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These are the user uploaded subtitles that are being translated: 1 00:00:08,133 --> 00:00:11,678 Captioning sponsored by CBS ♪ THE LATE LATE SHOW, OH, OH 2 00:00:11,761 --> 00:00:17,267 THE LATE LATE SHOW ♪ OH, OH IT'S THE LATE LATE SHOW ♪ 3 00:00:17,350 --> 00:00:18,643 >> James: GOOD EVENING, LADIES 4 00:00:18,727 --> 00:00:20,145 AND GENTLEMEN, WELCOME TO THE "LATE, LATE SHOW." 5 00:00:20,228 --> 00:00:27,068 QUICK QUESTION, DOES ANYBODY KNOW WHAT THE SIDE EFFECTS ARE 6 00:00:27,152 --> 00:00:30,655 OF BREATHING LEAD PAINT WHILE ILMING A LATE NIGHT SHOW IN 7 00:00:30,739 --> 00:00:33,283 YOUR GARAGE FOR OVER THREE MONTHS? 8 00:00:33,366 --> 00:00:39,956 CUZ I'M GETTING A SORT OF-- IT'S LIKE A SORT OF-- LIKE A BURNING. 9 00:00:40,039 --> 00:00:44,794 AND I DONE KNOW IF THAT IS THE LEAD PAINT. 10 00:00:44,878 --> 00:00:46,254 >> SIDE EFFECTS MAY INCLUDE-- . 11 00:00:46,337 --> 00:00:49,924 >> James: ON THE SHOW TONIGHT WE HAVE THE MAGNIFICENT DON 12 00:00:50,008 --> 00:00:51,134 CHEADLE. 13 00:00:51,217 --> 00:00:53,219 HE'S GOING TO BE HERE LATER, A WONDERFUL MUSICAL PERFORMANCE 14 00:00:53,303 --> 00:00:54,345 FROM THE BLACK EYED PEAS. 15 00:00:54,429 --> 00:00:58,433 DO WHATEVER YOU NEED TO TO STAY AWAKE, OKAY? 16 00:00:58,516 --> 00:01:00,769 WHATEVER IT TAKES, DO IT, NO JUDGMENT. 17 00:01:00,852 --> 00:01:04,439 BUT FIRST IT'S TIME FOR THE BLIND MICE OF THINGS, THIS IS 18 00:01:04,522 --> 00:01:06,775 THREE THINGS. 19 00:01:06,858 --> 00:01:08,193 >> THREE THINGS. 20 00:01:08,276 --> 00:01:12,030 REGGIE, WHAT IS THE FIRST NUMBER. 21 00:01:12,113 --> 00:01:13,198 >> FIRST NUMBER IS THREE. 22 00:01:13,281 --> 00:01:18,787 >> OKAY, NUMBER TWO, FIRST UP, YESTERDAY PRESIDENT TRUMP 23 00:01:18,870 --> 00:01:22,665 CONTINUED RE-ELECT RE-ELECTION CAMPAIGN BY TRAVELING TO YUMA, 24 00:01:22,749 --> 00:01:25,627 ARIZONA WHERE HE MET WITH REPUBLICAN OFFICIALS AND 25 00:01:25,710 --> 00:01:28,338 EXAMINED A SECTION OF THE BORDER WALL THAT HE APPARENTLY FELT HE 26 00:01:28,421 --> 00:01:38,181 NEEDED TO AUTOGRAPH. 27 00:01:38,264 --> 00:01:38,890 (APPLAUSE). 28 00:01:38,973 --> 00:01:40,850 >> James: I OLD HABITS DIEHARD. 29 00:01:40,934 --> 00:01:43,228 YOU KNOW, THAT GUY SEES A POORLY CONSTRUCTED REAL ESTATE PROJECT 30 00:01:43,311 --> 00:01:47,690 AND HE CAN NOT RESIST JUST SLAPPING HIS NAME ON IT. 31 00:01:47,774 --> 00:01:52,487 MAKING IT THE MOST USELESS THING HE'S PUT HIS NAME ON SINCE 32 00:01:52,570 --> 00:01:55,573 DONALD TRUMP, JR. ON THAT SAME TRIP THE PRESIDENT 33 00:01:55,657 --> 00:02:00,870 TOOK SOME TIME TO SHARE SOME DEEP INCITES INTO TECHNOLOGY AND 34 00:02:00,954 --> 00:02:03,164 THE NATURE OF HUMAN PROGRESS. 35 00:02:03,248 --> 00:02:05,375 >> THERE'S TWO THINGS BECAUSE EVERYTHING IS CHANGING IN THE 36 00:02:05,458 --> 00:02:05,834 WORLD. 37 00:02:05,917 --> 00:02:06,292 THEY CHANGE FAST. 38 00:02:06,376 --> 00:02:07,377 CHANGE IS SO FAST. 39 00:02:07,460 --> 00:02:10,672 YOU DO A COMPUTER AND IT IS OBSOLETE IN TWO WEEKS. 40 00:02:10,755 --> 00:02:16,845 BUT TWO THINGS THAT HAVE NEVER CHANGED, A WALL AND A WHEEL. 41 00:02:16,928 --> 00:02:19,430 WE ARE GOING TO ALWAYS HAVE WHEELS AND WE'RE GOING TO ALWAYS 42 00:02:19,514 --> 00:02:20,557 HAVE WALLS. 43 00:02:20,640 --> 00:02:22,392 >> James: THOSE ARE THE ONLY TWO THINGS THAT HAVE NEVER 44 00:02:22,475 --> 00:02:24,894 CHANGED. 45 00:02:24,978 --> 00:02:26,104 ARE THEY? 46 00:02:26,187 --> 00:02:27,355 >> Reggie: IF HE SAYS. 47 00:02:27,438 --> 00:02:29,274 >> James: WHAT ABOUT TOM CRUISE, TOM CRUISE LOOKS EXACTLY 48 00:02:29,357 --> 00:02:32,110 THE SAME AS HE DID 25 YEARS AGO. 49 00:02:32,193 --> 00:02:32,777 >> Reggie: THAT'S THROUGH. 50 00:02:32,861 --> 00:02:33,319 >> James: HE HAS NOT CHANGED. 51 00:02:33,403 --> 00:02:35,947 ADD TO THAT PAUL RUDD. 52 00:02:36,030 --> 00:02:36,823 >> Reggie: YEP. 53 00:02:36,906 --> 00:02:40,243 >> James: AT TO THAT SLIESESES OF CHEESE. 54 00:02:40,326 --> 00:02:41,202 >> YEP. 55 00:02:41,286 --> 00:02:44,289 >> James: LIKE A-- YOU KNOW, IN THE PLASTIC. 56 00:02:44,372 --> 00:02:45,248 >> Reggie: OH YEAH. 57 00:02:45,331 --> 00:02:46,416 >> James: NOT CHANGED. 58 00:02:46,499 --> 00:02:49,127 >> Reggie: THE SINGLES MADE BY A COMPANY. 59 00:02:49,210 --> 00:02:52,255 >> James: THAT'S IT, CHEESE SINGLES. 60 00:02:52,338 --> 00:02:56,759 BUT TRUMP REALLY LIKES THAT WHEEL AND WALL MATERIAL. 61 00:02:56,843 --> 00:03:00,054 HERE HE IS TROTTING OUT AGAIN LATER IN THE SAME DAY. 62 00:03:00,138 --> 00:03:02,265 >> THE PROBLEM WITH YOUR BUSINESS, IT GETS OBSOLETE 63 00:03:02,348 --> 00:03:03,433 QUICK. 64 00:03:03,516 --> 00:03:08,605 T THINGS THAT WILL NEVER BE OBSOLETE, A WHEEL AND A WALL. 65 00:03:08,688 --> 00:03:09,105 >> WHAT? 66 00:03:09,188 --> 00:03:09,981 >> A WHEEL AND A WALL. 67 00:03:10,064 --> 00:03:13,276 >> James: WHO'S CLAPPING? 68 00:03:13,359 --> 00:03:18,907 WHO'S-- WHO HEARD HIM SAY THAT OH, YES, THE WAY HIS FANS ARE 69 00:03:18,990 --> 00:03:21,659 CLAMORING FOR FRESH MATERIAL, YOU WOULD THINK ADELE JUST 70 00:03:21,743 --> 00:03:22,952 DROPPED A NEW ALBUM. 71 00:03:23,036 --> 00:03:26,915 I GUESS THERE ARE NOW THREE THINGS THAT WILL NEVER CHANGE, 72 00:03:26,998 --> 00:03:29,959 WHEELS, WALLS AND THAT ANECDOTE ABOUT WHEELS AND WALLS. 73 00:03:30,043 --> 00:03:33,922 IT TURNS OUT TRUMP HAD A LOT TO SAY YESTERDAY AND HE GOT IT ALL 74 00:03:34,005 --> 00:03:39,135 OUT AT THE STUDENTS FOR TRUMP RALLY WHERE HE APPEARED TO EMPTY 75 00:03:39,218 --> 00:03:42,972 THREE MONTHS WORTH OF BACKED UP MIND GARBAGE. 76 00:03:43,056 --> 00:03:45,433 >> A LOT OF SPOILED PEOPLE IN THAT GROUP, YOU KNOW. 77 00:03:45,516 --> 00:03:49,187 A LOT OF SPOILED RICH PEOPLE. 78 00:03:49,270 --> 00:03:52,315 I COULD BUILD NUMEROUS WALLS WITH ALL THE MONEY I HAVE. 79 00:03:52,398 --> 00:03:58,821 >> WE'RE NOW DOING A HYDRO SONIC, I CALL THEM SUPER 80 00:03:58,905 --> 00:04:04,535 DEUPERS, MISSILES, GOES 17 TIMES FASTER THAN THE FASTEST MISSILE. 81 00:04:04,619 --> 00:04:08,498 COVID, COVID-19, COVID, I SAY WHAT'S THE 19, COVID-19, SOME 82 00:04:08,581 --> 00:04:12,043 PEOPLE CAN'T EXPLAIN WHAT THE 19, GIVE ME COVID-19, I SAID 83 00:04:12,126 --> 00:04:13,044 THAT SAN ODD NAME. 84 00:04:13,127 --> 00:04:17,715 YOU KNOW WHO HAS LOST IT, SLEEPY JOE HAS LOST IT. 85 00:04:17,799 --> 00:04:20,343 NATIONS THAT WE KNOW. 86 00:04:20,426 --> 00:04:23,680 >> I LOVE YOU TOO, THANK YOU, DARLING WITH IT IS THE SAME 87 00:04:23,763 --> 00:04:28,893 SPIRIT THAT DROVE AMERICA'S FROWN-DERS, NANCY PELL OSY, SHE 88 00:04:28,977 --> 00:04:31,020 WANTED TO DANCE IN THE STREETS OF CHINATOWN. 89 00:04:31,104 --> 00:04:33,189 >> James: DID SHE? 90 00:04:33,272 --> 00:04:36,317 NANCY PELOSI WANTED TO DANCE THROUGH THE STREETS OF 91 00:04:36,401 --> 00:04:37,527 CHINATOWN? 92 00:04:37,610 --> 00:04:41,322 I FEEL LIKE THIS IS JUST A DREAM HE HAD AND HE THOUGHT IT WAS 93 00:04:41,406 --> 00:04:42,281 REAL. 94 00:04:42,365 --> 00:04:46,077 ALTHOUGH I CAN SMELL A NEW NICKNAME COMING ON. 95 00:04:46,160 --> 00:04:47,286 DANCING PELOSI. 96 00:04:47,370 --> 00:04:51,833 DID HE CALL THE FOUNDING FATHERS THE WHAT WAS IT FROWN DERS. 97 00:04:51,916 --> 00:04:53,543 >> Reggie: SOMETHING, FROWNEDDER. 98 00:04:53,626 --> 00:04:58,047 >> THE SAME SPIRIT THAT DROVE AMERICA'S FROWN-DERS. 99 00:04:58,131 --> 00:05:00,383 >> James: HE SEEN SPEAKS IN TYPOS T IS INCREDIBLE. 100 00:05:00,466 --> 00:05:03,720 MEANWHILE VICE PRESIDENT PENCE TOOK A LITTLE TRIP OF HIS OWN. 101 00:05:03,803 --> 00:05:13,730 HERE HE IS YESTERDAY TRYING TO BOARD HIS PLANE IN WISCONSIN. 102 00:05:13,813 --> 00:05:21,738 HERE HE IS YESTERDAY TRYING TO BOARD HIS PLANE IN WISCONSIN. 103 00:05:21,821 --> 00:05:26,868 I TELL YOU WHAT THOUGH, THIS IS THE FIRST TIME MIKE PENCE HAS 104 00:05:26,951 --> 00:05:31,080 EVER GONE DOWN ON ANYTHING. 105 00:05:31,164 --> 00:05:32,081 REGGIE, WHAT'S NEXT? 106 00:05:32,165 --> 00:05:34,584 >> Reggie: LET'S GO FOR FOUR, SORRY ONE. 107 00:05:34,667 --> 00:05:38,254 >> James: NUMBER TWO, NOW THE ART COMMUNITY IN SPAIN IS 108 00:05:38,337 --> 00:05:42,008 OUTRAGED OVER THE LATEST IN A SPRING OF BOCHED RESTORATIONS 109 00:05:42,091 --> 00:05:45,094 CALLING THE EVENT MORE THAN JUST A STROKE OF BAD LUCK. 110 00:05:45,178 --> 00:05:49,098 NOW YOU MAY RECALL THIS INCREDIBLY DISASTROUS 111 00:05:49,182 --> 00:05:53,436 RESTORATION OR THIS HAUNTING CLAYMATION NIGHTMARE. 112 00:05:53,519 --> 00:05:58,483 WELL NOW THIS PRICELESS 17th CENTURY PAINTING OF THE VIRGIN 113 00:05:58,566 --> 00:06:02,278 MARY HAS JOINED THEIR UNRECOGNIZABLE RANKS. 114 00:06:02,361 --> 00:06:04,072 HERE IS THE ORIGINAL PAINTING HERE. 115 00:06:04,155 --> 00:06:07,533 AND HERE'S THE RESTORATION. 116 00:06:07,617 --> 00:06:13,081 I MEAN THAT PICTURE, IT LOOKS LIKE THE FIRST PICTURE GOT 117 00:06:13,164 --> 00:06:13,956 STUNNING BY BEES. 118 00:06:14,040 --> 00:06:16,167 ALTHOUGH PEOPLE ARE UP IN ARMS ABOUT THIS. 119 00:06:16,250 --> 00:06:17,794 I DON'T MOW IF IT IS THAT BAD. 120 00:06:17,877 --> 00:06:20,463 IF YOU DROPPED IT INTO A ZOOM CALL I DON'T THINK YOU WOULD 121 00:06:20,546 --> 00:06:22,632 EVEN NOTICE. 122 00:06:22,715 --> 00:06:25,134 REGGIE, WHAT IS THE FINAL THING? 123 00:06:25,218 --> 00:06:26,886 >> Reggie: LET'S GO FOR THREE. 124 00:06:26,969 --> 00:06:32,975 >> James: OKAY, NUMBER THREE, ALSO IN SPARE, BARCELONA LEE SAY 125 00:06:33,059 --> 00:06:36,604 U GRAND THEATER HELD PERFORMED A CONCERT FOR AN AUDIENCE OF 126 00:06:36,687 --> 00:06:44,529 NEARLY 2,300 POT THE PLANTS. 127 00:06:44,612 --> 00:06:59,001 ♪ ♪ 128 00:06:59,085 --> 00:07:02,630 >> James: I MEAN, WHEN I SEE THIS, HOW MANY PEOPLE NEEDED TO 129 00:07:02,713 --> 00:07:06,509 SIGN OFF ON THIS IDEA TO GET IT TO HAPPEN? 130 00:07:06,592 --> 00:07:08,511 THERE MUST HAVE BEEN PEOPLE HOLDING A PLANT LIKE WHY ARE WE 131 00:07:08,594 --> 00:07:10,471 DOING THIS? 132 00:07:10,555 --> 00:07:13,015 I DON'T KNOW, JUST PUT IT DOWN. 133 00:07:13,099 --> 00:07:15,143 I-- THAT ALL SEEMED A BIT FAKE TO ME. 134 00:07:15,226 --> 00:07:19,689 DON'T YOU THINK, REG, LIKE I THINK THE AUDIENCE WAS FULL OF 135 00:07:19,772 --> 00:07:20,690 PLANTS. 136 00:07:20,773 --> 00:07:24,652 LOOKS LIKE THEY'RE DOING PLANTOM OF THE OPERA. 137 00:07:24,735 --> 00:07:28,489 THAT'S ONE OF THOSE CONCERTS WHERE EVERYONE WAS ON POT. 138 00:07:28,573 --> 00:07:31,200 YOU KNOW WHAT THEY SAY, THERE IS NOTHING BETTER THAN AN AUDIENCE 139 00:07:31,284 --> 00:07:34,537 THAT REALLY ROOTS FOR YOU. 140 00:07:34,620 --> 00:07:38,374 IT MUST HAVE BEEN A PRETTY BAD PERFORMANCE CONSIDERING THEY 141 00:07:38,457 --> 00:07:42,044 MADE THE ENTIRE AUDIENCE LEAF. 142 00:07:42,128 --> 00:07:46,883 THS HAS BEEN THREE THINGS. 143 00:07:46,966 --> 00:07:49,385 REGGIE, WHAT DID YOU DO LAST NIGHT? 144 00:07:49,468 --> 00:07:51,721 >> I HUNG OUT WITH TWO CATS. 145 00:07:51,804 --> 00:07:52,972 >> YOU KNOW WHAT I DID? 146 00:07:53,055 --> 00:07:57,852 I STAYED UP ALL NIGHT WATCHING INTERNET VIDEOS AND LEARNING NEW 147 00:07:57,935 --> 00:07:58,686 THINGS. 148 00:07:58,769 --> 00:07:59,270 I WILL NOW SHARE SAID THINGS WITH YOU. 149 00:07:59,353 --> 00:08:04,609 THIS IS TONIGHT I LEARNED. 150 00:08:04,692 --> 00:08:05,651 >> TONIGHT I LEARNED. 151 00:08:05,735 --> 00:08:08,905 FIRST UP TONIGHT I LEARNED NOTHING SAYS SUMMER LIKE 152 00:08:08,988 --> 00:08:22,752 CRUISING TOP DOWN WITH THE BOYS. 153 00:08:22,835 --> 00:08:27,423 >> HEY. 154 00:08:27,506 --> 00:08:31,594 >> SOME CITIES HAVE JUST NOW STARTED OPENING UP. 155 00:08:31,677 --> 00:08:34,430 AND EVERYONE IS ACTING LIKE THEY ARE IN A LITE BEER COMMERCIAL 156 00:08:34,514 --> 00:08:36,974 FROM THE '90S. 157 00:08:37,058 --> 00:08:44,732 NEXT UP TONIGHT I LEARNED, I HAVE BEEN USING A SWING ALL 158 00:08:44,815 --> 00:08:49,278 WRONG. 159 00:08:49,362 --> 00:09:01,290 ♪ SOIM PRESSIVE, ALTHOUGH I WILL SAY THAT MAN HAS STARTED A BIT 160 00:09:01,374 --> 00:09:06,796 OF A TREND. 161 00:09:06,879 --> 00:09:09,173 THAT'S MORE LIKE IT. 162 00:09:09,257 --> 00:09:13,177 MOVING ON TONIGHT I LEARNED TO FOLLOW THE LEADER. 163 00:09:13,261 --> 00:09:16,097 >> WOW, YOU CAN REALLY DANCE. 164 00:09:16,180 --> 00:09:19,684 WOW, YOU CAN REALLY DANCE. 165 00:09:19,767 --> 00:09:21,644 HE WENT. 166 00:09:21,727 --> 00:09:24,772 ♪ WE BOTH HAVE BEEN DANCING ALL THE TIME. 167 00:09:24,855 --> 00:09:28,484 ♪ WHAT A COINCI-DANCE. 168 00:09:28,567 --> 00:09:30,278 >> James: INCREDIBLE, ISN'T IT. 169 00:09:30,361 --> 00:09:31,445 >> Reggie: AMAZING. 170 00:09:31,529 --> 00:09:34,323 >> James: THAT SEAL HAS ALMOST TRAINED THAT GIRL TO DANCE. 171 00:09:34,407 --> 00:09:38,619 AND FINALLY TONIGHT I LEARNED IT'S NOT ALWAYS A GOOD IDEA TO 172 00:09:38,703 --> 00:09:48,671 GO TOWARDS THE LIGHT. 173 00:09:48,754 --> 00:09:59,348 GO TOWARDS THE LIGHT. 174 00:09:59,432 --> 00:10:07,356 . 175 00:10:07,440 --> 00:10:15,031 ♪ 176 00:10:15,114 --> 00:10:16,866 >> James: HONESTLY, I DON'T EVEN KNOW IF WE ARE ALLOWED TO 177 00:10:16,949 --> 00:10:20,411 SHOW THAT ON CBS. THAT WAS TONIGHT I LEARNED. 178 00:10:20,494 --> 00:10:22,038 WE'LL BE RIGHT BACK, EVERYBODY. 179 00:10:22,121 --> 00:10:26,834 ♪ ♪ ♪ 180 00:10:33,049 --> 00:10:41,098 ♪ ♪ ♪ 181 00:10:41,182 --> 00:10:45,728 >> James: WELCOME BACK, I HAVE IN MY HAND 16 QUESTIONS, I HAVE 182 00:10:45,811 --> 00:10:48,731 ON THIS SCREEN, 16 EAGER PARTICIPATES. 183 00:10:48,814 --> 00:10:51,233 IT'S TIME TO PLAY KNOW FOR SOME DOUGH. 184 00:10:51,317 --> 00:10:53,652 >> Reggie: KNOW FOR SOME DOUGH. 185 00:10:53,736 --> 00:10:57,281 >> James: THE RULES ARE SIMPLE, I'M GOING TO ASK THESE 186 00:10:57,365 --> 00:10:58,157 PEOPLE ONE BY ONE 16 QUESTIONS. 187 00:10:58,240 --> 00:11:00,910 IF THEY GET THREE WRONG THE GAME IS OVER. 188 00:11:00,993 --> 00:11:02,912 IF THEY CHEAT, THE GAME IS OVER. 189 00:11:02,995 --> 00:11:08,376 HOWEVER IF THEY SUCCEED EF EVERYBODY WINS. 190 00:11:08,459 --> 00:11:12,088 NOW JUST SO YOU CAN KEEP TRACK AT HOME, THE PEOPLE WHO ANSWERED 191 00:11:12,171 --> 00:11:15,591 KREBLGLY WILL HOLD UP A GREEN CHECK LIKE THIS. 192 00:11:15,674 --> 00:11:18,886 THE PEOPLE WHO ANSWERED INCORRECTLY WILL HOLD UP A RED X 193 00:11:18,969 --> 00:11:19,845 LIKE THIS. 194 00:11:19,929 --> 00:11:26,560 OKAY, NOW WE NORMALLY PLAY FOR $100 PER PERSON. 195 00:11:26,644 --> 00:11:29,063 HOWEVER THE LAST TWO GROUPS COULDN'T ANSWER ENOUGH QUESTIONS 196 00:11:29,146 --> 00:11:30,272 CORRECTLY TO WIN. 197 00:11:30,356 --> 00:11:33,943 SO WE HAVE ROLLED THEIR PRIZE MONEY OVER TO THIS GROUP AND YOU 198 00:11:34,026 --> 00:11:41,450 ARE ALL NOW COMPETING FOR $300 EACH. 199 00:11:41,534 --> 00:11:42,451 >> YES! 200 00:11:42,535 --> 00:11:43,369 >> KEEP YOUR HANDS WHERE MY EYES CAN SEE THEM. 201 00:11:43,452 --> 00:11:48,124 DO NOT ASK FOR HELP FROM ANYONE OFF CAMERA. 202 00:11:48,207 --> 00:11:48,791 OKAY. 203 00:11:48,874 --> 00:11:50,126 THIS IS YOU AS A TEAM AND ME. 204 00:11:50,209 --> 00:11:51,127 WE ARE ALL PULLING FOR YOU. 205 00:11:51,210 --> 00:11:54,088 ARE YOU READY TO BEGIN? 206 00:11:54,171 --> 00:11:55,464 >> YES. 207 00:11:55,548 --> 00:11:56,632 >> OKAY. 208 00:11:56,715 --> 00:11:59,427 CONTESTANT NUMBER ONE, WHAT IS YOUR NAME, AND WHERE ARE YOU. 209 00:11:59,510 --> 00:12:01,470 >> HI, I'M CHRISTINE FROM THE BAY AREA. 210 00:12:01,554 --> 00:12:04,140 >> James: HEY CHRISTINE, NOW WHAT IS THIS BEHIND YOU, WHAT IS 211 00:12:04,223 --> 00:12:06,809 THIS LITTLE BANNER YOU HAVE GOT HERE. 212 00:12:06,892 --> 00:12:10,688 >> ACTUALLY I GOT MARRIED RIGHT BEFORE THIS STARTED. 213 00:12:10,771 --> 00:12:15,943 IT IS JUST MY DECORATION SO WE GOT MARRIED AND WE MISSED OUT ON 214 00:12:16,026 --> 00:12:17,820 OUR HONEYMOON ACTUALLY. 215 00:12:17,903 --> 00:12:20,322 WE WENT TO PUERTO RICO AND HAD TO FLY RIGHT BACK. 216 00:12:20,406 --> 00:12:21,949 >> James: I LOVE THAT YOU KEPT THE SIGN UP. 217 00:12:22,032 --> 00:12:22,992 WHY NOT. 218 00:12:23,075 --> 00:12:24,160 >> IT GIVES ME SOMETHING TO BE HAPPY ABOUT RIGHT NOW. 219 00:12:24,243 --> 00:12:27,538 >> James: WELL, YOU ARE GIVING US ALL SOMETHING TO BE HAPPY 220 00:12:27,621 --> 00:12:27,997 ABOUT RIGHT NOW. 221 00:12:28,080 --> 00:12:29,039 I TELL YOU THAT. 222 00:12:29,123 --> 00:12:30,166 GOOD LUCK. 223 00:12:30,249 --> 00:12:36,088 WHICH HIGH CONNICK CANDY BRAND USES THE SLOGAN TASTE THE 224 00:12:36,172 --> 00:12:36,464 RAINBOW. 225 00:12:36,547 --> 00:12:37,006 >> SKITTLES. 226 00:12:37,089 --> 00:12:40,009 >> James: IS CORRECT. 227 00:12:40,092 --> 00:12:41,177 >> YEAH. 228 00:12:41,260 --> 00:12:44,180 >> James: WHAT IS YOUR NAME, WHERE ARE YOU CALLING FROM. 229 00:12:44,263 --> 00:12:46,724 >> HEY, HEY, I'M FROM LAS VEGAS. 230 00:12:46,807 --> 00:12:50,853 >> James: LOOK AT, THIS LOOK AT ALL OF THESE BROADWAY HOST 231 00:12:50,936 --> 00:12:52,480 POSTERS YOU HAVE BEHIND YOU, YOU ARE QUITE THE BROADWAY MAN. 232 00:12:52,563 --> 00:12:54,857 >> YES, SIR, I LOVE BROADWAY, I HAVE AN ORGANIZATION CALLED 233 00:12:54,940 --> 00:13:00,905 BROADWAY IN THE HOOD, HOOD STANDS FOR HELPING OTHERS OPEN 234 00:13:00,988 --> 00:13:01,947 DOORS. 235 00:13:02,031 --> 00:13:03,032 EDUCATING YOUNG PEOPLE IN THEATER AND IN THE ARTS. 236 00:13:03,115 --> 00:13:05,659 >> James: OH, WELL, LOOK AT YOU. 237 00:13:05,743 --> 00:13:08,204 I LOVE YOU FOR DOING THAT, A DREAM ON THE T-SHIRT AND A DREAM 238 00:13:08,287 --> 00:13:09,872 ON THE POSTERS. 239 00:13:09,955 --> 00:13:10,706 LET'S GO. 240 00:13:10,789 --> 00:13:12,917 OKAY, ARE YOU READY FOR YOUR QUESTION? 241 00:13:13,000 --> 00:13:14,710 >> I REALLY NEED THIS MONEY. 242 00:13:14,793 --> 00:13:16,587 >> James: I GOT TO GET THIS MONEY. 243 00:13:16,670 --> 00:13:17,796 ♪. 244 00:13:17,880 --> 00:13:18,214 >> YES, SIR. 245 00:13:18,297 --> 00:13:18,756 >> James: OKAY. 246 00:13:18,839 --> 00:13:20,049 HERE WE GO. 247 00:13:20,132 --> 00:13:24,386 QUESTION NUMBER TWO, KERMIT THE FROG, MISS PIGGY AND GONCZO ARE 248 00:13:24,470 --> 00:13:27,515 ALL CHARACTERS ON WHICH TV SHOW. 249 00:13:27,598 --> 00:13:30,434 >> IT'S TIME TO START THE MUSIC, IT'S TIME TO LIGHT THE LIGHTS. 250 00:13:30,518 --> 00:13:32,186 ♪ ON THE MUPPET SHOW TONIGHT. 251 00:13:32,269 --> 00:13:35,940 >> James: YOU ARE ABSOLUTELY CORRECT. 252 00:13:36,023 --> 00:13:38,234 I AM LOVING HIS ENERGY. 253 00:13:38,317 --> 00:13:40,361 OKAY, CONTESTANT NUMBER THREE, WHAT IS YOUR NAME, WHERE ARE YOU 254 00:13:40,444 --> 00:13:41,904 CALLING FROM? 255 00:13:41,987 --> 00:13:44,240 >> HI, I'M PEYTON AND FROM DA VINE, TEXAS. 256 00:13:44,323 --> 00:13:48,577 >> James: HI, PEYTON, IS YOUR DOG OKAY? 257 00:13:48,661 --> 00:13:51,789 >> HE IS VERY OKAY. 258 00:13:51,872 --> 00:13:53,457 HE IS VERY ASLEEP, HE'S OKAY. 259 00:13:53,541 --> 00:13:55,793 >> James: ARE YOU SURE, BECAUSE I DIDN'T KNOW FOR A 260 00:13:55,876 --> 00:13:59,088 MINUTE WHETHER TO GO TO THE DOG OR THE FACT YOU MIGHT BE 261 00:13:59,171 --> 00:14:02,550 INVOLVED IN SOME SORT OF TAXIDERMY AND THIS IS YOUR 262 00:14:02,633 --> 00:14:03,259 LATEST PROJECT. 263 00:14:03,342 --> 00:14:05,761 HE IS DEFINITELY ALL RIGHT. 264 00:14:05,844 --> 00:14:06,262 >> HE'S DEFINITELY ALL RIGHT. 265 00:14:06,345 --> 00:14:08,556 HE SLEEPS ALL DAY. 266 00:14:08,639 --> 00:14:12,434 >> James: I MEAN I DON'T KNOW IF HE IS OKAY OR IF YOU ARE 267 00:14:12,518 --> 00:14:15,229 JUST, DURING THIS PERIOD OF LOCK DOWN YOU HAVE MADE-- OH NO, 268 00:14:15,312 --> 00:14:17,606 THERE WE GO, THERE ARE THE EYES. 269 00:14:17,690 --> 00:14:19,066 GO BACK TO SLEEP, OKAY. 270 00:14:19,149 --> 00:14:21,485 ARE YOU READY FOR YOUR QUESTION? 271 00:14:21,569 --> 00:14:22,528 >> I THINK SO. 272 00:14:22,611 --> 00:14:25,698 >> James: OKAY, HERE WE GO, QUESTION NUMBER THREE. 273 00:14:25,781 --> 00:14:29,243 THIS WORD WHICH IS ALSO A VERY POPULAR ICE CREAM FLAVOR IS 274 00:14:29,326 --> 00:14:34,164 OFTEN USED TO DESCRIBE SOMETHING THAT IS PLAIN OR BORING. 275 00:14:34,248 --> 00:14:34,707 >> VANILLA. 276 00:14:34,790 --> 00:14:35,374 >> James: IS CORRECT. 277 00:14:35,457 --> 00:14:38,127 HOLD UP YOUR GREEN CHECK MARK. 278 00:14:38,210 --> 00:14:40,462 OKAY, CONTESTANT NUMBER FOUR, WHAT IS YOUR NAME, WHERE ARE YOU 279 00:14:40,546 --> 00:14:41,630 CALLING FROM? 280 00:14:41,714 --> 00:14:44,758 >> HI, I'M MONICA FROM WALNUT CREEK, IN NORTHERN CALIFORNIA. 281 00:14:44,842 --> 00:14:46,635 >> James: THANK YOU FOR JOINING US, DID YOU SPHRET AT 282 00:14:46,719 --> 00:14:50,306 ALL ABOUT WHAT YOU WERE GOING TO SHOW BEHIND YOU ON TV OR DID YOU 283 00:14:50,389 --> 00:14:51,974 ALWAYS KNOW WE WERE GOING TO GO FOR THE LOVELY WATERCOLOR AND 284 00:14:52,057 --> 00:14:55,519 THE PLANT WITH THE PINK FLOWERS. 285 00:14:55,603 --> 00:14:58,147 >> NO, I JUST-- THIS IS THE QUIETEST ROOM IN MY HOUSE, THE 286 00:14:58,230 --> 00:15:01,817 WHOLE FAMILY IS HOME SO I'M JUST BACK IF THE BEDROOM. 287 00:15:01,900 --> 00:15:03,152 >> James: READY FOR YOUR YES YNS YES. 288 00:15:03,235 --> 00:15:06,739 >> James: BEFORE BEING ELECTED PRESIDENT BARACK OBAMA WAS A 289 00:15:06,822 --> 00:15:11,827 SENATOR FROM WHAT STATE. 290 00:15:11,910 --> 00:15:12,411 >> OH MY GOSH. 291 00:15:12,494 --> 00:15:16,624 I KNOW BUT I DON'T KNOW. 292 00:15:16,707 --> 00:15:22,630 I DON'T KNOW, I KNOW IS HE FROM HAWAII BUT I DON'T REMEMBER WHAT 293 00:15:22,713 --> 00:15:25,591 STATE YZ IT IS THE STATE OF ILLINOIS. 294 00:15:25,674 --> 00:15:28,177 I'M SO SORRY, HOLD UP A RED CHECK, IT'S OKAY. 295 00:15:28,260 --> 00:15:31,472 YOU WERE ALWAYS GOING TO STUMBLE AT SOME POINT. 296 00:15:31,555 --> 00:15:35,851 WE HAVE A RED THERE, IF WE GET TWO MORE WRONG THE GAME IS OVER. 297 00:15:35,934 --> 00:15:38,228 OKAY, GOOD LUCK GUYS, CONTESTANT NUMBER FIVE, WHAT IS YOUR NAME, 298 00:15:38,312 --> 00:15:40,522 WHERE YOU ARE CALLING FROM. 299 00:15:40,606 --> 00:15:42,691 >> HI, I'M CHRIS FROM ORANGE COUNTY. 300 00:15:42,775 --> 00:15:44,526 >> James: THANK YOU SO MUCH FOR JOINING US. 301 00:15:44,610 --> 00:15:47,196 YOU HAVE GONE FOR THE MINIMALIST ARTWORK BEHIND YOU. 302 00:15:47,279 --> 00:15:48,364 I LIKE IT. 303 00:15:48,447 --> 00:15:52,701 >> THANK YOU, THER REFROM THE DOLLAR STORE, I PAINTED WITH 304 00:15:52,785 --> 00:15:53,661 DOLLAR PAINTING. 305 00:15:53,744 --> 00:15:55,204 >> James: WELL, NO ONE WOULD HAVE EVER GUESSED. 306 00:15:55,287 --> 00:15:59,750 I THINK IT LOOKS AT LEAST $7 WORTH. 307 00:15:59,833 --> 00:16:00,209 OKAY. 308 00:16:00,292 --> 00:16:01,251 HERE WE GO. 309 00:16:01,335 --> 00:16:05,547 IN WHICH COUNTRY WOULD YOU FIND THE EIFFEL TOWER. 310 00:16:05,631 --> 00:16:06,048 >> FRANCE. 311 00:16:06,131 --> 00:16:07,299 >> James: CORRECT. 312 00:16:07,383 --> 00:16:10,052 HOLD UP YOUR GREEN CHECK. 313 00:16:10,135 --> 00:16:12,721 CONTESTANT NUMBER SIX WHAT IS YOUR NAME WHERE ARE YOU CALLING 314 00:16:12,805 --> 00:16:13,597 FROM. 315 00:16:13,681 --> 00:16:14,890 >> HI, I'M JOE FROM LONG ISLAND, NEW YORK. 316 00:16:14,973 --> 00:16:18,185 >> James: HI JOE, THANK YOU FOR BEING HERE, ARE YOU FEELING 317 00:16:18,268 --> 00:16:19,395 CONFIDENT? 318 00:16:19,478 --> 00:16:22,356 >> I AM CONFIDENT BUT NERVOUS BUT YOU KNOW, I GOT THE ENERGY, 319 00:16:22,439 --> 00:16:24,525 YOU GOT-- WE ALL GOT THE ENERGY SO LET'S GO. 320 00:16:24,608 --> 00:16:25,693 WE GOT IT. 321 00:16:25,776 --> 00:16:30,280 >> James: WHAT WOULD YOU SPEND THE $300 ON SHOULD YOU WIN? 322 00:16:30,364 --> 00:16:30,823 >> HONESTLY, BOOKS. 323 00:16:30,906 --> 00:16:34,284 BECAUSE I'M A STUDENT. 324 00:16:34,368 --> 00:16:37,579 SO I NEED TO GET OUT OF QUARANTINE JUST STRAIGHT TO THE 325 00:16:37,663 --> 00:16:39,873 BOOKS AND GET RIGHT TO A NEW SCHOOL YEAR. 326 00:16:39,957 --> 00:16:41,083 >> James: OH MAN, I WANT YOU TO WIN SO MUCH. 327 00:16:41,166 --> 00:16:47,965 HERE WE GO, CONTESTANT NUMBER SIX, IN 1999, LOU BEGA SCORED A 328 00:16:48,048 --> 00:16:53,554 HIT WITH HIS SONG MAMBO NUMBER WHAT. 329 00:16:53,637 --> 00:16:54,346 >> MAMBO NUMBER NINE. 330 00:16:54,430 --> 00:16:57,766 >> James: NO STRKS MAMBO NUMBER FIVE. 331 00:16:57,850 --> 00:16:58,392 >> OH. 332 00:16:58,475 --> 00:17:00,394 >> James: HOLDS UP YOUR RED. 333 00:17:00,477 --> 00:17:01,937 >> I WAS SO CONFIDENT TOO. 334 00:17:02,020 --> 00:17:04,273 >> James: HOLD UP YOUR RED CROSS, OKAY. 335 00:17:04,356 --> 00:17:07,901 GUYS, THIS IS GETTING TENSE NOW, OKAY. 336 00:17:07,985 --> 00:17:14,324 IF WE GET ONE MORE QUESTION WRONG THE GAME IS OVER, OKAY. 337 00:17:14,408 --> 00:17:20,038 SO EVERYBODY LOCK IN, WE CAN DO THIS, CONTESTANT NUMBER SEVEN, 338 00:17:20,122 --> 00:17:22,958 WHAT IS YOUR NAME, WHERE ARE YOU CALLING FROM. 339 00:17:23,041 --> 00:17:25,294 >> I'M SAMANTHA FROM ORANGE COUNTY, CALIFORNIA. 340 00:17:25,377 --> 00:17:28,756 >> James: OKAY, SAMANTHA ARE YOU STARTING TO FEEL SLIGHTLY 341 00:17:28,839 --> 00:17:29,923 NERVOUS, RIGHT. 342 00:17:30,007 --> 00:17:32,134 >> YEAH, I WAS NERVOUS BEFORE BUT NOW I'M REALLY NERVOUS. 343 00:17:32,217 --> 00:17:34,136 >> James: LISTEN, WE CAN DO THIS. 344 00:17:34,219 --> 00:17:34,470 OKAY. 345 00:17:34,553 --> 00:17:35,179 HERE WE GO. 346 00:17:35,262 --> 00:17:36,805 ARE YOU READY FOR YOUR QUESTION. 347 00:17:36,889 --> 00:17:38,015 >> YES. 348 00:17:38,098 --> 00:17:43,604 >> James: ALL RIGHT, IN WHAT COUNTRY IS THE GREAT PYRAMID OF 349 00:17:43,687 --> 00:17:44,146 GIZA. 350 00:17:44,229 --> 00:17:44,605 >> EGYPT. 351 00:17:44,688 --> 00:17:45,105 >> James: CORRECT. 352 00:17:45,189 --> 00:17:48,817 HOLD UP YOUR GREEN. 353 00:17:48,901 --> 00:17:51,653 LET'S GO ON A ROLL, WHAT IS YOUR NAME, WHERE ARE YOU CALLING 354 00:17:51,737 --> 00:17:52,488 FROM. 355 00:17:52,571 --> 00:17:53,697 >> I'M ELLIE FROM WASHINGTON. 356 00:17:53,781 --> 00:17:57,993 >> James: HI, ELLIE, HOW ARE YOU FEELING, I A LITTLE NERVOUS 357 00:17:58,076 --> 00:17:58,619 OR GOOD. 358 00:17:58,702 --> 00:18:00,704 >> MY ADRENALINE IS SO HIGH. 359 00:18:00,788 --> 00:18:03,165 >> James: ALL RIGHT, LISTEN, I BELIEVE IN YOU, WE CAN DO THIS, 360 00:18:03,248 --> 00:18:04,666 ARE YOU READY FOR YOUR QUESTION. 361 00:18:04,750 --> 00:18:05,083 >> I HOPE SO. 362 00:18:05,167 --> 00:18:06,376 >> James: OKAY. 363 00:18:06,460 --> 00:18:10,172 HONEY CRISP, RED DELICIOUS AND GRANNY SMITH ARE VARIETIES OF 364 00:18:10,255 --> 00:18:12,800 WHAT KIND OF FRUIT. 365 00:18:12,883 --> 00:18:13,342 >> APPLES. 366 00:18:13,425 --> 00:18:16,845 >> James: IS CORRECT. 367 00:18:16,929 --> 00:18:17,471 HERE WE GO. 368 00:18:17,554 --> 00:18:18,680 OKAY. 369 00:18:18,764 --> 00:18:20,516 CON TES TANLT NUMBER NINE, WHAT IS YOUR NAME, WHERE ARE YOU 370 00:18:20,599 --> 00:18:21,683 CALLING FROM. 371 00:18:21,767 --> 00:18:24,853 >> MY NAME IS BRAD FROM SCOTSDALE, ARIZONA J I LOVE THAT 372 00:18:24,937 --> 00:18:29,191 YOU HAVE GOT A STRAIGHT UP SIGN PAULA ABDUL PHOTO. 373 00:18:29,274 --> 00:18:34,196 LOOK AT THAT, HAVE YOU ADDED ME TO YOUR POSTER. 374 00:18:34,279 --> 00:18:37,366 >> I DID BECAUSE THAT WAS A VERY MEMORABLE DANCE YOU AND SHE DID. 375 00:18:37,449 --> 00:18:40,702 >> James: AT THE M.C. SCAT CAT, ALL RIGHT, THAT IS WHAT WE 376 00:18:40,786 --> 00:18:43,664 DID ALL RIGHT, LISTEN, I STRAIGHT UP HOPE THAT YOU GET 377 00:18:43,747 --> 00:18:43,914 THIS RIGHT. 378 00:18:43,997 --> 00:18:44,623 OKAY. 379 00:18:44,706 --> 00:18:46,708 ARE YOU READY FOR YOUR QUESTION? 380 00:18:46,792 --> 00:18:48,377 >> AS RED AS I'M EVER GOING TO BE. 381 00:18:48,460 --> 00:18:49,670 >> James: HERE WE GO. 382 00:18:49,753 --> 00:18:54,216 WHAT IS THE NAME OF THE RESIDENT DENSE OF THE PRESIDENT OF THE 383 00:18:54,299 --> 00:18:55,342 UNITED STATES OF AMERICA. 384 00:18:55,425 --> 00:18:55,884 >> THE WHITE HOUSE. 385 00:18:55,968 --> 00:18:57,386 >> James: IS CORRECT. 386 00:18:57,469 --> 00:19:00,556 HOLD UP YOUR GREEN CHECK. 387 00:19:00,639 --> 00:19:03,725 COME ON GUYS, WE WHERE SO CLOSE. 388 00:19:03,809 --> 00:19:05,102 ALL RIGHT CONTESTANT NUMBER TEN, WHAT IS WHY YOU ARE NAME, WHERE 389 00:19:05,185 --> 00:19:07,396 ARE YOU INTERESTING FROM. 390 00:19:07,479 --> 00:19:08,605 >> BRANDI FROM ATLANTA, GEORGIA. 391 00:19:08,689 --> 00:19:11,567 >> James: HOW ARE YOU DOING, BRANDI, I LOVE IN THIS LIGHT, IT 392 00:19:11,650 --> 00:19:15,404 LOOKS LIKE YOU HAVE MATCHED HAIR TO YOUR INTET SHIRT AND I AM 393 00:19:15,487 --> 00:19:17,906 LIVING FOR IT. 394 00:19:17,990 --> 00:19:19,074 >> THANK YOU. 395 00:19:19,157 --> 00:19:22,411 >> James: ARE YOU FEELING CONFIDENT, ARE YOU FEELING GOOD? 396 00:19:22,494 --> 00:19:23,328 >> NO, I'M ABSOLUTELY NOT. 397 00:19:23,412 --> 00:19:25,747 >> James: COME ON, WE CAN DO THIS. 398 00:19:25,831 --> 00:19:26,874 >> YOU GOT THIS. 399 00:19:26,957 --> 00:19:29,585 >> James: YOU REALLY, REALLY CAN, ARE YOU READY FOR YOUR 400 00:19:29,668 --> 00:19:29,918 QUESTION. 401 00:19:30,002 --> 00:19:31,128 >> GO AHEAD. 402 00:19:31,211 --> 00:19:36,758 >> James: HERE WE GO, IN WHAT CITY WOULD YOU FIND THE GOLDEN 403 00:19:36,842 --> 00:19:41,972 GATE BRIDGE. 404 00:19:42,055 --> 00:19:52,649 >> WAIT, YOU SAID CITY. 405 00:19:52,733 --> 00:19:53,317 LOS ANGELES. 406 00:19:53,400 --> 00:19:56,612 >> James: IT'S SAN FRANCIS CO. 407 00:19:56,695 --> 00:20:02,492 OH, GUYS, I AM SO SORRY, HOLD UP YOUR CROSSES YOU DIDN'T KNOW, 408 00:20:02,576 --> 00:20:04,453 YOU DON'T GET THE DOUGH. 409 00:20:04,536 --> 00:20:07,748 I WANTED YOU TO WIN SO MUCH. 410 00:20:07,831 --> 00:20:09,791 LOOK AT CONTESTANT 11. 411 00:20:09,875 --> 00:20:13,420 SHE CAN'T EVEN DECIDE. 412 00:20:13,503 --> 00:20:15,213 MI SO SORRY. 413 00:20:15,297 --> 00:20:20,469 BUT THIS MEANS WE'RE GOING TO ROLL THE MONEY OVER AGAIN. 414 00:20:20,552 --> 00:20:28,352 AND THE NEXT GROUP WILL BE PLAYING FOR 400 A PERSON, A 415 00:20:28,435 --> 00:20:30,646 GRAND TOTAL OF $6,400. 416 00:20:30,729 --> 00:20:32,481 I WANTED YOU TO INSTO MUCH. 417 00:20:32,564 --> 00:20:35,317 DON'T WORRY, YOU WERE THE GREATEST CONTESTANTS. 418 00:20:35,400 --> 00:20:37,444 WE THANK YOU FOR PLAYING, WE'LL BE RIGHT BACK WITH MORE OF THE 419 00:20:37,527 --> 00:20:42,616 "LATE, LATE SHOW," EVERYBODY. OH GUYS, I'M SO SORRY. 420 00:20:42,699 --> 00:20:46,995 I WANTED YOU TO WIN SO MUCH. 421 00:20:47,079 --> 00:20:48,080 >> IT IS MY FAULT 422 00:20:51,541 --> 00:21:03,512 ♪ ♪ ♪ 423 00:21:03,595 --> 00:21:06,682 >> James: WELCOME BACK, OUR GUEST TONIGHT SAN OSCAR 424 00:21:06,765 --> 00:21:11,353 NOMINATED ACTOR YOU KNOW FROM HOTEL RWANDA AND THE AVENGER 425 00:21:11,436 --> 00:21:13,397 MOVIES, HE IS ONE OF THE GREATEST MEN ON PLANET EARTH, 426 00:21:13,480 --> 00:21:16,900 DON CHEADLE IS WITH US, HOW ARE YOU, DON. 427 00:21:16,984 --> 00:21:17,776 LOOK AT THAT. 428 00:21:17,859 --> 00:21:20,195 >> DWOOD TO SEE YOU, HOW HAVE YOU BEEN? 429 00:21:20,278 --> 00:21:21,363 >> I'M ALL RIGHT, I'M OKAY. 430 00:21:21,446 --> 00:21:24,658 LIKE ARE YOU HERE IN LOS ANGELES, HOW ARE YOU HOLDING UP? 431 00:21:24,741 --> 00:21:28,245 >> I'M GOOD, I'M VERY FORTUNATE TO LIVE IN A HOUSE WITH SOMEBODY 432 00:21:28,328 --> 00:21:34,626 WHO CAN STILL TOLERATE ME AND WE'RE DOING GOOD. 433 00:21:34,710 --> 00:21:36,586 WE'RE JUST IN OUR ROUTINES AND CHANGE HANGING IN. 434 00:21:36,670 --> 00:21:39,047 I DON'T KNOW WHAT ELSE YOU CAN DO. 435 00:21:39,131 --> 00:21:42,509 >> YOU ARE USED TO TRAVELING, SO IS THIS, YOU TRAVEL A LOT FOR 436 00:21:42,592 --> 00:21:44,720 WORK, YOU ARE ALWAYS GOING SOMEWHERE, PROMOTING SOMETHING, 437 00:21:44,803 --> 00:21:46,513 SHOOTING SOMETHING, IS THIS THE LONGEST PERIOD OF TIME YOU AND 438 00:21:46,596 --> 00:21:52,853 YOUR WIFE HAVE BOTH SPENT IN THE HOUSE TOGETHER IN ONE BLOCK. 439 00:21:52,936 --> 00:21:56,440 >> NOW BECAUSE I'M ALSO AN ACTOR WHICH MEANS IT IS FEAST FOR 440 00:21:56,523 --> 00:21:59,526 FAMINE SO I WILL WORK FOR THREE MONTHS AND BE OFF FOR FIVE 441 00:21:59,609 --> 00:22:04,573 MONTHS SO WE ARE BOTH HERE AT DIFFERENT CORNERS HAVING ZOOM 442 00:22:04,656 --> 00:22:05,782 MEETINGS. 443 00:22:05,866 --> 00:22:07,701 >> YOU SAY THAT THEN ABOUT YOUR WORK, I'M INTERESTED TO KNOW. 444 00:22:07,784 --> 00:22:12,039 BECAUSE I THINK IN MY HEAD I FEEL LIKE DON CHEADLE IS NEVER 445 00:22:12,122 --> 00:22:13,582 NOT WORKING AND CONSTANTLY WORKING. 446 00:22:13,665 --> 00:22:18,962 BUT ARE YOU, YOU HAVE HAD SUCH A VARIED AND INCREDIBLE CAREER. 447 00:22:19,046 --> 00:22:22,257 WHEN I LOOK AT YOUR CAREER I SORT OF THINK IT IS A BLUE PRINT 448 00:22:22,340 --> 00:22:26,762 FOR SO MANY ACTORS IN TERMS OF PLAYING SO MANY DIFFERENT 449 00:22:26,845 --> 00:22:28,764 CHARACTERS, IN DIFFERENT KINDS OF PROJECTS. 450 00:22:28,847 --> 00:22:31,933 WHAT DO YOU PUT THAT DOWN TO, THE WIDE SPECTRUM OF THE 451 00:22:32,017 --> 00:22:33,560 CHARACTER THAT YOU PLAYED. 452 00:22:33,643 --> 00:22:36,605 >> I THINK WANTING TO, YOU KNOW. 453 00:22:36,688 --> 00:22:42,611 IT'S SOMETHING THAT YOU KNOW, I WENT TO CALIFORNIA AND STUDY THE 454 00:22:42,694 --> 00:22:46,656 ARTS FOR SCHOOL, WE DID EVERYTHING FROM SHAKESPEARE TO 455 00:22:46,740 --> 00:22:49,493 AUGUST WILSON, MOLLIER, WE DID A LOT OF DIFFERENT THINGS. 456 00:22:49,576 --> 00:22:54,247 AND THAT JUST WAS SOMETHING THAT I WANTED TO CONTINUE DOING IN MY 457 00:22:54,331 --> 00:22:55,624 CAREER AS AN ACTOR. 458 00:22:55,707 --> 00:22:58,794 I WANTED TO ALWAYS PLAY VERY DIFFERENT PARTS. 459 00:22:58,877 --> 00:23:01,463 IF I DID COMEDY I ALSO WANTED TO DO DRAMA. 460 00:23:01,546 --> 00:23:03,965 I WANTED TO, YOU KNOW, BEING A THEATRE BABY. 461 00:23:04,049 --> 00:23:08,345 I THINK AS A THEATRE BABY YOU COME UP DOING YOU KNOW, A TON OF 462 00:23:08,428 --> 00:23:11,306 DIFFERENT STUFF, I JUST WANTED TO CONTINUE THAT IN MY CAREER. 463 00:23:11,389 --> 00:23:13,642 SO I WAS ALWAYS LOOKING FOR ROLES THAT WOULD GIVE ME THE 464 00:23:13,725 --> 00:23:16,645 ABLE TO HAVE A BIG VARIETY AND THINGS THAT I HADN'T DONE 465 00:23:16,728 --> 00:23:17,938 BEFORE. 466 00:23:18,021 --> 00:23:20,482 >> BUT DOES THAT MEAN YOU WOULD HAVE TO HAVE THOSE MOMENTS WHICH 467 00:23:20,565 --> 00:23:22,651 I IMAGINE, YOU HAVE TO HAVE MOMENTS WHERE YOU GO I'M GOING 468 00:23:22,734 --> 00:23:27,656 TO DECIDE NOT TO WORK BECAUSE THIS ISN'T THE SORT OF CHARACTER 469 00:23:27,739 --> 00:23:29,533 I WANT TO PLAY. 470 00:23:29,616 --> 00:23:30,700 >> 100%. 471 00:23:30,784 --> 00:23:31,993 100%. 472 00:23:32,077 --> 00:23:33,995 AND IT IS SOMETHING THAT IN THE BEGINNING YOU KNOW USED TO MAKE 473 00:23:34,079 --> 00:23:35,205 MY AGENTS VERY NERVOUS. 474 00:23:35,288 --> 00:23:38,667 LIKE WHAT ARE YOU TALKING ABOUT, ARE YOU NOT GOING TO, WITHOUT. 475 00:23:38,750 --> 00:23:42,003 WELL, I DON'T, I DON'T WANT TO DO THAT. 476 00:23:42,087 --> 00:23:46,133 AND YOU KNOW, ANDY GARCIA HAD THIS QUOTE REALLY EARLY WHEN HE 477 00:23:46,216 --> 00:23:46,842 CAME OUT. 478 00:23:46,925 --> 00:23:48,009 >> YEAH. 479 00:23:48,093 --> 00:23:50,512 >> WHERE HE WAS GETTING OFFERED A LOT OF LIKE, AT THAT TIME, 480 00:23:50,595 --> 00:23:55,725 THESE GANGSTER MOVIES, DRUG DEALER ROLES, A LOT OF THESE 481 00:23:55,809 --> 00:23:57,853 REPREHENSIBLE CHARACTERS HE DIDN'T WANT TO PLAY. 482 00:23:57,936 --> 00:24:01,356 AND I THINK ONE OF HIS AGENTS BECAUSE HE WASN'T ANDY GARCIA 483 00:24:01,439 --> 00:24:04,693 YET WAS LIKE WHO DO YOU THINK ARE YOU TO TURN DOWN ALL OF 484 00:24:04,776 --> 00:24:08,572 THESE ROLES, AND HE WAS LIKE WHO DO I HAVE TO BE TO HAVE 485 00:24:08,655 --> 00:24:09,197 INTEGRITY. 486 00:24:09,281 --> 00:24:09,781 THAT ALWAYS STUCK WITH ME. 487 00:24:09,865 --> 00:24:10,907 >> James: YEAH. 488 00:24:10,991 --> 00:24:12,576 >> IT IS THE POWER THAT WE REALLY HAVE AS ACTORS IN THIS 489 00:24:12,659 --> 00:24:16,705 BUSINESS, AND WE ARE LOEHMANN ON THE TO THEEM POLE UNTIL YOU GET 490 00:24:16,788 --> 00:24:21,376 TO A CERTAIN LEVEL, YOU ARE JUST A HIRED GUN AND KNOW IT IS KIND 491 00:24:21,459 --> 00:24:26,673 OF THE POWER THAT YOU REALLY HAVE TO CRAFT AND DIRECT YOUR 492 00:24:26,756 --> 00:24:27,924 CAREER IN THE WAY THAT YOU WANT TO DIRECT IT. 493 00:24:28,008 --> 00:24:31,136 DOESN'T MEAN WILL YOU ALWAYS GET THE THINGS THAT YOU WANT BUT YOU 494 00:24:31,219 --> 00:24:34,681 CAN ABSOLUTELY TELL YOURSELF AND HOLD YOUR LINE ON THE THINGS 495 00:24:34,764 --> 00:24:35,348 THAT YOU DON'T WANT TO DO. 496 00:24:35,432 --> 00:24:36,641 >> James: YEAH, THAT'S GREAT. 497 00:24:36,725 --> 00:24:38,435 THAT IS FAN TAGS PARTICULAR. 498 00:24:38,518 --> 00:24:41,396 NOW I WANT TO TALK TO YOU ABOUT, THIS I'M INTERESTED, YOU 499 00:24:41,479 --> 00:24:46,526 RECENTLY MODERATED A TOWNHALL WITH JOE BIDEN. 500 00:24:46,610 --> 00:24:46,902 HOW WAS IT? 501 00:24:46,985 --> 00:24:48,111 HOW DID IT GO? 502 00:24:48,195 --> 00:24:50,113 >> WELL YOU KNOW, I WAS MOSTLY JUST SUPPOSED TO BE A TRAFFIC 503 00:24:50,197 --> 00:24:52,616 COP AND I WAS THERE FOR THE FIVE YOUNG MEN AND WOMEN THAT WE WERE 504 00:24:52,699 --> 00:24:57,204 TALKING TO, YOUNG BLACK ENTREPRENEURS WHO WERE DOING BIG 505 00:24:57,287 --> 00:24:59,372 THINGS IN THEIR COMMUNITIES, IN BUSINESSES. 506 00:24:59,456 --> 00:25:02,918 AND THEY WERE REALLY THE ONES THAT I WAS TRYING TO, YOU KNOW, 507 00:25:03,001 --> 00:25:07,631 SHINE THE SPOTLIGHT ON AND JUST LET THEM ASK THE VICE PRESIDENT 508 00:25:07,714 --> 00:25:12,928 THEIR QUESTIONS AND REALLY IT WAS, I WAS VERY INTERESTING. 509 00:25:13,011 --> 00:25:16,223 IT WAS A REALLY GOOD DIALOGUE AND I HOPE HE HAS A LOT MORE OF 510 00:25:16,306 --> 00:25:17,307 THEM. 511 00:25:17,390 --> 00:25:20,143 HE SHOULD HAVE MORE COMING UP THROUGH THIS PRESIDENCY. 512 00:25:20,227 --> 00:25:26,650 >> James: I FIND WITH LIKE TRUMP'S TWEETS ABOUT MAILING-IN 513 00:25:26,733 --> 00:25:31,780 BALLOTS AND ALL OF THESE THINGS, THE NOTION OF VOTER SUPPRESSION 514 00:25:31,863 --> 00:25:35,825 IS NOW DAWNING ON ME, HOW HUGE AND MONUMENTAL THIS TIME IS. 515 00:25:35,909 --> 00:25:39,621 ARE YOU CONCERNED WITH THE LEVELS OF VOTER SUPPRESSION THAT 516 00:25:39,704 --> 00:25:40,622 WE ARE SEEING. 517 00:25:40,705 --> 00:25:44,626 >> YEAH, I MEAN THIS ISN'T A NEW TACTIC. 518 00:25:44,709 --> 00:25:47,128 THIS ISN'T SOMETHING THAT WE HAVEN'T SEEN BEFORE. 519 00:25:47,212 --> 00:25:50,757 IT'S VERY REAL ALONG WITH JERRY GAND-- GERRYMANDERING. 520 00:25:50,840 --> 00:25:54,135 WE KNOW WITH THE LAST ELECTION HOW MUCH THERE WAS WITH 521 00:25:54,219 --> 00:25:55,637 TAMPERING FROM OUTSIDE FORCES AS WELL. 522 00:25:55,720 --> 00:25:59,474 SO YEAH, I'M VERY CONCERNED. 523 00:25:59,557 --> 00:26:00,725 I'M VERY CONCERNED. 524 00:26:00,809 --> 00:26:03,728 THIS IS AN INCREDIBLY IMPORTANT ELECTION AND EVERYONE SHOULD BE 525 00:26:03,812 --> 00:26:07,190 ABLE TO AVAIL THEMSELVES OF THEIR DEMOCRATIC RIGHT TO VOTE 526 00:26:07,274 --> 00:26:10,819 AND TO MAKE THEIR VOICES HEARD IN THAT WAY AND EVERY VOTE 527 00:26:10,902 --> 00:26:15,282 SHOULD BE COUNTED BUT WE KNOW THAT THIS IS SOMETHING AGAIN 528 00:26:15,365 --> 00:26:19,577 THAT IS, THIS IS TRIED AND TESTED TACTICS, TRIED AND TESTED 529 00:26:19,661 --> 00:26:20,787 TACTICS THAT WE'VE SEEN, SO WE HAVE TO STAY ON IT. 530 00:26:20,870 --> 00:26:27,377 WE HAVE TO STAY VIGILANT, SUPPORT GROUPS TO MAKE SURE WE 531 00:26:27,460 --> 00:26:29,170 BOTH GET OUT. 532 00:26:29,254 --> 00:26:32,549 SUPPORT ELECTION AND PEOPLE THAT ARE GOING TO BE ON THE FRONT 533 00:26:32,632 --> 00:26:36,052 LINES, GROUPS LIKE WOKE VOTE THAT ARE OUT THERE TRYING TO 534 00:26:36,136 --> 00:26:38,680 MAKE SURE WE'RE GETTING THE REPRESENTATION THAT WE NEED SO 535 00:26:38,763 --> 00:26:41,850 EVERYONE CAN BE A PART OF THIS PROCESS IN A LEGAL AND JUST WAY. 536 00:26:41,933 --> 00:26:44,185 >> James: FAN TASES PARTICULAR. 537 00:26:44,269 --> 00:26:46,855 NOW WE HAVE TO CONGRATULATE YOU ON YOUR BRILLIANT PERFORMANCE. 538 00:26:46,938 --> 00:26:51,026 BLACK MONDAY PERFORMS, SEASON TWO BACK THIS MONDAY. 539 00:26:51,109 --> 00:26:53,403 TELL EVERYONE WHAT WE CAN EXPECT THIS SEASON. 540 00:26:53,486 --> 00:26:55,822 >> WELL, YOU KNOW, WE WENT DOWN, WE WERE ABLE TO ACTUALLY GET 541 00:26:55,905 --> 00:27:01,411 EVERYTHING IN THE CAN WHICH WAS NICE, WE WERE IN POST PRODUCTION 542 00:27:01,494 --> 00:27:02,579 WHEN CORONA CAME AROUND. 543 00:27:02,662 --> 00:27:04,706 WE HAD TO SHUT DOWN BUT WE'VE BEEN ABLE TO, AS EVERYONE IS 544 00:27:04,789 --> 00:27:09,544 FIGURING IT OUT, PIVOTING FROM OUR HOMES AND DOING OUR AVR FROM 545 00:27:09,627 --> 00:27:13,381 HOME, WHEN YOU HAVE TO-- I KNOW YOU KNOW THAT, PEOPLE AT HOME 546 00:27:13,465 --> 00:27:14,549 DON'T. 547 00:27:14,632 --> 00:27:20,055 >> WHAT DOES AVR STAND FOR, ADDITIONAL DIALOGUE RECORDING? 548 00:27:20,138 --> 00:27:22,891 >> ANYTHING DON REALLY WANTS. 549 00:27:22,974 --> 00:27:25,268 >> James: REALLY? 550 00:27:25,352 --> 00:27:31,399 >> ANYTHING DON REALLY WANTS BUT REALLY WANTS IS ONE WORD. 551 00:27:31,483 --> 00:27:34,444 >> BUT SO WE WERE ABLE TO FINISH EVERYTHING AND POST AND NOW THE 552 00:27:34,527 --> 00:27:36,738 SHOW IS GOING TO COME BACK ON THE 28th. 553 00:27:36,821 --> 00:27:38,907 AND I THINK IT'S A GREAT ONE TO COME BACK ON. 554 00:27:38,990 --> 00:27:43,536 I THINK ITS OUR HALLOWEEN EPISODE, CONTAINER SHOW AND IT 555 00:27:43,620 --> 00:27:48,416 IS JUST BANANAS, THE SHE HAS BEEN A LOT OF FUN AND I LOVE MY 556 00:27:48,500 --> 00:27:51,920 CASEMATES AND I LOVE OUR WRITERS AND THEY COME UP WITH INSANE 557 00:27:52,003 --> 00:27:55,882 RIDICULOUS THINGS AND I GET TO HAVE A MOMENT WITH ONE OF MY 558 00:27:55,965 --> 00:27:59,094 FAVORITE ACTORS IN THIS ONE THAT WE WILL RETURN WITH, IT IS 559 00:27:59,177 --> 00:28:00,220 PRETTY FUNNY. 560 00:28:00,303 --> 00:28:05,600 >> James: THE SHOW IS BRILLIANT, YOU AND ANDREW REN -- 561 00:28:05,683 --> 00:28:09,270 REYNOLDS, I LOVE IT, LET'S TAKE A LOOK AT BLACK MONDAYS, 562 00:28:09,354 --> 00:28:13,900 RETURNING THIS SUNDAY ON SHOWTIME. 563 00:28:13,983 --> 00:28:17,821 >> NO, YOU GOT A BUNCH OF MOVES TO WORK OUT FOR THAT [BLEEP] 564 00:28:17,904 --> 00:28:19,280 DON'T BE SILLY. 565 00:28:19,364 --> 00:28:21,741 >> NOW I KNOW YOU'RE LYING. 566 00:28:21,825 --> 00:28:25,745 EVERYBODY'S GOT A ROUTINE TO MY PREROGATIVE. 567 00:28:25,829 --> 00:28:26,371 >> EVERYBODY TALKING. 568 00:28:26,454 --> 00:28:27,163 ♪ ALL THIS STUFF ABOUT ME. 569 00:28:27,247 --> 00:28:30,166 ♪ WHY DON'T THEY JUST LET ME LIVE. 570 00:28:30,250 --> 00:28:30,792 ♪ TELL ME WHY. 571 00:28:30,875 --> 00:28:33,962 ♪ I DON'T NEED PERMISSION. 572 00:28:34,045 --> 00:28:35,630 ♪ MAKE MY OWN DECISION. 573 00:28:35,713 --> 00:28:39,175 ♪ THAT'S MY PREROGATIVE. 574 00:28:39,259 --> 00:28:39,843 ♪ IT'S MY PREROGATIVE. 575 00:28:39,926 --> 00:28:42,470 ♪ CAN I DO WHAT I WANT TO DO. 576 00:28:42,554 --> 00:28:43,972 ♪ IT'S MY, MY. 577 00:28:44,055 --> 00:28:45,640 ♪ IT'S MY IT'S MY. 578 00:28:45,723 --> 00:28:49,978 ♪ MY IT'S MY MY MY. 579 00:28:50,061 --> 00:28:52,814 >> James: STICK AROUND, MORE WITH DON CHEADLE RIGHT AFTER 580 00:28:52,897 --> 00:28:54,357 THIS. 581 00:28:54,441 --> 00:29:03,158 ♪ ♪ ♪ 582 00:29:08,580 --> 00:29:13,001 ♪ ♪ ♪ 583 00:29:13,084 --> 00:29:15,962 >> WELCOME BACK, WE ARE HERE WITH DON CHEADLE, WE HAVE BEEN 584 00:29:16,045 --> 00:29:18,047 DOING THIS THING ON THE SHOW CALLED A "LATE, LATE SHOW" AND 585 00:29:18,131 --> 00:29:22,010 TELL, WE ASK OUR GUESTS IF THEY WOULD SHARE SOMETHING FROM THEIR 586 00:29:22,093 --> 00:29:24,387 HOME THAT WE WOULD OTHERWISE NEVER GET TO SEE. 587 00:29:24,471 --> 00:29:26,890 DO WE HAVE SOMETHING THAT YOU WOULD LIKE TO SHARE WITH US 588 00:29:26,973 --> 00:29:28,016 TONIGHT? 589 00:29:28,099 --> 00:29:30,059 >> I HAVE TWO THINGS I WANT TO SHARE WITH YOU TONIGHT. 590 00:29:30,143 --> 00:29:35,690 I WANT YOU TO GUESS AND TELL ME IF YOU CAN TELL ME WHAT THEY 591 00:29:35,773 --> 00:29:36,524 ARE. 592 00:29:36,608 --> 00:29:39,861 >> James: OH, LOOK AT THOSE BAD BOYS. 593 00:29:39,944 --> 00:29:40,278 >> RIGHT? 594 00:29:40,361 --> 00:29:40,737 >> James: JAY. 595 00:29:40,820 --> 00:29:41,779 >> WHAT ARE THEY? 596 00:29:41,863 --> 00:29:45,742 >> James: THEY ARE THE-- THEY'RE PUMPS FOR THAT YOU 597 00:29:45,825 --> 00:29:49,037 ARE HAVING A BAR, RIGHT, YOU PUT THEM ON THE TOP AND THEN YOU. 598 00:29:49,120 --> 00:29:57,045 >> NO, NO, THE¦Y ARE-- OF COURSE THEY'RE-- THAT I LOST, MY WIFE 599 00:29:57,128 --> 00:30:02,050 IS LIKE YOU ARE NEVER GOING TO FIND THEM, I WAS LIKE YEAH, 600 00:30:02,133 --> 00:30:03,301 BOOM. 601 00:30:03,384 --> 00:30:08,515 >> James: I LOVE THAT, KEEPING THE SOCKS ON THE GOLDEN GLOBES, 602 00:30:08,598 --> 00:30:09,974 WHAT A TOUCH. 603 00:30:10,058 --> 00:30:12,352 REG, DO YOU HAVE A QUESTION FOR OUR GUEST THIS EVENING. 604 00:30:12,435 --> 00:30:15,730 >> Reggie: YES, TONIGHT'S GUEST, SORRY, TONIGHT'S QUESTION 605 00:30:15,813 --> 00:30:18,733 GOES TO OUR GUEST. 606 00:30:18,816 --> 00:30:24,030 >> HAVE YOU BEEN DRINKING? 607 00:30:24,113 --> 00:30:26,533 >> Reggie: DON CHEADLE,. 608 00:30:26,616 --> 00:30:27,951 >> James: HERE WE GO. 609 00:30:28,034 --> 00:30:33,248 >> Reggie: SO IF AS AN ACTOR AND A PERFORMER AND ARCH ARTIST, 610 00:30:33,331 --> 00:30:39,879 IF YOU WERE EVER TO BE CAST IN A FILM THAT TAKES PLACE IN THE 611 00:30:39,963 --> 00:30:43,925 PAST, DO YOU THINK YOU COULD LIKE THAT AND DO YOU THINK THAT 612 00:30:44,008 --> 00:30:48,054 YOU WOULD TOLERATE HOW DIFFICULT IT WOULD BE TO PRETEND LIKE YOU 613 00:30:48,137 --> 00:30:50,974 ARE IN ANOTHER TIME PERIOD? 614 00:30:51,057 --> 00:30:53,768 >> OH, YOU MEAN LIKE WOULD I EVER DO A PERIOD PIECE? 615 00:30:53,851 --> 00:30:54,394 >> James: YEAH. 616 00:30:54,477 --> 00:30:59,566 >> LIKE HALF OF MY RESUME. 617 00:30:59,649 --> 00:31:00,775 >> NO, REGGIE, I WOULDN'T. 618 00:31:00,858 --> 00:31:04,112 >> James: NO CHANCE. 619 00:31:04,195 --> 00:31:04,946 >> I'M NOT INTERESTED IN IT. 620 00:31:05,029 --> 00:31:05,989 WE'VE DOON THAT. 621 00:31:06,072 --> 00:31:09,284 I ONLY WANT TO DO THINGS THAT OCCUR IN THE FUTURE. 622 00:31:09,367 --> 00:31:10,243 >> IN THE FUTURE, THAT'S RIGHT. 623 00:31:10,326 --> 00:31:11,119 >> IS THAT RIGHT, REG? 624 00:31:11,202 --> 00:31:11,869 >> THAT'S WHAT I WAS EXPECTING. 625 00:31:11,953 --> 00:31:14,455 >> James: IT'S ABSOLUTELY CORRECT. 626 00:31:14,539 --> 00:31:19,085 PLEASE THANK THE ONE, THE ONLY DON CHEADLE, BLACK EYED PEAS ARE 627 00:31:19,168 --> 00:31:21,588 HERE WITH A PERFORMANCE WHEN WE COME BACK. 628 00:31:21,671 --> 00:31:26,467 ♪ ♪ ♪ 629 00:31:31,889 --> 00:31:38,062 ♪ ♪ ♪ 630 00:31:38,146 --> 00:31:40,815 >> James: WELCOME BACK, THEY ARE A SIX TIME GRAMMY 631 00:31:40,898 --> 00:31:43,192 AWARD-WINNING GROUP HAILING FROM RIGHT HERE IN LOS ANGELES, THEY 632 00:31:43,276 --> 00:31:47,322 JUST RELEASED THEIR BRILLIANT NEW ALBUM TRANSLATION, THE 633 00:31:47,405 --> 00:31:53,036 ALWAYS COOL, THE ALWAYS SUPERB, BLACK EYED PEAS ARE HERE, HOW 634 00:31:53,119 --> 00:31:57,457 ARE YOU, FELLAS, YOU HAD NICE TO SEE YOU, HOW ARE YOU ALL DOIG, 635 00:31:57,540 --> 00:31:59,459 CONGRATS ON THE ALBUM. 636 00:31:59,542 --> 00:32:00,209 >> THANK, CORDEN, THANK YOU SO MUCH. 637 00:32:00,293 --> 00:32:01,210 >> THANK YOU, JAMES. 638 00:32:01,294 --> 00:32:02,337 >> THANK YOU. 639 00:32:02,420 --> 00:32:05,214 >> James: IT IS SO GOOD, THE ALBUM IS GREAT, HOW ARE YOU 640 00:32:05,298 --> 00:32:06,341 DOING IN THIS QUARANTINE. 641 00:32:06,424 --> 00:32:10,553 >> I DON'T WANT TO SAY IT HAS BEEN GREAT BUT IT HAS BEEN 642 00:32:10,637 --> 00:32:11,804 CREATIVE. 643 00:32:11,888 --> 00:32:15,808 IT'S BEEN, YOU KNOW, REFLECTING ON THE BLESSINGS THAT WE HAVE, 644 00:32:15,892 --> 00:32:19,354 AND THE OPPORTUNITIES WE STILL HAVE EVEN THOUGH LOTS OF THINGS 645 00:32:19,437 --> 00:32:23,691 WERE TAKEN FROM US BY BEING ABLE TO TRAVEL AND TOUR BUT WE'RE SO 646 00:32:23,775 --> 00:32:28,029 GRATEFUL THAT THE NEW MUSIC IT OUT. 647 00:32:28,112 --> 00:32:32,575 IT IS PACKED WITH SINGLE AFTER SINGLE AFTER SINGLE AFTER SINGLE 648 00:32:32,659 --> 00:32:34,202 ON THE ALBUM, SO I'M HAPPY. 649 00:32:34,285 --> 00:32:37,997 TRYING TO TAKE CARE OF OURSELVES PHYSICALLY, MENTALLY, TRYING TO 650 00:32:38,081 --> 00:32:40,083 STAY AS POSITIVE AND OPTIMISTIC AS POSSIBLE, WITH ALL OF THE 651 00:32:40,166 --> 00:32:44,212 GOOD THINGS THAT ARE HAPPENING CREATIVELY, WE'RE BLESSED TO BE 652 00:32:44,295 --> 00:32:47,882 ABLE TO HAVE AN OUTLET LIKE THIS ALBUM THAT WE FINISHED DURING 653 00:32:47,965 --> 00:32:49,050 THE PANDEMIC. 654 00:32:49,133 --> 00:32:51,886 >> WE UTILIZED THIS TIME, AS MOTIVATION TO REALLY JUST OWN 655 00:32:51,969 --> 00:32:53,096 HONE IN AND CREATE IN ON THE PRODUCT. 656 00:32:53,179 --> 00:32:58,726 AND WE REALLY GOT TO JUST, WE HAD NO CHOICE BUT TO MAKE SOME 657 00:32:58,810 --> 00:33:01,187 JOYFUL MUSIC FOR THE WORLD AND FOR YOU KNOW, THE AUDIENCE. 658 00:33:01,270 --> 00:33:08,569 >> James: NOW THE ALBUM IS PACKED FULL OF BRILLIANT 659 00:33:08,653 --> 00:33:11,197 COLLABORATIONS, J BALVIN, SHAKIRA ON THE RECORD, IF THERE 660 00:33:11,280 --> 00:33:15,702 WAS ANY COLLABORATION, DD OR ALIVE, IF YOU COULD COLLABORATE 661 00:33:15,785 --> 00:33:16,619 WITH, WHO WOULD IT BE. 662 00:33:16,703 --> 00:33:20,331 >> I WOULD HAVE TO SAY THE GREAT BOB MARLEY. 663 00:33:20,415 --> 00:33:23,292 WE ARE INSPIRED BY HIS SOUL REBEL MUSIC. 664 00:33:23,376 --> 00:33:26,713 WE LOVE HIM AS AN ARTIST AND THE IMPACT THAT HE HAD AND STILL HAS 665 00:33:26,796 --> 00:33:30,091 TO THIS DAY, EVEN IN 2020, WE JUST LOVE BOB MARLEY. 666 00:33:30,174 --> 00:33:32,260 >> James: WHAT ABOUT YOU? 667 00:33:32,343 --> 00:33:39,100 >> I WOULD PICK AN ARTIST THAT STANDS THROUGH TIMES, STEVIE 668 00:33:39,183 --> 00:33:44,105 WONDER, WE WOULD LOVE TO SEE HIM FLEX ON THIS TYPE OF MUSIC. 669 00:33:44,188 --> 00:33:45,314 THIS AS AN EXPERIMENT. 670 00:33:45,398 --> 00:33:49,986 >> James: AND WILL, WHO IS THE COULD LABLATION THAT WILL IAL 671 00:33:50,069 --> 00:33:52,447 WOULD LOVE TO BRING IN WITH THE BLACK EYED PEAS. 672 00:33:52,530 --> 00:33:56,117 >> I WOULD GO STRAIGHT INTO TRANSLATION PART TWO AND GET 673 00:33:56,200 --> 00:33:59,746 WITH DADDY YANKEE, BAD BUNNY, BOOM, YOU KNOW WHAT I MEAN, ALL 674 00:33:59,829 --> 00:34:02,415 THE FOLKS IN THE LATIN WORLD THAT WE DIDN'T HAVE THE PLEASURE 675 00:34:02,498 --> 00:34:05,793 OF WORKING WITH ON THIS RECORD, I WOULD GO DIRECTLY IN THE 676 00:34:05,877 --> 00:34:06,836 TRANSLATION PART TWO. 677 00:34:06,919 --> 00:34:11,090 >> James: WELL, I HOPE TRANSLATION PART TWO DOES COME 678 00:34:11,174 --> 00:34:13,968 OUT WAY, THE ALBUM IS FANTASTIC AND YOU GET TO PERFORM FOR US 679 00:34:14,051 --> 00:34:18,598 RIGHT NOW HERE PERFORMING THEIR LATEST SINGLE MAMACITA OFF THEIR 680 00:34:18,681 --> 00:34:21,976 NEW ALBUM, TRANSLATION, FOR THE FIRST TIME ON LATE NIGHT TV, 681 00:34:22,059 --> 00:34:25,271 PLEASE WELCOME BLACK EYED PEAS. 682 00:34:32,278 --> 00:34:36,991 ♪ ♪ ♪ ♪ BABY, VEN CONMIGO 683 00:34:37,074 --> 00:34:37,700 VEN CONMIGO ♪ BAILA 684 00:34:37,784 --> 00:34:41,329 BAILA ♪ LA MÚSICA ES TESTIGO 685 00:34:41,412 --> 00:34:45,333 YA LA VEO MAMACITA ♪ LOUIS VUITTON ES SU VESTIDO 686 00:34:45,416 --> 00:34:50,296 SU VESTIDO ♪ DIAMANTES LE GUSTA CUANDO 687 00:34:50,379 --> 00:34:53,341 AL OÍDO YO LE DIGO, EH, EH ♪ MAMAMACITA, MAMACITA 688 00:34:53,424 --> 00:35:01,182 QUÉ BONITA, MAMACITA ♪ EH OH, EH EH 689 00:35:01,265 --> 00:35:08,189 EH OH, EH EH ♪ MAMAMACITA, MAMACITA 690 00:35:08,272 --> 00:35:14,195 ♪ ELLA NO LE BAJA SIEMPRE ESTÁ LISTA PA' LA RUMBA 691 00:35:14,278 --> 00:35:23,204 ♪ DAME LO QUE YO SÉ-EH UNA BOTELLA 'E ROSÉ-EH 692 00:35:23,287 --> 00:35:32,213 ♪ DAME LO QUE YO SÉ-EH UNA BOTELLA 'E ROSÉ-EH 693 00:35:32,296 --> 00:35:37,009 ♪ I'MA PUT YOU IN THE MIX PUT YOU IN THE MIX 694 00:35:37,093 --> 00:35:40,221 ♪ PUT YOU IN THE, PUT YOU IN THE PUT YOU IN THE MIX, AY 695 00:35:40,304 --> 00:35:42,515 ♪ I'MA PUT YOU IN THE MIX PUT YOU IN THE MIX 696 00:35:42,598 --> 00:35:44,475 ♪ PUT YOU IN THE, PUT YOU IN THE PUT YOU IN THE MIX, AY 697 00:35:44,559 --> 00:35:48,229 ♪ ALRIGHT, OKAY I'MA LOVE YOU ALL KIND OF WAYS 698 00:35:48,312 --> 00:35:52,400 ♪ BOY YOU GOT ME CALIENTE WHEN YOU CALL ME MAMACITA 699 00:35:52,483 --> 00:35:56,195 ♪ ALRIGHT, AHA BOY YOU GOT ME SAYING OOH-LA-LA 700 00:35:56,279 --> 00:36:02,201 ♪ AY DIOS MÍO, OH MY GOD CALL ME MAMACITA 701 00:36:02,285 --> 00:36:08,207 ♪ MAMAMACITA, MAMACITA QUÉ BONITA, MAMACITA 702 00:36:08,291 --> 00:36:17,425 ♪ EH OH, EH EH EH OH, EH EH 703 00:36:17,508 --> 00:36:21,429 PUT ME IN THE MIX ♪ PUT ME IN THE, PUT ME IN THE 704 00:36:21,512 --> 00:36:32,273 PUT ME IN THE MIX ♪ PUT ME IN THE MIX 705 00:36:32,356 --> 00:36:33,733 PUT ME IN YOU VIDA ♪ PUT ME ON TOP 706 00:36:33,816 --> 00:36:35,776 PÓNME ARRIBA ♪ PUT ME IN, PUT ME IN 707 00:36:35,860 --> 00:36:37,278 PUT ME IN BETWEEN YA ♪ MAMI GOT THE FIRE 708 00:36:37,361 --> 00:36:38,446 AND I GOT THE GASOLINA ♪ MUEVE MAMI 709 00:36:38,529 --> 00:36:41,199 MOVE IT ON ME, AY ♪ SACÚDELO, MAKE ME A ZOMBIE 710 00:36:41,282 --> 00:36:42,325 GIRL MAKE ME SWEAT LIKE WASABI ♪ I KNOW I GOT YOU WET 711 00:36:42,408 --> 00:36:44,619 LIKE TSUNAMI I WANT TO MAKE YOU MY PRINCESA 712 00:36:44,702 --> 00:36:46,078 ♪ WHERE YOU WANT TO GO? 713 00:36:46,162 --> 00:36:46,913 WHAT INTERESTS YA? 714 00:36:46,996 --> 00:36:48,372 ♪ GIVE IT UP I'M UNDER THE IMPRESSION 715 00:36:48,456 --> 00:36:50,458 ♪ IF YA HOT, BABY LET ME UNDRESS YA 716 00:36:50,541 --> 00:36:53,544 ♪ ALRIGHT, OKAY I'MA LOVE YOU ALL KIND OF WAYS 717 00:36:53,628 --> 00:36:55,880 ♪ BOY YOU GOT ME CALIENTE WHEN YOU CALL ME MAMACITA 718 00:36:55,963 --> 00:36:58,132 ♪ ALRIGHT, AHA BOY YOU GOT ME SAYING OOH-LA-LA 719 00:36:58,215 --> 00:37:00,343 ♪ AY DIOS MÍO, OH MY GOD CALL ME MAMACITA 720 00:37:00,426 --> 00:37:04,347 ♪ ALRIGHT, OKAY I'MA LOVE YOU ALL KIND OF WAYS 721 00:37:04,430 --> 00:37:08,267 ♪ BOY YOU GOT ME CALIENTE WHEN YOU CALL ME MAMACITA 722 00:37:08,351 --> 00:37:16,317 ♪ ALRIGHT, AHA BOY YOU GOT ME SAYING OOH-LA-LA 723 00:37:16,400 --> 00:37:21,489 ♪ AY DIOS MÍO, OH MY GOD CALL ME MAMACITA ♪ 724 00:37:21,572 --> 00:37:24,450 >> THANK YOU, HAPPY NIGHT, HAPPY SUMMER. 725 00:37:24,533 --> 00:37:27,828 CHA CHA NOW. 726 00:37:27,912 --> 00:37:31,207 >> James: THAT WAS INCREDIBLE, BLACK EYED PEAS, THEIR NEW ALBUM 727 00:37:31,290 --> 00:37:34,502 TRANSLATION IS OUT RIGHT NOW, COME ON BACK, EVERYBODY. 728 00:37:34,585 --> 00:37:44,679 ♪ ♪ ♪ 729 00:37:50,101 --> 00:37:56,857 ♪ ♪ ♪ 730 00:37:56,941 --> 00:37:57,858 >> James: THANK YOU SO MUCH FOR WATCHING 731 00:37:57,942 --> 00:37:59,610 TOMORROW NITROUS EL CROWE IS GOING TO BE HERE, 732 00:37:59,694 --> 00:38:04,573 SPACEX ASTRONAUTS, BOB BEHNKEN AND DOUG HUR HADLEY ARE GOING TO 733 00:38:04,657 --> 00:38:08,035 TALK TO US FROM SPACE AND MUSIC FROM CHARLIE PUTH PLUS THE 734 00:38:08,119 --> 00:38:11,080 MUPPETS DROP BY, ALL OF THAT, WELL HE SEE YOU THEN, 735 00:38:11,163 --> 00:38:12,832 GOOD NIGHT, EVERYONE. 736 00:38:12,915 --> 00:38:13,833 Captioning sponsored by CBS Captioned by 737 00:38:13,916 --> 00:38:14,834 Media Access Group at WGBH access.wgbh.org 738 00:38:14,917 --> 00:38:29,724 ♪ ♪ ♪ ♪ ♪ ♪ 739 00:38:29,807 --> 00:38:32,685 ♪ ♪ ♪ ♪ ♪ ♪ 740 00:38:32,768 --> 00:38:47,575 ♪ ♪ ♪ ♪ ♪ ♪ 741 00:38:47,658 --> 00:38:57,668 ♪ ♪ ♪ ♪ ♪ ♪ 742 00:38:57,752 --> 00:39:07,595 ♪ ♪ ♪ ♪ ♪ ♪ 743 00:39:07,678 --> 00:39:16,937 ♪ ♪ ♪ ♪ ♪ ♪ 59315

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