All language subtitles for snowpiercer 4

Previously on "Snowpiercer..."

There's unrest brewing.

The murders.

The Tailie uprising.

Third will feel the brunt
of the rationing.

Our fortunes built this train,

and Mr. Wilford is losing control.

You ever meet Wilford?

Shook his hand a few times
before we boarded.

He speaks through Melanie.

You don't want to cross paths
with Melanie Cavill.

Then I'll go around her.

Nikki!

Look. Remember who that is?

She killed someone. What's she doing out?

She's innocent.

I saw Sean the night he was killed.

With another guy.

Can you describe him?

Not from these corridors.

First class, maybe.

So, who are we looking for?

Oh, I'm not gonna tell you

till you let me go see Josie in the Tail.

I thought you were dead.

You don't remember me, do you, Nikki?

But you do know who I am.

JINJU: Adapt.

That's what humans do, isn't it?

Our great leg up.

We roll.

We hack.

Knuckle down and change.

♪♪

♪♪

Even Snowpiercer is an adaptation.

That was classic Wilford.

♪♪

While the world froze

and the other mega-rich
tried to hole up in bunkers

or upload their consciousness,

Mr. Wilford dusted off his train set.

♪♪

♪♪

Snowpiercer is His system.

Systems resist change,

even without their maker.

♪♪

I'm just a scientist.

I'm here to save the world,
not change it.

I know our chances of
surviving are slim at best.

All I can do about that

is provide small moments
of happiness on Snowpiercer,

1,001 cars long.

♪♪

Synced and corrected by -robtor-
www.addic7ed.com

♪♪

[KNOCK ON DOOR]

Yeah?

[DOOR OPENS, CLOSES]

Hey.

I knew you'd be up.

No rest for the weary.

What's up?

I need you to take care of yourself, Mel.

We can't afford you getting sick.

There's mounting supply-chain issues,

and now you're taking this
murder investigation

on your own?

I appreciate your concern.

I do.

Anything else?

Yes.

I want you to ask for help.

Help.

♪♪

[SIGHS]

♪♪

ROCHE: Layton, wake up.

- We need you.
- What happened?

You'll see.

♪♪

Thank you.

Thank you.

♪♪

So, have you thought of a workaround

for the methane shortage?

Yep.

Goat farts.

[CHUCKLES LIGHTLY]

Very good.

MIT.

[CHUCKLES]

I knew it would pay off.

[TELEPHONE RINGS]

Melanie Cavill.

TILL: I'm not afraid to be seen together.

JINJU: You just don't want to

walk to work with me in the morning?

Jinju, there's enough
track talk about me as it is.

[CHUCKLES]

Hey, you got to step up for this, babe.

Isn't that what I just did?

Oh, you did, huh?

And I will. I just...

Give me a minute.

Thirdies are weird about dating uptrain.

What's the difference whether
it's uptrain or downtrain?

You're from Second.

You have the privilege of
seeing it that way.

[SCOFFS]

Okay, baby, I know you're
not enticed by all this

'cause you're from Detroit...

[CHUCKLES]

Hey.

I'm from San Francisco.

Those places are gone,

but now it's up to us to start over.

[TELEPHONE RINGING]

♪♪

[RECEIVER BEEPS]

Agricultural Officer.

Nikki Genet is dead.

♪♪

[HENRY SOBBING]

♪♪

I'm sorry.

I know how much you cared for her.

Okay, stop now.

Stop it, Henry.

[SNIFFLING]

I'm gonna give you a chance to
make things right with Mr. Wilford.

Thank you.

I'm so sorry.

I want you to go get a gurney
and some sheets.

Don't let anyone see her.

We need postmortem data.

Do you understand what I'm asking you?

Yes.

Will you do that for me, Henry?

♪♪

Thank you.

[SNIFFLING]

♪♪

Where were you?

I gave you a description
of a First Class killer.

What did you do with it?

♪♪

I was waiting till morning.

First waits till morning.

She's dead... our killer gets
his bacon and eggs.

Shut up, Layton. We all failed her.

♪♪

The border's closed.

I just came from Second.

It's been closed since the fight.

The killer's from First.

If he followed you,
he left the fight early.

No time to get uptrain.

Then he's still in Third.

♪♪

[INDISTINCT CONVERSATIONS]

♪♪

How we doin'?

Switching to breakfast.

'Round and 'round she goes.

You want one last Railman's?

Nah.

Any word how long they're
keeping that damn border closed?

They'll close it all night if they want.

That fight was a mess.

Where you from?

Second?

Yeah.

♪♪

[BOTTLE THUDS]

♪♪

Hey, these are First Class booze tokens.

♪♪

I mean... thanks.

♪♪

Alright, how many men
do you have uptrain?

We've got plenty.

Okay, send a sweep team
uptrain from the Tail.

Eyes up, son.

We've got it from here.

Mr. Layton doesn't really need
to see this, does he?

They don't even know who
they're chasing. I need to go to First.

He doesn't set one foot in First.

He does whatever Mr. Wilford wants.

Yes?

Let's get every First Class passenger

that was at the fight out of bed.

That will not be popular.

Popular? [SCOFFS]

You people have a serial killer...

Hey.

Tone it down, would you?

I need to know that
the search is underway,

and then you and I will go to First.

You have to clear that with Mr. Wilford,

or is that your call?

[INDISTINCT CONVERSATIONS]

♪♪

When you're ready,
I'll be talking to her.

Alright, my Brakemen
will work down from here.

We'll open every door.
We'll check every cupboard.

And meet my men in the middle at Ag-Sec.

Start a sweep team uptrain
from the Tail, then.

From there, we will review all...

♪♪

[DOOR OPENS]

What about the subtrain?

It's still closed to
nonessential personnel.

- [SNAPS FINGERS]
- COMMANDER GREY: I'll put another patrol

down there anyway.

♪♪

He's not suspended?

We're shorthanded.
We need every man we've got.

- He was slinging Kroney.
- He's your partner.

Work it out now. Work it out later.

Just do your freakin' job. Go.

♪♪

♪♪

I'm sorry for your loss.

♪♪

If the killer's from First,

they'll only let you get so far,

and there won't be any justice for Nikki.

♪♪

How's Third gonna take that?

Both victims are theirs.

Oh, that remains to be seen, Detective.

♪♪

Now that I got a sense
of what you do here,

I thought you might have a take on it.

You know people, high and low.

You know their secrets.

Strict confidentiality.

It's assured in the Nightcar.

I appreciate that.

Mm.

Melanie Cavill ever have a session?

That would be confidential...

if the answer wasn't no.

She's never shown herself like that.

♪♪

Maybe now she'll have to.

♪♪

Think Nikki's death could be a catalyst?

Catalyst for what?

From what I hear, a lot of
workers in Third are pretty fed up.

♪♪

You need to step carefully, Detective.

But many of us do want change.

[KNOCK ON DOOR]

♪♪

We're waking First.

♪♪

Audrey, I promise I'll do
everything I can...

Cut the shit, Melanie.

You have my support, Detective.

♪♪

[FOOTSTEPS DEPART]

♪♪

I'm holding the subtrain.

Not a lot of downtrain faith
that the powers that be

actually want to solve this thing

now that the suspect's from First.

I want it solved.

And it doesn't matter which
Class the suspect is from.

Let's go.

[FOOTSTEPS DEPART]

♪♪

LIGHTS: I've never seen
a blue chip before.

Could be First Class,
open heaps of doors.

Layton said, "It's only
doors between us".

You can't just chip out of the Tail.

No, but someone could
chip out of Sanitation crew.

Ah, the break room.

There's that door with the key pad.

They think we can't use it.

You've been stashing
supplies there, right?

Yeah. Things we scrounge on shift.

- Any clothes?
- Yeah.

Okay, so, if we get someone
in the corridors, then what?

We make contact with Astrid.

Since she apprenticed
out in the first year,

guys, we've heard from her, what, twice?

Astrid's still one of us.
She's got people here.

If she can find Layton, we can
set up communication with him.

♪♪

Give me the chip.

I'll try tonight.

[COUGHS VIOLENTLY]

♪♪

John, you're a lion.

They don't see Tailie women uptrain.

I've got a better chance of blending in.

LIGHTS: It's true.

♪♪

This is the only key we've ever had.

♪♪

Sanitation!

[BUZZER]

♪♪

Hey, what happened to your friend?

Uh, he's too sick to work, sir.

[COUGHING IN DISTANCE]

Okay.

♪♪

[BUZZER]

♪♪

[MAN GASPING]

♪♪

MAN: Come on. This way.

Strip.

♪♪

It's inhuman.

[GASPING]

[GASPING]

♪♪

♪♪

[CLASSICAL MUSIC PLAYING FAINTLY]

♪♪

[SCOFFS] You got to be kidding me.

Art belongs to First now?

These people broiled the Earth,
then they froze her,

and now they hang
the spoils on their walls.

Layton, I was a born on a dirt
farm in Eastern Pennsylvania.

I came from nothing.

I know a thing or two about class.

That anger that you feel
when you look at all of this?

It's justified.

Let's use it.

Whoever the killer is,

First is going to protect their own,

so you be their worst
nightmare from the Tail.

♪♪

I'll do the rest.

♪♪

♪♪

[INDISTINCT CONVERSATIONS]

♪♪

Tailie.

[MURMURING]

♪♪

Alright, two things first.

[MUSIC STOPS]

I don't give a shit who you are,

and somebody up here has got a thing

for chopping off Third Class dicks.

[LAUGHS]

- Now, look...
- Yeah, I'm looking.

Here's the thing.

[MUFFLED] Ruth.

I don't see everybody
who was at the fight.

This is everybody.

YORK: Melanie, this is ridiculous.

No one from First Class has ever
been charged with a crime.

[MURMURING]

You should thank her for that.

She keeps the borders tight,
she keeps the rabble at bay,

and she keeps First Class above the law.

But Mr. Wilford's doing things
differently this time.

[SLURPS]

Isn't that right?

Yes.

Now...

[MURMURING]

... where are the bodyguards?

♪♪

Alright, let me try this a different way.

♪♪

How many arms did you take in the Tail?

♪♪

14, if anyone's counting.

So, where are the bodyguards?

♪♪

I didn't invite the help.

♪♪

Erik didn't come home last night.

♪♪

He didn't?

No.

He asked to leave the fight early,

and when we came back, he wasn't here.

You knew he was missing
and you didn't tell us?

Tell Roche Erik's a suspect.

He has his gun, too.

- LJ.
- LJ.

What?

I saw he had it with him last night.

He has his gun?

There are no guns allowed
on the Snowpiercer.

Our security was allowed
to keep their sidearm.

The rest of us were disarmed
to keep you safe.

I'm gonna need to see Erik's quarters.

This man is not entering our carriage.

Bringing this man into First?

This is unprecedented.

[CHUCKLES]

On behalf of everyone here,

I demand to speak to Mr. Wilford.

[MURMURING]

It's time, Melanie.

♪♪

♪♪

[TELEPHONE BEEPING]

[CLEARS THROAT]

[TELEPHONE RINGS]

This is Bennett.

MELANIE: I'm sorry. I need you
to put me through to him.

It's urgent.

Oh, hey, are we doing this again?

Thank you. I'll wait.

Anything to put a smile on your face.

Mr. Wilford.

Good news first...

We may have identified the killer.

Is that for real?

Or is that part of the act?

Yeah, a bodyguard from First.

But the family's reluctant

to let your Detective in to investigate,

and they would like a word.

Well, that would piss me right off.

Huff, huff, huff.

The Folgers.

It's their man.

Yes, Lilah Folger, sir.

I know, but she's demanding it.

[MURMURING]

♪♪

Very good.

[MURMURING]

♪♪

♪♪

For the investigation,
we will allow him in,

but only if you accompany him.

♪♪

Mr. Wilford, my apologies.

It seems everything is sorted.

I miss you, Mel.

Thank you for that.

Goodbye, sir.

♪♪

[TELEPHONE CLUNKS]

♪♪

[WOMAN SPEAKS INDISTINCTLY]

MAN: Can't back down from that.

♪♪

[KEYS RATTLING]

♪♪

♪♪

♪♪

♪♪

[GUN COCKS]

♪♪

♪♪

♪♪

30 minutes.

♪♪

[DOOR CLOSES]

[COUGHING]

Here you go.

All the piss and shit left in the world.

You get used to the smell.
Quick, let's go.

Just not the cholera.
Cholera's not so bad.

Come on, quick, let's go.

- [COUGHS]
- Before they get here.

Pass me that.

Pajamas?

Yeah, it's the middle of the night.

- Kinda works, huh?
- [SIGHS]

It's fine. Better hurry.

- Alright.
- Let's go. Hurry up.

Pass it to me.

There you go.

[BUZZER]

♪♪

Good luck.

♪♪

[SIGHS]

Is he going to go through
all of our things?

Should we offer him a drink?

LAYTON: No thanks, LJ.

He was 7th Marines.

Then he worked private security.

What else can you tell me about him?

We hired him when the Freeze started

to keep our family safe, and he did.

[GASPS]

And he saved my life.

How'd he do that?

That's not pertinent, LJ.

Anybody seen this before?

What is it?

It's a J-Hook.

Used for beekeeping.

♪♪

What? He showed it to me.

He said he found it.

- Where?
- I don't know.

Scrounging.

The old Apiary?

We used to keep bees

until a colony collapse three years ago.

They crated up all the extra
hives and everything.

They're in storage.

Well, we need to find which crate.

Can you send Till?

♪♪

May I?

♪♪

Lilah, let's us three
go into the other room.

We can position this in a way
that's best for your family.

♪♪

♪♪

[DOOR CLOSES]

♪♪

Brakeman Till.

♪♪

♪♪

Josie.

Shh.

How... How did...
Are you out of the Tail?

No questions, okay? There's no time.

Are you still in Food Processing?

Yeah, but I just cut and load the bars.

I don't have access to
ingredients or anything.

That's not what we need.

♪♪

Hey.

♪♪

Hey.

♪♪

Did you know that Layton's out?

Yeah, they're using him as a detective.

There's a killer loose up here.

That's what it was.

Okay, look.

We need you to make contact with him.

♪♪

Josie, if they catch me...

You could be sent back to the Tail.

I know.

Honey, I get it.

You're healthy now.

You live like a human being.

The Tail needs you.

♪♪

We need you.

♪♪

One Tail.

One Tail.

♪♪

♪♪

[CHUCKLES LIGHTLY]

Thank you.

♪♪

LAYTON: Looks like Erik wasn't
born into the nice life he had up here.

Yeah, I don't think he had
a very good childhood.

You think he was capable of
something like this?

Maybe.

He sure wasted those rioters

who tried to grab me
on the way to Snowpiercer.

[CHUCKLES LIGHTLY]

Is that when he saved your life?

He joked about being cold-blooded.

♪♪

Born for the Freeze.

♪♪

Even if this was Erik,
it's not our fault.

RUTH: Nobody's saying that.

Oh, I can just hear the track talk.

Over the years, we learned that

as a private soldier, Erik did things.

It's what he's for.

Not psychotic murder.

It can't come off like we
have sheltered a monster.

♪♪

Did Erik ever get aggressive
or... weird with you?

♪♪

You guys really not get
to see the sun in the Tail?

Most of us haven't seen
the sun in seven years.

How's that make you feel,

living up here with everything you need?

I mean, you guys didn't have tickets.

Watch this.

[BUTTON CLICKS]

♪♪

♪♪

He asked about your
relationship with Erik.

♪♪

What about it?

He tell you things?

Ask you to keep secrets?

♪♪

♪♪

LJ?

♪♪

No, I-I better not talk about it.

♪♪

[KNOCK ON DOOR]

♪♪

[DOOR CLOSES]

Can we sit?

I need to ask you about Erik and LJ.

♪♪

We'll expect to hear from you, okay?

Bye.

Yeah.

[INDISTINCT CONVERSATION]

Miles...

♪♪

Oh, Christopher.

♪♪

CHRISTOPHER: Talk to Mom.
She'll understand.

♪♪

Whatever.

[SIGHS]

♪♪

Ah, she's gonna be late.

Mate, you're stressing me out doing that.

[SPEAKING SPANISH]

[LOUD KNOCK ON DOOR]

JACKBOOT DONALDSON: Two minutes.

♪♪

♪♪

[BUZZER]

- Oh, 'bout time.
- Yeah.

Santiago here's about to
have a heart attack.

We got to move. Faster.

Put this on.

Okay. Alright.

♪♪

Three, two...

- There you go.
- ... one.

♪♪

Back to work.

Ooh.

♪♪

Yeah, back to work.

♪♪

[INDISTINCT CONVERSATIONS]

♪♪

So, suddenly we're searching for

a professional soldier with a pistol?

Revolver... 38.

That's comforting, thank you.

Hey, you sure it's not above?

No, it's on this level.

Over here.

♪♪

Anybody in there?

♪♪

Open up.

[KEYS JINGLING]

♪♪

[GUN COCKS]

♪♪

He's on the move!

He's up top!

♪♪

Stop!

[GRUNTING]

Go, go, go, go!

Out of the way!

Osweiller, get him!

I'm going up!

He's going back down!
He's going to the stairs!

Okay! I'm on it.

Move! Move!

[GRUNTING]

Oz!

He's getting away!

Go, go, go!

♪♪

Shit!

♪♪

Erik was only allowed
two bags on the train,

and he brings records.

They were his dad's.

He hated his dad.

He was white.

Yeah, no shit.

- [CAT MEOWS]
- Yo.

[CHUCKLES]

It's a cat.

Yeah, yeah, I-I know. It's just...

It's been a while.

Erik saved him, too.

Where'd he come from?

Snowpeter is a master of disguise.

Snowpeter?

That's funny.

[BOBBY VINTON'S
"SEALED WITH A KISS" PLAYING]

♪♪

♪♪

- ♪ Though we gotta say goodbye ♪
- ♪ Though we gotta say goodbye ♪

- ♪ For the summer ♪
- ♪ For the summer ♪

- ♪ Baby, I promise you this ♪
- ♪ Baby, I promise... ♪

♪ I'll send you all my love ♪

I hear you eat people.

♪ Every day in a letter ♪

We put a stop to that.

♪ Sealed with a kiss ♪

- Why?
- ♪ Yes, it's gonna be ♪

It keeps everyone up here scared of you.

Like, I'd eat a dude just to
make everyone shit bricks

like they do with the Tail.

♪ But I'll fill the emptiness ♪

♪ I'll send you all my dreams ♪

I know this song.

♪ Every day in a letter ♪

So did Nikki Genet.

- ♪ Sealed with a kiss ♪
- You know,

you're a lot cooler smashing the system

than you are being Wilford's dick.

[LAUGHS]

♪ I'll see you in the sunlight ♪

♪ I'll hear your voice everywhere ♪

Well, maybe we can do both.

♪ I'll run to tenderly hold you ♪

Erik ever tell you what he did with this?

♪ But, baby... ♪

[CHUCKLING] Never.

Erik practically raised LJ.

It's going to come out, Lilah.

- Zip it, Robert.
- We can't.

[SIGHS]

Erik and LJ are close.

♪♪

"Close".

♪♪

I can't say no to her.

It's these times.

Morality's a moving target.

[ENERGETIC MUSIC PLAYING]

♪♪

[KNOCKS ON WALL]

You open yet, Anton?

Come in, Jinju. You made it.

I've got Bess's gift right here.

♪♪

♪♪

[MAN WHISTLES]

♪♪

[GRUNTS]

Shh.

[BREATHING HEAVILY]

♪♪

- Please...
- Shut up. Shut up.

A gun.

An actual gun.

Keep quiet.

Or this artifact will blow your head off.

Okay.

Okay, we're... we don't want any trouble.

Shh, shh, shh.

♪ I'll see you in the sunlight ♪

LAYTON: You know they
hauled me up out of the Tail

to solve this against my will? [SCOFFS]

♪ I'll hear your voice everywhere ♪

I got no skin in this game.

Erik might've been the murderer,
but removing body parts...

that's how he screwed up.

What do you mean he screwed up?

Well, castration's a crime of passion.

A punishment that women lay down on men.

That wasn't his idea, was it?

He's probably just controlling the victim

for somebody else, right?

♪♪

So, are we playing your song?

♪♪

♪ Yes, it's gonna be
a cold, lonely summer ♪

♪ But I'll fill the emptiness ♪

Shit, if I was a blue-eyed Firstie girl,

I'd be playing for time, too.

♪ I'll send you all my love
every day in a letter ♪

Erik's going down
in a blaze of glory, right?

♪ Sealed with a kiss ♪

He's not going to The Drawers.

So, no one tells.

♪ Sealed with a kiss ♪

And you finally got to feel something.

♪ Sealed with a kiss ♪

When he held those men down for you.

♪ Sealed with a kiss ♪

♪ Sealed with a kiss ♪

[DRAMATIC MUSIC PLAYS]

♪♪

Chop, chop.

Say you were even 2% right.

♪♪

Tailies need stuff.

Always scrounging.

♪♪

Bet you'd like blueprints.

How about guns?

Only First Class security gets those.

Wow.

You really are serious.

But I bet a blue-eyed Firstie girl

might be able to get her
hands on one of those.

♪♪

And all I got to do is tell nobody?

♪♪

♪♪

He's somewhere in here.
We got jackboots on the door.

Alright, folks, we're extending
lockdown right now.

She said this was coming.

Who?

Your girl?

♪♪

- [GASPS]
- [GRUNTS]

Alright, folks, listen up.

Just do what I say...

Get down. Now.

Chip in. Chip in.

♪♪

[SCREAMING]

Move!

♪♪

[GRUNTS]

Ah, ah, ah, ah!

Down. Down, go!

♪♪

There's the suspect!

♪♪

[GUNSHOT]

He's down below, one hostage.

Push down towards us.

ERIK: Go. Go.

Just tell me your name.

Does that matter?

♪♪

Please.

♪♪

They're coming.

MAN: Alright, flank.

♪♪

Turn around.

- Turn around!
- Ohh.

Kneel down.

Forward!

♪♪

No, no! We have... We have to hold!

Hey, pull back. He'll shoot her.

Batons down!

Weapons on the deck, now!

♪♪

[ELECTRICITY HUMMING]

♪♪

[WHIMPERS]

♪♪

MAN: Advance!

♪♪

[SCREAMS]

[SCREAMING]

♪♪

Get me Melanie Cavill. It's urgent.

♪♪

♪♪

[TELEPHONE BEEPS]

[TELEPHONE CLUNKS]

♪♪

He's dead.

♪♪

[VOICE BREAKING] Erik's dead?

[CRYING]

LILAH: I got you, baby. I got you.

♪♪

Oh, sweetie.

♪♪

I got you. It's okay.

- Honey.
- Shh.

[CRYING]

Oh, honey.

Shh. I got you.

Oh, honey.

Ohh.

It's okay.

Shh.

[SOBBING CONTINUES]

♪♪

♪♪

ROBERT: What's happening?

♪♪

Erik was a dog who did what he was told.

And Lilah Junior told him to torture

and kill two Third Class men.

♪♪

LILAH: What?

Your daughter's a murderer.

- How dare you!
- What?!

[PANTING]

No, no, LJ, no.

[SCREAMING]

LJ, stop it!

No!

[J-HOOK CLANGS]

No!

[POT SMASHES]

No! No! No! No! No!

Leave my baby alone!

You get off of her right now!

[LJ SOBBING]

♪♪

[FEEDBACK WHINES]

Attention all passengers.

On behalf of Mr. Wilford,

I share this news...

the murderer who hid among us is dead,

and a second suspect is in custody.

[HUMMING]

Thanks to a successful investigation,

order has been restored,

and Mr. Wilford assures
you justice will prevail.

From all of us at
Wilford Industries, thank you.

[MICROPHONE CLICKS]

[CHIME RINGS]

♪♪

Now Mr. Wilford has to deliver justice.

♪♪

You in charge of that promise, too?

♪♪

How about I buy you a drink, Detective?

♪♪

Beautiful, isn't it?

[CHUCKLING] Yeah.

A monument to human dominion
and resource control.

[CHUCKLES LIGHTLY]

Come on.

Let's put the politics down
and celebrate a win.

♪♪

[GLASSES CLINK]

♪♪

- Oh, shit. Sake.
- Mm-hmm.

What do you think Mr. Wilford's
big secret even was?

I just want to go back
to the Tail, Melanie.

You know I can't let you do that.

You've seen too much.

♪♪

You figured it out, Layton.

♪♪

I know you did.

♪♪

A myth's a powerful thing.

♪♪

Pray you never know the weight of it.

♪♪

[BREATHING HEAVILY]

♪♪

I'm sorry, Layton.

♪♪

♪♪

[SIGHS]

[INDISTINCT CONVERSATIONS]

- Thank you.
- Keep warm, brother.

♪♪

Hang on. Hang on, mate.

Okay, nothing there.

There you go, mate.

♪♪

Yoshimi.

You're looking stunning as always.

Oh, what the...

♪♪

♪♪

Yes.

♪♪

Take over.

- What's he doing?
- Hey, Josie!

- Where do you think you're going?
- Coming through, guys.

Mind your head. Excuse me!

What is it?

Looks like Astrid came through.

[BOTH CHUCKLE]

- Yes.
- Yeah.

♪♪

♪♪

♪♪

Keep him off-book.

And, Doctor,

Mr. Wilford does not want him damaged.

♪♪

♪♪

♪♪

♪♪