All language subtitles for Hanna 202

pay your due?

MARISSA:
Vesuvius. 2468. Control.

I'm back in town. I'll be
returning to the company.

And I'd like
a full domestic clean.

this Wednesday?

he flew

-

-Nice, Kelly!
-Yes, go, go, go! Come on!

-That's it!
-Go, go, go!

All right,
let's do this, come on!

That's $5.91.

HELEN:
What are you reading?

-JULES: This.
-W-What is it?

Just, like, the most
important book ever.

-What's it about?
-The death of youth.

-Doesn't matter.
-What do you read, Sandy?

Oh, you know.
Mainly magazines, I guess.

HELEN:
Oh, did you see this?

She's an actress.

She looks amazing.

God, I love her skin.

-Oh, come on, Helen.
-What?

They're fake. Look at them all.

Phony smiles, phony tans.

You can talk about fake.

JULES:
Fuck that.

I'm way more real
than they'll ever be.

HELEN:
Well, I'm getting a coffee.

Anyone?

Did you see that car earlier?

-What car?
-It came in this morning.

They're always coming in
with deliveries.

This was no delivery.

I think someone's back.

-Welcome back.
-Thanks, Kim.

Everything okay?

Yes. It was
a challenging mission.

But it's done?

Not quite,
but we're getting there.

Well, we had good cover
while you were gone.

Langley sent her.

She has full authorization.
I assumed you knew.

Yes, of course.

Marissa Wiegler,
head of section.

Sonia Richter.
Pleasure to meet you, ma'am.

-Thanks, Kim.
-Mm-hmm.

LEO:
Okay, so, the first thing
I want to do is lose the muscle.

But I have to be sure you're not
gonna try to rip my head off.

Are you gonna try
to rip my head off?

I'll take that as a no.

Guys, you can go. Wait outside.

Just go.
We're gonna be fine here.

So,

what that lady told you
in the hotel in Bucharest

is the truth.

Your mother is dead.

I'm really sorry.

It hurts, right?

That's why none
of the girls here

have been told
about any of that.

About parents or any kind
of previous life.

See, the truth is, without us,
none of you would be alive.

I'm not gonna sugarcoat that
for you. Okay?

If you want any life at all,

it has to be here.

What happened to Hanna?

Hanna tried to kill the people
we sent to pick her up.

There was a lot of firepower.
We were forced to respond.

I'm afraid she didn't make it.

It's not your fault.

Hanna chose to break
into the facility.

Her decision, not yours.

It's okay.

It's okay.

I'm okay.

We're good.

Can I show you something?

This way.

This is Larry. Say hi, Larry.

Hi.

LEO:
Recognize them?

Where are they?

They're right here.

-Oh, my God!

Oh, my God...

SONIA:
She arrived back in Paris

at 1500 hours,
flew into Orly Airport.

She returned to the offices
this morning.

I've sent over all visuals.

CARMICHAEL:
Did anyone come see her?

No one.
I think her boyfriend's left.

Other than that,
everything seems normal.

Let me tell you
something, Sonia.

When I taught Marissa Wiegler
at the training college,

no one noticed her
for two years.

She was just average,
slept with a couple guys,

smoked a little dope,
did the bare minimum.

Final exams,
she was top of her class.

No one saw it coming.

So you stay on her.

Watch her
very carefully, please.

Anything strange, you call me.

Fuck.

Find it okay?

-I brought food.
-I'm not hungry.

Okay, then. Shall we do this?

Arms straight.

Good.

Hello, Mary. Is that you?

-MARISSA: Hi, Mr. Kaladski.
-

Please don't call me that.

I haven't been your teacher
for 20 years.

I just wondered
if you'd thought about

what I asking you
a few days ago.

Because the girl
I was telling you about

is with me now.

Her name is Beatrice.

Say hi, Beatrice.

Hi.

Uh, hi there, Beatrice.

Uh, Tom, Beatrice is in danger.

She needs somewhere
that she can go.

Somewhere that's
remote and safe.

You know the line
of work I'm in.

You know what it involves.

You know that I wouldn't make
a call like this

unless I really needed
your help.

Did you speak to Jean?

Yeah, I-I spoke to her.

And?

She wants to know
how long it would be for.

A long time.

And-and I-I suppose
we can't ask who she is.

It's better if you don't.

Just think of her as a girl

who deserves a fresh start.

:
The dangers facing mankind

in the 21st century

require radical action.

Sometimes pre-emptive action
that will guarantee

all our security.

That's why Utrax was created.

To be the preventive force
that the world needs.

-

Hi.

Can I come in?

I can come back later.

No, it's okay.

Did you have a long journey?

I think I saw you arrive
in the car.

Where are we?

The Meadows.

But where is that?

SANDY:
Oh, cool, they gave you these.

They're really cool.

Cooler than mine.

My name's Sandy now,
by the way.

Sandy?

Like a beach?

I guess, if the beach is sandy.

Do you have a name?

"Clemency."

That's so sweet.

They're so beautiful.

Have you written to them?

You should.

I write every day to my family.

Almost.

Well, you should only do it
if you feel ready.

I have to go to piano now.

So, I'll see you later.

It's good to have you back.

Sonia?

Have a look at this.

Okay, let me guess the routine.

You call John Carmichael
once a day.

Maybe when you go
to get coffee for the team.

I've noticed
you like to do that.

You call and you report
on my movements.

You include in your report
my domestic routine,

as catalogued by those two
clowns outside my apartment.

You think maybe I'm about
to meet a journalist

or police even.

Maybe I'm about to betray Utrax.

Tell Carmichael this.

I'm not betraying anyone.

I'm tired and lonely.

My boyfriend left me
while I was chasing Erik Heller

across half of Eastern Europe,

and I am now trying
to get him back.

During which time
I would very much appreciate

some fucking privacy.

I have Carmichael's number
on this card.

I will call him if I want.

And in the meantime,
if I see your face again

around my private life,

I'll rip it off
and mail it to him.

Agency or, uh...

personal?

I need a few more days
to organize this.

Keep away from the windows
at all times.

Don't answer the phone
or the doors, okay?

Hanna?

They think you're dead.

You have to stay that way.

It's a whole new life
I'm offering you.

No one will know
where you've gone.

He's an old teacher of mine,
no other connection.

No one will trace you.

I know Erik offered you this.

But he couldn't deliver it,
and I can.

Where did they take Clara?

No idea,
but I know there's nothing

that you can do for her now.

Oh.

Just thought I'd say hi.

-Sorry.
-Oh, please.

Don't bother.

My mother said I was always

the messiest pup in the litter.

-I'm John Carmichael.

Terri Miller, sir.

You come very highly
recommended.

Well, I hope to not disappoint.

I see you're watching
our latest arrival.

Yeah.

Who is she?

Just someone
we lost for a while.

"Lost"?

She's a rebel, I guess,
but like God,

we value our rebels highly.

You did really good work
on her material.

Big family-- generous,
but not holier than thou.

-Just what she needs.
-It's the kind of the family

I would've dreamed of as a kid.

Brothers and sisters everywhere.

Ah, you're an only child?

Yeah.

Loved but lonely.

We just need
to give her more time.

and out of tune...

So, I think I did something

that was maybe a bit stupid.

What did you do?

JULES:
I split up with Aaron.

Oh, my God.

Why?

I-I thought you liked him.

I changed my mind.

your vitamin...

Wow.

What?

How did you do it?

I messaged him, obviously.

Well, what did he say?

He was really upset.

And then Mom tried
to change my mind.

Whoever Mom is.

I can't believe you did that.

I thought Aaron was so hot.

You like him so much,

you fucking go out with him.

You curse too much.

I what?

I don't understand you, Jules.

I mean, why make
everything so difficult?

Now they have
to find you another guy.

What if I don't want
another guy?

What do you mean?

Why does it always
have to be about guys?

Haven't you read
anything, Sandy?

Like... in here they have

this absurd hetero-normal notion

about who we should be.

It's, like, totally 1950s.

What?

How do you know anything
about the 1950s?

-Forget it.
-No...

Sandy, leave it.

Go back to your dead-eyed
magazine world.

Leave me to expand my mind.

I expand my mind.

All the time.

Sure you do.

Uh, le café, le café...

Chloe?

MAN:
Stand by! Engage!

-Engage!
-

You seen Sandy?

I think she's at music now.

But she'll be in the cafe later.

MAN:
Group! Clear your weapons!

WOMAN:
That'll be two dollars, please.

-Thank you.
-Thanks.

-Hi.
-Hi.

You want a juice?
I could get you one.

I'm okay.

You could try mine.
It's apple.

No, thanks.

You could try the clothes,
you know.

I could help you.
With your makeup and all.

I mean, if you want to.

-There's no rush.
-You know the girl who broke in?

The one I left with?

In Romania.

What about her?

She's dead.

Oh. I'm sorry.

We were in the forest together.

But then I left.

Why did you leave?

I thought I could find
my mother.

But they guessed
that I'd look for her

and they tricked me.

Actually, I was trying
to work out how they knew...

that I discovered
about my mother.

I figure someone
must have told them.

Oh, yeah?

Yeah.

Someone must have seen me

looking at my mother's name
on the computer system that day.

And then told on me.

And then I realized

that your door
was the only one open.

Because I opened it.

Did you help them find me...
242?

My name's not 242, it's Sandy.

-Did you help them?
-Course not.

I didn't mean to.
They asked me questions.

-And you answered the questions?
-What was I supposed to do?

They said they could bring you
back here and make you safe.

And you decided that
that is what I wanted?

I just wanted to help.

I mean, look around here.

It's beautiful.

You think you know
what's best for me? 242?

My name is not 242.

-You think you know?
-Get the hell off me.

with a bikini in Bequia

Galliano sack me

like your freaking acne

brand new perspective

with matching red lipstick

I got front

I got a trunk

throw it in the bank bank

but this ain't what you think

-

-

It's me.

Hanna?

Hanna?

Fuck.

:
Welcome, trialists,
to the Passway facility.

Please proceed to Area C
for trial induction.

Lucy?
Lucy Wiegler.

Uh, you're not on the list.

Did you apply for this trial?

I think so.

Do you have your consent form?

Welcome, trialists,
to the Passway facility.

Please proceed to Area C
for trial induction.

Excuse me.
Are you doing the trial?

Maybe.

If I give you this money,
will you let me take your place?

-Please?
-No, thanks.

I'm getting five times that.

Give me your bag.
And your jacket.

Take off your hoodie.

Go home,
and don't ever come back.

Monica Gastner.

-Does that hurt?

A little.

-She's crazy.
-They should put her down.

-Don't say that.
-What? It's true.

She just causes trouble.

Thanks.

For helping me.

No sweat.

What?

It's just a funny phrase.

What is?

"No sweat."
Kind of 1950s.

Ow!

Be more careful next time.

WOMAN:
Do you have everything
you need for your stay?

As you know, this is
a three-night trial.

The first night,
you will be given the drug,

and in some cases a placebo.

And you will be placed
under observation.

The second night
you will receive nothing,

and you will be free
to hang out, play games,

get to know each other.

The third night,

you will receive
another treatment.

At all times,
you will be observed,

and we want you to know

that your safety
is our paramount concern.

This way.

-Please swallow this.
-What is it?

It's just a small relaxant.
Nothing to worry about.

I don't want to.

Then you'll have to leave.

Okay, good.

We'll call you soon.

No eating from now on.

Are there any other people
staying here?

-People?
-Young women, staying here?

This is just a trial center.

Only trialists stay here.

-MALE NURSE: Okay.
-

How we doing?

Take your arm
out of your sweater.

Hold it like this.

Leave your belongings here,
come with me.

HANNA:
I'm looking for a girl.

Her name's Clara.

MALE NURSE:
I don't know her.

I need to find her.

MALE NURSE:
I told you, I don't know her.

This way.

Take a seat.

What is that?

Just a screen.

You'll be observed at all times
for your own safety.

Okay, we'll fix you up
to this line.

You'll feel a small pinch.

Who are these drugs for?

Now the music will play.

Just watch the image.

Sit back, relax, but try
to keep your eyes open, okay?

If you need assistance,
you press this emergency button.

-You understand?
-

MAN:
Please raise your hand
to indicate you're okay.

Okay, that's good.

Just look at the trees.

LEO:
I think we underestimated
the problems she's experiencing.

CARMICHAEL:
I don't get it.

30 trainees, happy, smiling,

following absolutely
every predicted pathway.

And this one.

-LEO: Mind of her own.
-Don't be flippant.

Any flaw to the program this
early does none of us any good.

-So what do you suggest?
-

Oh, sorry. I didn't realize...

I just came to see how she was.

LEO:
Terri, this is John Carmichael.

We've met.

You think you can tell me
why she's failing?

Oh, I-I don't know.

My hunch is that
she feels different,

on some fundamental level.

Well, maybe you should
work with her,

-see if you can
make some progress.
-Sure.

Because if this fails,
I have to cut her loose.

There's a personal
and financial cost to that.

One I'd like to avoid.

MAN:
If your reactions are
significant in the test cases,

then we can explore effects
also on the Utrax recipients.

-WOMAN: Agreed.
-MAN: We anticipate
more extreme reactions

in those cases and can vary
dosage accordingly.

WOMAN:
What's the final
operational remit?

MAN:
Removal of all inhibitions
towards the achievement

of maximum violence.

To be used
in extreme situations only.

WOMAN:
Of course.

ERIK:
And human beings are?

HANNA:
Dangerous and not
to be trusted.

ERIK:
If you see one?

HANNA:
Come and find you.

-ERIK: If there's no time?
-Hide.

-HANNA: If I can't hide...
-

...attack.

MAN:
What the hell are you doing?!

Let me out of here!

Please let me out!

-Stay back. No, no, no-- No!
-Stay calm.

Where is the Meadows?

Who are you?

Tell me where they are.

Get in.

Hi.

Can I come in?

You're already here.

What do you want?

I work here.

Can I sit down?

I don't want to talk to anyone.

-That's fine.
-

You don't have to talk.

I'll just sit here.

I just don't want you
to be alone tonight.

-

ooh, I know

I feel so summertime

like, overtime

don't act no nonchalant

just like a drum

not the one

and you're so overdone

we shall overcome

-

ain't no

-

I feel so summertime

I feel so summertime

I feel so summertime

so summertime

when I'm trying to shine?

Ha

-

-