOTIFIED. 25 00:01:22,950 --> 00:01:25,350 IF WE GO THROUGH THEIR POCKETS, HE BREAKS OUR BALLS. 26 00:01:28,730 --> 00:01:31,540 HAD A QUARTER FEELING THIS WAS A COP. 27 00:01:31,560 --> 00:01:33,700 SO DID MILLER, ANDY. 28 00:03:11,460 --> 00:03:13,660 HOW ARE YOU DOING, JILL? 29 00:03:13,700 --> 00:03:16,100 ONE FOOT IN FRONT OF THE OTHER, I GUESS. 30 00:03:16,130 --> 00:03:20,970 I KEEP WAITING TO HEAR A BETTER IDEA. 31 00:03:21,010 --> 00:03:23,620 ARE YOUR MOM AND YOUR BROTHER OKAY? 32 00:03:23,640 --> 00:03:26,340 WAS THAT ONE OF THEM BEEPING YOU LAST NIGHT? 33 00:03:26,380 --> 00:03:29,490 YEAH, THEY�RE OKAY. 34 00:03:32,820 --> 00:03:35,290 I ASSUME DON MADE IT OUT OF TOWN, 35 00:03:37,260 --> 00:03:42,520 OR I ASSUME HE WOULD HAVE REACHED OUT FOR MORE MONEY. 36 00:03:42,560 --> 00:03:45,560 YOU�RE WEARING BOBBY�S RING. 37 00:03:45,600 --> 00:03:48,310 YEAH, I�M WEARING IT. 38 00:03:48,330 --> 00:03:50,830 NEVER SAW YOU DO THAT BEFORE. 39 00:03:56,540 --> 00:03:59,440 15th SQUAD. DETECTIVE RUSSELL. 40 00:04:01,780 --> 00:04:06,680 NO, BUT, I CAN RELAY THE INFORMATION. 41 00:04:06,720 --> 00:04:08,920 -RIGHT. 42 00:04:08,950 --> 00:04:10,920 HI, GOOD MORNING. I�M HERE TO SEE LIEUTENANT FANCY. 43 00:04:10,960 --> 00:04:12,530 IS HE EXPECTING YOU? 44 00:04:12,560 --> 00:04:14,770 I WAS TRANSFERRED TO THIS SQUAD. 45 00:04:14,790 --> 00:04:16,360 THERE�S LIEUTENANT FANCY�S OFFICE. 46 00:04:19,960 --> 00:04:21,860 Fancy: THEY�RE ON THEIR WAY BACK. 47 00:04:21,900 --> 00:04:23,900 I�LL CALL IF THEY HAVE ANYTHING. 48 00:04:25,570 --> 00:04:28,740 ALL RIGHT. 49 00:04:28,770 --> 00:04:31,210 LIEUTENANT FANCY, I�M BALDWIN JONES. 50 00:04:31,240 --> 00:04:33,680 GOOD TO MEET YOU. 51 00:04:33,710 --> 00:04:35,280 I�M TRANSFERRING TO YOUR SQUAD. 52 00:04:35,310 --> 00:04:37,880 I GUESS SOMEONE MISSED MAKING A PHONE CALL. 53 00:04:37,920 --> 00:04:41,130 NOT THE FIRST TIME THAT�S HAPPENED ON THIS JOB. 54 00:04:41,150 --> 00:04:43,450 ANYWAYS... 55 00:04:48,390 --> 00:04:52,090 SO, BIAS INCIDENT INVESTIGATIONS UNIT. 56 00:04:52,130 --> 00:04:54,530 YES, SIR. WE ACCOMPLISHED A LOT, 57 00:04:54,570 --> 00:04:56,540 BUT I WANTED INTO SOME REAL SQUAD WORK. 58 00:04:56,570 --> 00:04:59,370 I JUST FOUND OUT WE GOT AN OFF-DUTY COP D. O. A. 59 00:04:59,400 --> 00:05:00,600 HOW�D THAT HAPPEN? 60 00:05:00,640 --> 00:05:03,770 LOOKS LIKE A ROBBERY IN THE STREET. 61 00:05:03,810 --> 00:05:06,610 ALL RIGHT, LET ME GET YOU INTRODUCED. GOOD. 62 00:05:06,650 --> 00:05:08,220 TRACK DOWN THAT COMMUNICATIONS PROBLEM 63 00:05:08,250 --> 00:05:09,490 LATER ON. 64 00:05:14,990 --> 00:05:18,400 D.O.A. SHOT IN THE BACK AND ROBBED. NO WITNESSES. 65 00:05:18,420 --> 00:05:21,620 WE GO THROUGH HIS EFFECTS, COME UP WITH A SHIELD. 66 00:05:21,660 --> 00:05:23,830 FRANK COLLINS, WORKED NARCOTICS IN MANHATTAN SOUTH. 67 00:05:23,860 --> 00:05:27,100 CHAPLAIN�S OFFICE IS TRACKING DOWN HIS WIFE. 68 00:05:27,130 --> 00:05:29,630 THIS IS BALDWIN JONES. HE�S COMING INTO THE SQUAD. 69 00:05:29,670 --> 00:05:31,800 ANDY SIPOWICZ. HOW�S IT GOING? 70 00:05:31,840 --> 00:05:33,210 JOE PAVELKA SAYS HELLO. 71 00:05:34,670 --> 00:05:37,440 JUST CAME IN ON 911. 72 00:05:39,510 --> 00:05:42,410 TRACE THE CALL AND GET THE TAPE. 73 00:05:42,450 --> 00:05:43,690 DANNY SORENSON. 74 00:05:43,720 --> 00:05:44,990 GOOD TO MEET YOU, DANNY. 75 00:05:45,020 --> 00:05:46,860 DIANE RUSSELL. MY PARTNER, JILL KIRKENDALL. 76 00:05:46,890 --> 00:05:48,630 BALDWIN JONES. HOW YOU DOIN�? HEY. 77 00:05:48,650 --> 00:05:50,190 GREG MEDAVOY, BALDWIN. 78 00:05:50,220 --> 00:05:51,690 GOOD TO MEET YOU, GREG. 79 00:05:51,720 --> 00:05:54,420 WHAT�S THAT? Fancy: ANONYMOUS TIP. 80 00:05:54,460 --> 00:05:57,030 THE D. O. A. AND HIS PARTNER WERE HAVING AN AFFAIR. COME ON. 81 00:05:57,060 --> 00:05:58,660 PHONE LINES GO DOWN 82 00:05:58,700 --> 00:06:01,340 BEFORE THE TIPSTER CONVEYED IF THAT WAS RELEVANT? 83 00:06:01,370 --> 00:06:04,340 GET THE PARTNER. FIND OUT WHAT COLLINS WAS WORKING ON. 84 00:06:04,370 --> 00:06:05,930 IT�S GONNA BE SKELLS DID THE HOMICIDE. 85 00:06:05,970 --> 00:06:08,700 YOU AND SORENSON GOT TO RUN THE TRIANGLE DOWN. 86 00:06:08,740 --> 00:06:11,110 NARCOTICS AND VICE CAN HELP CHECK THE TRACE. 87 00:06:11,140 --> 00:06:13,270 IF COLLINS WAS INVOLVED WITH HIS PARTNER, ANDY, 88 00:06:13,310 --> 00:06:16,180 HIS WIFE WON�T WANT TO BE TALKING TO FEMALE DETECTIVES. 89 00:06:16,210 --> 00:06:17,650 ARE WE BORING YOU? 90 00:06:19,650 --> 00:06:20,650 NO. 91 00:06:22,350 --> 00:06:24,590 I�M GOING TO WANT BALDWIN PARTNERED WITH GREG. 92 00:06:27,590 --> 00:06:29,830 THAT�LL BE YOURS. 93 00:06:29,860 --> 00:06:31,830 COME ON, 94 00:06:31,860 --> 00:06:33,830 LET�S GET YOU SITUATED HERE. 95 00:06:33,870 --> 00:06:35,570 EXCUSE ME. EXCUSE ME. 96 00:06:37,700 --> 00:06:39,500 I LOOK FORWARD TO WORKING WITH YOU. 97 00:06:39,540 --> 00:06:41,580 YEAH, SAME HERE, BALDWIN. 98 00:06:45,910 --> 00:06:48,640 "JOE PAVELKA SAYS HI." YOU KNOW WHAT THAT MEANS, DON�T YOU? 99 00:06:48,680 --> 00:06:50,410 I�D NEED A SECOND CUP OF COFFEE. 100 00:06:50,450 --> 00:06:53,010 BALDWIN OVER THERE WORKED IN THE BIAS UNIT. 101 00:06:54,520 --> 00:06:56,080 YOU KNOW WHAT THAT MEANS. 102 00:06:56,120 --> 00:06:59,050 EVERY WORD FROM NOW ON YOU GOT TO DRY-CLEAN. 103 00:06:59,090 --> 00:07:00,420 FRUIT, WINK, WOP -- 104 00:07:00,460 --> 00:07:02,360 GET THEM ALL OUT. 105 00:07:02,390 --> 00:07:05,090 I�M DONE. I SAID MINE OVER MY MORNING CEREAL. 106 00:07:05,130 --> 00:07:07,430 HE�S STAND-OFFISH, TOO. DID YOU GET THAT IMPRESSION? 107 00:07:09,130 --> 00:07:13,000 THIS WAS MY FORMER PARTNER JAMES MARTINEZ�S DESK. 108 00:07:14,240 --> 00:07:15,570 AND THIS WAS HIS CHAIR. 109 00:07:15,610 --> 00:07:18,080 JAMES WENT ON TO BECOME A SERGEANT. 110 00:07:18,110 --> 00:07:19,710 IS THAT RIGHT? 111 00:07:19,740 --> 00:07:23,140 YOU WANT TO TRY IT OUT, BALDWIN? 112 00:07:27,950 --> 00:07:29,720 LOOK AT THAT. IT FITS YOU GOOD. 113 00:07:29,750 --> 00:07:32,550 YOU KNOW, 114 00:07:32,590 --> 00:07:35,560 I GOT TWO COUSINS LIVE IN BALDWIN, LONG ISLAND, 115 00:07:35,590 --> 00:07:38,690 WHICH IS PROBABLY A LONG SHOT WHERE YOUR NAME�S DERIVED. 116 00:07:38,730 --> 00:07:41,630 MY MOMS NAMED ME AFTER THE WRITER JAMES BALDWIN. 117 00:07:41,670 --> 00:07:44,610 HEY. "INVISIBLE MAN." 118 00:07:44,640 --> 00:07:47,380 NO, ACTUALLY, RALPH ELLISON WAS THE BLACK WRITER THAT WROTE "INVISIBLE MAN." 119 00:07:47,410 --> 00:07:49,750 YEAH. JAMES BALDWIN. 120 00:07:49,770 --> 00:07:52,140 "GO TELL IT ON THE MOUNTAIN." 121 00:07:52,180 --> 00:07:53,920 THERE YOU GO, GREG. 122 00:07:53,950 --> 00:07:55,650 NO, �CAUSE MY WIFE TOOK THIS COURSE -- 123 00:07:55,680 --> 00:07:57,910 MY FORMER WIFE -- 124 00:07:57,950 --> 00:08:02,480 AND SHE HAD HER BOOKS STACKED ON OUR NIGHT DRESSER. 125 00:08:02,520 --> 00:08:03,920 SO, ARE WE HEADING OUT SOON? 126 00:08:03,960 --> 00:08:05,660 YEAH, ANY MINUTE NOW. 127 00:08:11,200 --> 00:08:13,400 IF YOU DON�T MIND, I LIKE BEING CALLED D. 128 00:08:13,430 --> 00:08:15,000 D.? GOOD. 129 00:08:15,030 --> 00:08:18,900 YEAH, AND, I LIKE GOING WITH GREG. 130 00:08:18,940 --> 00:08:20,450 OKAY. 131 00:08:22,470 --> 00:08:24,510 Greg: HERE WE GO. 132 00:08:24,540 --> 00:08:26,680 SEE YOU LATER, GUYS. 133 00:08:29,480 --> 00:08:32,280 WAS GREG STYLING? 134 00:08:34,020 --> 00:08:35,920 BALDWIN JONES. 135 00:08:35,950 --> 00:08:38,290 SORRY I DIDN�T SAY HI EARLIER. I WAS NERVOUS. 136 00:08:38,320 --> 00:08:40,660 JOHN...IRVIN. 137 00:08:44,560 --> 00:08:48,230 HUMPH. THIS MARTINEZ WITH HIS CAREER AMBITIONS. 138 00:08:49,700 --> 00:08:52,130 HOW�S IT WORKING, MY FRIEND? 139 00:08:52,170 --> 00:08:54,100 WHAT�S GOING ON, DANNY? 140 00:08:54,140 --> 00:08:55,640 WHAT�S GOING ON, J. B.? 141 00:08:55,670 --> 00:08:58,140 SUN CAME UP, AM I RIGHT? 142 00:08:58,180 --> 00:09:01,020 LEAVE OUR HEARTS HOME, BRING OUR BALLS TO THE STREET. 143 00:09:01,050 --> 00:09:02,620 THAT�S DISRESPECTFUL. 144 00:09:02,650 --> 00:09:05,220 �CON PERMISSIMO? 145 00:09:05,250 --> 00:09:08,220 NO, WHY DON�T YOU STAND AND TELL ME WHAT YOU GOT? 146 00:09:08,250 --> 00:09:09,620 JIMMY IPPOLITO. 147 00:09:09,650 --> 00:09:11,950 I GOT -- I SAW SOMETHING AROUND THAT COP. 148 00:09:11,990 --> 00:09:14,560 I NEED SOME HELP TO MOVE HIM. 149 00:09:14,590 --> 00:09:16,560 HOW YOU GOING TO MOVE JIMMY IPPOLITO? 150 00:09:16,600 --> 00:09:18,870 TRYING TO GET ME DIVULGING TRADE SECRETS. 151 00:09:18,900 --> 00:09:21,670 JUST THROW ME THE FINANCE, DANNY, AND LEAVE ME TO MY WILY WAYS. 152 00:09:21,700 --> 00:09:23,670 JIMMY IPPOLITO�S A JUNKIE. 153 00:09:23,700 --> 00:09:24,830 SO WHAT? 154 00:09:24,870 --> 00:09:27,340 ARE YOU GOING TO USE TO MOVE HIM? 155 00:09:27,370 --> 00:09:29,040 WHY SHOULD I USE? I�LL DO MY ACT, HE�LL DO HIS. 156 00:09:29,070 --> 00:09:30,870 ARE YOU HIGH NOW, J. B.? 157 00:09:30,910 --> 00:09:34,740 WHAT, DID WE SUDDENLY INTRODUCE A MORALS CLAUSE? 158 00:09:34,780 --> 00:09:36,140 WHEN DID YOU START USING AGAIN? 159 00:09:36,180 --> 00:09:38,810 I ADMITTED NO GUILT -- A. 160 00:09:38,850 --> 00:09:41,020 I THOUGHT WE WERE ON THE TRAIL OF A COP KILLER. 161 00:09:41,050 --> 00:09:44,090 WE ARE. YOU LET YOUR JONES BRING YOU IN HERE LYING. 162 00:09:44,120 --> 00:09:47,220 MY SMALL SLIP STRIKES JIMMY IPPOLITO BLIND. 163 00:09:47,260 --> 00:09:48,990 IF JIMMY IPPOLITO SAW WHAT HAPPENED TO THAT COP, 164 00:09:49,030 --> 00:09:51,000 HE�D BE UP HERE LOOKING TO EARN. 165 00:09:51,030 --> 00:09:52,330 BEAT IT, J. B. 166 00:09:52,360 --> 00:09:53,390 BEAT IT? 167 00:09:53,430 --> 00:09:54,830 WALK OUT 168 00:09:54,870 --> 00:09:57,780 AND GET STRAIGHT BEFORE I SEE YOU AGAIN. 169 00:10:01,940 --> 00:10:04,410 YEAH, WELL, MAYBE JIMMY IPPOLITO�S NOT UP HERE 170 00:10:04,440 --> 00:10:07,010 BECAUSE HE�S NOT GULLIBLE LIKE CERTAIN OTHER PEOPLE, 171 00:10:07,050 --> 00:10:08,750 ALL RIGHT, DANNY, 172 00:10:08,780 --> 00:10:12,080 WHO�S HIS FRIEND? 173 00:10:12,120 --> 00:10:15,560 OR CUT HIM SOME SLACK WHEN HE SLIPS. 174 00:10:17,990 --> 00:10:19,860 GOOD LUCK FINDING YOUR COP KILLER. 175 00:10:19,890 --> 00:10:21,460 PEOPLE AROUND HERE 176 00:10:21,490 --> 00:10:23,160 GOT THEIR VALUES ALL UPSIDE DOWN. 177 00:10:41,150 --> 00:10:43,490 Man over Recording: FRANK COLLINS WAS CHEATING ON HIS WIFE. 178 00:10:43,510 --> 00:10:46,080 HE WAS HAVING AN AFFAIR WITH LISA MARANTZ. 179 00:10:46,120 --> 00:10:48,330 LOOK AT THAT PART OF HIS DEATH. 180 00:10:48,350 --> 00:10:51,090 WHAT THE HELL DOES THAT MEAN? "LOOK AT THAT PART OF HIS DEATH"? 181 00:10:51,120 --> 00:10:54,320 NO ONE AT THEIR STATION RECOGNIZED HIS VOICE. 182 00:10:54,360 --> 00:10:55,720 TALKING THROUGH A HANDKERCHIEF. 183 00:10:55,760 --> 00:10:57,330 THAT�S SOME GOSSIPING JERK, 184 00:10:57,360 --> 00:10:59,260 DON�T KNOW DICK ABOUT THIS HOMICIDE. 185 00:10:59,300 --> 00:11:01,270 YOU SAYING WE SHOULDN�T LOOK AT THE ANGLE? 186 00:11:01,300 --> 00:11:04,070 FEMALE PARTNER COULD�VE HAD A JEALOUS BOYFRIEND. 187 00:11:04,100 --> 00:11:05,730 WIFE COULD�VE HIRED SOMEONE. 188 00:11:05,770 --> 00:11:08,740 AND LET�S NOT RULE OUT THEM TWO LAS VEGAS FRUITCAKES 189 00:11:08,770 --> 00:11:12,510 WITH THEIR MAGICAL TIGER ACT FOR POSSIBLE SUSPECTS. 190 00:11:12,540 --> 00:11:15,510 DON�T WORRY. WE�LL COME DOWN ON THE PARTNER AND WIFE 191 00:11:15,550 --> 00:11:17,490 LIKE A TON OF BRICKS. 192 00:11:17,520 --> 00:11:19,760 HI. 193 00:11:19,780 --> 00:11:22,650 GOING TO BE THE PARTNER. 194 00:11:22,690 --> 00:11:25,960 GOT THAT SHIFTY LOOK ABOUT HER, TOO. 195 00:11:29,560 --> 00:11:30,960 ARTHUR FANCY. 196 00:11:31,000 --> 00:11:32,340 HOW�S IT GOING, LIEUTENANT? 197 00:11:32,360 --> 00:11:35,760 SO I GUESS MY PHONE�S NOT OUT OF ORDER. 198 00:11:35,800 --> 00:11:37,830 YEAH, BALDWIN JONES. THAT�S RIGHT. 199 00:11:37,870 --> 00:11:39,940 THIS IS LISA MORANTZ. 200 00:11:39,970 --> 00:11:41,370 ANDY SIPOWICZ. 201 00:11:41,410 --> 00:11:43,350 I WAS FRANK COLLINS� PARTNER. 202 00:11:43,370 --> 00:11:46,370 DANNY SORENSON. APPRECIATE YOUR COMING OVER. 203 00:11:46,410 --> 00:11:49,380 COME ON. LET�S TALK IN HERE. 204 00:11:49,410 --> 00:11:51,010 REST OF YOUR SQUAD�S OUT? 205 00:11:51,050 --> 00:11:52,480 YEAH, THEY�RE OUT WORKING THIS. 206 00:11:54,750 --> 00:11:57,190 45 MINUTES. 207 00:11:57,220 --> 00:11:58,450 FINE. 208 00:11:58,490 --> 00:12:01,390 YOU GUYS GOT A DIRECTION? 209 00:12:01,430 --> 00:12:03,400 NOT YET. 210 00:12:05,030 --> 00:12:08,330 SOME LOUSY RANDOM FLUKEY STREET CRIME. 211 00:12:08,370 --> 00:12:10,040 YEAH, ROBBERY�S A DEFINITE POSSIBILITY. 212 00:12:29,050 --> 00:12:31,720 ANYONE YOU GUYS LOCKED UP WHO HAD A HARD-ON FOR FRANK 213 00:12:31,760 --> 00:12:33,360 GET PAROLED OR MAKE BAIL? 214 00:12:33,390 --> 00:12:34,990 NO. BEEN RACKING MY BRAIN. 215 00:12:35,030 --> 00:12:37,000 ANY SITUATION FRANK MIGHT HAVE BEEN IN 216 00:12:37,030 --> 00:12:39,190 THAT COULD HAVE MADE HIM VULNERABLE? 217 00:12:39,230 --> 00:12:40,830 WHAT�S THAT SUPPOSED TO MEAN? 218 00:12:40,870 --> 00:12:43,170 WE�RE LOOKING FOR DIRECTIONS. 219 00:12:43,200 --> 00:12:46,600 WELL, DON�T LOOK IN THAT ONE. FRANK WAS AN HONEST COP. 220 00:12:46,640 --> 00:12:48,200 NO, THAT�S WHAT EVERYONE SAID. 221 00:12:48,240 --> 00:12:50,070 HOW LONG WERE THE TWO OF YOU PARTNERED? 222 00:12:50,110 --> 00:12:51,710 ALMOST NINE MONTHS. 223 00:12:51,740 --> 00:12:53,940 FRANK YOUR FIRST? 224 00:12:53,980 --> 00:12:56,010 MY FIRST PARTNER 3/4�d OFF A RUPTURED DISC 225 00:12:56,050 --> 00:12:57,390 SEVEN WEEKS AFTER WE STARTED. 226 00:12:57,420 --> 00:13:00,030 FRANK HAD A DISC TWICE THAT BAD. 227 00:13:00,050 --> 00:13:03,350 HE�D BEEN HIDING IT FOR FIVE YEARS SO HE COULD KEEP WORKING. 228 00:13:03,390 --> 00:13:04,960 HE HAVE ANY FAMILY PROBLEMS? 229 00:13:04,990 --> 00:13:06,960 ANYTHING THAT MIGHT GIVE US A DIRECTION? 230 00:13:06,990 --> 00:13:08,590 FRANK LOVED HIS FAMILY. 231 00:13:08,630 --> 00:13:11,240 HE LOVED HIS WIFE, AND HE LOVED HIS KIDS. 232 00:13:11,260 --> 00:13:13,390 ANY BROTHERS OR SISTERS HE HAD PROBLEMS WITH? 233 00:13:13,430 --> 00:13:15,030 PAIN-IN-THE-BALLS IN-LAWS? 234 00:13:15,070 --> 00:13:17,410 NO. I DON�T KNOW. 235 00:13:17,440 --> 00:13:19,910 HE DIDN�T HAVE NO PROBLEMS, OR YOU DON�T KNOW? 236 00:13:19,940 --> 00:13:21,540 DON�T THINK HE HAD ANY. 237 00:13:21,570 --> 00:13:23,910 I DIDN�T QUIZ HIM ON HIS FAMILY RELATIONSHIPS. 238 00:13:23,940 --> 00:13:27,280 YOU PARTNER WITH SOMEBODY, YOU DON�T NEED TO QUIZ THEM. 239 00:13:27,310 --> 00:13:29,280 I DON�T KNOW ANY PROBLEMS HE HAD, OKAY? 240 00:13:29,310 --> 00:13:31,280 HEY, LISA, YOU GOT A BUS TO CATCH? 241 00:13:31,320 --> 00:13:33,260 YOUR PARTNER JUST GOT SHOT. 242 00:13:33,280 --> 00:13:35,480 HEY, SCREW YOU, SAYING THAT TO ME! COME ON, ANDY. 243 00:13:35,520 --> 00:13:38,320 NO, BUT SHE�S RESENTFUL WE GOT TO ASK QUESTIONS. 244 00:13:38,360 --> 00:13:40,330 I�M A LITTLE UPSET MY PARTNER GOT KILLED, 245 00:13:40,360 --> 00:13:42,320 ALL RIGHT, ASSHOLE? 246 00:13:42,360 --> 00:13:44,330 I DON�T MIND IF YOU�RE A LITTLE UPSET. 247 00:13:44,360 --> 00:13:46,960 MIND IF I�M TRYING TO CLEAR A COP HOMICIDE? 248 00:13:47,000 --> 00:13:49,460 YEAH, AND I DON�T WANT IT SOLVED. 249 00:13:49,500 --> 00:13:50,670 REALLY? WHY? 250 00:13:50,700 --> 00:13:52,670 WHAT ELSE DO YOU WANT TO KNOW? 251 00:13:52,700 --> 00:13:54,000 BECAUSE I�M OUT OF HERE. 252 00:13:54,040 --> 00:13:56,270 JEEZ, LET ME RUSH TO THINK. 253 00:13:56,310 --> 00:13:58,780 WERE YOU INVOLVED WITH FRANK, LISA? 254 00:13:58,810 --> 00:14:00,440 IS THERE ANYTHING WE SHOULD BE LOOKING AT? 255 00:14:00,480 --> 00:14:01,680 MAN. 256 00:14:01,710 --> 00:14:03,080 NO, IS THAT UNHEARD OF? 257 00:14:03,110 --> 00:14:04,750 SCREW YOU, ALL RIGHT? 258 00:14:04,780 --> 00:14:06,980 IN ALL THAT SCREWING, I�M NOT HEARING A "YES" OR "NO." 259 00:14:07,020 --> 00:14:10,150 I�M DONE WITH HIM. I DON�T ANSWER NO MORE QUESTIONS FROM HIM. 260 00:14:10,190 --> 00:14:11,450 WERE YOU AND FRANK ROMANTICALLY INVOLVED? 261 00:14:11,490 --> 00:14:14,790 FRANK WAS MARRIED, AND I HAVE A BOYFRIEND. 262 00:14:14,830 --> 00:14:17,770 WHO? JACK GORMAN AT THE 3-4. 263 00:14:17,800 --> 00:14:19,340 I�M WAITING TO HEAR HER SAY 264 00:14:19,360 --> 00:14:20,700 SHE WASN�T SCREWING HER PARTNER. 265 00:14:20,730 --> 00:14:22,160 YOU PRICK. 266 00:14:22,200 --> 00:14:24,930 YOU PRICK! GOD! 267 00:14:24,970 --> 00:14:27,640 MY GOD. 268 00:14:27,670 --> 00:14:29,970 MY GOD. 269 00:14:30,010 --> 00:14:32,870 YOU WOULDN�T BE THE FIRST, LISA. 270 00:14:32,910 --> 00:14:35,140 IT HAS NOTHING TO DO WITH WHAT HAPPENED, 271 00:14:35,180 --> 00:14:36,680 I SWEAR TO GOD. 272 00:14:36,720 --> 00:14:38,690 ALL RIGHT. 273 00:14:38,720 --> 00:14:40,090 ALL RIGHT. 274 00:15:01,610 --> 00:15:04,080 ARTHUR. 275 00:15:04,110 --> 00:15:07,140 YOU SHOW ME A LOT OF INITIATIVE. 276 00:15:07,180 --> 00:15:09,010 THIS WON�T TAKE LONG. 277 00:15:09,050 --> 00:15:12,720 COORDINATING ON A CASE WITH THE FEDS. 278 00:15:12,750 --> 00:15:15,680 ON THIS TRANSFER... 279 00:15:15,720 --> 00:15:17,220 BALDWIN JONES. 280 00:15:17,260 --> 00:15:18,430 YEAH. 281 00:15:18,460 --> 00:15:20,330 WANT TO TELL ME 282 00:15:20,360 --> 00:15:22,490 WHY YOU DIDN�T GIVE ME A PHONE CALL? 283 00:15:22,530 --> 00:15:24,870 DON�T MAKE TOO MUCH OF IT, ARTHUR. I HAD IT ON MY TO-DO LIST. 284 00:15:24,900 --> 00:15:26,340 - 285 00:15:26,360 --> 00:15:28,330 WASN�T A LOT TO SAY, ANYHOW. 286 00:15:28,370 --> 00:15:30,340 BIAS UNIT WASN�T A GOOD FIT, 287 00:15:30,370 --> 00:15:33,270 AND I KNEW BALDWIN WAS GOING TO THE RIGHT COMMAND. 288 00:15:33,300 --> 00:15:35,070 WAS HE A DISCIPLINE PROBLEM? 289 00:15:35,110 --> 00:15:36,750 NO. 290 00:15:36,780 --> 00:15:38,850 WHAT MADE THE FIT BAD? 291 00:15:38,880 --> 00:15:40,850 WHEN IT WAS TIME TO SWALLOW OR SPIT 292 00:15:40,880 --> 00:15:43,210 ON WHETHER OR NOT TO FIND A HATE COMPONENT, 293 00:15:43,250 --> 00:15:44,860 BALDWIN STILL TENDED TO CHEW. 294 00:15:44,880 --> 00:15:46,450 HE SAW COMPLEXITY 295 00:15:46,480 --> 00:15:48,280 WHERE I FELT A SIMPLER STANDARD SHOULD APPLY. 296 00:15:48,320 --> 00:15:50,020 YOU AND HE DISAGREED. 297 00:15:50,050 --> 00:15:51,950 WE DISAGREED. 298 00:15:53,790 --> 00:15:55,960 HOW IS THE 15th, ARTHUR? 299 00:15:55,990 --> 00:15:57,560 HOW�S, UM... 300 00:15:57,600 --> 00:15:59,370 SIPOWICZ. 301 00:15:59,400 --> 00:16:01,970 YEAH. SIPOWICZ. 302 00:16:02,000 --> 00:16:03,930 HOW IS HE COMING ALONG? 303 00:16:03,970 --> 00:16:05,930 STILL DOING HIS JOB. 304 00:16:05,970 --> 00:16:08,240 NOT THAT HIS TYPE OF RACIST PRICK EVER DOES, 305 00:16:08,270 --> 00:16:10,470 OR YOU�D EVER HOLD HIM TO IT, 306 00:16:10,510 --> 00:16:13,440 BUT I GUESS HE HAS YOU TO THANK FOR THAT. 307 00:16:13,480 --> 00:16:15,720 I GUESS WE ALL HAVE YOU TO THANK. 308 00:16:15,750 --> 00:16:18,090 THANKS FOR THE RECOMMENDATION ON JONES. 309 00:16:18,120 --> 00:16:19,890 DID I RECOMMEND HIM? 310 00:16:19,920 --> 00:16:23,320 A GOOD COP HAS TO KNOW HOW TO LISTEN. 311 00:16:23,350 --> 00:16:25,250 I�M PRETTY BUSY HERE, ARTHUR. 312 00:17:37,330 --> 00:17:39,030 Andy: ANYWAYS, THAT�S ACCOMPLISHED. 313 00:17:39,060 --> 00:17:41,030 THIS GIRL COLLINS WAS RIDING WITH 314 00:17:41,070 --> 00:17:43,540 ADMITTING THAT SHE AND COLLINS WERE INVOLVED 315 00:17:43,570 --> 00:17:46,700 EVEN THOUGH THAT DON�T HAVE DICK TO DO 316 00:17:46,740 --> 00:17:48,340 WITH HIM BEING KILLED. 317 00:17:48,370 --> 00:17:50,340 HOW LONG YOU GOING TO WASH? 318 00:17:50,370 --> 00:17:53,310 I�M FINISHED NOW. I�M GOING OVER TO DRY. 319 00:17:53,340 --> 00:17:55,010 MIDDLE OF THE INTERVIEW, 320 00:17:55,050 --> 00:17:57,660 THE PARTNER MENTIONED DATING A COP AT THE 3-4 JACK GORMAN. 321 00:17:57,680 --> 00:17:59,680 MAYBE LOOK AT HIM FOR A JEALOUSY MOTIVE? 322 00:17:59,720 --> 00:18:02,380 SHE MENTIONED THE 3-4 COP TO STEER US OFF. 323 00:18:02,420 --> 00:18:03,890 SHE HADN�T ADMITTED TO SLEEPING WITH HER PARTNER 324 00:18:03,920 --> 00:18:06,020 AT THAT POINT. 325 00:18:06,060 --> 00:18:08,170 WE�RE STILL GOING TO BRING THE 3-4 COP IN JUST TO BE THOROUGH. 326 00:18:08,190 --> 00:18:11,060 MRS. COLLINS IS HERE. 327 00:18:11,100 --> 00:18:13,910 YOU SAID TO LET YOU KNOW IMMEDIATELY. 328 00:18:13,930 --> 00:18:16,930 YEAH, BECAUSE NOW WE GET TO MAKE THE WIDOW MISERABLE 329 00:18:16,970 --> 00:18:19,270 ASKING HER A BUNCH OF QUESTIONS 330 00:18:19,300 --> 00:18:22,000 THAT DON�T HAVE NOTHING TO DO WITH THE PRICE OF EGGS. 331 00:18:22,040 --> 00:18:24,770 GO AHEAD. JUST GO AHEAD. 332 00:18:24,810 --> 00:18:26,840 OKAY. 333 00:18:26,880 --> 00:18:29,180 SHEESH. LOOKS LIKE HE WAS ON ONE OF THEM 334 00:18:29,210 --> 00:18:31,250 CARNIVAL TORTURE WHEELS 335 00:18:31,280 --> 00:18:34,250 WHERE THOSE GUYS THROW THOSE DAGGERS AT YOU. 336 00:18:34,290 --> 00:18:37,060 ANYTHING COMING OFF THE SWEEPS? 337 00:18:37,090 --> 00:18:39,290 NOT YET. 338 00:18:39,320 --> 00:18:41,460 ANYWAYS, THAT WAS DEFINITELY THE RIGHT ALLOCATION, 339 00:18:41,490 --> 00:18:43,760 PUTTING OUR CRACK NEW MANPOWER OUT THERE. 340 00:18:43,800 --> 00:18:45,540 FIRST DAY ON THE SQUAD, 341 00:18:45,560 --> 00:18:49,300 WOULD YOU HAVE ASSIGNED HIM ONE OF THOSE FAMILY INTERVIEWS? 342 00:18:49,330 --> 00:18:50,700 GOT AN ANSWER FOR EVERYTHING, 343 00:18:50,740 --> 00:18:52,710 THIS GUY. 344 00:18:52,740 --> 00:18:54,180 ANDY, BREATHE. 345 00:18:57,910 --> 00:18:59,580 I DON�T DO THAT STUFF. 346 00:19:09,090 --> 00:19:10,800 I�M ANNE COLLINS. 347 00:19:10,820 --> 00:19:12,890 ANDY SIPOWICZ. I�M SORRY FOR YOUR LOSS. 348 00:19:12,920 --> 00:19:15,920 THIS IS OFFICER WALSH KEEPING ME COMPANY. 349 00:19:15,960 --> 00:19:17,390 MY PARTNER DANNY SORENSON. 350 00:19:17,430 --> 00:19:19,900 SORRY FOR YOUR LOSS, MRS. COLLINS. 351 00:19:19,930 --> 00:19:21,360 I KNOW YOU HAVE TO. 352 00:19:24,170 --> 00:19:28,140 I DIDN�T WANT TO TALK TO YOU IN MY HOUSE. 353 00:19:28,170 --> 00:19:30,270 BE MORE COMFORTABLE IN OUR COFFEE ROOM? 354 00:19:30,310 --> 00:19:31,270 - 355 00:19:32,980 --> 00:19:35,920 BRIEFLY AS WE CAN, MRS. COLLINS, 356 00:19:35,950 --> 00:19:38,590 THERE ANYONE YOU FEEL WE SHOULD BE TALKING TO 357 00:19:38,620 --> 00:19:40,330 CONCERNING YOUR HUSBAND�S DEATH? 358 00:19:40,350 --> 00:19:41,950 NO. 359 00:19:41,990 --> 00:19:44,330 I WISH HE DIED HAPPIER, 360 00:19:44,360 --> 00:19:46,100 IN HIS MORE NATURAL HAPPINESS. 361 00:19:46,120 --> 00:19:47,690 THAT�S THE ONLY THING. 362 00:19:47,730 --> 00:19:50,340 I SEE. 363 00:19:50,360 --> 00:19:52,260 FRANK WAS SO GOOD, 364 00:19:52,300 --> 00:19:54,310 AND HE HAD A LOT OF HAPPINESS, 365 00:19:54,330 --> 00:19:57,030 AND HE WAS A WONDERFUL DAD. 366 00:19:57,070 --> 00:19:58,770 IS THAT SO? 367 00:19:58,800 --> 00:20:00,770 AND THAT HE SHOULD DIE UNHAPPY 368 00:20:00,810 --> 00:20:03,280 AND FEELING BAD ABOUT HIMSELF 369 00:20:03,310 --> 00:20:06,480 IS WHAT I�M REALLY SORRY FOR. 370 00:20:06,510 --> 00:20:08,710 WHAT WAS IT MAKING HIM UNHAPPY? 371 00:20:08,750 --> 00:20:10,790 IN HIS PERSONAL CONDUCT AND WAY HE LOST CONTROL. 372 00:20:10,820 --> 00:20:13,120 IN A RELATIONSHIP? 373 00:20:13,150 --> 00:20:15,120 HE LOST CONTROL OF HIS BEHAVIOR, 374 00:20:15,150 --> 00:20:17,520 AND HE KNEW THAT I COULD TELL, 375 00:20:17,560 --> 00:20:20,200 AND THE HARDER HE TRIED TO CONTROL IT, 376 00:20:20,220 --> 00:20:23,420 THE MORE ASHAMED HE�D BE AND UNHAPPY... 377 00:20:25,260 --> 00:20:28,560 AND EVEN THE BOYS GOT WHERE THEY COULD TELL, 378 00:20:28,600 --> 00:20:30,970 EVEN THOUGH HE KEPT UP WITH 379 00:20:31,000 --> 00:20:33,300 WHAT THEY�D DO TOGETHER. 380 00:20:33,340 --> 00:20:36,250 DID IT HAVE ANYTHING TO DO WITH HIM DYING -- 381 00:20:36,270 --> 00:20:38,070 THE OUT-OF-CONTROL RELATIONSHIP? 382 00:20:40,010 --> 00:20:41,580 SHE�S NOT SELFISH. 383 00:20:41,610 --> 00:20:43,750 SHE WAS SORRY IT WAS HAPPENING. 384 00:20:43,780 --> 00:20:46,350 SHE�S NOT A SELFISH GIRL. 385 00:20:46,380 --> 00:20:49,050 TO HAVE TO DIE 386 00:20:49,090 --> 00:20:51,760 BEFORE HE CAME BACK TO HIMSELF IS... 387 00:20:55,590 --> 00:20:58,360 THANKS VERY MUCH FOR COMING IN. 388 00:21:00,630 --> 00:21:03,100 PROBABLY JUST SOMETHING BAD THAT HAPPENED -- 389 00:21:03,130 --> 00:21:05,600 SEEING HIM COME OUT OF THE GROCERY OR SO FORTH. 390 00:21:05,640 --> 00:21:07,910 SOMEONE JUST ON THE STREET. 391 00:21:07,940 --> 00:21:10,870 THAT�S HOW WE�RE GOING TO GO AT IT. 392 00:21:21,820 --> 00:21:23,790 THE DAY FEMALE COPS GOT ASSIGNED 393 00:21:23,820 --> 00:21:25,620 AS PARTNERS IN RADIO CARS, 394 00:21:25,660 --> 00:21:29,430 THE WIVES DEMONSTRATED OUTSIDE POLICE HEADQUARTERS. 395 00:21:29,460 --> 00:21:32,130 LIKE THAT WAS THE DAY GUYS INVENTED CHEATING. 396 00:22:50,740 --> 00:22:54,280 DON�T TAP THE TANK. 397 00:22:54,310 --> 00:22:55,840 I WASN�T TAPPING THE TANK. 398 00:22:55,880 --> 00:22:59,880 YOU WERE THINKING ABOUT TAPPING THE TANK. 399 00:22:59,920 --> 00:23:01,650 THIS TOMAS IS IN A BAR. 400 00:23:01,690 --> 00:23:03,660 A LITTLE WHILE AFTER COLLINS GETS SHOT, 401 00:23:03,690 --> 00:23:06,890 A GUY HE�S SEEN AROUND COMES TO HIM AND SAYS HE WANTS TO COP. 402 00:23:06,930 --> 00:23:09,530 WHICH ISN�T THE OTHER GUY�S USUAL ACT. 403 00:23:09,560 --> 00:23:11,790 TELLS TOMAS HE DID A BAD THING. 404 00:23:11,830 --> 00:23:14,530 IF TOMAS WILL BRING IT BACK, HE�LL PAY $15 FOR A $10 BAG TO GET HIMSELF RIGHT. 405 00:23:14,570 --> 00:23:16,540 TOMAS SCORES THE BAG, BRINGS IT BACK -- 406 00:23:16,570 --> 00:23:18,530 GUY DON�T WANT THE DOPE NO MORE. 407 00:23:18,570 --> 00:23:20,400 HE HAD A COUPLE OF DRINKS IN HIM. 408 00:23:20,440 --> 00:23:22,070 HE�S CALMED HIMSELF DOWN, 409 00:23:22,110 --> 00:23:24,150 PRESUMABLY NOT FEELING AS MUCH REMORSE 410 00:23:24,180 --> 00:23:26,150 ABOUT THE BAD THING HE DID THIS MORNING, 411 00:23:26,180 --> 00:23:28,350 I.E. POSSIBLY MURDERING A COP 412 00:23:28,380 --> 00:23:30,350 IS WHAT TOMAS IS THINKING, 413 00:23:30,380 --> 00:23:32,510 AND, WE FEEL IT�S WORTH A SHOT. 414 00:23:32,550 --> 00:23:34,420 WE GOT A NAME? 415 00:23:34,450 --> 00:23:37,850 NO NAME, BUT TOMAS SAYS EVERY TIME HE�S IN THE BAR, 416 00:23:37,890 --> 00:23:39,490 THIS GUY IS, TOO. 417 00:23:39,520 --> 00:23:41,490 SO THAT�S PROBABLY WHERE WE CAN REACH HIM. 418 00:23:41,530 --> 00:23:43,100 WE GOT TOMAS FOR POSSESSION. 419 00:23:43,130 --> 00:23:46,040 SAYS HE�LL PICK THE GUY OUT FOR A WALK AND 500. 420 00:23:46,060 --> 00:23:48,500 $500 IF THE GUY�S RIGHT FOR THE MURDER. 421 00:23:48,530 --> 00:23:50,370 YEAH, 500 IF HE�S RIGHT. 422 00:23:50,400 --> 00:23:52,530 GET BACKUP FROM ANTI-CRIME. 423 00:23:57,480 --> 00:24:00,350 COME ON. I�M GOING TO GET YOU INTO SOMETHING UNRECOGNIZABLE. 424 00:24:00,380 --> 00:24:02,340 NOT LIKE WHAT HE�S GOT ON. 425 00:24:02,380 --> 00:24:06,010 HEY, WHAT THE HELL IS WRONG WITH WHAT I GOT ON? 426 00:24:06,050 --> 00:24:08,020 BEFORE I�D PUT A SHIRT LIKE THAT ON, 427 00:24:08,050 --> 00:24:10,420 I�D THROW MYSELF UNDER THE "A" TRAIN. 428 00:24:10,450 --> 00:24:12,320 DON�T HIT HIM, ANDY. I THINK THEY GOT TO USE HIM. 429 00:24:14,760 --> 00:24:18,260 I THINK THAT�S ONE OF YOUR NICEST PATTERNS. 430 00:24:27,170 --> 00:24:29,100 HOW. 431 00:24:41,850 --> 00:24:44,490 POLICE! NOBODY MOVE! HANDS WHERE WE CAN SEE THEM. 432 00:24:44,520 --> 00:24:46,590 GET YOUR HANDS ON THE BAR. 433 00:24:46,630 --> 00:24:49,840 YOU CAN�T EVEN HAVE A DRINK WITHOUT THE COPS BUSTING IN. 434 00:24:49,860 --> 00:24:52,790 HEY, HAVE WE GOT A WARRANT ON YOU? NO, MAN. I�M CLEAN. 435 00:24:52,830 --> 00:24:54,230 DO YOU WANT TO GO TO JAIL? NO. 436 00:24:54,270 --> 00:24:55,340 DO YOU WANT TO GO TO JAIL?- 437 00:24:55,370 --> 00:24:57,180 SHUT UP AND TURN AROUND. 438 00:24:57,200 --> 00:24:58,270 OKAY, READY. 439 00:25:00,100 --> 00:25:01,600 I�M SCARED. I�M SCARED. 440 00:25:01,640 --> 00:25:03,610 IT�S OKAY. JUST RELAX. 441 00:25:03,640 --> 00:25:06,340 WHAT THE HELL IS THIS, THE UNKNOWN COMIC? 442 00:25:06,380 --> 00:25:07,990 WHAT DID I TELL YOU? MAN, I LOVE HIS STUFF. 443 00:25:08,010 --> 00:25:09,680 TURN AROUND. 444 00:25:09,710 --> 00:25:11,780 Greg: JUST POINT. 445 00:25:11,820 --> 00:25:12,990 THAT�S HIM. 446 00:25:13,020 --> 00:25:15,760 WHAT�S GOING ON? WHAT DID I DO? 447 00:25:15,790 --> 00:25:17,430 SHUT UP. WHAT YOU BOTHERING ME FOR? 448 00:25:17,460 --> 00:25:20,130 GET ALL YOUR ANSWERS DOWN AT THE STATION. 449 00:25:20,160 --> 00:25:22,020 COPS COME IN, DISTRACT US WITH THE UNKNOWN COMIC, 450 00:25:22,060 --> 00:25:25,030 COLLAR MY HOMEBOY WITH THE RAGGEDY HOOD 451 00:25:25,060 --> 00:25:27,330 AND THAT CHEAP-ASS WINDBREAKER. 452 00:25:27,370 --> 00:25:30,110 YOU NEED TO CHECK YOURSELF IN THE MIRROR, MY BROTHER. 453 00:25:30,130 --> 00:25:32,700 MAN, I�M LOOKING GOOD. 454 00:25:44,050 --> 00:25:46,750 ANDY, HAVE YOU GOT A MINUTE? 455 00:25:49,190 --> 00:25:52,500 YOU SURE THAT�S ALL YOU�LL NEED? 456 00:25:52,520 --> 00:25:54,560 I�LL HOLD THE FORT. 457 00:26:12,180 --> 00:26:14,320 WHAT�S THE MATTER? 458 00:26:14,350 --> 00:26:19,360 UM, THAT BURNED-UP D.O.A. FROM LAST NIGHT IN THE 27th? 459 00:26:19,380 --> 00:26:21,850 DON�T FORGET DECAPITATED. 460 00:26:21,890 --> 00:26:24,400 I�VE GOT AN IDEA WHO THAT WAS, 461 00:26:24,420 --> 00:26:28,390 A PRETTY GOOD IDEA... 462 00:26:28,430 --> 00:26:30,900 AND IF IT WAS A GUY 463 00:26:30,930 --> 00:26:33,060 WHERE THERE WAS NO UPSIDE, REALLY, 464 00:26:33,100 --> 00:26:35,210 ANYONE KNOWING WHO IT WAS 465 00:26:35,230 --> 00:26:39,200 AND A BIG DOWNSIDE EMOTIONALLY, YOU KNOW, 466 00:26:39,240 --> 00:26:42,280 WHERE A SURVIVING FAMILY MEMBER�S FEELING 467 00:26:42,310 --> 00:26:45,050 ABOUT HERSELF AND HER WHOLE FAMILY SITUATION 468 00:26:45,080 --> 00:26:46,950 WOULD BE SO MUCH BETTER WITHOUT KNOWING 469 00:26:46,980 --> 00:26:49,380 HOW IT WAS THIS GUY HAD DIED 470 00:26:49,410 --> 00:26:51,680 OR THAT HE HAD DIED, 471 00:26:51,720 --> 00:26:54,630 WOULD YOU TELL HER WHO HE WAS 472 00:26:54,650 --> 00:26:56,520 AND WHAT HAD HAPPENED? 473 00:26:56,560 --> 00:26:59,630 WHAT WOULD IT DO TO YOU NOT TELLING HER? 474 00:26:59,660 --> 00:27:02,120 WHAT WOULD IT DO TO ME? 475 00:27:02,160 --> 00:27:04,690 CARRYING IT AROUND, YOU DIDN�T. 476 00:27:04,730 --> 00:27:06,430 I-I�M NOT THE ONE 477 00:27:06,460 --> 00:27:08,800 I�M WORRIED ABOUT RIGHT NOW, ANDY. 478 00:27:08,830 --> 00:27:12,270 IF IT WAS ME... 479 00:27:12,300 --> 00:27:15,040 PRETTY SOON I WOULDN�T LIKE SEEING HER NO MORE, 480 00:27:15,070 --> 00:27:17,140 WORKING NEXT TO HER. 481 00:27:17,180 --> 00:27:19,450 EVERYTHING WOULD REMIND ME OF THE SECRET. 482 00:27:19,480 --> 00:27:21,950 WOULD YOU BE WILLING 483 00:27:21,980 --> 00:27:24,410 TO, LET THE RELATIONSHIP GO BAD THAT WAY -- 484 00:27:24,450 --> 00:27:25,850 THE PARTNERSHIP? 485 00:27:28,020 --> 00:27:30,950 THANKS. 486 00:27:30,990 --> 00:27:34,190 I�M ALSO AVAILABLE FOR CHECKERS. 487 00:27:45,370 --> 00:27:47,940 YOU�LL KNOW HOW TO DO IT. 488 00:27:56,650 --> 00:27:57,950 WHAT�S UP? 489 00:27:57,980 --> 00:28:00,820 WANTS ME TO FIX A TICKET. 490 00:28:05,460 --> 00:28:07,770 JACK GORMAN. 491 00:28:07,790 --> 00:28:10,790 ANDY SIPOWICZ. MY PARTNER DANNY SORENSON. 492 00:28:10,830 --> 00:28:13,430 Danny: THANKS FOR COMING OVER. SURE. 493 00:28:13,460 --> 00:28:15,330 HAVE A SEAT. 494 00:28:15,370 --> 00:28:17,510 YOU HEARD ABOUT THIS COP HOMICIDE? 495 00:28:17,540 --> 00:28:18,780 YEAH. 496 00:28:18,800 --> 00:28:19,770 Danny: FRANK COLLINS. 497 00:28:19,800 --> 00:28:20,870 YEAH, I HEARD. 498 00:28:25,040 --> 00:28:28,710 LISA MORANTZ THAT WAS PARTNERED WITH COLLINS SAID THE TWO OF YOU WENT OUT. 499 00:28:28,750 --> 00:28:31,120 WE STOPPED FOUR MONTHS AGO. 500 00:28:31,150 --> 00:28:33,620 SORRY FOR THE PERSONAL QUESTION. 501 00:28:33,650 --> 00:28:35,620 WHOSE IDEA WAS STOPPING? 502 00:28:35,650 --> 00:28:37,850 WHOSE DID SHE SAY? 503 00:28:37,890 --> 00:28:39,320 SHE SAID IT WAS HER IDEA. 504 00:28:39,360 --> 00:28:41,730 OKAY, THEN. I GO ALONG WITH THAT. 505 00:28:41,760 --> 00:28:43,660 YOU KNOW WHO SHE GOT INVOLVED WITH SUBSEQUENT? 506 00:28:43,700 --> 00:28:44,970 NOT REALLY, NO. 507 00:28:45,000 --> 00:28:46,400 YOU WEREN�T INTERESTED? 508 00:28:46,430 --> 00:28:48,160 NO. 509 00:28:48,200 --> 00:28:50,170 SHE SAID SHE GOT INVOLVED WITH COLLINS. 510 00:28:50,200 --> 00:28:52,900 OKAY, THEN SHE GOT INVOLVED WITH COLLINS. 511 00:28:52,940 --> 00:28:56,180 DO YOU WANT US TO LIKE YOU FOR THIS HOMICIDE? 512 00:28:56,210 --> 00:28:58,180 I�M NOT INVOLVED IN THIS HOMICIDE 513 00:28:58,210 --> 00:28:59,880 AND LISA�S PERSONAL LIFE ANYMORE. 514 00:28:59,910 --> 00:29:01,180 YOU ACCOUNT FOR YOUR TIME THIS MORNIN�? 515 00:29:01,210 --> 00:29:04,210 I�M A DOORMAN AT THE WORCHESTER. 516 00:29:04,250 --> 00:29:06,050 I�M ON VIDEOTAPE TILL 7:00 A. M. 517 00:29:06,080 --> 00:29:08,580 THE D. O. A. WAS CALLED IN AT 7:15. 518 00:29:08,620 --> 00:29:10,690 OKAY, THEN I�M A SUSPECT. 519 00:29:10,720 --> 00:29:13,150 I DROVE 80 MILES AN HOUR FROM MIDTOWN, 520 00:29:13,190 --> 00:29:15,520 AND I GOT LUCKY FINDING THE GUY ON THE STREET. 521 00:29:15,560 --> 00:29:17,560 I KILLED THE PRICK OVER MY EX-GIRLFRIEND 522 00:29:17,600 --> 00:29:20,040 FALLING IN LOVE WITH HIM. 523 00:29:21,600 --> 00:29:22,900 THANKS FOR COMING IN. 524 00:29:31,310 --> 00:29:33,880 HOW BAD�S LISA TAKING IT? 525 00:29:33,910 --> 00:29:35,580 SHE�S TAKING IT HARD. 526 00:29:42,650 --> 00:29:44,750 TOTALLY BLIND ALLEY. 527 00:29:50,600 --> 00:29:52,640 JOSH, CAN YOU HELP BALDWIN A MINUTE, 528 00:29:52,660 --> 00:29:54,800 PUT THIS GUY IN THE POKEY? 529 00:29:59,440 --> 00:30:01,210 THIS CAME IN. 530 00:30:01,240 --> 00:30:04,540 BALDWIN�S SOME EFFICIENT, CALLING AHEAD 531 00:30:04,580 --> 00:30:07,150 TO RUN THIS DARNELL JAMES THROUGH BCI? 532 00:30:07,180 --> 00:30:09,140 HOW YOU GOING TO GO AT HIM? 533 00:30:09,180 --> 00:30:10,780 WHAT DO YOU THINK? 534 00:30:10,820 --> 00:30:13,990 THINK MAYBE WE SHOULD SEE WHAT KIND OF CHOPS HE�S GOT? 535 00:30:14,020 --> 00:30:16,480 MIGHT AS WELL. 536 00:30:16,520 --> 00:30:19,220 HE FALLS DOWN AT ALL, THIS BALDWIN, I�M THERE TO STEP IN. 537 00:30:24,030 --> 00:30:27,060 HOW DO YOU WANT TO WORK HIM? 538 00:30:27,100 --> 00:30:29,500 GO AHEAD AND TAKE HIM. 539 00:30:35,110 --> 00:30:39,020 LET�S SEE WHAT KIND OF CHOPS YOU GOT. 540 00:31:12,410 --> 00:31:14,010 YOU SHOT A COP, DARNELL. 541 00:31:14,050 --> 00:31:16,560 WHAT THE HELL ARE YOU TALKING ABOUT? 542 00:31:18,720 --> 00:31:20,330 YOU SHOT A COP. 543 00:31:20,350 --> 00:31:22,550 I DIDN�T SHOOT NOBODY! 544 00:31:22,590 --> 00:31:24,660 COME WALKING IN ON MY DRINKIN�, 545 00:31:24,690 --> 00:31:26,320 BRINGING SOME FOOL WITH HIS HEAD IN A BAG. 546 00:31:26,360 --> 00:31:28,900 IT WAS A COP YOU SHOT, AND HE DIED. 547 00:31:28,930 --> 00:31:31,470 I DIDN�T ROB ANYBODY OR SHOOT ANYBODY -- 548 00:31:31,500 --> 00:31:34,010 COP OR NO COP. 549 00:31:34,030 --> 00:31:36,800 LIE, DARNELL, I�M GOING TO BUST YOU UP. 550 00:31:36,840 --> 00:31:38,510 I AIN�T GOING FOR SOMETHING I DIDN�T DO. 551 00:31:44,010 --> 00:31:47,010 Baldwin: YOU�VE GOT TO SHOW ME YOU DIDN�T MEAN FOR IT TO BE A KILLING. 552 00:31:47,050 --> 00:31:48,720 YOUR MAN GOT HEARING PROBLEMS. 553 00:31:48,750 --> 00:31:51,220 IT�S THE ONLIEST WAY YOU�RE GOING TO BEAT EXECUTION. 554 00:31:51,250 --> 00:31:53,650 IS THAT MY ACT, SHOOTING A DAMN COP? 555 00:31:53,690 --> 00:31:55,490 YOU GOT MY SHEET RIGHT IN FRONT OF YOU. 556 00:31:55,520 --> 00:31:57,720 I SEE TWO STREET STICKUPS. 557 00:31:57,760 --> 00:31:59,530 YOU SEE A SINGLE DAMN TIME A GUN WAS FIRED? 558 00:31:59,560 --> 00:32:01,320 YOU GONNA LET THAT SPEAK FOR YOU? 559 00:32:01,360 --> 00:32:02,920 SHOW HOW THIS WAS AN ACCIDENT, OR SIT THERE ACTIN� A FOOL? 560 00:32:02,960 --> 00:32:05,190 SHOOTING ANY DAMN PERSON AIN�T MY ACT. 561 00:32:05,230 --> 00:32:08,760 AND PUTTING ME SHOOTING A COP OVER SOME CHUMP CHANGE? 562 00:32:08,800 --> 00:32:10,770 YOU MUST THINK I�M A DAMN IDIOT. 563 00:32:10,800 --> 00:32:13,840 HOW MUCH MONEY WAS IT GOT STOLE FROM THIS GUY? 564 00:32:13,870 --> 00:32:15,370 AAH! 565 00:32:21,450 --> 00:32:23,420 I TOLD YOU NOT TO LIE, DARNELL. 566 00:32:23,450 --> 00:32:26,120 YOU STOLE MONEY. YOU KNOW HOW MUCH YOU TOOK. 567 00:32:26,150 --> 00:32:28,750 THINK I�M GOING TO STAND FOR YOU BEATING ON ME? 568 00:32:28,790 --> 00:32:30,600 WHAT IF I ASK FOR A DAMN LAWYER? 569 00:32:30,620 --> 00:32:33,020 ASK FOR A SYRINGE. YOU KILLED A COP. 570 00:32:33,060 --> 00:32:35,030 WITHOUT EXPLANATION OR REMORSE, 571 00:32:35,060 --> 00:32:37,430 YOU�RE A DEAD MAN. 572 00:32:37,460 --> 00:32:40,630 GET UP AND SIT DOWN. 573 00:32:45,800 --> 00:32:47,700 MAKE ME BELIEVE THIS HAPPENED 574 00:32:47,740 --> 00:32:49,240 WITHOUT YOU MEANING IT, DARNELL. 575 00:32:49,270 --> 00:32:51,310 I�LL STAND UP IN COURT WITH YOU 576 00:32:51,340 --> 00:32:52,710 AND I�LL SAY THAT TO THE JUDGE. 577 00:32:52,740 --> 00:32:55,240 WILL YOU, MY BROTHER? 578 00:32:55,280 --> 00:32:56,880 YOU SHOOT HIM BY ACCIDENT? 579 00:32:56,920 --> 00:32:59,960 I DIDN�T SHOOT HIM AT ALL! DON�T HIT ME. DON�T HIT ME. 580 00:32:59,980 --> 00:33:02,150 THE DAMN GUN JUST WENT OFF ON ME. 581 00:33:02,190 --> 00:33:04,830 MY GUN�S A LITTLE POO-PUTT .22, 582 00:33:04,860 --> 00:33:07,100 TWO NIGHTS AGO I TOOK OFF SOME FOOL, 583 00:33:07,130 --> 00:33:09,470 HE HAD A DAMN .380 AUTOMATIC IN HIS BELT. 584 00:33:09,490 --> 00:33:11,460 THAT�S WHAT KILLED MY MAN. 585 00:33:11,500 --> 00:33:12,840 YOU GOT THAT RIGHT. 586 00:33:12,860 --> 00:33:14,830 IT WAS THE GUN THAT KILLED HIM. 587 00:33:14,870 --> 00:33:16,840 THE DAMN GUN WENT OFF 588 00:33:16,870 --> 00:33:19,400 WHILE ALL I WAS DOING WAS COCKING IT. 589 00:33:19,440 --> 00:33:23,920 THAT�S THE WHOLE DAMN THING THAT HAPPENED. 590 00:33:23,940 --> 00:33:26,810 THINK I WANT TO SHOOT SOMEBODY IN THE BACK? 591 00:33:26,850 --> 00:33:29,090 THAT AIN�T MY ACT. 592 00:33:29,110 --> 00:33:31,780 THINK I WANT TO SHOOT A DAMN COP? 593 00:33:31,820 --> 00:33:33,790 I NEED THE HAIR-TRIGGER .380 594 00:33:33,820 --> 00:33:35,850 TO MAKE ME BELIEVE YOU, DARNELL. 595 00:33:35,890 --> 00:33:38,000 YOU GOING TO TAKE ME TO IT? 596 00:33:46,630 --> 00:33:50,200 THAT�S A NICE INTERVIEW. 597 00:33:50,230 --> 00:33:52,800 YOU�D HAVE LIKED TO SEE WHAT KIND OF LEFT HE�S GOT. 598 00:34:07,050 --> 00:34:08,820 HEY, BALDWIN. 599 00:34:08,850 --> 00:34:10,690 HEY, GREG. 600 00:34:10,720 --> 00:34:13,120 I WAS CHANGING A DAMN TYPEWRITER RIBBON. 601 00:34:13,160 --> 00:34:16,030 I GOT INK ALL OVER MY HANDS. 602 00:34:16,060 --> 00:34:17,530 D., RIGHT? 603 00:34:17,560 --> 00:34:19,560 YOU WANT ME TO CALL YOU D. 604 00:34:19,600 --> 00:34:21,830 IT AIN�T NO BIG THING. 605 00:34:21,870 --> 00:34:23,710 NO, NO, I-I�LL GET IT. 606 00:34:23,740 --> 00:34:26,180 I�M GOING TO TAKE MY RUN. 607 00:34:26,200 --> 00:34:28,070 YEAH? 608 00:34:28,110 --> 00:34:30,380 HEADQUARTERS, I RUN THE FDR TO THE 59th STREET BRIDGE. 609 00:34:30,410 --> 00:34:33,980 HERE I�M GOING TO TRY IT UP TO 72nd STREET. 610 00:34:34,010 --> 00:34:38,810 STRETCH IT OUT A LITTLE? 611 00:34:38,850 --> 00:34:41,450 WELL, YOU�RE A GROWING BOY. 612 00:34:43,620 --> 00:34:46,020 ANYWAYS, I WAS GOING TO INVITE YOU 613 00:34:46,060 --> 00:34:48,030 FOR A SANDWICH OR A BITE TO EAT, 614 00:34:48,060 --> 00:34:50,160 BUT THAT�S OBVIOUSLY OUT. 615 00:34:50,190 --> 00:34:51,660 WANT TO GO OUT? 616 00:34:51,700 --> 00:34:54,010 NO, GO AHEAD AND TAKE YOUR RUN. 617 00:34:54,030 --> 00:34:56,400 I CAN TAKE MY RUN IN THE MORNING. 618 00:34:56,430 --> 00:34:59,070 NO, THAT�S SOME GOOD DISCIPLINE ROUTINE. 619 00:34:59,100 --> 00:35:01,270 PROBABLY I SHOULD BE DOING SOME RATIONAL EQUIVALENT 620 00:35:01,310 --> 00:35:02,850 OF THAT MYSELF. 621 00:35:02,870 --> 00:35:04,270 WELL, KEEP ME COMPANY A FEW BLOCKS. 622 00:35:04,310 --> 00:35:05,770 NO, NO, NO. 623 00:35:05,810 --> 00:35:06,880 WE�D WIND UP AT BELLEVUE. 624 00:35:11,120 --> 00:35:13,760 HEY, I-I FEEL WE WORKED GOOD. 625 00:35:15,390 --> 00:35:19,300 I... 626 00:35:19,320 --> 00:35:22,120 I APPRECIATE YOU EXTENDING YOURSELF TO ME, GREG. 627 00:35:22,160 --> 00:35:24,560 WELL, I-I FELT THAT WAS, VERY RECIPROCAL, 628 00:35:24,600 --> 00:35:25,970 COMPLETELY CANDID. 629 00:35:29,730 --> 00:35:32,430 ALL RIGHT. YEAH. 630 00:35:32,470 --> 00:35:33,770 HERE WE GO. 631 00:35:38,110 --> 00:35:39,640 HEY, BOSS. 632 00:35:39,680 --> 00:35:41,580 EXCUSE ME. 633 00:35:41,610 --> 00:35:43,750 WE�VE GOT A RUNNER IN THE SQUAD. 634 00:35:43,780 --> 00:35:45,380 D. HERE�S A RUNNER. 635 00:35:45,420 --> 00:35:47,490 GOOD NIGHT. 636 00:35:47,520 --> 00:35:48,650 NIGHT. 637 00:35:48,690 --> 00:35:50,500 WE�LL BE MORE FUN TOMORROW 638 00:35:50,520 --> 00:35:52,290 WHEN WE�RE NOT PINNED TO OUR DESKS. 639 00:35:52,320 --> 00:35:53,960 ALL RIGHT. 640 00:35:58,460 --> 00:36:01,100 HAVE YOU GOT A MINUTE? SURE. 641 00:36:01,130 --> 00:36:03,260 I-I�LL JUST SAY GOOD NIGHT. SEE YOU TOMORROW. 642 00:36:03,300 --> 00:36:05,070 YEAH, SEE YOU TOMORROW, GREG. 643 00:36:05,100 --> 00:36:07,100 I�LL SEE YOU TOMORROW, PARTNER. 644 00:36:07,140 --> 00:36:08,870 ALL RIGHT. 645 00:36:14,150 --> 00:36:16,760 I FINALLY HOOKED UP WITH LIEUTENANT ABNER. 646 00:36:16,780 --> 00:36:19,950 I�M NOT A BOSS-HATER, LOO. 647 00:36:19,980 --> 00:36:22,420 PEOPLE HAVE HONEST DISAGREEMENTS. 648 00:36:22,450 --> 00:36:25,150 DID HIM NOT CALLING HAVE SOMETHING TO DO WITH ME? 649 00:36:25,190 --> 00:36:27,160 THERE�S A DETECTIVE IN THIS SQUAD 650 00:36:27,190 --> 00:36:28,690 YOUR OLD BOSS THOUGHT 651 00:36:28,730 --> 00:36:31,670 I SHOULD HAVE DONE SOMETHING ABOUT A LONG TIME AGO. 652 00:36:31,700 --> 00:36:34,170 NOT CALLING IS JUST HIS WAY OF REMINDING ME -- 653 00:36:34,200 --> 00:36:38,200 HIS WAY OF SAYING I�M NOT ON THE TEAM. 654 00:36:38,240 --> 00:36:41,280 I TAKE PEOPLE AS I FIND THEM, BALDWIN. 655 00:36:41,310 --> 00:36:43,510 I TRY TO DO THAT, TOO. 656 00:36:43,540 --> 00:36:45,840 I TRY TO LIVE LIKE THAT. 657 00:36:47,510 --> 00:36:50,950 ANYWAYS, UM, I�LL SEE YOU TOMORROW. 658 00:36:50,980 --> 00:36:53,980 WE�RE GOING TO HAVE TO WALK DOWN THESE STAIRS TOGETHER. 659 00:36:54,020 --> 00:36:55,980 YEAH, SOMETIMES I JUST TALK 660 00:36:56,020 --> 00:36:57,690 TO HEAR MY OWN VOICE. 661 00:37:05,530 --> 00:37:08,200 THE VOICE ON THAT 911 TAPE, ANDY -- 662 00:37:08,230 --> 00:37:10,030 THAT DIDN�T SOUND LIKE THIS GORMAN WE INTERVIEWED, DID IT? 663 00:37:10,070 --> 00:37:11,970 NO. 664 00:37:12,000 --> 00:37:14,400 TO ME IT DIDN�T SOUND LIKE HIM, EITHER. 665 00:37:16,710 --> 00:37:18,670 THE NEW GUY�S GOOD. 666 00:37:18,710 --> 00:37:22,710 BALDWIN -- A NAME LIKE THAT, HIS MOTHER WAS SETTING HIM UP 667 00:37:22,750 --> 00:37:24,090 FOR A CHILDHOOD OF FISTFIGHTS. 668 00:37:24,120 --> 00:37:26,160 I�M FIGURING HER NAMING HIM JOE 669 00:37:26,180 --> 00:37:28,250 MIGHT HAVE RUBBED YOU WRONG, TOO. 670 00:37:28,290 --> 00:37:30,760 BALDWIN. 671 00:37:30,790 --> 00:37:33,620 BALDWIN. 672 00:37:44,700 --> 00:37:46,500 YOU COLLARED UP? 673 00:37:46,540 --> 00:37:49,880 A SKELL WENT TO ROB FRANK. HE WOULDN�T GIVE IT UP. 674 00:37:49,910 --> 00:37:52,110 THE CASE IS GOOD? 675 00:37:52,140 --> 00:37:54,040 YEAH. 676 00:37:54,080 --> 00:37:56,110 AS FAR AS OUR CONVERSATION, LISA, 677 00:37:56,150 --> 00:37:57,790 NOTHING�S GOING IN ON THAT. 678 00:37:57,820 --> 00:37:59,420 AS FAR AS THAT CONVERSATION, 679 00:37:59,450 --> 00:38:02,680 I HOPE YOU UNDERSTAND HAVING TO TAKE A CERTAIN TONE. 680 00:38:02,720 --> 00:38:05,250 I LOVED FRANK. 681 00:38:05,290 --> 00:38:07,260 IF I�D BEEN INVOLVED, 682 00:38:07,290 --> 00:38:10,860 I WOULD HAVE WANTED YOU TO GO AT ME LIKE THAT. 683 00:38:10,900 --> 00:38:14,970 ANYWAYS, THERE�S NOTHING ON ANY OF THAT ASPECT. 684 00:38:18,240 --> 00:38:22,650 I FEEL LIKE HE... 685 00:38:22,670 --> 00:38:25,440 WAS PUNISHED FOR WHAT I MADE HIM DO. 686 00:38:25,480 --> 00:38:27,750 NO. 687 00:38:27,780 --> 00:38:29,880 DON�T PUT YOURSELF IN THE MIDDLE OF THE UNIVERSE. 688 00:38:29,910 --> 00:38:33,880 FRANK�S WIFE DON�T BEAR YOU NO ILL WILL, LISA. 689 00:38:33,920 --> 00:38:36,320 SHE TOLD US THAT -- HER OWN WORDS. 690 00:38:36,350 --> 00:38:39,220 GOD. 691 00:38:39,260 --> 00:38:43,430 SHE SAID, "HIS PARTNER IS NOT A SELFISH GIRL." 692 00:38:46,000 --> 00:38:48,970 WHERE�S THE SKELL? 693 00:38:49,000 --> 00:38:51,070 DOWNSTAIRS. 694 00:38:51,100 --> 00:38:54,170 I DON�T THINK I SHOULD SEE HIM. 695 00:38:56,640 --> 00:39:00,410 AS FAR AS THAT JACK GORMAN, THAT COP FROM THE 3-4... 696 00:39:00,440 --> 00:39:02,440 WHAT DID JACK SAY? 697 00:39:04,380 --> 00:39:06,350 JUST CONFIRMED YOUR INFORMATION -- 698 00:39:06,380 --> 00:39:08,780 THAT THE TWO OF YOU�D HAD A RELATIONSHIP, 699 00:39:08,820 --> 00:39:11,450 THAT FOR WHATEVER REASON IT STOPPED, 700 00:39:11,490 --> 00:39:14,990 AND, YOU KNOW, HE JUST ASKED AFTER YOU. 701 00:39:15,030 --> 00:39:17,040 NO FIVE ON THAT, EITHER. 702 00:39:22,670 --> 00:39:24,080 Okay. 703 00:39:25,700 --> 00:39:27,700 SORRY FOR YOUR LOSS. 704 00:39:49,830 --> 00:39:50,990 HI. 705 00:39:51,030 --> 00:39:53,930 CAN WE GO IN HERE? 706 00:40:16,560 --> 00:40:19,600 JILL... 707 00:40:19,620 --> 00:40:22,090 ALL YOU�VE BEEN THROUGH WITH DON 708 00:40:22,130 --> 00:40:25,040 AND KNOWING WHAT HE CHOSE 709 00:40:25,060 --> 00:40:29,030 AS FAR AS WHAT KIND OF LIFE HE WAS LOOKING AT, 710 00:40:29,070 --> 00:40:31,040 WHAT KIND OF THINGS COULD HAPPEN 711 00:40:31,070 --> 00:40:33,030 LIVING THAT KIND OF LIFE... 712 00:40:33,070 --> 00:40:35,570 ANYTHING COULD HAPPEN TO DON. 713 00:40:35,610 --> 00:40:38,280 ISN�T THAT RIGHT? 714 00:40:40,610 --> 00:40:42,180 YEAH. 715 00:40:42,210 --> 00:40:45,550 AND IF THAT HAPPENED, 716 00:40:45,580 --> 00:40:48,650 HOW MUCH WOULD IT BE IMPORTANT TO KNOW ABOUT THAT? 717 00:40:51,090 --> 00:40:55,760 I�M ASKING BECAUSE YESTERDAY AFTER YOU WENT TO SEE DON 718 00:40:55,790 --> 00:41:00,430 AND DID WHAT YOU FELT YOU NEEDED TO DO FOR HIM, 719 00:41:00,460 --> 00:41:04,400 YOU SAID YOU FELT LIKE YOU PAID A RANSOM, 720 00:41:04,440 --> 00:41:07,750 THAT YOU AND THE BOYS COULD BE FREE NOW 721 00:41:07,770 --> 00:41:12,740 SO SOME NEW JOLT WOULDN�T BE AROUND THE CORNER... 722 00:41:12,780 --> 00:41:16,820 WHERE THE DETAILS COULD BREAK YOUR HEART AND THE BOYS�. 723 00:41:19,080 --> 00:41:21,780 WOULD THERE BE ANY POINT 724 00:41:21,820 --> 00:41:24,220 IN KNOWING THE DETAILS 725 00:41:24,260 --> 00:41:27,500 IF SOMETHING HAD HAPPENED TO DON? 726 00:43:03,560 --> 00:43:06,260 Captioned by VISUAL DATA Your Closed Captioning Resource 52361

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