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[CRAIG PLAYING GUITAR]
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PORSCHE 911 CARRERA.FIRE ENGINE RED.
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FULL LEATHER INTERIOR.
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THAT'S WHAT I'D BUY.
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WOW,THAT IS SO '80S.
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WHAT?!
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FLIP THOSE COLLARS UP,MR. MANNING.
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OKAY,SO WHAT ARE YOU GONNA BUYAFTER WE'RE DISCOVERED
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AT THE NORTHERNSOUND SHOWCASE?
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I GUESS I'D INVESTTHE MONEY,
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BUY A CONDO OR...A SMART CAR.
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OR BOTH.
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[YAWNING]
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DON'T.
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STOP.
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STOP DOING THAT!
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[PLAYFUL GIGGLING]
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CRAIG.
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MANNY'S ON THE PHONEFOR YOU.
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TELL HER I'M STUDYING.
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DOESN'T LOOK LIKE STUDYING.
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THANKS, MOM.
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ELLIE:SPEAKING OF STUDYING,
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SOMEONE IS SUPPOSEDTO BE PREPARING
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FOR HIS HISTORY PRESENTATION.
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CRAIG: WHO CARES?
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NOW THE SHOWCASEIS IN TWO DAYS,
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SO DROP THAT BOOKAND GRAB THOSE STICKS.
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'CAUSE NO MATTER WHAT,
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WE ARE GONNA WIN THIS THING.
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? Whatever it takes
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? I know I can make it through
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? If I hold out
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? I know I can make it through
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? Be the best
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? Be the best I can
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? And I say to you
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? Whatever it takes
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? I know I can make it
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? I know I can make it
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? I know I can make it through
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CRAIG: SO THERE WAS THIS PART OF FRANCE
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AND GERMANY WANTED IT BAD.
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SO THEY UH...
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CROSSED THE BORDER-
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AND THEY TOOK THIS DETOURBECAUSE...?
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CRAIG: BECAUSE...
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WELL, SIMPLE...
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LET SEE,IT'S RIGHT HERE.
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AFTER THAT ONE GUY KILLEDTHAT ARCHDUKE, UH...
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[WHISPERS]FRANZ FERDINAND.
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[COUGHS]FRANZ FERDINAND.
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ELLIE, GESUNDHEIT.
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THANKS.
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CRAIG: EUROPE'S TREATIES WERE ALL MESSED UP,
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AND GERMANY TOOK ADVANTAGE OF IT.
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TOBY: SO, LIBERTY AND I ARE GOING TO REPRESENT DEGRASSI
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AT THE METRO TORONTO STUDENTS ASSEMBLY.
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BUT WE NEED YOUR INPUT,
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SO EMAIL USYOUR THOUGHTS,
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AND WE'LL COMPILE THEM.
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MEETING ADJOURNED.
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SO HOW ARE YOU GETTINGTO THE ASSEMBLY?
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'CAUSE I WAS THINKING...
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THAT IF YOU NEEDED A LIFT,
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JT COULD DRIVE YOU.
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TOBY, YOU KNOWI DON'T TALK TO JT.
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YEAH, BUT I WISH YOU WOULD.BECAUSE THIS SUCKS, OKAY?
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I MEAN, I'M FRIENDSWITH BOTH YOU.
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I'VE GOT ENOUGH ON MY PLATEWITHOUT WORRYING ABOUT THAT.
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HOW'S IT GOING,ANYWAY?
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WITH THE BABY,I MEAN.
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MY DOCTOR TOLD METO TAKE IT EASIER -
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FOR THE BABY.
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HE SAYS I'M OVER-STRESSED,
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BUT I THINK I'M FINE.
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WELL,I'M HERE TO HELP -
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STUDENT COUNCIL,WHATEVER.
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AND NOT JUST 'CAUSEI'M YOUR VICE, OKAY?
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TOBY:SHE'S FINE.
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SHE'S STRESSED BUT...
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YOU KNOW, HER DOCTORTOLD HER TO TAKE IT EASY,
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FOR THE KID.
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WHAT?THE BABY'S IN DANGER?
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I DIDN'T-I DIDN'T SAY THAT.
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WELL, IS LIBERTYIN DANGER?
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LOOK, CALM DOWN.
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LIBERTY'S FINE.
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I'LL MAKE SURESHE TAKES IT EASY.
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GOOD.SO WILL I.
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JT, IF LIBERTY FINDS OUT
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WE'VE BEEN HAVINGLITTLE MEETINGS,
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I'M DEAD.MURDERED.
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JT: SORRY.
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BUT I HAVE TO DO SOMETHING,OKAY?
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WHAT OTHER CHOICEDO I HAVE?
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JIMMY:"AND, THUS,CRAIG FAILS HISTORY."
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MY POOR BABY.
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CRAIG:IT'S ONE GRADE,SO WHAT?
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UM...UNIVERSITY.
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UM, GETTING INTOUNIVERSITY.
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UM...YOUR LIFE.
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YEAH,BREATHE, MARCO.
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THEY'VE ALREADYSUBMITTED OUR GRADES.
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ANYWAY, WHO ACTUALLYWANTS TO GO?
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REALLY?
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OKAY,BESIDES THE TWO OF YOU.
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HI, I'M ELLIE NASH,
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FUTURE JOURNALISM SCHOOLSTUDENT
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AND ROVING REPORTER.
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AND YOU'RESO ANNOYING.
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JIMMY: SO EL, YOU'RE...
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YOU'RE REALLY TAKINGNEXT YEAR OFF
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TO LIKE...
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TO FOLLOW CRAIG AROUNDOR WHATEVER?
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NO. SHE - AND WE -
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ARE GOING TO SPEND ITCUTTING OUR FIRST ALBUM
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AFTER WE'RE DISCOVEREDAT THE NORTHERN SOUND SHOWCASE.
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THAT WAY, NO WASTINGTHE NEXT FOUR YEARS
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ON SOME USELESS B.A.
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WHICH IS WORTH AN F.
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JIMMY: GAVIN.
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WHAT'S THIS LITTLE NUMBER?
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IS THIS UH...
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IS THIS A COPY OF YOU AND DARCYSINGING "JESUS LOVES ME"?
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NO, THAT'S MONEY MONEY.
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OUR DISHWASHER'STHEIR LEAD GUITARIST
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AND THEY ARE YOUR COMPETITIONAT THE NORTHERN SOUND SHOWCASE.
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AND THEY'RE GOOD.
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[CLACKING DRUM STICKS]
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CRAIG:ALL RIGHT!
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? WAKE UP!GLAD TO MEET YOU ?
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? I NEVER MET YOU BEFORE
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? YOU CAME WITH THE FEELING
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? IT DROVE ME OUTMY FRONT DOOR ?
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? WAY OUT!SOON TOGETHER ?
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? WALKING AND TALKINGOUT MY FRONT DOOR ?
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? TOO LATE
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? GLAD TO MEET YOU
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? I NEVER MET YOU BEFORE
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? WAKE UP, EVERYBODY
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? LIVIN' THE DREAMTHAT DROVE ME WHERE EVERYBODY ?
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? WHERE I MET YOUAND YOU MET ME ?
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? AND WE THREE GROOVEDTO THE BEAT
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? TO THE BEAT -THREE! ?
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? APPLESEED CAME BACKWITH A VENGEANCE ?
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? WHAT ARE WE INAPPREHENDIN' OUR FRIENDS ?
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? YOU TOO,LITTLE BOY BLUE ?
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? CAME BACK AND GOT BACKAND GOT THE FLU ?
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ANNOUNCER: THANK YOU. THAT WAS DOWNTOWN SASQUATCH.
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NOW GIVE IT UP FOR MONEY MONEY!
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MONEY MONEY: ? WE ARE NOT WORTH THAT MUCH
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? OH SHE
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? ONLY WANTS ME FOR...
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? MY MONEY! OH MY...
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? MY MONEY! OH MY...
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? MY MY MY MONEY!
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[CHEERING]
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OKAY.
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OKAY,THEY'RE GOOD.
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BUT THEIR TIES MAKE MEWANT TO STRANGLE THEM.
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LEO: CUTE GIRL'S GOT A POINT.
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LEO DAVIES.
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HEY, I'M CRAIG.THIS IS-
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GOTCHA.
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SO GOOD SHOW TONIGHT.
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LIKED THE SONG,LOVED THE VOCALS.
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THANKS.
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IT'S TOO BAD MONEY MONEYBLEW US OFF THE STAGE.
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OH, THEY'RE GOOD,
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BUT THEIR SOUND'SBEEN PLAYED,
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SO IS THEIR LOOK.
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NO DEPTH.
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SO WE'VE GOT DEPTH?
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DEFINITELY.
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THE BAND'S A LITTLE ROUGH.
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YEAH. NOT SOCOORDINATED HERE.
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YEAH, BUT IT WORKED.
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I LIKED IT.
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AND...
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I'D LIKE TO MANAGE YOU.
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JOEY:UH, CRAIG,
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DANCING WITH THE STARSIS ON?
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A MANAGER... OKAY?
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A REAL,MUSIC INDUSTRY MANAGER
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HAS SIGNED US TONIGHT.
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THAT'S AMAZING,CRAIG!
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WOW!
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YEAH, UM...
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LEO'S GONNA WORK WITH USTO SHARPEN OUR SOUND.
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HE'S GOING TO INTRODUCE USTO A&R, RECORD COMPANIES.
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TOMORROW WE HAVEA PHOTO SHOOT SET UP.
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THAT IS AMAZING,BUDDY.
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AND WELL...
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SPEAKING OF POTENTIALLYAMAZING NEWS,
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THIS LETTER ARRIVED FOR YOU TODAY.
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FROM U OF T.
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OH WOW.
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UH... I GOT-I GOT EARLY ACCEPTANCE.
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AND A FULL SCHOLARSHIP.
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WHAT?!
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OH, CRAIG,THAT IS AWESOME!
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CONGRATULATIONS,BUDDY!
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OH, WE'RE SO PROUDOF YOU!
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CRAIG,SUMMER WITH YOUR BAND;
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FREE UNIVERSITYIN THE FALL.
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YOU'RE TOTALLY SET.
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YEAH...
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OKAY. HOLD ON.
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THIS IS SO GREATAND EVERYTHING,
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BUT UM, I DON'T KNOWIF FOR SURE I CAN DO THIS.
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I MEAN, I HAVE TALKTO LEO FIRST.
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OKAY CRAIG,I KNOW YOU'RE EXCITED, OKAY?
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BUT THIS IS SCHOOL;
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THIS IS YOUR FUTURE.
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CRAIG: MY FUTURE'S MUSIC.
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OKAY? I'M NOT GOINGTO GIVE THIS UP.
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LIKE...
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SORRY, THIS IS THE OPPORTUNITYOF A LIFETIME.
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? WAKE UP!GLAD TO MEET YOU ?
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? I NEVER MET YOU BEFORE
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HAWKE,
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THIS AIN'T WORKINGFOR ME.
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[CONSIDERING]UH...
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MARCO,STEP OVER HERE.
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OKAY.
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LEO:AND JIMMY, SCOOT OVER HERE,BESIDE MARCO.
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UM WAIT,
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ISN'T HE BLOCKINGMY DRUMS?
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YOU'RE OUR CHICKON STICKS.
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YOU CAN SELL ITFROM BACK THERE.
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[WHISTLES]
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THANKS.
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CRAIG, I NEED YOUTO STEP FORWARD.
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FORWARD.YEAH, GOOD.
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OKAY, HAWKE?YEAH?
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UH... LEO?
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I'M KIND OF ABOUT"THE BAND".
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DUDE,THIS IS DIFFERENT.
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SEE NOW "THE BAND"IS ABOUT YOU.
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LEO: OKAY, HAWKE...
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[LOUD CAMERA CLICK]
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HEY.
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LEO SAIDHE'S RUNNING LATE.
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UM... EL?
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CHICK ON STICKS
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IS GONNA SELL ITFROM OVER HERE, YO.
248
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LEO:OKAY.
249
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SO...
250
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NORTHERN SOUND SHOWCASEALWAYS ASKS A FEW BANDS BACK
251
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FOR THEIR FINAL NIGHT.
252
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THIS YEAR THEY'VE ASKED BACKMONEY MONEY,
253
00:10:52,285 --> 00:10:55,426
THE AUNT SELMASAND DOWNTOWN SASQUATCH.
254
00:10:55,460 --> 00:10:56,599
CRAIG:YOU'RE SERIOUS.
255
00:10:56,634 --> 00:10:57,807
LEO: PLUS, ONE OF THE EXECS
256
00:10:57,842 --> 00:10:59,292
IS INVITING HIS FAVOURITE BAND OUT TO VANCOUVER
257
00:10:59,326 --> 00:11:00,810
TO CUT A DEMO WITH JAKALOPE.
258
00:11:00,845 --> 00:11:02,260
WHICH IS HUGE.
259
00:11:02,329 --> 00:11:03,503
WAIT,
260
00:11:03,537 --> 00:11:04,849
SO IF THIS RECORD GUYLIKES US,
261
00:11:04,883 --> 00:11:06,540
WE SPEND THE SUMMERIN VANCOUVER?
262
00:11:06,575 --> 00:11:08,853
YEAH, GUYS, THIS WOULDHAPPEN NEXT WEEK.
263
00:11:08,887 --> 00:11:10,682
YOU'D BE ON A FLIGHT ON SUNDAY NIGHT.
264
00:11:10,924 --> 00:11:12,374
FOR HOW LONG?
265
00:11:12,374 --> 00:11:14,376
AS LONG AS IT TAKES.WEEKS. MONTHS.
266
00:11:14,410 --> 00:11:16,619
MARCO: WAIT, WHAT-WHAT ABOUT SCHOOL?
267
00:11:16,688 --> 00:11:18,242
WE HAVE EXAMS,PAPERS.
268
00:11:18,276 --> 00:11:19,898
WE'LL SCREW UPOUR ENTIRE YEAR.
269
00:11:19,898 --> 00:11:22,591
SO? THIS IS A ONE SHOT DEAL.IT'S MORE IMPORTANT THAN SCHOOL.
270
00:11:22,625 --> 00:11:24,731
GUYS, DON'T WORRYABOUT THIS STUFF.
271
00:11:24,765 --> 00:11:26,526
WORRY ABOUT POLISHINGYOUR SOUND.
272
00:11:26,560 --> 00:11:28,217
IT'S A LITTLE ROUGH.
273
00:11:28,252 --> 00:11:29,356
OH, BUT...
274
00:11:29,391 --> 00:11:30,564
ROUGH'S PARTOF OUR CHARM.
275
00:11:30,564 --> 00:11:32,428
LEO:ROUGH'S GONNA HOLD YOU BACK,
276
00:11:32,463 --> 00:11:34,361
ESPECIALLY AROUNDTHE DRUMMING.
277
00:11:36,846 --> 00:11:38,710
LEO, WE'LL BE FINE.
278
00:11:38,745 --> 00:11:39,711
SHE'LL BE FINE.
279
00:11:39,746 --> 00:11:42,196
YOU HAVE MY WORD ON IT.
280
00:11:44,854 --> 00:11:46,235
[SIGHS]
281
00:11:46,270 --> 00:11:47,374
OKAY.
282
00:11:47,409 --> 00:11:48,582
I THOUGHT WE'D GOTHROUGH THE SONG
283
00:11:48,582 --> 00:11:50,412
FROM START TO FINISH,JUST DRUMS.
284
00:11:50,446 --> 00:11:52,414
CRAIG, THIS ISA HOPELESS CAUSE.
285
00:11:52,448 --> 00:11:53,794
I'M NOT A GOOD DRUMMER.
286
00:11:53,829 --> 00:11:55,589
HEY, WE HAVE NO TIMEFOR NEGATIVITY, OKAY?
287
00:11:55,624 --> 00:11:56,521
LET'S JUST FOCUS HERE.
288
00:11:56,556 --> 00:11:57,522
OKAY.
289
00:11:58,903 --> 00:11:59,800
[DRUMMING]
290
00:12:04,702 --> 00:12:05,944
IS THAT BETTER?
291
00:12:06,669 --> 00:12:08,775
THAT'S PERFECT.JUST KEEP GOING.
292
00:12:18,957 --> 00:12:20,580
WE GOT A GIGAT THE SHOWCASE.
293
00:12:20,649 --> 00:12:21,546
ANOTHER ONE.
294
00:12:21,857 --> 00:12:22,754
THE BAND GETS TO-
295
00:12:22,823 --> 00:12:23,997
THE BAND, THE BAND...
296
00:12:24,031 --> 00:12:25,550
THE BAND IS ALLTHAT YOU CARE ABOUT.
297
00:12:26,862 --> 00:12:29,382
THIS SHOWCASE MATTERS,MANNY.
298
00:12:29,416 --> 00:12:30,762
MANNY: RIGHT NOW,
299
00:12:30,831 --> 00:12:32,695
IT LOOKS LIKE THE ONLY THINGTHAT MATTERS IS ELLIE.
300
00:12:41,428 --> 00:12:42,498
MANNY!MANNY...
301
00:12:46,882 --> 00:12:50,403
HATZILAKOS:LIBERTY, I WAS WONDERINGIF YOU WERE STILL HERE.
302
00:12:50,437 --> 00:12:52,853
OH, WE'RE JUSTFINISHING UP.
303
00:12:52,888 --> 00:12:55,787
HATZILAKOS:LISTEN, IT CAMETO MY ATTENTION...
304
00:12:55,856 --> 00:12:57,858
WELL, LET ME REPHRASE THAT.
305
00:12:57,893 --> 00:13:00,378
I'M CONCERNED ABOUT YOU, LIBERTY.
306
00:13:00,378 --> 00:13:01,793
YOUR BABY IS DUE SOON,
307
00:13:01,793 --> 00:13:04,175
YOU'VE WORKINGAWFULLY HARD,
308
00:13:04,244 --> 00:13:06,626
AND YOU JUST SEEM STRESSED.
309
00:13:06,660 --> 00:13:07,937
STRESSED?
310
00:13:08,800 --> 00:13:12,183
AND WHAT WOULD GIVE YOUTHAT IDEA?
311
00:13:12,217 --> 00:13:13,460
HATZILAKOS:WELL, WITH ALL DUE RESPECT,
312
00:13:13,495 --> 00:13:15,048
I THINK YOU SHOULD STEP ASIDE
313
00:13:15,117 --> 00:13:17,775
AND YOU SHOULD LET TOBYGO ALONE TO THE ASSEMBLY.
314
00:13:21,641 --> 00:13:23,643
MS. HATZILAKOS,
315
00:13:23,677 --> 00:13:25,852
IS THIS BECAUSE YOU DON'TWANT A PREGNANT STUDENT
316
00:13:25,886 --> 00:13:27,785
REPRESENTING THE SCHOOL?
317
00:13:27,819 --> 00:13:29,649
HATZILAKOS: NO LIBERTY.
318
00:13:29,649 --> 00:13:31,616
IT'S BECAUSEI WANT TO MAKE SURE
319
00:13:31,651 --> 00:13:33,791
THAT YOU GET THE RESTTHAT YOU NEED.
320
00:13:37,208 --> 00:13:38,485
UH... TOBY,
321
00:13:39,003 --> 00:13:40,798
YOU DIDN'T TALK TO HER,RIGHT?
322
00:13:40,798 --> 00:13:42,489
ME? NO!
323
00:13:42,524 --> 00:13:44,042
NO, NO, NO, NO...
324
00:13:44,111 --> 00:13:45,768
I WAS JUST...OH MY...
325
00:13:46,182 --> 00:13:47,805
LOOK AT THE TIME!
326
00:13:47,839 --> 00:13:49,979
I HAVE TO GET THE MATERIALS READY FOR...
327
00:13:49,979 --> 00:13:50,980
FOR THE ASSEMBLY.
328
00:13:51,291 --> 00:13:52,154
CHOP-CHOP.
329
00:13:53,224 --> 00:13:55,226
? I NEVER MET YOU BEFORE
330
00:13:55,295 --> 00:13:57,021
? WAKE UP, EVERYBODY
331
00:13:57,055 --> 00:13:58,574
? LIVIN' THE DREAMTHAT DROVE ME WHERE ?
332
00:13:58,643 --> 00:13:59,748
? THREW THE BODY WHERE
333
00:13:59,817 --> 00:14:01,922
? I MET YOUAND YOU MET ME ?
334
00:14:01,922 --> 00:14:03,130
? AND WE THREE GROOVETO THE BEAT
335
00:14:03,199 --> 00:14:04,787
? TO THE BEAT -THREE ?
336
00:14:04,822 --> 00:14:06,651
? APPLESEED CAME BACKWITH A VENGEANCE ?
337
00:14:06,720 --> 00:14:08,964
? WHAT ARE WE INAPPREHENDING OUR FRIENDS ?
338
00:14:08,998 --> 00:14:10,828
? YOU TOO,LITTLE BOY BLUE ?
339
00:14:10,897 --> 00:14:11,829
? CAME BACKAND GOT BACK ?
340
00:14:11,898 --> 00:14:13,071
? AND GOT THE FLU
341
00:14:18,042 --> 00:14:20,078
WELL, IT'S BETTER.
342
00:14:20,734 --> 00:14:23,254
BETTER,BUT IT'S NOT GOOD.
343
00:14:24,773 --> 00:14:26,222
SEE, A ROUGH SOUNDIS ONE THING, BUT...
344
00:14:28,086 --> 00:14:30,572
YOUR DRUMMERCAN'T KEEP TIME.
345
00:14:32,643 --> 00:14:33,851
CRAIG: WE'VE WORKED ON THAT.
346
00:14:33,920 --> 00:14:35,300
YOU SHOULDN'T HAVE TO.
347
00:14:35,335 --> 00:14:37,648
THERE ARE A LOT OF GREATDRUMMERS IN THIS TOWN.
348
00:14:37,682 --> 00:14:39,166
ELLIE: MR. DAVIES, PLEASE...
349
00:14:39,235 --> 00:14:40,789
I'M NEW,BUT I'M DEDICATED.
350
00:14:40,823 --> 00:14:41,962
I'LL PRACTICEALL NIGHT.
351
00:14:42,687 --> 00:14:45,103
HONEY, YOU'RE NOTCUT OUT FOR THIS.
352
00:14:45,138 --> 00:14:47,243
JUST LIKE I'M NOT CUT OUTTO FLY AIRPLANES.
353
00:14:47,865 --> 00:14:49,936
THEM'S THE BREAKS.
354
00:14:50,143 --> 00:14:52,145
I HOPE TORONTO HAS A LOTOF GREAT SINGERS, TOO.
355
00:14:56,839 --> 00:14:57,771
OKAY.
356
00:15:29,285 --> 00:15:31,011
LIBERTY: ET TU, TO-BAY?
357
00:15:31,046 --> 00:15:32,219
[PAINED GROAN]
358
00:15:32,737 --> 00:15:34,221
SO...
359
00:15:34,256 --> 00:15:36,292
YOU USED MY PREGNANCYTO STAGE A COUP D'ETAT?
360
00:15:36,361 --> 00:15:37,742
NICE.
361
00:15:37,777 --> 00:15:38,916
LIBERTY, THAT'S NOTWHAT HAPPENED.
362
00:15:38,950 --> 00:15:40,262
REALLY.
363
00:15:40,296 --> 00:15:43,852
THEN WHO WENTTO MS. HATZILAKOS, HMM?
364
00:15:45,267 --> 00:15:46,371
OKAY, IT WAS ME.
365
00:15:46,406 --> 00:15:47,752
I'M THE BLABBER.
366
00:15:47,752 --> 00:15:49,927
TOBY "THE BLABBER" ISAACS.
367
00:15:49,961 --> 00:15:50,893
THAT'S ME.
368
00:15:51,376 --> 00:15:54,069
BUT LIBERTY,IF I WAS PREGNANT?
369
00:15:54,069 --> 00:15:55,277
AND, YOU KNOW,
370
00:15:55,311 --> 00:15:57,072
MY DOCTOR TOLD METO SLOW DOWN?
371
00:15:57,106 --> 00:15:58,694
THAT'S WHAT I'D BE DOINGRIGHT NOW.
372
00:15:59,384 --> 00:16:01,283
YEAH...WHATEVER, TOBES.
373
00:16:02,111 --> 00:16:03,872
I'M GOING TO THE ASSEMBLY
374
00:16:03,906 --> 00:16:06,150
AND YOU'RE DRIVING ME.
375
00:16:10,534 --> 00:16:13,053
[ENGINE RATTLESAND BACKFIRES]
376
00:16:16,332 --> 00:16:18,507
[ENGINE DIES]
377
00:16:19,301 --> 00:16:21,855
UH...THIS ISN'T CARSON HILL.
378
00:16:21,855 --> 00:16:23,408
YEAH.I KNOW.
379
00:16:23,443 --> 00:16:26,998
BUT MY BUBBIE'S CARDOESN'T SEEM TO GET THAT.
380
00:16:27,033 --> 00:16:28,517
I'M CALLING A CAB.
381
00:16:28,552 --> 00:16:31,037
DON'T EXPECT A RIDEBECAUSE TRAITORS HAVE TO WALK.
382
00:16:31,071 --> 00:16:32,901
I'M NOT A TRAITOR.
383
00:16:32,935 --> 00:16:35,317
YOU ATTEMPTED TO OUST MEFROM MY PRESIDENCY.
384
00:16:35,351 --> 00:16:37,422
YOU,TRAITOROUS YOU.
385
00:16:37,491 --> 00:16:41,047
LOOK, I DON'T WANTYOUR STUPID JOB.
386
00:16:41,599 --> 00:16:43,325
SO WHY BLABTO HATZILAKOS?
387
00:16:43,359 --> 00:16:45,051
I DIDN'T.I BLABBED TO JT,
388
00:16:45,051 --> 00:16:47,053
AND JT BLABBED TO HATZILAKOS.
389
00:16:47,087 --> 00:16:49,193
BECAUSE THIS WHOLE TIME I'VE BEEN TRYING TO HELP HIM
390
00:16:49,227 --> 00:16:51,091
KEEP UP WITH YOU.WHILE AT THE SAME TIME
391
00:16:51,126 --> 00:16:53,507
HELP YOU GET READYFOR THIS STUPID CONFERENCE.
392
00:16:53,542 --> 00:16:55,509
BUT THE ONLY PERSON I HELPEDWAS MYSELF -
393
00:16:55,544 --> 00:16:57,373
ACHIEVE INSANITY!
394
00:16:57,373 --> 00:16:59,237
COME ON...[HITS STEERING WHEEL]
395
00:16:59,272 --> 00:17:00,376
LIBERTY: THERE'S A REASON I DON'T TELL JT
396
00:17:00,411 --> 00:17:01,481
ABOUT ANY OF THIS.
397
00:17:01,515 --> 00:17:03,517
HE- [GASPS]
398
00:17:05,968 --> 00:17:06,969
LIBERTY?
399
00:17:08,108 --> 00:17:09,972
OH, THAT'S DISGUSTING.
400
00:17:10,007 --> 00:17:10,973
WHAT?
401
00:17:11,595 --> 00:17:13,148
WHY IS THERE WATERON THE FLOOR?
402
00:17:14,287 --> 00:17:16,945
TOBY... IT'S-IT'S TIME.
403
00:17:17,359 --> 00:17:18,636
TOBY: TI-TIME? T-WHAT?
404
00:17:18,671 --> 00:17:19,499
WHAT TIME?
405
00:17:19,533 --> 00:17:21,018
TIME FOR-
406
00:17:21,052 --> 00:17:22,951
NO! NO. NO.NOT HERE.
407
00:17:23,468 --> 00:17:25,298
NOT IN MY BUBBIE'S CAR!
408
00:17:26,126 --> 00:17:27,334
DIAL 9-1-1.
409
00:17:27,334 --> 00:17:29,474
BUT DON'T MAKE A BIG DEALABOUT IT.
410
00:17:30,234 --> 00:17:32,270
[INDISTINCT VOICES OVER RADIOS]
411
00:17:33,202 --> 00:17:34,272
[MURMUR OF VOICES]
412
00:17:34,721 --> 00:17:36,240
LIBERTY:TOBY, I'M SORRY.
413
00:17:36,309 --> 00:17:38,138
IT'S OKAY. YOU'RE GONNA BE FINE.DON'T WORRY.
414
00:17:38,173 --> 00:17:39,208
BUT THE ASSEMBLY-
415
00:17:39,277 --> 00:17:41,452
IT DOESN'T MATTER,OKAY?
416
00:18:01,403 --> 00:18:03,163
NEW SONG?
417
00:18:03,232 --> 00:18:04,578
I LIKE IT.JUST LIKE THAT.
418
00:18:04,613 --> 00:18:07,581
YOU KNOW, IT DOESN'TEVEN NEED LYRICS.
419
00:18:07,581 --> 00:18:09,653
IT'S NOT REALLYA SONG THEN, IS IT?
420
00:18:09,722 --> 00:18:12,552
SOMETIMES YOU DON'T NEEDALL THE EXTRA STUFF.
421
00:18:12,586 --> 00:18:15,417
SOMETIMES SIMPLERIS BETTER.
422
00:18:16,590 --> 00:18:18,109
I'M NOT A SOLO ACT.
423
00:18:18,144 --> 00:18:19,421
BUT YOU COULD BE.
424
00:18:19,455 --> 00:18:21,457
I DON'T CARE.THIS ISN'T ABOUT ME.
425
00:18:21,492 --> 00:18:23,459
THIS IS ABOUT THE BAND.
426
00:18:25,530 --> 00:18:28,602
ELLIE, WE WERE GONNA DO THIS TOGETHER.
427
00:18:28,637 --> 00:18:30,052
CUT OUR ALBUM,
428
00:18:31,260 --> 00:18:33,573
SOLD-OUT SHOWS.A JUNO, A GRAMMY.
429
00:18:33,607 --> 00:18:35,126
CRAIG, I CAN'T DRUM.
430
00:18:35,161 --> 00:18:36,438
YES, YOU CAN.
431
00:18:36,472 --> 00:18:38,371
NO, I CAN'T.
432
00:18:38,440 --> 00:18:39,683
AND MARCO'S NOT MUCHBETTER ON BASS,
433
00:18:39,752 --> 00:18:41,754
AND JIMMY WANTS TO PAINT.
434
00:18:43,307 --> 00:18:45,447
LEO... GOD, FACE IT,
435
00:18:45,447 --> 00:18:47,173
HE ONLY WANTED YOU.
436
00:18:48,208 --> 00:18:50,486
WE WERE JUST...EXCESS BAGGAGE.
437
00:18:51,798 --> 00:18:53,455
CRAIG, I REALLY THINK YOU SHOULD GO
438
00:18:53,455 --> 00:18:54,594
TO THE SHOWCASE TONIGHT,
439
00:18:54,628 --> 00:18:57,459
JUST LIKE THIS -YOU AND YOUR GUITAR.
440
00:18:57,873 --> 00:18:59,254
I REALLY THINKYOU COULD WIN.
441
00:19:00,842 --> 00:19:01,808
OKAY.
442
00:19:02,671 --> 00:19:04,604
LET'S SAY I DO PLAYTHE SHOWCASE,
443
00:19:04,673 --> 00:19:05,709
AND I DO WIN.
444
00:19:06,537 --> 00:19:08,366
THAT MEANS LEAVING.
445
00:19:08,366 --> 00:19:10,610
WHAT ABOUT MANNY?
446
00:19:10,679 --> 00:19:12,543
OR JOEY? OR ANGIE?
447
00:19:12,577 --> 00:19:14,683
DON'T WORRY ABOUT THEM.
448
00:19:14,718 --> 00:19:16,271
THEY'LL MANAGE.THEY'LL BE FINE.
449
00:19:17,410 --> 00:19:18,722
WHAT ABOUT YOU?
450
00:19:21,241 --> 00:19:22,726
I'LL WAVE GOOD-BYE
451
00:19:23,381 --> 00:19:24,728
'CAUSE I HAVE TO.
452
00:19:31,286 --> 00:19:32,287
CRAIG...
453
00:19:32,874 --> 00:19:33,909
GO TO THAT CLUB
454
00:19:33,944 --> 00:19:36,463
AND KNOCK THEM DEAD.
455
00:19:36,981 --> 00:19:38,776
FOR ALL OF US.
456
00:19:43,781 --> 00:19:47,405
ANNOUNCER: EVERYONE WELCOME TO THE STAGE FROM DOWNTOWN SASQUATCH,
457
00:19:47,440 --> 00:19:49,200
CRAIG MANNING.
458
00:19:58,002 --> 00:19:59,417
? THE DAY IS LONG
459
00:20:00,591 --> 00:20:02,835
? THE FLIGHT AND SONG
460
00:20:02,904 --> 00:20:05,941
? BUT I DON'T EVEN LISTEN
461
00:20:10,601 --> 00:20:12,983
? THE BLUE BIRD HIDES
462
00:20:13,017 --> 00:20:15,606
? A PIECE OF NIGHT
463
00:20:15,606 --> 00:20:19,955
? I DON'T EVEN TRY...
464
00:20:24,822 --> 00:20:27,445
THE ADOPTION COUNSELLORIS IN THE HALL.
465
00:20:27,480 --> 00:20:28,584
SHE'S TALKINGTO YOUR PARENTS.
466
00:20:34,970 --> 00:20:37,317
CRAIG: ? EVERY MAMA GONE MISSING
467
00:20:40,976 --> 00:20:43,496
? EVERY PAPA GONE MAD
468
00:20:47,465 --> 00:20:48,812
? I'LL TAKE A CHANCE
469
00:20:50,365 --> 00:20:51,642
? IT'S NOT ROMANCE
470
00:20:52,332 --> 00:20:55,819
? BUT SOMETHIN' MORE IMPORTANT
471
00:20:59,788 --> 00:21:01,031
? SO GIVE ME WINGS
472
00:21:02,239 --> 00:21:06,726
? LET ME SING IT'S ALL BEEN DONE BEFORE ?
473
00:21:12,076 --> 00:21:14,561
? FOR ANY GIRL THAT'S UNHAPPY ?
474
00:21:18,496 --> 00:21:20,015
? FOR ANY BOY THAT IS BAD
475
00:21:24,640 --> 00:21:27,436
? EVERY MAMA GONE MISSING
476
00:21:29,783 --> 00:21:30,819
? WHOA...
477
00:21:33,235 --> 00:21:33,270
? EVERY PAPA GONE MAD
478
00:21:33,320 --> 00:21:37,870
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