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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:57,970 --> 00:00:59,537 TESTING, ONE, TWO, THREE. 2 00:00:59,581 --> 00:01:01,148 THIS IS SERGEANT TIMMS 3 00:01:01,191 --> 00:01:04,847 WITH A TEMPORARY DISCHARGE EVALUATION FOR... 4 00:01:04,890 --> 00:01:07,067 NAME. 5 00:01:07,110 --> 00:01:08,329 YOU KNOW MY NAME. 6 00:01:15,031 --> 00:01:17,816 I'VE GOTTA HEAR YOU SAY IT FOR THE MACHINE. 7 00:01:17,860 --> 00:01:19,818 YOU'RE KIDDING ME. 8 00:01:19,862 --> 00:01:23,257 NO, PLEASE, JUST TELL THE MACHINE. 9 00:01:23,300 --> 00:01:25,085 IT'S REALLY BRIGHT IN HERE. IS IT BRIGHT IN HERE? 10 00:01:25,128 --> 00:01:28,914 YEAH, IT'S BRIGHT IN HERE. 11 00:01:39,055 --> 00:01:40,665 DARIUS LEFAUX. 12 00:01:40,709 --> 00:01:43,973 THEY SAY A LIFE CAN ONLY BE UNDERSTOOD BACKWARDS, 13 00:01:44,016 --> 00:01:45,931 BUT IT MUST BE LIVED FORWARDS. 14 00:01:45,975 --> 00:01:47,672 OCCUPATION? 15 00:01:47,716 --> 00:01:49,892 INVESTIGATOR. 16 00:01:49,935 --> 00:01:52,024 I WAS... 17 00:01:52,068 --> 00:01:53,374 -AN INVESTIGATOR. -THAT'S FINE. 18 00:01:53,417 --> 00:01:55,115 SEE? THAT WASN'T HARD. 19 00:01:55,158 --> 00:01:57,813 SO, HOW ARE YOU FEELING, DARIUS LEFAUX? 20 00:01:57,856 --> 00:01:59,945 DON'T KNOW WHAT I'M DOING, THAT KIND OF THING. 21 00:01:59,989 --> 00:02:02,165 YOU AND ME BOTH. THAT'S NORMAL. 22 00:02:02,209 --> 00:02:03,471 I DON'T KNOW WHAT CLOTHES TO PUT ON. 23 00:02:03,514 --> 00:02:05,342 I DON'T KNOW WHAT TOOTHPASTE TO BUY. 24 00:02:05,386 --> 00:02:07,692 -SURE. -I DON'T KNOW WHO I AM. 25 00:02:12,132 --> 00:02:15,265 -SORRY? -I DON'T KNOW WHO I AM. 26 00:02:18,442 --> 00:02:19,791 YOU DON'T KNOW WHO YOU ARE? 27 00:02:19,835 --> 00:02:22,098 YOU KNOW WHO YOU ARE? 28 00:02:22,142 --> 00:02:24,318 SEE THAT? 29 00:02:24,361 --> 00:02:26,102 YEAH, WHAT IS THAT? 30 00:02:26,146 --> 00:02:29,192 YOU'RE SAYING THAT DARIUS LEFAUX DOES NOT KNOW WHO HE IS? 31 00:02:29,236 --> 00:02:31,151 NOT REALLY, NO. 32 00:02:33,936 --> 00:02:35,285 LOOK, YOU KNOW WHY YOU'RE HERE, RIGHT? 33 00:02:35,329 --> 00:02:38,375 -YEAH, BECAUSE OF-- -YES, BECAUSE OF... 34 00:02:38,419 --> 00:02:40,595 [NO AUDIBLE DIALOGUE] 35 00:02:40,638 --> 00:02:42,336 STOP. 36 00:02:45,252 --> 00:02:48,733 HOLY SHIT! 37 00:02:48,777 --> 00:02:51,214 -ARE YOU ALL RIGHT? -YEAH. 38 00:02:52,694 --> 00:02:54,217 [NO AUDIBLE DIALOGUE] 39 00:02:54,261 --> 00:02:57,568 ...HAVING TROUBLE REMEMBERING THINGS, RIGHT? 40 00:02:57,612 --> 00:03:00,658 -WE'VE BEEN OVER THIS. -PLEASE JUST TELL ME AGAIN FOR THE MACHINE. 41 00:03:00,702 --> 00:03:03,183 I DON'T REMEMBER A LOT OF THINGS 42 00:03:03,226 --> 00:03:05,707 BEFORE TEN YEARS AGO. 43 00:03:05,750 --> 00:03:08,275 MY CHILDHOOD. 44 00:03:16,892 --> 00:03:19,199 -I'M GONNA MISS YOU, LEFAUX. 45 00:03:23,290 --> 00:03:27,946 LOOK, THIS IS JUST A TEMPORARY DISCHARGE, OKAY? 46 00:03:27,990 --> 00:03:30,297 WE JUST WANT YOU TO GO HOME FOR A WHILE, 47 00:03:30,340 --> 00:03:35,302 REST, RELAX, GET YOUR HEAD TOGETHER. 48 00:03:35,345 --> 00:03:38,392 YOU HAVE ANY HOBBIES THAT'LL HELP YOU RELAX A LITTLE? 49 00:03:38,435 --> 00:03:41,525 HAT TRICKS. 50 00:03:43,005 --> 00:03:44,354 HAT TRICKS? 51 00:03:44,398 --> 00:03:45,486 HAT TRICKS. 52 00:03:53,015 --> 00:03:56,975 I DON'T KNOW WHAT WE'RE GONNA DO WITHOUT YOU, LEFAUX. 53 00:03:57,019 --> 00:04:01,153 OH, YOU'RE GONNA MISS ME. 54 00:04:03,112 --> 00:04:06,028 OKAY. YOU'RE A CRAZY FUCK, LEFAUX, 55 00:04:06,071 --> 00:04:08,987 BUT YOU'RE NOT CRAZY-CRAZY. SO, CONGRATULATIONS. 56 00:04:09,031 --> 00:04:10,946 I THINK THIS IS GONNA WORK OUT THE WAY YOU WANT IT TO. 57 00:04:10,989 --> 00:04:13,078 -THANK YOU. -OKAY. 58 00:04:13,122 --> 00:04:16,604 NOW I'LL JUST NEED YOUR GUN AND YOUR BADGE. 59 00:04:16,647 --> 00:04:18,649 YOU, UM... 60 00:04:20,869 --> 00:04:22,218 YOU GONNA NEED THE SILENCER, TOO? 61 00:04:23,915 --> 00:04:26,048 SILENCER? 62 00:04:26,091 --> 00:04:28,006 WHAT THE FUCK ARE YOU TALKING ABOUT? 63 00:04:28,050 --> 00:04:29,573 UH... 64 00:04:29,617 --> 00:04:31,619 I JUST WANT TO GO BOWLING. 65 00:04:31,662 --> 00:04:33,925 -ARE YOU STILL TAKING YOUR MEDS? -YEAH. 66 00:04:33,969 --> 00:04:36,885 GOOD. KEEP TAKING THEM. IT'S NOTHING TO BE ASHAMED OF. 67 00:04:36,928 --> 00:04:39,670 ALL RIGHT, GOOD LUCK, MAN. AND BELIEVE ME, WE'LL BE IN TOUCH. 68 00:04:39,714 --> 00:04:42,325 I PROMISE, I'LL BE IN TOUCH. 69 00:04:46,764 --> 00:04:48,157 YOU WANT ME TO DRIVE FOR A WHILE? 70 00:05:05,174 --> 00:05:07,698 YOU'RE FREE TO GO. 71 00:05:25,194 --> 00:05:26,326 THEY SAY I'M NOT DEAD. 72 00:05:26,369 --> 00:05:29,938 THAT I'M JUST A SPLINTER IN TIME. 73 00:05:29,981 --> 00:05:32,723 HOW IS IT POSSIBLE TO BRING ORDER OUT OF MEMORY? 74 00:05:32,767 --> 00:05:34,812 I SHOULD LIKE TO BEGIN AT THE BEGINNING, 75 00:05:34,856 --> 00:05:36,727 LIKE A WEAVER AT HIS LOOM. 76 00:05:36,771 --> 00:05:39,861 I SHOULD LIKE TO SAY THIS IS THE PLACE TO START. 77 00:05:39,904 --> 00:05:41,645 THERE CAN BE NO OTHER. 78 00:05:41,689 --> 00:05:44,735 THE HEADLINES READ "DOUBLE SUICIDE." 79 00:05:44,779 --> 00:05:49,566 AN OLDER GENTLEMAN AND A YOUNGER ONE FOUND SIDE BY SIDE. 80 00:05:49,610 --> 00:05:52,395 BUT I KNOW THE REAL STORY, 81 00:05:52,439 --> 00:05:55,180 AND MY END IS MY BEGINNING. 82 00:06:03,232 --> 00:06:05,887 NOW HERE'S WHERE IT STARTS TO GET REALLY STRANGE. 83 00:06:05,930 --> 00:06:08,672 TIMMS WAS RIGHT. I DID SEE THINGS FROM TIME TO TIME. 84 00:06:10,718 --> 00:06:14,374 MORE AND MORE, THE WORLD DIDN'T HOLD IN PLACE. 85 00:06:14,417 --> 00:06:17,681 LIKE A PATIENT'S FEVER DREAM. 86 00:06:41,401 --> 00:06:43,403 HOW DID I KNOW THOSE TRICKS? 87 00:07:12,562 --> 00:07:14,912 DARIUS! 88 00:07:14,956 --> 00:07:18,089 DARIUS? I'M STARVING! WHERE THE FUCK ARE YOU? 89 00:07:18,133 --> 00:07:20,570 I'LL BE RIGHT THERE. 90 00:07:31,538 --> 00:07:34,149 YOU'RE LATE. 91 00:07:34,192 --> 00:07:36,891 -I'M SORRY. -WHAT DID YOU BRING ME? 92 00:07:36,934 --> 00:07:42,287 -PEANUT BUTTER AND JELLY -YUCK. SET IT OVER THERE. 93 00:07:42,331 --> 00:07:44,638 WHAT YOU WATCHING, BABS? 94 00:07:44,681 --> 00:07:46,640 THEY'RE ANNOUNCING WHO WINS THE SECOND ROUND. 95 00:07:46,683 --> 00:07:47,945 EXCITING. 96 00:07:54,865 --> 00:07:56,867 IS THIS NEW? 97 00:07:56,911 --> 00:07:59,348 EH. TWICE A DAY. I FORGOT. 98 00:07:59,391 --> 00:08:01,916 YOU FORGOT? BABS, YOU CAN'T JUST TAKE THEM WHEN YOU REMEMBER. 99 00:08:01,959 --> 00:08:03,613 -I'M OLD, I FORGET SHIT! -I CAN GIVE THEM TO YOU. 100 00:08:03,657 --> 00:08:06,486 -DON'T FORGET! -I WON'T FORGET. 101 00:08:06,529 --> 00:08:08,749 -OH. -HERE. 102 00:08:08,792 --> 00:08:10,490 -JERK. -HERE. 103 00:08:15,973 --> 00:08:18,193 -I'M, UH, GOING OUT. -ANOTHER DATE? 104 00:08:18,236 --> 00:08:19,499 YEAH, ANOTHER DATE. 105 00:08:19,542 --> 00:08:21,022 JEEZ, YOU'RE GONNA GET SICK. 106 00:08:21,065 --> 00:08:23,241 -FROM A DATE? -STAYING OUT LATE. 107 00:08:23,285 --> 00:08:26,375 AND WHAT CAN YOU GET FROM THOSE... WOMEN? 108 00:08:26,418 --> 00:08:28,725 CRABS! 109 00:08:28,769 --> 00:08:31,336 -YOU'RE BETTER THAN THEM CRABBY WOMEN. -WHAT'S THAT SUPPOSED TO MEAN? 110 00:08:31,380 --> 00:08:33,600 IT MEANS WHAT I SAID. YOU'RE BETTER THAN THEM. 111 00:08:33,643 --> 00:08:36,341 YOU HAVE EVERYTHING YOU NEED? 112 00:08:36,385 --> 00:08:37,604 -YEAH, YEAH. I GUESS SO, YEAH. -GOOD. 113 00:08:37,647 --> 00:08:40,302 -I'M GONNA GO. -FUCK OFF. 114 00:09:22,779 --> 00:09:24,738 HELLO? 115 00:09:24,781 --> 00:09:26,740 -LEFAUX? -YEAH? 116 00:09:26,783 --> 00:09:28,437 -LEFAUX? -MM. 117 00:09:28,480 --> 00:09:30,526 -YOU'RE ALIVE! -OF COURSE I'M ALIVE. 118 00:09:30,570 --> 00:09:31,745 WHAT TIME IS IT? 119 00:09:31,788 --> 00:09:33,442 MAN, YOU HAD US WORRIED. 120 00:09:33,485 --> 00:09:35,575 -YOU'VE GOTTA COME DOWN HERE. -WHY? 121 00:09:35,618 --> 00:09:37,228 THERE'S BEEN A MURDER. 122 00:09:37,272 --> 00:09:39,056 I THOUGHT I WAS ON TEMPORARY DISCHARGE. 123 00:09:39,100 --> 00:09:41,363 -WELL, COME BACK. -[DIAL TONE] 124 00:09:56,334 --> 00:10:00,034 IS HE A RELATIVE? 125 00:10:00,077 --> 00:10:02,166 EVERYONE THOUGHT IT WAS YOU. 126 00:10:02,210 --> 00:10:05,692 THE LATE SHIFT PATROL FOUND HIM BY THE DOCK, 127 00:10:05,735 --> 00:10:07,128 STABBED IN THE NAVEL. 128 00:10:07,171 --> 00:10:09,173 IT'S-- IT'S ME, THERE. 129 00:10:09,217 --> 00:10:11,349 DEAD. 130 00:10:24,711 --> 00:10:26,713 DENNIS? 131 00:10:26,756 --> 00:10:28,366 LEFAUX, WHAT ARE YOU DOING? 132 00:10:28,410 --> 00:10:30,412 -WHO'S THAT? -DENNIS, IS THAT YOU? 133 00:10:30,455 --> 00:10:32,762 -IS THAT THE WIFE? -THIS ISN'T YOUR CASE, OKAY? YOU'RE RETIRED. 134 00:10:32,806 --> 00:10:34,329 LET ME ASK HER SOME QUESTIONS. 135 00:10:34,372 --> 00:10:35,939 YOU CAN'T APPROACH A WITNESS LIKE THAT. 136 00:10:35,983 --> 00:10:38,855 -SHE THINKS YOU'RE HER HUSBAND. -I'M NOT! 137 00:10:38,899 --> 00:10:41,945 -WELL, YOU LOOK LIKE YOU ARE. -THAT'S WHY I NEED SOME ANSWERS. 138 00:10:41,989 --> 00:10:44,992 DENNIS. 139 00:10:46,210 --> 00:10:48,212 YOU COME BACK. 140 00:10:48,256 --> 00:10:50,258 CALL ME TOMORROW. 141 00:10:50,301 --> 00:10:53,130 -I'LL SEE WHAT I CAN DO. -DENNY! 142 00:10:53,174 --> 00:10:54,915 NOW CAN WE PLEASE GET AWAY FROM THIS POOR WOMAN? 143 00:10:56,438 --> 00:10:59,006 DENNY! 144 00:10:59,049 --> 00:11:01,138 DENNY! 145 00:11:01,182 --> 00:11:04,054 YOU COME BACK TO ME! 146 00:11:09,407 --> 00:11:12,759 IF SOMEONE WAS MURDERED WHO LOOKED JUST LIKE ME, 147 00:11:12,802 --> 00:11:15,805 MAYBE IT WAS ACTUALLY ME THE KILLER WANTED DEAD. 148 00:11:18,155 --> 00:11:19,853 YEP, THAT'S WHEN YOU KNOW. 149 00:11:19,896 --> 00:11:21,942 THAT'S WHEN YOU KNOW YOU'RE PUTTING THE INFORMATION 150 00:11:21,985 --> 00:11:24,031 EXACTLY WHERE IT NEEDS TO BE. THAT'S THE GOOD TIMES, 151 00:11:24,074 --> 00:11:26,163 BECAUSE THEN IT'S JUST CAPTURED FOREVER. 152 00:11:26,207 --> 00:11:28,470 AND THEN ALL OF A SUDDEN YOU'RE BORN ALL OVER AGAIN. 153 00:11:28,513 --> 00:11:30,428 AND AS SOON AS YOU COME OUT INTO THE WORLD, 154 00:11:30,472 --> 00:11:32,474 THERE IT IS, YOU KNOW? YOU'RE BACK. 155 00:11:32,517 --> 00:11:35,651 LET'S SAY YOU WANNA BE WITH SOMEONE, 156 00:11:35,695 --> 00:11:37,087 BUT YOU DON'T HAVE ANYBODY. 157 00:11:37,131 --> 00:11:39,437 AND PUT OUT A DATING AD 158 00:11:39,481 --> 00:11:42,745 AND THE DATING AD SAYS, "MY NAME IS SUSAN. 159 00:11:42,789 --> 00:11:47,837 I AM 28 YEARS OLD. I HAVE HAIR AND LEGS. DO YOU?" 160 00:11:47,881 --> 00:11:51,580 WELL, THAT'S WONDERFUL FOR YOU. BUT THE PROBLEM IS THIS. 161 00:11:51,623 --> 00:11:54,452 THE PROBLEM IS, FOR ME, NO ONE FITS THE DESCRIPTION. 162 00:11:54,496 --> 00:11:56,846 "HELLO, MY NAME IS JOHN LUKA, 163 00:11:56,890 --> 00:11:59,240 AND I'VE BEEN SITTING IN A BUNKER FOR 10 YEARS, 164 00:11:59,283 --> 00:12:02,722 BECAUSE SOME FUCKING ASSHOLE DICKFACE NAMED FYODOR 165 00:12:02,765 --> 00:12:05,202 SAID TO ME, 'KILL SOMEONE, AND WE'LL PAY YOU.'" 166 00:12:05,246 --> 00:12:08,684 A MAN NAMED A.K. KIMIKAN. 167 00:12:08,728 --> 00:12:13,515 LET ME SPELL IT FOR YA. A-K KIMIKAN. 168 00:12:13,558 --> 00:12:15,299 YOU CAN'T REALLY RELY ON ANYBODY, 169 00:12:15,343 --> 00:12:16,953 'CAUSE WHEN YOU START TO RELY ON PEOPLE, 170 00:12:16,997 --> 00:12:18,520 THEY ALMOST ALWAYS LET YOU DOWN. 171 00:12:18,563 --> 00:12:19,913 AND SOMETIMES IT'S IN LITTLE WAYS. 172 00:12:19,956 --> 00:12:22,132 SOMETIMES SOMEBODY LETS YOU DOWN IN THE WAY 173 00:12:22,176 --> 00:12:25,222 WHERE IT'S LIKE, "I'M GONNA MAKE YOU UNHAPPY OR TEMPORARILY SAD." 174 00:12:25,266 --> 00:12:27,790 AND THEN THE OTHER TYPE OF LETTING YOU DOWN IS 175 00:12:27,834 --> 00:12:30,010 WHEN THEY LET YOU DOWN AND THEY ALMOST MAKE YOU DEAD, 176 00:12:30,053 --> 00:12:31,838 AND YOU'RE NEVER GONNA COME BACK AGAIN. 177 00:12:31,881 --> 00:12:33,753 OR IF YOU DO COME BACK AGAIN, IT'S JUST GONNA BE DIFFERENT. 178 00:12:33,796 --> 00:12:35,319 SO WHAT DO YOU DO? YOU JUST THINK TO YOURSELF, 179 00:12:35,363 --> 00:12:36,712 "YOU KNOW WHAT? FROM NOW ON, 180 00:12:36,756 --> 00:12:38,583 WHAT I'M GONNA DO IS DO IT ALL MYSELF." 181 00:12:38,627 --> 00:12:40,803 SO, IT'S LIKE IF THERE'S A CAMERA, I'M GONNA MAKE IT, 182 00:12:40,847 --> 00:12:43,197 BECAUSE YOU CAN'T RELY ON ANYBODY ELSE TO MAKE IT FOR YOU. 183 00:12:43,240 --> 00:12:45,068 IT'S LIKE THE TECHNOLOGY IS ALWAYS GONNA WORK AGAINST YOU. 184 00:12:45,112 --> 00:12:47,027 IT'S LIKE HAVING SOMEBODY ELSE'S TEETH INSIDE YOUR OWN HEAD. 185 00:12:47,070 --> 00:12:49,072 IT'S, LIKE, WHAT ARE YOU GONNA DO, GO LIKE THIS? 186 00:12:49,116 --> 00:12:50,508 BUT IT'S GONNA SOUND LIKE THIS? 187 00:12:50,552 --> 00:12:52,815 IT'S NEVER GONNA WORK THAT WAY. 188 00:12:52,859 --> 00:12:54,599 YOU DON'T WANT A FOREIGN MOUTH INSIDE YOUR HEAD. 189 00:12:54,643 --> 00:12:56,645 YOU DON'T WANT YOUR HEAD ON TOP OF SOMEONE ELSE'S BODY. 190 00:12:56,688 --> 00:12:59,691 PUT THAT IN A DATING AD AND SEE HOW YOU DO. 191 00:13:02,216 --> 00:13:04,696 I HAD TO FIND OUT WHY SOMEONE MIGHT BE TRYING TO KILL ME, 192 00:13:04,740 --> 00:13:07,177 AND MEANWHILE, I HAD A DATE TO ATTEND. 193 00:13:07,221 --> 00:13:10,311 BUT YOU'RE NOT SICK NOW? 194 00:13:10,354 --> 00:13:12,443 OF COURSE NOT. 195 00:13:14,663 --> 00:13:16,317 THAT WAS YEARS AGO. 196 00:13:16,360 --> 00:13:18,362 SURE. 197 00:13:20,669 --> 00:13:22,671 10 YEARS FLIES BY PRETTY FAST. 198 00:13:25,065 --> 00:13:27,067 I'M SORRY? 199 00:13:29,069 --> 00:13:32,028 I JUST SAID THAT 10 YEARS FLIES BY PRETTY FAST. 200 00:13:32,072 --> 00:13:33,464 10 YEARS AGO? 201 00:13:33,508 --> 00:13:35,031 WHERE WAS I 10 YEARS AGO? 202 00:13:39,166 --> 00:13:42,169 I DON'T REMEMBER A LOT ABOUT MY CHILDHOOD. 203 00:13:54,311 --> 00:13:55,791 WHAT ABOUT YOU? 204 00:13:55,835 --> 00:13:59,273 WHAT ABOUT ME WHAT? 205 00:13:59,316 --> 00:14:01,318 CAN YOU TELL ME ANYTHING ABOUT YOU? 206 00:14:16,551 --> 00:14:19,075 -UM-- -YEAH. 207 00:14:20,685 --> 00:14:23,688 IT WAS VERY-- IT WAS VERY NICE TO MEET YOU. 208 00:14:26,169 --> 00:14:28,432 I CAN'T FEEL MY FACE. 209 00:14:28,476 --> 00:14:30,870 -REALLY? WAIT, ARE YOU-- -I-- I MEAN-- 210 00:14:30,913 --> 00:14:34,308 -I WAS JUST-- SORRY. -UM-- 211 00:14:34,351 --> 00:14:36,745 DANIEL AND I WERE THE TYPE OF FRIENDS WHO WOULD SIT FOR HOURS 212 00:14:36,788 --> 00:14:38,616 AND JUST LAUGH ABOUT THINGS AND TALK. 213 00:14:38,660 --> 00:14:41,010 AND THEN DANIEL WAS ALSO THE TYPE OF FRIEND 214 00:14:41,054 --> 00:14:42,707 WHO EVERY ONCE IN AWHILE WOULD JUST, LIKE, 215 00:14:42,751 --> 00:14:45,014 MAKE YOU FEEL LIKE SOMETHING WAS REAL IN THE WORLD. 216 00:15:34,368 --> 00:15:37,588 HIS WIFE SAID HE LEFT FOR WORK AND NEVER CAME BACK. 217 00:15:37,632 --> 00:15:39,939 HE WORKS IN A NAIL FACTORY. 218 00:15:39,982 --> 00:15:41,810 HE COMPOSES STRING QUARTETS FOR A HOBBY. 219 00:15:41,853 --> 00:15:43,812 NAIL FACTORY? YOU SERIOUS? 220 00:15:43,855 --> 00:15:45,988 -YEAH. -WHAT'S HIS BACKGROUND? 221 00:15:46,032 --> 00:15:47,990 THAT'S JUST THE THING. 222 00:15:48,034 --> 00:15:49,949 APPARENTLY SUFFERED FROM A MAJOR CASE 223 00:15:49,992 --> 00:15:52,603 OF AMNESIA A DECADE PRIOR. 224 00:15:52,647 --> 00:15:54,649 HISTORY'S COMPLETELY SPOTTY. 225 00:15:57,130 --> 00:15:59,088 WHAT DO WE KNOW ABOUT HIM? 226 00:15:59,132 --> 00:16:01,395 WOKE UP ON A HIGHWAY. 227 00:16:01,438 --> 00:16:03,005 COULDN'T REMEMBER HIS NAME. 228 00:16:03,049 --> 00:16:04,485 COULDN'T REMEMBER ANYTHING-- 229 00:16:04,528 --> 00:16:06,487 HIS FAMILY, HIS CHILDHOOD. 230 00:16:06,530 --> 00:16:08,793 SLATE'S CLEAN. 231 00:16:23,199 --> 00:16:25,201 ARE YOU ALL RIGHT, LEFAUX? 232 00:16:27,508 --> 00:16:31,077 -ARE YOU TAKING THE MEDICATION? -YEAH. 233 00:16:31,120 --> 00:16:33,514 YEAH. 234 00:16:33,557 --> 00:16:34,819 ALL RIGHT, COME ON. 235 00:16:34,863 --> 00:16:36,865 COME ON. 236 00:17:31,659 --> 00:17:33,791 POLICE ARE INVESTIGATING THE BRUTAL HOMICIDE 237 00:17:33,835 --> 00:17:36,403 OF A 40-YEAR-OLD MAN EARLY WEDNESDAY MORNING. 238 00:17:36,446 --> 00:17:37,665 I'M WATCHING ON A SCREEN. 239 00:17:37,708 --> 00:17:39,841 FIRST, I SEE BROTHER DANIEL DEAD. 240 00:17:39,884 --> 00:17:41,625 I SEE HIM DEAD. 241 00:17:41,669 --> 00:17:44,280 AS OF YET, INVESTIGATORS DO NOT HAVE ANY LEADS-- 242 00:17:44,324 --> 00:17:46,848 AND THEN HE WALKS OUT OF A BUILDING. 243 00:17:46,891 --> 00:17:49,633 MR. NIGHTINGALE WAS FOUND BY A DOCK WORKER 244 00:17:49,677 --> 00:17:51,287 AT SIX A.M. TODAY, 245 00:17:51,331 --> 00:17:52,462 HAVING APPARENTLY DIED OF INTERNAL INJURIES-- 246 00:17:52,506 --> 00:17:54,464 WHAT'S HAPPENING HERE? 247 00:17:54,508 --> 00:17:56,901 HOW DOES SOMEONE BECOME DEAD AND THEN BECOME ALIVE AGAIN? 248 00:17:56,945 --> 00:17:59,078 BROTHER DANIEL NEEDS MY HELP. 249 00:18:01,993 --> 00:18:04,083 EVERYONE THOUGHT IT WAS YOU. 250 00:18:06,955 --> 00:18:08,609 STABBED IN THE NAVEL. 251 00:18:24,973 --> 00:18:27,149 HEY! 252 00:18:34,983 --> 00:18:37,986 -IT'S ALL RHYTHMICAL. -WHY DON'T YOU GO GET A JOB, YOU FREAK. 253 00:18:38,029 --> 00:18:41,685 COME ON, I HAD A JOB ONCE. I DID NOT LIKE IT. 254 00:18:43,078 --> 00:18:45,080 IS THIS A GOOD MOVE FOR YOU? 255 00:18:45,124 --> 00:18:47,300 -OR A BAD MOVE FOR YOU? -IS THIS A GOOD MOVE FOR YOU 256 00:18:47,343 --> 00:18:48,344 OR BAD MOVE FOR YOU? 257 00:18:54,002 --> 00:18:57,310 -I'LL TAKE WINNER. -THAT WOULD BE ME. 258 00:19:09,278 --> 00:19:11,628 -WHO'S HE? -I DON'T LIKE THE CUT OF HIS SUIT. 259 00:19:11,672 --> 00:19:13,369 YES, WELL, I TOLD HIM AS MUCH. 260 00:19:13,413 --> 00:19:14,762 YOU THINK YOU KNOW A PERSON, 261 00:19:14,805 --> 00:19:16,372 AND THEN HE GOES AND PULLS A STUNT LIKE THAT. 262 00:19:16,416 --> 00:19:17,634 I UNDERSTAND. 263 00:19:17,678 --> 00:19:20,376 OKAY. THE THING WAS... 264 00:19:23,597 --> 00:19:26,165 STOP! WAIT! 265 00:19:26,208 --> 00:19:27,644 I'M SORRY, DO I KNOW YOU? 266 00:19:29,994 --> 00:19:33,302 WHO ARE YOU? YOU LOOK JUST LIKE ME. 267 00:19:37,263 --> 00:19:39,439 YOU GOTTA BE KIDDING ME. 268 00:19:41,832 --> 00:19:43,443 BROTHER DANIEL NEEDS MY HELP. 269 00:19:43,486 --> 00:19:45,793 TO HELP BROTHER DANIEL, I HAVE TO GET TO FYODOR WAX. 270 00:19:45,836 --> 00:19:48,491 I DON'T KNOW WHERE HE IS, BUT THEN I REMEMBER THIS TAPE. 271 00:19:48,535 --> 00:19:51,364 YEARS AGO FYODOR SENT ME A TAPE. 272 00:19:51,407 --> 00:19:53,148 WHAT'S ON THE TAPE? WELL, THE TAPE IS INFORMATION. 273 00:19:53,192 --> 00:19:54,541 DOES IT JUST PLAY AUTOMATICALLY? 274 00:19:54,584 --> 00:19:56,369 OF COURSE IT DOESN'T PLAY AUTOMATICALLY. 275 00:19:56,412 --> 00:19:57,979 IT JUST MAKES SOUND 276 00:19:58,022 --> 00:19:59,459 BECAUSE SOMEONE WANTS TO MAKE IT MAKE SOUND. 277 00:19:59,502 --> 00:20:00,982 WHO'S THE SOMEONE? IT'S FYODOR. 278 00:20:01,025 --> 00:20:02,549 HE USED TO PLAY THE PIANO. 279 00:20:02,592 --> 00:20:05,029 THOSE MUST BE FYODOR'S HANDS. THEY HAVE TO BE. 280 00:20:05,073 --> 00:20:07,641 IN THE BACKGROUND THERE'S A LITTLE COASTER, 281 00:20:07,684 --> 00:20:11,427 AND ON THAT COASTER, IF YOU STOP THE TAPE 282 00:20:11,471 --> 00:20:13,951 IT SAYS, "THE HOTEL BABYLON." 283 00:20:13,995 --> 00:20:16,084 IS HE TALKING TO ME? IS HE ASKING ME SOMETHING? 284 00:20:16,127 --> 00:20:18,521 IS HE SAYING TO ME, "I WANT YOU TO COME TO ME. 285 00:20:18,565 --> 00:20:21,089 SO THAT YOU, WHEN YOU GET TO ME, WILL TALK TO ME 286 00:20:21,132 --> 00:20:23,439 OR HEAR SOME MORE INFORMATION FROM ME, FOR YOU?" 287 00:20:23,483 --> 00:20:25,702 I DON'T KNOW. 288 00:20:25,746 --> 00:20:29,271 TO HELP BROTHER DANIEL, I HAVE TO GET TO FYODOR WAX. 289 00:20:29,315 --> 00:20:30,751 I THINK THIS IS A MESSAGE FOR ME. 290 00:20:30,794 --> 00:20:33,101 PIANO. PIANO. 291 00:20:33,144 --> 00:20:34,711 WHAT HE REALLY MEANS IS, 292 00:20:34,755 --> 00:20:36,844 "COME GET ME, YOU FUCKING LUNATIC." 293 00:20:40,891 --> 00:20:42,676 ...PLEASANT EXPERIENCE, ALL IN ALL. 294 00:20:42,719 --> 00:20:45,156 I'M SORRY, DO I KNOW YOU? 295 00:20:52,599 --> 00:20:54,862 WHAT IF YOU WERE ABLE TO GO BACK 296 00:20:54,905 --> 00:20:58,561 AND REPLAY THE SAME WAY YOU REWIND A FILM 297 00:20:58,605 --> 00:21:02,261 TO SEE A PART THAT YOU WANTED TO SEE AGAIN ALL OVER AGAIN? 298 00:21:02,304 --> 00:21:03,479 WHAT IF TIME COULD WORK THAT WAY? 299 00:21:03,523 --> 00:21:05,438 WHAT IF TIME COULD WORK IN THE WAY 300 00:21:05,481 --> 00:21:07,875 THAT YOU COULD GO BACK IN TIME AND FIND THAT ONE PERSON, 301 00:21:07,918 --> 00:21:10,181 THAT ONE PERSON WHO WAS THE ONE THAT GOT AWAY, 302 00:21:10,225 --> 00:21:11,879 OR THE ONE THAT YOU GOT AWAY FROM, 303 00:21:11,922 --> 00:21:15,361 AND YOU COULD SAY TO THEM, "I KNOW WHAT I DID WRONG. 304 00:21:15,404 --> 00:21:17,624 DO YOU KNOW WHAT YOU DID WRONG? 305 00:21:17,667 --> 00:21:20,670 CAN WE AGREE ON WHAT WE DID WRONG?" 306 00:21:29,810 --> 00:21:31,377 I THINK BACK TO THINGS THAT HAVE COME BEFORE 307 00:21:31,420 --> 00:21:35,685 AND I WONDER WHAT MAKES THEN SO DIFFERENT THAN NOW? 308 00:21:35,729 --> 00:21:37,774 BECAUSE IF I HAD THE ABILITY TO GO BACK TO THEN, 309 00:21:37,818 --> 00:21:39,298 I WOULDN'T THINK OF THEN AS THEN, 310 00:21:39,341 --> 00:21:41,038 I WOULD THINK OF IT AS NOW. 311 00:21:41,082 --> 00:21:43,780 SO, IS "THEN" NOW? 312 00:21:43,824 --> 00:21:47,262 AND EVEN "NOW" IS WHAT WAS TO BE BACK THEN 313 00:21:47,306 --> 00:21:49,308 WHEN I WAS THINKING IT WAS NOW. 314 00:21:49,351 --> 00:21:51,135 AND IT'S A LITTLE STRANGE, DON'T YOU THINK? 315 00:21:51,179 --> 00:21:55,139 BECAUSE "TO BE" IS TO BE NOW. 316 00:21:55,183 --> 00:21:57,141 I MEAN, NOW. 317 00:21:57,185 --> 00:22:00,623 WELL, THEN WHAT I MEANT NOW TO BE ISN'T TO BE, 318 00:22:00,667 --> 00:22:04,584 BECAUSE "TO BE" IS NOW, BUT WHAT I MEANT TO BE WAS THEN, 319 00:22:04,627 --> 00:22:07,021 THEN REFERRED TO AS NOW, 320 00:22:07,064 --> 00:22:10,590 ONLY WHEN I WAS SPEAKING OF IT AS "NOW" THEN BEFORE. 321 00:22:13,375 --> 00:22:15,116 WHOA. 322 00:22:15,159 --> 00:22:16,378 WHOA. 323 00:22:16,422 --> 00:22:17,814 ARE WE RELATED, MAN? 324 00:22:17,858 --> 00:22:21,209 I'VE NEVER SEEN ANYONE LOOK SO MUCH LIKE ME. 325 00:22:21,252 --> 00:22:23,690 I KNOW, I KNOW. JUST, PLEASE, STAY WITH ME. 326 00:22:26,214 --> 00:22:28,085 HAVE A LOOK AT THAT. 327 00:22:28,129 --> 00:22:30,174 OH, MAN, THIS IS NOT HAPPENING. 328 00:22:30,218 --> 00:22:32,220 I THINK SOMEONE IS AFTER US. 329 00:22:32,263 --> 00:22:35,136 HAVE YOU NOTICED ANYTHING SUSPICIOUS AROUND HERE LATELY? 330 00:22:35,179 --> 00:22:39,793 IS THIS ABOUT THE GLUE THAT SHEILA LEFT IN THE DUMPSTER? 331 00:22:39,836 --> 00:22:42,578 MAN, I CAN EXPLAIN THAT. 332 00:22:42,622 --> 00:22:44,232 THAT'S GREAT. 333 00:22:44,275 --> 00:22:46,321 LOCAL POLICE ARE CONDUCTING AN INVESTIGATION 334 00:22:46,365 --> 00:22:49,324 INTO THE APPARENT HOMICIDE OF A 40-YEAR-OLD LOCAL TRADER. 335 00:22:49,368 --> 00:22:53,241 MR. DREYFUS TIERNEY'S BODY WAS DISCOVERED EARLIER TODAY 336 00:22:53,284 --> 00:22:55,983 NEAR THE CENTRAL STOCK EXCHANGE COMPLEX. 337 00:22:56,026 --> 00:22:58,812 CAUSE OF DEATH, MULTIPLE KNIFE WOUNDS TO THE ABDOMEN. 338 00:22:58,855 --> 00:23:01,989 THE POLICE DEPARTMENT HAS NOT ISSUED A STATEMENT, 339 00:23:02,032 --> 00:23:04,774 BUT THERE IS SPECULATION AS TO WHETHER THIS MURDER 340 00:23:04,818 --> 00:23:06,123 WAS CONNECTED TO THE STABBING DEATH... 341 00:23:06,167 --> 00:23:07,560 SOMEBODY CHANGE THE CHANNEL, MAN. 342 00:23:07,603 --> 00:23:10,737 I'M JUST GONNA FINISH THIS. 343 00:23:21,530 --> 00:23:23,227 THERE MIGHT BE OTHER VERSIONS OF ME IN THE WORLD, 344 00:23:23,271 --> 00:23:24,838 BUT I STILL FELT ALONE. 345 00:23:24,881 --> 00:23:27,449 NONE OF THESE CHEAP DUPLICATES KNEW WHO THE KILLER WAS, 346 00:23:27,493 --> 00:23:30,583 AND THEY WERE PAYING FOR THEIR IGNORANCE IN BLOOD. 347 00:23:30,626 --> 00:23:33,803 MAYBE THE CLUES WERE CLOSER TO HOME, 348 00:23:33,847 --> 00:23:38,025 IN THE PLACES I'D BEEN TOO AFRAID TO LOOK UNTIL NOW. 349 00:23:54,258 --> 00:23:57,958 THAT-- THAT SYMBOL MEANS "OMPHALOS." 350 00:23:59,612 --> 00:24:02,223 YEAH. 351 00:24:03,267 --> 00:24:05,313 OMPHALOS? 352 00:24:05,356 --> 00:24:09,448 YEAH, IN GREEK "OMPHALOS" MEANS NAVEL. 353 00:24:15,758 --> 00:24:17,717 I'M SORRY, DID YOU SAY "NAVEL"? 354 00:24:17,760 --> 00:24:19,762 ZEUS. 355 00:24:19,806 --> 00:24:22,156 ZEUS FOISTED TWO EAGLES ACROSS THE WORLD 356 00:24:22,199 --> 00:24:24,201 TO MEET AT THE NAVEL OF THE WORLD. 357 00:24:25,725 --> 00:24:27,727 ARE YOU ALL RIGHT? 358 00:24:30,033 --> 00:24:31,644 I HAVE TO LOOK SOMETHING UP. WHAT TIME DO YOU CLOSE? 359 00:24:31,687 --> 00:24:34,081 WE DON'T CLOSE. NO. 360 00:24:34,124 --> 00:24:37,084 YOU DON'T CLOSE. 361 00:24:37,127 --> 00:24:40,435 WHERE WOULD I FIND THE MICROFICHE? 362 00:24:40,479 --> 00:24:44,134 I HAVE NO IDEA. 363 00:24:46,180 --> 00:24:48,356 GREAT. 364 00:24:48,399 --> 00:24:52,229 CREATION FROM NOTHING. 365 00:24:53,274 --> 00:24:56,277 THE CORDS ALL LINK BACK. 366 00:24:59,541 --> 00:25:00,934 JOYCE. 367 00:25:08,768 --> 00:25:10,378 HERE YOU ARE. 368 00:25:16,340 --> 00:25:18,734 YOUR FATHER FIDDLED WITH THE FABRIC. 369 00:25:18,778 --> 00:25:20,344 I'M SORRY? 370 00:25:20,388 --> 00:25:23,826 WE HAVE NEWSPAPER ARTICLES GOING BACK 200 YEARS. 371 00:25:23,870 --> 00:25:25,828 THANK YOU. 372 00:25:25,872 --> 00:25:29,440 OH, IF YOU NEED HELP, 373 00:25:29,484 --> 00:25:31,617 -SHE'S VERY GOOD. -NO, I DON'T-- I DON'T NEED-- 374 00:25:31,660 --> 00:25:32,966 I'LL BE GOING. 375 00:25:35,795 --> 00:25:38,406 LIGHTS OUT AT SIX! 376 00:25:38,449 --> 00:25:42,541 NO DALLIANCE, NO BODY DILATORY! 377 00:25:47,676 --> 00:25:49,809 YOU ARE A LIZARD WARRIOR. 378 00:25:49,852 --> 00:25:52,202 IF YOU SIT IN THE SUN LONG ENOUGH, YOU'LL GET HIT. 379 00:26:03,170 --> 00:26:05,172 I ASKED THE LIBRARIAN 380 00:26:05,215 --> 00:26:07,740 FOR ALL ARTICLES CONTAINING THE WORD OMPHALOS. 381 00:26:43,514 --> 00:26:45,473 FIND WHAT YOU WERE LOOKING FOR? 382 00:26:45,516 --> 00:26:47,475 I KNOW WHERE I WAS BORN NOW. 383 00:26:47,518 --> 00:26:51,087 EXCELLENT. COME BACK ANYTIME. 384 00:27:30,953 --> 00:27:32,476 SOMETIMES YOU WAKE UP IN THE MORNING 385 00:27:32,520 --> 00:27:34,827 AND YOU'RE LIKE THIS. 386 00:27:38,526 --> 00:27:40,354 YOU'RE LIKE A LIZARD ON A ROAD. 387 00:27:49,102 --> 00:27:50,538 YOU DON'T KNOW WHO YOU ARE? 388 00:27:50,581 --> 00:27:52,018 CAN YOU TELL ME ANYTHING ABOUT YOU? 389 00:27:52,061 --> 00:27:54,063 YOU KNOW WHO YOU ARE. 390 00:28:02,376 --> 00:28:05,684 IS THIS A GOOD MOVE FOR YOU OR A BAD MOVE? 391 00:28:24,659 --> 00:28:26,617 GOD! 392 00:28:26,661 --> 00:28:28,054 WHAT ARE YOU DOING IN HERE? 393 00:28:28,097 --> 00:28:29,838 -YOU KNOW WHAT TIME IT IS? -NO, I DON'T. 394 00:28:29,882 --> 00:28:31,318 I'M STARVING! 395 00:28:31,361 --> 00:28:34,538 -OH, GOD! -YOU WANT ME TO STARVE TO DEATH. 396 00:28:34,582 --> 00:28:36,453 I'LL BE RIGHT THERE. 397 00:28:36,497 --> 00:28:39,674 SOMETIMES SHE'S JUST TALKING TO YOU, 398 00:28:39,718 --> 00:28:41,676 AND YOU REMEMBER WHAT IT'S LIKE. 399 00:28:41,720 --> 00:28:43,939 LIKE, A NURTURING BEING, RIGHT? 400 00:28:43,983 --> 00:28:46,333 I CAN'T GET TO HER, BECAUSE SHE'S GONE 401 00:28:46,376 --> 00:28:48,335 AND HAS BEEN FOR A VERY LONG TIME. 402 00:28:48,378 --> 00:28:51,338 AND WHEN I SAY GONE, I DON'T MEAN LIKE ON A TRIP TO A STORE. 403 00:28:51,381 --> 00:28:54,733 IT'S MORE LIKE DEAD. 404 00:28:59,041 --> 00:29:01,391 SOGGY. 405 00:29:04,394 --> 00:29:07,615 I WILL GET BETTER CEREAL. 406 00:29:10,661 --> 00:29:12,663 WHAT THE FUCK DOES THAT MEAN? 407 00:29:14,187 --> 00:29:15,536 I THINK THERE'S SOMEONE 408 00:29:15,579 --> 00:29:17,233 WHO WANTS TO SAY SOMETHING RIGHT HERE. 409 00:29:17,277 --> 00:29:20,410 WHAT DO YOU WANT TO SAY? YOU ARE ON THE AIR. 410 00:29:20,454 --> 00:29:22,630 WHAT'S THIS PICTURE? 411 00:29:22,673 --> 00:29:24,371 DON'T TOUCH. 412 00:29:24,414 --> 00:29:26,765 MY MEMORIES. DON'T FUCKING TOUCH, DANIEL! 413 00:29:30,812 --> 00:29:32,771 MY NAME'S DARIUS, BABS. 414 00:29:35,556 --> 00:29:38,994 YOU LOOK MORE LIKE A DANIEL. 415 00:29:39,038 --> 00:29:41,692 THERE WAS ONCE A TIME THAT I WAS IN A CIRCUS. 416 00:29:41,736 --> 00:29:43,172 AND INSIDE THE CIRCUS THERE WAS A FRIEND 417 00:29:43,216 --> 00:29:45,174 AND HIS NAME WAS DANIEL. 418 00:29:45,218 --> 00:29:47,263 DANIEL WAS THE TYPE OF GUY WHO COULD TAKE A HAT 419 00:29:47,307 --> 00:29:49,396 AND HE COULD FLIP IT AROUND AND CATCH IT ON HIS FOOT. 420 00:29:49,439 --> 00:29:51,354 FLIP IT-- 421 00:30:00,102 --> 00:30:02,975 HELP! 422 00:30:39,881 --> 00:30:40,882 NO FOREIGN TECHNOLOGY. 423 00:30:40,926 --> 00:30:42,188 YOU DON'T KNOW THE TECHNOLOGY. 424 00:30:42,231 --> 00:30:43,580 YOU DON'T HAVE A RELATIONSHIP WITH IT. 425 00:30:43,624 --> 00:30:44,973 THAT WOULD BE LIKE YOU GET MARRIED TO SOMEBODY 426 00:30:45,017 --> 00:30:46,453 THAT YOU'VE NEVER EVEN MET. 427 00:30:46,496 --> 00:30:48,020 WHAT ARE YOU GONNA DO ON THE FIRST NIGHT? 428 00:30:48,063 --> 00:30:50,544 YOU'RE LAYING IN BED, YOU ROLL OVER AND YOU SAY, 429 00:30:50,587 --> 00:30:51,893 "ARE YOU A MAN OR A WOMAN?", 430 00:30:51,937 --> 00:30:54,374 AND THEN YOU FIGURE IT OUT THEN. 431 00:30:54,417 --> 00:30:57,464 AND THEN YOUR LIP FREEZES UP AND YOU CANNOT SPEAK 432 00:30:57,507 --> 00:31:00,467 AS WELL AS YOU USED TO BE ABLE TO SPEAK. 433 00:31:00,510 --> 00:31:03,296 MY LIP WAS IN A TEMPORARILY FEAR STATE, 434 00:31:03,339 --> 00:31:04,950 AN ANGRY STATE, AN ANGRY LIP. 435 00:31:04,993 --> 00:31:06,952 I DON'T EVEN BELIEVE THESE THINGS I'M TELLING YOU. 436 00:31:06,995 --> 00:31:08,910 IN FACT, I DON'T EVEN BELIEVE THAT THERE IS A YOU 437 00:31:08,954 --> 00:31:12,783 BECAUSE I HAVEN'T SEEN ANY EVIDENCE OF YOU EVER BEFORE. 438 00:31:29,713 --> 00:31:31,063 A MURDER. 439 00:31:31,106 --> 00:31:33,543 A TEENAGER KILLED IN A BRUTAL STABBING. 440 00:31:33,587 --> 00:31:34,893 WHY? 441 00:31:37,025 --> 00:31:38,722 AND THEN I SAW THE OTHER ARTICLE. 442 00:31:42,117 --> 00:31:46,165 DARIUS LEFAUX FOUND ON ROUTE 80. 443 00:31:50,386 --> 00:31:52,780 HAD I KILLED THAT BOY? 444 00:31:54,869 --> 00:31:56,262 [NO AUDIBLE DIALOGUE] 445 00:31:59,395 --> 00:32:01,397 HELLO? 446 00:32:08,448 --> 00:32:10,450 HELLO? 447 00:32:21,591 --> 00:32:24,768 I STARTED MY LIFE A LOST SOUL ON A ROAD 448 00:32:24,812 --> 00:32:27,467 IN CLOSE PROXIMITY TO A MURDER SCENE. 449 00:32:29,338 --> 00:32:32,080 DID I KILL THAT KID IN THE NEWSPAPER CLIPPING? 450 00:32:32,124 --> 00:32:34,256 MAYBE THAT'S WHY SOMEONE WANTED ME DEAD. 451 00:32:39,044 --> 00:32:42,003 THIS IS GONNA BE LIKE A REUNION, LIKE A FAMILY REUNION. 452 00:32:42,047 --> 00:32:43,396 BUT IT'S GONNA BE LIKE A FAMILY REUNION 453 00:32:43,439 --> 00:32:45,006 WHERE THE HOUSE BURNS DOWN. 454 00:32:50,751 --> 00:32:53,014 IT'S GONNA BE LIKE A FAMILY REUNION 455 00:32:53,058 --> 00:32:55,974 WHERE EVERYONE TAKES FORKS AND GOUGES EACH OTHER'S EYES OUT. 456 00:32:57,976 --> 00:32:59,847 IT'LL BE LIKE A FAMILY REUNION WHERE EVERYONE'S IN LOVE 457 00:32:59,890 --> 00:33:02,806 AND IT'S CHRISTMASTIME AND EVERYONE'S SO HAPPY TO CELEBRATE. 458 00:33:02,850 --> 00:33:05,592 BUT INSTEAD WHAT THEY DO IS THEY POISON EACH OTHER'S FOOD. 459 00:33:18,431 --> 00:33:20,302 THAT'S WHAT IT'S GONNA BE LIKE 460 00:33:20,346 --> 00:33:22,261 TO REUNITE WITH MY DEAR FRIEND FYODOR. 461 00:33:48,461 --> 00:33:51,290 HEY! 462 00:33:59,472 --> 00:34:02,214 OKAY. OKAY. 463 00:34:03,606 --> 00:34:05,608 OKAY. 464 00:34:11,571 --> 00:34:14,530 I ALMOST HOPED I WAS GOING CRAZY. 465 00:34:14,574 --> 00:34:16,141 YOU KNOW YOU'RE IN DEEP 466 00:34:16,184 --> 00:34:18,491 WHEN YOUR BEST HOPE OF SALVATION IS THE POSSIBILITY 467 00:34:18,534 --> 00:34:21,537 THAT YOU ARE IN FACT INSANE. 468 00:34:33,549 --> 00:34:36,726 [NO AUDIBLE DIALOGUE] 469 00:35:01,577 --> 00:35:03,449 MR. LEFAUX. 470 00:35:03,492 --> 00:35:05,929 WHEN WAS THIS TAKEN? 471 00:35:05,973 --> 00:35:09,585 A LONG TIME AGO. 472 00:35:10,630 --> 00:35:12,806 WHAT BRINGS YOU HERE? 473 00:35:15,200 --> 00:35:19,465 I CAME FOR A NEW PRESCRIPTION FOR THORAZINE. 474 00:35:19,508 --> 00:35:23,121 JUST BEEN HAVING A LOT OF MEMORIES. 475 00:35:23,164 --> 00:35:25,384 NORMALLY I DON'T REMEMBER VERY MUCH, THOUGH. 476 00:35:25,427 --> 00:35:29,649 I JUST NEED A NEW PRESCRIPTION. 477 00:35:29,692 --> 00:35:31,912 WHAT KIND OF MEMORIES? 478 00:35:31,955 --> 00:35:34,958 IT'S BITS AND PIECES. 479 00:35:39,398 --> 00:35:41,748 THIS STRANGE TUNNEL. 480 00:35:41,791 --> 00:35:44,664 SOMETHING ABOUT A CIRCUS. 481 00:35:44,707 --> 00:35:47,362 THIS BEAUTIFUL GIRL. 482 00:35:49,408 --> 00:35:52,759 AND, UM... 483 00:35:52,802 --> 00:35:54,804 THERE'S THIS PHRASE. 484 00:35:54,848 --> 00:35:58,852 THIS GODDAMN PHRASE, I CAN'T GET IT OUT OF MY HEAD. 485 00:35:59,853 --> 00:36:02,334 SPARROW IS DEAD. 486 00:36:02,377 --> 00:36:04,597 I DON'T KNOW. 487 00:36:04,640 --> 00:36:06,425 YOU TELL ME. 488 00:36:06,468 --> 00:36:09,645 CAN YOU TELL ME MORE ABOUT THIS GIRL? 489 00:36:09,689 --> 00:36:12,082 LOOK, I KEEP SEEING DUPLICATES OF MYSELF. 490 00:36:12,126 --> 00:36:15,651 DUPLICATES OF YOURSELF? 491 00:36:15,695 --> 00:36:18,045 I THINK I'M IN DANGER. 492 00:36:18,088 --> 00:36:20,830 WHY DO YOU THINK YOU'RE IN DANGER? 493 00:36:20,874 --> 00:36:23,268 I THINK SOMEONE'S TRYING TO KILL ME. 494 00:36:23,311 --> 00:36:27,185 I DON'T THINK I'M THE RIGHT PERSON TO TREAT YOU. 495 00:36:27,228 --> 00:36:29,099 I DON'T NEED YOU TO TREAT ME, I JUST-- I JUST-- 496 00:36:29,143 --> 00:36:30,710 I'M GOING TO REFER YOU TO A COLLEAGUE OF MINE. 497 00:36:30,753 --> 00:36:32,755 THERE ARE DIFFERENT VERSIONS OF ME IN THE WORLD. 498 00:36:32,799 --> 00:36:36,411 WELL, I THINK THAT'S TRUE FOR ALL OF US, DANIEL-- 499 00:36:36,455 --> 00:36:38,761 MR. LEFAUX. 500 00:36:38,805 --> 00:36:40,807 YOU JUST CALLED ME DANIEL. 501 00:36:42,417 --> 00:36:44,680 YOU LOOK SO MUCH LIKE HIM. 502 00:36:50,077 --> 00:36:51,905 I'M SORRY. 503 00:36:51,948 --> 00:36:53,298 I HAVE TO GO. 504 00:36:57,650 --> 00:37:00,653 WAIT! MR. LEFAUX! 505 00:38:30,525 --> 00:38:32,832 BACK TO THE DRAWING BOARD FOR OLD JOHN LUKA. 506 00:38:32,875 --> 00:38:35,356 YOU MAKE STUFF, YOU LOSE IT, YOU BREAK IT, 507 00:38:35,400 --> 00:38:36,792 AND THEN HOPEFULLY YOU GET IT BACK. 508 00:38:36,836 --> 00:38:38,794 BUT SOMETIMES YOU DON'T GET IT BACK. 509 00:38:38,838 --> 00:38:42,363 SOMETIMES THE THINGS YOU LOSE STAY GONE FOREVER, 510 00:38:42,407 --> 00:38:46,715 AND TIME JUST SLIPS AWAY FROM YOU BECAUSE IT'S NOT STOPPING, 511 00:38:46,759 --> 00:38:49,718 AND THAT'S WHERE OMPHALOS COMES IN. 512 00:38:49,762 --> 00:38:53,461 WHAT IF TIME DIDN'T HAVE TO KEEP GOING AND GOING AND GOING? 513 00:39:13,525 --> 00:39:15,788 FROM THAT POINT ON, I KNEW I'D BEEN WRONG ABOUT EVERYTHING. 514 00:39:22,795 --> 00:39:25,537 SOMEONE ELSE WASN'T AFTER ME FOR MURDER. 515 00:39:25,580 --> 00:39:27,103 I WAS AFTER MYSELF FOR MURDER. 516 00:39:27,147 --> 00:39:29,497 BABS! 517 00:39:30,933 --> 00:39:32,195 BABS! 518 00:39:32,239 --> 00:39:34,415 OH, BABS! 519 00:39:34,459 --> 00:39:35,851 SHH! GENTLY, GENTLY. 520 00:39:35,895 --> 00:39:37,113 I'M SO SORRY. 521 00:39:37,157 --> 00:39:39,507 YOUR MEDICINE. 522 00:39:39,551 --> 00:39:41,074 HERE YOU GO. HERE YOU GO. 523 00:39:41,117 --> 00:39:42,423 HERE YOU GO. 524 00:39:42,467 --> 00:39:44,686 THERE YOU GO. 525 00:39:44,730 --> 00:39:45,992 HERE, HAVE SOME WATER. 526 00:39:48,037 --> 00:39:50,039 EASY. 527 00:39:51,998 --> 00:39:53,565 OKAY. 528 00:39:53,608 --> 00:39:56,219 I'M SO SORRY. 529 00:39:56,263 --> 00:39:58,221 YOU'RE OKAY. 530 00:39:58,265 --> 00:40:01,616 YOU'RE OKAY. 531 00:40:01,660 --> 00:40:03,749 I GOT YOU. 532 00:40:13,628 --> 00:40:15,108 HOPE YOU WERE OUT HAVING A GOOD TIME 533 00:40:15,151 --> 00:40:18,154 WHILE YOU WERE FORGETTING ABOUT OLD BABS. 534 00:40:20,983 --> 00:40:22,507 NOT REALLY. 535 00:40:24,160 --> 00:40:25,640 YOU SHOULD'VE BEEN. 536 00:40:27,468 --> 00:40:29,165 I MESSED UP. 537 00:40:29,209 --> 00:40:32,212 YEAH, WELL... 538 00:40:33,735 --> 00:40:35,128 WELL, WHERE WERE YOU? 539 00:40:37,304 --> 00:40:40,046 I'VE BEEN GOING THROUGH A LOT LATELY. 540 00:40:40,089 --> 00:40:42,483 I HAVEN'T KNOWN WHAT'S REAL. 541 00:40:48,576 --> 00:40:50,839 THIS IS REAL. 542 00:40:50,883 --> 00:40:52,450 BABS IS REAL. 543 00:40:53,886 --> 00:40:56,845 I'M THE PERSON YOU TAKE CARE OF. 544 00:40:56,889 --> 00:41:00,632 I NEED YOU. 545 00:41:00,675 --> 00:41:04,157 I WON'T ALWAYS BE ABLE TO TAKE CARE OF YOU. 546 00:41:04,200 --> 00:41:06,986 IT'S GOOD TO NEED PEOPLE. 547 00:41:07,029 --> 00:41:09,031 WHO DO YOU NEED? 548 00:41:20,608 --> 00:41:23,568 THE GIRL IN THE CAR WAS ALISE. 549 00:41:23,611 --> 00:41:26,701 ALISE SPIEGELMAN. THE GIRL FROM MY MEMORIES. 550 00:41:29,356 --> 00:41:30,749 AND I'D JUST SEEN HER. 551 00:41:53,162 --> 00:41:55,295 HOW DID YOU FIND ME? 552 00:41:59,038 --> 00:42:03,912 MR. LUKA. HOW DID YOU FIND ME? 553 00:42:03,956 --> 00:42:06,306 -I NEED TO SPEAK WITH YOU. -[LEFAUX] I REMEMBER EVERYTHING. 554 00:42:06,349 --> 00:42:08,569 WE WERE TOGETHER. 555 00:42:08,613 --> 00:42:11,441 BUT I SAW YOU LAST WEEK. 556 00:42:14,401 --> 00:42:16,925 I HAVEN'T SEEN YOU IN 10 YEARS. 557 00:42:16,969 --> 00:42:18,623 YOU DIED 10 YEARS AGO. 558 00:42:18,666 --> 00:42:21,408 I WAS BORN 10 YEARS AGO. 559 00:42:23,410 --> 00:42:27,414 GOOD GOD. YOU BETTER COME IN. 560 00:42:41,776 --> 00:42:45,388 ONE OF THOSE MOMENTS YOU KEEP GOING BACK TO 561 00:42:45,432 --> 00:42:47,739 AND WONDER IF YOU COULD DO THINGS DIFFERENTLY. 562 00:42:47,782 --> 00:42:49,305 EVERYTHING SLOWED DOWN. 563 00:42:49,349 --> 00:42:51,917 I MEAN, YOU WOULD NEVER THINK-- 564 00:42:51,960 --> 00:42:54,354 HOW LONG WERE WE TOGETHER? 565 00:42:54,397 --> 00:42:55,703 SIX YEARS. 566 00:42:55,747 --> 00:42:58,663 I HAVEN'T OPENED THIS BOX IN A LONG TIME. 567 00:42:58,706 --> 00:43:00,795 WHY NOT? 568 00:43:00,839 --> 00:43:04,582 THE PAST IS A DANGEROUS PLACE. 569 00:43:04,625 --> 00:43:07,454 YOU CAN FALL RIGHT INTO IT AND NEVER COME BACK. 570 00:43:19,335 --> 00:43:21,990 WE ARE MATURE IN ONE REALM, 571 00:43:22,034 --> 00:43:25,341 CHILDISH IN ANOTHER. 572 00:43:27,430 --> 00:43:31,173 THE PAST, PRESENT, AND FUTURE MINGLE 573 00:43:31,217 --> 00:43:34,612 AND PULL US BACKWARD, FORWARD, 574 00:43:34,655 --> 00:43:37,615 OR FIX US IN THE PRESENT. 575 00:43:37,658 --> 00:43:42,968 WE ARE MADE OF LAYERS, CELLS, CONSTELLATIONS. 576 00:43:45,361 --> 00:43:48,364 I ALWAYS REMEMBERED THOSE WORDS BUT COULD NEVER PLACE THEM. 577 00:43:52,978 --> 00:43:55,197 JUST-- 578 00:43:55,241 --> 00:43:57,547 OKAY, WHAT'S GOING ON? 579 00:43:57,591 --> 00:43:59,724 I NEED YOU TO GIVE ME A LITTLE MORE HERE. 580 00:43:59,767 --> 00:44:01,769 ISN'T THIS ENOUGH? 581 00:44:01,813 --> 00:44:05,120 I DON'T KNOW ANYTHING ABOUT YOU. 582 00:44:05,164 --> 00:44:06,687 WHERE DO YOU LIVE? 583 00:44:06,731 --> 00:44:08,254 WHO ARE YOUR FRIENDS? 584 00:44:08,297 --> 00:44:11,692 DO YOU KNOW WHAT SPARROW WAS? 585 00:44:11,736 --> 00:44:14,216 WAS THAT SOMETHING WE SAID? 586 00:44:14,260 --> 00:44:16,479 WHY ARE YOU ALIVE? 587 00:44:16,523 --> 00:44:18,873 LET'S START THERE. 588 00:44:25,053 --> 00:44:26,315 I QUIT THE PROGRAM. 589 00:44:29,101 --> 00:44:31,190 I RESIGNED IN PROTEST. 590 00:44:31,233 --> 00:44:35,977 AND AT ANY RATE, YOUR MONEY IS... 591 00:44:36,021 --> 00:44:37,413 TWO WEEKS IN THE FUTURE. 592 00:44:37,457 --> 00:44:38,719 FORGET ABOUT THE MONEY. 593 00:44:38,763 --> 00:44:39,981 DID YOU SEND ME THAT TAPE? 594 00:44:40,025 --> 00:44:41,679 DID YOU WANT ME TO FIND YOU? 595 00:44:41,722 --> 00:44:44,725 I TRY NOT TO ACT ANYMORE, MR. LUKA. 596 00:44:44,769 --> 00:44:46,901 I TRY AND BE. 597 00:44:46,945 --> 00:44:50,078 PERHAPS HELP OTHERS... 598 00:44:50,122 --> 00:44:53,125 INCREASE THEIR AWARENESS OF-- WELL-- 599 00:44:53,168 --> 00:44:55,867 -WELL, THE INNER MUSIC. -I'M CONCERNED ABOUT BROTHER DANIEL. 600 00:44:55,910 --> 00:44:58,957 -I SAW ON THE NEWS. -YOU'D BE WISE TO LEAVE WELL ENOUGH ALONE 601 00:44:59,000 --> 00:45:01,263 WITH MR. LEFAUX. 602 00:45:01,307 --> 00:45:04,789 TAMPERING TANGLES THE TISSUE. 603 00:45:20,718 --> 00:45:22,937 DUAL CAUSALITY, CURTAINS FOR SCHMEDLEY. 604 00:45:22,981 --> 00:45:25,418 ENJOY THE FINISHING FIREWORKS. 605 00:45:25,461 --> 00:45:28,334 THEN I'LL FIND HIM MYSELF. 606 00:45:28,377 --> 00:45:31,337 YOU NEEDN'T LOOK FAR. TRY THE SCENE OF THE CRIME. 607 00:45:31,380 --> 00:45:34,906 ALL RIGHT. 608 00:45:34,949 --> 00:45:38,170 BUT BE CAREFUL WHERE YOU INTERCEDE. 609 00:45:38,213 --> 00:45:41,564 THE MAKER HAS ALWAYS HAD THE BETTER MAP. 610 00:45:57,015 --> 00:45:59,800 ♪ SOMETIMES I FEEL 611 00:46:00,845 --> 00:46:03,630 ♪ LIKE A SPARROW... 612 00:46:07,677 --> 00:46:11,203 I THINK I'VE ALWAYS BEEN WAITING FOR YOU 613 00:46:11,246 --> 00:46:13,640 TO HAVE THINGS MAKE SENSE. 614 00:46:13,683 --> 00:46:17,687 ♪ SOMETIMES I FEEL LIKE A SPARROW ♪ 615 00:46:18,906 --> 00:46:23,041 ♪ TELL ME, TELL ME 616 00:46:23,084 --> 00:46:25,739 ♪ WHERE DO I GO? 617 00:46:38,230 --> 00:46:40,841 DANIEL. 618 00:47:00,426 --> 00:47:02,428 -BYE. -BYE. 619 00:47:37,855 --> 00:47:39,944 TIMMS? 620 00:47:39,987 --> 00:47:42,294 LEFAUX? IS THAT YOU? 621 00:47:42,337 --> 00:47:45,514 -YEAH. -I GOT ANOTHER MURDER FOR YA. 622 00:47:45,558 --> 00:47:47,212 THEY'RE DROPPING LIKE FLIES, HUH? 623 00:47:47,255 --> 00:47:48,735 CAN'T HANDLE ANOTHER MURDER. 624 00:47:48,778 --> 00:47:50,911 WELL, THIS AIN'T EXACTLY ANOTHER MURDER 625 00:47:50,955 --> 00:47:52,521 IN THE TRADITIONAL SENSE. 626 00:47:52,565 --> 00:47:56,917 -WHAT DO YOU MEAN? -DIFFERENT VICTIM, SAME BODY. 627 00:48:40,308 --> 00:48:42,223 -STAY BACK! STAY BACK. -YOU'RE ALIVE! 628 00:48:42,267 --> 00:48:44,269 -I'M NOT KIDDING. -I'M NOT GONNA HURT YOU. 629 00:48:44,312 --> 00:48:45,748 DID YOU KILL DUBIOUS? 630 00:48:45,792 --> 00:48:48,229 WHO'S DUBIOUS? IT'S ME. 631 00:48:48,273 --> 00:48:50,753 YOUR FRIEND. JOHN LUKA. 632 00:48:52,930 --> 00:48:54,888 WHO? 633 00:48:54,932 --> 00:48:56,672 OH, MAN. 634 00:48:56,716 --> 00:48:58,718 THEY REALLY MESSED YOU UP. 635 00:49:02,548 --> 00:49:03,766 OKAY. 636 00:49:03,810 --> 00:49:06,595 HE SAYS HE'LL TALK TO YOU. 637 00:49:06,639 --> 00:49:09,033 HE OWES ME A FAVOR. 638 00:49:10,991 --> 00:49:13,341 YOUR HURTS ARE ALWAYS GONNA BE WITH YOU, DANIEL. 639 00:49:13,385 --> 00:49:15,822 THEY'LL SHOW UP ON THE SIDE OF THE ROAD. 640 00:49:15,865 --> 00:49:17,650 YOU'LL GET A POSTCARD 641 00:49:17,693 --> 00:49:20,696 REMINDING YOU OF THEM. 642 00:49:20,740 --> 00:49:21,697 WHO IS THERE? 643 00:49:21,741 --> 00:49:25,527 THE DESTROYER OF WORLDS. 644 00:49:27,181 --> 00:49:29,575 OR IS THAT YOU? 645 00:49:29,618 --> 00:49:30,924 THE LIBRARIAN? 646 00:49:30,968 --> 00:49:34,449 HE BUILT OMPHALOS. 647 00:49:34,493 --> 00:49:36,364 HELLO, DANIEL. 648 00:49:38,105 --> 00:49:40,325 COME THIS WAY. 649 00:50:19,581 --> 00:50:22,236 HAVE YOU NOTICED, BESIDES THE MULTIPLE SELVES, 650 00:50:22,280 --> 00:50:24,847 SOME FUNNY BUSINESS IN THE WORLD AS IT SHOULD BE? 651 00:50:24,891 --> 00:50:27,894 CHANGING OBJECTS, LANDSCAPES THERE ONE MINUTE, GONE THE NEXT? 652 00:50:27,937 --> 00:50:29,113 YES. 653 00:50:29,156 --> 00:50:31,158 IT'S TIME TO STOP POPPING PILLS 654 00:50:31,202 --> 00:50:33,769 AND OPEN YOUR EYES. 655 00:50:34,857 --> 00:50:37,425 YOU'RE A TIME TRAVELER. 656 00:50:37,469 --> 00:50:39,340 YOU BOTH ARE TIME TRAVELERS. 657 00:50:41,386 --> 00:50:43,475 MY BROTHER OWNS A CIRCUS. 658 00:50:43,518 --> 00:50:47,131 WE FOUND YOU BOTH FOR CHEAP. 659 00:50:47,174 --> 00:50:50,308 DAMN EVERYTHING BUT THE CIRCUS! 660 00:50:53,746 --> 00:50:55,748 YOU CAME TO OMPHALOS, 661 00:50:55,791 --> 00:50:57,880 THE NAVEL, THE NAUTILUS, 662 00:50:57,924 --> 00:51:00,448 THE "OM" OF THE FIRST SOUND. 663 00:51:00,492 --> 00:51:02,668 IN THE BEGINNING, THERE WAS THE SOUND. 664 00:51:08,848 --> 00:51:10,589 I DON'T REMEMBER ANY OF THIS. 665 00:51:10,632 --> 00:51:14,245 PEOPLE SPLIT INTO PIECES HAVE TROUBLE REMEMBERING, DANIEL. 666 00:51:14,288 --> 00:51:16,377 WHY ARE YOU CALLING ME DANIEL? 667 00:51:23,602 --> 00:51:26,126 WHEN YOU TIME TRAVELED, 668 00:51:26,170 --> 00:51:30,261 YOU FRACTURED INTO ABOUT SEVEN DIFFERENT VERSIONS OF YOURSELF. 669 00:51:33,742 --> 00:51:36,441 BUT IF LUKA TIME TRAVELED AS WELL, WHY DIDN'T HE FRAGMENT? 670 00:51:36,484 --> 00:51:38,834 AH, SIMPLE DIFFERENCE OF INTERNAL ARCHITECTURE. 671 00:51:38,878 --> 00:51:41,054 YOU HAD HAIRLINE CRACKS. 672 00:51:41,098 --> 00:51:42,969 YOU HAD INTERNAL CONFLICTS. 673 00:51:43,012 --> 00:51:45,014 IF A SUBJECT IS NOT PSYCHOLOGICALLY WHOLE, 674 00:51:45,058 --> 00:51:47,147 CHANCES ARE HE'LL FRACTURE DURING TIME TRAVEL. 675 00:51:47,191 --> 00:51:49,758 I SHOULD'VE FLAGGED YOU IN THE ENTRANCE INTERVIEW. 676 00:51:49,802 --> 00:51:52,152 WHY WASN'T I WHOLE? 677 00:51:56,461 --> 00:51:57,462 SPARROW. 678 00:51:57,505 --> 00:51:59,725 WE WERE EACH GIVEN A MISSION. 679 00:51:59,768 --> 00:52:02,031 -WHAT WAS YOUR MISSION? -IT'S ALREADY ACCOMPLISHED. 680 00:52:06,427 --> 00:52:08,821 THEY USE TIME TRAVEL TO COMMIT POLITICAL MURDER, 681 00:52:08,864 --> 00:52:12,172 REVISE HISTORY FOR MORE SATISFACTORY OUTCOMES. 682 00:52:12,216 --> 00:52:14,305 ONE SHOULD BE A SURGEON WITH TIME, 683 00:52:14,348 --> 00:52:16,263 NOT WIELD A BLUNT INSTRUMENT. 684 00:52:16,307 --> 00:52:20,311 -WHO DID I KILL? -WELL, THAT'S THE PROBLEM. 685 00:52:20,354 --> 00:52:22,878 YOU KILLED YOURSELF. 686 00:52:22,922 --> 00:52:26,012 YOU BROKE APART INTO SPLINTER AVATARS 687 00:52:26,055 --> 00:52:27,535 OF THE ORIGINAL SELF. 688 00:52:27,579 --> 00:52:29,015 ONE OF THEM HAPPENED TO BE 689 00:52:29,058 --> 00:52:30,582 A PSYCHOPATHIC KILLER. 690 00:52:30,625 --> 00:52:34,673 WE CALL HIM SHEAR X, DESTROYER OF WORLDS, 691 00:52:34,716 --> 00:52:36,457 FREUD'S THANATOS EMBODIED. 692 00:52:36,501 --> 00:52:38,503 THIS VERSION OF YOURSELF WENT TO TOWN 693 00:52:38,546 --> 00:52:40,635 HUNTING THE OTHER VERSIONS OF YOURSELF 694 00:52:40,679 --> 00:52:42,550 LIKE A VIRUS EATING THE HOST BODY. 695 00:52:42,594 --> 00:52:46,250 YOU-- HE, KILLED THE ORIGINAL SPECIMEN FIRST, 696 00:52:46,293 --> 00:52:48,774 THE 20-YEAR-OLD YOU ON HOLIDAY WITH HIS GIRLFRIEND. 697 00:52:48,817 --> 00:52:52,212 YOU TOTALLY RUINED YOUR OWN AFTERNOON. 698 00:52:56,608 --> 00:52:59,306 THIS VERSION OF YOU WON'T REST UNTIL YOU'RE DEAD. 699 00:52:59,350 --> 00:53:00,916 SO WE JUST GO BACK AND FIX IT. 700 00:53:00,960 --> 00:53:02,614 YOU CAN'T GO BACK ANYMORE, DANIEL! 701 00:53:02,657 --> 00:53:04,485 YOU CAN'T FIX THINGS! 702 00:53:04,529 --> 00:53:08,402 THAT WAS MY ORIGINAL SIN BACK 10 YEARS AGO, 703 00:53:08,446 --> 00:53:12,493 BACK AT THE HOTEL BABYLON WHEN I INVENTED OMPHALOS. 704 00:53:12,537 --> 00:53:14,495 BUT YOU, YOU TOOK IT TO A WHOLE OTHER LEVEL, MAN. 705 00:53:14,539 --> 00:53:17,498 YOU, UM-- WELL, PARALLEL REALITIES. 706 00:53:17,542 --> 00:53:20,719 QUANTUM SUPERPOSITIONS SPROUT 707 00:53:20,762 --> 00:53:22,242 AS THE UNIVERSE TRIES TO RECONCILE 708 00:53:22,286 --> 00:53:24,244 CONFLICTING STORYLINES. 709 00:53:24,288 --> 00:53:26,594 WHAT DO YOU MEAN BY CONFLICTING STORYLINES? 710 00:53:26,638 --> 00:53:28,205 FOR INSTANCE, YOU EXIST IN THE FUTURE, 711 00:53:28,248 --> 00:53:30,207 YOU KILLED YOURSELF IN THE PAST. 712 00:53:30,250 --> 00:53:32,383 THAT'S SORT OF HARD TO RECONCILE, ISN'T IT? 713 00:53:32,426 --> 00:53:34,036 SEE HOW YOUR INTERNAL CONFLICTS 714 00:53:34,080 --> 00:53:35,647 ARE A LIABILITY FOR THE PLANET? 715 00:53:35,690 --> 00:53:38,389 AND IT'S GETTING WORSE WITH EACH PARADOX CREATED 716 00:53:38,432 --> 00:53:40,434 BY YOUR MULTIPLE SELVES. 717 00:53:40,478 --> 00:53:43,176 STRING THEORY BECOMES STRING CHEESE. 718 00:53:43,220 --> 00:53:45,396 EVENTUALLY, CURTAINS FOR SCHMEDLEY, 719 00:53:45,439 --> 00:53:49,008 ENDGAME FOR OEDIPUS, FINITO FOR FYODOR. 720 00:53:49,051 --> 00:53:50,792 HOW DO WE FIX IT? 721 00:53:50,836 --> 00:53:53,012 LEAVE THE WORLD ALONE. 722 00:53:53,055 --> 00:53:56,798 I'M GOING BACK TO MUSIC, FOOD, AND SEX. 723 00:53:56,842 --> 00:53:59,061 EMBRACE THE FRACTURED UNIVERSE. 724 00:53:59,105 --> 00:54:01,194 NO, NO. WHAT IF WE GO BACK FAR ENOUGH? 725 00:54:01,238 --> 00:54:03,152 YOU'D HAVE TO KILL FATHER TIME. 726 00:54:03,196 --> 00:54:05,677 GO IN TO THE DARKNESS, DANIEL. IT'S ALL YOU CAN DO. 727 00:54:05,720 --> 00:54:07,374 REALLY. 728 00:54:07,418 --> 00:54:08,854 HUMANS ARE A PACK OF WOLVES. 729 00:54:08,897 --> 00:54:10,377 WE DESTROY THE BEST IN OURSELVES, 730 00:54:10,421 --> 00:54:13,380 THE SKY, THE OCEAN. 731 00:54:15,121 --> 00:54:18,211 WHERE YOU GOING, BROTHER DANIEL? 732 00:54:19,691 --> 00:54:21,649 HE'LL BE BACK. 733 00:54:21,693 --> 00:54:24,086 OMPHALOS IS KIND OF LIKE A CAR WITH ONLY THREE WHEELS, 734 00:54:24,130 --> 00:54:26,001 BUT YOU DON'T REALIZE IT 'CAUSE YOU'VE NEVER BUILT A CAR BEFORE. 735 00:54:26,045 --> 00:54:27,438 YOU JUST THROW SOMETHING TOGETHER, 736 00:54:27,481 --> 00:54:28,874 AND YOU DON'T REALIZE THERE'S A FOURTH WHEEL 737 00:54:28,917 --> 00:54:30,484 OVER ON THE OTHER SIDE BUT YOU COULDN'T SEE IT 738 00:54:30,528 --> 00:54:32,094 WHEN YOU WERE BUILDING IT, 739 00:54:32,138 --> 00:54:33,879 'CAUSE YOU WERE BUILDING IT BASED OFF A PICTURE 740 00:54:33,922 --> 00:54:35,968 AND YOU NEVER SEE FOUR WHEELS OF A CAR ALL IN ONE PICTURE. 741 00:54:49,155 --> 00:54:50,548 HI. 742 00:54:50,591 --> 00:54:51,897 I HOPE YOU'RE NOT TOO TIRED. 743 00:54:51,940 --> 00:54:54,116 OH, THANK YOU. 744 00:54:54,160 --> 00:54:57,381 I'VE REALIZED A LOT SINCE THAT DAY ON THE HIGHWAY. 745 00:54:57,424 --> 00:54:58,860 SOMETHING HAPPENED. 746 00:54:58,904 --> 00:55:00,819 I DON'T KNOW WHAT. 747 00:55:00,862 --> 00:55:05,693 I KNOW WE'RE HERE NOW AND I KNOW HOW I FEEL ABOUT YOU. 748 00:55:07,826 --> 00:55:09,741 HOW DO YOU FEEL? 749 00:55:11,960 --> 00:55:14,746 I'M GLAD YOU'RE ALIVE, DANIEL. 750 00:55:14,789 --> 00:55:17,488 I DON'T UNDERSTAND IT. 751 00:55:17,531 --> 00:55:19,403 BUT I'M GLAD. 752 00:55:19,446 --> 00:55:23,407 LISTEN, I-- I WANT YOU IN MY LIFE. 753 00:55:27,454 --> 00:55:30,892 DANIEL, I DON'T KNOW WHO YOU ARE. 754 00:55:30,936 --> 00:55:34,243 I MEAN, I DON'T KNOW WHO YOU ARE NOW. 755 00:55:34,287 --> 00:55:37,203 -WHAT DO YOU MEAN? -WE WERE YOUNG. 756 00:55:37,246 --> 00:55:39,248 WE WERE KIDS. IT WAS 10 YEARS AGO. 757 00:55:39,292 --> 00:55:42,991 I STILL FEEL THIS. 758 00:55:43,035 --> 00:55:44,079 I STILL LOVE YOU. 759 00:55:48,519 --> 00:55:51,043 I'M WITH SOMEONE. 760 00:55:51,086 --> 00:55:52,784 YOU ARE? 761 00:55:52,827 --> 00:55:54,786 YEAH. 762 00:55:54,829 --> 00:55:58,267 THAT'S, UM-- THAT'S-- 763 00:55:58,311 --> 00:55:59,617 NO, DANIEL, DON'T GO. 764 00:55:59,660 --> 00:56:02,663 -DANIEL! -MY NAME IS NOT DANIEL! 765 00:56:02,707 --> 00:56:05,797 JUST WAIT! DANIEL, PLEASE! 766 00:56:05,840 --> 00:56:10,192 I WAS SPARROW. 767 00:56:10,236 --> 00:56:13,457 THAT'S WHAT YOU CALLED ME. THAT WAS YOUR NAME FOR ME. 768 00:56:29,211 --> 00:56:32,563 UM... I'M GONNA GO. 769 00:56:34,695 --> 00:56:36,697 I'M SORRY. 770 00:56:41,920 --> 00:56:44,226 [NO AUDIBLE DIALOGUE] 771 00:56:44,270 --> 00:56:46,925 SHE WAS THE ONE WHO DIED. 772 00:56:48,753 --> 00:56:51,233 WHAT? 773 00:56:51,277 --> 00:56:53,584 ALISE. 774 00:56:53,627 --> 00:56:55,629 SHE WAS THE ONE WHO DIED. 775 00:56:55,673 --> 00:56:57,762 YOU UNDERSTAND. 776 00:57:04,464 --> 00:57:08,599 WE WERE DRIVING AND HE APPEARED OUT OF NOWHERE ON THE ROAD. 777 00:57:13,517 --> 00:57:15,780 WE SWERVED TO CRASH BECAUSE OF HIM. 778 00:57:19,392 --> 00:57:21,438 SHE WAS KILLED. 779 00:57:22,874 --> 00:57:25,354 I WAS AN EMPTY SHELL FOR 10 YEARS. 780 00:57:27,313 --> 00:57:30,272 I JOINED THE CIRCUS. 781 00:57:31,273 --> 00:57:33,101 AND THE OMPHALOS PROGRAM. 782 00:57:34,233 --> 00:57:37,715 I THOUGHT IF I COULD GO BACK 783 00:57:37,758 --> 00:57:40,761 TO THAT VERY MOMENT... 784 00:57:42,110 --> 00:57:43,503 PUSH HIM OUT OF THE WAY, 785 00:57:43,547 --> 00:57:45,897 I COULD PREVENT EVERYTHING. 786 00:57:48,290 --> 00:57:50,597 -I SAVED HER. -WERE THEY BOTH NAKED? 787 00:57:50,641 --> 00:57:53,513 AND NOW THAT REALITY, THE ONE IN WHICH ALISE DIES, 788 00:57:53,557 --> 00:57:55,210 IS ONLY IN YOUR MIND AS A RECOVERED MEMORY. 789 00:57:55,254 --> 00:57:57,212 YOU DID SAVE HER. 790 00:57:57,256 --> 00:58:00,477 -SHE LIVES TODAY. -WE WERE SUPPOSED TO BE TOGETHER. 791 00:58:00,520 --> 00:58:04,306 AND ARE YOU? 792 00:58:04,350 --> 00:58:07,135 IN YOUR END IS YOUR BEGINNING. 793 00:58:07,179 --> 00:58:08,615 OMPHALOS. 794 00:58:08,659 --> 00:58:09,964 -WE'RE GOING BACK. -WAIT, WAIT. 795 00:58:10,008 --> 00:58:11,444 THAT MOMENT, THE MOMENT YOU WANT 796 00:58:11,488 --> 00:58:13,011 IS ALREADY LITTERED WITH FRACTURES. 797 00:58:13,054 --> 00:58:14,273 YOU CAN'T GET HER BACK. 798 00:58:14,316 --> 00:58:16,884 I'LL GO BACK EVEN FURTHER. 799 00:58:16,928 --> 00:58:18,843 IF IT WASN'T FOR YOU, WE'D STILL BE TOGETHER. 800 00:58:18,886 --> 00:58:20,540 YOU NEEDN'T DO THIS. 801 00:58:20,584 --> 00:58:23,456 -YOU IN OR YOU OUT? -IN. 802 00:58:23,500 --> 00:58:26,415 AS LONG AS WE STOP AT THE DUMPSTER WITH THE LIGHT BULBS. 803 00:58:28,592 --> 00:58:31,072 THE UNIVERSE IS NOT ABOUT YOU. 804 00:58:31,116 --> 00:58:34,902 I DID NOT INVENT TIME TRAVEL SO YOU COULD GET THE GIRL. 805 00:58:34,946 --> 00:58:37,862 YOU NEVER GET THE GIRL. ACCEPT IT. 806 00:58:37,905 --> 00:58:39,428 IT'S JUST PAIN. 807 00:58:39,472 --> 00:58:42,344 THERE ARE WORSE THINGS THAN PAIN! 808 00:58:57,882 --> 00:59:00,537 WHERE THE FUCK HAVE YOU BEEN? 809 00:59:00,580 --> 00:59:02,887 I ALMOST CALLED THE COPS. 810 00:59:07,195 --> 00:59:09,807 I HAVE TO GO AWAY FOR A LITTLE WHILE. 811 00:59:12,331 --> 00:59:13,550 I KNOW. 812 00:59:15,334 --> 00:59:16,596 YOU KNOW? 813 00:59:21,470 --> 00:59:23,908 JUST BECAUSE I'M OLD YOU THINK I'M STUPID? 814 00:59:27,825 --> 00:59:30,915 -I'LL BE BACK SOON. -TAKE YOUR TIME. 815 00:59:30,958 --> 00:59:33,700 YEAH. 816 00:59:33,744 --> 00:59:35,572 GOOD-BYE, BABS. 817 00:59:36,747 --> 00:59:38,575 SO LONG. 818 01:00:20,268 --> 01:00:22,488 WHAT YOU FIND IS THAT THE PERSON'S JUST GONE 819 01:00:22,531 --> 01:00:24,403 AND THEN THERE'S JUST A BIG EMPTY SPACE 820 01:00:24,446 --> 01:00:25,970 WHERE THERE WAS SOMEONE BEFORE. 821 01:00:29,277 --> 01:00:33,238 "IN MY END IS MY BEGINNING," SAID FYODOR. 822 01:00:33,281 --> 01:00:37,155 FLYING TO THE TOWN OF OMPHALOS, LUKA ASKED, "BACK TO WHEN?" 823 01:00:37,198 --> 01:00:39,766 AND I TOLD HIM, "THE MOMENT OF INCEPTION. 824 01:00:39,810 --> 01:00:42,726 THE MOMENT FYODOR WAX INVENTED TIME TRAVEL." 825 01:00:42,769 --> 01:00:43,944 YOU SEE, I WANTED TO HEAD HIM OFF 826 01:00:43,988 --> 01:00:46,338 BEFORE ANY OF IT EVEN STARTED, 827 01:00:46,381 --> 01:00:50,037 ERASE THAT ORIGINAL SIN, THAT ORIGINAL MISTAKE. 828 01:00:50,081 --> 01:00:53,824 BUT I WASN'T QUITE LISTENING TO WHAT FYODOR HAD TOLD ME. 829 01:00:53,867 --> 01:00:56,783 THERE ARE NO MISTAKES, YOU SEE. 830 01:01:05,879 --> 01:01:07,925 PARALLEL FRAGMENTING. IT'S GETTING WORSE. 831 01:01:07,968 --> 01:01:11,276 -LET'S HURRY UP THEN. -FYODOR WOULD TALK TO ME ABOUT OMPHALOS. 832 01:01:11,319 --> 01:01:14,496 ALL OVER THE WORLD, HE SAYS, ARE THESE OMPHALOS POINTS, 833 01:01:14,540 --> 01:01:15,846 AND YOU CAN USE THEM 834 01:01:15,889 --> 01:01:17,543 IF YOU HAVE THE RIGHT TECHNOLOGY. 835 01:01:17,586 --> 01:01:20,938 IT'S SUPPOSED TO BE RIGHT HERE. 836 01:01:27,335 --> 01:01:29,816 [SPEAKING RUSSIAN] 837 01:01:43,351 --> 01:01:44,962 I ALWAYS LIKED THE DESIGN. 838 01:01:45,005 --> 01:01:48,835 IT'S LIKE ONE BIG HIGH FREQUENCY CHAMBER. 839 01:01:48,879 --> 01:01:50,271 HOW FAR BACK AM I GOING? 840 01:01:50,315 --> 01:01:51,969 11 YEARS BACK, 841 01:01:52,012 --> 01:01:54,536 BACK WHEN HE FIRST PUT EVERYTHING INTO MOTION. 842 01:01:54,580 --> 01:01:56,364 IT WAS THE SAME DAY TWO PLANES COLLIDED OVER THE PRIME MERIDIAN 843 01:01:56,408 --> 01:01:57,757 IN THE GULF OF GUINEA. 844 01:01:57,801 --> 01:02:00,107 LOOK FOR THE BABYLON HOTEL AND THE PLANS. 845 01:02:00,151 --> 01:02:01,761 HOW DO I GET BACK? 846 01:02:01,805 --> 01:02:03,197 YOU DON'T. 847 01:02:03,241 --> 01:02:04,546 LOOK FOR THE POTASSIUM CYANIDE. 848 01:02:04,590 --> 01:02:06,548 I LEFT IT UNDER A MAT. 849 01:02:06,592 --> 01:02:08,725 YEARS AGO, I STARTED TO LOSE FAITH IN THE PROJECT. 850 01:02:08,768 --> 01:02:11,945 KILL HIM, AND THEN KILL YOURSELF. 851 01:02:11,989 --> 01:02:13,555 EASY. 852 01:02:15,906 --> 01:02:19,866 -KILL MYSELF? -YOU'RE JUST A SPLINTER IN TIME, A HICCUP. 853 01:02:19,910 --> 01:02:21,389 -HANG ON A SECOND. -LISTEN. 854 01:02:21,433 --> 01:02:23,043 WITHOUT ANY PLANS TO BUILD OMPHALOS, 855 01:02:23,087 --> 01:02:24,305 THERE'LL NEVER BE TIME TRAVEL. 856 01:02:24,349 --> 01:02:26,133 NO TIME TRAVEL MEANS NO ACCIDENT, 857 01:02:26,177 --> 01:02:28,135 AND NO NEED TO CORRECT THE ACCIDENT. 858 01:02:28,179 --> 01:02:33,184 NO FRAGMENTS, NO MURDERS. YOU GET THE GIRL. 859 01:02:33,227 --> 01:02:35,142 WHAT HAPPENS TO ME NOW WHEN I GO BACK THEN? 860 01:02:35,186 --> 01:02:36,927 YOU'LL BE FINE. IT'S JUST ANOTHER VERSION OF YOU. 861 01:02:36,970 --> 01:02:38,580 THAT'S FINE. 862 01:02:38,624 --> 01:02:41,758 TRUST ME, HE'S OUT THERE SOMEWHERE WAITING FOR THIS. 863 01:02:41,801 --> 01:02:44,804 LOOK, YOUR TATTOO ACTIVATES THE TIME TRAVEL. 864 01:02:44,848 --> 01:02:47,154 FIX YOUR MIND ON A TIME AND A PLACE. 865 01:02:47,198 --> 01:02:48,721 IT'S ORGANIC REALLY. 866 01:02:48,765 --> 01:02:51,768 IT'S ONE OF THE ONLY THINGS FYODOR DID RIGHT. 867 01:03:38,466 --> 01:03:41,861 YOU'LL SEE ME AGAIN. 868 01:03:50,870 --> 01:03:52,393 HEY. HEY. 869 01:03:52,437 --> 01:03:53,873 WE'RE GONNA GET YOU OUT OF HERE. 870 01:03:53,917 --> 01:03:56,702 I'M TOTALLY-- I'M TOTALLY DOING FINE HERE. 871 01:03:56,745 --> 01:03:58,225 I'LL BE OKAY. 872 01:03:58,269 --> 01:04:02,795 REMEMBER, ROOM 222... 873 01:04:05,189 --> 01:04:06,538 BROTHER DAN... 874 01:04:10,063 --> 01:04:11,717 BROTHER DANIEL. 875 01:05:19,002 --> 01:05:21,091 IT WAS THE SAME DAY TWO PLANES COLLIDED 876 01:05:21,134 --> 01:05:23,006 OVER THE PRIME MERIDIAN IN THE GULF OF GUINEA. 877 01:05:23,049 --> 01:05:24,355 GREAT. 878 01:05:34,365 --> 01:05:35,888 EXCUSE ME. 879 01:05:35,932 --> 01:05:38,847 YES, SIR? 880 01:05:38,891 --> 01:05:40,110 I'M SORRY, I THINK I'M LOST. 881 01:05:40,153 --> 01:05:42,851 I'M LOOKING FOR ROOM 333. 882 01:05:42,895 --> 01:05:45,680 OH, WELL, THAT'S EASY. 883 01:05:45,724 --> 01:05:48,248 YOU'RE ON THE SECOND FLOOR. 884 01:05:48,292 --> 01:05:50,598 YOU'RE KIDDING ME? 885 01:05:50,642 --> 01:05:52,992 THOSE NUMBERS ARE ALL WRONG. 886 01:05:53,036 --> 01:05:54,907 NOW THAT DOOR IS MISLABELED. 887 01:05:54,951 --> 01:05:58,302 UH... 888 01:05:58,345 --> 01:06:00,391 NO, THEY'RE-- 889 01:06:00,434 --> 01:06:01,827 THEY'RE PROPERLY LABELED, SIR. 890 01:06:01,870 --> 01:06:04,264 THIS IS DEFINITELY THE SECOND FLOOR. 891 01:06:04,308 --> 01:06:07,093 I MUST HAVE THE WRONG YEAR. 892 01:06:07,137 --> 01:06:09,704 I'M SORRY? 893 01:06:11,010 --> 01:06:13,839 SIR... 894 01:06:13,882 --> 01:06:17,190 YOU HAVE NO SHOES. 895 01:06:19,453 --> 01:06:20,759 YES. 896 01:06:41,780 --> 01:06:43,173 OH, HELLO, SIR. 897 01:06:43,216 --> 01:06:45,958 UM, THE MUTTON WESTPHALIAN HAM YOU ORDERED. 898 01:06:46,002 --> 01:06:47,699 OH, MY GOD. 899 01:06:47,742 --> 01:06:48,961 YES, SIR. 900 01:06:52,878 --> 01:06:54,227 THANK YOU, SIR. 901 01:07:27,695 --> 01:07:30,046 WHO THE HELL ARE YOU? 902 01:07:30,089 --> 01:07:32,309 DID YOU POISON ME? 903 01:07:32,352 --> 01:07:34,224 WE HAVEN'T MET YET. 904 01:07:36,095 --> 01:07:38,097 WHOEVER YOU ARE, 905 01:07:38,141 --> 01:07:42,710 YOU KNOW THIS IS NEVER GOING TO WORK. 906 01:07:42,754 --> 01:07:44,190 I'M SORRY. 907 01:08:16,962 --> 01:08:18,964 HOW IS IT POSSIBLE TO BRING ORDER OUT OF MEMORY? 908 01:08:19,007 --> 01:08:21,967 I SHOULD LIKE TO BEGIN AT THE BEGINNING, 909 01:08:22,010 --> 01:08:25,013 LIKE A WEAVER AT HIS LOOM. 910 01:08:52,867 --> 01:08:55,827 I SHOULD LIKE TO SAY THIS IS THE PLACE TO START. 911 01:08:59,004 --> 01:09:02,007 THERE CAN BE NO OTHER. 912 01:09:43,962 --> 01:09:45,485 THEY SAY I'M NOT DEAD, 913 01:09:45,529 --> 01:09:49,794 THAT I'M JUST A SPLINTER IN TIME... 914 01:09:49,837 --> 01:09:52,362 WE ARE MATURE IN ONE REALM, 915 01:09:52,405 --> 01:09:55,800 CHILDISH IN ANOTHER. 916 01:09:55,843 --> 01:09:59,020 THE PAST, PRESENT, AND FUTURE MINGLE 917 01:09:59,064 --> 01:10:01,762 AND PULL US BACKWARD, FORWARD, 918 01:10:01,806 --> 01:10:06,376 OR FIX US IN THE PRESENT. 919 01:10:06,419 --> 01:10:11,207 WE ARE MADE OF LAYERS, CELLS, CONSTELLATIONS. 920 01:10:17,952 --> 01:10:19,737 SEE THAT? 921 01:10:19,780 --> 01:10:21,608 YEAH. 922 01:10:21,652 --> 01:10:24,132 IT'S BEAUTIFUL. 923 01:11:05,304 --> 01:11:08,002 ...WHEN ALL THE LONELY FLOWERS OF SENSE AND MEMORY BLOOM 924 01:11:08,046 --> 01:11:11,310 AND DIE NOW IN ADJACENT BITES OF TIME. 925 01:11:11,354 --> 01:11:13,443 SO FYODOR WAS RIGHT. 926 01:11:13,486 --> 01:11:16,184 IN MY END IS MY BEGINNING. 927 01:11:16,228 --> 01:11:19,187 ONLY IN THIS CASE, THERE IS NO END AND NO BEGINNING. 928 01:11:19,231 --> 01:11:21,886 I'M HERE AND I'M NOT HERE. 929 01:11:21,929 --> 01:11:23,888 DID I DIE? 930 01:11:23,931 --> 01:11:25,542 DID I GET THE GIRL? 931 01:11:29,154 --> 01:11:30,155 YES AND NO. 932 01:11:30,198 --> 01:11:32,679 NO AND YES. 933 01:11:32,723 --> 01:11:34,942 BOTH ARE HAPPENING AT ONCE. 934 01:11:34,986 --> 01:11:37,075 THE PIECES ARE THERE. 935 01:11:37,118 --> 01:11:39,686 YOU JUST CAN'T HAVE THEM ALL AT ONCE. 936 01:14:03,656 --> 01:14:04,614 NICE HOUSE. 937 01:14:04,657 --> 01:14:07,834 UH, THANKS. 938 01:14:07,878 --> 01:14:11,838 UH, I JUST GOT HERE. 939 01:14:19,498 --> 01:14:21,108 WHO-- WHO ARE YOU? 940 01:14:27,419 --> 01:14:29,465 I'M GONNA GO BACK IN MY HOUSE NOW. 941 01:14:52,705 --> 01:14:56,535 LOOK, THAT'S WHAT HAPPENED. 942 01:14:56,579 --> 01:14:58,363 YOU-- YOU BELIEVE ME? 66853

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