Original subtitles

You've reached the Windsor Apartments.

Please leave a message for the occupant.

Hi, mommy.

Did you get the picture, the one with my new haircut?

I wanted to know if you like it that way.

I know you're busy, but maybe you can write and tell me, even

just a postcard or something.

I miss you.

I hope you can come home soon.

Bye bye.

Morning.

Good morning.

Has it, Candace?

Candace and Brian are here everybody, let's welcome them.

With the Flowbee.

Now, right here I have all...

I'm getting a little.

How you doing buddy?

Quit poaching on my territory, pal.

Am I mo...

We got some messy problems

here on the Gardiner.

Let's check it out with our flying traffic report.

A tanker has sprung a leak

on the Gardiner eastbound.

I can't believe this.

Yeah, right, close off the Bay Street exit again.

No problem leaving this city, as long as you got a boat.

John, I'm going to work now.

You need anything?

...and the QEW

is crawling into the city.

Traffic is also crawling south on Bay and University Avenue.

I'm not finished with that.

...ramp being closed.

If you have to get on the Gardiner,

I suggest Jameson for westbound and Jarvis for eastbound.

There you are.

You'd be better

off avoiding it altogether.

All other major routes have normal volume

for this time of day.

Hey, you.

Congratulations, sweetie.

Come up here to the den.

So how was the flight?

Four stopovers.

There's no easy way out of Luanda.

The 23rd?

I'll be in Montreal for their retrospective.

I'll tell him you're here.

OK.

Yes.

Right.

Natalia is here.

Mm-hm.

I call you later.

There she is.

Dad.

What do you have?

Oh, good girl, good girl, be patient.

Your first cover.

The first of many.

I certainly hope so.

At your age, I was on my fifth.

Mm-hm.

She'll have that wall covered in no time.

Thank you, Nigel.

Yes, pretty soon, dad, they're gonna be calling you

the father of Natalia Bauer.

Here you go, Nigel.

I can't.

Oh, it's just a little sip.

I have your itinerary to arrange.

Natalia.

Yes.

I had another one framed for you.

Thank you.

Congratulations.

The shot is fantastic.

Stop it.

She'll get a big head.

It runs in the family.

Bonk.

I'll see myself out.

Bye, bye.

What?

Didn't mom used to call this your wall of fame?

It wasn't always a compliment.

I wish she were alive to see this.

To mom.

And to your future.

You catch him!

Hey, keep the noise down, hey, guys?

Jeb! Jeb!

Jeb! Jeb!

Jeb! Jeb!

Jeb! Jeb!

Whoa!

Here's your check.

Your last Friday's overtime is in there.

Thank you.

No, you're gonna die.

Jeb, keep your eyes open.

Don't call me that.

Get out of here.

Get out of here. Screw you.

You're gonna get the high score.

You're gonna get the high score.

You're gonna beat his high score.

Come on! Oh!

Fuck! Fuck!

Hey, hey, hey, don't hit the machines, ey?

What was that, Jaba?

You heard me.

Don't take it out on the machine.

Oh, I'm sorry.

I... I don't know what I'm doing.

Am I breaking this?

Hey, cut that out now.

Stop it!

OK, all of you, out.

God damn punks. - Shit.

Go. Shit.

- Shit. - Let's go!

Let's go!

Hey, you!

Stop him.

Hey!

Whoa!

God!

Yo, watch out, baby.

- Watch it! - Ha!

Fuck you. - You wish!

Kiss my ass.

Reuters.

Hi can I speak to George Kessler, please.

You got it.

I mean, you definitely got it, your father's eye.

Which is lucky, because all my father

gave me was his taste in ties.

Are you positive?

Nat, I called their picture department.

The edge numbers on the negative correspond with your roll.

It's your shot.

I don't remember taking it.

You were in a shit storm.

You were on autopilot.

Look, Nat, you got the cover.

Just enjoy it.

OK, fine, I'll buy you something.

We can celebrate.

Hi, there.

Hi.

Hi

How much are these?

$4.00 and $5.00 for the beaded ones.

How about that one?

No, it's not for sale.

Can we see it?

Sure.

Come on.

That's beautiful.

Is that West African?

It's from Angola.

Angola?

You're kidding.

You know who took this picture?

George.

This woman right here.

Sure you don't want to sell her that bracelet?

You were in Angola?

I was born in Luanda.

Look at those eyes.

The poor baby.

What happened to her?

I don't know.

Thank you.

Uh, you can't go up there.

Rogelio?

Rogelio?

No, no, no.

This is private.

It's not for customers.

It's all right.

I used to own this store. - This place?

Yes.

My family, we... we lived upstairs.

So you want to look around, is that it?

Hm.

Uh, OK.

You can come with me.

22 years.

It's beautiful, Olivia.

Thanks.

You never told me you draw.

Can I see?

It's nothing.

Please.

After all these years, I didn't know you can...

you can do this.

After all these years, me neither.

What do you mean?

Well, growing up in Italy, all I wanted was to become

an artist and live in Florence.

Really?

I used to paint and draw all the time.

I haven't picked up a pencil in years.

What?

I never seen you like this before.

Like what?

Olivia.

Yeah?

Where you been?

Dinner will be ready in a minute.

So where were you?

I was at the park.

The park?

Till now?

It was... it was a beautiful day

and I lost track of the time.

So what's next on the agenda?

Jerusalem.

Jerusalem?

Mm-hm.

What about Bogota?

Not on this trip.

Why not?

Because it's not the assignment, dad.

You have to make your own assignments, especially now.

Strike while the iron's hot.

Yeah.

You remember the first camera I gave you?

How could I forget?

All the other kids got these cool toys for Christmas,

and I come to school with this old camera.

Remember, that old camera, it was a 1940s Leica.

What did I know about Leica?

I was seven.

And then the next year when I wanted to go to Disneyland...

Instead I dragged you to Kathmandu.

And look at you now.

Hello?

Hello?

I can't... Nigel?

Sorry.

Nigel, I can't understand you.

Give us a couple of minutes, will you?

Eric called again.

Look, I know it's not my business,

but, you know, your husband's making it my business.

He says he hasn't heard from you in weeks.

Katie, he asked me if you were having an affair.

I don't know what to tell him 'cause I don't get it either.

You've been away for months on this tour.

And now the little bit of time we

have before our New York gig, you suddenly decide

you have to record in Toronto.

When are you... when are you planning to go home?

"Bach Suite Number 2, Prelude."

OK, whenever you're ready.

Get up.

Get the fuck up!

Get up and face the wall!

That's right.

- Come on. - Get up!

Get up!

Well, congratulations, there Mr. Bum,

you have just been selected to be our next victim.

Yeah, man.

So how's it feel to know that you're gonna die?

You're gonna die!

Huh?

Oh, come on, you don't want to disappoint our viewers now.

I mean, tell me, you have any last words before you

get your head blown off?

Yeah, splattered all over this wall.

Psh!

Hey, come on, just put your hands on your head all right?

Put your hands on your head.

Did you not hear what I said?

Just drop the stupid bag, and get your hands on your head.

Jeb, he's not scared of you.

Give me the fucking bag.

Leave me alone.

Jeb, what are you doing?

You said we're only gonna scare him.

Come on, Matt.

Come on, it's a bum, just a fucking bum!

It's just a fucking bum, man!

Hit 'em!

Hit 'em!

Yeah, that's it.

Come on.

Come on!

That's it.

Get away from him.

What's it to you?

Shit!

Olivia?

Olivia?

What are you doing?

Hm?

What's that?

It's just a drawing.

You did this?

Yeah.

Why?

It's just...

It's just what?

I have been having a dream.

A dream?

Mm-hm.

A dream about what?

These shapes.

Coming out of the stone.

And what about them?

They're all around me.

I want to touch them.

But when I try to, their flames, they're everywhere.

Flames?

I want to run away, but I can't.

I can't move.

I can't even scream.

I just have to stand there and watch myself burn.

You forgot my coffee.

Morning, dad.

Cathy.

Hurry, before it gets cold.

Sunny side up, just the way mom made it.

That kid last night asked you how it felt

knowing you were gonna die.

Do you think that's the way my mother

felt every day of her life?

Every day.

Just the sound of those footsteps

coming up the stairs when you'd come home drunk off your ass.

And you'd send me into my room and tell

me to practice so I wouldn't have to see you hurt her.

But I heard it.

No matter how loudly I played, I heard it all.

How does it feel?

You look so much like her.

When I found out they were letting you out early...

I mean, 22 years for beating that woman to death?

You don't think it was enough either, do you?

Do you?

Please don't do this to yourself.

Think of your family.

I don't have a family anymore.

I'm not worth it.

Catherine?

Catherine, it's Ralph.

She'll be right there.

Fuck you.

Don't move.

Hi.

Hi.

Are you OK?

Yeah.

Look, I'm sorry to interrupt, but your phone

has been busy all morning.

What do you want, Ralph?

The "Gigue" we liked, we found a hiss on the track.

And we need to listen to your other takes.

Can we talk about this later?

We're going to New York in two days,

so if we need to rerecord, it's gotta be today.

We don't need to rerecord, just you can pick another take

and I will see you at the airport.

It's all right.

I was just leaving.

No.

Who's that?

I... I have to talk to you later.

Catherine?

Catherine?

Did you push them for Bogota?

No, dad, I already told you.

They're sending me to Israel.

I can't pick my own assignments.

If you don't let them know what

you want, how can you expect...

Dad, I think I'm doing OK.

Did you hear that I beat Raymond Paul to the cover?

I heard it.

Well, I think that's pretty good, no?

Actually, I think he's lost it.

He has been playing it safe.

You, you on the other hand.

What?

You take too many risks.

So I'm not pushing hard enough,

but I'm taking too many risks.

Your cover shot was taken with a 50 millimeter.

That means you were right in that hot, in the fire.

What the hell were you thinking?

Oops.

Hi.

Someone came in yesterday, an older man,

tall, carrying a duffel bag.

Oh, the guy who used to own this place.

Has he been back?

No, I don't...

well, Rogelio?

Rogelio?

The man from yesterday, did he come back here?

No.

Why?

I just need to find him.

Why don't you leave your number and we'll call you

if we see him.

I'll go.

OK.

555-0151.

Thank you.

Hello?

Mommy?

Mommy?

She's not here right now.

So do you know when she'll be back?

No, I...

I think she'll be out for a while.

When she comes back,

can you tell her her daughter called?

I'll do that.

Thank you very much.

Bye bye.

Yeah, you can't trust the guy.

Thank you very much.

No, you know what?

We'll take care of it here. No, don't worry about it.

It's no problem.

Look, Tom, I'm gonna have to call you back, OK?

Yeah.

OK, bye.

Hey. - Hey.

You're looking exceptionally professional today.

I was running with dad.

Ah, what's up?

I was just wondering if you had

my contact sheets from Angola.

Um, yeah, sure.

The contacts, they're in here.

You know what, they're at my place.

Um, I can get them to you first thing in the morning.

I could come by and pick them up.

Sure you could, but what's the rush?

Oh, I don't know.

I just want to see 'em.

So what time do you think you might be home?

6:30, 7:00.

Yeah, and there's a bunch of us that are

going over to the jazz bistro.

Come.

We want to celebrate your success.

So 6:30, 7:00?

OK.

OK.

Oh, hey, this was at reception for you.

Thank you.

See ya.

$50 for littering.

Are you OK?

Come with me.

Wait here.

Wait.

Liquor de berry, my grandmother's recipe.

You drink this?

No only on two occasions, when you are sick

or when we celebrate.

Today, we celebrate to you.

Drink.

I really should be going.

What's wrong, Olivia?

You can tell me.

Yesterday, I saw this light in your eyes.

And I thought...

I thought finally I'm seeing the real Olivia.

That's right.

That's how it should always be for you.

That's what you deserve.

You don't know what I deserve.

The exhibition inaugurated

this morning at the newly reopened waterfront site...

Olivia?

...of the Royal Ontario Museum.

Olivia, come here.

Not now, John.

No, come here, you've got to see this.

...taking her work around the world.

Come on.

...from London to Rome...

Take a look.

...and Paris via Geneva and Oslo.

We are very proud that Ms. Amanda Trent

could take time out of her busy schedule

to spend a few moments... - Look familiar?

...with us this afternoon.

Ms. Trent, I've read that these sculptures go back

to your early childhood being shuttled around

from foster home to foster home.

Well, when you have no roots, you're always

searching for an identity.

And as a child, I found mine through my dreams.

Look at that right there, huh?

You copied them all off her.

That's exactly like one of your pictures.

Can you tell us

about those childhood dreams?

Well, there were two big ones.

First, I wanted to be adopted.

Which at the age of seven came true for you.

Yes, yes, indeed it did.

And I'm very lucky I have wonderful parents.

And the second dream?

Well, I always wanted to be an artist and live in Florence.

Well, you've certainly

taken care of the artist part.

And who knows, maybe Florence isn't too far behind?

No, I think my family

and I are very happy on the farm up north.

Well, thank you so much for being

with us here today, Miss Trent.

It's been a great pleasure.

Thank you.

And I want to remind our viewers that Amanda

Trent will be signing copies of her book at Indigo

tomorrow after...

Why did you give me all that bullshit about dreams?

Why did you lie to me?

The guys will be here in a minute.

You've reached the Windsor Apartments.

Please leave a message for the occupant.

It took me two hours

to get Hannah to sleep.

She's your daughter.

She knows your voice.

You can walk out on our marriage, but how can

you walk out on her?

I've had it.

What kind of mother have you become?

You want out?

You got it.

Just do Hannah a favor, change your number.

Change your fucking number.

Hey.

Hi.

So did you find them?

I just got to throw on my jacket.

Because we're gonna be late.

Late?

Yeah, for the jazz club.

But I'm not going anywhere.

No, no, no, no, no, no, no.

No, there are at least 15 people waiting in a smoky bar

to congratulate you.

George, I just need to see the contacts.

Nat, how many times do I have to tell you?

You got the cover.

Nobody else took this picture, you.

Why can't you accept that?

I just need to see them.

No, sorry, you don't get anything till we go out

and celebrate.

George, just give me the goddamn contacts.

No.

George.

Sorry.

George, I want my contact sheets.

Mm, can't do that.

George, give me the fucking contacts!

I'm sorry. I'm very sorry.

I didn't mean to...

I'm sorry.

I need to know what happened to the little girl.

OK.

Here you go.

Nat.

Hello?

I've got news.

Oh, hi, dad.

Can I... Can I call you later?

I think you'll want to hear this.

I just spoke with Orson Stewart.

I can't call you tomorrow?

Orson Stewart, the editor of "Time."

Yeah, I know who he is.

He wants you on staff,

the international desk.

Really?

Yes.

Do you realize what this means?

He's in town for two days and wants

to meet you for lunch tomorrow.

His office will call and confirm.

Wow, that's... that's...

that's great.

Hey, we did it, Natalia.

We did it. - Bye, dad.

We did it.

The entire village was on fire.

And I'm inside.

And everyone is running around and they're all screaming.

And there are children, there are children everywhere crying.

And then... then I see her through a doorway.

And I go inside the hut.

And it's so hot inside and there she is.

She's sitting on the floor next to her parents.

And they're dead.

And she's so quiet.

So she doesn't wake them.

And I have only seconds and I can hear the wood cracking

and the flames are getting closer.

And... and instead of saving her I...

Photographed her.

What have I done?

Your duty, your job.

But dad, in the moments that it

took for me to get that shot, I could have pulled her out.

I killed her.

Not you.

The war killed her.

How can you say that?

What you're going through right now,

this guilt is only human.

And don't forget, we are not the ones who raped the women

or put fire to the villages or execute innocent people.

All what we are doing is trying to find the truth.

So that people who are really guilty

can be touched by the world.

Dad, you said that for an interview

in "Life Magazine" in November, 1972.

Uh, your 20.

Mm-hm.

And 20 more.

Bull shit, Marty.

That's for you to find out, cowboy.

Come on.

There's a month's disability sitting there, John.

Hey, I got a wife for that kind of shit.

All right.

It's your money.

Hey, talk of the devil.

What do you think Olivia?

Is Marty bullshitting me?

What do you say?

Well, I'm gonna take that as a yes.

Now, there's your 20.

And I'm gonna raise you 40.

Thank you.

You're called.

Moment of truth, Marty.

I got a couple of pairs. - Full house.

All fives.

Yee-haw, I knew it.

I fucking knew it.

Thanks, Olivia. What'd I tell you?

You can't bullshit a bullshitter, huh.

Hey, talking about bullshit.

Why don't you show the guys your pictures?

Pictures, what pictures?

Well, my wife's an artist. Didn't you know that?

Really.

Yeah, she's the best bullshit artist in town.

Come on, Olivia.

Show the guys your pictures.

Come on, let 'em see 'em.

Hey, relax.

It's only a bunch of pictures.

We playing cards or what?

Come on, deal.

So something along this OC-20,

a little bit lighter than the existing wall color.

And it'll completely...

It'll look like a textured wall instead, OK.

It sort of looks like a loft,

like a loft deal.

And if painting that

with your husband, if your marriage survives,

you can get through anything.

That's what we say...

What are you doing?

Hey, give me that.

Olivia?

Come on, Olivia, don't be silly.

Give me that thing.

Look, if this is about what I said tonight.

I'm sorry, OK?

Now give me back the remote.

Olivia.

She's my daughter, the artist Amanda Trent.

What?

There was this boy at school.

We were just kids, you know.

When my father found out about it, that was it.

What are you talking about?

He locked me in my room.

The only thing that kept me from going crazy was to draw.

Olivia?

All I know of my baby was her first cry.

Then my father took her away from the house

and gave her up for adoption.

Olivia? This joke is over.

It's not a joke.

She's my baby.

I know she is.

John.

John.

I'm going to bed.

Don't come in there until you get

this bullshit out of your head.

"Thank you for what you did for my country."

Miss Catherine Saber?

I'm Detective Mendocino.

Do you identify this man as Alan Baxter?

I'll be outside.

Miss Saber?

I'm so sorry.

It's my wife, they would have killed their.

But your father, he tried to stop them.

So they... they beat him.

They beat him instead.

And he let them so she could...

she could get away.

He saved her life.

I know this must be very difficult for you.

Excuse me.

Good, and to who is this?

To Helen.

Helen?

There you go, Helen.

And to who am I dedicating this?

To Mark, please.

OK.

I really like the book.

Oh, really?

I'm so glad you're enjoying it.

OK. - Thank you.

See you.

Hi, how are you today?

I'm good, thanks.

Good.

So this is to?

To Anita.

Anita.

Well, thanks for coming out to the show, Anita.

I really appreciate it.

Hi.

Avery with a Y. Thanks, I'm honored, really.

My pleasure.

Thank you.

Hello.

Your name?

I'm so proud of you.

Well, thank you.

You have a family, a good life.

You've followed your dream.

Well, dreams are all we have, don't you think?

What's your name?

Olivia.

It's a pleasure to meet you, Olivia.

Excuse me, Olivia, you forgot your book.

Have we met before?

I am...

I'm your biggest fan.

That's what my mother always says.

Amanda, Amanda, I'm...

I'm sorry but people are waiting.

Thank you for coming.

You don't know how it felt holding her in my arms.

If only I didn't let go that day.

My father didn't take my daughter away from me, Max.

I gave her up myself.

But Olivia, you were only a child.

I could have held on tighter.

Olivia.

You can't imagine what a strong and beautiful

woman she is.

Who do you think she got it from?

Who do you think she got it from?

Thanks.

So Orson, what are you thinking

for Natalia's first assignment?

Lima.

Ease her into it.

Lima is not the way you make your bones.

Tomorrow she is leaving for the West Bank.

Yes, of course, Alexander, but maybe Orson has a point.

She can handle herself, Nigel.

I know it.

Here she is.

Orson, that's my daughter Natalia.

My pleasure.

Hi.

Sit down.

Natalia, have a seat.

I can't.

You can't what?

I can't do this.

What do you mean?

I can't do this work anymore, dad.

Don't be ridiculous.

I'm very sorry.

Sorry.

Oh, excuse me.

Natalia.

Excuse me.

Hey.

Hi.

Thank you very much, but I...

I can't accept this.

Well, I gave that to you.

But I can't take it.

You keep it.

It was my mother's.

I'm sure she would have wanted you to have it.

Do you have any idea what the time...

Look at you.

Where have you been?

Olivia, I asked you a simple question.

I went to see my daughter.

I went to see my daughter at her book signing.

You look like a whore.

How many guys you screwed behind my back

while I've been in this wheelchair?

You're never to see that woman again, you hear me?

Never.

Now, give me that book.

No.

Olivia, give me the goddamn book.

Olivia. - No.

- Just give me that book. - No.

Olivia, give me... give it to me, Olivia.

No.

Give me the book.

No, no.

John!

John!

Don't touch me.

I can do it myself.

- I want to help you. - Don't touch!

Get off!

I'm sorry, John.

Nothing happened.

I really didn't mean to...

Nothing happened, Olivia.

You know, the most pathetic thing about you,

Olivia, is that you really think that I need you.

I don't.

No.

It's you who needs me.

30 years ago, I asked you why you wanted to marry a cripple.

Now I know why.

I'm the reason that you can look at yourself

in the mirror every morning after what you did.

You abandoned your daughter.

And you took me in like charity.

I don't need your charity, Olivia.

Shit.

Are you crazy?

Shut the window.

Olivia, shut the window.

Hi, mommy.

Did you get the picture, the one with my new haircut?

I wanted to know if you like it that way.

I know you're busy, but maybe you can write and tell me, even

just a postcard or something.

I miss you.

I hope you can come home soon.

Bye, bye.

You haven't been further than the grocery store for 50 years.

It's my dream.

Florence?

Watch out Michelangelo, here comes Olivia.

Olivia, god created dreams so he could laugh at us

all when we wake up from them.

You know what they used to say about me when I was running?

It looked like I was flying, flying.

And then in just one instant...

You always thought that I didn't

know what it was like for you, couldn't

understand what you lost.

John, I lost a child.

That's my money from the grocery store, $1,200.

$1,200?

It's enough to get you there.

That's right.

Then what?

Florence, no money, no job, no place to stay.

It should be a short trip.

It doesn't matter.

I'm going to Florence, even if I have to come back the next day.

I'm going to take a shower.

Best that you're gone when I'm through.

I'll leave your precious art book on your bed.

I am not going to let you do this.

I do not want that you throw your life away.

I'm going, dad.

Volunteering for the United Nations in Angola?

You think you can bring that little girl back to life?

No, that's impossible.

That's a waste of time.

Your pictures could be raising awareness

on other parts of the world.

Use your talent.

I will once I find out what it is.

Photographs, taking photographs,

that's your talent.

Don't do this to me.

Dad, this has nothing to do with you.

We take off in 15 minutes.

Where's your cello?

I tried calling you.

I'm not going to New York.

What do you mean you're not going?

I just...

I'll call you in a couple of days.

A couple of days? What, are you nuts?

Do you know how much...

Ralph, cancel it, please.

Can I at least know where you're going?

Home.

Hi.

There's no other tables.

Go ahead.

Thanks.

OK, seat 35A, gate 23.

And you'll be leaving in half an hour.

First time flying?

My first time everything.

Excuse me, may I?

How are you?

How are you?