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These are the user uploaded subtitles that are being translated: 1 00:00:06,640 --> 00:00:11,276 ♪ 2 00:00:11,379 --> 00:00:13,579 Narrator: THIS IS THE STORY OF A SINGLE MOM 3 00:00:15,282 --> 00:00:17,483 WHO WOULD DO ANYTHING FOR HER KIDS. 4 00:00:20,388 --> 00:00:22,121 Edie: SANDY LOVED HER CHILDREN. 5 00:00:22,223 --> 00:00:24,823 THEY WERE A JOY TO WATCH AS A FAMILY. 6 00:00:24,925 --> 00:00:27,459 Narrator: BUT WHEN A BRUTAL MURDER... 7 00:00:27,561 --> 00:00:29,962 THE OFFICER JUST SPUN AROUND AND SAID, "OUT!" 8 00:00:31,365 --> 00:00:33,599 ...LEADS TO A NATIONWIDE MANHUNT.... 9 00:00:33,701 --> 00:00:35,667 Timothy: LAW ENFORCEMENT PUT OUT A LOOKOUT, 10 00:00:35,770 --> 00:00:38,837 WHICH WENT TO EVERY AGENCY IN THE UNITED STATES. 11 00:00:38,939 --> 00:00:41,073 ...THE TRUTH OF HOW IT ENDS... 12 00:00:41,175 --> 00:00:44,309 Timothy: HOW COULD THIS POSSIBLY HAVE HAPPENED? 13 00:00:44,412 --> 00:00:46,845 IT'S JUST INCOMPREHENSIBLE. 14 00:00:46,947 --> 00:00:48,447 ...WILL DESTROY THIS FAMILY. 15 00:00:48,549 --> 00:00:54,053 ♪ 16 00:00:54,155 --> 00:01:02,127 ♪ 17 00:01:02,229 --> 00:01:07,366 ♪ 18 00:01:11,105 --> 00:01:12,671 Narrator: IT'S MEMORIAL DAY WEEKEND, 19 00:01:12,773 --> 00:01:15,874 1989, IN PALCO, KANSAS, 20 00:01:15,976 --> 00:01:19,445 AND SANDY MILES IS CELEBRATING HER 40th BIRTHDAY. 21 00:01:24,852 --> 00:01:26,118 -OH, BOY. -[ LAUGHTER ] 22 00:01:26,220 --> 00:01:29,254 BEHIND THE CAMERA IS SANDY'S SISTER, EDIE. 23 00:01:32,259 --> 00:01:35,094 SANDY CAME TO OUR HOUSE FOR HER 40th BIRTHDAY, 24 00:01:35,196 --> 00:01:36,862 AND I'D MADE HER A BIRTHDAY CAKE. 25 00:01:38,399 --> 00:01:44,369 I ENJOYED DOING SOMETHING FOR HER, MAKING HER DAY SPECIAL. 26 00:01:44,472 --> 00:01:47,873 WE HAD THE FAMILY THERE FOR A MEAL. 27 00:01:47,975 --> 00:01:50,576 Narrator: NEXT TO SANDY ARE HER TWO CHILDREN, 28 00:01:50,644 --> 00:01:53,512 13-YEAR-OLD CHAD 29 00:01:53,614 --> 00:01:54,580 AND 8-YEAR-OLD TRACIE. 30 00:01:56,750 --> 00:02:00,119 WAITING IN THE WINGS, READY TO SERVE UP A BIRTHDAY FEAST 31 00:02:00,221 --> 00:02:01,453 IS ELDEST SISTER, PAT. 32 00:02:03,557 --> 00:02:06,425 IT WAS IMPORTANT THAT WHEN WE ALL GOT TOGETHER 33 00:02:06,527 --> 00:02:08,227 AS A FAMILY THAT WE'D KIND OF 34 00:02:08,329 --> 00:02:09,728 SPOIL SANDY A LITTLE BIT. 35 00:02:11,699 --> 00:02:12,698 SHE WAS THE BABY. 36 00:02:17,271 --> 00:02:18,837 Narrator: THE MILES KIDS AREN'T THE ONLY ONES 37 00:02:18,939 --> 00:02:20,405 EAGER FOR A SLICE OF BIRTHDAY CAKE. 38 00:02:22,042 --> 00:02:23,675 THEY'RE JOINED HERE BY LITTLE COUSINS 39 00:02:23,777 --> 00:02:26,078 TIFFANY AND HER YOUNGER BROTHER, TRAVIS. 40 00:02:27,615 --> 00:02:31,984 GRANDMA EDIE'S THING WAS CAKES, OF ALL OCCASIONS. 41 00:02:32,086 --> 00:02:34,119 [ SINGING ] TO YOU... 42 00:02:34,221 --> 00:02:38,223 SHE DEFINITELY WANTED TO MAKE SANDY 43 00:02:38,325 --> 00:02:39,658 FEEL LOVED ON HER BIRTHDAY. 44 00:02:41,962 --> 00:02:44,062 TRACIE MOVES IN FOR A BIG HUG. 45 00:02:46,300 --> 00:02:48,066 SEE HOW HAPPY SANDY IS? 46 00:02:56,944 --> 00:02:59,244 Pat: WE WERE EXTREMELY CLOSE AS A FAMILY. 47 00:03:02,616 --> 00:03:04,550 Narrator: SISTERS SANDY, EDIE, AND PAT 48 00:03:04,652 --> 00:03:06,351 ARE COUNTRY GIRLS AT HEART. 49 00:03:09,456 --> 00:03:11,156 Edie: THE RURAL AREA WHERE WE LIVE 50 00:03:11,258 --> 00:03:13,192 IS PRETTY SPARSELY POPULATED. 51 00:03:14,662 --> 00:03:17,596 YOU COULD GO A WHOLE MILE AND NOT SEE A HOUSE. 52 00:03:20,201 --> 00:03:21,867 Narrator: GROWING UP, THEY QUICKLY LEARN 53 00:03:21,969 --> 00:03:23,936 TO MAKE THE MOST OF THEIR RURAL LIFESTYLE. 54 00:03:27,041 --> 00:03:30,075 PAT WAS ALWAYS OLDER AND MORE WITH HER FRIENDS 55 00:03:30,177 --> 00:03:32,044 AND SO FORTH. 56 00:03:32,146 --> 00:03:35,681 SANDY AND I WERE THE ONES WHO PLAYED TOGETHER. 57 00:03:35,783 --> 00:03:39,051 WE WOULD GO UP TO THE PLAYGROUND 58 00:03:39,153 --> 00:03:40,752 AND PLAY ON THE JUNGLE GYM, 59 00:03:40,854 --> 00:03:45,157 AND THE SWINGS -- WE PLAYED SCHOOL INSIDE. 60 00:03:45,292 --> 00:03:47,125 I ALWAYS WAS THE TEACHER, 61 00:03:47,228 --> 00:03:49,628 AND I WAS THE OLDER CHILD, SO THEREFORE, 62 00:03:49,730 --> 00:03:52,164 I COULD MAKE SANDY BE THE STUDENT. 63 00:03:52,266 --> 00:03:54,566 -[ SWING SET SQUEAKING ] -[ INDISTINCT EXCLAMATIONS ] 64 00:03:54,668 --> 00:03:56,969 AS THE YEARS PASS, PAT AND EDIE 65 00:03:57,071 --> 00:03:58,537 START FAMILIES OF THEIR OWN. 66 00:04:00,341 --> 00:04:02,074 BUT SANDY DECIDES IT'S TIME TO FLY 67 00:04:02,176 --> 00:04:06,245 THE NEST AND MOVES 150 MILES AWAY 68 00:04:06,347 --> 00:04:08,213 TO THE LARGER TOWN OF HUTCHINSON, 69 00:04:08,315 --> 00:04:12,050 WHERE SHE GETS A JOB IN A LOCAL AVIATION FACTORY. 70 00:04:12,152 --> 00:04:14,086 SHE WAS A VERY DEDICATED EMPLOYEE, 71 00:04:15,623 --> 00:04:19,891 RARELY DID NOT SHOW UP FOR WORK, RARELY CALLED IN SICK. 72 00:04:19,994 --> 00:04:22,628 Narrator: DESPITE THE DISTANCE, THE SISTERS MAKE SURE 73 00:04:22,730 --> 00:04:26,531 THE BONDS BETWEEN THEM REMAIN AS TIGHT AS EVER. 74 00:04:26,634 --> 00:04:28,467 I WOULD COME TO HUTCHINSON, AND WE WOULD GO 75 00:04:28,569 --> 00:04:30,902 OUT TO EAT AND TAKE THE KIDS TO THE PARK. 76 00:04:32,806 --> 00:04:34,940 SANDY MAKES REGULAR TRIPS TO EDIE'S RANCH 77 00:04:35,042 --> 00:04:38,110 IN PALCO TO VISIT HER NIECES AND NEPHEWS. 78 00:04:38,212 --> 00:04:39,544 Man: PAPAW'S DRUNK. 79 00:04:42,750 --> 00:04:44,716 Narrator: AND WHILE SHE'S THRILLED TO BE AN AUNT, 80 00:04:44,818 --> 00:04:48,287 SANDY CAN'T QUITE DISGUISE THE FACT THAT SHE'S DESPERATE TO 81 00:04:48,389 --> 00:04:50,522 START A FAMILY OF HER OWN. 82 00:04:50,624 --> 00:04:53,825 SANDY REALLY, REALLY WANTED CHILDREN. 83 00:04:56,630 --> 00:04:58,430 IT MAY HAVE BEEN HARD FOR HER, SEEING 84 00:04:58,532 --> 00:05:01,266 THAT EDIE AND I BOTH HAD CHILDREN. 85 00:05:07,808 --> 00:05:11,076 Narrator: BACK IN HUTCHINSON, SANDY DECIDES TO MAKE A CHANGE. 86 00:05:12,513 --> 00:05:15,480 Edie: SHE STARTED GOING TO SOME SINGLES CLUBS AND TRYING 87 00:05:15,582 --> 00:05:18,617 TO MEET SOMEONE SHE WANTED TO SPEND HER LIFE WITH. 88 00:05:20,287 --> 00:05:22,287 Narrator: IN 1976, SANDY HAS 89 00:05:22,389 --> 00:05:24,056 SOME EXCITING NEWS FOR HER SISTERS. 90 00:05:25,793 --> 00:05:29,695 SHE'S MET SOMEONE, AND SHE'S GOING TO BE A MOM. 91 00:05:29,797 --> 00:05:31,997 SHE WAS VERY EXCITED ABOUT BEING A MOTHER 92 00:05:32,099 --> 00:05:35,667 AND HAVING A CHILD IN HER LIFE. 93 00:05:35,769 --> 00:05:37,502 Narrator: IN MARCH OF 1976, 94 00:05:37,604 --> 00:05:39,271 CHAD IS BORN. 95 00:05:40,674 --> 00:05:44,609 BUT SANDY'S RELATIONSHIP WITH HIS FATHER DOESN'T LAST. 96 00:05:46,180 --> 00:05:49,848 CHAD IS STILL YOUNG WHEN SANDY TAKES A LEAP OF FAITH AGAIN 97 00:05:49,950 --> 00:05:52,584 AND STARTS A RELATIONSHIP WITH A WORK COLLEAGUE, 98 00:05:52,686 --> 00:05:55,187 JERRY MILES. 99 00:05:55,289 --> 00:05:57,422 AND IT'S NOT LONG UNTIL THERE'S THE SOUND OF 100 00:05:57,524 --> 00:05:59,224 WEDDING BELLS. 101 00:05:59,326 --> 00:06:02,861 Pat: I WAS REALLY HAPPY FOR SANDY ON HER WEDDING DAY. 102 00:06:02,963 --> 00:06:06,131 SHE HAD ON THIS PRETTY BLUE DRESS. 103 00:06:06,233 --> 00:06:08,967 CARRIED HER BOUQUET, AND IT WAS A HAPPY DAY. 104 00:06:09,069 --> 00:06:12,938 I WAS MAID OF HONOR, AND I REMEMBER TELLING JERRY 105 00:06:13,040 --> 00:06:15,974 IN A FUN WAY THAT HE BETTER TAKE GOOD CARE OF SANDY. 106 00:06:18,445 --> 00:06:20,245 Narrator: IN SEPTEMBER OF 1980 107 00:06:20,347 --> 00:06:25,016 SANDY AND JERRY WELCOME A NEW BABY, TRACIE. 108 00:06:25,119 --> 00:06:28,520 SANDY ALWAYS DID WANT A LITTLE GIRL TO PLAY WITH CHAD. 109 00:06:30,023 --> 00:06:32,023 AND THEY WERE BOTH BEAUTIFUL CHILDREN. 110 00:06:33,494 --> 00:06:35,026 SHE MADE GOOD-LOOKING BABIES. 111 00:06:39,767 --> 00:06:41,933 Narrator: BUT SANDY AND JERRY ARE STRUGGLING, 112 00:06:43,737 --> 00:06:48,340 AND IN 1985, THEY DIVORCE, LEAVING SANDY 113 00:06:48,442 --> 00:06:51,510 A SINGLE MOM AGAIN, BUT NOW WITH TWO KIDS. 114 00:06:53,480 --> 00:06:54,980 Pat: I THINK SHE DID A REAL GOOD JOB 115 00:06:55,082 --> 00:06:57,783 OF COPING WITH BEING ON HER OWN. 116 00:06:57,885 --> 00:07:00,385 Narrator: WITH TWO FAILED RELATIONSHIPS BEHIND HER, 117 00:07:00,487 --> 00:07:04,222 SANDY DECIDES TO FOCUS COMPLETELY ON HER KIDS. 118 00:07:06,126 --> 00:07:08,126 Edie: THEY WERE A JOY TO WATCH AS A FAMILY. 119 00:07:09,797 --> 00:07:12,564 SHE WOULD HUG AND KISS THEM, AND THEY WOULD 120 00:07:12,666 --> 00:07:15,734 SIT ON HER LAP, AND SHE WOULD PLAY WITH THEM. 121 00:07:15,836 --> 00:07:19,704 SHE HAD SOMEONE IN HER LIFE THAT SHE REALLY CARED ABOUT, 122 00:07:19,807 --> 00:07:20,839 AND THEY CARED ABOUT HER. 123 00:07:20,941 --> 00:07:22,774 [ STATIC NOISES ] 124 00:07:22,876 --> 00:07:25,277 Narrator: AND EDIE'S RANCH ALWAYS PROVIDES 125 00:07:25,379 --> 00:07:26,945 A LOVING ENVIRONMENT FOR THEM. 126 00:07:27,047 --> 00:07:28,547 [ ENGINE REVVING ] 127 00:07:28,649 --> 00:07:32,451 THE CHILDREN COULD GO OUTSIDE AND PLAY AND RIDE BIKES 128 00:07:32,553 --> 00:07:35,353 AND RIDE HORSES AND JUST MANY DIFFERENT ACTIVITIES. 129 00:07:35,456 --> 00:07:38,924 SO WE ENJOYED IT, THEY ENJOYED IT, AND... 130 00:07:39,026 --> 00:07:41,293 IT'S JUST REALLY A NICE PLACE TO GET TOGETHER. 131 00:07:41,395 --> 00:07:43,829 [ SQUEAKING NOISES ] 132 00:07:43,931 --> 00:07:46,765 IT'S A PLACE OF ADVENTURE AND ESCAPE. 133 00:07:46,867 --> 00:07:48,900 [ ENGINE RUMBLING ] 134 00:07:49,002 --> 00:07:50,735 Travis: GRANDMA AND GRANDPA'S HOUSE WAS ALWAYS 135 00:07:50,838 --> 00:07:52,971 THE GATHERING PLACE FOR THE WHOLE FAMILY. 136 00:07:53,073 --> 00:07:56,241 BIG OPEN SPREAD WITH TONS OF STUFF TO DO. 137 00:07:56,343 --> 00:07:57,642 [ LAUGHTER ] 138 00:07:57,744 --> 00:07:59,978 [ SHOUTING INDISTINCTLY ] 139 00:08:00,080 --> 00:08:01,813 TO BE ABLE TO BURN OFF ENERGY 140 00:08:01,915 --> 00:08:05,517 AND EXPLORE AND PLAY AND... 141 00:08:05,619 --> 00:08:06,751 Narrator: FOR TRACIE AND CHAD, 142 00:08:06,854 --> 00:08:09,554 IT'S AN IDYLLIC WORLD FAR FROM THEIR LIVES IN THE CITY. 143 00:08:11,391 --> 00:08:14,159 TRACIE AND CHAD WOULD GO HORSEBACK RIDING 144 00:08:14,261 --> 00:08:15,760 ON A HORSE NAMED CAJUN. 145 00:08:15,863 --> 00:08:19,798 Child: OH! OH! OH! 146 00:08:19,900 --> 00:08:22,367 Edie: OUR HORSES WERE GENTLE ENOUGH THAT THEY COULD RIDE 147 00:08:22,469 --> 00:08:23,568 A LITTLE BIT ON THEIR OWN. 148 00:08:25,105 --> 00:08:26,137 THEY ENJOYED THAT. 149 00:08:28,675 --> 00:08:30,475 EVERY EASTER TIME, THE FAMILY GATHERED 150 00:08:30,577 --> 00:08:33,612 FOR GRANDMA EDIE'S BELOVED EASTER EGG HUNT. 151 00:08:33,714 --> 00:08:38,250 FOR THE KIDS, IT'S THE HIGHLIGHT OF THE YEAR. 152 00:08:38,352 --> 00:08:40,952 ANY TIME CHAD AND TRACIE WERE COMING, WE WERE ALWAYS 153 00:08:41,054 --> 00:08:42,153 REALLY EXCITED. 154 00:08:42,256 --> 00:08:43,688 [ INDISTINCT EXCLAMATION ] 155 00:08:43,790 --> 00:08:46,391 THE EASTER EGG HUNTS WERE LEGENDARY. 156 00:08:47,794 --> 00:08:51,363 THEY WOULD PUT ALL SORTS OF THINGS IN THESE PLASTIC EGGS. 157 00:08:51,465 --> 00:08:52,898 [ SPEAKS INDISTINCTLY ] 158 00:08:53,000 --> 00:08:55,967 THERE'D BE CANDY IN THERE, THERE'D BE CASH IN THERE. 159 00:08:56,069 --> 00:08:57,802 THERE'D BE ALL SORTS OF THINGS YOU COULD FIND, 160 00:08:57,905 --> 00:09:00,505 AND IT WAS ALWAYS A MAD SCRAMBLE AMONG 161 00:09:00,641 --> 00:09:02,974 THE COUSINS WHO COULD FIND THE BEST EGG. 162 00:09:06,380 --> 00:09:09,214 REALLY GREAT MEMORY FOR ALL OF US KIDS. 163 00:09:11,451 --> 00:09:13,552 Narrator: WHEN THE KIDS AREN'T HUNTING EASTER EGGS, 164 00:09:13,654 --> 00:09:17,589 EDIE'S SERVING UP HUGE COUNTRY FEASTS. 165 00:09:17,691 --> 00:09:19,858 WE WOULD HAVE THE, YOU KNOW, THE FAMILY DINNER. 166 00:09:19,960 --> 00:09:21,159 I DID ALL THE COOKING. 167 00:09:21,228 --> 00:09:22,561 GRANDMA. 168 00:09:22,663 --> 00:09:24,896 Narrator: THE SUPPORT THAT EDIE AND PAT PROVIDE 169 00:09:24,998 --> 00:09:28,733 GIVE SANDY, CHAD, AND TRACIE MUCH-NEEDED SECURITY. 170 00:09:28,835 --> 00:09:32,203 THE DINNERS WERE VERY IMPORTANT, 171 00:09:32,306 --> 00:09:34,072 AND WE WERE TOGETHER AS A FAMILY. 172 00:09:38,312 --> 00:09:40,712 Narrator: WHILE CHAD HIDES HIS FACE BEHIND HIS HAND, 173 00:09:40,814 --> 00:09:44,115 TRACIE IS NEVER ONE TO MISS A MOMENT IN FRONT OF THE CAMERA. 174 00:09:44,217 --> 00:09:46,651 [ INDISTINCT EXCLAMATIONS ] 175 00:10:04,371 --> 00:10:07,572 Narrator: NO ONE CAN IMAGINE HOW BONDS THIS STRONG 176 00:10:07,674 --> 00:10:09,040 COULD EVER BE BROKEN. 177 00:10:09,142 --> 00:10:10,775 [ INDISTINCT EXCLAMATIONS ] 178 00:10:20,988 --> 00:10:22,988 Narrator: SANDY MILES' 40th BIRTHDAY 179 00:10:23,123 --> 00:10:25,790 ALSO MARKS FOUR YEARS SINCE SHE BECAME 180 00:10:25,892 --> 00:10:29,561 A SINGLE MOM WORKING TO SUPPORT HER TWO KIDS, 181 00:10:29,663 --> 00:10:31,896 CHAD AND TRACIE. 182 00:10:39,640 --> 00:10:42,140 Narrator: IT'S A ROLE THAT CARRIES GUILT. 183 00:10:42,242 --> 00:10:45,343 I THINK THAT SANDY FELT BAD ABOUT HER CHILDREN 184 00:10:45,445 --> 00:10:48,613 NOT HAVING A FATHER IN THE HOUSE. 185 00:10:48,715 --> 00:10:50,882 MAYBE SHE OVERCOMPENSATED A LITTLE BIT 186 00:10:50,984 --> 00:10:52,651 BY BUYING THEM TOO MUCH. 187 00:10:52,753 --> 00:10:55,253 GRANDMA? 188 00:10:55,355 --> 00:10:58,590 Narrator: TRACIE'S BEST FRIEND THROUGH SCHOOL, ERIKKA BUEFORD, 189 00:10:58,692 --> 00:11:01,626 SEES JUST HOW CLOSE THE FAMILY IS. 190 00:11:03,664 --> 00:11:04,829 THEY ALL LOVED EACH OTHER. 191 00:11:06,433 --> 00:11:08,366 EVERYTHING SANDY DID WAS FOR THEM. 192 00:11:12,572 --> 00:11:14,873 Narrator: SUPPORTING THEM ALL MEANS WORKING LONG HOURS 193 00:11:14,975 --> 00:11:15,874 AT HER FACTORY JOB. 194 00:11:19,079 --> 00:11:22,180 Edie: SANDY WORKED ON AN ASSEMBLY LINE. 195 00:11:22,282 --> 00:11:23,448 SHE HAD TO WORK. 196 00:11:23,583 --> 00:11:26,785 SHE WAS A SINGLE MOTHER AND HAD TO PROVIDE FOR THE FAMILY. 197 00:11:28,288 --> 00:11:30,822 Narrator: TRACIE RESPONSE TO HER MOM'S ABSENCE 198 00:11:30,924 --> 00:11:33,158 WITH A NEED FOR LOVING ATTENTION. 199 00:11:34,561 --> 00:11:37,495 Edie: TRACIE WAS VERY AFFECTIONATE WITH HER MOTHER. 200 00:11:37,597 --> 00:11:39,898 YOU KNOW, AS ANY CHILD, THEY WOULD WANT 201 00:11:39,966 --> 00:11:42,367 THEIR MOTHER TO SPEND MORE TIME WITH THEM. 202 00:11:42,469 --> 00:11:48,073 ♪ 203 00:11:48,175 --> 00:11:51,042 Narrator: AS TRACIE GROWS UP, THE TIES THAT BOND 204 00:11:51,144 --> 00:11:53,745 MOTHER AND DAUGHTER BECOME EVEN STRONGER. 205 00:11:55,115 --> 00:11:57,882 AND THEY'RE ONLY STRENGTHENED WHEN 20-YEAR-OLD CHAD DECIDES 206 00:11:57,984 --> 00:11:59,751 IT'S TIME FOR HIM TO FLY THE NEST 207 00:11:59,853 --> 00:12:01,619 AND EMBARK ON A LIFE OF HIS OWN. 208 00:12:04,991 --> 00:12:08,259 Edie: AFTER HIGH SCHOOL, CHAD MOVED TO NEW MEXICO, 209 00:12:08,361 --> 00:12:11,930 MARRIED A YOUNG LADY FROM THERE. 210 00:12:12,032 --> 00:12:13,865 SANDY AND TRACIE'S RELATIONSHIP 211 00:12:13,967 --> 00:12:16,568 BECAME CLOSER AT THAT TIME. 212 00:12:16,670 --> 00:12:19,871 Narrator: FOR SANDY, LIFE IS NOW ALL ABOUT TRACIE. 213 00:12:19,973 --> 00:12:26,578 ♪ 214 00:12:26,680 --> 00:12:29,814 TRACIE IS A KEEN ATHLETE AND DANCER, AND SANDY 215 00:12:29,916 --> 00:12:32,317 MAKES SURE HER DAUGHTER NEVER MISSES A PRACTICE. 216 00:12:33,887 --> 00:12:36,921 SANDY WAS VERY PROUD OF TRACIE. 217 00:12:37,023 --> 00:12:38,857 TRACIE WAS GOOD AT GYMNASTICS. 218 00:12:38,959 --> 00:12:41,126 [ CAMERA SHUTTER CLICKS ] 219 00:12:41,228 --> 00:12:44,529 SHE'S THE MOST ACTIVE PERSON I'VE EVER BEEN AROUND. 220 00:12:44,631 --> 00:12:45,530 [ CAMERA SHUTTER CLICKS ] 221 00:12:45,632 --> 00:12:49,434 SHE WAS IN DANCE AND FLIPPING, CARTWHEELS, 222 00:12:49,569 --> 00:12:51,202 SHE COULD DO ALL THAT. 223 00:12:51,304 --> 00:12:54,172 SHE WAS VERY ACTIVE, VERY ATHLETIC. 224 00:12:54,274 --> 00:12:55,740 [ CAMERA SHUTTER CLICKS ] 225 00:12:55,842 --> 00:12:57,509 Pat: I KNOW SHE WAS REALLY INTO THE DANCING, 226 00:12:57,611 --> 00:13:00,178 AND -- AND SANDY LOVED DANCING, TOO, 227 00:13:00,280 --> 00:13:02,147 AND HAD A REAL GOOD TIME WITH IT. 228 00:13:06,153 --> 00:13:10,455 Narrator: IN THE FALL OF 1996, TRACIE TURNS 16, 229 00:13:10,557 --> 00:13:12,690 AND SANDY IS DETERMINED THAT HER DAUGHTER 230 00:13:12,793 --> 00:13:15,794 GETS EVERY CHANCE IN LIFE. 231 00:13:15,896 --> 00:13:18,596 SANDY ALWAYS WANTED THE BEST FOR TRACIE. 232 00:13:18,698 --> 00:13:21,733 SHE SENT HER TO SCHOOLS IN DIFFERENT DISTRICTS 233 00:13:21,835 --> 00:13:25,236 TO MAKE SURE SHE WAS GETTING THE BEST EDUCATION. 234 00:13:25,338 --> 00:13:27,605 Pat: IN HER MIND, 235 00:13:27,707 --> 00:13:30,341 I THINK SHE FELT LIKE, "WELL, I DIDN'T GO TO COLLEGE. 236 00:13:30,477 --> 00:13:33,511 "I DIDN'T DO THIS. I DIDN'T DO THAT. 237 00:13:33,613 --> 00:13:36,214 I WANT BETTER FOR MY KIDS." 238 00:13:36,316 --> 00:13:38,183 AND THAT WAS SO IMPORTANT TO HER. 239 00:13:40,387 --> 00:13:42,587 Narrator: BUT TRACIE IS DISCOVERING THERE'S MORE 240 00:13:42,689 --> 00:13:44,722 TO HIGH SCHOOL THAN GYM CLASS. 241 00:13:46,993 --> 00:13:50,628 Erikka: TRACIE WAS 16 WHEN SHE STARTED DATING MORE. 242 00:13:50,730 --> 00:13:53,898 WE'D ALL BE AT EACH OTHER'S HOUSE, LIKE, 243 00:13:54,000 --> 00:13:55,600 JUST SITTING AROUND, TALKING, 244 00:13:55,702 --> 00:13:58,469 AND WE'D LISTEN TO MUSIC MORE THAN ANYTHING. 245 00:13:58,572 --> 00:13:59,904 [ CAMERA SHUTTER CLICKS ] 246 00:14:01,274 --> 00:14:03,441 Narrator: THERE'S ONE BOY IN PARTICULAR 247 00:14:03,543 --> 00:14:05,510 THAT CATCHES TRACIE'S ATTENTION -- 248 00:14:05,612 --> 00:14:07,345 PAUL NELSON. 249 00:14:07,447 --> 00:14:09,547 HE WAS THE NEW KID IN TOWN. 250 00:14:09,649 --> 00:14:11,282 PAUL WAS A CHARACTER. 251 00:14:11,384 --> 00:14:12,750 [ CAMERA SHUTTER CLICKS ] 252 00:14:12,853 --> 00:14:15,019 I JUST REMEMBER HE JUST BROUGHT THE FUN. 253 00:14:16,723 --> 00:14:20,525 HIS ENERGY ATTRACTED HER TO HIM. 254 00:14:20,627 --> 00:14:23,394 Narrator: AND PAUL IS SWEPT AWAY BY TRACIE. 255 00:14:23,496 --> 00:14:25,263 WELL, HE THOUGHT SHE WAS GORGEOUS. 256 00:14:25,365 --> 00:14:26,664 PAUL WAS, LIKE, GOOGLY-EYED. 257 00:14:29,836 --> 00:14:32,170 Narrator: BUT AS MORE OF PAUL'S FRIENDS START TO HANG OUT 258 00:14:32,272 --> 00:14:33,471 AT TRACIE'S HOUSE, 259 00:14:33,573 --> 00:14:36,207 ERIKKA BEGINS TO FEEL INCREASINGLY UNCOMFORTABLE. 260 00:14:36,309 --> 00:14:37,575 [ CAMERA SHUTTER CLICKS ] 261 00:14:38,945 --> 00:14:40,778 THE DYNAMIC STARTED TO CHANGE. 262 00:14:42,482 --> 00:14:45,350 MY GUT WAS TELLING ME, "YOU DON'T WANT TO BE 263 00:14:45,452 --> 00:14:46,784 AROUND THESE PEOPLE." 264 00:14:48,955 --> 00:14:52,991 Narrator: AND IN EARLY 1997, 16-YEAR-OLD TRACIE 265 00:14:53,093 --> 00:14:57,795 CONFIRMS ERIKKA'S FEARS WHEN SHE REVEALS SOME STUNNING NEWS. 266 00:14:57,898 --> 00:15:00,431 SHE'S PREGNANT, 267 00:15:00,533 --> 00:15:02,433 AND PAUL IS THE FATHER. 268 00:15:04,371 --> 00:15:06,671 Erikka: SANDY DID NOT FEEL THAT TRACIE WAS 269 00:15:06,773 --> 00:15:09,474 OLD ENOUGH OR READY FOR A BABY. 270 00:15:11,745 --> 00:15:15,179 I REMEMBER BEING SURPRISED BY TRACIE AND SANDY ARGUING. 271 00:15:16,917 --> 00:15:20,318 I'VE NEVER SEEN THEM ARGUE. 272 00:15:20,420 --> 00:15:23,021 Narrator: SANDY'S OWN FAILED RELATIONSHIPS AND STRUGGLES AS 273 00:15:23,123 --> 00:15:26,491 A SINGLE MOM MEANS SHE WANTS SOMETHING DIFFERENT FOR TRACIE. 274 00:15:26,593 --> 00:15:29,294 As Sandy: TRACIE, YOU CAN DO SO MUCH BETTER! 275 00:15:29,396 --> 00:15:30,795 As Tracie: I DON'T WANT BETTER! 276 00:15:30,897 --> 00:15:32,664 Edie: I'M SURE THAT SANDY FELT THAT 277 00:15:32,766 --> 00:15:35,667 TRACIE NEEDED TO FINISH HER EDUCATION. 278 00:15:35,769 --> 00:15:38,603 SHE NEEDED TO BE PREPARED FOR LIFE MORE 279 00:15:38,705 --> 00:15:40,972 BEFORE SHE HAD A CHILD. 280 00:15:41,074 --> 00:15:43,474 I'M SURE THAT'S WHY SHE ENCOURAGED HER 281 00:15:43,576 --> 00:15:44,876 TO HAVE AN ABORTION. 282 00:15:46,346 --> 00:15:48,379 Narrator: TRACIE EVENTUALLY AGREES 283 00:15:48,481 --> 00:15:50,715 TO TERMINATE THE PREGNANCY. 284 00:15:50,817 --> 00:15:53,885 THAT WAS A TOUGH DAY -- IT WAS A VERY TOUGH DAY. 285 00:15:56,489 --> 00:15:58,589 Narrator: THE RELATIONSHIP BETWEEN MOM AND DAUGHTER 286 00:15:58,692 --> 00:16:00,058 IS AT BREAKING POINT, 287 00:16:00,160 --> 00:16:02,627 BUT SANDY HAS A PEACE OFFERING -- 288 00:16:04,531 --> 00:16:07,131 A BLACK FORD MUSTANG. 289 00:16:07,233 --> 00:16:08,900 I DON'T THINK SHE COULD BELIEVE IT AT FIRST, 290 00:16:09,002 --> 00:16:12,103 BUT SHE WAS JUST CRAZY, HAPPY, EXCITED, 291 00:16:13,673 --> 00:16:15,406 AS ANY KID WOULD BE. 292 00:16:15,508 --> 00:16:17,875 I CERTAINLY DIDN'T HAVE A CAR AT THAT AGE. 293 00:16:17,978 --> 00:16:21,746 Narrator: IT'S A TRULY GRAND GESTURE, BUT SECRETLY, 294 00:16:21,848 --> 00:16:24,415 IT'S ONE THAT SANDY STRUGGLES TO AFFORD. 295 00:16:24,517 --> 00:16:25,917 I'M ASSUMING SHE HAD TO HAVE WENT 296 00:16:26,019 --> 00:16:29,721 INTO DEBT FOR IT, BECAUSE SINGLE MOTHER, 297 00:16:29,823 --> 00:16:31,789 I MEAN, SHE WASN'T WEALTHY. 298 00:16:31,891 --> 00:16:35,760 Narrator: DESPITE THE COST, THE GIFT SEEMS TO PAY OFF. 299 00:16:35,862 --> 00:16:38,963 Erikka: TRACIE WAS VERY PROUD OF THAT MUSTANG. 300 00:16:39,065 --> 00:16:42,033 TRACIE AND I SPENT A LOT OF TIME JUST RIDING AROUND 301 00:16:42,135 --> 00:16:43,468 IN THAT CAR. 302 00:16:46,873 --> 00:16:50,341 SANDY WAS VERY PROUD OF HERSELF FOR GIVING IT TO HER. 303 00:16:53,446 --> 00:16:55,513 Narrator: BUT THERE'S MORE TO SANDY'S GENEROSITY 304 00:16:55,615 --> 00:16:58,449 THAN AN ACT OF KINDNESS. 305 00:16:58,551 --> 00:17:03,254 I THINK THE CAR MAY HAVE BEEN SOMETHING TO TRY TO KEEP TRACIE 306 00:17:03,356 --> 00:17:07,125 ON THE RIGHT PATH AND THE STRAIGHT AND NARROW, 307 00:17:07,227 --> 00:17:10,261 BUT IT MADE HER HAPPY TO SEE HER HAPPY, TOO. 308 00:17:13,033 --> 00:17:15,533 Narrator: SANDY IS DETERMINED TO SHOW THE WORLD 309 00:17:15,635 --> 00:17:18,102 SHE'S REBUILT THE BOND BETWEEN HER AND TRACIE. 310 00:17:19,406 --> 00:17:21,739 SHE HAD RAISED A GOOD, SWEET GIRL, 311 00:17:21,841 --> 00:17:24,442 AND SHE WANTED EVERYBODY TO THINK 312 00:17:24,544 --> 00:17:26,310 THAT IT WAS STILL THAT WAY. 313 00:17:26,413 --> 00:17:30,381 [ MUSIC CLIMBING ] 314 00:17:32,952 --> 00:17:34,919 BUT THINGS WERE CHANGING, AND IT WASN'T. 315 00:17:41,795 --> 00:17:44,796 Narrator: MARCH 30, 1998. 316 00:17:44,898 --> 00:17:47,799 PAT DOUGLAS-BUTLER RECEIVES A WORRYING CALL. 317 00:17:49,202 --> 00:17:51,769 Pat: I GOT A PHONE CALL FROM SANDY'S WORK. 318 00:17:51,871 --> 00:17:55,440 THEY SAID SHE HADN'T BEEN TO WORK IN SEVERAL DAYS, 319 00:17:55,542 --> 00:17:58,209 AND SHE HAD NOT CALLED IN LIKE YOU'RE SUPPOSED TO DO. 320 00:17:59,612 --> 00:18:01,913 Edie: THAT WAS VERY UNLIKE HER, 321 00:18:02,015 --> 00:18:05,883 AND SO PAT BECAME VERY CONCERNED AND CALLED SANDY. 322 00:18:07,287 --> 00:18:08,352 Narrator: BUT THERE'S NO ANSWER. 323 00:18:09,689 --> 00:18:11,856 PAT DECIDES TO GO CHECK SANDY'S HOUSE. 324 00:18:13,359 --> 00:18:16,661 WE GOT IN THE CAR AND WENT TO HER HOUSE. 325 00:18:16,763 --> 00:18:22,667 ♪ 326 00:18:22,769 --> 00:18:24,836 HER CAR WAS UNDER THE CARPORT. 327 00:18:27,607 --> 00:18:30,708 THE CURTAINS WERE ALL PULLED AND EVERYTHING. 328 00:18:30,810 --> 00:18:33,344 Narrator: THERE'S NO SIGN OF SANDY ANYWHERE. 329 00:18:35,348 --> 00:18:37,548 PAT DECIDES TO CONTACT TRACIE AT SCHOOL, 330 00:18:39,552 --> 00:18:41,419 SEE IF SHE CAN SHED LIGHT ON THE MYSTERY. 331 00:18:45,959 --> 00:18:48,226 BUT THE SCHOOL RESOURCE OFFICER TELLS THEM 332 00:18:48,328 --> 00:18:52,263 THAT TRACIE'S NOT THERE AND HASN'T BEEN FOR DAYS. 333 00:18:52,365 --> 00:18:54,298 I WAS BEWILDERED 334 00:18:54,400 --> 00:18:57,935 AND COULDN'T FIGURE OUT WHAT COULD BE GOING ON, BUT... 335 00:18:58,037 --> 00:19:01,038 SOMETHING TOLD ME THERE JUST WAS SOMETHING WRONG. 336 00:19:01,141 --> 00:19:03,307 Narrator: THEY FOLLOW THE RESOURCE OFFICER 337 00:19:03,409 --> 00:19:04,675 BACK TO SANDY'S HOUSE. 338 00:19:04,777 --> 00:19:06,844 [ DOOR CREAKING ] 339 00:19:06,946 --> 00:19:09,180 THE RESOURCE OFFICER WENT IN FIRST. 340 00:19:09,282 --> 00:19:16,888 ♪ 341 00:19:17,023 --> 00:19:19,891 [ MUSIC CLIMBING ] 342 00:19:19,993 --> 00:19:23,227 THE OFFICER JUST SPUN AROUND AND SAID, "OUT!" 343 00:19:27,200 --> 00:19:30,568 WELL, WE KNEW RIGHT AWAY WHAT HAPPENED BECAUSE OF THE ODOR. 344 00:19:32,839 --> 00:19:34,672 YOU CAN'T EXPLAIN IT 345 00:19:34,774 --> 00:19:37,909 OR DESCRIBE IT, BUT YOU KNOW WHAT IT IS, 346 00:19:38,011 --> 00:19:39,477 AND I KNEW WHAT IT WAS. 347 00:19:41,214 --> 00:19:42,547 I KNEW IMMEDIATELY. 348 00:19:42,649 --> 00:19:45,049 Narrator: THE RESOURCE OFFICER DIALS 911. 349 00:19:45,151 --> 00:19:48,986 [ SIRENS WAILING ] 350 00:19:49,088 --> 00:19:51,856 Ernie: WE GO INTO IT WITH OUR WEAPONS IN A READY POSITION. 351 00:19:53,193 --> 00:19:54,859 ONCE WE OPENED THE DOOR, 352 00:19:54,961 --> 00:20:00,198 THERE WAS A VERY DISTINCT ODOR OF DECOMPOSITION. 353 00:20:00,300 --> 00:20:02,867 WE IMMEDIATELY LOOKED TO THE LEFT, 354 00:20:02,969 --> 00:20:05,069 WHICH WAS TRACIE'S BEDROOM. 355 00:20:08,274 --> 00:20:12,076 AND IN THAT HALLWAY COMING OUT OF THE BEDROOM 356 00:20:12,178 --> 00:20:13,544 WAS WHERE THE BODY WAS. 357 00:20:13,646 --> 00:20:20,218 ♪ 358 00:20:20,320 --> 00:20:23,221 THE BODY WAS LAYING HALFWAY IN THE ENTRANCEWAY 359 00:20:23,323 --> 00:20:25,122 AND HALFWAY IN THE HALLWAY, 360 00:20:25,225 --> 00:20:28,492 AND THERE WAS A LARGE POOL OF BLOOD 361 00:20:28,595 --> 00:20:29,727 AROUND THE HEAD AREA. 362 00:20:29,829 --> 00:20:34,865 ♪ 363 00:20:34,968 --> 00:20:36,734 THERE WAS AN INDICATION THERE WAS POSSIBLY 364 00:20:36,836 --> 00:20:40,304 A STRUGGLE THAT STARTED MAYBE IN THE BEDROOM, 365 00:20:42,642 --> 00:20:45,910 AND IT CONTINUED ON OUT TO THE HALLWAY. 366 00:20:46,012 --> 00:20:47,912 IT WAS CLEAR THAT THERE HAD BEEN SEVERAL 367 00:20:48,014 --> 00:20:50,314 BLOWS TO THE HEAD WITH A BLUNT OBJECT. 368 00:20:51,651 --> 00:20:54,452 AROUND THE THROAT WAS A TELEPHONE CORD. 369 00:20:54,554 --> 00:20:57,688 AT THAT POINT, IT WAS NOT TIGHTLY TIED, 370 00:20:57,790 --> 00:21:01,192 BUT CLEARLY INDICATIONS WERE AT THAT POINT THAT 371 00:21:01,294 --> 00:21:03,027 STRANGULATION HAD OCCURRED ALSO. 372 00:21:05,098 --> 00:21:08,032 Narrator: LYING IN THE HALLWAY IS SANDY MILES. 373 00:21:09,502 --> 00:21:12,703 IT SEEMS SHE'S BEEN DEAD FOR SEVERAL DAYS, 374 00:21:12,805 --> 00:21:15,373 AND HER 17-YEAR-OLD DAUGHTER, TRACIE, 375 00:21:15,475 --> 00:21:16,641 IS MISSING. 376 00:21:16,743 --> 00:21:18,909 [ CAMERA SHUTTER CLICKS ] 377 00:21:19,012 --> 00:21:22,313 INVESTIGATORS SCOUR THE HOME FOR POTENTIAL CLUES. 378 00:21:23,483 --> 00:21:24,849 [ CAMERA SHUTTER CLICKS ] 379 00:21:24,951 --> 00:21:26,751 IN ADDITION TO SEARCHING FOR THE MURDER WEAPON, 380 00:21:26,853 --> 00:21:29,387 THE OFFICERS WERE ALSO SEARCHING FOR ANY ITEMS THAT 381 00:21:29,489 --> 00:21:30,955 MIGHT HAVE BEEN MISSING FROM THE HOUSE. 382 00:21:31,057 --> 00:21:32,356 [ CAMERA SHUTTER CLICKS ] 383 00:21:32,458 --> 00:21:35,192 ONE ITEM MISSING FROM THE HOUSE WAS A VCR. 384 00:21:35,295 --> 00:21:41,766 ♪ 385 00:21:44,904 --> 00:21:48,372 I REMEMBER BEING CALLED TO THE OFFICE FOR A PHONE CALL, 386 00:21:48,474 --> 00:21:51,409 AND I ANSWERED THE PHONE AND, UM, 387 00:21:51,511 --> 00:21:55,579 THE MAN IDENTIFIED HIMSELF AS THE POLICE CHAPLAIN AND TOLD ME 388 00:21:55,682 --> 00:22:00,251 THAT MY SISTER, SANDY, HAD BEEN FOUND MURDERED IN HER HOME. 389 00:22:03,356 --> 00:22:05,289 YOU'RE TRYING TO COMPREHEND WHAT THEY SAY, 390 00:22:05,391 --> 00:22:07,558 BUT YET AT THE SAME TIME, YOU'RE DEALING WITH ALL THESE 391 00:22:07,660 --> 00:22:10,895 EMOTIONS ABOUT YOUR SISTER BEING MURDERED. 392 00:22:14,701 --> 00:22:16,834 I HAD ABSOLUTELY NO IDEA WHY 393 00:22:16,936 --> 00:22:17,935 AND WHAT REASON. 394 00:22:21,007 --> 00:22:22,606 Narrator: NEWS OF THE BRUTAL KILLING QUICKLY 395 00:22:22,709 --> 00:22:24,742 REACHES TRACIE'S BEST FRIEND, ERIKKA. 396 00:22:26,579 --> 00:22:29,447 MY MOM OPENED THE DOOR AND CAME IN THE ROOM AND WAS LIKE, 397 00:22:29,549 --> 00:22:31,148 "ERIKKA, I NEED TO TALK TO YOU NOW." 398 00:22:33,853 --> 00:22:36,921 SHE PUT ME OUTSIDE, AND SHE'S LIKE, UM, 399 00:22:37,023 --> 00:22:40,391 THEY JUST FOUND SANDY'S BODY AT THE HOUSE. 400 00:22:42,061 --> 00:22:43,327 I SAID, "WHAT ARE YOU TALKING ABOUT?" 401 00:22:43,429 --> 00:22:46,063 AND SHE WAS LIKE, "THERE'S POLICE TAPE. 402 00:22:46,165 --> 00:22:47,898 "THERE'S POLICE EVERYWHERE. 403 00:22:48,000 --> 00:22:50,534 "THE -- YOU CAN'T GET ANYWHERE ON THE BLOCK. 404 00:22:50,636 --> 00:22:52,470 "ERIKKA, IT'S TRUE. SANDY'S GONE, 405 00:22:52,572 --> 00:22:55,639 AND NOBODY KNOWS WHERE TRACIE IS EITHER." 406 00:22:55,742 --> 00:22:59,377 Narrator: 17-YEAR-OLD TRACIE'S DISAPPEARANCE FROM SCHOOL 407 00:22:59,479 --> 00:23:02,246 APPEARS TO COINCIDE WITH HER MOTHER'S MURDER. 408 00:23:03,850 --> 00:23:06,617 Edie: WE WERE JUST VERY WORRIED ABOUT TRACIE'S WHEREABOUTS 409 00:23:06,719 --> 00:23:08,586 AND WHAT WAS HAPPENING TO HER. 410 00:23:08,688 --> 00:23:09,787 AT THE SAME TIME, WE WERE 411 00:23:09,889 --> 00:23:12,456 TRYING TO DEAL WITH SANDY BEING MURDERED. 412 00:23:14,327 --> 00:23:16,827 Erikka: I WAS SCARED, LIKE, 413 00:23:18,297 --> 00:23:23,134 CRYING UNCONTROLLABLY, LIKE, TO THE POINT OF PHYSICAL ILLNESS, 414 00:23:23,236 --> 00:23:25,970 FEVERISHLY PRAYING, LIKE, JUST, PLEASE, 415 00:23:26,072 --> 00:23:27,304 PLEASE, GOD, DON'T LET NOTHING BE 416 00:23:27,407 --> 00:23:30,408 WRONG WITH MY BEST FRIEND, PLEASE. 417 00:23:30,510 --> 00:23:33,177 Narrator: DETECTIVES NEED TO FIND TRACIE. 418 00:23:33,279 --> 00:23:36,881 THEY COULD HAVE A DOUBLE HOMICIDE ON THEIR HANDS. 419 00:23:38,418 --> 00:23:42,853 DUE TO THE GRAPHIC NATURE OF THIS CRIME, DUE TO THE BRUTALITY 420 00:23:42,955 --> 00:23:44,555 OF IT AND KNOWING NOW 421 00:23:44,657 --> 00:23:48,692 THAT WE HAVE A ANOTHER PERSON MISSING IT WAS -- THERE WAS 422 00:23:48,795 --> 00:23:50,561 A VERY HIGH SENSE OF URGENCY. 423 00:23:51,931 --> 00:23:54,198 Timothy: MY FEAR AND NIGHTMARE AT THAT POINT 424 00:23:54,300 --> 00:23:56,500 WAS SOMETHING THAT HAPPENED TO TRACIE. 425 00:23:59,071 --> 00:24:00,838 SHE HAD BEEN ABDUCTED OR KILLED. 426 00:24:00,940 --> 00:24:05,876 ♪ 427 00:24:09,248 --> 00:24:12,650 ♪ 428 00:24:12,752 --> 00:24:14,485 Narrator: SANDY MILES HAS BEEN MURDERED, 429 00:24:17,156 --> 00:24:19,757 AND HER 17-YEAR-OLD DAUGHTER, TRACIE, IS MISSING. 430 00:24:22,195 --> 00:24:24,395 NEWS SOON SPREADS THROUGHOUT THE FAMILY. 431 00:24:26,098 --> 00:24:28,799 CHAD WAS DEVASTATED AT THE LOSS OF HIS MOTHER. 432 00:24:30,436 --> 00:24:32,570 HE ASSUMED, LIKE THE REST OF US, 433 00:24:32,672 --> 00:24:34,171 THAT TRACIE HAD BEEN ABDUCTED. 434 00:24:36,008 --> 00:24:37,408 Narrator: THE BRUTALITY OF THE SCENE IS 435 00:24:37,510 --> 00:24:39,276 A SHOCK FOR THE HARDENED DETECTIVES. 436 00:24:41,981 --> 00:24:45,449 IT TOOK US ALL BACK DUE TO THE NATURE OF HOW VIOLENT 437 00:24:45,551 --> 00:24:47,051 IT WAS. 438 00:24:47,153 --> 00:24:50,821 WHY THIS HAPPENED TO A WOMAN THAT WAS 439 00:24:50,923 --> 00:24:54,492 JUST A SINGLE PARENT TRYING TO RAISE HER KID. 440 00:24:54,594 --> 00:24:57,361 WHAT -- I MEAN, WHAT WOULD SHE HAVE DONE TO DESERVE THAT? 441 00:24:57,463 --> 00:24:58,629 [ CAMERA SHUTTER CLICKS ] 442 00:25:00,199 --> 00:25:01,499 [ CAMERA SHUTTER CLICKS ] 443 00:25:01,601 --> 00:25:03,701 Narrator: THE CRIME SCENE AT SANDY'S HOUSE 444 00:25:03,803 --> 00:25:06,070 REVEALS A VITAL CLUE. 445 00:25:06,172 --> 00:25:08,906 Larry: IT WAS DETERMINED THERE HAD BEEN NO FORCED ENTRY. 446 00:25:09,008 --> 00:25:10,641 THEREFORE, 447 00:25:10,743 --> 00:25:14,311 SANDY PROBABLY KNEW HER KILLER. 448 00:25:14,413 --> 00:25:16,914 Narrator: POLICE IMMEDIATELY CALL TRACIE 449 00:25:17,016 --> 00:25:21,585 AND SANDY'S FRIENDS TO SEE IF ANYONE HAD CONTACT WITH THEM. 450 00:25:21,687 --> 00:25:24,054 ONE NAME KEEPS COMING UP -- 451 00:25:24,156 --> 00:25:26,857 AN OLD BOYFRIEND OF TRACIE'S, JEREMY BELL. 452 00:25:30,196 --> 00:25:32,830 WHEN THE NAME JEREMY BELL CAME UP, 453 00:25:32,932 --> 00:25:35,132 HUTCHINSON IS A SMALL ENOUGH TOWN. 454 00:25:35,234 --> 00:25:38,335 ALL LAW ENFORCEMENT IMMEDIATELY KNEW WHO HE WAS, 455 00:25:38,437 --> 00:25:39,904 IMMEDIATELY KNEW HE HAD 456 00:25:40,006 --> 00:25:44,208 BEEN IN JAIL THE WEEK BEFORE AND THAT HE HAD BEEN RELEASED. 457 00:25:44,310 --> 00:25:47,778 JEREMY BELL WAS CONSIDERED TO BE A VIOLENT INDIVIDUAL. 458 00:25:49,749 --> 00:25:53,317 CLEARLY, THAT BECAME A PRIMARY FOCUS OF LAW ENFORCEMENT. 459 00:25:55,488 --> 00:25:58,589 Narrator: THE FACT THAT JEREMY BELL IS FRESH OUT OF JAIL 460 00:25:58,691 --> 00:26:01,959 IS A HUGE RED FLAG TO INVESTIGATORS. 461 00:26:02,061 --> 00:26:03,694 POLICE BRING HIM IN FOR QUESTIONING. 462 00:26:05,197 --> 00:26:07,398 Timothy: WHEN JEREMY WAS INTERVIEWED, 463 00:26:07,500 --> 00:26:10,534 HE INDICATED TO LAW ENFORCEMENT THAT HE HAD 464 00:26:10,636 --> 00:26:14,204 WENT TO CARRY PARK AND PLAYED BASKETBALL WITH A FRIEND. 465 00:26:14,307 --> 00:26:17,841 Narrator: INVESTIGATORS NEED TO FIND OUT IF JEREMY IS LYING. 466 00:26:19,445 --> 00:26:22,913 LAW ENFORCEMENT IMMEDIATELY CONTACTED JEREMY'S FRIENDS 467 00:26:23,015 --> 00:26:24,315 TO VERIFY THAT, IN FACT, 468 00:26:24,417 --> 00:26:26,483 HE HAD BEEN AT THOSE LOCATIONS. 469 00:26:26,586 --> 00:26:28,852 Narrator: JEREMY HAS A STRONG ALIBI, 470 00:26:28,955 --> 00:26:31,555 AND POLICE RULE HIM OUT OF THE INVESTIGATION. 471 00:26:33,326 --> 00:26:36,460 BUT BEFORE HE LEAVES, HE THROWS THE DETECTIVES 472 00:26:36,562 --> 00:26:38,028 A BONE. 473 00:26:38,163 --> 00:26:41,599 HE SAID THEY SHOULD BE LOOKING AT TRACIE'S PRESENT BOYFRIEND, 474 00:26:41,701 --> 00:26:43,167 PAUL NELSON. 475 00:26:43,269 --> 00:26:47,805 HE CERTAINLY HAD NO FOND FEELINGS TOWARDS PAUL. 476 00:26:47,907 --> 00:26:51,241 HE FELT PAUL WAS RUINING TRACIE'S LIFE 477 00:26:52,778 --> 00:26:55,112 AND ONLY HAD VERY NEGATIVE THINGS TO SAY ABOUT 478 00:26:55,214 --> 00:26:56,614 PAUL NELSON. 479 00:26:58,851 --> 00:27:00,784 Narrator: AND FILES ON PAUL NELSON 480 00:27:00,886 --> 00:27:02,720 SEEM TO SUPPORT HIS CLAIMS. 481 00:27:06,158 --> 00:27:09,393 Timothy: WE KNEW ALMOST IMMEDIATELY PAUL HAD 482 00:27:09,495 --> 00:27:13,030 HAD NUMEROUS CONTACTS WITH LAW ENFORCEMENT AND HAD PREVIOUS 483 00:27:13,132 --> 00:27:14,932 CRIMINAL CONVICTIONS. 484 00:27:15,034 --> 00:27:17,768 WE ALSO KNEW THROUGH DISCUSSIONS WITH FRIENDS 485 00:27:17,870 --> 00:27:20,704 THAT DRUGS CERTAINLY WERE INVOLVED IN HIS LIFESTYLE 486 00:27:20,806 --> 00:27:22,740 AND CERTAINLY RAISED CONCERNS. 487 00:27:24,877 --> 00:27:27,378 Narrator: PAUL'S RELATIONSHIP WITH TRACIE AND HER MOM 488 00:27:27,480 --> 00:27:29,413 THROWS UP YET ANOTHER RED FLAG. 489 00:27:30,750 --> 00:27:33,083 ABOUT A YEAR BEFORE THE HOMICIDE, 490 00:27:33,185 --> 00:27:37,054 TRACIE BECAME PREGNANT, WITH THE FATHER BEING PAUL NELSON. 491 00:27:38,357 --> 00:27:41,191 SANDY DID NOT WANT TRACIE TO BE WITH PAUL. 492 00:27:42,762 --> 00:27:46,430 SANDY TOLD TRACIE THAT IF SHE KEPT THE BABY, 493 00:27:46,532 --> 00:27:49,433 SHE WOULD BE FORCED OUT OF THE HOME. 494 00:27:49,535 --> 00:27:51,902 SO AT THAT POINT, TRACIE MADE THE DECISION 495 00:27:51,971 --> 00:27:53,237 TO HAVE THE ABORTION. 496 00:27:54,774 --> 00:27:57,374 Narrator: POLICE NOW HAVE A POSSIBLE MOTIVE... 497 00:27:59,245 --> 00:28:01,111 ...REVENGE. 498 00:28:01,213 --> 00:28:03,814 PAUL HAD STRONG FEELINGS AGAINST SANDY, 499 00:28:03,916 --> 00:28:07,451 AND SANDY HAD EQUALLY STRONG FEELINGS AGAINST PAUL. 500 00:28:07,553 --> 00:28:10,087 Narrator: INVESTIGATORS NEED TO FIND PAUL NELSON 501 00:28:10,189 --> 00:28:11,689 AS SOON AS POSSIBLE. 502 00:28:11,791 --> 00:28:13,824 THEY CONTACT HIS FRIENDS AND FAMILY IN A BID 503 00:28:13,926 --> 00:28:15,159 TO TRACK HIM DOWN. 504 00:28:16,762 --> 00:28:19,029 PAUL'S PARENTS HAD INDICATED HE HAD 505 00:28:19,131 --> 00:28:20,531 NOT BEEN STAYING AT THE RESIDENCE. 506 00:28:20,599 --> 00:28:23,300 THEY HADN'T SEEN HIM FOR APPROXIMATELY A WEEK. 507 00:28:24,670 --> 00:28:26,937 Narrator: INTERVIEWS WITH PAUL'S FRIENDS SUGGEST 508 00:28:27,039 --> 00:28:29,506 HE ISN'T RETURNING ANYTIME SOON. 509 00:28:31,811 --> 00:28:34,745 HE WAS LEAVING FOR MEXICO AND ALSO INDICATED 510 00:28:34,847 --> 00:28:37,681 THAT HE DID HAVE $2,000 IN CASH 511 00:28:37,783 --> 00:28:39,483 AND WAS DRIVING A BLACK MUSTANG. 512 00:28:41,087 --> 00:28:42,453 ONE OF THESE FRIENDS SAID HE HAD 513 00:28:42,555 --> 00:28:44,354 PAWNED A VCR TO GET THE MONEY. 514 00:28:46,225 --> 00:28:50,227 THE VCR WAS MISSING FROM SANDY'S RESIDENCE. 515 00:28:50,329 --> 00:28:53,464 PAUL NELSON IS NOW THE PRIME SUSPECT. 516 00:28:53,566 --> 00:28:54,865 [ CAMERA SHUTTER CLICKS ] 517 00:28:57,036 --> 00:29:00,704 OFFICERS CANVASS THE PAWNSHOPS DOWNTOWN TO SEE IF THEY CAN 518 00:29:00,806 --> 00:29:04,341 FIND A VCR THAT MATCHES THE ONE STOLEN FROM SANDY'S HOUSE. 519 00:29:05,945 --> 00:29:08,212 THEY QUICKLY CATCH THEIR FIRST BREAK. 520 00:29:08,314 --> 00:29:10,280 IN THE SECOND STORE THEY VISIT, 521 00:29:10,382 --> 00:29:12,116 THEY FIND SANDY'S VCR. 522 00:29:14,320 --> 00:29:17,521 AND THE PAWNSHOP OWNER HAS A SURVEILLANCE CAMERA. 523 00:29:19,625 --> 00:29:21,458 Timothy: THE PAWNSHOP HAD SURVEILLANCE VIDEO. 524 00:29:21,560 --> 00:29:23,794 THE POLICE TOOK CONTROL OF THE VIDEO 525 00:29:23,896 --> 00:29:26,597 TO VERIFY WHO, IN FACT, HAD PAWNED THE VCR. 526 00:29:27,666 --> 00:29:29,500 Narrator: DETECTIVES SPOOL THROUGH THE FOOTAGE 527 00:29:29,602 --> 00:29:31,502 FROM THE DAYS BEFORE SANDY'S MURDER, 528 00:29:32,872 --> 00:29:36,173 AND ON MARCH 26th, THEY SPOT A FAMILIAR FACE. 529 00:29:38,611 --> 00:29:40,778 Timothy: THAT WAS PAUL NELSON ON THE VIDEO. 530 00:29:40,880 --> 00:29:47,684 ♪ 531 00:29:47,787 --> 00:29:50,554 THE OWNER SAID YES, A YOUNG MALE CAME IN, 532 00:29:50,689 --> 00:29:52,923 ATTEMPTED TO PAWN THE VCR. 533 00:29:53,025 --> 00:29:53,991 HE TOLD HIM HE WOULD NOT 534 00:29:54,093 --> 00:29:56,527 PAWN THE VCR WITHOUT THE REMOTE CONTROL. 535 00:29:59,265 --> 00:30:02,299 THE YOUNG MALE LEFT AND RETURNED A SHORT TIME LATER 536 00:30:02,401 --> 00:30:03,567 WITH THE REMOTE CONTROL, 537 00:30:03,669 --> 00:30:06,904 AND THAT AT THAT POINT, THE PAWNING TOOK PLACE. 538 00:30:08,641 --> 00:30:11,508 PAUL WAS VERIFIED AS THE PERSON WHO HAD PAWNED 539 00:30:11,610 --> 00:30:14,044 THE VCR THAT HAD COME FROM SANDY'S HOUSE. 540 00:30:17,449 --> 00:30:19,149 Narrator: THE SHOP OWNER TELLS POLICE HE ONLY 541 00:30:19,251 --> 00:30:22,252 GAVE NELSON $50 FOR THE VCR, 542 00:30:22,354 --> 00:30:25,389 FAR LESS THAN THE $2,000 HIS FRIEND TOLD POLICE 543 00:30:25,491 --> 00:30:26,590 HE'S CARRYING. 544 00:30:28,894 --> 00:30:31,228 BUT DETECTIVES CAN NOW DIRECTLY LINK HIM 545 00:30:31,330 --> 00:30:33,630 TO THE MURDER OF SANDY MILES. 546 00:30:37,102 --> 00:30:40,904 THE FATE OF HER DAUGHTER, TRACIE, IS STILL UNKNOWN. 547 00:30:41,006 --> 00:30:44,074 WHEN THE VIDEOTAPE WAS VIEWED, IT CLEARLY VERIFIED PAUL 548 00:30:44,176 --> 00:30:45,576 WAS INVOLVED, BUT IT STILL DID NOT 549 00:30:45,678 --> 00:30:48,846 INDICATE WHERE TRACIE WAS AND WHAT HAD BECOME OF TRACIE, 550 00:30:48,948 --> 00:30:51,648 AND OBVIOUSLY, FINDING OUT TRACIE'S WHEREABOUTS 551 00:30:51,750 --> 00:30:53,951 IS STILL OF PRIMARY IMPORTANCE. 552 00:30:56,255 --> 00:30:57,888 Narrator: BACK AT POLICE HEADQUARTERS, 553 00:30:58,023 --> 00:30:59,690 DETECTIVES ARE TRYING TO ESTABLISH 554 00:30:59,792 --> 00:31:03,861 SANDY'S FINAL MOVEMENTS LEADING UP TO HER DEATH. 555 00:31:03,963 --> 00:31:07,264 INVESTIGATORS EXAMINED SANDY'S FINANCIAL RECORDS. 556 00:31:09,034 --> 00:31:11,268 IT'S NOT LONG BEFORE THEY GET A BREAKTHROUGH. 557 00:31:13,038 --> 00:31:15,772 WE WERE ABLE TO VERIFY $2,000 HAD BEEN TAKEN 558 00:31:15,875 --> 00:31:18,008 ON SANDY'S ACCOUNT. 559 00:31:18,110 --> 00:31:20,244 PAUL HAD $2,000. 560 00:31:20,346 --> 00:31:22,346 THAT FURTHER BUILT THE CASE AGAINST PAUL. 561 00:31:24,950 --> 00:31:26,817 Narrator: POLICE NEED TO VERIFY IF PAUL 562 00:31:26,919 --> 00:31:29,519 WAS SOMEHOW ABLE TO ACCESS SANDY'S ACCOUNT. 563 00:31:31,557 --> 00:31:33,624 THAT BANK HAD INDICATED THAT, IN FACT, 564 00:31:33,726 --> 00:31:37,594 IT WAS TRACIE MILES WHO CAME IN TO CASH A $2,000 CHECK. 565 00:31:39,498 --> 00:31:40,664 Narrator: POLICE HAVE TO CONSIDER 566 00:31:40,766 --> 00:31:44,334 THE POSSIBILITY THAT TRACIE IS STILL ALIVE. 567 00:31:44,436 --> 00:31:49,573 ♪ 568 00:31:49,675 --> 00:31:52,509 PAUL NELSON, ACCORDING TO HIS FRIENDS THAT MORNING, 569 00:31:52,611 --> 00:31:56,813 WAS DRIVING A BLACK MUSTANG AND SAID HE WAS GOING TO MEXICO. 570 00:31:58,617 --> 00:32:00,317 Narrator: NELSON MAY NOT HAVE HAD TIME TO 571 00:32:00,419 --> 00:32:03,387 CROSS THE BORDER -- WITH TIME RUNNING OUT, 572 00:32:03,489 --> 00:32:05,923 THE POLICE NEED REINFORCEMENTS. 573 00:32:06,025 --> 00:32:09,092 IT BECAME NECESSARY TO BRING IN 574 00:32:09,194 --> 00:32:12,396 AS MANY LAW ENFORCEMENT AGENCIES AS POSSIBLE. 575 00:32:12,498 --> 00:32:16,033 Narrator: TO KNOW IF THE PAIR HAVE CROSSED INTO MEXICO, 576 00:32:16,135 --> 00:32:19,169 INVESTIGATORS MUST CHECK HUNDREDS OF CAMERAS 577 00:32:19,271 --> 00:32:21,071 AND THOUSANDS OF HOURS OF FOOTAGE, 578 00:32:21,173 --> 00:32:24,308 AND IT MAY BE TOO LATE. 579 00:32:31,250 --> 00:32:34,351 [ HELICOPTER BLADES WHIRRING ] 580 00:32:34,453 --> 00:32:37,020 Narrator: MARCH 30, 1998, 581 00:32:37,122 --> 00:32:40,824 MEXICAN BORDER CROSSING, EL PASO, TEXAS. 582 00:32:40,926 --> 00:32:44,027 LAW ENFORCEMENT PUT OUT A LOOKOUT FOR PAUL NELSON 583 00:32:44,129 --> 00:32:45,696 AND TRACIE, WHICH WOULD HAVE WENT 584 00:32:45,798 --> 00:32:48,532 TO EVERY AGENCY IN THE UNITED STATES. 585 00:32:48,634 --> 00:32:51,969 THEY ISSUE A SPECIAL BULLETIN OF MOST WANTED. 586 00:32:53,772 --> 00:32:55,806 Narrator: NELSON IS REPORTEDLY HEADING TO MEXICO 587 00:32:55,908 --> 00:32:57,074 IN TRACIE'S BLACK MUSTANG. 588 00:32:59,511 --> 00:33:02,045 WITH DETECTIVES WORRIED THAT HE HAS ALREADY CROSSED 589 00:33:02,147 --> 00:33:04,047 THE BORDER, THEY CHECK HUNDREDS 590 00:33:04,149 --> 00:33:06,750 OF HOURS OF POOR QUALITY, LOW-RESOLUTION 591 00:33:06,852 --> 00:33:09,519 SECURITY CAMERA FOOTAGE AT THE EL PASO CHECKPOINT. 592 00:33:09,621 --> 00:33:14,624 ♪ 593 00:33:14,727 --> 00:33:16,193 THIS NEVER-BEFORE-SEEN FOOTAGE 594 00:33:16,295 --> 00:33:19,262 HIGHLIGHTS THE IMMENSITY OF THE TASK. 595 00:33:19,365 --> 00:33:23,266 160,000 PEOPLE MAKE THIS CROSSING EVERY DAY. 596 00:33:23,369 --> 00:33:28,572 [ MUSIC CLIMBING ] 597 00:33:28,674 --> 00:33:32,709 BUT, ALMOST A WEEK AFTER PAUL AND TRACIE'S DISAPPEARANCE, 598 00:33:32,811 --> 00:33:36,880 INVESTIGATORS CATCH A GLIMPSE OF A FAMILIAR-LOOKING CAR. 599 00:33:38,851 --> 00:33:44,821 IT'S A BLACK FORD MUSTANG, BUT IT'S COMING BACK TO THE U.S. 600 00:33:46,692 --> 00:33:49,559 THERE WAS A NATIONWIDE ALERT FOR PAUL AND TRACIE, 601 00:33:49,661 --> 00:33:51,628 BUT APPARENTLY, IT HADN'T REACHED BORDER PATROL 602 00:33:51,730 --> 00:33:55,132 BY THE TIME PAUL AND TRACIE CAME THROUGH. 603 00:33:55,234 --> 00:33:57,734 BORDER PATROL ESTABLISHED, IN FACT, PAUL AND TRACIE 604 00:33:57,836 --> 00:34:00,337 DID NOT HAVE A VISA TO ALLOW THEM TO REMAIN 605 00:34:00,439 --> 00:34:01,638 INTO MEXICO 606 00:34:01,707 --> 00:34:05,008 OR TO TRAVEL ANYWHERE FURTHER THAN JUST A FEW MILES 607 00:34:05,110 --> 00:34:06,343 FROM THE BORDER. 608 00:34:06,445 --> 00:34:09,713 Narrator: WITH NO VISAS, THEY COULD NOT REMAIN IN MEXICO. 609 00:34:09,848 --> 00:34:14,251 ♪ 610 00:34:14,353 --> 00:34:19,156 THE SECURITY CAMERA PROVES THEY RETURN TO THE U.S. 611 00:34:19,258 --> 00:34:21,591 Narrator: BUT INVESTIGATORS STILL 612 00:34:21,693 --> 00:34:24,961 HAVE NO IDEA WHERE. 613 00:34:25,064 --> 00:34:26,530 ON APRIL 8th, THEY RECEIVE 614 00:34:26,632 --> 00:34:30,467 A CALL FROM 17-YEAR-OLD CANDACE KIENOW. 615 00:34:30,569 --> 00:34:32,669 SHE HAS JUST RECEIVED A MISSED CALL FROM 616 00:34:32,771 --> 00:34:35,705 HER HIGH SCHOOL FRIEND, TRACIE MILES. 617 00:34:38,177 --> 00:34:41,144 CANDACE KIENOW NOTIFIED LAW ENFORCEMENT AND SAID, 618 00:34:41,246 --> 00:34:44,014 "TRACIE HAS CALLED ME ON CALLER I.D. 619 00:34:44,116 --> 00:34:47,084 THIS IS THE NUMBER THAT SHE CALLED FOR." 620 00:34:47,186 --> 00:34:49,252 Narrator: INVESTIGATORS ARE ABLE TO TRACE THIS NUMBER 621 00:34:49,354 --> 00:34:51,421 TO A MOTEL IN DOWNTOWN EL PASO. 622 00:34:54,326 --> 00:34:56,259 LOCAL POLICE QUICKLY MOVE IN 623 00:34:58,097 --> 00:35:01,331 AND FIND PAUL NELSON AND TRACIE MILES 624 00:35:01,433 --> 00:35:03,133 HOLED UP TOGETHER. 625 00:35:05,871 --> 00:35:10,474 TRACIE AND PAUL WERE BOTH TAKEN INTO CUSTODY WITHOUT INCIDENT. 626 00:35:10,576 --> 00:35:13,910 Narrator: AFTER A MANHUNT THAT HAS SPANNED OVER 700 MILES 627 00:35:14,012 --> 00:35:17,514 ACROSS FOUR STATES, THE SEARCH IS OVER. 628 00:35:21,720 --> 00:35:24,054 PAUL AND TRACIE ARE BROUGHT BACK TO HUTCHINSON, 629 00:35:24,156 --> 00:35:25,722 KANSAS, SEPARATELY. 630 00:35:28,894 --> 00:35:30,760 PAUL IS QUESTIONED FIRST. 631 00:35:33,465 --> 00:35:35,699 BUT HE ONLY ADMITS TO STEALING THE VCR 632 00:35:35,834 --> 00:35:37,100 FROM SANDY'S HOUSE. 633 00:35:39,705 --> 00:35:42,372 FINALLY, I SAID, "OKAY, PAUL, 634 00:35:42,474 --> 00:35:46,109 "YOU DON'T THINK THAT WE FLEW ALL THE WAY FROM HUTCHINSON, 635 00:35:46,211 --> 00:35:51,081 KANSAS TO EL PASO, TEXAS, TO TALK TO YOU ABOUT A VCR." 636 00:35:55,621 --> 00:35:58,488 AND THAT'S WHEN HE DROPPED HIS HEAD 637 00:35:58,590 --> 00:35:59,756 AND STARTED CRYING. 638 00:36:01,326 --> 00:36:02,926 AND I KNEW RIGHT THEN. 639 00:36:06,698 --> 00:36:09,399 Narrator: PAUL CRACKS AND TELLS POLICE WHAT HAPPENED. 640 00:36:10,903 --> 00:36:15,172 TRACIE AND SANDY HAD BEEN FIGHTING SINCE THE ABORTION 641 00:36:16,875 --> 00:36:20,076 OVER PAUL AND TRACIE BEING WITH PAUL. 642 00:36:20,179 --> 00:36:22,479 Narrator: ON WEDNESDAY, MARCH 25th, 643 00:36:22,581 --> 00:36:25,982 SANDY THREATENED TO TAKE AWAY TRACIE'S MUSTANG. 644 00:36:26,084 --> 00:36:28,451 TRACIE WENT BALLISTIC, HAD A FULL-OUT FIGHT 645 00:36:28,554 --> 00:36:31,621 WITH HER MOTHER, UH, ON WEDNESDAY EVENING. 646 00:36:33,191 --> 00:36:35,892 SO PAUL AND TRACIE CAME TO THE CONCLUSION THAT 647 00:36:35,994 --> 00:36:38,762 THE ONLY WAY OUT OF THIS SITUATION WAS TO KILL SANDY. 648 00:36:41,567 --> 00:36:42,365 Narrator: PAUL EXPLAINS 649 00:36:42,467 --> 00:36:44,234 TRACIE LEFT FOR SCHOOL THE NEXT DAY 650 00:36:44,336 --> 00:36:45,936 WHILE HE HID INSIDE SANDY'S HOME, 651 00:36:47,372 --> 00:36:50,273 ARMED WITH A STATUE OF A WOODEN BEAR. 652 00:36:51,977 --> 00:36:54,177 Timothy: PAUL HIT SANDY ON THE HEAD. 653 00:36:56,481 --> 00:36:59,282 SHE WAS LAYING ON THE FLOOR IN THE LIVING ROOM. 654 00:37:01,019 --> 00:37:02,552 FIRST, HE SAID HE HIT HER ONCE, 655 00:37:02,654 --> 00:37:05,388 AND THEN WE SAID, "HOW MANY TIMES, PAUL?" 656 00:37:05,490 --> 00:37:07,490 HE SAID, "I HIT HER THREE TIMES." 657 00:37:11,096 --> 00:37:12,596 Timothy: THEY CAME UP WITH THE PLAN. 658 00:37:13,765 --> 00:37:17,367 PAUL WOULD KILL SANDY, AND THEN TRACIE WOULD BE CALLED, 659 00:37:17,469 --> 00:37:19,102 SHE'D COME TO THE RESIDENCE, 660 00:37:19,204 --> 00:37:21,438 THEY WOULD MAKE IT, IN THEIR VIEW, 661 00:37:21,540 --> 00:37:23,873 ATTEMPT TO LOOK LIKE A ROBBERY. 662 00:37:23,976 --> 00:37:25,609 Narrator: BUT THE PLAN GOES WRONG. 663 00:37:29,014 --> 00:37:33,116 HE INDICATED THAT AFTER HE HAD STRUCK SANDY IN THE HEAD WITH 664 00:37:33,218 --> 00:37:34,884 THE BEAR STATUE THAT HE HAD ACTUALLY 665 00:37:34,987 --> 00:37:36,987 WENT IN THE BATHROOM AND BECAME ILL 666 00:37:37,089 --> 00:37:40,457 AND WAS HAVING TROUBLES DEALING WITH THE SITUATION. 667 00:37:41,960 --> 00:37:43,960 HE SAID THAT SHE WAS STILL ALIVE 668 00:37:44,062 --> 00:37:46,730 OR MAKING GURGLING SOUNDS WHEN TRACIE ARRIVED. 669 00:37:46,865 --> 00:37:53,837 ♪ 670 00:37:53,939 --> 00:37:56,006 Narrator: PAUL THEN DROPS A BOMBSHELL. 671 00:37:58,243 --> 00:38:00,877 DESPITE BEATING SANDY TO THE FLOOR, 672 00:38:00,979 --> 00:38:04,214 HE CLAIMS THAT TRACIE IS THE REAL KILLER. 673 00:38:04,316 --> 00:38:11,054 ♪ 674 00:38:11,156 --> 00:38:12,555 Timothy: IT'S VERY HARD FOR ME TO BELIEVE AT 675 00:38:12,658 --> 00:38:15,925 THAT TIME THAT SOMEONE WOULD PREMEDITATEDLY KILL 676 00:38:16,028 --> 00:38:17,827 THEIR MOTHER. 677 00:38:17,929 --> 00:38:19,396 IT'S JUST INCOMPREHENSIBLE. 678 00:38:21,300 --> 00:38:23,366 Narrator: INVESTIGATORS CHALLENGE TRACIE 679 00:38:23,468 --> 00:38:24,501 WITH PAUL'S ACCOUNT. 680 00:38:28,740 --> 00:38:31,007 THE AGENT TOLD TRACIE THAT PAUL SAID, 681 00:38:31,109 --> 00:38:32,609 "YOU'RE THE ONE WHO DID IT." 682 00:38:34,146 --> 00:38:36,646 AT THAT POINT, SHE GAVE A SLIGHT CHUCKLE. 683 00:38:38,784 --> 00:38:41,785 SAID YES, I WENT AND GOT THE CORD 684 00:38:44,823 --> 00:38:46,389 AND WRAPPED IT AROUND MY MOTHER'S THROAT. 685 00:38:50,429 --> 00:38:52,729 Narrator: TRACIE MILES ADMITS THAT SHE STRANGLED 686 00:38:52,831 --> 00:38:55,699 HER OWN MOTHER TO DEATH WITH A TELEPHONE CORD. 687 00:38:59,638 --> 00:39:02,072 PAUL AND TRACIE'S ACTIONS AFTER THE KILLING 688 00:39:02,174 --> 00:39:04,174 LEAVE DETECTIVES IN NO DOUBT 689 00:39:04,276 --> 00:39:06,743 THAT THIS WAS A CALLOUS, COLD-BLOODED MURDER. 690 00:39:10,515 --> 00:39:12,782 THEY TOOK THE VCR, THEY WENT BACK 691 00:39:12,918 --> 00:39:15,852 INTO THE HOUSE AND WALKED AROUND SANDY'S BODY. 692 00:39:20,692 --> 00:39:24,527 SHE WAS ASKED SPECIFICALLY AS TO WHY THIS MURDER OCCURRED. 693 00:39:24,629 --> 00:39:27,063 SHE SAID, ON THE 25th, THERE HAVE BEEN 694 00:39:27,165 --> 00:39:29,766 A REALLY BAD ARGUMENT 695 00:39:29,868 --> 00:39:32,202 BETWEEN TRACIE AND HER MOTHER. 696 00:39:32,304 --> 00:39:34,938 SANDY WAS GONNA TAKE TRACIE'S CAR AWAY FROM HER 697 00:39:35,040 --> 00:39:36,840 BECAUSE OF THE TICKET SHE HAD GOTTEN, 698 00:39:36,942 --> 00:39:38,575 AND THE PRICE OF THE CAR INSURANCE 699 00:39:38,677 --> 00:39:41,144 WAS BEING RAISED SO HIGH. 700 00:39:41,246 --> 00:39:44,881 AND TRACIE WAS EXTREMELY UPSET ABOUT THAT FACT. 701 00:39:44,983 --> 00:39:47,484 SHE WAS NOT GOING TO HAVE HER CAR TAKEN AWAY FROM HER. 702 00:39:51,923 --> 00:39:53,857 SHE WAS BASICALLY 703 00:39:53,925 --> 00:39:56,292 STONE-FACED ABOUT IT, THAT IT HAPPENED, 704 00:39:56,395 --> 00:39:57,460 IT NEEDED TO BE DONE. 705 00:40:00,132 --> 00:40:03,833 SHE SHOWED NO REMORSE AND ACTED AS IF 706 00:40:03,935 --> 00:40:08,037 SHE DIDN'T CARE ONE BIT, AND THAT SHE WAS GLAD 707 00:40:08,140 --> 00:40:09,939 IT WAS DONE. 708 00:40:14,045 --> 00:40:16,079 THEY JUST CAME TO THE CONCLUSION JOINTLY 709 00:40:16,181 --> 00:40:17,714 THAT THIS IS WHAT WE NEED TO DO 710 00:40:17,816 --> 00:40:20,784 TO BE ABLE TO STAY TOGETHER AND KEEP THE MUSTANG. 711 00:40:22,621 --> 00:40:24,220 Narrator: TWO WEEKS AFTER THE KILLING, 712 00:40:24,322 --> 00:40:27,657 TRACIE MILES AND PAUL NELSON ARE CHARGED WITH THE MURDER OF 713 00:40:27,759 --> 00:40:28,825 SANDY MILES. 714 00:40:30,562 --> 00:40:33,463 17-YEAR-OLD TRACIE IS CHARGED AS AN ADULT. 715 00:40:38,236 --> 00:40:41,037 I DON'T THINK IT WAS BAD THAT SHE WAS CHARGED AS AN ADULT. 716 00:40:42,207 --> 00:40:43,740 SHE KNEW RIGHT FROM WRONG. 717 00:40:45,610 --> 00:40:50,280 FOR ME, SPECIFICALLY, IN MY LITTLE COMMUNITY. 718 00:40:50,382 --> 00:40:52,749 IT WASN'T JUST SOMEONE IN TOWN 719 00:40:52,851 --> 00:40:56,119 YOU KNEW OF -- YOU -- YOU KNEW HER. 720 00:40:56,221 --> 00:40:58,421 I THINK IT SHOCKED THE WHOLE COMMUNITY. 721 00:40:59,691 --> 00:41:03,293 Narrator: AT THE TRIAL ON MARCH 1, 1999, BOTH TRACIE 722 00:41:03,395 --> 00:41:06,162 AND PAUL PLEAD NO CONTEST TO THE CHARGES AGAINST THEM. 723 00:41:09,534 --> 00:41:11,468 THEY BOTH RECEIVE LIFE SENTENCES. 724 00:41:13,338 --> 00:41:16,139 I SPOKE FOR THE FAMILY, AND I ASKED THE JUDGE 725 00:41:16,241 --> 00:41:19,642 TO SENTENCE THEM TO THE LONGEST TIME POSSIBLE 726 00:41:19,744 --> 00:41:22,645 AND HAVE THE SENTENCES BE CONSECUTIVELY. 727 00:41:26,017 --> 00:41:29,752 THERE IS CERTAINLY SOMETHING IN TRACIE THAT IS EVIL. 728 00:41:33,825 --> 00:41:36,125 SO WE ASKED TO GO SEE HER, 729 00:41:36,261 --> 00:41:38,061 AND, 730 00:41:38,163 --> 00:41:42,098 YOU KNOW, SHE SHOWED NO EMOTION. 731 00:41:42,200 --> 00:41:43,399 SO WE ASK HER WHY, 732 00:41:44,936 --> 00:41:47,403 BUT SHE COULDN'T TELL US. 733 00:41:47,506 --> 00:41:50,340 THE ONLY THING I SAID WAS, "YOUR MOM WANTED SO MUCH MORE 734 00:41:50,442 --> 00:41:51,808 "FOR YOU. 735 00:41:51,910 --> 00:41:54,110 "SHE WANTED YOU TO MAKE SOMETHING OF YOURSELF. 736 00:41:55,480 --> 00:41:56,913 AND THAT WON'T HAPPEN NOW." 737 00:41:58,717 --> 00:42:01,284 Narrator: DESPITE THE SUCCESSFUL PROSECUTION, 738 00:42:01,386 --> 00:42:04,554 SANDY'S FRIENDS AND FAMILY STRUGGLED TO COME TO TERMS 739 00:42:04,656 --> 00:42:06,289 WITH WHAT HAPPENED. 740 00:42:06,391 --> 00:42:09,192 I NEVER THOUGHT SHE'D BE CAPABLE 741 00:42:09,294 --> 00:42:11,160 OF BEING INVOLVED IN ANYTHING LIKE THIS. 742 00:42:15,166 --> 00:42:17,233 NORMAL PEOPLE DON'T DO THAT. 743 00:42:18,436 --> 00:42:22,305 NO MATTER HOW MAD OR UPSET OR ANGRY THEY GET. 744 00:42:22,407 --> 00:42:23,640 THAT'S NOT WHAT NORMAL PEOPLE DO. 745 00:42:23,742 --> 00:42:25,808 THAT'S HOW MONSTERS BEHAVE, SO... 746 00:42:25,911 --> 00:42:32,215 ♪ 61199

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