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TANYA KIM:HEY, I'M TANYA KIMFROM ETALK DAILY.
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I'M HERE WITH KEVIN SMITH
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AND HIS COSTAR JASON MEWES...
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TELL MEWHAT A GREAT GUY I AM,
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'CAUSE I HAVETWO TICKETS
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TO THE PARTY OF THE YEAR.
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CHECK IT OUT.
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WHO DID YOUSTEAL THOSE FROM?
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I WAS INVITED.
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I WORKED ON THE MOVIE,REMEMBER?
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AND I WAS GOING TO ASK YOUTO BE MY PLUS ONE.
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TOO BAD GOING WITH YOUIS A MINUS 20.
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LEXI...
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'KAY,LET'S RAISE HELL TOGETHER
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LIKE WE USED TO,HUH?
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I'M GOING WITHPAIGE MICHELCHUCK.
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YOU'RE KIDDING ME.
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THE QUEEN OF DEGRASSIIS TAKING THE QUEENOF THE TRAILER PARK
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TO THE PREMIERE?
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I PREFER TO BE KNOWN AS"QUEEN OF DON'T NEED JAY,
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AND NEVER DID".
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TANYA KIM:HEY, ARE YOU GUYS HAPPYTO BE BACK IN CANADA?
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KEVIN SMITH: I AM INSANELY HAPPY TO BE BACK IN CANADA.
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CANADA - THE MOTHER LAND;
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TORONTO -CRADLE OF CIVILIZATION.
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TORONTO IS WHERE THEY HAVETHAT POUTINE CRAP
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THAT LUNCHBOXLOVES SO MUCH.
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REALLY SIR,IN FRONT OF EVERYBODY.
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JASON MEWES: YO, YO LISTEN...
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HE CHOSE A TORONTO PREMIERE OVER L.A. PREMIERE
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BASED ON FOOD.
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? Whatever it takes
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? I know I can make it through
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? If I hold out
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? I know I can make it through
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? Be the best
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? Be the best I can
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? And I say to you
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? Whatever it takes
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? I know I can make it
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? I know I can make it
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? I know I can make it through
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TANYA KIM:[GIGGLING]
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TORONTO IS WHEREWE CAST THE FLICK;
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TORONTO IS WHEREWE SHOT THE FLICK.
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KEVIN SMITH IS BEINGINTERVIEWED RIGHT THERE.
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WHAT DO YOU THINKHE'S SAYING?
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THAT TONIGHT WILL BETHE GREATEST,
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MOST MAGICALMOVIE PREMIERE EVER?
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IT BETTER BE!
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IT'S NOT EVERY NIGHTWE GET TO HAVE
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OUR PROFESSIONALACTING DEBUT.
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YEAH,OR HAVE MY MUSIC FEATURED
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IN BIG,HOLLYWOOD MOVIE.
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WHICH IS WHY WE'RE ALLGOING FIRST CLASS TONIGHT.
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I'M TALKING STRETCH LIMOS...
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YOU GUYS GOT A LIMO?
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DIBS ON STICKING MY HEADOUT THE SUN ROOF.
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I AM COMING,RIGHT PAIGE?
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I'M SORRY, HON,
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THEY ONLY GAVE METWO TICKETS...
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AND I'M TAKING HAZEL.
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PLEASE, AS IF WE WEREGOING TO BRING HER.
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OUR LIMO'SA SKANK-FREE ZONE.
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DID YOU JUST SKANKIFYMY FRIEND?
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FRIEND?
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MORE LIKE PET PROJECT.
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JEALOUS MUCH?
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NO.
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I JUST DON'T GET WHYYOU HANG OUT WITH HER.
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FUNNY, I WAS JUST ASKING MYSELFTHE SAME THING ABOUT YOU.
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ENJOY THE LIMO.
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I'LL SEE YOU GUYSAT THE MOVIE.
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ALEX!
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WAIT!
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"YOU WANNA GO TO THE PREMIERE?"YOU SAID THAT.
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THAT'S AN INVITATION.
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IT WAS REALLY MOREOF AN OBSERVATION.
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LIKE, "YOU WANNA GOTO THE PREMIERE?"
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I THOUGHT YOU WERE SERIOUS.
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WHATEVER.I'M OUTTA HERE.
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I'M NOT STANDINGFOR YOUR WHOLE
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I'M ALEX,
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I'M-GONNA-IGNORE-EVERYONE-FOR-A-WEEK ACT.
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SO I WANTED TO GO TO A PREMIEREONCE IN MY LIFE.
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CRUCIFY ME.
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PETER:GRAB A BOOK OR SOMETHING.
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PEOPLE SEE US,
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THEY'LL DEFINITELYSTART TO WONDER.
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PETER:WHO CARES?
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I HAVE TICKETS TO THE PARTYOF THE YEAR.
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THANK YOU, MOM.
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[SIGHS]
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I'M WARNING YOU.
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MAJOR DEVASTATIONIF YOU LET ME DOWN.
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WHAT IF I LET YOUDOWN EASY?
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I ALREADY HAVE A DATE...
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WITH MY STEP-DAD.
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MOM HAS TO STAY HOMEWITH MY LITTLE BROTHER.
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THING IS,MANNY'S IN THE MOVIE.
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SHE'S GONNA BE THERESO...
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YEAH. NO TALKING,NO TOUCHING,
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NO LOOKINGAT EACH OTHER.
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I KNOW THE DRILL.
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JUST BEING UNDER THE SAME ROOFAS YOU TONIGHT
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IS GONNA BEENOUGH FOR ME.
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[SCHOOL BELL RINGS]
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[SIGHS]
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KEVIN. JASON.
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I'D LIKE YOU BOTHTO MEET
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ONE OF DEGRASSI'SFINEST TEACHERS,
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ARCHIE SIMPSON.
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KEVIN:RIGHT ON, SIR.
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WOW. WOW.
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I'M SUCH A BIG FAN.
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"JAY AND SILENT BOBSTRIKE BACK"
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IS ONE OFMY FAVOURITE MOVIES.
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KEVIN: THANKS MAN.
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MR. SMITH?
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KEVIN?
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KEV.
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AS I LIVE AND BREATHE,PAIGE MICHALTON!
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HOW ARE YOU?
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UH...MICHALCHUK.
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MICHALCHUK. YOU KNOW WHAT?MY BAD.
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WE JUST ALWAYS CALLED YOUTHE BUSTED LEG GIRL SO...
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NOT ANYMORE.
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THESE WILL BE THE LEASTBROKENEST GAMS
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ON YOUR RED CARPET!
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I'M SORRY,DID YOU JUST SAY GAMS?
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WHAT 21ST CENTURY TEENAGER
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STILL USES THE TERM GAMS?
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THE KIND WHO NEEDSONE MORE TICKET
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TO THE PREMIERE TONIGHT.
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COULD YOU SPARE A TEENSY WEENSYEXTRA GOLDEN TICKET, MR. SMITH?
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PLEASE?FOR MY FRIEND?
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GOD, YOU'RE WORKING ME HARD,AREN'T YOU?
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JUST LIKE A WOMAN.
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YOU KNOW WHAT?
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I HAPPEN TO HAVEONE OF THOSE
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TEENSY WEENSY TICKETSRIGHT HERE
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AND IT COULD BE YOURS IF...
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YOU SAY "ABOUT".
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MR. SMITH...
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COME ON,YOU KNOW I LOVE IT.LET ME HEAR IT.
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ABOOT.
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MMM. I MELT.
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THAT'S JUST SO CUTE.
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YOU EARNED THIS.
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JUST DON'T LET ME SEE ITUP ON EBAY,
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OR ELSE I'M GOING TO CUTYOU OUT OF THE SEQUEL, TOO.
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I CAN'T THANK...
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UM "TOO"?
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YEAH.
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PAIGE, UH...
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WE HAD TO TRIM YOUR PART DOWNA LITTLE BIT.
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SO...
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AND WHEN I SAYA LITTLE BIT I MEAN...
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COMPLETELY.
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WAS I THAT BAD?!
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AND UNAWAREOF MY BADNESS?
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NO, NO, HON.YOU WERE GREAT.
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BUT IT'S JUST IN THE COURSEOF CUTTING A MOVIE
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STUFF, YOU KNOW,HITS THE EDITING ROOM FLOOR.
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WHEN I WAS DOING"JERSEY GIRL",
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I CUT J-LO OUT OF HALFTHE MOVE.
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AFFLECK, I WANTEDTO CUT HIM OUT ENTIRELY
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BUT THEN THAT JUST WOULD'VELEFT THAT LITTLE KID,
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I DIDN'T SEE"JERSEY GIRL".
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REALLY.
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WELL NOW I'M REALLY GLADI CUT YOU OUT OF MY MOVIE.
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I'M JUST KIDDING.YOU KNOW WHAT?
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PLEASE TELL ME YOU'RE STILL GONNA COME TO THE PREMIERE.
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YEAH.
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GOOD.
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EVERYONE'S GONNA BE THERE.WHO DO YOU THINK'SGONNA BE THERE?
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CRAIG: YOU THINK SO?
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DO YOU THINK ALANIS IS GOING TO BE THERE?
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HERE.
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AND BRING A GUEST.
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KEVIN CUT ME OUTOF THE MOVIE.
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HENCE, I'M NOT GOING.
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SO WHAT, YOU'RE JUSTGONNA SIT AT HOME?
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I WAS THINKING OF LYING,ACTUALLY...
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IN BED,WITH ICE CREAM.
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UH-UH.
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YOU'RE GOING.
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THIS ISN'T DEBATABLE.
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PAIGE, IT'S NOT LIKE ACTRESSIS PART OF YOUR TEN-YEAR-PLAN.
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NEITHER IS HUMILIATION.
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ME AND YOU ARE HITTINGTHAT RED CARPET TONIGHT,
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AND WE'RE GONNA MAKE KEVIN
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SO REGRET CUTTING YOUOUT OF THAT FILM
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'CAUSE WE ARE GOINGTO LOOK HOT.
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AND I DON'T MEAN UP-DO,PEARLS, PINK PROM DRESS HOT.
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I MEAN "HOT" HOT.
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[ROCK MUSIC BEGINS]
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AND YOU CUT HEROUT OF THE MOVIE.
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JACKASS.
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SIMPSON:HEY, JUST IN CASEYOU DIDN'T KNOW,
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YOU LOOK BEAUTIFULTONIGHT, EM.
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FEMALE ANNOUNCER: THIS ACTRESS WAS 19
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WHEN SHE GOT HER FIRST NOMINATION
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FOR BEST ACTRESS IN A FEATURE FILM.
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WHO WAS SHE?
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SO THIS IS THE PART
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WHEN EVERYONE GETS TO SEE MECUT FROM THE MOVIE.
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THIS IS THE PART WHEREYOU SIT BACK AND ENJOY
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BEING HERE WITH ME.
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[MOVIE MUSIC BEGINS]
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YOU BOYS ARETOO BLOODY STUPID
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TO MAKE THE GRADE DOWNIN THE STATES
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AND YOUR LAST HOPEIS THE SCHOOL SYSTEM
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OF THE GREAT WHITE NORTH,EH?
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YOU WANT TO GET OOTOF GRADE 12?
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YOU BETTER STARTLEARNING
217
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WHAT THE METRIC SYSTEM'SALL ABOOT!
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AUDIENCE:[CHUCKLING]
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JASON: I'VE GOT THREE WORDS FOR YOU:
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GOT TO...
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SIR!
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THERE WILL BE NO MORECUSS WORDS OUT OT YOU
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YOU POTTY-MOUTHED,MALLRAT.
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YOU'RE GONNA LEARN THE DUAL LANGUAGES
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OF MY HOME A NATIVE LAND,
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AND YOU'RE GONNA SAVOURMY POUTINE!
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'CAUSE YOU'RE IN CANADA NOW,EH?
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[CHUCKLING]
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JAY, WHEN I WAS BORN,
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STAR WARS HAD ALREADY BEEN OUT ON VIDEO FOR TEN WHOLE YEARS.
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YOU'RE TOO OLD.
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EVEN THOUGH THERE'S LAWSTO PREVENT IT,
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I'M GOING TO MARRY APPOLONIA.
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SHE'S THE SUGARIN MY MAPLE;
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CHEESE IN MY POUTINE;
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THE BACK IN MY BACON.
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THE "ICK"IN PATHETIC.
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[APPLAUSE]
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ALEX:WHO KNEW MANNY COULDACTUALLY ACT?
240
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AND CRAIG'S SONG?FULL-ON ROCKED.
241
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PAIGE:YOU'RE SOUNDINGSUSPICIOUSLY UPBEAT.
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ARE YOU SURE YOU'RE OKAY?
243
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ALEX:IT'S A HOLLYWOOD PREMIERE!
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SUE ME FOR GETTINGCAUGHT UP IN IT.
245
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WELL, THE ONLY THINGI'M CATCHING
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IS A CAB RIDE HOME
247
00:09:48,173 --> 00:09:49,796
FOR MY HOT DATEWITH BEN AND JERRY.
248
00:09:49,830 --> 00:09:51,901
ALEX:WHAT KIND OF FRIENDWOULD I BE
249
00:09:51,970 --> 00:09:54,594
IF I LET YOU BAILON THE HOTTEST PARTY EVER?
250
00:10:03,568 --> 00:10:05,570
THIS IS THE AFTER PARTY?
251
00:10:05,639 --> 00:10:06,985
THIS ISTHE KIDDIE VERSION.
252
00:10:07,020 --> 00:10:09,125
THE REAL PARTYIS THROUGH THOSE DOORS.
253
00:10:10,644 --> 00:10:12,715
AND IT'S INVITATION-ONLY, STRICTLY VIP.
254
00:10:14,061 --> 00:10:16,823
ALEX:AND SO ABOUT TO BE CRASHED.
255
00:10:16,857 --> 00:10:19,170
YOU REALLY THINKHE'S GONNA LET YOU IN?
256
00:10:19,170 --> 00:10:20,758
TOBY:I'M A CLOSE,PERSONAL FRIEND OF KEVIN,
257
00:10:20,827 --> 00:10:22,863
AND IF HE FINDS OUTTHAT YOU DIDN'T LET US IN?
258
00:10:22,898 --> 00:10:24,693
YOU'RE GOING TO BEIN BIG TROUBLE, PAL. HUGE!
259
00:10:28,662 --> 00:10:29,836
UH...I CAN MOVE MYSELF.
260
00:10:29,836 --> 00:10:30,802
THANKS.
261
00:10:32,010 --> 00:10:35,496
HEY. YOU WERE GREATIN THE MOVIE.
262
00:10:36,187 --> 00:10:37,706
YEAH.ALL FIVE LINES.
263
00:10:38,776 --> 00:10:39,984
WELL, THEY WEREA GREAT FIVE LINES.
264
00:10:44,160 --> 00:10:45,714
WHAT ARE YOU DOING?
265
00:10:45,748 --> 00:10:46,853
IT'S VODKA.I'LL ONLY POUR HALF.
266
00:10:46,853 --> 00:10:48,786
DON'T.
267
00:10:48,820 --> 00:10:50,028
IF YOU GET CAUGHT,YOU'LL BE STUCKIN DETENTION FOR WEEKS
268
00:10:50,063 --> 00:10:51,961
AND THEN I'LL NEVERGET TO SEE YOU.
269
00:10:52,030 --> 00:10:53,514
WELL, YOU CANSEE ME TONIGHT.
270
00:10:53,549 --> 00:10:57,070
MAYBE SOME PLACE QUIETAND SECLUDED?
271
00:10:57,104 --> 00:10:58,588
THEATRE LOBBY.30 MINUTES.
272
00:10:58,623 --> 00:10:59,659
MANNY!
273
00:11:00,625 --> 00:11:01,799
HEY...
274
00:11:01,833 --> 00:11:02,938
EMMA: YOU WERE AMAZING!
275
00:11:02,972 --> 00:11:04,871
REALLY?YOU THINK SO?
276
00:11:04,940 --> 00:11:07,252
DID YOU STAY UNTIL THE ENDTO HEAR CRAIG'S SONG?
277
00:11:07,252 --> 00:11:09,013
EMMA: OF COURSE!
278
00:11:09,047 --> 00:11:11,636
LET'S TOAST TO DEGRASSI'SCELEBRITY COUPLE!
279
00:11:20,818 --> 00:11:23,199
I DID MAKEUP ON THE MOVIE.DO YOU MIND IF I CUT THROUGH?
280
00:11:23,648 --> 00:11:24,753
NICE TRY, GIRLIE.
281
00:11:25,201 --> 00:11:27,031
SORRY I'M LATE.
282
00:11:27,065 --> 00:11:29,654
SOME JERK BLOCKED ME INAT THE STRIP CLUB, AGAIN.
283
00:11:29,689 --> 00:11:32,036
THE SIGN CLEARLY SAYS "EMPLOYEE PARKING ONLY".
284
00:11:32,105 --> 00:11:33,658
OH, SWEETIE,
285
00:11:33,693 --> 00:11:34,866
I HOPE YOU DIDN'TTIRE YOURSELF OUT AT WORK.
286
00:11:34,901 --> 00:11:36,040
YOU PROMISED MESOME HOT DANCING.
287
00:11:37,248 --> 00:11:38,698
ALL RIGHT,IN YOU GO.
288
00:11:43,081 --> 00:11:44,117
MARCO:WHAT?!
289
00:11:47,051 --> 00:11:49,294
PAIGE:I CAN'T BELIEVE THE BOUNCERACTUALLY FELL FOR THAT!
290
00:11:49,329 --> 00:11:50,640
ARE YOU KIDDING?
291
00:11:50,675 --> 00:11:51,918
WE'RE A COUPLEOF HOT CHICKS.
292
00:11:51,987 --> 00:11:53,989
OF COURSE HE WAS GONNAFALL FOR THAT.
293
00:11:53,989 --> 00:11:55,680
JAY: LADIES.
294
00:11:56,681 --> 00:12:00,374
EW, VIP DOES NOT STANDFOR VASTLY ICKY POSER.
295
00:12:00,409 --> 00:12:02,722
WHAT'RE YOU DOING HERE?
296
00:12:03,136 --> 00:12:05,483
THAT'S MY BOY MICKEYRIGHT THERE. HEY.
297
00:12:05,517 --> 00:12:08,244
HE WORKED SECURITYON THE MOVIE.
298
00:12:08,900 --> 00:12:10,453
WELL, I SAW YOUR LITTLEGIRL-ON-GIRL PDA.
299
00:12:10,488 --> 00:12:11,765
IS THAT WHY YOU DUMPED ME?
300
00:12:11,800 --> 00:12:13,940
ALEX: RIGHT.
301
00:12:13,974 --> 00:12:15,424
HAD NOTHING TO DO WITH YOUHOOKING UP WITH EVERY SKANKIN THE RAVINE.
302
00:12:15,424 --> 00:12:17,322
AH... AND YOU'RE TRYINGTO GET BACK AT ME
303
00:12:17,357 --> 00:12:19,221
BY HOOKING UPWITH EVERY SKANK HERE.
304
00:12:19,842 --> 00:12:21,775
YOU DO NOT CALL HER THAT,EVER.
305
00:12:26,987 --> 00:12:29,127
PAIGE, WOULD YOU LIKETO DANCE WITH ME?
306
00:12:29,162 --> 00:12:30,232
LOVE TO.
307
00:12:47,145 --> 00:12:48,353
REMIND ME TO TELL YOU
308
00:12:48,388 --> 00:12:49,803
HOW MUCH I LIKEYOUR NAUGHTY SIDE.
309
00:12:49,838 --> 00:12:52,461
CONSIDER YOURSELFREMINDED.
310
00:12:55,947 --> 00:12:57,017
[VACUUM STARTS]
311
00:12:58,881 --> 00:12:59,848
LET'S GO.
312
00:13:06,026 --> 00:13:07,372
[SOUND OF SOMEONE KISSING]
313
00:13:07,372 --> 00:13:08,511
THERE'S SOMEBODYIN HERE WITH US.
314
00:14:02,738 --> 00:14:04,153
THIS IS UNBELIEVABLE!
315
00:14:04,153 --> 00:14:05,465
THEY'RE UPSTAGING USAT OUR OWN PREMIERE,
316
00:14:05,499 --> 00:14:06,535
THESE CHICKS.
317
00:14:06,569 --> 00:14:08,261
WHY AREN'T YOU AND IOUT THERE,
318
00:14:08,330 --> 00:14:11,091
DOING SOME KINDA EROTICALLYCHARGED DANCE ROUTINE?
319
00:14:11,160 --> 00:14:13,438
WE CAN, MAN.LET'S DO IT!
320
00:14:13,507 --> 00:14:15,993
IT WAS A RHETORICALQUESTION.
321
00:14:16,027 --> 00:14:17,097
DUDE, DON'T CALL 'EMRHETORICAL,
322
00:14:17,166 --> 00:14:19,272
THAT'S MEAN.
323
00:14:19,341 --> 00:14:21,308
YOU'RE RHETORICAL.
324
00:14:30,076 --> 00:14:31,698
I NEED TO GO IN THEREAND FACE THEM.
325
00:14:31,732 --> 00:14:33,079
PETER:DON'T.
326
00:14:33,113 --> 00:14:34,528
HE'S MARRIEDTO MY MOTHER
327
00:14:34,528 --> 00:14:36,461
AND HE'S IN THE THEATRENECKING WITH YOURS.
328
00:14:36,530 --> 00:14:38,118
RUNNING IN THEREWON'T FIX ANYTHING.
329
00:14:38,187 --> 00:14:39,361
HOW WOULD YOU KNOW?
330
00:14:39,395 --> 00:14:41,397
I JUST DO, OKAY?
331
00:14:41,432 --> 00:14:44,400
YOU DON'T WANT TO DO ANYTHINGTILL YOU'VE CALMED DOWN.
332
00:14:44,435 --> 00:14:45,436
YOU'LL REGRET IT.
333
00:14:45,505 --> 00:14:46,506
BELIEVE ME.
334
00:14:46,540 --> 00:14:48,232
I HAVE TO GO.
335
00:14:55,308 --> 00:14:57,068
EVER FEEL DRUNKWITHOUT DRINKING?
336
00:14:57,103 --> 00:14:58,759
IS THAT WHY YOURSHOES WENT AWOL?
337
00:14:58,794 --> 00:15:00,244
THEY WERE PINCHY.
338
00:15:00,278 --> 00:15:01,417
I'M GONNA GETSOME WATER.
339
00:15:01,452 --> 00:15:03,454
I'LL GO GET YOU SOME.
340
00:15:03,488 --> 00:15:04,593
HI!
341
00:15:05,663 --> 00:15:08,114
SO, THIS NEW LESBIAN THINGYOU GOT GOING ON...
342
00:15:10,219 --> 00:15:11,462
I LIKE TO WATCH.
343
00:15:11,496 --> 00:15:14,361
I LIKE TO PUNCH.DREAM ON.
344
00:15:14,396 --> 00:15:15,776
LEXI...LEXI, COME ON.
345
00:15:15,776 --> 00:15:17,675
WHY WEREN'T YOUTHIS ADVENTUROUS
346
00:15:17,709 --> 00:15:19,228
WHILE WE WERE DATING,HUH?
347
00:15:19,297 --> 00:15:20,505
WE COULD'VE HAD FUN.
348
00:15:20,540 --> 00:15:21,851
YOU'RE DISGUSTING.
349
00:15:21,886 --> 00:15:23,508
OH, AND YOU?
350
00:15:23,543 --> 00:15:25,545
PUTTING ON A SHOWFOR EVERYONE?
351
00:15:25,614 --> 00:15:26,856
[CHUCKLES]
352
00:15:26,891 --> 00:15:28,237
YOU KNOW,WHAT MAKES YOU THINK
353
00:15:28,306 --> 00:15:30,895
TONIGHT IS ABOUT YOU,ANYWAYS?
354
00:15:30,964 --> 00:15:33,277
IT'S NOT.IT'S ABOUT HER.
355
00:15:35,969 --> 00:15:36,901
HERE.
356
00:15:36,970 --> 00:15:38,144
THANK YOU.
357
00:15:38,178 --> 00:15:40,491
LET ME WALKYOU HOME.
358
00:15:40,525 --> 00:15:41,630
BUT MY SHOES!
359
00:15:41,664 --> 00:15:42,907
BAREFOOT SUITS YOU.
360
00:15:42,976 --> 00:15:46,117
AND BESIDES,MY PLACE IS ON THE WAY.
361
00:15:54,712 --> 00:15:56,265
MY MOM AND HER BOYFRIENDARE HOME
362
00:15:56,334 --> 00:15:57,370
SO JUST WAITBY THE DOOR.
363
00:15:57,404 --> 00:15:58,612
OH, BUT I'M THIRSTY.
364
00:15:58,681 --> 00:15:59,924
CAN'T I JUST GETA DRINK OF WATER?
365
00:15:59,993 --> 00:16:01,512
NO.I'M GRABBING SHOES
366
00:16:01,512 --> 00:16:02,720
AND THEN WE'RE OUTTA HERE,IMMEDIATELY.
367
00:16:04,722 --> 00:16:05,757
EMILY:LEXI?
368
00:16:06,482 --> 00:16:07,449
HEY.
369
00:16:07,967 --> 00:16:09,658
WHO'S YOUR FRIEND?
370
00:16:09,692 --> 00:16:11,832
ALEX:NEVERMIND, MOM.JUST GRABBING SHOES.
371
00:16:11,901 --> 00:16:13,973
HI, MS. NUNEZ.I'M PAIGE.
372
00:16:14,628 --> 00:16:15,975
PAIGE...
373
00:16:16,009 --> 00:16:17,390
THE PAIGE?
374
00:16:18,356 --> 00:16:20,427
I FEEL LIKE I'M INTHE PRESENCE OF ROYALTY.
375
00:16:20,462 --> 00:16:21,773
YOU KNOW THAT LEXI
376
00:16:21,773 --> 00:16:22,602
NEVER STOPS TALKING ABOUT YOU!
377
00:16:22,636 --> 00:16:24,362
PAIGE: REALLY? LITTLE OL' ME?
378
00:16:24,431 --> 00:16:25,812
MOM, WHERE'S CHAD?
379
00:16:26,537 --> 00:16:28,953
OH, HE PASSED OUTHOURS AGO.
380
00:16:28,988 --> 00:16:30,437
COME SIT.
381
00:16:30,472 --> 00:16:32,336
CAN I GET YOU SOMETHING,DARLING?
382
00:16:32,370 --> 00:16:33,682
PAIGE:YEAH. DIET ANYTHING, PLEASE.
383
00:16:33,751 --> 00:16:35,028
ALEX:PAIGE, WE HAVE TO GO.
384
00:16:35,097 --> 00:16:36,478
WOULD YOU HOLDYOUR HORSES, LEXI,
385
00:16:36,512 --> 00:16:37,789
AND JUST LET THE GIRLSIT AWHILE!
386
00:16:37,824 --> 00:16:40,689
BE A GOOD HOSTESSAND GET HER A DRINK, EH.
387
00:16:40,723 --> 00:16:43,036
LOOKS LIKE THE PARTY'S JUSTGETTING STARTED, MS. NUNEZ.
388
00:16:43,105 --> 00:16:45,349
PLEASE,CALL ME EMILY.
389
00:16:45,383 --> 00:16:47,282
EMILY.OKAY.
390
00:16:47,316 --> 00:16:50,492
SO WHAT WAS LEXI LIKEAS A GIRL?
391
00:16:51,665 --> 00:16:54,772
YOU KNOW WHAT?I CAN'T REMEMBER.
392
00:16:54,806 --> 00:16:56,774
[LAUGHING]
393
00:16:56,774 --> 00:16:57,844
I'M KIDDING.
394
00:16:57,878 --> 00:16:59,846
LEX, I'M KIDDING.
395
00:17:00,985 --> 00:17:03,539
I'M JUST KIDDING,HON.
396
00:17:11,754 --> 00:17:14,033
EMMA,WHAT'S GOING ON?
397
00:17:14,757 --> 00:17:17,036
I'M MAKING TEAAGAIN.
398
00:17:17,070 --> 00:17:19,072
AND CRYING AGAIN.
399
00:17:22,489 --> 00:17:23,663
I LEFT SOMETHINGIN THE THEATRE,
400
00:17:23,732 --> 00:17:25,389
SO I WENT BACK INTO GET IT
401
00:17:25,423 --> 00:17:27,529
AND THAT'S WHEN I SAWYOU AND HER.
402
00:17:27,563 --> 00:17:29,358
MS. HATZILAKOS.
403
00:17:29,945 --> 00:17:30,911
WHAT?
404
00:17:32,879 --> 00:17:34,639
WE-WE WERE JUST TALKING.
405
00:17:34,674 --> 00:17:37,366
SNAKE,I SAW YOU KISS HER.
406
00:17:45,650 --> 00:17:47,756
I DON'T KNOW WHAT TO SAY.
407
00:17:50,759 --> 00:17:53,727
IT JUST SORT OF HAPPENED,YOU KNOW.
408
00:17:54,763 --> 00:17:56,420
IT WAS SUCH A MISTAKE.
409
00:17:56,454 --> 00:17:58,077
SO YOU STICK YOUR TONGUEDOWN THE PRINCIPAL'S THROAT
410
00:17:58,111 --> 00:17:59,078
BY ACCIDENT?
411
00:17:59,112 --> 00:18:00,596
EMMA, QUIET PLEASE.
412
00:18:00,596 --> 00:18:02,184
YOU GONNA WAKE YOUR MOM.
413
00:18:02,219 --> 00:18:03,806
BUT WHY?
414
00:18:03,841 --> 00:18:05,187
DID YOU THINKIT WOULD BE FUN?
415
00:18:05,222 --> 00:18:06,878
DID YOU GET TO THE PARTY
416
00:18:06,913 --> 00:18:08,846
AND WANT TO ACT LIKE A TEENAGER AGAIN?
417
00:18:08,846 --> 00:18:10,537
JUST GIVE ME A REASON, DAD.PLEASE.
418
00:18:11,607 --> 00:18:13,161
HAVE YOU EVER DONE SOMETHINGYOU'RE NOT SUPPOSED TO
419
00:18:13,195 --> 00:18:14,852
WITH SOMEONE YOU WEREN'TSUPPOSED TO BE WITH?
420
00:18:21,169 --> 00:18:22,998
EMMA, I'M SO ASHAMED.
421
00:18:25,690 --> 00:18:26,933
I WON'T BLAME YOU
422
00:18:27,002 --> 00:18:28,486
IF YOU NEVER WANTTO SPEAK TO ME AGAIN.
423
00:18:29,694 --> 00:18:31,593
IT'S NOT ABOUT ME.
424
00:18:32,352 --> 00:18:33,767
IT'S ABOUT MOM,
425
00:18:34,699 --> 00:18:36,494
AND WHETHER I'M GONNATELL HER WHAT I SAW.
426
00:18:51,060 --> 00:18:52,061
YOUR MOM GO TO BED?
427
00:18:52,096 --> 00:18:53,097
ALEX: YEAH.
428
00:18:53,132 --> 00:18:54,167
SHE SAID TO SAY GOODNIGHT.
429
00:18:57,205 --> 00:18:58,758
SHE'S NICE.
430
00:18:59,931 --> 00:19:02,693
LIKE MOTHER,LIKE DAUGHTER.
431
00:19:02,762 --> 00:19:04,695
TONIGHT WAS GOOD.
432
00:19:06,214 --> 00:19:08,699
YOU'RE MY LUCKY CHARM.
433
00:19:10,390 --> 00:19:12,323
TONIGHT WAS GOOD.
434
00:19:14,049 --> 00:19:15,188
PAIGE?
435
00:19:17,363 --> 00:19:18,605
ABOUT BEFORE...
436
00:19:20,814 --> 00:19:22,644
WHEN WE WERE DANCING?
437
00:19:23,127 --> 00:19:24,301
WHAT ABOUT IT?
438
00:19:26,786 --> 00:19:28,788
WE WERE JUST HAVING FUN.
439
00:19:30,479 --> 00:19:32,171
NO BIG DEAL,RIGHT?
440
00:19:33,724 --> 00:19:35,312
EMILY: WHAT DO YOU MEAN YOU SPENT IT ALL?!
441
00:19:35,346 --> 00:19:37,245
CHAD: I MEAN I SPENT IT ALL!
442
00:19:37,279 --> 00:19:39,419
EMILY: WHAT? HOW COULD YOU BE SO STUPID, CHAD?!
443
00:19:39,488 --> 00:19:41,870
I'M WALKING YOUHOME NOW. GO!
444
00:19:41,904 --> 00:19:42,974
CHAD: DON'T EVER CALL ME STUPID!
445
00:19:42,974 --> 00:19:43,975
EMILY:WHERE ARE YOU GOING?
446
00:19:44,010 --> 00:19:45,149
THAT'S IT,I'M OUT OF HERE!
447
00:19:45,184 --> 00:19:46,150
CHAD, NO!WHERE ARE YOU GOING?!
448
00:19:46,185 --> 00:19:47,151
ALEX:WILL YOU STOP IT?!
449
00:20:08,241 --> 00:20:12,176
WILL YOU HOLD STILL?I'M TRYING TO HELP.
450
00:20:13,281 --> 00:20:14,765
BEING HEREIN YOUR ROOM,
451
00:20:14,834 --> 00:20:16,180
THIS HELPS.
452
00:20:17,906 --> 00:20:19,701
IT'S QUIET.
453
00:20:19,735 --> 00:20:22,773
NO SCREAMING,NO SMASHING.
454
00:20:22,807 --> 00:20:25,914
NOBODY SHOULD HAVE TO DEALWITH DRAMA
455
00:20:25,948 --> 00:20:29,435
OF THE SHOVED-OVER-THE-END TABLE VARIETY,
456
00:20:29,469 --> 00:20:31,333
DAY IN, DAY OUT.
457
00:20:32,058 --> 00:20:33,197
EVEN ME?
458
00:20:35,234 --> 00:20:37,063
ESPECIALLY YOU.
459
00:20:38,823 --> 00:20:41,240
PAIGE,I'M IN TROUBLE.
460
00:20:41,240 --> 00:20:45,140
THIS ISN'T RELATED TO ANY TABLE COLLISIONS
461
00:20:45,209 --> 00:20:47,694
THAT HAPPENED TONIGHT.
462
00:20:48,937 --> 00:20:52,216
IT'S A DIFFERENTKIND OF TROUBLE.
463
00:21:06,817 --> 00:21:07,887
UM...
464
00:21:08,301 --> 00:21:10,269
OKAY, UH...
465
00:21:11,477 --> 00:21:13,962
SPEAKING OF TROUBLE UH...
466
00:21:14,583 --> 00:21:16,792
OR NOT TROUBLE UM...
467
00:21:18,346 --> 00:21:20,520
UH YOU...YOU SHOULD TAKE MY BED,
468
00:21:20,555 --> 00:21:23,316
AND I'M GONNA-I'M GONNA SLEEP DOWNSTAIRS
469
00:21:23,316 --> 00:21:24,283
ON THE COUCH.
470
00:21:25,042 --> 00:21:26,077
PAIGE?
471
00:21:27,147 --> 00:21:27,182
NIGHTY-NIGHT THEN!
472
00:21:27,232 --> 00:21:31,782
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