All language subtitles for hanna-s02e08-webrip-x264-ion10

-SANDY: Dear Mom,

all is well and good here.

Missing you like crazy,

but learning new things
all the time.

I came top of the class
in business studies this week,

and my piano is improving.

To be honest, I feel a little
like a caged bird now.

I can't wait to go to college
and spread my wings.

Things have
quietened down here.

WOMAN:
Please!

The new girl,
after a shaky start,

has settled in well
and is making great progress.

The online world is
a place of fiction and dreams.

Please help me.

You will not be
the only young person

:
Please.

whose digital presence
does not represent

Please help me.

the entire truth
of their existence.

SANDY:
It's so good to see someone

who was so unhappy and angry
allow themselves

Please.

to be a part
of what we're doing here.

pay your due?

Sometimes,
when she's caught off guard,

I catch a sadness in her eyes.

There's pain
deep down inside, I know it,

Hello?

Please? Please?

and I pray for her every night.

Maybe I understand Mia
better than anyone

-Somebody!

because she lost someone
like we lost our Jodie.

:
Please. I was attacked.

bombs away...

Hey, hey, hey, hey,
calm down, calm down.

-I got away, but I'm...
-What-What is it?

But she's beginning
to learn to trust us,

I'm hurt.

and to realize there's no point

Where?
Where are you...

fighting a fight
she can never win.

Shit.

MARISSA:
Vesuvius. 2468. Control.

I'm back in town. I'll be
returning to the company.

And I'd like
a full domestic clean.

MANNION:
Mannion here.

This is Vesuvius.

I'm listening.

I've been trying to sort out
a problem on my own,

-Carmichael.
-John, we have a problem.

but it didn't work.

It concerns Utrax.

There's a whistleblower

But Utrax is long dead.

No, it's not.

trying to expose our operation.

It's very much alive.

We've intercepted an e-mail.

Okay.

He sent it last night
to a London journalist.

CLARA:
Sit.

I'll call you back.

Looks like he's trying to tell
the world what we're doing.

this Wednesday?

Who is he?

We don't know.

MARISSA:
Hi.

But we have to stop him
from talking.

Where are you?

he flew

I'm in Northern France.

You speak English?

Okay.

Looking for Hanna.

I can't use official channels
for this.

So far, no sign.

Uh, yeah, a little.

That's 'cause she's here.

Your name?

Raol.
But I-I just work here.

We caught her yesterday.

It's time these girls did

Where's here?

It's not my house.

what you trained them for.

-Anyone else in the house?
-No.

Where are you, John?

They are British.
They only come for weekends.

Won't be here long.

Don't do anything stupid.

Okay?

All right.

You all right?

Get away from me.

-Just let me explain.
-Did you know

HANNA:
"I cannot make you understand.

you were gonna kill him,
all that time?

"I cannot make anyone understand

-I wanted to stop it.
-Then why the hell didn't you?

"what is happening inside me.

WOMAN:
Ready?

I cannot even explain it
myself."

-Begin!
-

HANNA:
You do what we say,

GIRL:
She got her good.

and we're going to get along
just fine.

JESSIE:
It was definitely someone.

McCOY:
Mia?

Okay?

Could you come with me, please?

I saw a figure being taken
into the staff buildings.

-

HELEN:
Maybe it was, like,

Don't worry, Kat.

-Nice, Kelly!
-Yes, go, go, go! Come on!

a foreign government agent.

Everything's gonna be all right.

Or a spy or something.

CARMICHAEL:
Hi, Mia.

-That's it!
-Go, go, go!

Don't be stupid, Helen.

Take a seat, please.

All right,
let's do this, come on!

HELEN:
All I'm saying is we know
we're being kept apart

for a reason, we're
in the middle of nowhere,

surrounded by guards and what,
someone just breaks in?

Thank you for coming,
both of you.

WOMAN:
Ready position.

As you'll recall,
a while ago I spoke to you

about a period of service that
you would at sometime undergo.

So... how's things with you?

CARMICHAEL:
Actually, there's something

Well, we've reached that moment.

I wanted to talk to you about.

We're sending you out
on your first engagement.

Leo?

There's a journalist in London.

Her name is Nicola Gough.

She's about
to obtain sensitive information

That's $5.91.

HELEN:
What are you reading?

from an unknown U.S. source.

-JULES: This.
-W-What is it?

Just, like, the most
important book ever.

The source goes
by the code name Tacitus.

-What's it about?
-The death of youth.

We need to know
Tacitus' true identity,

and we need to stop Nicola Gough
from reaching him.

-Doesn't matter.
-What do you read, Sandy?

Marta Ferran.

Jim Hogan, special advisor
to the State Department.

Oh, you know.
Mainly magazines, I guess.

This'll tell you
everything you need to know.

HELEN:
Oh, did you see this?

Take a look at it.

Pleasure to meet you.

Learn it by heart.

She's an actress.

-Hi.

MARTA:
Who was he?

CARMICHAEL:
How you doing?

She looks amazing.

Less than an hour away

Questions?

CARMICHAEL:
Mr. Gelder was a colleague.

-from the pickup point.
-Good.

God, I love her skin.

He was here
on confidential business

One of my men'll be
there to meet you.

Why us?

-Oh, come on, Helen.
-What?

on the department's behalf.

He'll drive you
the rest of the way.

Well, Mia has experience

Why can't you just
give me the address?

They're fake. Look at them all.

Our governments are talking and
everything is being explained.

Phony smiles, phony tans.

in the world, experience
the rest of you can...

You know why.

You can talk about fake.

Any ideas as to the assailant?

You'll need to give him
your phone

not yet rival.

JULES:
Fuck that.

Nothing.
CCTV was cut off.

and you'll be hooded for
the last part of the journey.

And you, Jules...

I'm way more real
than they'll ever be.

We don't know how.

How is she?

you're a perfect match
for what we need...

And what was left in the room?

HELEN:
Well, I'm getting a coffee.

She's still not talking.

as you'll see.

Just his things.

It looks like
he was about to leave.

Anyone?

Does she know I'm coming?

Now, get ready.

Have forensics finished here?
May I?

Keep it to yourselves
for now, please.

Not yet.

MARTA:
Mm-hmm.

Okay, best keep it that way.

Did you see that car earlier?

Thank you.

-What car?
-It came in this morning.

oh, my, oh, yeah

They're always coming in
with deliveries.

This was no delivery.

Is this it?
Nothing else?

I think someone's back.

oh, my, oh, my night

No briefcase?
No laptop bag?

Should there be?

We're gonna need
to take a closer look.

WOMAN:
Sandy?

Sandy?

Sandy?
A man is here.

He says he's your uncle.

LEO:
It's a beautiful place
you've got.

WOMAN:
Thank you. We love it.

he addicted me

Don't tell me.
You're hungover again.

him

-Welcome back.
-Thanks, Kim.

he addicted me

A little.

LEO;
I just flew in for a meeting

and I thought I'd visit
my favorite niece.

and he addicted me

I'm your only niece.

addicted me

Everything okay?

Yeah, well, can I come in

Yes. It was
a challenging mission.

and I addicted him

or do you have a boy in there?

Like, it used to be pretty good,

But it's done?

Not quite,
but we're getting there.

but I literally
just found a hair.

oh, my night life

Well, we had good cover
while you were gone.

Oh, don't be scared.
I'm sure yours is fine.

He's handsome.
Is he married?

Maybe the person
serving in line

Langley sent her.

Yeah.
To my aunt.

and, oh, our night life

She has full authorization.
I assumed you knew.

: just forgot to put on
her hairnet or something.

Yes, of course.

Oh, no, I'm sure it's fine.

You get back all right
last night?

Maybe it's not fine.
Should we let someone know?

Mm-hmm.

Marissa Wiegler,
head of section.

Sonia Richter.
Pleasure to meet you, ma'am.

Are these the clothes you wore?

The piece?

Mm.

Clara?

-Thanks, Kim.
-Mm-hmm.

-Boo!
-Oh!

You showered?

You should do that
when I've gone.

So, what's going on?

And put these sheets on.
Throw the old ones out.

You going with Jules?

LEO:
Okay, so, the first thing
I want to do is lose the muscle.

Yeah. To London.

Did they get away?

But I have to be sure you're not
gonna try to rip my head off.

To do what?

I can't say.

Clemency.

You know where
they might have gone?

Are you gonna try
to rip my head off?

They'd try and leave.
Harbor, airport.

It's her, isn't it?

What's wrong?

We've got that covered.

I'll take that as a no.

Hanna.

:
I don't know.

Don't worry.
We'll find them.

It's just weird.

It was her that broke in.

I thought it would be
what you wanted.

You do that.

Guys, you can go. Wait outside.

Before they blow me wide open.

It is.

JULES:
Hey, you guys, listen.

It was your decision to stay.

I need your help
with something.

Just go.
We're gonna be fine here.

You have a lecture at 9:00.

I got to get to class.

We could have...

I'll see you later.

You should go to it.

-left and found your mother.
-My mother's dead.

-Marissa...
-Marissa was lying.

Sandy?

What?

CLARA:
We need to get her safe.

I want to have
a party tonight.

She's dead.

After curfew.

They'll be watching
every airport

So,

Why do you want
to have a party?

and every departure terminal.

I'm happy here now.

Because that's what young people
in the real world do.

If we try to move her,
they'll kill her.

what that lady told you
in the hotel in Bucharest

So am I.

Like, get drunk and have fun.

Then what?

is the truth.

Robert Gelder was bringing
something to Barcelona.

How are we gonna get drunk?

Hanna?

We don't have anything
to get drunk with.

Your mother is dead.

A target list.

:
Not yet we don't.

Look after yourself.

I need to find it.

I'm really sorry.

It was a bad one,
car's a write-off.

We towed it,
cleared the scene.

Did you search her?

And the car-- both clean.

It hurts, right?

Kat.

That's why none
of the girls here

I know what
you're going through.

have been told
about any of that.

About parents or any kind
of previous life.

They killed my father, too.

You're just saying that.

See, the truth is, without us,
none of you would be alive.

The English countryside.

CLARA:
She's not.

I was there.

There always was something
lawless about it.

I'm not gonna sugarcoat that
for you. Okay?

My fault.

I fell asleep at the wheel.

Kat, listen to me.

If you want
to get out of here, alive...

If you want any life at all,

I need you to tell me
everything you know.

Well, you look exhausted.

it has to be here.

Yeah, I've not been sleeping
as well as I should.

Dad said he was in danger.

What happened to Hanna?

When you told me
that she was alive.

He said he had a document
with him.

He had to give it to someone.

Hanna tried to kill the people
we sent to pick her up.

I don't know why.

Nicola Gough?

There was a lot of firepower.
We were forced to respond.

This stuff from the past,
just comes back.

-But she was killed in London.
-No.

-Someone in Barcelona.
-Who?

I understand.

KAT:
I don't know.

I'm afraid she didn't make it.

Hanna.

Can I see her?

:
I was told to get a briefcase

LEO:
You travel separately

from the room
when we killed him.

It's not your fault.

and meet there.
Mia, you're first.

I didn't see anything
in the room.

Well, I have something
I want to show you first.

Hanna chose to break
into the facility.

Take the front car.

I think

Her decision, not yours.

he might have hidden it.

Come.

See you later.

When I got to the fifth floor,
there was a hotel employee

-Bye.
-LEO: Good luck. And remember,

leaving the room.

His name was Bernat.

you've done this a hundred times
before in training.

He had something
under his arm.

Jules... can I have a word?

Ma'am.

I have to go back there.

It's okay.

It's okay.

How long do you need, Larry?

I'm just completing
the protocol.

Yeah, all right,
go ahead and finish up.

And the rest of you,
will you clear out,

please, give us the space?

-

I'm okay.

Uh, pull up that file first,

:
We are authorizing
a code red search

We're good.

if you don't mind.

for the following IDs:

Clemency Jones, Mia Wolff,
Katherine Gelder.

We are also
looking for a brown case

belonging to the deceased,
Robert Gelder,

believed to contain
the target list.

Yeah, thanks.

McCOY:
Miller.

I want you to keep an eye
on all of Clemency Jones'

Can I show you something?

online feeds
and social media comms.

She so much as makes
a whisper on there,

Look at this.

you come straight to me.
Clear?

This way.

When, way back,
we first conceived

This is Larry. Say hi, Larry.

of what they might be...

Hi.

...this was exactly it.

You want her back in.

:
I know this place.
This is Camp G.

LEO:
Recognize them?

She's still not communicating.

Where are they?

And we've tried everything.

Welcome to
the Port of Barcelona.

We interrogated Hanna here.

They're right here.

Or almost everything.

MALE VOICE:
We asked John Carmichael
to send you here

-Oh, my God!

because we have some
questions of our own.

Okay.

Oh, my God...

The night you tried to
escape from the Meadows,

SONIA:
She arrived back in Paris

someone helped you.

Take me to her.

at 1500 hours,
flew into Orly Airport.

Who was it?

I told you, I don't know
what you're talking about.

She returned to the offices
this morning.

I've sent over all visuals.

Carmichael said you were
a good liar.

CARMICHAEL:
Did anyone come see her?

No one.
I think her boyfriend's left.

Other than that,
everything seems normal.

Two dead guards, one shot
with a high-velocity rifle,

What hotel is that?

Let me tell you
something, Sonia.

When I taught Marissa Wiegler
at the training college,

the other got his neck
snapped in two.

no one noticed her
for two years.

You sent a message to a friend,
told them where you were going.

She was just average,
slept with a couple guys,

smoked a little dope,
did the bare minimum.

They came after you
and tried to help you.

Final exams,
she was top of her class.

Who were they?

doesn't know this yet

No one saw it coming.

There wasn't anyone.

So you stay on her.

Don't act dumb.

doesn't know this yet

Watch her
very carefully, please.

Does Hanna know about the
person that tried to help you?

Anything strange, you call me.

Did she see them that night?

I count the hours, Babylon

Hello, Hanna. Wait.

You don't understand
what's happening here.

How could she?

There was no one there.

You think you do.

Who killed these men?

But you don't.

Because it sure as hell
wasn't you.

Hear me out, please.

Babylon

It's been a while
since I last saw you.

doesn't know this yet.

You look different.

This is wrong.
I should be the one to go.

I like your hair.

I want to do this.

Did you dye it yourself?

At least take the gun.

-You need it.
-No, I don't.

Does the code name Tacitus
mean anything to you?

Take the gun.

I'm sorry about all this.

I crashed my car.

HANNA:
You took it out.

Fuck.

Yeah, just now.

Stupid mistake.

In the bathroom.

Yeah.

I'm done with them.

He's my dog.

Have you contacted
your mother yet?

And?

Nothing yet.

When I got the call,
saying they'd found you,

I didn't know what to expect.

Keep an eye on him.

They say you came
through Northern France,

And talk to her, you know?

tracing your way back to Clara.

She just lost her father.

Be there for her,
like you were for me.

You were following a shipment.

Find it okay?

Is that right?

Good luck.

Hanna?

-I brought food.
-I'm not hungry.

I'll see you soon.

Yes.

Okay, then. Shall we do this?

Do you recognize that woman?

Her name is Sonia Richter.

She's a CIA operative.

She was sent to track your
movements and bring you in.

We found her body
at a diner in Belgium.

You don't have to say anything.

We know you killed her.

And we understand why.

She was a threat to you.

To what you were moving
towards, saving your friend.

A threat to what you love.

-Hey.
-Hey.

If it was me,

What happened to you?

Kat and I went out drinking
last night.

I would've done the same.

-I fell over on my way home.
-What?

You know that statue
of the horse by the harbor?

Arms straight.

Oh, yeah?

I tripped up on the back legs.

They tell me you've not
been cooperating

since you've been here.

I'm such a dumbass.

Good.

I want you to do
something for me.

Oh, I love the way you say that.

Have you seen Kat?

I want you to try
and work with me.

She's not answering her phone.

And if you do,

RAY:
She's probably asleep
on the beach somewhere.

I might be able to help you.

SANDY:
I wouldn't put it past her.

She was three sheets
to the wind.

-Classic Kat.
-Right?

Help you see Clara,
help you be with her again.

Mm-hmm.

What's going on?

Do you understand?

Hello, Mary. Is that you?

LECTURER:
Okay, please listen.

-MARISSA: Hi, Mr. Kaladski.
-

I'm afraid this morning's
lecture is canceled.

Please don't call me that.

PEARL:
Like, I genuinely can't see

Detective Inspector Ferran
will need to speak to anyone

You have to trust me, though.

I haven't been your teacher
for 20 years.

how she's your hero.

She's excluded an entire gender
from her lectures.

I just wondered
if you'd thought about

who has seen Katherine Gelder
in the last 24 hours.

what I asking you
a few days ago.

I mean,
would she refuse to teach me?

Do you trust me?

I don't know,
and I'm not condoning that.

Because the girl
I was telling you about

But have you read Daly's
The Church and the Second Sex?

is with me now.

MARTA:
So, you were with her
last night?

Maybe.

-Yeah, but-- Oh. Hi.
-Hi.

Her name is Beatrice.

Yeah.
She said she wanted to go out.

Say hi, Beatrice.

I'm Mia.

-Go on.
-So, we went to a club

I'm Pearl.
This is Jules.

Hi.

Believe me,
you won't regret it.

Uh, hi there, Beatrice.

down by the beach.

I'm just here for the semester.

We weren't there for very long.

Uh, Tom, Beatrice is in danger.

Or whatever you Brits call it.

And she left.

She needs somewhere
that she can go.

I'm a first-year undergrad.

Without saying anything?

I started at Portsmouth Uni

Somewhere that's
remote and safe.

Yeah.

doing French and languages,

Is she okay?

but I didn't like it

so I transferred.

You know the line
of work I'm in.

Did you meet her father
while he was here?

You know what it involves.

Sure.
They had lunch together.

Well, nice to meet you.

You know that I wouldn't make
a call like this

I dropped her off.

unless I really needed
your help.

And she hasn't been in touch
since last night?

Did you speak to Jean?

Wh... What happened?

Yeah, I-I spoke to her.

And?

She wants to know
how long it would be for.

Her father is dead.

A long time.

SANDY:
Oh, my God.

And-and I-I suppose
we can't ask who she is.

How?

It's better if you don't.

I hope she's not a dragon.

I can't say.

SANDY:
Where's Kat?

Just think of her as a girl

-I hope we're not too early.
-No, no.

who deserves a fresh start.

Is she okay?

Come in.

Where is she?

We love keen.

:
The dangers facing mankind

So,

in the 21st century

let's start with names,
shall we?

require radical action.

I'm Bethany.

Everything okay with the police?

Sometimes pre-emptive action
that will guarantee

Everything was fine.

all our security.

So what is this meeting about?

That's why Utrax was created.

I've just got to catch
my breath
-HELEN: Hey.

Leo asked me to think about
where they'd hide.

-Sandy.

To be the preventive force
that the world needs.

I had an idea.

-Sandy.
-What?

We got to go to class.

Go on.

Fuck class.

We were walking
to this karaoke club

Sandy, you've been
in a terrible mood for days now.

a few nights ago.

This Spanish girl talked about

Just shut up, Helen.

these houses in the hills
above the city.

When I want lessons in mood,

I'll let you know.

She said how they were all empty
most of the time.

-

Clemency heard that.

-

She would have remembered.

Any house in particular?

Why them?

Mia's been here
for just two months.

No.

We were
in the northwest suburbs,

Why her, huh?

two kilometers out.

Hi.

JULES:
Social media's

Can I come in?

You should sweep
that whole area.

open form structure
allows people

I can come back later.

from minority backgrounds
a voice

Okay.

No, it's okay.

where they've
traditionally been silenced.

That's good.

What will you do to Clemency

PEARL:
Okay, so we have
a newfound voice online, great.

Did you have a long journey?

when you find her?

But, in real life,
it's actually very different.

I think I saw you arrive
in the car.

'Cause I want you to know
I don't care.

Besides, isn't real life
what actually matters?

Where are we?

That bitch screwed me over
in there.

The Meadows.

JULES:
You can't separate the two as if
they're completely unconnected.

She's got it coming.

But where is that?

Social media's constantly
influencing our real life.

SANDY:
Oh, cool, they gave you these.

They're really cool.

Very proud of you.

Cooler than mine.

Yeah.

LEO:
Sandy, come in.

My name's Sandy now,
by the way.

Hi.

Sit down.

Sandy?

Like a beach?

I guess, if the beach is sandy.

Why did you come here?

I wanted to see
if you were okay.

So,

Do you have a name?

CARMICHAEL:
You're looking for a red SEAT.

I hear you're feeling
a little passed over.

Registration 4712 GHO.

Oh, no, not at all, sir.

They're not gonna
leave it in the open, sir.

I'm fine.

Well, it's time to remedy that.

We trained these girls.
They know what they're doing.

We have something we need you
and Clemency to do.

I'm telling you. They're
in one of the villas up there.

"Clemency."

I came to get you out.

Find them.
Close it down.

It involves travel abroad.

That's so sweet.

It's an active operation
with an element of risk.

But now I know
that was a mistake.

Do you both feel ready?

Yeah, it was.
Can I go?

They said if you were
okay with it,

they could get you
to show me around.

They're so beautiful.

Have you written to them?

Help me get to know the place.

You should.

Why?

I write every day to my family.

KAT:
Who is she?

Almost.

Because maybe I want
to stay here, too.

CLARA:
She's the bravest person
I've ever met.

Jules.

Well, you should only do it
if you feel ready.

And she's your best chance
of getting safe.

Did you forget something?

I have to go to piano now.

No.

Why did you want to kill him?

I wondered...

So, I'll see you later.

You're just a girl.

Do you have a second?

I don't understand why
you're involved in any of this.

Sure.

It's good to have you back.

I can't tell you anything, Kat.

What's up?

It would put you in danger.

-WOMAN: Reach.
-This is where we do
indoor training.

KAT:
But you have a family, right?

WOMAN:
Six, seven, eight.

You understand what that means?

One, two, three, four,

I'm sorry.

five, six, seven, eight.

Hey.

I just...

:
One, two, three, four,

I'm sorry.

five, six, seven, eight.

I don't think
I'm coping very well.

I wish I could explain.

One, two...

I know I act all...

This is the main building,

where we have our classes
and dorm rooms.

super confident in class
and everything.

Hi, Clemency.

But it's just a lie.

Why did she call you that?

Clemency's my name now.

Well, you're a long way
from home.

That can be overwhelming.

:
Hip-hop is a musical
and artistic movement

What's the password
to this computer?

characterized by the four main
pillars of hip-hop culture:

What's the password?

Do you want to go grab a coffee?

rapping, deejaying,
break dancing and graffiti.

Messi23.

If you have time,

"Messy," like dirty?

which you obviously don't.

Originating from the
South Bronx...

Like the football player.

I have time.

My room's this way.

With an I.

-

No.

No, please.
It hurts.

You say one word to her...

I'll kill you.

This is where you sleep?

Oh, my wife's here. Come on.
Come and meet her.

Mm-hmm.

I'm sure she'd love to meet you.

Does she work here as well?

No, she's a journalist,
actually.

JULES:
Oh, wow. Really?

Who are these people?

They're my family.

My parents.

Your family?

Yes.

:
Oh, it's just
a few minutes' walk.

:
It's no problem at all.

We should go.

Clara...

Clemency.

JULES:
Bethany invited me back
to their place

Sonia?

But your name isn't Clemency.

Have a look at this.

for this political gathering
thing.

I'm just getting you in there.

The rest is up to you.

Okay, let me guess the routine.

Yeah.

You call John Carmichael
once a day.

I should show you
around the place.

Maybe when you go
to get coffee for the team.

What's funny?

I've noticed
you like to do that.

You call and you report
on my movements.

It's weird.

I thought it would feel new,

You include in your report
my domestic routine,

as catalogued by those two
clowns outside my apartment.

but it just feels kind of like
another training exercise,

You think maybe I'm about
to meet a journalist

like I've done it before.

or police even.

Maybe I'm about to betray Utrax.

I wonder
if Sandy feels the same.

Tell Carmichael this.

I'm not betraying anyone.

What does that mean?

I'm tired and lonely.

Nothing.

My boyfriend left me
while I was chasing Erik Heller

No, Jules.

WOMAN: Alba.

across half of Eastern Europe,

What did you mean by that?

and I am now trying
to get him back.

No secrets.
We're on the same team.

During which time
I would very much appreciate

some fucking privacy.

Sandy and Clemency
are in Barcelona.

I have Carmichael's number
on this card.

Leo told me.

I will call him if I want.

Where are they?

Why?

-Call security.
-Code red, all units.

They're covering the operation
on both sides.

And in the meantime,
if I see your face again

Code red, all units.
Trainees out-of-bounds.

around my private life,

I'll rip it off
and mail it to him.

ROBERT:
Alba, this is Tacitus.

I'm here in Barcelona
with the target list,

but it is not safe
for us to meet

and I need to leave
as soon as possible.

So this is what I'm gonna do.

I'm staying at the
Metro-Plaza Hotel, room 532.

I tried to find you.

But when I came to the hotel
in Bucharest, you weren't there,

and I thought you were dead.

No, I'm fine.

It's my fault.

I didn't listen to you
about your mother.

-I'm sorry.
-My mother's dead.

I know.

MARISSA:
That's her.

You sure?

What are you doing?

I'm sure.

We don't have long.

Agency or, uh...

personal?

WOMAN:
Uh, can I see an ID?

You can't take it out.
They'll notice.

But you don't need it.
They just want to keep you numb.

I need a few more days
to organize this.

Yes, Mr. Garrett.

I can't take it out, Hanna.
They'll notice.

Oh, sorry...
I don't speak Spanish very well.

We have your booking.

You don't want me to cut it out.

You need help with the bags?

Keep away from the windows
at all times.

What are you talking about?

Oh, no, I'm good.

I just rented an apartment here.

Don't answer the phone
or the doors, okay?

-4A?
-Yeah. It's just up there.

You don't, do you?

Nice.

They fill you with drugs
and you let them.

Hanna?

You're American.

-Right?
-Yeah.

They think you're dead.

You have to stay that way.

Take a year off, traveling.

Look at yourself.
What is this?

That's cool.
Where have you been?

It's a whole new life
I'm offering you.

What about it?

Paris for a month.
And Rome.

No one will know
where you've gone.

They do it to everyone.
They'll do it to you, too.

Now here.

He's an old teacher of mine,
no other connection.

No, they won't.
I didn't come here to join you.

I'm Clemency.

No one will trace you.

I came here to get you out.

Juan.

WOMAN:
This is Reception, Mr. Garrett.

How the hell are you gonna
do that?

How can I help you?

: There's a place
in Canada, it's beautiful.

Hello.
One of your staff

left something in the room.
His name is Bernat.

Passports, new names,

I know Erik offered you this.

tickets for both of us.
A new life.

Could you send him up, please?

But he couldn't deliver it,
and I can.

It's all been arranged.

We just have to get out of here.

Where did they take Clara?

-Arranged by who?
-Marissa Wiegler.

Found it in the trash
out the back of the hotel.

She's here.
She's going to help us.

No idea,
but I know there's nothing

It's empty.

that you can do for her now.

You know none of this is real.

These clothes are fake.

The photos in your room
are fake.

You wanted to see me?

They're training you
to kill people.

Yeah. Come in.

That's all they want.

Isn't that why you tried
to leave in the first place?

Oh!

I wanted to leave
because I wasn't free.

Don't walk away.

Robert Gelder.
He gave you a file, yes?

: You're not free.
-You don't know that.

Just talk to me
for a second, okay?

Yes! Y-Yes.

Try to leave.
See how free you are.

Oh.

When she comes out,
let me approach her alone.

Just thought I'd say hi.

-

I'm Stephen Mannion.

It's our best chance.

-Sorry.
-Oh, please.

This isn't your home.

Don't bother.

I'm gonna make a phone call,

I work for a group
that's trying to expose Utrax

My mother said I was always

I don't have a home.
So what difference does it make?

make sure
our escape routes are clear.

the messiest pup in the litter.

and the organization behind it.

-I'm John Carmichael.

Yes, you do. With me.

-

Terri Miller, sir.

Marissa called me when
she learned about the Meadows.

You come very highly
recommended.

Come with me, Clara.

You're involved with some
dangerous people,

Well, I hope to not disappoint.

and I need to know
what they want from you.

MAN:
This way! Move it!

I see you're watching
our latest arrival.

Please.

Yeah.

Stay away from me.

-Hanna, please...
-I said stay away.

What is it?

-MAN: Behind this door, come on!
-Okay.

Who is she?

I thought you'd want to know.

I work with them now.

MAN:
Door is locked.

Just someone
we lost for a while.

Mia Wolff's in the building.

Please, whatever they want you
to do, don't do it.

-Open up!

HANNA:
What did he ask you
to do with it?

"Lost"?

She's a rebel, I guess,
but like God,

I-I had to keep it, tell no one,

we value our rebels highly.

Stand back.

give it to a woman
called Alba Paredes.

You did really good work
on her material.

I'll be here.
Same time every day.

-She will come to pick it up.
-Who is she?

Big family-- generous,
but not holier than thou.

I don't know.
A... a journalist, he said.

-Just what she needs.
-It's the kind of the family

I would've dreamed of as a kid.

What are you doing here?

When is she coming?

Brothers and sisters everywhere.

Just having a smoke.

-When?
-11:00 today.

Ah, you're an only child?

For old time's sake.

HANNA:
Take me to where you hid it.

Yeah.

Loved but lonely.

-Mm-hmm.
-Now.

-Get out of here.
-

We just need
to give her more time.

Stay calm.
Just get me the file

Come on!

and I won't hurt you.

You're late.

I know. I'm sorry.
I got lost.

What is it?

Booze for the staff,
so they can unwind

and out of tune...

after all the stress
we cause them.

Who told you about this?

So, I think I did something

Leo accidentally let slip

that was maybe a bit stupid.

that a delivery
was arriving today.

What did you do?

-Okay. Let's go.
-Are you sure?

JULES:
I split up with Aaron.

Move.

Hurry.

Oh, my God.

:

-Oh, you came.
-Yeah.

Okay.

Why?

I-I thought you liked him.

What are you doing here?
This is staff only.

Thank you.

I changed my mind.

Sorry, is this out-of-bounds?

I brought Mia.
I hope that's okay.

your vitamin...

Yeah, of course.

You know it is.

Wow.

-Just give me the file.
-Yeah. Coming, coming.

Come in, come in.

every single day...

What?

I just saw that you had
chocolate milkshake,

How did you do it?

I messaged him, obviously.

-in the delivery.
-MAN: So... what?

Well, what did he say?

Alba?

Bethany, is that academic here?
The one you mentioned?

SANDY:
So, I...

He was really upset.

I'm on your side.

was just wondering

You mean Leslie Neil?

And then Mom tried
to change my mind.

if you could spare me one?

Sure, I'll introduce you.

I know Nicola Gough.

Mia, do you want to meet her?

Whoever Mom is.

The people who killed her
are here.

She lectures on female violence
in popular culture.

-You want a chocolate milkshake?
-SANDY: Yeah.

I can't believe you did that.

Robert Gelder
left that file for me.

I thought Aaron was so hot.

She's fucking awesome.

You like him so much,

It's okay. I'm gonna go and
grab myself a drink.

I know.

you fucking go out with him.

MAN: You can just get it
in the cafeteria, you know.

But his daughter is in danger

You curse too much.

I know, but you have to pay.

and I need it to keep her safe.

I what?

And it tastes better when
it's not from the cafeteria.

I need it for a bigger reason
than that.

I don't understand you, Jules.

-Give it to me now.
-I can't.
-

I mean, why make
everything so difficult?

Now they have
to find you another guy.

What if I don't want
another guy?

Does it now?

What do you mean?

SANDY:
Yeah.

Why does it always
have to be about guys?

You caught me.

Haven't you read
anything, Sandy?

Dutch courage.

Like... in here they have

nah, nah

Never been one for parties.

Me neither.

this absurd hetero-normal notion

I'm Sandy, by the way.

about who we should be.

Oh, I know.

It's, like, totally 1950s.

I'm from Bentleyville, Ohio.

What?

How do you know anything
about the 1950s?

Where are you from?

Are you one of Beth's students?

You know I can't tell you that.

-Forget it.
-No...

Yes. I just arrived.

Sandy, leave it.

Yeah, I know.

Go, go!

Go back to your dead-eyed
magazine world.

Are you a professor, too?

You can't even tell me
your real name.

Uh, no.
I'm a journalist.

Leave me to expand my mind.

What kind?

Well, thanks, anyways.

I expand my mind.

MAN:
Get out of the way, now!

Um...

investigative,
I suppose you'd say.

All the time.

Whoever you are.

Sure you do.

I'd like to do something
like that one day.

Anytime.

Well, get ready for
a lot of late nights

and low wages. Hmm.

-Hanna.
-

What are you working on
at the moment?

They said you were dead.

Well, they were lying.

There's a car outside.
Let's go.

This and that.

How did you get into it?

It's okay. They're friends
of Stephen Mannion.

Do you really want to know?

I know her.

All done here.

Hanna, get in the car.
We don't have much time.

Thanks, man.

Um, sorry. I have to take this.

There was a photograph
on Mannion's phone.

MAN:
What's this all about, Leo?

She was with Carmichael.

Just teaching the young

Hello?

-She works for him.
-MARISSA: That's not possible.

a little disobedience.

Yeah, it's me.

She saved my life.

Otherwise, how are they
going to convince anyone?

It's her.
They used you to find me.

I'm just gonna go

somewhere I can talk.

Hanna, this is John Carmichael,

Yeah. We're ready to publish.

-the director of the Meadows.
-

No, my-my editor understands

Hi, Hanna.

that you want
to do the handover face-to-face.

It's so nice
to finally meet you.

Yeah. He's happy to pay
for my flight to Barcelona

to meet you.

Uh, you went
a little out-of-bounds there.

The staff laundry room
is just for staff.

We'll protect your identity
at all times.

We'll get a Barcelona journalist
involved, as well,

It's okay,
but please don't do it again.

so it'll give the exposure
more reach.

How are you feeling
after this morning?

No, I know a great reporter.

MAN:
Go! Go!

Her name is Alba Paredes.

I'm okay.

Go!

You can trust her.

CARMICHAEL:
How was the facility?

I can be there in two days.

Did you like it?

Hotel Oriental?

Sure. I'll-I'll stay there, too.

It was different
to what I expected.

See you there.

Different to what
you saw before, right?

: Mia Wolff
is at large in Barcelona.
-

Very different.

CARMICHAEL:
Better?

She was last seen
escaping on foot

Well, that's good,

and is believed to have the
Gelder file in her possession.

-MAN 2: Target is on foot.
-WOMAN: Target is believed

because we'd like

to talk about next steps.

to have a brown envelope
in her possession.

We'd like you
to consider staying here.

Orders are to retrieve that
envelope at all costs.

What do you think, Hanna?

You willing to give it a try?

Um...

I know it's hard to trust us.

Uh, le café, le café...

You've been fighting us
a long time.

I-It's in your blood
to break the rules.

It's what Erik taught me.

CARMICHAEL:
I know.

But sometimes,

it's okay to stop fighting.

:
Hey.

I heard what you said.

Did they kill your father?

:
Shut up.

Hey. It's okay.

Listen.

There's an alarm.

It's okay.

In the box on that wall.

You just have to press in
this number:

I'm just so tired.

2-4-9-8-5.

Yeah.

Police will come
and all this will be over.

I lost you.

I just went to see my friend.

Are you okay?

Yeah. I just...

CARMICHAEL:
So, um,

we'll go and set
everything up for you.

Where was I?

You'll need a new identity,
a new name.

I worked on an investigation

into the Magdalene Laundries.

It's what we do for everybody.

What are they?

You never heard of them?

Thank you.

Oh.

Um, young Irish women,

almost all poor,

some prostitutes,

Chloe?

some pregnant out of wedlock,

some just abandoned
by their families,

were sent to these
Catholic-run institutions.

-You've got chocolate
on your lip.
-

And they were locked up,
and they were never let out.

ROBERT:
Jesus, some of these

-Where have you two been?
-

are just children.

They were tortured, abused.

All trainees
to the main hall now.

They lived
in hideous conditions.

Some of them had babies
taken away from them,

and they never saw them again.

They know.
They fucking know.

Many of them died

-Jules, what have you done?
-Shut up.

and were buried there
in unnamed graves.

McCOY:
Okay. Sit down, everyone.

What do you actually know
about the world, Ray?

This won't take long.

I, uh...

Take me, for example.

I did a piece on that.

Who am I?

There's something
I need to tell you all.

The cover-up.

You've no idea, have you?

Is this about Kat?

We have a visitor.

Is that all true?

Are you worried about her?

Yeah.

Forget it.

It is.

Sadly.

I don't want to hurt you.

You all right?

I just need to know one thing.

Where are they?

CARMICHAEL:
I want to introduce you
to our latest recruit.

MAN:
Stand by! Engage!

Some of you may remember her
from a previous occasion,

but I want you to erase that
from your mind.

-Engage!
-

This is a fresh start.

Her name now is Mia Wolff.

You seen Sandy?

TERRI:
These are the photos Mia sent us

She's from Germany.

I think she's at music now.

of Nicola Gough's notebook.

Given Mia's arrival,
I would also like to take

But she'll be in the cafe later.

She uses a variation
of Teeline shorthand,

this opportunity to talk
to you about your futures.

MAN:
Group! Clear your weapons!

but it's unique to her,

Pretty soon, there'll be a
period of service in your life,

which means that she'll refer
to her notes

but no one can easily decode it.

in service of your country,
of the free world.

Except you have.

TERRI:
Time and again
she refers to Tacitus as R.G.

That period of service
won't come without risk.

You're soldiers, you know that.

WOMAN:
That'll be two dollars, please.

LEO:
Did you cross-check

Yeah?

And with risk comes reward.

-with Hotel Oriental?
-Yeah, but there are

McCOY:
We have a house alarm activated

-Thank you.
-Thanks.

no guests booked to stay
under those initials.

at 10 Carrer de Gaudi,
Tibidabo Hills.

When you're finished
with your years with us,

But...

there is an American student
studying politics

Possible break-in.

you'll be given a new life.

Fully paid for, fully supported.

at the University of Barcelona.

-Hi.
-Hi.

Same name, same family,
the same person you are now.

Kat Gelder.

Her father is Robert Gelder,

You want a juice?
I could get you one.

In my heart, I hope and believe

and he's a lawyer
in the military.

I'm okay.

He just took an unexpected leave
from work.

that you will find
love and happiness,

You could try mine.
It's apple.

maybe even have
children of your own

Everything okay?

And he has
Code B classified access

No, thanks.

to intelligence files.

Sure.

who will live in a safer world
thanks to what you did

We think Tacitus
is a military lawyer

in your period of service.

called Robert Gelder.

You are a bunch
of very remarkable young women.

You could try the clothes,
you know.

I could help you.
With your makeup and all.

You hear that?

You know him?

And I want to thank you
from my heart

Only by name.

No.

for what you're doing here.

I mean, if you want to.

His daughter's studying
in Barcelona.

And I want to welcome Mia
to the Meadows.

-There's no rush.
-You know the girl who broke in?

We think he's using her
as cover.

He's coming
in the next two days.

The one I left with?

Check his flight status.

In Romania.

We already have.
He has nothing reserved yet.

What about her?

Keep checking.

She's dead.

I want to know
the second he travels.

Start a tracking operation
on the daughter.

Oh. I'm sorry.

Give London the green light
to intercept Nicola Gough.

We were in the forest together.

CLARA:
Did you do something
while I was up there?

Sir...

But then I left.

-No.
-CLARA: Huh?!

Why did you leave?

-What did you do?
-Oh, come on.

What does Tacitus know?

-What did you do?
-Nothing!

I thought I could find
my mother.

But they guessed
that I'd look for her

You call someone?

Thank you, Leo.

and they tricked me.

Hi, Clemency.

No, no one.

Kat.

Actually, I was trying
to work out how they knew...

-Hey.
-We wondered where you were.

Did he call someone?
Kat!

You weren't in class.

that I discovered
about my mother.

Oh, no, I got called out.

I figure someone
must have told them.

This is my friend.

Oh, yeah?

Yeah. We remember her.

Yeah.

Mia, right? So it was you
who broke in yesterday.

Someone must have seen me

looking at my mother's name
on the computer system that day.

Fuck!

Apparently, you took out,
like, 50 guards.

And then told on me.

Jules.

And then I realized

I didn't take out 50 guards.

You tell her to do that?

that your door
was the only one open.

Then your standards
are slipping.

CLARA:
Move!

Because I opened it.

We'll get you out.

-Keep walking.
-Can't we just talk ab...

Soon.

I'm Sandy.

Okay?

Did you help them find me...
242?

-Keep walking!
-All right, all right.

-Hi.
-JULES: Sandy just stole,

Just hang in there.

like, a whole crate of vodka.

Get out.

My name's not 242, it's Sandy.

-Actually, you stole it.
-You should've seen her.

Please, wait.
I...

-Did you help them?
-Course not.

You called your friends, right?

She was talking to this guy,
who, like, totally

Stupid bitch!

So what are you afraid of?

-had the hots for her.
-He did not.

-We should go.
-See you later, Clem.

I didn't mean to.
They asked me questions.

SANDY:
See you around, Mia.

-And you answered the questions?
-What was I supposed to do?

Hola?

They said they could bring you
back here and make you safe.

And you decided that
that is what I wanted?

SANDY:
"Hi, Mom. Big news today.

I just wanted to help.

"A new arrival has
changed everything.

I mean, look around here.

"She's lonely,

It's beautiful.

"and some people don't like her
because of her past,

"but I think people should be
given the chance to change.

You think you know
what's best for me? 242?

Don't you?"

My name is not 242.

Hola?

-You think you know?
-Get the hell off me.

with a bikini in Bequia

Galliano sack me

like your freaking acne

Hey?

brand new perspective

LEO:
Today we're looking
at a classic

with matching red lipstick

two-operative mission.

We call it Face and Trigger.

I got front

McCOY:
In this scenario,

I got a trunk

Operative A is the face.

throw it in the bank bank

The objective of the face
is to befriend the target,

but this ain't what you think

make social contact,

discover the target's routines
and vulnerabilities.

Your age and your gender will
protect you from suspicion,

-

and your support team
will make sure

that your identity checks out,

-should the target
choose to dig into that.
-LEO: Operative B

-

is the trigger.

I guess that one
explains itself, right?

-Here's the key.

Where are you?

The face creates the space
for the trigger to do her work.

Wow.

I'm inside.

Okay, good.

The two operatives may decide
to meet in public,

I think that's, um,
Jacob's sister.

Stay here.

but no one must suspect
you know each other.

Watch the gate.
Call for backup.

YOUNG MAN:
Jacob? You know that guy?

Yes, sir.

KAT:
I think he does chemistry.

That's your secret.

That's the power you have.

CARMICHAEL:
She fits right in.

PROFESSOR:
Okay.

She has a home.

So today, we're looking at
consensus and conflict

It's what she always wanted.

It's me.

within the African Nationalist
movements of the 1950s...

Hanna?

But it means my work
is done here.

I'm sorry.
I swear I had it.

Hanna?

You're sure you want to leave?

Can you stand aside, please?

I'm not a part of this, John.

-Yeah, sure.
-Next.

You only brought me in because
you had no other options.

Kat, have you lost your wallet?

You put a hood on my head
to drive me here.

Fuck.

I'm aware this whole operation
began in the shadows.

: Fuck.
-Excuse me.

I kn... I know what it cost you.

Katherine Gelder?

And I know we froze you out
for a while.

Is this yours?

15 years.

:
They're gonna kill us.

Oh, my God.
Thank you so much.

They're not gonna
do anything to us, Kat.

We are so close, Marissa.

I won't let them.
Come on.

I found it on a seat
in the lecture hall.

It must have fallen out
of my bag.

Any day now, these girls will be
ready to go out into the world.

-I am so vacant today.
-You're always vacant.

-They're gonna need support.
-Meaning?

Shut up, Ray.

: I'm Ray.
-Sandy Phillips.

I'd love to welcome you back
with open arms.

Kat?

Do you study here?
I haven't seen you around.

Mm-hmm.

I've been in the city
a couple of months.

I'm doing business
at the business school?

And are you gonna
tell me the truth?

But I like to dip
into politics too, sometimes.

We're not gonna hurt you,
I promise.

: I'm a nerd.

Are you gonna tell me
who's behind this operation?

Where do you live?

-Oh, just in
a rented room downtown.
-Cool.

I know your friend
doesn't have a gun.

Who's paying for it?
Who's giving the orders?

Did your parents really like
Grease or something?

So there's nothing
to be scared of.

-Uh, no. Th-They holiday
in Cali every year.

As I thought.

Oh, no-no-no...
he meant the film.

Oh... why?

Kat, listen to me.

-Could I ask you
to arrange a car?
-Sure.

KAT:
Your name...
blonde hair, high pony?

I need you to be
very brave, okay?

I'll have someone take you back
first thing in the morning.

-It-it doesn't matter.
It's fine.
-

Don't leave me.

-Uh, don't want
you crashing again.
-

I'm not going anywhere.

Right?

Do you to want to come
and eat with us, Sandy?

Just trust me.

Well, I would rather go tonight
if that's possible.

Okay.

-Sure. That'd be great.
-

LEO:
Come on, Kat.
You called the alarm.

I'll see what I can do.

I'm guessing it was you.

Hi. I missed
the lecture earlier.

HANNA:
We leave tonight.

-10:00.
-There's a curfew at 9:00.

-Can I copy your notes?
-Sure.

How do we get there?

It's the other one we want.
The one who killed your dad.

Hi, Mia. I'm Helen.

What's up?

-You want one?
-Thanks.

Nicola Gough's booked her ticket
to Barcelona.

Come on, do we really
want to play this game?

We've had the order
to intercept.

-Uh, you want one, Clem?
-Sure.

-When does she leave?
-Tomorrow morning.

-Sandy?
-JULES: Sandy's not thirsty.

She takes the Northern Line
to London Bridge,

-She had one earlier.
-Shut up.

London Bridge to the airport.

But she won't get there.

Kat?

Leave her.

SANDY:
Ignore them.

They're just voyeurs.

Come out from there
and let us deal with her.

:
Welcome, trialists,
to the Passway facility.

JULES:
Guys.

Come on, Kat.

Party tonight,
our dorm common room, 9:00.

Please proceed to Area C
for trial induction.

No one's going to hurt you.

With special ingredients.

-She means beer.
-I so do not mean beer.

What if somebody finds out
that we're out after curfew?

There is a journalist.
Her name is Nicola Gough.

-JULES: Like who?
-Like Leo, for example.

:
You scared of Leo?

Okay. Good.

She is about to fly to Barcelona
to meet a source

I've got Leo wrapped
around my little finger.

code-named Tacitus.

We've been given the order
to intercept her

Will you come, Mia?

before she gets to the airport.

Utrax have also sent
two other trainees to Barcelona

Sure. I'd like that.

-Great.
-JULES: This is gonna
be so much fun, right?

to intercept the source.

I'll tell you about it tomorrow.

-When is this to happen?
-Tomorrow.

Jesus, that is strong.

Lucy?
Lucy Wiegler.

You're supposed to have
a mixer with that.

Don't you know anything?

-How do you know?
-Because I do my homework

Uh, you're not on the list.

and watch what
they tell me to watch.

Follow me at a distance.

Did you apply for this trial?

Unlike you.
Have you even bothered

to watch this, for example?

I think so.

No. So you'll know nothing

Do you have your consent form?

about the catwalks this year.

Uh, so I'll get
some mixers later.

Welcome, trialists,
to the Passway facility.

You want to try some?

Please proceed to Area C
for trial induction.

Did you see Hanna's eyes?

When she broke in
the time before,

It's okay.

she was wild.

Excuse me.
Are you doing the trial?

You're safe.

Like an animal or something.

Maybe.

This time she looked different.

Who is she?

If I give you this money,
will you let me take your place?

Rachel and I work together.

We're on the side of the angels.

-Please?
-No, thanks.

I didn't notice.

I'm getting five times that.

RACHEL:
There's just not many
of us left anymore.

Kat! Come on!

She just looked kind of sad.

Give me your bag.
And your jacket.

Come on. Hurry up.

Take off your hoodie.

Like she'd lost
everything she loved.

You heard of them?
The pioneers?

HANNA:
No.

Shut up and drink.

They were originally
a small splinter cell group

of nationalist radicals
within the Agency.

Go home,
and don't ever come back.

RACHEL:
We used to joke about them.

Then they developed Utrax.

INSTRUCTOR:
Stand by! Engage!

Now we believe they're about
to use Utrax

to carry out a series
of assassinations

Monica Gastner.

across the world.

I think Tacitus

knows who the targets are.

-GIRL: Just can't
get it on target.
-GIRL 2: Yeah, seriously...

I believe he has a list
in his possession,

MARISSA:
You okay?

How does the curfew work?

and we need to get to him

Everyone in their rooms at 9:00.

-Does that hurt?

I have the target list.

before they do.

-No one's allowed out of the
accommodation block after that.
-INSTRUCTOR: Engage!

A little.

Doors are alarmed,
camera switches off.

-She's crazy.
-They should put her down.

But Jules is having a party.

-Don't say that.
-What? It's true.

It's still
in the accommodation area.

She just causes trouble.

Thanks.

For helping me.

I'll find a way.

What the fuck is this?

No sweat.

Leo Garner.

We're controlling
the future, Bobby.

What?

You were right.

It's just a funny phrase.

The young are beautiful, but...

I think I have
a friendship issue.

What is?

"No sweat."
Kind of 1950s.

so very dangerous
for what they might become.

Sir, Robert Gelder has just
bought a United Airlines flight

Ow!

Mia. My name's Leo.

Want to join us?

to Barcelona;
he's leaving tomorrow.

Oh. Hey.

He paid cash at a D.C.
travel center.

Be more careful next time.

Hi.

-Leslie. Hey, hi.
-Oh, John!

Can I show you your room?

Thank you, Terri.
Good work.

-Hey, how are you?
-Nice to see you.

LESLIE:
Good to see you too, John.

-LESLIE: We all remember that.
-CARMICHAEL: Yeah.

-How's Margaret?
-Yeah, she's fine.

I see Clemency has been
taking you under her wing?

WOMAN:
Do you have everything
you need for your stay?

She's been very kind.

As you know, this is
a three-night trial.

Well, we all want you
to feel at home.

You want me to try
talking to Mia?

The first night,
you will be given the drug,

and in some cases a placebo.

No. Done talking.

It's a little bare,
but that'll change.

-You keep this.

And you will be placed
under observation.

Drive her to the airport.

We'll get it made up for you,
I'll get you some things,

I'll send you a flight number.

The second night
you will receive nothing,

Get her on the plane

and wait for my instructions.

and you will be free
to hang out, play games,

-make you more comfortable.
-Thank you.

Leo.

No problem.
And tomorrow we'll get to work

get to know each other.

The third night,

Keep this to yourself.

on building up your new life.

Deal with it personally.

you will receive
another treatment.

It's gonna be a lot of fun.

I don't want any signs
she was ever there.

At all times,
you will be observed,

I look forward to it.

Don't try anything.

and we want you to know

that your safety
is our paramount concern.

I'll, uh,
I'll leave you to get settled.

You know, I saw you,
on the cameras.

Hey, Mia.

Hanna has the target list.

And I've made a copy,
so don't get any ideas.

Here's the book you ordered.

The break-in yesterday.

This operation's over.

Impressive.

That agent

Gelder was drinking with...

was you, wasn't it, John?

Like you said,

whiskey never did you any good.

List of target names,

all under 30 years of age.

-You're such a dick, Ray.
-Hey!

-What'd you get in business?
-I got an A.

You're a true fucking believer,
aren't you, John?

Come on, appreciation for
the guy who got us in here.

-No, you didn't.
-I did.

So were you, once.

-Really?
-What did you get?

This way.

Oh, whatever.

-I got a B.
-Well, that's still good.

The thing is, if your bosses
at Pioneer find out

-No, it's not.
-Yes, it is.

Charlie, what did
you get in business?

you weren't able to keep
your mouth shut about this,

In business? I got an F.

KAT:
What is that on your arm?

Hey, I'll catch you guys later.

I can't imagine
what they'll do to you.

Oh, uh, it's a birthmark.

See you later.

-Please swallow this.
-What is it?

I used to try and hide it,

What do you want?

It's just a small relaxant.
Nothing to worry about.

but I don't really care
so much anymore.

TERESA:
You guys want to go
inland this weekend?

-Hey.
-Hey.

I will show you the real Spain.

You okay?

I can't, Teresa, sorry.

I don't want to.

You want some of this?
I can't eat it.

My dad's coming to see me.

Then you'll have to leave.

I'm good.

Oh, yeah? When?

What's up?

KAT:
Like, tomorrow.

And I never get to see him.
He's always working, so...

Clem, talk to me.

What does he do?

Uh, he's a lawyer
for the military.

Did something happen?

So cool.

Okay, good.

Like what?

It's super secret. He doesn't
really say that much about it.

We'll call you soon.

No eating from now on.

I don't know.

Okay, it's all clear.

SANDY:
I think it's great
that he's coming.

It's not like him, though, like,

Are there any other people
staying here?

Something with Mia, maybe?

no notice whatsoever.

-People?
-Young women, staying here?

Clem, you know
you can talk to me.

-RAY: Excuse me.
-CLARA: Hey.

This is just a trial center.

-RAY: Oh, you're American?
-CLARA: Yeah.

Only trialists stay here.

I'm your friend.
That's what friends do.

Huh. You study here?

-No, just traveling.
-All right.

How long you been
in Barcelona?

-Two days.
-Oh, cool.

She wants me to leave.

CLARA:
Thanks for letting me tag along.

With her.

SANDY:
No worries.

Leave?

I love your name, by the way.

-MALE NURSE: Okay.
-

Clemency.
It's so unusual.

How we doing?

When?

It was my mom's idea.

Tonight.

It's so beautiful here.

We have a way out.

Take your arm
out of your sweater.

TERESA:
But the city's changing.

See over there?

When I was young,
that was just trees.

Now all those villas
in the hills are owned

Hold it like this.

by Brits and Americans.

Massive houses,
private pools, gardens.

What now?

And most of them
sit empty all year.

We wait for Marissa's call.

Your driver's on the way.

Leave your belongings here,
come with me.

No farewell drink?

thank you, next

I stopped that a while ago.

Didn't do me any good.

for my ex

HANNA:
I'm looking for a girl.

thank you, next

Her name's Clara.

Thanks.

Stop for a second.

MALE NURSE:
I don't know her.

We-we couldn't have done it
without you.

I just need something to eat.

-

I need to find her.

Okay.

My pleasure.

for my ex

MALE NURSE:
I told you, I don't know her.

Um...

This way.

thank you, next

can I see Mia one more time?
Before I go?

CLARA:
What is it?

Why not?

HANNA:
Marissa wants us back
at the villa.

Now.

Alba, hi, it's Nicola.

CLARA:
I'm not going with you.

Yeah, I'm just about to go
to the airport now.

Listen, Tacitus is flying today
from Washington.

Your mother.

I need you not to say anything
to your news team, okay?

She wrote to me.

Where is she?

Not even your editor.

No e-mails. Nothing.

She lives in Egypt,
like you said.

But she's traveling to Morocco,

Take a seat.

Okay.

to the coast, just in case...

Yeah.

In case you can get there.

See you there.

What is that?

I'm sorry.

Just a screen.

It's okay.

Why can't you tell me
where you're going?

You'll be observed at all times
for your own safety.

It's what you deserve.

I wouldn't have got anything
without you.

Because I don't want
to lie to you.

Okay, we'll fix you up
to this line.

Don't cry.

It was so easy.

And I can't tell you the truth.

You'll feel a small pinch.

I don't have any handkerchiefs.

I still think
they're gonna catch us.

JULES:
Shut up, Helen.

Look...

Here, come with me.

-About time.

I will make it up
to you, I promise.

Take a seat.

Yeah, you bloody well will.

Everyone has to try
some of this.

Who are these drugs for?

It's called a screwdriver
and it's delicious.

Now the music will play.

Sandy lost her virginity
getting it,

Just watch the image.

so it was quite a sacrifice.

Sit back, relax, but try
to keep your eyes open, okay?

-I did not.
-You wanted to.

This is for you.

HELEN:
Why do you always have to be
so gross, Jules?

I've been meaning to give it
to you for a long time.

If you need assistance,
you press this emergency button.

Uh, watch out.
It's pretty strong.

They've never seen it.
They don't know the name.

-You understand?
-

It's safe.

You don't like it?

You kept it all this time?

No, I love it.

I had a hunch.

When you get to Morocco,

JULES:
All right, all right...

you and your mother disappear.

-

Don't go back to Egypt.

I'm not saying it's...

And don't use the name
Clara Mahan ever again, okay?

S-Sorry, I'm...

And you?

What about me?

JULES:
She's here.

You've had vodka before,
haven't you?

You have no one.

-All okay?
-All good.
She's on the Northern Line.

I'll be okay.

Once, at a party.

I have work to do.

A real party?

Train left five minutes ago.

Like, you mean,
with boys and stuff?

We'll see each other again.

MAN:
Please raise your hand
to indicate you're okay.

No.

It was nothing special.

You leave me now forever.

Did you kiss one?

Okay, that's good.

Just look at the trees.

Yes.

Oh, my God.

Did you have sex with him?

She's in the second
to last carriage.

No.

I'll never forget you.

I'll fake surprise,
get her talking.

I've had sex a thousand times.

You do it just as the train
comes into the next station

In my dreams.

so it covers the sound.

Then we get off,
leave her in there.

LEO:
I think we underestimated
the problems she's experiencing.

Mia?

Good luck.

CARMICHAEL:
I don't get it.

Is it true you were
taken away from us

30 trainees, happy, smiling,

when you were very young?

following absolutely
every predicted pathway.

Yes.

And this one.

Well...

-LEO: Mind of her own.
-Don't be flippant.

you're one of us now.

Any flaw to the program this
early does none of us any good.

-What?
-

-So what do you suggest?
-

Sorry to interrupt.

Oh, sorry. I didn't realize...

I just wanted
to say goodbye to Mia.

I just came to see how she was.

There's a car collecting me
in 30 minutes.

LEO:
Terri, this is John Carmichael.

We've met.

Good to see you so settled.

You think you can tell me
why she's failing?

MAN:
We don't really know
what happened.

You seem happy, and it's nice
that you're all together.

There was gunfire
and something went down.

Oh, I-I don't know.

I wish you all the best
for the future

-We don't know what happened.
-Anything from Carmichael?

My hunch is that
she feels different,

in your new home.

-MAN: Nothing.
-McCOY: Okay.

Thank you.

on some fundamental level.

Okay. See you when I see you.

Well, maybe you should
work with her,

-see if you can
make some progress.
-Sure.

Be careful.

Because if this fails,
I have to cut her loose.

The doors are alarmed
after 9:00.

There's a personal
and financial cost to that.

LEO:
It's all right, I've got it.

One I'd like to avoid.

Oh.

Good job getting the booze.

You got something?

Face and Trigger.

-Sandy was terrific.
-JULES: Oh...

No.

Nothing.

-He set us up!
-HELEN: Oh, thank goodness.

He knew all along
we were gonna do this.

Ugh. Face and fucking Trigger.

HELEN:
Get over yourself, Jules.

-Let's just watch the movie.

JULES:
It's not as fun if they know.

MAN:
If your reactions are
significant in the test cases,

HELEN:
It seems like you're the one

then we can explore effects
also on the Utrax recipients.

wrapped around
Leo's little finger.

-WOMAN: Agreed.
-MAN: We anticipate
more extreme reactions

in those cases and can vary
dosage accordingly.

Yeah.

-Your car's
waiting for you outside.
-Thank you.

LARRY:
Operation complete.

WOMAN:
What's the final
operational remit?

Uncle Leo sadly didn't make it.

Safe journey.

Return home required
with immediate effect.

MAN:
Removal of all inhibitions
towards the achievement

of maximum violence.

Make your excuses.

To be used
in extreme situations only.

WOMAN:
Of course.

ERIK:
And human beings are?

HANNA:
Dangerous and not
to be trusted.

ERIK:
If you see one?

HANNA:
Come and find you.

JULES:
Oh, that's gotta hurt.

-ERIK: If there's no time?
-Hide.

-HANNA: If I can't hide...
-

Engage!

...attack.

MARISSA:
As far as your bosses
are concerned,

Excuse me, Nicola?

this is what happened.

I'm so sorry.

Robert Gelder was a threat
to the Utrax project.

You killed him
and covered it up perfectly.

MAN:
Evening, ma'am.

Night. Larry?

Mia Wolff was the double agent

-Yeah?
-Carmichael wants you

that infiltrated
the resistance organization

at the southeast perimeter.

and helped you retrieve
the target list.

There's a problem with
the external cordon.

MAN:
What the hell are you doing?!

Mia and Clemency will be
welcomed back into the Meadows

Okay.

with open arms.

I'm on it.

And, together,

Thank you.

we'll take the Pioneers down
one by one.

MAN:
Back on the train, please;
back on the train.

Let me out of here!

You seriously think
you can get away with this?

Please let me out!

You're gonna help me
get away with it.

And if anything goes wrong,

MAN:
Move along, please, move along.

I'll tell your bosses
what you did.

I'm running this now.

-Stay back. No, no, no-- No!
-Stay calm.

JULES:
Oh, my God, he's getting away.

That's them.

Let's go.

Where's Clara?

She said she's sorry.

She has other plans.

-HELEN: Oh!

This is so awesome.

Put this on, please.

Is that necessary?

Standard protocol, I'm afraid.

on your knees

Can we wait till we're
through the gates, at least?

is also good for me, yeah

Sure.

-Thanks.
-

So...

change everything

...what now?

we could

the way you should

out there

Where is the Meadows?

you love

Who are you?

Tell me where they are.

out there

-What?
-What?

give it up to me, yeah

Get in.

you love

under this moon

Okay.

you're gonna

Now we need the hood on.

give it up to me

What the-- Hey,

Hi.

give me the...

Can I come in?

You're already here.

unforgettable-ble

What do you want?

What? Where are they?

I work here.

Sandy?

give it up to me

Can I sit down?

This way.

unforgettable-ble

I don't want to talk to anyone.

-That's fine.
-

You don't have to talk.

I'll just sit here.

Come on, Hanna.

Oh, fuck. Come on.

I just don't want you
to be alone tonight.

Finally.

Hello, Marissa.

-

MAN:
There she is! Go, go, go!

-Hands up!
-I'm on her!

HANNA:
Where are we?

Clara?

I'm sorry.

What's going on?

ooh, I know

I feel so summertime

:
What have you done?

Don't.

like, overtime

What have you done?!

don't act no nonchalant

Mia,

just like a drum

listen to me.

not the one

What if you could be happy here?

and you're so overdone

What if you could?

we shall overcome

This is where you belong, Mia.

You can trust us.

:
We're your family.

-

ain't no

-

I feel so summertime

I feel so summertime

I feel so summertime

so summertime

when I'm trying to shine?

Ha

-

-

grew into a riot

on your mind

the comedown

inside your head

-

-

-