Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
204
00:17:49,502 --> 00:17:53,806
ABOUT THIS TIME, MOTHER
LOOKS IN TO CHECK THE SWAG
205
00:17:53,840 --> 00:17:56,509
AND IS QUICK TO CUT HERSELF IN.
206
00:17:59,479 --> 00:18:01,581
MEANWHILE, THIS JUNIOR BURGLAR
207
00:18:01,614 --> 00:18:04,684
FINDS HE FORGOT TO STEAL
THE COMBINATION.
208
00:18:22,869 --> 00:18:26,306
AND THEN AFTER THE OMELET,
A QUIET NAP.
209
00:18:35,482 --> 00:18:38,351
THESE WILD PIGS
ARE CALLED BY SEVERAL NAMES --
210
00:18:38,385 --> 00:18:40,220
JABALINAS, PECCARIES --
211
00:18:40,253 --> 00:18:41,854
BUT THEIR REAL NAME IS TROUBLE,
212
00:18:41,888 --> 00:18:44,257
FOR THEY'RE ONE
OF THE MOST FEROCIOUS ANIMALS
213
00:18:44,291 --> 00:18:45,858
ON THE AMERICAN CONTINENT.
214
00:18:45,892 --> 00:18:47,494
THEY TRAVEL IN GROUPS,
215
00:18:47,527 --> 00:18:50,129
ESPECIALLY WHEN
ACCOMPANIED BY YOUNG.
216
00:18:57,704 --> 00:18:59,572
UNLIKE THEIR DOMESTIC COUSINS,
217
00:18:59,606 --> 00:19:01,774
PECCARIES WEAR
A THICK COAT OF FUR.
218
00:19:01,808 --> 00:19:03,943
AND WHEN THEY FIND
A PATCH OF DAMP SAND,
219
00:19:03,976 --> 00:19:06,313
THEY WELCOME
THE CHANCE TO COOL OFF.
220
00:19:16,323 --> 00:19:19,526
BUT NOW ANOTHER VICIOUS FIGHTER
WITH AN EQUALLY BAD REPUTATION
221
00:19:19,559 --> 00:19:21,294
COMES THEIR WAY.
222
00:19:26,933 --> 00:19:29,502
IT'S A GOOD RULE
ON THE DESERT TO KEEP CLEAR
223
00:19:29,536 --> 00:19:31,438
OF A BOBCAT ON THE PROWL,
224
00:19:31,471 --> 00:19:35,942
BUT IT'S AN EVEN BETTER RULE
NEVER TO PICK ON A PECCARY.
225
00:19:35,975 --> 00:19:37,577
LIKE ALL WILD PIGS,
226
00:19:37,610 --> 00:19:39,779
THEY HAVE LONG TUSKS
AND SHORT TEMPERS.
227
00:19:39,812 --> 00:19:41,848
[ GROWLING ]
228
00:19:49,789 --> 00:19:51,291
[ GROWLS ]
229
00:19:54,427 --> 00:19:57,330
THE CAT'S INSTINCTIVE REACTION
IS TO CLIMB A TREE,
230
00:19:57,364 --> 00:19:58,565
BUT NO TREE.
231
00:19:58,598 --> 00:20:00,567
WELL, IT'S NO TIME
TO BE CHOOSY.
232
00:20:00,600 --> 00:20:02,469
THIS IS AN EMERGENCY.
233
00:20:10,743 --> 00:20:12,412
WHEN IT COMES TO A CHOICE
234
00:20:12,445 --> 00:20:14,747
BETWEEN SHARP TUSKS
AND SHARP THORNS,
235
00:20:14,781 --> 00:20:16,649
THE CAT PREFERS THE LATTER.
236
00:20:16,683 --> 00:20:18,685
[ GROWLS ]
237
00:20:29,929 --> 00:20:31,931
NOT THE MOST COMFORTABLE SPOT
IN THE WORLD,
238
00:20:31,964 --> 00:20:33,800
BUT AT LEAST HE'S SAFE.
239
00:20:35,635 --> 00:20:37,236
[ SCREECHING ]
240
00:20:55,588 --> 00:20:58,425
AND THE BOBCAT FINALLY DECIDES
THE DESERT'S NO PLACE
241
00:20:58,458 --> 00:20:59,826
FOR A TENDERFOOT.
242
00:21:15,942 --> 00:21:17,544
IN HER DESERT DRAMA,
243
00:21:17,577 --> 00:21:20,347
NATURE KNOWS
NEITHER HERO NOR VILLAIN.
244
00:21:20,380 --> 00:21:24,016
SHE'S IMPARTIAL AND PLANS
FOR THE SURVIVAL OF ALL.
245
00:21:24,050 --> 00:21:26,919
THUS THE RATTLESNAKE IS GIVEN
A SUPER-SENSITIVE TONGUE
246
00:21:26,953 --> 00:21:28,988
WITH WHICH HE TRACKS HIS PREY.
247
00:21:32,559 --> 00:21:35,462
EVEN THE FAINTEST SCENT
LEFT IN THE SAND
248
00:21:35,495 --> 00:21:38,565
WILL GUIDE HIM UNERRINGLY
ALONG THE TRAIL.
249
00:21:52,479 --> 00:21:55,615
THE POCKET MOUSE
HAS ONLY ONE DEFENSE --
HE GOES UNDERGROUND,
250
00:21:55,648 --> 00:21:58,485
AND IT'S ANY HOLE
IN AN EMERGENCY.
251
00:21:59,552 --> 00:22:02,321
OOP! ANY HOLE BUT THAT ONE.
252
00:22:11,063 --> 00:22:13,766
HOT ON THE SCENT,
THE RATTLESNAKE
STICKS TO THE TRAIL.
253
00:22:13,800 --> 00:22:16,403
WHEREVER IT LEADS, HE FOLLOWS.
254
00:22:19,005 --> 00:22:19,972
UH-OH.
255
00:22:20,006 --> 00:22:22,141
THE TARANTULA
AND THE RATTLER --
256
00:22:22,174 --> 00:22:23,943
TWO OF A KIND.
257
00:22:27,013 --> 00:22:29,416
THE SNAKE ISN'T
TO BE BLUFFED OUT OF A MEAL.
258
00:22:29,449 --> 00:22:31,951
[ RATTLING ]
259
00:22:31,984 --> 00:22:35,522
HE'S SURE THE MOUSE
IS IN THAT HOLE.
260
00:22:35,555 --> 00:22:38,891
THE SPIDER IS SURE HE ISN'T...
261
00:22:38,925 --> 00:22:43,596
WHILE THE PARTY IN QUESTION
WOULD RATHER DIG THAN DEBATE.
262
00:22:51,471 --> 00:22:52,839
LARGEST OF ALL SPIDERS
263
00:22:52,872 --> 00:22:55,775
AND ARMED WITH
HER OWN BRAND OF POISON,
264
00:22:55,808 --> 00:22:58,010
THE TARANTULA
STANDS HER GROUND.
265
00:23:02,715 --> 00:23:06,419
AND ODDLY ENOUGH, THE
RATTLESNAKE BACKS DOWN FIRST.
266
00:23:08,120 --> 00:23:10,723
IT'S A STANDOFF,
AND NOBODY WINS...
267
00:23:10,757 --> 00:23:15,562
NOBODY, THAT IS, EXCEPT THE
LITTLE MOUSE WHO WASN'T THERE.
268
00:23:17,096 --> 00:23:18,931
THE SCENT COLD,
THE TRAIL IS LOST.
269
00:23:18,965 --> 00:23:20,667
AND THIS TIME A DESERT KILLER
270
00:23:20,700 --> 00:23:22,869
HAS BEEN OUTWITTED
BY EVERYBODY.
271
00:23:39,619 --> 00:23:42,121
EVERY AFTERNOON
ALONG ABOUT SUNDOWN,
272
00:23:42,154 --> 00:23:45,592
THE RED-TAILED HAWK FLIES
TO THIS PARTICULAR SPOT
273
00:23:45,625 --> 00:23:47,226
AND WAITS...
274
00:23:47,259 --> 00:23:50,997
FOR HERE OCCURS A PHENOMENON
THAT'S AS REGULAR AS CLOCKWORK.
275
00:23:52,899 --> 00:23:56,035
INSIDE THIS CAVE, MILLIONS
OF BATS ARE AWAKENING,
276
00:23:56,068 --> 00:23:58,805
FOR THEIR DAY BEGINS
WITH THE TWILIGHT.
277
00:24:07,647 --> 00:24:10,216
BATS ARE
THE ONLY FLYING MAMMALS.
278
00:24:10,249 --> 00:24:13,586
THIS SPECIES LIVES
EXCLUSIVELY ON INSECTS
279
00:24:13,620 --> 00:24:17,156
AND SO HELPS NATURE KEEP THE
PEST POPULATION UNDER CONTROL.
280
00:24:30,770 --> 00:24:32,672
NOW AS EVENING APPROACHES,
281
00:24:32,705 --> 00:24:35,642
THESE NIGHT FLIERS TAKE OFF
FOR THEIR HUNTING GROUNDS.
282
00:24:45,084 --> 00:24:48,287
TO NAVIGATE IN THE DARK,
BATS USE A FORM OF RADAR.
283
00:24:48,320 --> 00:24:51,791
THEIR HIGH-PITCHED SQUEAKS
BOUNCE OFF SOLID OBJECTS
284
00:24:51,824 --> 00:24:55,161
TO BECOME THE ECHOES
BY WHICH THEY GUIDE THEMSELVES.
285
00:25:05,204 --> 00:25:08,174
SOON THE SKY IS FILLED
WITH CLOUDS OF BATS.
286
00:25:12,645 --> 00:25:15,648
AND THIS IS WHAT THE HAWK
HAS BEEN WAITING FOR.
287
00:25:15,682 --> 00:25:18,150
SHE DRAWS A BEAD
ON HALF A DOZEN OR SO,
288
00:25:18,184 --> 00:25:20,787
AND DOWN SHE GOES!
289
00:25:23,890 --> 00:25:25,558
A CLEAN MISS.
290
00:25:25,592 --> 00:25:27,994
OH, WELL, MAYBE SHE FORGOT
TO ALLOW FOR THE WIND.
291
00:25:29,295 --> 00:25:33,265
THIS TIME SHE CHECKS
ELEVATION, DRIFT, DIVING ANGLE,
292
00:25:33,299 --> 00:25:34,867
AND...
293
00:25:41,641 --> 00:25:42,875
SCORED A HIT.
294
00:25:42,909 --> 00:25:44,611
BUT IT GETS AWAY.
295
00:25:44,644 --> 00:25:46,779
OLD BUTTERCLAWS.
296
00:25:59,926 --> 00:26:02,862
WAS EVER A BIRD SO FRUSTRATED?
297
00:26:07,967 --> 00:26:11,370
THIS CAN DRIVE A HAWK
TO NERVOUS PROSTRATION.
298
00:26:11,403 --> 00:26:13,740
SHE JUST CAN'T FIGURE IT OUT.
299
00:26:13,773 --> 00:26:17,744
YOU SEE, NOBODY EVER TOLD HER
ABOUT THE BATS' RADAR.
300
00:26:20,046 --> 00:26:22,014
FRANTIC NOW,
SHE'LL TRY ANYTHING,
301
00:26:22,048 --> 00:26:24,150
EVEN A COLLISION COURSE.
302
00:26:24,183 --> 00:26:26,786
TO HER SURPRISE, IT WORKS.
303
00:26:28,220 --> 00:26:32,591
AND A MIGHTY SMALL REWARD
FOR SUCH A PRODIGIOUS EFFORT.
304
00:26:34,060 --> 00:26:36,963
TO NATURE, THE LOSS OF ONE BAT,
OR EVEN 1,000,
305
00:26:36,996 --> 00:26:39,131
IS REALLY NO LOSS AT ALL.
306
00:26:39,165 --> 00:26:41,768
THIS WINGED COLUMN
STREAMS INTO THE SKY
307
00:26:41,801 --> 00:26:45,604
UNTIL LONG AFTER THE SUN
HAS GONE FROM THE SCENE.
308
00:26:48,741 --> 00:26:51,143
THE NIGHTTIME WONDERS
OF NATURE'S LIVING DESERT
309
00:26:51,177 --> 00:26:53,813
MORE THAN MATCH
THE WONDERS OF THE DAY.
310
00:26:53,846 --> 00:26:55,782
THE DESERT WATER HOLE
IN PARTICULAR
311
00:26:55,815 --> 00:26:58,117
ATTRACTS AN ODD ASSORTMENT
OF NIGHT LIFE.
312
00:26:58,150 --> 00:27:00,152
HERE THE TOADS
FIND A HUNTING GROUND
313
00:27:00,186 --> 00:27:02,021
ESPECIALLY TO THEIR LIKING.
314
00:27:15,334 --> 00:27:17,737
HERE THE CENTIPEDE
PUTS HIS BEST FOOT FORWARD
315
00:27:17,770 --> 00:27:19,906
AND STEPS OUT
FOR AN EVENING STROLL.
316
00:27:49,168 --> 00:27:52,238
SUDDENLY HE FINDS HE'S WANDERED
DOWN A DEAD-END STREET.
317
00:27:58,444 --> 00:28:00,747
IN THE REALM OF FANCY FOOTWORK,
HOWEVER,
318
00:28:00,780 --> 00:28:03,215
THE MILLIPEDE IS WITHOUT EQUAL.
319
00:28:03,249 --> 00:28:05,752
MILLIPEDE --
LITERALLY "1,000 FEET,"
320
00:28:05,785 --> 00:28:07,019
GIVE OR TAKE A FEW.
321
00:28:07,053 --> 00:28:09,055
COUNT 'EM.
322
00:28:36,215 --> 00:28:37,316
UH-OH.
323
00:28:37,349 --> 00:28:40,386
LOOKS LIKE A BAD NIGHT
FOR A PEDESTRIAN.
324
00:28:40,419 --> 00:28:42,054
BUT NOT THIS ONE.
325
00:28:42,088 --> 00:28:44,190
NATURE GIVES THE MILLIPEDE
AN UNPLEASANT ODOR
326
00:28:44,223 --> 00:28:46,826
GUARANTEED TO MAKE HIM
COMPLETELY SPIDER-PROOF.
327
00:28:54,967 --> 00:28:58,304
THIS PUNGENT DEFENSE,
HOWEVER, HAS ITS LIMITATIONS.
328
00:28:58,337 --> 00:29:01,240
THE TOAD FINDS IT
QUITE APPETIZING.
329
00:29:09,048 --> 00:29:11,918
WHENEVER THE MOON CASTS A SPELL
OVER THE LIVING DESERT,
330
00:29:11,951 --> 00:29:14,020
THE GOBLINS APPEAR.
331
00:29:14,053 --> 00:29:16,288
IN THIS CASE,
IT'S AN ELFIN OWL.
332
00:29:16,322 --> 00:29:19,191
FROM HER DOORWAY,
SHE WATCHES A STRANGE BALLET
333
00:29:19,225 --> 00:29:20,759
IN THE MOONLIGHT.
334
00:29:22,094 --> 00:29:23,930
LIKE A CREATURE BEWITCHED,
335
00:29:23,963 --> 00:29:26,765
THE BURROWING SNAKE
PERFORMS HIS SERPENTINE SOLO.
336
00:30:31,497 --> 00:30:34,066
THE OWL IS WITNESS
TO MANY UNUSUAL SCENES,
337
00:30:34,100 --> 00:30:35,434
BUT ONE OF THE STRANGEST
338
00:30:35,467 --> 00:30:37,569
IS THE COURTSHIP
OF THE TARANTULAS.
339
00:30:40,139 --> 00:30:42,474
THE MALE COMES CALLING
LIKE ANY LOVE-SICK ROMEO
340
00:30:42,508 --> 00:30:45,544
AND KNOCKS
ON THE FEMALE'S DOOR.
341
00:31:00,292 --> 00:31:03,162
IN HER OWN GOOD TIME,
JULIET APPEARS.
342
00:31:03,195 --> 00:31:06,332
HE GREETS HER WITH OPEN ARMS --
ALL EIGHT OF THEM --
343
00:31:06,365 --> 00:31:08,367
AND DRAWS HER CLOSE.
344
00:31:14,373 --> 00:31:16,575
THE LADY TAKES HER CUE
AND SWOONS.
345
00:31:16,608 --> 00:31:18,277
A BIT THEATRICAL PERHAPS,
346
00:31:18,310 --> 00:31:20,212
BUT IT'S A TECHNIQUE
THAT ALWAYS WORKS,
347
00:31:20,246 --> 00:31:22,114
EVEN WITH TARANTULAS.
348
00:31:25,551 --> 00:31:27,653
BUT THE OWL
HASN'T SEEN ANYTHING YET,
349
00:31:27,686 --> 00:31:30,522
FOR NOW BEGINS THE COURTING
DANCE OF THE SCORPION.
350
00:31:33,625 --> 00:31:36,195
OF COURSE, THE FIRST THING
HE NEEDS IS A PARTNER,
351
00:31:36,228 --> 00:31:38,297
SO HE DIGS ONE UP.
352
00:31:41,500 --> 00:31:43,369
BEING NATIVE WESTERNERS,
353
00:31:43,402 --> 00:31:47,106
THE SCORPIONS FAVOR THE LIVELY
RHYTHMS OF THE SQUARE DANCE.
354
00:31:49,108 --> 00:31:50,542
ALL RIGHT, EVERYBODY!
355
00:31:50,576 --> 00:31:52,979
CHOOSE YOUR PARTNERS
FOR THE STING-O-REE.
356
00:31:53,012 --> 00:31:55,014
[ SQUARE-DANCE MUSIC PLAYS ]
357
00:31:56,648 --> 00:31:58,951
* LADY AND GENT
TO THE CENTER OF THE RING *
358
00:31:58,985 --> 00:32:00,719
* LOCK THOSE CLAWS,
LIFT THAT STING *
359
00:32:00,752 --> 00:32:02,989
* THREE LEGS UP
AND FOUR LEGS DOWN *
360
00:32:03,022 --> 00:32:05,958
* WHIRL THAT SCORPION
ROUND AND ROUND *
361
00:32:08,727 --> 00:32:10,963
* CIRCLE 'ROUND,
AND AWAY WE GO *
362
00:32:10,997 --> 00:32:14,066
* SASHAY RIGHT
WITH A DO-SI-DO *
363
00:32:16,668 --> 00:32:19,005
* HALFWAY 'ROUND
AND BACKTRACK BACK *
364
00:32:19,038 --> 00:32:21,073
* SNAP YOUR CLAWS
WITH A CLICKETY-CLACK *
365
00:32:21,107 --> 00:32:23,075
* GENTS TO THE LEFT,
LADIES TO THE RIGHT *
366
00:32:23,109 --> 00:32:25,511
* NOW, AIN'T THAT GAL
A PRETTY SIGHT? *
367
00:32:28,747 --> 00:32:31,017
* SWING YOUR PARTNER,
GIVE HER A HUG *
368
00:32:31,050 --> 00:32:33,319
* GET YOUR HOOKS
ON A LADY BUG *
369
00:32:45,031 --> 00:32:47,033
* STINGERS UP
FOR THE STING-O-REE *
370
00:32:47,066 --> 00:32:49,601
* BUT WATCH OUT, GAL,
YOU DON'T STING ME *
371
00:32:53,105 --> 00:32:55,074
* ALLEMANDE LEFT
WITH YOUR INSECT FAIR *
372
00:32:55,107 --> 00:32:57,509
* AND TAKE YOUR GAL
TO YOU-KNOW-WHERE *
373
00:33:04,450 --> 00:33:07,353
THE AMOROUS MOOD OF THE EVENING
SEEMS TO BE CATCHING,
374
00:33:07,386 --> 00:33:10,756
FOR NOW THE LONG-HORNED BEETLE
IN FORMAL ATTIRE
375
00:33:10,789 --> 00:33:14,593
DECIDES TO DROP IN
ON THE LADY DOWNSTAIRS.
376
00:33:16,228 --> 00:33:18,297
WHAT A CHARMING SMILE SHE HAS.
377
00:33:18,330 --> 00:33:21,167
AND SUCH MAGNIFICENT MANDIBLES.
378
00:33:25,804 --> 00:33:29,375
HE'S THE FORCEFUL TYPE
AND WALKS IN UNANNOUNCED.
379
00:33:29,408 --> 00:33:32,644
BUT HIS WELCOME ISN'T
QUITE WHAT HE EXPECTED.
380
00:33:32,678 --> 00:33:35,381
FIRST THING HE KNOWS,
THE LADY CLAMPS A HAMMERLOCK
381
00:33:35,414 --> 00:33:37,015
ON ONE OF HIS FEELERS.
382
00:33:40,652 --> 00:33:43,455
AND THEN SHE BEGINS
TO GNAW ON HIS LEG,
383
00:33:43,489 --> 00:33:47,359
MERELY HER WAY OF HINTING THAT
SHE'S ALREADY GOING STEADY.
384
00:33:47,393 --> 00:33:51,097
AND BY THE COINCIDENCE WHICH
IS USUAL IN ROMANTIC FARCES,
385
00:33:51,130 --> 00:33:53,399
HERE COMES THE BOYFRIEND NOW.
386
00:34:11,150 --> 00:34:14,786
A DOUBLE HEADLOCK,
AND THEN A DEADLOCK.
387
00:34:14,820 --> 00:34:17,789
BUT IN THE END,
TRUE LOVE TRIUMPHS,
388
00:34:17,823 --> 00:34:20,826
AND A BATTERED BEETLE
BEATS A HASTY RETREAT.
389
00:34:35,841 --> 00:34:37,709
AFTER WHAT HE'S BEEN THROUGH,
390
00:34:37,743 --> 00:34:39,645
THIS LAD'S IN NO MOOD
FOR NONSENSE,
391
00:34:39,678 --> 00:34:41,947
NOT EVEN FROM TARANTULAS.
392
00:34:45,817 --> 00:34:47,819
NATURE'S ON HIS SIDE THIS TIME,
393
00:34:47,853 --> 00:34:50,689
FOR SHE'S ARMED HIM WITH SOME
SPECIAL ANTI-TARANTULA WEAPONS.
394
00:35:00,932 --> 00:35:02,901
AND WHEN THEY
FINALLY PART COMPANY,
395
00:35:02,934 --> 00:35:05,471
THE SPIDER'S LEFT WITH
A NEW RESPECT FOR BEETLES.
396
00:35:16,415 --> 00:35:19,551
JUST HOW LONG CAN
THIS CHARMED EXISTENCE LAST?
397
00:35:22,921 --> 00:35:26,425
IF AT FIRST YOU DON'T SUCCEED,
CALL YOUR BIG BROTHER.
398
00:35:26,458 --> 00:35:29,695
"HEY, MUGSY, TAKE CARE
OF THIS WISE GUY, WILL YA?"
399
00:35:34,900 --> 00:35:36,935
BIG TOAD BITES LITTLE BEETLE.
400
00:35:36,968 --> 00:35:39,271
LITTLE BEETLE BITES BIG TOAD...
401
00:35:39,305 --> 00:35:40,406
ON THE TONGUE.
402
00:35:40,439 --> 00:35:41,773
OUCH!
403
00:35:55,221 --> 00:35:56,788
DURING THESE MOONLIGHT HOURS,
404
00:35:56,822 --> 00:35:58,624
MOST OF THE NOCTURNAL CREATURES
405
00:35:58,657 --> 00:36:00,726
SPEND THEIR TIME
GATHERING FOOD.
406
00:36:00,759 --> 00:36:05,397
THE KANGAROO RATS IN PARTICULAR
CARRY ON A BUSY HARVEST.
407
00:36:05,431 --> 00:36:08,400
SUPPLIES ARE STUFFED
INTO THEIR LARGE CHEEK POUCHES
408
00:36:08,434 --> 00:36:10,436
FOR FUTURE CONSUMPTION.
409
00:36:17,543 --> 00:36:19,545
WHEN POUCHES
ARE FILLED TO CAPACITY,
410
00:36:19,578 --> 00:36:22,180
SOME OF THE GLEANINGS
MUST BE BURIED.
411
00:36:26,485 --> 00:36:28,454
FINDING A LIKELY SPOT
FOR A PRIVATE PANTRY
412
00:36:28,487 --> 00:36:30,789
REQUIRES SOME SCOUTING AROUND.
413
00:36:35,694 --> 00:36:38,797
IN THE PROCESS, SOME MIGHTY
ODD THINGS TURN UP...
414
00:36:38,830 --> 00:36:41,367
SUCH AS A BELLIGERENT
HORNED TOAD.
415
00:36:54,313 --> 00:36:55,681
IT NEVER FAILS.
416
00:36:55,714 --> 00:36:57,783
WHENEVER YOU WANT
A LITTLE PRIVACY,
417
00:36:57,816 --> 00:36:59,985
THERE'S ALWAYS SOMEBODY
LOOKING OVER YOUR SHOULDER.
418
00:37:00,018 --> 00:37:01,820
THE NOSY NEIGHBOR.
419
00:37:01,853 --> 00:37:04,856
HE MINDS EVERYBODY'S
BUSINESS BUT HIS OWN.
420
00:37:30,316 --> 00:37:32,418
THE NUISANCE
IS HARD TO DISCOURAGE,
421
00:37:32,451 --> 00:37:34,886
BUT HE FINALLY TAKES THE HINT.
422
00:37:37,589 --> 00:37:40,892
AND ONCE HE'S OUT OF THE WAY,
THE FOOD'S PUT INTO STORAGE.
423
00:37:51,036 --> 00:37:53,639
THESE LITTLE FELLOWS HAVE
SOME RATHER UNUSUAL HABITS.
424
00:37:53,672 --> 00:37:55,541
THEY PRACTICALLY
NEVER DRINK WATER,
425
00:37:55,574 --> 00:37:57,476
BUT, LIKE THE TORTOISE,
MANUFACTURE IT
426
00:37:57,509 --> 00:37:59,445
INSIDE THEIR BODIES.
427
00:37:59,478 --> 00:38:03,782
AND FOR A BATH, WHAT COULD BE
BETTER THAN GOOD, CLEAN SAND?
428
00:38:13,058 --> 00:38:15,894
IN THIS BUSTLING COLONY,
THERE'S NEVER AN IDLE MOMENT,
429
00:38:15,927 --> 00:38:17,896
AND MRS. RAT'S BUSIEST OF ALL,
430
00:38:17,929 --> 00:38:20,666
FOR MOTHER'S WORK
IS NEVER DONE.
431
00:38:20,699 --> 00:38:24,736
SHE'S NURSE,
HOUSEKEEPER, AND PROVIDER.
432
00:38:26,972 --> 00:38:29,908
A MOTHER WITH BABIES TO FEED
IS CONSTANTLY ON THE MOVE.
433
00:38:29,941 --> 00:38:32,644
AND SHE MUST OFTEN TRAVEL
CONSIDERABLE DISTANCES
434
00:38:32,678 --> 00:38:34,813
TO FIND SEEDS.
435
00:38:34,846 --> 00:38:36,815
WITH ALL HER RESPONSIBILITIES,
436
00:38:36,848 --> 00:38:38,650
MRS. RAT IS EXTREMELY CAUTIOUS
437
00:38:38,684 --> 00:38:42,087
AND QUICK TO HIDE
AT THE SLIGHTEST SOUND.
438
00:38:50,862 --> 00:38:52,698
THE KINGSNAKE ISN'T POISONOUS,
439
00:38:52,731 --> 00:38:55,767
BUT HE DOES HAVE
AN APPETITE FOR KANGAROO RATS.
440
00:38:57,969 --> 00:38:58,937
[ SQUEAKS ]
441
00:38:58,970 --> 00:39:01,440
MRS. RAT NEEDS
NO SECOND WARNING.
442
00:39:01,473 --> 00:39:04,376
SHE HEADS FOR HOME
AND HER CHILDREN.
443
00:39:04,410 --> 00:39:06,845
NOW THE SNAKE
PICKS UP HER TRAIL.
444
00:39:16,054 --> 00:39:18,890
IN THIS CRISIS,
MOTHER RAT HAS A PLAN,
445
00:39:18,924 --> 00:39:20,692
BUT SHE MUST WORK FAST.
446
00:39:26,598 --> 00:39:28,934
FOR EMERGENCIES,
EVERY FAMILY OF KANGAROO RATS
447
00:39:28,967 --> 00:39:31,002
PREPARES AN AUXILIARY BURROW.
448
00:39:38,209 --> 00:39:41,680
ON HER SECOND TRIP,
SHE BARELY MANAGES TO
SLIP IN THE BACK DOOR,
449
00:39:41,713 --> 00:39:43,749
AS THE ENEMY ENTERS THE FRONT.
450
00:39:49,488 --> 00:39:52,624
BUT THE NURSERY'S EMPTY.
WHERE'S THE MISSING BABY?
451
00:39:54,460 --> 00:39:57,963
LOST IN THE MAZE OF TUNNELS,
TRYING TO FIND HIS MOTHER.
452
00:40:20,151 --> 00:40:23,855
STILL ON THE TRAIL, THE SNAKE
HEADS FOR THE SECOND BURROW.
453
00:40:23,889 --> 00:40:27,726
AND THEN AN INNOCENT BYSTANDER
SAVES THE DAY.
454
00:40:27,759 --> 00:40:31,129
ENTER THE GEKKO,
A POOR, DEFENSELESS LIZARD.
455
00:40:31,162 --> 00:40:32,698
WELL, NOT QUITE.
456
00:40:32,731 --> 00:40:35,066
FOR NATURE GAVE HIM
A DETACHABLE TAIL.
457
00:40:38,003 --> 00:40:40,606
AND SO NOTHING'S HURT
BUT HIS PRIDE.
458
00:40:40,639 --> 00:40:43,975
HE'LL SOON GROW ANOTHER TAIL
AND BE AS GOOD AS NEW.
459
00:40:47,879 --> 00:40:51,182
THIS ODD PATTERN IN THE SAND
IS MADE BY THE SIDEWINDER,
460
00:40:51,216 --> 00:40:53,985
OR HORNED RATTLESNAKE.
461
00:41:09,968 --> 00:41:12,638
THERE'S A REASON FOR THIS
STRANGE METHOD OF TRAVEL.
462
00:41:12,671 --> 00:41:15,140
IT GIVES THE SIDEWINDER
TRACTION IN SOFT SAND
463
00:41:15,173 --> 00:41:17,142
WHERE OTHER SNAKES WON'T GO.
464
00:41:17,175 --> 00:41:20,779
THUS NATURE PROVIDES HIM WITH
HUNTING GROUNDS ALL HIS OWN.
465
00:41:22,848 --> 00:41:24,616
A FORMIDABLE HUNTER,
466
00:41:24,650 --> 00:41:27,553
HE LEANS STRONGLY TOWARD A DIET
OF LIZARDS AND RODENTS.
467
00:41:55,747 --> 00:41:57,649
SMALL BUT EXTREMELY POISONOUS,
468
00:41:57,683 --> 00:41:59,985
HE DOESN'T
USUALLY TRACK HIS PREY,
469
00:42:00,018 --> 00:42:02,287
BUT WAITS FOR IT
TO COME TO HIM.
470
00:42:21,272 --> 00:42:22,273
YIKES!
471
00:42:26,177 --> 00:42:28,179
IN THE FACE
OF SUCH A POTENT ENEMY,
472
00:42:28,213 --> 00:42:30,649
MOST INTENDED VICTIMS
TAKE TO THE HILLS.
473
00:42:30,682 --> 00:42:33,251
BUT NOT THE RAT.
HE TAKES THE OFFENSIVE.
474
00:42:37,155 --> 00:42:40,558
AND HIS FAVORITE WEAPON
IS A HOMEMADE SANDSTORM.
475
00:42:42,293 --> 00:42:44,195
AGAINST THIS STINGING BARRAGE,
476
00:42:44,229 --> 00:42:47,098
THE RATTLER HAS PRACTICALLY
NO PROTECTION.
477
00:42:47,132 --> 00:42:49,267
HIS EYES ESPECIALLY
ARE VULNERABLE.
478
00:42:49,300 --> 00:42:51,002
THEY HAVE NO LIDS,
479
00:42:51,036 --> 00:42:53,739
ONLY A DELICATE COVERING
OVER THE PUPILS.
480
00:42:53,772 --> 00:42:55,273
HE CAN'T EVEN SQUINT.
481
00:42:55,306 --> 00:42:57,042
[ SQUEAKS ]
482
00:43:16,327 --> 00:43:18,063
[ SQUEAKS ]
483
00:43:29,808 --> 00:43:31,376
THE SNAKE'S AMBUSH HAS FAILED.
484
00:43:31,409 --> 00:43:33,044
ONLY ONE THING LEFT --
485
00:43:33,078 --> 00:43:36,614
START SIDEWINDING
FOR THE NEAREST EXIT.
486
00:43:40,451 --> 00:43:42,420
NOW THAT THE ENEMY'S
IN FULL RETREAT,
487
00:43:42,453 --> 00:43:45,223
EVERYBODY WANTS TO CLAIM
A SHARE IN THE VICTORY.
488
00:43:45,256 --> 00:43:47,826
[ SQUEAKING ]
489
00:44:05,176 --> 00:44:07,412
NATURALLY, AFTER SUCH
A TREMENDOUS TRIUMPH,
490
00:44:07,445 --> 00:44:09,180
A CELEBRATION'S IN ORDER.
491
00:44:43,181 --> 00:44:45,250
THEN IN TYPICAL HUMAN FASHION,
492
00:44:45,283 --> 00:44:48,119
THE AFFAIR DEGENERATES
INTO A BRAWL.
493
00:44:52,457 --> 00:44:54,292
THE COMMOTION
ATTRACTS AN OUTSIDER
494
00:44:54,325 --> 00:44:56,227
WHO DECIDES TO CRASH THE PARTY.
495
00:44:56,261 --> 00:44:59,164
THIS POPEYED PROWLER
IS THE RING-TAILED CAT.
496
00:44:59,197 --> 00:45:02,500
ACTUALLY, HE'S NO MORE CAT
THAN HIS COUSIN THE RACCOON,
497
00:45:02,533 --> 00:45:05,771
BUT HE DOES HAVE A CAT'S TASTE
FOR KANGAROO RATS.
498
00:45:05,804 --> 00:45:08,439
AND HERE'S ANOTHER
BIG APPETITE ON THE LOOKOUT
499
00:45:08,473 --> 00:45:10,742
FOR REFRESHMENTS.
500
00:45:25,223 --> 00:45:27,893
THE SQUABBLING RATS
ARE ABOUT TO LEARN
501
00:45:27,926 --> 00:45:29,828
ONE OF NATURE'S OLDEST LAWS --
502
00:45:29,861 --> 00:45:32,898
A SINGLE MOMENT OFF-GUARD
CAN BE YOUR LAST.
503
00:45:36,401 --> 00:45:41,439
IT'S A LUCKY RAT WHO GETS AWAY
TO LIVE PERHAPS ANOTHER DAY.
504
00:45:55,921 --> 00:45:57,889
IN NATURE'S DESIGN
FOR THE DESERT,
505
00:45:57,923 --> 00:46:01,026
THE PATTERN CHANGES
WITH THE PASSING HOURS.
506
00:46:01,059 --> 00:46:02,460
EACH SPECIES IN TURN --
507
00:46:02,493 --> 00:46:05,263
INSECT AND BIRD,
REPTILE AND MAMMAL --
508
00:46:05,296 --> 00:46:07,298
HAS ITS PREFERRED TIME OF DAY.
509
00:46:07,332 --> 00:46:09,367
NOW IN THE COOL OF THE MORNING,
510
00:46:09,400 --> 00:46:12,337
THE GROUND SQUIRRELS APPEAR.
511
00:46:15,874 --> 00:46:17,442
THESE ARE THE ROUNDTAILS
512
00:46:17,475 --> 00:46:20,478
WHOSE FAVORITE BREAKFAST
IS THE PRICKLY-PEAR CACTUS.
513
00:46:21,880 --> 00:46:26,551
ITS JUICY PULP PROVIDES THEM
WITH BOTH FOOD AND DRINK.
514
00:46:35,560 --> 00:46:38,830
THEY'RE ALSO FOND OF LEAVES
AND SEEDPODS.
515
00:46:42,400 --> 00:46:44,535
BREAKFAST OFTEN
LASTS ALL MORNING,
516
00:46:44,569 --> 00:46:47,038
UNLESS THERE'S AN INTERRUPTION.
517
00:46:50,441 --> 00:46:52,110
IT'S OLD NOSY PARKER,
518
00:46:52,143 --> 00:46:53,879
THE ROADRUNNER.
519
00:46:58,950 --> 00:47:02,320
INCIDENTALLY, HE'S A MEMBER
OF THE CUCKOO FAMILY,
520
00:47:02,353 --> 00:47:06,257
A CHARTER MEMBER AS FAR
AS THE SQUIRRELS ARE CONCERNED.
521
00:47:08,126 --> 00:47:10,161
STILL THEY KNOW
HOW TO HANDLE THIS CLOWN.
522
00:47:10,195 --> 00:47:12,397
JUST GIVE HIM A TASTE
OF HIS OWN MEDICINE.
523
00:47:16,201 --> 00:47:17,936
BUT NO SOONER ARE THEY RID
OF ONE NUISANCE,
524
00:47:17,969 --> 00:47:19,537
THEN ANOTHER APPEARS.
525
00:47:19,570 --> 00:47:22,407
THIS TIME IT'S SWEET WILLIAM,
THE SPOTTED SKUNK.
526
00:47:22,440 --> 00:47:25,176
HE'S A NIGHT PROWLER
AND, LIKE ALL SKUNKS,
527
00:47:25,210 --> 00:47:27,478
CARRIES A GRUDGE
AGAINST EVERYBODY,
528
00:47:27,512 --> 00:47:30,248
ESPECIALLY WHEN HE'S
ON HIS WAY HOME TO BED.
529
00:47:40,391 --> 00:47:44,062
AND WHENEVER HE'S AROUND,
SOMEBODY SMELLS TROUBLE.
530
00:47:50,035 --> 00:47:53,338
WHEN WILLY GETS HIS BACK UP,
IT MEANS, "STAND ASIDE, BUSTER,
531
00:47:53,371 --> 00:47:55,306
OR I'LL LET YOU HAVE IT."
532
00:48:01,980 --> 00:48:04,082
THERE'S NOT MUCH A SQUIRREL
CAN DO ABOUT THIS.
533
00:48:04,115 --> 00:48:04,882
WOW!
534
00:48:04,916 --> 00:48:07,986
WHEN HE'S HAD IT, HE'S HAD IT.
535
00:48:15,560 --> 00:48:17,695
WHAT'S THIS?
ANOTHER INTRUDER?
536
00:48:17,728 --> 00:48:20,932
AH, IT'S ONLY SKINNY,
THE KID FROM ACROSS THE WAY,
537
00:48:20,966 --> 00:48:22,667
ALWAYS TRYING TO HORN IN.
538
00:48:22,700 --> 00:48:25,536
"HEY, HOW'S CHANCES
FOR JOINING THE GANG?"
539
00:48:29,174 --> 00:48:32,677
BUT THE GANG, IT SEEMS,
WANTS NO PART OF SKINNY.
540
00:48:44,322 --> 00:48:46,992
STILL, SKINNY'S
NOT EASILY SQUELCHED.
541
00:48:47,025 --> 00:48:49,394
"GAMES? ANYBODY FOR TAG?"
542
00:48:58,236 --> 00:49:00,571
THIS GUY'S GETTING
A LITTLE TIRESOME.
543
00:49:00,605 --> 00:49:03,341
BESIDES, HE'S INTERFERING
WITH BREAKFAST.
544
00:49:03,374 --> 00:49:06,211
THEY DECIDE TO PUT HIM
IN HIS PLACE.
545
00:49:16,121 --> 00:49:17,522
BUT SKINNY DOESN'T MIND.
546
00:49:17,555 --> 00:49:19,357
AT LEAST HE'S
THE CENTER OF ATTENTION.
547
00:49:19,390 --> 00:49:22,560
AND WHO KNOWS?
MAYBE THIS IS THE INITIATION.
548
00:49:44,315 --> 00:49:46,317
WELL, IF THAT
WAS THE INITIATION,
549
00:49:46,351 --> 00:49:48,686
SOMEBODY FORGOT TO GIVE HIM
THE PASSWORD.
550
00:49:53,224 --> 00:49:55,626
SUDDENLY, SKINNY AND
HIS PROBLEMS ARE FORGOTTEN,
551
00:49:55,660 --> 00:49:59,564
FOR NOW A VISITOR APPROACHES
WHO CAN'T BE IGNORED.
552
00:49:59,597 --> 00:50:01,499
THE GILA MONSTER --
553
00:50:01,532 --> 00:50:05,736
A STRANGE COMBINATION
OF UGLINESS AND BEAUTY.
554
00:50:07,672 --> 00:50:11,309
HE LOOKS LIKE A BEADED BAG,
BUT THIS IS PURE DECEPTION,
555
00:50:11,342 --> 00:50:14,045
FOR NATURE,
IN A MOMENT OF GRIM HUMOR,
556
00:50:14,079 --> 00:50:16,181
FILLED THE BAG WITH POISON.
557
00:50:28,693 --> 00:50:32,397
IN THEIR PANIC, SOME
LITERALLY GRASP AT STRAWS.
558
00:51:06,164 --> 00:51:08,299
SOMETHING MUST BE DONE
ABOUT THIS UGLY CUSTOMER,
559
00:51:08,333 --> 00:51:09,600
BUT WHO'S TO DO IT?
560
00:51:10,768 --> 00:51:13,671
THE ONLY TO TAKE ACTION
IS SKINNY.
561
00:51:16,674 --> 00:51:19,577
WELL, HE WANTED TO PLAY TAG,
562
00:51:19,610 --> 00:51:23,080
EXCEPT THIS TIME, IT'S APT
TO BE TAG FOR KEEPS.
563
00:51:28,853 --> 00:51:31,256
STILL, SKINNY HAS
TWO THINGS IN HIS FAVOR --
564
00:51:31,289 --> 00:51:34,225
HE'S FAST ON HIS FEET,
AND HE HAS A FIGHTING HEART.
565
00:51:40,431 --> 00:51:42,800
HIS METHOD OF DEALING
WITH GILA MONSTERS
566
00:51:42,833 --> 00:51:44,635
IS TO INSULT THEM.
567
00:51:48,406 --> 00:51:52,477
AS HE WARMS TO HIS WORK,
HE EVEN GETS A LITTLE COCKY.
568
00:51:57,848 --> 00:52:01,152
"HEY, SKINNY,
GET OUT OF THERE."
569
00:52:04,689 --> 00:52:08,159
ONCE HE STARTS SOMETHING,
THOUGH, SKINNY STICKS TO IT
570
00:52:08,193 --> 00:52:11,562
UNTIL EVEN THE GILA MONSTER
CAN'T TAKE ANY MORE.
571
00:52:21,439 --> 00:52:23,541
AND WHO'S THE HERO OF THE HOUR?
572
00:52:23,574 --> 00:52:25,310
WHY, SKINNY, OF COURSE.
573
00:52:25,343 --> 00:52:28,346
LET'S GIVE THE LITTLE FELLOW
A BIG HAND.
574
00:52:31,716 --> 00:52:34,752
IT'S BEEN A BUSY MORNING
FOR THE SQUIRRELS,
575
00:52:34,785 --> 00:52:36,521
BUT WHENEVER THINGS
CALM DOWN A BIT,
576
00:52:36,554 --> 00:52:38,423
IT'S BACK TO BREAKFAST.
577
00:52:43,428 --> 00:52:45,663
"HEY, WHO'S ROCKING THE ROCK?"
578
00:52:45,696 --> 00:52:48,699
WELL, IT'S THE TORTOISE.
579
00:52:54,605 --> 00:52:56,674
"MORNING, BROTHER TORTOISE.
580
00:52:56,707 --> 00:52:58,243
YOU LEAVING?"
581
00:52:58,276 --> 00:53:01,379
"OKAY, EVERYBODY,
FREE RIDE'S OVER."
582
00:53:01,412 --> 00:53:04,915
AND SO THE GANG GETS OFF,
ALL EXCEPT SKINNY.
583
00:53:04,949 --> 00:53:06,684
HE'S ONE OF THOSE CHARACTERS
584
00:53:06,717 --> 00:53:09,487
WHO JUST HAS TO RIDE
TO THE END OF THE LINE.
585
00:53:24,602 --> 00:53:26,837
ON THE LIVING DESERT,
586
00:53:26,871 --> 00:53:29,940
NATURE'S THEME IS ALWAYS THE
PRESERVATION OF THE SPECIES.
587
00:53:29,974 --> 00:53:33,944
AND SHE USES MANY METHODS
TO ACCOMPLISH HER PURPOSE.
588
00:53:33,978 --> 00:53:37,548
THIS IS THE PEPSIS WASP,
OR TARANTULA HAWK.
589
00:53:37,582 --> 00:53:39,817
IN ORDER THAT HER KIND
MAY SURVIVE,
590
00:53:39,850 --> 00:53:42,253
SHE MUST STALK
THE DEADLY TARANTULA
591
00:53:42,287 --> 00:53:45,222
AND ENGAGE IT IN MORTAL COMBAT.
592
00:53:47,292 --> 00:53:49,927
IT'S HER PERILOUS MISSION
TO STING THE GIANT SPIDER,
593
00:53:49,960 --> 00:53:54,699
PARALYZE IT, AND THUS PRESERVE
IT AS FOOD FOR HER YOUNG.
594
00:53:56,667 --> 00:53:59,537
SHE HURRIES FROM ONE LIKELY
LOOKING HOLE TO ANOTHER,
595
00:53:59,570 --> 00:54:02,340
LITERALLY ASKING FOR TROUBLE.
596
00:54:13,651 --> 00:54:15,052
AND SHE FINDS IT,
597
00:54:15,085 --> 00:54:17,588
BUT NOT THE KIND SHE EXPECTED.
598
00:54:20,525 --> 00:54:22,693
THE ANT ARMY SWARMS
TO THE ATTACK.
599
00:54:22,727 --> 00:54:25,296
THEIR ONE PURPOSE
IS TO WEIGH HER DOWN,
600
00:54:25,330 --> 00:54:27,031
KEEP HER EARTHBOUND.
601
00:54:28,799 --> 00:54:30,735
AGAINST
THIS ORGANIZED ONSLAUGHT,
602
00:54:30,768 --> 00:54:32,803
THE WASP HAS NO DEFENSE.
603
00:54:32,837 --> 00:54:35,573
SHE CAN ONLY HOPE
TO SHAKE THEM OFF.
604
00:55:01,466 --> 00:55:03,033
SHE WINS HER FREEDOM,
605
00:55:03,067 --> 00:55:06,671
BUT ONLY TO RESUME
HER SEARCH FOR SPIDERS.
606
00:55:10,107 --> 00:55:13,544
DRIVEN BY THE COMPELLING URGE
TO REPRODUCE HER SPECIES,
607
00:55:13,578 --> 00:55:15,746
SHE'LL LET NOTHING STOP HER.
608
00:55:15,780 --> 00:55:18,115
A TARANTULA IT MUST BE,
609
00:55:18,148 --> 00:55:20,651
AND A TARANTULA IT IS.
610
00:55:21,586 --> 00:55:24,522
NOW THEY ARE MET, FACE-TO-FACE.
611
00:55:24,555 --> 00:55:27,091
AND THIS IS A SIGHT
FEW HAVE EVER WITNESSED.
612
00:55:27,124 --> 00:55:30,961
IN THIS STRANGE ENCOUNTER, THE
SPIDER BATTLES FOR ITS LIFE,
613
00:55:30,995 --> 00:55:33,698
THE WASP, FOR GENERATIONS
YET TO COME,
614
00:55:33,731 --> 00:55:35,700
FOR ONLY THROUGH THE TARANTULA
615
00:55:35,733 --> 00:55:38,836
CAN SHE ENSURE
THE PROPAGATION OF HER LINE.
616
00:55:38,869 --> 00:55:41,706
IN THIS RAW
AND ELEMENTAL STRUGGLE,
617
00:55:41,739 --> 00:55:43,441
THESE ARE THE WEAPONS --
618
00:55:43,474 --> 00:55:45,410
THE PARALYZING STING
OF THE WASP
619
00:55:45,443 --> 00:55:47,412
AND THE LETHAL BITE
OF THE SPIDER,
620
00:55:47,445 --> 00:55:50,548
THE RAPIER AND THE BROADSWORD.
621
00:55:50,581 --> 00:55:53,418
IN SIZE AND BRUTE STRENGTH,
THE ODDS FAVOR THE GIANT,
622
00:55:53,451 --> 00:55:55,052
BUT THESE ARE MORE THAN MATCHED
623
00:55:55,085 --> 00:55:58,556
BY THE FRENZIED SKILL
OF ITS TINY ADVERSARY.
624
00:56:09,900 --> 00:56:12,703
THE STRICKEN WASP
GROVELS IN THE SAND,
625
00:56:12,737 --> 00:56:15,105
BUT THE SPIDER
FAILS TO FOLLOW UP.
626
00:56:15,139 --> 00:56:19,510
IT'S A MISSED OPPORTUNITY
AND A FATAL MISTAKE.
627
00:56:19,544 --> 00:56:23,448
IN THIS BRIEF RESPITE,
THE WASP RECOVERS.
628
00:56:25,483 --> 00:56:28,719
AND NOW SHE DRIVES
FOR THE ONE VULNERABLE SPOT,
629
00:56:28,753 --> 00:56:30,521
THE ABDOMEN.
630
00:56:56,246 --> 00:56:57,882
THEN THE TURNING POINT
631
00:56:57,915 --> 00:57:00,117
AS THE WASP SUDDENLY
REVERSES HER TACTICS
632
00:57:00,150 --> 00:57:04,622
AND, FLAT ON HER BACK,
THRUSTS HOME.
633
00:57:14,064 --> 00:57:16,066
SHE SCORES AGAIN AND AGAIN,
634
00:57:16,100 --> 00:57:18,636
AND HER POISON
BEGINS TO TAKE ITS TOLL.
635
00:57:23,173 --> 00:57:25,576
THE GROGGY GIANT
IS ALMOST DEFENSELESS NOW,
636
00:57:25,610 --> 00:57:28,579
BUT THE WASP
IS A CREATURE OBSESSED.
637
00:57:49,634 --> 00:57:53,070
FINALLY,
ONE LAST PARALYZING THRUST,
638
00:57:53,103 --> 00:57:55,272
AND THE BATTLE IS OVER.
639
00:57:55,305 --> 00:58:00,645
BUT NOW, IN VICTORY, THE WASP
FACES AN EVEN BIGGER TASK.
640
00:58:00,678 --> 00:58:03,681
SHE MUST DRAG THE SPIDER,
MANY TIMES HER SIZE,
641
00:58:03,714 --> 00:58:06,150
TO A SECRET HIDING PLACE.
642
00:58:08,986 --> 00:58:11,055
BUT INTO HER FRAGILE BODY,
643
00:58:11,088 --> 00:58:15,560
NATURE HAS PACKED A STRENGTH
PRODIGIOUS BEYOND BELIEF.
644
00:58:29,306 --> 00:58:32,142
WITH FANATICAL ENERGY,
SHE DIGS A HOLE,
645
00:58:32,176 --> 00:58:35,580
FOR IT'S PART OF HER RITUAL
TO BURY HER VICTIM.
646
00:58:43,888 --> 00:58:46,991
NOW AND THEN, SHE PAUSES
TO CHECK FOR MEASUREMENTS...
647
00:58:50,761 --> 00:58:52,997
THEN RETURNS TO HER TASK.
648
00:58:54,999 --> 00:58:57,034
A TREMENDOUS BOULDER
PRESENTS AN OBSTACLE,
649
00:58:57,067 --> 00:58:59,269
BUT ONLY TEMPORARILY.
650
00:59:00,805 --> 00:59:02,873
TO A HUMAN, THIS WOULD BE
LIKE TOWING A 10-TON TRUCK
651
00:59:02,907 --> 00:59:04,174
WITH YOUR TEETH.
652
00:59:24,228 --> 00:59:28,032
NOW ON THE TARANTULA'S BODY,
SHE WILL LAY A SINGLE EGG.
653
00:59:28,065 --> 00:59:32,036
SOON A NEW WASP WILL EMERGE,
FEED ON THE PARALYZED SPIDER,
654
00:59:32,069 --> 00:59:34,104
AND THEN ONE DAY VENTURE FORTH
655
00:59:34,138 --> 00:59:37,307
TO REPLAY
THIS GRIM DESERT DRAMA.
656
00:59:39,176 --> 00:59:40,945
STILL AT LARGE IN THE VICINITY,
657
00:59:40,978 --> 00:59:43,614
THE RATTLESNAKE
IS ON THE PROWL AGAIN.
658
00:59:46,250 --> 00:59:48,953
SO FAR, THIS KILLER SEEMS
TO HAVE HAD HIS OWN WAY,
659
00:59:48,986 --> 00:59:52,757
BUT THERE ARE A FEW CREATURES
WHO DARE TO CHALLENGE HIM.
660
00:59:52,790 --> 00:59:55,793
AND ONE OF THESE
IS THE RED-TAILED HAWK.
661
00:59:59,429 --> 01:00:03,167
AND SO THIS TIME, EVEN AS
THE RATTLER STALKS HIS PREY,
662
01:00:03,200 --> 01:00:06,904
SUDDEN DEATH HANGS
OVER HIS OWN HEAD.
663
01:00:13,010 --> 01:00:15,279
FLASHING TALONS
STRIKE FOR THE HEAD,
664
01:00:15,312 --> 01:00:17,782
BUT THE SNAKE
IS LIKE A STEEL SPRING.
665
01:00:17,815 --> 01:00:20,785
WHEN THE SPRING IS COILED,
IT'S DEADLY.
666
01:01:25,249 --> 01:01:28,786
THE HAWK FINDS AN OPENING,
SEIZES THE RATTLER'S HEAD,
667
01:01:28,819 --> 01:01:32,689
AND AS SUDDENLY AS IT BEGAN,
THE VIOLENT CONFLICT HAS ENDED.
668
01:01:42,199 --> 01:01:45,069
BUT IF DEATH AND DESTRUCTION
STALK THE LIVING DESERT,
669
01:01:45,102 --> 01:01:48,739
BIRTH AND REJUVENATION
INEVITABLY FOLLOW AFTER.
670
01:01:48,773 --> 01:01:51,976
NEW LIFE, HOWEVER,
DEPENDS ON RAINFALL.
671
01:01:52,009 --> 01:01:54,111
AND SO NATURE
BREWS UP A TEMPEST
672
01:01:54,144 --> 01:01:57,314
AND DRIVES HER THUNDERHEADS
OVER THE MOUNTAIN BARRIER.
673
01:01:57,347 --> 01:02:00,317
[ THUNDER CRASHES ]
674
01:02:09,226 --> 01:02:12,196
IN THIS LAND OF EXTREMES,
THERE ARE NO HALF MEASURES.
675
01:02:12,229 --> 01:02:15,432
IT'S EITHER NO RAIN AT ALL
OR ALL AT ONCE,
676
01:02:15,465 --> 01:02:18,168
AND SO THE CLOUDBURST.
677
01:02:25,509 --> 01:02:27,311
[ THUNDER CRASHES ]
678
01:02:27,344 --> 01:02:29,346
[ WIND GUSTING ]
679
01:03:04,014 --> 01:03:06,016
ALMOST AS SUDDENLY
AS THEY CAME,
680
01:03:06,050 --> 01:03:09,353
THE TORRENTIAL RAINS DISAPPEAR.
681
01:03:09,386 --> 01:03:14,391
AND YET MORE VIOLENT THAN THE
STORM ITSELF IS THE AFTERMATH,
682
01:03:14,424 --> 01:03:17,928
FOR NOW MILES AWAY WHERE
THE DESERT LIES SILENT,
683
01:03:17,962 --> 01:03:19,897
UNTOUCHED BY THE CLOUDBURST,
684
01:03:19,930 --> 01:03:21,932
AN OMINOUS RUMBLING IS HEARD.
685
01:03:21,966 --> 01:03:25,135
IT SEEMS TO COME FROM ALL
THE CANYONS AT ONCE.
686
01:03:25,169 --> 01:03:26,503
[ RUMBLING ]
687
01:03:28,906 --> 01:03:30,374
SUDDENLY FROM OUT OF NOWHERE...
688
01:03:33,510 --> 01:03:35,946
...A WALL OF WATER
ON THE RAMPAGE,
689
01:03:35,980 --> 01:03:37,882
THE FLASH FLOOD OF THE DESERT.
690
01:03:54,164 --> 01:03:55,933
ON THESE BARREN HILLS,
691
01:03:55,966 --> 01:03:58,068
THE RUSHING WATERS
FIND NOTHING TO HOLD THEM BACK.
692
01:03:58,102 --> 01:04:02,339
AND SO FROM ALL SIDES, THEY
CONVERGE, BECOME A TORRENT,
693
01:04:02,372 --> 01:04:06,243
A RAGING RIVER,
AND FINALLY A DESERT NIAGARA.
694
01:04:38,008 --> 01:04:40,377
IN ALL THESE ENDLESS
MILES OF SPACE,
695
01:04:40,410 --> 01:04:42,679
THE LOST RIVER
HAS NOWHERE TO GO.
696
01:04:42,712 --> 01:04:45,082
SOON IT
DISSIPATES ITS STRENGTH.
697
01:04:45,115 --> 01:04:47,451
ITS CURRENTS SPAN OUT
ON THE FLATS.
698
01:04:47,484 --> 01:04:49,553
WATER MIXES WITH EARTH
699
01:04:49,586 --> 01:04:53,523
UNTIL ONLY A RIVER
OF LIQUID MUD REMAINS.
700
01:05:00,164 --> 01:05:02,933
AND FINALLY THE ONCE RAGING
TORRENT IS SWALLOWED UP
701
01:05:02,967 --> 01:05:06,536
IN THE DESERT'S
OVERWHELMING VASTNESS.
702
01:05:06,570 --> 01:05:09,940
IT WOULD SEEM THAT NATURE HAS
BROUGHT WATER ONLY TO WASTE IT,
703
01:05:09,974 --> 01:05:14,611
FOR NOW THE SCORCHING SUN DRIES
OUT THE LAST BIT OF MOISTURE.
704
01:05:29,493 --> 01:05:31,195
YET THIS IS ONLY THE SURFACE.
705
01:05:31,228 --> 01:05:33,663
MOISTURE SEEPING
THROUGH THE DESERT FLOOR
706
01:05:33,697 --> 01:05:35,365
HAS AWAKENED DORMANT SEEDS.
707
01:05:42,506 --> 01:05:44,574
THE MIRACLE OF THE FLOWERS --
708
01:05:44,608 --> 01:05:47,377
ONE OF NATURE'S
GREATEST TRIUMPHS.
709
01:05:56,520 --> 01:05:59,189
IN THIS FLORAL GALAXY,
THE DESERT WILD FLOWERS
710
01:05:59,223 --> 01:06:02,126
DISPLAY THEIR BLOSSOMS
IN ALMOST ENDLESS VARIETY.
711
01:06:02,159 --> 01:06:03,627
POPPIES...
712
01:06:03,660 --> 01:06:05,495
LUPINE...
713
01:06:05,529 --> 01:06:07,697
THE PRIMROSE.
714
01:06:11,601 --> 01:06:13,470
AND IN EVEN THE TINIEST PLANTS,
715
01:06:13,503 --> 01:06:17,441
THE SURGE OF NEW LIFE
IS STRONG.
716
01:06:28,652 --> 01:06:30,420
THROUGHOUT THE DESERT,
717
01:06:30,454 --> 01:06:34,158
THE DRAB CACTUS PLANTS
REVEAL THEIR HIDDEN BEAUTY.
718
01:07:14,131 --> 01:07:17,167
IN DAYLIGHT AND DARKNESS,
THE PAGEANT CONTINUES.
719
01:07:17,201 --> 01:07:20,570
NOW THE NIGHT-BLOOMING CEREUS
PASSES THROUGH ITS FULL CYCLE
720
01:07:20,604 --> 01:07:22,239
IN A SINGLE NIGHT...
721
01:07:22,272 --> 01:07:26,076
FROM BURSTING BUD
TO FULL-BLOWN FLOWER.
722
01:08:00,410 --> 01:08:03,247
HERE IS ONE OF NATURE'S
INNERMOST SECRETS,
723
01:08:03,280 --> 01:08:05,582
THE HEART OF A LIVING FLOWER.
724
01:08:34,544 --> 01:08:37,514
THE FLOWER FADES
AND WITHERS AWAY.
725
01:08:37,547 --> 01:08:40,784
AND YET IN THIS
FANTASTIC WONDERLAND,
726
01:08:40,817 --> 01:08:44,388
THERE ARE NO ENDINGS,
ONLY BEGINNINGS.
727
01:08:44,421 --> 01:08:46,856
AFTER EVERY EBB, THE FULL TIDE.
728
01:08:46,890 --> 01:08:49,493
AFTER EVERY NIGHT, A NEW DAY.
729
01:08:49,526 --> 01:08:53,163
AND SO IT WILL BE
THROUGH ALL OF TIME.
730
01:08:55,265 --> 01:08:57,701
THIS, THEN,
IS THE DESERT'S STORY,
731
01:08:57,734 --> 01:09:00,370
A STORY OF THE LIFE-FORCE
ITSELF,
732
01:09:00,404 --> 01:09:02,372
CHALLENGING AND MYSTERIOUS.
733
01:09:02,406 --> 01:09:05,675
THE ETERNAL STORY
OF THE LIVING DESERT.
40836
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.