All language subtitles for Amy 2015

These are the only three people left.

This is Mr Alex Steele,
Mrs Juliette Ashby,

- Mrs Amy Winehouse.
- Ah, my boobie.

In other words, Mrs Amy Winehouse.

Um, everyone else has gone.
This was my fourteenth...

D'you want a lick of the lollipop?

- Come on, have a lick.
- No, I don't.

- Have a lick.
- No, no, no.

Come here and lick it.

No-one wants, I'm trying to talk.

No-one wants to lick
your slobbery lollipop.

Lick it.

It's my 14th birthday evening and party.

♪ Happy birthday to you.

- ♪ Happy birthday to you.
- ♪ Happy birthday to you.

♪ Happy birthday dear Lauren

♪ Happy birthday

♪ to you. ♪

LAUREN: Oh, wow!

AMY: ♪ Moon river, wider than a mile

♪ I'm crossing you in style someday... ♪

AMY:
I was singing with a little jazz unit,

the National Youth Jazz Orchestra.

I must have been about 16
and I just loved jazz.

Dinah Washington,

Sarah Vaughan, Tony Bennett.

I learnt to sing from listening to stuff
like Monk and a lot of soloists as well

rather than just listening to singers.

I learnt from everything really.

♪ ...same rainbow's end

♪ Waiting 'round the bend

♪ My huckleberry friend

♪ Moon river and me. ♪

So singing has always been
important to me

but I never thought I would end
up singing, I'd be a singer.

I just thought I'm lucky that it's something
I can always do if I want to.

I'm so lucky like that.

But I didn't think
it would be a career choice.

♪ ...And me

♪ Moon river and me. ♪

What's the date?

- Today?
- 24th.

- Is it?
- Yeah.

- The what?
- 24th.

- Of what?
- January.

- And what day is it?
- Saturday.

And, um, what year is it?

- Lunchtime.
- No, it's lunchtime...

NICK: I was a 19 year old office junior

for a promotions
company owned by Simon Fuller.

I just started to try and kind
of blag it myself as a talent scout.

I was definitely out of my depth.

AMY: My friend Tyler is a singer.

He was with Nicky Shymansky
and Tyler said,

"My friend Amy sings jazz
and she's great."

And Nicky said to me,

"D'you want some studio time?"
And I said, 'For what?'

He was like, "Well, if you write songs,
we'd make a record, get a record deal."

I was like, "What d'you get out of it?"

Hello.

I look ugly.

Yeah, look at you. You look lovely.

I don't. My chin's massive.

- Worried about your chin?
- That's there forever.

♪ There is no greater thrill

♪ Than what you bring to me

♪ Those sweeter songs

♪ Than what you sing

♪ Sing to me... ♪

TYLER: Did you decide to record it?

Yeah. Hello.
I'm just here smoking a fag.

I'd just like to... I look so grim.

I look like a floating head,
I've got no hair.

(CHUCKLES) I'm just on a black screen.

There's my hand. What's going on?

We'd recorded quite a few
demo recordings.

I started to talk about whether
she'd ever consider writing.

She said she's not sure about writing
songs but she's written a lot of poems.

♪ ...he's my life... ♪

She knew full well
she'd been writing songs

but they were very personal songs.

AMY: I wouldn't write anything
unless it was personal to me

just cos I wouldn't be able
to tell the story right

because I wouldn't have done it.

Even though some of it is
personal in a sad way

I'd never let it just be that.

I'll always put a punchline in the song.

Just try and be different
with my lyrics.

GUY: Someone gave me a CD, two songs

and they weren't necessarily
what you'd call hit songs

but they conveyed an emotion
that just touched me.

When you have that as an artist,
you usually have a story to tell behind it.

But it was a big leap of faith.

I think my boss even questioned the deal

because we were committing
to giving an unsigned artist

close to a quarter of a million pounds.

JULIETTE: We knew that we wanted
to live with each other.

We both knew that we wanted to move out.

She had her family issues.

And I had lots of things going on with my
family and we looked after each other.

It was amazing. We were young kids

and we were best friends
in a flat on our own.

She loved it.

Juliette would sing, Amy would sing

and we just used to see
each other all the time.

We used to go to so many gigs with Amy.

And when she first started
doing her music,

we were all so excited and proud of it.

- Where are we, Amy?
- We're in Brighton.

- But what are we in now?
- A cab.

We're in Regency Square
in a black cab...

- No but, no but...
- In a white beautiful cab.

- And Lauren's with us.
- Ah!

D'you know what my favourite
thing about Nicky is?

His legs.

NICK: Ah!

Know what my other favourite thing is...

- What?
- Not your hair.

She could make you feel so important.

And then, all of a sudden,
very unimportant.

And then make you feel
so important again.

That was what she did.

She liked to get people
into a comfortable position

and then shock them.

NICK: If I got my hair right,
then what would that mean?

That would mean
you were ready to marry me.

Her first relationship was
with an older guy called Chris.

She really got the hots for him.

Madly in love with him.

She wrote a few songs
about having the hots for him.

And then eventually
she lost interest and...

She used to talk about it and
she started writing about that.

I think when I was growing up,
the music that was

in the pop charts or the music
that people released at the time

I just thought this isn't music, this is
watered down, or you know, just crap.

Someone has written it for you
and you have to sing it.

It's very much the case
with some music today.

So I started writing music
to challenge myself.

To see what I could write or, you know,

just because there was nothing else there
that I could listen to at the time.

And having listened to jazz

and great songwriters like
James Taylor and Carole King.

I felt like I had nothing new
that was coming out at the time

that really represented me
or the way I felt.

So I just started writing
really my own stuff

and from personal experience.

This is "I Heard Love Is Blind."

I'll clip my hair out the way
cos it's getting on my nerves.

I remember thinking when she walked in
she was this complete force of nature

and I thought, "Wow,
there's something about you."

And I remember thinking,
"Please be good."

I wrote this in Miami
with a guy called Salaam

and... I'm really proud of it.

She was 18 and a very classic
North London Jewish girl,

a lot of attitude.

Quite shy.

Something emanated from her.
She had a charisma.

When you looked at her lyrical capability
and her melodic capability

she was a very old soul
in a very young body.

And we did the deal very, very quickly.

Amy's album came out yesterday
and how many has it sold so far?

A pretty staggering
eight hundred, actually.

That is at least.

I've emptied my bank account
buying six hundred of them.

At least half my friends
have bought the album.

Bastards. I'd better call
the other half up today.

Snug in a rug.
She's going to get annoyed.

Amy. Explain what your little
hub is all about.

- Oh, you're coming...
- Sleeping.

Just give us a smile
and then we can turn the camera off.

- I'm in the car now.
- Give us a quick one.

- A one second flash.
- Is picking me up at ten o'clock.

GARRY:
How big d'you think you're going to be?

I don't, at all, because
my music is not on that scale.

Sometimes I wish it was,

but I don't think
I'm gonna be at all famous.

I don't think I could handle it.

I'd probably go mad, I would go mad.

- Where are we going?
- We're going to Birmingham!

- Why are we going there?
- We're going to sing songs.

- Yeah?
- And make merry.

AMY: Oh, that was sick! That was sick!

- Get me, get me.
- Nicky that was beautiful.

What are your thoughts
on how beautiful that was?

My turn, my turn.

Let me get a really good shot.
Oh, what a shot.

(AMY SHOUTS) Oh!

She don't even care.

Watch it, watch it go in there.

Got no light in here.

Don't get my spots in.

What spots?

- (CHUCKLES) I love you.
- Do you know I'm zooming in then?

You're zooming in on my spots.
You're a fucking cunt.

- Does my hair look okay?
- Yeah, very good.

Looks lovely.

- Do you promise?
- I promise.

- What song should I do first?
- Start off with...

Oh, I love your little cap,
it's so cute.

I think you should start off
with a song called...

Oh, on camera. Okay.

- Go, sister. Go get done.
- Shut up.

(AMY HUMS)

♪ In my bed. ♪

MALE INTERVIEWER:
Could you please introduce yourself?

Yes. Hello, I'm Amy Winehouse. I'm 20.

I'm a jazz singer.

I've heard your record
and it sounds very mature.

Is it all live?

Also not only the singing
but also the instruments?

Yeah, all the instrumentation
is completely live.

I wouldn't have any fake horns
on my record.

I think they put fake strings
on "Take The Box",

but I wasn't a part of that.

I would never, ever have put
strings on my record, ever.

And this guy doing the mix
of this song, he just...

I didn't even think about it.

Okay. Just a couple of questions.

- Upset?
- Yeah.

Oh, okay.

Okay, okay. Okay.

There wasn't a girl that
had been gobby in the media

for a long time.
And she could be very cutting.

Especially if she got bored
or felt misunderstood.

FEMALE INTERVIEWER:
It seems to me, though,

that every woman who
writes about, you know,

kind of puts it down on a record,

doesn't do them any harm,
really. Look at Dido.

She used that album to clean out
her emotional closet.

- Did she?
- Yeah.

It's all about the break-up
of her relationship

and kind of like surviving.

Like the whole thing about
not going down with the ship.

Yeah.

Dido's Dido, but you know, I mean...

I think she's one of the most
exciting and brilliantly

talented vocalists to emerge
in this country in many years.

It is Amy Winehouse.

Fantastic.

You're managed by the company
who look after S Club 7,

who used to look after
the Spice Girls, Simon Fuller.

Have they tried to mould you any way?

Have they tried to change the
way you look, speak or behave?

One of them tried to mould me
into a big triangle shape

and I went 'No'.

No. You know, I've got my own style.

I've got my own style
and I wrote my own songs.

If someone has so much
of something already,

there's very little you can add.

Yeah. You know what I like
about you as well,

- you sound so common.
- Thanks.

No, because I am common.

It's so refreshing to hear someone
who isn't speaking like

they've taken elocution lessons.

- Yeah.
- Yeah.

They gave me elocution lessons
but they kind of...

- They didn't stick?
- Off my back, yeah.

JANIS: I realised early on when Amy
made her mind up, she made her mind up

and I found it difficult
to stand up to her.

She would say: "Oh, Mum,
you're so soft with me.

I can get away with murder.
You should be tougher, Mum."

Well, I just accepted it.

I wasn't strong enough
to say to her "Stop".

I met another woman when
Amy was about 18 months old.

We worked together.
We were having an affair.

But eight or nine years
were to pass before I left home.

I was a coward.

But I felt that Amy
was over it pretty quick.

TYLER: When Amy was a teenager, 13
and 14 she was being taken to the doctors

and she was on antidepressants.

Amy used to always say
to me that that was her dream

to do those sorts of shows.

To play in jazz clubs
to small audiences.

She had one of the most pure
relationships to music.

Such an emotional relationship to music.

It's like she needed music
as if it was a person

and that she would die for it.

BOBBY: Let me read this.

(MUMBLES) Oh, my God.

And the winner

and the song is "Stronger Than Man"

by Amy Winehouse and Salaam Remi.

Let's give it up!

(PUBLIC CHEERING AND APPLAUDING)

This is me, this is me, isn't?
Right here.

Wow.

I don't believe this.

Thank you, Salaam.
There's no picture of him

but Salaam is
the most inspirational producer

I've ever worked with.

He has that unique skill
of not just having

the most appropriate beat,

but also drawing the artistry out.

And I guess
that's the story of this song...

SALAAM: What I allowed her to do
was to put her wit into her songs.

When I heard her sing in front of me,

I could tell she was really
like a jazz singer.

She had the stylings
of a 65 year old jazz singer

who knew the ropes up and down.

It was like, "Okay, if this is
what you are when you're 18

then what are you gonna be
when you're 25?"

(PUBLIC APPLAUDING AND CHEERING)

VERNON: We're now joined
by Mos Def in the backstage area.

Thanks for coming and taking
time out and chatting to us.

I heard they was doing
something so I came down.

YASIIN: I became aware of Amy in 2004.

I was out in England.

I'm a big jazz fan and I really
liked what she was doing.

I thought it was unique.

I thought it was edgy and sincere

and that's the thing
I liked most about Amy is that

she didn't have any airs. She was real.

(AMY SINGS)

I had a chance to meet her
while I was here

and we hit it off.
We became fast friends.

She was just a charming, sweet lady.

I had a bit of a crush on her,
to be honest.

She was raw, she was fast
with a blue joke.

Could drink anybody under the table.

Wasn't afraid to roll a smoke.
Had a big giant laugh.

And was just a sweetheart, you know.

(PUBLIC CHEERING AND CLAPPING)

TIM: You don't seem
that bothered about everything.

Some artists step in here and go,
"I want that number one spot.

- I want my album to go number one.
- Yeah.

- I wanna chase up with a second album.
- Yeah.

- What's up with you?
- I'm determined on the next thing.

I'm not interested in...

Success to me is not success
to the record company or whoever.

Success to me is having
the freedom to work

- with whoever I wanna work.
- Yeah.

To always be able
to just fuck everything off

and go to the studio
when I have to go to the studio.

- Or...
- But you can't do that.

You have other responsibilities now.

- You're becoming an artist in the public eye.
- Yeah.

So all of a sudden you're gonna be...

I'm not saying you're gonna be
hounded by the press,

but you're gonna have
certain responsibilities

that you may not particularly welcome.

That's cool but I think
the more people see of me,

the more they'll realise that
all I'm good for is making tunes.

So leave me alone and I'll do it.

I will do the music.
I need time to do the music.

JULIETTE: When she went to Camden
it was very exciting

cos it was her first property that she'd
bought and we were all really happy.

She loved Camden. She loved it up there.

But when she went to Camden,
things started changing.

(INDIE MUSIC)

SPIKY: We were the Indi kids.

Gazelles, The Rakes, Babyshambles.

Every one was a Camden band.
Like, it was cool again.

PETER: In them days it was
very much like, basically

if you were in a signed
band you were a cunt

because the best looking
and the best dressed

and the coolest people were the ones
who were born to lose really.

AMY:
The Libertines, yeah? I slept on them.

I came to the Libertines
like a year later than everyone else.

But, I'm not being funny,
they made people proud to be British.

That was London
for a real spell, you know.

SPIKY: I run a club called Trash
with my friend Errol.

Did the door there.

Blake would give out flyers for Trash.

BLAKE: We wouldn't have met each other

and a lot of people wouldn't
have all known each other

- had it not been for Trash.
- Yeah.

- That's fair enough, innit?
- Yeah, yeah, yeah.

It's the first place
I learnt how to pull a bird.

SPIKY: He just loved girls, you know.

He loved partying and he loved shagging.

Always in and out of bed.

BLAKE: We met in a pub
in "The Good Mixer" in Camden.

I was at the bar and then she came in.

We just sort of started playing
pool, then we went to another pub.

And then we went back to Amy's house.

She was seeing somebody else
and I was seeing somebody else

but I didn't think of it as infidelity.

I just thought she was like a young girl

and she was a bit naughty.
And I was the same.

- Are you alright?
- How you doing? You okay?

What's going on with you at the moment?

Cos obviously "Frank" was last year

and we haven't really heard
much from you since then.

So when are we gonna hear from you next?

- What's the next single?
- I can't think of the next single.

I'm just gonna write
the next album at the minute.

- You having writer's block or...
- Yeah, man. It's hard to write

because you can write
a million things a day

but it's hard to write
something that you're proud of.

So I'm just trying, you know.

LUCIAN: I asked to see her.

She was late and she came in with Nicky.

She was a character.

She called me Uncle Lucian,
and I really liked her.

And I had enough
of a relationship with her

so there's no flattery.
It was like blunt.

And I said:
"Enough, I need another album.

Now go and write one.
This is horse shit.

"Frank" was then, this is now.

They're all gonna forget you."

She didn't like it.

- Nick Shymansky.
- Yes.

Sit up a bit.

- Yes?
- How are you today, darling?

Very good, actually. Thanks.

- What about you?
- Really good.

NICK: In between all this,

she decided she wanted me to leave 19

with Simon Fuller to go and manage her.

She didn't like being connected
with Pop Idol and the Spice Girls

but I thought
it would be incredibly disloyal,

at this point, to walk away.

And Blake was very quickly becoming

bigger and bigger character in all this.

She was with him the whole time

and didn't want
to go places without him.

BLAKE: We spent the summer together.

She used to say we were like twins
and that was our relationship.

I'd like to sabotage myself and I think
Amy would like to sabotage herself.

Maybe that was our nature.

I used to ask her
why was she promiscuous

and why she was
more like a man with sex.

It's indicative of somebody
that's had a traumatic event,

maybe sexually, themselves.

Sort of made sense to me
from the way she was.

She'd just say, "It's nothing.

I weren't abused when I was a kid.
Nothing like that."

And she said her dad leaving her mum
was what caused this

and her not really seeing her dad.

I understood.

I cut my wrists
when I was nine years old.

I don't know if I wanted
to necessarily die,

I just wanted my mum
to leave my stepdad.

Me and Amy were quite similar.

AMY: I fell in love with someone
who I would have died for.

We were in love and we were together.

And that's like a real drug, isn't it?

♪ If my man was fighting

♪ some unholy war

♪ I would be behind him

♪ Straight shook up beside him

♪ With strength he didn't know

♪ It's you I'm fighting for

♪ He can't lose with me in tow

CHORUS: ♪ With me in tow. ♪

♪ I refuse to let him go

CHORUS: ♪ To let him go. ♪

♪ At his side

♪ and drunk on pride

♪ We wait for the blow. ♪

LAUREN: Oh, let's see who's
gonna be behind the green door.

Master of the house is not in right now.

She is gone somewhere
for a minute to be somewhere.

She's having dinner

so I'm having a cheeky
cigarette while she gone.

Don't tell her. Shh. Don't tell her.

LAUREN: Cheeky. "Mi scusi".
Tell me about this place.

While she's away, I'll give you
a tour of the house.

Okay, ready? Okay.

First of all I lead you
into the main room.

This is usually reserved
for entertaining guests

but you can be my guest,
because no-one's here today.

Okay, I lead you out to the grand patio.

Please, please follow.
Don't mind me in my...

Okay, darling. This is the grand patio.

This is Cecil.

Cecil lives here.

LAUREN: Cecil.

Then we have the bedroom.
It's very nice.

There are some cupboards.

See up here, this is where I
sleep when the master come home.

The toilet.

Sometimes when I'm alone,
I have a shower in all my clothes.

I find this is the only true
way to relax.

Also here, this is the hook
I hang from when I'm in trouble.

It's not very often, I'm a good boy.

I'm a good boy. Okay, well this is it.

Welcome to my humble abode.

Amy.

We are sitting in a little bar

drinking cocktails. There's my cocktail.

There's Amy's little cocktail.

I think it's got Rohypnol in it.

LAUREN: All of a sudden she went to me:

"Lauren, listen to this message.
This is a message from Blake."

BLAKE: I said to her that I didn't
wanna leave my girlfriend

and we'd probably be better as friends.

LAUREN: She was obsessing
over these text messages.

He wanted nothing to do with her
and she was obsessing over it.

All she wanted was
for him to wanna see her.

NICK: It got messy.

He went back to his girlfriend,
then she got her own back.

She slept with his friend.

LAUREN: The person that lived
opposite in the little court

had Juliette's number and
had called Juliette up to say:

"Amy's fallen over
and she's hurt her head."

So we've gone round there.

It looked like people had
been squatting in her house.

It stank, it was dirty.
And she was lying on the bed,

and she had this golf ball
coming out of her head.

So we worked till like three
in the morning and cleaned the house.

And I called her dad,
and we called Nick.

NICK: We all met there and it was like,

"This is getting out of control."
"We need to get her some help."

I've tried speaking to the parents
and they really wanna kinda take it on.

And so I, technically,
I sort of kidnapped her.

I picked her up and I thought,

"I'm driving you
to the middle of nowhere

and we're gonna sit there until
you acknowledge what's going on."

I drove her to Black Park in Iver.

And it started off with her
sort of laughing,

"you're such an idiot."

And then it turned into
"Don't be a prick."

She kicked my car.

And then she just broke down eventually.

Opened up about everything.

She said she thinks she's got a problem,

she was lost and out of her depth.
Horrible.

She agreed to go to rehab.

I took her to see the rehab guy.

She was like,
"I don't wanna talk about it.

I'll go if my dad thinks I should go."

We'd spoken to Mitch. We'd set it all up

and she turned into
a seven year old child.

Sat on her father's lap
and put her arm round him.

MITCHELL: I said to the managers,

"She doesn't need
to go to rehab, she's fine."

My dad said "you're alright,
you don't need to go."

I said, "Alright, Dad, I'll go and meet him
and then we'll back out", which I did.

MITCH: She didn't need to go to rehab.

NICK: That was the moment
we lost a very key opportunity.

I'm not saying it would have worked.

Very often you have to go
two or three times

but she wasn't a star.
She wasn't swarmed by paparazzi.

We could've just fucked
"Back To Black" off,

and "Back To Black"
might have never happened

but she'd have had a chance
to have been dealt with

by professionals before
the world wanted a piece of her.

(AMY HUMS)

♪ I never wanted you to be my man

♪ I just wanted to see
what you can do. Yeah.

♪ No. Yo, yeah. ♪

SALAAM: The label were
considering letting her go.

She ends up coming back to Miami.

Guy Moot calls me up, like "Hey,
are you sure you wanna do this?"

And I said, "Listen,
even if you dropped her,

I would pay her to come to my house
and sing cos this shit fucking moves me."

♪ Many times when I tried
to set you right

♪ It's just too hard

♪ I never wanted you

♪ to be my man but I really... ♪

And she totally didn't drink
the whole time while she was here.

And she sat out
in my back garden for four days.

She'd just take her little
notebook and just keep writing.

♪ All I can ever be to you
is the darkness that we knew

♪ And this regret I got accustomed to

♪ Once it was so right
When we were at our height

♪ Waiting for you in the hotel at night

♪ I knew I hadn't met my match

♪ With every moment we could snatch

♪ I don't know why I got so attached. ♪

AMY: It took me a while
to get my head round a lot of things.

The actual turning point
when I was alright with it was

when I started writing the album.

I write songs because
I'm fucked up in the head

and I need to put it on paper

and then write a song to it
and to feel better about it.

Have something good
out of something bad.

♪ He walks away

♪ The sun goes down, he takes the day

♪ But I'm grown, and in your way

♪ My deep shade, my tears dry. ♪

NICK: The ideas were there.
Four or five songs were there.

You can feel something
creatively starting to happen.

But I was still very worried
about her health.

She's really vulnerable
and not in a good place.

And then she said, "Listen,
are you leaving 19 to manage me?"

And I said, "D'you know what,

unless you let me help you
sort yourself out

I'm not doing this shit for you.

I can't watch you
do yourself in like this."

I remember she came to talk about
wanting to change management.

I said, "Look, that's entirely
your decision.

We will support you whatever
you wanna do."

And then she said she wanted
to be managed by Raye Cosbert.

All I thought is, "Why are you gonna
be managed by your promoter?"

I remember thinking "We'll deal
with a promoter whose main interest

will be to get her out on the road."

And we knew she was
very vulnerable on the road.

RAYE: When I first met Amy,
I was her concert promoter.

We talked and she said
that her contract was up with 19

and she wanted to explore
other possibilities.

She said, "Would you like to do it?"

And I was like, "Well, yeah,
let's talk about it."

We got on quite well.

I'd be the guy that'd turn up
after the gig

and say "Well done". Have a glass
of bubbly and I thought, well,

sometimes someone just wants a change

because they feel
it's right for them to change.

It's like switching bank accounts.

NICK: I was way too close to Amy.

I shouldn't have ever been that close.

It should have been business.

But when you're 19
and you meet a 16 year old

and you go through that
you don't understand that.

We'd spent all these years together

and all of a sudden,
out of nowhere, I wasn't there.

MALE VOICE: Let's get this taped.

And you'll keep that one.

AMY: When I started writing
the first song about Blake

the other songs just wrote themselves.

I really was on a roll
because I had these feelings,

had these words floating around in me.

When you write a song,
you have to remember how you felt.

You have to remember
what the weather was like.

You have to remember
what his neck smelt like.

You have to remember all of it.

MARK:
She would tell me stories about Blake

and this tempestuous,
extreme relationship.

That first day she wrote "Back To Black"

all the lyrics and the melody
in two or three hours.

♪ Black

♪ Black

♪ Black. ♪

Oh, it's a bit upsetting
at the end, isn't it?

- Rrrr, boom, boom, boom.
- I love that. Yes, Amy.

Yeah!

MARK: It was just one
of those serendipitous things.

Like I just caught her
at that magic moment.

And she was just ready to get it going.

That's why I couldn't understand
what everyone else was saying

about this procrastinating,
troubled artist.

DARCUS: I went out to New York
to hear what they were doing.

When I was flying out I got
a call from management saying

that Amy's nan had fallen ill

and she wanted
to get straight back to her nan.

JANIS: Cynthia used to look after Amy.

She was like the mother
that I didn't have.

My own mother was not
really motherly to me.

So, Amy and Cynthia
were very very close.

MITCHELL: My mum died May the 5th, 2006.

She had lung cancer.

Cynthia was a strong person in her life

and used to tell her how it is.
So it was horrible for her.

That killed her inside.

Hang on, I'm not playing this track now.

Not playing this track now.

I'm not playing this track now.

I spoke to them and they said
it's just unnecessary.

Yeah, yeah. Okay.

DARCUS: We were making
the back end of the record

and we were at Metropolis Studios
and Amy had bits of vocal to finish.

Have I got any drink?
Did they bring up that drink?

- It's quite fun really.
- An acoustic session.

I haven't been filmed like this.
I haven't done it before.

DARCUS: She was having
a couple of whisky and cokes.

We had broke for lunch.

Amy had ordered
this massive plate of food

and she had a big dessert as well.

She finished the whole thing off
and she disappeared for a while

and 45 minutes later came back,
a bit kind of dazed.

And the studio manager pulled
me out of the session and said,

"Look, I need you to come
and see something."

She took me to the women's toilets
and Amy had thrown everything up

and literally redecorated the toilets.

She'd obviously been wiping her face

and all the mascara had been
rubbed off on the towels.

And that's when I kinda realised
that something serious was wrong.

I had a toffee fudge. But I ate it.

JANIS: Yummy.

When she was probably 15.

She one day said, 'I've got
this really great diet, Mum.

I eat what I want
and then I just bring it all up'.

I know I'm a pig.

I know I'm a pig, I just can't help it.

JANIS: I obviously did not think
that deeply of it.

My feeling was it would pass.

And then she told Mitchell about it.

He also sort of pushed it aside
not taking it seriously.

That basically is bulimia
and it doesn't pass.

- Hello. Welcome to the show.
- Hello, you alright?

You've been away for a while.
What have you been up to?

I've done an album,
it's called "Back To Black".

- How would you describe it?
- It's a lot more...

I don't wanna say more raw but it's not
got all the clever like jazz chords.

It's not really like that now.

I've listened to a lot of
girl groups and garage bands.

It's kinda what it's like.
It's a lot more guitar.

I mean I'm a guitarist, I've been
listening to a lot more guitar bands.

I mean in Camden,
you can't really get away from it so...

- You can't.
- It's rubbed off on me.

Would you say it's more accessible
than your debut?

I'd say it's more,
I'd say it was more accessible.

It's not necessarily more poppy
but jazz is quite an exclusive.

It's quite an elitist music.
This album's a lot less like that.

♪ I'd rather be at home with friends. ♪

FEMALE PRESENTER:
Let's talk about your music then.

"Rehab" has gone down so well.
Are you surprised by the reaction?

AMY: I am actually.

I never even thought
it'd be a single really.

But the record company were just like,

"We want it to be a single",
and I was like 'Okay'.

I love all of it.
I'm really proud of it.

The Q Awards,
which you were at yesterday.

Did you have a good time?

I had too good a time, to be honest.

If that's possible.

Alcohol is bad, kids.

♪ ...in a shot glass

♪ They tried to make me go to rehab

♪ I said, no, no, no... ♪

MALE ASSISTANT: Can you tie that
any tighter? What are you doing?

You have to be able to sing.

FEMALE ASSISTANT:
How can you breathe when you're singing?

- That's tight.
- Breathe? Sing? What?

(ALL LAUGH)

SAM: There was this atmosphere
of celebrity all tied into "Rehab".

"Rehab" was the pivotal song.

It was the song that gets her
into a particular place.

Her becoming a commercial star.

JO: The winner of the Best
British Female this year

way more rock and roll
than Liam Gallagher,

it's the one, the only... Amy Winehouse!

(PUBLIC CHEERING AND CLAPPING)

MAN: Amy.

MAN: Amy!

MAN: Okay, let's just go.
Get the, get the, go.

Let's go, man!

♪ We're, we're still friends

♪ We're still friends

♪ We're still friends. ♪

Rach, this is Blake, he's my fiancé.

- Hi.
- Hello.

MALE RADIO VOICE: Turn the volume up.

We're kicking off for one
hundred and seven days of summer

on 107.5 WBLS.

♪ The man said,
Why do you think you're here?

♪ I said, I got no...

♪ I'm gonna, I'm gonna lose my baby

♪ So I always keep a bottle near

♪ He said,
I just think you're depressed,

♪ Kiss me, yeah baby, and go rest. ♪

FEMALE FAN: I love not like,

Amy Winehouse because her voice is
the most original voice

I've heard in the last ten years.

MALE FAN: My daughter
has turned everybody on to it.

FEMALE FAN:
And I've turned all my friends on to it.

DAVID LETTERMAN: Her CD is entitled "Back
To Black". Please welcome Amy Winehouse.

♪ I just...

♪ Oh, I just need a friend

♪ See I'm not gonna spare ten weeks

♪ Have everyone think I'm

♪ on the mend

♪ It's not just my pride

♪ It's just till these tears have dried

♪ Tried to make me go to rehab... ♪

YASIIN: Amy called me.
And then I saw her in New York.

She wasn't puffed up
about herself at all.

She was almost embarrassed by
the fact that she was doing so well.

She expressed a lot of concern
and fear about the way things

were gonna go and how she was
gonna handle it, you know.

She was like, "What am I supposed
to do in this space?"

♪ Go, go, go. ♪

JAY LENO: Amy Winehouse.
Nice job. Thank you very much.

(FAN SHOUTING) Amy!

MONTE: Everybody just wanted
to spend time with Amy.

In our business there's nothing
that can prepare you

for that level of success.

There's no textbook.
You can warn an artist,

you can try and prepare them for it

but at the end of the day,
until you go through it

it's unlike anything
you've ever encountered.

MAN: By yourself, by yourself.

By yourself!

BLAKE: How do you think
the shoot's going, baby?

Really well, baby.

- Enjoying yourself?
- Yeah.

What's it like to be shot
by Terry Richardson?

What's he like at shooting?

It's a lifelong dream come true.

(CHUCKLES) What d'you think
about the broken glass?

I wrote "I love Blake on my tummy."

Did you? Did you outline it?

No, I wrote "I love Blake" on my tummy.

I can't see any scars.

It's just chicken scratch.

Have you seen how good I am?

(BOTH CHUCKLE)

So what's been
your highlight of the day?

- It'll be in five minutes...
- When...?

We go in the toilet and I fucking...

TERRY: Blake, sit here.

Yes, Terry sir.

Amy, sit there.

That's good, that's lovely.

STEVE: You've been famous in
the UK for a little while longer.

Does it seem different
how you're treated here in a way

compared to the way
that people write about you,

it's almost like a 23 year old's never
wanted to go and have fun before.

It's you know, it's kind
of hypocritical in a way.

I wouldn't know. I really wouldn't know.

You have known each other a long time?

You've known each other.
You grew up together?

You were fighting to get her back?

And what happened?

Always plays up to it.

BLAKE: The day we got married,
we went out on a boat round Miami.

Smoked a cigar
and it was like a real achievement,

an amazing thing
that me and her had actually done.

We'd actually gone and got married.

And we did it exactly how we wanted to.

You lazy people.

Wave.

Her whole thing was
she wanted to feel how he felt.

And she was like, "I just
wanna feel what he's feeling.

I wanna be on the same level
otherwise he's there and I'm here."

That's what she wanted,
that was the goal.

YASIIN: Welcome back to 45th and 9th.

Please give a warm, warm round
of applause for Amy Winehouse.

♪ Yeah I cheated myself

♪ Like I knew I knew I would

♪ I told you

♪ I was trouble

♪ Yeah you know that I'm no good. ♪

Thank you very much.

(PUBLIC APPLAUDING)

Have they? Bollocks.

Have they? Fuck.
I heard about that as well.

BLAKE:
Amy... go and talk in the kitchen.

I dunno.

Yeah, I dunno.

BLAKE:
After we came back from America, married

that was the first time Amy
tried crack cocaine and heroin.

I'd used by then and enjoyed it.

It completely eradicates
any sort of negative feelings.

And then Amy tried it with me.

Then it just got a grip of both of us
really quickly from then.

- Amy.
- Yeah.

Come in here.

Coming.

Oh, change the record. Just come on.

Pass me a little...

(INSTRUMENTAL MUSIC)

(PUBLIC CHEERING AND CLAPPING)

MAN: Come on, Amy!

Guys, will you stand back
from the car there, please.

MAKE-UP WOMAN:
Are you alright keeping the rollers in?

- Yeah.
- Yeah?

MALE INTERVIEWER: D'you ever have
time to stand back and think

- "This is alright, quite good this?"
- Yeah.

I dunno, yeah, I suppose so.

I suppose if my husband's happy,
I'm happy.

But yeah, yeah, I've done well.
I've done really well.

But I just wanna be able to go
and do an album again

and keep doing it. Just keep doing
music really rather than...

I love doing gigs, though.

I just wanna go and do
another album now... Yeah.

JULIETTE: I got a phone call
in the middle of the night

and Blake said to me
'Something's happened.

She doesn't know who I am and
she keeps saying your name.

Can you come round?'

So I got up and I got
in the car and I started driving.

NICK: I got a phone call
from Blake freaking out, off his nut,

saying "She's overdosed."

And I said, "Right go
to the closest hospital, now,

and I'll be there."

JULIETTE:
She was petrified. He was petrified.

She looked like a child.
She'd scared herself, basically.

NICK: And the doctor called us
into a room and said,

"With the amount of cocaine,
heroin, alcohol

and crack cocaine in her blood system,

we're amazed she's not in a coma.

You've got away with it this time.
But she's a petite, young girl,

her body can't keep up with this."

JULIETTE:
She was asleep and it was very calm.

Nicky was one side of the bed,
I was the other side of the bed

and we said, "What are we gonna do now?

How do we deal with this?"

And then it all just started up.
The whole circus started up again.

NICK: And that's when Raye and Mitch
decided to do an intervention.

Within hours there were Sun, The Mirror,

News Of The World journalists
booked up in every room.

Every single conversation that happened
was in The Sun and The Mirror.

Fuck knows if they were hacking
the phones or whatever.

And there's pictures of all
of us there, sat outside.

JULIETTE: Amy was awake
by then and she was eating

but she wasn't well
and she wasn't right.

The doctor that they got in
looked me dead in the eye

and he said to me, "If she has
another seizure, she'll die."

Then I was told that
she was going to America to perform.

I was like, "No, she's not."

LAUREN:
We had Mitchell in a hotel room with us

begging him "Please do something."

"What am I gonna do?
She's gotta go on tour."

"Take her passport away from her.

Do something, she can't
go on tour." "She needs help."

"Can't do that,
she's got a tour booked."

JULIETTE: So I went into her room
and I stole her passport

and then I got told,
"Well what you done that for?

She's gotta go to America.
Why have you done that?"

NICK: The doctor has been round to check
her blood and check everything.

Blake's managed to get to Hook
get into her bedroom

and the next check-up
the doctors found out

she'd got heroin in her blood again.

LAUREN: When I found out with
the girls that she was taking heroin

and we went to this hotel
room that she was staying in,

and Amy just sat there
and didn't really say anything.

(UPSET) Her manager
then said something like,

"Girls, there are professionals,
lawyers and doctors,

all sorts of people
that function on this stuff.

RAYE: In helping promote the album
and get the shows on the road

I kind of done what I was supposed to do

and I felt that it's now
the family's responsibility.

I'm here but there's only
so much I can do about this.

NATASHA: Amy Winehouse has pulled
out of a string of concerts

in the US and Canada next month
because of health issues.

SOPHIE: Now she's one of Britain's
brightest talents,

but the singer Amy Winehouse
has cancelled yet more gigs,

this time in Norway, after she was
admitted to hospital in London yesterday.

Her record company say it was
just down to severe exhaustion

but with her reputation for
hard drinking and drugs and fast...

CHIP: The Amy link came about
through Russell Brand

who was trying to get Amy
to come into rehab.

And then also Mitch had got involved

and I first met Amy
when she came with Blake

to be assessed for treatment.
It was very much being led by Blake.

Although she was more willing
to go to rehab than he was.

She was a very vulnerable woman
and I felt very clearly that

it was a common case of
one person having a situation

that was very beneficial to their using

and not wanting the other
person to get better

for fear of losing the gravy train.

They were insistent
on doing rehab together

which we would have considered
to be disastrous.

I would personally find it
almost unethical

to take the couple
into treatment at the same time.

But her management, and Mitch,

managed to find somewhere
where they could go together.

BLAKE:
Oh, it's recording, shit. It won't stop.

Hey... Say hello.

ALEX: Hello.

BLAKE: Amy, got anything to say?

BLAKE: Only if you sing
your favourite hit 'Rehab'.

♪ They tried to make me go I said no. ♪

BLAKE: Where are we right now?

Alex? Can you say where are we?

Known to some as...

Can we have the new updated
version of 'Rehab', Amy? First time.

Amy?

I want the new version of 'Rehab'.

Please, baby,
it's for our personal private movie.

RAYE: They came back from Osea Island.

And had a suite at the hotel.
And they binged.

It was ugly.

They weren't happy souls
when they were high.

BLAKE: I kicked off,
I broke a bottle and I cut my arm.

Then she grabbed the bottle off me
and she nicked her arm.

And she said, "I'll do anything you do."

PHOTOGRAPHER: Come on. Amy. Look, Amy.

RAYE: She said, "Love is,
in some ways, killing me, Raye."

She felt torn between those two things.

A guy that she really loved,

but having to keep up
with the consumption of substances

that they both were trying to do
at the same time.

It was a horrible pendulum
of swinging one way to the other,

one extreme to the other all the time.

Thank you.

(PUBLIC CHEERING AND CLAPPING)

Ladies and gentlemen, Amy Winehouse.
I've worked with a lot of people.

She has one of the best voices
of anybody of all time.

Amy Winehouse!

TV: More trouble for Amy Winehouse.

The singer's Camden home
was raided by police last night

who used a battering ram
to smash down her front door.

This was the moment police
arrested and handcuffed

Blake Fielder-Civil

on suspicion of attempting
to pervert the course of justice.

A spokesman for the star saying

she was in no way connected
with the arrest.

MAN: Can you shut the door?

RAYE: When he went to jail,

she spiralled downward very quickly.

- Amy, how are you?
- Amy!

MITCHELL: Get out of the way.

(MEN SHOUT) Oi, out!

HERBIE: For Album of the Year

Amy Winehouse for 'Back To Black'.

(PUBLIC CHEERING AND CLAPPING)

DAVE:
For Best Female Pop Vocal Performance

Amy Winehouse for 'Rehab'.

Can somebody wake her up this afternoon
around six and tell her.

Drunk ass.

TV: For Best New Artist
the nominees are Amy Winehouse...

MITCHELL: We did everything
within our power to help Amy.

But you can't force treatment
on somebody.

Amy's responsibility was
to get herself well.

MAN:
Okay, fellas, make some room, please.

This way, this way.

MITCHELL: I can't see the steps.

LUCIAN: By then she was
incredibly famous. Very wealthy.

And she had a complete
infrastructure around her

where everybody was doing
everything for her.

And that's not real life.

We had the Grammys coming up.
I said, "You need to be clean.

If you're not clean,
you're not doing anything."

So I had a contract drawn up
and it said, "You, Amy Winehouse,

have agreed to go to a facility now.

You're never gonna make
another record again.

You're never going to perform again
unless you get clean."

God bless her, she did.

MAN: Thank you.

MALE PRESENTER: Live.
It's music's biggest night of the year

as the National Academy
of Recording Arts and Sciences

presents the annual Grammy Awards.

(PUBLIC CHEERING AND CLAPPING)

MALE PRESENTER: This is going live
tonight to the Grammys in the States.

Now the lady behind me
is up for six awards!

(PUBLIC CHEERING AND CLAPPING)

She's already won two.

(PUBLIC CHEERING AND CLAPPING)

I thank you.

FEMALE PRESENTER: Ladies and gentlemen,
please welcome two Grammy favourites.

Natalie Cole and Tony Bennett.

(PUBLIC CHEERING AND CLAPPING)

NATALIE: Good evening.
Grammy history has never sounded

or looked any better
than this man right here.

AMY: That's right.

Dad. Dad. Tony Bennett.

These are this year's nominees
for Record of the Year.

(PUBLIC CHEERING AND CLAPPING)

"Irreplaceable", Beyonce.

(PUBLIC CLAPPING)

"The Pretender", Foo Fighters.

"Umbrella", Rihanna. Featuring Jay-Z.

"What Goes Around Comes Around",
Justin Timberlake.

His album's called
"What Goes Around Comes Around"?

And "Rehab", Amy Winehouse.

(PUBLIC CLAPPING)

And the Grammy goes to...

Amy Winehouse!

(PUBLIC CHEERING AND CLAPPING)

(PUBLIC CHEERING) Amy! Amy!

Er... Thank you to everyone
at Island Records.

Everyone at EMI Music Publishing.

To Raye Raye.
To Mark Ronson and Salaam Remi.

(SOBBING) To my mum and dad.

For my Blake, my Blake
incarcerated and for London.

This is for London.

(PUBLIC CHEERING AND CLAPPING)

(PUBLIC WHISTLING)

RAYE: It was a beautiful evening.

You get those awards like that

it just made all the work
seem worthwhile.

TYLER: Amy's completely clean
and looking amazing.

It's just overwhelming.

(VIOLIN MUSIC)

JULIETTE:
I was just hysterically crying.

I was so overwhelmed,
I was so proud of her.

And I was just flashing our whole life,

our childhood and then
she saw me crying.

Juliette, come up.

She grabbed me, pulled me up on stage
and took me off the stage.

And I was like
having a bit of a panic attack.

I was like "I can't believe
this is happening.

This is amazing. I'm so proud of you."

And I'm looking at her trying
to get some form of reaction.

She went "Jules, this is
so boring without drugs."

And I felt really,
really, really sad for her.

(VIOLIN MUSIC CONTINUES)

MALE REPORTER: Amy.

Amy, how d'you feel
after winning a Grammy?

MALE REPORTER: Congratulations.

- Did you enjoy it? Whoops, sorry.
- I'm going to see my husband.

YASIIN:
I was staying at the K-West Hotel.

Very late in the night
she knocks on the door and I'm alone.

She comes in
and she just sits on the couch.

I remember feeling
like really happy for her

and also concerned
cos she really didn't know

how to be that thing that
she had been pushed to become

from her own success.

Then she pulled out this aluminium foil.

She said, "Does this bother you?"

And I said, "Amy, I love you.
I don't mind that you get high

but I mind that you'll get high."

She did what she did

and it was like this is someone
who is trying to disappear.

ANDREW:
Alright, gents, give her a break now.

Gents, get away from the door, please.

Go on, mate, fuck off, please.
Sorry, mate.

I was called out to do security for her.

The security that she had

it just could not handle
the whole paparazzi situation.

AMY: See ya.

MALE PAPARAZZI: Night-night, Amy.

(SHOUTS AND SCREAMS)

I could feel that
she was a humble person

but she was just
caught up in a bad situation.

(SHOUTS)

(FEMALE VOICE SHOUTING) Amy!

(SHOUTS)

(FEMALE VOICE SHOUTING) Amy!

JULIETTE: She was not well at all
physically, mentally not well.

All she ever wanted
was people to tell her

"Pack it in, stop it."

And me and Lauren
would not tolerate any of it.

(GLASS BREAKING)

(MAN SHOUTING) Amy!

LAUREN: It was Nick that said,

"The only thing you girls
can do is show her that

you don't wanna be a part of it

and when she needs help
you're there for her." Tough love.

And I just said to her,

(UPSET) "If you want me
to help you, I'll help you.

I love you but I don't like
who you've become

and I don't wanna be around you'.

(PUBLIC CHEERING)

CHIP: Where a lot of money,
and a lot of expectation is at stake

people's ideas become a bit skewed.

They want to try and get it
sorted out in a way that

doesn't upset this financial
trajectory that's going on.

MITCHELL: From the 6th of September,

we're not doing any more work
for the foreseeable future.

Amy's going to be concentrating
on writing her new album.

There's five gigs
which we are obliged to do.

There's a couple this weekend.

(AMY HUMS)

SAM: It was all over the media that Amy was
getting a million dollars for some shows.

Huge money.

But by that point
it was much more likely

to not be a good show
than to be a good show.

She just wanted to get better.
She knew that things were wrong

and she was just very exhausted
and tired of the whole situation.

♪ ...my daddy thinks I'm fine

♪ He's tried to make me go to rehab

♪ but I won't go, go, go. ♪

(PUBLIC CHEERING AND CLAPPING)

NICK: She couldn't escape her life
in this horrible goldfish bowl.

She began to unravel in public
and the media treatment

pushed her further and further
over the edge.

FRANKIE: D'you see Amy Winehouse
in the paper this week?

My God, she looks like a campaign poster

for neglected horses.

FEMALE FAN: Amy!

- Easy, lad.
- Fuck off!

NICK: It was like a feeding frenzy.

Suddenly it was cool to crack jokes

about a bulimic's appearance,
or her drug addictions.

JAY: According to Contact Music dot com

Amy Winehouse's next album
will feature songs about cooking.

About cooking, that's what they say.

Cooking crystal meth, black tar heroin.

(PUBLIC LAUGHS)

MALE PAPARAZZI: Amy, cheer up.

NICK: She couldn't escape it.

No-one would leave her alone.
It was just disgusting.

The mainstream media
were just all over her.

Amy Winehouse, she's like a mad person.

(PUBLIC LAUGHS)

(INSTRUMENTAL MUSIC)

ANDREW: St Lucia was our place.

We were supposed to be there for a week.

We ended up there for like six months.

BLAKE:
She decided that St Lucia was a place

that she really liked
and she invited me to go.

As soon as she went to St Lucia
there was no more crack cocaine.

That was done, and that's
when the heroin stopped.

But give her a free bar
of course she's gonna drink.

It was obvious
that she was supplementing

alcohol for drugs.

I haven't seen Amy for six weeks.
We've got a lot to talk about,

a lot of exciting things happening.

We're talking about
the forthcoming album,

some other business matters.

So I think it's gonna be
an exciting time.

Ah-ah, naughty.

Amy, Amy...

SALAAM: She was like,

"Yo, why is he bringing another
camera crew to St Lucia?

Dad, you want money?
I'll give you the money.

Why are you doing your life story
which is my life story?"

She just felt like, you know,

"My dad's doing a lot of stuff
for money or limelight."

- D'you want me to go with you?
- Yeah.

You can follow us if you want.

MITCHELL: I'll ask her.

Amy.

- How d'you do it?
- We're sorry to bother you.

I'm really sorry. Is that alright?

- Cheers, darling.
- Okay.

- How's that? Okay? Pleasure
- Thank you.

I've gotta say, why have you
gotta make a comment like that?

Why have you gotta do that?

They asked to take a picture of you.

No... Richard,
I don't want you to do this.

No, that's got nothing to do with it.

- Dad, I don't mind.
- I'm talking to you

about those two people
who wanted a lousy photograph

and you've gotta make 'em feel
bad about it.

SHOMARI: She just wanted her dad.

And he didn't just come by his self.

He came with cameras and audio guys.

But she worshipped
the ground he walked on.

BLAKE: I was in jail with 500 fellas
reading the papers

and there's a picture of my wife
on a beach with a fella.

It's not easy to go through
things like that.

To put it bluntly, I didn't
have a high opinion of myself

after the treatment I've had

for the past two years with my wife.

I've had the wind
knocked out of my sails.

So I just thought, "Fuck this",
you know, I'm a big man.

I'm a handsome fucking guy.
I ain't on heroin.

I'm going to the gym a lot,
I dress well.

So what the fuck am I doing
wasting my time with her?

(PIANO MUSIC)

And then the chorus come in
and on the last verse is:

TONY:
My son came up with the idea of getting

the most contemporary artists
and I kept saying to myself

"Who sings the right way?
The real jazz singing?"

And when I heard Amy Winehouse

I immediately said, "This one's got it."

Everybody just said,

"Oh, I don't know
how you're gonna handle her."

- Where d'you wanna be?
- I'll be here and you there.

Okay. This is weird.
I've never done anything like this.

I've never done anything like this.

In which way?

- To sing with one of my idols.
- Oh, no.

And have it filmed.
But it's good, it's good.

It's good cos then I can make
my dad jealous after,

when I show him. When he sees it.

♪ I can't believe it

♪ It's hard to conceive it

♪ That you would turn away romance

♪ Are you pretending

♪ It looks like the ending

♪ Unless I could have

♪ one more chance to prove, dear.

Sorry, sorry, it was me. I was terrible.

- No, no, no, you were...
- I don't want waste your time.

It's getting better each time.
No, really...

I just don't wanna waste
your time, that's all.

We'll keep doing it till we got one.
It's right in there, okay?

You're not in any hurry, are you?

- No, of course I'm not.
- I'm not either.

- I just...
- So we have time.

I've just gotta get it right.
I'm not getting it right.

Oh, you are. You are.

It's getting better each time
and you sound wonderful.

Just a minute, I'm getting some water.

The most famous artists I ever met

are the most nervous
before they hit that stage.

No matter how much you feel it,
you wanna feel it even more

so that it becomes an honest recording.

And that's what Amy had.
She had that gift.

She was a natural, true jazz singer.

And a jazz artist doesn't like
50,000 people in front of him.

♪ My life a wreck you're making

♪ You know I'm yours just for the taking

BOTH: (SINGING) ♪ I gladly surrender

♪ myself to you

♪ Body and soul. ♪

SOUND ENGINEER: Beautiful.

- Thank you.
- I think we got it.

- Yeah.
- Okay.

Yeah, I'm like you.
Each time it's different.

- Yeah, yeah, yeah.
- It's different, you know.

- It's never the same thing twice.
- Yeah, right, right.

Well, no, I'm like you.
Not you're like me.

I'm like you.
I get it from my idols like you.

That's the right way to do it.

SALAAM: She Skyped me.

She was happy. The Tony Bennett thing.

I mean, she was a fan.
It was about her saying

"I'm not a singer, I'm a jazz singer."

AMY: Hello.

SALAAM: Then she said, "Let's do
this jazz project with Questlove."

QUESTLOVE: She's such a jazz snob.

She would always be on
her computer sending me mp3s.

"Listen to this, listen to this."

I thought I'd had my doctorate
in jazz but, no, I'm like...

She taught me a lot.

She was like, "Alright, we're
gonna start a super group.

You, me, Mos and Raphael Siddiq."
I was like, "Okay".

And she would like assign homework.

"Alright, study this record.
Study this record."

CRISTINA: Amy had a good period.

She could go for four weeks
at a time with no alcohol.

And she very much felt that she was
the best that she has ever been.

But she went to the Priory
in May to be checked

and there was some very serious
things that were being spotted.

There was the cumulative effect
of drinking and bulimia.

She could feel perfectly fine
and have heart irregularities.

Her heart can stop
if she started drinking again.

I said, "Look, is this what you want?
Do you want to die?"

And she said, "No, I don't want to die."

RAYE: All the signs were positive
and I thought,

"Right, okay, we've got
a little chink of light."

The Tony Bennett thing
was a good catalyst

and it shows that she still had it.

We had the offers to do these shows.

And I said to her,
"You don't have to do them.

There's no pressure.
We've got no record to promote."

But she wanted to do it.

SALAAM: She Skyped me, she wanted
to do all these other projects

with Questlove and Mos Def.

She was like, "I don't need this."
She just didn't wanna go.

SAM: The material felt so tired

and didn't feel relevant
to her any more.

But because she was such a huge star

and there was all
of these different pressures

she had to keep performing
'Back To Black'.

She didn't wanna do that.

TYLER: As soon as she knew
that tour was looming

she got wasted.

Wasted so that
she wouldn't be able to go.

Amy was passed out, asleep, on her sofa.

She gets put in the back
of a car, asleep

and she wakes up at the airport
and gets put on a private jet.

(PLANE SOUND)

(PUBLIC SHOUTING AND CLAPPING) Amy! Amy!

Amy! Amy!

Amy! Amy! Amy! Amy!

BAND MEMBER: Introducing Amy Winehouse!

(PUBLIC CHEERING AND SHOUTING)

(PUBLIC CLAPPING AND CHEERING)

(FEMALE FAN SHOUTING)

(FANS APPLAUDING)

(PUBLIC SHOUTING)

FANS: Amy! Amy!

(FANS BOOING)

DALE: I wasn't sure what was going on.

She just wouldn't sing.

It was the first time ever
that had happened.

(FANS BOOING)

(MUSIC STARTS)

(FAN BOOING)

(MUSIC FADES)

(INSTRUMENTAL MUSIC)

SAM: It felt like the end.

It was someone who just
really didn't care anymore.

To the extent where
she was willing to sabotage

not just her career but her friendships

and her musical relationships.

(INSTRUMENTAL MUSIC)

TV: But it's amazing to me,
why do they keep putting her on the stage?

Because surely her managers
know she has a problem?

This was supposed to be
a major comeback,

and she totally blew it.

Go!

NICK:
The 24th of July was my wedding day

and Amy was due to be
at the wedding and we'd spoken.

And I felt like she was really
excited about my wedding.

And she said she hadn't been drinking

and she can't wait to
see the family, and Salaam.

Some people that were
on the journey were gonna be there.

(PHONE RINGS)

JULIETTE:
She rang me up and I looked at the phone

and I thought, "Oh, my God".
Like, "What's happened now?

"cos that's the first thing
that goes in my head

and she just went, "Jules".

(SAD) And it was my Amy,
completely normal.

And all she kept saying was,

and she'd never done this before,
She just kept saying "Sorry".

It was like complete clarity
over the whole situation

of the nightmare of the past

however many years
that we'd just gone through.

(SAD) "Jules, I'm so sorry.
I'm so sorry.

I'm so sorry, I'm so sorry."

(UPSET) You know like
when you're a kid and you panic

that you've done something wrong

and you wanna just fix
it there and then, that's how it was.

I just wanted to go and grab her,
bring her back to me.

Wrap her in my house, not let her out.

And she called me the next day.

And it was just so weird
hearing her talk normally

because, for so long,
we'd just been pining for her

to just like I missed my best friend.

(UPSET) Lauren missed her best friend.

We just wanted to have
a normal conversation.

She just kept going, "Can I see you?"

"Will Lauren speak to me?"
"Can we start again?"

I was like "Of course we can.
We're always here, you know we are.

We've been waiting for you
to talk to us."

And she said,
"Right, I'm gonna call you tomorrow",

and I was like "Okay, I love you."
"I love you, too."

(PIANO MUSIC)

ANDREW:
She just looked like she was sleeping.

She was on top of the bed
just... sleeping.

But she was gone.

(PIANO MUSIC)

FEMALE FAN: No!

FEMALE FAN: Oh, my God!

FEMALE FAN: Rest in peace, Amy.

(PIANO MUSIC)

CRISTINA: Amy's blood alcohol level was

four to five times higher
than the drink driving limit.

Maybe a combination
of her eating disorders

and the alcohol
just made her heart stop.

She was one of the truest
jazz singers I ever heard.

To me she should be treated
like Ella Fitzgerald,

like Billie Holiday.
She had the complete gift.

If she had lived, I would have said,

"Slow down, you're too important.

Life teaches you really how to live it,

if you can live long enough."

(PIANO MUSIC)

(PIANO MUSIC CONTINUES)

(MELODIC GUITAR MUSIC)

♪ Well, sometimes I go out by myself

♪ And I look across the water

♪ And I think of all the things
what you're doing

♪ And in my head I paint a picture

♪ Since I've come home
Well my body's been a mess

♪ And I've missed your ginger hair

♪ And the way you like to dress

♪ Won't you come on over

♪ Stop making a fool out of me

♪ Why don't you come on over, Valerie

♪ Valerie

♪ Valerie

♪ Valerie

♪ Did you have to go to jail

♪ Put your house up for sale

♪ Did you get a good lawyer

♪ I hope you didn't catch a tan

♪ I hope you find the right man
who'll fix it for ya

♪ And now you're shopping anywhere

♪ Changed the colour of your hair

♪ And are you busy?

♪ And did you have to pay that fine?

♪ That you were dodging all the time

♪ Are you still dizzy?

♪ Since I've come home

♪ Well my body's been a mess

♪ And I've missed your ginger hair

♪ And the way you like to dress

♪ Won't you come on over

♪ Stop making a fool out of me

♪ Why don't you come on over, Valerie

♪ Valerie

♪ Valerie

♪ Valerie

♪ Valerie

♪ Valerie

♪ Oh, oh, oh, Valerie

♪ Oh, Valerie

♪ Oh, Valerie, yeah

♪ Valerie, yeah

♪ Valerie

♪ Why don't you come on over

♪ Valerie. ♪