All language subtitles for hanna-s02e06-webrip-x264-ion10

-SANDY: Dear Mom,

all is well and good here.

Missing you like crazy,

but learning new things
all the time.

I came top of the class
in business studies this week,

and my piano is improving.

To be honest, I feel a little
like a caged bird now.

I can't wait to go to college
and spread my wings.

Things have
quietened down here.

The new girl,
after a shaky start,

has settled in well
and is making great progress.

The online world is
a place of fiction and dreams.

You will not be
the only young person

whose digital presence
does not represent

the entire truth
of their existence.

SANDY:
It's so good to see someone

who was so unhappy and angry
allow themselves

to be a part
of what we're doing here.

pay your due?

Sometimes,
when she's caught off guard,

I catch a sadness in her eyes.

There's pain
deep down inside, I know it,

and I pray for her every night.

Maybe I understand Mia
better than anyone

because she lost someone
like we lost our Jodie.

bombs away...

But she's beginning
to learn to trust us,

and to realize there's no point

fighting a fight
she can never win.

Shit.

MARISSA:
Vesuvius. 2468. Control.

I'm back in town. I'll be
returning to the company.

And I'd like
a full domestic clean.

MANNION:
Mannion here.

This is Vesuvius.

I'm listening.

I've been trying to sort out
a problem on my own,

-Carmichael.
-John, we have a problem.

but it didn't work.

It concerns Utrax.

There's a whistleblower

But Utrax is long dead.

No, it's not.

trying to expose our operation.

It's very much alive.

We've intercepted an e-mail.

Okay.

He sent it last night
to a London journalist.

I'll call you back.

Looks like he's trying to tell
the world what we're doing.

this Wednesday?

Who is he?

We don't know.

MARISSA:
Hi.

But we have to stop him
from talking.

Where are you?

he flew

I'm in Northern France.

Okay.

Looking for Hanna.

I can't use official channels
for this.

So far, no sign.

That's 'cause she's here.

We caught her yesterday.

It's time these girls did

Where's here?

what you trained them for.

Where are you, John?

HANNA:
"I cannot make you understand.

"I cannot make anyone understand

"what is happening inside me.

WOMAN:
Ready?

I cannot even explain it
myself."

-Begin!
-

GIRL:
She got her good.

JESSIE:
It was definitely someone.

McCOY:
Mia?

Could you come with me, please?

I saw a figure being taken
into the staff buildings.

-

HELEN:
Maybe it was, like,

-Nice, Kelly!
-Yes, go, go, go! Come on!

a foreign government agent.

Or a spy or something.

CARMICHAEL:
Hi, Mia.

-That's it!
-Go, go, go!

Don't be stupid, Helen.

Take a seat, please.

All right,
let's do this, come on!

HELEN:
All I'm saying is we know
we're being kept apart

for a reason, we're
in the middle of nowhere,

surrounded by guards and what,
someone just breaks in?

Thank you for coming,
both of you.

WOMAN:
Ready position.

As you'll recall,
a while ago I spoke to you

about a period of service that
you would at sometime undergo.

Well, we've reached that moment.

We're sending you out
on your first engagement.

Leo?

There's a journalist in London.

Her name is Nicola Gough.

She's about
to obtain sensitive information

That's $5.91.

HELEN:
What are you reading?

from an unknown U.S. source.

-JULES: This.
-W-What is it?

Just, like, the most
important book ever.

The source goes
by the code name Tacitus.

-What's it about?
-The death of youth.

We need to know
Tacitus' true identity,

and we need to stop Nicola Gough
from reaching him.

-Doesn't matter.
-What do you read, Sandy?

Oh, you know.
Mainly magazines, I guess.

This'll tell you
everything you need to know.

HELEN:
Oh, did you see this?

Take a look at it.

Learn it by heart.

She's an actress.

-Hi.

CARMICHAEL:
How you doing?

She looks amazing.

Less than an hour away

Questions?

-from the pickup point.
-Good.

God, I love her skin.

One of my men'll be
there to meet you.

Why us?

-Oh, come on, Helen.
-What?

He'll drive you
the rest of the way.

Well, Mia has experience

Why can't you just
give me the address?

They're fake. Look at them all.

Phony smiles, phony tans.

in the world, experience
the rest of you can...

You know why.

You can talk about fake.

You'll need to give him
your phone

not yet rival.

JULES:
Fuck that.

and you'll be hooded for
the last part of the journey.

And you, Jules...

I'm way more real
than they'll ever be.

How is she?

you're a perfect match
for what we need...

HELEN:
Well, I'm getting a coffee.

She's still not talking.

as you'll see.

Anyone?

Does she know I'm coming?

Now, get ready.

Keep it to yourselves
for now, please.

Not yet.

Okay, best keep it that way.

Did you see that car earlier?

Thank you.

-What car?
-It came in this morning.

oh, my, oh, yeah

They're always coming in
with deliveries.

This was no delivery.

I think someone's back.

oh, my, oh, my night

he addicted me

him

-Welcome back.
-Thanks, Kim.

he addicted me

and he addicted me

addicted me

Everything okay?

Yes. It was
a challenging mission.

and I addicted him

Like, it used to be pretty good,

But it's done?

Not quite,
but we're getting there.

but I literally
just found a hair.

oh, my night life

Well, we had good cover
while you were gone.

Oh, don't be scared.
I'm sure yours is fine.

Maybe the person
serving in line

Langley sent her.

and, oh, our night life

She has full authorization.
I assumed you knew.

: just forgot to put on
her hairnet or something.

Yes, of course.

Oh, no, I'm sure it's fine.

Maybe it's not fine.
Should we let someone know?

Marissa Wiegler,
head of section.

Sonia Richter.
Pleasure to meet you, ma'am.

Clara?

-Thanks, Kim.
-Mm-hmm.

-Boo!
-Oh!

So, what's going on?

You going with Jules?

LEO:
Okay, so, the first thing
I want to do is lose the muscle.

Yeah. To London.

But I have to be sure you're not
gonna try to rip my head off.

To do what?

I can't say.

Clemency.

Are you gonna try
to rip my head off?

It's her, isn't it?

What's wrong?

I'll take that as a no.

Hanna.

:
I don't know.

It's just weird.

It was her that broke in.

I thought it would be
what you wanted.

Guys, you can go. Wait outside.

It is.

JULES:
Hey, you guys, listen.

It was your decision to stay.

I need your help
with something.

Just go.
We're gonna be fine here.

I got to get to class.

We could have...

I'll see you later.

-left and found your mother.
-My mother's dead.

-Marissa...
-Marissa was lying.

Sandy?

What?

I want to have
a party tonight.

She's dead.

After curfew.

So,

Why do you want
to have a party?

I'm happy here now.

Because that's what young people
in the real world do.

what that lady told you
in the hotel in Bucharest

So am I.

Like, get drunk and have fun.

is the truth.

How are we gonna get drunk?

Hanna?

We don't have anything
to get drunk with.

Your mother is dead.

:
Not yet we don't.

Look after yourself.

I'm really sorry.

It was a bad one,
car's a write-off.

We towed it,
cleared the scene.

Did you search her?

And the car-- both clean.

It hurts, right?

That's why none
of the girls here

have been told
about any of that.

About parents or any kind
of previous life.

See, the truth is, without us,
none of you would be alive.

The English countryside.

There always was something
lawless about it.

I'm not gonna sugarcoat that
for you. Okay?

My fault.

I fell asleep at the wheel.

If you want any life at all,

Well, you look exhausted.

it has to be here.

Yeah, I've not been sleeping
as well as I should.

What happened to Hanna?

When you told me
that she was alive.

Hanna tried to kill the people
we sent to pick her up.

I don't know why.

There was a lot of firepower.
We were forced to respond.

This stuff from the past,
just comes back.

I understand.

I'm afraid she didn't make it.

Can I see her?

LEO:
You travel separately

It's not your fault.

and meet there.
Mia, you're first.

Well, I have something
I want to show you first.

Hanna chose to break
into the facility.

Take the front car.

Her decision, not yours.

Come.

See you later.

-Bye.
-LEO: Good luck. And remember,

you've done this a hundred times
before in training.

Jules... can I have a word?

Ma'am.

It's okay.

It's okay.

How long do you need, Larry?

I'm just completing
the protocol.

Yeah, all right,
go ahead and finish up.

And the rest of you,
will you clear out,

please, give us the space?

I'm okay.

Uh, pull up that file first,

We're good.

if you don't mind.

Yeah, thanks.

Can I show you something?

Look at this.

This way.

When, way back,
we first conceived

This is Larry. Say hi, Larry.

of what they might be...

Hi.

...this was exactly it.

You want her back in.

:
I know this place.
This is Camp G.

LEO:
Recognize them?

She's still not communicating.

Where are they?

And we've tried everything.

We interrogated Hanna here.

They're right here.

Or almost everything.

MALE VOICE:
We asked John Carmichael
to send you here

-Oh, my God!

because we have some
questions of our own.

Okay.

Oh, my God...

The night you tried to
escape from the Meadows,

SONIA:
She arrived back in Paris

someone helped you.

Take me to her.

at 1500 hours,
flew into Orly Airport.

Who was it?

I told you, I don't know
what you're talking about.

She returned to the offices
this morning.

I've sent over all visuals.

Carmichael said you were
a good liar.

CARMICHAEL:
Did anyone come see her?

No one.
I think her boyfriend's left.

Other than that,
everything seems normal.

Two dead guards, one shot
with a high-velocity rifle,

Let me tell you
something, Sonia.

When I taught Marissa Wiegler
at the training college,

the other got his neck
snapped in two.

no one noticed her
for two years.

You sent a message to a friend,
told them where you were going.

She was just average,
slept with a couple guys,

smoked a little dope,
did the bare minimum.

They came after you
and tried to help you.

Final exams,
she was top of her class.

Who were they?

No one saw it coming.

There wasn't anyone.

So you stay on her.

Don't act dumb.

Watch her
very carefully, please.

Does Hanna know about the
person that tried to help you?

Anything strange, you call me.

Did she see them that night?

Hello, Hanna. Wait.

You don't understand
what's happening here.

How could she?

There was no one there.

You think you do.

Who killed these men?

But you don't.

Because it sure as hell
wasn't you.

Hear me out, please.

It's been a while
since I last saw you.

You look different.

I like your hair.

Did you dye it yourself?

Does the code name Tacitus
mean anything to you?

I'm sorry about all this.

I crashed my car.

Fuck.

Stupid mistake.

Yeah.

He's my dog.

When I got the call,
saying they'd found you,

I didn't know what to expect.

They say you came
through Northern France,

tracing your way back to Clara.

You were following a shipment.

Find it okay?

Is that right?

Hanna?

-I brought food.
-I'm not hungry.

Yes.

Okay, then. Shall we do this?

Do you recognize that woman?

Her name is Sonia Richter.

She's a CIA operative.

She was sent to track your
movements and bring you in.

We found her body
at a diner in Belgium.

You don't have to say anything.

We know you killed her.

And we understand why.

She was a threat to you.

To what you were moving
towards, saving your friend.

A threat to what you love.

If it was me,

I would've done the same.

Arms straight.

They tell me you've not
been cooperating

since you've been here.

Good.

I want you to do
something for me.

I want you to try
and work with me.

And if you do,

I might be able to help you.

Help you see Clara,
help you be with her again.

Do you understand?

Hello, Mary. Is that you?

-MARISSA: Hi, Mr. Kaladski.
-

Please don't call me that.

PEARL:
Like, I genuinely can't see

You have to trust me, though.

I haven't been your teacher
for 20 years.

how she's your hero.

She's excluded an entire gender
from her lectures.

I just wondered
if you'd thought about

what I asking you
a few days ago.

I mean,
would she refuse to teach me?

Do you trust me?

I don't know,
and I'm not condoning that.

Because the girl
I was telling you about

But have you read Daly's
The Church and the Second Sex?

is with me now.

Maybe.

-Yeah, but-- Oh. Hi.
-Hi.

Her name is Beatrice.

Say hi, Beatrice.

I'm Mia.

I'm Pearl.
This is Jules.

Hi.

Believe me,
you won't regret it.

Uh, hi there, Beatrice.

I'm just here for the semester.

Uh, Tom, Beatrice is in danger.

Or whatever you Brits call it.

She needs somewhere
that she can go.

I'm a first-year undergrad.

I started at Portsmouth Uni

Somewhere that's
remote and safe.

doing French and languages,

but I didn't like it

so I transferred.

You know the line
of work I'm in.

You know what it involves.

Well, nice to meet you.

You know that I wouldn't make
a call like this

unless I really needed
your help.

Did you speak to Jean?

Yeah, I-I spoke to her.

And?

She wants to know
how long it would be for.

A long time.

And-and I-I suppose
we can't ask who she is.

It's better if you don't.

I hope she's not a dragon.

Just think of her as a girl

-I hope we're not too early.
-No, no.

who deserves a fresh start.

Come in.

We love keen.

:
The dangers facing mankind

So,

in the 21st century

let's start with names,
shall we?

require radical action.

I'm Bethany.

Sometimes pre-emptive action
that will guarantee

all our security.

That's why Utrax was created.

I've just got to catch
my breath
-HELEN: Hey.

-Sandy.

To be the preventive force
that the world needs.

-Sandy.
-What?

We got to go to class.

Fuck class.

Sandy, you've been
in a terrible mood for days now.

Just shut up, Helen.

When I want lessons in mood,

I'll let you know.

-

-

Why them?

Mia's been here
for just two months.

Why her, huh?

Hi.

JULES:
Social media's

Can I come in?

open form structure
allows people

I can come back later.

from minority backgrounds
a voice

No, it's okay.

where they've
traditionally been silenced.

PEARL:
Okay, so we have
a newfound voice online, great.

Did you have a long journey?

But, in real life,
it's actually very different.

I think I saw you arrive
in the car.

Besides, isn't real life
what actually matters?

Where are we?

The Meadows.

JULES:
You can't separate the two as if
they're completely unconnected.

But where is that?

Social media's constantly
influencing our real life.

SANDY:
Oh, cool, they gave you these.

They're really cool.

Cooler than mine.

Yeah.

LEO:
Sandy, come in.

My name's Sandy now,
by the way.

Hi.

Sit down.

Sandy?

Like a beach?

I guess, if the beach is sandy.

Why did you come here?

I wanted to see
if you were okay.

So,

Do you have a name?

I hear you're feeling
a little passed over.

Oh, no, not at all, sir.

I'm fine.

Well, it's time to remedy that.

We have something we need you
and Clemency to do.

"Clemency."

I came to get you out.

It involves travel abroad.

That's so sweet.

It's an active operation
with an element of risk.

But now I know
that was a mistake.

Do you both feel ready?

Yeah, it was.
Can I go?

They said if you were
okay with it,

they could get you
to show me around.

They're so beautiful.

Have you written to them?

Help me get to know the place.

You should.

Why?

I write every day to my family.

Almost.

Because maybe I want
to stay here, too.

Jules.

Well, you should only do it
if you feel ready.

Did you forget something?

I have to go to piano now.

No.

I wondered...

So, I'll see you later.

Do you have a second?

Sure.

It's good to have you back.

What's up?

-WOMAN: Reach.
-This is where we do
indoor training.

WOMAN:
Six, seven, eight.

One, two, three, four,

I'm sorry.

five, six, seven, eight.

Hey.

I just...

:
One, two, three, four,

five, six, seven, eight.

I don't think
I'm coping very well.

One, two...

I know I act all...

This is the main building,

where we have our classes
and dorm rooms.

super confident in class
and everything.

Hi, Clemency.

But it's just a lie.

Why did she call you that?

Clemency's my name now.

Well, you're a long way
from home.

That can be overwhelming.

:
Hip-hop is a musical
and artistic movement

characterized by the four main
pillars of hip-hop culture:

Do you want to go grab a coffee?

rapping, deejaying,
break dancing and graffiti.

If you have time,

which you obviously don't.

Originating from the
South Bronx...

I have time.

My room's this way.

-

This is where you sleep?

Oh, my wife's here. Come on.
Come and meet her.

Mm-hmm.

I'm sure she'd love to meet you.

Does she work here as well?

No, she's a journalist,
actually.

JULES:
Oh, wow. Really?

Who are these people?

They're my family.

My parents.

Your family?

Yes.

:
Oh, it's just
a few minutes' walk.

:
It's no problem at all.

We should go.

Clara...

Clemency.

JULES:
Bethany invited me back
to their place

Sonia?

But your name isn't Clemency.

Have a look at this.

for this political gathering
thing.

I'm just getting you in there.

The rest is up to you.

Okay, let me guess the routine.

Yeah.

You call John Carmichael
once a day.

I should show you
around the place.

Maybe when you go
to get coffee for the team.

What's funny?

I've noticed
you like to do that.

You call and you report
on my movements.

It's weird.

I thought it would feel new,

You include in your report
my domestic routine,

as catalogued by those two
clowns outside my apartment.

but it just feels kind of like
another training exercise,

You think maybe I'm about
to meet a journalist

like I've done it before.

or police even.

Maybe I'm about to betray Utrax.

I wonder
if Sandy feels the same.

Tell Carmichael this.

I'm not betraying anyone.

What does that mean?

I'm tired and lonely.

Nothing.

My boyfriend left me
while I was chasing Erik Heller

No, Jules.

across half of Eastern Europe,

What did you mean by that?

and I am now trying
to get him back.

No secrets.
We're on the same team.

During which time
I would very much appreciate

some fucking privacy.

Sandy and Clemency
are in Barcelona.

I have Carmichael's number
on this card.

Leo told me.

I will call him if I want.

Where are they?

Why?

-Call security.
-Code red, all units.

They're covering the operation
on both sides.

And in the meantime,
if I see your face again

Code red, all units.
Trainees out-of-bounds.

around my private life,

I'll rip it off
and mail it to him.

I tried to find you.

But when I came to the hotel
in Bucharest, you weren't there,

and I thought you were dead.

No, I'm fine.

It's my fault.

I didn't listen to you
about your mother.

-I'm sorry.
-My mother's dead.

I know.

What are you doing?

We don't have long.

Agency or, uh...

personal?

You can't take it out.
They'll notice.

But you don't need it.
They just want to keep you numb.

I need a few more days
to organize this.

I can't take it out, Hanna.
They'll notice.

Oh, sorry...
I don't speak Spanish very well.

You don't want me to cut it out.

You need help with the bags?

Keep away from the windows
at all times.

What are you talking about?

Oh, no, I'm good.

I just rented an apartment here.

Don't answer the phone
or the doors, okay?

-4A?
-Yeah. It's just up there.

You don't, do you?

Nice.

They fill you with drugs
and you let them.

Hanna?

You're American.

-Right?
-Yeah.

They think you're dead.

You have to stay that way.

Take a year off, traveling.

Look at yourself.
What is this?

That's cool.
Where have you been?

It's a whole new life
I'm offering you.

What about it?

Paris for a month.
And Rome.

No one will know
where you've gone.

They do it to everyone.
They'll do it to you, too.

Now here.

He's an old teacher of mine,
no other connection.

No, they won't.
I didn't come here to join you.

I'm Clemency.

No one will trace you.

I came here to get you out.

Juan.

How the hell are you gonna
do that?

: There's a place
in Canada, it's beautiful.

Passports, new names,

I know Erik offered you this.

tickets for both of us.
A new life.

But he couldn't deliver it,
and I can.

It's all been arranged.

We just have to get out of here.

Where did they take Clara?

-Arranged by who?
-Marissa Wiegler.

She's here.
She's going to help us.

No idea,
but I know there's nothing

that you can do for her now.

You know none of this is real.

These clothes are fake.

The photos in your room
are fake.

They're training you
to kill people.

That's all they want.

Isn't that why you tried
to leave in the first place?

I wanted to leave
because I wasn't free.

Don't walk away.

: You're not free.
-You don't know that.

Just talk to me
for a second, okay?

Try to leave.
See how free you are.

Oh.

Just thought I'd say hi.

-

I'm Stephen Mannion.

-Sorry.
-Oh, please.

This isn't your home.

Don't bother.

I work for a group
that's trying to expose Utrax

My mother said I was always

I don't have a home.
So what difference does it make?

the messiest pup in the litter.

and the organization behind it.

-I'm John Carmichael.

Yes, you do. With me.

-

Terri Miller, sir.

Marissa called me when
she learned about the Meadows.

You come very highly
recommended.

Come with me, Clara.

You're involved with some
dangerous people,

Well, I hope to not disappoint.

and I need to know
what they want from you.

MAN:
This way! Move it!

I see you're watching
our latest arrival.

Please.

Yeah.

Stay away from me.

-Hanna, please...
-I said stay away.

-MAN: Behind this door, come on!
-Okay.

Who is she?

I work with them now.

MAN:
Door is locked.

Just someone
we lost for a while.

Please, whatever they want you
to do, don't do it.

-Open up!

"Lost"?

She's a rebel, I guess,
but like God,

we value our rebels highly.

Stand back.

You did really good work
on her material.

I'll be here.
Same time every day.

Big family-- generous,
but not holier than thou.

-Just what she needs.
-It's the kind of the family

I would've dreamed of as a kid.

What are you doing here?

Brothers and sisters everywhere.

Just having a smoke.

Ah, you're an only child?

For old time's sake.

Yeah.

Loved but lonely.

-Get out of here.
-

We just need
to give her more time.

Come on!

You're late.

I know. I'm sorry.
I got lost.

What is it?

Booze for the staff,
so they can unwind

and out of tune...

after all the stress
we cause them.

Who told you about this?

So, I think I did something

Leo accidentally let slip

that was maybe a bit stupid.

that a delivery
was arriving today.

What did you do?

-Okay. Let's go.
-Are you sure?

JULES:
I split up with Aaron.

Move.

Oh, my God.

:

-Oh, you came.
-Yeah.

Why?

I-I thought you liked him.

What are you doing here?
This is staff only.

Thank you.

I changed my mind.

Sorry, is this out-of-bounds?

I brought Mia.
I hope that's okay.

your vitamin...

Yeah, of course.

You know it is.

Wow.

Come in, come in.

every single day...

What?

I just saw that you had
chocolate milkshake,

How did you do it?

I messaged him, obviously.

-in the delivery.
-MAN: So... what?

Well, what did he say?

Bethany, is that academic here?
The one you mentioned?

SANDY:
So, I...

He was really upset.

was just wondering

You mean Leslie Neil?

And then Mom tried
to change my mind.

if you could spare me one?

Sure, I'll introduce you.

Mia, do you want to meet her?

Whoever Mom is.

She lectures on female violence
in popular culture.

-You want a chocolate milkshake?
-SANDY: Yeah.

I can't believe you did that.

I thought Aaron was so hot.

She's fucking awesome.

You like him so much,

It's okay. I'm gonna go and
grab myself a drink.

you fucking go out with him.

MAN: You can just get it
in the cafeteria, you know.

You curse too much.

I know, but you have to pay.

I what?

And it tastes better when
it's not from the cafeteria.

I don't understand you, Jules.

I mean, why make
everything so difficult?

Now they have
to find you another guy.

What if I don't want
another guy?

Does it now?

What do you mean?

SANDY:
Yeah.

Why does it always
have to be about guys?

You caught me.

Haven't you read
anything, Sandy?

Dutch courage.

Like... in here they have

nah, nah

Never been one for parties.

Me neither.

this absurd hetero-normal notion

I'm Sandy, by the way.

about who we should be.

Oh, I know.

It's, like, totally 1950s.

I'm from Bentleyville, Ohio.

What?

How do you know anything
about the 1950s?

Where are you from?

Are you one of Beth's students?

You know I can't tell you that.

-Forget it.
-No...

Yes. I just arrived.

Sandy, leave it.

Yeah, I know.

Go back to your dead-eyed
magazine world.

Are you a professor, too?

You can't even tell me
your real name.

Uh, no.
I'm a journalist.

Leave me to expand my mind.

What kind?

Well, thanks, anyways.

I expand my mind.

Um...

investigative,
I suppose you'd say.

All the time.

Whoever you are.

Sure you do.

I'd like to do something
like that one day.

Anytime.

Well, get ready for
a lot of late nights

and low wages. Hmm.

What are you working on
at the moment?

This and that.

How did you get into it?

Do you really want to know?

All done here.

Thanks, man.

Um, sorry. I have to take this.

MAN:
What's this all about, Leo?

Just teaching the young

Hello?

a little disobedience.

Yeah, it's me.

Otherwise, how are they
going to convince anyone?

I'm just gonna go

somewhere I can talk.

Hanna, this is John Carmichael,

Yeah. We're ready to publish.

-the director of the Meadows.
-

No, my-my editor understands

Hi, Hanna.

that you want
to do the handover face-to-face.

It's so nice
to finally meet you.

Yeah. He's happy to pay
for my flight to Barcelona

to meet you.

Uh, you went
a little out-of-bounds there.

The staff laundry room
is just for staff.

We'll protect your identity
at all times.

We'll get a Barcelona journalist
involved, as well,

It's okay,
but please don't do it again.

so it'll give the exposure
more reach.

How are you feeling
after this morning?

No, I know a great reporter.

Her name is Alba Paredes.

I'm okay.

You can trust her.

CARMICHAEL:
How was the facility?

I can be there in two days.

Did you like it?

Hotel Oriental?

Sure. I'll-I'll stay there, too.

It was different
to what I expected.

See you there.

Different to what
you saw before, right?

Very different.

CARMICHAEL:
Better?

Well, that's good,

because we'd like

to talk about next steps.

We'd like you
to consider staying here.

What do you think, Hanna?

You willing to give it a try?

Um...

I know it's hard to trust us.

Uh, le café, le café...

You've been fighting us
a long time.

I-It's in your blood
to break the rules.

It's what Erik taught me.

CARMICHAEL:
I know.

But sometimes,

it's okay to stop fighting.

Hey. It's okay.

It's okay.

I'm just so tired.

Yeah.

I lost you.

I just went to see my friend.

Are you okay?

Yeah. I just...

CARMICHAEL:
So, um,

we'll go and set
everything up for you.

Where was I?

You'll need a new identity,
a new name.

I worked on an investigation

into the Magdalene Laundries.

It's what we do for everybody.

What are they?

You never heard of them?

Thank you.

Oh.

Um, young Irish women,

almost all poor,

some prostitutes,

Chloe?

some pregnant out of wedlock,

some just abandoned
by their families,

were sent to these
Catholic-run institutions.

-You've got chocolate
on your lip.
-

And they were locked up,
and they were never let out.

-Where have you two been?
-

They were tortured, abused.

All trainees
to the main hall now.

They lived
in hideous conditions.

Some of them had babies
taken away from them,

and they never saw them again.

They know.
They fucking know.

Many of them died

-Jules, what have you done?
-Shut up.

and were buried there
in unnamed graves.

McCOY:
Okay. Sit down, everyone.

This won't take long.

I, uh...

I did a piece on that.

There's something
I need to tell you all.

The cover-up.

We have a visitor.

Is that all true?

Yeah.

It is.

Sadly.

You all right?

CARMICHAEL:
I want to introduce you
to our latest recruit.

MAN:
Stand by! Engage!

Some of you may remember her
from a previous occasion,

but I want you to erase that
from your mind.

-Engage!
-

This is a fresh start.

Her name now is Mia Wolff.

You seen Sandy?

TERRI:
These are the photos Mia sent us

She's from Germany.

I think she's at music now.

of Nicola Gough's notebook.

Given Mia's arrival,
I would also like to take

But she'll be in the cafe later.

She uses a variation
of Teeline shorthand,

this opportunity to talk
to you about your futures.

MAN:
Group! Clear your weapons!

but it's unique to her,

Pretty soon, there'll be a
period of service in your life,

which means that she'll refer
to her notes

but no one can easily decode it.

in service of your country,
of the free world.

Except you have.

TERRI:
Time and again
she refers to Tacitus as R.G.

That period of service
won't come without risk.

You're soldiers, you know that.

WOMAN:
That'll be two dollars, please.

LEO:
Did you cross-check

And with risk comes reward.

-with Hotel Oriental?
-Yeah, but there are

-Thank you.
-Thanks.

no guests booked to stay
under those initials.

When you're finished
with your years with us,

But...

there is an American student
studying politics

you'll be given a new life.

Fully paid for, fully supported.

at the University of Barcelona.

-Hi.
-Hi.

Same name, same family,
the same person you are now.

Kat Gelder.

Her father is Robert Gelder,

You want a juice?
I could get you one.

In my heart, I hope and believe

and he's a lawyer
in the military.

I'm okay.

He just took an unexpected leave
from work.

that you will find
love and happiness,

You could try mine.
It's apple.

maybe even have
children of your own

And he has
Code B classified access

No, thanks.

to intelligence files.

who will live in a safer world
thanks to what you did

We think Tacitus
is a military lawyer

in your period of service.

called Robert Gelder.

You are a bunch
of very remarkable young women.

You could try the clothes,
you know.

I could help you.
With your makeup and all.

You know him?

And I want to thank you
from my heart

Only by name.

for what you're doing here.

I mean, if you want to.

His daughter's studying
in Barcelona.

And I want to welcome Mia
to the Meadows.

-There's no rush.
-You know the girl who broke in?

We think he's using her
as cover.

He's coming
in the next two days.

The one I left with?

Check his flight status.

In Romania.

We already have.
He has nothing reserved yet.

What about her?

Keep checking.

She's dead.

I want to know
the second he travels.

Start a tracking operation
on the daughter.

Oh. I'm sorry.

Give London the green light
to intercept Nicola Gough.

We were in the forest together.

Sir...

But then I left.

Why did you leave?

What does Tacitus know?

I thought I could find
my mother.

But they guessed
that I'd look for her

Thank you, Leo.

and they tricked me.

Hi, Clemency.

Actually, I was trying
to work out how they knew...

-Hey.
-We wondered where you were.

You weren't in class.

that I discovered
about my mother.

Oh, no, I got called out.

I figure someone
must have told them.

This is my friend.

Oh, yeah?

Yeah. We remember her.

Yeah.

Mia, right? So it was you
who broke in yesterday.

Someone must have seen me

looking at my mother's name
on the computer system that day.

Apparently, you took out,
like, 50 guards.

And then told on me.

Jules.

And then I realized

I didn't take out 50 guards.

that your door
was the only one open.

Then your standards
are slipping.

Because I opened it.

We'll get you out.

Soon.

I'm Sandy.

Okay?

Did you help them find me...
242?

-Hi.
-JULES: Sandy just stole,

Just hang in there.

like, a whole crate of vodka.

My name's not 242, it's Sandy.

-Actually, you stole it.
-You should've seen her.

-Did you help them?
-Course not.

She was talking to this guy,
who, like, totally

Stupid bitch!

-had the hots for her.
-He did not.

-We should go.
-See you later, Clem.

I didn't mean to.
They asked me questions.

SANDY:
See you around, Mia.

-And you answered the questions?
-What was I supposed to do?

They said they could bring you
back here and make you safe.

And you decided that
that is what I wanted?

SANDY:
"Hi, Mom. Big news today.

I just wanted to help.

"A new arrival has
changed everything.

I mean, look around here.

"She's lonely,

It's beautiful.

"and some people don't like her
because of her past,

"but I think people should be
given the chance to change.

You think you know
what's best for me? 242?

Don't you?"

My name is not 242.

-You think you know?
-Get the hell off me.

with a bikini in Bequia

Galliano sack me

like your freaking acne

brand new perspective

LEO:
Today we're looking
at a classic

with matching red lipstick

two-operative mission.

We call it Face and Trigger.

I got front

McCOY:
In this scenario,

I got a trunk

Operative A is the face.

throw it in the bank bank

The objective of the face
is to befriend the target,

but this ain't what you think

make social contact,

discover the target's routines
and vulnerabilities.

Your age and your gender will
protect you from suspicion,

-

and your support team
will make sure

that your identity checks out,

-should the target
choose to dig into that.
-LEO: Operative B

-

is the trigger.

I guess that one
explains itself, right?

-Here's the key.

The face creates the space
for the trigger to do her work.

Wow.

The two operatives may decide
to meet in public,

I think that's, um,
Jacob's sister.

but no one must suspect
you know each other.

YOUNG MAN:
Jacob? You know that guy?

KAT:
I think he does chemistry.

That's your secret.

That's the power you have.

CARMICHAEL:
She fits right in.

PROFESSOR:
Okay.

She has a home.

So today, we're looking at
consensus and conflict

It's what she always wanted.

It's me.

within the African Nationalist
movements of the 1950s...

Hanna?

But it means my work
is done here.

I'm sorry.
I swear I had it.

Hanna?

You're sure you want to leave?

Can you stand aside, please?

I'm not a part of this, John.

-Yeah, sure.
-Next.

You only brought me in because
you had no other options.

Kat, have you lost your wallet?

You put a hood on my head
to drive me here.

Fuck.

I'm aware this whole operation
began in the shadows.

: Fuck.
-Excuse me.

I kn... I know what it cost you.

Katherine Gelder?

And I know we froze you out
for a while.

Is this yours?

15 years.

Oh, my God.
Thank you so much.

We are so close, Marissa.

I found it on a seat
in the lecture hall.

It must have fallen out
of my bag.

Any day now, these girls will be
ready to go out into the world.

-I am so vacant today.
-You're always vacant.

-They're gonna need support.
-Meaning?

Shut up, Ray.

: I'm Ray.
-Sandy Phillips.

I'd love to welcome you back
with open arms.

Do you study here?
I haven't seen you around.

Mm-hmm.

I've been in the city
a couple of months.

I'm doing business
at the business school?

And are you gonna
tell me the truth?

But I like to dip
into politics too, sometimes.

: I'm a nerd.

Are you gonna tell me
who's behind this operation?

Where do you live?

-Oh, just in
a rented room downtown.
-Cool.

Who's paying for it?
Who's giving the orders?

Did your parents really like
Grease or something?

-Uh, no. Th-They holiday
in Cali every year.

As I thought.

Oh, no-no-no...
he meant the film.

Oh... why?

-Could I ask you
to arrange a car?
-Sure.

KAT:
Your name...
blonde hair, high pony?

I'll have someone take you back
first thing in the morning.

-It-it doesn't matter.
It's fine.
-

-Uh, don't want
you crashing again.
-

Right?

Do you to want to come
and eat with us, Sandy?

Well, I would rather go tonight
if that's possible.

-Sure. That'd be great.
-

I'll see what I can do.

Hi. I missed
the lecture earlier.

HANNA:
We leave tonight.

-10:00.
-There's a curfew at 9:00.

-Can I copy your notes?
-Sure.

How do we get there?

Hi, Mia. I'm Helen.

What's up?

-You want one?
-Thanks.

Nicola Gough's booked her ticket
to Barcelona.

We've had the order
to intercept.

-Uh, you want one, Clem?
-Sure.

-When does she leave?
-Tomorrow morning.

-Sandy?
-JULES: Sandy's not thirsty.

She takes the Northern Line
to London Bridge,

-She had one earlier.
-Shut up.

London Bridge to the airport.

But she won't get there.

SANDY:
Ignore them.

They're just voyeurs.

:
Welcome, trialists,
to the Passway facility.

JULES:
Guys.

Party tonight,
our dorm common room, 9:00.

Please proceed to Area C
for trial induction.

With special ingredients.

-She means beer.
-I so do not mean beer.

What if somebody finds out
that we're out after curfew?

There is a journalist.
Her name is Nicola Gough.

-JULES: Like who?
-Like Leo, for example.

:
You scared of Leo?

She is about to fly to Barcelona
to meet a source

I've got Leo wrapped
around my little finger.

code-named Tacitus.

We've been given the order
to intercept her

Will you come, Mia?

before she gets to the airport.

Utrax have also sent
two other trainees to Barcelona

Sure. I'd like that.

-Great.
-JULES: This is gonna
be so much fun, right?

to intercept the source.

I'll tell you about it tomorrow.

-When is this to happen?
-Tomorrow.

Jesus, that is strong.

Lucy?
Lucy Wiegler.

You're supposed to have
a mixer with that.

Don't you know anything?

-How do you know?
-Because I do my homework

Uh, you're not on the list.

and watch what
they tell me to watch.

Follow me at a distance.

Did you apply for this trial?

Unlike you.
Have you even bothered

to watch this, for example?

I think so.

No. So you'll know nothing

Do you have your consent form?

about the catwalks this year.

Uh, so I'll get
some mixers later.

Welcome, trialists,
to the Passway facility.

You want to try some?

Please proceed to Area C
for trial induction.

Did you see Hanna's eyes?

When she broke in
the time before,

It's okay.

she was wild.

Excuse me.
Are you doing the trial?

You're safe.

Like an animal or something.

Maybe.

This time she looked different.

Who is she?

If I give you this money,
will you let me take your place?

Rachel and I work together.

We're on the side of the angels.

-Please?
-No, thanks.

I didn't notice.

I'm getting five times that.

RACHEL:
There's just not many
of us left anymore.

She just looked kind of sad.

Give me your bag.
And your jacket.

Take off your hoodie.

Like she'd lost
everything she loved.

You heard of them?
The pioneers?

HANNA:
No.

Shut up and drink.

They were originally
a small splinter cell group

of nationalist radicals
within the Agency.

Go home,
and don't ever come back.

RACHEL:
We used to joke about them.

Then they developed Utrax.

INSTRUCTOR:
Stand by! Engage!

Now we believe they're about
to use Utrax

to carry out a series
of assassinations

Monica Gastner.

across the world.

I think Tacitus

knows who the targets are.

-GIRL: Just can't
get it on target.
-GIRL 2: Yeah, seriously...

I believe he has a list
in his possession,

How does the curfew work?

and we need to get to him

Everyone in their rooms at 9:00.

-Does that hurt?

before they do.

-No one's allowed out of the
accommodation block after that.
-INSTRUCTOR: Engage!

A little.

Doors are alarmed,
camera switches off.

-She's crazy.
-They should put her down.

But Jules is having a party.

-Don't say that.
-What? It's true.

It's still
in the accommodation area.

She just causes trouble.

Thanks.

For helping me.

I'll find a way.

No sweat.

Leo Garner.

What?

You were right.

It's just a funny phrase.

I think I have
a friendship issue.

What is?

"No sweat."
Kind of 1950s.

Sir, Robert Gelder has just
bought a United Airlines flight

Ow!

Mia. My name's Leo.

to Barcelona;
he's leaving tomorrow.

He paid cash at a D.C.
travel center.

Be more careful next time.

Hi.

Can I show you your room?

Thank you, Terri.
Good work.

I see Clemency has been
taking you under her wing?

WOMAN:
Do you have everything
you need for your stay?

She's been very kind.

As you know, this is
a three-night trial.

Well, we all want you
to feel at home.

You want me to try
talking to Mia?

The first night,
you will be given the drug,

and in some cases a placebo.

No. Done talking.

It's a little bare,
but that'll change.

And you will be placed
under observation.

We'll get it made up for you,
I'll get you some things,

The second night
you will receive nothing,

and you will be free
to hang out, play games,

-make you more comfortable.
-Thank you.

Leo.

No problem.
And tomorrow we'll get to work

get to know each other.

The third night,

Keep this to yourself.

on building up your new life.

Deal with it personally.

you will receive
another treatment.

It's gonna be a lot of fun.

I don't want any signs
she was ever there.

At all times,
you will be observed,

I look forward to it.

and we want you to know

that your safety
is our paramount concern.

I'll, uh,
I'll leave you to get settled.

You know, I saw you,
on the cameras.

Hey, Mia.

Here's the book you ordered.

The break-in yesterday.

Impressive.

-You're such a dick, Ray.
-Hey!

-What'd you get in business?
-I got an A.

Come on, appreciation for
the guy who got us in here.

-No, you didn't.
-I did.

-Really?
-What did you get?

This way.

Oh, whatever.

-I got a B.
-Well, that's still good.

-No, it's not.
-Yes, it is.

Charlie, what did
you get in business?

In business? I got an F.

KAT:
What is that on your arm?

Hey, I'll catch you guys later.

Oh, uh, it's a birthmark.

See you later.

-Please swallow this.
-What is it?

I used to try and hide it,

It's just a small relaxant.
Nothing to worry about.

but I don't really care
so much anymore.

TERESA:
You guys want to go
inland this weekend?

-Hey.
-Hey.

I will show you the real Spain.

You okay?

I can't, Teresa, sorry.

I don't want to.

You want some of this?
I can't eat it.

My dad's coming to see me.

Then you'll have to leave.

I'm good.

Oh, yeah? When?

What's up?

KAT:
Like, tomorrow.

And I never get to see him.
He's always working, so...

Clem, talk to me.

What does he do?

Uh, he's a lawyer
for the military.

Did something happen?

So cool.

Okay, good.

Like what?

It's super secret. He doesn't
really say that much about it.

We'll call you soon.

No eating from now on.

I don't know.

SANDY:
I think it's great
that he's coming.

It's not like him, though, like,

Are there any other people
staying here?

Something with Mia, maybe?

no notice whatsoever.

-People?
-Young women, staying here?

Clem, you know
you can talk to me.

-RAY: Excuse me.
-CLARA: Hey.

This is just a trial center.

-RAY: Oh, you're American?
-CLARA: Yeah.

Only trialists stay here.

I'm your friend.
That's what friends do.

Huh. You study here?

-No, just traveling.
-All right.

How long you been
in Barcelona?

-Two days.
-Oh, cool.

She wants me to leave.

CLARA:
Thanks for letting me tag along.

With her.

SANDY:
No worries.

Leave?

I love your name, by the way.

-MALE NURSE: Okay.
-

Clemency.
It's so unusual.

How we doing?

When?

It was my mom's idea.

Tonight.

It's so beautiful here.

We have a way out.

Take your arm
out of your sweater.

TERESA:
But the city's changing.

See over there?

When I was young,
that was just trees.

Now all those villas
in the hills are owned

Hold it like this.

by Brits and Americans.

Massive houses,
private pools, gardens.

And most of them
sit empty all year.

Your driver's on the way.

Leave your belongings here,
come with me.

No farewell drink?

thank you, next

I stopped that a while ago.

Didn't do me any good.

for my ex

HANNA:
I'm looking for a girl.

thank you, next

Her name's Clara.

Thanks.

MALE NURSE:
I don't know her.

We-we couldn't have done it
without you.

-

I need to find her.

My pleasure.

for my ex

MALE NURSE:
I told you, I don't know her.

Um...

This way.

thank you, next

can I see Mia one more time?
Before I go?

Why not?

Alba, hi, it's Nicola.

Yeah, I'm just about to go
to the airport now.

Listen, Tacitus is flying today
from Washington.

I need you not to say anything
to your news team, okay?

Not even your editor.

No e-mails. Nothing.

Take a seat.

Okay.

Yeah.

See you there.

What is that?

Just a screen.

Why can't you tell me
where you're going?

You'll be observed at all times
for your own safety.

Because I don't want
to lie to you.

Okay, we'll fix you up
to this line.

It was so easy.

And I can't tell you the truth.

You'll feel a small pinch.

I still think
they're gonna catch us.

JULES:
Shut up, Helen.

Look...

-About time.

I will make it up
to you, I promise.

Take a seat.

Yeah, you bloody well will.

Everyone has to try
some of this.

Who are these drugs for?

It's called a screwdriver
and it's delicious.

Now the music will play.

Sandy lost her virginity
getting it,

Just watch the image.

so it was quite a sacrifice.

Sit back, relax, but try
to keep your eyes open, okay?

-I did not.
-You wanted to.

HELEN:
Why do you always have to be
so gross, Jules?

If you need assistance,
you press this emergency button.

Uh, watch out.
It's pretty strong.

-You understand?
-

You don't like it?

No, I love it.

JULES:
All right, all right...

-

I'm not saying it's...

S-Sorry, I'm...

JULES:
She's here.

You've had vodka before,
haven't you?

-All okay?
-All good.
She's on the Northern Line.

Once, at a party.

A real party?

Train left five minutes ago.

Like, you mean,
with boys and stuff?

MAN:
Please raise your hand
to indicate you're okay.

It was nothing special.

Did you kiss one?

Okay, that's good.

Just look at the trees.

Yes.

Oh, my God.

Did you have sex with him?

She's in the second
to last carriage.

No.

I'll fake surprise,
get her talking.

I've had sex a thousand times.

You do it just as the train
comes into the next station

In my dreams.

so it covers the sound.

Then we get off,
leave her in there.

LEO:
I think we underestimated
the problems she's experiencing.

Mia?

CARMICHAEL:
I don't get it.

Is it true you were
taken away from us

30 trainees, happy, smiling,

when you were very young?

following absolutely
every predicted pathway.

Yes.

And this one.

Well...

-LEO: Mind of her own.
-Don't be flippant.

you're one of us now.

Any flaw to the program this
early does none of us any good.

-What?
-

-So what do you suggest?
-

Sorry to interrupt.

Oh, sorry. I didn't realize...

I just wanted
to say goodbye to Mia.

I just came to see how she was.

There's a car collecting me
in 30 minutes.

LEO:
Terri, this is John Carmichael.

We've met.

Good to see you so settled.

You think you can tell me
why she's failing?

You seem happy, and it's nice
that you're all together.

Oh, I-I don't know.

I wish you all the best
for the future

My hunch is that
she feels different,

in your new home.

Thank you.

on some fundamental level.

Okay. See you when I see you.

Well, maybe you should
work with her,

-see if you can
make some progress.
-Sure.

Be careful.

Because if this fails,
I have to cut her loose.

The doors are alarmed
after 9:00.

There's a personal
and financial cost to that.

LEO:
It's all right, I've got it.

One I'd like to avoid.

Oh.

Good job getting the booze.

Face and Trigger.

-Sandy was terrific.
-JULES: Oh...

-He set us up!
-HELEN: Oh, thank goodness.

He knew all along
we were gonna do this.

Ugh. Face and fucking Trigger.

HELEN:
Get over yourself, Jules.

-Let's just watch the movie.

JULES:
It's not as fun if they know.

MAN:
If your reactions are
significant in the test cases,

HELEN:
It seems like you're the one

then we can explore effects
also on the Utrax recipients.

wrapped around
Leo's little finger.

-WOMAN: Agreed.
-MAN: We anticipate
more extreme reactions

in those cases and can vary
dosage accordingly.

-Your car's
waiting for you outside.
-Thank you.

WOMAN:
What's the final
operational remit?

Safe journey.

MAN:
Removal of all inhibitions
towards the achievement

of maximum violence.

To be used
in extreme situations only.

WOMAN:
Of course.

ERIK:
And human beings are?

HANNA:
Dangerous and not
to be trusted.

ERIK:
If you see one?

HANNA:
Come and find you.

JULES:
Oh, that's gotta hurt.

-ERIK: If there's no time?
-Hide.

-HANNA: If I can't hide...
-

Engage!

...attack.

Excuse me, Nicola?

I'm so sorry.

MAN:
Evening, ma'am.

Night. Larry?

-Yeah?
-Carmichael wants you

at the southeast perimeter.

There's a problem with
the external cordon.

MAN:
What the hell are you doing?!

Okay.

I'm on it.

Thank you.

MAN:
Back on the train, please;
back on the train.

Let me out of here!

Please let me out!

MAN:
Move along, please, move along.

-Stay back. No, no, no-- No!
-Stay calm.

JULES:
Oh, my God, he's getting away.

-HELEN: Oh!

This is so awesome.

Put this on, please.

Is that necessary?

Standard protocol, I'm afraid.

on your knees

Can we wait till we're
through the gates, at least?

is also good for me, yeah

Sure.

-Thanks.
-

change everything

we could

the way you should

out there

Where is the Meadows?

Who are you?

Tell me where they are.

out there

-What?
-What?

give it up to me, yeah

Get in.

under this moon

Okay.

you're gonna

Now we need the hood on.

give it up to me

What the-- Hey,

Hi.

give me the...

Can I come in?

You're already here.

unforgettable-ble

What do you want?

What? Where are they?

I work here.

Sandy?

give it up to me

Can I sit down?

This way.

unforgettable-ble

I don't want to talk to anyone.

-That's fine.
-

You don't have to talk.

I'll just sit here.

Come on, Hanna.

Oh, fuck. Come on.

I just don't want you
to be alone tonight.

Finally.

Hello, Marissa.

-

MAN:
There she is! Go, go, go!

-Hands up!
-I'm on her!

HANNA:
Where are we?

Clara?

I'm sorry.

What's going on?

ooh, I know

I feel so summertime

:
What have you done?

Don't.

like, overtime

What have you done?!

don't act no nonchalant

Mia,

just like a drum

listen to me.

not the one

What if you could be happy here?

and you're so overdone

What if you could?

we shall overcome

This is where you belong, Mia.

You can trust us.

:
We're your family.

-

ain't no

-

I feel so summertime

I feel so summertime

I feel so summertime

so summertime

when I'm trying to shine?

Ha

-

-

grew into a riot

on your mind

the comedown

inside your head

-

-

-