All language subtitles for The Living Desert (O Drama do Deserto) 1953 (IMDb 7,5) - Inglês

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These are the user uploaded subtitles that are being translated: 204 00:17:49,502 --> 00:17:53,806 ABOUT THIS TIME, MOTHER LOOKS IN TO CHECK THE SWAG 205 00:17:53,840 --> 00:17:56,509 AND IS QUICK TO CUT HERSELF IN. 206 00:17:59,479 --> 00:18:01,581 MEANWHILE, THIS JUNIOR BURGLAR 207 00:18:01,614 --> 00:18:04,684 FINDS HE FORGOT TO STEAL THE COMBINATION. 208 00:18:22,869 --> 00:18:26,306 AND THEN AFTER THE OMELET, A QUIET NAP. 209 00:18:35,482 --> 00:18:38,351 THESE WILD PIGS ARE CALLED BY SEVERAL NAMES -- 210 00:18:38,385 --> 00:18:40,220 JABALINAS, PECCARIES -- 211 00:18:40,253 --> 00:18:41,854 BUT THEIR REAL NAME IS TROUBLE, 212 00:18:41,888 --> 00:18:44,257 FOR THEY'RE ONE OF THE MOST FEROCIOUS ANIMALS 213 00:18:44,291 --> 00:18:45,858 ON THE AMERICAN CONTINENT. 214 00:18:45,892 --> 00:18:47,494 THEY TRAVEL IN GROUPS, 215 00:18:47,527 --> 00:18:50,129 ESPECIALLY WHEN ACCOMPANIED BY YOUNG. 216 00:18:57,704 --> 00:18:59,572 UNLIKE THEIR DOMESTIC COUSINS, 217 00:18:59,606 --> 00:19:01,774 PECCARIES WEAR A THICK COAT OF FUR. 218 00:19:01,808 --> 00:19:03,943 AND WHEN THEY FIND A PATCH OF DAMP SAND, 219 00:19:03,976 --> 00:19:06,313 THEY WELCOME THE CHANCE TO COOL OFF. 220 00:19:16,323 --> 00:19:19,526 BUT NOW ANOTHER VICIOUS FIGHTER WITH AN EQUALLY BAD REPUTATION 221 00:19:19,559 --> 00:19:21,294 COMES THEIR WAY. 222 00:19:26,933 --> 00:19:29,502 IT'S A GOOD RULE ON THE DESERT TO KEEP CLEAR 223 00:19:29,536 --> 00:19:31,438 OF A BOBCAT ON THE PROWL, 224 00:19:31,471 --> 00:19:35,942 BUT IT'S AN EVEN BETTER RULE NEVER TO PICK ON A PECCARY. 225 00:19:35,975 --> 00:19:37,577 LIKE ALL WILD PIGS, 226 00:19:37,610 --> 00:19:39,779 THEY HAVE LONG TUSKS AND SHORT TEMPERS. 227 00:19:39,812 --> 00:19:41,848 [ GROWLING ] 228 00:19:49,789 --> 00:19:51,291 [ GROWLS ] 229 00:19:54,427 --> 00:19:57,330 THE CAT'S INSTINCTIVE REACTION IS TO CLIMB A TREE, 230 00:19:57,364 --> 00:19:58,565 BUT NO TREE. 231 00:19:58,598 --> 00:20:00,567 WELL, IT'S NO TIME TO BE CHOOSY. 232 00:20:00,600 --> 00:20:02,469 THIS IS AN EMERGENCY. 233 00:20:10,743 --> 00:20:12,412 WHEN IT COMES TO A CHOICE 234 00:20:12,445 --> 00:20:14,747 BETWEEN SHARP TUSKS AND SHARP THORNS, 235 00:20:14,781 --> 00:20:16,649 THE CAT PREFERS THE LATTER. 236 00:20:16,683 --> 00:20:18,685 [ GROWLS ] 237 00:20:29,929 --> 00:20:31,931 NOT THE MOST COMFORTABLE SPOT IN THE WORLD, 238 00:20:31,964 --> 00:20:33,800 BUT AT LEAST HE'S SAFE. 239 00:20:35,635 --> 00:20:37,236 [ SCREECHING ] 240 00:20:55,588 --> 00:20:58,425 AND THE BOBCAT FINALLY DECIDES THE DESERT'S NO PLACE 241 00:20:58,458 --> 00:20:59,826 FOR A TENDERFOOT. 242 00:21:15,942 --> 00:21:17,544 IN HER DESERT DRAMA, 243 00:21:17,577 --> 00:21:20,347 NATURE KNOWS NEITHER HERO NOR VILLAIN. 244 00:21:20,380 --> 00:21:24,016 SHE'S IMPARTIAL AND PLANS FOR THE SURVIVAL OF ALL. 245 00:21:24,050 --> 00:21:26,919 THUS THE RATTLESNAKE IS GIVEN A SUPER-SENSITIVE TONGUE 246 00:21:26,953 --> 00:21:28,988 WITH WHICH HE TRACKS HIS PREY. 247 00:21:32,559 --> 00:21:35,462 EVEN THE FAINTEST SCENT LEFT IN THE SAND 248 00:21:35,495 --> 00:21:38,565 WILL GUIDE HIM UNERRINGLY ALONG THE TRAIL. 249 00:21:52,479 --> 00:21:55,615 THE POCKET MOUSE HAS ONLY ONE DEFENSE -- HE GOES UNDERGROUND, 250 00:21:55,648 --> 00:21:58,485 AND IT'S ANY HOLE IN AN EMERGENCY. 251 00:21:59,552 --> 00:22:02,321 OOP! ANY HOLE BUT THAT ONE. 252 00:22:11,063 --> 00:22:13,766 HOT ON THE SCENT, THE RATTLESNAKE STICKS TO THE TRAIL. 253 00:22:13,800 --> 00:22:16,403 WHEREVER IT LEADS, HE FOLLOWS. 254 00:22:19,005 --> 00:22:19,972 UH-OH. 255 00:22:20,006 --> 00:22:22,141 THE TARANTULA AND THE RATTLER -- 256 00:22:22,174 --> 00:22:23,943 TWO OF A KIND. 257 00:22:27,013 --> 00:22:29,416 THE SNAKE ISN'T TO BE BLUFFED OUT OF A MEAL. 258 00:22:29,449 --> 00:22:31,951 [ RATTLING ] 259 00:22:31,984 --> 00:22:35,522 HE'S SURE THE MOUSE IS IN THAT HOLE. 260 00:22:35,555 --> 00:22:38,891 THE SPIDER IS SURE HE ISN'T... 261 00:22:38,925 --> 00:22:43,596 WHILE THE PARTY IN QUESTION WOULD RATHER DIG THAN DEBATE. 262 00:22:51,471 --> 00:22:52,839 LARGEST OF ALL SPIDERS 263 00:22:52,872 --> 00:22:55,775 AND ARMED WITH HER OWN BRAND OF POISON, 264 00:22:55,808 --> 00:22:58,010 THE TARANTULA STANDS HER GROUND. 265 00:23:02,715 --> 00:23:06,419 AND ODDLY ENOUGH, THE RATTLESNAKE BACKS DOWN FIRST. 266 00:23:08,120 --> 00:23:10,723 IT'S A STANDOFF, AND NOBODY WINS... 267 00:23:10,757 --> 00:23:15,562 NOBODY, THAT IS, EXCEPT THE LITTLE MOUSE WHO WASN'T THERE. 268 00:23:17,096 --> 00:23:18,931 THE SCENT COLD, THE TRAIL IS LOST. 269 00:23:18,965 --> 00:23:20,667 AND THIS TIME A DESERT KILLER 270 00:23:20,700 --> 00:23:22,869 HAS BEEN OUTWITTED BY EVERYBODY. 271 00:23:39,619 --> 00:23:42,121 EVERY AFTERNOON ALONG ABOUT SUNDOWN, 272 00:23:42,154 --> 00:23:45,592 THE RED-TAILED HAWK FLIES TO THIS PARTICULAR SPOT 273 00:23:45,625 --> 00:23:47,226 AND WAITS... 274 00:23:47,259 --> 00:23:50,997 FOR HERE OCCURS A PHENOMENON THAT'S AS REGULAR AS CLOCKWORK. 275 00:23:52,899 --> 00:23:56,035 INSIDE THIS CAVE, MILLIONS OF BATS ARE AWAKENING, 276 00:23:56,068 --> 00:23:58,805 FOR THEIR DAY BEGINS WITH THE TWILIGHT. 277 00:24:07,647 --> 00:24:10,216 BATS ARE THE ONLY FLYING MAMMALS. 278 00:24:10,249 --> 00:24:13,586 THIS SPECIES LIVES EXCLUSIVELY ON INSECTS 279 00:24:13,620 --> 00:24:17,156 AND SO HELPS NATURE KEEP THE PEST POPULATION UNDER CONTROL. 280 00:24:30,770 --> 00:24:32,672 NOW AS EVENING APPROACHES, 281 00:24:32,705 --> 00:24:35,642 THESE NIGHT FLIERS TAKE OFF FOR THEIR HUNTING GROUNDS. 282 00:24:45,084 --> 00:24:48,287 TO NAVIGATE IN THE DARK, BATS USE A FORM OF RADAR. 283 00:24:48,320 --> 00:24:51,791 THEIR HIGH-PITCHED SQUEAKS BOUNCE OFF SOLID OBJECTS 284 00:24:51,824 --> 00:24:55,161 TO BECOME THE ECHOES BY WHICH THEY GUIDE THEMSELVES. 285 00:25:05,204 --> 00:25:08,174 SOON THE SKY IS FILLED WITH CLOUDS OF BATS. 286 00:25:12,645 --> 00:25:15,648 AND THIS IS WHAT THE HAWK HAS BEEN WAITING FOR. 287 00:25:15,682 --> 00:25:18,150 SHE DRAWS A BEAD ON HALF A DOZEN OR SO, 288 00:25:18,184 --> 00:25:20,787 AND DOWN SHE GOES! 289 00:25:23,890 --> 00:25:25,558 A CLEAN MISS. 290 00:25:25,592 --> 00:25:27,994 OH, WELL, MAYBE SHE FORGOT TO ALLOW FOR THE WIND. 291 00:25:29,295 --> 00:25:33,265 THIS TIME SHE CHECKS ELEVATION, DRIFT, DIVING ANGLE, 292 00:25:33,299 --> 00:25:34,867 AND... 293 00:25:41,641 --> 00:25:42,875 SCORED A HIT. 294 00:25:42,909 --> 00:25:44,611 BUT IT GETS AWAY. 295 00:25:44,644 --> 00:25:46,779 OLD BUTTERCLAWS. 296 00:25:59,926 --> 00:26:02,862 WAS EVER A BIRD SO FRUSTRATED? 297 00:26:07,967 --> 00:26:11,370 THIS CAN DRIVE A HAWK TO NERVOUS PROSTRATION. 298 00:26:11,403 --> 00:26:13,740 SHE JUST CAN'T FIGURE IT OUT. 299 00:26:13,773 --> 00:26:17,744 YOU SEE, NOBODY EVER TOLD HER ABOUT THE BATS' RADAR. 300 00:26:20,046 --> 00:26:22,014 FRANTIC NOW, SHE'LL TRY ANYTHING, 301 00:26:22,048 --> 00:26:24,150 EVEN A COLLISION COURSE. 302 00:26:24,183 --> 00:26:26,786 TO HER SURPRISE, IT WORKS. 303 00:26:28,220 --> 00:26:32,591 AND A MIGHTY SMALL REWARD FOR SUCH A PRODIGIOUS EFFORT. 304 00:26:34,060 --> 00:26:36,963 TO NATURE, THE LOSS OF ONE BAT, OR EVEN 1,000, 305 00:26:36,996 --> 00:26:39,131 IS REALLY NO LOSS AT ALL. 306 00:26:39,165 --> 00:26:41,768 THIS WINGED COLUMN STREAMS INTO THE SKY 307 00:26:41,801 --> 00:26:45,604 UNTIL LONG AFTER THE SUN HAS GONE FROM THE SCENE. 308 00:26:48,741 --> 00:26:51,143 THE NIGHTTIME WONDERS OF NATURE'S LIVING DESERT 309 00:26:51,177 --> 00:26:53,813 MORE THAN MATCH THE WONDERS OF THE DAY. 310 00:26:53,846 --> 00:26:55,782 THE DESERT WATER HOLE IN PARTICULAR 311 00:26:55,815 --> 00:26:58,117 ATTRACTS AN ODD ASSORTMENT OF NIGHT LIFE. 312 00:26:58,150 --> 00:27:00,152 HERE THE TOADS FIND A HUNTING GROUND 313 00:27:00,186 --> 00:27:02,021 ESPECIALLY TO THEIR LIKING. 314 00:27:15,334 --> 00:27:17,737 HERE THE CENTIPEDE PUTS HIS BEST FOOT FORWARD 315 00:27:17,770 --> 00:27:19,906 AND STEPS OUT FOR AN EVENING STROLL. 316 00:27:49,168 --> 00:27:52,238 SUDDENLY HE FINDS HE'S WANDERED DOWN A DEAD-END STREET. 317 00:27:58,444 --> 00:28:00,747 IN THE REALM OF FANCY FOOTWORK, HOWEVER, 318 00:28:00,780 --> 00:28:03,215 THE MILLIPEDE IS WITHOUT EQUAL. 319 00:28:03,249 --> 00:28:05,752 MILLIPEDE -- LITERALLY "1,000 FEET," 320 00:28:05,785 --> 00:28:07,019 GIVE OR TAKE A FEW. 321 00:28:07,053 --> 00:28:09,055 COUNT 'EM. 322 00:28:36,215 --> 00:28:37,316 UH-OH. 323 00:28:37,349 --> 00:28:40,386 LOOKS LIKE A BAD NIGHT FOR A PEDESTRIAN. 324 00:28:40,419 --> 00:28:42,054 BUT NOT THIS ONE. 325 00:28:42,088 --> 00:28:44,190 NATURE GIVES THE MILLIPEDE AN UNPLEASANT ODOR 326 00:28:44,223 --> 00:28:46,826 GUARANTEED TO MAKE HIM COMPLETELY SPIDER-PROOF. 327 00:28:54,967 --> 00:28:58,304 THIS PUNGENT DEFENSE, HOWEVER, HAS ITS LIMITATIONS. 328 00:28:58,337 --> 00:29:01,240 THE TOAD FINDS IT QUITE APPETIZING. 329 00:29:09,048 --> 00:29:11,918 WHENEVER THE MOON CASTS A SPELL OVER THE LIVING DESERT, 330 00:29:11,951 --> 00:29:14,020 THE GOBLINS APPEAR. 331 00:29:14,053 --> 00:29:16,288 IN THIS CASE, IT'S AN ELFIN OWL. 332 00:29:16,322 --> 00:29:19,191 FROM HER DOORWAY, SHE WATCHES A STRANGE BALLET 333 00:29:19,225 --> 00:29:20,759 IN THE MOONLIGHT. 334 00:29:22,094 --> 00:29:23,930 LIKE A CREATURE BEWITCHED, 335 00:29:23,963 --> 00:29:26,765 THE BURROWING SNAKE PERFORMS HIS SERPENTINE SOLO. 336 00:30:31,497 --> 00:30:34,066 THE OWL IS WITNESS TO MANY UNUSUAL SCENES, 337 00:30:34,100 --> 00:30:35,434 BUT ONE OF THE STRANGEST 338 00:30:35,467 --> 00:30:37,569 IS THE COURTSHIP OF THE TARANTULAS. 339 00:30:40,139 --> 00:30:42,474 THE MALE COMES CALLING LIKE ANY LOVE-SICK ROMEO 340 00:30:42,508 --> 00:30:45,544 AND KNOCKS ON THE FEMALE'S DOOR. 341 00:31:00,292 --> 00:31:03,162 IN HER OWN GOOD TIME, JULIET APPEARS. 342 00:31:03,195 --> 00:31:06,332 HE GREETS HER WITH OPEN ARMS -- ALL EIGHT OF THEM -- 343 00:31:06,365 --> 00:31:08,367 AND DRAWS HER CLOSE. 344 00:31:14,373 --> 00:31:16,575 THE LADY TAKES HER CUE AND SWOONS. 345 00:31:16,608 --> 00:31:18,277 A BIT THEATRICAL PERHAPS, 346 00:31:18,310 --> 00:31:20,212 BUT IT'S A TECHNIQUE THAT ALWAYS WORKS, 347 00:31:20,246 --> 00:31:22,114 EVEN WITH TARANTULAS. 348 00:31:25,551 --> 00:31:27,653 BUT THE OWL HASN'T SEEN ANYTHING YET, 349 00:31:27,686 --> 00:31:30,522 FOR NOW BEGINS THE COURTING DANCE OF THE SCORPION. 350 00:31:33,625 --> 00:31:36,195 OF COURSE, THE FIRST THING HE NEEDS IS A PARTNER, 351 00:31:36,228 --> 00:31:38,297 SO HE DIGS ONE UP. 352 00:31:41,500 --> 00:31:43,369 BEING NATIVE WESTERNERS, 353 00:31:43,402 --> 00:31:47,106 THE SCORPIONS FAVOR THE LIVELY RHYTHMS OF THE SQUARE DANCE. 354 00:31:49,108 --> 00:31:50,542 ALL RIGHT, EVERYBODY! 355 00:31:50,576 --> 00:31:52,979 CHOOSE YOUR PARTNERS FOR THE STING-O-REE. 356 00:31:53,012 --> 00:31:55,014 [ SQUARE-DANCE MUSIC PLAYS ] 357 00:31:56,648 --> 00:31:58,951 * LADY AND GENT TO THE CENTER OF THE RING * 358 00:31:58,985 --> 00:32:00,719 * LOCK THOSE CLAWS, LIFT THAT STING * 359 00:32:00,752 --> 00:32:02,989 * THREE LEGS UP AND FOUR LEGS DOWN * 360 00:32:03,022 --> 00:32:05,958 * WHIRL THAT SCORPION ROUND AND ROUND * 361 00:32:08,727 --> 00:32:10,963 * CIRCLE 'ROUND, AND AWAY WE GO * 362 00:32:10,997 --> 00:32:14,066 * SASHAY RIGHT WITH A DO-SI-DO * 363 00:32:16,668 --> 00:32:19,005 * HALFWAY 'ROUND AND BACKTRACK BACK * 364 00:32:19,038 --> 00:32:21,073 * SNAP YOUR CLAWS WITH A CLICKETY-CLACK * 365 00:32:21,107 --> 00:32:23,075 * GENTS TO THE LEFT, LADIES TO THE RIGHT * 366 00:32:23,109 --> 00:32:25,511 * NOW, AIN'T THAT GAL A PRETTY SIGHT? * 367 00:32:28,747 --> 00:32:31,017 * SWING YOUR PARTNER, GIVE HER A HUG * 368 00:32:31,050 --> 00:32:33,319 * GET YOUR HOOKS ON A LADY BUG * 369 00:32:45,031 --> 00:32:47,033 * STINGERS UP FOR THE STING-O-REE * 370 00:32:47,066 --> 00:32:49,601 * BUT WATCH OUT, GAL, YOU DON'T STING ME * 371 00:32:53,105 --> 00:32:55,074 * ALLEMANDE LEFT WITH YOUR INSECT FAIR * 372 00:32:55,107 --> 00:32:57,509 * AND TAKE YOUR GAL TO YOU-KNOW-WHERE * 373 00:33:04,450 --> 00:33:07,353 THE AMOROUS MOOD OF THE EVENING SEEMS TO BE CATCHING, 374 00:33:07,386 --> 00:33:10,756 FOR NOW THE LONG-HORNED BEETLE IN FORMAL ATTIRE 375 00:33:10,789 --> 00:33:14,593 DECIDES TO DROP IN ON THE LADY DOWNSTAIRS. 376 00:33:16,228 --> 00:33:18,297 WHAT A CHARMING SMILE SHE HAS. 377 00:33:18,330 --> 00:33:21,167 AND SUCH MAGNIFICENT MANDIBLES. 378 00:33:25,804 --> 00:33:29,375 HE'S THE FORCEFUL TYPE AND WALKS IN UNANNOUNCED. 379 00:33:29,408 --> 00:33:32,644 BUT HIS WELCOME ISN'T QUITE WHAT HE EXPECTED. 380 00:33:32,678 --> 00:33:35,381 FIRST THING HE KNOWS, THE LADY CLAMPS A HAMMERLOCK 381 00:33:35,414 --> 00:33:37,015 ON ONE OF HIS FEELERS. 382 00:33:40,652 --> 00:33:43,455 AND THEN SHE BEGINS TO GNAW ON HIS LEG, 383 00:33:43,489 --> 00:33:47,359 MERELY HER WAY OF HINTING THAT SHE'S ALREADY GOING STEADY. 384 00:33:47,393 --> 00:33:51,097 AND BY THE COINCIDENCE WHICH IS USUAL IN ROMANTIC FARCES, 385 00:33:51,130 --> 00:33:53,399 HERE COMES THE BOYFRIEND NOW. 386 00:34:11,150 --> 00:34:14,786 A DOUBLE HEADLOCK, AND THEN A DEADLOCK. 387 00:34:14,820 --> 00:34:17,789 BUT IN THE END, TRUE LOVE TRIUMPHS, 388 00:34:17,823 --> 00:34:20,826 AND A BATTERED BEETLE BEATS A HASTY RETREAT. 389 00:34:35,841 --> 00:34:37,709 AFTER WHAT HE'S BEEN THROUGH, 390 00:34:37,743 --> 00:34:39,645 THIS LAD'S IN NO MOOD FOR NONSENSE, 391 00:34:39,678 --> 00:34:41,947 NOT EVEN FROM TARANTULAS. 392 00:34:45,817 --> 00:34:47,819 NATURE'S ON HIS SIDE THIS TIME, 393 00:34:47,853 --> 00:34:50,689 FOR SHE'S ARMED HIM WITH SOME SPECIAL ANTI-TARANTULA WEAPONS. 394 00:35:00,932 --> 00:35:02,901 AND WHEN THEY FINALLY PART COMPANY, 395 00:35:02,934 --> 00:35:05,471 THE SPIDER'S LEFT WITH A NEW RESPECT FOR BEETLES. 396 00:35:16,415 --> 00:35:19,551 JUST HOW LONG CAN THIS CHARMED EXISTENCE LAST? 397 00:35:22,921 --> 00:35:26,425 IF AT FIRST YOU DON'T SUCCEED, CALL YOUR BIG BROTHER. 398 00:35:26,458 --> 00:35:29,695 "HEY, MUGSY, TAKE CARE OF THIS WISE GUY, WILL YA?" 399 00:35:34,900 --> 00:35:36,935 BIG TOAD BITES LITTLE BEETLE. 400 00:35:36,968 --> 00:35:39,271 LITTLE BEETLE BITES BIG TOAD... 401 00:35:39,305 --> 00:35:40,406 ON THE TONGUE. 402 00:35:40,439 --> 00:35:41,773 OUCH! 403 00:35:55,221 --> 00:35:56,788 DURING THESE MOONLIGHT HOURS, 404 00:35:56,822 --> 00:35:58,624 MOST OF THE NOCTURNAL CREATURES 405 00:35:58,657 --> 00:36:00,726 SPEND THEIR TIME GATHERING FOOD. 406 00:36:00,759 --> 00:36:05,397 THE KANGAROO RATS IN PARTICULAR CARRY ON A BUSY HARVEST. 407 00:36:05,431 --> 00:36:08,400 SUPPLIES ARE STUFFED INTO THEIR LARGE CHEEK POUCHES 408 00:36:08,434 --> 00:36:10,436 FOR FUTURE CONSUMPTION. 409 00:36:17,543 --> 00:36:19,545 WHEN POUCHES ARE FILLED TO CAPACITY, 410 00:36:19,578 --> 00:36:22,180 SOME OF THE GLEANINGS MUST BE BURIED. 411 00:36:26,485 --> 00:36:28,454 FINDING A LIKELY SPOT FOR A PRIVATE PANTRY 412 00:36:28,487 --> 00:36:30,789 REQUIRES SOME SCOUTING AROUND. 413 00:36:35,694 --> 00:36:38,797 IN THE PROCESS, SOME MIGHTY ODD THINGS TURN UP... 414 00:36:38,830 --> 00:36:41,367 SUCH AS A BELLIGERENT HORNED TOAD. 415 00:36:54,313 --> 00:36:55,681 IT NEVER FAILS. 416 00:36:55,714 --> 00:36:57,783 WHENEVER YOU WANT A LITTLE PRIVACY, 417 00:36:57,816 --> 00:36:59,985 THERE'S ALWAYS SOMEBODY LOOKING OVER YOUR SHOULDER. 418 00:37:00,018 --> 00:37:01,820 THE NOSY NEIGHBOR. 419 00:37:01,853 --> 00:37:04,856 HE MINDS EVERYBODY'S BUSINESS BUT HIS OWN. 420 00:37:30,316 --> 00:37:32,418 THE NUISANCE IS HARD TO DISCOURAGE, 421 00:37:32,451 --> 00:37:34,886 BUT HE FINALLY TAKES THE HINT. 422 00:37:37,589 --> 00:37:40,892 AND ONCE HE'S OUT OF THE WAY, THE FOOD'S PUT INTO STORAGE. 423 00:37:51,036 --> 00:37:53,639 THESE LITTLE FELLOWS HAVE SOME RATHER UNUSUAL HABITS. 424 00:37:53,672 --> 00:37:55,541 THEY PRACTICALLY NEVER DRINK WATER, 425 00:37:55,574 --> 00:37:57,476 BUT, LIKE THE TORTOISE, MANUFACTURE IT 426 00:37:57,509 --> 00:37:59,445 INSIDE THEIR BODIES. 427 00:37:59,478 --> 00:38:03,782 AND FOR A BATH, WHAT COULD BE BETTER THAN GOOD, CLEAN SAND? 428 00:38:13,058 --> 00:38:15,894 IN THIS BUSTLING COLONY, THERE'S NEVER AN IDLE MOMENT, 429 00:38:15,927 --> 00:38:17,896 AND MRS. RAT'S BUSIEST OF ALL, 430 00:38:17,929 --> 00:38:20,666 FOR MOTHER'S WORK IS NEVER DONE. 431 00:38:20,699 --> 00:38:24,736 SHE'S NURSE, HOUSEKEEPER, AND PROVIDER. 432 00:38:26,972 --> 00:38:29,908 A MOTHER WITH BABIES TO FEED IS CONSTANTLY ON THE MOVE. 433 00:38:29,941 --> 00:38:32,644 AND SHE MUST OFTEN TRAVEL CONSIDERABLE DISTANCES 434 00:38:32,678 --> 00:38:34,813 TO FIND SEEDS. 435 00:38:34,846 --> 00:38:36,815 WITH ALL HER RESPONSIBILITIES, 436 00:38:36,848 --> 00:38:38,650 MRS. RAT IS EXTREMELY CAUTIOUS 437 00:38:38,684 --> 00:38:42,087 AND QUICK TO HIDE AT THE SLIGHTEST SOUND. 438 00:38:50,862 --> 00:38:52,698 THE KINGSNAKE ISN'T POISONOUS, 439 00:38:52,731 --> 00:38:55,767 BUT HE DOES HAVE AN APPETITE FOR KANGAROO RATS. 440 00:38:57,969 --> 00:38:58,937 [ SQUEAKS ] 441 00:38:58,970 --> 00:39:01,440 MRS. RAT NEEDS NO SECOND WARNING. 442 00:39:01,473 --> 00:39:04,376 SHE HEADS FOR HOME AND HER CHILDREN. 443 00:39:04,410 --> 00:39:06,845 NOW THE SNAKE PICKS UP HER TRAIL. 444 00:39:16,054 --> 00:39:18,890 IN THIS CRISIS, MOTHER RAT HAS A PLAN, 445 00:39:18,924 --> 00:39:20,692 BUT SHE MUST WORK FAST. 446 00:39:26,598 --> 00:39:28,934 FOR EMERGENCIES, EVERY FAMILY OF KANGAROO RATS 447 00:39:28,967 --> 00:39:31,002 PREPARES AN AUXILIARY BURROW. 448 00:39:38,209 --> 00:39:41,680 ON HER SECOND TRIP, SHE BARELY MANAGES TO SLIP IN THE BACK DOOR, 449 00:39:41,713 --> 00:39:43,749 AS THE ENEMY ENTERS THE FRONT. 450 00:39:49,488 --> 00:39:52,624 BUT THE NURSERY'S EMPTY. WHERE'S THE MISSING BABY? 451 00:39:54,460 --> 00:39:57,963 LOST IN THE MAZE OF TUNNELS, TRYING TO FIND HIS MOTHER. 452 00:40:20,151 --> 00:40:23,855 STILL ON THE TRAIL, THE SNAKE HEADS FOR THE SECOND BURROW. 453 00:40:23,889 --> 00:40:27,726 AND THEN AN INNOCENT BYSTANDER SAVES THE DAY. 454 00:40:27,759 --> 00:40:31,129 ENTER THE GEKKO, A POOR, DEFENSELESS LIZARD. 455 00:40:31,162 --> 00:40:32,698 WELL, NOT QUITE. 456 00:40:32,731 --> 00:40:35,066 FOR NATURE GAVE HIM A DETACHABLE TAIL. 457 00:40:38,003 --> 00:40:40,606 AND SO NOTHING'S HURT BUT HIS PRIDE. 458 00:40:40,639 --> 00:40:43,975 HE'LL SOON GROW ANOTHER TAIL AND BE AS GOOD AS NEW. 459 00:40:47,879 --> 00:40:51,182 THIS ODD PATTERN IN THE SAND IS MADE BY THE SIDEWINDER, 460 00:40:51,216 --> 00:40:53,985 OR HORNED RATTLESNAKE. 461 00:41:09,968 --> 00:41:12,638 THERE'S A REASON FOR THIS STRANGE METHOD OF TRAVEL. 462 00:41:12,671 --> 00:41:15,140 IT GIVES THE SIDEWINDER TRACTION IN SOFT SAND 463 00:41:15,173 --> 00:41:17,142 WHERE OTHER SNAKES WON'T GO. 464 00:41:17,175 --> 00:41:20,779 THUS NATURE PROVIDES HIM WITH HUNTING GROUNDS ALL HIS OWN. 465 00:41:22,848 --> 00:41:24,616 A FORMIDABLE HUNTER, 466 00:41:24,650 --> 00:41:27,553 HE LEANS STRONGLY TOWARD A DIET OF LIZARDS AND RODENTS. 467 00:41:55,747 --> 00:41:57,649 SMALL BUT EXTREMELY POISONOUS, 468 00:41:57,683 --> 00:41:59,985 HE DOESN'T USUALLY TRACK HIS PREY, 469 00:42:00,018 --> 00:42:02,287 BUT WAITS FOR IT TO COME TO HIM. 470 00:42:21,272 --> 00:42:22,273 YIKES! 471 00:42:26,177 --> 00:42:28,179 IN THE FACE OF SUCH A POTENT ENEMY, 472 00:42:28,213 --> 00:42:30,649 MOST INTENDED VICTIMS TAKE TO THE HILLS. 473 00:42:30,682 --> 00:42:33,251 BUT NOT THE RAT. HE TAKES THE OFFENSIVE. 474 00:42:37,155 --> 00:42:40,558 AND HIS FAVORITE WEAPON IS A HOMEMADE SANDSTORM. 475 00:42:42,293 --> 00:42:44,195 AGAINST THIS STINGING BARRAGE, 476 00:42:44,229 --> 00:42:47,098 THE RATTLER HAS PRACTICALLY NO PROTECTION. 477 00:42:47,132 --> 00:42:49,267 HIS EYES ESPECIALLY ARE VULNERABLE. 478 00:42:49,300 --> 00:42:51,002 THEY HAVE NO LIDS, 479 00:42:51,036 --> 00:42:53,739 ONLY A DELICATE COVERING OVER THE PUPILS. 480 00:42:53,772 --> 00:42:55,273 HE CAN'T EVEN SQUINT. 481 00:42:55,306 --> 00:42:57,042 [ SQUEAKS ] 482 00:43:16,327 --> 00:43:18,063 [ SQUEAKS ] 483 00:43:29,808 --> 00:43:31,376 THE SNAKE'S AMBUSH HAS FAILED. 484 00:43:31,409 --> 00:43:33,044 ONLY ONE THING LEFT -- 485 00:43:33,078 --> 00:43:36,614 START SIDEWINDING FOR THE NEAREST EXIT. 486 00:43:40,451 --> 00:43:42,420 NOW THAT THE ENEMY'S IN FULL RETREAT, 487 00:43:42,453 --> 00:43:45,223 EVERYBODY WANTS TO CLAIM A SHARE IN THE VICTORY. 488 00:43:45,256 --> 00:43:47,826 [ SQUEAKING ] 489 00:44:05,176 --> 00:44:07,412 NATURALLY, AFTER SUCH A TREMENDOUS TRIUMPH, 490 00:44:07,445 --> 00:44:09,180 A CELEBRATION'S IN ORDER. 491 00:44:43,181 --> 00:44:45,250 THEN IN TYPICAL HUMAN FASHION, 492 00:44:45,283 --> 00:44:48,119 THE AFFAIR DEGENERATES INTO A BRAWL. 493 00:44:52,457 --> 00:44:54,292 THE COMMOTION ATTRACTS AN OUTSIDER 494 00:44:54,325 --> 00:44:56,227 WHO DECIDES TO CRASH THE PARTY. 495 00:44:56,261 --> 00:44:59,164 THIS POPEYED PROWLER IS THE RING-TAILED CAT. 496 00:44:59,197 --> 00:45:02,500 ACTUALLY, HE'S NO MORE CAT THAN HIS COUSIN THE RACCOON, 497 00:45:02,533 --> 00:45:05,771 BUT HE DOES HAVE A CAT'S TASTE FOR KANGAROO RATS. 498 00:45:05,804 --> 00:45:08,439 AND HERE'S ANOTHER BIG APPETITE ON THE LOOKOUT 499 00:45:08,473 --> 00:45:10,742 FOR REFRESHMENTS. 500 00:45:25,223 --> 00:45:27,893 THE SQUABBLING RATS ARE ABOUT TO LEARN 501 00:45:27,926 --> 00:45:29,828 ONE OF NATURE'S OLDEST LAWS -- 502 00:45:29,861 --> 00:45:32,898 A SINGLE MOMENT OFF-GUARD CAN BE YOUR LAST. 503 00:45:36,401 --> 00:45:41,439 IT'S A LUCKY RAT WHO GETS AWAY TO LIVE PERHAPS ANOTHER DAY. 504 00:45:55,921 --> 00:45:57,889 IN NATURE'S DESIGN FOR THE DESERT, 505 00:45:57,923 --> 00:46:01,026 THE PATTERN CHANGES WITH THE PASSING HOURS. 506 00:46:01,059 --> 00:46:02,460 EACH SPECIES IN TURN -- 507 00:46:02,493 --> 00:46:05,263 INSECT AND BIRD, REPTILE AND MAMMAL -- 508 00:46:05,296 --> 00:46:07,298 HAS ITS PREFERRED TIME OF DAY. 509 00:46:07,332 --> 00:46:09,367 NOW IN THE COOL OF THE MORNING, 510 00:46:09,400 --> 00:46:12,337 THE GROUND SQUIRRELS APPEAR. 511 00:46:15,874 --> 00:46:17,442 THESE ARE THE ROUNDTAILS 512 00:46:17,475 --> 00:46:20,478 WHOSE FAVORITE BREAKFAST IS THE PRICKLY-PEAR CACTUS. 513 00:46:21,880 --> 00:46:26,551 ITS JUICY PULP PROVIDES THEM WITH BOTH FOOD AND DRINK. 514 00:46:35,560 --> 00:46:38,830 THEY'RE ALSO FOND OF LEAVES AND SEEDPODS. 515 00:46:42,400 --> 00:46:44,535 BREAKFAST OFTEN LASTS ALL MORNING, 516 00:46:44,569 --> 00:46:47,038 UNLESS THERE'S AN INTERRUPTION. 517 00:46:50,441 --> 00:46:52,110 IT'S OLD NOSY PARKER, 518 00:46:52,143 --> 00:46:53,879 THE ROADRUNNER. 519 00:46:58,950 --> 00:47:02,320 INCIDENTALLY, HE'S A MEMBER OF THE CUCKOO FAMILY, 520 00:47:02,353 --> 00:47:06,257 A CHARTER MEMBER AS FAR AS THE SQUIRRELS ARE CONCERNED. 521 00:47:08,126 --> 00:47:10,161 STILL THEY KNOW HOW TO HANDLE THIS CLOWN. 522 00:47:10,195 --> 00:47:12,397 JUST GIVE HIM A TASTE OF HIS OWN MEDICINE. 523 00:47:16,201 --> 00:47:17,936 BUT NO SOONER ARE THEY RID OF ONE NUISANCE, 524 00:47:17,969 --> 00:47:19,537 THEN ANOTHER APPEARS. 525 00:47:19,570 --> 00:47:22,407 THIS TIME IT'S SWEET WILLIAM, THE SPOTTED SKUNK. 526 00:47:22,440 --> 00:47:25,176 HE'S A NIGHT PROWLER AND, LIKE ALL SKUNKS, 527 00:47:25,210 --> 00:47:27,478 CARRIES A GRUDGE AGAINST EVERYBODY, 528 00:47:27,512 --> 00:47:30,248 ESPECIALLY WHEN HE'S ON HIS WAY HOME TO BED. 529 00:47:40,391 --> 00:47:44,062 AND WHENEVER HE'S AROUND, SOMEBODY SMELLS TROUBLE. 530 00:47:50,035 --> 00:47:53,338 WHEN WILLY GETS HIS BACK UP, IT MEANS, "STAND ASIDE, BUSTER, 531 00:47:53,371 --> 00:47:55,306 OR I'LL LET YOU HAVE IT." 532 00:48:01,980 --> 00:48:04,082 THERE'S NOT MUCH A SQUIRREL CAN DO ABOUT THIS. 533 00:48:04,115 --> 00:48:04,882 WOW! 534 00:48:04,916 --> 00:48:07,986 WHEN HE'S HAD IT, HE'S HAD IT. 535 00:48:15,560 --> 00:48:17,695 WHAT'S THIS? ANOTHER INTRUDER? 536 00:48:17,728 --> 00:48:20,932 AH, IT'S ONLY SKINNY, THE KID FROM ACROSS THE WAY, 537 00:48:20,966 --> 00:48:22,667 ALWAYS TRYING TO HORN IN. 538 00:48:22,700 --> 00:48:25,536 "HEY, HOW'S CHANCES FOR JOINING THE GANG?" 539 00:48:29,174 --> 00:48:32,677 BUT THE GANG, IT SEEMS, WANTS NO PART OF SKINNY. 540 00:48:44,322 --> 00:48:46,992 STILL, SKINNY'S NOT EASILY SQUELCHED. 541 00:48:47,025 --> 00:48:49,394 "GAMES? ANYBODY FOR TAG?" 542 00:48:58,236 --> 00:49:00,571 THIS GUY'S GETTING A LITTLE TIRESOME. 543 00:49:00,605 --> 00:49:03,341 BESIDES, HE'S INTERFERING WITH BREAKFAST. 544 00:49:03,374 --> 00:49:06,211 THEY DECIDE TO PUT HIM IN HIS PLACE. 545 00:49:16,121 --> 00:49:17,522 BUT SKINNY DOESN'T MIND. 546 00:49:17,555 --> 00:49:19,357 AT LEAST HE'S THE CENTER OF ATTENTION. 547 00:49:19,390 --> 00:49:22,560 AND WHO KNOWS? MAYBE THIS IS THE INITIATION. 548 00:49:44,315 --> 00:49:46,317 WELL, IF THAT WAS THE INITIATION, 549 00:49:46,351 --> 00:49:48,686 SOMEBODY FORGOT TO GIVE HIM THE PASSWORD. 550 00:49:53,224 --> 00:49:55,626 SUDDENLY, SKINNY AND HIS PROBLEMS ARE FORGOTTEN, 551 00:49:55,660 --> 00:49:59,564 FOR NOW A VISITOR APPROACHES WHO CAN'T BE IGNORED. 552 00:49:59,597 --> 00:50:01,499 THE GILA MONSTER -- 553 00:50:01,532 --> 00:50:05,736 A STRANGE COMBINATION OF UGLINESS AND BEAUTY. 554 00:50:07,672 --> 00:50:11,309 HE LOOKS LIKE A BEADED BAG, BUT THIS IS PURE DECEPTION, 555 00:50:11,342 --> 00:50:14,045 FOR NATURE, IN A MOMENT OF GRIM HUMOR, 556 00:50:14,079 --> 00:50:16,181 FILLED THE BAG WITH POISON. 557 00:50:28,693 --> 00:50:32,397 IN THEIR PANIC, SOME LITERALLY GRASP AT STRAWS. 558 00:51:06,164 --> 00:51:08,299 SOMETHING MUST BE DONE ABOUT THIS UGLY CUSTOMER, 559 00:51:08,333 --> 00:51:09,600 BUT WHO'S TO DO IT? 560 00:51:10,768 --> 00:51:13,671 THE ONLY TO TAKE ACTION IS SKINNY. 561 00:51:16,674 --> 00:51:19,577 WELL, HE WANTED TO PLAY TAG, 562 00:51:19,610 --> 00:51:23,080 EXCEPT THIS TIME, IT'S APT TO BE TAG FOR KEEPS. 563 00:51:28,853 --> 00:51:31,256 STILL, SKINNY HAS TWO THINGS IN HIS FAVOR -- 564 00:51:31,289 --> 00:51:34,225 HE'S FAST ON HIS FEET, AND HE HAS A FIGHTING HEART. 565 00:51:40,431 --> 00:51:42,800 HIS METHOD OF DEALING WITH GILA MONSTERS 566 00:51:42,833 --> 00:51:44,635 IS TO INSULT THEM. 567 00:51:48,406 --> 00:51:52,477 AS HE WARMS TO HIS WORK, HE EVEN GETS A LITTLE COCKY. 568 00:51:57,848 --> 00:52:01,152 "HEY, SKINNY, GET OUT OF THERE." 569 00:52:04,689 --> 00:52:08,159 ONCE HE STARTS SOMETHING, THOUGH, SKINNY STICKS TO IT 570 00:52:08,193 --> 00:52:11,562 UNTIL EVEN THE GILA MONSTER CAN'T TAKE ANY MORE. 571 00:52:21,439 --> 00:52:23,541 AND WHO'S THE HERO OF THE HOUR? 572 00:52:23,574 --> 00:52:25,310 WHY, SKINNY, OF COURSE. 573 00:52:25,343 --> 00:52:28,346 LET'S GIVE THE LITTLE FELLOW A BIG HAND. 574 00:52:31,716 --> 00:52:34,752 IT'S BEEN A BUSY MORNING FOR THE SQUIRRELS, 575 00:52:34,785 --> 00:52:36,521 BUT WHENEVER THINGS CALM DOWN A BIT, 576 00:52:36,554 --> 00:52:38,423 IT'S BACK TO BREAKFAST. 577 00:52:43,428 --> 00:52:45,663 "HEY, WHO'S ROCKING THE ROCK?" 578 00:52:45,696 --> 00:52:48,699 WELL, IT'S THE TORTOISE. 579 00:52:54,605 --> 00:52:56,674 "MORNING, BROTHER TORTOISE. 580 00:52:56,707 --> 00:52:58,243 YOU LEAVING?" 581 00:52:58,276 --> 00:53:01,379 "OKAY, EVERYBODY, FREE RIDE'S OVER." 582 00:53:01,412 --> 00:53:04,915 AND SO THE GANG GETS OFF, ALL EXCEPT SKINNY. 583 00:53:04,949 --> 00:53:06,684 HE'S ONE OF THOSE CHARACTERS 584 00:53:06,717 --> 00:53:09,487 WHO JUST HAS TO RIDE TO THE END OF THE LINE. 585 00:53:24,602 --> 00:53:26,837 ON THE LIVING DESERT, 586 00:53:26,871 --> 00:53:29,940 NATURE'S THEME IS ALWAYS THE PRESERVATION OF THE SPECIES. 587 00:53:29,974 --> 00:53:33,944 AND SHE USES MANY METHODS TO ACCOMPLISH HER PURPOSE. 588 00:53:33,978 --> 00:53:37,548 THIS IS THE PEPSIS WASP, OR TARANTULA HAWK. 589 00:53:37,582 --> 00:53:39,817 IN ORDER THAT HER KIND MAY SURVIVE, 590 00:53:39,850 --> 00:53:42,253 SHE MUST STALK THE DEADLY TARANTULA 591 00:53:42,287 --> 00:53:45,222 AND ENGAGE IT IN MORTAL COMBAT. 592 00:53:47,292 --> 00:53:49,927 IT'S HER PERILOUS MISSION TO STING THE GIANT SPIDER, 593 00:53:49,960 --> 00:53:54,699 PARALYZE IT, AND THUS PRESERVE IT AS FOOD FOR HER YOUNG. 594 00:53:56,667 --> 00:53:59,537 SHE HURRIES FROM ONE LIKELY LOOKING HOLE TO ANOTHER, 595 00:53:59,570 --> 00:54:02,340 LITERALLY ASKING FOR TROUBLE. 596 00:54:13,651 --> 00:54:15,052 AND SHE FINDS IT, 597 00:54:15,085 --> 00:54:17,588 BUT NOT THE KIND SHE EXPECTED. 598 00:54:20,525 --> 00:54:22,693 THE ANT ARMY SWARMS TO THE ATTACK. 599 00:54:22,727 --> 00:54:25,296 THEIR ONE PURPOSE IS TO WEIGH HER DOWN, 600 00:54:25,330 --> 00:54:27,031 KEEP HER EARTHBOUND. 601 00:54:28,799 --> 00:54:30,735 AGAINST THIS ORGANIZED ONSLAUGHT, 602 00:54:30,768 --> 00:54:32,803 THE WASP HAS NO DEFENSE. 603 00:54:32,837 --> 00:54:35,573 SHE CAN ONLY HOPE TO SHAKE THEM OFF. 604 00:55:01,466 --> 00:55:03,033 SHE WINS HER FREEDOM, 605 00:55:03,067 --> 00:55:06,671 BUT ONLY TO RESUME HER SEARCH FOR SPIDERS. 606 00:55:10,107 --> 00:55:13,544 DRIVEN BY THE COMPELLING URGE TO REPRODUCE HER SPECIES, 607 00:55:13,578 --> 00:55:15,746 SHE'LL LET NOTHING STOP HER. 608 00:55:15,780 --> 00:55:18,115 A TARANTULA IT MUST BE, 609 00:55:18,148 --> 00:55:20,651 AND A TARANTULA IT IS. 610 00:55:21,586 --> 00:55:24,522 NOW THEY ARE MET, FACE-TO-FACE. 611 00:55:24,555 --> 00:55:27,091 AND THIS IS A SIGHT FEW HAVE EVER WITNESSED. 612 00:55:27,124 --> 00:55:30,961 IN THIS STRANGE ENCOUNTER, THE SPIDER BATTLES FOR ITS LIFE, 613 00:55:30,995 --> 00:55:33,698 THE WASP, FOR GENERATIONS YET TO COME, 614 00:55:33,731 --> 00:55:35,700 FOR ONLY THROUGH THE TARANTULA 615 00:55:35,733 --> 00:55:38,836 CAN SHE ENSURE THE PROPAGATION OF HER LINE. 616 00:55:38,869 --> 00:55:41,706 IN THIS RAW AND ELEMENTAL STRUGGLE, 617 00:55:41,739 --> 00:55:43,441 THESE ARE THE WEAPONS -- 618 00:55:43,474 --> 00:55:45,410 THE PARALYZING STING OF THE WASP 619 00:55:45,443 --> 00:55:47,412 AND THE LETHAL BITE OF THE SPIDER, 620 00:55:47,445 --> 00:55:50,548 THE RAPIER AND THE BROADSWORD. 621 00:55:50,581 --> 00:55:53,418 IN SIZE AND BRUTE STRENGTH, THE ODDS FAVOR THE GIANT, 622 00:55:53,451 --> 00:55:55,052 BUT THESE ARE MORE THAN MATCHED 623 00:55:55,085 --> 00:55:58,556 BY THE FRENZIED SKILL OF ITS TINY ADVERSARY. 624 00:56:09,900 --> 00:56:12,703 THE STRICKEN WASP GROVELS IN THE SAND, 625 00:56:12,737 --> 00:56:15,105 BUT THE SPIDER FAILS TO FOLLOW UP. 626 00:56:15,139 --> 00:56:19,510 IT'S A MISSED OPPORTUNITY AND A FATAL MISTAKE. 627 00:56:19,544 --> 00:56:23,448 IN THIS BRIEF RESPITE, THE WASP RECOVERS. 628 00:56:25,483 --> 00:56:28,719 AND NOW SHE DRIVES FOR THE ONE VULNERABLE SPOT, 629 00:56:28,753 --> 00:56:30,521 THE ABDOMEN. 630 00:56:56,246 --> 00:56:57,882 THEN THE TURNING POINT 631 00:56:57,915 --> 00:57:00,117 AS THE WASP SUDDENLY REVERSES HER TACTICS 632 00:57:00,150 --> 00:57:04,622 AND, FLAT ON HER BACK, THRUSTS HOME. 633 00:57:14,064 --> 00:57:16,066 SHE SCORES AGAIN AND AGAIN, 634 00:57:16,100 --> 00:57:18,636 AND HER POISON BEGINS TO TAKE ITS TOLL. 635 00:57:23,173 --> 00:57:25,576 THE GROGGY GIANT IS ALMOST DEFENSELESS NOW, 636 00:57:25,610 --> 00:57:28,579 BUT THE WASP IS A CREATURE OBSESSED. 637 00:57:49,634 --> 00:57:53,070 FINALLY, ONE LAST PARALYZING THRUST, 638 00:57:53,103 --> 00:57:55,272 AND THE BATTLE IS OVER. 639 00:57:55,305 --> 00:58:00,645 BUT NOW, IN VICTORY, THE WASP FACES AN EVEN BIGGER TASK. 640 00:58:00,678 --> 00:58:03,681 SHE MUST DRAG THE SPIDER, MANY TIMES HER SIZE, 641 00:58:03,714 --> 00:58:06,150 TO A SECRET HIDING PLACE. 642 00:58:08,986 --> 00:58:11,055 BUT INTO HER FRAGILE BODY, 643 00:58:11,088 --> 00:58:15,560 NATURE HAS PACKED A STRENGTH PRODIGIOUS BEYOND BELIEF. 644 00:58:29,306 --> 00:58:32,142 WITH FANATICAL ENERGY, SHE DIGS A HOLE, 645 00:58:32,176 --> 00:58:35,580 FOR IT'S PART OF HER RITUAL TO BURY HER VICTIM. 646 00:58:43,888 --> 00:58:46,991 NOW AND THEN, SHE PAUSES TO CHECK FOR MEASUREMENTS... 647 00:58:50,761 --> 00:58:52,997 THEN RETURNS TO HER TASK. 648 00:58:54,999 --> 00:58:57,034 A TREMENDOUS BOULDER PRESENTS AN OBSTACLE, 649 00:58:57,067 --> 00:58:59,269 BUT ONLY TEMPORARILY. 650 00:59:00,805 --> 00:59:02,873 TO A HUMAN, THIS WOULD BE LIKE TOWING A 10-TON TRUCK 651 00:59:02,907 --> 00:59:04,174 WITH YOUR TEETH. 652 00:59:24,228 --> 00:59:28,032 NOW ON THE TARANTULA'S BODY, SHE WILL LAY A SINGLE EGG. 653 00:59:28,065 --> 00:59:32,036 SOON A NEW WASP WILL EMERGE, FEED ON THE PARALYZED SPIDER, 654 00:59:32,069 --> 00:59:34,104 AND THEN ONE DAY VENTURE FORTH 655 00:59:34,138 --> 00:59:37,307 TO REPLAY THIS GRIM DESERT DRAMA. 656 00:59:39,176 --> 00:59:40,945 STILL AT LARGE IN THE VICINITY, 657 00:59:40,978 --> 00:59:43,614 THE RATTLESNAKE IS ON THE PROWL AGAIN. 658 00:59:46,250 --> 00:59:48,953 SO FAR, THIS KILLER SEEMS TO HAVE HAD HIS OWN WAY, 659 00:59:48,986 --> 00:59:52,757 BUT THERE ARE A FEW CREATURES WHO DARE TO CHALLENGE HIM. 660 00:59:52,790 --> 00:59:55,793 AND ONE OF THESE IS THE RED-TAILED HAWK. 661 00:59:59,429 --> 01:00:03,167 AND SO THIS TIME, EVEN AS THE RATTLER STALKS HIS PREY, 662 01:00:03,200 --> 01:00:06,904 SUDDEN DEATH HANGS OVER HIS OWN HEAD. 663 01:00:13,010 --> 01:00:15,279 FLASHING TALONS STRIKE FOR THE HEAD, 664 01:00:15,312 --> 01:00:17,782 BUT THE SNAKE IS LIKE A STEEL SPRING. 665 01:00:17,815 --> 01:00:20,785 WHEN THE SPRING IS COILED, IT'S DEADLY. 666 01:01:25,249 --> 01:01:28,786 THE HAWK FINDS AN OPENING, SEIZES THE RATTLER'S HEAD, 667 01:01:28,819 --> 01:01:32,689 AND AS SUDDENLY AS IT BEGAN, THE VIOLENT CONFLICT HAS ENDED. 668 01:01:42,199 --> 01:01:45,069 BUT IF DEATH AND DESTRUCTION STALK THE LIVING DESERT, 669 01:01:45,102 --> 01:01:48,739 BIRTH AND REJUVENATION INEVITABLY FOLLOW AFTER. 670 01:01:48,773 --> 01:01:51,976 NEW LIFE, HOWEVER, DEPENDS ON RAINFALL. 671 01:01:52,009 --> 01:01:54,111 AND SO NATURE BREWS UP A TEMPEST 672 01:01:54,144 --> 01:01:57,314 AND DRIVES HER THUNDERHEADS OVER THE MOUNTAIN BARRIER. 673 01:01:57,347 --> 01:02:00,317 [ THUNDER CRASHES ] 674 01:02:09,226 --> 01:02:12,196 IN THIS LAND OF EXTREMES, THERE ARE NO HALF MEASURES. 675 01:02:12,229 --> 01:02:15,432 IT'S EITHER NO RAIN AT ALL OR ALL AT ONCE, 676 01:02:15,465 --> 01:02:18,168 AND SO THE CLOUDBURST. 677 01:02:25,509 --> 01:02:27,311 [ THUNDER CRASHES ] 678 01:02:27,344 --> 01:02:29,346 [ WIND GUSTING ] 679 01:03:04,014 --> 01:03:06,016 ALMOST AS SUDDENLY AS THEY CAME, 680 01:03:06,050 --> 01:03:09,353 THE TORRENTIAL RAINS DISAPPEAR. 681 01:03:09,386 --> 01:03:14,391 AND YET MORE VIOLENT THAN THE STORM ITSELF IS THE AFTERMATH, 682 01:03:14,424 --> 01:03:17,928 FOR NOW MILES AWAY WHERE THE DESERT LIES SILENT, 683 01:03:17,962 --> 01:03:19,897 UNTOUCHED BY THE CLOUDBURST, 684 01:03:19,930 --> 01:03:21,932 AN OMINOUS RUMBLING IS HEARD. 685 01:03:21,966 --> 01:03:25,135 IT SEEMS TO COME FROM ALL THE CANYONS AT ONCE. 686 01:03:25,169 --> 01:03:26,503 [ RUMBLING ] 687 01:03:28,906 --> 01:03:30,374 SUDDENLY FROM OUT OF NOWHERE... 688 01:03:33,510 --> 01:03:35,946 ...A WALL OF WATER ON THE RAMPAGE, 689 01:03:35,980 --> 01:03:37,882 THE FLASH FLOOD OF THE DESERT. 690 01:03:54,164 --> 01:03:55,933 ON THESE BARREN HILLS, 691 01:03:55,966 --> 01:03:58,068 THE RUSHING WATERS FIND NOTHING TO HOLD THEM BACK. 692 01:03:58,102 --> 01:04:02,339 AND SO FROM ALL SIDES, THEY CONVERGE, BECOME A TORRENT, 693 01:04:02,372 --> 01:04:06,243 A RAGING RIVER, AND FINALLY A DESERT NIAGARA. 694 01:04:38,008 --> 01:04:40,377 IN ALL THESE ENDLESS MILES OF SPACE, 695 01:04:40,410 --> 01:04:42,679 THE LOST RIVER HAS NOWHERE TO GO. 696 01:04:42,712 --> 01:04:45,082 SOON IT DISSIPATES ITS STRENGTH. 697 01:04:45,115 --> 01:04:47,451 ITS CURRENTS SPAN OUT ON THE FLATS. 698 01:04:47,484 --> 01:04:49,553 WATER MIXES WITH EARTH 699 01:04:49,586 --> 01:04:53,523 UNTIL ONLY A RIVER OF LIQUID MUD REMAINS. 700 01:05:00,164 --> 01:05:02,933 AND FINALLY THE ONCE RAGING TORRENT IS SWALLOWED UP 701 01:05:02,967 --> 01:05:06,536 IN THE DESERT'S OVERWHELMING VASTNESS. 702 01:05:06,570 --> 01:05:09,940 IT WOULD SEEM THAT NATURE HAS BROUGHT WATER ONLY TO WASTE IT, 703 01:05:09,974 --> 01:05:14,611 FOR NOW THE SCORCHING SUN DRIES OUT THE LAST BIT OF MOISTURE. 704 01:05:29,493 --> 01:05:31,195 YET THIS IS ONLY THE SURFACE. 705 01:05:31,228 --> 01:05:33,663 MOISTURE SEEPING THROUGH THE DESERT FLOOR 706 01:05:33,697 --> 01:05:35,365 HAS AWAKENED DORMANT SEEDS. 707 01:05:42,506 --> 01:05:44,574 THE MIRACLE OF THE FLOWERS -- 708 01:05:44,608 --> 01:05:47,377 ONE OF NATURE'S GREATEST TRIUMPHS. 709 01:05:56,520 --> 01:05:59,189 IN THIS FLORAL GALAXY, THE DESERT WILD FLOWERS 710 01:05:59,223 --> 01:06:02,126 DISPLAY THEIR BLOSSOMS IN ALMOST ENDLESS VARIETY. 711 01:06:02,159 --> 01:06:03,627 POPPIES... 712 01:06:03,660 --> 01:06:05,495 LUPINE... 713 01:06:05,529 --> 01:06:07,697 THE PRIMROSE. 714 01:06:11,601 --> 01:06:13,470 AND IN EVEN THE TINIEST PLANTS, 715 01:06:13,503 --> 01:06:17,441 THE SURGE OF NEW LIFE IS STRONG. 716 01:06:28,652 --> 01:06:30,420 THROUGHOUT THE DESERT, 717 01:06:30,454 --> 01:06:34,158 THE DRAB CACTUS PLANTS REVEAL THEIR HIDDEN BEAUTY. 718 01:07:14,131 --> 01:07:17,167 IN DAYLIGHT AND DARKNESS, THE PAGEANT CONTINUES. 719 01:07:17,201 --> 01:07:20,570 NOW THE NIGHT-BLOOMING CEREUS PASSES THROUGH ITS FULL CYCLE 720 01:07:20,604 --> 01:07:22,239 IN A SINGLE NIGHT... 721 01:07:22,272 --> 01:07:26,076 FROM BURSTING BUD TO FULL-BLOWN FLOWER. 722 01:08:00,410 --> 01:08:03,247 HERE IS ONE OF NATURE'S INNERMOST SECRETS, 723 01:08:03,280 --> 01:08:05,582 THE HEART OF A LIVING FLOWER. 724 01:08:34,544 --> 01:08:37,514 THE FLOWER FADES AND WITHERS AWAY. 725 01:08:37,547 --> 01:08:40,784 AND YET IN THIS FANTASTIC WONDERLAND, 726 01:08:40,817 --> 01:08:44,388 THERE ARE NO ENDINGS, ONLY BEGINNINGS. 727 01:08:44,421 --> 01:08:46,856 AFTER EVERY EBB, THE FULL TIDE. 728 01:08:46,890 --> 01:08:49,493 AFTER EVERY NIGHT, A NEW DAY. 729 01:08:49,526 --> 01:08:53,163 AND SO IT WILL BE THROUGH ALL OF TIME. 730 01:08:55,265 --> 01:08:57,701 THIS, THEN, IS THE DESERT'S STORY, 731 01:08:57,734 --> 01:09:00,370 A STORY OF THE LIFE-FORCE ITSELF, 732 01:09:00,404 --> 01:09:02,372 CHALLENGING AND MYSTERIOUS. 733 01:09:02,406 --> 01:09:05,675 THE ETERNAL STORY OF THE LIVING DESERT. 40836

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