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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:14,548 --> 00:00:17,751 CAPTIONING MADE POSSIBLE BY WARNER BROS. 4 00:01:02,163 --> 00:01:04,765 [DOG BARKS] 5 00:01:09,570 --> 00:01:11,572 [RINGING] 6 00:01:50,811 --> 00:01:52,680 COME IN, Y'ALL. 7 00:02:26,980 --> 00:02:28,916 GOOD MORNING. 8 00:02:36,190 --> 00:02:37,925 GOOD MORNING, SYLVESTER. 9 00:02:37,925 --> 00:02:39,393 MORNING, MAMA. 10 00:02:39,393 --> 00:02:40,994 GOOD MORNING, GERTIE. 11 00:02:40,994 --> 00:02:42,396 GOOD MORNING, AUNT SARAH. 12 00:02:42,396 --> 00:02:44,898 DON'T RUN WITH THEM EGGS, ARNETT! 13 00:02:57,811 --> 00:02:59,847 Woman: BIG BABY? 14 00:03:01,215 --> 00:03:02,816 BIG BABY? 15 00:03:02,816 --> 00:03:04,285 MA'AM, MISS WHITE? 16 00:03:04,285 --> 00:03:06,220 BIG BABY, COME OVER HERE, PLEASE. 17 00:03:14,962 --> 00:03:16,364 MORNING, MISS WHITE. 18 00:03:16,364 --> 00:03:17,931 MORNING. WOULD YOU RUN THIS OVER 19 00:03:17,931 --> 00:03:18,966 TO MR. WRIGHT AT THE STORE? 20 00:03:18,966 --> 00:03:20,200 YES, MA'AM, MISS WHITE. 21 00:03:20,200 --> 00:03:21,201 BIG BABY... 22 00:03:21,201 --> 00:03:22,936 MA'AM? 23 00:03:22,936 --> 00:03:25,806 THE NAME IS WRIGHT. 24 00:03:25,806 --> 00:03:27,741 YES, MA'AM. 25 00:03:27,741 --> 00:03:31,445 MR. WRIGHT, GOT YOUR BREAKFAST! 26 00:03:34,682 --> 00:03:36,083 Woman: OHH! UHH! 27 00:03:36,083 --> 00:03:37,485 Big Baby: MR. WRIGHT! 28 00:03:37,485 --> 00:03:39,687 Woman: OH, MR. WRIGHT! OHH! OHH! 29 00:03:39,687 --> 00:03:41,822 OH, MR. WRIGHT! 30 00:03:41,822 --> 00:03:44,191 MR. WRIGHT, I GOT YOUR BREAKFAST! 31 00:03:44,191 --> 00:03:45,326 MR. WRIGHT, 32 00:03:45,326 --> 00:03:47,227 I GOT YOUR BREAKFAST! 33 00:03:47,227 --> 00:03:49,830 STAY WHERE YOU ARE, BIG BABY! 34 00:03:49,830 --> 00:03:51,799 STAY WHERE YOU ARE! 35 00:03:51,799 --> 00:03:52,933 I'M COMING! 36 00:03:52,933 --> 00:03:56,737 MR. WRIGHT! MR. WRIGHT, I GOT YOUR...BREAKFAST. 37 00:04:02,175 --> 00:04:05,178 [ROOSTER CROWS] 38 00:04:05,178 --> 00:04:07,381 A NICE DAY, AIN'T IT? 39 00:04:09,182 --> 00:04:11,385 Y'ALL GET ON NOW. 40 00:04:14,988 --> 00:04:17,758 [TRAIN WHISTLE BLOWS] 41 00:04:18,659 --> 00:04:21,194 THAT'LL BE 2 PENNIES, PLEASE. 42 00:04:21,194 --> 00:04:23,263 THANK YOU. 43 00:04:23,263 --> 00:04:25,666 HA HA HA HA HA. 44 00:04:25,666 --> 00:04:28,302 GIRL, YOU BETTER GO AWAY FROM HERE. 45 00:04:28,302 --> 00:04:29,903 HOW'S THE FAMILY? 46 00:04:29,903 --> 00:04:31,204 MORNING, MISS SARAH. 47 00:04:31,204 --> 00:04:32,473 MORNING, MR. BRYCE. 48 00:04:32,473 --> 00:04:33,807 LOVELY DAY, AIN'T IT? 49 00:04:33,807 --> 00:04:35,343 OOH, THAT IT IS. 50 00:04:35,343 --> 00:04:36,944 YOU GOT THAT EGG FOR ME, BOY? 51 00:04:36,944 --> 00:04:37,945 YES, SIR. 52 00:04:37,945 --> 00:04:39,813 HMM. THERE YOU ARE. 53 00:04:39,813 --> 00:04:40,948 THANK YOU. 54 00:04:40,948 --> 00:04:42,082 YOU'RE WELCOME. 55 00:04:42,082 --> 00:04:43,684 HERE YOU GO, MAMA. ALL RIGHT. 56 00:04:43,684 --> 00:04:45,419 ALL ABOARD! 57 00:04:45,419 --> 00:04:47,521 [WHISTLE BLOWS] 58 00:04:59,367 --> 00:05:02,770 [WHISTLE BLOWS] 59 00:05:44,077 --> 00:05:45,446 SHOOT. 60 00:05:46,614 --> 00:05:48,616 SHOOT, FOR CHRIST SAKE. 61 00:05:48,616 --> 00:05:50,818 YOU LITTLE MULLET! 62 00:05:54,154 --> 00:05:57,725 WHAT, ARE YOU AN AUDUBON FELLA? A BIRD-WATCHER? 63 00:05:57,725 --> 00:05:58,926 COME ON. 64 00:06:00,628 --> 00:06:03,597 THIS IS GOING TO BE THE FIRST BOAR YOU SMOKED YOURSELF. 65 00:06:03,597 --> 00:06:06,133 YOU KNOW WHAT THEM SEMINOLE INJUNS SAY? 66 00:06:06,133 --> 00:06:11,004 YOU DON'T? THEY SAY YOU ONLY SUPPOSED TO KILL WHAT YOU GONNA EAT. 67 00:06:11,004 --> 00:06:13,373 THEY SAY IT'S A SIN IF YOU DON'T. 68 00:06:13,373 --> 00:06:15,976 HA! DAMN SEMINOLE. 69 00:06:17,210 --> 00:06:18,612 LISTEN HERE. 70 00:06:18,612 --> 00:06:21,181 DON'T WANT YOU AROUND THAT COLORED BOY NO MORE. 71 00:06:21,181 --> 00:06:22,783 ARNETT? 72 00:06:22,783 --> 00:06:25,753 DON'T LOOK RIGHT, MY BOY TRAILING AROUND AFTER A NIGGER. 73 00:06:25,753 --> 00:06:29,823 BUT HE ARNETT. HE'S MY FRIEND. 74 00:06:29,823 --> 00:06:31,224 THAT HURT? 75 00:06:31,224 --> 00:06:32,526 NO. 76 00:06:32,526 --> 00:06:33,961 WHY YOU CRYIN'? 77 00:06:33,961 --> 00:06:35,228 I AIN'T CRYING. 78 00:06:35,228 --> 00:06:38,632 YOU'LL BE A MAN SOON. I'LL GET YOU THERE. 79 00:06:38,632 --> 00:06:40,834 WHOA! WHOA! WHOA! 80 00:06:40,834 --> 00:06:42,235 HEY, DUKE! 81 00:06:42,235 --> 00:06:43,437 SEEN ANY NIGGERS OUT HERE? 82 00:06:43,437 --> 00:06:44,905 NO, SIR. 83 00:06:44,905 --> 00:06:47,274 WELL, ONE ESCAPED OFF THE CHAIN GANG NEAR STATE ROAD. 84 00:06:47,274 --> 00:06:48,776 NAME'S JESSE HUNTER. 85 00:06:48,776 --> 00:06:50,778 HE MIGHT HAVE HEADED FOR ROSEWOOD. 86 00:06:50,778 --> 00:06:52,946 YOU KEEP AN EYE OUT. OH, UH, DUKE, 87 00:06:52,946 --> 00:06:56,550 YOU SEE HIM, DON'T SHOOT HIM. BRING HIM TO ME. 88 00:06:56,550 --> 00:06:59,252 ALL RIGHT. YES, SIR. 89 00:06:59,252 --> 00:07:00,387 I SAY SHOOT HIM. 90 00:07:00,387 --> 00:07:01,789 DRIVE. 91 00:07:05,959 --> 00:07:06,960 AUNT SARAH! 92 00:07:06,960 --> 00:07:08,796 SHERIFF. 93 00:07:13,467 --> 00:07:15,469 [HORSE WHINNIES] 94 00:07:15,469 --> 00:07:17,738 [WHINNIES] 95 00:07:29,216 --> 00:07:30,217 MORNING. 96 00:07:30,217 --> 00:07:32,052 MORNING. 97 00:07:34,354 --> 00:07:35,823 [ZIPPER UNZIPS] 98 00:07:35,823 --> 00:07:36,757 JAMES. 99 00:07:36,757 --> 00:07:38,526 I GOT A SURPRISE FOR YOU. 100 00:07:38,526 --> 00:07:39,627 OOH, I WONDER WHAT IT IS. 101 00:07:39,627 --> 00:07:40,828 MMM, DON'T MOVE. 102 00:07:40,828 --> 00:07:43,030 COME ON, BABY. STOP IT. 103 00:07:43,030 --> 00:07:45,398 JAMES, COME ON NOW. 104 00:07:45,398 --> 00:07:47,000 DON'T ACT LIKE A CHILD. 105 00:07:47,000 --> 00:07:48,235 FANNY. FANNY. 106 00:07:48,235 --> 00:07:49,837 STOP IT NOW. 107 00:07:49,837 --> 00:07:50,971 STOP IT. 108 00:07:50,971 --> 00:07:51,972 STOP IT. 109 00:07:51,972 --> 00:07:52,773 OH, FANNY. 110 00:07:52,773 --> 00:07:55,375 I SAID STOP IT. GO TO WORK. 111 00:07:55,375 --> 00:07:56,376 AAH! 112 00:07:56,376 --> 00:07:58,245 DAMN! 113 00:07:58,245 --> 00:07:59,980 [ZIPPER ZIPS UP] 114 00:08:02,215 --> 00:08:03,617 MORNING, SARAH. 115 00:08:03,617 --> 00:08:05,819 MORNING, MR. TAYLOR. 116 00:08:09,122 --> 00:08:11,158 FLOORS NEED SCRUBBIN', AUNT SARAH. 117 00:08:11,158 --> 00:08:15,495 RELAX, CHILD. WE ALREADY DONE SCRUBBED ALL THE CYPRUS 118 00:08:15,495 --> 00:08:17,698 OUT OF THESE OLD BOARDS. 119 00:08:28,241 --> 00:08:29,242 WATCH OUT! 120 00:08:29,242 --> 00:08:30,544 EXCUSE ME, MR. TAYLOR. 121 00:08:50,263 --> 00:08:52,099 AHH. 122 00:08:55,669 --> 00:08:57,671 GOD DAMN. 123 00:08:57,671 --> 00:09:01,609 SO HE WON'T COME AROUND HERE, HUH? 124 00:09:01,609 --> 00:09:04,411 EARL, PUT THE GUN AWAY. 125 00:09:04,411 --> 00:09:06,947 HELL, THAT BOY AIN'T NO MORE OFF A CHAIN GANG 126 00:09:06,947 --> 00:09:09,617 THAN I'M GOVERNOR OF FLORIDA. 127 00:09:09,617 --> 00:09:11,652 SIT ON DOWN. 128 00:09:38,646 --> 00:09:41,248 [INHALES] 129 00:09:45,318 --> 00:09:47,154 [WHINNIES] 130 00:09:48,255 --> 00:09:49,957 BYE, EMMETT. 131 00:09:53,526 --> 00:09:54,928 Woman: ALL RIGHT, SETTLE DOWN. 132 00:09:54,928 --> 00:09:58,666 I'M GONNA TELL YOU A STORY, OK? PAY ATTENTION. 133 00:09:58,666 --> 00:10:00,067 "ONCE UPON A TIME, 134 00:10:00,067 --> 00:10:02,469 "THERE WAS A PONY NAMED DARK 135 00:10:02,469 --> 00:10:05,739 "WHO EVERY NIGHT TOOK LITTLE PEOPLE TO SLEEPY TOWN. 136 00:10:05,739 --> 00:10:08,742 "ONE NIGHT, AS DARK PONY STARTED OFF, 137 00:10:08,742 --> 00:10:12,045 HE MET A LITTLE BOY NAMED NAUGHTY WHO CALLED OUT..." 138 00:10:12,045 --> 00:10:14,114 WHOA! WHOA! WHOA! WHOA! WHOA! WHOA! 139 00:10:14,114 --> 00:10:15,282 WHOA! WHOA! 140 00:10:15,282 --> 00:10:16,316 "PLEASE LET ME GO. 141 00:10:16,316 --> 00:10:17,718 "SO DARK PONY WHOAED 142 00:10:17,718 --> 00:10:19,619 "AND NAUGHTY HOPPED ON HIS BACK 143 00:10:19,619 --> 00:10:21,188 "AND AWAY THEY WENT. 144 00:10:21,188 --> 00:10:22,089 THEY WENT GALLOPING--" 145 00:10:22,089 --> 00:10:23,991 I DON'T KNOW. WHO'S THAT? 146 00:10:27,260 --> 00:10:29,797 HEY, COUSIN SCRAPPIE. 147 00:10:31,298 --> 00:10:32,666 MR. CARTER! 148 00:10:32,666 --> 00:10:35,135 YOU GOT YOURSELF A CUSTOMER! 149 00:10:35,135 --> 00:10:37,137 [PANTING] 150 00:10:38,706 --> 00:10:41,108 HEY, MISTER, 151 00:10:41,108 --> 00:10:43,711 WHY AIN'T YOU GOT A CAR? 152 00:10:43,711 --> 00:10:45,713 I LIKE A HORSE. 153 00:10:45,713 --> 00:10:47,715 CAR'S FASTER. 154 00:10:47,715 --> 00:10:49,717 I AIN'T IN NO HURRY. 155 00:10:49,717 --> 00:10:51,118 YOU GOT A NAME, BOY? 156 00:10:51,118 --> 00:10:53,320 YES, SIR. NAME'S ARNETT. 157 00:10:53,320 --> 00:10:56,123 BOOKER T., MEET ARNETT. 158 00:10:56,123 --> 00:10:59,793 ARNETT, THIS HERE BOOKER T. 159 00:11:00,728 --> 00:11:02,195 WHY AIN'T YOU IN SCHOOL, BOY? 160 00:11:02,195 --> 00:11:04,331 I'M WORKIN' FOR MISS FANNY TAYLOR. 161 00:11:04,331 --> 00:11:06,366 SHE PAYIN' YOU TO FOLLOW ME AROUND? 162 00:11:06,366 --> 00:11:09,102 OH, NO. 163 00:11:14,674 --> 00:11:16,676 CAN I HELP YOU, MISTER? 164 00:11:16,676 --> 00:11:19,880 HORSE THREW A SHOE. NEED ALL 4 DONE. 165 00:11:19,880 --> 00:11:22,682 HELL, CAN'T GET TO IT TILL TOMORROW. 166 00:11:22,682 --> 00:11:24,684 OOH, CLOSING EARLY TONIGHT. 167 00:11:24,684 --> 00:11:25,953 WHY SO? 168 00:11:25,953 --> 00:11:28,088 IT'S NEW YEAR'S EVE, SIR. 169 00:11:28,088 --> 00:11:30,257 DANCE TONIGHT, 8:00, MASON HALL. 170 00:11:30,257 --> 00:11:33,526 PUT THAT HORSE IN THE STABLE. I'LL TAKE CARE OF HIM FOR YOU. 171 00:11:33,526 --> 00:11:35,695 THAT'S A PRETTY HORSE, SIR. 172 00:11:35,695 --> 00:11:37,030 THANK YOU. 173 00:12:01,989 --> 00:12:04,691 NOW, LEMUEL, YOU KNOW ME, I'M FAIR. 174 00:12:04,691 --> 00:12:06,960 I CHARGE A DOLLAR A JUG. 175 00:12:06,960 --> 00:12:09,963 BUT SINCE YOU'RE INTO ME FOR $12 ALREADY, 176 00:12:09,963 --> 00:12:12,565 I'M GOING TO HAVE TO PUT YOU DOWN FOR 3. 177 00:12:12,565 --> 00:12:14,301 $3.00? 178 00:12:14,301 --> 00:12:17,805 OH, NOW, MR. WRIGHT, THAT AIN'T FAIR. 179 00:12:17,805 --> 00:12:21,108 I--I KNOW I OWES YOU A LOTS, 180 00:12:21,108 --> 00:12:23,310 BUT I'M A REGULAR CUSTOMER. 181 00:12:23,310 --> 00:12:24,711 $1.00. 182 00:12:24,711 --> 00:12:26,179 THANK YOU, MR. WRIGHT. 183 00:12:26,179 --> 00:12:28,181 YOU BETTER STOP DRINKING THAT... 184 00:12:28,181 --> 00:12:31,084 BEFORE I OWN... YOUR HOUSE. 185 00:12:35,722 --> 00:12:37,724 FREE OF CHARGE. 186 00:12:37,724 --> 00:12:39,126 GO SEE AFTER YOUR FATHER. 187 00:12:39,126 --> 00:12:40,928 THANK YOU, MR. WRIGHT. 188 00:12:42,329 --> 00:12:43,530 AHEM. FUTURE CUSTOMER. 189 00:12:43,530 --> 00:12:48,869 SORRY, I DON'T EXTEND, UH, CREDIT TO STRANGERS. 190 00:12:48,869 --> 00:12:52,305 YOU OWN THAT PLOT OF LAND ACROSS THE WAY? 191 00:12:52,305 --> 00:12:54,107 I WILL... 192 00:12:54,107 --> 00:12:56,309 THIS TIME TOMORROW. 193 00:12:58,178 --> 00:13:00,780 Mr. Wright: LOOK AT THIS, ALL THESE MELONS, NO GOOD. 194 00:13:00,780 --> 00:13:03,583 SPOILED. HOG FOOD NOW. 195 00:13:03,583 --> 00:13:07,687 JEWEL, DARLIN', YOU GOT TO THROW THESE OUT. 196 00:13:07,687 --> 00:13:10,290 YOU GOT SOME .45 SHELLS? 197 00:13:13,526 --> 00:13:15,328 CLEAN OUT. 198 00:13:15,328 --> 00:13:17,364 BE GOING TO GAINESVILLE FIRST THING IN THE MORNING. 199 00:13:17,364 --> 00:13:20,400 I'LL PICK SOME UP. YOU STILL BE AROUND THEN? 200 00:13:20,400 --> 00:13:22,870 MIGHT BE. 201 00:13:30,010 --> 00:13:31,511 WHAT'S WRONG WITH YOU TWO TODAY? 202 00:13:31,511 --> 00:13:33,713 EVERY TIME I TRY TO TELL YOU TO DO SOMETHING, 203 00:13:33,713 --> 00:13:35,115 YOU WON'T LISTEN. 204 00:13:35,115 --> 00:13:36,516 YOU KNOW, I WILL SMACK YOU. I'LL SMACK YOU. 205 00:13:36,516 --> 00:13:38,718 NO MORE PLAYTIME FOR YOU, NONE. NOT TODAY. 206 00:13:38,718 --> 00:13:40,087 AHEM. 207 00:13:42,722 --> 00:13:44,724 MORNIN', TEACHER, MA'AM. 208 00:13:44,724 --> 00:13:46,526 I WONDER IF YOU CAN TELL ME 209 00:13:46,526 --> 00:13:49,729 WHERE A MAN CAN FIND HISSELF A GOOD MEAL? 210 00:13:49,729 --> 00:13:52,099 Y'ALL GO INSIDE. 211 00:13:53,533 --> 00:13:57,270 WELL, MY NAME AIN'T TEACHER, MA'AM. IT'S BEULAH. 212 00:13:57,270 --> 00:14:00,340 FOLKS I KNOW CALL ME SCRAPPIE. 213 00:14:02,242 --> 00:14:05,913 WELL, FOLKS I KNOW CALL ME MANN... 214 00:14:07,447 --> 00:14:08,982 MISS SCRAPPIE. 215 00:14:11,718 --> 00:14:13,853 NICE TO MEET YOU, MR. MANN. 216 00:14:13,853 --> 00:14:15,322 LIKEWISE. 217 00:14:19,526 --> 00:14:22,329 NOW, THIS HERE'S RATTLER, MR. MANN. 218 00:14:22,329 --> 00:14:23,663 HE A DEER DOG. 219 00:14:23,663 --> 00:14:25,065 HE HELPS ME HUNT, 220 00:14:25,065 --> 00:14:27,867 'CAUSE HE CAN GET REAL QUIET, KNOW WHAT I MEAN? 221 00:14:27,867 --> 00:14:29,869 ALL RIGHT, COME ON, BOY. 222 00:14:29,869 --> 00:14:31,871 THIS WAY NOW. THIS WAY. 223 00:14:31,871 --> 00:14:34,874 [MUSIC ON RADIO PLAYS] 224 00:14:35,742 --> 00:14:38,145 SO, WHAT, UH, 225 00:14:38,145 --> 00:14:40,180 WHAT YOU SELLING NOW, MR. MANN? 226 00:14:40,180 --> 00:14:43,716 WHAT MAKES YOU THINK I'M SELLING SOMETHING, MR. CARRIER? 227 00:14:43,716 --> 00:14:49,322 WELL, I FIGURE A COLORED FELLOW WITH NOWHERE PARTICULAR TO BE, 228 00:14:49,322 --> 00:14:51,959 THAT MAN BE SELLIN' SOMETHING... 229 00:14:52,926 --> 00:14:55,695 OR HE RUNNIN'. 230 00:14:55,695 --> 00:14:57,130 HA HA HA HA. 231 00:14:59,366 --> 00:15:00,900 WELL... 232 00:15:00,900 --> 00:15:02,902 YOU FIGURE WRONG... 233 00:15:04,304 --> 00:15:05,438 FRIEND. 234 00:15:11,811 --> 00:15:12,879 HMM. 235 00:15:12,879 --> 00:15:14,914 COME ON INSIDE. 236 00:15:17,717 --> 00:15:20,687 HEY, GERTIE, GOT SOME GOOD NEWS. 237 00:15:20,687 --> 00:15:23,123 MR. MANN HERE AIN'T SELLIN' NOTHIN'. 238 00:15:23,123 --> 00:15:25,725 Aunt Sarah: TURN THAT MUSIC DOWN. 239 00:15:25,725 --> 00:15:28,461 MY HUSBAND GOT A SUSPICIOUS MIND. 240 00:15:28,461 --> 00:15:29,862 OH, YES, I DO. 241 00:15:29,862 --> 00:15:31,264 HA HA HA HA. 242 00:15:31,264 --> 00:15:32,599 HE'S SWEET ON YOU. 243 00:15:32,599 --> 00:15:34,001 SHH! 244 00:15:34,001 --> 00:15:36,069 Aunt Sarah: HEY, COME OVER HERE AND HELP ME WITH THIS BIRD. 245 00:15:36,069 --> 00:15:37,070 [SNIFFS] MM-HMM! 246 00:15:37,070 --> 00:15:38,138 MUST BE NEW YEAR'S. 247 00:15:38,138 --> 00:15:40,407 YES, SIR. COME ON IN, MR. MANN. 248 00:15:45,578 --> 00:15:47,447 EVENIN', MR. MANN. 249 00:15:47,447 --> 00:15:48,848 MA'AM. 250 00:15:48,848 --> 00:15:50,250 THANK YOU. 251 00:15:50,250 --> 00:15:52,552 THIS IS MY BROTHER JAMES, 252 00:15:52,552 --> 00:15:56,990 HIS WIFE EMMA, AND THEIR DAUGHTER JEWEL. 253 00:15:56,990 --> 00:15:59,392 [WOMAN CHATTERING] BE QUIET. 254 00:15:59,392 --> 00:16:02,362 SCRAPPIE, SHOW THE MAN A SEAT. 255 00:16:02,362 --> 00:16:05,965 OH. YOU CAN SIT HERE. 256 00:16:05,965 --> 00:16:08,101 THANK YOU. 257 00:16:09,436 --> 00:16:12,005 [WHISPERING] 258 00:16:16,109 --> 00:16:17,410 Sylvester: SCRAPPIE! 259 00:16:18,745 --> 00:16:23,050 NOW, I HAD A TALK WITH MR. ANDREWS ON YOUR BEHALF TODAY. 260 00:16:23,050 --> 00:16:24,851 WHAT ABOUT MR. ANDREWS? 261 00:16:24,851 --> 00:16:28,121 MAMA, THAT OLD CRACKER CAUGHT HISSELF WHISTLING AT SCRAPPIE AND ALL THAT. 262 00:16:28,121 --> 00:16:29,356 Mann: WHAT? 263 00:16:29,356 --> 00:16:30,590 Sylvester: YEAH, THAT'S RIGHT. 264 00:16:30,590 --> 00:16:33,926 I WENT OVER THERE AND GAVE HIM SOME WORDS. 265 00:16:33,926 --> 00:16:37,964 Aunt Sarah: SYLVESTER, WHAT YOU SAY TO THEM PEOPLE NOW? 266 00:16:37,964 --> 00:16:43,170 MR. ANDREWS, I COME TO HAVE A WORD WITH YOU ABOUT MY COUSIN. 267 00:16:43,170 --> 00:16:47,074 NOW, I EXPECT YOU TO SHOW HER SOME RESPECT. 268 00:16:47,074 --> 00:16:49,442 YOU EXPECT, BOY? 269 00:16:50,810 --> 00:16:53,980 I DON'T LIKE SCRAPPIE FEELIN' SCARED AROUND NOBODY. 270 00:16:53,980 --> 00:16:56,583 THAT A THREAT THERE? 271 00:16:59,752 --> 00:17:01,921 AIN'T NO THREAT NEEDED. 272 00:17:01,921 --> 00:17:05,125 I'M JUST SAYIN' I DON'T MESS WITH YOUR PEOPLES, 273 00:17:05,125 --> 00:17:08,128 I DON'T WANT YOU MESSIN' WITH MINES. 274 00:17:08,128 --> 00:17:11,998 NOW, I THANK YOU VERY KINDLY, SIR. 275 00:17:11,998 --> 00:17:16,203 Aunt Sarah: SYLVESTER, YOU CAN'T TALK TO WHITE FOLKS LIKE THAT 276 00:17:16,203 --> 00:17:18,205 AND NOT EXPECT A ROPE AROUND YOUR NECK. 277 00:17:18,205 --> 00:17:20,207 LOOK, TIMES IS CHANGIN', MAMA. 278 00:17:20,207 --> 00:17:22,809 NOW, I AIN'T NO SHARECROPPER. 279 00:17:22,809 --> 00:17:24,244 I'M A MUSIC TEACHER. 280 00:17:24,244 --> 00:17:26,979 TIMES AIN'T NEVER CHANGED FOR NO CRACKERS, BOY. 281 00:17:26,979 --> 00:17:28,781 THAT'S RIGHT. 282 00:17:28,781 --> 00:17:33,553 DON'T YOU FORGET THEY BURNED A COLORED MAN OVER IN WYLIE LAST SUMMER 283 00:17:33,553 --> 00:17:35,522 FOR WINKING AT A WHITE WOMAN. 284 00:17:35,522 --> 00:17:36,589 SURE DID. 285 00:17:36,589 --> 00:17:37,924 I KNOW THAT, MAMA, 286 00:17:37,924 --> 00:17:40,059 BUT IT'S ALL RIGHT FOR THEM TO WHISTLE AT SCRAPPIE? 287 00:17:40,059 --> 00:17:41,661 NO, THAT AIN'T RIGHT. 288 00:17:41,661 --> 00:17:42,795 AHEM. 289 00:17:46,299 --> 00:17:48,901 WHAT DO YOU THINK ABOUT ALL THIS BUSINESS, MR. MANN? 290 00:17:48,901 --> 00:17:51,471 OH, THAT MAN READY TO EAT. 291 00:17:51,471 --> 00:17:54,774 WOULD YOU LIKE TO SAY THE BLESSING, MR. MANN? 292 00:17:54,774 --> 00:17:56,276 NO, MA'AM. 293 00:17:56,276 --> 00:17:58,345 I'LL DO IT, MAMA. I'LL DO IT. 294 00:17:58,345 --> 00:18:00,180 Boy: YOU BETTER LEAVE ME ALONE. 295 00:18:01,214 --> 00:18:04,284 THANK YOU FOR THE BOUNTY OF OUR LIVES 296 00:18:04,284 --> 00:18:09,055 AND THE BLESSINGS YOU'VE BESTOWED UPON US AT HOME AND FAMILY. 297 00:18:09,055 --> 00:18:10,123 AMEN. 298 00:18:10,123 --> 00:18:12,125 AMEN. AMEN. AMEN. 299 00:18:12,125 --> 00:18:14,727 Big Baby: CAN I HAVE MY YAMS NOW? 300 00:18:14,727 --> 00:18:16,729 WHO WANTS HAM? 301 00:18:16,729 --> 00:18:18,531 I WANT SOME YAMS. 302 00:18:18,531 --> 00:18:21,134 Sylvester: SCRAPPIE, COME EAT A PART OF THE BIRD 303 00:18:21,134 --> 00:18:24,204 THAT WENT OVER THE FENCE LAST. HA HA HA. 304 00:18:27,940 --> 00:18:29,476 SHH. 305 00:18:29,476 --> 00:18:32,879 WELL, AT LEAST ASK HIM-- ALL RIGHT, ALL RIGHT, ALL RIGHT. 306 00:18:34,947 --> 00:18:40,052 MA'AM, I AIN'T HAD A SUPPER LIKE THAT IN A LONG TIME. 307 00:18:40,052 --> 00:18:41,388 THANK YOU KINDLY. 308 00:18:41,388 --> 00:18:43,156 YOU'RE WELCOME. 309 00:18:43,156 --> 00:18:45,892 YOU BEEN DRIFTING LONG, MR. MANN? 310 00:18:45,892 --> 00:18:47,560 SEEM LIKE FOREVER. 311 00:18:47,560 --> 00:18:50,163 THAT AIN'T NO KIND OF LIFE FOR A MAN. 312 00:18:50,163 --> 00:18:53,166 YOU GET YOURSELF A GOOD PIECE OF LAND, 313 00:18:53,166 --> 00:18:55,168 THE RIGHT WOMAN... 314 00:18:55,168 --> 00:18:57,170 A MAN CAN MAKE A NEW START 'ROUND HERE, 315 00:18:57,170 --> 00:18:59,071 MAKE SOMETHING OF HISSELF. 316 00:18:59,071 --> 00:19:01,574 AIN'T THAT RIGHT, SCRAPPIE? 317 00:19:03,075 --> 00:19:08,381 WELL, AUNT SARAH THINK ROSEWOOD COLORED FOLKS' HEAVEN ON EARTH. 318 00:19:08,381 --> 00:19:11,551 BEST PLACE THESE OLD EYES EVER SEEN. 319 00:19:11,551 --> 00:19:14,887 COLORED FOLKS OWN ALL THE LAND AROUND HERE. 320 00:19:14,887 --> 00:19:16,289 ALL THE BUSINESSES, TOO, 321 00:19:16,289 --> 00:19:18,691 EXCEPT FOR MR. JOHNNY WRIGHT'S STORE, 322 00:19:18,691 --> 00:19:21,294 AND HE A HALFWAY DECENT WHITE MAN, 323 00:19:21,294 --> 00:19:23,596 IF THERE EVER WAS SUCH A THING. 324 00:19:23,596 --> 00:19:26,733 MOST OF US DOIN' BETTER THAN THEM FOLKS OVER IN SUMNER. 325 00:19:26,733 --> 00:19:27,834 HMM. 326 00:19:27,834 --> 00:19:31,371 YOU EVER SEEN A PLACE LIKE ROSEWOOD, MR. MANN? 327 00:19:34,774 --> 00:19:36,376 NO, MA'AM. 328 00:19:39,779 --> 00:19:42,181 HA HA HA HA HA. 329 00:19:42,181 --> 00:19:45,385 HA HA HA HA HA. 330 00:19:52,024 --> 00:19:56,596 "WELL, WE KNOW HOW TO GET MONEY WHEN WE NEED SOME, SAID PECOS. 331 00:19:56,596 --> 00:19:58,898 "ALL RIGHT, NODDED ESSEX. 332 00:19:58,898 --> 00:20:01,301 "THAT'S FINE. 333 00:20:01,301 --> 00:20:03,703 "BUT DON'T TELL ANYBODY I TOLD YOU 334 00:20:03,703 --> 00:20:06,739 OR I'LL CUT OFF YOUR EARS." 335 00:20:06,739 --> 00:20:08,140 [WHISTLES] 336 00:20:08,140 --> 00:20:10,343 HE'S A TOUGH CHARACTER, ESSEX. 337 00:20:10,343 --> 00:20:14,847 "WELL, CROSS MY HEART AND HOPE YOU DIE, REPLIED LIGHTNING FERVENTLY. 338 00:20:14,847 --> 00:20:17,216 "WELL, THAT'S FINE, REPLIED ESSEX. 339 00:20:17,216 --> 00:20:20,052 NOW, GO HOME AND SHUT UP." 340 00:20:20,052 --> 00:20:21,454 HA HA HA HA HA. 341 00:20:21,454 --> 00:20:23,790 "OR LOSE YOUR EARS, ADDED THUNDER." 342 00:20:23,790 --> 00:20:24,857 [CLOCK CHIMES] 343 00:20:24,857 --> 00:20:28,861 AND THAT'S IT. NEXT CHAPTER NEXT WEEK. 344 00:20:28,861 --> 00:20:32,999 I'M GOING UP SUMNER, BUYING DRINKS FOR SOME OF THE BOYS. 345 00:20:32,999 --> 00:20:37,604 JOHN, I WAS THINKING WE MIGHT READ ALOUD FROM THE GOOD BOOK TONIGHT. 346 00:20:37,604 --> 00:20:40,640 IT'LL STILL BE GOOD TOMORROW. 347 00:20:40,640 --> 00:20:43,843 ALL RIGHT, BOYS, UP TO BED. 348 00:20:43,843 --> 00:20:45,244 DAD, COME ON. DAD-- 349 00:20:45,244 --> 00:20:46,646 COULD WE PLEASE STAY UP JUST A FEW MORE-- 350 00:20:46,646 --> 00:20:48,848 BEST DO WHAT YOUR MA SAYS. 351 00:20:53,252 --> 00:20:55,254 SHE AIN'T MY MA. 352 00:20:55,254 --> 00:20:56,456 TIMOTHY. 353 00:20:56,456 --> 00:20:59,225 WHAT'D YOU SAY? 354 00:20:59,225 --> 00:21:00,860 WHAT'D YOU SAY, TIMOTHY? 355 00:21:00,860 --> 00:21:02,061 OW! 356 00:21:02,061 --> 00:21:03,730 WHAT WAS THAT FOR? 357 00:21:03,730 --> 00:21:05,932 THAT'S SO YOU DON'T GET TO THINKING LIKE YOUR BROTHER. 358 00:21:05,932 --> 00:21:07,800 GET ON TO BED NOW. 359 00:21:07,800 --> 00:21:09,669 GET ON TO BED! 360 00:21:11,938 --> 00:21:13,205 [DOOR CLOSES] 361 00:21:13,205 --> 00:21:16,208 SORRY ABOUT THAT, MARY, LOVE. 362 00:21:16,208 --> 00:21:19,612 I GUESS THE BOYS STILL MISS HER. 363 00:21:19,612 --> 00:21:22,281 YOU DO, TOO, I RECKON. 364 00:21:23,750 --> 00:21:27,019 YOU'RE DAMN RIGHT I MISS HER. PARDON ME. 365 00:21:27,019 --> 00:21:31,558 ONLY NATURAL. ONLY BEEN GONE 7 MONTHS-- 7 MONTHS, 3 DAYS. 366 00:21:36,629 --> 00:21:39,231 I'M GOING TO THAT AUCTION TOMORROW. 367 00:21:39,231 --> 00:21:41,734 GET THAT PLOT OF LAND. 368 00:21:41,734 --> 00:21:43,503 DOES THAT MEAN WE'RE STAYING, THEN? 369 00:21:43,503 --> 00:21:45,171 AIN'T NO SENSE OF MOVING AWAY. 370 00:21:45,171 --> 00:21:48,775 I GET BRADLEY'S 5 ACRES, BUILD SOME BINS OUT BACK, SELL FEED. 371 00:21:48,775 --> 00:21:51,110 MAKE ENOUGH MONEY, IN A FEW YEARS, WE'LL MOVE TO GAINESVILLE, 372 00:21:51,110 --> 00:21:53,813 OPEN A BIGGER STORE, BIGGEST THEY EVER SEEN IN FLORIDA. 373 00:21:53,813 --> 00:21:55,047 JOHN... 374 00:21:55,047 --> 00:21:59,686 JOHN, DID YOU EVER CONSIDER HOW I FEEL LIVING HERE? 375 00:22:01,187 --> 00:22:03,189 OH, MARY. 376 00:22:03,189 --> 00:22:05,825 MARY, MARY, MARY, LOVE. 377 00:22:13,866 --> 00:22:16,803 WHY DON'T YOU GO ON AND HAVE THAT DRINK? 378 00:22:21,007 --> 00:22:24,076 YOU BE ALL RIGHT ALONE HERE NEW YEAR'S? 379 00:22:29,315 --> 00:22:31,818 I GOT JESUS WITH ME. 380 00:22:40,226 --> 00:22:42,429 [DANCE MUSIC PLAYING] 381 00:22:49,235 --> 00:22:51,170 GO AHEAD. 382 00:22:51,170 --> 00:22:53,372 THERE HE IS. 383 00:22:55,775 --> 00:22:57,477 Mann: GERTIE LOOKS GOOD. 384 00:22:57,477 --> 00:22:59,412 HA HA HA HA HA. 385 00:22:59,412 --> 00:23:01,013 WATCH YOURSELF, THERE, COTTON. 386 00:23:01,013 --> 00:23:03,115 WATCH YOURSELF THERE. 387 00:23:03,115 --> 00:23:05,518 I'M GONNA CUT A RUG. 388 00:23:05,518 --> 00:23:07,319 CUT A RUG. 389 00:23:07,319 --> 00:23:10,723 GO ON, CUT THAT RUG, BUT DON'T CUT IT TOO DEEP. 390 00:23:16,395 --> 00:23:17,864 ALL RIGHT. 391 00:23:30,977 --> 00:23:32,712 COME ON. 392 00:23:35,414 --> 00:23:37,383 DANCE LIKE HE'S RIDING BOOKER T. 393 00:23:37,383 --> 00:23:38,618 YEAH. HA HA HA. 394 00:23:44,423 --> 00:23:46,826 TWIRL THAT MAN, SCRAPPIE. 395 00:23:51,230 --> 00:23:53,232 LISTEN HERE, NOW. Y'ALL TAKE NOTES, ALL RIGHT? 396 00:23:53,232 --> 00:23:55,434 I DON'T WANT TO HAVE TO DO THIS MORE THAN ONCE. 397 00:23:55,434 --> 00:23:57,904 COME ON, MAN, SHOW HIM HOW TO DO IT. 398 00:24:11,884 --> 00:24:12,985 [SINGING] 399 00:24:12,985 --> 00:24:15,021 SYLVESTER CAN'T DO NO DANCING. 400 00:24:18,057 --> 00:24:20,059 AFRICA. 401 00:24:20,059 --> 00:24:22,061 AFRICA. 402 00:24:22,061 --> 00:24:23,496 NIGERIAN. 403 00:24:31,638 --> 00:24:33,773 [ROOSTER CROWS] 404 00:24:43,049 --> 00:24:45,652 Man: MY ARM! MY ARM! MY ARM! MY ARM! 405 00:24:45,652 --> 00:24:47,486 Man: I GOT YOU. I GOT YOU. 406 00:24:47,486 --> 00:24:48,688 [MAN SCREAMS] 407 00:24:48,688 --> 00:24:50,957 [GUNFIRE AND EXPLOSIONS] 408 00:24:59,365 --> 00:25:01,200 [HORSE WHINNIES] 409 00:25:06,238 --> 00:25:07,306 OHH! 410 00:25:07,306 --> 00:25:10,977 I--I BRUNG YOU SOME COFFEE. 411 00:25:13,245 --> 00:25:15,114 I'M SORRY. 412 00:25:17,650 --> 00:25:19,752 IT'S ALL RIGHT. 413 00:25:19,752 --> 00:25:22,989 I SHOULDN'T HAVE SNUCK UP ON YOU. 414 00:25:26,392 --> 00:25:28,527 YOU RIDIN' OUT TODAY? 415 00:25:28,527 --> 00:25:30,129 THANK YOU. 416 00:25:30,129 --> 00:25:31,931 NAH, NAH. 417 00:25:31,931 --> 00:25:35,935 I MIGHT BE HERE A COUPLE MORE DAYS ANYWAY. 418 00:25:35,935 --> 00:25:37,403 THINKIN' ABOUT LOOKIN' IN 419 00:25:37,403 --> 00:25:40,139 ON THAT PIECE OF LAND OVER THERE. 420 00:25:40,139 --> 00:25:42,742 HA HA HA HA HA. 421 00:25:45,878 --> 00:25:47,880 BYE. 422 00:25:47,880 --> 00:25:49,782 HA HA. 423 00:25:59,692 --> 00:26:01,628 MORNIN', MR. MANN. 424 00:26:01,628 --> 00:26:03,129 MORNIN', BOY. 425 00:26:03,129 --> 00:26:06,232 TOMORROW'S MY BIRTHDAY. YOU GONNA COME TO MY PARTY? 426 00:26:06,232 --> 00:26:07,533 YOU GONNA HAVE CAKE? 427 00:26:07,533 --> 00:26:10,136 YES, SIR, CHOCOLATE. 428 00:26:10,136 --> 00:26:12,271 WHY SHE SKIPPIN'? 429 00:26:14,340 --> 00:26:16,142 GOOD COFFEE. 430 00:26:21,648 --> 00:26:23,716 [SIGHS] 431 00:26:25,384 --> 00:26:28,921 [TRAIN WHISTLE BLOWS] 432 00:26:33,259 --> 00:26:35,061 MORNING, MR. MANN. 433 00:26:35,962 --> 00:26:38,931 SMALL TOWN, PEOPLE TALK, YOU KNOW. 434 00:26:41,133 --> 00:26:42,534 OLD HANGOVER REMEDY. 435 00:26:42,534 --> 00:26:44,336 MY GRANDDADDY TAUGHT ME. 436 00:26:45,738 --> 00:26:47,606 HERE'S TO THE NEW YEAR. 437 00:26:49,508 --> 00:26:50,509 EWWW! 438 00:26:50,509 --> 00:26:54,647 HA HA HA HA HA HA HA HA. 439 00:26:54,647 --> 00:26:56,415 OHH! 440 00:26:56,415 --> 00:26:57,684 I'M SOBER NOW. 441 00:26:57,684 --> 00:26:58,918 I'M SOBER NOW. HA HA. 442 00:26:58,918 --> 00:27:00,519 YOU GOT SOME PEACHES? 443 00:27:00,519 --> 00:27:02,989 MM-HMM. 444 00:27:04,323 --> 00:27:07,193 STORY GOING AROUND IS YOU WAS OVER THERE IN THE BIG ONE. 445 00:27:07,193 --> 00:27:08,194 MM-HMM. 446 00:27:08,194 --> 00:27:10,963 HOW LONG YOU FIGHT? FEW MONTHS? A YEAR? 447 00:27:12,164 --> 00:27:15,234 I'M A VETERAN MYSELF, NAVY. 448 00:27:15,234 --> 00:27:17,436 SPANISH-AMERICAN WAR. 449 00:27:17,436 --> 00:27:19,638 OF COURSE, THE ASS WE KICKED ONLY TOOK ONE DAY. 450 00:27:19,638 --> 00:27:23,042 STEAMED INTO MANILA BAY MAY 1, 1898, 451 00:27:23,042 --> 00:27:24,643 ABOARD THE GUNBOAT CONCORDE 452 00:27:24,643 --> 00:27:27,446 UNDER OLD GEORGE DEWEY. 453 00:27:27,446 --> 00:27:32,785 SET THEM 8-INCH GUNS A-BLAZING TILL SMOKE BLOTTED OUT THE SUN. 454 00:27:32,785 --> 00:27:36,122 SUNK THE SPANISH FLEET, STEAMED OUT MAY 2. 455 00:27:42,061 --> 00:27:45,064 ONLY 8 AMERICANS GOT WOUNDED. 456 00:27:45,064 --> 00:27:49,268 I HAD THE AUDACITY TO BE ONE OF THEM. 457 00:27:49,268 --> 00:27:52,138 WHERE WERE YOU? FRANCE? 458 00:27:52,138 --> 00:27:54,273 PUT MY FOOTS IN GERMANY, TOO. 459 00:27:54,273 --> 00:27:55,307 GERMANY? 460 00:27:55,307 --> 00:27:57,209 I'D LIKE TO SEE THE KAISER'S FACE 461 00:27:57,209 --> 00:28:00,079 WHEN YOU COME RUNNIN' OUT OF THE BLACK FOREST. HA HA HA HA. 462 00:28:00,079 --> 00:28:02,048 WE DIDN'T HAVE NO COLOREDS ON THE CONCORDE. 463 00:28:02,048 --> 00:28:04,050 WHOLE SHIP FULL OF GOOD OL' BOYS. 464 00:28:04,050 --> 00:28:05,651 WOULDN'T HAVE TOOK TO IT. 465 00:28:05,651 --> 00:28:07,086 I'LL TAKE THAT. MAYBE. 466 00:28:07,086 --> 00:28:10,089 THE MORTARS START FLYIN', 467 00:28:10,089 --> 00:28:12,458 THE GAS START BLOWIN', 468 00:28:12,458 --> 00:28:14,727 THERE AIN'T MUCH COLOR IN THEM TRENCHES. 469 00:28:14,727 --> 00:28:16,662 IS THAT RIGHT? 470 00:28:16,662 --> 00:28:18,630 YOU GOT THEM .45s? 471 00:28:18,630 --> 00:28:22,034 .45s. FUNNY THING ABOUT THE DRAFT. 472 00:28:22,034 --> 00:28:24,436 I CAN'T UNDERSTAND IT. PULL A COLORED BOY OUT OF HIS HOME, 473 00:28:24,436 --> 00:28:28,074 SEND HIM OVER THERE, TELL HIM DIG TRENCHES, KILL WHITE FOLKS. 474 00:28:28,074 --> 00:28:30,743 THAT SEEM RIGHT TO YOU? 475 00:28:30,743 --> 00:28:34,346 I WOULDN'T KNOW MUCH ABOUT THAT, SIR. 476 00:28:34,346 --> 00:28:36,682 I VOLUNTEERED. 477 00:28:36,682 --> 00:28:39,018 [TRAIN WHISTLE BLOWS] 478 00:28:47,894 --> 00:28:50,096 [MAN AND WOMAN MOANING] 479 00:28:55,134 --> 00:28:57,403 [PANTING] 480 00:29:03,575 --> 00:29:05,778 [MOANING] 481 00:29:39,645 --> 00:29:41,848 [MAN WHISTLING] 482 00:29:45,651 --> 00:29:48,020 YOU BEEN DOUBLE-TIMING ME. 483 00:29:52,458 --> 00:29:56,362 SEEING THAT MARRIED MIZ CONNELLY OVER IN WYLIE. 484 00:30:00,366 --> 00:30:01,400 I KNOW. 485 00:30:06,672 --> 00:30:08,440 WHERE YOU GOING? 486 00:30:08,440 --> 00:30:10,042 BACK TO WORK. 487 00:30:11,377 --> 00:30:14,413 DON'T YOU TURN YOUR BACK ON ME... 488 00:30:14,413 --> 00:30:15,681 WHEN I TALK! 489 00:30:15,681 --> 00:30:16,916 AAH! 490 00:30:20,652 --> 00:30:22,321 DAMN SWAMP TRAMP! 491 00:30:23,055 --> 00:30:24,290 WHAT YOU CRYING ABOUT? 492 00:30:24,290 --> 00:30:27,526 WHAT YOU THINK YOU'RE DOING HITTING ME? 493 00:30:27,526 --> 00:30:29,828 YOU LITTLE SWAMP TRAMP! 494 00:30:29,828 --> 00:30:31,763 YOU LITTLE SWAMP TRAMP! 495 00:30:31,763 --> 00:30:33,632 HUH? YOU LITTLE CHIGGER! 496 00:30:33,632 --> 00:30:35,701 YOU DON'T HIT ME! 497 00:30:35,701 --> 00:30:36,802 YOU DON'T HIT ME! 498 00:30:36,802 --> 00:30:38,670 [FANNY SCREAMING] 499 00:30:38,670 --> 00:30:40,306 YOU DON'T HIT ME! 500 00:30:40,306 --> 00:30:41,440 HUH? 501 00:30:41,440 --> 00:30:43,109 GIRL... 502 00:30:43,910 --> 00:30:45,945 Fanny: GET OUT! GET OUT! 503 00:30:45,945 --> 00:30:47,513 GET OUT! 504 00:30:47,513 --> 00:30:49,515 [FANNY CRYING] 505 00:31:01,860 --> 00:31:03,095 PHILOMENA! 506 00:31:07,799 --> 00:31:10,002 [FANNY CRYING] 507 00:31:15,507 --> 00:31:17,276 M-MIZ TAYLOR? 508 00:31:17,276 --> 00:31:22,848 IS YOU ALL RIGHT, MA'AM? 509 00:31:22,848 --> 00:31:24,616 GO AWAY, PHILOMENA. 510 00:31:24,616 --> 00:31:26,685 B-BUT-- 511 00:31:26,685 --> 00:31:28,320 GET OUT. 512 00:31:28,320 --> 00:31:29,888 GET OUT! 513 00:31:37,896 --> 00:31:40,499 SO YOU FIGHT IN THE WAR? 514 00:31:41,300 --> 00:31:43,169 KILL ANYBODY OVER THERE? 515 00:31:44,736 --> 00:31:46,939 NAH. I MOSTLY DUG TRENCHES. 516 00:31:48,140 --> 00:31:51,510 STILL, IT MUST'VE BEEN GRAND SEEING CHICAGO 517 00:31:51,510 --> 00:31:52,611 AND NEW YORK. 518 00:31:53,712 --> 00:31:55,948 SHOOT, I AIN'T BEEN NOWHERE BUT ROSEWOOD, 519 00:31:55,948 --> 00:31:57,950 SUMNER, CEDAR KEY, 520 00:31:57,950 --> 00:32:00,052 3 TIMES TO GAINESVILLE. 521 00:32:00,052 --> 00:32:02,955 WHY YOU COME BACK SOUTH? 522 00:32:02,955 --> 00:32:04,190 MAYBE... 523 00:32:06,258 --> 00:32:08,627 I WAS LOOKING FOR ROSEWOOD. 524 00:32:15,634 --> 00:32:16,668 THANK YOU. 525 00:32:18,770 --> 00:32:23,175 WELL, HOW COME YOU AIN'T NEVER SETTLED DOWN BEFORE NOW? 526 00:32:24,110 --> 00:32:26,178 I WAS MARRIED... 527 00:32:28,380 --> 00:32:29,415 ONCE. 528 00:32:34,620 --> 00:32:37,689 MY AUNT SARAH, SHE SAY I ASK TOO MANY QUESTIONS. 529 00:32:37,689 --> 00:32:38,690 I'M SORRY IF-- 530 00:32:38,690 --> 00:32:39,958 NO, NO. 531 00:32:42,428 --> 00:32:43,762 HOW OLD YOU BE, SCRAPPIE? 532 00:32:43,762 --> 00:32:45,431 I'M 17. 533 00:32:45,431 --> 00:32:46,865 NO MAN? 534 00:32:46,865 --> 00:32:47,966 MM-MMM. 535 00:32:47,966 --> 00:32:49,568 NO YOUNG ONES? NO. 536 00:32:51,203 --> 00:32:55,007 I JUST TAKE CARE OF MY LITTLE COUSINS, THOUGH. 537 00:32:58,844 --> 00:33:00,079 COME ON. 538 00:33:01,547 --> 00:33:02,814 COME ON. 539 00:33:02,814 --> 00:33:04,416 WHERE YOU GOING? 540 00:33:08,387 --> 00:33:10,989 WHAT YOU THINK ABOUT THIS LAND HERE? 541 00:33:10,989 --> 00:33:13,992 WELL, I-- I LIKES IT FINE. 542 00:33:13,992 --> 00:33:15,494 MR. WRIGHT... 543 00:33:15,494 --> 00:33:19,698 HE GOING TO BUY IT, THOUGH. HE BUYING UP EVERYTHING. 544 00:33:21,067 --> 00:33:22,301 MAYBE. 545 00:33:24,870 --> 00:33:27,073 [LAUGHS] 546 00:33:44,856 --> 00:33:46,092 HEY. 547 00:33:46,958 --> 00:33:48,194 HEY! 548 00:33:49,628 --> 00:33:50,696 HEY, ANYBODY! 549 00:33:51,697 --> 00:33:53,265 HEY, BOY! 550 00:33:56,502 --> 00:33:57,536 YES, SIR. 551 00:33:58,804 --> 00:34:00,106 YOU A TRAVELING MAN? 552 00:34:02,741 --> 00:34:04,376 WHO ASKING, SIR? 553 00:34:22,828 --> 00:34:23,895 WE GOTS TO HELP HIM. 554 00:34:23,895 --> 00:34:25,063 HE AIN'T OUR PROBLEM. 555 00:34:25,063 --> 00:34:27,233 HE A MASON, TOOK THE OATH, SAME AS US. 556 00:34:27,233 --> 00:34:28,834 HE'S A WHITE MASON. 557 00:34:31,903 --> 00:34:33,739 DO YOU THINK HE'D HELP YOU? 558 00:34:33,739 --> 00:34:35,241 AARON, BOY, I SWEAR, 559 00:34:35,241 --> 00:34:38,210 SOMETIMES YOU AIN'T GOT MORE SENSE THAN SOME OF THESE HORSES. 560 00:34:38,210 --> 00:34:39,811 NOW, I'M TELLING YOU... 561 00:34:41,647 --> 00:34:43,081 THAT MAN... 562 00:34:43,081 --> 00:34:45,217 HE AIN'T NOTHING BUT TROUBLE. 563 00:34:46,185 --> 00:34:47,853 YEAH, WELL, LET ME TELL YOU SOMETHING. 564 00:34:47,853 --> 00:34:49,355 SEE, I AIN'T NO BOY. 565 00:34:49,355 --> 00:34:51,823 SEE, I'S A MAN. 566 00:34:51,823 --> 00:34:53,692 I'S A MASON. 567 00:34:53,692 --> 00:34:55,294 WHAT YOU BE, SAM? 568 00:35:03,235 --> 00:35:05,571 EVERYBODY SIT DOWN. LET'S GET THIS DONE. 569 00:35:05,571 --> 00:35:07,038 BRADLEY, YOU GOT THE DEED? 570 00:35:07,038 --> 00:35:10,242 UH, YES, SIR, I DO, MR. ANDREWS. 571 00:35:13,379 --> 00:35:16,448 NO, NO, BOY, I HAVEN'T PAID FOR IT YET. 572 00:35:16,448 --> 00:35:18,384 Andrews: WE GOT TO SELL IT FIRST. 573 00:35:18,384 --> 00:35:21,587 HERE. GIVE IT HERE. GIVE IT HERE, BOY. 574 00:35:23,322 --> 00:35:26,592 WE GOTS HERE 5 ACRES IN ROSEWOOD 575 00:35:26,592 --> 00:35:28,360 ADJACENT TO MR. JOHNNY WRIGHT'S STORE-- 576 00:35:28,360 --> 00:35:30,296 SOLD AS IS, CASH ONLY. 577 00:35:30,296 --> 00:35:32,164 LET'S OPEN UP AT $52 AN ACRE. 578 00:35:32,164 --> 00:35:35,867 52, 52. WHO'LL GIVE ME 52 DOWN FRONT? 579 00:35:35,867 --> 00:35:37,269 53, 53, 53 FROM MONROE. 580 00:35:37,269 --> 00:35:39,338 54, 54, 54. 581 00:35:39,338 --> 00:35:40,539 WHO'LL GIVE ME 54? 582 00:35:40,539 --> 00:35:42,241 54, 54. 583 00:35:42,241 --> 00:35:44,543 JOHN WRIGHT AGAIN. THANK YOU, JOHN. 584 00:35:44,543 --> 00:35:46,545 55, 55. 585 00:35:46,545 --> 00:35:49,215 55, ANYBODY? MONROE, 55? 586 00:35:50,148 --> 00:35:51,217 $54. 587 00:35:51,217 --> 00:35:52,918 GOING ONCE, GOING TWICE-- 588 00:35:52,918 --> 00:35:54,753 $55. 589 00:35:56,788 --> 00:35:59,458 BOY, YOU KNOW THAT'S $55 FOR EACH ACRE? 590 00:35:59,458 --> 00:36:00,892 THAT'S DAMN NEAR $300. 591 00:36:00,892 --> 00:36:03,028 YES, SIR, I DO. 592 00:36:03,028 --> 00:36:04,095 THANK YOU KINDLY. 593 00:36:04,095 --> 00:36:05,631 CASH? 594 00:36:05,631 --> 00:36:07,333 MM-HMM. 595 00:36:08,767 --> 00:36:11,169 Man: WHERE'S THAT NIGGER GOING TO GET THAT KIND OF MONEY? 596 00:36:14,005 --> 00:36:15,541 Andrews: I HAVE $55. 597 00:36:52,478 --> 00:36:54,713 GET BACK TO WORK. 598 00:37:16,568 --> 00:37:19,471 AFTERNOON, MISS FANNY. 599 00:37:24,276 --> 00:37:25,577 HELP! 600 00:37:25,577 --> 00:37:27,112 HELP ME! 601 00:37:27,112 --> 00:37:30,148 SOMEBODY PLEASE HELP ME! 602 00:37:30,148 --> 00:37:31,683 SOMEBODY! 603 00:37:31,683 --> 00:37:32,984 HELP ME! 604 00:37:32,984 --> 00:37:34,920 HELP! 605 00:37:34,920 --> 00:37:36,855 HELP! 606 00:37:36,855 --> 00:37:37,889 PLEASE! 607 00:37:37,889 --> 00:37:39,825 HELP ME! 608 00:37:39,825 --> 00:37:41,226 Man: WHAT'S THE MATTER, NOW? 609 00:37:41,226 --> 00:37:43,595 PLEASE HELP ME! 610 00:37:43,595 --> 00:37:45,063 HELP ME! 611 00:37:45,063 --> 00:37:46,332 AAH! 612 00:37:46,332 --> 00:37:48,133 WHAT'S GOING ON? FANNY, WHAT HAPPENED? 613 00:37:48,133 --> 00:37:50,336 [CRYING] 614 00:37:51,937 --> 00:37:53,539 NIGGER. 615 00:37:54,340 --> 00:37:56,241 IT WAS A NIGGER. 616 00:37:56,241 --> 00:37:57,476 WHAT? 617 00:37:58,410 --> 00:38:00,111 HE BROKE IN MY HOUSE, 618 00:38:00,111 --> 00:38:03,048 AND HE BEAT ME UP. 619 00:38:03,048 --> 00:38:05,651 IT WAS A NIGGER! IT WAS! 620 00:38:10,155 --> 00:38:12,190 Emme SHERIFF! SHERIFF! 621 00:38:12,190 --> 00:38:13,392 HERE COMES THAT BOY AGAIN. 622 00:38:13,392 --> 00:38:14,360 THAT WOULD BE EMMETT. 623 00:38:14,360 --> 00:38:15,527 SHERIFF! 624 00:38:15,527 --> 00:38:17,329 WHOA, WHOA, WHOA, TAKE A BREATH, BOY. 625 00:38:17,329 --> 00:38:18,630 WHAT'S THE MATTER? 626 00:38:18,630 --> 00:38:20,699 YOUR DADDY'S STILL CAUGHT ON FIRE AGAIN? 627 00:38:20,699 --> 00:38:23,435 FANNY TAYLOR GOT HERSELF BEAT BY A NIGRA. 628 00:38:23,435 --> 00:38:25,904 Earl: OH, SHIT. 629 00:38:25,904 --> 00:38:27,038 DAMN. 630 00:38:29,508 --> 00:38:31,377 EARL, LET'S GET A GUN LOADED. 631 00:38:31,377 --> 00:38:33,278 Earl: NO. 632 00:38:33,278 --> 00:38:34,713 WHERE THE HELL'S MY--MY SHELLS? 633 00:38:34,713 --> 00:38:36,281 CAN'T FIND MY DAMN SHELLS. 634 00:38:36,281 --> 00:38:37,516 HERE. 635 00:38:39,485 --> 00:38:43,889 GO TO THE MILL. GET JAMES. 636 00:38:43,889 --> 00:38:44,923 HOLD ON! 637 00:38:47,025 --> 00:38:49,795 KEEP THIS QUIET BEFORE I GET THE WHOLE STORY. GO. 638 00:38:49,795 --> 00:38:51,430 WHAT'S GOING ON? MIND YOUR OWN DAMN BUSINESS. 639 00:38:51,430 --> 00:38:52,498 COME ON, BOY. 640 00:38:52,498 --> 00:38:54,500 WHEN I WANT YOU TO DO SOMETHING 641 00:38:54,500 --> 00:38:57,769 AND I TELL YOU TO DO IT-- 642 00:38:57,769 --> 00:39:00,972 FANNY TAYLOR'S BEEN RAPED BY A NIGGER. 643 00:39:03,074 --> 00:39:06,077 GO ON OUT THERE AND DO THAT! 644 00:39:14,486 --> 00:39:18,123 HEY, JAMES, I NEED TO TALK TO YOU. 645 00:39:18,123 --> 00:39:22,528 YOUR WIFE'S BEEN BEAT AND RAPED BY A COLORED MAN. 646 00:39:23,729 --> 00:39:25,130 WHAT THE HELL YOU TALKING ABOUT? 647 00:39:25,130 --> 00:39:27,232 57.50. 648 00:39:27,232 --> 00:39:28,967 $58. 649 00:39:32,370 --> 00:39:33,905 58.50. 650 00:39:43,314 --> 00:39:45,316 $60. 651 00:39:45,316 --> 00:39:47,586 [MURMURS] 652 00:39:47,586 --> 00:39:49,721 BOY, HOW YOU PLANNING ON PAYING $300? 653 00:39:49,721 --> 00:39:52,223 YOU GOT A BAGFUL OF GOLD? 654 00:39:52,223 --> 00:39:54,159 COULD BE, SIR. 655 00:39:54,159 --> 00:39:55,427 HENRY... 656 00:39:55,427 --> 00:39:56,795 CAN'T YOU SEE WHAT THIS BOY'S DOING? 657 00:39:56,795 --> 00:39:58,263 HE AIN'T GOING TO BUY NOTHING. 658 00:39:58,263 --> 00:40:01,533 HE'S JUST DRIVING UP THE PRICE FOR OLD BRADLEY. 659 00:40:01,533 --> 00:40:04,736 MR. ANDREWS, SIR, I DON'T KNOW THAT MAN. 660 00:40:05,871 --> 00:40:08,707 Mann: WITH ALL DUE RESPECT, MR. WRIGHT... 661 00:40:09,541 --> 00:40:11,810 IF THAT WHAT YOU BELIEVE, 662 00:40:11,810 --> 00:40:13,579 MAYBE YOU SHOULD STOP BIDDING. 663 00:40:13,579 --> 00:40:16,548 YOU GOING TO LET THAT NIGGER BEAT YOU, JOHNNY? 664 00:40:16,548 --> 00:40:18,450 60 GODDAMN 50. 665 00:40:18,450 --> 00:40:20,552 Man: WHOO. 666 00:40:23,555 --> 00:40:25,290 [WHISPERING] A nigger raped Fanny Taylor. 667 00:40:25,290 --> 00:40:26,692 LISTEN UP. 668 00:40:26,692 --> 00:40:28,694 WE GOT TO CALL THIS OFF FOR NOW. 669 00:40:28,694 --> 00:40:30,896 John: WHAT? I AIN'T GOING NOWHERE. I GOT A BID IN. 670 00:40:30,896 --> 00:40:32,464 WE'LL PICK IT UP TOMORROW AT $60.50. 671 00:40:32,464 --> 00:40:33,999 LET'S GET THIS DONE NOW. 672 00:40:33,999 --> 00:40:36,568 Andrews: JOHN, FANNY TAYLOR'S BEEN RAPED BY A NIGGER. 673 00:40:36,568 --> 00:40:37,703 Bradley: MY DEED. 674 00:40:37,703 --> 00:40:40,572 Andrews: I'LL LOCK UP THE DEED. 675 00:40:40,572 --> 00:40:43,074 BOY, YOUR NAME JESSE HUNTER? 676 00:40:43,074 --> 00:40:43,975 NO, SIR. 677 00:40:43,975 --> 00:40:46,077 I SUPPOSE YOU CAN PROVE THAT? 678 00:40:46,077 --> 00:40:48,179 GOT MY DISCHARGE, SIR. 679 00:41:05,931 --> 00:41:08,567 JUST WHO DO YOU THINK YOU ARE, BOY? 680 00:41:08,567 --> 00:41:11,336 WITH ALL DUE RESPECT, MR. WRIGHT, 681 00:41:11,336 --> 00:41:13,972 LONG AROUND THIS TIME TOMORROW, 682 00:41:13,972 --> 00:41:17,175 I EXPECTS TO BE YOUR NEIGHBOR, SIR. 683 00:41:22,280 --> 00:41:23,682 John: TIMOTHY. 684 00:41:29,888 --> 00:41:30,956 BRADLEY. 685 00:41:32,891 --> 00:41:34,926 WELCOME TO LEVY COUNTY, MR. MANN. 686 00:41:34,926 --> 00:41:36,895 GET OUT OF THE WAY. COME ON, BACK OFF, NOW. 687 00:41:36,895 --> 00:41:39,197 COME ON, COME ON, COME ON. 688 00:41:39,197 --> 00:41:40,465 OH... 689 00:41:40,465 --> 00:41:42,300 JESUS, FANNY. 690 00:41:42,300 --> 00:41:43,635 OW. 691 00:41:43,635 --> 00:41:45,070 WHO RAPED YOU? 692 00:41:45,070 --> 00:41:49,107 NO, JEEZ, ELLIS, I SURE WASN'T RAPED. 693 00:41:49,107 --> 00:41:50,942 I JUST GOT BEAT. 694 00:41:51,743 --> 00:41:54,279 I WAS BEAT BADLY. 695 00:41:54,279 --> 00:41:55,280 BADLY. 696 00:41:55,280 --> 00:41:58,449 SHH. HE WAS SO BIG. 697 00:41:58,449 --> 00:42:00,786 HE'S SO BLACK, THAT BOY. 698 00:42:00,786 --> 00:42:03,121 SHE SAYS SHE WAS RAPED. 699 00:42:03,121 --> 00:42:04,322 RAPED AND BEAT. 700 00:42:04,322 --> 00:42:06,658 SHUT UP, Y'ALL! EVERYBODY GO ON OUT OF HERE! 701 00:42:06,658 --> 00:42:08,994 SHOW'S OVER! YOU HEARD ME! 702 00:42:08,994 --> 00:42:10,495 GO ON HOME! 703 00:42:10,495 --> 00:42:12,197 GO ON! 704 00:42:12,197 --> 00:42:13,198 COME ON. 705 00:42:13,198 --> 00:42:13,999 [CRYING] 706 00:42:13,999 --> 00:42:15,667 LET'S GO IN THE HOUSE. 707 00:42:15,667 --> 00:42:17,068 IT'S OK. SHH, SHH, SHH. 708 00:42:17,068 --> 00:42:19,404 IT'S ALL RIGHT. SHH, SHH, SHH. 709 00:42:19,404 --> 00:42:23,008 IT'S OK. COME ON! GIVE HER SOME BREATHING SPACE! 710 00:42:23,008 --> 00:42:24,375 DAMN. 711 00:42:24,375 --> 00:42:26,578 SHH, SHH, SHH. LISTEN TO ME. 712 00:42:26,578 --> 00:42:29,615 WE'VE KNOWN EACH OTHER A LONG TIME, HUH? 713 00:42:29,615 --> 00:42:31,549 I WANT YOU TO THINK ABOUT THIS, NOW. 714 00:42:31,549 --> 00:42:32,951 YOU TELL ME. 715 00:42:32,951 --> 00:42:35,821 THIS IS ELLIS. YOU TELL ME THE TRUTH. 716 00:42:35,821 --> 00:42:38,256 WAS IT TRULY A COLORED THAT DONE THIS TO YOU? 717 00:42:38,256 --> 00:42:39,357 ELLIS... 718 00:42:39,357 --> 00:42:41,760 BE SURE, DARLING, THAT IS ALL I'M SAYING. 719 00:42:41,760 --> 00:42:44,830 YES, HE WAS COLORED. 720 00:42:44,830 --> 00:42:48,333 HE WAS A NIGGER, NIGGER, NIGGER! 721 00:42:48,333 --> 00:42:50,001 FANNY! 722 00:42:50,001 --> 00:42:51,436 JESUS, ANGEL, WHAT HAPPENED? 723 00:42:51,436 --> 00:42:53,171 JAMES... 724 00:42:53,171 --> 00:42:55,173 [CRIES] 725 00:43:06,985 --> 00:43:09,187 YOU SEEN THIS BOY, SARAH? 726 00:43:12,724 --> 00:43:15,226 AIN'T GOT TO MESS AROUND. WE GOT TO DO SOMETHING ABOUT THIS. 727 00:43:17,262 --> 00:43:18,964 NO, MR. ELLIS. 728 00:43:18,964 --> 00:43:20,766 I AIN'T SEEN NOTHING. 729 00:43:24,002 --> 00:43:25,036 ALL RIGHT. 730 00:43:26,404 --> 00:43:28,606 [BOTH YELLING] 731 00:43:30,709 --> 00:43:31,943 HEY, WHAT Y'ALL DOING? 732 00:43:33,078 --> 00:43:34,780 MISS FANNY-- MISS FANNY TAYLOR, SHE GOT RAPED. 733 00:43:34,780 --> 00:43:36,047 AND BEAT. AND SHE GOT BEAT, 734 00:43:36,047 --> 00:43:37,148 AND SHE SAID IT WAS A COLORED MAN. 735 00:43:37,148 --> 00:43:39,484 BUT IT WAS A CRACKER. I SEEN HIM. 736 00:43:39,484 --> 00:43:42,921 WELL, I GUESS NOW WE'RE LOOKING FOR A NIGGER CONVICT, 737 00:43:42,921 --> 00:43:46,391 ESCAPED YESTERDAY OFF THE CHAIN GANG NEAR WYLIE. 738 00:43:47,893 --> 00:43:49,828 NAME IS JESSE HUNTER. 739 00:43:50,662 --> 00:43:52,831 OH, GOOD. HERE ARE THE HOUNDS. 740 00:43:52,831 --> 00:43:55,667 TAKE THEM ALL AROUND BACK, PICK UP A SCENT. 741 00:43:55,667 --> 00:43:57,168 GO ON. 742 00:43:57,168 --> 00:44:00,171 Man: YOU ACTING LIKE YOU THE LEADER OF THIS HERE MOB. 743 00:44:00,171 --> 00:44:03,241 Walker: I AM THE LEADER, AND THIS AIN'T NO MOB! 744 00:44:08,646 --> 00:44:10,181 WE GOT HIM, BOYS. 745 00:44:10,181 --> 00:44:11,817 Man: SEE WHERE THEY'RE HEADED? 746 00:44:11,817 --> 00:44:13,985 Y'ALL SEE WHERE THEY'RE HEADED? 747 00:44:15,586 --> 00:44:17,188 COME ON, BOY. 748 00:44:20,191 --> 00:44:22,694 Walker: SHUT UP, Y'ALL! THEY GOT A SCENT! 749 00:44:22,694 --> 00:44:24,595 HUSH. 750 00:44:24,595 --> 00:44:26,397 GO HAVE A LOOK. Y'ALL GO THAT WAY. 751 00:44:40,611 --> 00:44:42,313 HE AIN'T DONE NOTHING! 752 00:44:43,949 --> 00:44:45,316 PLEASE TELL ME. WHAT'D THE BOY DO? 753 00:44:45,316 --> 00:44:46,818 WHAT DID THE BOY DO? 754 00:44:46,818 --> 00:44:48,519 Y'ALL BE QUIET! BE QUIET! 755 00:44:48,519 --> 00:44:50,355 POLY! POLY! 756 00:44:50,355 --> 00:44:51,356 PUT THAT GUN AWAY! 757 00:44:51,356 --> 00:44:54,225 THIS IS SERIOUS BUSINESS. YES, SIR. 758 00:44:54,225 --> 00:44:56,962 YOU GOT TO TELL ME THE TRUTH, BOY. 759 00:44:56,962 --> 00:44:58,463 DID YOU RAPE FANNY TAYLOR? 760 00:44:58,463 --> 00:44:59,998 RAPE? NO, SIR! NO! 761 00:44:59,998 --> 00:45:02,633 DO YOU KNOW WHO DID? I DON'T KNOW NOTHING, MR. WALKER! 762 00:45:02,633 --> 00:45:04,369 YOU KNOW WHO DID! 763 00:45:04,369 --> 00:45:06,037 GO! NO! 764 00:45:06,037 --> 00:45:07,605 AAH! 765 00:45:07,605 --> 00:45:10,241 Father: MY BOY AIN'T DONE NOTHING! 766 00:45:10,241 --> 00:45:12,243 [CROWD YELLING] 767 00:45:23,188 --> 00:45:26,858 Man: HEY! HERE COMES OLD JOHNNY WRIGHT. 768 00:45:26,858 --> 00:45:28,493 HELLO, JOHNNY. 769 00:45:28,493 --> 00:45:29,761 HEY, BOBBY. 770 00:45:30,862 --> 00:45:32,297 Andrews: JOHN. 771 00:45:32,297 --> 00:45:33,899 HOW'S THAT NEW WIFE OF YOURS WORKING OUT? 772 00:45:33,899 --> 00:45:35,433 SHE'S COMING RIGHT ALONG. 773 00:45:35,433 --> 00:45:37,969 SORRY ABOUT THAT AUCTION, JOHN. THE BOY BID. 774 00:45:37,969 --> 00:45:39,871 YEAH, A HELL OF A THING. WHAT YOU GOT HERE? 775 00:45:39,871 --> 00:45:41,339 NOW WE GOT A GOOD ONE. 776 00:45:41,339 --> 00:45:44,442 Andrews: THAT BOY RAPED FANNY TAYLOR. 777 00:45:44,442 --> 00:45:45,510 IS THAT RIGHT? 778 00:45:45,510 --> 00:45:48,880 Earl: MM-HMM. WE GOT US AARON CARRIER, JOHN. 779 00:45:48,880 --> 00:45:49,981 AARON CARRIER? 780 00:45:49,981 --> 00:45:51,917 WATCH THAT GUN, BOY. 781 00:45:51,917 --> 00:45:52,951 HOW YOU DOING, JOHNNY? 782 00:45:52,951 --> 00:45:54,519 YOU GOT THE WRONG BOY. 783 00:45:54,519 --> 00:45:56,354 HATE TO TELL YOU, AARON CARRIER WOULDN'T RAPE A FLY. 784 00:45:56,354 --> 00:45:57,956 DOGS LED US STRAIGHT TO HIS HOUSE. 785 00:45:57,956 --> 00:45:59,457 YOU KNOW THE BOY THAT DID? 786 00:45:59,457 --> 00:46:02,327 Earl: NIGGER WON'T TALK, EITHER, JOHN. 787 00:46:02,327 --> 00:46:03,628 I KNOW HIS FAMILY. 788 00:46:03,628 --> 00:46:05,263 LET ME TALK TO HIM. 789 00:46:05,263 --> 00:46:07,065 YEAH, HELL, MAYBE YOU CAN GET SOMETHING OUT OF HIM. 790 00:46:07,065 --> 00:46:08,599 I SURE AS HELL CAN'T. 791 00:46:08,599 --> 00:46:11,202 AARON, THIS IS MR. WRIGHT. 792 00:46:11,202 --> 00:46:12,403 YOU KNOW SOMETHING ABOUT ALL THIS? 793 00:46:12,403 --> 00:46:13,771 [GAGS] 794 00:46:13,771 --> 00:46:15,073 DUKE, HOW'S HE SUPPOSED TO TALK 795 00:46:15,073 --> 00:46:16,274 WHEN YOU'RE CHOKING HIM LIKE THAT? 796 00:46:16,274 --> 00:46:17,708 WELL, HE DON'T NEED TO TALK, JOHNNY. 797 00:46:17,708 --> 00:46:19,577 HE NEED TO HANG FROM ONE OF THEM TREES OVER THERE. 798 00:46:19,577 --> 00:46:20,711 [LAUGHTER] 799 00:46:20,711 --> 00:46:22,447 Y'ALL THINK THIS IS REAL FUNNY? 800 00:46:22,447 --> 00:46:25,250 HEY, YOU WOULD, TOO, IF YOU WAS THE ONE THAT SOLD ME THIS ROPE. 801 00:46:25,250 --> 00:46:26,484 [LAUGHTER] 802 00:46:26,484 --> 00:46:28,119 Man: GOOD POINT, JOHN. 803 00:46:28,854 --> 00:46:30,288 HE'S A GOOD BOY. 804 00:46:30,288 --> 00:46:31,589 JUST DON'T HANG HIM. HE AIN'T DONE NOTHING. 805 00:46:31,589 --> 00:46:33,058 DUKE, DON'T HURT HIM. 806 00:46:33,058 --> 00:46:35,560 EMMETT, COME ON OVER HERE, BOY. HOLD ONTO THIS ROPE. 807 00:46:35,560 --> 00:46:37,062 THERE'S A BOY. 808 00:46:37,062 --> 00:46:38,363 YOU KNOW THIS BOY'S FAMILY AS WELL AS I. 809 00:46:38,363 --> 00:46:39,697 THAT'S RIGHT. I DO. I KNOW. 810 00:46:39,697 --> 00:46:41,099 AND YOU KNOW HE'S A GOOD BOY. 811 00:46:41,099 --> 00:46:42,167 THEY'RE GOOD PEOPLE. THEY'RE GOOD PEOPLE, 812 00:46:42,167 --> 00:46:43,835 BUT WE GOT A DILEMMA HERE, JOHN. 813 00:46:43,835 --> 00:46:46,938 WE GOT A DILEMMA. I'M GOING TO TELL YOU WHAT IT IS. 814 00:46:46,938 --> 00:46:48,606 HOUNDS DON'T LIE. 815 00:46:48,606 --> 00:46:49,841 BE A MAN, NOW. 816 00:46:49,841 --> 00:46:52,510 YOU GOT TO TAKE THAT ROPE AND SNAP, CRACK. 817 00:46:52,510 --> 00:46:55,546 CAN'T LYNCH THAT BOY, ELLIS. CAN'T LYNCH HIM. 818 00:46:55,546 --> 00:46:57,748 I AIN'T GOING TO LET NOBODY GET HANGED. 819 00:46:57,748 --> 00:46:59,951 I AIN'T GOING TO LET IT HAPPEN. IT WON'T HAPPEN. 820 00:46:59,951 --> 00:47:01,619 NOW GRAB THAT ROPE. COME ON, GRAB IT. 821 00:47:01,619 --> 00:47:05,090 ABOUT 4 SUMMERS AGO, I WENT OVER TO CHIEFLAND. 822 00:47:05,090 --> 00:47:07,558 A COLORED BOY OVER THERE WAS LOOKING IN THE WINDOW 823 00:47:07,558 --> 00:47:08,826 AT A WHITE GIRL, 824 00:47:08,826 --> 00:47:10,561 WATCHING HER TAKE A BATH. 825 00:47:10,561 --> 00:47:11,562 DID HE SAY SOMETHING? 826 00:47:11,562 --> 00:47:13,264 NO, HE DIDN'T. 827 00:47:13,264 --> 00:47:15,133 MAYBE HE DON'T KNOW NOTHING IF HE DIDN'T SAY NOTHING. 828 00:47:15,133 --> 00:47:18,503 YOU SHOULD HAVE SEEM THEM GO CRAZY ON THAT BOY. 829 00:47:18,503 --> 00:47:19,770 Man: UH-HUH. 830 00:47:19,770 --> 00:47:21,806 BEAT HIM ABOUT HALF TO DEATH. 831 00:47:21,806 --> 00:47:23,374 BOY WOULDN'T STOP SCREAMING. 832 00:47:23,374 --> 00:47:25,843 WE HELPED HIM TO THE RAILROAD TRACK. NUMBER 7 COME ALONG... 833 00:47:27,578 --> 00:47:29,314 CUT HIS HEAD CLEAN OFF. 834 00:47:31,116 --> 00:47:32,984 NIGGERS DON'T RUN AROUND LIKE A CHICKEN. 835 00:47:32,984 --> 00:47:34,519 ONCE THAT HEAD'S OFF, HE'S DEAD. 836 00:47:34,519 --> 00:47:37,388 [MOB LAUGHS] 837 00:47:37,388 --> 00:47:39,324 S-SAM CARTER. 838 00:47:39,324 --> 00:47:40,658 SAM CARTER? 839 00:47:40,658 --> 00:47:42,327 WHAT ABOUT SAM CARTER? 840 00:47:42,327 --> 00:47:43,861 Walker: WHOA, WHOA! WHAT ABOUT SAM? 841 00:47:43,861 --> 00:47:44,896 SAM THE BLACKSMITH? 842 00:47:44,896 --> 00:47:46,197 SAM CARTER RAPED FANNY TAYLOR? 843 00:47:46,197 --> 00:47:47,798 NO. 844 00:47:47,798 --> 00:47:49,267 A MAN. A MASON. 845 00:47:49,267 --> 00:47:51,136 WHAT MAN? WHO YOU TALKING ABOUT? 846 00:47:51,136 --> 00:47:53,271 SAM TOOK HIM IN THE WAGON. 847 00:47:53,271 --> 00:47:54,940 WE WAS HOLDING THE OATH. 848 00:47:54,940 --> 00:47:56,441 WHAT ARE YOU TALKING ABOUT? 849 00:47:56,441 --> 00:47:58,043 STRING HIM UP! 850 00:48:01,212 --> 00:48:03,014 THIS BOY'S UNDER ARREST! I'M TAKING HIM TO JAIL! 851 00:48:03,014 --> 00:48:04,015 WE'RE GOING TO STRING THIS BOY UP. 852 00:48:04,015 --> 00:48:05,683 OH, NO, YOU AIN'T! 853 00:48:05,683 --> 00:48:08,019 ALL RIGHT, TAKE THE BOY, BUT DON'T YOU LET HIM GO. 854 00:48:08,019 --> 00:48:10,721 HEY, DON'T YOU WORRY ABOUT WHAT I AM OR AIN'T GOING TO DO! 855 00:48:10,721 --> 00:48:12,190 YOU HEAR ME, POLY? 856 00:48:12,190 --> 00:48:13,258 WE'RE GOING TO GET SAM. YOU GET ON OUT OF HERE! 857 00:48:13,258 --> 00:48:16,127 DO YOU UNDERSTAND? YOU GO DO IT! 858 00:48:16,127 --> 00:48:18,429 HEY, LISTEN TO ME. YOU GO WITH THEM. 859 00:48:18,429 --> 00:48:21,166 DON'T LET THEM DO NOTHING UNTIL I GET THERE, YOU HEAR ME? 860 00:48:21,166 --> 00:48:23,301 YOU GO, TOO. ELLIS, YOU GO. 861 00:48:23,301 --> 00:48:25,036 I'LL TAKE OLD AARON IN. 862 00:48:25,036 --> 00:48:27,872 THEM BOYS IS ALL RILED. 863 00:48:27,872 --> 00:48:29,540 AARON, THIS IS ALL YOUR DAMN FAULT! 864 00:48:29,540 --> 00:48:32,343 YOU SHOULD'VE SAID SOMETHING EARLIER! 865 00:48:32,343 --> 00:48:33,378 DAMN! 866 00:48:33,378 --> 00:48:35,380 [HORSE NEIGHS] 867 00:48:40,986 --> 00:48:42,220 Man: CARTER! 868 00:48:43,321 --> 00:48:44,355 CARTER! 869 00:48:49,427 --> 00:48:51,029 HEY, BOOKER T. 870 00:48:52,663 --> 00:48:54,665 UP, BOY. UP. 871 00:48:55,933 --> 00:48:58,136 [NEIGH] 872 00:49:02,007 --> 00:49:03,241 CARTER! 873 00:49:09,847 --> 00:49:11,516 SAM. 874 00:49:11,516 --> 00:49:13,518 [DISTANT DOGS BARKING] 875 00:49:18,356 --> 00:49:19,390 SAM? 876 00:49:27,965 --> 00:49:30,168 [COUGHS] 877 00:49:52,523 --> 00:49:55,160 Aaron: THANK YOU, MR. WRIGHT. 878 00:49:55,160 --> 00:49:57,362 [AARON COUGHS] 879 00:50:08,539 --> 00:50:10,408 Andrews: SAM, WHAT YOU KNOW ABOUT THIS JESSE HUNTER, BOY? 880 00:50:10,408 --> 00:50:12,143 I DON'T KNOW NOTHING, MR. ANDREWS! 881 00:50:12,143 --> 00:50:14,279 Duke: ALL NIGGERS DON'T KNOW NOTHING! WHERE'S JESSE HUNTER? 882 00:50:14,279 --> 00:50:16,147 MR. PURDY. MR. PURDY. 883 00:50:16,147 --> 00:50:19,284 YOU A MASON. YOU GOT TO BELIEVE ME. 884 00:50:19,284 --> 00:50:21,186 I DON'T KNOW NO JESSE HUNTER! 885 00:50:21,186 --> 00:50:23,621 Man: YEAH, YOU DO, YOU DAMN NIGGER! 886 00:50:23,621 --> 00:50:26,057 [MOB YELLING] 887 00:50:27,758 --> 00:50:29,760 [MOB BEATING SAM] 888 00:50:33,331 --> 00:50:34,765 COME ON, LET HIM GO! 889 00:50:34,765 --> 00:50:36,701 COME ON! HOLD IT! COME ON! 890 00:50:36,701 --> 00:50:39,270 HE'S NOT AGAINST YOU! STOP IT! STOP IT! 891 00:50:39,270 --> 00:50:41,639 YOU SHUT UP AND GET AWAY! 892 00:50:41,639 --> 00:50:43,241 SAM! GET UP! 893 00:50:43,241 --> 00:50:45,776 Man: TALK NOW! 894 00:50:45,776 --> 00:50:47,878 TALK TO ME, SAM! 895 00:50:47,878 --> 00:50:49,480 TALK TO ME. 896 00:50:50,481 --> 00:50:52,083 Duke: BETTER SAY SOMETHING. 897 00:50:52,083 --> 00:50:53,751 AS-- 898 00:50:53,751 --> 00:50:55,920 AS GOD AS MY WITNESS, 899 00:50:55,920 --> 00:50:58,055 I DON'T KNOW... 900 00:50:58,055 --> 00:50:59,724 JESSE HUNTER. 901 00:50:59,724 --> 00:51:02,327 Andrews: IT WAS THAT DRIFTER. THAT RICH NIGGER FROM THE AUCTION! 902 00:51:02,327 --> 00:51:04,195 THAT BIG BUCK WITH THE BLACK HORSE, 903 00:51:04,195 --> 00:51:05,196 IS THAT HIM? 904 00:51:05,196 --> 00:51:07,232 [MOB KICKS SAM] 905 00:51:10,268 --> 00:51:12,537 COME ON, LET HIM TALK. 906 00:51:12,537 --> 00:51:13,804 DAMN YOU! 907 00:51:13,804 --> 00:51:14,872 SAM! 908 00:51:14,872 --> 00:51:16,040 Man: YEAH! 909 00:51:16,040 --> 00:51:17,142 LOOK AT ME! 910 00:51:17,142 --> 00:51:20,245 AARON TOLD US YOU GAVE HIM A RIDE! 911 00:51:20,245 --> 00:51:22,480 NOW YOU SHOW ME WHERE YOU PUT HIM OUT! 912 00:51:22,480 --> 00:51:25,750 SHOW ME, SAM. I CAN GET YOU OUT OF HERE. 913 00:51:25,750 --> 00:51:27,685 SHOW ME, BOY. 914 00:51:27,685 --> 00:51:28,553 YOU GOING TO SHOW ME? 915 00:51:28,553 --> 00:51:29,820 Man: WE GOING TO STRING YOU UP. 916 00:51:29,820 --> 00:51:31,722 LET'S GO. GET UP. 917 00:51:31,722 --> 00:51:33,090 LET'S GO. GET UP. 918 00:51:33,090 --> 00:51:35,526 [MOANS] 919 00:51:35,526 --> 00:51:37,528 IF WE DON'T PICK UP HIS TRAIL WHERE YOU SAY, 920 00:51:37,528 --> 00:51:40,265 YOU ONE DEAD BLACK SON OF A BITCH. 921 00:51:43,100 --> 00:51:45,303 Walker: WHAT YOU GOT, EARL? 922 00:51:46,103 --> 00:51:47,305 NOTHING, ELLIS. 923 00:51:47,305 --> 00:51:48,839 Man: NOTHING? 924 00:51:54,812 --> 00:51:56,814 Y-YOU CAN KILL ME... 925 00:51:58,015 --> 00:51:59,850 BUT YOU ALL-- 926 00:51:59,850 --> 00:52:01,186 YOU CAN'T EAT ME. 927 00:52:01,186 --> 00:52:03,754 Duke: YOU AIN'T NO SEMINOLE, BOY. 928 00:52:05,156 --> 00:52:07,124 Walker: DUKE. 929 00:52:07,124 --> 00:52:09,126 Man: GET BACK! GET BACK! 930 00:52:09,126 --> 00:52:11,329 DAMN IT, DUKE! 931 00:52:11,329 --> 00:52:12,663 WHY'D YOU DO THAT FOR? 932 00:52:12,663 --> 00:52:13,798 GOD DAMN, DUKE. 933 00:52:13,798 --> 00:52:16,167 DUMB SON OF A BITCH. 934 00:52:16,167 --> 00:52:18,403 YOU COULD'VE KILLED ME! 935 00:52:18,403 --> 00:52:19,870 Andrews: HE'S SURE DEAD. 936 00:52:19,870 --> 00:52:22,006 HE AIN'T DEAD. 937 00:52:22,006 --> 00:52:24,909 WELL, LET'S CLEAN THIS MESS UP. 938 00:52:27,412 --> 00:52:29,180 HANG HIM UP IN THIS TREE OVER HERE. 939 00:52:31,482 --> 00:52:33,551 Walker: OK, MEN, I'VE HAD ENOUGH OF THIS! 940 00:52:33,551 --> 00:52:35,386 I'M THE LAW HERE, YOU HEAR ME? 941 00:52:35,386 --> 00:52:36,687 LET ME IN HERE! 942 00:52:36,687 --> 00:52:38,189 BACK OFF NOW! 943 00:52:38,189 --> 00:52:39,424 LET ME IN THERE! 944 00:52:41,926 --> 00:52:44,161 STOP IT, Y'ALL! STOP IT! 945 00:52:44,161 --> 00:52:47,131 A WHITE WOMAN WAS BEAT AND RAPED 946 00:52:47,131 --> 00:52:48,533 BY A COLORED BOY! 947 00:52:48,533 --> 00:52:50,901 NOW, YOU WANT TO TELL HER HUSBAND, HER CHILDREN, 948 00:52:50,901 --> 00:52:54,739 THAT THIS BOY DON'T HAVE TO PAY FOR THAT? 949 00:52:56,173 --> 00:52:58,008 HUH? I'M SUPPOSED TO UPHOLD THE LAW! 950 00:52:58,008 --> 00:52:59,210 AW, LAW! 951 00:52:59,210 --> 00:53:00,745 WHOSE LAW, NIGGER LAW? 952 00:53:00,745 --> 00:53:02,747 YOU WASN'T NOTHING BUT A DAMN CHICKEN FARMER 953 00:53:02,747 --> 00:53:05,350 TILL THEY GAVE YOU THAT STUPID BADGE! 954 00:53:05,350 --> 00:53:07,151 YOU WANT TO GET REELECTED? 955 00:53:07,151 --> 00:53:09,220 HUH? YOU WANT TO GET REELECTED? 956 00:53:09,220 --> 00:53:11,256 LEAVE ME ALONE! THEN LEAVE IT BE! 957 00:53:11,256 --> 00:53:13,758 [MOB FIRING GUNS] 958 00:53:15,593 --> 00:53:17,795 I GOT YOUR WATCH, SAM CARTER! 959 00:53:17,795 --> 00:53:19,397 I GOT YOUR WATCH! 960 00:53:20,931 --> 00:53:22,833 Man: COME ON! 961 00:53:37,448 --> 00:53:39,850 YOU'RE ALWAYS SO GENTLE. 962 00:53:42,353 --> 00:53:44,221 SOFT TOUCH. 963 00:53:45,656 --> 00:53:48,326 YOU TREAT ME LIKE I'M SOME KIND OF ANGEL. 964 00:53:48,326 --> 00:53:51,329 YOU ARE AN ANGEL TO ME. 965 00:53:51,329 --> 00:53:53,531 I'M JUST A WOMAN, JAMES. 966 00:53:54,832 --> 00:53:56,434 I'M JUST A WOMAN. 967 00:53:57,902 --> 00:54:01,639 THINGS ARE GETTING CRAZY OUT THERE, FANNY. 968 00:54:01,639 --> 00:54:03,308 THEY'RE LIKELY TO GET WORSE. 969 00:54:03,308 --> 00:54:05,109 SAM CARTER'S LYNCHED ALREADY. 970 00:54:05,109 --> 00:54:07,312 THE BLACKSMITH? 971 00:54:07,312 --> 00:54:08,313 WHAT'D HE DO? 972 00:54:08,313 --> 00:54:10,748 HE GAVE THAT NIGGER A RIDE. 973 00:54:10,748 --> 00:54:12,750 A RIDE? 974 00:54:13,951 --> 00:54:15,553 SAM CARTER? 975 00:54:17,121 --> 00:54:18,723 I DIDN'T KNOW. 976 00:54:20,825 --> 00:54:21,992 JAMES... 977 00:54:30,668 --> 00:54:33,504 THERE'S THINGS THAT I OUGHT TO TELL YOU. 978 00:54:33,504 --> 00:54:35,706 [KNOCK ON DOOR] 979 00:54:38,409 --> 00:54:40,345 Woman: EVENING, MR. TAYLOR. 980 00:54:41,412 --> 00:54:44,882 WITH ALL THAT'S GOING ON AND EVERYTHING, 981 00:54:44,882 --> 00:54:47,718 WE THOUGHT Y'ALL COULD USE SOME HOT COOKING. 982 00:54:49,387 --> 00:54:52,156 THANK YOU KINDLY, LADIES, BUT MY WIFE AIN'T FEELING TOO WELL. 983 00:54:52,156 --> 00:54:54,359 IT'S ALL RIGHT, JAMES. 984 00:54:55,393 --> 00:54:57,695 EVENING, MISS WALKER. 985 00:54:57,695 --> 00:54:59,497 Miss Walker: OH, FANNY... 986 00:54:59,497 --> 00:55:02,533 YOU POOR CHILD. 987 00:55:02,533 --> 00:55:06,136 OH, I BROUGHT YOU A QUILT, TOO. 988 00:55:06,136 --> 00:55:07,705 I BROUGHT YOU SWEETBREAD. 989 00:55:08,906 --> 00:55:11,342 DON'T YOU WORRY. THAT NIGGER GOING TO BE DEAD 990 00:55:11,342 --> 00:55:14,311 BEFORE YOU FINISH YOUR PIE, OK? 991 00:55:15,913 --> 00:55:17,915 [PIANO MUSIC PLAYING] 992 00:55:21,118 --> 00:55:23,320 [PIANO MUSIC STOPS] 993 00:55:38,869 --> 00:55:40,505 GET A WAGON. 994 00:56:22,246 --> 00:56:23,848 Sylvester: NOW, ME AND MR. MANN... 995 00:56:23,848 --> 00:56:26,383 JUST CUT SAM CARTER OUT A DAMN TREE. 996 00:56:26,383 --> 00:56:27,852 Y'ALL HEAR ME? 997 00:56:27,852 --> 00:56:30,988 DIRTY, LOW-DOWN BASTARDS... 998 00:56:30,988 --> 00:56:32,657 TOOK MY BOY. 999 00:56:32,657 --> 00:56:34,525 THEY GOT MY COUSIN AARON OVER IN JAIL 1000 00:56:34,525 --> 00:56:36,527 IN SUMNER BEHIND THIS BUSINESS. 1001 00:56:36,527 --> 00:56:37,795 THEY SAY IT'S FOR HIS OWN PROTECTION. 1002 00:56:37,795 --> 00:56:39,063 NOW HOW DOES THAT SOUND? 1003 00:56:39,063 --> 00:56:40,330 [CROWD MURMURS] 1004 00:56:40,330 --> 00:56:42,800 WHAT WE NEED TO DO, WE NEED TO PRAY. NOW, DEAR LORD-- 1005 00:56:42,800 --> 00:56:45,302 I AIN'T IN NO PRAYING MOOD, PREACHER. 1006 00:56:45,302 --> 00:56:46,904 NOW, WHAT I WANT TO KNOW IS RIGHT NOW, 1007 00:56:46,904 --> 00:56:49,707 WHAT Y'ALL MENS PREPARED TO DO IF THEY RUN BACK HERE? 1008 00:56:49,707 --> 00:56:53,377 NOT IF, SYLVESTER. WHEN. 1009 00:56:53,377 --> 00:56:54,679 I'M GOIN' TO SHOOT. 1010 00:56:54,679 --> 00:56:57,047 Bradley: COME ON, SIT DOWN NOW, BIG BABY. 1011 00:57:00,284 --> 00:57:01,752 [HORSE NEIGHS] 1012 00:57:04,254 --> 00:57:06,290 YOU BY YOURSELF THERE, MR. WRIGHT? 1013 00:57:06,290 --> 00:57:07,858 I AM, SYLVESTER. 1014 00:57:11,729 --> 00:57:14,565 SYLVESTER, THEM CRACKERS SO RILED UP, 1015 00:57:14,565 --> 00:57:15,900 WE DON'T KNOW WHAT THEY GOING TO DO. 1016 00:57:15,900 --> 00:57:17,535 THEY DON'T KNOW WHAT THEY GOIN' TO DO. 1017 00:57:17,535 --> 00:57:19,737 THAT'S HOW A LYNCH MOB BE. 1018 00:57:21,238 --> 00:57:26,777 NOW, I SAY WE SEND THE WOMEN AND CHILDREN TO GAINESVILLE RIGHT NOW. 1019 00:57:26,777 --> 00:57:29,213 JOHN, WE CAN'T GO NOWHERE AND LEAVE THAT BOY IN JAIL. 1020 00:57:29,213 --> 00:57:31,582 NO! THEM DIRTY BASTARDS 1021 00:57:31,582 --> 00:57:33,818 CAN TAKE MY BOY OUT OF THAT JAIL 1022 00:57:33,818 --> 00:57:36,721 AND HANG HIM WHENEVER THEY TAKE A NOTION. 1023 00:57:36,721 --> 00:57:38,288 DON'T WORRY ABOUT IT, UNCLE. 1024 00:57:38,288 --> 00:57:40,591 WE AIN'T GOING NOWHERE. 1025 00:57:40,591 --> 00:57:42,426 WE AIN'T GOING NOWHERE, BRADLEY. 1026 00:57:42,426 --> 00:57:44,562 NOW, WE OWN THIS HERE LAND. 1027 00:57:44,562 --> 00:57:46,230 WE PAY TAXES ON IT. 1028 00:57:46,230 --> 00:57:48,398 NOW, WE DON'T BOTHER NOBODY AROUND HERE. 1029 00:57:48,398 --> 00:57:50,000 WE KEEP TO OURSELVES. 1030 00:57:50,000 --> 00:57:52,036 NOW, COLORED FOLK JUST CAN'T BE RUNNING ALL THE TIME. 1031 00:57:52,036 --> 00:57:55,072 THERE COMES A TIME WHEN YOU GOT TO STAND UP AND DEFEND YOUR RIGHTS. 1032 00:57:55,072 --> 00:57:57,542 SYLVESTER! SYLVESTER! LISTEN TO ME. AND YOU LISTEN. 1033 00:57:57,542 --> 00:57:58,876 HOLD ON THERE FOR A MINUTE. 1034 00:57:58,876 --> 00:58:00,711 WE GOT TO THINK ABOUT THESE HERE CHILDREN. 1035 00:58:00,711 --> 00:58:02,146 OH, I AM THINKING ABOUT THE CHILDREN, PREACHER. 1036 00:58:02,146 --> 00:58:04,081 NOW, YOU SUPPOSE THEY THINKING ABOUT OUR CHILDREN? 1037 00:58:04,081 --> 00:58:06,551 Crowd: NO! NO! 1038 00:58:12,923 --> 00:58:14,058 MR. MANN. 1039 00:58:17,027 --> 00:58:20,497 IF THERE BE SOME TROUBLE AROUND HERE, SIR, 1040 00:58:20,497 --> 00:58:22,567 WE COULD SURE USE YOUR HELP. 1041 00:58:22,567 --> 00:58:26,503 I JUST CAME FROM ONE WAR, FRIEND. 1042 00:58:26,503 --> 00:58:27,638 I AIN'T LOOKING FOR ANOTHER ONE. 1043 00:58:27,638 --> 00:58:29,506 Preacher: LET HIM GO, SYLVESTER. 1044 00:58:29,506 --> 00:58:32,309 FOR ALL WE KNOW, HE COULD HAVE BEEN THE ONE WHO DONE THIS THING. 1045 00:58:32,309 --> 00:58:34,912 THEY SAID IT WAS-- THEY SAID IT WAS A STRANGER ANYHOW. 1046 00:58:34,912 --> 00:58:37,582 YOU'RE TALKING CRAZY NOW, PREACHER. 1047 00:58:42,620 --> 00:58:45,590 I WISH Y'ALL LUCK. 1048 00:58:54,264 --> 00:58:55,733 HE AIN'T DONE NOTHING. 1049 00:58:55,733 --> 00:58:57,902 WHAT WAS THAT, AUNT SARAH? 1050 00:59:00,771 --> 00:59:05,175 MR. WRIGHT, WOULD YOU KINDLY EXCUSE US, SIR? 1051 00:59:16,553 --> 00:59:18,823 I SEEN HIS FACE. 1052 00:59:18,823 --> 00:59:20,958 HE WAS WHITE AS BUTTER. 1053 00:59:20,958 --> 00:59:21,792 WHAT? 1054 00:59:21,792 --> 00:59:23,027 [CROWD MURMURS] 1055 00:59:27,097 --> 00:59:30,100 THIS WHAT THEY TEACH YOU IN THE ARMY? 1056 00:59:30,100 --> 00:59:33,704 PACK UP AND RUN WHEN THINGS GET HOT? 1057 00:59:33,704 --> 00:59:35,105 THANK GOD THE NAVY DON'T LET IN-- 1058 00:59:35,105 --> 00:59:39,877 WHAT? GO ON AND SAY IT, MR. WRIGHT. 1059 00:59:39,877 --> 00:59:43,213 THANK GOD THE NAVY DON'T LET IN NIGGERS. 1060 00:59:44,649 --> 00:59:46,851 I WAS GOING TO SAY COWARDS. 1061 00:59:46,851 --> 00:59:48,786 THAT'S RIGHT. I GOT YOU FIGURED, MANN. 1062 00:59:48,786 --> 00:59:50,320 YOU ONE OF THEM LOUD BOYS, BIG TALK. 1063 00:59:50,320 --> 00:59:52,056 FIGURE YOU CAN SAY ANYTHING TO A WHITE MAN 1064 00:59:52,056 --> 00:59:54,524 AS LONG AS YOU START OUT SAYING, "WITH ALL DUE RESPECT." 1065 00:59:54,524 --> 00:59:57,294 FIRST SIGN OF TROUBLE, YOU DUCKIN' YOUR HEAD RUNNIN'. 1066 00:59:57,294 --> 01:00:01,065 WHAT YOU GOING TO DO WHEN THAT MOB COME DOWN THE ROAD? 1067 01:00:01,065 --> 01:00:04,234 YOU GOING TO GRAB UP YOUR RIFLE, DEFEND COLORED FOLK? 1068 01:00:04,234 --> 01:00:05,335 WHAT YOU CARE? 1069 01:00:05,335 --> 01:00:08,405 MAN DOES WHAT HE HAS TO. AIN'T THAT RIGHT? 1070 01:00:08,405 --> 01:00:11,676 JUST LIKE A COLORED BOY BACK FROM THE WAR WITH A POCKETFUL OF MONEY. 1071 01:00:11,676 --> 01:00:13,878 AIN'T THAT RIGHT? 1072 01:00:13,878 --> 01:00:16,513 YOU THE MASSA OF ROSEWOOD, HUH? 1073 01:00:16,513 --> 01:00:17,614 SAY, BOY... 1074 01:00:17,614 --> 01:00:19,216 THESE PEOPLE KNOW ME. 1075 01:00:19,216 --> 01:00:20,951 THEY TRUST ME. 1076 01:00:27,157 --> 01:00:29,994 HOW LONG YOU LIVE HERE, MR. WRIGHT? 1077 01:00:29,994 --> 01:00:31,929 9 YEARS. 1078 01:00:35,432 --> 01:00:38,502 I BEEN IN ROSEWOOD ONE NIGHT... 1079 01:00:38,502 --> 01:00:41,171 THEY ASKING ME TO STAY. 1080 01:00:41,171 --> 01:00:44,008 NOW, YOU PACK UP YOUR TRUCK... 1081 01:00:44,008 --> 01:00:47,111 SEE WHO TRIES TO STOP YOU FROM LEAVING. 1082 01:00:51,081 --> 01:00:52,116 [CLICK] 1083 01:00:59,056 --> 01:01:04,128 [CHURCH MEMBERS SINGING AMAZING GRACE] 1084 01:01:08,833 --> 01:01:09,934 YOU WASN'T GOING TO SAY NOTHING. 1085 01:01:09,934 --> 01:01:11,335 YOU WERE JUST GOING TO LEAVE ME? 1086 01:01:11,335 --> 01:01:15,672 3-4 WEEKS THIS ALL BLOW OVER. THEN I COME BACK. 1087 01:01:15,672 --> 01:01:19,076 BUT I THOUGHT WE-- 1088 01:01:19,076 --> 01:01:21,411 WHY, I DIDN'T THINK YOU WAS JUST GOING TO RUN OFF, IS ALL. 1089 01:01:21,411 --> 01:01:22,479 AIN'T YOU A SOLDIER? 1090 01:01:22,479 --> 01:01:23,714 SCRAPPIE. 1091 01:01:29,086 --> 01:01:30,821 THEM BOYS LOOKING FOR A COLORED MAN 1092 01:01:30,821 --> 01:01:33,123 AIN'T NOBODY SEEN AROUND HERE BEFORE. 1093 01:01:33,123 --> 01:01:34,524 NOW, AIN'T NO WAY IN THE WORLD 1094 01:01:34,524 --> 01:01:37,094 ONE MAN GOT ENOUGH BULLETS FOR ALL THEM CRACKERS. 1095 01:01:37,094 --> 01:01:38,963 YOUR OWN PREACHER READY TO SERVE ME UP. 1096 01:01:38,963 --> 01:01:42,132 NOW, IF I STAY, I'M ASKING TO BE HUNG. 1097 01:01:49,273 --> 01:01:50,340 LOOK IT HERE. 1098 01:02:06,256 --> 01:02:09,193 THEY GIVE ME THIS FOR SAVING LIVES. 1099 01:02:11,528 --> 01:02:14,899 MOST IMPORTANT THING ANYBODY EVER GIVE TO ME. 1100 01:02:14,899 --> 01:02:17,868 YOU KEEP IT FOR ME. 1101 01:02:19,103 --> 01:02:22,239 HOLD ON TO IT TILL I GET BACK. 1102 01:02:23,273 --> 01:02:26,076 NOW, CAN YOU DO THAT FOR ME, DARLING? 1103 01:02:51,235 --> 01:02:53,804 [PEOPLE SINGING] 1104 01:03:26,937 --> 01:03:33,844 * IN HARD TIMES AND DARKENED WAYS * 1105 01:03:33,844 --> 01:03:37,882 * OH, LOOK DOWN, SWEET JESUS * 1106 01:03:37,882 --> 01:03:41,485 * HOLD ME NOW * 1107 01:03:41,485 --> 01:03:49,293 * THIS TIME I'M COMING HOME * 1108 01:03:59,937 --> 01:04:01,838 MORNING, JUDGE. 1109 01:04:22,659 --> 01:04:26,430 MULTIPLE GUNSHOT WOUNDS. 1110 01:04:26,430 --> 01:04:28,398 MISSING EARS... 1111 01:04:29,533 --> 01:04:31,168 FINGERS. 1112 01:04:32,569 --> 01:04:35,739 VARIOUS OTHER PARTS. 1113 01:04:35,739 --> 01:04:40,945 BY JESUS, YOUR BOYS REALLY GOT TO THIS ONE. HUH, ELLIS? 1114 01:04:40,945 --> 01:04:42,479 [EARL SNICKERS] 1115 01:04:42,479 --> 01:04:44,881 YEAH. 1116 01:04:44,881 --> 01:04:47,584 YES, THEY DID, SIR. 1117 01:04:53,890 --> 01:04:56,693 LEVY COUNTY IS GROWING. 1118 01:04:56,693 --> 01:05:01,198 WE NEED US A SHERIFF UP HERE WHO CAN HANDLE THESE NIGGER PROBLEMS. 1119 01:05:03,133 --> 01:05:05,302 IS THAT YOU, ELLIS? 1120 01:05:05,302 --> 01:05:06,070 NOW HOLD ON. 1121 01:05:06,070 --> 01:05:07,204 OH, I THINK I GOT 1122 01:05:07,204 --> 01:05:09,940 EVERYTHING UNDER CONTROL NOW, JUDGE. 1123 01:05:09,940 --> 01:05:11,475 UH-HUH. 1124 01:05:11,475 --> 01:05:12,376 THEN I HOPE SO. 1125 01:05:12,376 --> 01:05:14,078 NOW, WE AIN'T TALKING ABOUT 1126 01:05:14,078 --> 01:05:16,313 BREAKING UP FIGHTS ON SATURDAY NIGHT. 1127 01:05:16,313 --> 01:05:17,781 YOU CAN'T CONTROL YOUR COLORED, 1128 01:05:17,781 --> 01:05:20,584 WE'RE GOING TO REPLACE YOU WITH SOMEONE WHO CAN. 1129 01:05:20,584 --> 01:05:24,554 CAUSE OF DEATH: "MISCHIEF AT HANDS UNKNOWN..." 1130 01:05:24,554 --> 01:05:26,323 WRITE THAT DOWN, EARL. 1131 01:05:26,323 --> 01:05:30,860 ALL RIGHT NOW! GET ON IN HERE! FALL IN HERE, EVERYBODY! 1132 01:05:30,860 --> 01:05:34,131 NOW, HUSH UP! 1133 01:05:34,131 --> 01:05:37,201 EVERYBODY, COME ON, NOW! DON'T LOLLYGAG! 1134 01:05:37,201 --> 01:05:40,037 I WANT TO GIVE YOU A DAY OFF. 1135 01:05:40,037 --> 01:05:41,305 WHAT'S THAT, BOOTS? 1136 01:05:42,339 --> 01:05:44,341 HE SAYS YOU GOT THE DAY OFF. 1137 01:05:44,341 --> 01:05:45,675 THAT'S GREAT! ALL RIGHT! 1138 01:05:45,675 --> 01:05:47,944 THAT COLORED BOY WHO ASSAULTED FANNY TAYLOR, 1139 01:05:47,944 --> 01:05:49,946 HE'S STILL OUT THERE SOMEWHERE. 1140 01:05:49,946 --> 01:05:51,081 SO I'M GONNA GIVE YOU THE DAY OFF 1141 01:05:51,081 --> 01:05:53,850 SO YOU CAN GO HELP WITH THE SEARCH. 1142 01:05:53,850 --> 01:05:56,453 ALL I EXPECT IS... 1143 01:05:56,453 --> 01:05:58,955 IF YOU FIND HIM... 1144 01:05:58,955 --> 01:05:59,956 WELL, YOU KNOW WHAT TO DO. 1145 01:05:59,956 --> 01:06:01,258 [MURMURING] 1146 01:06:15,772 --> 01:06:17,241 Scrappie: OH, LORD, AUNTIE, 1147 01:06:17,241 --> 01:06:19,509 THEY'RE LIKELY TO COME IN HERE AND KILL US ALL. 1148 01:06:19,509 --> 01:06:22,079 YOU GOT TO TELL THEM THAT MAN WAS WHITE. 1149 01:06:22,079 --> 01:06:25,849 CHILD, YOU DON'T THINK THEY'RE GOING TO LISTEN TO OLD AUNT SARAH? 1150 01:06:25,849 --> 01:06:30,720 THEY'D JUST AS SOON AS STRING ME UP LIKE THEY DONE SAM CARTER. 1151 01:06:30,720 --> 01:06:35,925 YOU AIN'T NEVER SEEN CRACKERS ACT THE WAY I KNOW. 1152 01:06:35,925 --> 01:06:39,463 WHEN I WAS A LITTLE GIRL, ABOUT 7, 1153 01:06:39,463 --> 01:06:43,767 STILL ON THE WILLOWBROOK PLANTATION... 1154 01:06:43,767 --> 01:06:53,943 OLD MASSA'S SON STOLE $20 OUT OF THE FAMILY CHEST FOR A COCKFIGHT. 1155 01:06:53,943 --> 01:06:56,012 MASSA KNEW HE TOOK IT. 1156 01:06:56,012 --> 01:07:00,784 AS BLUE AS JESUS' EYES, HE KNEW. 1157 01:07:00,784 --> 01:07:04,388 BUT JUST THE SAME... 1158 01:07:04,388 --> 01:07:08,692 HE WHIPPED MY DADDY HALF TO DEATH. 1159 01:07:10,827 --> 01:07:15,865 IT DON'T MATTER WHAT MAN WAS BEATING ON FANNY TAYLOR. 1160 01:07:15,865 --> 01:07:18,102 NIGGER. 1161 01:07:18,102 --> 01:07:22,506 IT'S JUST ANOTHER WORD FOR GUILTY. 1162 01:07:26,076 --> 01:07:27,144 HERE YOU GO. 1163 01:07:27,144 --> 01:07:28,712 THANK YOU, MR. BRYCE. 1164 01:07:28,712 --> 01:07:30,114 YOU'RE WELCOME. 1165 01:07:30,114 --> 01:07:32,649 YOU'RE A NICE GENTLEMAN. 1166 01:07:34,418 --> 01:07:37,554 LOOK, WHY DON'T YOU GET YOUR PEOPLES ON BOARD, AUNT SARAH? 1167 01:07:37,554 --> 01:07:39,356 TAKE THEM UP TO GAINESVILLE FOR AWHILE. 1168 01:07:39,356 --> 01:07:41,258 DON'T MUCH LIKE THE LOOKS OF THINGS AROUND HERE. 1169 01:07:41,258 --> 01:07:42,459 THINGS BEEN LOOKING THE SAME 1170 01:07:42,459 --> 01:07:45,662 AS LONG AS I CAN REMEMBER, MR. BRYCE. 1171 01:07:50,334 --> 01:07:52,269 YOU TAKE CARE OF YOURSELF. 1172 01:07:55,539 --> 01:07:56,906 TAKE THAT. 1173 01:07:56,906 --> 01:07:58,242 PUT IT ON THE SIDE THERE. 1174 01:07:58,242 --> 01:07:59,609 Bryce: BOARD! 1175 01:08:16,025 --> 01:08:17,227 SYLVESTER? 1176 01:08:17,227 --> 01:08:18,962 GO INSIDE THE DEPOT, MAMA. SYLVESTER! 1177 01:08:18,962 --> 01:08:20,597 MAMA, IT'S ALL RIGHT. 1178 01:08:20,597 --> 01:08:21,698 MAMA, GO ON. 1179 01:08:21,698 --> 01:08:23,567 Sheriff: JOHNNY. 1180 01:08:23,567 --> 01:08:24,801 SYLVESTER! 1181 01:08:24,801 --> 01:08:26,903 DO YOU KNOW THE WHEREABOUTS OF THIS JESSE HUNTER? 1182 01:08:26,903 --> 01:08:28,638 I DO NOT. 1183 01:08:28,638 --> 01:08:30,640 YOU ARREST THAT MAN WHO KILL SAM CARTER YET? 1184 01:08:30,640 --> 01:08:33,243 DON'T YOU GET UPPITY WITH ME. 1185 01:08:33,243 --> 01:08:35,145 I'VE COME TO WARN YOU. 1186 01:08:35,145 --> 01:08:36,313 THERE ARE SOME BOYS OVER THERE IN SUMNER 1187 01:08:36,313 --> 01:08:37,814 LET ON IF THEY WAS YOU, 1188 01:08:37,814 --> 01:08:40,116 THEY WOULDN'T LET SUNDOWN CATCH THEM AROUND HERE. 1189 01:08:40,116 --> 01:08:43,487 WELL, THEY AIN'T ME...SIR. 1190 01:08:47,224 --> 01:08:48,925 WHY DON'T YOU BE A GOOD BOY 1191 01:08:48,925 --> 01:08:52,329 AND GO VISIT SOME OF YOUR OTHER RELATIVES FOR A LITTLE WHILE, HUH? 1192 01:08:53,897 --> 01:08:56,400 I AM TRYING TO HELP YOU HERE. 1193 01:08:57,867 --> 01:09:00,136 THEY'RE ALL OVER THERE RIGHT NOW GETTING ALL FULL OF LIQUOR 1194 01:09:00,136 --> 01:09:02,639 AND MAKING NOOSES. 1195 01:09:03,640 --> 01:09:06,042 YOU HEAR ME! HUH? 1196 01:09:06,042 --> 01:09:07,677 SHERIFF... 1197 01:09:07,677 --> 01:09:09,246 IF YOU REALLY WANT TO HELP... 1198 01:09:09,246 --> 01:09:10,547 I APPRECIATE IT IF YOU WOULDN'T ALLOW 1199 01:09:10,547 --> 01:09:13,650 THEM BOYS TO COME 'ROUND HERE. 1200 01:09:13,650 --> 01:09:16,353 I WAS BORN AND RAISED IN ROSEWOOD. 1201 01:09:16,353 --> 01:09:17,821 THIS HERE IS MY HOME. 1202 01:09:17,821 --> 01:09:21,191 AND I'LL BE DAMNED IF I LET ANYONE RUN ME OFF IT. 1203 01:09:22,492 --> 01:09:24,628 NOW, YOU CAN TELL THEM BOYS THAT. 1204 01:09:27,431 --> 01:09:30,500 TELL THEM YOUR DAMN SELF. 1205 01:09:32,836 --> 01:09:35,739 DAMN COLORED FOOL. 1206 01:09:45,282 --> 01:09:46,683 GO HOME, MAMA. 1207 01:09:53,390 --> 01:09:54,724 YOU'RE GONNA HAVE TO SETTLE YOUR ACCOUNT 1208 01:09:54,724 --> 01:09:57,361 BEFORE I CAN SELL YOU THE SHELLS. 1209 01:10:01,265 --> 01:10:03,066 WANT ME TO SETTLE ACCOUNT? 1210 01:10:03,066 --> 01:10:04,768 THAT'S RIGHT. 1211 01:10:05,869 --> 01:10:07,537 ALL RIGHT. 1212 01:10:09,005 --> 01:10:10,974 GO HOME, JEWEL. 1213 01:10:12,542 --> 01:10:14,411 JEWEL. 1214 01:10:15,645 --> 01:10:17,881 GIRL, YOU BEST GET OUT OF THIS STORE. 1215 01:10:17,881 --> 01:10:19,716 SHE BELONGS HERE. SHE BELONGS RIGHT HERE. 1216 01:10:19,716 --> 01:10:21,751 DO YOU SEE HOW YOU DOIN' MY COUSIN? 1217 01:10:21,751 --> 01:10:24,688 GET OUT THIS STORE RIGHT NOW, JEWEL! GET! 1218 01:10:26,623 --> 01:10:28,458 CAN'T YOU LISTEN TO NOBODY? 1219 01:10:28,458 --> 01:10:30,394 SHERIFF GAVE YOU GOOD ADVICE. WHY AIN'T YOU LEAVING? 1220 01:10:30,394 --> 01:10:32,529 I THOUGHT YOU A SMART BOY, SYLVESTER. 1221 01:10:32,529 --> 01:10:33,963 I THOUGHT YOU A SMART BOY. 1222 01:10:36,333 --> 01:10:38,302 HERE IS YOUR MONEY, MR. WRIGHT. 1223 01:10:38,302 --> 01:10:40,337 THAT SHOULD SETTLE MY ACCOUNT. 1224 01:10:41,371 --> 01:10:43,106 SYLVESTER... 1225 01:10:43,106 --> 01:10:44,374 DUMB... 1226 01:10:44,374 --> 01:10:45,742 HURRY UP! 1227 01:10:51,281 --> 01:10:52,282 HERE COME THEM BOYS. 1228 01:10:52,282 --> 01:10:53,283 UH-HUH. 1229 01:10:53,283 --> 01:10:54,718 [CAR HORN HONKS] 1230 01:10:54,718 --> 01:10:56,653 HEY, Y'ALL. 1231 01:10:56,653 --> 01:10:57,954 THEY AIN'T GOT NOTHING. 1232 01:10:59,155 --> 01:11:00,290 Walker: WHAT'D YOU FIND? 1233 01:11:00,290 --> 01:11:01,791 SNAKES AND TICKS. 1234 01:11:01,791 --> 01:11:04,861 THEM COLORED FOLKS GOT TO BE HIDING THAT NIGGER. 1235 01:11:06,663 --> 01:11:08,532 WHAT TIME IS IT, ANYWAY? 1236 01:11:08,532 --> 01:11:12,869 WELL, LET'S SEE... BY OLD SAM CARTER. 1237 01:11:15,004 --> 01:11:16,906 BOURBON TIME. 1238 01:11:16,906 --> 01:11:18,342 [LAUGHTER] 1239 01:11:19,409 --> 01:11:21,811 I'LL TELL YOU, BOYS. 1240 01:11:21,811 --> 01:11:23,347 IF ANYBODY'S HIDING JESSE HUNTER, 1241 01:11:23,347 --> 01:11:24,814 MY MONEY'S ON SYLVESTER CARRIER. 1242 01:11:24,814 --> 01:11:26,950 THAT NIGGER, HE HATES US WHITE FOLK. 1243 01:11:26,950 --> 01:11:27,917 UH-HUH. 1244 01:11:27,917 --> 01:11:28,785 HE DOES. 1245 01:11:28,785 --> 01:11:30,720 YOU KNOW, HE'S GOT A PIANO. 1246 01:11:30,720 --> 01:11:33,457 A NIGGER WITH A GODDAMN PIANO. 1247 01:11:33,457 --> 01:11:35,492 I'VE BEEN WORKING ALL MY LIFE, 1248 01:11:35,492 --> 01:11:37,527 I AIN'T GOT A PIANO. 1249 01:11:37,527 --> 01:11:39,396 YOU DON'T KNOW HOW TO PLAY ONE. 1250 01:11:39,396 --> 01:11:40,597 THAT AIN'T THE POINT. 1251 01:11:40,597 --> 01:11:43,633 OLD MAN CUMMER, UP IN THAT HOUSE OF HIS, 1252 01:11:43,633 --> 01:11:45,301 HE'S GOT A PIANO. 1253 01:11:45,301 --> 01:11:47,236 THAT NIGGER'S GOT ONE, AND I DON'T. 1254 01:11:47,236 --> 01:11:48,638 NOW, HOW DOES THAT LOOK? 1255 01:11:48,638 --> 01:11:50,540 YEAH, AND HE'S MARRIED TO THAT WHITE WOMAN. 1256 01:11:50,540 --> 01:11:52,108 GERTRUDE AIN'T WHITE. 1257 01:11:52,108 --> 01:11:53,242 HELL, SHE LOOK WHITE. 1258 01:11:53,242 --> 01:11:54,644 WELL, SHE AIN'T. 1259 01:11:54,644 --> 01:11:58,014 SHE'S HALF NEGRESS, HALF-SEMINOLE INDIAN ALL. 1260 01:11:58,014 --> 01:12:02,085 HE SAYS. IT WOULDN'T SURPRISE ME IF HE WAS HIDING THAT BASTARD. 1261 01:12:02,085 --> 01:12:03,787 HEY, JUDGE. 1262 01:12:06,656 --> 01:12:08,057 JUDGE. 1263 01:12:12,862 --> 01:12:14,197 I TELL YOU, DUKE. 1264 01:12:14,197 --> 01:12:15,899 HAND ME THAT BOTTLE. 1265 01:12:20,203 --> 01:12:24,808 * HAPPY BIRTHDAY TO YOU * 1266 01:12:24,808 --> 01:12:29,546 * HAPPY BIRTHDAY TO YOU * 1267 01:12:29,546 --> 01:12:34,618 * HAPPY BIRTHDAY, DEAR ARNETT * 1268 01:12:34,618 --> 01:12:39,389 * HAPPY BIRTHDAY TO YOU * 1269 01:12:39,389 --> 01:12:40,990 GO AHEAD NOW, MAKE A WISH. 1270 01:12:40,990 --> 01:12:42,426 [CHILDREN YELLING] 1271 01:12:42,426 --> 01:12:44,428 BLOW THE CANDLES OUT. 1272 01:12:50,767 --> 01:12:52,969 OPEN THIS ONE FIRST, ARNETT. OPEN THAT ONE. 1273 01:13:02,946 --> 01:13:05,515 OH, YEAH, THAT'S NICE, MAMA. 1274 01:13:05,515 --> 01:13:06,916 YEAH, THAT'S REAL NICE. 1275 01:13:06,916 --> 01:13:10,153 YOU'RE A MAN NOW. YOU NEED A SUIT OF CLOTHES. 1276 01:13:11,521 --> 01:13:13,957 Sarah: YEAH. UH-HUH. 1277 01:13:19,496 --> 01:13:21,397 [DOG BARKING] 1278 01:13:21,397 --> 01:13:25,435 ARNETT, OPEN THIS ONE HERE AND THAT ONE, TOO. 1279 01:13:25,435 --> 01:13:28,104 SYLVESTER GOT THAT ONE. 1280 01:13:39,549 --> 01:13:41,585 SIMMER DOWN. BE QUIET! 1281 01:13:45,589 --> 01:13:48,858 SYLVESTER, COME ON OUT HERE NOW, BOY. 1282 01:13:48,858 --> 01:13:50,159 WE WANT TO TALK TO YOU. 1283 01:13:50,159 --> 01:13:52,862 BRING THAT JESSE HUNTER OUT HERE WITH YOU. 1284 01:13:52,862 --> 01:13:55,064 YEAH, BRING THAT BOY WITH YOU. 1285 01:13:55,064 --> 01:13:57,433 JESSE AND SYLVESTER ARE PROBABLY SITTING UP IN THERE. 1286 01:13:57,433 --> 01:13:59,102 SHUT UP THAT DAMN DOG. 1287 01:13:59,102 --> 01:14:02,038 SITTIN' UP THERE NOW EATING PORK CHOPS. 1288 01:14:02,038 --> 01:14:03,573 LAUGHING AT US ALL. 1289 01:14:03,573 --> 01:14:04,941 GOD DAMN, DUKE! 1290 01:14:06,242 --> 01:14:08,812 SON OF A-- 1291 01:14:09,646 --> 01:14:10,947 YOU HAD NO CALL TO DO THAT. 1292 01:14:10,947 --> 01:14:12,482 IT'S JUST A DAMN DOG, ELLIS. 1293 01:14:12,482 --> 01:14:13,783 I'LL HAVE NO MORE SHOOTING. 1294 01:14:13,783 --> 01:14:15,018 HOW YOU EXPECT HIM TO COME OUT HERE 1295 01:14:15,018 --> 01:14:16,920 IF YOU'RE GOING TO SHOOT HIS HOUND? 1296 01:14:16,920 --> 01:14:18,121 HELL OF A SHOT! 1297 01:14:18,121 --> 01:14:21,224 SYLVESTER! YOU'D BETTER GET OUT HERE NOW. 1298 01:14:23,226 --> 01:14:26,195 WAIT, MAMA! MAMA, HOLD ON! 1299 01:14:26,195 --> 01:14:27,230 GET OUT THE WINDOW, MAMA. 1300 01:14:27,230 --> 01:14:28,498 MAMA, GET OUT THE WINDOW. 1301 01:14:28,498 --> 01:14:31,935 [MOB YELLING] 1302 01:14:31,935 --> 01:14:34,638 ALL RIGHT. I'M GONNA GO GET THE GUNS, MAMA. 1303 01:14:34,638 --> 01:14:35,605 NO! YOU STAY OUT THE WINDOW. 1304 01:14:35,605 --> 01:14:36,673 NO, SYLVESTER! 1305 01:14:36,673 --> 01:14:38,908 MAMA, JUST STAY OUT THE WINDOW. 1306 01:14:38,908 --> 01:14:40,076 Y'ALL CHILDREN GET DOWN RIGHT NOW. 1307 01:14:40,076 --> 01:14:41,611 GET DOWN UNDER THE TABLE RIGHT NOW. 1308 01:14:41,611 --> 01:14:42,879 SCRAPPIE, GERTIE, YOU KEEP THESE KIDS DOWN. 1309 01:14:42,879 --> 01:14:45,081 KEEP THESE KIDS DOWN! GET DOWN! 1310 01:14:45,081 --> 01:14:49,619 [MOB YELLING] 1311 01:14:49,619 --> 01:14:51,588 Arne WHO'S OUTSIDE? 1312 01:15:05,501 --> 01:15:06,603 WE DON'T WANT TO TALK TO YOU. 1313 01:15:06,603 --> 01:15:07,671 WE WANT TO TALK TO YOUR BOY. 1314 01:15:07,671 --> 01:15:09,505 WHY DON'T Y'ALL GO HOME? 1315 01:15:09,505 --> 01:15:13,209 MIZ SARAH, WE WANT TO TALK TO SYLVESTER. YOU GET HIM OUT HERE! 1316 01:15:13,209 --> 01:15:14,611 RIGHT NOW! 1317 01:15:14,611 --> 01:15:18,514 MR. WALKER, MY BOY DON'T KNOW NOTHING ABOUT THIS BUSINESS. 1318 01:15:18,514 --> 01:15:19,716 YOU LET HIM TELL US THAT. 1319 01:15:19,716 --> 01:15:21,551 LET JESSE HUNTER TELL US SOMETHING. 1320 01:15:21,551 --> 01:15:24,087 BOYS, I KNOW Y'ALL. 1321 01:15:24,087 --> 01:15:26,756 I WAS MIDWIFE TO MORE THAN HALF OF YOU 1322 01:15:26,756 --> 01:15:27,891 AND SOME OF YOUR YOUNG ONES. 1323 01:15:27,891 --> 01:15:29,158 BRING THAT BOY OUT HERE NOW! 1324 01:15:29,158 --> 01:15:32,796 I DONE SEEN YOU COME UP FROM BABIES TO NOW. 1325 01:15:32,796 --> 01:15:35,231 AIN'T NOTHING GOING TO COME OF THIS. 1326 01:15:35,231 --> 01:15:37,200 IT DON'T MAKE SENSE. 1327 01:15:37,200 --> 01:15:39,836 MY SYLVESTER AIN'T HAD NOTHING TO DO WITH THIS MESS. 1328 01:15:39,836 --> 01:15:44,708 WE AIN'T NEVER KNOWN NO JESSE HUNTER. 1329 01:15:44,708 --> 01:15:47,510 I WAS THERE WITH MISS FANNY. 1330 01:15:47,510 --> 01:15:51,047 I SEEN THE MAN'S FACE AS PLAIN AS DAY. 1331 01:15:51,047 --> 01:15:54,584 AND MOST OF YOU MENS KNOW THAT THAT MAN WAS WHITE! 1332 01:15:54,584 --> 01:15:55,819 [GUNSHOT] 1333 01:16:00,289 --> 01:16:01,324 MAMA. 1334 01:16:01,324 --> 01:16:02,726 WHO FIRED THAT SHOT? 1335 01:16:02,726 --> 01:16:04,060 YOU TELL ME RIGHT NOW. 1336 01:16:04,060 --> 01:16:05,762 I TOLD YOU NO MORE SHOOTING. 1337 01:16:05,762 --> 01:16:07,163 DIDN'T I TELL YOU THAT? 1338 01:16:07,163 --> 01:16:14,470 Female singer: * LOOK DOWN, LORD, LOOK DOWN * 1339 01:16:14,470 --> 01:16:18,474 * THIS TIME I'M COMING HOME * 1340 01:16:18,474 --> 01:16:19,843 AUNT SARAH. 1341 01:16:19,843 --> 01:16:24,113 * IT'S LATE NOW * 1342 01:16:24,113 --> 01:16:30,486 * SWEET JESUS, TAKE ME HOME NOW * 1343 01:16:30,486 --> 01:16:36,726 [MOB YELLING] 1344 01:16:36,726 --> 01:16:38,194 Walker: POLY, GET BACK HERE! 1345 01:16:38,194 --> 01:16:39,062 SHUT UP, WALKER. 1346 01:16:39,062 --> 01:16:40,664 QUIT SQUEALING LIKE A STUCK PIG. 1347 01:16:40,664 --> 01:16:42,598 Andrews: I'LL TAKE THIS BOY OUT MYSELF. 1348 01:16:42,598 --> 01:16:44,233 Walker: DAMN YOU, GET BACK HERE! 1349 01:16:48,905 --> 01:16:52,642 GET BACK! GET BACK! NO! 1350 01:16:55,812 --> 01:16:58,682 PLEDGE YOUR SOULS TO HELL! 1351 01:17:28,778 --> 01:17:31,748 GET BACK UNDER THERE. STAY THERE! STAY DOWN! 1352 01:17:41,024 --> 01:17:44,861 GET INSIDE, SON. GO ON INSIDE. 1353 01:17:46,395 --> 01:17:48,397 HOLD YOUR FIRE! 1354 01:17:48,397 --> 01:17:49,465 HOLD YOUR FIRE! 1355 01:17:49,465 --> 01:17:50,466 THINK WE GOT HIM? 1356 01:17:50,466 --> 01:17:51,467 I DON'T KNOW. 1357 01:17:51,467 --> 01:17:52,902 WE GONNA NEED MORE BULLETS. 1358 01:17:52,902 --> 01:17:55,671 YOU GO AND TELL, TELL THE JUDGE WHAT HAPPENED HERE. 1359 01:17:55,671 --> 01:17:57,373 GO! 1360 01:17:57,373 --> 01:18:02,245 REST OF Y'ALL MEN, GET BACK! GO ON. STAY LOW. 1361 01:18:10,553 --> 01:18:12,021 HERE I AM. 1362 01:18:12,021 --> 01:18:14,090 I'M RIGHT HERE, MAMA. 1363 01:18:14,090 --> 01:18:16,692 HOLD ON! 1364 01:18:16,692 --> 01:18:20,797 HOLD ON, OK, MAMA? I'M RIGHT HERE. 1365 01:18:20,797 --> 01:18:24,500 S...S...S... 1366 01:18:24,500 --> 01:18:27,236 DON'T TRY TO TALK, MAMA, DON'T TRY TO TALK. 1367 01:18:27,236 --> 01:18:28,972 SYLVESTER? 1368 01:18:34,710 --> 01:18:36,445 DON'T... 1369 01:18:37,814 --> 01:18:42,551 DON'T LET THEM SURROUND YOU, BABY. 1370 01:18:42,551 --> 01:18:45,588 IT'S ALL RIGHT. I WON'T, MAMA. YOU JUST HOLD ON, OK? 1371 01:18:45,588 --> 01:18:47,791 MAMA, NO, HOLD ON. 1372 01:18:47,791 --> 01:18:50,726 MAMA, HOLD ON. 1373 01:18:50,726 --> 01:18:52,762 MAMA, HOLD ON. 1374 01:18:53,562 --> 01:18:55,331 MAMA. 1375 01:19:04,173 --> 01:19:05,809 MAMA. 1376 01:19:07,610 --> 01:19:10,513 NO, NO, NO! 1377 01:19:14,283 --> 01:19:15,885 OH, MAMA! 1378 01:19:15,885 --> 01:19:18,087 [EVERYONE YELLING] 1379 01:19:20,723 --> 01:19:22,892 Y'ALL TAKE WHAT YOU NEED AND NO MORE! 1380 01:19:22,892 --> 01:19:24,994 YOU HEAR ME? 1381 01:19:24,994 --> 01:19:26,863 Y'ALL HEAR ME? 1382 01:19:29,065 --> 01:19:31,500 HOW AM I GOING TO BE PAID FOR ALL THIS? 1383 01:19:32,869 --> 01:19:35,204 YOU JUST KEEP TRACK, THAT'S ALL. 1384 01:19:37,907 --> 01:19:41,777 Y'ALL SHOOT SYLVESTER, ELLIS? 1385 01:19:41,777 --> 01:19:43,279 DON'T KNOW. 1386 01:19:44,814 --> 01:19:48,451 THEY SHOT AUNT SARAH, THOUGH, JOHN. 1387 01:19:48,451 --> 01:19:49,785 AUNT SARAH! 1388 01:19:49,785 --> 01:19:51,154 UH-HUH. 1389 01:19:51,154 --> 01:19:53,389 WHAT THE HELL'S THE MATTER WITH YOU, ELLIS? 1390 01:19:53,389 --> 01:19:55,925 YOU LET THEM COME HERE AND SHOOT AN OLD WOMAN? 1391 01:19:55,925 --> 01:19:57,193 I DIDN'T LET THEM DO ANYTHING. 1392 01:19:57,193 --> 01:19:59,562 YOU CALL THAT UPHOLDING THE LAW? 1393 01:19:59,562 --> 01:20:01,797 WHAT KIND OF SHERIFF ARE YOU? 1394 01:20:04,133 --> 01:20:08,537 HENRY AND POLY ARE DEAD. 1395 01:20:15,011 --> 01:20:17,847 SHOT BY THEM DAMN NIGRAS. 1396 01:20:20,283 --> 01:20:23,586 WHERE'D SYLVESTER GET HIS AMMUNITION, JOHN? 1397 01:20:26,389 --> 01:20:28,091 HMM? 1398 01:20:37,033 --> 01:20:38,167 ALL RIGHT, COME ON. 1399 01:20:38,167 --> 01:20:39,635 COME ON. HURRY UP! HURRY UP! 1400 01:20:39,635 --> 01:20:42,105 COME ON! COME ON! 1401 01:20:42,105 --> 01:20:44,007 TAKE THOSE BABIES, GO HIDE IN THE WOODS. 1402 01:20:44,007 --> 01:20:45,608 ALL THE BABIES GOING TO GET IN THE WOODS NOW. 1403 01:20:45,608 --> 01:20:47,410 GO ON! GO HIDE IN THE WOODS. 1404 01:20:47,410 --> 01:20:49,845 GO ON. HURRY UP. GO HIDE IN THE WOODS. 1405 01:20:49,845 --> 01:20:51,414 SYLVESTER, I AIN'T LEAVING YOU. 1406 01:20:51,414 --> 01:20:53,682 GERTIE, THEY GONNA COME BACK HERE AND TRY TO KILL ALL OF US. 1407 01:20:53,682 --> 01:20:55,751 NOW, YOU AND SCRAPPIE GOT TO GO HIDE THESE CHILDREN IN THE SWAMP. 1408 01:20:55,751 --> 01:20:57,720 WE CAN'T TAKE THE BABIES OUT THERE. YOU'RE CRAZY! 1409 01:20:57,720 --> 01:21:00,023 THERE AIN'T NO PLACE ELSE, SCRAPPIE. NOW, GO ON AND GET OUT OF HERE. 1410 01:21:00,023 --> 01:21:01,124 WHAT ABOUT AUNT SARAH? 1411 01:21:01,124 --> 01:21:02,691 JUST GO ON AND GET, GIRL! 1412 01:21:02,691 --> 01:21:06,429 COME ON. LET'S GO. COME ON, THEN. COME ON, THEN. 1413 01:21:09,532 --> 01:21:11,734 GERTIE. I'LL BE THERE. 1414 01:21:11,734 --> 01:21:13,369 YOU GOT TO GO. 1415 01:21:13,369 --> 01:21:15,104 YOU GOT TO GO. 1416 01:21:19,542 --> 01:21:22,878 COME ON, BIG BABY, GET! 1417 01:21:22,878 --> 01:21:25,481 I CAN SHOOT, SYLVESTER. 1418 01:21:26,882 --> 01:21:29,352 BIG BABY GONNA SHOOT. 1419 01:21:33,656 --> 01:21:35,158 ALL RIGHT. 1420 01:21:37,060 --> 01:21:38,327 ALL RIGHT. COME ON. 1421 01:21:38,327 --> 01:21:39,562 Johnson: HOW MANY ARE THERE IN THE HOUSE? 1422 01:21:39,562 --> 01:21:42,765 SYLVESTER, JESSE HUNTER, JAMES CARRIER. 1423 01:21:42,765 --> 01:21:44,033 PROBABLY THAT DRIFTER. 1424 01:21:44,033 --> 01:21:45,568 YEAH, RODNEY. LISTEN. 1425 01:21:45,568 --> 01:21:47,270 YOU GET TOGETHER ALL THE MEN YOU CAN FIND 1426 01:21:47,270 --> 01:21:49,005 AND YOU HIGHTAIL IT TO SUMNER. 1427 01:21:49,005 --> 01:21:50,739 NOW, YOU MAKE SURE THEY BRING RIFLES. 1428 01:21:50,739 --> 01:21:51,740 WHAT HAPPENED? 1429 01:21:51,740 --> 01:21:53,442 3 DEAD WHITE MEN IS ALL. 1430 01:21:53,442 --> 01:21:57,380 WE DONE GOT OURSELVES A GODDAMN NIGGER REVOLT UP HERE. 1431 01:22:09,959 --> 01:22:11,961 HOLD YOUR FIRE! 1432 01:22:14,563 --> 01:22:16,132 THERE HE IS! 1433 01:22:24,340 --> 01:22:25,441 OW! 1434 01:22:26,442 --> 01:22:27,576 I THINK I GOT HIM! 1435 01:22:27,576 --> 01:22:28,711 HOLD YOUR FIRE! 1436 01:22:32,915 --> 01:22:34,417 GOD DAMN YOU! 1437 01:22:35,784 --> 01:22:37,020 WHOO! 1438 01:22:37,786 --> 01:22:39,588 LIGHT 'EM UP! 1439 01:22:57,240 --> 01:23:02,478 SOME OF Y'ALL PICK HENRY AND POLY UP. 1440 01:23:18,061 --> 01:23:19,728 THAT SYLVESTER? 1441 01:23:25,634 --> 01:23:27,070 YOU SON OF A BITCH! 1442 01:24:04,307 --> 01:24:06,041 YOU WANT ME TO BURN HER, TOO? 1443 01:24:06,041 --> 01:24:08,111 NO. 1444 01:24:09,112 --> 01:24:12,115 COUPLE Y'ALL MEN, COME OVER HERE. 1445 01:24:13,849 --> 01:24:18,654 I WANT Y'ALL TO CARRY HER DOWN TO THE NIGGER GRAVEYARD. 1446 01:24:18,654 --> 01:24:20,923 OH, ELLIS. 1447 01:24:20,923 --> 01:24:23,126 GO ON! 1448 01:24:23,126 --> 01:24:26,095 I'LL DO IT IF YOU MAKE ME DEPUTY. 1449 01:24:26,095 --> 01:24:28,331 YOU'RE DEPUTY NOW. 1450 01:24:28,331 --> 01:24:30,065 GO ON, PICK HER UP. 1451 01:24:30,065 --> 01:24:32,201 HEY, BOYS, I'M A DEPUTY! 1452 01:24:32,201 --> 01:24:34,570 [CHEERING] 1453 01:24:34,570 --> 01:24:36,872 HOLD ON TO THAT NOW. GRAB THE OTHER SIDE. 1454 01:24:36,872 --> 01:24:39,542 HOLD ON, BOBBY. HOLD ON. 1455 01:24:42,044 --> 01:24:44,213 THIS WASN'T SUPPOSED TO HAPPEN. 1456 01:24:46,315 --> 01:24:48,817 SHE WORKED IN MY DAMN HOUSE, ELLIS. 1457 01:24:54,823 --> 01:24:58,694 THEN GIVE HER A DECENT CHRISTIAN BURIAL, JAMES. 1458 01:25:08,371 --> 01:25:11,307 YOU MEN, GRAB THAT END. 1459 01:25:11,307 --> 01:25:13,942 DAMN, WHAT DID THIS OLD CROW EAT? 1460 01:25:13,942 --> 01:25:16,245 COME ON, LIFT IT UP! 1461 01:25:21,884 --> 01:25:24,187 LOOK OUT NOW! LOOK OUT! 1462 01:25:56,185 --> 01:25:58,387 [DOOR OPENS] 1463 01:26:11,166 --> 01:26:14,169 Fanny: AUNT SARAH COME IN THE MORNING. 1464 01:26:14,169 --> 01:26:15,304 SHE CLEAN UP. 1465 01:26:15,304 --> 01:26:17,206 AUNT SARAH AIN'T COMING. 1466 01:26:18,173 --> 01:26:20,243 NO. YOU RIGHT. 1467 01:26:21,176 --> 01:26:23,246 IT'S SUNDAY. 1468 01:26:23,246 --> 01:26:27,182 AUNT SARAH AIN'T COMIN' NO MORE. 1469 01:26:30,185 --> 01:26:31,854 NO MORE, NO NEVER. 1470 01:26:34,122 --> 01:26:35,491 SHE'S DEAD. 1471 01:26:39,628 --> 01:26:40,796 NO. 1472 01:26:40,796 --> 01:26:41,597 SYLVESTER, TOO, 1473 01:26:41,597 --> 01:26:43,799 NO! DEAD AS HELL. 1474 01:26:43,799 --> 01:26:44,833 NO. 1475 01:26:46,802 --> 01:26:48,804 SAM CARTER, TOO. 1476 01:26:48,804 --> 01:26:50,205 GOD. 1477 01:26:50,205 --> 01:26:51,807 OH, NO. 1478 01:26:53,208 --> 01:26:54,610 HALF OF ROSEWOOD'S DEAD, 1479 01:26:54,610 --> 01:26:57,813 AND THEY AIN'T CAUGHT YOUR NIGGER YET! 1480 01:26:59,214 --> 01:27:01,517 SARAH... 1481 01:27:02,685 --> 01:27:04,587 SARAH... 1482 01:27:07,556 --> 01:27:10,559 WHY THEY HURT THAT OLD WOMAN? 1483 01:27:12,561 --> 01:27:15,498 SHE NEVER DONE NOTHIN' TO NOBODY. 1484 01:27:22,671 --> 01:27:24,039 OH. 1485 01:27:24,039 --> 01:27:27,310 [DOOR OPENS AND CLOSES] 1486 01:27:27,310 --> 01:27:30,546 [FANNY SOBS] 1487 01:27:45,928 --> 01:27:49,365 Chorus: * THIS TIME I'M COMIN' * 1488 01:27:49,365 --> 01:27:52,801 * HOME * 1489 01:27:52,801 --> 01:27:57,105 * IT'S ME, NOW, SWEET JESUS * 1490 01:27:57,105 --> 01:28:00,275 * SAVE ME NOW * 1491 01:28:00,275 --> 01:28:04,079 * THIS TIME I'M COMIN' * 1492 01:28:04,079 --> 01:28:06,949 * HOME * 1493 01:28:06,949 --> 01:28:09,618 Man: Y'ALL NEED TO COME ON DOWN HERE. 1494 01:28:09,618 --> 01:28:11,019 Second Man: WE'RE GONNA NEED SOME HELP. 1495 01:28:11,019 --> 01:28:12,755 Woman: SOME COLORED BEAT AND RAPED A WHITE GIRL. 1496 01:28:12,755 --> 01:28:14,156 Man: THEM NIGGERS NEED TO BE PUT IN THEIR PLACE. 1497 01:28:14,156 --> 01:28:15,491 Second man: HELL, THEY DONE FORGOT WHO THEY ARE. 1498 01:28:15,491 --> 01:28:17,025 Third man: I'M GONNA GET ME ONE. 1499 01:28:17,025 --> 01:28:19,462 Fourth man: WE'RE GONNA STRING UP ALL THEM DARKIES. 1500 01:28:19,462 --> 01:28:23,432 * YES, WE'LL GATHER AT THE RIVER * 1501 01:28:23,432 --> 01:28:28,036 * THE BEAUTIFUL, THE BEAUTIFUL RIVER * 1502 01:28:28,036 --> 01:28:32,174 * GATHER WITH THE SAINTS AT THE RIVER * 1503 01:28:32,174 --> 01:28:33,442 * THAT FLOWS... * 1504 01:28:33,442 --> 01:28:35,578 Y'ALL HEAR WHAT HAPPENED IN ROSEWOOD? 1505 01:28:35,578 --> 01:28:37,312 A COLORED BOY KILLED 4 WHITE MEN 1506 01:28:37,312 --> 01:28:39,114 AND RAPED 3 WHITE WOMEN. 1507 01:28:39,114 --> 01:28:42,317 * THE SHINING RIVER * 1508 01:28:42,317 --> 01:28:46,589 * SOON OUR PILGRIMAGE WILL CEASE * 1509 01:28:46,589 --> 01:28:50,493 * SOON OUR HAPPY HEARTS WILL QUIVER * 1510 01:28:50,493 --> 01:28:54,997 * WITH THE MELODY OF PEACE * 1511 01:28:54,997 --> 01:28:59,768 * YES, WE'LL GATHER AT THE RIVER * 1512 01:28:59,768 --> 01:29:03,472 * THE BEAUTIFUL, THE BEAUTIFUL RIVER * 1513 01:29:03,472 --> 01:29:04,540 RIGHT OVER THERE! 1514 01:29:04,540 --> 01:29:06,141 THERE HE IS! GET HIM! 1515 01:29:06,141 --> 01:29:07,710 ON THAT HORSE! GIVE ME MY GUN! 1516 01:29:10,045 --> 01:29:12,748 [GUNSHOTS] 1517 01:29:27,162 --> 01:29:30,499 JESSE! YOU WERE BETTER OFF ON THAT CHAIN GANG, BOY! 1518 01:29:30,499 --> 01:29:32,100 THERE HE IS! 1519 01:29:46,381 --> 01:29:48,951 LET'S GO, BOYS! COME ON! GET HIM! 1520 01:29:48,951 --> 01:29:49,952 [GUNSHOTS] 1521 01:29:49,952 --> 01:29:50,953 OH! 1522 01:29:50,953 --> 01:29:51,954 WHAT THE?! 1523 01:29:51,954 --> 01:29:52,955 [GUNSHOTS] 1524 01:29:52,955 --> 01:29:54,823 GO! GO! 1525 01:29:54,823 --> 01:29:55,624 MOVE IT! 1526 01:29:55,624 --> 01:29:57,526 LET'S GET OUT OF HERE. 1527 01:29:58,461 --> 01:29:59,462 HYAH! 1528 01:29:59,462 --> 01:30:00,463 GIDDYUP! 1529 01:30:00,463 --> 01:30:02,230 [LAUGHTER] 1530 01:30:02,230 --> 01:30:04,533 [GUNSHOTS] 1531 01:30:07,870 --> 01:30:09,271 DROP THAT GUN! 1532 01:30:09,271 --> 01:30:10,839 GET THEM HORSES OUT OF HERE! 1533 01:30:10,839 --> 01:30:13,341 HEY, YOU HOLD THAT HORSE DOWN! 1534 01:30:13,341 --> 01:30:15,010 NOW, GET HIM ON OVER THERE! 1535 01:30:15,010 --> 01:30:16,812 GO ON! 1536 01:30:16,812 --> 01:30:18,514 OH, ELLIS, LET 'EM RUN! 1537 01:30:18,514 --> 01:30:19,848 LET 'EM RUN! 1538 01:30:19,848 --> 01:30:20,883 HOWDY-DO! 1539 01:30:20,883 --> 01:30:22,585 [GUNSHOTS] 1540 01:30:26,689 --> 01:30:28,423 OOH, HERE COME THE PARADE. 1541 01:30:28,423 --> 01:30:30,292 WHOO-WHEE! 1542 01:30:30,292 --> 01:30:31,527 HEH HEH HEH! 1543 01:30:31,527 --> 01:30:34,530 HEY, LISTEN UP! COME ON! COME ON OVER HERE! 1544 01:30:34,530 --> 01:30:35,664 COME ON! 1545 01:30:35,664 --> 01:30:38,701 15 NIGGERS JUMPED US IN THE WOODS! 1546 01:30:38,701 --> 01:30:40,569 THEY WAS ARMED TO THE TEETH! 1547 01:30:40,569 --> 01:30:43,005 WHAT? THEY BUMP YOU IN THE HEAD? 1548 01:30:43,005 --> 01:30:43,972 SURE ENOUGH DID! 1549 01:30:43,972 --> 01:30:45,273 YOU GO ON AND GET THEM, THEN! 1550 01:30:45,273 --> 01:30:46,308 LET'S ALL GET 'EM! 1551 01:30:46,308 --> 01:30:48,043 WAS IT BACK THERE? BACK YONDER. 1552 01:30:48,043 --> 01:30:49,044 GO NOW! 1553 01:30:49,044 --> 01:30:51,179 YEE-HA! 1554 01:30:51,179 --> 01:30:53,248 [CAR HORN HONKING] 1555 01:30:53,248 --> 01:30:54,917 [GUNSHOTS] 1556 01:30:56,619 --> 01:30:59,622 HEY, ELLIS, YOU GOT A PHONE CALL, ELLIS. 1557 01:30:59,622 --> 01:31:02,224 NOT NOW, EARL! 1558 01:31:02,224 --> 01:31:04,092 IT'S THE GOVERNOR, ELLIS. 1559 01:31:08,564 --> 01:31:10,799 PRETTY EXCITING STUFF, HUH, ELLIS? 1560 01:31:23,345 --> 01:31:25,548 Wright: GO ON INSIDE, TIMOTHY. 1561 01:31:34,757 --> 01:31:35,924 SEE THE NIGGER? THEY GOT HIM. 1562 01:31:35,924 --> 01:31:37,425 NO. YOU'VE GOT TO LOOK AND SEE. 1563 01:31:37,425 --> 01:31:38,994 YOU'VE GOT TO REMEMBER THIS. 1564 01:31:38,994 --> 01:31:40,796 IT'S SOMETHIN' YOU'VE GOT TO REMEMBER. LOOK. 1565 01:31:51,139 --> 01:31:52,641 DADDY? 1566 01:32:05,520 --> 01:32:06,855 WHAT? 1567 01:32:06,855 --> 01:32:07,990 WHAT? 1568 01:32:16,064 --> 01:32:19,668 MR. WRIGHT, YOU HAVE TO HIDE ME. 1569 01:32:19,668 --> 01:32:21,670 YOU ARE CRAZY. 1570 01:32:21,670 --> 01:32:23,071 I CAN'T RUN. 1571 01:32:23,071 --> 01:32:26,675 MR. WRIGHT, I DON'T KNOW WHERE MY BOYS ARE, 1572 01:32:26,675 --> 01:32:30,278 AND MY BABY GIRL IS SOMEWHERE... 1573 01:32:30,278 --> 01:32:32,014 IN THE WOODS. 1574 01:32:35,283 --> 01:32:36,752 MR. WRIGHT... 1575 01:32:38,553 --> 01:32:41,156 THEY KILLED MY VIRGINIA. 1576 01:32:43,291 --> 01:32:44,860 [GUNSHOT] 1577 01:32:47,095 --> 01:32:50,098 THEY FIND YOU HERE, THEY'LL BURN MY STORE. 1578 01:32:50,098 --> 01:32:52,400 YOU BEST RUN HIDE IN THE WOODS. 1579 01:32:52,400 --> 01:32:53,969 I CAN'T RUN! 1580 01:32:53,969 --> 01:32:57,840 I GOT SHOT THROUGH MY SIDE. 1581 01:33:02,510 --> 01:33:05,280 I CAN PAY YOU. 1582 01:33:06,348 --> 01:33:07,783 [GUNSHOT] 1583 01:33:14,056 --> 01:33:17,192 WE'LL PUT YOU IN THE BACK STOREROOM. 1584 01:33:17,192 --> 01:33:18,694 THANK YOU. 1585 01:33:18,694 --> 01:33:21,664 WE'LL TALK ABOUT THAT DEED LATER, BRADLEY. 1586 01:33:21,664 --> 01:33:23,866 GOD BLESS YOU, JOHN WRIGHT. 1587 01:33:26,669 --> 01:33:28,270 TIMOTHY... 1588 01:33:29,672 --> 01:33:33,008 GET SOME CLEAN WHITE RAGS, BLANKET. 1589 01:33:37,012 --> 01:33:39,114 [GUNSHOT] 1590 01:33:39,114 --> 01:33:40,115 WHOO! 1591 01:33:40,115 --> 01:33:42,284 WHOO HA HA! 1592 01:33:42,284 --> 01:33:43,686 HERE THEY COME. 1593 01:33:43,686 --> 01:33:45,688 WHAT ARE YOU FELLAS DOING IN THE ROAD? 1594 01:33:45,688 --> 01:33:46,689 HOLD STEADY, BOYS. 1595 01:33:46,689 --> 01:33:48,423 YOU CAN BACK UP RIGHT NOW! 1596 01:33:48,423 --> 01:33:49,725 MOVE THEM TRUCKS OUT! 1597 01:33:49,725 --> 01:33:50,726 COME ON! 1598 01:33:50,726 --> 01:33:52,627 WHOO! WHOO! 1599 01:33:52,627 --> 01:33:54,797 YOU KNOW WHAT TO DO NOW. 1600 01:33:54,797 --> 01:33:56,564 WE GOT BUSINESS TO TAKE CARE OF! 1601 01:33:56,564 --> 01:33:57,599 OK, NOW... 1602 01:33:57,599 --> 01:33:58,701 GET THEM TRUCKS OUT THE ROAD! 1603 01:33:58,701 --> 01:33:59,802 TURN AROUND! 1604 01:33:59,802 --> 01:34:00,869 WHAT ARE YOU BOYS DOING? 1605 01:34:00,869 --> 01:34:02,137 YOU NEED TO GET ON OUT THE ROAD! 1606 01:34:02,137 --> 01:34:03,438 WE GOT BUSINESS TO TAKE CARE OF OVER THERE! 1607 01:34:03,438 --> 01:34:04,807 TURN AROUND! 1608 01:34:04,807 --> 01:34:06,775 YOU AIN'T BRINGING ALL THIS INTO OUR TOWN. 1609 01:34:06,775 --> 01:34:08,410 OH, YEAH, WE ARE. 1610 01:34:08,410 --> 01:34:11,780 WE'RE LOOKING FOR A COLORED FUGITIVE NAME OF JESSE HUNTER. 1611 01:34:11,780 --> 01:34:13,648 OUR COLOREDS ARE LAW-ABIDING FOLK! 1612 01:34:13,648 --> 01:34:15,517 BRONSON DON'T WANT YOU. 1613 01:34:15,517 --> 01:34:16,852 NOW TURN AROUND! 1614 01:34:18,754 --> 01:34:20,622 WHAT ARE YOU ALL GOING DOWN ON US FOR? 1615 01:34:20,622 --> 01:34:22,157 Y'ALL GONNA PROTECT NIGGERS? 1616 01:34:22,157 --> 01:34:23,225 HOLD ON NOW! 1617 01:34:23,225 --> 01:34:25,660 THAT AIN'T NO WAY TO TREAT A WHITE MAN! 1618 01:34:25,660 --> 01:34:27,395 OH, HELL, HE AIN'T HERE. 1619 01:34:27,395 --> 01:34:30,132 I'M GONNA REMEMBER THIS! 1620 01:34:32,267 --> 01:34:34,269 COME ON, PEANUT! 1621 01:34:34,269 --> 01:34:36,538 [GUNSHOTS] 1622 01:34:36,538 --> 01:34:38,807 NOW, GO ON IN THERE WITH THEM. 1623 01:34:40,675 --> 01:34:42,177 READY? 1624 01:34:48,683 --> 01:34:50,118 [GUNSHOT] 1625 01:35:17,312 --> 01:35:18,313 EARL! 1626 01:35:18,313 --> 01:35:19,447 EARL! 1627 01:35:19,447 --> 01:35:20,916 HEY, BOBBY! 1628 01:35:20,916 --> 01:35:22,684 HEY, WE'RE GOIN' BACK OVER. YOU COMIN'? 1629 01:35:22,684 --> 01:35:24,286 YEAH. I'LL BE ALONG IN A BIT. 1630 01:35:24,286 --> 01:35:25,487 YOU SAVE ME SOME. 1631 01:35:25,487 --> 01:35:28,490 THEM NIGGERS, THEY RUNNIN' LIKE CHICKEN, BOY! 1632 01:35:28,490 --> 01:35:30,692 THEY IN THE SWAMP NOW. WE'RE GONNA GET 'EM! 1633 01:35:30,692 --> 01:35:31,693 YAH-HOO! 1634 01:35:31,693 --> 01:35:34,596 HA HA HA! 1635 01:35:34,596 --> 01:35:37,732 [BELL RINGS] 1636 01:35:46,708 --> 01:35:48,911 [SOBBING] 1637 01:35:52,214 --> 01:35:53,949 [COUGHING] 1638 01:36:03,091 --> 01:36:05,060 THEM'S CHURCH BELLS. 1639 01:36:05,060 --> 01:36:07,229 MY DADDY'S RINGIN' 'EM. 1640 01:36:07,229 --> 01:36:08,663 THEM CRACKERS BE RINGIN' THEM BELLS. 1641 01:36:08,663 --> 01:36:10,298 NOW, YOU STAY PUT, YOU HEAR? 1642 01:36:10,298 --> 01:36:13,168 NO. THAT'S MY DADDY IN HIS CHURCH. 1643 01:36:13,168 --> 01:36:14,903 HE TELLIN' US IT'S SAFE TO COME HOME. 1644 01:36:14,903 --> 01:36:16,504 NO, DENNY, LEE RUTH... 1645 01:36:16,504 --> 01:36:17,940 MAYBELLE! 1646 01:36:17,940 --> 01:36:19,407 DENNY, COME BACK HERE. 1647 01:36:19,407 --> 01:36:20,775 DENNY, NO. COME BACK HERE. 1648 01:36:20,775 --> 01:36:21,776 [BELL RINGING] 1649 01:36:21,776 --> 01:36:23,912 [CAR HORN HONKING] 1650 01:36:23,912 --> 01:36:25,380 Duke: BUST IT UP, BOYS! 1651 01:36:25,380 --> 01:36:26,181 WHOO! 1652 01:36:26,181 --> 01:36:28,383 [GLASS BREAKING] HA HA HA! 1653 01:36:28,383 --> 01:36:30,385 BUST IT ALL UP, NOW! 1654 01:36:30,385 --> 01:36:32,354 BUST IT ALL UP! 1655 01:36:32,354 --> 01:36:33,856 WHOO! 1656 01:36:45,800 --> 01:36:48,003 NIGGERS! 1657 01:37:02,517 --> 01:37:04,552 COME ON. GIT. 1658 01:37:21,703 --> 01:37:24,539 HEE HA HA HA HA HA! 1659 01:37:24,539 --> 01:37:25,640 WHOO! 1660 01:37:25,640 --> 01:37:28,310 THAT'S A FIRE, NOW, AIN'T IT? WHOO! 1661 01:37:32,114 --> 01:37:35,183 WELL, LOOK, THIS COME OUT PERFECT HERE. 1662 01:37:35,183 --> 01:37:36,151 13. 1663 01:37:36,151 --> 01:37:37,719 THEN YOU PULL THAT THROUGH THERE, SEE? 1664 01:37:37,719 --> 01:37:40,255 NOW, YOU PULL ON ONE OF THOSE. 1665 01:37:40,255 --> 01:37:41,656 THAT'S PERFECT. THAT'S GOOD. 1666 01:37:41,656 --> 01:37:43,125 THERE YOU GO. PULL TIGHT. 1667 01:37:43,125 --> 01:37:45,127 THERE YOU GO. THAT'S GOOD. 1668 01:37:45,127 --> 01:37:47,129 NOW, YOU'VE GOT IT, BOY. 1669 01:37:47,129 --> 01:37:48,730 THERE'S YOUR NOOSE. 1670 01:37:48,730 --> 01:37:50,132 NOW YOU MAKE ONE. 1671 01:37:50,132 --> 01:37:51,967 JUST LIKE THIS ONE. 1672 01:38:02,077 --> 01:38:04,079 OH, THAT'S A GOOD ONE. 1673 01:38:04,079 --> 01:38:06,248 THAT'S A GOOD ONE. 1674 01:38:07,282 --> 01:38:08,583 GOOD BOY. 1675 01:38:09,784 --> 01:38:10,852 HERE. HERE. HERE. 1676 01:38:10,852 --> 01:38:13,221 USE THESE AND COVER YOURSELF UP. 1677 01:38:13,221 --> 01:38:16,358 IT'S ALL RIGHT. YOU'RE ALL RIGHT. 1678 01:38:16,358 --> 01:38:17,960 Girl: SCRAPPIE, I'M FREEZING. 1679 01:38:17,960 --> 01:38:18,961 COME ON. COME ON. 1680 01:38:18,961 --> 01:38:19,962 SCRAPPIE, I'M HUNGRY. 1681 01:38:19,962 --> 01:38:21,563 JUST TRY TO STAY TOGETHER. 1682 01:38:21,563 --> 01:38:22,564 SHH! SHH! 1683 01:38:22,564 --> 01:38:23,365 QUIET, Y'ALL! 1684 01:38:23,365 --> 01:38:24,967 THEY'RE GONNA HEAR US. 1685 01:38:24,967 --> 01:38:25,968 [WHIMPERING] 1686 01:38:25,968 --> 01:38:27,569 [RUSTLING] 1687 01:38:34,709 --> 01:38:36,478 OH, MANN. 1688 01:38:36,478 --> 01:38:37,512 MANN! 1689 01:38:41,449 --> 01:38:42,450 MANN! 1690 01:38:42,450 --> 01:38:43,751 MANN! 1691 01:38:43,751 --> 01:38:45,387 OH! 1692 01:38:51,726 --> 01:38:54,729 THEY DONE KILLED EVERYBODY. 1693 01:38:54,729 --> 01:38:57,065 AUNT SARAH, BIG BABY, SYLVESTER. 1694 01:38:57,065 --> 01:38:58,300 SCRAPPIE. 1695 01:39:03,738 --> 01:39:05,240 LOOK. 1696 01:39:14,882 --> 01:39:19,354 IT'S MORE THAN 50 CHILDREN HIDIN' AROUND IN THE SWAMP, 1697 01:39:19,354 --> 01:39:21,189 AND THEY BEEN OUT HERE ALL NIGHT 1698 01:39:21,189 --> 01:39:22,757 WITH NOTHING TO EAT, 1699 01:39:22,757 --> 01:39:25,260 AND THEY'RE CRYIN', AND THEY'RE FREEZIN'. 1700 01:39:25,260 --> 01:39:27,895 WHAT WE GONNA DO? WHAT WE GONNA DO? 1701 01:39:27,895 --> 01:39:29,764 Y'ALL BE QUIET NOW. 1702 01:39:29,764 --> 01:39:30,898 NOW, HUSH! 1703 01:39:30,898 --> 01:39:32,700 HUSH. JUST HUSH. 1704 01:39:35,703 --> 01:39:36,704 I WANT TO. 1705 01:39:36,704 --> 01:39:38,106 STOP KICKIN' ME, HEAR? 1706 01:39:38,106 --> 01:39:39,641 STOP FIGHTING. 1707 01:39:46,114 --> 01:39:47,982 ARNETT... 1708 01:39:47,982 --> 01:39:49,584 FRONT AND CENTER. 1709 01:39:54,722 --> 01:39:57,125 QUIT CRYING, ARNETT. 1710 01:39:57,125 --> 01:40:01,063 YOU AIN'T A LITTLE BOY NO MORE. YOU A MAN. 1711 01:40:01,063 --> 01:40:04,299 NOW, YOU SEE ANY TEARS IN THESE EYES? 1712 01:40:06,168 --> 01:40:09,137 I NEED YOU TO BE STRONG. 1713 01:40:09,137 --> 01:40:12,474 YOU'RE MY LIEUTENANT, UNDERSTAND? 1714 01:40:12,474 --> 01:40:13,675 YES, SIR. 1715 01:40:13,675 --> 01:40:16,711 [CHILD CRIES] 1716 01:40:18,146 --> 01:40:21,149 NOW, YOU GATHER UP THESE WOMEN AND CHILDREN. 1717 01:40:21,149 --> 01:40:24,786 YOU'RE GONNA MOVE DEEP INTO THE SWAMP. 1718 01:40:29,491 --> 01:40:30,492 ALL RIGHT. 1719 01:40:30,492 --> 01:40:32,760 WE GOTS TO MOVE. 1720 01:40:32,760 --> 01:40:34,196 GET UP. 1721 01:40:35,563 --> 01:40:37,765 COME ON. GET UP. 1722 01:40:37,765 --> 01:40:39,167 COME ON. MOVE. 1723 01:40:39,167 --> 01:40:40,135 Arne LET'S GO. MOVE! 1724 01:40:40,135 --> 01:40:41,169 I KNEW YOU'D BE BACK. 1725 01:40:41,169 --> 01:40:42,137 IT'S GONNA BE ALL RIGHT. 1726 01:40:42,137 --> 01:40:43,171 MOVE, Y'ALL! 1727 01:40:43,171 --> 01:40:45,773 LET'S MOVE IT. GET HIM UP. 1728 01:40:45,773 --> 01:40:47,175 OH, HE'S BAD. 1729 01:40:47,175 --> 01:40:48,976 HE AIN'T GONNA LAST OUT HERE. 1730 01:40:48,976 --> 01:40:51,979 EMMA, THERE AIN'T NOTHIN' THE MATTER WITH ME. I CAN WALK. 1731 01:40:51,979 --> 01:40:53,047 DADDY. 1732 01:40:53,047 --> 01:40:54,649 THERE AIN'T NO PLACE TO GO. 1733 01:40:54,649 --> 01:40:56,384 YOU COME TOO LATE! 1734 01:40:56,384 --> 01:40:58,586 ALL RIGHT, TIMOTHY. UPSTAIRS WITH THE TURNERS. 1735 01:40:58,586 --> 01:41:00,488 PUT HIM UPSTAIRS, TOO, IN THE FRONT. 1736 01:41:00,488 --> 01:41:02,056 THAT'S ENOUGH. THAT'S ENOUGH. 1737 01:41:02,056 --> 01:41:03,658 LET'S GO. UPSTAIRS. 1738 01:41:03,658 --> 01:41:05,160 EVERYONE UPSTAIRS! 1739 01:41:05,160 --> 01:41:07,762 AND CLEAN THIS PLACE UP. LOOK AT THIS. 1740 01:41:07,762 --> 01:41:09,030 CLEAN THIS UP. 1741 01:41:09,030 --> 01:41:10,031 OH, MY GOD! 1742 01:41:10,031 --> 01:41:11,633 THIS IS NOT HAPPENING. 1743 01:41:11,633 --> 01:41:12,567 [SOBBING] 1744 01:41:12,567 --> 01:41:14,769 WHAT'S THE MATTER WITH YOU? 1745 01:41:14,769 --> 01:41:16,771 OH! 1746 01:41:16,771 --> 01:41:18,173 MARY. 1747 01:41:18,173 --> 01:41:19,974 I KNOW YOU DON'T-- 1748 01:41:19,974 --> 01:41:23,778 I KNOW YOU DON'T LIKE HAVING COLORED FOLKS IN THE HOUSE, 1749 01:41:23,778 --> 01:41:25,113 BUT THIS IS A SERIOUS TIME. 1750 01:41:25,113 --> 01:41:26,914 IS THAT WHAT YOU THINK, 1751 01:41:26,914 --> 01:41:29,784 THAT I DON'T LIKE LIVIN' HERE 'CAUSE OF THE COLORED FOLKS? 1752 01:41:29,784 --> 01:41:31,052 IS THAT WHAT YOU THINK? 1753 01:41:31,052 --> 01:41:32,187 WELL, WHAT IS IT, MARY? 1754 01:41:32,187 --> 01:41:33,788 I AM CARING FOR THE COLORED FOLKS 1755 01:41:33,788 --> 01:41:35,790 CALM DOWN. IN MY HOME! 1756 01:41:35,790 --> 01:41:37,192 IT'S MY HOME, TOO. 1757 01:41:37,192 --> 01:41:39,594 I KNOW. YES, IT'S YOUR HOME. 1758 01:41:39,594 --> 01:41:44,599 YOU ALL TREAT ME LIKE A GUEST IN MY OWN HOUSE. 1759 01:41:44,599 --> 01:41:49,671 I GOT NEWS FOR YOU, JOHN WRIGHT. 1760 01:41:49,671 --> 01:41:50,872 CAROL IS DEAD. 1761 01:41:50,872 --> 01:41:54,075 SHE'S DEAD. SHE AIN'T COMIN' BACK, 1762 01:41:54,075 --> 01:41:56,344 AND I AIN'T LEAVIN'. 1763 01:42:02,750 --> 01:42:04,786 OH, GOD! 1764 01:42:10,725 --> 01:42:12,126 James: PUT ME DOWN. 1765 01:42:12,126 --> 01:42:15,463 PUT ME DOWN! 1766 01:42:15,463 --> 01:42:16,464 EMMA! 1767 01:42:16,464 --> 01:42:18,433 EMMA! 1768 01:42:19,267 --> 01:42:21,503 PUT ME DOWN. 1769 01:42:21,503 --> 01:42:22,737 I HEAR YOU'RE HIDING FOLK, MR. WRIGHT. 1770 01:42:22,737 --> 01:42:23,771 NO, NO, NO. 1771 01:42:23,771 --> 01:42:25,106 I NEED YOU TO PUT AWAY OLD JAMES HERE. 1772 01:42:25,106 --> 01:42:26,508 YOU'RE MISINFORMED. 1773 01:42:26,508 --> 01:42:28,009 HE OLD. YOU BEST TAKE HIM. GO HIDE IN THE WOODS. 1774 01:42:28,009 --> 01:42:29,444 NO. I DON'T WANT TO GO IN THERE. 1775 01:42:29,444 --> 01:42:30,578 TAKE HIM, AND GO HIDE IN THE SWAMP. 1776 01:42:30,578 --> 01:42:32,013 I AIN'T GONNA GO IN THAT HOUSE! 1777 01:42:32,013 --> 01:42:33,114 COME ON, MR. WRIGHT. 1778 01:42:33,114 --> 01:42:34,549 WHAT? JOHN WRIGHT? 1779 01:42:34,549 --> 01:42:37,151 I KNOW WHAT YOU BEEN DOIN' WITH MY DAUGHTER. 1780 01:42:37,151 --> 01:42:38,186 WHAT? 1781 01:42:38,186 --> 01:42:39,187 Mann: HUSH NOW. COME ON. 1782 01:42:39,187 --> 01:42:40,322 I CAN RUN LIKE YOU. 1783 01:42:40,322 --> 01:42:42,190 NOW, YOU KNOW YOU CAN'T. 1784 01:42:42,190 --> 01:42:45,193 NOW, YOU GONNA GET US KILLED. JUST HUSH! 1785 01:42:45,193 --> 01:42:46,594 COME ON, MR. WRIGHT. 1786 01:42:46,594 --> 01:42:48,196 YOU THE MASTER AROUND HERE. 1787 01:42:48,196 --> 01:42:49,864 I AIN'T A MASTER OF NOTHIN'. 1788 01:42:49,864 --> 01:42:50,798 YOU BEST GIT WHILE YOU CAN. 1789 01:42:50,798 --> 01:42:51,999 WHAT'S THE MATTER, MR. WRIGHT? 1790 01:42:51,999 --> 01:42:53,301 GIT! 1791 01:42:53,301 --> 01:42:54,336 DON'T HE OWE YOU ENOUGH TO SAVE HIS LIFE? 1792 01:42:54,336 --> 01:42:55,570 YOU SON OF A BITCH. 1793 01:42:55,570 --> 01:42:57,004 HOW MUCH IT TAKE FOR YOU TO HIDE THIS MAN? 1794 01:42:57,004 --> 01:42:59,006 $10? 15? 1795 01:42:59,006 --> 01:43:01,108 HOW ABOUT 60 GODDAMN 50? 1796 01:43:01,108 --> 01:43:02,410 I'M GONNA BLOW YOUR HEAD OFF! 1797 01:43:02,410 --> 01:43:04,712 THIS MAN'S LIFE WORTH ONE ACRE OF LAND? 1798 01:43:04,712 --> 01:43:08,783 HIDE THE MAN, JOHN, FOR GOD'S SAKE. 1799 01:43:08,783 --> 01:43:10,818 LET HIM IN. 1800 01:43:17,191 --> 01:43:18,693 COME ON. 1801 01:43:20,728 --> 01:43:21,829 EMMA! 1802 01:43:21,829 --> 01:43:22,864 COME ON. 1803 01:43:22,864 --> 01:43:23,931 NO, MAMA. 1804 01:43:23,931 --> 01:43:25,199 COME ON, BABY. 1805 01:43:25,199 --> 01:43:26,401 NO, MAMA. IT'S ALL RIGHT. YOU GO ON. 1806 01:43:26,401 --> 01:43:28,202 GO, MAMA! I'M ALL RIGHT. 1807 01:43:28,202 --> 01:43:29,437 I CAN'T GO IN THERE, MAMA! 1808 01:43:29,437 --> 01:43:31,906 GO, MAMA. TAKE CARE OF PAPA. 1809 01:43:31,906 --> 01:43:33,007 TAKE CARE OF PAPA, MAMA. 1810 01:43:33,007 --> 01:43:34,008 COME ON! 1811 01:43:34,008 --> 01:43:36,811 COME ON, NOW. GIT! 1812 01:43:36,811 --> 01:43:37,845 GO. 1813 01:43:40,214 --> 01:43:42,484 I'LL BE ALL RIGHT, MAMA. 1814 01:43:45,720 --> 01:43:47,289 Mann: COME ON. 1815 01:43:48,356 --> 01:43:49,957 Mann: COME ON. 1816 01:44:01,603 --> 01:44:02,670 WAIT! 1817 01:44:10,978 --> 01:44:13,981 WHAT'S THE PROBLEM, BOYS? WHAT'S THE MATTER? 1818 01:44:13,981 --> 01:44:15,317 WE WANT JAMES CARRIER. 1819 01:44:15,317 --> 01:44:16,818 RIGHT NOW. 1820 01:44:16,818 --> 01:44:18,920 WELL, I AIN'T SEEN HIM. HELL, I AIN'T SEEN NOBODY. 1821 01:44:18,920 --> 01:44:19,921 DAMN IT, JOHN. 1822 01:44:19,921 --> 01:44:22,490 WE CAUGHT HIS DAUGHTER. 1823 01:44:22,490 --> 01:44:23,891 WE KNOW HE'S HERE! 1824 01:44:23,891 --> 01:44:26,494 WHAT DID Y'ALL PECKERWOODS DO TO HER? 1825 01:44:26,494 --> 01:44:27,962 WHERE'S SHE AT, DAMN IT? 1826 01:44:27,962 --> 01:44:29,364 WHERE'S SHE AT, ELLIS? 1827 01:44:29,364 --> 01:44:30,765 HEY! ONE DAMN NIGGER. 1828 01:44:30,765 --> 01:44:33,768 COME ON NOW! IT'S HER DADDY WE AFTER! 1829 01:44:33,768 --> 01:44:36,203 EXPLAIN TO ME WHY YOU WANT TO LYNCH A CRIPPLE. 1830 01:44:36,203 --> 01:44:39,206 WE AIN'T LYNCHIN' NOBODY DON'T NEED TO BE LYNCHED, JOHN. 1831 01:44:39,206 --> 01:44:40,408 I JUST DON'T SEE NO SENSE IN IT. 1832 01:44:40,408 --> 01:44:42,744 JOHN, JAMES CARRIER WAS IN THAT HOUSE 1833 01:44:42,744 --> 01:44:44,479 WITH SYLVESTER AND JESSE HUNTER! 1834 01:44:44,479 --> 01:44:49,684 YEAH. WE JUST WANT TO ASK HIM A FEW QUESTIONS, JOHN. THAT'S ALL. 1835 01:44:49,684 --> 01:44:54,221 WELL, THAT'S ALL FINE, BUT I AIN'T GOT HIM. 1836 01:44:54,221 --> 01:44:55,790 ALL RIGHT, BOYS! 1837 01:44:55,790 --> 01:44:56,691 STAY BACK! 1838 01:44:56,691 --> 01:44:59,226 YOU GET OFF MY PORCH! GET OFF MY-- 1839 01:44:59,226 --> 01:45:00,762 DON'T YOU COME NEAR! 1840 01:45:00,762 --> 01:45:02,229 SIMMER DOWN! 1841 01:45:02,229 --> 01:45:05,166 JOHNNY, YOU WANT THESE BOYS TO GO THROUGH YOUR WIFE AND CHILDREN? 1842 01:45:05,166 --> 01:45:06,501 IS THAT WHAT YOU WANT? 1843 01:45:06,501 --> 01:45:07,769 COME ON! BRING HIM OUT! 1844 01:45:07,769 --> 01:45:09,404 WE WILL! THAT'S WHAT WE'RE GONNA DO! 1845 01:45:09,404 --> 01:45:14,275 YOU GIVE ME YOUR WORD, ALL YOU WANT TO DO IS QUESTION HIM? YES? 1846 01:45:14,275 --> 01:45:15,577 MM-HMM. YEAH. 1847 01:45:15,577 --> 01:45:17,779 WHAT'S THE MATTER WITH YOU? 1848 01:45:17,779 --> 01:45:19,013 YEAH. 1849 01:45:19,013 --> 01:45:21,583 THAT'S MORE LIKE IT! 1850 01:45:21,583 --> 01:45:23,184 Y'ALL WAIT NOW. 1851 01:45:23,184 --> 01:45:24,986 Man: GET THAT NIGGER OUT HERE! 1852 01:45:24,986 --> 01:45:29,190 Second man: HE WAS IN THE HOUSE THE WHOLE TIME. 1853 01:45:29,190 --> 01:45:30,625 Third man: GET THAT DAMN NIGGER! 1854 01:45:35,797 --> 01:45:37,799 [CLANGING] 1855 01:45:39,667 --> 01:45:40,602 JOHN! 1856 01:45:40,602 --> 01:45:42,003 JOHN, WHERE ARE YOU GOING? 1857 01:45:42,003 --> 01:45:43,971 YOU'RE NOT GOING TO LET THOSE PEOPLE HAVE HIM? 1858 01:45:43,971 --> 01:45:45,373 SHH! MARY, PLEASE. 1859 01:45:45,373 --> 01:45:48,376 IF I DON'T, THEY'LL COME IN HERE AND SHOOT US ALL. 1860 01:45:48,376 --> 01:45:50,077 THEY JUST WANT TO ASK HIM SOME QUESTIONS. 1861 01:45:50,077 --> 01:45:53,615 I'LL BE WITH HIM TO MAKE SURE THEY DON'T DO MORE THAN THAT. 1862 01:45:53,615 --> 01:45:55,082 I'LL BE WITH HIM. 1863 01:45:58,352 --> 01:45:59,721 NOW, JAMES... 1864 01:46:00,988 --> 01:46:04,992 WE GOT OLD SARAH OVER HERE, RESTING HER SOUL. 1865 01:46:04,992 --> 01:46:08,596 IF YOU DON'T TELL US WHERE THIS JESSE BOY IS, 1866 01:46:08,596 --> 01:46:11,499 WE'RE GONNA HAVE TO PUT YOU IN THERE WITH HER. 1867 01:46:11,499 --> 01:46:13,435 IT'S A BIG BOX! 1868 01:46:13,435 --> 01:46:15,603 HA HA! HA HA! HA HA! HA HA! 1869 01:46:15,603 --> 01:46:17,939 WHY AIN'T MY SISTER BURIED? 1870 01:46:17,939 --> 01:46:20,542 'CAUSE YOU AIN'T BURIED HER YET. 1871 01:46:20,542 --> 01:46:21,909 DIG A HOLE, NIGGER. 1872 01:46:21,909 --> 01:46:24,779 I AIN'T GOT BUT ONE GOOD ARM. 1873 01:46:24,779 --> 01:46:27,114 WE AIN'T GOT BUT ONE GOOD SHOVEL. 1874 01:46:28,550 --> 01:46:30,652 COME ON. GET UP HERE, YOU OLD CROW, 1875 01:46:30,652 --> 01:46:32,253 AND DIG YOUR OWN HOLE. 1876 01:46:32,253 --> 01:46:33,320 COME ON! 1877 01:46:33,320 --> 01:46:35,590 SHOW US WHAT YOU'RE MADE OF. 1878 01:46:35,590 --> 01:46:36,858 COME ON! LET'S GO! 1879 01:46:36,858 --> 01:46:40,227 GRAB THAT SHOVEL. LET ME SEE WHAT YOU CAN DO. 1880 01:46:40,227 --> 01:46:41,629 GET HIM GOIN'! 1881 01:46:41,629 --> 01:46:44,466 WHOA! HE'S EAGER, AIN'T HE? WHOO! 1882 01:46:44,466 --> 01:46:45,467 YEAH. 1883 01:46:45,467 --> 01:46:47,001 YEAH! YEAH! 1884 01:46:49,136 --> 01:46:50,438 ELLIS. 1885 01:46:54,241 --> 01:46:55,242 WHOA! 1886 01:46:55,242 --> 01:46:57,979 HA HA HA! HA HA HA! 1887 01:46:57,979 --> 01:46:59,013 COME ON. 1888 01:46:59,013 --> 01:47:00,314 STOP IT. 1889 01:47:00,314 --> 01:47:04,719 JUST TRYING TO HELP HIM PUT THAT SHOVEL IN THE GROUND. 1890 01:47:04,719 --> 01:47:06,120 JAMES, LISTEN HERE. 1891 01:47:06,120 --> 01:47:10,725 I WANT YOU TO TELL THESE BOYS WHERE JESSE HUNTER IS. 1892 01:47:10,725 --> 01:47:12,994 HE WAS IN THAT HOUSE WITH YOU, WASN'T HE? 1893 01:47:12,994 --> 01:47:15,863 NOW, TELL ME, HEAR ME? LISTEN UP. 1894 01:47:15,863 --> 01:47:19,233 JAMES, YOU TELL THEM SOMETHING, HMM? 1895 01:47:19,233 --> 01:47:21,035 JAMES, LOOK AT ME! 1896 01:47:21,035 --> 01:47:24,238 YOU TELL THEM SOMETHING, FOR GOD'S SAKE. 1897 01:47:24,238 --> 01:47:25,640 I'M PLEADING TO YOU. 1898 01:47:25,640 --> 01:47:29,611 SHERIFF, I CAN'T LIE TO YOU. 1899 01:47:29,611 --> 01:47:32,346 I AIN'T NEVER MET THE MAN. 1900 01:47:32,346 --> 01:47:36,050 OH! OH! OH, BOY. 1901 01:47:36,050 --> 01:47:37,351 FAIR ENOUGH. 1902 01:47:37,351 --> 01:47:39,621 STOP! DUKE! 1903 01:47:39,621 --> 01:47:42,624 GOD! WHAT'S THE MATTER WITH YOU, DUKE? 1904 01:47:42,624 --> 01:47:44,526 WHAT THE HELL IS THE MATTER WITH YOU? 1905 01:47:44,526 --> 01:47:45,793 OH, HUSH UP, JOHN. 1906 01:47:45,793 --> 01:47:48,029 YOU DONE WENT AND TURNED NIGGER LOVER ON US. 1907 01:47:48,029 --> 01:47:51,032 EVER SINCE YOUR WIFE PASSED AWAY, YOU AIN'T BEEN THE SAME. 1908 01:47:51,032 --> 01:47:52,634 I'M GOIN' HOME, Y'ALL. 1909 01:47:52,634 --> 01:47:54,536 DUKE, MY ASS! 1910 01:47:55,737 --> 01:47:58,272 YOU STUPID PIECE OF SOUTH SUCKIN' WHITE TRASH! 1911 01:47:58,272 --> 01:48:00,141 WHAT DID YOU CALL ME? 1912 01:48:00,141 --> 01:48:02,944 DON'T YOU NIGGER LOVE ME, YOU WHITE TRASH! 1913 01:48:02,944 --> 01:48:03,978 COME ON! 1914 01:48:13,988 --> 01:48:16,991 TAKE OFF, YOU ALL. TAKE OFF, YOU ALL. 1915 01:48:16,991 --> 01:48:18,626 THINK OF WHAT YOU'RE SAYING. 1916 01:48:18,626 --> 01:48:21,629 DON'T DO THIS. 1917 01:48:21,629 --> 01:48:22,630 NIGGER LOVER. 1918 01:48:22,630 --> 01:48:24,498 NIGGER LOVER! 1919 01:48:24,498 --> 01:48:27,168 WHOSE SIDE YOU ON, JOHNNY WRIGHT? 1920 01:48:27,168 --> 01:48:30,371 DON'T EVEN CARE A WHITE MAN GOT SHOT! 1921 01:48:30,371 --> 01:48:31,606 FORGETTING WHO YOU ARE, JOHNNY? 1922 01:48:36,243 --> 01:48:37,645 GO HOME, JOHNNY. 1923 01:48:37,645 --> 01:48:40,281 YOU GO HOME RIGHT NOW. 1924 01:48:43,651 --> 01:48:45,953 YOU GOT THE MONEY THAT MAN OWES ME? 1925 01:48:45,953 --> 01:48:47,221 [SPITS] 1926 01:48:47,221 --> 01:48:50,091 Y'ALL GONNA PAY ME FOR ALL THE MONEY I'M LOSING? 1927 01:48:50,091 --> 01:48:50,958 HELL, NO! 1928 01:48:50,958 --> 01:48:52,594 KILLIN' ALL OF MY CUSTOMERS, 1929 01:48:52,594 --> 01:48:53,795 RUNNIN' 'EM OFF. 1930 01:48:53,795 --> 01:48:55,797 YOU WATCH WHO YOU CALL WHITE TRASH, BOY! 1931 01:48:55,797 --> 01:48:57,799 THAT'S RIGHT. 1932 01:48:57,799 --> 01:49:00,534 JUST 'CAUSE YOU RICH OFF NIGGER MONEY, 1933 01:49:00,534 --> 01:49:03,605 YOU THINK YOU BETTER THAN ALL THE REST OF US? 1934 01:49:03,605 --> 01:49:05,006 THAT'S RIGHT! 1935 01:49:05,006 --> 01:49:08,009 YOU GET ALL THE MONEY IN FLORIDA, JOHNNY WRIGHT, 1936 01:49:08,009 --> 01:49:09,877 YOU STILL AIN'T NOTHIN' 1937 01:49:09,877 --> 01:49:12,680 BUT A DIRT FLOOR CRACKER! 1938 01:49:12,680 --> 01:49:15,817 SHOPKEEPER! 1939 01:50:00,527 --> 01:50:01,729 HEY, Y'ALL, WAKE UP. 1940 01:50:01,729 --> 01:50:02,697 [COUGHING] 1941 01:50:02,697 --> 01:50:03,865 COME ON. 1942 01:50:03,865 --> 01:50:07,268 COME ON. WE GOT TO GO. TIME TO WAKE UP. 1943 01:50:07,268 --> 01:50:09,303 DON'T GO THIS WAY. 1944 01:50:11,272 --> 01:50:14,676 WHERE ARE WE GOING? 1945 01:50:14,676 --> 01:50:16,110 KEEP QUIET. 1946 01:50:17,244 --> 01:50:19,113 DON'T GO THIS WAY. 1947 01:50:48,309 --> 01:50:51,178 I AIN'T GOT NO BULLETS. 1948 01:51:17,004 --> 01:51:17,805 SHARE! 1949 01:51:17,805 --> 01:51:19,406 HEY, Y'ALL BE QUIET! 1950 01:51:19,406 --> 01:51:20,808 SHH! Y'ALL BE QUIET. 1951 01:51:20,808 --> 01:51:22,844 WANT THEM CRACKERS TO HEAR YOU? 1952 01:51:22,844 --> 01:51:24,045 RIDE THE TRAIN 1953 01:51:24,045 --> 01:51:26,881 TO THE OLD ROAD NEAR KELLY'S POND. 1954 01:51:26,881 --> 01:51:30,317 GET THERE, LISTEN FOR THE ENGINE WHISTLE. 1955 01:51:30,317 --> 01:51:34,688 KELLY'S POND? THAT'S ON THE OTHER SIDE OF SUMNER, MR. WRIGHT. 1956 01:51:34,688 --> 01:51:36,090 HOW WE GONNA DO THAT? 1957 01:51:36,090 --> 01:51:38,692 YOU'RE ASKIN' US TO TAKE THESE CHILDREN 1958 01:51:38,692 --> 01:51:39,894 THROUGH ALL THEM CRACKERS? 1959 01:51:39,894 --> 01:51:41,228 CAN'T STOP NEAR ROSEWOOD. 1960 01:51:41,228 --> 01:51:42,830 IT'S KELLY'S POND OR NOWHERE. 1961 01:51:42,830 --> 01:51:45,833 NO MEN ON THE TRAIN. THAT'S THE PLAN. 1962 01:51:45,833 --> 01:51:49,403 HOW WE KNOW WE CAN TRUST YOU, MR. WRIGHT? 1963 01:51:49,403 --> 01:51:51,438 GOT NO CHOICE. 1964 01:51:51,438 --> 01:51:53,407 IN THE TRENCHES NOW. 1965 01:51:53,407 --> 01:51:55,276 8:00. 1966 01:51:56,310 --> 01:51:57,912 THAT'S 3 HOURS. 1967 01:51:59,313 --> 01:52:01,082 GET THESE FOLKS THERE. 1968 01:52:01,082 --> 01:52:04,085 I'LL BRING THE TRAIN. 1969 01:52:07,088 --> 01:52:10,091 IF YOU'RE LYING, I'M COMIN' FOR YA. 1970 01:52:10,091 --> 01:52:12,693 SOLDIER, IF I'M LYING, YOU'RE DEAD. 1971 01:52:12,693 --> 01:52:13,995 YES, SIR. 1972 01:52:15,096 --> 01:52:17,298 WE AGREED ABOUT THE MEN? 1973 01:52:17,298 --> 01:52:19,433 YES, SIR. 1974 01:52:19,433 --> 01:52:21,035 THAT INCLUDES YOU. 1975 01:52:25,106 --> 01:52:27,942 JOHNNY, WE JUST WENT THROUGH THERE THIS MORNING. 1976 01:52:27,942 --> 01:52:29,676 IT AIN'T NOTHIN' BUT ASHES AND SMOKE. 1977 01:52:29,676 --> 01:52:31,145 TOWN'S IN PURGATORY. 1978 01:52:31,145 --> 01:52:33,714 BILLY, IT'S A REAL SIMPLE THING, WE DO IT RIGHT. 1979 01:52:33,714 --> 01:52:35,282 THEY GOT BOYS ON ALL THE BRIDGES, 1980 01:52:35,282 --> 01:52:36,851 ALL THE MAIN ROADS LOOKIN' FOR COLORED MEN. 1981 01:52:36,851 --> 01:52:38,719 WE GO IN AT NIGHT, ROUND BACK TO SUMNER, 1982 01:52:38,719 --> 01:52:39,887 PICK UP THE WOMEN AND CHILDREN, 1983 01:52:39,887 --> 01:52:41,122 SWEEP THEM OFF TO GAINESVILLE. 1984 01:52:41,122 --> 01:52:42,456 HE'S TALKIN' ABOUT SUMNER! 1985 01:52:42,456 --> 01:52:45,426 THAT'S WHERE THE WHOLE DAMN THING STARTED! 1986 01:52:45,426 --> 01:52:48,629 YOU'RE ASKIN' US TO RISK OUR ENGINE, JOHNNY! 1987 01:52:48,629 --> 01:52:49,997 WHO ARE YOU BRYCE BROTHERS, 1988 01:52:49,997 --> 01:52:51,799 A COUPLE OF RICH BOYS PLAYIN' ON YOUR TRAIN? 1989 01:52:51,799 --> 01:52:53,034 TO HELL WITH YOU. 1990 01:52:53,034 --> 01:52:54,235 YOU BOYS PUFFIN' AROUND THE COUNTRYSIDE 1991 01:52:54,235 --> 01:52:55,336 WAVIN' AND TOOTIN' YOUR WHISTLE? 1992 01:52:55,336 --> 01:52:56,170 TO HELL WITH YOU! 1993 01:52:56,170 --> 01:52:58,172 THESE ARE REAL FOLKS DYIN', 1994 01:52:58,172 --> 01:52:59,974 WOMEN AND CHILDREN AIN'T DONE NOTHIN' WRONG TO NO SOUL. 1995 01:52:59,974 --> 01:53:01,142 THAT AIN'T FAIR, JOHNNY! 1996 01:53:01,142 --> 01:53:03,077 DON'T TALK TO ME ABOUT FAIR, BILLY! 1997 01:53:03,077 --> 01:53:08,015 THEY SHOT SARAH CARRIER DOWN LIKE A DOG ON HER OWN PORCH! 1998 01:53:08,015 --> 01:53:11,485 I AIN'T ASKIN' YOU TO RISK YOUR TRAIN! 1999 01:53:11,485 --> 01:53:14,588 I'M ASKIN' YOU TO RISK YOUR ASSES! 2000 01:53:14,588 --> 01:53:17,091 BILLY! 2001 01:53:35,109 --> 01:53:38,913 THINK THEY GONNA LET THE WOMEN AND CHILDREN THROUGH? 2002 01:53:39,847 --> 01:53:41,883 I DON'T KNOW. 2003 01:53:44,451 --> 01:53:45,519 SHH. 2004 01:53:46,787 --> 01:53:49,256 WAIT, WAIT, SHH. 2005 01:53:49,256 --> 01:53:51,458 [DISTANT YELLING, DOGS BARKING] 2006 01:53:56,597 --> 01:53:58,232 [WHISPERING] Stay here. 2007 01:54:10,144 --> 01:54:11,178 DAMN. 2008 01:54:11,178 --> 01:54:13,180 LET'S GO. GOTTA MOVE. 2009 01:54:22,924 --> 01:54:24,358 [DOGS BARKING] 2010 01:54:30,564 --> 01:54:31,966 HOW FAR OUT ARE WE? 2011 01:54:31,966 --> 01:54:33,901 ABOUT 40 MINUTES. 2012 01:54:33,901 --> 01:54:36,670 CAN'T WE MOVE THIS THING ANY FASTER? 2013 01:54:36,670 --> 01:54:38,172 PUSH THAT THROTTLE, J.B. 2014 01:54:38,172 --> 01:54:40,241 DON'T YOU BE TELLING US HOW TO RUN OUR TRAIN, JOHNNY. 2015 01:54:40,241 --> 01:54:41,508 WE GOTTA TAKE IT EASY ON HER. 2016 01:54:41,508 --> 01:54:42,743 SHE AIN'T BEEN ACTIN RIGHT LATELY. 2017 01:54:42,743 --> 01:54:44,311 OH, SHE AIN'T? 2018 01:54:44,311 --> 01:54:47,214 YOU BOYS HAVE BEEN TREATING THIS TRAIN LIKE A LITTLE SISTER 2019 01:54:47,214 --> 01:54:48,815 SINCE I'VE KNOWN YOU. GET HER MOVING. 2020 01:54:48,815 --> 01:54:50,084 SHE CAN'T HANDLE IT! 2021 01:54:50,084 --> 01:54:52,719 GET THIS SON OF A BITCH MOVING. 2022 01:54:52,719 --> 01:54:55,456 J.B., GIVE HER A LITTLE. 2023 01:55:03,297 --> 01:55:04,431 FEEL BETTER? 2024 01:55:04,431 --> 01:55:06,100 YEAH. 2025 01:55:06,934 --> 01:55:09,170 I FEEL BETTER. 2026 01:55:13,140 --> 01:55:14,341 Boy: I'M TIRED. 2027 01:55:14,341 --> 01:55:16,410 Second Boy: I DON'T FEEL LIKE GOING. 2028 01:55:16,410 --> 01:55:17,979 [WHISPERING] Shh, shh, hush up, 2029 01:55:17,979 --> 01:55:19,580 hush up, be quiet. 2030 01:55:23,650 --> 01:55:25,086 [MEN TALKING] 2031 01:55:33,727 --> 01:55:35,997 HEY, TRUCK COMING, BOYS. 2032 01:55:37,164 --> 01:55:38,765 WATCH OUT, NOW. 2033 01:55:38,765 --> 01:55:40,401 Man: WATCH YOURSELF. 2034 01:55:46,673 --> 01:55:48,309 GET ON UP. 2035 01:56:12,866 --> 01:56:14,201 [WHISPERING] Arnett. 2036 01:56:15,569 --> 01:56:16,637 Come on. 2037 01:56:18,672 --> 01:56:21,208 Wait, wait. 2038 01:56:28,849 --> 01:56:30,617 EMMETT. 2039 01:56:34,221 --> 01:56:36,590 MIGHT AS WELL COME LOOK. 2040 01:56:38,359 --> 01:56:41,162 MAKE ROOM FOR MY BOY HERE. 2041 01:57:12,993 --> 01:57:14,495 EMMETT. 2042 01:57:14,495 --> 01:57:15,529 EMMETT! 2043 01:57:17,964 --> 01:57:20,167 WHY YOU CRYIN', BOY? 2044 01:57:20,167 --> 01:57:22,103 THERE'S BABIES IN THERE. 2045 01:57:23,437 --> 01:57:25,005 A NIGGER IS A NIGGER, BOY. 2046 01:57:25,005 --> 01:57:27,408 NONE OF US LIKE IT. 2047 01:57:27,408 --> 01:57:30,377 GOD MADE THE WORLD THE WAY IT IS, 2048 01:57:30,377 --> 01:57:32,179 AND WE JUST GOT TO LIVE IN IT. 2049 01:57:32,179 --> 01:57:34,915 YOU GET AS OLD AS I AM, 2050 01:57:34,915 --> 01:57:36,517 YOU BECOME A MAN... 2051 01:57:38,085 --> 01:57:41,288 YOU'RE GONNA LEARN A LOT OF THINGS. 2052 01:57:45,192 --> 01:57:47,928 A NIGGER IS A NIGGER, BOY. 2053 01:57:47,928 --> 01:57:50,297 THAT'S THE WAY. 2054 01:57:51,332 --> 01:57:53,167 YOU UNDERSTAND ME, EMMETT? 2055 01:57:54,201 --> 01:57:55,602 YOU UNDERSTAND ME? 2056 01:58:01,175 --> 01:58:02,409 SHE'S OVERHEATING! 2057 01:58:02,409 --> 01:58:03,744 [CLANG] 2058 01:58:03,744 --> 01:58:05,446 [SCREECHING, HISSING] 2059 01:58:05,446 --> 01:58:06,313 DAMN IT! 2060 01:58:06,313 --> 01:58:07,514 DAMN IT, I TOLD YOU! 2061 01:58:07,514 --> 01:58:09,883 WE'RE STOPPING, WE'RE STOPPING! 2062 01:58:09,883 --> 01:58:11,652 WE CAN'T STOP. NO, NO. 2063 01:58:11,652 --> 01:58:13,220 DON'T YOU GET IT? 2064 01:58:13,220 --> 01:58:15,088 DON'T YOU GET IT? 2065 01:58:15,088 --> 01:58:16,457 WE ARE STOPPED! 2066 01:58:16,457 --> 01:58:18,825 WE CAN'T GO ANYWHERE! 2067 01:58:18,825 --> 01:58:21,061 IT'S YOUR FAULT! 2068 01:58:21,061 --> 01:58:22,696 YOUR FAULT! 2069 01:58:23,930 --> 01:58:26,533 GODDAMN COUNTERBALANCE PIN! 2070 01:58:27,201 --> 01:58:28,702 DAMN IT! 2071 01:58:28,702 --> 01:58:32,439 Billy: J.B., LEAVE HIM ALONE. YOU GOTTA CHECK THE ENGINE. 2072 01:58:41,315 --> 01:58:44,885 DON'T YOU HEATHENS TOUCH MY PORCH. 2073 01:58:44,885 --> 01:58:47,854 STEP ASIDE. WE HEAR YOU'RE HIDING NIGGERS IN HERE. 2074 01:58:47,854 --> 01:58:49,390 TURN AROUND, EARL, 2075 01:58:49,390 --> 01:58:51,325 BEFORE I SEND US BOTH TO DAMNATION. 2076 01:58:53,494 --> 01:58:55,329 Earl: JESUS CHRIST, MARY. 2077 01:58:55,329 --> 01:58:57,798 THAT DAMN THING AIN'T LOADED ANYWAY. 2078 01:58:57,798 --> 01:58:59,533 OH, YES, IT IS. 2079 01:58:59,533 --> 01:59:01,402 YOU GOT ANY NIGGERS IN THERE, MARY? 2080 01:59:01,402 --> 01:59:04,371 WILLING TO KILL A WHITE WOMAN TO FIND OUT, BOBBY? 2081 01:59:04,371 --> 01:59:06,006 NOW TURN AROUND AND GET HOME. 2082 01:59:06,006 --> 01:59:07,708 GET ON, GET! 2083 01:59:08,775 --> 01:59:12,078 COME ON, EARL. NO NIGGERS AROUND HERE. 2084 01:59:12,078 --> 01:59:14,615 COME ON, Y'ALL. COME ON, NOW. 2085 01:59:14,615 --> 01:59:19,420 YOU MEN BEST HOPE THE LORD FEELS MERCIFUL COME JUDGMENT DAY. 2086 01:59:20,487 --> 01:59:22,556 HUSH. 2087 01:59:25,692 --> 01:59:27,294 [CHILDREN COUGHING] 2088 01:59:35,536 --> 01:59:38,171 EVERYBODY FRONT AND CENTER. 2089 01:59:40,674 --> 01:59:42,175 LIEUTENANT. 2090 01:59:46,213 --> 01:59:47,714 WHERE'S ARNETT? 2091 01:59:47,714 --> 01:59:49,350 Boy: HE GONE. 2092 01:59:50,417 --> 01:59:51,818 WHERE'S MINNIE? 2093 01:59:54,955 --> 01:59:56,690 STAY PUT. 2094 02:00:09,102 --> 02:00:12,673 WHAT Y'ALL BOYS NEED TO GET THIS ENGINE RUNNING AGAIN? 2095 02:00:12,673 --> 02:00:14,275 SOMETHIN' WE AIN'T GOT. 2096 02:00:14,275 --> 02:00:16,743 COUNTERBALANCE PIN. 2097 02:00:16,743 --> 02:00:19,613 WHAT IS A COUNTERBALANCE PIN? 2098 02:00:19,613 --> 02:00:21,248 OH, IT AIN'T NOTHIN'. 2099 02:00:21,248 --> 02:00:23,950 PIECE OF METAL ABOUT THIS LONG. 2100 02:00:35,061 --> 02:00:36,830 [MINNIE CRYING] 2101 02:00:36,830 --> 02:00:38,532 SHH, SHH. 2102 02:00:38,532 --> 02:00:41,368 BE QUIET. MINNIE, BE QUIET. 2103 02:00:41,368 --> 02:00:43,236 [FOOTSTEPS] 2104 02:00:56,917 --> 02:00:59,019 [MEN TALKING] 2105 02:01:01,455 --> 02:01:02,856 Ellis: ALL RIGHT, Y'ALL MEN, 2106 02:01:02,856 --> 02:01:05,392 LISTEN UP, LET'S CALL IT A NIGHT. 2107 02:01:05,392 --> 02:01:06,493 BOBBY, EARL, GIVE ME A HAND. 2108 02:01:06,493 --> 02:01:07,728 GET THESE MEN OUT OF HERE. 2109 02:01:07,728 --> 02:01:08,762 COME ON. 2110 02:01:08,762 --> 02:01:11,732 GET THESE MEN OUT OF HERE. COME ON. 2111 02:01:11,732 --> 02:01:13,734 NO MORE CAMPING OUT IN MY TOWN! 2112 02:01:13,734 --> 02:01:14,568 YOU HEAR ME? 2113 02:01:14,568 --> 02:01:16,503 HUSH, Y'ALL, HUSH! 2114 02:01:16,503 --> 02:01:17,904 ALL RIGHT, I SEE YOU IN THERE. 2115 02:01:17,904 --> 02:01:19,673 WHAT YOU UP TO, DUKE? WHAT DO YOU SEE? 2116 02:01:19,673 --> 02:01:22,042 HOLD STILL, NOW. RIGHT UP AGAINST THAT TREE, Y'ALL. 2117 02:01:22,042 --> 02:01:23,043 GO GET HIM. 2118 02:01:23,043 --> 02:01:25,679 [CROWD YELLING] 2119 02:01:27,681 --> 02:01:29,783 Girl: MINNIE. MINNIE'S BACK. 2120 02:01:29,783 --> 02:01:32,185 ARNETT. 2121 02:01:32,185 --> 02:01:33,854 WHERE YOU BEEN? 2122 02:01:33,854 --> 02:01:35,021 WHAT-- 2123 02:01:36,423 --> 02:01:39,626 HE'S GONNA GET KILLED LOOKING FOR YOU. 2124 02:01:43,397 --> 02:01:44,765 [CROWD YELLING] 2125 02:01:48,569 --> 02:01:51,772 SHOW YOU TO RAPE MY WIFE. 2126 02:01:55,909 --> 02:01:57,378 PUT HIM UP! 2127 02:01:57,378 --> 02:01:58,979 [CHEERING] 2128 02:02:01,682 --> 02:02:04,284 SIMMER DOWN, Y'ALL! 2129 02:02:04,284 --> 02:02:06,052 I HAD A NICE QUIET TOWN HERE, 2130 02:02:06,052 --> 02:02:07,454 BUT YOU PUT AN END TO THAT, 2131 02:02:07,454 --> 02:02:09,189 DIDN'T YOU, BOY. 2132 02:02:09,189 --> 02:02:12,125 WASN'T NO COLORED BOY HAD NOTHIN DO TO WITH WHAT HAPPENED THERE. 2133 02:02:12,125 --> 02:02:13,460 SHUT UP. 2134 02:02:13,460 --> 02:02:15,028 SHUT UP, JESSE. 2135 02:02:15,028 --> 02:02:16,763 THAT AIN'T MY NAME. 2136 02:02:26,272 --> 02:02:28,341 CLEAR A PATH. 2137 02:02:28,341 --> 02:02:29,910 Man: GET BACK, GET BACK. 2138 02:02:29,910 --> 02:02:31,712 RUN THE NIGGER UP. 2139 02:02:33,680 --> 02:02:34,715 HA! 2140 02:02:35,949 --> 02:02:36,950 HA! 2141 02:02:36,950 --> 02:02:38,819 HA, DAMN YOU! 2142 02:02:38,819 --> 02:02:40,421 COME ON, YOU STUPID HORSE! 2143 02:02:40,421 --> 02:02:43,490 JUST SHOOT THE DAMN HORSE. 2144 02:02:43,490 --> 02:02:45,792 BOOKER T., GO! 2145 02:02:51,231 --> 02:02:53,166 WHOO. 2146 02:02:53,166 --> 02:02:55,101 WHOOEE. 2147 02:02:55,101 --> 02:02:58,004 GOD DAMN. 2148 02:03:10,116 --> 02:03:11,652 [GASPS] 2149 02:03:16,723 --> 02:03:18,124 [GASPS] 2150 02:03:21,728 --> 02:03:24,965 Man: THAT IS ONE STRONG BUCK. 2151 02:03:24,965 --> 02:03:26,032 WHY WON'T HE DIE? 2152 02:03:26,032 --> 02:03:27,434 Second man: HE GONNA DIE, HE GONNA DIE. 2153 02:03:27,434 --> 02:03:28,435 HIS NECK AIN'T THAT THICK. 2154 02:03:28,435 --> 02:03:30,203 OH, HE'LL DIE, 2155 02:03:30,203 --> 02:03:33,974 ONLY HE PROBABLY DIDN'T HAVE NOTHING TO DO WITH IT. 2156 02:03:33,974 --> 02:03:38,479 WELL, TRUTH BE TOLD, NONE OF 'EM DID. 2157 02:03:38,479 --> 02:03:41,147 WHAT THE HELL DOES THAT MEAN, ELLIS? 2158 02:03:41,147 --> 02:03:43,283 IT MEANS, JAMES, 2159 02:03:43,283 --> 02:03:45,085 THAT YOU KNOW AS WELL AS I DO 2160 02:03:45,085 --> 02:03:47,554 WHAT FANNY'D BEEN DOING LUNCH TIMES. 2161 02:03:47,554 --> 02:03:49,556 SOME OF Y'ALL KNOW BETTER THAN OTHERS! 2162 02:03:49,556 --> 02:03:50,891 THAT'S RIGHT. 2163 02:03:50,891 --> 02:03:52,493 SHOULD HAVE NEVER LISTENED TO HER. 2164 02:03:52,493 --> 02:03:54,160 THAT WOMAN'S A WILDCAT. 2165 02:03:54,160 --> 02:03:56,129 [CROWD YELLING] 2166 02:04:33,333 --> 02:04:34,635 [GASPS] 2167 02:04:51,952 --> 02:04:53,720 BOOKER T.! 2168 02:05:00,093 --> 02:05:01,628 Man: SHOOT HIM! 2169 02:05:04,765 --> 02:05:07,734 SORRY I HAD TO SAY IT THAT WAY, JAMES, 2170 02:05:07,734 --> 02:05:11,705 BUT THIS THING'S GONE FAR ENOUGH. 2171 02:05:15,308 --> 02:05:16,977 FANNY LIED... 2172 02:05:17,944 --> 02:05:22,048 TO YOU, TO ME, AND THE WHOLE DAMN TOWN. 2173 02:05:22,048 --> 02:05:23,183 HUH? 2174 02:05:24,585 --> 02:05:29,322 DEEP DOWN, I DON'T THINK I BELIEVED HER FROM THE START. 2175 02:05:29,322 --> 02:05:33,493 IF THAT'S HOW YOU FEEL, WHY'D YOU TAKE HER WORD FOR THIS, ELLIS? 2176 02:05:33,493 --> 02:05:36,062 WHAT CHOICE I GOT, HUH? 2177 02:05:36,062 --> 02:05:38,264 I AM THE SHERIFF. 2178 02:05:38,264 --> 02:05:39,633 DAMN. 2179 02:05:39,633 --> 02:05:41,835 MY BADGE. 2180 02:05:47,608 --> 02:05:50,644 WHAT'S GONNA KEEP IT IN PLACE? 2181 02:05:51,878 --> 02:05:53,614 PRAYER. 2182 02:05:55,949 --> 02:05:59,620 Female singer: * OH, I'VE BEEN WEARY * 2183 02:06:00,887 --> 02:06:02,555 * AND FEELING TIRED * 2184 02:06:02,555 --> 02:06:04,024 * OH, LORD... * 2185 02:06:04,024 --> 02:06:05,592 Mann: MOVE IT! 2186 02:06:05,592 --> 02:06:07,393 * IT'S DARK NOW... * 2187 02:06:07,393 --> 02:06:08,461 Mann: MOVE, ARNETT, MOVE! 2188 02:06:08,461 --> 02:06:12,432 * AND I'VE LOST MY WAY * 2189 02:06:12,432 --> 02:06:16,169 * SWEET JESUS, LORD * 2190 02:06:16,169 --> 02:06:20,140 * WON'T YOU GUIDE ME NOW... * 2191 02:06:20,140 --> 02:06:21,441 Mann: COME ON, MOVE! 2192 02:06:21,441 --> 02:06:23,443 * LOOK DOWN, LORD * 2193 02:06:23,443 --> 02:06:25,612 * LOOK DOWN * 2194 02:06:27,580 --> 02:06:31,517 * I'M A-COMING HOME NOW * 2195 02:06:31,517 --> 02:06:33,119 * I'M COMING HOME NOW... * 2196 02:06:33,119 --> 02:06:34,554 GET ON BOARD, GET ON BOARD, GET ON BOARD. 2197 02:06:34,554 --> 02:06:35,622 GET ON BOARD. 2198 02:06:35,622 --> 02:06:37,457 * I'M A-COMING HOME NOW * 2199 02:06:37,457 --> 02:06:41,027 GET 'EM ON, GET 'EM ON! 2200 02:06:41,027 --> 02:06:43,630 COME ON, MOVE. 2201 02:06:45,265 --> 02:06:46,132 GET ON, GET ON! 2202 02:06:46,132 --> 02:06:47,500 COME ON. WE AIN'T GONNA SIT 2203 02:06:47,500 --> 02:06:48,969 ON THE TRACK ALL NIGHT. LET'S GO! 2204 02:06:48,969 --> 02:06:50,003 MOVE! 2205 02:06:53,273 --> 02:06:54,340 COME ON! 2206 02:06:54,340 --> 02:06:55,809 QUICKLY! 2207 02:06:58,544 --> 02:06:59,579 LET'S GO! 2208 02:06:59,579 --> 02:07:00,681 LET'S GO. 2209 02:07:00,681 --> 02:07:03,616 LET'S GET THE HELL OUT OF HERE. 2210 02:07:24,771 --> 02:07:26,006 [GUNSHOTS] 2211 02:07:58,772 --> 02:08:01,541 YOU CAN'T COME ON! YOU CAN'T COME ON! 2212 02:08:01,541 --> 02:08:02,809 LET ME ON THIS TRAIN! 2213 02:08:02,809 --> 02:08:04,377 I SAID GET DOWN! 2214 02:08:04,377 --> 02:08:08,281 IF THEY FIND MEN ON THIS TRAIN, THEY'LL KILL EVERYONE! 2215 02:08:08,281 --> 02:08:09,349 GET OFF! 2216 02:08:14,320 --> 02:08:16,689 Man: PLEASE! 2217 02:08:16,689 --> 02:08:18,892 HELP, STOP THE TRAIN! 2218 02:08:29,870 --> 02:08:32,505 Wright: GET BACK. IF THEY FIND MEN ON THIS TRAIN, 2219 02:08:32,505 --> 02:08:34,574 THEY'LL KILL ALL THE WOMEN AND CHILDREN! 2220 02:08:34,574 --> 02:08:36,142 YOU CAN'T COME ON HERE! 2221 02:08:45,118 --> 02:08:46,787 NO! 2222 02:08:47,788 --> 02:08:49,155 GET DOWN, GET DOWN! 2223 02:08:56,329 --> 02:08:57,831 WHAT THE HELL YOU DOING? 2224 02:08:57,831 --> 02:09:01,001 THIS IS A WAR! WE'RE IN THE TRENCHES! 2225 02:09:08,341 --> 02:09:10,443 [CHILD SCREAMING] 2226 02:09:26,459 --> 02:09:27,727 JESUS CHRIST! 2227 02:09:27,727 --> 02:09:29,162 COME ON, GIRL. 2228 02:09:31,898 --> 02:09:34,200 CHILD, STAY DOWN. STAY DOWN. 2229 02:10:14,607 --> 02:10:16,409 Y'ALL CAN GET UP NOW. 2230 02:10:56,149 --> 02:10:57,750 YOU CAN'T GO, MANN. 2231 02:10:57,750 --> 02:10:58,751 YOU JUST CAN'T. 2232 02:10:58,751 --> 02:11:00,220 DON'T LEAVE US, MANN. 2233 02:11:00,220 --> 02:11:02,822 PLEASE DON'T LEAVE US. 2234 02:11:02,822 --> 02:11:04,690 HUSH NOW. 2235 02:11:04,690 --> 02:11:08,328 Y'ALL GONNA BE SAFE. 2236 02:11:08,328 --> 02:11:10,396 SCRAPPIE IN CHARGE FROM HERE ON IN. 2237 02:11:10,396 --> 02:11:12,065 ARNETT, YOU'RE A LIEUTENANT. 2238 02:11:12,065 --> 02:11:13,299 YOU HELP HER OUT. 2239 02:11:13,299 --> 02:11:15,468 TAKE THESE CHILDREN INSIDE. 2240 02:11:17,303 --> 02:11:19,940 Y'ALL GONNA BE ALL RIGHT. 2241 02:11:39,125 --> 02:11:40,626 [HORSE WHINNIES] 2242 02:11:40,626 --> 02:11:41,761 WHAT? 2243 02:11:41,761 --> 02:11:43,296 THAT'S BOOKER T.! 2244 02:11:43,296 --> 02:11:46,632 MR. MANN, WHO IS THAT RIDING YOUR HORSE? 2245 02:11:49,702 --> 02:11:52,973 IT'S SYLVESTER. 2246 02:11:59,912 --> 02:12:01,914 SYLVESTER. 2247 02:12:04,117 --> 02:12:05,451 Arne ALL RIGHTY. 2248 02:12:05,451 --> 02:12:07,187 SYLVESTER MADE IT. ALL RIGHTY. HE MADE IT. 2249 02:12:07,187 --> 02:12:09,122 SYLVESTER, HOW YOU DOING? 2250 02:12:09,122 --> 02:12:10,991 UNCLE SYLVESTER'S ALIVE. 2251 02:12:10,991 --> 02:12:14,527 UNCLE SYLVESTER'S ALIVE. 2252 02:12:20,900 --> 02:12:23,369 I AIN'T GOT ALL NIGHT, MAN. 2253 02:12:23,369 --> 02:12:26,339 GERTIE, Y'ALL GET TO COUSIN WILMA IN GAINESVILLE. 2254 02:12:26,339 --> 02:12:27,473 COME ON. 2255 02:12:28,541 --> 02:12:31,344 I'LL BE WAITING FOR YOU IN GAINESVILLE. 2256 02:12:31,344 --> 02:12:33,679 WON'T BE WAITING LONG. 2257 02:12:43,489 --> 02:12:46,026 BYE. BYE. 2258 02:13:05,311 --> 02:13:07,380 HOW'D YOU GET OUT? 2259 02:13:08,581 --> 02:13:10,250 THEY CARRIED ME... 2260 02:13:11,184 --> 02:13:13,186 IN MY MAMA'S COFFIN. 2261 02:13:19,125 --> 02:13:20,593 [DOOR OPENS] 2262 02:13:23,763 --> 02:13:25,031 [COCKS GUN] 2263 02:13:34,707 --> 02:13:36,609 JOHN. 2264 02:13:43,949 --> 02:13:46,419 THEY WERE HERE. 2265 02:13:46,419 --> 02:13:47,887 A MOB. 2266 02:13:47,887 --> 02:13:49,755 THEY TRIED TO GET IN. 2267 02:13:52,458 --> 02:13:53,293 WHAT HAPPENED? 2268 02:13:53,293 --> 02:13:55,728 MOM SCARED 'EM OFF. 2269 02:14:04,904 --> 02:14:06,472 BOYS. 2270 02:14:07,507 --> 02:14:08,641 BOYS. 2271 02:14:54,154 --> 02:14:56,489 James: COME HERE, GET UP, GET UP! 2272 02:14:56,489 --> 02:14:58,191 Fanny: NO! 2273 02:14:58,191 --> 02:15:00,993 [FANNY SCREAMING] 2274 02:15:00,993 --> 02:15:01,961 [GLASS BREAKING] 2275 02:15:01,961 --> 02:15:03,663 James: LIAR! 2276 02:15:03,663 --> 02:15:04,930 Fanny: NO, NO! 2277 02:15:04,930 --> 02:15:05,965 James: DAMN YOU, WOMAN! 2278 02:15:05,965 --> 02:15:08,834 Fanny: AAH, NO! 2279 02:15:14,207 --> 02:15:17,109 WHERE YOU GOING, BOY? 2280 02:15:17,109 --> 02:15:18,511 YOU LITTLE CRAB. 2281 02:15:18,511 --> 02:15:20,946 YOU EAT MY FOOD, THEN YOU WALK AWAY SIDEWAYS. 2282 02:15:20,946 --> 02:15:23,183 EMMETT! 2283 02:15:27,019 --> 02:15:30,256 EMMETT, COME ON BACK IN THE HOUSE, BOY. 2284 02:15:30,256 --> 02:15:31,924 I--I'M SICK. 2285 02:15:31,924 --> 02:15:33,593 MY HANDS IS HURTING ME BAD. 2286 02:15:33,593 --> 02:15:36,562 I NEED YOUR HELP, AND MY BACK-- 2287 02:15:37,697 --> 02:15:40,466 EMMETT, I DON'T MEAN TO BE HARD ON YOU, BOY. 2288 02:15:40,466 --> 02:15:42,502 I JUST WANT WHAT'S BEST FOR YOU. 2289 02:15:42,502 --> 02:15:46,239 I WANT TO LEARN YOU HOW TO LIVE IN THE WORLD. 2290 02:15:47,540 --> 02:15:49,141 I HATE YOU! 2291 02:15:49,975 --> 02:15:51,544 YOU AIN'T NO MAN! 2292 02:15:53,879 --> 02:15:55,648 UH... 2293 02:15:55,648 --> 02:15:59,185 I DON'T KNOW WHAT YOU ARE, DAD. 2294 02:16:00,152 --> 02:16:02,288 EMMETT, YOU COME BACK--EMMETT. 2295 02:16:02,288 --> 02:16:05,024 DON'T YOU WALK AWAY. COME OVER HERE, BOY. 2296 02:16:05,024 --> 02:16:07,493 EMMETT, COME ON BACK IN HERE. 2297 02:16:07,493 --> 02:16:08,861 EMMETT! 2298 02:16:08,861 --> 02:16:10,363 EMMETT! 2299 02:16:24,910 --> 02:16:27,480 [HORSE WHINNIES] 2300 02:16:33,052 --> 02:16:34,454 [SOBBING] 2301 02:16:50,202 --> 02:16:52,505 Sylvester: WHICH WAY ARE YOU HEADED? 2302 02:16:55,841 --> 02:16:58,077 SAME AS YOU, FRIEND. 2303 02:16:58,077 --> 02:17:00,246 GONNA CATCH THAT TRAIN. 2304 02:18:19,425 --> 02:18:22,362 Chorus: * OH, LORD * 2305 02:18:24,564 --> 02:18:28,033 * THIS TIME I'M COMING * 2306 02:18:28,033 --> 02:18:31,537 * HOME * 2307 02:18:31,537 --> 02:18:35,575 * IT'S LATE NOW, SWEET JESUS * 2308 02:18:35,575 --> 02:18:38,878 * TAKE ME NOW * 2309 02:18:38,878 --> 02:18:42,882 * THIS TIME I'M COMING * 2310 02:18:42,882 --> 02:18:46,018 * HOME * 2311 02:18:46,018 --> 02:18:50,155 * LOOK DOWN, LORD * 2312 02:18:50,155 --> 02:18:52,925 * LOOK DOWN * 2313 02:18:52,925 --> 02:18:54,460 * IN HARD TIMES * 2314 02:18:54,460 --> 02:18:59,699 * AND I CAN'T WAIT * 2315 02:18:59,699 --> 02:19:04,003 * OH, LOOK DOWN, SWEET JESUS * 2316 02:19:04,003 --> 02:19:07,272 * HOLD ME NOW * 2317 02:19:07,272 --> 02:19:11,076 * THIS TIME I'M COMING * 2318 02:19:11,076 --> 02:19:14,213 * HOME * 2319 02:19:14,213 --> 02:19:16,348 * THERE'S SO MUCH SORROW * 2320 02:19:16,348 --> 02:19:21,887 * GROWN THIS TIME, LORD * 2321 02:19:21,887 --> 02:19:26,892 * LOOK DOWN, PLEASE LOOK DOWN * 2322 02:19:26,892 --> 02:19:31,230 * OH, I'VE BEEN WANDERING FAR * 2323 02:19:31,230 --> 02:19:34,634 * AND TRAVELING LONG * 2324 02:19:34,634 --> 02:19:38,003 * I'M WEARY NOW * 2325 02:19:38,003 --> 02:19:43,242 * PLEASE LOOK DOWN * 2326 02:19:43,242 --> 02:19:46,646 * FREE ME, LORD * 2327 02:19:46,646 --> 02:19:49,148 * TAKE ME * 2328 02:19:49,148 --> 02:19:56,388 * I NEED TO COME AND WALK WITH THEE * 2329 02:19:56,388 --> 02:19:58,424 * SWEET JESUS * 2330 02:19:58,424 --> 02:20:03,796 * OH, WON'T YOU HOLD ME NOW? * 2331 02:20:03,796 --> 02:20:10,169 * THIS TIME I'M COMING HOME * 2332 02:20:10,169 --> 02:20:11,637 * I'M COMING HOME * 2333 02:20:11,637 --> 02:20:14,273 * LOOK DOWN, LOOK DOWN * 2334 02:20:14,273 --> 02:20:16,809 * LOOK DOWN, LOOK DOWN * 2335 02:20:16,809 --> 02:20:24,484 * THIS TIME I'M COMING HOME * 2336 02:20:26,051 --> 02:20:29,054 CAPTIONING MADE POSSIBLE BY WARNER BROS. 2337 02:20:29,054 --> 02:20:32,458 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 143626