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Captioning sponsored by CBS
♪ THE LATE LATE SHOW, OH, OH
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THE LATE LATE SHOW ♪ OH, OH
IT'S THE LATE LATE SHOW ♪
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00:00:17,350 --> 00:00:18,643
>> James: GOOD EVENING, LADIES
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00:00:18,727 --> 00:00:20,145
AND GENTLEMEN, WELCOME TO THE
"LATE, LATE SHOW."
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00:00:20,228 --> 00:00:27,068
QUICK QUESTION, DOES ANYBODY
KNOW WHAT THE SIDE EFFECTS ARE
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00:00:27,152 --> 00:00:30,655
OF BREATHING LEAD PAINT WHILE
ILMING A LATE NIGHT SHOW IN
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00:00:30,739 --> 00:00:33,283
YOUR GARAGE FOR OVER THREE
MONTHS?
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CUZ I'M GETTING A SORT OF-- IT'S
LIKE A SORT OF-- LIKE A BURNING.
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00:00:40,039 --> 00:00:44,794
AND I DONE KNOW IF THAT IS THE
LEAD PAINT.
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00:00:44,878 --> 00:00:46,254
>> SIDE EFFECTS MAY INCLUDE-- .
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>> James: ON THE SHOW TONIGHT
WE HAVE THE MAGNIFICENT DON
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00:00:50,008 --> 00:00:51,134
CHEADLE.
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00:00:51,217 --> 00:00:53,219
HE'S GOING TO BE HERE LATER, A
WONDERFUL MUSICAL PERFORMANCE
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00:00:53,303 --> 00:00:54,345
FROM THE BLACK EYED PEAS.
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00:00:54,429 --> 00:00:58,433
DO WHATEVER YOU NEED TO TO STAY
AWAKE, OKAY?
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00:00:58,516 --> 00:01:00,769
WHATEVER IT TAKES, DO IT, NO
JUDGMENT.
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00:01:00,852 --> 00:01:04,439
BUT FIRST IT'S TIME FOR THE
BLIND MICE OF THINGS, THIS IS
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00:01:04,522 --> 00:01:06,775
THREE THINGS.
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>> THREE THINGS.
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00:01:08,276 --> 00:01:12,030
REGGIE, WHAT IS THE FIRST
NUMBER.
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>> FIRST NUMBER IS THREE.
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>> OKAY, NUMBER TWO, FIRST UP,
YESTERDAY PRESIDENT TRUMP
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CONTINUED RE-ELECT RE-ELECTION
CAMPAIGN BY TRAVELING TO YUMA,
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00:01:22,749 --> 00:01:25,627
ARIZONA WHERE HE MET WITH
REPUBLICAN OFFICIALS AND
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EXAMINED A SECTION OF THE BORDER
WALL THAT HE APPARENTLY FELT HE
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00:01:28,421 --> 00:01:38,181
NEEDED TO AUTOGRAPH.
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(APPLAUSE).
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>> James: I OLD HABITS
DIEHARD.
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YOU KNOW, THAT GUY SEES A POORLY
CONSTRUCTED REAL ESTATE PROJECT
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AND HE CAN NOT RESIST JUST
SLAPPING HIS NAME ON IT.
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MAKING IT THE MOST USELESS THING
HE'S PUT HIS NAME ON SINCE
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DONALD TRUMP, JR.
ON THAT SAME TRIP THE PRESIDENT
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TOOK SOME TIME TO SHARE SOME
DEEP INCITES INTO TECHNOLOGY AND
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00:02:00,954 --> 00:02:03,164
THE NATURE OF HUMAN PROGRESS.
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00:02:03,248 --> 00:02:05,375
>> THERE'S TWO THINGS BECAUSE
EVERYTHING IS CHANGING IN THE
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WORLD.
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00:02:05,917 --> 00:02:06,292
THEY CHANGE FAST.
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00:02:06,376 --> 00:02:07,377
CHANGE IS SO FAST.
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00:02:07,460 --> 00:02:10,672
YOU DO A COMPUTER AND IT IS
OBSOLETE IN TWO WEEKS.
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00:02:10,755 --> 00:02:16,845
BUT TWO THINGS THAT HAVE NEVER
CHANGED, A WALL AND A WHEEL.
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WE ARE GOING TO ALWAYS HAVE
WHEELS AND WE'RE GOING TO ALWAYS
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00:02:19,514 --> 00:02:20,557
HAVE WALLS.
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00:02:20,640 --> 00:02:22,392
>> James: THOSE ARE THE ONLY
TWO THINGS THAT HAVE NEVER
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CHANGED.
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ARE THEY?
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>> Reggie: IF HE SAYS.
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>> James: WHAT ABOUT TOM
CRUISE, TOM CRUISE LOOKS EXACTLY
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THE SAME AS HE DID 25 YEARS AGO.
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>> Reggie: THAT'S THROUGH.
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>> James: HE HAS NOT CHANGED.
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ADD TO THAT PAUL RUDD.
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>> Reggie: YEP.
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>> James: AT TO THAT SLIESESES
OF CHEESE.
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>> YEP.
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>> James: LIKE A-- YOU KNOW,
IN THE PLASTIC.
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>> Reggie: OH YEAH.
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>> James: NOT CHANGED.
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>> Reggie: THE SINGLES MADE BY
A COMPANY.
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>> James: THAT'S IT, CHEESE
SINGLES.
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00:02:52,338 --> 00:02:56,759
BUT TRUMP REALLY LIKES THAT
WHEEL AND WALL MATERIAL.
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00:02:56,843 --> 00:03:00,054
HERE HE IS TROTTING OUT AGAIN
LATER IN THE SAME DAY.
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00:03:00,138 --> 00:03:02,265
>> THE PROBLEM WITH YOUR
BUSINESS, IT GETS OBSOLETE
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00:03:02,348 --> 00:03:03,433
QUICK.
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T THINGS THAT WILL NEVER BE
OBSOLETE, A WHEEL AND A WALL.
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>> WHAT?
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>> A WHEEL AND A WALL.
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>> James: WHO'S CLAPPING?
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WHO'S-- WHO HEARD HIM SAY THAT
OH, YES, THE WAY HIS FANS ARE
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CLAMORING FOR FRESH MATERIAL,
YOU WOULD THINK ADELE JUST
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DROPPED A NEW ALBUM.
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I GUESS THERE ARE NOW THREE
THINGS THAT WILL NEVER CHANGE,
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WHEELS, WALLS AND THAT ANECDOTE
ABOUT WHEELS AND WALLS.
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IT TURNS OUT TRUMP HAD A LOT TO
SAY YESTERDAY AND HE GOT IT ALL
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OUT AT THE STUDENTS FOR TRUMP
RALLY WHERE HE APPEARED TO EMPTY
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00:03:39,218 --> 00:03:42,972
THREE MONTHS WORTH OF BACKED UP
MIND GARBAGE.
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00:03:43,056 --> 00:03:45,433
>> A LOT OF SPOILED PEOPLE IN
THAT GROUP, YOU KNOW.
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A LOT OF SPOILED RICH PEOPLE.
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I COULD BUILD NUMEROUS WALLS
WITH ALL THE MONEY I HAVE.
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00:03:52,398 --> 00:03:58,821
>> WE'RE NOW DOING A HYDRO
SONIC, I CALL THEM SUPER
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00:03:58,905 --> 00:04:04,535
DEUPERS, MISSILES, GOES 17 TIMES
FASTER THAN THE FASTEST MISSILE.
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00:04:04,619 --> 00:04:08,498
COVID, COVID-19, COVID, I SAY
WHAT'S THE 19, COVID-19, SOME
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00:04:08,581 --> 00:04:12,043
PEOPLE CAN'T EXPLAIN WHAT THE
19, GIVE ME COVID-19, I SAID
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THAT SAN ODD NAME.
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YOU KNOW WHO HAS LOST IT, SLEEPY
JOE HAS LOST IT.
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00:04:17,799 --> 00:04:20,343
NATIONS THAT WE KNOW.
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00:04:20,426 --> 00:04:23,680
>> I LOVE YOU TOO, THANK YOU,
DARLING WITH IT IS THE SAME
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00:04:23,763 --> 00:04:28,893
SPIRIT THAT DROVE AMERICA'S
FROWN-DERS, NANCY PELL OSY, SHE
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00:04:28,977 --> 00:04:31,020
WANTED TO DANCE IN THE STREETS
OF CHINATOWN.
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>> James: DID SHE?
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00:04:33,272 --> 00:04:36,317
NANCY PELOSI WANTED TO DANCE
THROUGH THE STREETS OF
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CHINATOWN?
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00:04:37,610 --> 00:04:41,322
I FEEL LIKE THIS IS JUST A DREAM
HE HAD AND HE THOUGHT IT WAS
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REAL.
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00:04:42,365 --> 00:04:46,077
ALTHOUGH I CAN SMELL A NEW
NICKNAME COMING ON.
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DANCING PELOSI.
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DID HE CALL THE FOUNDING FATHERS
THE WHAT WAS IT FROWN DERS.
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00:04:51,916 --> 00:04:53,543
>> Reggie: SOMETHING,
FROWNEDDER.
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>> THE SAME SPIRIT THAT DROVE
AMERICA'S FROWN-DERS.
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00:04:58,131 --> 00:05:00,383
>> James: HE SEEN SPEAKS IN
TYPOS T IS INCREDIBLE.
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00:05:00,466 --> 00:05:03,720
MEANWHILE VICE PRESIDENT PENCE
TOOK A LITTLE TRIP OF HIS OWN.
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00:05:03,803 --> 00:05:13,730
HERE HE IS YESTERDAY TRYING TO
BOARD HIS PLANE IN WISCONSIN.
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00:05:13,813 --> 00:05:21,738
HERE HE IS YESTERDAY TRYING TO
BOARD HIS PLANE IN WISCONSIN.
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00:05:21,821 --> 00:05:26,868
I TELL YOU WHAT THOUGH, THIS IS
THE FIRST TIME MIKE PENCE HAS
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EVER GONE DOWN ON ANYTHING.
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00:05:31,164 --> 00:05:32,081
REGGIE, WHAT'S NEXT?
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>> Reggie: LET'S GO FOR FOUR,
SORRY ONE.
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>> James: NUMBER TWO, NOW THE
ART COMMUNITY IN SPAIN IS
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00:05:38,337 --> 00:05:42,008
OUTRAGED OVER THE LATEST IN A
SPRING OF BOCHED RESTORATIONS
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CALLING THE EVENT MORE THAN JUST
A STROKE OF BAD LUCK.
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00:05:45,178 --> 00:05:49,098
NOW YOU MAY RECALL THIS
INCREDIBLY DISASTROUS
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RESTORATION OR THIS HAUNTING
CLAYMATION NIGHTMARE.
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00:05:53,519 --> 00:05:58,483
WELL NOW THIS PRICELESS 17th
CENTURY PAINTING OF THE VIRGIN
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MARY HAS JOINED THEIR
UNRECOGNIZABLE RANKS.
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00:06:02,361 --> 00:06:04,072
HERE IS THE ORIGINAL PAINTING
HERE.
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00:06:04,155 --> 00:06:07,533
AND HERE'S THE RESTORATION.
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00:06:07,617 --> 00:06:13,081
I MEAN THAT PICTURE, IT LOOKS
LIKE THE FIRST PICTURE GOT
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STUNNING BY BEES.
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00:06:14,040 --> 00:06:16,167
ALTHOUGH PEOPLE ARE UP IN ARMS
ABOUT THIS.
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00:06:16,250 --> 00:06:17,794
I DON'T MOW IF IT IS THAT BAD.
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00:06:17,877 --> 00:06:20,463
IF YOU DROPPED IT INTO A ZOOM
CALL I DON'T THINK YOU WOULD
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EVEN NOTICE.
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REGGIE, WHAT IS THE FINAL THING?
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>> Reggie: LET'S GO FOR THREE.
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>> James: OKAY, NUMBER THREE,
ALSO IN SPARE, BARCELONA LEE SAY
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U GRAND THEATER HELD PERFORMED A
CONCERT FOR AN AUDIENCE OF
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NEARLY 2,300 POT THE PLANTS.
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♪
♪
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>> James: I MEAN, WHEN I SEE
THIS, HOW MANY PEOPLE NEEDED TO
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SIGN OFF ON THIS IDEA TO GET IT
TO HAPPEN?
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00:07:06,592 --> 00:07:08,511
THERE MUST HAVE BEEN PEOPLE
HOLDING A PLANT LIKE WHY ARE WE
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00:07:08,594 --> 00:07:10,471
DOING THIS?
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I DON'T KNOW, JUST PUT IT DOWN.
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00:07:13,099 --> 00:07:15,143
I-- THAT ALL SEEMED A BIT FAKE
TO ME.
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00:07:15,226 --> 00:07:19,689
DON'T YOU THINK, REG, LIKE I
THINK THE AUDIENCE WAS FULL OF
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PLANTS.
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LOOKS LIKE THEY'RE DOING PLANTOM
OF THE OPERA.
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THAT'S ONE OF THOSE CONCERTS
WHERE EVERYONE WAS ON POT.
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YOU KNOW WHAT THEY SAY, THERE IS
NOTHING BETTER THAN AN AUDIENCE
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THAT REALLY ROOTS FOR YOU.
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IT MUST HAVE BEEN A PRETTY BAD
PERFORMANCE CONSIDERING THEY
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00:07:38,457 --> 00:07:42,044
MADE THE ENTIRE AUDIENCE LEAF.
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THS HAS BEEN THREE THINGS.
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REGGIE, WHAT DID YOU DO LAST
NIGHT?
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00:07:49,468 --> 00:07:51,721
>> I HUNG OUT WITH TWO CATS.
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00:07:51,804 --> 00:07:52,972
>> YOU KNOW WHAT I DID?
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00:07:53,055 --> 00:07:57,852
I STAYED UP ALL NIGHT WATCHING
INTERNET VIDEOS AND LEARNING NEW
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00:07:57,935 --> 00:07:58,686
THINGS.
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00:07:58,769 --> 00:07:59,270
I WILL NOW SHARE SAID THINGS
WITH YOU.
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00:07:59,353 --> 00:08:04,609
THIS IS TONIGHT I LEARNED.
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00:08:04,692 --> 00:08:05,651
>> TONIGHT I LEARNED.
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00:08:05,735 --> 00:08:08,905
FIRST UP TONIGHT I LEARNED
NOTHING SAYS SUMMER LIKE
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00:08:08,988 --> 00:08:22,752
CRUISING TOP DOWN WITH THE BOYS.
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00:08:22,835 --> 00:08:27,423
>> HEY.
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00:08:27,506 --> 00:08:31,594
>> SOME CITIES HAVE JUST NOW
STARTED OPENING UP.
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00:08:31,677 --> 00:08:34,430
AND EVERYONE IS ACTING LIKE THEY
ARE IN A LITE BEER COMMERCIAL
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00:08:34,514 --> 00:08:36,974
FROM THE '90S.
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00:08:37,058 --> 00:08:44,732
NEXT UP TONIGHT I LEARNED, I
HAVE BEEN USING A SWING ALL
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00:08:44,815 --> 00:08:49,278
WRONG.
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00:08:49,362 --> 00:09:01,290
♪ SOIM PRESSIVE, ALTHOUGH I WILL
SAY THAT MAN HAS STARTED A BIT
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00:09:01,374 --> 00:09:06,796
OF A TREND.
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00:09:06,879 --> 00:09:09,173
THAT'S MORE LIKE IT.
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00:09:09,257 --> 00:09:13,177
MOVING ON TONIGHT I LEARNED TO
FOLLOW THE LEADER.
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00:09:13,261 --> 00:09:16,097
>> WOW, YOU CAN REALLY DANCE.
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00:09:16,180 --> 00:09:19,684
WOW, YOU CAN REALLY DANCE.
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00:09:19,767 --> 00:09:21,644
HE WENT.
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00:09:21,727 --> 00:09:24,772
♪ WE BOTH HAVE BEEN DANCING ALL
THE TIME.
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00:09:24,855 --> 00:09:28,484
♪ WHAT A COINCI-DANCE.
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00:09:28,567 --> 00:09:30,278
>> James: INCREDIBLE, ISN'T
IT.
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00:09:30,361 --> 00:09:31,445
>> Reggie: AMAZING.
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00:09:31,529 --> 00:09:34,323
>> James: THAT SEAL HAS ALMOST
TRAINED THAT GIRL TO DANCE.
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00:09:34,407 --> 00:09:38,619
AND FINALLY TONIGHT I LEARNED
IT'S NOT ALWAYS A GOOD IDEA TO
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00:09:38,703 --> 00:09:48,671
GO TOWARDS THE LIGHT.
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00:09:48,754 --> 00:09:59,348
GO TOWARDS THE LIGHT.
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00:09:59,432 --> 00:10:07,356
.
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00:10:07,440 --> 00:10:15,031
♪
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00:10:15,114 --> 00:10:16,866
>> James: HONESTLY, I DON'T EVEN
KNOW IF WE ARE ALLOWED TO
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00:10:16,949 --> 00:10:20,411
SHOW THAT ON CBS. THAT WAS
TONIGHT I LEARNED.
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00:10:20,494 --> 00:10:22,038
WE'LL BE RIGHT BACK, EVERYBODY.
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00:10:22,121 --> 00:10:26,834
♪ ♪ ♪
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00:10:33,049 --> 00:10:41,098
♪ ♪ ♪
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00:10:41,182 --> 00:10:45,728
>> James: WELCOME BACK, I HAVE
IN MY HAND 16 QUESTIONS, I HAVE
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00:10:45,811 --> 00:10:48,731
ON THIS SCREEN, 16 EAGER
PARTICIPATES.
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00:10:48,814 --> 00:10:51,233
IT'S TIME TO PLAY KNOW FOR SOME
DOUGH.
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00:10:51,317 --> 00:10:53,652
>> Reggie: KNOW FOR SOME
DOUGH.
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00:10:53,736 --> 00:10:57,281
>> James: THE RULES ARE
SIMPLE, I'M GOING TO ASK THESE
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00:10:57,365 --> 00:10:58,157
PEOPLE ONE BY ONE 16 QUESTIONS.
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00:10:58,240 --> 00:11:00,910
IF THEY GET THREE WRONG THE GAME
IS OVER.
188
00:11:00,993 --> 00:11:02,912
IF THEY CHEAT, THE GAME IS OVER.
189
00:11:02,995 --> 00:11:08,376
HOWEVER IF THEY SUCCEED EF
EVERYBODY WINS.
190
00:11:08,459 --> 00:11:12,088
NOW JUST SO YOU CAN KEEP TRACK
AT HOME, THE PEOPLE WHO ANSWERED
191
00:11:12,171 --> 00:11:15,591
KREBLGLY WILL HOLD UP A GREEN
CHECK LIKE THIS.
192
00:11:15,674 --> 00:11:18,886
THE PEOPLE WHO ANSWERED
INCORRECTLY WILL HOLD UP A RED X
193
00:11:18,969 --> 00:11:19,845
LIKE THIS.
194
00:11:19,929 --> 00:11:26,560
OKAY, NOW WE NORMALLY PLAY FOR
$100 PER PERSON.
195
00:11:26,644 --> 00:11:29,063
HOWEVER THE LAST TWO GROUPS
COULDN'T ANSWER ENOUGH QUESTIONS
196
00:11:29,146 --> 00:11:30,272
CORRECTLY TO WIN.
197
00:11:30,356 --> 00:11:33,943
SO WE HAVE ROLLED THEIR PRIZE
MONEY OVER TO THIS GROUP AND YOU
198
00:11:34,026 --> 00:11:41,450
ARE ALL NOW COMPETING FOR $300
EACH.
199
00:11:41,534 --> 00:11:42,451
>> YES!
200
00:11:42,535 --> 00:11:43,369
>> KEEP YOUR HANDS WHERE MY EYES
CAN SEE THEM.
201
00:11:43,452 --> 00:11:48,124
DO NOT ASK FOR HELP FROM ANYONE
OFF CAMERA.
202
00:11:48,207 --> 00:11:48,791
OKAY.
203
00:11:48,874 --> 00:11:50,126
THIS IS YOU AS A TEAM AND ME.
204
00:11:50,209 --> 00:11:51,127
WE ARE ALL PULLING FOR YOU.
205
00:11:51,210 --> 00:11:54,088
ARE YOU READY TO BEGIN?
206
00:11:54,171 --> 00:11:55,464
>> YES.
207
00:11:55,548 --> 00:11:56,632
>> OKAY.
208
00:11:56,715 --> 00:11:59,427
CONTESTANT NUMBER ONE, WHAT IS
YOUR NAME, AND WHERE ARE YOU.
209
00:11:59,510 --> 00:12:01,470
>> HI, I'M CHRISTINE FROM THE
BAY AREA.
210
00:12:01,554 --> 00:12:04,140
>> James: HEY CHRISTINE, NOW
WHAT IS THIS BEHIND YOU, WHAT IS
211
00:12:04,223 --> 00:12:06,809
THIS LITTLE BANNER YOU HAVE GOT
HERE.
212
00:12:06,892 --> 00:12:10,688
>> ACTUALLY I GOT MARRIED RIGHT
BEFORE THIS STARTED.
213
00:12:10,771 --> 00:12:15,943
IT IS JUST MY DECORATION SO WE
GOT MARRIED AND WE MISSED OUT ON
214
00:12:16,026 --> 00:12:17,820
OUR HONEYMOON ACTUALLY.
215
00:12:17,903 --> 00:12:20,322
WE WENT TO PUERTO RICO AND HAD
TO FLY RIGHT BACK.
216
00:12:20,406 --> 00:12:21,949
>> James: I LOVE THAT YOU KEPT
THE SIGN UP.
217
00:12:22,032 --> 00:12:22,992
WHY NOT.
218
00:12:23,075 --> 00:12:24,160
>> IT GIVES ME SOMETHING TO BE
HAPPY ABOUT RIGHT NOW.
219
00:12:24,243 --> 00:12:27,538
>> James: WELL, YOU ARE GIVING
US ALL SOMETHING TO BE HAPPY
220
00:12:27,621 --> 00:12:27,997
ABOUT RIGHT NOW.
221
00:12:28,080 --> 00:12:29,039
I TELL YOU THAT.
222
00:12:29,123 --> 00:12:30,166
GOOD LUCK.
223
00:12:30,249 --> 00:12:36,088
WHICH HIGH CONNICK CANDY BRAND
USES THE SLOGAN TASTE THE
224
00:12:36,172 --> 00:12:36,464
RAINBOW.
225
00:12:36,547 --> 00:12:37,006
>> SKITTLES.
226
00:12:37,089 --> 00:12:40,009
>> James: IS CORRECT.
227
00:12:40,092 --> 00:12:41,177
>> YEAH.
228
00:12:41,260 --> 00:12:44,180
>> James: WHAT IS YOUR NAME,
WHERE ARE YOU CALLING FROM.
229
00:12:44,263 --> 00:12:46,724
>> HEY, HEY, I'M FROM LAS VEGAS.
230
00:12:46,807 --> 00:12:50,853
>> James: LOOK AT, THIS LOOK
AT ALL OF THESE BROADWAY HOST
231
00:12:50,936 --> 00:12:52,480
POSTERS YOU HAVE BEHIND YOU, YOU
ARE QUITE THE BROADWAY MAN.
232
00:12:52,563 --> 00:12:54,857
>> YES, SIR, I LOVE BROADWAY, I
HAVE AN ORGANIZATION CALLED
233
00:12:54,940 --> 00:13:00,905
BROADWAY IN THE HOOD, HOOD
STANDS FOR HELPING OTHERS OPEN
234
00:13:00,988 --> 00:13:01,947
DOORS.
235
00:13:02,031 --> 00:13:03,032
EDUCATING YOUNG PEOPLE IN
THEATER AND IN THE ARTS.
236
00:13:03,115 --> 00:13:05,659
>> James: OH, WELL, LOOK AT
YOU.
237
00:13:05,743 --> 00:13:08,204
I LOVE YOU FOR DOING THAT, A
DREAM ON THE T-SHIRT AND A DREAM
238
00:13:08,287 --> 00:13:09,872
ON THE POSTERS.
239
00:13:09,955 --> 00:13:10,706
LET'S GO.
240
00:13:10,789 --> 00:13:12,917
OKAY, ARE YOU READY FOR YOUR
QUESTION?
241
00:13:13,000 --> 00:13:14,710
>> I REALLY NEED THIS MONEY.
242
00:13:14,793 --> 00:13:16,587
>> James: I GOT TO GET THIS
MONEY.
243
00:13:16,670 --> 00:13:17,796
♪.
244
00:13:17,880 --> 00:13:18,214
>> YES, SIR.
245
00:13:18,297 --> 00:13:18,756
>> James: OKAY.
246
00:13:18,839 --> 00:13:20,049
HERE WE GO.
247
00:13:20,132 --> 00:13:24,386
QUESTION NUMBER TWO, KERMIT THE
FROG, MISS PIGGY AND GONCZO ARE
248
00:13:24,470 --> 00:13:27,515
ALL CHARACTERS ON WHICH TV SHOW.
249
00:13:27,598 --> 00:13:30,434
>> IT'S TIME TO START THE MUSIC,
IT'S TIME TO LIGHT THE LIGHTS.
250
00:13:30,518 --> 00:13:32,186
♪ ON THE MUPPET SHOW TONIGHT.
251
00:13:32,269 --> 00:13:35,940
>> James: YOU ARE ABSOLUTELY
CORRECT.
252
00:13:36,023 --> 00:13:38,234
I AM LOVING HIS ENERGY.
253
00:13:38,317 --> 00:13:40,361
OKAY, CONTESTANT NUMBER THREE,
WHAT IS YOUR NAME, WHERE ARE YOU
254
00:13:40,444 --> 00:13:41,904
CALLING FROM?
255
00:13:41,987 --> 00:13:44,240
>> HI, I'M PEYTON AND FROM DA
VINE, TEXAS.
256
00:13:44,323 --> 00:13:48,577
>> James: HI, PEYTON, IS YOUR
DOG OKAY?
257
00:13:48,661 --> 00:13:51,789
>> HE IS VERY OKAY.
258
00:13:51,872 --> 00:13:53,457
HE IS VERY ASLEEP, HE'S OKAY.
259
00:13:53,541 --> 00:13:55,793
>> James: ARE YOU SURE,
BECAUSE I DIDN'T KNOW FOR A
260
00:13:55,876 --> 00:13:59,088
MINUTE WHETHER TO GO TO THE DOG
OR THE FACT YOU MIGHT BE
261
00:13:59,171 --> 00:14:02,550
INVOLVED IN SOME SORT OF
TAXIDERMY AND THIS IS YOUR
262
00:14:02,633 --> 00:14:03,259
LATEST PROJECT.
263
00:14:03,342 --> 00:14:05,761
HE IS DEFINITELY ALL RIGHT.
264
00:14:05,844 --> 00:14:06,262
>> HE'S DEFINITELY ALL RIGHT.
265
00:14:06,345 --> 00:14:08,556
HE SLEEPS ALL DAY.
266
00:14:08,639 --> 00:14:12,434
>> James: I MEAN I DON'T KNOW
IF HE IS OKAY OR IF YOU ARE
267
00:14:12,518 --> 00:14:15,229
JUST, DURING THIS PERIOD OF LOCK
DOWN YOU HAVE MADE-- OH NO,
268
00:14:15,312 --> 00:14:17,606
THERE WE GO, THERE ARE THE EYES.
269
00:14:17,690 --> 00:14:19,066
GO BACK TO SLEEP, OKAY.
270
00:14:19,149 --> 00:14:21,485
ARE YOU READY FOR YOUR QUESTION?
271
00:14:21,569 --> 00:14:22,528
>> I THINK SO.
272
00:14:22,611 --> 00:14:25,698
>> James: OKAY, HERE WE GO,
QUESTION NUMBER THREE.
273
00:14:25,781 --> 00:14:29,243
THIS WORD WHICH IS ALSO A VERY
POPULAR ICE CREAM FLAVOR IS
274
00:14:29,326 --> 00:14:34,164
OFTEN USED TO DESCRIBE SOMETHING
THAT IS PLAIN OR BORING.
275
00:14:34,248 --> 00:14:34,707
>> VANILLA.
276
00:14:34,790 --> 00:14:35,374
>> James: IS CORRECT.
277
00:14:35,457 --> 00:14:38,127
HOLD UP YOUR GREEN CHECK MARK.
278
00:14:38,210 --> 00:14:40,462
OKAY, CONTESTANT NUMBER FOUR,
WHAT IS YOUR NAME, WHERE ARE YOU
279
00:14:40,546 --> 00:14:41,630
CALLING FROM?
280
00:14:41,714 --> 00:14:44,758
>> HI, I'M MONICA FROM WALNUT
CREEK, IN NORTHERN CALIFORNIA.
281
00:14:44,842 --> 00:14:46,635
>> James: THANK YOU FOR
JOINING US, DID YOU SPHRET AT
282
00:14:46,719 --> 00:14:50,306
ALL ABOUT WHAT YOU WERE GOING TO
SHOW BEHIND YOU ON TV OR DID YOU
283
00:14:50,389 --> 00:14:51,974
ALWAYS KNOW WE WERE GOING TO GO
FOR THE LOVELY WATERCOLOR AND
284
00:14:52,057 --> 00:14:55,519
THE PLANT WITH THE PINK FLOWERS.
285
00:14:55,603 --> 00:14:58,147
>> NO, I JUST-- THIS IS THE
QUIETEST ROOM IN MY HOUSE, THE
286
00:14:58,230 --> 00:15:01,817
WHOLE FAMILY IS HOME SO I'M JUST
BACK IF THE BEDROOM.
287
00:15:01,900 --> 00:15:03,152
>> James: READY FOR YOUR YES
YNS YES.
288
00:15:03,235 --> 00:15:06,739
>> James: BEFORE BEING ELECTED
PRESIDENT BARACK OBAMA WAS A
289
00:15:06,822 --> 00:15:11,827
SENATOR FROM WHAT STATE.
290
00:15:11,910 --> 00:15:12,411
>> OH MY GOSH.
291
00:15:12,494 --> 00:15:16,624
I KNOW BUT I DON'T KNOW.
292
00:15:16,707 --> 00:15:22,630
I DON'T KNOW, I KNOW IS HE FROM
HAWAII BUT I DON'T REMEMBER WHAT
293
00:15:22,713 --> 00:15:25,591
STATE YZ IT IS THE STATE OF
ILLINOIS.
294
00:15:25,674 --> 00:15:28,177
I'M SO SORRY, HOLD UP A RED
CHECK, IT'S OKAY.
295
00:15:28,260 --> 00:15:31,472
YOU WERE ALWAYS GOING TO STUMBLE
AT SOME POINT.
296
00:15:31,555 --> 00:15:35,851
WE HAVE A RED THERE, IF WE GET
TWO MORE WRONG THE GAME IS OVER.
297
00:15:35,934 --> 00:15:38,228
OKAY, GOOD LUCK GUYS, CONTESTANT
NUMBER FIVE, WHAT IS YOUR NAME,
298
00:15:38,312 --> 00:15:40,522
WHERE YOU ARE CALLING FROM.
299
00:15:40,606 --> 00:15:42,691
>> HI, I'M CHRIS FROM ORANGE
COUNTY.
300
00:15:42,775 --> 00:15:44,526
>> James: THANK YOU SO MUCH
FOR JOINING US.
301
00:15:44,610 --> 00:15:47,196
YOU HAVE GONE FOR THE MINIMALIST
ARTWORK BEHIND YOU.
302
00:15:47,279 --> 00:15:48,364
I LIKE IT.
303
00:15:48,447 --> 00:15:52,701
>> THANK YOU, THER REFROM THE
DOLLAR STORE, I PAINTED WITH
304
00:15:52,785 --> 00:15:53,661
DOLLAR PAINTING.
305
00:15:53,744 --> 00:15:55,204
>> James: WELL, NO ONE WOULD
HAVE EVER GUESSED.
306
00:15:55,287 --> 00:15:59,750
I THINK IT LOOKS AT LEAST $7
WORTH.
307
00:15:59,833 --> 00:16:00,209
OKAY.
308
00:16:00,292 --> 00:16:01,251
HERE WE GO.
309
00:16:01,335 --> 00:16:05,547
IN WHICH COUNTRY WOULD YOU FIND
THE EIFFEL TOWER.
310
00:16:05,631 --> 00:16:06,048
>> FRANCE.
311
00:16:06,131 --> 00:16:07,299
>> James: CORRECT.
312
00:16:07,383 --> 00:16:10,052
HOLD UP YOUR GREEN CHECK.
313
00:16:10,135 --> 00:16:12,721
CONTESTANT NUMBER SIX WHAT IS
YOUR NAME WHERE ARE YOU CALLING
314
00:16:12,805 --> 00:16:13,597
FROM.
315
00:16:13,681 --> 00:16:14,890
>> HI, I'M JOE FROM LONG ISLAND,
NEW YORK.
316
00:16:14,973 --> 00:16:18,185
>> James: HI JOE, THANK YOU
FOR BEING HERE, ARE YOU FEELING
317
00:16:18,268 --> 00:16:19,395
CONFIDENT?
318
00:16:19,478 --> 00:16:22,356
>> I AM CONFIDENT BUT NERVOUS
BUT YOU KNOW, I GOT THE ENERGY,
319
00:16:22,439 --> 00:16:24,525
YOU GOT-- WE ALL GOT THE ENERGY
SO LET'S GO.
320
00:16:24,608 --> 00:16:25,693
WE GOT IT.
321
00:16:25,776 --> 00:16:30,280
>> James: WHAT WOULD YOU SPEND
THE $300 ON SHOULD YOU WIN?
322
00:16:30,364 --> 00:16:30,823
>> HONESTLY, BOOKS.
323
00:16:30,906 --> 00:16:34,284
BECAUSE I'M A STUDENT.
324
00:16:34,368 --> 00:16:37,579
SO I NEED TO GET OUT OF
QUARANTINE JUST STRAIGHT TO THE
325
00:16:37,663 --> 00:16:39,873
BOOKS AND GET RIGHT TO A NEW
SCHOOL YEAR.
326
00:16:39,957 --> 00:16:41,083
>> James: OH MAN, I WANT YOU
TO WIN SO MUCH.
327
00:16:41,166 --> 00:16:47,965
HERE WE GO, CONTESTANT NUMBER
SIX, IN 1999, LOU BEGA SCORED A
328
00:16:48,048 --> 00:16:53,554
HIT WITH HIS SONG MAMBO NUMBER
WHAT.
329
00:16:53,637 --> 00:16:54,346
>> MAMBO NUMBER NINE.
330
00:16:54,430 --> 00:16:57,766
>> James: NO STRKS MAMBO
NUMBER FIVE.
331
00:16:57,850 --> 00:16:58,392
>> OH.
332
00:16:58,475 --> 00:17:00,394
>> James: HOLDS UP YOUR RED.
333
00:17:00,477 --> 00:17:01,937
>> I WAS SO CONFIDENT TOO.
334
00:17:02,020 --> 00:17:04,273
>> James: HOLD UP YOUR RED
CROSS, OKAY.
335
00:17:04,356 --> 00:17:07,901
GUYS, THIS IS GETTING TENSE NOW,
OKAY.
336
00:17:07,985 --> 00:17:14,324
IF WE GET ONE MORE QUESTION
WRONG THE GAME IS OVER, OKAY.
337
00:17:14,408 --> 00:17:20,038
SO EVERYBODY LOCK IN, WE CAN DO
THIS, CONTESTANT NUMBER SEVEN,
338
00:17:20,122 --> 00:17:22,958
WHAT IS YOUR NAME, WHERE ARE YOU
CALLING FROM.
339
00:17:23,041 --> 00:17:25,294
>> I'M SAMANTHA FROM ORANGE
COUNTY, CALIFORNIA.
340
00:17:25,377 --> 00:17:28,756
>> James: OKAY, SAMANTHA ARE
YOU STARTING TO FEEL SLIGHTLY
341
00:17:28,839 --> 00:17:29,923
NERVOUS, RIGHT.
342
00:17:30,007 --> 00:17:32,134
>> YEAH, I WAS NERVOUS BEFORE
BUT NOW I'M REALLY NERVOUS.
343
00:17:32,217 --> 00:17:34,136
>> James: LISTEN, WE CAN DO
THIS.
344
00:17:34,219 --> 00:17:34,470
OKAY.
345
00:17:34,553 --> 00:17:35,179
HERE WE GO.
346
00:17:35,262 --> 00:17:36,805
ARE YOU READY FOR YOUR QUESTION.
347
00:17:36,889 --> 00:17:38,015
>> YES.
348
00:17:38,098 --> 00:17:43,604
>> James: ALL RIGHT, IN WHAT
COUNTRY IS THE GREAT PYRAMID OF
349
00:17:43,687 --> 00:17:44,146
GIZA.
350
00:17:44,229 --> 00:17:44,605
>> EGYPT.
351
00:17:44,688 --> 00:17:45,105
>> James: CORRECT.
352
00:17:45,189 --> 00:17:48,817
HOLD UP YOUR GREEN.
353
00:17:48,901 --> 00:17:51,653
LET'S GO ON A ROLL, WHAT IS YOUR
NAME, WHERE ARE YOU CALLING
354
00:17:51,737 --> 00:17:52,488
FROM.
355
00:17:52,571 --> 00:17:53,697
>> I'M ELLIE FROM WASHINGTON.
356
00:17:53,781 --> 00:17:57,993
>> James: HI, ELLIE, HOW ARE
YOU FEELING, I A LITTLE NERVOUS
357
00:17:58,076 --> 00:17:58,619
OR GOOD.
358
00:17:58,702 --> 00:18:00,704
>> MY ADRENALINE IS SO HIGH.
359
00:18:00,788 --> 00:18:03,165
>> James: ALL RIGHT, LISTEN, I
BELIEVE IN YOU, WE CAN DO THIS,
360
00:18:03,248 --> 00:18:04,666
ARE YOU READY FOR YOUR QUESTION.
361
00:18:04,750 --> 00:18:05,083
>> I HOPE SO.
362
00:18:05,167 --> 00:18:06,376
>> James: OKAY.
363
00:18:06,460 --> 00:18:10,172
HONEY CRISP, RED DELICIOUS AND
GRANNY SMITH ARE VARIETIES OF
364
00:18:10,255 --> 00:18:12,800
WHAT KIND OF FRUIT.
365
00:18:12,883 --> 00:18:13,342
>> APPLES.
366
00:18:13,425 --> 00:18:16,845
>> James: IS CORRECT.
367
00:18:16,929 --> 00:18:17,471
HERE WE GO.
368
00:18:17,554 --> 00:18:18,680
OKAY.
369
00:18:18,764 --> 00:18:20,516
CON TES TANLT NUMBER NINE, WHAT
IS YOUR NAME, WHERE ARE YOU
370
00:18:20,599 --> 00:18:21,683
CALLING FROM.
371
00:18:21,767 --> 00:18:24,853
>> MY NAME IS BRAD FROM
SCOTSDALE, ARIZONA J I LOVE THAT
372
00:18:24,937 --> 00:18:29,191
YOU HAVE GOT A STRAIGHT UP SIGN
PAULA ABDUL PHOTO.
373
00:18:29,274 --> 00:18:34,196
LOOK AT THAT, HAVE YOU ADDED ME
TO YOUR POSTER.
374
00:18:34,279 --> 00:18:37,366
>> I DID BECAUSE THAT WAS A VERY
MEMORABLE DANCE YOU AND SHE DID.
375
00:18:37,449 --> 00:18:40,702
>> James: AT THE M.C. SCAT
CAT, ALL RIGHT, THAT IS WHAT WE
376
00:18:40,786 --> 00:18:43,664
DID ALL RIGHT, LISTEN, I
STRAIGHT UP HOPE THAT YOU GET
377
00:18:43,747 --> 00:18:43,914
THIS RIGHT.
378
00:18:43,997 --> 00:18:44,623
OKAY.
379
00:18:44,706 --> 00:18:46,708
ARE YOU READY FOR YOUR QUESTION?
380
00:18:46,792 --> 00:18:48,377
>> AS RED AS I'M EVER GOING TO
BE.
381
00:18:48,460 --> 00:18:49,670
>> James: HERE WE GO.
382
00:18:49,753 --> 00:18:54,216
WHAT IS THE NAME OF THE RESIDENT
DENSE OF THE PRESIDENT OF THE
383
00:18:54,299 --> 00:18:55,342
UNITED STATES OF AMERICA.
384
00:18:55,425 --> 00:18:55,884
>> THE WHITE HOUSE.
385
00:18:55,968 --> 00:18:57,386
>> James: IS CORRECT.
386
00:18:57,469 --> 00:19:00,556
HOLD UP YOUR GREEN CHECK.
387
00:19:00,639 --> 00:19:03,725
COME ON GUYS, WE WHERE SO CLOSE.
388
00:19:03,809 --> 00:19:05,102
ALL RIGHT CONTESTANT NUMBER TEN,
WHAT IS WHY YOU ARE NAME, WHERE
389
00:19:05,185 --> 00:19:07,396
ARE YOU INTERESTING FROM.
390
00:19:07,479 --> 00:19:08,605
>> BRANDI FROM ATLANTA, GEORGIA.
391
00:19:08,689 --> 00:19:11,567
>> James: HOW ARE YOU DOING,
BRANDI, I LOVE IN THIS LIGHT, IT
392
00:19:11,650 --> 00:19:15,404
LOOKS LIKE YOU HAVE MATCHED HAIR
TO YOUR INTET SHIRT AND I AM
393
00:19:15,487 --> 00:19:17,906
LIVING FOR IT.
394
00:19:17,990 --> 00:19:19,074
>> THANK YOU.
395
00:19:19,157 --> 00:19:22,411
>> James: ARE YOU FEELING
CONFIDENT, ARE YOU FEELING GOOD?
396
00:19:22,494 --> 00:19:23,328
>> NO, I'M ABSOLUTELY NOT.
397
00:19:23,412 --> 00:19:25,747
>> James: COME ON, WE CAN DO
THIS.
398
00:19:25,831 --> 00:19:26,874
>> YOU GOT THIS.
399
00:19:26,957 --> 00:19:29,585
>> James: YOU REALLY, REALLY
CAN, ARE YOU READY FOR YOUR
400
00:19:29,668 --> 00:19:29,918
QUESTION.
401
00:19:30,002 --> 00:19:31,128
>> GO AHEAD.
402
00:19:31,211 --> 00:19:36,758
>> James: HERE WE GO, IN WHAT
CITY WOULD YOU FIND THE GOLDEN
403
00:19:36,842 --> 00:19:41,972
GATE BRIDGE.
404
00:19:42,055 --> 00:19:52,649
>> WAIT, YOU SAID CITY.
405
00:19:52,733 --> 00:19:53,317
LOS ANGELES.
406
00:19:53,400 --> 00:19:56,612
>> James: IT'S SAN FRANCIS CO.
407
00:19:56,695 --> 00:20:02,492
OH, GUYS, I AM SO SORRY, HOLD UP
YOUR CROSSES YOU DIDN'T KNOW,
408
00:20:02,576 --> 00:20:04,453
YOU DON'T GET THE DOUGH.
409
00:20:04,536 --> 00:20:07,748
I WANTED YOU TO WIN SO MUCH.
410
00:20:07,831 --> 00:20:09,791
LOOK AT CONTESTANT 11.
411
00:20:09,875 --> 00:20:13,420
SHE CAN'T EVEN DECIDE.
412
00:20:13,503 --> 00:20:15,213
MI SO SORRY.
413
00:20:15,297 --> 00:20:20,469
BUT THIS MEANS WE'RE GOING TO
ROLL THE MONEY OVER AGAIN.
414
00:20:20,552 --> 00:20:28,352
AND THE NEXT GROUP WILL BE
PLAYING FOR 400 A PERSON, A
415
00:20:28,435 --> 00:20:30,646
GRAND TOTAL OF $6,400.
416
00:20:30,729 --> 00:20:32,481
I WANTED YOU TO INSTO MUCH.
417
00:20:32,564 --> 00:20:35,317
DON'T WORRY, YOU WERE THE
GREATEST CONTESTANTS.
418
00:20:35,400 --> 00:20:37,444
WE THANK YOU FOR PLAYING, WE'LL
BE RIGHT BACK WITH MORE OF THE
419
00:20:37,527 --> 00:20:42,616
"LATE, LATE SHOW," EVERYBODY.
OH GUYS, I'M SO SORRY.
420
00:20:42,699 --> 00:20:46,995
I WANTED YOU TO WIN SO MUCH.
421
00:20:47,079 --> 00:20:48,080
>> IT IS MY FAULT
422
00:20:51,541 --> 00:21:03,512
♪ ♪ ♪
423
00:21:03,595 --> 00:21:06,682
>> James: WELCOME BACK, OUR
GUEST TONIGHT SAN OSCAR
424
00:21:06,765 --> 00:21:11,353
NOMINATED ACTOR YOU KNOW FROM
HOTEL RWANDA AND THE AVENGER
425
00:21:11,436 --> 00:21:13,397
MOVIES, HE IS ONE OF THE
GREATEST MEN ON PLANET EARTH,
426
00:21:13,480 --> 00:21:16,900
DON CHEADLE IS WITH US, HOW ARE
YOU, DON.
427
00:21:16,984 --> 00:21:17,776
LOOK AT THAT.
428
00:21:17,859 --> 00:21:20,195
>> DWOOD TO SEE YOU, HOW HAVE
YOU BEEN?
429
00:21:20,278 --> 00:21:21,363
>> I'M ALL RIGHT, I'M OKAY.
430
00:21:21,446 --> 00:21:24,658
LIKE ARE YOU HERE IN LOS
ANGELES, HOW ARE YOU HOLDING UP?
431
00:21:24,741 --> 00:21:28,245
>> I'M GOOD, I'M VERY FORTUNATE
TO LIVE IN A HOUSE WITH SOMEBODY
432
00:21:28,328 --> 00:21:34,626
WHO CAN STILL TOLERATE ME AND
WE'RE DOING GOOD.
433
00:21:34,710 --> 00:21:36,586
WE'RE JUST IN OUR ROUTINES AND
CHANGE HANGING IN.
434
00:21:36,670 --> 00:21:39,047
I DON'T KNOW WHAT ELSE YOU CAN
DO.
435
00:21:39,131 --> 00:21:42,509
>> YOU ARE USED TO TRAVELING, SO
IS THIS, YOU TRAVEL A LOT FOR
436
00:21:42,592 --> 00:21:44,720
WORK, YOU ARE ALWAYS GOING
SOMEWHERE, PROMOTING SOMETHING,
437
00:21:44,803 --> 00:21:46,513
SHOOTING SOMETHING, IS THIS THE
LONGEST PERIOD OF TIME YOU AND
438
00:21:46,596 --> 00:21:52,853
YOUR WIFE HAVE BOTH SPENT IN THE
HOUSE TOGETHER IN ONE BLOCK.
439
00:21:52,936 --> 00:21:56,440
>> NOW BECAUSE I'M ALSO AN ACTOR
WHICH MEANS IT IS FEAST FOR
440
00:21:56,523 --> 00:21:59,526
FAMINE SO I WILL WORK FOR THREE
MONTHS AND BE OFF FOR FIVE
441
00:21:59,609 --> 00:22:04,573
MONTHS SO WE ARE BOTH HERE AT
DIFFERENT CORNERS HAVING ZOOM
442
00:22:04,656 --> 00:22:05,782
MEETINGS.
443
00:22:05,866 --> 00:22:07,701
>> YOU SAY THAT THEN ABOUT YOUR
WORK, I'M INTERESTED TO KNOW.
444
00:22:07,784 --> 00:22:12,039
BECAUSE I THINK IN MY HEAD I
FEEL LIKE DON CHEADLE IS NEVER
445
00:22:12,122 --> 00:22:13,582
NOT WORKING AND CONSTANTLY
WORKING.
446
00:22:13,665 --> 00:22:18,962
BUT ARE YOU, YOU HAVE HAD SUCH A
VARIED AND INCREDIBLE CAREER.
447
00:22:19,046 --> 00:22:22,257
WHEN I LOOK AT YOUR CAREER I
SORT OF THINK IT IS A BLUE PRINT
448
00:22:22,340 --> 00:22:26,762
FOR SO MANY ACTORS IN TERMS OF
PLAYING SO MANY DIFFERENT
449
00:22:26,845 --> 00:22:28,764
CHARACTERS, IN DIFFERENT KINDS
OF PROJECTS.
450
00:22:28,847 --> 00:22:31,933
WHAT DO YOU PUT THAT DOWN TO,
THE WIDE SPECTRUM OF THE
451
00:22:32,017 --> 00:22:33,560
CHARACTER THAT YOU PLAYED.
452
00:22:33,643 --> 00:22:36,605
>> I THINK WANTING TO, YOU KNOW.
453
00:22:36,688 --> 00:22:42,611
IT'S SOMETHING THAT YOU KNOW, I
WENT TO CALIFORNIA AND STUDY THE
454
00:22:42,694 --> 00:22:46,656
ARTS FOR SCHOOL, WE DID
EVERYTHING FROM SHAKESPEARE TO
455
00:22:46,740 --> 00:22:49,493
AUGUST WILSON, MOLLIER, WE DID A
LOT OF DIFFERENT THINGS.
456
00:22:49,576 --> 00:22:54,247
AND THAT JUST WAS SOMETHING THAT
I WANTED TO CONTINUE DOING IN MY
457
00:22:54,331 --> 00:22:55,624
CAREER AS AN ACTOR.
458
00:22:55,707 --> 00:22:58,794
I WANTED TO ALWAYS PLAY VERY
DIFFERENT PARTS.
459
00:22:58,877 --> 00:23:01,463
IF I DID COMEDY I ALSO WANTED TO
DO DRAMA.
460
00:23:01,546 --> 00:23:03,965
I WANTED TO, YOU KNOW, BEING A
THEATRE BABY.
461
00:23:04,049 --> 00:23:08,345
I THINK AS A THEATRE BABY YOU
COME UP DOING YOU KNOW, A TON OF
462
00:23:08,428 --> 00:23:11,306
DIFFERENT STUFF, I JUST WANTED
TO CONTINUE THAT IN MY CAREER.
463
00:23:11,389 --> 00:23:13,642
SO I WAS ALWAYS LOOKING FOR
ROLES THAT WOULD GIVE ME THE
464
00:23:13,725 --> 00:23:16,645
ABLE TO HAVE A BIG VARIETY AND
THINGS THAT I HADN'T DONE
465
00:23:16,728 --> 00:23:17,938
BEFORE.
466
00:23:18,021 --> 00:23:20,482
>> BUT DOES THAT MEAN YOU WOULD
HAVE TO HAVE THOSE MOMENTS WHICH
467
00:23:20,565 --> 00:23:22,651
I IMAGINE, YOU HAVE TO HAVE
MOMENTS WHERE YOU GO I'M GOING
468
00:23:22,734 --> 00:23:27,656
TO DECIDE NOT TO WORK BECAUSE
THIS ISN'T THE SORT OF CHARACTER
469
00:23:27,739 --> 00:23:29,533
I WANT TO PLAY.
470
00:23:29,616 --> 00:23:30,700
>> 100%.
471
00:23:30,784 --> 00:23:31,993
100%.
472
00:23:32,077 --> 00:23:33,995
AND IT IS SOMETHING THAT IN THE
BEGINNING YOU KNOW USED TO MAKE
473
00:23:34,079 --> 00:23:35,205
MY AGENTS VERY NERVOUS.
474
00:23:35,288 --> 00:23:38,667
LIKE WHAT ARE YOU TALKING ABOUT,
ARE YOU NOT GOING TO, WITHOUT.
475
00:23:38,750 --> 00:23:42,003
WELL, I DON'T, I DON'T WANT TO
DO THAT.
476
00:23:42,087 --> 00:23:46,133
AND YOU KNOW, ANDY GARCIA HAD
THIS QUOTE REALLY EARLY WHEN HE
477
00:23:46,216 --> 00:23:46,842
CAME OUT.
478
00:23:46,925 --> 00:23:48,009
>> YEAH.
479
00:23:48,093 --> 00:23:50,512
>> WHERE HE WAS GETTING OFFERED
A LOT OF LIKE, AT THAT TIME,
480
00:23:50,595 --> 00:23:55,725
THESE GANGSTER MOVIES, DRUG
DEALER ROLES, A LOT OF THESE
481
00:23:55,809 --> 00:23:57,853
REPREHENSIBLE CHARACTERS HE
DIDN'T WANT TO PLAY.
482
00:23:57,936 --> 00:24:01,356
AND I THINK ONE OF HIS AGENTS
BECAUSE HE WASN'T ANDY GARCIA
483
00:24:01,439 --> 00:24:04,693
YET WAS LIKE WHO DO YOU THINK
ARE YOU TO TURN DOWN ALL OF
484
00:24:04,776 --> 00:24:08,572
THESE ROLES, AND HE WAS LIKE WHO
DO I HAVE TO BE TO HAVE
485
00:24:08,655 --> 00:24:09,197
INTEGRITY.
486
00:24:09,281 --> 00:24:09,781
THAT ALWAYS STUCK WITH ME.
487
00:24:09,865 --> 00:24:10,907
>> James: YEAH.
488
00:24:10,991 --> 00:24:12,576
>> IT IS THE POWER THAT WE
REALLY HAVE AS ACTORS IN THIS
489
00:24:12,659 --> 00:24:16,705
BUSINESS, AND WE ARE LOEHMANN ON
THE TO THEEM POLE UNTIL YOU GET
490
00:24:16,788 --> 00:24:21,376
TO A CERTAIN LEVEL, YOU ARE JUST
A HIRED GUN AND KNOW IT IS KIND
491
00:24:21,459 --> 00:24:26,673
OF THE POWER THAT YOU REALLY
HAVE TO CRAFT AND DIRECT YOUR
492
00:24:26,756 --> 00:24:27,924
CAREER IN THE WAY THAT YOU WANT
TO DIRECT IT.
493
00:24:28,008 --> 00:24:31,136
DOESN'T MEAN WILL YOU ALWAYS GET
THE THINGS THAT YOU WANT BUT YOU
494
00:24:31,219 --> 00:24:34,681
CAN ABSOLUTELY TELL YOURSELF AND
HOLD YOUR LINE ON THE THINGS
495
00:24:34,764 --> 00:24:35,348
THAT YOU DON'T WANT TO DO.
496
00:24:35,432 --> 00:24:36,641
>> James: YEAH, THAT'S GREAT.
497
00:24:36,725 --> 00:24:38,435
THAT IS FAN TAGS PARTICULAR.
498
00:24:38,518 --> 00:24:41,396
NOW I WANT TO TALK TO YOU ABOUT,
THIS I'M INTERESTED, YOU
499
00:24:41,479 --> 00:24:46,526
RECENTLY MODERATED A TOWNHALL
WITH JOE BIDEN.
500
00:24:46,610 --> 00:24:46,902
HOW WAS IT?
501
00:24:46,985 --> 00:24:48,111
HOW DID IT GO?
502
00:24:48,195 --> 00:24:50,113
>> WELL YOU KNOW, I WAS MOSTLY
JUST SUPPOSED TO BE A TRAFFIC
503
00:24:50,197 --> 00:24:52,616
COP AND I WAS THERE FOR THE FIVE
YOUNG MEN AND WOMEN THAT WE WERE
504
00:24:52,699 --> 00:24:57,204
TALKING TO, YOUNG BLACK
ENTREPRENEURS WHO WERE DOING BIG
505
00:24:57,287 --> 00:24:59,372
THINGS IN THEIR COMMUNITIES, IN
BUSINESSES.
506
00:24:59,456 --> 00:25:02,918
AND THEY WERE REALLY THE ONES
THAT I WAS TRYING TO, YOU KNOW,
507
00:25:03,001 --> 00:25:07,631
SHINE THE SPOTLIGHT ON AND JUST
LET THEM ASK THE VICE PRESIDENT
508
00:25:07,714 --> 00:25:12,928
THEIR QUESTIONS AND REALLY IT
WAS, I WAS VERY INTERESTING.
509
00:25:13,011 --> 00:25:16,223
IT WAS A REALLY GOOD DIALOGUE
AND I HOPE HE HAS A LOT MORE OF
510
00:25:16,306 --> 00:25:17,307
THEM.
511
00:25:17,390 --> 00:25:20,143
HE SHOULD HAVE MORE COMING UP
THROUGH THIS PRESIDENCY.
512
00:25:20,227 --> 00:25:26,650
>> James: I FIND WITH LIKE
TRUMP'S TWEETS ABOUT MAILING-IN
513
00:25:26,733 --> 00:25:31,780
BALLOTS AND ALL OF THESE THINGS,
THE NOTION OF VOTER SUPPRESSION
514
00:25:31,863 --> 00:25:35,825
IS NOW DAWNING ON ME, HOW HUGE
AND MONUMENTAL THIS TIME IS.
515
00:25:35,909 --> 00:25:39,621
ARE YOU CONCERNED WITH THE
LEVELS OF VOTER SUPPRESSION THAT
516
00:25:39,704 --> 00:25:40,622
WE ARE SEEING.
517
00:25:40,705 --> 00:25:44,626
>> YEAH, I MEAN THIS ISN'T A NEW
TACTIC.
518
00:25:44,709 --> 00:25:47,128
THIS ISN'T SOMETHING THAT WE
HAVEN'T SEEN BEFORE.
519
00:25:47,212 --> 00:25:50,757
IT'S VERY REAL ALONG WITH JERRY
GAND-- GERRYMANDERING.
520
00:25:50,840 --> 00:25:54,135
WE KNOW WITH THE LAST ELECTION
HOW MUCH THERE WAS WITH
521
00:25:54,219 --> 00:25:55,637
TAMPERING FROM OUTSIDE FORCES AS
WELL.
522
00:25:55,720 --> 00:25:59,474
SO YEAH, I'M VERY CONCERNED.
523
00:25:59,557 --> 00:26:00,725
I'M VERY CONCERNED.
524
00:26:00,809 --> 00:26:03,728
THIS IS AN INCREDIBLY IMPORTANT
ELECTION AND EVERYONE SHOULD BE
525
00:26:03,812 --> 00:26:07,190
ABLE TO AVAIL THEMSELVES OF
THEIR DEMOCRATIC RIGHT TO VOTE
526
00:26:07,274 --> 00:26:10,819
AND TO MAKE THEIR VOICES HEARD
IN THAT WAY AND EVERY VOTE
527
00:26:10,902 --> 00:26:15,282
SHOULD BE COUNTED BUT WE KNOW
THAT THIS IS SOMETHING AGAIN
528
00:26:15,365 --> 00:26:19,577
THAT IS, THIS IS TRIED AND
TESTED TACTICS, TRIED AND TESTED
529
00:26:19,661 --> 00:26:20,787
TACTICS THAT WE'VE SEEN, SO WE
HAVE TO STAY ON IT.
530
00:26:20,870 --> 00:26:27,377
WE HAVE TO STAY VIGILANT,
SUPPORT GROUPS TO MAKE SURE WE
531
00:26:27,460 --> 00:26:29,170
BOTH GET OUT.
532
00:26:29,254 --> 00:26:32,549
SUPPORT ELECTION AND PEOPLE THAT
ARE GOING TO BE ON THE FRONT
533
00:26:32,632 --> 00:26:36,052
LINES, GROUPS LIKE WOKE VOTE
THAT ARE OUT THERE TRYING TO
534
00:26:36,136 --> 00:26:38,680
MAKE SURE WE'RE GETTING THE
REPRESENTATION THAT WE NEED SO
535
00:26:38,763 --> 00:26:41,850
EVERYONE CAN BE A PART OF THIS
PROCESS IN A LEGAL AND JUST WAY.
536
00:26:41,933 --> 00:26:44,185
>> James: FAN TASES
PARTICULAR.
537
00:26:44,269 --> 00:26:46,855
NOW WE HAVE TO CONGRATULATE YOU
ON YOUR BRILLIANT PERFORMANCE.
538
00:26:46,938 --> 00:26:51,026
BLACK MONDAY PERFORMS, SEASON
TWO BACK THIS MONDAY.
539
00:26:51,109 --> 00:26:53,403
TELL EVERYONE WHAT WE CAN EXPECT
THIS SEASON.
540
00:26:53,486 --> 00:26:55,822
>> WELL, YOU KNOW, WE WENT DOWN,
WE WERE ABLE TO ACTUALLY GET
541
00:26:55,905 --> 00:27:01,411
EVERYTHING IN THE CAN WHICH WAS
NICE, WE WERE IN POST PRODUCTION
542
00:27:01,494 --> 00:27:02,579
WHEN CORONA CAME AROUND.
543
00:27:02,662 --> 00:27:04,706
WE HAD TO SHUT DOWN BUT WE'VE
BEEN ABLE TO, AS EVERYONE IS
544
00:27:04,789 --> 00:27:09,544
FIGURING IT OUT, PIVOTING FROM
OUR HOMES AND DOING OUR AVR FROM
545
00:27:09,627 --> 00:27:13,381
HOME, WHEN YOU HAVE TO-- I KNOW
YOU KNOW THAT, PEOPLE AT HOME
546
00:27:13,465 --> 00:27:14,549
DON'T.
547
00:27:14,632 --> 00:27:20,055
>> WHAT DOES AVR STAND FOR,
ADDITIONAL DIALOGUE RECORDING?
548
00:27:20,138 --> 00:27:22,891
>> ANYTHING DON REALLY WANTS.
549
00:27:22,974 --> 00:27:25,268
>> James: REALLY?
550
00:27:25,352 --> 00:27:31,399
>> ANYTHING DON REALLY WANTS BUT
REALLY WANTS IS ONE WORD.
551
00:27:31,483 --> 00:27:34,444
>> BUT SO WE WERE ABLE TO FINISH
EVERYTHING AND POST AND NOW THE
552
00:27:34,527 --> 00:27:36,738
SHOW IS GOING TO COME BACK ON
THE 28th.
553
00:27:36,821 --> 00:27:38,907
AND I THINK IT'S A GREAT ONE TO
COME BACK ON.
554
00:27:38,990 --> 00:27:43,536
I THINK ITS OUR HALLOWEEN
EPISODE, CONTAINER SHOW AND IT
555
00:27:43,620 --> 00:27:48,416
IS JUST BANANAS, THE SHE HAS
BEEN A LOT OF FUN AND I LOVE MY
556
00:27:48,500 --> 00:27:51,920
CASEMATES AND I LOVE OUR WRITERS
AND THEY COME UP WITH INSANE
557
00:27:52,003 --> 00:27:55,882
RIDICULOUS THINGS AND I GET TO
HAVE A MOMENT WITH ONE OF MY
558
00:27:55,965 --> 00:27:59,094
FAVORITE ACTORS IN THIS ONE THAT
WE WILL RETURN WITH, IT IS
559
00:27:59,177 --> 00:28:00,220
PRETTY FUNNY.
560
00:28:00,303 --> 00:28:05,600
>> James: THE SHOW IS
BRILLIANT, YOU AND ANDREW REN --
561
00:28:05,683 --> 00:28:09,270
REYNOLDS, I LOVE IT, LET'S TAKE
A LOOK AT BLACK MONDAYS,
562
00:28:09,354 --> 00:28:13,900
RETURNING THIS SUNDAY ON
SHOWTIME.
563
00:28:13,983 --> 00:28:17,821
>> NO, YOU GOT A BUNCH OF MOVES
TO WORK OUT FOR THAT [BLEEP]
564
00:28:17,904 --> 00:28:19,280
DON'T BE SILLY.
565
00:28:19,364 --> 00:28:21,741
>> NOW I KNOW YOU'RE LYING.
566
00:28:21,825 --> 00:28:25,745
EVERYBODY'S GOT A ROUTINE TO MY
PREROGATIVE.
567
00:28:25,829 --> 00:28:26,371
>> EVERYBODY TALKING.
568
00:28:26,454 --> 00:28:27,163
♪ ALL THIS STUFF ABOUT ME.
569
00:28:27,247 --> 00:28:30,166
♪ WHY DON'T THEY JUST LET ME
LIVE.
570
00:28:30,250 --> 00:28:30,792
♪ TELL ME WHY.
571
00:28:30,875 --> 00:28:33,962
♪ I DON'T NEED PERMISSION.
572
00:28:34,045 --> 00:28:35,630
♪ MAKE MY OWN DECISION.
573
00:28:35,713 --> 00:28:39,175
♪ THAT'S MY PREROGATIVE.
574
00:28:39,259 --> 00:28:39,843
♪ IT'S MY PREROGATIVE.
575
00:28:39,926 --> 00:28:42,470
♪ CAN I DO WHAT I WANT TO DO.
576
00:28:42,554 --> 00:28:43,972
♪ IT'S MY, MY.
577
00:28:44,055 --> 00:28:45,640
♪ IT'S MY IT'S MY.
578
00:28:45,723 --> 00:28:49,978
♪ MY IT'S MY MY MY.
579
00:28:50,061 --> 00:28:52,814
>> James: STICK AROUND, MORE
WITH DON CHEADLE RIGHT AFTER
580
00:28:52,897 --> 00:28:54,357
THIS.
581
00:28:54,441 --> 00:29:03,158
♪ ♪ ♪
582
00:29:08,580 --> 00:29:13,001
♪ ♪ ♪
583
00:29:13,084 --> 00:29:15,962
>> WELCOME BACK, WE ARE HERE
WITH DON CHEADLE, WE HAVE BEEN
584
00:29:16,045 --> 00:29:18,047
DOING THIS THING ON THE SHOW
CALLED A "LATE, LATE SHOW" AND
585
00:29:18,131 --> 00:29:22,010
TELL, WE ASK OUR GUESTS IF THEY
WOULD SHARE SOMETHING FROM THEIR
586
00:29:22,093 --> 00:29:24,387
HOME THAT WE WOULD OTHERWISE
NEVER GET TO SEE.
587
00:29:24,471 --> 00:29:26,890
DO WE HAVE SOMETHING THAT YOU
WOULD LIKE TO SHARE WITH US
588
00:29:26,973 --> 00:29:28,016
TONIGHT?
589
00:29:28,099 --> 00:29:30,059
>> I HAVE TWO THINGS I WANT TO
SHARE WITH YOU TONIGHT.
590
00:29:30,143 --> 00:29:35,690
I WANT YOU TO GUESS AND TELL ME
IF YOU CAN TELL ME WHAT THEY
591
00:29:35,773 --> 00:29:36,524
ARE.
592
00:29:36,608 --> 00:29:39,861
>> James: OH, LOOK AT THOSE
BAD BOYS.
593
00:29:39,944 --> 00:29:40,278
>> RIGHT?
594
00:29:40,361 --> 00:29:40,737
>> James: JAY.
595
00:29:40,820 --> 00:29:41,779
>> WHAT ARE THEY?
596
00:29:41,863 --> 00:29:45,742
>> James: THEY ARE
THE-- THEY'RE PUMPS FOR THAT YOU
597
00:29:45,825 --> 00:29:49,037
ARE HAVING A BAR, RIGHT, YOU PUT
THEM ON THE TOP AND THEN YOU.
598
00:29:49,120 --> 00:29:57,045
>> NO, NO, THE¦Y ARE-- OF COURSE
THEY'RE-- THAT I LOST, MY WIFE
599
00:29:57,128 --> 00:30:02,050
IS LIKE YOU ARE NEVER GOING TO
FIND THEM, I WAS LIKE YEAH,
600
00:30:02,133 --> 00:30:03,301
BOOM.
601
00:30:03,384 --> 00:30:08,515
>> James: I LOVE THAT, KEEPING
THE SOCKS ON THE GOLDEN GLOBES,
602
00:30:08,598 --> 00:30:09,974
WHAT A TOUCH.
603
00:30:10,058 --> 00:30:12,352
REG, DO YOU HAVE A QUESTION FOR
OUR GUEST THIS EVENING.
604
00:30:12,435 --> 00:30:15,730
>> Reggie: YES, TONIGHT'S
GUEST, SORRY, TONIGHT'S QUESTION
605
00:30:15,813 --> 00:30:18,733
GOES TO OUR GUEST.
606
00:30:18,816 --> 00:30:24,030
>> HAVE YOU BEEN DRINKING?
607
00:30:24,113 --> 00:30:26,533
>> Reggie: DON CHEADLE,.
608
00:30:26,616 --> 00:30:27,951
>> James: HERE WE GO.
609
00:30:28,034 --> 00:30:33,248
>> Reggie: SO IF AS AN ACTOR
AND A PERFORMER AND ARCH ARTIST,
610
00:30:33,331 --> 00:30:39,879
IF YOU WERE EVER TO BE CAST IN A
FILM THAT TAKES PLACE IN THE
611
00:30:39,963 --> 00:30:43,925
PAST, DO YOU THINK YOU COULD
LIKE THAT AND DO YOU THINK THAT
612
00:30:44,008 --> 00:30:48,054
YOU WOULD TOLERATE HOW DIFFICULT
IT WOULD BE TO PRETEND LIKE YOU
613
00:30:48,137 --> 00:30:50,974
ARE IN ANOTHER TIME PERIOD?
614
00:30:51,057 --> 00:30:53,768
>> OH, YOU MEAN LIKE WOULD I
EVER DO A PERIOD PIECE?
615
00:30:53,851 --> 00:30:54,394
>> James: YEAH.
616
00:30:54,477 --> 00:30:59,566
>> LIKE HALF OF MY RESUME.
617
00:30:59,649 --> 00:31:00,775
>> NO, REGGIE, I WOULDN'T.
618
00:31:00,858 --> 00:31:04,112
>> James: NO CHANCE.
619
00:31:04,195 --> 00:31:04,946
>> I'M NOT INTERESTED IN IT.
620
00:31:05,029 --> 00:31:05,989
WE'VE DOON THAT.
621
00:31:06,072 --> 00:31:09,284
I ONLY WANT TO DO THINGS THAT
OCCUR IN THE FUTURE.
622
00:31:09,367 --> 00:31:10,243
>> IN THE FUTURE, THAT'S RIGHT.
623
00:31:10,326 --> 00:31:11,119
>> IS THAT RIGHT, REG?
624
00:31:11,202 --> 00:31:11,869
>> THAT'S WHAT I WAS EXPECTING.
625
00:31:11,953 --> 00:31:14,455
>> James: IT'S ABSOLUTELY
CORRECT.
626
00:31:14,539 --> 00:31:19,085
PLEASE THANK THE ONE, THE ONLY
DON CHEADLE, BLACK EYED PEAS ARE
627
00:31:19,168 --> 00:31:21,588
HERE WITH A PERFORMANCE WHEN WE
COME BACK.
628
00:31:21,671 --> 00:31:26,467
♪ ♪ ♪
629
00:31:31,889 --> 00:31:38,062
♪ ♪ ♪
630
00:31:38,146 --> 00:31:40,815
>> James: WELCOME BACK, THEY
ARE A SIX TIME GRAMMY
631
00:31:40,898 --> 00:31:43,192
AWARD-WINNING GROUP HAILING FROM
RIGHT HERE IN LOS ANGELES, THEY
632
00:31:43,276 --> 00:31:47,322
JUST RELEASED THEIR BRILLIANT
NEW ALBUM TRANSLATION, THE
633
00:31:47,405 --> 00:31:53,036
ALWAYS COOL, THE ALWAYS SUPERB,
BLACK EYED PEAS ARE HERE, HOW
634
00:31:53,119 --> 00:31:57,457
ARE YOU, FELLAS, YOU HAD NICE TO
SEE YOU, HOW ARE YOU ALL DOIG,
635
00:31:57,540 --> 00:31:59,459
CONGRATS ON THE ALBUM.
636
00:31:59,542 --> 00:32:00,209
>> THANK, CORDEN, THANK YOU SO
MUCH.
637
00:32:00,293 --> 00:32:01,210
>> THANK YOU, JAMES.
638
00:32:01,294 --> 00:32:02,337
>> THANK YOU.
639
00:32:02,420 --> 00:32:05,214
>> James: IT IS SO GOOD, THE
ALBUM IS GREAT, HOW ARE YOU
640
00:32:05,298 --> 00:32:06,341
DOING IN THIS QUARANTINE.
641
00:32:06,424 --> 00:32:10,553
>> I DON'T WANT TO SAY IT HAS
BEEN GREAT BUT IT HAS BEEN
642
00:32:10,637 --> 00:32:11,804
CREATIVE.
643
00:32:11,888 --> 00:32:15,808
IT'S BEEN, YOU KNOW, REFLECTING
ON THE BLESSINGS THAT WE HAVE,
644
00:32:15,892 --> 00:32:19,354
AND THE OPPORTUNITIES WE STILL
HAVE EVEN THOUGH LOTS OF THINGS
645
00:32:19,437 --> 00:32:23,691
WERE TAKEN FROM US BY BEING ABLE
TO TRAVEL AND TOUR BUT WE'RE SO
646
00:32:23,775 --> 00:32:28,029
GRATEFUL THAT THE NEW MUSIC IT
OUT.
647
00:32:28,112 --> 00:32:32,575
IT IS PACKED WITH SINGLE AFTER
SINGLE AFTER SINGLE AFTER SINGLE
648
00:32:32,659 --> 00:32:34,202
ON THE ALBUM, SO I'M HAPPY.
649
00:32:34,285 --> 00:32:37,997
TRYING TO TAKE CARE OF OURSELVES
PHYSICALLY, MENTALLY, TRYING TO
650
00:32:38,081 --> 00:32:40,083
STAY AS POSITIVE AND OPTIMISTIC
AS POSSIBLE, WITH ALL OF THE
651
00:32:40,166 --> 00:32:44,212
GOOD THINGS THAT ARE HAPPENING
CREATIVELY, WE'RE BLESSED TO BE
652
00:32:44,295 --> 00:32:47,882
ABLE TO HAVE AN OUTLET LIKE THIS
ALBUM THAT WE FINISHED DURING
653
00:32:47,965 --> 00:32:49,050
THE PANDEMIC.
654
00:32:49,133 --> 00:32:51,886
>> WE UTILIZED THIS TIME, AS
MOTIVATION TO REALLY JUST OWN
655
00:32:51,969 --> 00:32:53,096
HONE IN AND CREATE IN ON THE
PRODUCT.
656
00:32:53,179 --> 00:32:58,726
AND WE REALLY GOT TO JUST, WE
HAD NO CHOICE BUT TO MAKE SOME
657
00:32:58,810 --> 00:33:01,187
JOYFUL MUSIC FOR THE WORLD AND
FOR YOU KNOW, THE AUDIENCE.
658
00:33:01,270 --> 00:33:08,569
>> James: NOW THE ALBUM IS
PACKED FULL OF BRILLIANT
659
00:33:08,653 --> 00:33:11,197
COLLABORATIONS, J BALVIN,
SHAKIRA ON THE RECORD, IF THERE
660
00:33:11,280 --> 00:33:15,702
WAS ANY COLLABORATION, DD OR
ALIVE, IF YOU COULD COLLABORATE
661
00:33:15,785 --> 00:33:16,619
WITH, WHO WOULD IT BE.
662
00:33:16,703 --> 00:33:20,331
>> I WOULD HAVE TO SAY THE GREAT
BOB MARLEY.
663
00:33:20,415 --> 00:33:23,292
WE ARE INSPIRED BY HIS SOUL
REBEL MUSIC.
664
00:33:23,376 --> 00:33:26,713
WE LOVE HIM AS AN ARTIST AND THE
IMPACT THAT HE HAD AND STILL HAS
665
00:33:26,796 --> 00:33:30,091
TO THIS DAY, EVEN IN 2020, WE
JUST LOVE BOB MARLEY.
666
00:33:30,174 --> 00:33:32,260
>> James: WHAT ABOUT YOU?
667
00:33:32,343 --> 00:33:39,100
>> I WOULD PICK AN ARTIST THAT
STANDS THROUGH TIMES, STEVIE
668
00:33:39,183 --> 00:33:44,105
WONDER, WE WOULD LOVE TO SEE HIM
FLEX ON THIS TYPE OF MUSIC.
669
00:33:44,188 --> 00:33:45,314
THIS AS AN EXPERIMENT.
670
00:33:45,398 --> 00:33:49,986
>> James: AND WILL, WHO IS THE
COULD LABLATION THAT WILL IAL
671
00:33:50,069 --> 00:33:52,447
WOULD LOVE TO BRING IN WITH THE
BLACK EYED PEAS.
672
00:33:52,530 --> 00:33:56,117
>> I WOULD GO STRAIGHT INTO
TRANSLATION PART TWO AND GET
673
00:33:56,200 --> 00:33:59,746
WITH DADDY YANKEE, BAD BUNNY,
BOOM, YOU KNOW WHAT I MEAN, ALL
674
00:33:59,829 --> 00:34:02,415
THE FOLKS IN THE LATIN WORLD
THAT WE DIDN'T HAVE THE PLEASURE
675
00:34:02,498 --> 00:34:05,793
OF WORKING WITH ON THIS RECORD,
I WOULD GO DIRECTLY IN THE
676
00:34:05,877 --> 00:34:06,836
TRANSLATION PART TWO.
677
00:34:06,919 --> 00:34:11,090
>> James: WELL, I HOPE
TRANSLATION PART TWO DOES COME
678
00:34:11,174 --> 00:34:13,968
OUT WAY, THE ALBUM IS FANTASTIC
AND YOU GET TO PERFORM FOR US
679
00:34:14,051 --> 00:34:18,598
RIGHT NOW HERE PERFORMING THEIR
LATEST SINGLE MAMACITA OFF THEIR
680
00:34:18,681 --> 00:34:21,976
NEW ALBUM, TRANSLATION, FOR THE
FIRST TIME ON LATE NIGHT TV,
681
00:34:22,059 --> 00:34:25,271
PLEASE WELCOME BLACK EYED PEAS.
682
00:34:32,278 --> 00:34:36,991
♪ ♪ ♪
♪ BABY, VEN CONMIGO
683
00:34:37,074 --> 00:34:37,700
VEN CONMIGO
♪ BAILA
684
00:34:37,784 --> 00:34:41,329
BAILA
♪ LA MÚSICA ES TESTIGO
685
00:34:41,412 --> 00:34:45,333
YA LA VEO MAMACITA
♪ LOUIS VUITTON ES SU VESTIDO
686
00:34:45,416 --> 00:34:50,296
SU VESTIDO
♪ DIAMANTES LE GUSTA CUANDO
687
00:34:50,379 --> 00:34:53,341
AL OÍDO YO LE DIGO, EH, EH
♪ MAMAMACITA, MAMACITA
688
00:34:53,424 --> 00:35:01,182
QUÉ BONITA, MAMACITA
♪ EH OH, EH EH
689
00:35:01,265 --> 00:35:08,189
EH OH, EH EH
♪ MAMAMACITA, MAMACITA
690
00:35:08,272 --> 00:35:14,195
♪ ELLA NO LE BAJA
SIEMPRE ESTÁ LISTA PA' LA RUMBA
691
00:35:14,278 --> 00:35:23,204
♪ DAME LO QUE YO SÉ-EH
UNA BOTELLA 'E ROSÉ-EH
692
00:35:23,287 --> 00:35:32,213
♪ DAME LO QUE YO SÉ-EH
UNA BOTELLA 'E ROSÉ-EH
693
00:35:32,296 --> 00:35:37,009
♪ I'MA PUT YOU IN THE MIX
PUT YOU IN THE MIX
694
00:35:37,093 --> 00:35:40,221
♪ PUT YOU IN THE, PUT YOU IN THE
PUT YOU IN THE MIX, AY
695
00:35:40,304 --> 00:35:42,515
♪ I'MA PUT YOU IN THE MIX
PUT YOU IN THE MIX
696
00:35:42,598 --> 00:35:44,475
♪ PUT YOU IN THE, PUT YOU IN THE
PUT YOU IN THE MIX, AY
697
00:35:44,559 --> 00:35:48,229
♪ ALRIGHT, OKAY
I'MA LOVE YOU ALL KIND OF WAYS
698
00:35:48,312 --> 00:35:52,400
♪ BOY YOU GOT ME CALIENTE
WHEN YOU CALL ME MAMACITA
699
00:35:52,483 --> 00:35:56,195
♪ ALRIGHT, AHA
BOY YOU GOT ME SAYING OOH-LA-LA
700
00:35:56,279 --> 00:36:02,201
♪ AY DIOS MÍO, OH MY GOD
CALL ME MAMACITA
701
00:36:02,285 --> 00:36:08,207
♪ MAMAMACITA, MAMACITA
QUÉ BONITA, MAMACITA
702
00:36:08,291 --> 00:36:17,425
♪ EH OH, EH EH
EH OH, EH EH
703
00:36:17,508 --> 00:36:21,429
PUT ME IN THE MIX
♪ PUT ME IN THE, PUT ME IN THE
704
00:36:21,512 --> 00:36:32,273
PUT ME IN THE MIX
♪ PUT ME IN THE MIX
705
00:36:32,356 --> 00:36:33,733
PUT ME IN YOU VIDA
♪ PUT ME ON TOP
706
00:36:33,816 --> 00:36:35,776
PÓNME ARRIBA
♪ PUT ME IN, PUT ME IN
707
00:36:35,860 --> 00:36:37,278
PUT ME IN BETWEEN YA
♪ MAMI GOT THE FIRE
708
00:36:37,361 --> 00:36:38,446
AND I GOT THE GASOLINA
♪ MUEVE MAMI
709
00:36:38,529 --> 00:36:41,199
MOVE IT ON ME, AY
♪ SACÚDELO, MAKE ME A ZOMBIE
710
00:36:41,282 --> 00:36:42,325
GIRL MAKE ME SWEAT LIKE WASABI
♪ I KNOW I GOT YOU WET
711
00:36:42,408 --> 00:36:44,619
LIKE TSUNAMI
I WANT TO MAKE YOU MY PRINCESA
712
00:36:44,702 --> 00:36:46,078
♪ WHERE YOU WANT TO GO?
713
00:36:46,162 --> 00:36:46,913
WHAT INTERESTS YA?
714
00:36:46,996 --> 00:36:48,372
♪ GIVE IT UP
I'M UNDER THE IMPRESSION
715
00:36:48,456 --> 00:36:50,458
♪ IF YA HOT, BABY
LET ME UNDRESS YA
716
00:36:50,541 --> 00:36:53,544
♪ ALRIGHT, OKAY
I'MA LOVE YOU ALL KIND OF WAYS
717
00:36:53,628 --> 00:36:55,880
♪ BOY YOU GOT ME CALIENTE
WHEN YOU CALL ME MAMACITA
718
00:36:55,963 --> 00:36:58,132
♪ ALRIGHT, AHA
BOY YOU GOT ME SAYING OOH-LA-LA
719
00:36:58,215 --> 00:37:00,343
♪ AY DIOS MÍO, OH MY GOD
CALL ME MAMACITA
720
00:37:00,426 --> 00:37:04,347
♪ ALRIGHT, OKAY
I'MA LOVE YOU ALL KIND OF WAYS
721
00:37:04,430 --> 00:37:08,267
♪ BOY YOU GOT ME CALIENTE
WHEN YOU CALL ME MAMACITA
722
00:37:08,351 --> 00:37:16,317
♪ ALRIGHT, AHA
BOY YOU GOT ME SAYING OOH-LA-LA
723
00:37:16,400 --> 00:37:21,489
♪ AY DIOS MÍO, OH MY GOD
CALL ME MAMACITA ♪
724
00:37:21,572 --> 00:37:24,450
>> THANK YOU, HAPPY NIGHT, HAPPY
SUMMER.
725
00:37:24,533 --> 00:37:27,828
CHA CHA NOW.
726
00:37:27,912 --> 00:37:31,207
>> James: THAT WAS INCREDIBLE,
BLACK EYED PEAS, THEIR NEW ALBUM
727
00:37:31,290 --> 00:37:34,502
TRANSLATION IS OUT RIGHT NOW,
COME ON BACK, EVERYBODY.
728
00:37:34,585 --> 00:37:44,679
♪ ♪ ♪
729
00:37:50,101 --> 00:37:56,857
♪ ♪ ♪
730
00:37:56,941 --> 00:37:57,858
>> James: THANK YOU SO MUCH FOR
WATCHING
731
00:37:57,942 --> 00:37:59,610
TOMORROW NITROUS
EL CROWE IS GOING TO BE HERE,
732
00:37:59,694 --> 00:38:04,573
SPACEX ASTRONAUTS, BOB BEHNKEN
AND DOUG HUR HADLEY ARE GOING TO
733
00:38:04,657 --> 00:38:08,035
TALK TO US FROM SPACE AND MUSIC
FROM CHARLIE PUTH PLUS THE
734
00:38:08,119 --> 00:38:11,080
MUPPETS DROP BY, ALL OF THAT,
WELL HE SEE YOU THEN,
735
00:38:11,163 --> 00:38:12,832
GOOD NIGHT, EVERYONE.
736
00:38:12,915 --> 00:38:13,833
Captioning sponsored by CBS
Captioned by
737
00:38:13,916 --> 00:38:14,834
Media Access Group at WGBH
access.wgbh.org
738
00:38:14,917 --> 00:38:29,724
♪ ♪ ♪
♪ ♪ ♪
739
00:38:29,807 --> 00:38:32,685
♪ ♪ ♪
♪ ♪ ♪
740
00:38:32,768 --> 00:38:47,575
♪ ♪ ♪
♪ ♪ ♪
741
00:38:47,658 --> 00:38:57,668
♪ ♪ ♪
♪ ♪ ♪
742
00:38:57,752 --> 00:39:07,595
♪ ♪ ♪
♪ ♪ ♪
743
00:39:07,678 --> 00:39:16,937
♪ ♪ ♪
♪ ♪ ♪
59315
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