All language subtitles for Hanna.S02E05.720p.WEB.H264-BLACKHAT-HI

(BIRDS CHIRPING)

♪ ♪

♪ ♪

LEO: Mia?

Will you come with me?

(DOOR OPENS)

Hands on the wall.

Where are you taking me?

I have the right to know.

This way.

Just in here.

CARMICHAEL: Let's talk about Mia.

Her name is Hanna.

(BIRDS SINGING)

♪ ♪

(LINE RINGING)

Still no sign.

I don't know.

I don't know what the fuck
this is.

All right, will do.

LEO: You know Terri?

Hi, Mia.
Nice to meet you.

I work back-of-house.

What does that mean?

Identity creation
and maintenance.

So you make up their names,
their families

and their pretend lives.

Yes, I do.

Well, I don't need one.

I already have a name.

I understand.

What happened to Marissa?

Marissa is gone.

This can be your home now.

(CARMICHAEL SIGHS)

(DEVICE BEEPS)

M. Wiegler, August 12.

Interview commencing at
11:47 a.m.

Where is Hanna?

Where is she?

I have a few questions
of my own.

You want to take a look?

No, thank you.

I'm gonna let you guys
get on with this.

It's great to see you
again, Mia.

It's okay.

We have time.

We didn't find your phone,
but we were able

to access your records,
which showed that you were

with Hanna in Belgium,
which means you lied to us.

You knew about
Sonia Richter's death.

I have a hunch
you even assisted.

You have no evidence of that.

Nor do I have any evidence
you killed Jerome Sawyer,

but you did.

Let's talk about Paris.

You harbored Hanna,
found her a safe house,

visited her there.

Arranged a whole new identity,
a new life.

Canada.

An old geography professor
of yours

by the name of Thomas Kaladski.

And a new passport,

acquired from a certain
Hafeez Mustafa

in St. Denis.
Where is that passport now?

What passport?

Who was this for?

Was it for Hanna?

Or is there someone else
involved we don't know about?

Who removed the bug that
we placed in your apartment

in Paris?

Who's helping you?

Did you hope someone
would find you, Marissa?

Lock her up.

And then what?

- You'll see.
- What about Hanna?

Mia stays here.

Where she belongs.

♪ ♪

(GUNFIRE)

(GUNFIRE)

Mia Wolff, aged 18.

Born in Dresden, and now lives
in Rutland, Vermont.

Mia loves nature, hiking
and being outdoors.

She's strong, smart,
independent,

and can adjust quickly
to new environments.

She has a dog,
a black Labrador named Buttons.

Buttons is a stupid name
for a dog.

You're right.

Chester?

Hmm.

So, she has a brother
named Nico.

He's fun. Kind of a show-off.

Her mother works in
Human Resources.

Her father works as
a management consultant.

Maybe not a consultant?

How about environmental law?

A doctor?

Mia Wolff, born April 22, 2001.

Favorite food, bananas.

Second-favorite food,
curly fries.

Favorite animal, capybara.

Second-favorite animal,
Chester.

Favorite subject, languages.
Least-favorite subject, history.

Mia... It's not difficult
to pretend to be someone else.

I've done it before.

We're not asking you to pretend.

Then what are you asking?

I understand your anger.

You're not like the others.

You've seen the world.

But let me say something
very simple to you.

If you want to live
in that world,

I'm your best chance
of doing so.

Hanna Petrescu will be hunted
all her life.

Mia Wolff will be safe

and... loved.

and happy.

It's your choice.

Why don't you go and
think about it?

(DOOR SLAMS SHUT)

(INDISTINCT CHATTER)

SANDY: Hey, Mia.

Mia.

It's okay.
Come sit with us.

Where's Clara?

Clemency's at training,
then she'll join us.

Sit. Eat with us.

Are you angry with Clemency?

Don't be.

She just did what
she thought was best.

Can I see your file?

"Mia Wolff."

That's a really nice name.

I love your house.

- It's really pretty.
- JULES: Let me guess.

Smart, middle-class,
heteronormative

all-American girl.

There's nothing wrong with
being American, Jules.

You're American.

I'm not all-American.

Well, you're more American
than Mia.

HELEN: Whoa, your dad's German.

Do you speak German?

You have a brother.

(CHUCKLES)
Nico. Good name.

I have a sister. Jodie.

She's younger than me.

(WORDS ECHOING)
She's sick,

but we're
helping her through it.

HELEN: Your brother's kind of cute.

JULES: Helen,
you have a crush everyone's brother.

You were into Jessie's,
and he's 12.

Hey, Clemency.

What's up?

CLARA: They gave you this?

Can I see?

I like it.
It's very you.

(INDISTINCT RADIO CHATTER)

(INDISTINCT CONVERSATION)

FEMALE GUARD: Get up!

I said get up!

JULES: First memory,
South of France.

It says it was warm,
you were camping.

SANDY: I love camping.

JULES: It was August.

You swam in the river.

The water was cold,
but you weren't scared.

There was birdsong in the trees.

You ate marshmallows
with your dad in the evening,

and lay next to each other
at night

and looked up at the stars.

HELEN: "The size of the sky
and the dark of the night.

The feeling of the wind
as you ran through the trees."

SANDY: It's beautiful.

JULES: The South of France.
I wonder what that's like.

It's okay.

Took me a while to
get my head around it, too.

But you believe it now,
don't you, Clem?

Sandy was into it immediately.

Total fucking believer.

I fought it.
It's natural.

You don't think it's weird?

Everything's weird.
The world is weird.

JULES: I read this philosopher.

He said the whole world was
pure illusion.

Like shadows dancing
on a cave wall.

None of it real.

So maybe we're no different
to anyone else.

Maybe it's all a dream.

It says my mother and father
are happy together.

Yeah. It's nice, isn't it?

My mother died trying
to save my life.

Her head was crushed by a car.

And my father,
the man who raised me,

was killed by Utrax guards.

I buried his body next to
my mother in a Romanian grave.

And we never ate marshmallows.

(INDISTINCT CHATTER)

(LAUGHTER)

GIRL: Watch where you're going!

VIDEO NARRATOR: This world is not safe.

Society is not stable.

Power is not a given.

The leaders of the free world

are as precariously positioned
as anybody else.

- As subject to threat and fear as anybody else.
- (DOOR SLAMS SHUT)

They need support.
Protection.

They need you.

- Hey, calm down.
- This is all lies!

- My mother and father are dead.
- I know.

My father's gone.
He's not coming back.

He wasn't your father

any more than this one.

My mother's dead, too.

She's not coming back
and I know that.

- What they offer us here...
- It's not real.

But it could be.

There's no life for us out there
without them, and you know that.

That's why you came here.

- I came here to find you.
- And you found me.

But you're not you anymore.

MAN: (OVER LOUDSPEAKERS)
Will assemble

at the outdoor training ground
for military maneuvers.

I haven't changed.

I just changed my name
and my clothes.

Training Group A to the outdoor
training ground immediately.

- You lied to me.
- I had to.

- You chose to.
- Hanna...

McCOY: Riley.

Baker-Smith.

Young.

Marks.

Allen. Phillips.

Jones. Wolff.

GUARD: (OVER RADIO)
We've just located her.

Taylor.

Moneo.

Ainslee.

- Where is Mia?
- Rodriguez...

Fuck it, we don't need her.

Harper. Crossman.

Williams. Carter.

You have been assigned teams.
Four teams of four.

The objective of the mission
is to retrieve the flag

from the burned-out vehicle.

Work together.
Collaborate.

Whoever gets the flag wins.

First time on maneuvers?

Pull to reload,
hold to fire.

I know.

You've used one of these before?

I've used a real one.

Red Team, move!

Where the hell is she going?

We haven't been sent out yet.

Blue Team, move!

♪ ♪

♪ ♪

(ALARM SOUNDS)

♪ ♪

I'll cover.
One, two...

- Clem!
- Where's Mia?

Screw her,
she left us.

Clemency!

(MULTIPLE DISTANT EXPLOSIONS)

What's going on out there?!

("THANK YOU" BY BABY IN VAIN
BEGINS)

(ALARM SOUNDS)

(ALARMS)

♪ This is like walking
on a knife's edge ♪

Wow.

♪ So tell me what life is. ♪

(ALARMS SOUNDING)

LEO: This is a whole new level.

♪ ♪

(ALARM SOUNDS)

What fucking chance did we have?
She left us totally exposed.

♪ ♪

Shh.

The truck, I found it.

HANNA: Wait!

(HIGH-PITCHED RINGING)

It's in here.

Down!

- (ALARM SOUNDS)
- Shit.

(GRUNTING, SHOUTING)

(ALARM SOUNDING)

(POUNDING)

Hi.

What was that noise earlier?

Hey, do you know
what's happening to me?

Am I leaving?

- Right in front of us.
- That's crazy.

Oh, fuck, man.

I could have killed you
for leaving us,

but you kicked ass.

That was amazing.

It was so cool, Mia.
Really.

To the winner, the spoils.

(APPLAUSE)

What am I supposed
to do with this?

Whatever you want.

You can put it in your room.

It's yours, Mia.
You earned it.

I don't want it.

But, Mia.

I don't want it.

You like it so much,
you have it.

What the fuck?

Leave it.

What was all that about?

We won.
She won.

♪ ♪

(BIRDS SINGING)

(SILENCED GUNSHOT)

(PIANO PLAYING EASY MELODY)

♪ ♪

CARMICHAEL: Yeah,
we're holding Wiegler here in isolation.

- (KNOCK ON DOOR)
- Let me know your decision.

Come in.

You wanted to see me?

Uh, yes, sir.
It's about Mia.

What about her?

I think she's having trouble

accepting her identity
at a fundamental level.

She's clearly attracted
to what we're offering,

but there is a resistance
that she can't overcome.

Her father, Erik Heller.

Erik Heller was not her father.

Not biologically.

But they had a strong bond.

It's not easy to replace that.

You achieved strong bonds
with the other trainees.

With the others, we're not
trying to replace anything.

We are filling a gap.

With Mia, it's more difficult.

I think we need to acknowledge
what's already there

in order to move on from it.

♪ Didn't I do it for you? ♪

♪ Why don't I do it for you? ♪

♪ Why won't you do it for me ♪

♪ When all I do is for you? ♪

♪ They want to see us,
want to see us alone ♪

♪ They want to see us,
want to see us apart ♪

♪ They want to see us,
want to see us alone... ♪

That'll teach you to be a hero.

♪ They want to see us,
want to see us apart ♪

Can't sleep?

♪ ♪

You want help with that?

Okay.

I'm glad you're here.

It wasn't my choice.

I know.

But I also know if you wanted
to leave, you'd find a way.

When you were fighting
out there today,

you looked at home.

You looked like you, you know?

It wasn't a real forest.
It was just trees.

You could see the fence
all around us.

But it feels real,
when you're in it, doesn't it?

(KNOCKING ON DOOR)

What is it?

I just got a message
from my mom.

My sister's at the hospital.

They're operating now.

Is she in danger?

She'll be okay.

She's strong, right?

Hey, it's okay.

We'll wait with you.

CARMICHAEL: You sure about this?

I think so.

Okay. Do it now.

♪ ♪

(KEYBOARD CLICKING)

Do you want me to read it?

She said the doctors
really tried.

They tried their best.

JULES: I'm so sorry, Sandy.

I should go.

SANDY: I know you
don't believe it's real.

But it's real to me.

She's real to me.

As real as anyone is to anyone.

And now she's gone.

♪ ♪

HANNA: Come with me.

Where?

Just come.

GUARD: We've got an alarm
tripped in the accommodation block.

Four trainees are out
before morning call.

Shall I round them up?

No. Leave them.

Copy that.

(CREATURES CHITTERING)

You want to.

say something?

What should I say?

Say who she was
and what she meant to you.

She was so beautiful.

She was funny
and she was so sweet.

She didn't deserve
the shit she had,

but she never moaned.

She was the bravest person
I ever met.

And now she's gone.

♪ ♪

(SNIFFLES)

♪ ♪

Thanks for what you did.

I'll check on her later.

Get some sleep.

Good night.

- All good?
- Yeah.

Get some sleep.
I'll take over.

(BONES CRUNCH)

(BUZZING)

Carmichael.

I understand.
We'll do that now.

Your transport's here.

Where to?

Just wanted to show you that
before you go.

To prove to you
that the fight's over.

She'll never belong here.

She already does.

You're the one who signed
the paper, remember?

Or is it too long ago?

Why not just kill me, John?

Believe me,
I would have.

With pleasure.

But the powers that be...

Keep it.

Consider it my parting gift.

(DOOR OPENS)

(DOOR CLOSES)

♪ ♪

(COMPUTER CHIMES)

♪ ♪

Hello?

Can you hear me?

Hey. I'm leaving.

I need something to eat
before I go.

GUARD: No meals outside of hours.

What about some water?

That's allowed, right?

- (RADIO BEEPS)
- Can I get a bottle of water to lockdown area four?

(BIRDS CHIRPING)

- Here you go.
- Thanks.

(BEEPS)

(COMPUTER CHIMES)

♪ ♪

(TYPING)

(CHIMES)

(BIRDS SINGING)

(CHIMES)

(KNOCKING ON DOOR)

Who's there?

MARISSA: Inside.

Sit.

You watch them all night?

It-it's my job.

They think the cameras
are off but they're not.

Do you have children?

Do you want them?

Uh, I don't know.

I didn't at your age.

I chose work.

I don't regret it.

These girls are like
your children, though.

Right?

You'd do anything
to protect them.

I would.

(RINGING)

Hello?

Dad?

Hanna?

Marissa?

Listen. We need to move fast.
The guards will be there soon.

Where are you?

I'm in the Meadows.
We need to go.

We have help.
But we have to leave now.

What's your location?

What's your location, Hanna?

I don't know.

Of course you know.

What room are you in?

I don't want to.

I don't want to go.

Hanna?

Listen to me.

(TAPPING ON KEYBOARD)

Mm.

(BIRDS SINGING)

GUARD: Wiegler's late for her transit.

- We have radio silence from the isolation zone.
- GUARD 2: Who's down there?

- GUARD: New guy.
- GUARD 2: Go check it out.

Where are you, Marissa?

(BEEPS)

MARISSA: Curfew's not over.
Go back to your room.

Hi.

Hanna, I don't know
what they've said to you,

but you are not safe here.

I worked for these people.

I know them.

And they are not on your side.

I'm so tired of running.

I know.

Listen, I have a friend
waiting outside for us.

He's gonna help us.

But we need to go now.

The guards are gonna come soon.

That's not your father, Hanna.

That's a computer program.

It's curated by a very smart
young female operative.

You've probably met her.

They want you to feel like
you can be loved here.

But that's not true.
You're a weapon to them,

and that's all that you are.

Erik's gone, honey.

And this.

is not going to replace him.

MAN: (OVER LOUDSPEAKERS)
This is an emergency.

All trainees to report
immediately to the main hall

- for roll call.
- (ALARM BLARING)

This is an emergency.

All trainees to report
immediately to the main hall

for roll call.

(ALARM BLARING)

Look, you know what family is.

That is not what
they are offering you here.

Then where is it?
Where do I belong?

With me.

I can look after you.
Please let me try.

(ALARM CONTINUES BLARING)

GUARD: (ON RADIO) Two
casualties. Target may be armed.

Received.

STEPHEN: This way.

Wait. We need her passport.
Hanna, where is it?

- I hid it in the trees.
- Where's the car?

- At the end of the road.
- We'll meet you there.

- McCOY: Marks.
- Present.

- Taylor.
- Present.

- Young.
- Present.

- Wolff.
- Here.

Okay, let's move.

Two missing.

Wolff.

Who else?

Clara.

Clara wants to be here.

- She chose them.
- I can't leave without her.

You went back once.
It was a mistake.

I won't let you
make that mistake again.

We have to leave now!

Oh!

All units... you have authority
to use full force.

Don't.

She's taking you away.

- I'm helping her escape!
- She doesn't want to escape.

- This is her home.
- No, it isn't.

And it isn't yours, either.

That's not your family, Clara.

My name is Clemency.

- And they're the only family left to me.
- That's not true.

- You have a mother.
- My mother is dead. You told me...

No. It was a lie.

They told me to say it
so that they could trap you

and bring you here.
They have lost track of her.

But that doesn't mean
she's dead.

And if she is alive,
I'll help you find her.

You're lying.

No, I'm not.
I swear to God.

Mia, don't trust her.

She's lying about my mother.
And she killed yours.

(SHOUTS)

- (STRUGGLING)
- Ah!

- (GUNSHOT)
- (GRUNTS)

There! In the woods!

GUARD: Move! Move!

(MARISSA GROANS)

You did the right thing.

GUARD: Hands above your head!

GUARD 2: Do as he says!

GUARD: Hands above your head!

CLARA: She tried to
force Mia to leave with her.

But Mia shot her.

Get her out of here.

GUARD: Yes, sir.

It's okay, Mia.
You're safe.

You're with us now.

("FREE INSULT" BY VICTORIA+JEAN
PLAYING)

♪ Freeze it out ♪

♪ In a fight ♪

♪ You were building something ♪

♪ Dare to look me in the eye,
I heard the mocking ♪

♪ Piss off ♪

♪ You heard ♪

♪ Fuck off ♪

♪ You heard ♪

♪ Roll the dice,
take a chance ♪

♪ Are you feeling lucky? ♪

♪ Break a leg,
misbehave ♪

♪ Are your fingers sticky? ♪

♪ Smart ass ♪

♪ You heard ♪

♪ Sweet fuck ♪

♪ You heard ♪

♪ Free ♪

♪ Insult ♪

♪ Luxury is a word ♪

♪ It's my kind of living ♪

♪ Rip it up, spend it all ♪

♪ Give it all your money ♪

♪ You prick ♪

♪ You heard ♪

♪ You dick ♪

♪ You heard ♪

♪ Free ♪

♪ Insult ♪

♪ Free ♪

♪ Insult ♪

♪ One time ♪

♪ Insult ♪

♪ Free ♪

♪ Insult ♪

♪ Watch TV, masturbate ♪

♪ Eat a bowl of popcorn ♪

♪ What you need is greed ♪

♪ And fame and hard porn ♪

♪ Wanker ♪

♪ You heard ♪

♪ Knobhead ♪

♪ You heard ♪

♪ Free ♪

♪ Insult ♪

♪ Free ♪

♪ Insult ♪
♪ Free ♪

♪ Insult ♪

♪ Free ♪

♪ Insult. ♪