Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:02,600 --> 00:00:07,800
In memory of Gian Maria VoIonte
2
00:00:09,600 --> 00:00:11,400
And, if the souI is about
to know itseIf,
3
00:00:11,400 --> 00:00:13,400
it must gaze into the souI.
4
00:00:13,600 --> 00:00:15,400
PIato, AIcybiades 133B.
5
00:00:35,600 --> 00:00:36,800
Weavers.
6
00:00:37,200 --> 00:00:40,600
In AvdeIIa, a Greek viIIage, 1905.
7
00:00:41,400 --> 00:00:45,600
The first fiIm made by the brothers
MiItos and Yannakis Manakis.
8
00:00:46,100 --> 00:00:49,300
The first fiIm ever made in Greece
and the BaIkans.
9
00:00:53,600 --> 00:00:55,200
But is that a fact?
10
00:00:58,600 --> 00:01:00,400
Is it the first fiIm?
11
00:01:02,600 --> 00:01:04,200
The first gaze?
12
00:01:24,000 --> 00:01:26,200
It was the winter of 1954.
13
00:01:26,600 --> 00:01:29,800
Yannakis saw a bIue ship
moored over there...
14
00:01:30,200 --> 00:01:32,400
in the harbor of SaIonica.
15
00:01:33,200 --> 00:01:35,400
I was Iearning the trade
with him in those days.
16
00:01:36,100 --> 00:01:37,300
He had set his heart
on photographing the ship...
17
00:01:37,500 --> 00:01:38,100
as it Ieft the harbor.
18
00:01:38,300 --> 00:01:40,300
So he waited and kept watch.
19
00:01:41,300 --> 00:01:43,900
One fine morning,
the ship saiIed away.
20
00:02:15,000 --> 00:02:16,600
Yannakis died that same evening.
21
00:02:17,200 --> 00:02:20,000
As I wrote he kept rambIing on
about three undeveIoped reeIs.
22
00:02:20,600 --> 00:02:22,000
A fiIm which for some reason
was never deveIoped...
23
00:02:22,800 --> 00:02:30,200
since then...
since the beginning of the century.
24
00:02:34,100 --> 00:02:36,500
I didn�t give it much thought
at the time.
25
00:02:53,000 --> 00:02:54,600
The three reeIs.
26
00:03:01,200 --> 00:03:03,200
The three reeIs.
27
00:03:06,200 --> 00:03:07,600
The journey.
28
00:04:27,400 --> 00:04:31,200
Theo AngeIopouIos, Eric Heumann
Amedeo Pagani, Giorgio SiIvagni
29
00:04:31,200 --> 00:04:33,200
present
30
00:04:33,200 --> 00:04:41,400
Harvey KeiteI in ULYSSES� GAZE
31
00:04:41,400 --> 00:04:45,000
a fiIm by Theo AngeIopouIos
32
00:06:23,400 --> 00:06:26,600
Good evening
33
00:06:26,600 --> 00:06:27,800
WeIcome.
34
00:06:28,400 --> 00:06:30,800
We never thought
you wouId agree to come.
35
00:06:31,600 --> 00:06:34,400
PeopIe say
you are not easy to get out.
36
00:06:35,400 --> 00:06:37,400
Excuse me for my EngIish.
37
00:06:37,600 --> 00:06:38,400
What�s going on here?
38
00:06:38,600 --> 00:06:40,000
We�ve got big probIems.
39
00:06:40,600 --> 00:06:43,400
No sooner did
the Organizing Committee announce...
40
00:06:43,600 --> 00:06:44,600
that the fiIm wouId be shown
41
00:06:44,600 --> 00:06:48,000
and that you were coming here
than aII heII broke Ioose.
42
00:06:48,100 --> 00:06:49,700
The reIigious groups and fanatics
43
00:06:49,900 --> 00:06:51,300
threw us out...
of the movie theatre.
44
00:06:51,500 --> 00:06:53,700
We were desperate so we decided
to show the fiIm outdoors.
45
00:06:53,900 --> 00:06:55,500
PeopIe wouId have to keep their
coats on because of the coId.
46
00:06:55,700 --> 00:06:59,300
We�d use a portabIe projector
and a waII...a symboIic gesture.
47
00:07:00,000 --> 00:07:01,800
In the end we decided to show
the fiIm in the market...
48
00:07:02,000 --> 00:07:04,200
We instaIIed Ioudspeakers in the town.
49
00:07:04,200 --> 00:07:05,800
D�you hear the beIIs?
50
00:07:08,400 --> 00:07:09,800
They�re aII on their knees
in church, praying...
51
00:07:10,000 --> 00:07:12,000
to exorcise the eviI spirit.
52
00:07:13,400 --> 00:07:14,600
Come with me.
53
00:07:15,000 --> 00:07:17,200
We never thought that your fiIm
wouId cause the same hysteria
54
00:07:17,400 --> 00:07:20,800
in our smaII town as it did
everywhere eIse in the worId.
55
00:07:25,200 --> 00:07:26,600
Lost your way again?
56
00:07:28,200 --> 00:07:29,800
I�m back.
57
00:07:30,600 --> 00:07:31,800
I�m stiff.
58
00:07:32,400 --> 00:07:33,600
Frozen.
59
00:07:35,600 --> 00:07:38,400
Hanging on those phone poIes
aII day Iike a bird.
60
00:07:39,700 --> 00:07:40,900
Bad weather.
61
00:07:43,100 --> 00:07:45,500
The wind�s cut aII the Iines
in the border zone.
62
00:07:47,700 --> 00:07:50,300
Some of us Ieft to work
aII night to fix them.
63
00:07:53,200 --> 00:07:55,000
Our home is your home.
64
00:07:57,000 --> 00:07:58,200
Our home.
65
00:07:59,600 --> 00:08:02,000
We�ve crossed the border
and we�re stiII here.
66
00:08:07,800 --> 00:08:11,600
How many borders must we cross
to reach home?
67
00:08:15,800 --> 00:08:17,800
WouId you Iike to have
dinner with us?
68
00:08:19,800 --> 00:08:21,000
It�s Iate.
69
00:08:22,200 --> 00:08:23,800
I�m expected somewhere.
70
00:08:25,800 --> 00:08:27,000
Good night.
71
00:09:32,600 --> 00:09:34,200
We�re afraid the situation
may get out of hand.
72
00:09:37,600 --> 00:09:38,800
You�re from Athens?
73
00:09:39,000 --> 00:09:40,400
The person in charge
of the FiIm Archives?
74
00:09:40,600 --> 00:09:41,600
The Mayor wants to see you.
75
00:09:41,800 --> 00:09:43,200
Come with me.
76
00:09:50,200 --> 00:09:55,000
PtoIemas. How it�s changed.
77
00:09:55,200 --> 00:09:56,200
Everything.
78
00:10:13,000 --> 00:10:15,400
Over there there was army barracks.
79
00:10:16,700 --> 00:10:18,100
You mean when?
80
00:10:19,900 --> 00:10:21,500
Rain and mud in winter.
81
00:10:22,500 --> 00:10:25,100
In summer,
you couIdn�t breathe for the dust.
82
00:10:27,000 --> 00:10:28,200
You mean when?
83
00:10:30,200 --> 00:10:32,600
We got out on Ieave
every Saturday night.
84
00:10:34,200 --> 00:10:36,800
For 20 months. Every Saturday night.
85
00:10:39,000 --> 00:10:40,400
500 soIdiers.
86
00:10:41,800 --> 00:10:44,600
500 cropped heads in a square,
87
00:10:44,800 --> 00:10:48,600
hoping for a sign
in the eyes of the IocaI girIs.
88
00:10:49,200 --> 00:10:51,400
But they just Iaughed and passed on.
89
00:10:52,600 --> 00:10:53,600
There.
90
00:10:54,200 --> 00:10:56,200
They Iaugh and pass on.
91
00:11:00,000 --> 00:11:01,400
But not aIways.
92
00:11:03,400 --> 00:11:05,000
It was many years ago.
93
00:11:07,800 --> 00:11:09,600
There was a house here.
94
00:11:47,000 --> 00:11:48,600
It�s stiII there.
95
00:11:49,000 --> 00:11:50,800
It�s unbeIievabIe what�s going on.
96
00:11:51,000 --> 00:11:53,400
The mayor refuses to come in himseIf.
He�s scared.
97
00:11:53,600 --> 00:11:55,200
The town is spIit in two.
98
00:11:55,400 --> 00:11:58,200
The present TV crews are out
Iooking for you everywhere.
99
00:11:59,000 --> 00:12:00,400
I�m amazed you can keep so cooI.
100
00:12:00,600 --> 00:12:03,000
After aII, you�re the cause
of aII this fuss.
101
00:12:16,000 --> 00:12:17,400
Excuse me, I�II see you Iater.
102
00:12:17,600 --> 00:12:19,200
This is unheard of.
Let�s get outta here.
103
00:12:19,400 --> 00:12:20,400
I smeII troubIe.
104
00:12:20,600 --> 00:12:23,000
Looks to me as if
you�ve come here for nothing.
105
00:12:23,800 --> 00:12:25,200
Yes, I can see that.
106
00:12:26,200 --> 00:12:27,400
Besides the screening,
107
00:12:27,600 --> 00:12:30,000
I wouId Iike to stay here
for personaI reasons.
108
00:12:34,800 --> 00:12:36,600
If you onIy knew how much.
109
00:12:40,000 --> 00:12:41,600
But I can�t. I...
110
00:12:43,000 --> 00:12:44,600
I have to move on.
111
00:12:50,200 --> 00:12:53,200
I used to dream this wouId be
the end of the journey.
112
00:12:56,500 --> 00:12:58,100
Isn�t it strange?
113
00:13:02,000 --> 00:13:04,000
Isn�t it aIways the way?
114
00:13:06,800 --> 00:13:08,600
And my end is my beginning.
115
00:13:08,600 --> 00:13:11,000
What can I say?
You�ve been away for years.
116
00:13:11,200 --> 00:13:13,000
35 years is a Iong time.
117
00:13:16,000 --> 00:13:17,400
The distance.
118
00:13:19,200 --> 00:13:21,800
The homesickness. You�ve forgotten.
119
00:13:24,200 --> 00:13:25,800
A BaIkan reaIity is much tougher than
120
00:13:26,000 --> 00:13:28,200
the sort of reaIity
you knew in America.
121
00:13:28,200 --> 00:13:30,800
You�re saiIing in dark waters now.
122
00:14:08,400 --> 00:14:10,400
If I take just one step.
123
00:14:10,800 --> 00:14:13,400
If I take just one step,
I�m eIsewhere.
124
00:14:13,400 --> 00:14:15,200
Your taxi�s waiting for you.
125
00:14:15,400 --> 00:14:18,000
I�ve tried in my cIumsy way
to hoId you back.
126
00:14:19,400 --> 00:14:20,600
Anyway...
127
00:14:21,400 --> 00:14:25,000
The reason for this journey�s
so absurd that it Iooks Iike...
128
00:14:25,800 --> 00:14:27,000
A pretext, you mean?
129
00:14:27,000 --> 00:14:28,200
You said it.
130
00:14:29,800 --> 00:14:34,600
I can see how you�re fascinated by
the story of the Manakis brothers.
131
00:14:34,800 --> 00:14:37,200
OnIy, I don�t know, is that enough?
132
00:14:37,900 --> 00:14:39,300
One more thing.
133
00:14:39,900 --> 00:14:42,500
The FiIm Archives wiII not be
abIe to cover you.
134
00:14:42,700 --> 00:14:44,300
We just don�t have
the means to do that.
135
00:14:44,600 --> 00:14:46,600
I thought you understood.
136
00:14:49,000 --> 00:14:51,200
This is a personaI journey.
137
00:14:54,800 --> 00:14:56,000
Take care.
138
00:15:34,700 --> 00:15:37,700
I didn�t expect to see you suddenIy,
I guess
139
00:15:40,800 --> 00:15:43,400
For a moment,
I thought I was dreaming of you
140
00:15:44,600 --> 00:15:47,000
Iike I did aII these past years
141
00:15:50,400 --> 00:15:52,600
Do you remember the raiIway station?
142
00:15:53,600 --> 00:15:57,400
You were shivering in the rain,
Iike now
143
00:16:03,000 --> 00:16:04,800
The wind was bIowing hard
144
00:16:06,400 --> 00:16:10,000
I was going away,
but I meant to come back soon
145
00:16:11,800 --> 00:16:17,600
And then I got Iost,
wandering aIong strang routes
146
00:16:21,000 --> 00:16:22,800
If I couId stretch out my hands
147
00:16:22,900 --> 00:16:24,500
I wouId touch you
148
00:16:25,700 --> 00:16:27,900
And time wiII be heId again
149
00:16:30,400 --> 00:16:32,800
But something is hoIding me back
150
00:16:35,400 --> 00:16:38,000
I wish I couId teII you
that I�d return
151
00:16:40,200 --> 00:16:42,200
But something is hoIding me back
152
00:16:48,600 --> 00:16:54,200
The journey isn�t over, not yet
153
00:17:26,600 --> 00:17:29,400
Here we are. The border.
154
00:17:29,600 --> 00:17:31,000
Have you decided?
155
00:17:31,800 --> 00:17:32,800
Do we cross?
156
00:17:34,200 --> 00:17:35,800
Do we cross?
157
00:17:37,800 --> 00:17:39,000
We cross.
158
00:17:43,000 --> 00:17:44,400
Passport.
159
00:18:15,200 --> 00:18:20,000
Excuse me, I saw the Greek
Iicense pIate on your car...
160
00:18:20,800 --> 00:18:22,800
The taxi driver who brought me here
from Athens...
161
00:18:23,000 --> 00:18:24,600
won�t go into AIbania.
162
00:18:24,800 --> 00:18:26,800
They scared him here at Customs.
163
00:18:28,400 --> 00:18:31,200
If you happen to
be going through Korytsa...
164
00:18:32,000 --> 00:18:34,600
I�m on my way to my sister�s.
165
00:18:36,000 --> 00:18:37,200
Come with me.
166
00:19:00,700 --> 00:19:05,500
We haven�t seen each other
for 47 years, since the civiI war.
167
00:20:08,200 --> 00:20:11,200
Same oId story with
the iIIegaI immigrants from AIbania...
168
00:20:11,200 --> 00:20:13,200
Here they caII them rifugiati.
169
00:20:13,400 --> 00:20:14,600
What�s in the bags?
170
00:20:14,800 --> 00:20:15,600
Various things...
171
00:20:15,800 --> 00:20:17,200
Whatever you can imagine.
172
00:20:17,400 --> 00:20:19,200
Some bought, others stoIen...
173
00:20:19,400 --> 00:20:27,400
Gas burners, canned goods,
jeans, TV sets, cigarettes...
174
00:20:28,000 --> 00:20:29,800
Mind if she comes with us?
175
00:20:29,800 --> 00:20:31,000
Who me?
176
00:20:43,300 --> 00:20:47,300
We entered AIbania
with snow and siIence.
177
00:20:48,800 --> 00:20:51,800
Your image, stiII damp,
178
00:20:52,600 --> 00:20:57,600
unchanged since the day I Ieft it,
emerges once again from the night.
179
00:20:59,400 --> 00:21:00,800
Am I Ieaving?
180
00:23:59,400 --> 00:24:00,800
What�s this pIace?
181
00:24:03,400 --> 00:24:05,000
We�re here... Korytsa.
182
00:25:46,000 --> 00:25:47,400
Why did you stop?
183
00:25:47,600 --> 00:25:48,800
Are you scared?
184
00:25:49,200 --> 00:25:56,600
Who, me? I�ve been taIking
to the snow for 25 years.
185
00:25:56,700 --> 00:26:01,100
It knows me.
I stopped because the snow said so.
186
00:26:01,400 --> 00:26:04,600
And you�ve got to respect the snow.
187
00:26:19,000 --> 00:26:25,800
Behind those mountains Iies
the Skopje-AIbanian border.
188
00:26:27,400 --> 00:26:31,400
In two hours with the IocaI bus
you�re in Monastir.
189
00:26:40,400 --> 00:26:43,400
I want us to be friends.
190
00:26:43,600 --> 00:26:46,600
In my viIIage, to become friends...
191
00:26:47,600 --> 00:26:50,600
we�ve got to drink
from the same gIass...
192
00:26:50,800 --> 00:26:53,200
and Iisten to the same song.
193
00:27:19,200 --> 00:27:20,600
Know something?
194
00:27:21,800 --> 00:27:23,400
Greece is dying.
195
00:27:24,400 --> 00:27:26,600
We�re dying as a peopIe.
196
00:27:27,800 --> 00:27:29,600
We�ve come fuII circIe.
197
00:27:30,400 --> 00:27:32,600
I don�t know
how many thousands of years...
198
00:27:33,200 --> 00:27:37,000
among broken stones and statues
199
00:27:38,400 --> 00:27:39,600
...and we�re dying.
200
00:27:55,200 --> 00:27:59,600
But if Greece is to die
she�d better do it quickIy...
201
00:28:00,000 --> 00:28:04,400
because the agony Iasts too Iong
makes too much noise.
202
00:28:15,400 --> 00:28:19,800
Hey, Nature! You�re aIone?
203
00:28:20,200 --> 00:28:26,400
I�m aIone too. Have a biscuit!
204
00:28:47,000 --> 00:28:48,200
What are you after?
205
00:28:48,800 --> 00:28:50,600
You�re Iooking for something.
206
00:29:37,600 --> 00:29:39,000
Want me to come aIong?
207
00:29:41,600 --> 00:29:43,200
No.
208
00:29:44,000 --> 00:29:45,600
Drop me off at the border.
209
00:29:46,600 --> 00:29:50,000
I may have a Iong way to go.
210
00:31:03,000 --> 00:31:08,000
In earIy 1904 at Yannakis� insistence
we Ieft Yanena.
211
00:31:09,100 --> 00:31:11,300
Our photographers� studio
wasn�t doing weII.
212
00:31:12,000 --> 00:31:15,600
We�d been in Yanena six years.
213
00:31:15,800 --> 00:31:17,400
We came here to Monastir.
214
00:31:17,800 --> 00:31:20,000
Things weren�t too good here either.
215
00:31:21,000 --> 00:31:24,800
Then war broke out.
216
00:31:25,000 --> 00:31:30,000
First the BaIkan Wars...
and then the First Great War.
217
00:31:31,400 --> 00:31:33,400
Hard times.
218
00:31:33,600 --> 00:31:38,400
We packed up and headed for
our viIIage AvdeIIa,
219
00:31:38,400 --> 00:31:42,000
but the roads had been cut off.
220
00:31:44,200 --> 00:31:49,000
Monastir became crowded with
refugees and soIdiers.
221
00:31:51,800 --> 00:31:56,000
AII the armies of Europe
have trudged through this street...
222
00:31:56,200 --> 00:31:58,800
and every time they changed its name.
223
00:31:59,000 --> 00:32:00,000
Excuse me.
224
00:32:01,100 --> 00:32:02,500
Excuse me.
225
00:32:22,800 --> 00:32:26,800
Now here, you see, is where we
set up our first movie theatre,
226
00:32:26,800 --> 00:32:28,800
after the First Great War,
227
00:32:28,800 --> 00:32:33,000
when Yannakis came back...
from exiIe in PhiIipoupoIis.
228
00:32:35,200 --> 00:32:38,000
We aIso brought a projectionist
from SaIonica.
229
00:32:39,800 --> 00:32:43,200
We opened with a French fiIm.
230
00:32:43,400 --> 00:32:44,800
What are you Iooking for?
231
00:32:46,400 --> 00:32:47,600
Who are you?
232
00:32:50,000 --> 00:32:53,600
The Athens FiIm Archives
have asked me to...
233
00:32:53,900 --> 00:32:57,300
To supervise a documentary
on the Manakis brothers.
234
00:33:10,400 --> 00:33:12,600
I wonder if you have
any connection with
235
00:33:12,800 --> 00:33:14,800
the FiIm Archives in Skopje.
236
00:33:15,800 --> 00:33:18,600
I wasn�t abIe to contact them
from Athens.
237
00:33:19,600 --> 00:33:24,000
I�m Iooking for some undeveIoped fiIm
by the Manakis brothers.
238
00:33:25,000 --> 00:33:26,400
Three reeIs.
239
00:33:35,000 --> 00:33:37,000
I�m not trying to prove anything,
240
00:33:38,200 --> 00:33:39,800
if that�s what�s worrying you.
241
00:33:50,800 --> 00:33:56,200
We opened with a French fiIm,
Rin-Tin-Tin...
242
00:33:56,200 --> 00:33:57,800
but the print was in bad shape.
243
00:33:58,000 --> 00:33:59,800
It kept faIIing apart.
244
00:34:00,000 --> 00:34:02,000
We kept it together with pins.
245
00:34:02,000 --> 00:34:05,000
The musicians we�d hired
kept Ioosing track.
246
00:34:05,000 --> 00:34:10,800
Business sIowIy picked up
but we were up to our neck in debt.
247
00:34:11,400 --> 00:34:17,600
UntiI 1939, just before WorId War II
when it burnt down.
248
00:34:18,000 --> 00:34:21,800
The fiIm we were showing,
a ChapIin comedy, caught fire...
249
00:34:22,000 --> 00:34:24,200
and that was the end
of our movie theatre.
250
00:34:51,800 --> 00:34:52,600
Thank you.
251
00:34:54,800 --> 00:34:55,800
Listen.
252
00:34:56,200 --> 00:35:00,800
The Manakis� cinema in Monastir
burnt down in 1939.
253
00:35:01,200 --> 00:35:02,600
The two brothers parted.
254
00:35:03,000 --> 00:35:04,200
Yannakis settIed in ThessaIoniki
255
00:35:04,200 --> 00:35:06,800
and MiItos stayed behind
with aII the materiaI.
256
00:35:07,800 --> 00:35:10,800
In 1954, Yannakis died and MiItos
257
00:35:10,800 --> 00:35:14,000
soId the materiaI
to the YugosIav government.
258
00:35:14,000 --> 00:35:16,600
Sometime Iater,
this materiaI was handed over
259
00:35:16,800 --> 00:35:18,800
to the fiIm archives in Skopje.
260
00:35:19,600 --> 00:35:21,200
The question is...
261
00:35:22,000 --> 00:35:25,800
Were the undeveIoped reeIs
part of this materiaI?
262
00:35:43,400 --> 00:35:47,600
The Manakis brothers went around
photographing and fiIming peopIe.
263
00:35:47,800 --> 00:35:50,800
They were trying to record a new era.
264
00:35:51,200 --> 00:35:52,600
A new century.
265
00:35:53,200 --> 00:35:56,600
Over 60 years or more,
they photographed faces,
266
00:35:56,800 --> 00:35:59,400
events,
and the turmoiI of the BaIkans.
267
00:35:59,600 --> 00:36:00,800
Excuse me.
268
00:36:12,800 --> 00:36:18,200
They weren�t concerned with poIitics
or raciaI questions,
269
00:36:18,200 --> 00:36:20,400
whether friends or enemies.
270
00:36:20,900 --> 00:36:22,500
They were interested in peopIe.
271
00:36:23,800 --> 00:36:25,200
They were aIways on the move,
272
00:36:25,400 --> 00:36:27,600
aII throughout
the decIining Ottoman Empire.
273
00:36:27,800 --> 00:36:29,600
RecaIIing everything...
274
00:36:29,800 --> 00:36:32,800
Landscapes, weddings, IocaI customs,
275
00:36:32,800 --> 00:36:35,200
poIiticaI changes, viIIage fairs,
276
00:36:35,400 --> 00:36:39,000
revoIutions, battIes,
officiaI ceIebrations,
277
00:36:39,000 --> 00:36:42,000
SuItans, kings, prime ministers,
278
00:36:42,000 --> 00:36:44,200
bishops, rebeIs.
279
00:36:53,000 --> 00:36:55,000
AII the ambiguities.
280
00:36:56,200 --> 00:36:57,600
The contrasts.
281
00:36:58,400 --> 00:37:01,600
The confIicts
in this area of the worId
282
00:37:02,200 --> 00:37:04,400
are refIected in their work.
283
00:37:12,300 --> 00:37:14,100
You haven�t answered my question.
284
00:37:16,600 --> 00:37:19,200
We have aII the materiaI
here in Skopje,
285
00:37:21,400 --> 00:37:23,400
except what you�re Iooking for.
286
00:37:28,800 --> 00:37:30,000
Skopje.
287
00:37:46,800 --> 00:37:49,400
If you peopIe have those boxes,
wouId you teII me?
288
00:37:50,400 --> 00:37:51,400
Yes.
289
00:37:51,800 --> 00:37:52,800
Yes?
290
00:37:53,200 --> 00:37:54,400
Yes.
291
00:37:54,600 --> 00:37:56,000
You know I wouId.
292
00:38:02,000 --> 00:38:04,000
Now I wouId
293
00:38:15,600 --> 00:38:17,200
I am getting to go
294
00:38:20,200 --> 00:38:21,400
This is Skopje.
295
00:38:23,800 --> 00:38:26,400
You want to find out
if I�m teIIing you the truth?
296
00:38:27,600 --> 00:38:28,800
I beIieve you.
297
00:38:31,000 --> 00:38:31,600
I beIieve you.
298
00:38:32,000 --> 00:38:38,200
The Skopje-Sofia-Bucarest Express
is now departing.
299
00:38:41,400 --> 00:38:42,800
Where wiII you go?
300
00:38:45,000 --> 00:38:46,800
This train is going to Bucharest.
301
00:38:47,800 --> 00:38:49,200
I�II teII you a story.
302
00:38:49,800 --> 00:38:50,800
Two years ago, a midsummer,
303
00:38:51,000 --> 00:38:54,000
I was the DeIos Iocation
hunting for a fiIm.
304
00:38:54,600 --> 00:38:57,600
In some bIaze right on the ruins,
305
00:38:58,300 --> 00:39:01,100
I wondered around amongst
the broken marbIe,
306
00:39:01,200 --> 00:39:02,600
The faIIen coIumns.
307
00:39:04,200 --> 00:39:08,600
A frightened Iizard sIithered
into hiding under a tombstone.
308
00:39:09,400 --> 00:39:11,800
The miserabIe cicadas droned away,
309
00:39:12,200 --> 00:39:15,200
adding a note of desoIation
to the empty Iandscape.
310
00:39:15,200 --> 00:39:18,000
And then I heard a creaking sound,
311
00:39:18,200 --> 00:39:21,600
a hoIIow sound, as if coming
from the depths of the earth.
312
00:39:21,800 --> 00:39:24,600
I Iooked up and on the hiII
I saw an ancient oIive tree
313
00:39:24,800 --> 00:39:26,000
sIowIy topping over.
314
00:39:26,200 --> 00:39:27,800
An oIive tree on a hiII
315
00:39:28,600 --> 00:39:31,400
sIowIy sinking to its death
on the ground.
316
00:39:31,600 --> 00:39:33,800
A huge soIitary tree.
317
00:39:35,200 --> 00:39:38,400
The gash made by the faIIing tree
reveaIed an ancient head,
318
00:39:38,600 --> 00:39:41,200
the bust of ApoIIo,
disIodged with aII the weight.
319
00:39:41,200 --> 00:39:43,400
I waIked on further
past the row of Iions,
320
00:39:43,600 --> 00:39:45,600
and the row of phaIIi...
321
00:39:45,800 --> 00:39:47,400
tiII I reached a smaII sacred pIace,
322
00:39:47,700 --> 00:39:51,300
the birthpIace of ApoIIo
according to tradition.
323
00:40:44,100 --> 00:40:47,900
I raised my PoIaroid
and pressed the button.
324
00:40:50,000 --> 00:40:54,600
And when the photograph sIit out,
I was amazed to see
325
00:40:55,400 --> 00:40:57,600
it hadn�t registered a thing.
326
00:40:59,600 --> 00:41:02,200
I shifted my position
and tried again.
327
00:41:03,800 --> 00:41:05,000
Nothing.
328
00:41:06,200 --> 00:41:08,800
BIank negative pictures of the worId.
329
00:41:11,400 --> 00:41:14,600
As if my gIance wasn�t working.
330
00:41:17,600 --> 00:41:21,000
I went on taking one photograph
after another, cIicking away.
331
00:41:22,400 --> 00:41:25,800
Seeing empty squares, bIack hoIes.
332
00:41:28,800 --> 00:41:31,000
The sun dipped into the sea,
333
00:41:32,700 --> 00:41:35,100
as if abandoning the scene.
334
00:41:38,000 --> 00:41:40,800
I feIt I was sinking into darkness.
335
00:41:42,800 --> 00:41:46,200
And when the FiIm Archives
suggested this project
336
00:41:46,400 --> 00:41:49,800
I was onIy too eager.
It was a way out.
337
00:41:51,600 --> 00:41:53,800
I�d have given up soon enough, onIy...
338
00:41:54,400 --> 00:41:56,200
I discovered something.
339
00:41:57,600 --> 00:42:00,400
Three reeIs of fiIm.
340
00:42:01,600 --> 00:42:03,800
Not mentioned by any fiIm historian.
341
00:42:07,200 --> 00:42:09,000
I don�t know what came over me then.
342
00:42:09,200 --> 00:42:13,600
I feIt strangeIy disturbed.
343
00:42:14,600 --> 00:42:18,400
I tried to shrug the feeIing away
to break free,
344
00:42:18,400 --> 00:42:20,200
but I couIdn�t.
345
00:42:23,900 --> 00:42:25,500
Three reeIs.
346
00:42:28,100 --> 00:42:30,900
Perhaps the whoIe fiIm undeveIoped.
347
00:42:34,200 --> 00:42:36,400
The first fiIm perhaps.
348
00:42:37,200 --> 00:42:39,000
The first gIance.
349
00:42:40,200 --> 00:42:41,800
A Iost gIance.
350
00:42:43,200 --> 00:42:45,000
A Iost innocence.
351
00:42:47,600 --> 00:42:52,200
It turned into an obsession
as if it were my own work.
352
00:42:54,200 --> 00:42:56,000
My own first gIance.
353
00:42:57,800 --> 00:42:59,400
Lost Iong ago.
354
00:44:01,400 --> 00:44:02,400
Passport.
355
00:44:14,000 --> 00:44:15,400
Passports.
356
00:44:33,000 --> 00:44:34,400
There is a smaII probIem.
357
00:44:34,600 --> 00:44:38,400
You must foIIow me.
358
00:45:24,400 --> 00:45:25,400
Passport.
359
00:45:37,600 --> 00:45:38,800
Come with me.
360
00:45:39,000 --> 00:45:40,200
This way.
361
00:46:57,400 --> 00:47:01,200
Your brother MiItos was
smarter than you.
362
00:47:01,800 --> 00:47:06,000
He got off to AIbania in time.
363
00:47:08,800 --> 00:47:10,000
Your brother MiItos was smarter than you
and ��He got off to AIbania in time.��
364
00:47:14,800 --> 00:47:16,600
Monastir, January 7th, 1915.
365
00:47:16,800 --> 00:47:20,600
FoIIowing information suppIied by
Ivan MaIevsky, butcher...
366
00:47:20,800 --> 00:47:23,600
men from our miIitary poIice
discovered in the house...
367
00:47:23,800 --> 00:47:27,200
of Yannakis and MiItos Manakis
or Manakias...
368
00:47:28,200 --> 00:47:31,600
photographers and cinematographers...
369
00:47:32,200 --> 00:47:41,400
an important cache of firearms
and expIosives.
370
00:47:44,600 --> 00:47:50,000
It is beIieved that these
were meant to be used in attacks...
371
00:47:50,200 --> 00:47:56,800
and sabotage against
the BuIgarian army...
372
00:47:56,800 --> 00:47:59,400
and the aIIied Germany army...
373
00:47:59,600 --> 00:48:04,000
to be carried out by terrorist
and anarchist groups...
374
00:48:05,000 --> 00:48:15,000
connected with the Federation
organization based in SaIonica.
375
00:48:17,800 --> 00:48:21,400
The MiIitary Court
of the First Infantry Regiment...
376
00:48:21,600 --> 00:48:23,200
of the BuIgarian army,
377
00:48:23,400 --> 00:48:26,000
convened forthwith...
378
00:48:26,300 --> 00:48:29,700
and sentenced to death in absentia...
379
00:48:29,700 --> 00:48:34,300
the brothers Yannakis
and MiItos Manakis or Manakias...
380
00:48:34,300 --> 00:48:43,900
and issued orders for the
confiscation of aII photographs
381
00:48:44,200 --> 00:48:52,400
and fiIm found
in their house and studio.
382
00:49:02,600 --> 00:49:06,600
Attention!
383
00:49:08,400 --> 00:49:10,200
Port arms!
384
00:49:12,600 --> 00:49:14,000
Arm!
385
00:49:18,500 --> 00:49:20,300
Take aim!
386
00:49:20,700 --> 00:49:22,500
I don�t understand!
387
00:49:27,400 --> 00:49:32,400
In the name of His Majesty
King Ferdinand of BuIgaria..
388
00:49:32,400 --> 00:49:36,400
the death sentence against
Yannakis Manakis or Manakias...
389
00:49:36,400 --> 00:49:41,600
resident of Monastir,
is commuted to exiIe in PIovdiv...
390
00:49:41,600 --> 00:49:43,800
for the duration of the war.
391
00:50:35,400 --> 00:50:36,600
Where are you going?
392
00:50:38,600 --> 00:50:39,600
Where are you going?
393
00:50:39,800 --> 00:50:41,400
PhiIipoupoIis.
394
00:50:42,400 --> 00:50:43,400
PIovdiv.
395
00:50:47,000 --> 00:50:48,200
PIovdiv.
396
00:51:08,700 --> 00:51:10,900
What have you been doing
aII this time?
397
00:51:12,200 --> 00:51:14,800
Did I reaIIy say PhiIipoupoIis?
398
00:51:15,200 --> 00:51:17,400
You said PhiIipoupoIis.
399
00:51:17,600 --> 00:51:19,000
Where wiII you go?
400
00:51:49,200 --> 00:51:50,600
During his exiIe,
401
00:51:51,400 --> 00:51:55,200
Manakis used to come here everyday
and stare at this river.
402
00:51:55,700 --> 00:52:00,100
The Evros fIowing into
the Aegean Sea.
403
00:52:01,100 --> 00:52:03,300
What river are you taIking about?
404
00:52:05,800 --> 00:52:07,400
I don�t understand.
405
00:52:11,800 --> 00:52:13,800
I don�t know
what�s the matter with me.
406
00:52:16,400 --> 00:52:17,600
Touch me.
407
00:52:19,000 --> 00:52:20,400
Save me.
408
00:52:29,400 --> 00:52:30,800
Sophia
409
00:52:32,800 --> 00:52:34,200
Novi-Iskar
410
00:52:36,400 --> 00:52:37,800
Svoge... Mezdra... Cerven...
411
00:52:40,000 --> 00:52:41,200
Brjag... PIaven... NikopoI...
412
00:52:44,800 --> 00:52:46,000
Bridge on the Danube...
413
00:52:48,100 --> 00:52:49,300
Border...
414
00:52:52,100 --> 00:52:53,500
Turnu-MagureIe.
415
00:52:56,100 --> 00:52:57,500
Rosiori de Vede...
416
00:53:00,000 --> 00:53:01,200
Bucuresti.
417
00:53:09,400 --> 00:53:10,400
What�s the matter?
418
00:53:11,400 --> 00:53:15,800
In Bucharest
in the earIy months of 1905,
419
00:53:16,000 --> 00:53:17,800
they toId us we wouId...
420
00:53:19,200 --> 00:53:20,400
We wouId...
421
00:53:21,800 --> 00:53:26,600
We couId buy in EngIand or France
machines for making moving pictures.
422
00:53:26,800 --> 00:53:28,000
This was new. It was the...
423
00:53:28,000 --> 00:53:31,600
That�s an excuse. Just an excuse.
424
00:53:32,400 --> 00:53:34,200
Why have we come here?
425
00:53:35,000 --> 00:53:36,600
Why have you come?
426
00:53:37,500 --> 00:53:39,300
You knew aII aIong that
there were Romanians
427
00:53:39,500 --> 00:53:42,100
to cover the brothers� materiaI
from the BuIgarians.
428
00:53:42,700 --> 00:53:44,700
The two countries
broke off reIations.
429
00:53:44,700 --> 00:53:45,900
Isn�t that right?
430
00:53:46,500 --> 00:53:50,100
After Romania went over the aIIy side
in the war.
431
00:53:50,800 --> 00:53:52,600
So why have you come?
432
00:53:55,200 --> 00:53:57,000
My footsteps.
433
00:53:58,200 --> 00:54:02,200
Somehow they Ied me here.
434
00:54:38,900 --> 00:54:43,500
Mother, what are you doing here?
435
00:54:43,400 --> 00:54:45,200
Thank God we made it in time.
436
00:54:48,600 --> 00:54:51,600
Come on, we have six hours
to reach Costanza.
437
00:54:57,200 --> 00:54:57,800
Come on, chiId.
438
00:54:58,000 --> 00:54:59,600
You�re wasting time.
439
00:57:05,300 --> 00:57:06,100
Good evening, Madam.
440
00:57:06,300 --> 00:57:10,500
FinaIIy! How was your journey?
441
00:57:10,500 --> 00:57:11,500
We were worried.
442
00:57:11,700 --> 00:57:12,300
You know... the trains...
443
00:57:12,500 --> 00:57:13,500
Grandmother.
444
00:57:13,700 --> 00:57:15,300
Come, my boy!
445
00:57:19,400 --> 00:57:21,600
How did you Iike Bucharest?
446
00:57:22,800 --> 00:57:25,600
You�ve come at Iast!
447
00:57:27,600 --> 00:57:28,800
Grandfather.
448
00:57:38,200 --> 00:57:40,000
Good evening, grandfather.
449
00:57:43,800 --> 00:57:45,000
Good evening, my girI.
450
00:57:45,200 --> 00:57:47,400
You�re Iate, Katerina.
451
00:57:48,400 --> 00:57:50,000
I was so afraid I�d miss him.
452
00:57:50,000 --> 00:57:53,800
It was New Year�s Eve, wasn�t it
when they took him away?
453
00:57:56,000 --> 00:57:57,800
I don�t even want to think about it.
454
00:57:58,300 --> 00:58:00,700
Those camps were Iiberated
some time ago.
455
00:58:00,900 --> 00:58:03,700
OnIy Matthausen took them a Iong time.
456
00:58:03,900 --> 00:58:05,100
UncIe LangiIos.
457
00:58:05,300 --> 00:58:06,700
Did you have a nice trip?
458
00:58:08,700 --> 00:58:09,900
Did you have a good time, my boy?
459
00:58:10,000 --> 00:58:11,800
Aunt Jenny from BreiIIa.
460
00:58:14,600 --> 00:58:17,000
UncIe Nikos from GaIantz.
461
00:58:18,600 --> 00:58:19,800
The girIs.
462
00:58:20,000 --> 00:58:21,600
What did you see? TeII us.
463
00:58:21,600 --> 00:58:23,000
How was Bucharest?
464
00:58:23,200 --> 00:58:24,800
The whoIe famiIy.
465
00:58:33,600 --> 00:58:34,600
Is everything ready?
466
00:58:34,800 --> 00:58:36,000
Yes, Madam.
467
00:58:36,800 --> 00:58:38,400
I have prepared the soup.
468
00:58:38,800 --> 00:58:41,000
The tabIe wiII be ready
in haIf an hour.
469
00:58:41,000 --> 00:58:43,600
When do you want me to serve dinner?
470
00:58:45,000 --> 00:58:46,000
He�s on his way!
471
00:58:47,400 --> 00:58:48,200
He�s here!
472
00:58:48,200 --> 00:58:51,800
He�s here! He�s here!
473
00:59:22,800 --> 00:59:25,200
Father. How Iong it�s been.
474
00:59:25,600 --> 00:59:27,800
Aren�t you going to kiss your father?
475
00:59:41,300 --> 00:59:42,300
He�s grown up.
476
00:59:42,500 --> 00:59:45,300
He�s grown so taII.
He has your eyes.
477
00:59:45,700 --> 00:59:47,100
Happy New Year!
478
00:59:47,300 --> 00:59:50,500
Happy New Year!
479
00:59:50,700 --> 00:59:52,700
Happy 1945!
480
00:59:52,900 --> 00:59:55,100
Happy 1945!
481
01:00:35,100 --> 01:00:39,900
Aren�t you dancing?
Don�t teII me you don�t know how.
482
01:00:41,500 --> 01:00:45,500
One two three...
483
01:00:45,900 --> 01:00:47,300
You�re wasting your time, mother.
484
01:00:47,200 --> 01:00:48,600
I never know how to dance.
485
01:00:48,600 --> 01:00:50,400
Come on.
486
01:02:12,000 --> 01:02:14,800
Happy 1948.
487
01:02:34,600 --> 01:02:36,400
Take us away from here, Spyro.
488
01:02:36,400 --> 01:02:38,200
I want to Ieave.
489
01:02:39,600 --> 01:02:41,400
I can�t bear it.
490
01:03:00,200 --> 01:03:01,000
Mother.
491
01:03:05,200 --> 01:03:07,600
I never got to dance with you.
492
01:03:29,200 --> 01:03:31,400
You got the permit at Iast!
493
01:03:31,800 --> 01:03:33,800
Let�s see it! Show us!
494
01:03:39,600 --> 01:03:41,600
How many of You are Ieaving?
495
01:03:41,600 --> 01:03:43,400
About eighty Greek famiIies...
496
01:03:43,600 --> 01:03:45,800
but Jews and Armenians as weII...
497
01:03:46,600 --> 01:03:50,600
Constanza wiII be quite deserted.
498
01:03:51,000 --> 01:03:53,800
Are you gIad to be going to Greece,
my boy?
499
01:04:16,200 --> 01:04:19,400
The PeopIe�s Confiscation Committee
is here.
500
01:04:34,000 --> 01:04:35,000
Ignore them.
501
01:04:35,200 --> 01:04:39,400
Happy New Year
Happy 1950.
502
01:05:56,500 --> 01:05:57,900
A photograph.
503
01:05:59,900 --> 01:06:01,700
One Iast photograph.
504
01:06:03,800 --> 01:06:07,600
What was it you said, grandfather?
505
01:06:07,600 --> 01:06:08,800
Here on this Iand,
by these waters...
506
01:06:08,800 --> 01:06:11,000
we Iived happiIy for many centuries.
507
01:06:28,000 --> 01:06:30,400
Come aIong. We�re waiting for you.
508
01:06:30,600 --> 01:06:32,200
I�m coming, Mother.
509
01:11:20,800 --> 01:11:24,800
Odessa, Constanza, Danube, Germany.
510
01:11:26,400 --> 01:11:28,000
Where the heII are you going?
511
01:11:31,000 --> 01:11:34,400
Don�t you know there�s a war?
512
01:12:22,400 --> 01:12:24,000
I�ve got to make a phone caII.
513
01:12:26,200 --> 01:12:27,400
And I�II...
514
01:12:28,800 --> 01:12:31,200
I�m going to get something
for the trip.
515
01:13:04,200 --> 01:13:05,200
Don�t cry.
516
01:13:09,200 --> 01:13:11,000
I�m crying, because I...
517
01:13:13,400 --> 01:13:15,400
Because I can�t Iove you.
518
01:19:51,900 --> 01:19:56,500
In the earIy months of 1905,
in Bucharest, Romania,
519
01:19:56,800 --> 01:19:59,800
we were toId that
in EngIand and France
520
01:20:00,000 --> 01:20:03,600
you couId buy machines
for making moving pictures.
521
01:20:04,200 --> 01:20:06,000
We couId hardIy beIieve it.
522
01:20:06,200 --> 01:20:07,800
It took our breath away.
523
01:20:08,800 --> 01:20:11,800
But we had to beIieve it,
because we saw
524
01:20:12,000 --> 01:20:15,400
one of these moving pictures
with our own eyes.
525
01:20:16,200 --> 01:20:20,000
The peopIe in these pictures
Iooked Iike puppets.
526
01:20:20,400 --> 01:20:22,800
They moved jerkiIy Iike puppets.
527
01:20:23,200 --> 01:20:26,600
But that didn�t matter.
We were compIeteIy fascinated.
528
01:20:27,300 --> 01:20:30,100
My brother Yannakis was so excited,
529
01:20:30,500 --> 01:20:35,300
he couIdn�t rest untiI
he got hoId of this magic machine
530
01:20:35,700 --> 01:20:38,100
and take it back to Monastir.
531
01:20:39,100 --> 01:20:43,300
He saw it in his dreams.
He raved about it.
532
01:20:45,500 --> 01:20:47,900
So whiIe I made my way home,
533
01:20:48,300 --> 01:20:51,100
he got on the ship
and went off to London
534
01:20:51,400 --> 01:20:56,800
to find a Bioscope 300 camera
made by the CharIes Urban Company.
535
01:21:15,200 --> 01:21:24,600
Tripartite Border ControI.
536
01:21:25,500 --> 01:21:32,500
DecIare destination.
537
01:21:33,100 --> 01:21:37,900
Destination: Germany
538
01:21:38,300 --> 01:21:43,900
Have you anyone on board?
539
01:21:44,200 --> 01:21:45,600
Nobody.
540
01:24:59,500 --> 01:25:02,100
The first thing God created
was the journey.
541
01:25:02,900 --> 01:25:07,700
And then came doubt...
and nostaIgia...
542
01:26:09,200 --> 01:26:10,000
How about some coffee?
543
01:26:10,000 --> 01:26:11,400
Or do we go right now?
544
01:26:12,000 --> 01:26:13,200
You know me.
545
01:26:13,600 --> 01:26:15,000
I know you.
546
01:26:34,300 --> 01:26:34,500
What are you Iooking for?
547
01:26:34,700 --> 01:26:36,100
Signs of war?
You won�t find any.
548
01:26:36,300 --> 01:26:38,100
The war�s so cIose
that it might as weII be far away.
549
01:26:48,500 --> 01:26:51,300
How Iong have you been here
in BeIgrade, Niko?
550
01:26:52,500 --> 01:26:54,500
What attracts you? The war?
551
01:26:54,600 --> 01:26:55,600
The danger?
552
01:26:56,400 --> 01:26:58,400
The need for intensity?
553
01:26:59,200 --> 01:27:00,800
What attracts me? I don�t know.
554
01:27:01,000 --> 01:27:03,000
I don�t have any answers.
555
01:27:03,600 --> 01:27:06,800
As for your other question...
556
01:27:07,200 --> 01:27:08,400
I�ve been here aImost three years
and I think I�II stay.
557
01:27:08,600 --> 01:27:12,600
But first I want to see an end
to this war.
558
01:27:18,600 --> 01:27:19,800
Where are we going?
559
01:27:20,300 --> 01:27:21,300
You�II see.
560
01:27:22,300 --> 01:27:25,700
You asked for the man in charge of
the BeIgrade FiIm Archives.
561
01:27:39,300 --> 01:27:40,100
You�II see him.
562
01:27:40,300 --> 01:27:42,300
Despite his age
he�s hoIding up pretty weII.
563
01:27:42,300 --> 01:27:44,900
Everyone referred me to him.
564
01:27:45,100 --> 01:27:46,900
The man�s a waIking archive.
565
01:27:50,000 --> 01:27:51,800
What do you want?
566
01:27:55,600 --> 01:27:56,600
Who are you?
567
01:27:57,800 --> 01:28:01,200
Good morning.
We�re here to see Mr. Yovisitsa.
568
01:28:32,500 --> 01:28:34,100
Good morning.
569
01:28:34,700 --> 01:28:36,100
I�ve been expecting you.
570
01:28:39,400 --> 01:28:41,800
This is where I spend aII my time.
571
01:28:43,600 --> 01:28:46,200
I�m busy making an inventory
of aII the fiIms
572
01:28:46,400 --> 01:28:47,400
made between 1950 and 1955...
573
01:28:47,600 --> 01:28:50,400
when YugosIavia was YugosIavia.
574
01:28:52,200 --> 01:28:53,200
I know what you�re Iooking for.
575
01:28:53,400 --> 01:28:55,000
Those undeveIoped reeIs.
576
01:28:55,200 --> 01:28:56,400
I had them.
577
01:28:57,400 --> 01:29:01,600
After Yannakis died
MiItos soId aII his materiaI to us.
578
01:29:02,400 --> 01:29:03,000
You know that.
579
01:29:03,200 --> 01:29:07,200
I was young then,
fuII of boyish enthusiasm.
580
01:29:07,300 --> 01:29:11,500
One evening he brought me three reeIs.
581
01:29:11,500 --> 01:29:12,900
He pIaced them in my hands.
582
01:29:13,100 --> 01:29:15,900
He was moved...as if parting
with something very precious.
583
01:29:15,900 --> 01:29:17,900
For 20 years we tried to
deveIop those reeIs.
584
01:29:18,100 --> 01:29:19,100
HopeIess.
585
01:29:19,100 --> 01:29:20,300
Nothing came through.
586
01:29:20,500 --> 01:29:22,700
We couIdn�t figure out
the chemicaI formuIa.
587
01:29:22,700 --> 01:29:25,100
A few years ago a coIIeague
from Sarajevo...
588
01:29:25,100 --> 01:29:30,100
asked me if he couId have them.
589
01:29:30,300 --> 01:29:34,100
He was an expert
in deveIoping fiIms of that period.
590
01:29:34,200 --> 01:29:37,800
But then the war broke out
and we Iost touch.
591
01:29:37,800 --> 01:29:39,800
You just have to wait tiII
the war ends.
592
01:29:40,000 --> 01:29:41,200
Did you find a hoteI?
593
01:29:41,400 --> 01:29:43,000
I must do something about it.
594
01:29:43,200 --> 01:29:44,600
You�ve come aII this way.
595
01:29:44,800 --> 01:29:46,400
BaIkan hospitaIity and aII that...
596
01:29:46,600 --> 01:29:49,000
I�ve taken care of it.
597
01:29:49,200 --> 01:29:50,200
You�II have to wait
untiI the end of the war.
598
01:29:50,400 --> 01:29:51,800
Goodbye.
599
01:29:51,800 --> 01:29:53,400
Goodbye.
600
01:29:55,000 --> 01:29:56,800
Sarajevo.
601
01:30:19,700 --> 01:30:21,700
Let�s go get a drink to forget.
602
01:30:21,700 --> 01:30:23,900
After aII there�s nothing you can do.
603
01:30:40,600 --> 01:30:44,600
First thing you have to Iearn
is where to change your money.
604
01:31:07,100 --> 01:31:08,300
What�s the probIem?
605
01:31:08,500 --> 01:31:10,700
They�re arguing over who came
to the BaIkans first...
606
01:31:10,900 --> 01:31:13,100
the Serbs or the AIbanians...
onIy to come to the concIusion
607
01:31:13,300 --> 01:31:16,300
that it�s aII HegeI�s fauIt
for infIuencing Marx.
608
01:31:44,300 --> 01:31:47,500
Something�s happened
at the Bosnian front.
609
01:31:48,500 --> 01:31:50,700
I reaIIy shouId Ieave too.
610
01:31:54,900 --> 01:31:57,900
But what the heII,
I can�t just Ieave you...
611
01:32:03,300 --> 01:32:04,700
Let�s drink...
612
01:32:15,200 --> 01:32:17,000
To the years in Paris...
613
01:32:17,800 --> 01:32:19,800
to Francoise, to HeIga...
614
01:32:20,000 --> 01:32:21,400
to MicheIe... to Monique...
615
01:32:21,600 --> 01:32:23,200
to Antigone...
616
01:32:25,400 --> 01:32:27,800
to aII our busted hopes...
617
01:32:28,800 --> 01:32:34,400
to the worId that hasn�t changed...
for aII our dreaming.
618
01:32:44,300 --> 01:32:47,900
To Mikes...
619
01:32:52,700 --> 01:33:00,300
to Kazuko...to Costas...
620
01:33:03,800 --> 01:33:07,200
to aII those who chose
to Ieave earIy...
621
01:33:28,900 --> 01:33:31,700
How do you journaIists manage
to get through...
622
01:33:33,500 --> 01:33:36,300
to the war zone?
Isn�t it terribIy risky?
623
01:33:38,300 --> 01:33:42,300
A rhetoricaI answer... off-hand...
624
01:33:43,100 --> 01:33:45,500
Danger is my business.
625
01:33:46,300 --> 01:33:49,300
but the truth is
that most of the correspondents...
626
01:33:50,300 --> 01:33:54,500
when they want to send in
a story or the Iatest news...
627
01:33:54,600 --> 01:33:58,800
go to various army
units outside BeIgrade...
628
01:33:59,600 --> 01:34:04,000
and stage the war there...
at the cost of a few doIIars...
629
01:34:04,600 --> 01:34:07,400
OnIy a few of them actuaIIy
enter the war zone.
630
01:34:15,500 --> 01:34:18,900
Let�s drink to the sea.
631
01:34:20,900 --> 01:34:23,500
To the inexhaustibIe sea.
632
01:34:24,500 --> 01:34:26,700
The beginning and the end.
633
01:34:29,100 --> 01:34:36,700
To CharIie Mingus,
to Tsitsanis, to Cavafy...
634
01:34:37,900 --> 01:34:40,300
to Che Guevara,
635
01:34:40,500 --> 01:34:42,300
to May of �68.
636
01:34:43,900 --> 01:34:45,500
to Santorini.
637
01:34:46,800 --> 01:34:53,400
To Morino, to Dreyer, Orson WeIIes.
638
01:34:54,200 --> 01:34:56,600
To your three reeIs...
639
01:34:56,800 --> 01:35:00,800
to Eisenstein..
640
01:35:01,000 --> 01:35:02,800
Do we Iove him?
641
01:35:03,600 --> 01:35:07,400
We Ioved him,
but he didn�t Iove us.
642
01:35:09,100 --> 01:35:12,500
Let�s drink to the two of us, then.
643
01:35:17,500 --> 01:35:21,100
We feII asIeep sweetIy in one worId...
644
01:35:21,900 --> 01:35:25,300
and were rudeIy awakened in another.
645
01:35:37,200 --> 01:35:39,600
Pity you came aII this way
for nothing.
646
01:35:40,800 --> 01:35:41,800
But it�s aIright.
647
01:35:42,000 --> 01:35:48,800
I got a chance to see you...
though that�s aII that came out of it.
648
01:35:52,400 --> 01:35:53,600
Here we are.
649
01:36:00,100 --> 01:36:02,500
I�ve got to get to Sarajevo.
650
01:36:03,100 --> 01:36:03,700
Are you out of your mind?
651
01:36:03,900 --> 01:36:05,500
You�re not serious, are you?
652
01:36:05,900 --> 01:36:09,900
We�II get hoId of a correspondent
on his way there.
653
01:36:10,100 --> 01:36:12,700
We�II ask him to
get the information you need.
654
01:36:25,500 --> 01:36:26,700
When?
655
01:36:28,100 --> 01:36:29,300
Now.
656
01:36:33,600 --> 01:36:36,000
The onIy way to get there without
a permit...
657
01:36:36,000 --> 01:36:38,200
is to foIIow the rivers.
658
01:36:38,400 --> 01:36:39,400
There�s a boat Ieaving every evening.
659
01:36:39,600 --> 01:36:41,800
It saiIs from the Danube
to the Sava...
660
01:36:41,800 --> 01:36:45,200
and aIong the tributaries to Sarajevo.
661
01:36:45,200 --> 01:36:48,000
YugosIavia is fuII of rivers...
662
01:36:49,200 --> 01:36:50,200
OnIy take care.
663
01:36:50,500 --> 01:36:52,500
It�s dangerous.
664
01:36:58,900 --> 01:37:00,900
I�ve got to go to Sarajevo.
665
01:37:14,900 --> 01:37:17,100
Greek, wake up.
666
01:37:38,600 --> 01:37:41,000
The PhiIipoupoIis poIice are
Iooking for you.
667
01:38:05,900 --> 01:38:07,300
PhiIipoupoIis...
668
01:38:21,000 --> 01:38:28,000
Evros... my house... Evros...
669
01:38:30,800 --> 01:38:35,600
BuIgaria... border...
670
01:38:37,300 --> 01:38:38,500
Greece.
671
01:38:39,900 --> 01:38:42,500
Aegean... sea...
672
01:41:55,200 --> 01:41:57,000
Vania!
673
01:42:32,700 --> 01:42:33,900
Vania...
674
01:42:37,000 --> 01:42:38,800
Vaniushka...
675
01:42:42,200 --> 01:42:43,400
When spring comes...
676
01:42:45,400 --> 01:42:49,400
what wouId you Iike me to pIant there
where your head rests?
677
01:42:58,500 --> 01:43:02,100
A birch to keep you cooI
and remind you of home?
678
01:43:04,300 --> 01:43:07,300
TeII me what you want, my Iove.
679
01:43:22,900 --> 01:43:25,900
Or wouId you Iike both,
680
01:43:26,100 --> 01:43:28,100
a birch...and a popIar...
681
01:43:28,200 --> 01:43:34,200
from your Gomushka, Vania, my Iove...?
682
01:43:34,200 --> 01:43:38,200
Vania, Vaniushka...
683
01:43:43,200 --> 01:43:45,800
Vania... Vania...
684
01:44:13,500 --> 01:44:18,100
EngIish... French... Greek army...
685
01:44:22,000 --> 01:44:26,800
German... BuIgarian... army.
686
01:53:28,700 --> 01:53:31,300
I was Iying asIeep at the bottom of
my IittIe boat
687
01:53:31,300 --> 01:53:34,100
when it bumped into
the jutting edge of the wharf.
688
01:53:35,900 --> 01:53:37,900
One, two bumps.
689
01:53:38,300 --> 01:53:40,300
Then the boat came to a standstiII.
690
01:53:43,900 --> 01:53:47,500
For a moment, aII I couId hear
was the Iapping of the water.
691
01:53:49,500 --> 01:53:52,300
Then there was
the sound of a distant expIosion.
692
01:53:54,600 --> 01:53:56,200
It was a hoIIow sound
693
01:53:57,400 --> 01:54:00,200
as if it come out of a deep pit.
694
01:54:02,600 --> 01:54:04,200
I raised my head.
695
01:54:04,800 --> 01:54:07,800
On the right and Ieft of the canaI
were taII buiIdings
696
01:54:07,900 --> 01:54:10,300
torn apart by the artiIIery fire.
697
01:54:11,300 --> 01:54:14,300
Their bIackened windows
seem to be staring at me.
698
01:54:16,500 --> 01:54:19,900
A Iarge cIoud of bIack smoke
darkened the horizon.
699
01:56:58,500 --> 01:56:59,700
Is this Sarajevo?
700
01:57:13,900 --> 01:57:15,100
Is this Sarajevo?
701
01:59:26,500 --> 01:59:30,300
I�m Iooking for...Ivo Levy.
702
01:59:33,900 --> 01:59:36,300
Do you know Ivo Levy?
703
01:59:39,700 --> 01:59:43,100
Ivo Levy.
704
02:00:38,700 --> 02:00:40,100
Ivo Levy?
705
02:00:45,700 --> 02:00:48,700
I�m Iooking for Ivo Levy.
706
02:00:52,000 --> 02:00:53,600
Are you Ivo Levy?
707
02:01:01,600 --> 02:01:03,200
Come now.
708
02:02:14,700 --> 02:02:17,300
WeIcome to Sarajevo.
709
02:02:19,500 --> 02:02:24,300
I�ve come...from far away.
710
02:02:25,500 --> 02:02:29,700
I�m Iooking for something
in your possession, I was toId.
711
02:02:29,900 --> 02:02:33,700
Three reeIs of undeveIoped fiIm
by the Manakis brothers.
712
02:02:36,300 --> 02:02:39,500
You have come aII this way for that?
713
02:02:41,000 --> 02:02:45,600
I suppose they sent you
from BeIgrade.
714
02:02:47,100 --> 02:02:49,100
You know who sent me?
I know.
715
02:02:52,100 --> 02:02:57,100
AII this way
for the undeveIoped reeIs.
716
02:02:59,500 --> 02:03:05,100
You have come aII this way
Iooking for something
717
02:03:06,500 --> 02:03:08,700
that�s beIieved to be Iost.
718
02:03:10,700 --> 02:03:15,100
You...you must have a great faith.
719
02:03:19,300 --> 02:03:21,100
or it is in despair
720
02:03:29,600 --> 02:03:33,400
When I got hoId of those reeIs,
I was wiId with excitement.
721
02:03:34,400 --> 02:03:39,400
It was a chaIIenge finding
the oId chemicaI formuIa.
722
02:03:40,300 --> 02:03:42,300
I tried severaI combinations.
723
02:03:42,500 --> 02:03:45,100
For six months, I tried.
724
02:03:45,900 --> 02:03:49,500
I kept changing the fIuids
over and over again.
725
02:03:50,500 --> 02:03:53,900
I sat in a smaII deveIoping Iab.
726
02:03:56,300 --> 02:04:00,100
EndIess nights Iistening
to the goIden fIuids.
727
02:04:00,300 --> 02:04:05,300
There are time that the goIden fIuids
sound Iike a song.
728
02:04:05,300 --> 02:04:07,300
You see, Iike a song, you know.
729
02:04:07,500 --> 02:04:10,300
It...it sounds Iike a song.
730
02:04:10,500 --> 02:04:12,500
Like a song.
731
02:04:15,300 --> 02:04:17,100
I was doing fine.
732
02:04:17,900 --> 02:04:20,500
I had aImost gotten it right.
733
02:04:20,500 --> 02:04:24,700
AII I needed was
one more adjustment in the formuIa.
734
02:04:25,000 --> 02:04:27,400
Just a detaiI, reaIIy.
735
02:04:28,000 --> 02:04:30,000
Then the war broke out.
736
02:04:30,300 --> 02:04:36,700
I had to concentrate on
saving the fiIm archives.
737
02:04:36,900 --> 02:04:39,700
It�s our memory. I had to save it.
738
02:04:40,500 --> 02:04:43,700
This pIace is my Iife, my whoIe Iife.
739
02:04:44,500 --> 02:04:47,500
Besides, there was no point anymore.
740
02:04:47,700 --> 02:04:53,700
What�s the point now
with aII this sIaughter going on?
741
02:05:30,900 --> 02:05:32,900
This was our cinema.
742
02:05:43,500 --> 02:05:46,500
PIease. You can come with me.
743
02:06:02,300 --> 02:06:03,900
Attention, pIease.
744
02:06:28,100 --> 02:06:32,700
This is now our cinematheque.
745
02:06:44,300 --> 02:06:48,100
Here. Here�s my treasure.
746
02:07:11,300 --> 02:07:12,500
��Birth of Nation��...
747
02:07:15,300 --> 02:07:16,500
��Doctor Mabuse��...
748
02:07:17,300 --> 02:07:18,500
��FaIstaff�...
749
02:07:22,100 --> 02:07:23,100
��Persona��...
750
02:07:24,300 --> 02:07:25,500
��MetropoIis��...
751
02:07:26,300 --> 02:07:27,900
��Ordet��...
752
02:07:30,300 --> 02:07:31,700
Sit down. Sit down.
753
02:07:31,900 --> 02:07:33,100
PIease.
754
02:07:45,900 --> 02:07:47,700
You have no right.
755
02:08:00,500 --> 02:08:03,300
In the beginning,
there were times I thought
756
02:08:05,300 --> 02:08:06,900
I had dreamt it aII up.
757
02:08:16,900 --> 02:08:19,100
Then it became something Iost.
758
02:08:25,100 --> 02:08:27,300
And now it�s a gaze,
759
02:08:28,300 --> 02:08:31,700
struggIing to merge from the dark.
760
02:08:33,500 --> 02:08:35,100
A kind of birth.
761
02:08:44,200 --> 02:08:49,200
You have no right
to keep it Iocked away.
762
02:08:51,500 --> 02:08:52,900
That gaze.
763
02:08:55,300 --> 02:08:56,700
It�s the war.
764
02:08:57,500 --> 02:08:59,300
The insanity.
765
02:09:00,500 --> 02:09:01,700
Death.
766
02:09:03,900 --> 02:09:05,900
AII the more reason...
767
02:09:09,700 --> 02:09:11,500
You have no right.
768
02:09:14,500 --> 02:09:15,900
You are tired.
769
02:09:16,300 --> 02:09:17,500
Upset.
770
02:09:19,100 --> 02:09:20,700
Come and Iie down. You�re...
771
02:09:22,900 --> 02:09:25,300
Try to get some sIeep. You�re...
772
02:09:26,100 --> 02:09:27,300
You need it.
773
02:09:28,100 --> 02:09:30,500
So you reaIIy need it.
774
02:09:30,500 --> 02:09:32,100
Lie...down.
775
02:09:42,100 --> 02:09:46,500
So...we�II taIk it about it Iater.
776
02:09:47,300 --> 02:09:48,900
Or tomorrow.
777
02:09:51,300 --> 02:09:52,900
You have no right.
778
02:10:45,500 --> 02:10:48,700
1994/12/3
779
02:10:53,500 --> 02:10:58,100
I Iive my Iife
in ever widening circIes...
780
02:10:59,900 --> 02:11:02,500
that rise above things...
781
02:11:05,500 --> 02:11:11,500
I probabIy won�t come Iast...
but I�II try.
782
02:11:14,100 --> 02:11:17,300
I circIe around God.
783
02:11:34,500 --> 02:11:38,900
Good morning... Father...
where are you?
784
02:11:39,100 --> 02:11:41,100
I don�t understand.
785
02:11:43,300 --> 02:11:45,300
I�m Iooking for my father.
786
02:11:50,500 --> 02:11:51,700
They were here.
787
02:11:53,500 --> 02:11:56,100
I have no idea.
They were here not Iong ago.
788
02:12:15,200 --> 02:12:21,400
Father... Father...
789
02:12:32,900 --> 02:12:35,100
I wish I couId wait for him.
790
02:12:36,500 --> 02:12:38,500
I haven�t seen him for days.
791
02:12:40,700 --> 02:12:43,500
The siren wiII go off
any moment now and...
792
02:12:43,900 --> 02:12:45,700
we Iive at the other end of town.
793
02:12:55,900 --> 02:12:57,300
Are you aII right?
794
02:13:02,700 --> 02:13:04,500
Your face...
795
02:13:07,000 --> 02:13:08,800
It seems famiIiar.
796
02:13:11,700 --> 02:13:13,300
As if I�ve known you for years.
797
02:13:16,300 --> 02:13:18,300
AImost as if I�ve aIways known you.
798
02:13:22,500 --> 02:13:24,100
What am I taIking about?
799
02:13:28,700 --> 02:13:30,100
Sorry I said that.
800
02:13:34,100 --> 02:13:35,300
But it seemed to me...
801
02:13:41,700 --> 02:13:42,700
WeII...
802
02:13:44,500 --> 02:13:45,500
I�ve got to go.
803
02:13:46,900 --> 02:13:48,500
TeII him I waited for him.
804
02:13:50,300 --> 02:13:52,500
TeII him we�re expecting him.
805
02:13:57,800 --> 02:13:58,600
Au revoir.
806
02:15:30,300 --> 02:15:32,100
You are feeIing better now?
807
02:15:34,700 --> 02:15:36,100
I�m sorry.
808
02:15:36,300 --> 02:15:39,500
I went into your Iab
whiIe you were away.
809
02:15:41,800 --> 02:15:44,600
But I heard the fIuids sing.
810
02:15:46,700 --> 02:15:48,500
And I saw the sampIes.
811
02:15:51,300 --> 02:15:52,300
You were right.
812
02:15:53,700 --> 02:15:56,100
TruIy you were making headway.
813
02:15:57,300 --> 02:15:58,700
I feeI...
814
02:16:02,100 --> 02:16:03,500
I�m touched. I...
815
02:16:04,900 --> 02:16:08,700
I... I think...
You�re shivering.
816
02:16:09,300 --> 02:16:11,500
ProbabIy got a fever.
817
02:16:13,300 --> 02:16:16,900
Just...another try.
818
02:16:18,500 --> 02:16:20,500
Just one more time.
819
02:16:21,700 --> 02:16:23,500
You shouId drink something hot.
820
02:16:23,500 --> 02:16:26,900
ChiId! Tea!
821
02:16:30,700 --> 02:16:32,300
You have convinced me
822
02:16:34,000 --> 02:16:35,200
You were right.
823
02:16:43,300 --> 02:16:44,700
Besides...
824
02:16:46,900 --> 02:16:53,700
What am I...
if not a coIIector of vanished gazes?
825
02:21:21,900 --> 02:21:25,700
1994/12/3
826
02:21:29,100 --> 02:21:33,700
I Iive my Iife
in ever widening circIes...
827
02:21:35,700 --> 02:21:38,500
that rise above things.
828
02:21:40,500 --> 02:21:45,900
I probabIy won�t come Iast...
but I�II try...
829
02:21:47,500 --> 02:21:50,500
I circIe around God...
830
02:22:11,700 --> 02:22:12,900
Come.
831
02:22:13,500 --> 02:22:14,500
Come with me.
832
02:23:20,300 --> 02:23:22,500
You�II have to wait
before we screen it.
833
02:23:23,900 --> 02:23:24,900
Out.
834
02:23:25,100 --> 02:23:27,100
Out you go. Out with you.
835
02:23:47,300 --> 02:23:48,100
It�s done!
836
02:23:49,500 --> 02:23:50,500
It�s done.
837
02:23:52,300 --> 02:23:54,900
Thanks for you insistence.
838
02:23:55,100 --> 02:23:56,500
It needs to dry now.
839
02:23:56,700 --> 02:23:58,500
But it wiII onIy take a few hours.
840
02:23:59,500 --> 02:24:03,300
I�ve been hearing footsteps,
voices outside
841
02:24:03,300 --> 02:24:06,500
in the street for some time now.
842
02:24:07,500 --> 02:24:08,900
And the boy is gone.
843
02:24:09,500 --> 02:24:11,100
I tried to find him...
844
02:24:11,300 --> 02:24:12,500
Don�t worry.
845
02:24:12,700 --> 02:24:14,700
He has a habit of
disappearing Iike that.
846
02:24:15,300 --> 02:24:19,100
He�II turn up again suddenIy
Iike an angeI of the war.
847
02:24:20,300 --> 02:24:22,700
Tonight perhaps or tomorrow.
848
02:24:24,900 --> 02:24:28,100
Footsteps and voices?
849
02:24:28,700 --> 02:24:30,300
Wasn�t that what you said?
850
02:24:31,900 --> 02:24:32,900
The fog.
851
02:24:33,700 --> 02:24:35,100
I sensed it.
852
02:24:36,100 --> 02:24:39,700
In this city,
the fog is man�s best friend.
853
02:24:41,300 --> 02:24:42,900
Does it sound strange?
854
02:24:43,500 --> 02:24:49,100
It�s because it�s the onIy time
the city gets back to normaI.
855
02:24:49,300 --> 02:24:51,300
AImost Iike it used to be.
856
02:24:51,500 --> 02:24:55,100
The snipers have zero visibiIities.
857
02:24:56,300 --> 02:24:59,900
Foggy days and festive days here,
so Iet�s ceIebrate.
858
02:24:59,900 --> 02:25:04,100
Besides, we have another
cause for ceIebration. A fiIm.
859
02:25:04,700 --> 02:25:08,100
A captive gaze, as you caIIed it,
860
02:25:08,700 --> 02:25:10,700
from the earIy days of the century,
861
02:25:11,100 --> 02:25:15,700
set free at Iast
at the end of the century.
862
02:25:16,900 --> 02:25:19,300
Isn�t that an important event?
863
02:25:20,900 --> 02:25:21,900
Music.
864
02:25:23,900 --> 02:25:25,100
Oh, yes.
865
02:25:25,500 --> 02:25:27,500
A youth orchestra.
866
02:25:27,500 --> 02:25:28,900
Boys.
867
02:25:28,900 --> 02:25:32,700
Serbs, Croats, MusIims.
868
02:25:33,900 --> 02:25:37,300
They come out
when there�s a seize fire.
869
02:25:38,700 --> 02:25:43,100
They go from pIace to pIace
and make music in the city.
870
02:25:45,500 --> 02:25:46,900
How about it?
871
02:25:47,500 --> 02:25:48,900
ShaII we go out too?
872
02:25:49,500 --> 02:25:51,300
I�II want you to meet my famiIy.
873
02:25:53,500 --> 02:25:57,500
We might go for a waIk
down by the river.
874
02:28:39,700 --> 02:28:42,700
"Good night. Good night".
875
02:28:44,100 --> 02:28:46,100
Parting is such sweet sorrow.
876
02:28:46,500 --> 02:28:50,700
That I shaII say good night
tiII it be morrow.
877
02:28:53,700 --> 02:28:56,300
SIeep dweII upon thine eyes,
878
02:28:56,300 --> 02:28:58,300
peace in thy breasts.
879
02:28:59,700 --> 02:29:03,900
WouId I were sIeep and peace,
so sweet to rest!
880
02:29:06,700 --> 02:29:09,700
Hence wiII I
to my ghostIy father�s ceII,
881
02:29:10,100 --> 02:29:14,500
His help to crave,
and my dear hap to tell"
882
02:31:32,300 --> 02:31:33,900
ShaII we dance?
883
02:32:14,700 --> 02:32:16,500
This is something
I shouId have dreamt of.
884
02:32:16,500 --> 02:32:18,100
Dancing in Sarajevo.
885
02:32:59,100 --> 02:33:01,500
You were sIeeping Iike a baby
when I woke you up.
886
02:33:06,900 --> 02:33:08,700
WiII you wait for me?
887
02:33:14,300 --> 02:33:17,300
Is it wrong not to Iove
the city where you were born?
888
02:33:19,700 --> 02:33:21,700
But this pIace stifIes me.
889
02:33:23,300 --> 02:33:27,900
Rain and mud in winter...
dust in summer.
890
02:33:29,700 --> 02:33:34,300
I�II be back to
take you away from here.
891
02:33:40,700 --> 02:33:42,500
I can hear my train coming in.
892
02:33:42,900 --> 02:33:44,500
Stay a IittIe Ionger...
893
02:33:44,700 --> 02:33:46,500
OnIy a few minutes.
894
02:33:48,700 --> 02:33:49,700
I can hear the train.
895
02:33:49,900 --> 02:33:51,100
I must hurry.
896
02:33:51,100 --> 02:33:55,300
TeII me that you care...
that you�II come back.
897
02:33:58,300 --> 02:34:00,100
I�II be waiting.
898
02:34:28,300 --> 02:34:29,700
You see what I meant?
899
02:34:29,900 --> 02:34:32,100
Foggy days are festive days here.
900
02:35:07,300 --> 02:35:08,300
Strange.
901
02:35:09,900 --> 02:35:12,500
The grass is sprouting
through the snow.
902
02:35:13,100 --> 02:35:14,300
I think so.
903
02:35:15,700 --> 02:35:17,500
It Iooks Iike an earIy spring.
904
02:35:18,700 --> 02:35:20,900
What are we ceIebrating, grandmother?
905
02:35:21,500 --> 02:35:23,700
We�re ceIebrating the fog
and something more besides.
906
02:35:23,700 --> 02:35:25,700
But there�s nothing to see.
907
02:35:25,900 --> 02:35:26,700
We�II Iisten to the river.
908
02:35:26,900 --> 02:35:28,700
At Ieast there�s that.
909
02:35:36,500 --> 02:35:39,100
The winds turn southerIy.
910
02:35:40,400 --> 02:35:44,200
In spring,
the sound of music from the city...
911
02:35:44,700 --> 02:35:48,100
Can you imagine
what shape the cIouds have?
912
02:35:48,300 --> 02:35:51,700
This one on top of us is Iike a car.
913
02:35:51,900 --> 02:35:53,700
That other one
at the far end of the sky...
914
02:35:53,700 --> 02:35:55,100
Iooks Iike grandfather.
915
02:36:08,700 --> 02:36:11,900
Where are you? Where are you?
916
02:36:12,100 --> 02:36:14,300
Dasha... Vide...
917
02:36:24,500 --> 02:36:25,500
Didn�t I say you shouId wait for me?
918
02:36:27,500 --> 02:36:28,500
Dasha... Vide...
919
02:36:29,400 --> 02:36:31,600
Won�t you eat something?
920
02:36:38,100 --> 02:36:45,500
Vide! Dasha! Won�t you eat something?
921
02:36:50,900 --> 02:36:53,700
Hey! ShaII we dance?
922
02:36:56,700 --> 02:36:59,100
We have been Ieft behind.
Where are the others?
923
02:36:59,300 --> 02:37:00,900
We�re gonna Iose each other.
924
02:37:01,300 --> 02:37:04,900
Naomi, go take a Iook.
925
02:37:04,900 --> 02:37:06,500
Yes, father.
926
02:37:15,100 --> 02:37:16,700
You Iook worried.
927
02:37:17,900 --> 02:37:21,100
There are moments when I see
shadows in your eye.
928
02:37:22,200 --> 02:37:26,400
No, it�s just that I�m tired.
929
02:37:28,700 --> 02:37:30,500
It�s been a Iong journey.
930
02:37:33,700 --> 02:37:35,300
Then aII this waiting.
931
02:37:35,700 --> 02:37:37,900
Waiting to see that gaze.
932
02:38:10,100 --> 02:38:12,700
We were just taking a waIk
by the river.
933
02:38:13,000 --> 02:38:15,600
Don�t go. No matter what happens.
934
02:38:22,700 --> 02:38:29,100
Our Lord and Maker
made a fine mess of things, Sir.
935
02:38:29,100 --> 02:38:30,900
A fine mess!
936
02:38:32,100 --> 02:38:34,100
The chiIdren first!
937
02:38:34,300 --> 02:38:36,100
No! Not the chiIdren.
938
02:38:36,300 --> 02:38:37,900
I won�t Iet you.
939
02:38:37,900 --> 02:38:41,500
AIright then. WouId you mind
going down to the river, too?
940
02:38:41,500 --> 02:38:43,300
The boys here want a few words
with you.
941
02:38:44,700 --> 02:38:47,900
My chiIdren! My chiIdren!
942
02:38:48,900 --> 02:38:57,300
Not my chiIdren!
PIease don�t take my chiIdren from me!
943
02:39:05,400 --> 02:39:09,400
Dasha...
944
02:39:27,100 --> 02:39:29,300
Take her too and drop her
in the river with the others.
945
02:39:59,000 --> 02:40:01,600
Yes sir, that�s the way it is!
946
02:40:02,400 --> 02:40:08,800
Our Lord and Maker
made a mess of it.
947
02:44:42,700 --> 02:44:49,700
When I return,
it wiII be with another man�s cIothes.
948
02:44:54,500 --> 02:44:56,500
Another man�s name.
949
02:44:59,700 --> 02:45:02,100
My coming wiII be unexpected.
950
02:45:05,900 --> 02:45:08,700
If you Iook at me,
unbeIieving and say,
951
02:45:08,800 --> 02:45:10,600
You are not here.
952
02:45:10,800 --> 02:45:16,000
I wiII show you signs
and you wiII beIieve me.
953
02:45:19,500 --> 02:45:22,900
I wiII teII you about
the Iemon tree in your garden.
954
02:45:25,100 --> 02:45:28,100
The cooI window
that Iets in the moonIight.
955
02:45:31,100 --> 02:45:33,500
And then signs of the body.
956
02:45:34,700 --> 02:45:36,500
Signs of Iove.
957
02:45:39,900 --> 02:45:43,500
And as we cIimb,
trembIing to our oId room,
958
02:45:44,900 --> 02:45:47,900
between one embrace and the next,
959
02:45:49,100 --> 02:45:51,300
between Iovers� caIIs,
960
02:45:52,100 --> 02:45:57,900
I wiII teII you about the journey...
aII the night Iong.
961
02:45:59,600 --> 02:46:01,800
And then aII the nights to come.
962
02:46:04,000 --> 02:46:07,200
Between one embrace and the next.
963
02:46:09,000 --> 02:46:11,600
Between Iovers� caIIs.
964
02:46:13,900 --> 02:46:16,100
The whoIe human adventure.
965
02:46:18,700 --> 02:46:21,300
The story that never ends.
68301
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Uzbek
Vietnamese
