All language subtitles for Hanna 203

NEWSMAN:
A teenage girl has been
taken into custody

following an attack
on the Belgian offices

of Passway Pharmaceuticals,

during which
two people were killed.

The incident, which took place
during a medical research trial

being conducted
on young volunteers, has led

to heightened security
in the area.

Passway denies
all responsibility,

though the company concedes
the suspect

was one
of the trial participants.

Dumont.

CARMICHAEL:
This is Carmichael.

Did you get the file?

Yeah.

What do we know about this girl?

Monica Gastner.

History of anxiety
and depression,

which we think she lied about
on the form.

She have a history of violence?

Nothing on her record.

You have police there?

I've been here all night
talking to them.

I've kept them away
from the storage area.

Your shipment
for the Meadows is secure.

Yeah, well,
I'm not taking that risk.

Accelerate delivery.
Do it yourself.

HANNA:
If we're never going to leave,

then why are you training me?

ERIK:
Because one day,

I may not be here
to protect you,

and you'll have to cope
on your own.

What do you need?

KIM:
This is Central.

MARISSA:
Kim, it's Wiegler.
I'm just calling

to say that I won't be in today.

-Okay.
-Tell Sonia, please.

Uh, she just called in.

She's not gonna be here, either.

Did she say why?

She just said it was personal.

Okay. Thanks, Kim.

You gonna talk to me?

Why?

Because I came for you,
and if I hadn't, you'd be dead.

Is this Clara's?

There's a place
called the Meadows.

It's where they've taken her.

You know it?

But they didn't tell me
where it is.

I saw this man

writing about it on a computer
last night in Passway.

He was writing about sending
a shipment of drugs.

I remember his face.

:
All trainees,

please gather all your affairs

If we can find him,

and collect
at meeting point "G"

he could lead us to Clara.

for immediate onward...

Hanna, listen to me.

Where are we going?
Why do they keep moving us?

Clara is gone.
You can't save her.

WOMAN:
Further information
will be given in transit.

If you do what I say,
you fly to Canada today,

then you're safe.

She will escape,
or try to again.

And they will kill her.

It's my fault.

Not your fault.

Go looking for that place,

they'll see you,
they'll know you're alive.

Everything we've been working on
will be ruined.

You're dead to them right now.
You have to stay that way.

You lied to Clara.

You told her
you were her mother.

You gave her hope so that
they could take her back.

How could you do that?

I did it for you.

:
We are approaching
our destination.

I never asked you to.

All trainees should prepare
for disembarkation.

She can't live in that place.

If we don't do something,
she will die.

What do you suggest?

That we find her.

Welcome to the Meadows.

Together.

CARMICHAEL:
How'd she sleep?

TERRI:
She didn't.

CARMICHAEL:
Is she talking to you?

TERRI:
Not yet.

I have to put a deadline
on this.

Sir...

She's a drag on the boat.

We can change that.

And you think the others
will welcome her back?

It's...

not impossible.

I'll give you two days.

Then I make the call.

MAN:
Marissa.

-John.
-Ah.

Wasn't sure you'd recognize me.

It's been a while.

How's your leg? Getting better?

Uh, it's been better
for two weeks.

Why are you here?

Well, I'm afraid
there are a few issues

that need clearing up.

Around what happened
at the Utrax facility.

How do you even know about that?

I don't want to waste
too much of your time.

Shall we begin?

Mm-hmm.

WOMAN:
Who is this?

MARISSA:
This is Marissa Wiegler.

I'm at the Utrax facility.

Jerome Sawyer's dead.
I'm wounded.

-Erik Heller shot me.
-

-Are you there?
-HANNA: Yes.

I can't see him.

I need assistance.

-Okay, stay outside.
I won't be long.
-

WOMAN:
Where is Heller?

MARISSA:
He's gone,

If you see him, call me.

but he's badly injured.

J'arrive.

He won't survive.

WOMAN:
And the girl?

Salut.

MARISSA:
She, uh...

she got away.

So let me get this straight.

-Heller killed Jerome Sawyer.
-Mm-hmm.

He was escaping with Hanna
and the other girl.

I tried to stop them.

-And he shot you in the leg?
-Mm-hmm.

Why were you there?

Sawyer's report seems to suggest

that you shouldn't have been
on that operation at all.

There's no point doing this.

What am I doing?

Sawyer and I
didn't see eye to eye

Trying to make me
the same as the others.

on how to address Erik's
reemergence from the forest.

But I'm not the same.
I think different.

And how do you know
what the others are thinking?

Well, you were right
about Heller.

I can tell.

They don't question things
the way I do.

He didn't make it.

It's not a bad thing
to question.

It is here.

The girls buried him
in a rural graveyard.

Next to the mother.
Sentimental reasons, I imagine.

Why did you sleep in my room?

We disposed of him

Did you think
you'd get to know me?

in a more strategic fashion.

You won't.

Hmm.

If this is a test,
I will fail it,

Um, would you care
to come with me for a moment?

so maybe you should
just give up now.

I have no intention
of giving up.

Why do you care?
You're just doing a job.

I don't know.

I understand what it is
to be the odd one out

in every situation.

Where are we going?

It's right down here.

Do you have a mother?

Won't take long.

Yes, I do.

Through this door.

Then don't try and pretend
you and I are the same.

We're not even close.

I don't understand.

So how could you
possibly understand?

What's in there?

Don't worry, Marissa.

It's just me.

Richter.

Hi, it's Marissa.

How can I help?

Listen, I-I've been thinking

So...

that I owe you an apology
for what I said.

Let's go back to the beginning.

I mean, you were only
doing your job.

If I'm gonna be pissed
at anyone,

it should be Carmichael.

MAN:
We have the results

Don't worry about it.

of your ALC training tests.

Well, I would like us
to get past it,

-Congratulations.
-Thank you, sir.

so I was thinking maybe
we could start with a coffee.

So, you think you're ready?

I'm available this afternoon,

Well, I'd rather not sit
at a training console

if you're around.

-for another year.
-That's good.

This afternoon's gonna be tough.

-So, we can put you
straight on the NSA main floor.
-Mm-hmm.

Uh, how about
sometime next week?

Sure, that works.

You'd be assigned to a desk.

We don't have
to decide anything now

Comms and SIGINT analysis.

except for the fact
that I'm buying.

Phone calls.

Cryptographic decoding.

I'll hold you to that.

It's the usual process

Good.

for someone transitioning
from military intelligence

to an analysis-led arena.

Or?

There is another possibility.

It's in the field.

It's kind of unusual.

Bon.

Classified project.

And we would only want you
to do it

if you felt it was right for you
at this time.

Okay. Merci.

Where is it?

Abroad.

Fuck.

That's a little vague, sir.

If you're interested,

I'd have to ask you to sign this

before I tell you anything more.

Welcome.

-

WOMAN:
Due to increased security,

staff are urged
to wear their security passes

at all times.

Police will be questioning
members of staff...

ERIK:
I wish we could
stay here forever.

I can feel your heartbeat.

You feel it?

What is that?

Nothing.

Did they give it to you?

They said it keeps us calm.

What are you doing?

You don't need this anymore.

OFFICER:
Jamal?

Okay?

Welcome, everybody.

My name's Leo Garner.

Please take your seats.

So... let's make a start.

WOMAN:
Hi, there.

My name's Joanne McCoy,
and I'm your group leader.

You're now entering the second
stage of your development.

You're gonna notice some changes

in the way we work
here at the Meadows.

You're gonna have more freedom,

and you're gonna be able
to ask more questions of us.

Medication will be reduced
and rules relaxed

as we prepare you for the next
stage of your journey.

You'll shortly receive your
personalized character profile

that will tell you
all you need to know

about your new identities.

Take time to read it.

It contains all you need
to know about yourself,

your family history,
your schooling,

your place of birth,
where you grew up,

Hey, how's my favorite trainee?

your hobbies and interests,

your aspirations
and your dreams.

Shit.

Doesn't matter.

It's just skin.

CARMICHAEL:
Operation Utrax.

Where is she?

Clara?

Initiated in 2002,
Darabani, Romania,

She's in isolation.

She shouldn't be
allowed to be in here.

to explore in utero enhancement

-She's not safe.
-Fine by me.

of genetic makeup
in early-stage embryos.

I don't like her
any more than you do.

Wolf DNA implanted
into a three-month-old fetus,

What's this?

Oh, that arrived for you.

to affect bone density,

From your parents.

sensory sensibility

Apparently you used to love
reading it as a little girl?

and reduced susceptibility
to disease.

All with the intention
of creating

I don't remember that.

a perfectly refined
military tool.

I went to Sunday school
for years,

Did you know about it
all these years?

I thought I was keeping it
secret from you.

I can barely remember
a thing they taught us.

I was the one
who recommended you.

You closed the operation in 2003

after Erik Heller's
unfortunate intervention.

-We reopened it in 2004.
-Without telling me.

CARMICHAEL:
It was decided
a clean slate was necessary.

The DNA enhancements
are now synthetic,

modeled on the same material
but now nonorganic.

Are you Monica Gastner?

And this time...

Who are you?

I work for the INL.

it worked.

Where are they?

Investigating the illegal
trade of prescription drugs.

They're
in socialization training,

I've already fucking told them.

developing their new identities.

Why does nobody believe me?

When socialization is complete,

It wasn't me.

they'll be transferred
into the field.

-It was the girl.
-What girl?

The girl who grabbed me
and gave me the money.

They'll live in the real world,

normally, quietly.

What did she look like,
this girl?

And all we have to do
is flip a switch,

and they'll do whatever we ask.

100% deniability.

She took Monica's clothes

and consent form.

I mean,

-The same age?
-Yeah, 16 or 17.

who's really gonna suspect
an 18-year-old freshman

in pigtails
of state-sponsored murder?

Does this girl have any
distinguishing features?

Nothing we can use for an I.D.

But apparently she was strong.

And 100% reliable.

Oh, um, I'll call you back.

Or so we thought.

What's wrong with her arm?

According
to the gospel of Utrax,

We had to implant new meds.

Trainee 249 shouldn't have had

She cut the old ones out.

the ability to disobey orders
in the way she did.

We need to determine
why that happened

Or someone did.

and how to prevent it
in the future.

To do that,

we need to bring her back.

That's why I'm here.

That's why I need your help.

Hello?

Come on, Hanna.

Answer your phone.

into some trouble

getting doubled

Okay.

Take your time.

That's number one.

MONICA:
No.

SONIA:
No?

Number two?

and I am crossing over

No.

Not her?

No.

SONIA:
Number three?

Come on. Let's go.

and we'll call it home

Yes, it's her.

I'm good with faces.

She was blond, but...

it's her.

Well, you're persistent.

I'll give you that.

Where are you?

Driving to a farmers market

in the Eighth arrondissement.

In Paris?

HANNA:
Are you okay?

Hmm?

Well, yes, in Paris.

Why?

Have you heard from Hanna?

Why couldn't we stay in one
of those cabins we steal from?

What do you mean, John?

You told me Hanna was dead.

They're warmer.

It's too close to the edge
of the forest,

Yeah, well,
I might've been wrong.

and people come and stay in them
all the time.

Stop fucking around.

It's not safe.

Is she alive or not?

I don't know.

It might've been a false flag.

But if she does try
to contact you,

you call me immediately, okay?

Sure.

Mm.

Let's eat, huh?

LEO:
All right, everyone.

Please sit down.

Where are you, Hanna?

They know you're alive.

Okay.

So, the aim
of these sessions, guys,

is to introduce you
to the dangers

in the world outside,

dangers you will be fighting
on behalf of our government

and people everywhere.

Now, to be able to fight
these dangers,

you'll need all the combat
and operational skills

you've been developing,

but you'll also need
to understand the world

and how it's come
to be this way.

of a child.

Change of scenery?

Terri.

Something like that.

My name's Leo Garner.

Hello.

Welcome to the Meadows.

Thank you.

How's it going with Sandy?

Oh, you know.

You see something we missed?

Slowly but surely.

Hmm.

If they're in the forest,
you'll never find them.

It's thousands of miles,

Let me guess.

and Hanna knows that terrain
better than anyone.

You're struggling.

You found her last time.

I made a mistake.

Last time, she made a mistake

I tried to make her feel
as though

because she was frustrated
with her life.

I was like her somehow.

She won't do that again.

Maybe you don't want us
to find her.

But she's too smart for that.

Mm-hmm.

Sad thing is I don't think
she wants help.

What exactly do you mean
by that?

I think she wants
to destroy herself.

Who took this photograph?

MARISSA:
I did.

Why?

She's clinging on to something.

Holiday snaps.

Some...

Not like you.

pain she refuses to get rid of.

I needed to prove to Sawyer
I had Hanna in my care.

Something out there?

Did you become attached to her?

Her mother, I think.

No, I did not.

Perfectly natural
to have an affinity for her,

But they never met.

Doesn't matter.

given the past,
no child of your own.

She knows about her.

I don't feel anything, John.

And now, she can't let it go.

I'll let you know when I do.

Let what go, exactly?

I'd like to go.

You can't hold me here
against my will.

She needs to know

You know that as well as I.

if her mother ever loved her.

Okay.

Let me ask you something first.

Are you lying to me?

Did you really shoot Erik Heller

or did you go to Utrax to kill
Sawyer and save Hanna's life?

I think I know the answer.

So, here's the deal:

I stay quiet about what you did
and I leave Hanna alone,

JULES:
Why are you reading that?

but you give me Trainee 249.

HELEN:
You said it was good.

JULES:
Fuck that.

Such a shitty phallocentric
piece of shit.

Last week you said you liked it.

How did your mother die?

"Last week"?

You better keep up, girl.

I told you.
I don't want to talk about it.

Things move fast around here.

Do you guys believe in God?

God is a human construct.

Was she killed by them?

What does that mean?

It means he's made up.

How do you know God is a man?

Because he was invented by men.

Do you miss her?

I never knew her.

Is this about Aaron?

How can you miss someone
you've never met?

No, it's not about Aaron.

Then what do you have
against men?

Nothing.

I just prefer women.

Since when?

Since always.

You're attracted to women?

-Hello. How are you today?
-I'm well, thank you.

That's the general idea, Helen.

That's five dollars.
With rice or baked potato?

Hmm.

Are you attracted to me?

Don't worry, you're not my type.

-Hmm.
-What about me?

TRAINEE 242:
She looks so weird,

still in that old uniform.

I see you more like a sister.

Not everyone's done it.

I'm the same.

I'm glad you did.

And anyway,
you've got your lover.

It makes me feel better.

I can't beat him.

What's the name they gave you?

Sandy.

I'm Jules.

Hi, Jules.

Hi, Sandy.

Where are you from, apparently?

Uh, I'm from Ohio.

A small town.

Bentleyville.

What's that like?

Beautiful.

There's lots of forest
and rivers.

And you go fishing
for pike and bass,

MARISSA:
Where are you, Hanna?

except in the summer,
when it runs dry.

They know you're alive.

I'm from Oregon.

By the ocean.

I surf.

I have a boyfriend called Aaron.

He's hot.

Why is he hot?

No, it means, like,
he's really handsome.

Oh.

Can I see him?

-Where the hell have you been?

HANNA:
I'm following him.

He's eating in a diner.

SANDY:
He looks nice.

Send me the address now.

He is.

And I have a brother,
but I don't like him.

It says he was mean to me
when I was young.

Put beetles in my shoes.

What a dumbass.

Yeah.

He is a dumbass.

I have a brother and a sister,
too, but she's sick.

It takes up a lot
of the family's attention.

What's wrong with her?

Muscular disease.

It may be psychological.

We don't know for sure.

That must be annoying.

No.

I love her.

MARISSA:
I need to talk
to the other trainees.

The ones who were there.

pididdle-a-diddle

pididdle, oh, baby

CARMICHAEL:
Hi, Sandy.

That's your name, isn't it?

-Yes.
-Hi. Uh, I know

we already spoke to you about
this at Wilberforce Air Base,

but I wanted to go through
one more time what happened,

with Agent Hawkins here.

About Trainee 249.

I've told you everything I know.

Sandy, my name's Joan.

I'm really worried
about Trainee 249.

there came a 'rod

She's missing the opportunity
to experience

and one lamp on...

what you're experiencing,

gaining a new life.

Mademoiselle?

I'd like to bring her back
and offer her that chance.

Ah, merci.

But for that,
I need your help, 'kay?

So, you were in the room
next to her.

Is that right?
The day she left.

She talked to me
through the wall.

What'd she say?

She said someone was coming.

Then what?

I heard her talk to this girl
through the door.

The girl opened the doors
somehow.

And then 249 went out.

She said we were free.

I didn't believe her.

And so then what happened?

Did she meet that girl alone?

I don't know.

There's no reason to lie, Sandy.

Not to me.

Did you go to the door and look?

What happened
when you went to the door?

What did you see?

She showed her something.

On the screen.

What was it?

I don't know.

Yes, you do.

It was something from her past.

Her real past.

What did she show her?

She showed her
who her mother was, didn't she?

SANDY:
I didn't tell

any of the other trainees,
honestly.

Oh, that's okay.
You're not in trouble.

-I don't want
to leave the program.
-CARMICHAEL: It's okay.

You did everything
we could have asked.

Okay? Thanks. You can go now.

ERIK:
Come on.

Faster.

Don't give up.

You okay?

Are we going to stay here
forever?

It's safe here.
Don't you want to be safe?

Sonia. Sorry.

-Course I do.
-Maybe you don't.

Maybe you want
to go back to that facility.

I didn't mean to freak you out.

Carmichael called.
He asked me to bring you this.

-That facility
doesn't exist anymore.
-Then another facility.

Is that what you want?

No, of course not.

Where they put drugs under
your skin to keep you sleepy.

The same room every day.

The same food,
the same exercises.

-No air, no going outside.
-All right, I get it.

No, you don't get it.
That thing in the sky,

it wasn't after me,
it was after you.

I'm protecting you.

Why do you never listen to me?!

In the whole wide world,

this is the only place
we are safe.

Now your father's gone
and called the police.

What do you think about that?

Hey!

I asked you a question!

LEO:
So there are 30 trainees.

Fuck you.

They'll be writing e-mails
and communicating online

You get in this car.

You get in this fucking car!
Get in.

to a whole host of relatives
and friends

as we build the backstory
for them and their families.

Now, these stories need to
stack up for universities.

Friends, lovers, uh,
anyone they might meet

and show them to.

He'll pick up
his fucking car later.

You send mails, posts,

reply to their
social media shout-outs.

You chat with them
on all the online platforms.

You can make requests for
visual support material

I told you
to stay outside the building.

through the Gemini data archive,

What were you thinking?

which you can access
through your computer.

If I'd waited,
we would have lost him.

Any questions?

We have to follow the truck.

Okay, so you said
there are 30 different trainees.

It's going to the Meadows.

-Yeah.
-Each with maybe ten

or-or 20 major correspondents

and a hundred occasional
social media contacts.

And they'll show them all
to each other,

so each one has to be different.

This is from your mother.

It's fun, huh?

She wrote you a letter.

Food's available 24 hours a day.

That's impossible. When?

Entertainment consoles, TV,
it's all yours.

When you were born.

But no contact
with the trainees,

We were supposed to give it to
you before your first mission.

and from now on,
no phone calls home.

Oh, I have a family who think
I'm working for an oil company.

But, because it's you,

They'll expect to hear from me.

we thought we'd bend the rules.

I guess you were told
this was a Red Mark operation.

Well, it is.

Go ahead.

Have you read it?

I didn't feel
it was any of my business.

You can take your time.

I'm sorry.

You saved me,
and I'm not grateful.

It's okay.

I just don't want to
be alone anymore.

:
Thank you.

I know you miss her.

We're not alone.
We have each other.

-You've never even met her.
-

And that hurts inside.

If she was here now,
what would you say?

Go on. Try.

Why didn't you want me?

-I know.

I'm here. I'm here.
I'm here.

Let it go.

MARISSA:
Now Clara knows,

she'll go looking
for her mother.

She won't be able to resist it.

And that's how you'll get her.

-You were right.
-

CARMICHAEL:
She's Egyptian.

You were right.

Came to Romania
as an illegal immigrant.

Met a Nigerian guy.
She got pregnant by accident.

I'm nothing like you.

I can't even begin to imagine
how all this feels.

She decided to give up the baby.

After she gave her baby
to Utrax, she disappeared.

But there are 30 girls
around here who do.

There's no record
of where she went.

Nothing online.

Samira Mahan may not even
be her real name.

And who will never,
ever abandon you.

So if Clara does search
for her mother,

there's nothing for her to find.

Okay?

Well, then I guess you better
make something up, John,

because she will go looking.

Will they forgive me?

Stand by! Engage!

Whoa!

We always wanted you here.

Engage!

And we still do.

Whoa! Engage!

Whoa!

TERRI:
"Hi, Sandy.
Just posting to see

"how you are finishing
high school.

"It's sunny here, and we took
Jodie out for a walk.

"She took a few steps herself,
isn't that cool?

"I'll get a photo for you soon.

Write when you can. Mom."

-

through the walls

SANDY:
"Hi, Mom.

"I'm having a great time
at the private school.

MARISSA:
What is it about Clara?

It's not just guilt, is it?

"I'm glad I decided to move
to New York,

the walls...

"even though I miss you all.

Why do you care so much?

"I needed the space from Jodie
to focus on my studies

"so I can get into
a good college.

When we were in the forest,

I felt something
I'd never felt before.

"Did I tell you I met a friend?

"She's really nice.
Her name is Jules.

We are the same.

"I'll send you a photo of her.
She has really cool hair.

But you barely know each other.

I don't need to.

"Don't worry, I won't copy her.

"The weather is good this fall.
Very sunny.

"And we're playing
a lot of sports,

"and I'm looking forward
to my music lessons.

Can I change it?

"Sometimes, of course,
I get lonely.

Oh.

You don't like it?

"I miss you and Dad,
and I miss Jodie.

Do you?

"But not Brad, and you can
tell him that.

MARISSA:
Maybe it's not meant for you.

"And I miss Montana, of course.

Who is it meant for?

"Give him a stroke for me.

"Tell him I'll walk him
when I return,

Older people.

"after the semester ends.

Like you.

Yeah, like me.

Hugs and kisses. Sandy."

and I'm grown...

I think you look good
for your age.

Depends on how old
you think I am.

Old enough
to look good for your age.

Very good.

a man and let his shit blow

choke on all of this smoke

but nine times out of ten.

LEO:
She's watching 'em run.

Where is she?

ERIK:
Hanna?

LEO:
She's been there
nearly half an hour.

You know what that means?

She's jealous.

She wants to get back with them.

So,

now it's over to me.

Come in.

Oh. Sorry.

It's okay.

You sure?

How's it going?

Okay, you know.

I'm so impressed,

seeing you embrace
your parents' values.

ERIK:
Hanna!

How's Clara?

Clara?

Uh...

we're deciding
what to do with her right now.

Before you do,

can I see her?

How did you get lost?

Oh.

I see.

I was with my mother.
I went the wrong way.

I didn't think you'd want to.

No, I'd like to see her.

You don't have a phone?

Okay.

DAUGHTER:
Are you American?

Let me see what I can do.

Are you on holiday?

Where are you staying?

-

My mother's name is
Samira Mahan.

I need to find her.

With an "A."

Is this her?

We're not going in guns blazing.

I hope you know that.

That's not my style.

We find her,
we get her out, we leave.

What is Canada like?

It's really beautiful.

There's lots of mountains,

forests.

You'll love it.

Both of you.

Will you come visit us?

MOTHER:
She's staying in a hotel
near Bucharest.

I would like that,

but I don't think
it's a... good idea.

I can take you there,
if you like.

Why are you helping then?

I don't know.

Can I see Clara's passport?

Yeah.

Oh.

I'm sorry.

There.

There you go.

It's my ex.

Sorry. I won't be long.

Have you been writing home?

Hi.

A little bit. You?

Hanna's alive.

Yeah, a lot.
To my mom, especially.

She killed one of my people.

She's lonely without me.

My dad's in Iraq again,
and my sister's not well.

-What?
-Nothing.

Just... you know
it's not real, right?

MARISSA:
Where is she?

Is she in Paris?
Is that why you're calling me?

Why do you say that?

Last night,
she was in Charleroi, Belgium.

Because it's not.

And you sent Sonia to find her.

Well, maybe it can be.

Come on, John.

She took a day off
without any notice.

What do you mean?

It's not exactly subtle.

Well, if they want us
to live in the world,

I'm gonna send you a photograph.

then my family can't
just be writing letters, right?

At some point,
I have to talk to them.

Maybe meet 'em.

How can you meet them?

They have faces.

You don't... get it, do you?

They're just a story
to tell people.

Nothing more.

Listen, you do what
you want, okay.

You don't have to write
to anyone.

CARMICHAEL:
I think it was Hanna.

That's not what I meant.

I think she's trying
to find the Meadows.

-Just leave me alone.
-Sandy...

MARISSA:
Okay.

What do you need from me?

I need you to find her.

You want me to message her,
tell her you're coming?

Yes, please.

What should I say?

Say her daughter wants
to see her.

CARMICHAEL:
You were right.

-She made contact.
-Where?

In a forest south of
a village called Ulitze.

She's heading to Bucharest now
with a Romanian family.

Thinks her mother's
in the hotel.

We're arranging the RV.

-I need you there.
-MAN: Let's go.

-MAN 2: Locked and loaded, sir.
-And what about Hanna?

We're leaving Hanna alone,
just like you asked.

CARMICHAEL:
This is Carmichael.

Who is this?

SOLDIER:
Bravo Team on me,
going around back.

Hanna?

Hanna!

Bravo Team in position.

Hanna!

-Nobody here, sir.
-All right.

Search the forest!

-Sir!
-Sir!

Hanna?

Ten meters!

Hanna?

Whoa.

SANDY:
"Hi, Mom. I'm still happy
here at high school.

What are you doing?

"I've been made captain
of the hockey team.

"But I'm angry with that friend
I told you about.

Hanna, it's me.

"People can be so cruel.

"I really gave her my trust,

"but she doesn't
understand me at all.

"I think it might be
because she doesn't have

"such a close family.

"Maybe she's jealous.

Maybe she doesn't have the love
in her life that I do."

I'm the only ally you have.

DAUGHTER:
Hey, look, it's from your mom.

You lied to me.

How long until we get there?

You always lie.

Two hours.

SOLDIER:
Group Lima headed
north-northwest.

No eyeball.

I just saw something.

Target contact!
Fall back to the cabin!

Engage!

Can I sit?

-Thank you.
-You want someone
to come with you?

No, I'll be fine. Thank you.

You can really fight,
you know that?

You know why I did it.

Is that all you have to say?

-'Cause I'm the one
giving you a chance here.
-No.

I was wrong.

-To attack me?
-No.

I-I mean yes.

Of course.

But more than that.

Can I help you?

About this... whole place.

My mother is in Room 427.

It's not what I expected.

You okay?

It feels...

Uh, what's her name?

Samira Mahan.

Different.

-"Mahan."
-

Like home.

Okay. Would you like me
to call her?

No, she knows I'm coming.

Maybe it's time you realized

Okay, it's, uh, second floor,
over there.

who your family really are.

CLARA:
Uh...

this wasn't like this before.

SANDY:
It's cool.

I guess.

Mom?

Mom, it's me.

SANDY:
Wow.

Mom?

They know you pretty well.

Do they?

How about... this?

You think it's me?

Sit down, Clara.

Try it.

I need to talk to you.

Don't you get it, Clemency?

Where's my mother?

They're giving you
a second chance.

I need to explain what's
happening. Please sit down.

Where is my mother?

She's not here.

Stay calm.

Let me tell you what happened.

CLARA:
What about the others?

Will they be okay?

With me coming back?

Your mother chose to give
you up after you were born.

SANDY:
If they're not,
they'll have me to deal with.

And then, I'm afraid, she died.

You can come eat
with us tonight.

That's why you're with us.

And we can go for a walk
in the grounds after.

And why we're so keen
to look after you now.

It's really beautiful.

No.

It's okay.

How's it going?

It's not gonna be like it was
before, in the facility.

CLARA:
I'm almost ready.

I want to show you what it's
going to be like from now on.

We're going to give you
a new life.

Your name is Clemency.

You're 18, you're in school.

You live with a big family

in a beautiful house
in Oakland, California.

Your father
is in local government.

Your mother, here,
she's a teacher.

We can make all this
happen for you.

And I promise
we're gonna give you

-all the love you need.
-I don't want that.

I want her.

I know, but she's gone.

Don't run away from me.

Move in.

SOLDIER:
Copy that.

Down! On the ground!

:
No! Let me go!

No! No! Let me go!

Let me go! No!

:
Get off me!

Let me go!

You know there's still a place
for you with us if you want.

-You'd trust me with that?
-Well, not everyone can deal

with this kind of work.

You've shown you can.

You didn't leave Hanna
in the forest, did you?

MAN:
Be advised, the girls
have made their way outside

and appear to be
gathering in the garden.

I know you, John.

MAN 2:
Yeah, I've got eyes on them.

Just tell me the truth.

MAN:
Uh, Unit 2, you there?

We found the cabin
in the forest.

There was, uh,
a fight of some kind.

A gas explosion in the cabin.

And Hanna?

She was inside.

Marissa, I assure you,

-we never had any intention...
-Just... just get out.

The offer remains open.

JULES:
...or Charity or Grace.

SANDY:
I don't know why
you're so upset about this.

JULES:
I'm not upset, I'm just,
I'm just explaining.

-You're upset.
-I'm just explaining

you're, uh-- like we're in
some medieval fucking romance

with all those men on horses.

Uh-- I don't know where
you're getting this from.

-All right. Guys, come on.
-No. Wait.

-JULES: Come on.
-Why-why did you say that?

JULES:
Because, Sandy, it's a thing.

You got me.

I don't mean anything by it,
Clemency.

HANNA:
Where did you take her?

VIRTUAL TEACHER:
Welcome, Sandy, to your
virtual piano lesson.

Let's start by hitting a key.

Try this one.

and I don't believe it

hate propaganda

into your darkness

to your hatred

no, no, no, no

no, no, no, no, no

no, no, no, no

I am electric

for your destiny, no

to children

forced to run

I'm not a minion

no, no, no, no

no, no, no, no, no

no, no, no, no

no, no, no, no

no, no, no, no, no