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1
00:00:28,200 --> 00:00:30,720
Hi, I'm glad
you could join me today.
2
00:00:30,720 --> 00:00:33,760
I thought today we'd just do
a beautiful little painting that has
3
00:00:33,760 --> 00:00:36,720
a lot of beautiful colours in it
and we'll just have a good time.
4
00:00:36,720 --> 00:00:38,680
So let's start out
and have them run all
5
00:00:38,680 --> 00:00:41,120
the colours across the screen
that you need to do this painting.
6
00:00:41,120 --> 00:00:43,720
And they'll come across in exactly
the same order as I have them
7
00:00:43,720 --> 00:00:45,160
on my palette.
8
00:00:45,160 --> 00:00:47,080
While there doing that,
let's go on up here.
9
00:00:47,080 --> 00:00:49,560
I've already covered the canvas
with a thin, even covering
10
00:00:49,560 --> 00:00:50,600
of liquid white.
11
00:00:50,600 --> 00:00:54,080
It's all wet and slick and it's
ready to go, too, so let's do it.
12
00:00:54,080 --> 00:00:57,880
I'm going to start out today
with the smallest little touch
13
00:00:57,880 --> 00:01:01,200
of the Indian yellow
and little bit of bright red.
14
00:01:02,240 --> 00:01:04,080
Just mix these on a brush.
15
00:01:04,080 --> 00:01:09,160
A very, very small amount, OK.
let's go right up in here.
16
00:01:09,160 --> 00:01:12,680
And up, I think I'll put
a little more of the red.
17
00:01:12,680 --> 00:01:15,640
Yeah, that'll do it nicely.
18
00:01:15,640 --> 00:01:17,760
Just let this sort of bounce
around a little bit.
19
00:01:19,600 --> 00:01:22,920
Like so. OK?
20
00:01:22,920 --> 00:01:26,560
Maybe it just goes wandering off
over there, we don't care,
21
00:01:26,560 --> 00:01:29,120
what the heck. What the heck.
22
00:01:30,760 --> 00:01:35,000
Now, then, wash the brush and
we wash it with odourless thinner.
23
00:01:37,480 --> 00:01:41,760
And take out all your hostilities,
just have a good time doing that.
24
00:01:41,760 --> 00:01:46,080
Midnight black. Midnight black.
25
00:01:46,080 --> 00:01:49,760
Just tap some into the brush,
add a little bit of phthalo blue.
26
00:01:49,760 --> 00:01:52,840
The midnight black
is very transparent.
27
00:01:52,840 --> 00:01:56,640
So it's a nice colour to work with.
Let's go right up in here.
28
00:01:56,640 --> 00:02:01,880
There we are. Just play a little
bit of this right along here.
29
00:02:03,280 --> 00:02:06,760
Like so. I don't want to cover up
this bright colour.
30
00:02:06,760 --> 00:02:09,960
Just want to throw a little bit
of the blue and the black
31
00:02:09,960 --> 00:02:11,760
here and there.
32
00:02:11,760 --> 00:02:16,480
Like so. I thought maybe today
we'd make some almighty clouds.
33
00:02:17,560 --> 00:02:21,680
Have some fun.
Maybe some big mountains.
34
00:02:21,680 --> 00:02:26,240
I love to paint mountains.
I lived in Alaska for so many years,
35
00:02:26,240 --> 00:02:29,240
I feel like it's really home
and I like to do mountains.
36
00:02:29,240 --> 00:02:32,280
Alaska has some of the most
beautiful mountains in the world.
37
00:02:32,280 --> 00:02:34,280
Same old blue and black.
38
00:02:34,280 --> 00:02:37,600
Let's go right down here
and have a little bit of water.
39
00:02:40,200 --> 00:02:43,440
All right. And, already, there,
40
00:02:43,440 --> 00:02:46,480
we have a masterpiece
for the Museum of Modern Art.
41
00:02:47,600 --> 00:02:50,920
We are ready.
We could stop right there.
42
00:02:50,920 --> 00:02:52,560
OK.
43
00:02:52,560 --> 00:02:57,000
I've got several brushes going here,
I'll take a clean two-inch brush.
44
00:02:57,000 --> 00:03:01,400
And, very gently, just blend some
of these edges together a little bit
45
00:03:01,400 --> 00:03:05,000
I'm not worried about doing
a lot of blending today.
46
00:03:05,000 --> 00:03:06,520
Just a little.
47
00:03:06,520 --> 00:03:10,880
I'm going to take a small amount
of the red and put it in here.
48
00:03:10,880 --> 00:03:12,840
I want a little warmer glow.
49
00:03:12,840 --> 00:03:15,520
A little more red,
a little touch more of the red.
50
00:03:17,360 --> 00:03:21,360
There. Just really scrub that
into the canvas.
51
00:03:24,680 --> 00:03:26,440
It's going to be a bright one today.
52
00:03:29,320 --> 00:03:32,360
OK, let's build
a happy little cloud.
53
00:03:32,360 --> 00:03:34,560
We'll use the one-inch brush now.
54
00:03:34,560 --> 00:03:36,160
When you're doing this at home,
55
00:03:36,160 --> 00:03:40,440
you could use a one-inch brush
or a fan brush or a two-inch brush.
56
00:03:40,440 --> 00:03:41,720
It doesn't matter.
57
00:03:41,720 --> 00:03:45,120
Put a little bit of the bright red
there, we'll sparkle those clouds.
58
00:03:45,120 --> 00:03:47,000
Let's go up here.
59
00:03:48,280 --> 00:03:52,600
Now, then, decide where you want
that happy little cloud to live.
60
00:03:52,600 --> 00:03:54,120
And just tiny little circles.
61
00:03:55,480 --> 00:03:57,400
Tiny little circles.
62
00:03:58,600 --> 00:04:02,240
And just begin working
all that together.
63
00:04:02,240 --> 00:04:04,960
Tiny little circles.
64
00:04:04,960 --> 00:04:07,280
Don't let them get too big.
65
00:04:07,280 --> 00:04:09,360
Keep your brush moving.
66
00:04:09,360 --> 00:04:12,480
You'll have places where
the paint's very thick,
67
00:04:12,480 --> 00:04:16,040
places where it's very thin,
places where there's no paint.
68
00:04:17,040 --> 00:04:19,400
Just let all those little
things happen.
69
00:04:19,400 --> 00:04:22,160
Now, then,
top corner with a large brush
70
00:04:22,160 --> 00:04:25,760
and just sort of mix it up,
blend it up.
71
00:04:25,760 --> 00:04:28,160
Blend it up. Then fluff it.
72
00:04:28,160 --> 00:04:32,440
Give it a little fluff, that lifts
it up, and when you do this,
73
00:04:32,440 --> 00:04:36,040
if you pull up some little stringy
things, don't worry about it
74
00:04:36,040 --> 00:04:39,200
because when you blend it,
they all go away.
75
00:04:39,200 --> 00:04:41,120
See, there?
76
00:04:41,120 --> 00:04:44,520
Then when you're painting clouds
like this, work in layers.
77
00:04:44,520 --> 00:04:47,400
Do the most distant layer first
and then come forward.
78
00:04:47,400 --> 00:04:49,280
Always working forward.
79
00:04:49,280 --> 00:04:54,800
A little more of the red into the
white and maybe, yep, look here.
80
00:04:54,800 --> 00:04:59,440
There is another happy little cloud
and he lives right here.
81
00:04:59,440 --> 00:05:04,440
Wherever you think a cloud ought to
live, that's where he should live.
82
00:05:04,440 --> 00:05:08,000
I'll tell you what, maybe there's
one that one lives right here.
83
00:05:08,000 --> 00:05:09,800
He just floats right down.
84
00:05:11,080 --> 00:05:16,160
Clouds are very free. They are one
of the freest things in nature.
85
00:05:16,160 --> 00:05:18,360
They just float around
and have a good time.
86
00:05:21,080 --> 00:05:25,600
There we go.
Top corner of the large brush.
87
00:05:25,600 --> 00:05:28,720
Tiniest little circles.
88
00:05:28,720 --> 00:05:30,120
Give it a little fluff.
89
00:05:32,880 --> 00:05:34,480
There, just fluff it up.
90
00:05:34,480 --> 00:05:38,200
Remember years ago, ladies used
to tease your hair like this.
91
00:05:38,200 --> 00:05:41,320
The same principle, you just
sort of fluff it up, tease it.
92
00:05:41,320 --> 00:05:43,320
Just tease it.
93
00:05:43,320 --> 00:05:47,360
Very gently blend the entire sky.
94
00:05:47,360 --> 00:05:52,960
Isn't that a fantastic way to make
some great big billowing clouds?
95
00:05:52,960 --> 00:05:55,040
It works very well.
96
00:05:55,040 --> 00:05:57,680
Let's put some
big mountains in this one.
97
00:05:57,680 --> 00:06:01,200
I want to take some black,
98
00:06:01,200 --> 00:06:03,760
some blue,
99
00:06:03,760 --> 00:06:06,240
and some alizarin crimson.
100
00:06:08,040 --> 00:06:10,160
Some alizarin crimson.
101
00:06:11,520 --> 00:06:15,320
If you want to see what colour
you have, take a little white
102
00:06:15,320 --> 00:06:19,160
and put it there, because that just
looks black. There, you can tell.
103
00:06:19,160 --> 00:06:21,680
I want a little more crimson,
I want it a little bit more
104
00:06:21,680 --> 00:06:24,240
into the more purplish hue.
105
00:06:24,240 --> 00:06:26,040
That's better. OK.
106
00:06:26,040 --> 00:06:30,280
Pull it out flat, cut off
a little roll of paint.
107
00:06:30,280 --> 00:06:33,200
Let's go up here.
Now, I have to make a big decision.
108
00:06:33,200 --> 00:06:36,200
Where does your big mountain live?
109
00:06:36,200 --> 00:06:38,360
I think he lives right there.
110
00:06:40,760 --> 00:06:45,000
See when you put this lavender
colour over the yellow, you can get
111
00:06:45,000 --> 00:06:48,360
away with it because when you mix
lavender and yellow,
112
00:06:48,360 --> 00:06:50,280
it makes a nice brown.
113
00:06:50,280 --> 00:06:53,640
And you don't care if you
get brown in your mountains.
114
00:06:53,640 --> 00:06:56,960
If you used too much blue,
you'd have green mountains.
115
00:06:56,960 --> 00:06:59,280
And that'd be all right,
116
00:06:59,280 --> 00:07:03,640
but this looks a little better
for what we're looking for today.
117
00:07:06,080 --> 00:07:09,800
There we go. The only thing you're
worried about is the nice top edge.
118
00:07:09,800 --> 00:07:12,840
You could really care less
what's happening in here.
119
00:07:14,000 --> 00:07:17,520
Now, then.
Let's take the old big brush.
120
00:07:18,880 --> 00:07:20,720
And very gently pull this down.
121
00:07:20,720 --> 00:07:24,040
We'll have a ridge of mountains,
I like to do those.
122
00:07:24,040 --> 00:07:27,240
I just sort of pull it
right down right down like this.
123
00:07:27,240 --> 00:07:30,440
This is where you begin laying
out your basic mountain shapes
124
00:07:30,440 --> 00:07:32,960
and angles just like that.
125
00:07:34,440 --> 00:07:37,160
Just using brushstrokes.
126
00:07:37,160 --> 00:07:39,080
Like that.
127
00:07:39,080 --> 00:07:40,400
There.
128
00:07:43,160 --> 00:07:45,200
All right.
129
00:07:45,200 --> 00:07:49,840
You know when you paint, every day
is a good day when you paint.
130
00:07:49,840 --> 00:07:51,720
Every day is a good day.
131
00:07:53,400 --> 00:07:55,600
I had somebody tell me
here awhile back,
132
00:07:55,600 --> 00:07:58,080
"How can every day be a good day?
133
00:07:58,080 --> 00:08:02,280
"Just, you know,
every day can't be a good day."
134
00:08:02,280 --> 00:08:05,720
If you don't think every day
is a good day, try missing a few.
135
00:08:05,720 --> 00:08:08,160
You'll see.
136
00:08:08,160 --> 00:08:10,640
All right, let's go up here
and play.
137
00:08:10,640 --> 00:08:14,640
Take some white,
a little bit of alizarin crimson.
138
00:08:18,160 --> 00:08:20,960
And the least little touch
of phthalo blue into it.
139
00:08:20,960 --> 00:08:23,160
I want a lavender colour
140
00:08:23,160 --> 00:08:29,240
but more into the reddish hue
than what we put on to start with.
141
00:08:29,240 --> 00:08:33,280
Cut off a tiny, tiny little bit.
See there? A little bitty roll.
142
00:08:33,280 --> 00:08:35,720
Let's go right up here.
143
00:08:35,720 --> 00:08:38,600
Now, then,
begin picking out your highlights.
144
00:08:38,600 --> 00:08:42,200
You just let that barely
touch the canvas.
145
00:08:42,200 --> 00:08:43,840
Just barely.
146
00:08:43,840 --> 00:08:45,800
It's just grazing the canvas.
147
00:08:46,880 --> 00:08:50,320
As I've said on some of
the earlier shows in the series,
148
00:08:50,320 --> 00:08:54,080
when I was teaching my son to paint,
I used to tell him
149
00:08:54,080 --> 00:08:57,560
just to pretend he was a whisper
floating across the mountain.
150
00:08:59,760 --> 00:09:03,560
Just graze the canvas.
151
00:09:03,560 --> 00:09:05,480
Caress it.
152
00:09:05,480 --> 00:09:07,720
Make love to the canvas.
153
00:09:07,720 --> 00:09:09,320
Very gentle, very soft.
154
00:09:12,600 --> 00:09:15,200
Then we can take,
155
00:09:15,200 --> 00:09:20,640
let's take some other colour
that we've made the mountain with.
156
00:09:23,520 --> 00:09:25,600
And add a little white to that.
157
00:09:25,600 --> 00:09:27,960
We want it darker than the highlight
158
00:09:27,960 --> 00:09:32,400
but lighter than what
we have up here already.
159
00:09:32,400 --> 00:09:35,280
Now let's begin just
tapping these together.
160
00:09:35,280 --> 00:09:37,120
Just begin working
them together.
161
00:09:38,840 --> 00:09:41,640
Pay very close attention
to the angles.
162
00:09:41,640 --> 00:09:43,880
The angles are the secret.
163
00:09:46,240 --> 00:09:48,480
Not much paint.
164
00:09:48,480 --> 00:09:51,120
The smallest, smallest
amount of paint possible.
165
00:09:52,840 --> 00:09:55,560
Just put all these little
shadow areas in here.
166
00:09:57,640 --> 00:09:58,960
Virtually no paint.
167
00:10:00,520 --> 00:10:05,600
OK? I'm going to take
some crimson and white.
168
00:10:08,920 --> 00:10:11,960
And make a nice warm pinkish colour.
169
00:10:11,960 --> 00:10:14,400
And, with that, let's go up here.
170
00:10:14,400 --> 00:10:20,320
With that, we'll really put some
shiny little highlights on here.
171
00:10:20,320 --> 00:10:23,640
Ain't that pretty?
See how it stands out?
172
00:10:23,640 --> 00:10:27,040
You can put layer after layer
after layer of highlights on it,
173
00:10:27,040 --> 00:10:30,400
just as many as you want
in your world.
174
00:10:30,400 --> 00:10:35,080
Just let them all come together.
Put little bumps in it.
175
00:10:35,080 --> 00:10:37,680
Think about all the little rocks
that live up here.
176
00:10:41,480 --> 00:10:44,720
Maybe that comes right down. See?
177
00:10:44,720 --> 00:10:47,040
Just let your imagination go.
178
00:10:47,040 --> 00:10:48,600
Look at that.
179
00:10:49,800 --> 00:10:51,800
Look at that.
180
00:10:51,800 --> 00:10:53,320
It's that easy to do,
181
00:10:53,320 --> 00:10:56,560
just think where the light
would strike through here.
182
00:10:56,560 --> 00:10:59,760
Just let all these things
blend together.
183
00:10:59,760 --> 00:11:02,440
Layer after layer after layer.
184
00:11:03,680 --> 00:11:06,760
Then you go back in here
and put all kinds of little...
185
00:11:06,760 --> 00:11:08,760
Look, see how that just
jumps right out?
186
00:11:10,080 --> 00:11:11,680
Isn't that easy?
187
00:11:11,680 --> 00:11:15,120
Now when you're doing this at home,
this is when that little knife
188
00:11:15,120 --> 00:11:16,880
really comes in.
189
00:11:16,880 --> 00:11:19,200
You can sneak into all
those little places.
190
00:11:19,200 --> 00:11:22,040
Take a little bit of
the phthalo blue.
191
00:11:22,040 --> 00:11:27,320
The tiniest little amount.
A little white into it. There.
192
00:11:27,320 --> 00:11:29,080
OK, let's go back up here.
193
00:11:29,080 --> 00:11:34,320
And just sort of touch...
Oh, look at that.
194
00:11:34,320 --> 00:11:36,160
Look at that.
195
00:11:36,160 --> 00:11:40,600
See? It really sparkles it up right
up here on the edge. Like so.
196
00:11:40,600 --> 00:11:42,680
OK.
197
00:11:42,680 --> 00:11:44,640
Now, then, a clean, dry,
two-inch brush
198
00:11:44,640 --> 00:11:48,880
and I want to tap this,
just tap it.
199
00:11:48,880 --> 00:11:52,200
We want to defuse and soften.
200
00:11:52,200 --> 00:11:54,040
Lift it up very gently.
201
00:11:55,200 --> 00:11:59,840
See, that pushes everything back,
makes it so soft and quiet.
202
00:11:59,840 --> 00:12:02,840
And you can just keep going
on and on and on.
203
00:12:04,040 --> 00:12:08,920
Maybe, maybe there is another
big old mountain lives right here.
204
00:12:10,080 --> 00:12:11,560
Oh, let me show you something.
205
00:12:11,560 --> 00:12:13,440
Let me show you something
that's fun.
206
00:12:13,440 --> 00:12:16,200
Maybe, maybe
when a cloud floats in here,
207
00:12:16,200 --> 00:12:20,240
you can just take a little paint
and if you keep that brush moving,
208
00:12:20,240 --> 00:12:23,600
see there? Put a little cloud in.
209
00:12:23,600 --> 00:12:25,680
Blend it, give it a little fluff.
210
00:12:25,680 --> 00:12:29,200
And that will look like a
nice, soft, misty area
211
00:12:29,200 --> 00:12:33,080
where there's a little cloud
floating down that mountain.
212
00:12:33,080 --> 00:12:34,880
OK.
213
00:12:36,560 --> 00:12:41,080
Let's take maybe, right there.
214
00:12:41,080 --> 00:12:44,040
Just let your imagination go crazy.
215
00:12:44,040 --> 00:12:45,720
Put these wherever you want them.
216
00:12:45,720 --> 00:12:50,000
Each mountain, as you work forward,
should get darker in value.
217
00:12:50,000 --> 00:12:52,000
This base colour should
get darker and darker.
218
00:12:54,080 --> 00:12:57,480
Really push it into the fabric.
Push hard.
219
00:13:00,120 --> 00:13:02,480
Take the big brush,
pull it out a little bit.
220
00:13:03,880 --> 00:13:06,640
Just give it a little pull.
221
00:13:08,040 --> 00:13:11,560
See when you put this one in there,
it just set that cloud we made
222
00:13:11,560 --> 00:13:13,480
right back in there.
223
00:13:13,480 --> 00:13:17,800
That little cloud hides back in
there and has fun in between those.
224
00:13:17,800 --> 00:13:21,920
Now, then,
let's come right along here.
225
00:13:21,920 --> 00:13:25,560
And just put the indication
of a few little highlights,
226
00:13:25,560 --> 00:13:30,360
just zinging through there
and playing, look at that.
227
00:13:30,360 --> 00:13:34,280
Follow the basic angles in your
mountains. That's most important.
228
00:13:34,280 --> 00:13:36,120
Most important.
229
00:13:37,680 --> 00:13:40,120
Think where the light would strike.
230
00:13:40,120 --> 00:13:42,960
Right there maybe a little bit
would go zing!
231
00:13:44,720 --> 00:13:49,000
OK? Put in a few little
shadow indications.
232
00:13:50,720 --> 00:13:55,000
And just sort of work these shadows
and highlights together.
233
00:13:55,000 --> 00:13:58,440
Make all kinds of little things
happen.
234
00:13:58,440 --> 00:14:01,000
Here comes one, right there.
235
00:14:02,960 --> 00:14:06,120
Just back and forth between
the shadow and highlight colour.
236
00:14:06,120 --> 00:14:08,040
See how you can set things
back in there?
237
00:14:08,040 --> 00:14:11,360
And that creates a little
recessed area back in there.
238
00:14:11,360 --> 00:14:12,880
Sneaky, huh?
239
00:14:14,040 --> 00:14:18,360
I like these kind of little things
that just happen.
240
00:14:18,360 --> 00:14:19,800
There we go. Now...
241
00:14:21,640 --> 00:14:27,640
Once again, clean, dry brush
and very gently, very gently,
242
00:14:27,640 --> 00:14:30,840
just tap and lift upward.
243
00:14:30,840 --> 00:14:33,040
Always following the angles.
244
00:14:33,040 --> 00:14:36,200
It's most important
that you follow those angles.
245
00:14:36,200 --> 00:14:40,360
Look at that. And we have another
layer of mountains.
246
00:14:40,360 --> 00:14:45,160
And you can go on and on and on.
I'll show you another one here.
247
00:14:45,160 --> 00:14:50,640
Let's take a little black, a little
blue, a little more of the crimson.
248
00:14:50,640 --> 00:14:54,040
We'll just use a fan brush.
Watch here, watch here.
249
00:14:54,040 --> 00:14:56,320
Maybe there's a little bump
that lives there.
250
00:14:56,320 --> 00:14:59,680
You can do these with a fan brush.
There it is.
251
00:14:59,680 --> 00:15:04,400
Just fill that in. Maybe it comes,
we don't care where it goes.
252
00:15:06,000 --> 00:15:07,920
Right on that gap.
253
00:15:09,200 --> 00:15:14,400
And a little bit of highlight.
See that? Just take the fan brush.
254
00:15:14,400 --> 00:15:18,440
You can almost paint with anything
if you just practise enough.
255
00:15:20,200 --> 00:15:22,280
All you have to do is just practise.
256
00:15:24,120 --> 00:15:27,560
See?
Put little shadow colours in there.
257
00:15:27,560 --> 00:15:30,360
Oh, there's a happy little thing
that just lives there.
258
00:15:32,280 --> 00:15:36,240
Just let your imagination go crazy.
259
00:15:36,240 --> 00:15:41,000
There's a nice little...
Let that fan brush wiggle and play,
260
00:15:41,000 --> 00:15:44,360
hoping little things happen.
261
00:15:47,400 --> 00:15:49,520
OK, then we'll take our big brush
262
00:15:49,520 --> 00:15:52,760
and let's just tap this
a little bit just to soften it.
263
00:15:57,920 --> 00:16:01,200
Look at that. And that easy,
you have a little rock.
264
00:16:01,200 --> 00:16:04,120
Now we have three layers of rocks
here and mountains.
265
00:16:05,480 --> 00:16:08,000
And that creates
a lot of distance in the painting.
266
00:16:08,000 --> 00:16:12,000
Each layer or each plane
that you put in creates more
267
00:16:12,000 --> 00:16:15,120
and more distance in your painting.
268
00:16:15,120 --> 00:16:18,480
Now we'll take a little bit
of the same old mountain colour
269
00:16:18,480 --> 00:16:23,640
and maybe there's some happy
little things that live back here.
270
00:16:23,640 --> 00:16:28,440
See? Now we're beginning to see
some little distant trees.
271
00:16:28,440 --> 00:16:32,200
Just sort of touch it and give it
a little snap upward, bip!
272
00:16:32,200 --> 00:16:35,840
You've got to say those little
funny sounds or it don't work.
273
00:16:35,840 --> 00:16:38,400
There we go.
274
00:16:38,400 --> 00:16:40,800
All kinds of little things.
275
00:16:40,800 --> 00:16:44,360
I'll just clean the brush off there
because all we're looking for here
276
00:16:44,360 --> 00:16:46,120
is a good dark colour.
277
00:16:46,120 --> 00:16:49,080
We don't care.
Just a good, dark colour.
278
00:16:49,080 --> 00:16:53,360
This should reflect the colours that
you've used in the painting already.
279
00:16:56,160 --> 00:16:58,120
That's a good dark colour.
280
00:16:59,320 --> 00:17:02,120
All right, let me grab
another fan brush here.
281
00:17:02,120 --> 00:17:04,840
I'll tell you what,
I'll tell you what,
282
00:17:04,840 --> 00:17:07,080
I'm going to go right into
some liquid white.
283
00:17:08,560 --> 00:17:12,280
And, then,
right into the titanium white.
284
00:17:12,280 --> 00:17:15,560
I'm looking for a paint
that's a little bit thinner.
285
00:17:15,560 --> 00:17:20,520
And, I know, let's really
make it more interesting,
286
00:17:20,520 --> 00:17:24,560
maybe there is a stone
lives right there.
287
00:17:24,560 --> 00:17:27,240
See, stones need a little place
to live too.
288
00:17:27,240 --> 00:17:30,320
We'll put a couple of little
stones there.
289
00:17:30,320 --> 00:17:34,560
And I'm gonna take a little of
the dark sienna, a little white.
290
00:17:34,560 --> 00:17:36,200
OK, cut off a little bit of paint.
291
00:17:38,440 --> 00:17:41,200
Let's go right up here.
292
00:17:41,200 --> 00:17:44,600
And let's just put a little tiny
bit of highlight on them stones.
293
00:17:44,600 --> 00:17:46,760
We want a little sun
playing through here.
294
00:17:46,760 --> 00:17:49,840
Highlight the same side of the stone
that you did on the mountain.
295
00:17:49,840 --> 00:17:52,200
OK, now, then,
let's have some water.
296
00:17:52,200 --> 00:17:56,800
And the water's coming back here.
It's coming back here.
297
00:17:58,040 --> 00:18:02,560
Like so. Maybe it comes right
here and goes poosh!
298
00:18:02,560 --> 00:18:05,120
Now, remember we put a little
bit of liquid white in with
299
00:18:05,120 --> 00:18:06,840
the titanium white?
300
00:18:06,840 --> 00:18:09,360
We want to thin that down,
so it's thinner than the paint
301
00:18:09,360 --> 00:18:11,520
that's already on the canvas.
302
00:18:11,520 --> 00:18:14,520
If it's not thinner, then
you're going to become a mud mixer
303
00:18:14,520 --> 00:18:16,520
and then you're going to be
unhappy with me.
304
00:18:18,080 --> 00:18:21,040
Maybe when the water gets here,
it hits this one
305
00:18:21,040 --> 00:18:22,360
and just goes zoop, like that.
306
00:18:24,080 --> 00:18:27,320
And splashes over this way.
307
00:18:27,320 --> 00:18:32,560
Now, when it hits down here, there.
See? Whoosh!
308
00:18:32,560 --> 00:18:36,760
You've got all kinds of happy
little splashes just...
309
00:18:36,760 --> 00:18:39,080
Look at that, look at that.
310
00:18:40,600 --> 00:18:44,080
All those little things
are happening right there.
311
00:18:44,080 --> 00:18:47,160
Maybe there's a little stone
that lives under the water.
312
00:18:47,160 --> 00:18:49,200
There, it causes it to go, bloop!
313
00:18:50,280 --> 00:18:54,560
All right, let's have some fun.
314
00:18:54,560 --> 00:18:58,160
I'll tell you what, I'm going
to take the old two-inch brush
315
00:18:58,160 --> 00:19:01,960
and go right into, oh,
we'll take some alizarin crimson,
316
00:19:01,960 --> 00:19:06,640
tiny bit of phthalo blue
and a little bit of black.
317
00:19:08,360 --> 00:19:11,280
Just go right up here.
318
00:19:11,280 --> 00:19:16,520
I think, yep, let's put a...
Just push and bend that.
319
00:19:16,520 --> 00:19:19,320
He's a happy little tree
that lives right there.
320
00:19:19,320 --> 00:19:22,280
We begin worrying about
the lay of the land.
321
00:19:24,680 --> 00:19:28,840
And it comes right down in front
of this water. There it is.
322
00:19:28,840 --> 00:19:30,640
Just like so.
323
00:19:32,520 --> 00:19:37,880
OK? Maybe we'll just put a whole
bunch of stuff right in here.
324
00:19:37,880 --> 00:19:39,960
What the heck?
325
00:19:39,960 --> 00:19:44,240
There it is. So you put your dark
in so your light will show.
326
00:19:46,040 --> 00:19:49,200
A little more blue,
a little more crimson,
327
00:19:49,200 --> 00:19:51,040
a touch of black.
328
00:19:52,200 --> 00:19:56,520
I don't know, right there, just sort
of look at your painting and make
329
00:19:56,520 --> 00:19:59,960
big decisions where you think all
these little things should live.
330
00:20:04,600 --> 00:20:07,200
Right down that gap.
331
00:20:07,200 --> 00:20:10,160
We don't know, we don't have
to make these decisions yet.
332
00:20:11,520 --> 00:20:15,360
We'll make these decisions
as we work on down in the painting.
333
00:20:15,360 --> 00:20:18,560
OK, let's put some stones in here.
334
00:20:18,560 --> 00:20:20,880
Take a little Van Dyke brown
335
00:20:20,880 --> 00:20:23,720
and we need a stone to hold
this waterfall back.
336
00:20:23,720 --> 00:20:26,760
Otherwise, it just wouldn't
stay there by itself.
337
00:20:26,760 --> 00:20:28,760
Water is lazy,
it looks for the easiest way
338
00:20:28,760 --> 00:20:30,520
to get to where it's going.
339
00:20:30,520 --> 00:20:33,760
So when you're doing these little
waterfalls, you've got to have
340
00:20:33,760 --> 00:20:38,280
little stones and stuff that explain
why the water is higher back here.
341
00:20:38,280 --> 00:20:41,440
You don't want it to just sort of
all of a sudden be there.
342
00:20:41,440 --> 00:20:45,120
One of the basic rules
343
00:20:45,120 --> 00:20:48,320
of nature is that water
will not climb a rock
344
00:20:48,320 --> 00:20:50,320
just so it will fall
and be pretty for you.
345
00:20:50,320 --> 00:20:52,480
It's lazy. It's like me.
346
00:20:52,480 --> 00:20:54,840
It looks for the easy way
to do things.
347
00:20:56,360 --> 00:20:57,960
OK.
348
00:20:57,960 --> 00:21:02,840
Let's take our fan brush
and go right into, let's see,
349
00:21:02,840 --> 00:21:07,000
there's some black and blue,
350
00:21:07,000 --> 00:21:09,360
crimson.
351
00:21:09,360 --> 00:21:11,720
I'm going to grab
a little bit of white
352
00:21:11,720 --> 00:21:14,480
so I can lighten that up a little.
OK, let's go back up here.
353
00:21:14,480 --> 00:21:16,080
A lot of paint on the brush.
354
00:21:16,080 --> 00:21:19,880
And maybe there lives, yep,
right here, a happy little tree,
355
00:21:19,880 --> 00:21:22,680
and, this time, I'm going
to push upward.
356
00:21:22,680 --> 00:21:24,600
Push upward with the fan brush.
357
00:21:24,600 --> 00:21:27,160
Normally, we push downward
when we make a little evergreen.
358
00:21:27,160 --> 00:21:30,360
We want these to have little
branches, though, that go upward.
359
00:21:30,360 --> 00:21:32,320
See that?
360
00:21:32,320 --> 00:21:36,880
In some parts of the country,
that looks more like the trees
361
00:21:36,880 --> 00:21:40,720
than in others, so,
sort of look around your house
362
00:21:40,720 --> 00:21:42,480
and see what kind of trees you have.
363
00:21:44,720 --> 00:21:47,920
I know I'm going to get
a letter from somebody saying,
364
00:21:47,920 --> 00:21:50,120
"Bob, all I've got's
a maple tree in my yard."
365
00:21:50,120 --> 00:21:53,040
Well, you can put a maple tree
in yours.
366
00:21:53,040 --> 00:21:55,560
There.
367
00:21:55,560 --> 00:21:59,520
Just put these little rascals
wherever you want them.
368
00:21:59,520 --> 00:22:02,760
See, these look like
little Christmas trees to me
369
00:22:02,760 --> 00:22:05,000
and Christmas
is always a happy time.
370
00:22:06,640 --> 00:22:08,040
There.
371
00:22:09,440 --> 00:22:13,280
OK? Just push upward, bend it
upward, make all these little trees.
372
00:22:16,080 --> 00:22:18,760
Now, some of them
that are a little closer,
373
00:22:18,760 --> 00:22:21,400
you might see little highlights,
so I'll take the same dirty brush,
374
00:22:21,400 --> 00:22:23,200
go into a little yellow.
375
00:22:23,200 --> 00:22:26,960
And a little sap green. I want this
quite dark, because it's far away.
376
00:22:26,960 --> 00:22:29,560
Load it full. Now, then.
377
00:22:31,240 --> 00:22:35,880
Just put in a little indication of
some green, still pushing upwards.
378
00:22:35,880 --> 00:22:39,520
Not a whole bunch, you don't
want to kill all the dark.
379
00:22:39,520 --> 00:22:41,040
There we go.
380
00:22:42,280 --> 00:22:43,600
Just here and there.
381
00:22:43,600 --> 00:22:45,880
Some of them,
don't put anything on,
382
00:22:45,880 --> 00:22:48,160
that will help save the illusion
of distance.
383
00:22:48,160 --> 00:22:49,640
All right.
384
00:22:49,640 --> 00:22:51,760
Let's put some highlights
on those bushes.
385
00:22:51,760 --> 00:22:53,680
We'll use a one-inch brush today.
386
00:22:53,680 --> 00:22:56,880
Going in to all the yellows,
this yellow ochre, cad yellow,
387
00:22:56,880 --> 00:22:59,360
let's grab some sap green.
388
00:22:59,360 --> 00:23:03,040
Just all of them,
a little bit of the bright red.
389
00:23:03,040 --> 00:23:05,280
OK, let's go right up here.
390
00:23:05,280 --> 00:23:08,640
Maybe this big old tree back here.
Look at this.
391
00:23:08,640 --> 00:23:11,640
There's thousands of little leaves.
That easy.
392
00:23:11,640 --> 00:23:16,840
Think about the shapes inside of
the tree. Don't just hit at random.
393
00:23:18,000 --> 00:23:20,000
Don't hit at random.
394
00:23:21,560 --> 00:23:25,920
OK? Maybe there's a nice one,
he lives right there.
395
00:23:27,680 --> 00:23:29,920
You notice I'm still
working in layers
396
00:23:29,920 --> 00:23:32,840
and doing the thing
that's farthest away first.
397
00:23:32,840 --> 00:23:36,400
Over here,
there's a nice little yellow bush
398
00:23:36,400 --> 00:23:38,080
and he lives right there.
399
00:23:39,280 --> 00:23:42,560
And you can use a brush sideways
to create little layers
400
00:23:42,560 --> 00:23:44,920
of little soft grass areas.
401
00:23:44,920 --> 00:23:48,880
Let's take just
a little bit of the brown
402
00:23:48,880 --> 00:23:51,520
and white we used for highlight.
403
00:23:51,520 --> 00:23:54,880
We put a little highlight
on that rock, a little out here.
404
00:23:54,880 --> 00:23:58,280
Wherever you've got a little rock,
drop a little highlight on it.
405
00:23:59,400 --> 00:24:03,400
OK, I'm going to grab
some more Van Dyke brown.
406
00:24:03,400 --> 00:24:07,200
There's big stones that live,
just let them sort of wander,
407
00:24:07,200 --> 00:24:10,920
because anything that you don't
want here, you just cover it up.
408
00:24:11,960 --> 00:24:13,640
You can do anything in here.
409
00:24:14,960 --> 00:24:17,600
Anything on this piece of canvas,
big old stones.
410
00:24:19,360 --> 00:24:22,560
There. Back to our highlight colour.
411
00:24:24,000 --> 00:24:28,800
And just begin putting some
highlights on those stones.
412
00:24:28,800 --> 00:24:30,360
Brown and white.
413
00:24:32,040 --> 00:24:33,680
There we go.
414
00:24:35,280 --> 00:24:39,200
Like so.
Back to our one-inch brush.
415
00:24:39,200 --> 00:24:42,600
Some of the yellows and greens.
416
00:24:43,760 --> 00:24:47,440
And begin putting in some
little bushes in between.
417
00:24:47,440 --> 00:24:50,720
As I said, anything that you don't
want, you just cover it up.
418
00:24:50,720 --> 00:24:52,440
Easy to do.
419
00:24:54,240 --> 00:24:57,480
See there? Just wherever you want
them. Let's go over the other side.
420
00:24:57,480 --> 00:24:59,280
The same thing over here.
421
00:24:59,280 --> 00:25:01,840
Make your little individual bushes,
one at a time.
422
00:25:03,800 --> 00:25:05,680
Just like so.
423
00:25:05,680 --> 00:25:09,680
And work in layers,
always working in layers.
424
00:25:09,680 --> 00:25:11,800
Now, back to our water.
425
00:25:11,800 --> 00:25:14,920
Liquid white
and the titanium white.
426
00:25:14,920 --> 00:25:16,360
OK?
427
00:25:16,360 --> 00:25:20,360
Now begin splashing some of that
water up against these stones.
428
00:25:20,360 --> 00:25:24,000
Let it swivel and swirl
and have fun,
429
00:25:24,000 --> 00:25:26,560
just sort of think like water.
430
00:25:26,560 --> 00:25:29,800
Just push it up,
let the splashes hit and crash.
431
00:25:32,120 --> 00:25:35,120
Like so. Look, there's one, see?
432
00:25:35,120 --> 00:25:38,520
Think about all the little, the
little areas underneath the water.
433
00:25:40,160 --> 00:25:41,800
There we go.
434
00:25:42,920 --> 00:25:45,560
You know, and I say repeatedly
through these shows,
435
00:25:45,560 --> 00:25:49,000
just mention it again, if there's
things that you want to see
436
00:25:49,000 --> 00:25:51,520
painted that we haven't painted,
drop me a line.
437
00:25:51,520 --> 00:25:53,360
I would love to hear from you.
438
00:25:53,360 --> 00:25:55,680
And this is where most
of our ideas come from,
439
00:25:55,680 --> 00:25:58,480
for the paintings that we do.
440
00:25:58,480 --> 00:26:01,200
It's from people all over the
country and they write and tell me
441
00:26:01,200 --> 00:26:03,280
what they want to see.
442
00:26:03,280 --> 00:26:06,520
A lot of them send pictures
and that helps a great deal.
443
00:26:06,520 --> 00:26:10,000
If I know what you want,
then I can do that for you.
444
00:26:11,280 --> 00:26:13,800
A little stone there.
Little highlight on it.
445
00:26:15,640 --> 00:26:20,640
OK. Back to my one-inch brush,
we'll load it full of paint.
446
00:26:20,640 --> 00:26:26,240
And maybe, yep, there's a happy
little bush, he lives right there.
447
00:26:26,240 --> 00:26:29,240
See, this sort of
closes all that in.
448
00:26:29,240 --> 00:26:31,960
You can put little stones
wherever you want them.
449
00:26:33,920 --> 00:26:35,480
OK.
450
00:26:35,480 --> 00:26:37,120
Then we take a clean knife
451
00:26:37,120 --> 00:26:39,800
and just scrape in all kinds
of little sticks and twigs.
452
00:26:41,600 --> 00:26:44,160
Let's go over here
and put some on this side too,
453
00:26:44,160 --> 00:26:46,360
we don't want it left out.
454
00:26:46,360 --> 00:26:48,800
Just like that.
455
00:26:48,800 --> 00:26:52,280
Now, then, the old clock's telling
me I've got to get going here.
456
00:26:52,280 --> 00:26:54,920
But I want to have some fun
before we go.
457
00:26:54,920 --> 00:26:57,320
Let's go into a little bit of black.
458
00:26:57,320 --> 00:27:00,200
A little bit of black
and let's go right up here.
459
00:27:00,200 --> 00:27:04,880
I think, in my painting,
I want a big tree right there.
460
00:27:04,880 --> 00:27:07,040
There's its trunk.
461
00:27:07,040 --> 00:27:11,120
There's its trunk. And we'll just
push up. Look at that, see?
462
00:27:11,120 --> 00:27:14,600
There's big old leaves on it
and it helps set everything back.
463
00:27:14,600 --> 00:27:17,160
I like big old trees.
464
00:27:17,160 --> 00:27:22,720
Just pushing that. Go right into
a tiny little bit of yellow.
465
00:27:22,720 --> 00:27:25,720
And we can highlight it.
466
00:27:27,200 --> 00:27:30,080
I think that'll give you
a nice painting to work with.
467
00:27:30,080 --> 00:27:31,800
We'll call that one finished,
468
00:27:31,800 --> 00:27:34,680
and from all of us here,
happy painting, God bless.
60811
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