All language subtitles for Hanna.S02E04.720p.WEB.H264-BLACKHAT

Shit.

Mannion here.

This is Vesuvius.

I'm listening.

I've been trying to sort out
a problem on my own,

but it didn't work.

It concerns Utrax.

But Utrax is long dead.

No, it's not.

It's very much alive.

Okay.

I'll call you back.

Hi.

Where are you?

I'm in Northern France.

Looking for Hanna.

So far, no sign.

That's 'cause she's here.

We caught her yesterday.

Where's here?

Where are you, John?

Ready?

Begin!

She got her good.

It was definitely someone.

I saw a figure being taken
into the staff buildings.

Maybe it was, like,

a foreign government agent.

Or a spy or something.

Don't be stupid, Helen.

All I'm saying is we
know we're being kept apart

for a reason, we're
in the middle of nowhere,

surrounded by guards and what,
someone just breaks in?

Ready position.

Hi.

How you doing?

Less than an hour away

- from the pickup point.
- Good.

One of my men'll be
there to meet you.

He'll drive you
the rest of the way.

Why can't you just
give me the address?

You know why.

You'll need to give him
your phone

and you'll be hooded for
the last part of the journey.

How is she?

She's still not talking.

Does she know I'm coming?

Not yet.

Okay, best keep it that way.

♪ Oh, my night life,
oh, my, oh, yeah ♪

♪ Oh, my night life ♪

♪ Oh, my night,
oh, my, oh, my night ♪

♪ Oh, my, oh, my night life ♪

♪ Oh, my night life ♪

♪ Ooh, he ♪

♪ Addicted me ♪

♪ Ooh, he addicted me ♪

♪ Ooh, he addicted me ♪

♪ And I addicted him ♪

♪ And I addicted him ♪

♪ And I addicted,
he addicted me ♪

♪ And I, oh,
and he addicted me ♪

♪ And I, oh, and he
addicted me ♪

♪ And I addicted him
and I addicted him ♪

♪ And I, oh, my night life ♪

♪ And, oh, my night life,
oh, my night life ♪

♪ And oh, my night life ♪

♪ Oh, our night life
and, oh, our night life ♪

♪ And oh, our, he ♪

Clemency.

It's her, isn't it?

Hanna.

It was her that broke in.

Hey, you guys, listen.

I need your help with something.

I got to get to class.

I'll see you later.

Sandy?

What?

I want to have a party tonight.

After curfew.

Why do you want to have a party?

Because that's what young people
in the real world do.

Like, get drunk and have fun.

How are we gonna get drunk?

We don't have anything
to get drunk with.

Not yet we don't.

It was a bad one,
car's a write-off.

We towed it,
cleared the scene.

Did you search her?

And the car... both clean.

The English countryside.

There always was something
lawless about it.

My fault.

I fell asleep at the wheel.

Well, you look exhausted.

Yeah, I've not been sleeping
as well as I should.

When you told me
that she was alive.

I don't know why.

This stuff from the past,
just comes back.

I understand.

Can I see her?

Well, I have something
I want to show you first.

Come.

Ma'am.

How long do you need, Larry?

I'm just completing
the protocol.

Yeah, all right,
go ahead and finish up.

And the rest of you,
will you clear out,

please, give us the space?

Uh, pull up that file first,

if you don't mind.

Yeah, thanks.

Look at this.

When, way back,
we first conceived

of what they might be

this was exactly it.

You want her back in.

She's still not communicating.

And we've tried everything.

Or almost everything.

Okay.

Take me to her.

Hello, Hanna. Wait.

You don't understand
what's happening here.

You think you do.

But you don't.

Hear me out, please.

It's been a while
since I last saw you.

You look different.

I like your hair.

Did you dye it yourself?

I'm sorry about all this.

I crashed my car.

Stupid mistake.

When I got the call,
saying they'd found you,

I didn't know what to expect.

They say you came
through Northern France,

tracing your way back to Clara.

You were following a shipment.

Is that right?

Hanna?

Yes.

Do you recognize that woman?

Her name is Sonia Richter.

She's a CIA operative.

She was sent to track your
movements and bring you in.

We found her body
at a diner in Belgium.

You don't have to say anything.

We know you killed her.

And we understand why.

She was a threat to you.

To what you were moving
towards, saving your friend.

A threat to what you love.

If it was me,

I would've done the same.

They tell me you've not
been cooperating

since you've been here.

I want you to do
something for me.

I want you to try
and work with me.

And if you do,

I might be able to help you.

Help you see Clara,
help you be with her again.

Do you understand?

You have to trust me, though.

Do you trust me?

Maybe.

Believe me,
you won't regret it.

Hi.

Why did you come here?

I wanted to see
if you were okay.

I'm fine.

I came to get you out.

But now I know
that was a mistake.

Yeah, it was.
Can I go?

They said if you were
okay with it,

they could get you
to show me around.

Help me get to know the place.

Why?

Because maybe I want
to stay here, too.

- Reach.
- This is where we do indoor training.

Six, seven, eight.

One, two, three, four,

five, six, seven, eight.

One, two, three, four,

five, six, seven, eight.

One, two...

This is the main building,

where we have our classes
and dorm rooms.

Hi, Clemency.

Why did she call you that?

Clemency's my name now.

Hip-hop
is a musical and artistic movement

characterized by the four main
pillars of hip-hop culture:

Rapping, deejaying,
break dancing and graffiti.

Originating from the
South Bronx...

My room's this way.

This is where you sleep?

Mm-hmm.

Who are these people?

They're my family.

My parents.

Your family?

Yes.

We should go.

Clara...

Clemency.

But your name isn't Clemency.

I should show you
around the place.

Where are they?

- Call security.
- Code red, all units.

Code red, all units.
Trainees out-of-bounds.

I tried to find you.

But when I came to the hotel
in Bucharest, you weren't there,

and I thought you were dead.

No, I'm fine.

It's my fault.

I didn't listen to you
about your mother.

- I'm sorry.
- My mother's dead.

I know.

What are you doing?

We don't have long.

You can't take it out.
They'll notice.

But you don't need it.
They just want to keep you numb.

I can't take it out, Hanna.
They'll notice.

You don't want me to cut it out.

What are you talking about?

You don't, do you?

They fill you with drugs
and you let them.

Look at yourself.
What is this?

What about it?

They do it to everyone.
They'll do it to you, too.

No, they won't.
I didn't come here to join you.

I came here to get you out.

How the hell are you gonna
do that?

There's a place
in Canada, it's beautiful.

Passports, new names,

tickets for both of us.
A new life.

It's all been arranged.

We just have to get out of here.

- Arranged by who?
- Marissa Wiegler.

She's here.
She's going to help us.

You know none of this is real.

These clothes are fake.

The photos in your room
are fake.

They're training you
to kill people.

That's all they want.

Isn't that why you tried
to leave in the first place?

I wanted to leave
because I wasn't free.

- You're not free.
- You don't know that.

Try to leave.
See how free you are.

This isn't your home.

I don't have a home.
So what difference does it make?

Yes, you do.
With me.

Come with me, Clara.

This way!
Move it!

Please.

- Behind this door, come on!
- Okay.

Door is locked.

Open up!

Stand back.

What are you doing here?

Just having a smoke.

For old time's sake.

Get out of here.

Come on!

What is it?

Booze for the staff,
so they can unwind

after all the stress
we cause them.

Who told you about this?

Leo accidentally let slip

that a delivery
was arriving today.

- Okay. Let's go.
- Are you sure?

Move.

♪ I want to go home... ♪

What are you doing here?
This is staff only.

Sorry, is this out-of-bounds?

You know it is.

♪ Live with it
every single day... ♪

I just saw that you had
chocolate milkshake,

- in the delivery.
- So... what?

So, I

was just wondering

if you could spare me one?

- You want a chocolate milkshake?
- Yeah.

You can just get it
in the cafeteria, you know.

I know, but you have to pay.

And it tastes better when
it's not from the cafeteria.

Does it now?

Yeah.

♪ Nah, nah, nah,
nah, nah, nah ♪

♪ Nah, nah, nah, nah,
nah, nah ♪

♪ Nah, nah, nah, nah... ♪

I'm Sandy, by the way.

Oh, I know.

I'm from Bentleyville, Ohio.

Where are you from?

You know I can't tell you that.

Yeah, I know.

You can't even tell me
your real name.

Well, thanks, anyways.

Whoever you are.

♪ Got my shoes on... ♪

Anytime.

♪ I want to go home ♪

♪ I've got my shoes on ♪

♪ I've got to go home, home ♪

♪ I want to go home ♪

♪ I've got my shoes on ♪

♪ I've got to go home, home ♪

♪ I want to go home... ♪

All done here.

Thanks, man.

What's this all about, Leo?

Just teaching the young

a little disobedience.

Otherwise, how are they
going to convince anyone?

Hanna, this is John Carmichael,

the director of the Meadows.

Hi, Hanna.

It's so nice
to finally meet you.

Uh, you went
a little out-of-bounds there.

The staff laundry room
is just for staff.

It's okay,
but please don't do it again.

How are you feeling
after this morning?

I'm okay.

How was the facility?

Did you like it?

It was different
to what I expected.

Different to what
you saw before, right?

Very different.

Better?

Well, that's good,

because we'd like

to talk about next steps.

We'd like you
to consider staying here.

What do you think, Hanna?

You willing to give it a try?

Um.

I know it's hard to trust us.

You've been fighting us
a long time.

I-It's in your blood
to break the rules.

It's what Erik taught me.

I know.

But sometimes,

it's okay to stop fighting.

Hey. It's okay.

It's okay.

I'm just so tired.

Yeah.

So, um,

we'll go and set
everything up for you.

You'll need a new identity,
a new name.

It's what we do for everybody.

Thank you.

You've got chocolate on your lip.

Where have you two been?

All trainees
to the main hall now.

They know.
They fucking know.

- Jules, what have you done?
- Shut up.

Okay.
Sit down, everyone.

This won't take long.

There's something
I need to tell you all.

We have a visitor.

I want to
introduce you to our latest recruit.

Some of you may remember her
from a previous occasion,

but I want you to erase that
from your mind.

This is a fresh start.

Her name now is Mia Wolff.

She's from Germany.

Given Mia's arrival,
I would also like to take

this opportunity to talk
to you about your futures.

Pretty soon, there'll be a
period of service in your life,

in service of your country,
of the free world.

That period of service
won't come without risk.

You're soldiers, you know that.

And with risk comes reward.

When you're finished
with your years with us,

you'll be given a new life.

Fully paid for, fully supported.

Same name, same family,
the same person you are now.

In my heart, I hope and believe

that you will find
love and happiness,

maybe even have
children of your own

who will live in a safer world
thanks to what you did

in your period of service.

You are a bunch
of very remarkable young women.

And I want to thank you
from my heart

for what you're doing here.

And I want to welcome Mia
to the Meadows.

Hi, Clemency.

- Hey.
- We wondered where you were.

You weren't in class.

Oh, no, I got called out.

This is my friend.

Yeah. We remember her.

Mia, right? So it was you
who broke in yesterday.

Apparently, you took out,
like, 50 guards.

Jules.

I didn't take out 50 guards.

Then your standards
are slipping.

I'm Sandy.

- Hi.
- Sandy just stole,

like, a whole crate of vodka.

- Actually, you stole it.
- You should've seen her.

She was talking to this guy,
who, like, totally

- had the hots for her.
- He did not.

- We should go.
- See you later, Clem.

See you around, Mia.

"Hi, Mom.
Big news today."

"A new arrival has
changed everything.

"She's lonely,

"and some people don't like her
because of her past,

"but I think people should be
given the chance to change.

Don't you?"

Today we're looking at a classic

two-operative mission.

We call it Face and Trigger.

In this scenario,

Operative A is the face.

The objective of the face
is to befriend the target,

make social contact,

discover the target's routines
and vulnerabilities.

Your age and your gender will
protect you from suspicion,

and your support team
will make sure

that your identity checks out,

- should the target choose to dig into that.
- Operative B

is the trigger.

I guess that one
explains itself, right?

Here's the key.

The face creates the space
for the trigger to do her work.

The two operatives may decide
to meet in public,

but no one must suspect
you know each other.

That's your secret.

That's the power you have.

She fits right in.

She has a home.

It's what she always wanted.

But it means my work
is done here.

You're sure you want to leave?

I'm not a part of this, John.

You only brought me in because
you had no other options.

You put a hood on my head
to drive me here.

I'm aware this whole operation
began in the shadows.

I kn... I know what it cost you.

And I know we froze you out
for a while.

15 years.

We are so close, Marissa.

Any day now, these girls will be
ready to go out into the world.

- They're gonna need support.
- Meaning?

I'd love to welcome you back
with open arms.

Mm-hmm.

And are you gonna
tell me the truth?

Are you gonna tell me
who's behind this operation?

Who's paying for it?
Who's giving the orders?

As I thought.

- Could I ask you to arrange a car?
- Sure.

I'll have someone take you back
first thing in the morning.

Uh, don't want you crashing again.

Right?

Well, I would rather go tonight
if that's possible.

I'll see what I can do.

We leave tonight.

- 10:00.
- There's a curfew at 9:00.

How do we get there?

Hi, Mia. I'm Helen.

- You want one?
- Thanks.

- Uh, you want one, Clem?
- Sure.

- Sandy?
- Sandy's not thirsty.

- She had one earlier.
- Shut up.

Ignore them.

They're just voyeurs.

Guys.

Party tonight,
our dorm common room, 9:00.

With special ingredients.

- She means beer.
- I so do not mean beer.

What if somebody finds out
that we're out after curfew?

- Like who?
- Like Leo, for example.

You scared of Leo?

I've got Leo wrapped
around my little finger.

Will you come, Mia?

Sure. I'd like that.

- Great.
- This is gonna be so much fun, right?

I'll tell you about it tomorrow.

Jesus, that is strong.

You're supposed to have
a mixer with that.

Don't you know anything?

- How do you know?
- Because I do my homework

and watch what
they tell me to watch.

Unlike you.
Have you even bothered

to watch this, for example?

No. So you'll know nothing

about the catwalks this year.

Uh, so I'll get
some mixers later.

You want to try some?

Did you see Hanna's eyes?

When she broke in
the time before,

she was wild.

Like an animal or something.

This time she looked different.

I didn't notice.

She just looked kind of sad.

Like she'd lost
everything she loved.

Shut up and drink.

Stand by! Engage!

- Just can't get it on target.
- Yeah, seriously...

How does the curfew work?

Everyone in their rooms at 9:00.

- No one's allowed out of the accommodation block after that.
- Engage!

Doors are alarmed,
camera switches off.

But Jules is having a party.

It's still
in the accommodation area.

I'll find a way.

Mia. My name's Leo.

Hi.

Can I show you your room?

I see Clemency has been
taking you under her wing?

She's been very kind.

Well, we all want you
to feel at home.

It's a little bare,
but that'll change.

We'll get it made up for you,
I'll get you some things,

- make you more comfortable.
- Thank you.

No problem.
And tomorrow we'll get to work

on building up your new life.

It's gonna be a lot of fun.

I look forward to it.

I'll, uh,
I'll leave you to get settled.

You know, I saw you,
on the cameras.

The break-in yesterday.

Impressive.

- What'd you get in business?
- I got an A.

- No, you didn't.
- I did.

- Really?
- What did you get?

- I got a B.
- Well, that's still good.

- No, it's not.
- Yes, it is.

Charlie, what did
you get in business?

In business?
I got an F.

Hey, I'll catch you guys later.

See you later.

- Hey.
- Hey.

You okay?

You want some of this?
I can't eat it.

I'm good.

What's up?

Clem, talk to me.

Did something happen?

Like what?

I don't know.

Something with Mia, maybe?

Clem, you know
you can talk to me.

I'm your friend.
That's what friends do.

She wants me to leave.

With her.

Leave?

When?

Tonight.

We have a way out.

Your driver's on the way.

No farewell drink?

I stopped that a while ago.

Didn't do me any good.

Thanks.

We-we couldn't have done it
without you.

My pleasure.

Um.

Can I see Mia one more time?
Before I go?

Why not?

♪ Up all night... ♪

It was so easy.

I still think
they're gonna catch us.

Shut up, Helen.

About time.

Take a seat.

Everyone has to try
some of this.

It's called a screwdriver
and it's delicious.

Sandy lost her virginity
getting it,

so it was quite a sacrifice.

- I did not.
- You wanted to.

Why do you always
have to be so gross, Jules?

Uh, watch out.
It's pretty strong.

You don't like it?

No, I love it.

All right, all right.

I'm not saying it's...

S-Sorry, I'm...

You've had vodka before,
haven't you?

Once, at a party.

A real party?

Like, you mean,
with boys and stuff?

It was nothing special.

Did you kiss one?

Yes.

Oh, my God.

Did you have sex with him?

No.

I've had sex a thousand times.

In my dreams.

Mia?

Is it true you were
taken away from us.

When you were very young?

Yes.

Well

you're one of us now.

What?

Sorry to interrupt.

I just wanted
to say goodbye to Mia.

There's a car collecting me
in 30 minutes.

Good to see you so settled.

You seem happy, and it's nice
that you're all together.

I wish you all the best
for the future

in your new home.

Thank you.

Okay. See you when I see you.

Be careful.

The doors are alarmed
after 9:00.

It's all right,
I've got it.

Oh.

Good job getting the booze.

Face and Trigger.

- Sandy was terrific.
- Oh...

- He set us up!
- Oh, thank goodness.

He knew all along
we were gonna do this.

Ugh.
Face and fucking Trigger.

Get over yourself, Jules.

Let's just watch the movie.

It's not as fun if they know.

It seems like you're the one

wrapped around
Leo's little finger.

- Your car's waiting for you outside.
- Thank you.

Safe journey.

Oh, that's gotta hurt.

Engage!

Evening, ma'am.

Night. Larry?

- Yeah?
- Carmichael wants you

at the southeast perimeter.

There's a problem with
the external cordon.

Okay.

I'm on it.

Thank you.

Oh, my God,
he's getting away.

Oh!

This is so awesome.

Put this on, please.

Is that necessary?

Standard protocol,
I'm afraid.

Can we wait till we're
through the gates, at least?

Sure.

Thanks.

- What?
- What?

Okay.

Now we need the hood on.

What the... Hey,

give me the...

What?
Where are they?

Sandy?

This way.

Come on, Hanna.

Oh, fuck.
Come on.

Finally.

Hello, Marissa.

There she is!
Go, go, go!

- Hands up!
- I'm on her!

Where are we?

Clara?

I'm sorry.

What's going on?

What have you done?

Don't.

What have you done?!

Mia,

listen to me.

What if you could be happy here?

What if you could?

This is where you belong, Mia.

You can trust us.

We're your family.

♪ Warhead ♪

♪ Going out for a sleepwalk ♪

♪ When the streets
grew into a riot ♪

♪ Riot ♪

♪ Keep away from the choir ♪

♪ When the beat turns to fire ♪

♪ Fire ♪

♪ Why would you ever ♪

♪ Come for me with your mind ♪

♪ Upside down ♪

♪ Too polite to let me know ♪

♪ What stays forever
on your mind ♪

♪ So hollow ♪

♪ When are you gonna conquer
the comedown ♪

♪ Then wait for war
inside your head ♪

♪ Come down ♪

♪ When you gonna come down? ♪

♪ And I am gonna ♪
♪ War inside ♪

♪ Your head ♪

♪ And I am gonna ♪

♪ War inside your head ♪

♪ And I am gonna ♪
♪ War ♪

♪ Inside your head ♪

♪ And I am gonna ♪
♪ When you gonna come down? ♪

♪ And I am gonna ♪

♪ Slowly move on. ♪