All language subtitles for The.Thing.Called.Love.1993.720p.WEBRip.x264.AAC-[YTS.MX]

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* I'M STANDIN' ON A ROCK *

* STANDIN' ON A ROCK *

* AND I AIN'T
GOIN' NOWHERE *

* STANDIN' ON A ROCK *

* I'M STANDIN' ON A ROCK *

* STANDIN' ON A ROCK *

* AND I AIN'T GONNA MOVE *

* STANDIN' ON A ROCK *

* GOT ME SOMETHING
TO LIVE FOR *

* STANDIN' ON A ROCK *

* GOT NOTHIN' TO PROVE *

* STANDIN' ON A ROCK *

* I'M STANDIN' ON A ROCK *

* STANDIN' ON A ROCK *

* AND I AIN'T
GONNA MOVE *

* STANDIN' ON A ROCK *

* YOU'RE A REAL FINE WOMAN *

* AND YOUR HEART
IS STRONG *

* YOU CAN SEE
RIGHT THROUGH ME *

* AND YOUR LEGS ARE LONG *

* YOU DON'T GIVE ME
NO TROUBLE *

* AND YOU DON'T TAKE MINE *

* YOU'RE THE REASON
I'M LIVIN' *

* 'CAUSE YOU'RE THE REASON
I'M TRYIN' *

* I'M STANDIN' ON A ROCK *

* STANDIN' ON A ROCK *

* I AIN'T GOIN' NOWHERE *

* STANDIN' ON A ROCK *

* I'M STANDIN' ON A ROCK *

* AND I AIN'T
GONNA MOVE *

* STANDIN' ON A ROCK *

* GOT ME SOMETHING
TO LIVE FOR *

* STANDIN' ON A ROCK *

* GOT NOTHIN' TO PROVE *

* STANDIN' ON A ROCK *

* I'M STANDIN' ON A ROCK *

* STANDIN' ON A ROCK *

* I AIN'T GONNA MOVE *

* STANDIN' ON A ROCK *

* YOU DON'T SAY NOTHIN' BAD
ABOUT NOBODY *

* YOU DON'T LIKE
TALKIN' OUT OF SCHOOL *

* YOU MIGHT NOT TAKE ME
FOR A WISE MAN *

* BUT YOU SURE DON'T
TAKE ME FOR A FOOL *

* I'M STANDIN' ON A ROCK *

* STANDIN' ON A ROCK *

* AND I AIN'T GOIN'
NOWHERE *

* STANDIN' ON A ROCK *

* I'M STANDIN' ON A ROCK *

* STANDIN' ON A ROCK *

* AND I AIN'T
GONNA MOVE *

* STANDIN' ON A ROCK *

* GOT ME SOMETHIN'
TO LIVE FOR *

* STANDIN' ON A ROCK *

* GOT NOTHIN' TO PROVE *

* STANDIN' ON A ROCK *

* I'M STANDIN' ON A ROCK *

* STANDIN' ON A ROCK *

* AND I AIN'T
GONNA MOVE *

* STANDIN' ON A ROCK *

* I COULD BE HAPPY
FLYIN' AIRPLANES *

* I COULD BE HAPPY
SELLIN' SHOES *

* I COULD BE HAPPY JUST
DRINKIN' WATER, BABY... *

GOOD AFTERNOON,
LADIES AND GENTLEMEN.

WELCOME TO NASHVILLE.

IN JUST A FEW MINUTES,

WE'LL BEGIN BOARDING
OUR 4:45 DEPARTURE
FOR NEW YORK CITY.

HOWDY. HOW YOU DOING?

APPLICATIONS AND PENCILS
ARE ON THE BAR.

DON'T STEAL THE PENCILS.

HURRY IT UP.
DOORS CLOSE AT 4:05.

ANYONE NOT INSIDE
AT 4:05

DOESN'T AUDITION.

WHEN I CALL YOUR NAME,

I WANT YOU
TO COME UP ON STAGE.

IF IT'S YOUR FIRST TIME,

I THINK YOU SHOULD KNOW
THAT IF YOU DON'T PASS,

IT JUST MEANS
I DON'T THINK YOU'RE READY.

GO HOME AND KEEP ON WRITING

AND COME ON BACK AGAIN.

YOU'RE GOING TO TRY OUT
FOR WRITER'S NIGHT?

YEAH.

I'M A WRITER MYSELF.

I HAD A TOP 20 HIT
LAST YEAR.

YOUNG WRITERS
ALWAYS HATE IT
WHEN I TELL THEM THAT.

I TELL THEM,
LIVE FOR THE MOMENT.

DON'T GET A PICTURE
OF WHEN YOU HIT

'CAUSE YOU AIN'T NEVER GOING TO
BE IN THAT PICTURE.

ONE, TWO,
UN, DEUX, TROIS.

THIS IS IT.

* SAYIN' GOODBYE *

DOESN'T MATTER
WHAT IT LOOKS LIKE
ON THE OUTSIDE.

IT'S WHAT'S GOING ON
INSIDE THAT COUNTS.

THANKS.

WHAT TIME IS IT?

4:15.

WE'RE GOING TO HAVE TO DO
SOMETHING ABOUT THIS.

YOU'RE HERE WITH ME.

I CHANGED
A FLAT TIRE FOR YOU,

WHICH IS WHY I'M LATE.

* FIND MY SHOE, CHERIE *

JAMES, YOU KNOW
THE RULES--4:05.

I JUST STOPPED TO FIX
THIS GIRL'S FLAT TIRE.

THAT WAS REALLY
NICE OF YOU.

YOU ARE A REGULAR
GOOD SAMARITAN.

NEXT TIME,
LET THE CAB DRIVER
CHANGE HIS OWN TIRE,

AND YOU GET HERE
ON TIME.

YOU SHOULD CONSIDER
BREAKING ONE OF THOSE
RULES SOMETIMES.

IT MIGHT BE LIBERATING,
IF NOTHING ELSE.

HEY, I DON'T KNOW HIM.

THAT TIRE THING
WAS HIS IDEA.

I JUST CAME HERE
FROM THE BUS STATION,

ALL THE WAY
FROM NEW YORK.

LOOK, I KNOW I'M LATE,

BUT I REALLY DID SUFFER
TO GET HERE.

WHAT WAS YOUR NAME,
HONEY?

MIRANDA PRESLEY...
NO RELATION.

WELL, MIRANDA PRESLEY,
NO RELATION,

THERE IS NOTHING
YOU CAN TELL ANYBODY
IN THIS ROOM

ABOUT SUFFERING.

THERE'S ANOTHER AUDITION
NEXT WEEK.

HEY!

I DON'T
APPRECIATE YOU

INCLUDING ME IN
YOUR LIE BACK THERE,

ESPECIALLY
WITHOUT ASKING ME.

WELL, THAT'S
A FINE POINT TO MAKE.

THANK YOU.

O.K.

THERE MIGHT BE
A SONG IN THAT.

HUH?

I WAS GOING TO
ASK YOU OUT FOR A BEER,

BUT I'VE SINCE
CHANGED MY MIND.

WHAT IS THAT,
SOME KIND OF LINE?

YES.

DOES IT WORK?

SOMETIMES. RARELY.

I'LL BET.

I MIGHT CHANGE
MY MIND AGAIN.

MAYBE YOU SHOULD
CHANGE YOUR LINE.

THAT'LL BE $20.

I'LL PAY FOR
THE WHOLE WEEK.

OH, THAT WON'T WORK.

WELL,
THE STRIP IS SHOT.

THE CARD'S GOOD.

YOU CAN CALL IT IN
IF YOU WANT.

NO NEED FOR THAT.

YOU SAID IT WAS GOOD.

NEVER DID COTTON
TO THE IDEA

OF TRUSTING A MACHINE
OVER A PERSON.

YOU'VE GOT AN HONEST FACE,
MIRANDA.

HAVE I GOT A ROOM
FOR YOU.

* IT'S FUN TO STAY
AT THE YMCA *

* IT'S FUN TO STAY
AT THE YMCA *

* THEY HAVE EVERYTHING *

* FOR A YOUNG MAN
TO ENJOY *

* OH *

* YOU DON'T MISS THE LOVE
THE WAY I DO *

COME ON IN, SWEETIE.

YOU CAN SIT
WHEREVER YOU WANT.

I'LL BE RIGHT
WITH YOU. THANKS.

* A LADY SITTIN'
ON HER OLD FRONT PORCH *

* WATCHIN' THE CHICKENS
PECK THE GROUND *

* THERE AIN'T A WHOLE LOT
GOIN' ON TONIGHT *

* IN THIS ONE-HORSE TOWN *

* OVER YONDER *

* COMIN' UP THE ROAD *

* IN A BEAT-UP CHEVY TRUCK *

* HER BOYFRIEND TOMMY *

* IS LAYIN' ON THE HORN *

* SPLASHIN' THROUGH
THE MUD AND THE MUCK *

* HER DADDY SAYS *

* HE AIN'T WORTH A LICK *

* WHEN IT COMES TO BRAINS *

* HE GOT THE SHORT END
OF THE STICK *

* BUT KATIE'S YOUNG *

* AND THEN
SHE JUST DON'T CARE *

* SHE'D FOLLOW TOMMY
ANYWHERE *

* SHE'S IN LOVE
WITH THE BOY *

* SHE'S IN LOVE
WITH THE BOY *

* SHE'S IN LOVE
WITH THE BOY *

* AND EVEN IF THEY
HAVE TO RUN AWAY *

* SHE'S GONNA MARRY
THAT BOY SOMEDAY *

* KATIE AND TOMMY
AT THE DRIVE-IN MOVIE *

* PARKED IN
THE VERY LAST ROW *

* THEY'RE TOO BUSY
HOLDIN' ON TO ONE ANOTHER *

* TO EVEN CARE
ABOUT THE SHOW *

* LATER ON OUTSIDE
THE TASTEE FREEZE... *

APPLICATIONS, PENCILS
ARE ON THE BAR.

DON'T STEAL THE PENCILS.

I SURE HOPE SO.

* HER DADDY SAYS *

* THAT HE AIN'T WORTH
A LICK *

* WHEN IT COMES TO BRAINS *

* HE GOT THE SHORT END
OF THE STICK *

HEY, MY NAME
IS LINDA LUE LINDEN,

AND, UM, I'M FROM
BRIAR HILL, ALABAMA,

AND I JUST FINISHED
THIS SONG,

AND IT'S CALLED
HEAVEN KNOCKED ON MY DOOR.

* I HAD A DREAM LAST NIGHT *

* AND THERE YOU WERE *

* STANDIN' BY MY BEDSIDE *

* DEVIL
IN ANGEL'S CLOTHIN' *

* TALKIN' ABOUT
YOUR CRAZY RIDE *

* I DIDN'T KNOW
WHAT TO SAY AT FIRST *

* I COULDN'T GET
BY THOSE WINGS *

* NOW HERE I AM
IN THE MIDDLE OF THE NIGHT *

* TALKIN' TO
AN ANGEL THAT SINGS *

UH, MIRANDA PRESLEY.

YEAH.

HI, MY NAME'S
MIRANDA PRESLEY.

I'M FROM NEW YORK CITY,

AND THIS SONG IS CALLED
BIG BAR HAIR.

* YOU CAN SEE IT
IN THE SHOPPIN' MALLS *

* 5-FOOT GIRLS
6 FEET TALL *

* 4-INCH HEELS,
FAKE FINGERNAILS *

* SHE'S CHECKIN' OUT
ALL THE SALES *

* YOU CAN SEE
FROM A DISTANCE *

* SHE'S A GOOD OL' GIRL *

* SHE'S GETTIN' READY *

* TO TAKE ON THE WORLD *

* GONNA TORTURE MY HAIR *

* GONNA BURN IT BLOND *

* GONNA TEASE IT
BEYOND REPAIR *

* GONNA CAMOUFLAGE
THE BRAINS IN THERE *

* GETTIN' MY OWN *

* BIG BAR HAIR *

* YEAH, I'M GETTIN'
MY OWN *

* BIG BAR HAIR *

ALL RIGHT.
KYLE DAVIDSON.

HELLO, I'M KYLE DAVIDSON.

I'M FROM CONNECTICUT,

AND THIS, UM...

I'M A LITTLE NERVOUS,
BUT IT REALLY DOESN'T SHOW.

THIS IS CALLED
I CAN'T UNDERSTAND.

* IF YOU COULD
READ MY MIND *

* YOU'D KNOW
HOW HARD I TRY *

* BUT LOSIN'
WAS NOT MY PLAN *

* AND I CAN'T UNDERSTAND *

* WITH ALL THOSE
TEARS I CRIED *

* I SHOULD'VE REALIZED *

* THAT I'D NEVER
HOLD YOU AGAIN *

* AND I CAN'T UNDERSTAND *

* I CAN'T UNDERSTAND *

* WHY YOU LEFT
MY LOVE BEHIND *

* I CAN'T UNDERSTAND *

* BUT I'LL LOVE YOU
TILL THE END OF TIME *

* I SEARCH MY MEMORY *

ALL RIGHT, UH,
JAMES WRIGHT.

OH, I'M SO NERVOUS,

I CAN HARDLY STAND.

YOU OUGHT TO BE.

I ALREADY SOLD THIS SONG,

AND I WROTE IT
FOR A WOMAN TO SING,

BUT WHAT THE HELL?

* YOU GOT A THING OR TWO
TO LEARN ABOUT ME, BABY *

* 'CAUSE I AIN'T
TAKIN' IT NO MORE *

* AND I DON'T MEAN MAYBE *

* YOU DON'T KNOW
RIGHT FROM WRONG *

* THE LOVE WE HAD IS GONE *

* SO BLAME IT ON
YOUR LYIN', CHEATIN' *

* COLD, DEAD-BEATIN' *

* TWO-TIMIN',
DOUBLE-DEALIN' *

* MEAN, MISTREATIN',
LOVIN' HEART *

* WELL, ALL I WANTED WAS
TO BE YOUR ONE AND ONLY *

* BUT ALL I EVER
GOT FROM YOU *

* WAS BEIN' LONELY *

* NOW THAT
IS LAID TO REST *

* 'CAUSE YOU HAVE
FAILED THE TEST *

* HEY, BLAME IT ON
YOUR LYIN', CHEATIN' *

* COLD, DEAD-BEATIN'
HEART *

O.K., IF I CALL
YOUR NAME,

IT MEANS YOU'RE PLAYING
HERE SATURDAY NIGHT.

BE HERE BEFORE 7:00.

NANCY BUTTERWORTH...

NICK BARRETT...

TOM MORTENSON...

JANET HOGAN...

JAMES WRIGHT...

AND ROSS MILLER.

THANK YOU ALL FOR COMING.

MISS MIRANDA.

COME OVER HERE
A SECOND.

WE'RE JUST
CONGREGATING.

CONGRATULATIONS.

THANK YOU.
I APPRECIATE IT.

HEY, KYLE DAVIDSON.

LINDA LUE, IS THAT
YOUR FACE I SEE?

WELL, IT AIN'T
NOBODY'S BUTT.

YOUR SONG
WAS PRETTY TONIGHT.

PRETTY BAD?

SO WHAT
DID YOU WANT?

WHAT?

I'M JUST LOOKING AT YOU
UP CLOSE.

THERE WAS SOMETHING
THAT I--

BUT YOU CHANGED
YOUR MIND?

EXACTLY.

I LIKED YOUR SONG.

THANKS.

I'M KYLE.

I LIKED YOUR SONG.

HI. MIRANDA.

I LIKED YOURS, TOO.

REALLY?

YEAH.

* SO WHEN WE MEET
AS FRIENDS *

* MY HEART
WILL BREAK AGAIN *

* IF THAT'S HOW
THE STORY ENDS *

* THEN I CAN'T
UNDERSTAND *

WOW.
WOW.

WAS THAT EXACTLY
KYLE'S SONG?

BECAUSE I HARDLY
EVEN RECOGNIZED IT.

THAT WAS IT EXACTLY.

YOU GOT A GREAT EAR.

YOU GOT THAT FROM
HEARING ME SING IT?

WELL, I DON'T KNOW
IF THE TERM "SING"
REALLY APPLIES--

OH...OH...OH...

HA HA HA!

THEY BUILD YOU UP AND THEN,

THEY JUST TEAR
YOU DOWN.

LIKE THEY ALL GOT THE SAME
INSTRUCION MANUAL.

NICE TO MEET YOU.
YOU TOO.

YOUR SONG WAS GREAT.

DO YOU LADIES HAVE ANY
DESIRE TO ACCOMPANY US

ON AN EXCURSION
INTO HISTORY?

AND WHERE MIGHT
YOU BE GOING?

A LITTLE MIDNIGHT RIDE
MAYBE.

THIS, UH,
CONNECTICUT YANKEE KYLE

WANTS TO WRITE
A COWBOY SONG.

THAT'S RIGHT, MA'AM.

YOU WANT TO GO?

UH, YEAH.

ALL RIGHT,
THEN LET'S GO,
LITTLE DOOGIES.

DOGIES.

DOOGIES.

DOGIES. COME ON.

LOOK AT THIS GUY.

HE'S SMILING FOR US.

THAT'S NO SMILE.
THAT'S CONTEMPT.

I HAD A THIRD COUSIN

WHO USED TO BE
A RODEO CLOWN.

FUNNY THING IS,
HE BROKE HIS NECK,
AND HE DIED.

WELL, DON'T WORRY
ABOUT ME.

I TOOK RIDING
AT SUMMER CAMP.

YEAH, THE DUDE RANCH
IN, WHAT, NEW ENGLAND?

HEY, HO!

WHOA!

KYLE DAVIDSON,
YOU ARE A SIGHT
TO BEHOLD, BABY!

WHOA!

* THE OLD GRAY MARE, SHE
AIN'T WHAT SHE USED TO BE *

LOOK AT ME--
IN THE EYES.

HOW MANY FINGERS
AM I HOLDING UP?

FOUR OR FIVE.

HOW MANY BEATLES
WERE THERE?

THREE--AND RINGO.

ARE YOU O.K.?

HE'S JUST
FUCKIN' WITH ME.

JUST A MINOR
CONCUSSION,
THAT'S ALL.

LINDA, CAN
YOU PLEASE GET
THE TRUCK?

MAKE SURE
HE DOESN'T
FALL ASLEEP.

GOT TO KEEP HIM
AWAKE AND CONSCIOUS.

I'M JUST FINE.

WE HAVE SOME WORK
ON THIS FENCE TO DO
FOR MR. WILSON.

ARE YOU
ALL RIGHT, HONEY?

THERE'S THIS TRADITION
WHEN YOU FIRST
GET TO NASHVILLE

WHERE YOU HAVE TO GO
TO THE TALLEST MOUNTAIN

OR THE TOP OF A BUILDING

AND YELL,
"LOOK OUT, MUSIC CITY,

'CAUSE I'M HERE
AND I AIN'T NEVER LEAVIN'!"

THAT'S REAL NICE.

I WASN'T SURE THAT SONG
WAS ANY GOOD

UNTIL I HEARD YOU
SING IT TONIGHT.

OH, KYLE, IT'S
A BEAUTIFUL SONG.

WILL YOU DO
THE DEMO FOR ME,

BECAUSE I DON'T HAVE
ANYBODY ELSE?

I GOT THE CAR.

I'M SORRY.

PUT YOUR ARM
AROUND THERE.

DR. ARLEN, REPORT
TO ROOM 5703.

NOW, HONEY, I TOLD
YOU BEFORE HE'S
PERFECTLY FINE,

BUT WE CAN'T
RELEASE HIM.

COULD WE AT LEAST
TALK TO HIM?

RELAX, AND I'LL
LET YOU KNOW.

SO WHERE YOU
BEEN STAYING?

UH, YOU KNOW
THAT MOTEL NEAR
THE BLUEBIRD?

THE DRAKE?

UNREAL. THAT'S WHERE
I'M STAYING.

WHAT ROOM DID YOU GET?

UH, ROOM 108.

OH, MY GOD.
THE DREADFUL DISCO ROOM.

HA HA!

YEAH.
I KIND OF LIKE IT.

YOU SHOULD SEE MINE.
IT IS SO GREAT.

IT'S ALL DONE UP
AND EVERYTHING.

IT LOOKS SUPER.

COME OVER
AND SEE IT SOMETIME.

MAYBE. YEAH.

YOU KNOW WHAT?

I'M GETTING AN IDEA

THAT SINCE WE'RE BOTH
AT THE SAME MOTEL,

WHY DON'T WE
SHARE MY ROOM,

AND THEN WE CAN
SAVE SOME MONEY?

YOU JUST MET ME.

YOU DON'T
EVEN KNOW ME.

I'M AN EXCELLENT
JUDGE OF CHARACTER.

I HAVE A TOUCH
OF THE POWER, YOU KNOW.

DADDY, LOOK AT ME.
ARE YOU O.K.?

ARE YOU THE DOCTOR?

YOU CAN'T COME IN.

DADDY, I'LL WAIT, O.K.?

* THE MORE I HURT *

* THE LESS I FEEL *

* THE MORE I KNOW *

* THE LESS I REST
IN THIS *

* LONE STAR *

* STATE OF MINE *

DID YOU WRITE THAT
YOURSELF?

YEAH, JUST NOW...

FOR YOU.

TO BE HONEST, UM,

I'M NOT PARTICULARLY
FOND OF HOSPITALS MYSELF.

THE TRUTH IS...

MY DAD WENT INTO
AN EMERGENCY ROOM,

AND I NEVER
SAW HIM AGAIN.

THAT'S HIM.

HE LOOKS JUST
LIKE ELVIS.

HE'S THE OTHER ONE
WHO DOESN'T LOOK
LIKE ELVIS.

OH.

HE GAVE THIS TO ME
WHEN I WAS 10.

"MY DECITENNIAL
ACCOLADE," HE CALLED IT.

HE HAD A NAME
FOR EVERYTHING.

HE RAISED ME
SINCE I WAS 5...

JUST ME AND HIM.

SO WHERE WAS YOUR MOM
THROUGH ALL THIS?

UH, SHE SPLIT...

PRETTY EARLY ON.

PRESLEY'S
MY MIDDLE NAME.

HE HAD THIS THING--
MY DAD--ABOUT ELVIS.

NOTHING WEIRD.

HE ALWAYS WANTED TO
TAKE ME TO GRACELAND...

BUT WE NEVER MADE IT.

COME ON. THERE'S
SOMETHING I WANT TO DO.

WHERE WE GOING, BABY?

NOW, DON'T DO IT

'CAUSE KYLE,
THAT PSEUDO HICK,
TOLD YOU TO.

IT'S A GRAND OLD
NASHVILLE TRADITION.

I BET HE TELLS THAT
TO ALL THE GIRLS

WHO GET OFF
THE GREYHOUND BUS.

TRADITIONS HAVE
TO START SOMEWHERE.

LOOK OUT, MUSIC CITY,

'CAUSE I'M HERE NOW

AND I AIN'T NEVER LEAVING!

THIS IS TERRIBLE.
I CANNOT WATCH THIS.

LOOK OUT, MUSIC CITY,

'CAUSE I'M HERE NOW
AND I AIN'T NEVER LEAVING!

IT'S JUST SO DESPERATE.

OH, WELL, IS THIS
ALL BENEATH YOU,
MR. COOL GUY?

IT'S NOT THAT
I CAN'T DO IT.

IN FACT, I CAN DO IT
BETTER THAN MOST.

OH. WELL THEN.

LOOK OUT, MUSIC CITY

'CAUSE HERE I AM AND
I AIN'T NEVER LEAVING!

LOOK OUT, MUSIC CITY,

'CAUSE I'M HERE NOW
AND I AIN'T NEVER LEAVING!

LOOK OUT, MUSIC CITY,

'CAUSE I'M HERE NOW AND
I AIN'T NEVER LEAVING!

NICE VIEW, ISN'T IT?

I LIKE IT UP HERE.

YEAH. YEAH.

HEY, THAT'S NOT NICE.

HE'S USUALLY
NOT LIKE THAT.

MAYBE HE'S
A LITTLE JEALOUS.

COME ON IN.

WELL, EXCUSE ME.

THIS IS IT.

THIS IS MY CASA.

IF YOU NEED ANYTHING,
YOU JUST HELP YOURSELF.

UM, TAKE EITHER BED.

I'VE BEEN USING
THIS ONE, BUT, UM,

THAT ONE'S GOOD.

HEY, BUSTER.

OH, HIS NAME
AIN'T BUSTER.

WHAT'S HIS NAME?

IT'S MR. DOG.

HOW DO YOU KNOW
HIS FIRST NAME
ISN'T BUSTER?

BECAUSE
HE WOULD'VE TOLD ME

BECAUSE WE DISCUSS
PRACTICALLY EVERYTHING.

I'LL BET
THAT'S FOR ME.

HELLO?

HEY, MA.

NO, I JUST GOT IN
THIS SECOND.

YEAH. NO,
EVERYTHING'S FINE.

EVERYTHING'S GREAT.

YEAH, AS A MATTER
OF FACT,

I PASSED
MY AUDITION.

YEAH, WELL...

WAITING FOR YOU
TO TAKE A BREATH, MA,

SO I CAN GET
A WORD IN EDGEWISE.

YEAH, THEY SAID, "JUST
LIKE LORETTA LYNN."

WHERE ARE YOU GOING?

UH, I'M JUST GOING
TO THE COFFEE SHOP.

DON'T WAIT UP.

I SENT YOU
TWO MONEY ORDERS.

ARE YOU LISTENING TO ME?

I'M LISTENING, MAMA.

OH, THANKS.

THIS STUFF'S
KEEPIN' YOU AWAKE.

THAT'S THE GENERAL IDEA.

WHAT YOU NEED
IS SLEEP, HONEY.

HEY, UM,
I WAS JUST WONDERING

IF I GAVE YOU
THE SPARE ROOM KEY.

YEAH, YOU DID.

YOUR PAJAMAS HAVE FEET?

UM...

UH, I UNPACKED SOME
OF YOUR STUFF FOR YOU.

I PUT YOUR T-SHIRTS
IN THE SECOND DRAWER.

YOUR UNDERTHINGS, I PUT
THOSE IN THE TOP DRAWER,

AND EVERYTHING ELSE
I PUT IN THE CLOSET,

LEFT TO RIGHT,
LIGHT TO DARK.

YOU HAVE A LOT OF BLACK.

O.K., GREAT.

SEE, I CAN'T EVEN
WEAR BLACK.

IT JUST COMPLETELY
WASHES ME OUT.

MMM.

YOU AIN'T MAD AT ME,
ARE YOU?

NO. NO. I JUST, UM,
I CAME HERE TO BE ALONE

SO I COULD GET
SOME WORK DONE.

SO, UM,

IT'S NOTHING PERSONAL.
I JUST...

OH. OH, I'M SORRY.
I'M SORRY.

YOU KNOW,

SOMETIMES PEOPLE AREN'T
EXACTLY THE PERSON

YOU MIGHT THINK THEY ARE

WHEN YOU FIRST
MEET SOMEONE.

* YOU GET PLENTY
OF TOO LITTLE *

* TOO MUCH
OF NOTHIN' AT ALL... *

IF IT AIN'T
LITTLE MISS "GETTIN'
MY OWN BIG BAR HAIR."

I'M WORKIN'
ON THAT LINE.

UH, IS LUCY AROUND?

YOU MUST BE HERE
TO SEE ABOUT
THE WAITRESS JOB.

I'M NOT A WAITRESS.
I'M A WRITER.

I CAN'T TELL THE
DIFFERENCE ANYMORE.

LUCY,
COME ON OUT HERE.

O.K., JUST A MINUTE.
I'M COMIN'.

YOU CAN
CALL ME FLOYD.

HI. MIRANDA.

I KIND OF HELP
RUN THIS PLACE.

WELL, MIRANDA PRESLEY,
NO RELATION.

WHAT CAN I DO FOR YOU?

SHE'S HERE ABOUT
DARCY'S JOB.

DARCY QUIT
WHEN SHE GOT A JOB

WITH RODNEY CROWELL
SINGIN' BACKUP.

SHE MET HIM
RIGHT HERE.

SLIPPED HIM A TAPE,

WHICH IS AGAINST
THE RULES.

WELL, I AM HERE
TO SEE YOU, LUCY.

SURE. FLOYD,
I'M GOING TO NEED

THAT FRYER WORKIN'
BY TONIGHT, NOW.

HAVE I EVER
LET YOU DOWN?

REPEATEDLY.

I WANTED TO ASK YOU
ABOUT MY AUDITION.

YOU WANT TO KNOW
WHAT I THOUGHT

WAS WRONG
WITH YOUR SONG?

OR WHAT YOU
LIKED ABOUT IT.

THAT WOULD BE
O.K., TOO.

WELL, I THOUGHT YOUR
MELODY WAS REAL NICE.

YOU'RE A GOOD
PERFORMER, HON.

YOU LOOKED RIGHT
AT HOME ON STAGE.

BUT...

WELL, YOUR SONG
IS A NOVELTY SONG,

AND MAYBE YOU NEED TO
DIG IN A LITTLE DEEPER.

LET ME SHOW YOU
SOMETHING.

YOU KNOW WHAT'S IN HERE?

THESE ARE ALL
REALLY GREAT SONGS

THAT WERE
SUNG HERE FIRST.

THEY'RE NOT ALL HITS,

BUT THEY'RE
REALLY SPECIAL SONGS.

SOME OF 'EM
TOOK 10 MINUTES,

SOME TOOK 10 YEARS,

BUT EVERY ONE OF THESE
WRITERS FOUND A WAY

TO SAY SOMETHING THAT
MEANT SOMETHING TO 'EM.

YOU KNOW, COUNTRY MUSIC
TRIES ITS BEST

TO BE HONEST WITH ITSELF,

AND WHEN IT'S SAD,

IT SAYS IT'S SAD.

O.K.

THANKS, LUCY.

LISTEN, MIRANDA, I KNOW
YOU'RE NOT INTERESTED

IN THIS WAITRESS JOB.

IF YOU CHANGE YOUR MIND,

THE HOURS ARE
4:00 TO CLOSING,

AND NO PASSING TAPES
TO THE CUSTOMERS.

EXCUSE ME.

DID I THANK YOU FOR BRINGING
GLAMOR AND EXCITEMENT

INTO MY DREARY LIFE?

I NEED A LIFE.

LOOK AT THIS.

THIS GUY WANTS ME TO STRIP
AT HIS OFFICE PARTY.

DON'T DO IT, DARLING.
THEY'RE GOING BANKRUPT.

GOOD REASON.

THIS SONG'S CALLED

LONE STAR STATE OF MINE.

* THE MORE I HURT *

* THE LESS I FEEL *

* THE MORE I KNOW *

* THE LESS I REST IN THIS *

* LONE STAR *

* STATE OF MINE *

* THE MORE I HURT *

* THE LESS I FEEL *

* THE MORE I KNOW *

* THE LESS I REST IN THIS *

* LONE STAR *

* STATE OF MINE *

* SAY IT STRAIGHT, DON'T *

* BEND MY EAR *

* WHEN I'M WALKIN' LOST *

* IN OUR EVENING AIR, YOU *

* TWO-STEP INTO MY *

* IDLE HOME *

* TEARIN' MY SONG
ALL UP WITH *

* MINOR CHORDS NOW *

* THE MORE I SULK *

* THE LESS I WORK *

* THAT CAN'T BE GOOD
FOR SOME *

* BOY OUT OF LUCK *

* OUT OF TOUCH,
OUT OF LUST *

* OUT OF SOUL *

* AND OUT OF SONG *

* THE MORE I HURT *

* THE LESS I FEEL *

HEY.

YOU PLAY
A MEAN CELLO.

THANKS.

IT'S JUST A BIG
MANDOLIN, REALLY.

HEY, HOW--HOW DO YOU
LIKE NASHVILLE SO FAR?

I'M WRITING A SONG

ABOUT A WAITRESS
WHO KILLS HERSELF.

YEAH, IT'S--IT'S--
IT'S TOUGH.

WHEN I FIRST CAME HERE,
I WENT TO THE ROOF

AND TOLD THE WHOLE TOWN
I'M NOT LEAVING.

YOU REALLY DID THAT?
I DID, TOO.

I KNOW. I HEARD YOU.

THE WHOLE HOSPITAL
HEARD YOU.

IN FACT, THAT'S
MY FAVORITE THING
ABOUT YOU SO FAR.

YEAH?

WELL, UM,

I'M GONNA...

JAMES, TRUST IS LIKE
AN ICE CUBE--

ONCE IT MELTS,
IT'S GONE.

SO IN THAT REGARD,
I'VE HEARD SOME THINGS.

YOU'RE SPEAKING
OF R.C. ROBERTS.

WE HAD OUR TROUBLES--

I HEARD YOU
KNOCKED HIM OUT.

YES, I KNOCKED HIM--
NO, I DIDN'T.

I HIT HIM,
BUT YOU KNOW--

DID YOU SIGN A CONTRACT
WITH R.C. ROBERTS?

NO.

I WOULD HAVE
PASSED ON ELVIS

IF HE HIT SOMEBODY.
KNOW WHY?

'CAUSE I CAN.

YEAH, WELL,
THAT'S GOOD.

NOW, IT'S NOT THAT
I'M DISINTERESTED.

UNDERSTOOD.

UM, YOU'RE JAMES, RIGHT?

YES, MA'AM.

THIS A&R GUY
HAD TO LEAVE,

BUT HE WANTS YOU
TO CALL HIM TOMORROW.

WELL, THANK YOU, DEAR.

YOU'VE HEARD MY MUSIC.

YOU KNOW WHAT IT'S ABOUT.

IF YOU HAVE
ANY INTEREST, CALL.

WHY WOULD I NOT
BE INTERESTED?

WELL, NOW, I, UH,
AM INTERESTED, YES.

VERY INTERESTED.

CALL YOU FIRST THING
TOMORROW.

FIRST THING. GOT IT?

DOUG SISKIN.
FIRST THING.

THANK YOU.
THANK YOU SO MUCH.

WELL, FORGET ABOUT IT.

I'M NOT GOING
TO FORGET IT.

IN FACT, I OWE YOU.

IF YOU REALLY MEAN THAT,

I KNOW WHAT I WANT.

WHAT'S THAT?

HOW ABOUT WE WRITE
A SONG TOGETHER?

O.K. WELL, LET'S GO
TO THE MOVIES, THEN.

THE MOVIES?

I DON'T WANT TO GO
TO THE MOVIES.

* COME ON, BABY *

I WANT TO WRITE A SONG.

SO WHAT'S THIS
MOVIE ABOUT?

THE OLDEST STORY
IN THE BOOK--

TWO GUYS AND A GIRL.

JOHN WAYNE AND
JAMES STEWART
AND VERA MILES.

WHAT HAPPENS?

WELL, LET'S SEE.

* OH, JOHN AND JIMMY *

* THEY BOTH LOVED
MISS VERA *

* NOW YOU KNOW IN TIME *

* SOMETHING'S BOUND
TO GO WRONG *

* THEY LOVE THE SAME GIRL *

* BUT SHE'S UNDECIDED *

* LOOKS LIKE
JOHNNY AND JIMMY *

* WILL FIGHT BEFORE LONG *

* THE WORLD
GOES AROUND *

* AND WE'RE ON IT
REGARDLESS *

* SOMETIMES IT'S WARM *

* SOMETIMES COLD
AND HEARTLESS *

YES.

* WE ALL
HAVE SOMETHIN' *

* THAT WE'RE
IN SEARCH OF *

* A DREAM COMIN' TRUE *

* LIFE FULL OF LOVE *

OH,
THAT'S DAMN GOOD.

NO.

IT'S GOOD.

ALL RIGHT, IT'S GOOD.

THAT DOOR
SOMETIMES STICKS.

HERE, LET ME
HELP YOU WITH THAT.

I SHOULD CALL YOU
SOMETIME.

YEAH, YOU SHOULD.

GOOD NIGHT, MOODY.

SHH.

SHH!

LUE, WAKE UP.

I'M AWAKE.

THERE'S A MAN
OUTSIDE THE ROOM.

OH, IT'S PROBABLY BILLY.

WHO'S BILLY?

WE HAD A DATE.

HE'S NOT REAL BRIGHT,

BUT HE PLAYS
REAL GOOD GUITAR.

YEP, THAT'S BILLY.

DOESN'T BILLY
HAVE A HOME?

YEAH. IT'S JUST WHEN HE
DROPPED ME OFF TONIGHT,

I TOLD HIM I WASN'T
SLEEPING WITH HIM.

BASICALLY, I'VE DECIDED
THAT THE ROAD TO LOVE

IS A ONE-WAY STREET,

AND SEX AIN'T NOTHIN'
BUT A ROADBLOCK.

HE SAYS HE'LL SLEEP
THERE TO BE NEAR ME,

AND I SAY GO AHEAD,
CATCH A COLD.

HE ENDED UP DOING IT.
ISN'T THAT NICE?

HMM.

OH, SPEAKING OF NICE,

LOOK WHAT ELSE
HE GAVE ME.

WHAT'S THAT?

THIS.

MISS NASHVILLE PAGEANT.

MM-HMM. THERE'S PRIZES
AND SCHOLARSHIPS,

AND THE FINALIST
GETS TO GO

TO THE MISS TENNESSEE
PAGEANT IN JACKSON.

WHAT DO YOU THINK?

I THINK I DON'T WANT
TO BE MISS NASHVILLE.

OF COURSE YOU DON'T WANT
TO BE MISS NASHVILLE.

YOU ALREADY KNOW WHAT YOU
WANT TO DO WITH YOUR LIFE.

YOU'RE LUCKY.

WHAT'D YOU END UP
DOING TONIGHT?

I, UH, WENT OUT
WITH JAMES.

REALLY?

HOW'D THAT TURN OUT?

IT WAS INTERESTING.

INTERESTING, HUH?

YOU GOING TO END UP
STAYING UP ALL NIGHT

IN THAT STUPID DINER
WRITING SONGS?

MIRANDA?

HMM?

UH...

YEAH.

HEY.

HEY.

WELL, I'M WORKING ON
A SONG ABOUT INSOMNIA.

WHAT'S YOUR EXCUSE?

BREAKFAST?

DESSERT.

I'VE MANAGED TO GET
STUDIO TIME TOMORROW

AT 2:30.

A.M.?

YEAH.

GREAT.

GOOD.
I'LL PICK YOU UP.

ALL RIGHT.

WHY DIDN'T YOU CALL?

WHEN?

NOW. ABOUT SINGIN'
ON THE DEMO.

UH...

I WANTED TO
SEE YOU...AGAIN.

OH.

O.K.

GOOD NIGHT.

GOOD MORNING.

I'M GOING TO GO WRITE

SOME MORE OF THOSE
GOOD SONGS.

YEAH, WRITE A GOOD ONE
FOR ME.

I WRITE THEM ABOUT YOU.

YOU'RE GOING TO NEED
MORE MARSHMALLOWS.

LUE?

LINDA LUE.

OH, MR. BUSTER DOG,

THE ONLY UNFRIENDLY CREATURE
IN ALL OF NASHVILLE.

MISS LINDA LUE LINDEN,

IF YOU HAD TO CHANGE
ONE THING ABOUT THE U.S.,

WHAT WOULD THAT BE?

WELL, BOB,
I JUST THINK AMERICA'S

THE MOST WONDERFUL PLACE
IN THE WORLD.

YOU LOOK GREAT!

I FIGURE IF I WIN
MISS NASHVILLE,

I CAN FINALLY EXPRESS
MY NATURAL TALENT.

YEAH, SURE.

YOUR BOYFRIEND LOOKS
A LITTLE OVERCOOKED.

HE'S GETTING SCORCHED.

HONEY. OUCH.

SHOULD WE
TURN HIM OVER?

YEAH.

YOU KNOW, MIRANDA,
YOU MAY NOT KNOW THIS

SINCE YOU'RE ASLEEP DURING
MOST OF MY WAKING HOURS,

BUT I'VE BEEN HAVING
SOME SERIOUS DOUBTS

ABOUT MY CAREER
AS A SONGWRITER.

I MEAN--

HOLD IT. LIFT.

I'LL NEVER BE
AS GOOD AS YOU,

AND YOU'RE NOT EVEN
GETTIN' ANYWHERE.

THANKS.

NO, I DIDN'T--
YOU KNOW.

I KNOW.

YOU REALLY DO
LOOK BEAUTIFUL.

REALLY?

YOU SURE
EVERYTHING'S ENOUGH,

LIKE THE--

OH, IT'S
DEFINITELY ENOUGH.

IN FACT, UH,

WHAT DID YOU DO,

FOLLOW SOME
BEAUTY QUEEN HANDBOOK

ON, UH, USING ALL YOUR
MAKEUP THAT YOU OWN?

MM-MMM.

SPIT.

THANK YOU.

SO, UM,

HAS HE CALLED YET?

I DON'T KNOW.
HAS HE CALLED YET?

UH-UH.

SPIT.

HE WILL.

IF HE DOESN'T, HE'S JUST
A BIG OL' DUTY-HEAD.

GOD, YOUR SKIN
IS SO LUMINOUS

UNDERNEATH
ALL THIS GUNK.

YOU KNOW, YOU'RE
MY VERY BEST FRIEND,

YOU KNOW THAT?

THAT'S 'CAUSE YOU'RE
SUCH A SAP, LUE.

CHICKEN AND MARSHMALLOWS

IS COMPLETELY DIFFERENT.

HE'S SO RETARDED.

* I WAS BORN TO RAMBLE *

* I WAS BORN TO STRAY *

* LIKE A ROLLIN' STONE *

* DOWN THE LOST HIGHWAY *

HO. WHOA.

I REALIZE
IT'S GETTIN' LATE.

GOT AN IDEA
PERTAINING TO THE ENDING.

LET'S LEAVE OFF
THAT LAST CHORD.

LET'S END ON THE THREE.

TAKE OUT THE
ANTICIPATION?

TAKE OUT
THE ANTICIPATION.
EXACTLY.

DON'T RESOLVE IT?

NO RESOLVE.

LET'S TRY IT.

WHERE DO YOU WANT
TO TAKE IT FROM?

THE LAST THREE.

1...2...3.

* LIKE A ROLLIN' STONE *

* DOWN THE LOST HIGHWAY *

* LIKE A ROLLIN' STONE *

* DOWN THE LOST HIGHWAY *

IT'S RIGHT HERE.
BRING IT DOWN.

YEAH, MAN.

YEAH, MAN.

HEY, LET'S GO.

OKAY.

ONE, TWO, ONE, TWO, THREE...

I LEARNED
WHAT SARCASM WAS.

UH, MY BROTHERS
AND I WERE MAKING
MODEL AIRPLANES,

AND I SPILLED A LITTLE
RED BOTTLE OF PAINT,

AND MY BROTHER
SEAN SAYS,

"KYLE, THANK YOU.

THANK YOU, KYLE."

I COULDN'T FIGURE OUT
WHAT HE MEANT

FOR THE LIFE OF ME.

SARCASM WAS IMPORTANT
IN MY FAMILY,

BUT, SEE,
THAT'S WHAT'S GOOD
ABOUT COUNTRY MUSIC.

THERE'S NO SARCASM.

IT'S JUST
STRAIGHTFORWARD.

MAKES YOU LAUGH
OR CRY. THAT'S IT.

OH, I DON'T KNOW.

I REALIZE I DON'T REALLY
BELONG IN NASHVILLE,

BUT, UM...

THAT'S WHY
I TRY SO HARD.

ME, TOO.

WELL, MUCH OBLIGED,
STEPHEN.

I OWE YOU, WHAT,
20 MINUTES?

NO. NEXT TIME
I GO FIRST.

IT'S THAT
SIMPLE.

HI.

HEY, HEY.

WHAT'S THE STORY
WITH YOU AND JAMES?

I'D BE CURIOUS
TO KNOW MYSELF.

* CAN'T UNDERSTAND *

* WHY YOU LEFT
MY LOVE BEHIND *

* CAN'T UNDERSTAND *

* BUT I'LL LOVE YOU
TILL THE END OF TIME *

* I SEARCH MY MEMORY *

* FOR THE REASON
YOU DON'T LOVE ME... *

KNOW WHO WOULD BE
GREAT FOR THIS SONG?

TRISHA YEARWOOD.

AND I KNOW HER.

YEAH?

WELL, YEAH.

I DELIVERED A PIZZA
TO HER HOUSE ONCE.

YOU SHOULD
GIVE THIS TO HER.

YEAH, RIGHT.

THIS SONG IS BETTER

THAN MOST STUFF
ON THE RADIO.

YOU ALWAYS THINK THAT

WHEN YOU'RE THE ONLY ONE
THAT'S HEARD IT.

I JUST GOT
TWO WORDS FOR YOU,
KYLE DAVIDSON.

YEAH? WHAT?

NO WONDER.

NO WONDER.

NO WONDER WHAT?
WHAT?

WHAT DO YOU THINK?

WHAT, THAT I STILL WORK
IN A RECORD STORE,

THAT I'M JUST ANOTHER GUY

THAT NEVER DID WHAT HE SAID
HE WAS GOING TO DO?

I SIT AROUND.
I PLAY AROUND.

I NEVER GET AROUND TO
PUTTING MY STUFF OUT.

YOU'RE TALENTED.

IT DOESN'T MATTER
IF YOU'RE AFRAID
OF THE DISAPPOINTMENT.

I GOT TO DO SOMETHING
TO GET MY SONGS HEARD.

YOU'RE RIGHT.

WHAT DO YOU THINK
I SHOULD DO?

COME WITH ME.

OH-HO.

I GUESS I WILL, THEN, HUH?

I THINK YOU SHOULD!

YOU SURE THIS IS
YEARWOOD'S HOUSE?

YEAH.

YEAH, PEPPERONI
AND MUSHROOMS.

I'M SURE.

WOW.

DON'T SCRATCH IT.

GIVE ME THE THING.

THE THING?

YOU DON'T EVEN KNOW
WHAT TO CALL IT.

I THOUGHT YOU'D
DONE THIS BEFORE.

WHAT DO YOU THINK
I AM, A CRIMINAL?

I HAD A BOYFRIEND WHO'S
DOING TIME FOR THIS.

TIME? HOW MUCH TIME?

18 MONTHS.

THAT'S A YEAR
AND A HALF!

JOKE.

BAD JOKE.

GIVE ME THE TAPE.

WE GOT TO GO!

LET ME PUT
THE TAPE IN.

IT'S GOT MY NAME ON IT!

HOW ELSE
WILL SHE KNOW?

SHE'S GOING TO KNOW
I BROKE INTO HER CAR!

THAT'S THE ONE
DRAWBACK.

I CAN'T BELIEVE--

I'M GOING TO
GET THE TAPE.

KYLE, FORGET THE TAPE!

WHERE'S EJECT?
WHERE'S EJECT?

SINCE WHEN DID COPS START
RESPONDING SO FAST?

THERE'S NOTHING
I CAN DO.

WE WEREN'T TRYING
TO STEAL ANYTHING.

WE WERE GIVING HER
A TAPE.

WELL, IN THAT CASE,

I'LL HAVE TO LET
YOU GO, WON'T I?

DON'T ARREST HER.
IT WAS MY TAPE.

SHE JUST BROKE
INTO THE CAR FOR ME.

BELIEVE IT OR NOT,

YOU DON'T GET
TO DECIDE
WHO WE ARREST.

* SHE'S IN LOVE
WITH THE BOY *

* MM-HMM *

* SHE'S IN LOVE
WITH THE BOY *

* MM-HMM *

* AND EVEN IF THEY
HAVE TO RUN AWAY *

* SHE'S GONNA MARRY
THAT BOY SOMEDAY *

RIGHT HERE'S
YOUR PERPETRATORS,
MISS YEARWOOD.

HI. KYLE DAVIDSON.

IT'S A PLEASURE
TO MEET YOU.

HI.

THIS IS
MIRANDA PRESLEY.

HI.

HI. HONORED.

WELL, Y'ALL ARE
REALLY POLITE

FOR HARDENED CRIMINALS.

OH, THANKS.

WHICH ONE JIMMIED
MY CAR DOOR OPEN?

SHE WASN'T TRYING
TO STEAL IT, THOUGH.

THANKS FOR NOT
SCRATCHING IT.

ARE YOU THE ONE
SINGING ON THE TAPE?

YOU LISTENED
TO THE TAPE?

IT'S HIS SONG.

I GUESS
THIS SONG'S AVAILABLE,

OR ARE YOU WAITING TO HEAR
FROM EVERYBODY ELSE

WHOSE CAR
YOU BROKE INTO?

NO, YOURS WAS THE ONLY CAR
WE BROKE INTO.

OH. WELL, I'M FLATTERED.

I JUST WISH I WASN'T
FLATTERED THIS LATE.

IS YOUR PHONE NUMBER
ON THE TAPE?

I'M GOING TO HAVE
MY MANAGER CALL YOU

ABOUT PUTTING
THE SONG ON HOLD.

MISS YEARWOOD, DO YOU
WANT TO PRESS CHARGES?

I JUST WANT TO
GET SOME SLEEP.

GOOD NIGHT.

THAT MEANS NO.

CONGRATULATIONS,
SON.

UH, MISS YEARWOOD,
EXCUSE ME.

SINCE YOU'RE LOOKING
FOR NEW MATERIAL.

GO ON, LINDA LUE.

I DON'T WANT TO
MISS THE DANCE.

NO, WAIT. LINDA, DON'T.

THAT TRAIN'S GOING TO BE
COMIN' AROUND THE BEND,

SO LET'S HOP
THE FREIGHT.

EXCUSE ME?

COME ON, IT'S AN OLD
COUNTRY TRADITION.

THE TRACKS GO RIGHT BY
THE FULL MOON DANCE.

REMEMBER WHAT HAPPENED
LAST TIME?

HERE IT COMES.
ARE YOU KIDDING ME?

YOU WANT TO WRITE
COUNTRY SONGS.

THERE'S NOTHING MORE COUNTRY
THAN A FREIGHT TRAIN.

KYLE.

MY GOD.

KYLE!

YOU GONNA BREAK
YOUR FOOL NECK!

GO ON!

I'LL MEET YOU AT
THE NEXT CROSSING THERE.

I HAD A COUSIN WHO
ONCE THREW HIMSELF

IN FRONT OF A TRAIN.

ONCE?

ONCE PRETTY MUCH
DID THE TRICK.

I WISH YOU'D STOP
TELLING THAT STORY.

WHY ARE WE LETTING HIM
GET ON THAT STUPID TRAIN?

KYLE! COME ON!

KYLE DAVIDSON,

GET BACK HERE!

KYLE!
HEY, KYLE!

YOU'RE GOING TO
GET YOURSELF HURT!

KYLE!

KYLE, YOU'RE GOING
TO HURT YOURSELF!

SO STUBBORN!

YOU'RE SO
STUBBORN, KYLE!

KYLE!
KYLE!

KYLE!
KYLE!

CAREFUL, Y'ALL.

KYLE!

KYLE!

WHERE IS HE?

O-O-OVER HERE.

HI.

I--I SLIPPED.

* HEY, PORTER *

* HEY, PORTER *

* WON'T YOU TELL ME *

OW! * THE TIME? *

* HOW MUCH LONGER
BEFORE WE CROSS... *

ARE YOU SURE
YOU'RE O.K.?

SURE YOU DIDN'T
BREAK ANYTHING

OTHER THAN YOUR PRIDE?

NO, I'M O.K.,
I THINK.

SURE DO ENJOY PAIN,
DON'T YOU?

WELL, YEAH,
AND HEARTACHE.

YEAH, I'M...

COME ON.

BIG JERK.

YOU THINK
THIS IS FUNNY?

THIS ISN'T FUNNY.

PEOPLE THAT YOU KNOW,
THEY GET KILLED.

YOU DIE,
AND YOU DON'T COME BACK.

THAT'S IT.

NOT FUNNY.

WHAT'S THE MATTER
WITH HER?

COME ON.
GET UP.

YOU GAVE HER
A LITTLE SCARE,
THAT'S ALL.

I DIDN'T MEAN
TO DO THAT.

* BROKEN DREAMS *

* ARE HARD ENOUGH... *

COME ON, Y'ALL.

LET'S SHOW THEM
WHAT WE GOT.

DON'T SHOW YOURS, BILLY.
YOU MIGHT SCARE SOMEONE.

WELL, THANKS A LOT,
LINDA LUE.

* THE BIG BAD LOVE... *

YOU'RE NOT STILL
MAD AT ME, ARE YOU?

YES.

REALLY?

NO.

GOOD.

'CAUSE I'M--I'M SORRY.

YOU SHOULD BE.

OHH.

I GOT YOU.

THANKS.

* A HAPPY ENDING *

* IS WHAT YOU WANT... *

NO, STAY HERE.

* SOME AIN'T WELL *

* AND SOME WELL GONE *

* IT CAN'T BE *

* FOR HEAVEN'S SAKE *

* WE AIN'T TWO PEOPLE *

* ON THE TOP OF THE GAME *

* OHH... *

COME ON, YOU TWO.

* THE BIG BAD LOVE *

* YOU CAN HUFF AND PUFF *

* BUT THAT AIN'T ENOUGH *

* TO BE THE KIND OF MAN *

* THAT A GIRL DREAMS OF *

* WHO'S AFRAID
OF THE BIG BAD *

* WHO'S AFRAID
OF THE BIG BAD LOVE? *

* YOU CAN HUFF AND PUFF *

* BUT THAT AIN'T ENOUGH *

* TO BE THE KIND OF MAN *

* THAT A GIRL DREAMS OF *

* WHO'S AFRAID
OF THE BIG BAD LOVE? *

* BIG BAD LOVE *

* BIG BAD LOVE *

* BIG BAD LOVE *

* THE BIG BAD LOVE *

* THE BIG BAD LOVE *

ALL RIGHT.

WHOO!
WHOO!

WHOO!

YEAH! WHOO!

WHOO!
WHOO!

WHOO!
WHOO!

WHOO!

WHAT?

ALL RIGHT, EVERYBODY.

I WANT TO INTRODUCE YOU
TO A FRIEND OF MINE

FROM MY HOME STATE
OF TEXAS.

THIS IS JAMES WRIGHT--

SINGER, SONGWRITER.

VERY GOOD.

DID YOU KNOW
HE WAS GOING TO BE HERE?

I HAD NO IDEA.

I SWEAR.

WELCOME, JIM.

JIM. I LIKE THAT.

1, 2, 3, 4.

* UNTIL NOW *

* I'VE BEEN BLIND *

* UNTIL NOW *

* I'VE BEEN
WASTIN' TIME *

* I'VE BEEN LOST *

* ON STREETS OF PLENTY *

* I'VE BEEN TOSSED *

* ON ICY SEAS *

* AND ALL I'VE CROSSED *

* AIN'T WORTH A QUARTER *

* IT'S MUDDY WATER *

* UNTIL NOW *

* THERE'S A LIGHT *

* THAT SHINES FOREVER *

* THERE'S A LIGHT *

* THAT SHINES FOR ME *

* THERE'S A LIGHT *

* MY FOOTSTEPS GUIDIN' *

* FOR I HAVE BEEN HIDIN' *

* UNTIL NOW *

THANK YOU.

THANK YOU.

I WROTE THIS NEXT SONG

FOR A WOMAN TO SING.

SO I GUESS WE BEST
GET ONE UP HERE.

I'D LIKE TO INVITE
UP HERE ON STAGE WITH US

MISS MIRANDA PRESLEY.

SHE'S ONLY
HEARD THIS SONG ONCE,

HOWEVER I HAPPEN TO KNOW
SHE'S A...

QUICK STUDY.

SHE'LL PICK IT RIGHT UP.

DALE,
YOU GOT THE LYRICS?

RIGHT HERE.

ALL SET?

LET'S HIT IT.

1, 2...

1, 2.

* YOU GOT A THING OR TWO *

* TO LEARN ABOUT ME, BABY *

* 'CAUSE I AIN'T
TAKIN' IT NO MORE *

* AND I DON'T
MEAN MAYBE *

* YOU DON'T KNOW
RIGHT FROM WRONG *

* THE LOVE
WE HAD IS GONE *

* SO BLAME IT ON
YOUR LYIN', CHEATIN' *

* COLD, DEAD-BEATIN' *

* TWO-TIMIN',
DOUBLE-DEALIN' *

* MEAN, MISTREATIN',
LOVIN' HEART *

* WELL, ALL I WANTED *

* WAS TO BE
YOUR ONE AND ONLY *

* BUT ALL I EVER
GOT FROM YOU *

* WAS BEIN' LONELY *

* NOW THAT IS LAID TO REST *

* 'CAUSE YOU HAVE
FAILED THE TEST *

* HEY, BLAME IT ON
YOUR LYIN', CHEATIN' *

* COLD, DEAD-BEATIN' *

* TWO-TIMIN',
DOUBLE-DEALIN' *

* MEAN, MISTREATIN',
LOVIN' HEART *

* ARE YA HEADIN'
FOR A HEARTACHE? *

* OH, YEAH *

* GONNA GET
A BAD BREAK *

* OH, YEAH *

* MADE A BAD MISTAKE *

* OH, YEAH *

* GIRL, YOU'RE
NEVER GONNA FIND *

* ANOTHER LOVE LIKE MINE *

* WELL, SOMEONE'S
GONNA DO YOU *

* LIKE YOU WENT
AND DONE ME, HONEY *

* AND WHEN SHE DOES YOU *

* LIKE SHE'LL DO *

* WELL, IT AIN'T FUNNY *

* YOU'LL NEED
SOME SYMPATHY *

* BUT DON'T BE
CALLIN' ME *

* HEY, BLAME IT ON
YOUR LYIN', CHEATIN' *

* COLD, DEAD-BEATIN' *

* TWO-TIMIN',
DOUBLE-DEALIN' *

* MEAN, MISTREATIN',
LOVIN' HEART *

* YEAH, BLAME IT ON
YOUR LYIN', CHEATIN' *

* COLD, DEAD-BEATIN' *

* TWO-TIMING',
DOUBLE-DEALIN' *

* MEAN, MISTREATIN' *

* LOVIN' HEART *

WHOO!

YEAH!

WHOO!

THANK YOU.

THE LOVELY
AND TALENTED

MISS MIRANDA PRESLEY.

THANK YOU.

NEXT UP...

WAY TO GO.

THANK YOU.
THANKS.

THAT WAS BEAUTIFUL,
MIRANDA.

THANKS. THANKS.

BEAUTIFUL,
SWEETHEART.

THANK YOU, JAMES.
THANK YOU, MIRANDA.

WE'RE GOING TO
BRING UP A FRIEND...

YOU DID GOOD,
JAMES.

IT SOUNDED
WONDERFUL.

JAMES...

R.C...

FANCY
MEETING YOU HERE.

EXCUSE ME A SEC.

WE'LL TALK LATER.

UH...

PRESLEY...

WHERE YOU OFF TO?

UH, HAVE YOU SEEN
KYLE AROUND?

KYLE?
I HAVEN'T SEEN KYLE.

I SEEN HIM
DANCING WITH YOU
EARLIER.

FINE PERFORMANCE
YOU GAVE.

YOU'RE GOOD
ON THE SPOT.

JAMES,
WHY DIDN'T YOU CALL ME?

CALL YOU?

YEAH.

WHEN?

EVER.

WELL,
FOR THE SAME REASON

I WAS SO MEAN TO...

JULIE--
WHAT WAS HER NAME
IN SECOND GRADE--

'CAUSE I LIKED HER.

THAT'S WHY.

OH.

SO THEN THAT'S WHY
YOU BLEW ME OFF

WHEN I SAW YOU
LAST TIME
AT THE STUDIO?

WELL,
I SEEN YOU THERE
WITH KYLE,

AND, UM...

I WAS A BIT
OFF GUARD AND...

JEALOUS.

COULD'VE FOOLED ME.

OH, 'CAUSE I'M A FOOL.

FINDING IT HARD...

BREATHING
JUST LOOKING AT YOU.

WELL, OPEN YOUR MOUTH

AND TAKE A BREATH.

I'M THINKING ABOUT YOU.

AND I LIKE
WHAT I'M THINKING.

I'M GLAD
YOU LIKE IT.

TRUTH IS, MIRANDA...

I PICKED UP THE PHONE...

SEVERAL TIMES...

UM...

TO CALL YOU.

COME HERE.

COME HERE.

JUST ANSWER ME
ONE THING.

ARE YOU GOING
TO GO WEIRD
ON ME AGAIN?

I WANT A YES
OR NO ANSWER.

YES.
YES?

YOU ARE GOING
TO GO WEIRD?

NO.

WELL, YES, I--I...

YES, I'M NOT GOING TO
GET WEIRD ON YOU AGAIN.

GOOD.

LET'S...

LET'S GET OUT OF HERE.

O.K.?

WHERE TO?

UM, I GOT TO GO
TAKE CARE OF SOMETHING.

YOU O.K.?

LET'S MEET AT THE BARN.

THE BARN.

* STOP SAYIN' GOODBYE *

* BABY, JUST LEAVE... *

HEY.

KYLE...

UM...

I'M GOING TO
GET A RIDE HOME
WITH JAMES.

SO, UH...

YOU ASKING
MY PERMISSION?

NO.

IT'S O.K.
YOU CAN GO HOME
WITH JAMES.

OH, THANK YOU.

YOU EXPECT HIM
TO FALL IN LOVE
WITH YOU?

I DON'T KNOW.

DO YOU?

I KNOW HIM.

HE'S NOT GOING TO.

GOOD NIGHT.

* I'M READY
AND WAITIN' *

* TO TAKE YOU AWAY... *

I CAN'T PUT MY FINGER
ON WHAT IT IS ABOUT YOU

THAT TICKS ME OFF.

I'M NOT LETTING YOU
OUT OF YOUR CONTRACT.

I'LL GET MYSELF
A LAWYER.

OH, YEAH.

I TALKED TO
THAT DOUG SISKIN.

I TOLD HIM
YOU'D BE FREE
TO SIGN WITH HIM...

IN ABOUT TWO YEARS.

GREAT.

I'VE BEEN
IN THIS BUSINESS

LONGER THAN YOU
BEEN DRAWING BREATH.

I KNOW WHAT
I'M DOING, JAMES.

AND I'M GOING
TO KEEP YOU FAITHFUL.

THAT'S THE GUY
YOU'RE WITH?

YEAH. R.C.

A MINOR-LEAGUE
CORPORATE PIG.

YOU TOLD THAT GUY
AT THE BLUEBIRD

YOU DIDN'T
HAVE A CONTRACT.

YOU LIED.

AND YOU SUDDENLY
PRODUCE THIS BUSINESS CARD

WHICH IMPLIES
THAT I'M SPOKEN FOR.

SO WHAT ARE YOU SAYING?

WELL, YOU'RE LYING
FOR THE BOTH OF US.

ALL RIGHT.

WOW.

THIS IS NICE.

I LIKE IT.

YOU KNOW,
SHE'S GOT IT
IN HER HEAD

SHE'S GOING
TO GO FOR...

THE MISS NASHVILLE
CONTEST?

WHICH...

I'M SURE
SHE'LL DO REALLY WELL.

SHE'S SO FUNNY, BUT...

I DON'T KNOW.

I THINK
IT'S OLD-FASHIONED.

SHE REALLY
CRACKS ME UP, THOUGH.

WHEN SHE TAKES
THOSE GLASSES

THAT ARE WRAPPED
IN PLASTIC,

WHICH ARE
SANITARY ENOUGH,

AND YET SHE WASHES THEM
ALL THE TIME.

I NEED FOR YOU

TO STOP MOVING
THOSE LIPS NOW.

WAIT.

I NEED FOR YOU...

TO STOP PLAYING ME NOW.

MISS PRESLEY...

MISS PRESLEY...

JAMES, YOU'RE JUST
TALKING TO YOURSELF,

YOU KNOW.

MISS PRESLEY...

IS THAT YOU

OR YOUR GHOST I SEE?

I DON'T KNOW.

I WAS CONCERNED THAT YOU...

LEFT ME...

TO GET ME BACK
FOR NOT CALLING YOU

LIKE I SHOULD'VE.

OH, NAH.

I JUST DON'T,
UH, SLEEP...

MUCH.

HMM.

ESPECIALLY AT NIGHT.

NIGHT OWL.

WHOO...

WHOO.

SOUNDS LIKE
A WISE OLD NIGHT OWL.

WHOO-WHOO.

WHOO.

YOU'RE AN OWL GODDESS.

MY DAD,

HE--HE WAS
A NIGHT OWL.

WE USED TO STAY UP,

YOU KNOW,
ALL NIGHT,

JUST HANGING OUT.

HE SPOILED ME
PRETTY BADLY.

HE REALLY LOVED
COUNTRY MUSIC...

A LOT.

I GUESS THAT'S WHY
I CAME HERE.

WELL, I'LL...

SPOIL YOU
AS GOOD AS I CAN.

ELVIS?

MM-HMM.

YOU CUT ELVIS' HAIR.

THAT'S RIGHT.

NAH, I DON'T BELIEVE IT.

BELIEVE IT.

YOU BELIEVE THAT, LUE?

WHY WOULD HE
MAKE THAT UP?

WHY DON'T YOU
GET YOUR HAIR CUT?

'CAUSE I DON'T
WANT TO.

COME ON.

I DON'T WANT TO.

I'LL BE ELVIS,
AND YOU CAN BE PRISCILLA.

I DON'T WANT
TO BE PRISCILLA.

I'M NOT DOING IT
'CAUSE YOU
WANT ME TO.

I'M TIRED OF DOING
WHAT EVERYBODY
WANTS ME TO.

GOOD IDEA.
DON'T GET IT CUT.

WHY DIDN'T YOU ASK ME
WHAT I THOUGHT ABOUT

YOU MOVING OUT
OF THE MOTEL?

WHY DOESN'T ANYBODY
EVER ASK ME WHAT I THINK?

BECAUSE YOU'RE ALWAYS
ASKING EVERYONE ELSE
WHAT THEY THINK.

THAT'S RIGHT,
AND YOU KNOW WHAT?

I'M NOT DOING IT ANYMORE.

IF I DON'T FEEL LIKE
BEING NICE TO SOMEBODY,

THEN I'M GOING
TO START BEING MEAN--
OR IMPOLITE.

IF I FEEL LIKE
TELLING SOMEBODY
WHAT I THINK,

I'M GOING TO TELL THEM.

AND BILLY THINKS
WE'RE GETTING MARRIED
BECAUSE HE WANTS TO?

WELL, I'M SORRY,

BUT I GOT TO BE
SOMETHING MYSELF

BEFORE I CAN BE
SOMEBODY'S WIFE.

THAT'S RIGHT.

OH, SHUT UP, PLEASE.

BUT I DON'T EVEN
KNOW WHAT I CAN BE

BECAUSE I'VE NEVER
BEEN ANYTHING.

AND YOU--
YOU'RE NOT SO MUCH
BETTER THAN ME.

YOUR DADDY'S BEEN DEAD
OVER A YEAR,

AND YOU STILL CAN'T
SLEEP THROUGH THE NIGHT.

AND YOU ARE SO WORRIED
ABOUT TURNING OUT
LIKE EVERYBODY ELSE.

WELL, YOU KNOW WHAT?

I AM EVERYBODY ELSE.

AND TURNING OUT LIKE ME,

NOW, WOULD THAT
BE SO TERRIBLE?

AND WHO GETS
THEIR HAIR CUT

BY ELVIS' BARBER
ANYWAY?

* IT'S NOT REALLY LOVE *

* IF IT
TEARS YOU APART... *

I AM VERY SORRY.

I GUESS I'M JUST
FALLING APART
A LITTLE BIT.

BUT I WANT YOU TO KNOW

I THINK
YOU'RE VERY SPECIAL

'CAUSE
YOU ALWAYS LIKE ME,

AND THAT'S A PLUS
IN MY BOOK.

GOD, DID I MAKE YOU CRY?

I LIKE YOUR HAIR.

THANKS.

MAYBE I SHOULD'VE
GOTTEN MINE DONE.

YEAH.
SHOULD WE GO BACK?

I DON'T THINK SO,
MIRANDA.

YOU KNOW,
I'VE BEEN SITTING HERE
AND THINKING THAT, UM...

MAYBE I'LL GO
TO HOLLYWOOD,

BECOME A MOVIE STAR.

YOU'RE ASKING ME
WHAT I THINK
OF THE IDEA?

NO, I'M NOT.

WHAT ABOUT BILLY?

BILLY CAN DO
WHAT HE WANTS.

I'M HAPPY.

I'M SO HAPPY.

ME, TOO.

OH, NO.

DON'T LOOK.

OH, NO.

DON'T LOOK.

I GOT TO GO TO WORK.

I GOT A BETTER IDEA.

YOU'RE SICK.

I'LL CALL IN FOR YOU.

"HELLO.
IT'S MIRANDA.

"I CAN'T COME IN.

"I'M SICK.

I'VE GOT
A TERRIBLE HEAD COLD."

O.K.

I'M SICK.

I GOT ANOTHER IDEA.

MM-HMM?

WHERE ARE WE GOING?

JUST GIVE ME A HINT.

CLUE.

"MEMPHIS."

MEMPHIS?

GRACELAND?

YEAH!

WE'RE GOING
TO GRACELAND!

CLOSED?

NO.

I'M GOING TO
HAVE TO BREAK IT DOWN.

NO!

ELVIS!

HELLO?

ELVIS!

HELLO?

SIR...

WE'RE CLOSED.

WHEN DO YOU OPEN?

9:00 IN THE MORNING.

Y'ALL COME BACK THEN.

AH, 14 HOURS TO KILL.

WHAT ARE WE
GOING TO DO?

EAT.

LET'S GET ELVIS FOOD.

FOOD.

I'M ALL SET, BABY.

COME ON, BABY.

WHAT?

OHH,
LOOK HOW ROMANTIC.

STOP. THEY'RE GOING TO
THINK YOU'RE FOR REAL.

I AM FOR REAL.

COME ON.
GET UP.

SAY, "YES,
I CAN'T LIVE
WITHOUT YOU."

GO ON, HONEY.

SAY YES.

I WOULD MARRY HIM
IF HE HAD
ANY BRAINS,

BUT HE DOESN'T
HAVE THE SENSE
HE WAS BORN WITH.

I'M GOING TO
KNEEL RIGHT HERE

UNTIL YOUR HEART MELTS.

SAY SOMETHING.

O.K. YES.

IS THAT
WHAT YOU WANT?

ARE YOU
HAPPY NOW?

HAPPY?

WHY, I'M THE HAPPIEST
MAN ALIVE.

OHH.
AW.

THAT'S PRECIOUS.

THANK YOU, LADIES.

THANK YOU KINDLY.

YOU CAN KEEP THE CHANGE.

Y'ALL GOING TO
HAVE YOUR HONEYMOON
AT GRACELAND?

COME ON, DEAR.

* IN A BED
OF BROKEN HEARTS *

* BLUE ROSES... *

YOU RECALL
THE FIRST TIME
I MET YOU

OUTSIDE THE BLUEBIRD?

I WAS LATE.

AND I MADE YOU
PART OF MY LIE.

NOW, YOU CALLED ME
ON THAT.

NO ONE HAS EVER
DONE THAT BEFORE
WITH ME.

AND I APPRECIATE IT.

I RESPECT YOU.

MY FATHER...

I DON'T KNOW WHY
I'M TELLING YOU THIS.

I'VE NEVER TOLD ANYONE,

BUT MY FATHER
WOULD TELL MY MOTHER

THAT WE WERE GOING OUT
FOR A BOYS' NIGHT
OUT ON THE TOWN.

AND WE WOULD GO
TO HIS GIRLFRIEND'S HOUSE--

MY FIFTH GRADE
HEALTH TEACHER--

AND I'D GO WAIT
IN THE TRUCK

LISTENING TO
THE RADIO STATIONS,

AND HE WAS INSIDE,
YOU KNOW,

DOING WHATEVER IT WAS
THEY DID,

AND I JUST REMEMBER
ALL THOSE CHEATIN' SONGS...

HOW IT MADE
PERFECT SENSE.

MOST EVERYONE...

BACK IN WIMBERLY...

SAYS THAT--
THAT I'M GOING TO BE
JUST LIKE MY FATHER.

NOW...

HERE'S THE KING.

THEY'RE WRONG.

* WISE MEN SAY *

YOU HEAR THAT?

MMM.

* ONLY FOOLS
RUSH IN *

LET'S DANCE.

IT'S DESTINY.

* BUT I CAN'T HELP *

* FALLING IN LOVE *

* WITH YOU *

* SHALL I STAY? *

* WOULD IT BE A SIN? *

JUST BACK
FOR SOME COFFEE.

OH, LOOK, MARY.

IF IT AIN'T
THE NEWLYWEDS.

HEY, YOU TWO LOVEBIRDS
GET MARRIED YET?

COULDN'T FIND
AN ALL-NIGHT
WEDDING CHAPEL.

WELL, WE MIGHT'VE
IF HE PLANNED THIS
A LITTLE BETTER,

BUT NO GRACELAND,
NO PREACHER.

YOU WANT
TO MARRY HER?

I KNOW SHE'S A HANDFUL,

HOWEVER I'D DIE
IF I LOST HER.

THAT'S BECAUSE
YOU'D FORGET TO BREATHE
IF I DIDN'T REMIND YOU.

THE TRUTH IS...

I LOVE HER DEEPLY.

WELL, IF YOU'RE SERIOUS,

MY BROTHER'S A PREACHER.

I'LL GO GET HIM
IF YOU WANT.

YOU'RE SERIOUS?

AS A HEART ATTACK.

YEAH, MAN.

YEAH, HE'S RIGHT
NEXT DOOR.

PROBABLY JUST WATCHING TV.

I'LL BE RIGHT BACK.

WELL, UH--

YOU NEED A RING.

COLD FEET?

I FORGOT SOMETHING...

BLUE...IN THE TRUCK.

WILL YOU COME WITH ME?

HMM?

PLEASE?

HEY.

I'M GOING TO GET
MY BOOM BOX READY.

OH...

O.K.

COME ON, LET'S GO.

WELL, WE CAN'T
JUST LEAVE.

WE GOT TO LET
THEM KNOW WE'VE
CHANGED OUR MIND.

THE PREACHER'S
ON HIS WAY--

NO. LOOK, UM,
WE'LL JUST, UH--

WE'LL HAVE A FIGHT,

AND I'LL PRETEND
TO SLAP YOU.

GOT A BETTER IDEA.

WHAT?

LET'S GET MARRIED.

Y-YOU DON'T JUST
GET MARRIED AS A JOKE.

IT'S NOT A JOKE.

IT'S A JOURNEY,

LIKE THE OLD IRISH
TRIAL MARRIAGES.

WHAT OLD IRISH
TRIAL MARRIAGES?

WELL,
IN ANCIENT IRELAND,

THERE WAS ONE DAY
WHERE YOU COULD GET
MARRIED FOR A YEAR--

ARE YOU
MAKING THIS UP?

NO,
I DON'T THINK SO.

ANYHOW, YOU WOULD
GET MARRIED,

AND IF YOU
WANTED TO SEPARATE,

YOU'D GO BACK
TO THE PLACE
YOU GOT MARRIED

AND RESOUND,
"I DIVORCE YOU,
I DIVORCE YOU,

I DIVORCE YOU."

WHAT DO YOU THINK?

OH, MY GOD.

BY THE POWER VESTED IN ME
BY THE STATE OF TENNESSEE

AND BY THE ALMIGHTY
GOD ABOVE,

I NOW PRONOUNCE YOU
MAN AND WIFE.

WELL, HUSBAND AND WIFE.

HUSBAND AND WIFE.

DOES THAT
SOUND RIGHT?

OR MAN AND WOMAN?

MAN AND WOMAN.

YEAH.

MAY I KISS
THE BRIDE?

WHATEVER. YOU'RE MARRIED.
YOU MAY KISS THE BRIDE.

BUT I GET THE FIRST DANCE.

* MAKE THE WORLD
GO AWAY *

* GET IT OFF,
GET IT OFF MY SHOULDER *

MAY I HAVE
THIS DANCE?

* SAY THE THINGS
WE USED TO SAY *

* AND MAKE THE WORLD,
MAKE IT GO AWAY *

* DO YOU REMEMBER
WHEN YOU LOVED ME? *

* BEFORE THE WORLD
TOOK YOU AWAY *

WE'RE HOME, BABY.

OHH, I HAD THIS DREAM
WE GOT MARRIED.

OH, IS THAT WHAT
THAT WAS, A DREAM?

NO, ME AND ELVIS.

I HAD THIS HUGE
BEEHIVE ON MY HEAD.

O.K.

SHOULD I
BE JEALOUS?

HEH HEH HEH.

MAYBE.

MAYBE, BABY.

* BLUE ROSES *

* LOOKIN' FOR THE MOON
IN SOMEONE'S EYES *

YEAH, THE 23rd
WILL BE JUST FINE.

BYE-BYE.

HEY, LUCY,
ISN'T THAT
PAM TILLIS

AND KEVIN WELCH
OVER THERE?

YEAH. I LET THEM
COME REHEARSE
EVERY NOW AND THEN.

THEY BOTH
GOT THEIR START
RIGHT HERE.

REALLY?

YEP.

THEY PLAYING IN
THE ROUND TONIGHT?

NO. THEY GOT SOME KIND
OF BENEFIT OR SOMETHING.

WELL, LOOK AT YOU.

YOU CALLED IN SICK
YESTERDAY,

AND NOW YOU LOOK
ABSOLUTELY...

MARRIED?

JAMES AND I
GOT MARRIED.

YOU GOT MARRIED?

SHE GOT MARRIED.

WELL, DON'T
LOOK TOO EXCITED
ABOUT IT, LUCY.

WELL...

CONGRATULATIONS.

HEY, MIRANDA JUST
GOT MARRIED TO JAMES.

GIVE ME A HUG, GIRL.

TO JAMES? OUR JAMES?

JAMES WRIGHT?

YEAH.

DID HE GIVE YOU
A RING?

SURE DID.
ISN'T IT BEAUTIFUL?

POP OPEN SOME
CHAMPAGNE, LUCY.

HOW OFTEN
DO PEOPLE
GET MARRIED?

OFTEN ENOUGH.

* HAPPY EVER AFTER *

* COME ONE DAY
AT A TIME *

* AND THERE AIN'T NO ONE *

* TO TAKE YOU AWAY *

* FORGET THIS WAY
TO LOVE-- *

* YOU CAN TAKE MY LOVE *

* IN THE FOREST GREEN *

* YOU CAN TAKE *

* MY LOVE *

* TO THE FOREST GREEN *

HEY, LOOK AT YOU!

DON'T I LOOK GOOD?

SO, DON'T KEEP ME
IN SUSPENSE.

WHAT HAPPENED?

UM, OH. I WAS
FOURTH RUNNER-UP.

CONGRATULATIONS.
I GUESS.

SHE SHOULD'VE WON.

HER TALENT
WAS THE BEST ONE.

PEOPLE WERE CRYING
WHEN SHE DID HER SCENE.

I DID MY INTERPRETATION
OF GONE WITH THE WIND.

"MISS SCARLETT!
MISS SCARLETT!"

TELL HER WHY YOU LOST.

O.K.

WHEN THEY MADE ME
A FINALIST,

ALL OF A SUDDEN I HAD
THIS IMAGE OF MYSELF

AT THE GRAND OPENING
OF A PIGGLY-WIGGLY,

CUTTING A RIBBON IN
A RED, WHITE, AND BLUE
SEQUINED MAJORETTE OUTFIT.

AND I HAD TO SAY,
"LINDA LUE LINDEN,
THIS IS NOT A JOB.

"THIS IS NOT
A CAREER CHALLENGE.

THIS IS BULLSHIT!"

ALL RIGHT, GIRL!

WHEN THEY CALLED MY NAME,
I PRETENDED TO FAINT.

FELL STRAIGHT BACK.

THEY CALLED
AN AMBULANCE.

I GOT TO PEE.

KYLE...

HOW'S THE MARRIED
LIFE, JAMES?

SWELL.

IT'S QUITE GOOD.

GOOD. GOOD.

I WAS THINKING
ABOUT IT.

WELL, CONGRATULATIONS
ARE IN ORDER,

SO GO RIGHT AHEAD.

CONGRATULATIONS.

WHY, THANK YOU.

YEAH, SHE'S A...

DAMN GOOD WIFE.

SHE'S...

REAL GOOD.

WHY DO YOU HAVE TO
TELL ME THAT, MAN?

IT'S THE TRUTH.

YEAH, BUT
THE TRUTH CAN HURT.

SEE?
DO YOU UNDERSTAND?

YOU GOT NO RIGHT
TOUCHING ME LIKE THAT.

YOU GOT NO RIGHT
TALKING ABOUT HER
LIKE THAT.

YOU GOT NO RIGHT.

KEEP IT TO YOURSELF.

SOMEBODY OUGHT
TO SHUT YOU UP!

OH...

HEY, BOYS,
TAKE IT OUTSIDE.

I'LL JUST
SHUT YOU UP!

TAKE IT OUTSIDE,
BOYS! OUT!

YOU'RE MAKING A FOOL
OF YOURSELF,

A DAMN FOOL OF YOURSELF!

I'LL KILL YOU!

DO YOU HEAR
WHAT I'M SAYING?

BACK OFF!

BETTER SLAP ME HARD,

MAKE THAT FIRST ONE COUNT.

JAMES, STOP IT!

KYLE, STOP!

JAMES, KYLE,
COME ON.

KYLE, LET'S GO.

LET'S GO, COME ON.

NO! NO!

STOP IT! COME ON!

LEAVE HIM ALONE.

KYLE, STOP IT!

JUST TRYING
TO KEEP HIM FROM
HURTING HIMSELF.

BILLY, GET IN THERE
AND DO SOMETHING!

Y'ALL
STOP IT NOW!

THAT'S A BIG HELP.

COME ON, BILLY!

KYLE...
COME ON.

IT'S OVER.
IT'S OVER.

KYLE...

IT'S OVER.

WHY Y'ALL GOT TO
ACT SO STUPID?

WHOO!

HA HA HA HA!

HEY, DONNA...

* AIN'T NO TRAIN
OUT OF NASHVILLE *

* ONCE YOU GET HERE
YOU CAN'T GO ANYWHERE *

* THERE AIN'T NO TRAIN
OUT OF NASHVILLE *

* MA AND PA,
GET ME OUT OF HERE *

THERE AREN'T NOTHIN'
BUT DAMN LOVE SONGS.

EVERYBODY I LOVE'S
MARRIED TO EVERYBODY ELSE.

* I'M HAPPY,
YOU'RE TIRED-- *

HERE'S A BRAND-NEW SINGLE
FROM MISS TRISHA YEARWOOD.

* IF YOU COULD
READ MY MIND *

THAT'S MY SONG.

* YOU'D KNOW
HOW HARD I TRY *

* BUT LOSIN'
WAS NOT MY PLAN *

* AND I CAN'T-- *

GOD!

MAN, I CAN'T BELIEVE IT!
WHAT'S GOING ON?

DIDN'T YOU SEE
THE STOP SIGN?

THAT'S MY SONG!

WELL, THAT'S MY CAR!

THAT'S MY SONG
PLAYING ON THE RADIO!

YOU WROTE
THAT SONG?

YEAH!

A LOT BETTER SONGWRITER
THAN YOU ARE A DRIVER.

YOU WASN'T
EVEN LOOKING.

THAT'S HIS SONG
ON THE RADIO.

THAT'S MY SONG!

DAMN...

MAKES YOU WANT TO PAT
YOUR FOOT, DOESN'T IT?

SHOULD'VE PATTED
THE BRAKE ONCE.

HEY, HE GOT
TWO HITS
IN ONE DAY!

* I'M STANDIN' ON A ROCK *

* AND I AIN'T
GOIN' NOWHERE *

* I'M STANDIN' ON A ROCK *

* AND I AIN'T
GONNA MOVE *

* I GOT ME SOMETHING
TO LIVE FOR *

* I GOT SOMETHING
TO PROVE *

* I'M STANDIN' ON A ROCK *

* AND I AIN'T
GONNA MOVE *

* I GOT A REAL FINE WOMAN *

* AND HER HEART IS STRONG *

* WELL, SHE CAN
SEE RIGHT THROUGH ME *

* AND HER LEGS ARE LONG *

* SHE DON'T GIVE ME
NO TROUBLE *

* AND SHE DON'T
TAKE MINE *

* SHE AIN'T THE REASON
I'M A-LIVIN' *

* BUT SHE'S THE REASON
I BEEN TRYIN' *

* I'M STANDIN' ON A ROCK *

* AND I AIN'T
GOIN' NOWHERE *

* I'M STANDIN' ON A ROCK *

* AND I AIN'T
GONNA MOVE *

* I GOT ME
SOMETHING TO LIVE FOR *

* I GOT SOMETHING
TO PROVE *

* I'M STANDIN' ON A ROCK *

* AND I AIN'T
GONNA MOVE *

* YOU MIGHT BE HAPPY
FLYIN' AIRPLANES *

* YOU MIGHT BE HAPPY
BUILDIN' CARS *

* SOME PEOPLE ALWAYS
DO THE RIGHT THING *

* SOME PEOPLE
NEVER GET THAT FAR *

* I'M STANDIN' ON A ROCK *

* AND I AIN'T
GOIN' NOWHERE *

* I'M STANDIN' ON A ROCK *

* AND I AIN'T
GONNA MOVE *

MIRANDA,
WHERE'S MY BLUE SHIRT?

IN THE HAMPER.

I HAVEN'T WORN IT
SINCE I WASHED IT.

I GUESS
SOMEBODY ELSE
WORE IT, THEN.

OUGHTN'T YOU
TO WASH IT, THEN?

I'M NOT YOUR MAID.

MIRANDA, YOU CAN
WEAR MY SHIRT
IF YOU LIKE.

HOWEVER,
YOUR DIRT MAKES IT
YOUR LAUNDRY.

JAMES,
IT'S NOT THAT DIRTY.

YOU COULD WEAR IT.

I CAN'T. IT SMELLS
LIKE YOUR SOAP.

I CAN'T STAND
EVERYTHING SMELLING
LIKE THAT SOAP!

MY SOAP IS
STARTING TO SMELL
LIKE YOUR SOAP!

THEN YOU MIGHT AS WELL
WEAR THE SHIRT.

YOU'RE IMPOSSIBLE
TO LIVE WITH.

HOW WOULD YOU KNOW?

LOCK YOURSELF IN A ROOM
FOR THREE DAYS,

THEN COME OUT AND SAY,
"WHERE'S MY BLUE SHIRT?"

AND WHEN ARE YOU
EVER AWAKE DURING
THE DAYLIGHT HOURS?

THAT IS NOT
THE POINT!

YOU GO INSIDE,
YOU LOCK THE DOOR,

AND I'M NOT EVEN
ALLOWED IN.

HOW COME YOU GET
A ROOM LIKE THAT?

'CAUSE YOU'RE SUCH
A BRILLIANT WRITER

AND I'LL NEVER
BE ANYWHERE NEAR
AS GOOD AS YOU?

WHY DO YOU
GET A ROOM?

I'VE LIVED HERE
FOR A WHILE.

I PAY THE RENT.

OHH!

I WAS NOT PLANNING ON
HAVING YOU SUPPORT ME,

IF THAT'S
WHAT YOU THOUGHT.

NO.

RENT'S NOT DUE
FOR A WEEK,

BUT I'LL GIVE IT
TO YOU NOW

SO YOU DON'T
THINK I'M TRYING
TO SCAM YOU.

MAYBE I ALWAYS
MARRY GUYS

SO I CAN LIVE IN
A HOUSE FOR FREE
AND BE IGNORED.

SEEMS AS THOUGH YOU'VE
MADE A CHECK OUT

FOR "SELFISH
ARROGANT DICKHEAD."

MM-HMM.

THEY'LL CASH IT.
THEY KNOW IT'S YOU.

THEY DO?

WHAT IS
A DICKHEAD,
EXACTLY?

YOU.

IF I'M A DICKHEAD
AND YOU'RE MARRIED
TO A DICKHEAD,

WHAT DOES THAT
MAKE YOU?

AN IDIOT.

YOU'D THINK WE'D BE
THE PERFECT MATCH--

AN IDIOT...
AND A DICKHEAD.

YOU WOULD THINK.

OUR FIRST FIGHT.

I'M NOT GOING
TO WASH YOUR SHIRT.

I KNOW THAT.

* YOU DON'T KNOW
WHAT SHE'LL DO *

* MAKES ME THINK MAYBE *

* GOD'S A WOMAN, TOO *

* MAKES ME THINK MAYBE *

* GOD'S A WOMAN, TOO *

I DON'T KNOW ABOUT
THAT LAST LINE.

BEST LINE
IN YOUR SONG.

HELL OF A LINE.

REALLY?

YEAH, ABSOLUTELY.

WELL, YOU'RE THE EXPERT,
RIGHT?

OH, I HAVE THAT MONEY
I OWE YOU.

NOW WE'RE EVEN.

HEY, COME ON.
SHE'S LETTING PEOPLE IN.

COME ON,
GET ON THE STICK.

DON'T BE LATE.

GOOD LUCK TODAY.

THANKS, NED.

COME ON.

LET'S SEE...

* TONIGHT *

* WHOLE WORLD'S
GOIN' CRAZY *

* ALMOST AS CRAZY
AS I FEEL *

* THERE'S A COLD RAIN *

* ISN'T IT AMAZING? *

* THAT'S NOT SUPPOSED
TO BE THE DEAL *

* THERE'LL BE TORNADOES
IN THE TRAILER PARK *

* AN ECLIPSE WILL MAKE
THE WHOLE WORLD DARK *

* JUST WHEN YOU THINK
SHE'S GOT NO HEART *

* SHE'LL BREAK
A SUNNY DAY *

* MOTHER NATURE... *

YEAH.

THANK YOU.

IF I CALL YOUR NAME,

IT MEANS YOU'RE GOING TO
PLAY HERE SATURDAY NIGHT,

AND GET HERE BEFORE 7:00.

CAROL ANN HARRIS.

JERRY WARD.

RUSSELL CROWNE.

JOANNE DANIEL.

LESTER SHARPE.

CONGRATULATIONS,
EVERYBODY.

WELL, GOT TO
GET TO WORK.

WELL, THAT SOUNDS
LIKE A DEAL.

SURE WILL.

I'LL SEE YOU TOMORROW.

GOD BLESS.

OH, MY BABY.

HEY.

DARLIN' MIRANDA.

WHAT ARE YOU DOING?

GUESS WHAT HAPPENED.
I TALKED TO R.C.

YEAH?

I WORKED THINGS OUT.

I LEAVE FOR AUSTIN
THIS EVENING.

FOR AUSTIN?

HE'S GIVING ME
COMPLETE CREATIVE CONTROL.

I HAVE TO GIVE HIM
A BUCK EVERY TIME
I SMACK SOMEONE.

HOW LONG WILL
YOU BE GONE?

DON'T KNOW.
A MONTH OR TWO.

A RECORD, IT'LL TAKE
SOME TIME, NO DOUBT.

WOW,
A MONTH OR TWO.

WHAT ABOUT ME?

YOU GOING TO
QUIT YOUR JOB

JUST TO HANG AROUND
AND WATCH ME RECORD?

I THOUGHT YOU'D WANT
TO STAY HERE,
HAVE A LIFE,

SETTLE INTO OUR HOUSE.

AND DO WHAT?

DO WHAT?

DON'T KNOW.

WHAT DOES ONE DO,
ANYWAY?

THERE'S A NUMBER OF
THINGS YOU COULD DO.

YOU COULD
WRITE SONGS,
BIRD-WATCH.

OH, JAMES, WHY DON'T YOU
JUST BE STRAIGHT WITH ME?

YOU DON'T WANT ME
TO GO ALONG.

EVER SINCE
WE GOT MARRIED,

YOU'VE BEEN
PUSHING ME AWAY.

I'M NOT
SAYING THAT.

WERE YOU PLANNING
ON ASKING ME
TO GO WITH YOU?

I HAVEN'T GIVEN IT
MUCH THOUGHT.

NO, OBVIOUSLY NOT.

AM I TO TAKE CARE
OF YOU,

MYSELF, MY MUSIC?

TAKE CARE OF ME?

YOUR TROUBLES.

MY--MY TROUBLES?

IS THIS IT?

WHAT TROUBLES
WOULD THOSE BE?

WHAT, THE FACT
THAT I'M YOUR WIFE

AND YOU'RE SPLITTING
TOWN FOR TWO MONTHS

AND YOU DON'T EVEN
ASK ME TO GO?

IS THAT THE TROUBLES
YOU'RE SPEAKING OF?

MAYBE I'M NOT
THE MARRYING TYPE
IF MARRIAGE IS THIS.

IF YOU'RE SO SCARED
OF TURNING OUT
LIKE YOUR FATHER,

YOU BETTER
TAKE A GOOD LOOK
AT YOURSELF.

ARE YOU DRUNK?

AM I...WHAT?
AM I DRUNK?

WHY? WHY WOULD YOU
SAY THAT?

BECAUSE YOUR MOTHER
HAD TO GET DRUNK

TO DEAL WITH
YOUR FATHER?

YOU KNOW,
YOU ACT SO INTENSE,

SO CALM,

SO COOL
AND COLLECTED.

THE TRUTH IS,
YOU'RE SO
FUCKING SCARED.

YOU'RE AS SCARED
AS A LITTLE BOY.

GET AWAY.

IT DOESN'T HAVE
TO GET THIS UGLY.

I DIVORCE YOU,

I DIVORCE YOU,

I DIVORCE YOU.

* CRAZY *

* I'M CRAZY
FOR FEELIN' *

YOU CALL ME UP,
AND YOU TELL ME
YOU'RE DIVORCED

AND THAT YOU DON'T WANT
TO TALK ABOUT IT ANYMORE.

* I'M CRAZY *

I STILL DON'T WANT
TO TALK ABOUT IT.

WHEN DO YOU THINK
YOU MIGHT LIKE
TO TALK ABOUT IT?

DO YOU LOVE ME,
KYLE?

UH, WH-WHAT?

ARE YOU
IN LOVE WITH ME?

STRAIGHT ANSWER.

YOU--YOU WANT ME
TO TELL YOU HOW
I FEEL ABOUT YOU?

YEAH.

O.K.

O.K.

UH...

SOMETIMES YOU HEAR
A SONG ON THE RADIO,

AND IT'S JUST
THE SONG YOU WANT
TO HEAR RIGHT THEN,

AND THEN IT'S OVER,
AND YOU'RE JUST
GLAD YOU HEARD IT.

AND I'M LIKE
THAT SONG?

NO.

YOU'RE NOTHING
LIKE THAT SONG.

YOU'RE LIKE IF THERE WAS...

ONE SONG IN THE WORLD
THAT I COULD HEAR FOR
THE REST OF MY LIFE.

YOU'RE THAT SONG.

KIND OF LIKE
YOUR FAVORITE SONG,

YOU MEAN.

DON'T DO THAT.

I USED TO HAVE
A FAVORITE SONG.

DON'T MAKE A CLICHE.

YOU ASKED ME,
SO I TOLD YOU.

I'M SORRY.

YOU'RE RIGHT.

I DON'T KNOW
WHAT I'M DOING.

I THINK I'M JUST
GOING TO GO HOME
TO NEW YORK.

WHY?

BECAUSE NOTHING
IN MY LIFE
IS WORKING HERE.

UH...

WHY DID YOU COME
TO NASHVILLE?

YOU CAME HERE TO
FIND YOURSELF, RIGHT?

WELL, GUESS WHAT.
IN NEW YORK...

YOU'RE GOING
TO BE LOOKING
FOR THE SAME PERSON.

OH, HI, HON.

I DIDN'T THINK YOU
WERE WORKING TONIGHT.

NO, I'M NOT. UM...

I'M QUITTING.

I'M GOING TO GO
BACK TO NEW YORK,

SO DON'T TRY AND
TALK ME OUT OF IT.

WELL, I WON'T.

I'LL JUST SAY GOODBYE.

COME HERE.

* BUT REGARDLESS *

* OF WHAT LOVE IS *

* WE ARE ALL BLESSED *

* JUST THAT LOVE IS *

YOU GOT IT, JAMES.
YOU'RE COOKING, BUDDY.

YOUR ATTENTION, PLEASE.

THIS IS THE FINAL CALL FOR
BUS 18 TO NEW YORK CITY.

BUS 18 FOR NEW YORK CITY,

THIS IS YOUR FINAL
BOARDING CALL.

* MAMA TOLD HER BABY GIRL,
TAKE IT REAL SLOW *

* GIRL TOLD HER MAMA,
HEY, I REALLY GOT TO GO *

* HE'S WAITIN'
IN THE CAR *

* MAMA SAID,
GIRL, YOU WON'T GET FAR *

* THUS ARE THE DREAMS
OF AN AVERAGE JANE *

* 90 MILES AN HOUR
DOWN A LOVERS' LANE *

* ON A TANK OF DREAMS *

* OH, IF SHE
COULD'VE ONLY SEEN *

* THE FACE GOD CARVES
THAT IT DON'T WANT TO SHOW *

* AND THAT BOY'S
JUST A WALK-AWAY JOE *

* BORN TO BE A LEAVER *

* TELL YOU FROM
THE WORD GO *

* DESTINED TO DECEIVE HER *

* HE'S THE WRONG KIND
OF PARADISE *

* SHE'S GONNA KNOW IT
IN A MATTER OF TIME *

* THAT BOY'S JUST
A WALK-AWAY JOE *

* OOH, YEAH *

* ALL HE WAS
WAS A WALK-AWAY JOE *

* OOH OOH OOH *

* I'VE BEEN LOST *

* ON STREETS
OF PLENTY... *

I'LL CALL HIM LATER.

THIS IS ONE HELL
OF A TAKE, JAMES.

ONE HELL OF A TAKE!

WHAT'S THE MATTER,
BUDDY?

NOTHIN'.

NO, THIS IS A--

THIS IS
A GOOD TAKE.

YOU LIKE IT.

MMM.

ABSOLUTELY.

* AIN'T WORTH
A QUARTER *

* IT'S MUDDY WATER *

* UNTIL NOW *

* THERE'S A LIGHT *

* THAT SHINES FOREVER *

* THERE'S A LIGHT *

* THAT SHINES FOR ME *

* THERE'S A LIGHT *

* MY FOOTSTEPS GUIDIN' *

* FOR I'VE BEEN HIDIN' *

* UNTIL NOW *

* THE LOVE I FOUND *

* WAS DARK AND DUSTY *

* FOR I MISTRUSTED *

* UNTIL NOW *

AHEM.

SHE LEFT TOWN?

WELL, YES, SHE DID.

WHERE TO?
DO YOU KNOW?

YOU DID THE RIGHT
THING, JAMES.

YOU CAME BACK
FOR HER.

THANK YOU. NEW YORK?
IS THAT WHERE SHE WENT?

I DON'T KNOW, JAMES.

HOME?

KYLE.

IT'S GOOD TO SEE YOU.

WHAT'S GOING ON?

MIRANDA LEFT ME.

OH, YEAH?

YEAH.

DID SHE GO
TO NEW YORK?
I MEAN, SHE--

DID SHE?

SHE SAID SHE MIGHT.

O.K. THAT'S WHAT I WANT
TO HEAR, THE TRUTH.

SHIT.

I'M SORRY.

NO.

I'M SORRY...
ABOUT EVERYTHING.

NO, I JUST--I JUST--
I JUST MEAN THAT...

LOOK, IT REMINDS
OF THE OLD STORY

OF THE GREEN KING
AND THE RED KING,

WHERE THEY BATTLE
EACH OTHER EACH YEAR

FOR THE FAVOR
OF THE LADY IN WHITE.

TAKE TURNS DYING.

WHAT DO YOU MEAN,
I'M DEAD THIS YEAR?

WELL...

THIS YEAR
WE'VE BOTH, UM...

KICKED THE BUCKET.

YEAH.

WHAT I'M SAYING IS,
IT'S THE NATURE
OF THINGS.

TWO GUYS AND A...

A GIRL.

SEE WHAT I MEAN?

IT'S THE OLDEST STORY
IN THE BOOK.

EXCEPT I BLEW IT.

* I'VE GOT A HEART *

* AND, BABY,
THAT'S MY PROBLEM *

* I WANNA KNOW... *

* MUSCLE AND BLOOD *

* I KNOW NOW *

* WHAT ROAD I'M ON *

* I'M A VAGABOND *

* ON THE STREETS OF LOVE *

* I'M MORE *

* LIKE MYSELF NOW *

* THAN I EVER WAS *

* AND I *

* DON'T REGRET IT, BABY *

* I'M NOT AFRAID
OF WANTING YOU *

* I KNOW NOW *

* WHAT I'M MADE OF *

* SKIN AND BONE *

* MUSCLE AND BLOOD *

* I KNOW NOW
WHAT ROAD I'M ON *

* I'M A VAGABOND *

* ON THE STREETS
OF LOVE... *

HEY, LUCY.

WELL, LOOK WHO'S HERE.

I GOT A SONG.

YEAH? WELL,
YOUR HUSBAND'S OVER THERE.

HE CAME BACK FOR YOU.

WELL, I CAME BACK
FOR MYSELF.

GOOD FOR YOU.

LISTEN, YOU THINK

YOU COULD BREAK ONE
OF THOSE RULES FOR ONCE?

WELL...

YOU READY?

YES, MA'AM.

WELL, THEN LET'S SEE
WHAT WE CAN DO.

ALL RIGHT.

* I KNOW NOW *

* WHAT I'M MADE OF *

* SKIN AND BONE *

* MUSCLE AND BLOOD *

* I KNOW NOW
WHAT ROAD I'M ON *

* I'M A VAGABOND *

* ON THE STREETS OF LOVE *

* HONEY, I'M A VAGABOND *

* ON THE STREETS OF LOVE *

WELL, WE THOUGHT
THAT WAS IT,

BUT IT TURNS OUT THAT...

MIRANDA PRESLEY
IS THE FAT LADY FOR TONIGHT.

GREAT SONG.

HEY.

I'M REALLY PROUD OF YOU.

YEAH, UM, I'M GLAD
YOU CAME BACK.

YEAH, ME, TOO.

GOOD.

GOOD LUCK.

UH...

THIS IS SOMETHING NEW.

* I HAVE A DREAM OF MY OWN *

* AND IT'S MINE
AND MINE ALONE *

* IT'S BEEN MY FRIEND *

* SINCE I WAS JUST A GIRL *

* IT HAS A LIFE *

* IT HAS A HEART *

* HAS A SOUL *

* AND IT'S A PART *

* OF EVERYTHING THIS WOMAN
GIVES THE WORLD *

* AND IT'S A BIG DREAM *

* BIG ENOUGH TO SHARE *

* LIKE A RAINBOW *

* HANGIN' IN THE AIR *

* AND I THANK GOD
FOR MAKIN' IT COME TRUE *

* MAKES ME THINK MAYBE *

* GOD'S A WOMAN, TOO *

* MAKES ME THINK
MAYBE GOD'S A WOMAN, TOO *

* THERE'S A FULL MOON
TONIGHT *

* AND I'M BATHING
IN ITS LIGHT *

* NAKED AS THE DAY *

* THAT I WAS BORN *

* THERE IS NO SHAME
BENEATH THIS SKY *

* I HAVE KISSED
THE PAST GOODBYE *

* AND MENDED UP
MY BROKEN HEART SO TORN *

* WITH A SWEET SOUND *

* ONLY I CAN MAKE *

* AND IT GETS STRONGER *

* WITH EVERY BREATH I TAKE *

* AND IT'S ALL A PART *

* OF MAKING ME FEEL NEW *

* MAKES ME THINK MAYBE *

* GOD'S A WOMAN, TOO *

* MAKES ME THINK
MAYBE GOD'S A WOMAN, TOO *

YOU WERE WONDERFUL.

OH, MY GOD.
WHAT ARE YOU
DOING BACK?

YOU WERE SO GOOD.
YOU REALLY WERE.

THANKS, BILLY.
I HAD SOMETHING
TO TAKE CARE OF.

I SHOULD SAY SO.
WHAT A SURPRISE.

I JUST CAME HERE TO
SAY GOODBYE TO KYLE,

AND THEN
THERE YOU WERE.

WHERE ARE YOU GOING?

O.K. LISTEN UP, EVERYBODY.

I'LL TELL YOU
IN A MINUTE.

IF I READ YOUR NAME,

YOU'LL SING HERE
SATURDAY NIGHT.

YOU HAVE TO BE HERE
BEFORE 7:00.

"DAVID WARNER...

"KYLE DAVIDSON...

"JULIE FREDERICKS...

"MISSY PARKER...

AND MIRANDA PRESLEY."

I'M SO PROUD
OF YOU.

I'LL MEET YOU
BY THE CAR.

COME ON, BABY.
WE'LL SEE YA.

DID YOU FIND KYLE?

I DIDN'T SEE KYLE.
I SAW FLOYD.

HEY!

YOU SHOWED 'EM!

THAT WAS GREAT.

YEP, SOMETIMES IT PAYS
TO BREAK THE RULES.

ALL RIGHT.

THAT WAS
SO LOVELY. PURE.

YES, FLOYD,
GO FIX SOMETHING.

I WAS GOING
TO SAY THAT.

I'LL HELP.

I DIDN'T MEAN
TO INTERRUPT
OR ANYTHING.

CAN I SPEAK
WITH YOU?

YEAH, SURE.
WHAT'S UP?

I NEED TO HAVE A WORD
WITH YOU IN PRIVATE.

OH. O.K.
ALL RIGHT.

PLEASE.

YEAH.

THANK YOU.

THAT WAS SO SOULFUL,
WHAT YOU DID UP THERE.

SO?

I MISSED YOU.

BAD.

WHAT HAPPENED
WITH YOUR ALBUM?

IT'S O.K.

I HAD TO COME BACK
TO RETRIEVE OUR LOVE.

SO THIS IS CONVENIENT
FOR YOU NOW?

I WAS SCARED
THAT I MIGHT NOT SEE
YOU AGAIN, AND...

I REALIZE MY FAULT
IN ALL THIS.

SOUNDS LIKE A SONG.

A SONG THAT WE SHOULD
WRITE TOGETHER.

YEAH?

I'M STILL YOUR HUSBAND.

NO, WE GOT DIVORCED...

IF YOU REMEMBER
CORRECTLY.

WELL, IT DOESN'T COUNT.

WE GOT TO GO
TO THE SAME SUPERMARKET
IN MEMPHIS

FOR IT TO BE PROPER.

YEAH?

O.K.

WE GOT A DATE.

WE GOT A DATE
TO GET DIVORCED?

YEAH.

ALL RIGHT!

LOOKS LIKE YOU MADE IT
INTO LUCY'S HALL OF FAME.

LUCY...

THAT'S A BIG DEAL.

THANKS, LUCY.

IT'S A GOOD START.

MM-HMM.

ALL RIGHT, Y'ALL.

ALL RIGHT.

UH, JAMES...

BAGS?

HUH.

YES, MISS MIRANDA.

UH-OH. UH-OH.

WELL, IT LOOKS
LIKE YOU BOTH
PULLED A LINDA LUE

AND CHANGED
YOUR MINDS, HUH?

I, TOO,
HAVE CHANGED MY MIND.

I'M NO LONGER GOING
TO HOLLYWOOD,

BUT I'M GOING
TO NEW YORK

TO STUDY SERIOUS ACTING.

NEW YORK?

I TOLD HER SHE OUGHT
TO STUDY COMEDY.

COMEDY IS PART
OF SERIOUS ACTING, BILLY.

HEY, THERE'S KYLE
OVER THERE.

HEY, KYLE DAVIDSON,
DON'T YOU GET IN THAT CAR

WITHOUT SAYING GOODBYE
TO ME!

COME ON, GET OVER HERE!

YOU, QUIT BEING
SUCH A HANDFUL.

ALL RIGHT.

GOODBYE.

GOOD LUCK IN NEW YORK.

THANK YOU.

SEE YOU, SWEETIE.

O.K.

DON'T EVEN SAY
GOODBYE TO ME.

JUST COME HERE.

HEY, LINDA LUE,
IS THAT YOUR FACE I SEE?

YOU KNOW,
THERE IS SOMETHING

THAT YOU NEVER
UNDERSTOOD ABOUT ME.

OH, JESUS!

THAT AIN'T
VERY CHRISTIAN,
LINDA LUE!

YOU COULD'VE HAD ME
FOR A SONG.

HEY.

FOR GOOD LUCK.

OH, GOD!

YOU WANT ME TO WEAR
A YANKEES CAP?

OH!

DAMN YANKEES.

OTHER SIDE.

WATCH YOUR DAMN DOG.

GET OVER, BILLY.

COME ON, LET'S GO.

SEE YOU TWO...

THREE.

SO LONG!

LOOK OUT,
NEW YORK CITY,

'CAUSE HERE I COME
AND I AIN'T
NEVER LEAVING!

WHOO!

WELL, LET'S ALL
TAKE A DRIVE IN MY TRUCK.

COME ON.

SO WHEN WE MEET
AS FRIENDS,

MY HEART
WILL BREAK AGAIN.

IF THAT'S HOW
THE STORY ENDS,

* THEN I CAN'T
UNDERSTAND *

YEAH, I UNDERSTAND.

HEY, JIMMY.

WHAT?

I GOT THIS IDEA
FOR A SONG.

WHAT'S THAT?

WELL, THERE'S
THESE TWO KINGS, SEE?

AND THEY'RE BOTH
ALWAYS FIGHTING

OVER THE SAME
FAIR-HAIRED MAIDEN.

SOUNDS FAMILIAR.

YEAH. I'LL DO THE MUSIC,

YOU DO THE LYRICS,
AND MIRANDA CAN SING IT.

SOUNDS GOOD.

HEY, I GOT AN IDEA.

WHY DON'T I WRITE THE LYRICS

AND YOU TWO GUYS
CAN SING THE TUNE?

YOU'RE KIDDING.

YOU GOT A PROBLEM
WITH THAT?

WE'RE ALL
IN AGREEMENT.
ABSOLUTELY.

GOOD. I'M GLAD. WHOO!

* YOU GOT A THING
OR TWO *

* TO LEARN ABOUT ME, BABY *

* 'CAUSE I AIN'T
TAKIN' IT NO MORE *

* AND I DON'T MEAN MAYBE *

* YOU DON'T KNOW
RIGHT FROM WRONG *

* THE LOVE WE HAD IS GONE *

* SO BLAME IT
ON YOUR LYIN', CHEATIN' *

* COLD, DEAD-BEATIN' *

* TWO-TIMIN',
DOUBLE-DEALIN' *

* MEAN, MISTREATIN' *

* LOVIN' HEART *

* WELL, ALL I WANTED *

* WAS TO BE
YOUR ONE AND ONLY *

* AND ALL I EVER GOT
FROM YOU *

* WAS BEIN' LONELY *

* NOW THAT IS LAID TO REST *

* 'CAUSE YOU HAVE
FAILED THE TEST *

* HEY, BLAME IT
ON YOUR LYIN', CHEATIN' *

* COLD, DEAD-BEATIN' *

* TWO-TIMIN',
DOUBLE-DEALIN' *

* MEAN, MISTREATIN' *

* LOVIN' HEART *

* ARE YOU HEADED
FOR A HEARTACHE? *

* OH, YEAH *

* GONNA GET A BAD BREAK *

* OH, YEAH *

* MADE A BAD MISTAKE *

* OH, YEAH *

* WELL, YOU'RE NEVER
GONNA FIND *

* ANOTHER LOVE LIKE MINE *

* WELL, SOMEONE'S
GONNA DO YOU *

* LIKE YOU DONE ME, HONEY *

* AND WHEN SHE DOES YOU
LIKE SHE'LL DO YOU *

* WELL, IT AIN'T FUNNY *

* YOU'LL NEED
SOME SYMPATHY *

* BUT DON'T BE CALLIN' ME *

* HEY, BLAME IT
ON YOUR LYIN', CHEATIN' *

* COLD, DEAD-BEATIN' *

* TWO-TIMIN',
DOUBLE-DEALIN' *

* MEAN, MISTREATIN' *

* LOVIN' HEART *

* ARE YOU HEADED
FOR A HEARTACHE? *

* OH, YEAH *

* GONNA GET A BAD BREAK *

* OH, YEAH *

* MADE A BAD MISTAKE *

* OH, YEAH *

* WELL, YOU'RE NEVER
GONNA FIND *

* ANOTHER LOVE LIKE MINE *

* WELL, SOMEONE'S
GONNA DO YOU *

* LIKE YOU DONE ME, HONEY *

* AND WHEN SHE DOES YOU
LIKE SHE'LL DO YOU *

* WELL, IT AIN'T FUNNY *

* YOU'LL NEED
SOME SYMPATHY *

* BUT DON'T BE CALLIN' ME *

* HEY, BLAME IT
ON YOUR LYIN', CHEATIN' *

* COLD, DEAD-BEATIN' *

* TWO-TIMIN',
DOUBLE-DEALIN' *

* MEAN, MISTREATIN' *

* LOVIN' HEART *

* YOU'LL NEED
SOME SYMPATHY *

* BUT DON'T BE CALLIN' ME *

* HEY, BLAME IT
ON YOUR LYIN', CHEATIN' *

* COLD, DEAD-BEATIN' *

* TWO-TIMIN',
DOUBLE-DEALIN' *

* MEAN, MISTREATIN' *

* LOVIN' HEART *

* HEY, BLAME IT
ON YOUR LYIN', CHEATIN' *

* COLD, DEAD-BEATIN' *

* TWO-TIMIN',
DOUBLE-DEALIN' *

* MEAN, MISTREATIN' *

* LOVIN' HEART *

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