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>> Steve: TONIGHT, JOIN JIMMY
AND HIS GUESTS ‐
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00:00:11,678 --> 00:00:15,048
RUSSELL CROWE.
BEN PLATT.
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00:00:15,048 --> 00:00:19,753
MUSICAL GUEST BRITTANY HOWARD,
AND THE LEGENDARY ROOTS CREW
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00:00:19,753 --> 00:00:21,722
IT'S "THE TONIGHT SHOW" AT HOME
EDITION.
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00:00:21,722 --> 00:00:27,628
♪
>> Steve: AND NOW, HERE'S
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00:00:27,628 --> 00:00:28,929
JIMMY.
>> Jimmy: HI, EVERYBODY.
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00:00:28,929 --> 00:00:30,397
THANK YOU SO MUCH FOR WATCHING
OUR SHOW
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00:00:30,397 --> 00:00:32,499
I'M JIMMY FALLON, WELCOME TO
"THE TONIGHT SHOW.
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00:00:32,499 --> 00:00:36,303
HERE WE GO
TIME TO GET SOME NEWS, AND IT
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00:00:36,303 --> 00:00:37,971
ISN'T GOOD
THE DAILY NUMBER OF NEW
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00:00:37,971 --> 00:00:41,141
CORONAVIRUS CASES IN THE U. S.
IS AT ITS HIGHEST LEVEL SINCE
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00:00:41,141 --> 00:00:43,777
THE PEAK IN APRIL.
YUP, APPARENTLY THE RISING
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00:00:43,777 --> 00:00:47,014
NUMBERS IN AMERICA HAVE FORCED
OTHER COUNTRIES TO MAKE A TOUGH
DECISION
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00:00:48,015 --> 00:00:49,883
>> THE EUROPEAN UNION IS
CONSIDERING A BAN ON TRAVELERS
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00:00:49,883 --> 00:00:54,354
FROM THE U. S. OVER THE
CORONAVIRUS FAILURES
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00:00:54,354 --> 00:00:57,858
>> Jimmy: YEAH, THE EUROPEAN
LEADERS DISAPPROVE OF TRUMP'S
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00:00:57,858 --> 00:01:00,360
HANDLING OF THE VIRUS.
RIGHT NOW, THE ONLY ONES WHO
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00:01:00,360 --> 00:01:04,565
APPROVES OF TRUMP'S HANDLING OF
THE VIRUS IS THE VIRUS
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00:01:04,565 --> 00:01:06,400
THAT'S RIGHT
EUROPE IS BANNING AMERICANS
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00:01:06,400 --> 00:01:09,002
FROM ENTERING.
EVEN WORSE, EUROPE WAS LIKE,
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00:01:09,002 --> 00:01:14,174
"HOW DO WE PUT THIS?
UM, THIS HAS NOTHING TO DO WITH
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00:01:14,174 --> 00:01:17,644
THE PANDEMIC
WE JUST HATE AMERICANS
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00:01:17,644 --> 00:01:20,614
OKAY
BYE‐BYE.
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00:01:20,614 --> 00:01:22,583
WHEN EUROPE SAID THEY'D BLOCK
AMERICANS FROM ENTERING TRUMP
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WAS LIKE, "WOW, THAT MUST BE
SOME WALL.
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00:01:26,920 --> 00:01:33,760
SOME WALL.
SOME WALL.
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00:01:33,760 --> 00:01:40,133
SOME WALL!
THAT'S NOT A GOOD SIGN THAT
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00:01:40,133 --> 00:01:41,935
EUROPE IS MORE WILLING TO
ACCEPT TOURISTS FROM WUHAN THAN
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00:01:41,935 --> 00:01:45,105
THE U. S.
THE BAD NEWS IS, YOU CAN'T GO
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00:01:45,105 --> 00:01:46,440
TO EUROPE.
THE GOOD NEWS IS, YOUR FRIEND
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CAN'T COME BACK FROM SPAIN
BEING LIKE, "IT'S PRONOUNCED
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00:01:48,976 --> 00:01:55,082
'BARCELONA.'
AND IT'S NOT ONLY EUROPE THAT
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00:01:55,082 --> 00:01:57,250
IS CHANGING TRAVEL RULES
LISTEN TO WHAT'S HAPPENING
LOCALLY AS WELL.
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00:01:59,353 --> 00:02:02,189
AREA ARE ANNOUNCING NEW TRAVEL
RESTRICTIONS THERE IN NEW YORK,
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00:02:02,189 --> 00:02:05,425
NEW JERSEY, AND CONNECTICUT FOR
ALL TRAVELERS COMING FROM
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00:02:05,425 --> 00:02:08,829
STATES WITH SPIKES IN
CORONAVIRUS CASES.
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00:02:08,829 --> 00:02:11,598
>> Jimmy: YEAH, NEW YORK,
CONNECTICUT, AND NEW JERSEY.
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00:02:11,598 --> 00:02:14,201
TOURISTS WERE LIKE, "DAMN, NOW
WE CAN'T TRAVEL TO NEW YORK AND
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00:02:14,201 --> 00:02:20,207
CONNECTICUT.
QUARANTINING FOR TWO WEEKS
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00:02:20,207 --> 00:02:21,942
SOUNDS LIKE A LOT, BUT IT'S ALL
WORTH IT ONCE YOU GET THAT
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00:02:21,942 --> 00:02:26,747
FIRST HOT SLICE OF TIMES SQUARE
PIZZA HUT.
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00:02:26,747 --> 00:02:28,281
YUP, A TWO‐WEEK QUARANTINE
NEW YORKERS ARE LIKE, "JUST
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00:02:28,281 --> 00:02:30,884
THINK ABOUT IT AS A CAB RIDE
FROM THE EAST SIDE OF MANHATTAN
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TO THE WEST SIDE."
[ LIGHT LAUGHTER ]
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00:02:34,955 --> 00:02:36,089
IT'S A NEW YORK JOKE, BUT,
GOSH, THERE'S A LOT OF PEOPLE
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00:02:36,089 --> 00:02:41,194
THAT LIVE IN NEW YORK.
THEY KNOW THIS JOKE.
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00:02:41,194 --> 00:02:44,564
MEANWHILE, LOOKS LIKE TRUMP'S
HANDLING OF THE VIRUS IS REALLY
AFFECTING HIS POLL NUMBERS
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00:02:47,634 --> 00:02:48,769
POLL SHOWS BIDEN IS CURRENTLY
LEADING PRESIDENT TRUMP BY
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00:02:48,769 --> 00:02:53,974
14 PERCENTAGE POINTS
BIDEN GETS 50% IN THIS POLL.
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00:02:53,974 --> 00:02:57,511
COMPARE THAT WITH 36% FOR
PRESIDENT TRUMP.
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00:02:57,511 --> 00:02:59,813
>> Jimmy: YUP, JOE BIDEN HAS
HIS BIGGEST LEAD YET
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00:02:59,813 --> 00:03:01,548
WHEN HE READ ABOUT IT IN THE
PAPER, BIDEN WAS LIKE, "WOW,
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00:03:01,548 --> 00:03:07,888
GOOD FOR JOE BIDEN
HE MUST BE THRILLED.
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00:03:07,888 --> 00:03:09,322
MEANWHILE, TRUMP'S POLL NUMBERS
ARE SO LOW, HE ASKED IF HE
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00:03:09,322 --> 00:03:12,492
COULD DECLARE BANKRUPTCY AND
START OVER
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00:03:12,492 --> 00:03:18,632
[ LIGHT LAUGHTER ]
[ BELL RINGS ]
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00:03:18,632 --> 00:03:21,702
GOT A DING ON THAT ONE
DING
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00:03:21,702 --> 00:03:22,869
THOSE NUMBERS ARE SO BAD FOR
TRUMP, TODAY HE HELD UP
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00:03:22,869 --> 00:03:27,140
JOHN BOLTON'S BOOK TO CHANGE
THE SUBJECT.
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00:03:27,140 --> 00:03:30,577
AND HE HELD IT LIKE THIS, TOO.
MANY POLLSTERS ARE CLAIMING
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00:03:30,577 --> 00:03:33,080
THAT THIS A HUGE LEAD, BUT
AFTER 2016, THAT'S LIKE THE
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00:03:33,080 --> 00:03:36,016
MAYANS CLAIMING, "OKAY, THE END
OF THE WORLD IS NEXT, NEXT
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00:03:36,016 --> 00:03:42,456
WEEK
YEAH, THE END OF THE WORLD
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00:03:42,456 --> 00:03:46,093
THIS WEEK IS GOOD.
YOUR COUNT ‐‐ NO, TRUST ME
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00:03:46,093 --> 00:03:47,194
YOU READ ALL THE CALENDARS,
MONDAY ISN'T MONDAY IN THE
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00:03:47,194 --> 00:03:53,100
MAYAN CALENDAR
IT'S FRIDAY, SO, NO, YEAH.
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00:03:53,100 --> 00:03:55,902
SO."
NOT ONLY IS BIDEN AHEAD IN THE
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00:03:55,902 --> 00:04:00,073
POLLS, HE ALSO RAISED MORE
MONEY THAN TRUMP LAST MONTH.
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00:04:00,073 --> 00:04:01,208
YEAH, TRUMP'S SO DESPERATE FOR
MONEY, HE'S GOING TO START
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00:04:01,208 --> 00:04:05,846
WRITING A TELL‐ALL BOOK ABOUT
HIMSELF.
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00:04:05,846 --> 00:04:07,080
AS IF THERE AREN'T ENOUGH GOING
ON RIGHT NOW HERE IN NEW YORK,
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00:04:07,080 --> 00:04:10,751
THERE'S ANOTHER ISSUE THAT THE
STATE IS BEING FORCED TO DEAL
WITH
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00:04:13,353 --> 00:04:15,589
FIREWORKS ARE SOARING IN
NEW YORK CITY.
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00:04:15,589 --> 00:04:18,125
IT'S GETTING SO BAD, MAYOR
BILL De BLASIO IS FORMING
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00:04:18,125 --> 00:04:20,727
A TASK FORCE TO COMBAT THE
PROBLEM.
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00:04:20,727 --> 00:04:24,264
>> Jimmy: THE FIREWORKS TASK
FORCE HAS THE NYPD, THE FDNY
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00:04:24,264 --> 00:04:27,100
ALL SEARCHING FOR THE FIREWORKS
AS WELL AS YOUR COUSIN WHO
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00:04:27,100 --> 00:04:31,037
ALWAYS GOES, "THIS HAS TO BE
THE BIG FINALE
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00:04:31,037 --> 00:04:33,640
YEAH, THIS IS GOT TO BE IT
TRUST ME
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00:04:33,640 --> 00:04:40,747
WHAT, ANOTHER SONG
MORE FIREWORKS
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00:04:40,747 --> 00:04:44,251
WOW.
THAT'S THE BEST ONE.
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00:04:44,251 --> 00:04:49,523
NO, THAT'S THE BEST ONE.
MEMBERS OF THE FIREWORKS TASK
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00:04:49,523 --> 00:04:50,690
FORCE ARE LIKE, "THIS SUCKS,
BUT IT'S BETTER THAN BEING ON
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00:04:50,690 --> 00:04:55,662
THE ILLEGAL SPARKLER TASK
FORCE.
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00:04:55,662 --> 00:04:59,299
"YOU HAVE THE RIGHT TO ‐‐ OH,
FORGET IT.
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00:04:59,299 --> 00:04:59,966
WELL, IT TURNS OUT MEMBERS OF
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00:04:59,966 --> 00:05:02,536
THAT TASK FORCE ARE GOING TO BE
THE ONLY ONES RUNNING AROUND
NEW YORK CITY FOR A WHILE.
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00:05:04,271 --> 00:05:05,472
WILL CANCEL THE NEW YORK CITY
MARATHON, THE WORLD'S LARGEST
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00:05:05,472 --> 00:05:11,311
MARATHON BECAUSE OF THE
PANDEMIC
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00:05:11,311 --> 00:05:14,147
>> Jimmy: MAN, NO TRIPS TO
EUROPE AND NO MARATHON
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00:05:14,147 --> 00:05:16,683
YOUR ANNOYING FRIEND ON
INSTAGRAM'S GONNA HAVE A
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00:05:16,683 --> 00:05:27,394
A FULL‐ON PANIC ATTACK
"WHAT AM I'M GOING TO POST?"
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00:05:27,394 --> 00:05:30,797
"ARE WE COUSINS?
"YEAH.
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00:05:30,797 --> 00:05:35,936
DID YOU SEE THOSE FIREWORKS?
CANCELLING THE RACE IS PROBABLY
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00:05:35,936 --> 00:05:37,370
A GOOD IDEA.
YOU KNOW THAT FEELING WHEN
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00:05:37,370 --> 00:05:41,708
SOMEONE JOGS BY YOU, AND YOU'RE
WORRIED ABOUT THE VIRUS?
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00:05:41,708 --> 00:05:45,779
MULTIPLY THAT BY 53,000.
YEAH
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00:05:45,779 --> 00:05:47,848
GOOD CALL.
WHEN THE NEWS BROKE, AMERICA
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00:05:47,848 --> 00:05:52,118
WAS LIKE, "OH, NO.
I WAS TOTALLY GOING TO RUN THE
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00:05:52,118 --> 00:05:56,790
MARATHON THIS YEAR
YEAH, I'M SO DISAPPOINTED.
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00:05:56,790 --> 00:05:57,958
AND FINALLY YOU GUYS, LATELY
I'VE NOTICED MORE WHITE PEOPLE
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00:05:57,958 --> 00:06:01,161
ARE PROMOTING EQUAL RIGHTS ON
SOCIAL MEDIA, WHICH IS GREAT
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00:06:01,161 --> 00:06:05,265
BUT IT MAKES ME WONDER IF IT'S
ALWAYS FOR THE RIGHT REASONS
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00:06:05,265 --> 00:06:08,602
WATCHING TV TODAY, I SAW AN AD
THOUGHT IT WAS INTERESTING
CHECK IT OUT
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00:06:09,469 --> 00:06:11,004
>> HAVE YOU BEEN PARTICIPATING
IN SOCIAL JUSTICE MORE THAN
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00:06:11,004 --> 00:06:13,673
EVER BEFORE, BUT YOU FEEL
FRUSTRATED THAT NO ONE IS
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00:06:13,673 --> 00:06:16,476
NOTICING
TRY BACKPAT.
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00:06:16,476 --> 00:06:18,445
[ WHIP CRACKING
BACKPAT GIVES YOU
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00:06:18,445 --> 00:06:19,646
A WELL‐DESERVED PAT ON THE BACK
FOR THE MOST MINIMAL EFFORT
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00:06:19,646 --> 00:06:22,215
TOWARDS SOCIAL JUSTICE
>> RECEIVING A LIKE FOR
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00:06:22,215 --> 00:06:23,350
RESHARING A DESMOND TUTU QUOTE
IS OKAY, BUT SOMETIMES AN
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00:06:23,350 --> 00:06:30,023
INSTAGRAM HEART DOESN'T MAKE MY
ACTUAL HEART FEEL ANY BETTER
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00:06:30,023 --> 00:06:34,094
BACKPAT LETS ME FEEL LIKE I'M
NOT PART OF THE PROBLEM.
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00:06:34,094 --> 00:06:37,464
AND, SEND.
>> BACKPAT
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00:06:37,464 --> 00:06:41,001
[ WHIP CRACKING
>> I'M SUCH A GOOD ALLY.
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00:06:41,001 --> 00:06:43,403
>> JUST SO YOU KNOW, I'M
STRAIGHT
117
00:06:43,403 --> 00:06:47,474
SO TWEETING MY SUPPORT FOR
LGBTQ RIGHTS IS A HUGE DEAL.
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00:06:47,474 --> 00:06:49,643
I DON'T FEEL LIKE I'M BEING
RECOGNIZED FOR IT.
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00:06:49,643 --> 00:06:51,945
[ WHIP CRACKING
>> THAT DESERVES A BACKPAT
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00:06:51,945 --> 00:06:55,348
>> I'M A HERO.
>> WHAT ABOUT ME
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00:06:55,348 --> 00:06:57,083
I DON'T KNOW ANYTHING ABOUT
ANYTHING
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00:06:57,083 --> 00:07:00,587
CAN I GET A PAT ON THE BACK FOR
TWEETING, "SALON WORKERS ARE
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00:07:00,587 --> 00:07:03,089
THE REAL HEROES?
>> BACKPAT
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00:07:03,089 --> 00:07:05,725
[ WHIP CRACKING
>> ALL RIGHT
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00:07:05,725 --> 00:07:08,461
HOW ABOUT EQUAL PAY FOR HOUSE
PETS
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00:07:08,461 --> 00:07:17,470
#BETHECHANGE
HEY.
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00:07:17,470 --> 00:07:22,876
HEY, WHERE'S MY BACKPAT?
WHERE'S MY BACKPAT
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00:07:22,876 --> 00:07:26,613
I DESERVE A BACKPAT!
I DESERVE A BACK ‐
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00:07:26,613 --> 00:07:30,216
>> ORDER THE BACKPAT TODAY
YOU EARNED IT.
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00:07:30,216 --> 00:07:30,750
>> Jimmy: AND THAT IS OUR
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00:07:30,750 --> 00:07:33,920
MONOLOGUE, EVERYBODY
IT'S TIME FOR "WHAT ARE YOU
DOING WEDNESDAY?
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00:07:35,021 --> 00:07:36,990
♪ WHAT ARE YOU DOIN
THIS WEDNESDAY
133
00:07:36,990 --> 00:07:40,593
WHAT ARE YOU DOING THI
WEDNESDAY ♪
134
00:07:40,593 --> 00:07:42,028
>> Jimmy: HEY GUYS, EVERY WEEK
WE LIKE TO GIVE YOU SOME
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00:07:42,028 --> 00:07:43,330
UPLIFTING CREATIVE VIDEOS THAT
YOU GUYS ARE MAKING DURING THIS
136
00:07:43,330 --> 00:07:44,564
QUARANTINE AND SHOW IT TO YOU
BECAUSE IT JUST MAKES YOU FEEL
137
00:07:44,564 --> 00:07:51,304
GOOD OR MAKES YOU LAUGH.
WILL START OFF WITH OUR FIRST
138
00:07:51,304 --> 00:07:55,575
ONE HERE
IT'S CALLED "VACUUM AROUND ME.
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00:07:55,575 --> 00:07:56,810
IT LOOKS LIKE A LITTLE PUPPY,
AND IT'S JUST REALLY ‐‐ JUST
140
00:07:56,810 --> 00:08:00,080
TIRED AND TUCKERED OUT
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00:08:00,080 --> 00:08:02,782
AND THERE'S A ROOMBA AND THE
ROOMBA JUST ‐‐ WELL, YOU'LL
SEE.
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00:08:15,962 --> 00:08:20,266
"HONEY, THE ROOMBA IS GROOMING
THE DOG AGAIN.
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00:08:20,266 --> 00:08:23,937
THIS NEXT ONE IS CALLED
"HAIRCUT PRANK."
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00:08:23,937 --> 00:08:25,372
AND IT WAS ON TIKTOK, I
BELIEVE.
145
00:08:25,372 --> 00:08:26,539
THE SON WAS SUPPOSED TO GIVE
HIS DAD A QUARANTINE HAIRCUT,
146
00:08:26,539 --> 00:08:28,942
AND HE'S JUST PULLED A LITTLE
JOKE ON HIM.
CHECK IT OUT
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00:08:32,779 --> 00:08:34,214
>> OH, [ BLEEP ], WHAT, WHAT,
WHAT, WHAT
148
00:08:34,214 --> 00:08:36,950
WHAT HAPPENED?
>> I THINK I ‐‐ MY BAD
149
00:08:36,950 --> 00:08:39,019
LIKE, YOU CAN'T GET MAD.
I THINK I KIND OF CUT A BALD
150
00:08:39,019 --> 00:08:41,788
SPOT IN YOUR HEAD.
>> ARE YOU [ BLEEP ] KIDDING
151
00:08:41,788 --> 00:08:43,189
ME
A BALD SPOT?
152
00:08:43,189 --> 00:08:47,227
>> Jimmy: "WHAT, WHAT, WHAT,
WHAT, WHAT
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00:08:47,227 --> 00:08:49,963
DUDE, YOU GOT A BALD SPOT.
I DIDN'T ‐‐ YOU SEE THOSE
154
00:08:49,963 --> 00:08:55,969
FIREWORKS?
THIS NEXT ONE IS CALLED "CASTLE
155
00:08:55,969 --> 00:08:57,704
TODDLER.
OH, MAN, THIS IS SO CUTE,
156
00:08:57,704 --> 00:09:01,541
HONEY.
OH, MY GOSH, SHE'S SO CUTE
157
00:09:01,541 --> 00:09:02,842
THE LITTLE TODDLER LOVES TO JAM
OUT TO HER SONG FROM HER CASTLE
158
00:09:02,842 --> 00:09:06,312
TOY.
AND SHE'S GOT THE MOVES.
WATCH.
159
00:09:07,347 --> 00:09:12,786
♪
>> ONE MORE TIME
160
00:09:12,786 --> 00:09:18,825
♪
>> Jimmy: THAT WENT ON FOR
161
00:09:18,825 --> 00:09:22,562
EIGHT MORE HOURS
THIS LAST ONE IS CALLED "PLANT
162
00:09:22,562 --> 00:09:25,965
ORCHESTRA.
HAVE YOU SEEN THIS
163
00:09:25,965 --> 00:09:30,070
THERE'S A BARCELONA ORCHESTRA.
THEY COULDN'T HAVE AN AUDIENCE
164
00:09:30,070 --> 00:09:33,006
SO THEY PLAYED A CONCERT JUST
FOR PLANTS
CHECK IT OUT
165
00:09:46,019 --> 00:09:48,988
♪
>> Jimmy: HEY, AT LEAST NO ONE
166
00:09:48,988 --> 00:09:53,293
WAS TEXTING.
YEAH, PICK A BAD ONE
167
00:09:53,293 --> 00:09:56,229
ONE OF THE FERNS WAS LIKE,
"PLAY 'WONDERWALL.'"
168
00:09:56,229 --> 00:09:58,064
THERE YOU GO, EVERYBODY.
THAT IS "WHAT ARE YOU DOING
169
00:09:58,064 --> 00:10:00,133
WEDNESDAYS."
WHAT A SHOW WE HAVE TONIGHT.
170
00:10:00,133 --> 00:10:01,868
MORE "TONIGHT SHOW" WHEN WE
COME BACK.
171
00:10:01,868 --> 00:10:24,624
COME ON BACK, EVERYBODY.
♪
172
00:10:24,624 --> 00:10:26,693
>> Jimmy: OUR FIRST GUEST IS AN
AMAZING ACTOR, OSCAR WINNING
173
00:10:26,693 --> 00:10:29,095
ACTOR WHO YOU KNOW FROM FILMS
LIKE "GLADIATOR" AND "A
174
00:10:29,095 --> 00:10:31,331
BEAUTIFUL MIND."
HE HAS A NEW THRILLER OUT
175
00:10:31,331 --> 00:10:34,400
CALLED "UNHINGED."
HERE IS MY CONVERSATION WITH
RUSSELL CROWE.
176
00:10:36,436 --> 00:10:38,938
AWESOME TO SEE YOU, BUDDY.
I MISS SEEING YOUR FACE IN
177
00:10:38,938 --> 00:10:40,573
PERSON, MAN.
THANK YOU SO MUCH FOR DOING
178
00:10:40,573 --> 00:10:42,976
THIS
I APPRECIATE IT.
179
00:10:42,976 --> 00:10:45,078
WHAT ‐‐ WHAT TIME IS IT IN
AUSTRALIA RIGHT NOW?
180
00:10:45,078 --> 00:10:47,147
>> CHEERS JIMMY.
LOVELY TO SEE YOU TOO, MAN
181
00:10:47,147 --> 00:10:50,183
IT'S JUST AFTER 8:00, MAYBE
A QUARTER PAST 8:00 IN THE
182
00:10:50,183 --> 00:10:51,718
MORNING.
>> Jimmy: ARE YOU QUARANTINED?
183
00:10:51,718 --> 00:10:55,121
WHERE ARE YOU?
ARE YOU WITH THE FAM OR ‐‐
184
00:10:55,121 --> 00:10:57,290
>> YEAH, WELL, I'M IN THE BUSH
SO, I'M SORT OF ISOLATING IN
185
00:10:57,290 --> 00:11:00,693
ISOLATION.
WHEN THIS ISOLATION THING FIRST
186
00:11:00,693 --> 00:11:07,834
STARTED ‐‐ WHERE IS THAT ‐‐
THERE YOU GO
187
00:11:07,834 --> 00:11:09,769
YOU KNOW, WE HAD SORT OF FAMILY
DISCUSSIONS AND STUFF ABOUT,
188
00:11:09,769 --> 00:11:11,404
YOU KNOW, WHERE PEOPLE WERE
GOING TO BE AND ALL THAT
189
00:11:11,404 --> 00:11:13,273
YOU KNOW
AND MY PARENTS ARE HERE IN THE
190
00:11:13,273 --> 00:11:15,441
BUSH
YOU KNOW
191
00:11:15,441 --> 00:11:20,280
MY DAD'S 84, MY MOM'S 79
YOU KNOW, THEY'VE GOT THE
192
00:11:20,280 --> 00:11:23,316
COMPLICATIONS THAT COME WITH
AGE.
193
00:11:23,316 --> 00:11:26,252
SO I JUST MADE THE DECISION
THAT I HAD TO BE HERE, YOU
194
00:11:26,252 --> 00:11:29,756
KNOW
SO, YOU KNOW, I WAS TALKING TO
195
00:11:29,756 --> 00:11:33,393
MY BOYS, AND THEY KEPT THE
SCHOOLS OPEN HERE FOR QUITE
196
00:11:33,393 --> 00:11:35,161
A WHILE.
SO THERE'S A BIT OF CONFUSION
197
00:11:35,161 --> 00:11:37,230
THERE ABOUT WHERE PEOPLE WERE
GOING TO GO AND ALL THAT
198
00:11:37,230 --> 00:11:41,834
AND THEN AT THE END OF THE DAY,
MY KIDS DECIDED TO ISOLATE IN
199
00:11:41,834 --> 00:11:44,337
SYDNEY
I WAS ‐‐
200
00:11:44,337 --> 00:11:45,772
>> Jimmy: WOW.
>> YOU KNOW, I WAS A LITTLE
201
00:11:45,772 --> 00:11:48,474
AFFRONTED BECAUSE IT'S THE
BUSH
202
00:11:48,474 --> 00:11:50,343
WE GOT THE WIDE‐OPEN SPACES.
YOU KNOW
203
00:11:50,343 --> 00:11:54,614
WE GOT ALL OF THESE AMAZING
THINGS UP HERE, RIGHT?
204
00:11:54,614 --> 00:11:57,450
BUT THEY WERE LIKE, "NO, NO,
DAD, WE'VE MADE THE DECISION
205
00:11:57,450 --> 00:12:00,720
THAT IN A PANDEMIC, WE'RE GOING
TO ISOLATE IN THE MOST POPULOUS
206
00:12:00,720 --> 00:12:05,225
PART OF THE COUNTRY, SURROUNDED
BY THE AREAS THAT HAVE THE MOST
207
00:12:05,225 --> 00:12:09,696
INFECTIONS."
AND I'M LIKE, "GUYS, CAN I ASK
208
00:12:09,696 --> 00:12:12,165
WHY?
AND MY YOUNGEST ONE, WHO IS
209
00:12:12,165 --> 00:12:19,739
JUST TOO HONEST, SAID, "UBER
EATS."
210
00:12:19,739 --> 00:12:24,344
[ LAUGHTER ]
>> Jimmy: UBER EATS?
211
00:12:24,344 --> 00:12:27,614
>> UBER EATS
>> Jimmy: ISN'T THAT GREAT
212
00:12:27,614 --> 00:12:32,218
>> IN A PANDEMIC, MY FATHERLY
ROLES AND RESPONSIBILITIES WERE
213
00:12:32,218 --> 00:12:34,954
PASSED OVER FOR THAT
>> Jimmy: KIDS ARE GOING TO BE
214
00:12:34,954 --> 00:12:36,589
KIDS, RIGHT?
I MEAN, I ‐‐ WHAT ‐‐ WHAT
215
00:12:36,589 --> 00:12:41,728
A YEAR IT'S BEEN, AN
UNFORTUNATE KIND OF YEAR FOR
216
00:12:41,728 --> 00:12:43,363
AUSTRALIA.
DESCRIBE THE VIBE WITH THE
217
00:12:43,363 --> 00:12:45,265
FIRES OUT THERE.
I FEEL SO BAD FOR EVERYONE OVER
218
00:12:45,265 --> 00:12:48,167
THERE.
WHAT'S THE VIBE OVER THERE
219
00:12:48,167 --> 00:12:50,036
>> IT CERTAINLY HAS BEEN A BIT
OF A ‐
220
00:12:50,036 --> 00:12:52,438
YOU KNOW
WHERE I AM HERE IN THE BUSH,
221
00:12:52,438 --> 00:12:57,143
WE ‐‐ YOU KNOW, THIS TIME LAST
YEAR, WE WERE SORT OF ABOUT TWO
222
00:12:57,143 --> 00:13:02,915
YEARS INTO DROUGHT SO WE WERE
EXTREMELY BROWN AND THE DAMS
223
00:13:02,915 --> 00:13:07,787
WERE ALL GOING DOWN.
AND THEN, AS WE WENT THROUGH
224
00:13:07,787 --> 00:13:09,555
THE WINTER, WE DIDN'T GET THE
RAINS THAT WE WERE HOPING FOR
225
00:13:09,555 --> 00:13:11,224
IN THE SPRING.
WE GOT A LITTLE BIT, BUT NOT
226
00:13:11,224 --> 00:13:15,161
ENOUGH
AND THINGS JUST GOT HOTTER AND
227
00:13:15,161 --> 00:13:18,598
HOTTER AND HOTTER.
SO BY THE TIME, YOU KNOW,
228
00:13:18,598 --> 00:13:23,469
SEPTEMBER, OCTOBER ROLLED
AROUND, THE FIRES WERE ALREADY
229
00:13:23,469 --> 00:13:26,105
STARTING TO BURN
AND THEY STARTED OFF A LONG WAY
230
00:13:26,105 --> 00:13:27,640
AWAY FROM HERE, YOU KNOW
THEY STARTED OFF A COUPLE OF
231
00:13:27,640 --> 00:13:32,545
HUNDRED KILOMETERS AWAY BUT YOU
COULD JUST SEE IT ENCROACHING
232
00:13:32,545 --> 00:13:34,314
ON A DAILY BASIS
YOU KNOW
233
00:13:34,314 --> 00:13:37,483
THEN COME THE END OF OCTOBER, I
HAD TO FLY TO AMERICA.
234
00:13:37,483 --> 00:13:44,457
I WAS WORKING IN WILMINGTON.
BUT NOVEMBER 12th, THE FIRE HIT
235
00:13:44,457 --> 00:13:48,728
HERE, IN ‐‐ NOT ONLY IN THIS
VALLEY, IN THIS PIECE OF LAND.
236
00:13:48,728 --> 00:13:52,699
I'M LOOKING OUT A WINDOW OVER
THERE AND I SEE A TREE WITH
237
00:13:52,699 --> 00:13:56,169
FRESH LEAVES ON IT BUT THAT
TREE WOULD HAVE BEEN AFLAME
238
00:13:56,169 --> 00:13:58,037
RIGHT THERE.
YOU KNOW
239
00:13:58,037 --> 00:14:01,974
AND WE WERE SURROUNDED ON THREE
SIDES.
240
00:14:01,974 --> 00:14:05,878
NOW, YOU KNOW ‐‐ BUT WE WENT
FROM THAT DROUGHT INTO THAT
241
00:14:05,878 --> 00:14:09,816
FIRE, YOU KNOW, AND THAT FIRE
THREAT WAS AROUND FOR MONTHS
242
00:14:09,816 --> 00:14:11,684
AND THEN WHEN THE FIRE THREAT
WAS OVER, THE HEAVENS OPENED UP
243
00:14:11,684 --> 00:14:15,855
IN FEBRUARY.
AND WE HAD PRETTY MUCH
244
00:14:15,855 --> 00:14:20,259
THREE‐QUARTERS OF AN ANNUAL
RAINFALL WITHIN A FEW WEEKS.
245
00:14:20,259 --> 00:14:24,297
SO THE WHOLE VALLEY GOT CLOSED
DOWN
246
00:14:24,297 --> 00:14:27,934
EVERY ROAD OUT WAS FLOODED
IT WAS ‐‐ IT WAS LIKE JUST ONE
247
00:14:27,934 --> 00:14:29,869
EXTREME TO ANOTHER
AND THEN WE COME OUT OF THE
248
00:14:29,869 --> 00:14:33,373
FLOOD, OF COURSE, INTO THIS
CORONAVIRUS.
249
00:14:33,373 --> 00:14:37,777
SO IT'S BEEN JUST A SERIES OF
EVENTS, YOU KNOW, THAT ‐‐ BUT,
250
00:14:37,777 --> 00:14:41,647
YOU KNOW, I THINK WHEN YOU LOOK
BACK THROUGH HISTORY AND YOU
251
00:14:41,647 --> 00:14:44,417
REALIZE LOTS OF OTHER PEOPLE
AND TIMES HAVE BEEN WAY MORE
252
00:14:44,417 --> 00:14:48,020
SERIOUS THAN WHAT WE'RE DEALING
WITH, AS SERIOUS AS IT IS.
253
00:14:48,020 --> 00:14:51,290
YOU KNOW, THERE'S WAYS FORWARD
YOU KNOW, YOU JUST GOT TO KEEP
254
00:14:51,290 --> 00:14:53,059
DOING YOUR THING, JIMMY.
>> Jimmy: YOU ALSO DID A GREAT
255
00:14:53,059 --> 00:14:55,561
THING WITH THE ‐‐ WITH THE
RABBITOHS THAT I WANT TO TALK
256
00:14:55,561 --> 00:14:57,196
TO YOU ABOUT
BUT I ‐‐ BEFORE WE GET INTO
257
00:14:57,196 --> 00:15:02,001
THAT, YOU KNOW, BLACK LIVES
MATTER, THE PROTESTS HAVE BEEN,
258
00:15:02,001 --> 00:15:06,406
OBVIOUSLY, ALL OVER THE PLACE
NOT ONLY JUST IN AMERICA
259
00:15:06,406 --> 00:15:10,843
BUT ALSO THE PROTESTS HAVE ‐‐
THEY'RE VERY BIG IN AUSTRALIA
260
00:15:10,843 --> 00:15:12,879
AS WELL.
AND YOU DID A VERY COOL THING
261
00:15:12,879 --> 00:15:16,649
WITH YOUR TEAM
>> TO EXPLAIN FOR PEOPLE, YOU
262
00:15:16,649 --> 00:15:22,455
KNOW, I HAVE AN OWNERSHIP IN A
A RUGBY LEAGUE TEAM, IN WHAT'S
263
00:15:22,455 --> 00:15:25,625
CALLED THE NRL HERE IN
AUSTRALIA.
264
00:15:25,625 --> 00:15:27,693
THE SOUTH SYDNEY RABBITOHS IS
THE NAME OF THE TEAM
265
00:15:27,693 --> 00:15:30,430
IT'S BEEN AROUND SINCE 1908.
IT WAS A FOUNDATION TEAM
266
00:15:30,430 --> 00:15:34,267
YOU KNOW
YOU KNOW, WITHIN AUSTRALIAN
267
00:15:34,267 --> 00:15:38,104
CULTURE, YOU KNOW, OF COURSE,
THERE'S, YOU KNOW, AUSTRALIAN
268
00:15:38,104 --> 00:15:44,877
ABORIGINALS AND ALSO MANY MAORI
PEOPLE FROM NEW ZEALAND AND
269
00:15:44,877 --> 00:15:48,281
OTHER NATIONS LIKE SAMOA AND
TONGA AND PAPUA NEW GUINEA
270
00:15:48,281 --> 00:15:50,883
AND, YOU KNOW, THE PLAYER BASE
FOR THE GAME OF RUGBY LEAGUE,
271
00:15:50,883 --> 00:15:55,054
YOU KNOW, DEFINITELY HAS A
A MAJORITY OF ‐‐ OF BLACK
272
00:15:55,054 --> 00:15:57,457
PLAYERS.
YOU KNOW
273
00:15:57,457 --> 00:16:01,294
AND AS A CLUB, WE JUST ASKED
THEM IF THEY WANTED TO MAKE
274
00:16:01,294 --> 00:16:05,164
THEIR OWN STATEMENT.
AND SO THEY TOOK IT UPON
275
00:16:05,164 --> 00:16:08,301
THEMSELVES AND THEY TALKED TO
THEIR OPPONENTS ON THE NIGHT,
276
00:16:08,301 --> 00:16:11,237
THE GOLD COAST TITANS AND THEY
ALSO TALKED TO THE REFEREES.
277
00:16:11,237 --> 00:16:14,874
SO BEFORE THAT PARTICULAR ROUND
STARTED, THE ENTIRE SQUAD ‐‐
278
00:16:14,874 --> 00:16:19,045
BOTH SQUADS, AND THE REFEREES
AND ANY ADMINISTRATIVE STAFF
279
00:16:19,045 --> 00:16:21,214
AND STUFF THAT WERE THERE IN
THE STADIUM, OF COURSE THE
280
00:16:21,214 --> 00:16:24,183
STADIUMS ARE EMPTY AT THE
MOMENT, THEY ALL TOOK A KNEE
281
00:16:24,183 --> 00:16:26,285
TOGETHER
AND YOU KNOW, THAT WAS JUST
282
00:16:26,285 --> 00:16:30,189
A GESTURE OF SUPPORT FROM
ACROSS THE OTHER SIDE OF THE
283
00:16:30,189 --> 00:16:31,491
WORLD.
YOU KNOW
284
00:16:31,491 --> 00:16:35,328
AND, YOU KNOW, THE GREAT THING
ABOUT IT WAS THAT RIGHT ACROSS
285
00:16:35,328 --> 00:16:40,399
THE BOARD FROM THE TOP OF THE
SPORT THROUGH BOTH CLUBS AND
286
00:16:40,399 --> 00:16:42,969
THE ADMINISTRATIONS TO ALL THE
PLAYERS AND COACHING STAFF AND
287
00:16:42,969 --> 00:16:46,806
EVERYTHING, THERE WAS 100%
AGREEMENT THAT THAT'S WHAT WE
288
00:16:46,806 --> 00:16:48,140
SHOULD BE DOING.
YOU KNOW
289
00:16:48,140 --> 00:16:49,809
>> Jimmy: REALLY
>> TO OFFER SUPPORT BUT ALSO TO
290
00:16:49,809 --> 00:16:55,248
BRING LIGHT TO CERTAIN ISSUES
THAT ARE PREVALENT IN
291
00:16:55,248 --> 00:17:00,620
AUSTRALIA, YOU KNOW?
WE HAVE A REALLY NEGATIVE
292
00:17:00,620 --> 00:17:03,556
COLONIAL HISTORY OF HOW WE
TREATED THE INDIGENOUS CULTURE
293
00:17:03,556 --> 00:17:10,162
THAT WAS HERE WHEN WE, YOU
KNOW, WHEN THE ENGLISH FIRST
294
00:17:10,162 --> 00:17:13,432
ARRIVED TO SETTLE THE PLACE.
YOU KNOW
295
00:17:13,432 --> 00:17:15,601
SO THERE'S A LOT OF THOSE
THINGS THAT ARE PUBLIC
296
00:17:15,601 --> 00:17:17,470
KNOWLEDGE AND ARE DISCUSSED AT
CERTAIN POINTS THAT JUST NEED
297
00:17:17,470 --> 00:17:23,042
TO BE FULLY ADDRESSED.
AND ONE OF THEM IS A THING THAT
298
00:17:23,042 --> 00:17:25,111
REQUIRES A LOT OF FOCUS, AND
THAT'S BLACK DEATHS IN CUSTODY
299
00:17:25,111 --> 00:17:27,847
THERE'S BEEN AN INORDINATE
AMOUNT OF ABORIGINAL MEN AND
300
00:17:27,847 --> 00:17:34,420
WOMEN DIE IN POLICE CUSTODY
SINCE THE EARLY 1990s.
301
00:17:34,420 --> 00:17:38,224
AND THESE THINGS JUST SIMPLY
HAVE TO STOP
302
00:17:38,224 --> 00:17:42,261
THERE HAS TO BE THE FOCUS GIVEN
AND THE SERIOUSNESS GIVEN TO
303
00:17:42,261 --> 00:17:45,164
RE‐ACHIEVE SOME BALANCE.
YOU KNOW
304
00:17:45,164 --> 00:17:47,099
OR ACHIEVE SOME BALANCE FOR THE
FIRST TIME IN A LOT OF CASES
305
00:17:47,099 --> 00:17:49,035
>> Jimmy: ABSOLUTELY
WELL, I THINK THE PICTURE EVEN
306
00:17:49,035 --> 00:17:55,074
JUST OF BOTH TEAMS ON ONE KNEE
WAS A BEAUTIFUL THING.
307
00:17:55,074 --> 00:17:57,476
AND IT DID SEND A GOOD MESSAGE
>> THEY SORT OF SEEMED TO
308
00:17:57,476 --> 00:17:59,979
NATURALLY ‐‐ I DON'T THINK
THERE WAS ANY PLAN, BUT IT KIND
309
00:17:59,979 --> 00:18:03,482
OF FORMED A HEART.
SO IT WAS KIND OF A POIGNANT
310
00:18:03,482 --> 00:18:06,852
MOMENT
AND I'VE HAD, YOU KNOW, AND THE
311
00:18:06,852 --> 00:18:08,621
CLUB HAS HAD NOTHING BUT
ABSOLUTELY POSITIVE FEEDBACK
312
00:18:08,621 --> 00:18:10,923
FOR IT
>> Jimmy: GOOD FOR YOU
313
00:18:10,923 --> 00:18:13,526
I WANTED TO TELL YOU BEFORE WE
GOT GOING ON THIS, BUT I'LL
314
00:18:13,526 --> 00:18:16,362
JUST SAY IT NOW, YOU WERE SO
GREAT AS ROGER AILES AND
315
00:18:16,362 --> 00:18:19,565
CONGRATS ON WINNING THE GOLDEN
GLOBE.
316
00:18:19,565 --> 00:18:21,767
CRUSHED IT
YOU WERE SO GOOD AS YOU ALWAYS
317
00:18:21,767 --> 00:18:23,603
ARE.
BUT THAT WAS GREAT
318
00:18:23,603 --> 00:18:25,004
AND I WANTED TO GET A MESSAGE
TO YOU, LET YOU KNOW HOW MUCH I
319
00:18:25,004 --> 00:18:27,340
THOUGHT ‐‐WHAT A GREAT
PERFORMANCE.
320
00:18:27,340 --> 00:18:29,709
YOU WERE AMAZING
>> THANK YOU VERY MUCH
321
00:18:29,709 --> 00:18:32,878
YOU KNOW, THAT WAS A HUGELY
CHALLENGING JOB.
322
00:18:32,878 --> 00:18:38,017
AND I KIND OF ‐‐ YOU KNOW,
GOING INTO IT ‐‐ THE FIRST TIME
323
00:18:38,017 --> 00:18:41,520
I DID THE MAKEUP TEST, MAN, IT
WAS SIX HOURS LONG
324
00:18:41,520 --> 00:18:43,489
YOU KNOW
I'M STARING DOWN THE BARREL OF
325
00:18:43,489 --> 00:18:45,458
THAT JOB
YOU KNOW
326
00:18:45,458 --> 00:18:49,929
AND 68 MAKEUP APPLICATIONS OR
WHATEVER, GOING, "SERIOUSLY?
327
00:18:49,929 --> 00:18:52,031
YOU KNOW
>> Jimmy: WE GOT TO DO THIS
328
00:18:52,031 --> 00:18:54,233
TOMORROW AGAIN, TOO, AND THE
NEXT DAY
329
00:18:54,233 --> 00:18:55,635
>> AND THE NEXT DAY, AND THE
NEXT DAY
330
00:18:55,635 --> 00:18:56,836
YEAH
WE GOT IT TO ‐‐ TO AN EFFICIENT
331
00:18:56,836 --> 00:19:01,307
LEVEL AND THEN OVER TIME,
LEARNED A LOT ABOUT, YOU KNOW,
332
00:19:01,307 --> 00:19:03,376
THE BEST WAY TO APPROACH IT AND
ADAPTED THE SCHEDULE COMPLETELY
333
00:19:03,376 --> 00:19:06,879
AROUND IT.
SO I WAS VERY LUCKY I WAS
334
00:19:06,879 --> 00:19:08,648
WORKING WITH BLUMHOUSE AND THE
PEOPLE THAT MADE THAT EASIER
335
00:19:08,648 --> 00:19:12,084
THAN IT MIGHT BE FOR ME.
BUT YEAH, THAT WAS A SERIOUSLY
336
00:19:12,084 --> 00:19:17,289
CHALLENGING GIG.
>> Jimmy: YOU DID A GREAT ONE.
337
00:19:17,289 --> 00:19:19,091
YOU DID A GREAT ONE.
I WANT TO TALK ABOUT YOUR NEW
338
00:19:19,091 --> 00:19:21,327
MOVIE, "UNHINGED."
I'M ALSO A LITTLE FRIGHTENED TO
339
00:19:21,327 --> 00:19:22,528
TALK TO YOU RIGHT NOW, BECAUSE
YOU ARE SCARY AS HELL IN THIS
340
00:19:22,528 --> 00:19:25,631
MOVIE.
BUT CAN WE TALK ABOUT THAT
341
00:19:25,631 --> 00:19:28,434
MOVIE WHEN WE COME BACK?
IS THAT OKAY
342
00:19:28,434 --> 00:19:30,169
CAN YOU STICK AROUND
>> ALL GOOD.
343
00:19:30,169 --> 00:19:31,170
>> Jimmy: MORE WITH
RUSSELL CROWE WHEN WE COME
344
00:19:31,170 --> 00:19:32,271
BACK, EVERYBODY.
MORE WITH RUSSELL CROWE WHEN WE
345
00:19:32,271 --> 00:19:34,874
COME BACK.
♪
346
00:19:34,874 --> 00:19:53,893
♪
>> Jimmy: HERE'S PART TWO OF MY
347
00:19:53,893 --> 00:19:56,295
CONVERSATION WITH
RUSSELL CROWE.
348
00:19:56,295 --> 00:19:59,165
RUSSELL CROWE, THANKS AGAIN FOR
TALKING TO ME.
349
00:19:59,165 --> 00:20:01,167
LET'S TALK ABOUT YOUR NEW
MOVIE, "UNHINGED."
350
00:20:01,167 --> 00:20:04,470
IT'S IN THEATERS JULY 10th
NOW THIS ‐‐ YOU ARE ABSOLUTELY
351
00:20:04,470 --> 00:20:09,542
TERRIFYING IN THIS MOVIE
REALLY
352
00:20:09,542 --> 00:20:10,776
I MEAN ‐‐ I'M GOING TO TELL
YOU ‐‐ I'M GOING TO GIVE YOU
353
00:20:10,776 --> 00:20:11,877
MAYBE THREE MINUTES INTO THE
MOVIE, SOMETHING LIKE THAT
354
00:20:11,877 --> 00:20:13,145
WHERE I GO LIKE, "OKAY, NO, NO,
OH, MY GOODNESS, NO, YOU MESSED
355
00:20:13,145 --> 00:20:23,322
WITH THE WRONG DUDE.
THIS GUY IS UNHINGED, MAN.
356
00:20:23,322 --> 00:20:24,523
AND IT'S KIND OF BASED OFF OF
ROAD RAGE WHERE A WOMAN IS
357
00:20:24,523 --> 00:20:30,963
BEHIND YOU AT THIS RED LIGHT
AND JUST LAYS ON THE HORN.
358
00:20:30,963 --> 00:20:32,331
>> IT'S ONE OF THOSE FILMS THAT
ON THE SURFACE IT SEEMS TO BE
359
00:20:32,331 --> 00:20:38,137
A PARTICULAR TYPE OF GENRE
MOVIE OR WHATEVER, YOU KNOW.
360
00:20:38,137 --> 00:20:41,507
BUT IT ALSO HAS EXTREME
RESONANCE FOR THE TIME WE FIND
361
00:20:41,507 --> 00:20:44,043
OURSELVES IN
YOU KNOW, WE SEEM TO HAVE
362
00:20:44,043 --> 00:20:49,048
GOTTEN TO A POINT IN HISTORY
WHERE IT'S VERY DIFFICULT FOR
363
00:20:49,048 --> 00:20:53,753
PEOPLE WHO HOLD DIFFERING VIEWS
TO HAVE ANY POLITE
364
00:20:53,753 --> 00:20:56,155
CONVERSATION
YOU KNOW
365
00:20:56,155 --> 00:21:00,860
AND ‐‐ AS THE CHARACTER STATES
IN THE FILM, WE'VE DEVELOPED AN
366
00:21:00,860 --> 00:21:06,465
INABILITY TO APOLOGIZE TO
ANYONE FOR ANYTHING.
367
00:21:06,465 --> 00:21:09,034
YOU KNOW
YEAH, I MEAN, WHEN I FIRST READ
368
00:21:09,034 --> 00:21:11,237
IT, MAN, I WASN'T ‐‐
I DIDN'T THINK I WANTED TO DO
369
00:21:11,237 --> 00:21:13,272
IT
IN FACT, I WAS PRETTY DAMN SURE
370
00:21:13,272 --> 00:21:15,608
I DIDN'T WANT TO DO IT, YOU
KNOW
371
00:21:15,608 --> 00:21:20,846
BUT WHAT STAYED WITH ME ‐‐ I
HAD PROBABLY A FORTUNATE SERIES
372
00:21:20,846 --> 00:21:22,081
OF EVENTS WHERE BECAUSE I HAD
READ IT, AND IT WAS SUCH AN
373
00:21:22,081 --> 00:21:23,315
EXTREME SCRIPT, AND I HAPPENED
TO BE IN LOS ANGELES, AND I WAS
374
00:21:23,315 --> 00:21:31,223
SEEING FRIENDS WHO WERE ACTORS,
YOU KNOW
375
00:21:31,223 --> 00:21:33,626
"WHAT HAVE YOU BEEN READING?
I WAS LIKE, I'D BE READING THE
376
00:21:33,626 --> 00:21:35,728
THING ‐‐ I HAD TO DESCRIBE IT
TO THEM.
377
00:21:35,728 --> 00:21:36,929
AND MALE OR FEMALE, THEY WERE
LIKE, "OH, WOW, THAT SOUNDS
378
00:21:36,929 --> 00:21:39,265
AMAZING.
AND I HAD, LIKE, TURNED IT
379
00:21:39,265 --> 00:21:41,867
DOWN
YOU KNOW
380
00:21:41,867 --> 00:21:43,002
I WAS LIKE, "THIS IT?"
>> Jimmy: DO YOU REALLY
381
00:21:43,002 --> 00:21:47,973
THINK ‐‐ HOLD ON ONE SECOND.
>> WHAT A CAME TO REALIZE, MAN,
382
00:21:47,973 --> 00:21:49,875
I SIMPLY WAS AFRAID OF IT.
BECAUSE IT WAS SO TRUE AT ITS
383
00:21:49,875 --> 00:21:51,076
ESSENCE THAT, YOU KNOW, PEOPLE
WHO ALLOW THE EVENTS OF THEIR
384
00:21:51,076 --> 00:21:52,278
LIFE TO STRIP THEM OF THEIR
HUMANITY AND THEN, YOU KNOW,
385
00:21:52,278 --> 00:22:07,827
ACT OUT AGAINST OTHERS
AND WE'RE SEEING IT, YOU KNOW,
386
00:22:07,827 --> 00:22:13,699
MORE AND MORE OFTEN WITH MASS
SHOOTINGS AND OTHER EVENTS
387
00:22:13,699 --> 00:22:15,634
AND, YOU KNOW, IT'S A REAL
THING IN OUR SOCIETY, AND IT'S
388
00:22:15,634 --> 00:22:16,869
SOMETHING THAT SHOULD BE PUT ON
THE TABLE AND DISCUSSED AND
389
00:22:16,869 --> 00:22:22,575
BROKEN DOWN.
AND, YOU KNOW, HOPEFULLY
390
00:22:22,575 --> 00:22:25,678
ELIMINATED BECAUSE WE FOCUS ON
IT
391
00:22:25,678 --> 00:22:29,615
YOU KNOW, WHAT IS THE ENERGY
AROUND US AT THE MOMENT THAT IS
392
00:22:29,615 --> 00:22:32,585
CAUSING CERTAIN PEOPLE TO
RESPOND TO THEIR LIVES IN THAT
393
00:22:32,585 --> 00:22:35,454
WAY?
>> Jimmy: YOU WERE SAYING WHEN
394
00:22:35,454 --> 00:22:36,956
YOU SAID, "EH, I'M GOING TO
PASS ON THAT."
395
00:22:36,956 --> 00:22:40,459
DID YOU FEEL THAT WAY ABOUT
"GLADIATOR"?
396
00:22:40,459 --> 00:22:44,630
OR NO, YOU'RE LIKE, "OH, I GOT
TO DO THIS."
397
00:22:44,630 --> 00:22:48,567
>> SEE, "GLADIATOR" KIND OF IS
A UNIQUE EXPERIENCE BECAUSE THE
398
00:22:48,567 --> 00:22:50,236
SCRIPT THAT THEY HAD WAS SO
BAD.
399
00:22:50,236 --> 00:22:53,405
IT WAS JUST SO BAD
YOU KNOW
400
00:22:53,405 --> 00:22:57,977
IT'S LIKE, OKAY ‐‐
>> Jimmy: REALLY
401
00:22:57,977 --> 00:22:59,945
>> YEAH.
BUT, YOU KNOW, THE PRODUCER
402
00:22:59,945 --> 00:23:01,013
DIDN'T KNOW I HAD ACTUALLY
ALREADY BEEN ABLE TO GET A
403
00:23:01,013 --> 00:23:06,385
A COPY
BUT YOU KNOW THE THING HE SAID
404
00:23:06,385 --> 00:23:10,022
IS, "I DON'T WANT TO SEND YOU
THE DOCUMENT WE HAVE
405
00:23:10,022 --> 00:23:13,058
BECAUSE YOU WON'T RESPOND TO
IT."
406
00:23:13,058 --> 00:23:14,193
HE SAID, "BUT I WANT TO
ENCOURAGE YOU TO HAVE A MEETING
407
00:23:14,193 --> 00:23:17,663
WITH RIDLEY SCOTT.
AND HERE'S THE THING THAT I
408
00:23:17,663 --> 00:23:21,834
WANT YOU TO THINK ABOUT.
IT'S 180 A. D
409
00:23:21,834 --> 00:23:25,971
YOU'RE A ROMAN GENERAL, AND
YOU'RE BEING DIRECTED BY
410
00:23:25,971 --> 00:23:28,574
RIDLEY SCOTT
JUST THINK ABOUT THAT.
411
00:23:28,574 --> 00:23:31,543
[ LAUGHTER ]
>> Jimmy: YEAH, EXACTLY.
412
00:23:31,543 --> 00:23:34,046
THE ONE AND ONLY
>> SO I WENT TO SEE RIDLEY, AND
413
00:23:34,046 --> 00:23:39,151
HE WAS SO PREPARED AND THE
THINGS THAT HE COULD SHOW ME,
414
00:23:39,151 --> 00:23:40,386
AND THE VISUAL IMAGES AND THE
MATHEMATICS OF HOW HE WAS GOING
415
00:23:40,386 --> 00:23:41,620
TO NOT HAVE TO BUILD AN ENTIRE
COLISEUM, YET STILL SHOOT THE
416
00:23:41,620 --> 00:23:52,131
COLISEUM
AND WE JUST CLICKED ON THAT
417
00:23:52,131 --> 00:23:53,599
FIRST MEETING.
SO, YOU KNOW, THERE WAS
418
00:23:53,599 --> 00:23:54,800
A LITTLE ‐‐ IT WAS DEFINITELY
A LITTLE BIT OF RISK INVOLVED
419
00:23:54,800 --> 00:24:01,707
IN IT AT THE TIME, YOU KNOW.
>> Jimmy: DID YOU KNOW IT WAS
420
00:24:01,707 --> 00:24:03,342
GOING TO BE A BIG HIT?
DID YOU KNOW THAT YOU WERE
421
00:24:03,342 --> 00:24:05,744
GOING TO BE QUOTED FOR THE REST
OF YOUR LIFE
422
00:24:05,744 --> 00:24:09,481
>> NOT ON DAY ONE, MAN
[ LAUGHTER ]
423
00:24:09,481 --> 00:24:15,854
BUT BY THE TIME I WAS LEAVING
THE SET ‐‐
424
00:24:15,854 --> 00:24:16,956
I DEFINITELY FELT THE
COLLECTIVE ENERGY OF THAT CAST
425
00:24:16,956 --> 00:24:21,393
WAS FANTASTIC.
YOU KNOW
426
00:24:21,393 --> 00:24:25,030
YOU SIT BACK AND THINK ABOUT
WHO WAS ACTUALLY IN THAT MOVIE
427
00:24:25,030 --> 00:24:26,131
YOU KNOW, GREAT ENGLISH ACTORS
LIKE DEREK JACOBI, AND
428
00:24:26,131 --> 00:24:33,405
OLIVER REED, AND
DAVID HEMMINGS, YOU KNOW
429
00:24:33,405 --> 00:24:34,606
AND YOU'VE ACTORS LIKE
TOMAS ARANA AND DJIMON HOUNSOU,
430
00:24:34,606 --> 00:24:42,514
YOU KNOW
AND THEN YOU GOT CONNIE NIELSEN
431
00:24:42,514 --> 00:24:44,450
WITH A CAREER BEST PERFORMANCE
YOU GOT JOAQUIN PHOENIX, JUST
432
00:24:44,450 --> 00:24:48,053
SMASHING OPEN, YOU KNOW,
ANYBODY'S ASSUMPTIONS OF WHAT
433
00:24:48,053 --> 00:24:51,590
A CHARACTER LIKE THAT COULD BE
AND HOW ‐‐
434
00:24:51,590 --> 00:24:54,393
I MEAN IT WAS JUST ‐
EVERYBODY BOUGHT INTO IT, MAN.
435
00:24:54,393 --> 00:24:55,527
IT WAS LIKE ONE OF THOSE
THINGS, NOBODY WAS GOING AROUND
436
00:24:55,527 --> 00:24:59,398
AND TOMMY FLANAGAN, TOO.
OF COURSE, NOBODY WAS GOING
437
00:24:59,398 --> 00:25:01,767
AROUND WINKING AT THE CAMERA,
YOU KNOW
438
00:25:01,767 --> 00:25:07,740
NOBODY WAS GOING AROUND DOING
THAT SORT OF PERFORMANCE WHERE
439
00:25:07,740 --> 00:25:08,941
YOU GIVE THE AUDIENCE THE
KNOWLEDGE THAT YOU UNDERSTAND
440
00:25:08,941 --> 00:25:12,511
YOU'RE IN A FUNNY COSTUME.
YOU KNOW
441
00:25:12,511 --> 00:25:15,681
EVERYBODY JUST LIVED IN THAT
WORLD THAT RIDLEY CREATED.
442
00:25:15,681 --> 00:25:16,749
THE THING IS SO ‐‐ IT MIGHT
HAVE BEEN DIFFERENT WITH
443
00:25:16,749 --> 00:25:21,153
SOMEBODY ELSE.
BUT HE'S SUCH A VISUAL ARTIST
444
00:25:21,153 --> 00:25:22,287
THAT EVERY SPACE THAT YOU
WALKED INTO, EVEN IF IT WAS
445
00:25:22,287 --> 00:25:23,455
ONLY A PARTIAL SPACE THAT WOULD
BE FILLED IN WITH CGI, YOU
446
00:25:23,455 --> 00:25:33,232
KNOW, THAT SPACE WAS SO
AMAZING.
447
00:25:33,232 --> 00:25:36,802
YOU KNOW, AND EVERYTHING FELT
LIKE ON A SCALE, YOU KNOW?
448
00:25:36,802 --> 00:25:40,739
SO, I MEAN, IT WAS AN EXTREMELY
DIFFICULT JOB.
449
00:25:40,739 --> 00:25:41,840
AND, YOU KNOW, KIND OF
TERRIFYING IN A LOT OF WAYS
450
00:25:41,840 --> 00:25:43,475
BUT ‐‐
>> Jimmy: IT STANDS THE TEST OF
451
00:25:43,475 --> 00:25:46,879
TIME
IT'S FANTASTIC
452
00:25:46,879 --> 00:25:49,048
>> IT'S UNBELIEVABLE
20 YEARS LATER, PEOPLE ARE
453
00:25:49,048 --> 00:25:52,151
STILL TALKING ABOUT IT
YOU KNOW, IT DOESN'T HAPPEN
454
00:25:52,151 --> 00:25:53,419
WITH EVERY MOVIE, MAN.
>> Jimmy: YEAH
455
00:25:53,419 --> 00:25:54,520
>> IT DOESN'T HAPPEN WITH EVERY
FILM
456
00:25:54,520 --> 00:25:55,921
YOU KNOW, WHEN RIDLEY AND I SIT
TOGETHER AND TALK ABOUT IT, THE
457
00:25:55,921 --> 00:26:01,160
MAIN THING WE DO IS JUST LAUGH
ABOUT WHAT WE GOT AWAY WITH.
458
00:26:01,160 --> 00:26:02,928
YOU KNOW
RIDLEY'S ATTITUDE IS LIKE, "HOW
459
00:26:02,928 --> 00:26:07,533
MANY BULLETS DID WE DODGE IN
ONE MOVIE?
460
00:26:07,533 --> 00:26:08,767
AND IT CAME OUT, AND IT CAME
OUT, AND IT WAS SUCCESSFUL, NOT
461
00:26:08,767 --> 00:26:14,840
ONLY WAS IT SUCCESSFUL, IT WAS
THE BEST FILM.
462
00:26:14,840 --> 00:26:16,708
IT WON THE OSCAR, YOU KNOW
>> Jimmy: AND THERE'S PAINTINGS
463
00:26:16,708 --> 00:26:18,343
OF YOU FOREVER
I MEAN, THERE'S PEOPLE DRESSING
464
00:26:18,343 --> 00:26:21,080
LIKE YOU FOR HALLOWEEN
THERE'S ‐‐ EVERY INTERVIEW I
465
00:26:21,080 --> 00:26:22,147
SEE YOU IN, THEY END UP GOING,
"MR. CROWE, WE'RE VERY
466
00:26:22,147 --> 00:26:29,721
ENTERTAINED.
AND YOU GO, "OH, MY GOSH
467
00:26:29,721 --> 00:26:30,622
CAN YOU NOT SAY THAT TO THIS
MAN?
468
00:26:30,622 --> 00:26:32,825
I WOULD ONLY SAY THAT TO YOU
THROUGH ZOOM
469
00:26:32,825 --> 00:26:36,695
I WOULD NEVER SAY IT TO YOU IN
REAL LIFE, EVER.
470
00:26:36,695 --> 00:26:40,032
BECAUSE I WOULD BE AFRAID.
I GO, "OH, MY GOSH."
471
00:26:40,032 --> 00:26:43,902
BUT YOU KNOCKED IT OUT
AND I APPRECIATE YOU TAKING THE
472
00:26:43,902 --> 00:26:46,238
TIME TO TALK TO ME ABOUT ALL
THIS
473
00:26:46,238 --> 00:26:47,539
THANK YOU FOR EVERYTHING YOU'RE
DOING OVER THERE IN AUSTRALIA.
474
00:26:47,539 --> 00:26:50,275
AND LOVE TO THE FAMILY, AND
YOU, STAY SAFE
475
00:26:50,275 --> 00:26:52,010
I REALLY WANT TO JAM OUT WITH
YOU AGAIN.
476
00:26:52,010 --> 00:26:54,213
I WANT TO PICK ONE OF THOSE
GUITARS UP WITH YOU AND PLAY,
477
00:26:54,213 --> 00:26:56,281
BUDDY.
>> COOL, MAN, LET'S DO THAT.
478
00:26:56,281 --> 00:26:58,350
>> Jimmy: THANK YOU SO MUCH
AGAIN.
479
00:26:58,350 --> 00:27:00,219
I APPRECIATE IT.
MY THANKS TO RUSSELL CROWE
480
00:27:00,219 --> 00:27:01,320
STICK AROUND FOR BEN PLATT,
EVERYBODY.
481
00:27:01,320 --> 00:27:21,773
COME ON BACK
♪
482
00:27:21,773 --> 00:27:22,975
>> Jimmy: OUR NEXT GUEST IS AN
AMAZING FORMER YOU MIGHT KNOW
483
00:27:22,975 --> 00:27:27,446
FROM THE BROADWAY HIT, "DEAR
EVAN HANSEN.
484
00:27:27,446 --> 00:27:29,515
WHO HE WON ‐‐ HE WON A TONY FOR
THAT ONE
485
00:27:29,515 --> 00:27:30,682
HE'S AMAZING
AND SEASON TWO OF "THE
486
00:27:30,682 --> 00:27:33,418
POLITICIAN" IS STARTING UP
RIGHT NOW.
HERE IS BEN PLATT.
487
00:27:34,253 --> 00:27:35,654
>> Jimmy: BEN PLATT, THANK YOU
SO MUCH FOR BEING HERE
488
00:27:35,654 --> 00:27:38,357
I APPRECIATE IT, BUDDY
HOW ARE YOU DOING, AND WHERE
489
00:27:38,357 --> 00:27:41,160
ARE YOU QUARANTINED, BUD
>> I'M QUARANTINED IN L. A., IN
490
00:27:41,160 --> 00:27:42,194
MY CHILDHOOD HOME, IN MY
CHILDHOOD BEDROOM WITH MY
491
00:27:42,194 --> 00:27:46,398
PARENTS.
>> Jimmy: NO
492
00:27:46,398 --> 00:27:47,699
>> OF COURSE
OF COURSE.
493
00:27:47,699 --> 00:27:49,101
YEAH, I'M A NEW YORKER USUALLY,
BUT I ‐‐
494
00:27:49,101 --> 00:27:50,302
YOU KNOW, I WANTED TO GET SOME
SPACE AND SO ‐‐ I'VE BEEN IN
495
00:27:50,302 --> 00:27:54,706
THE TEENAGE ROOM, AND REVERTING
SLOWLY TO MY TEENAGE SELF.
496
00:27:54,706 --> 00:27:57,976
BUT DOING ‐‐ DOING JUST FINE
>> Jimmy: WHAT WAS THE FIRST
497
00:27:57,976 --> 00:28:00,145
THING THAT'S KIND OF, LIKE,
WEIRDED YOU OUT?
498
00:28:00,145 --> 00:28:02,748
ARE YOU SLEEPING IN THE SAME
BEDROOM, OR NO
499
00:28:02,748 --> 00:28:04,616
>> THE SAME BED THAT I GREW UP
IN, YEAH
500
00:28:04,616 --> 00:28:07,085
I MEAN, I ‐‐ I ‐‐ I HAVE, LIKE,
STARTED EATING CEREAL IN THE
501
00:28:07,085 --> 00:28:08,887
MORNING AGAIN.
THERE'S LIKE CENTERPIECES FROM
502
00:28:08,887 --> 00:28:11,290
MY BAR MITZVAH STILL IN MY
ROOM
503
00:28:11,290 --> 00:28:14,026
[ LAUGHTER ]
ALL OF MY, LIKE, "PIPPIN"
504
00:28:14,026 --> 00:28:16,762
MUSICAL POSTERS.
IT'S ‐‐ NOTHING HAS CHANGED.
505
00:28:16,762 --> 00:28:18,497
IT'S VERY UNTOUCHED.
>> Jimmy: THIS IS, LIKE, WHERE
506
00:28:18,497 --> 00:28:20,566
YOU ‐‐ WE TALKED ABOUT THIS.
WHERE YOU KIND OF GOT YOUR BUG
507
00:28:20,566 --> 00:28:21,733
AND YOU WERE DOING THE BROADWAY
SHOWS IN YOUR BACKYARD, OR
508
00:28:21,733 --> 00:28:25,837
SOMETHING I READ
>> YEAH, WE HAVE, LIKE,
509
00:28:25,837 --> 00:28:26,905
A LITTLE PLATFORM IN THE
BACKYARD THAT, LIKE, IN MY
510
00:28:26,905 --> 00:28:29,875
EYES, WORKS REALLY BEAUTIFULLY
AS A STAGE
511
00:28:29,875 --> 00:28:31,643
SO THAT'S WHERE I DID ALL OF MY
PRODUCTIONS GROWING UP
512
00:28:31,643 --> 00:28:32,911
I DID, LIKE, YOU KNOW, "LION
KING" WITH A BUNCH OF KIDS FROM
513
00:28:32,911 --> 00:28:34,079
MY FIRST GRADE CLASS THAT I
COULD, LIKE, CONVINCE TO COME
514
00:28:34,079 --> 00:28:39,151
OVER ON THE WEEKENDS AND
PERFORM.
515
00:28:39,151 --> 00:28:40,953
>> Jimmy: FIRST GRADE?
>> I GOT FOUR OR FIVE OF THEM
516
00:28:40,953 --> 00:28:43,088
TO SHOW UP
AND, LIKE, EVEN WHEN THERE WERE
517
00:28:43,088 --> 00:28:44,356
ONLY FIVE KIDS, I WAS LIKE WE
GOT TO MAKE SURE ONE OF THESE
518
00:28:44,356 --> 00:28:49,228
KIDS IS PLAYING YOUNG SIMBA,
AND ONE IS PLAYING OLD SIMBA
519
00:28:49,228 --> 00:28:50,429
BECAUSE YOU GOTTA SEE THAT
TRANSITION
520
00:28:50,429 --> 00:28:52,631
AND SORT OF, LIKE ‐‐
>> Jimmy: YOU'RE A PRODUCER.
521
00:28:52,631 --> 00:28:54,166
WOW.
>> SO, LIKE, YOU KNOW, WE DON'T
522
00:28:54,166 --> 00:28:55,467
HAVE ENOUGH FOR TIMON AND
PUMBAA, BUT IT DOESN'T MATTER.
523
00:28:55,467 --> 00:28:56,602
AS LONG AS THERE'S A MOMENT
WHERE YOUNG SIMBA BECOMES OLD
524
00:28:56,602 --> 00:28:58,403
SIMBA.
I FEEL LIKE THAT WAS ‐
525
00:28:58,403 --> 00:28:59,705
>> Jimmy: AND HOW WOULD THAT
MOMENT ‐‐ HOW WOULD THAT MOMENT
526
00:28:59,705 --> 00:29:01,139
HAPPEN
>> WELL, STILL ‐‐ I HAD THE ONE
527
00:29:01,139 --> 00:29:03,642
KID WAS ON THE STAGE, BECAUSE
HE HAD DONE THE BEGINNING OF
528
00:29:03,642 --> 00:29:05,177
THE SHOW
HE WAS YOUNG SIMBA
529
00:29:05,177 --> 00:29:07,145
AND THEN WE PULLED A BUNCH OF
FLOWER PETALS OUT OF MY MOM'S
530
00:29:07,145 --> 00:29:08,580
FLOWERS GARDEN
JUST RAVAGED HER STUFF
531
00:29:08,580 --> 00:29:10,015
AND JUST THREW THEM ON HIM, AND
THEN THE OTHER KID RAN IN AND
532
00:29:10,015 --> 00:29:12,384
SWITCHED WITH HIM.
IT WAS VERY THEATRICAL
533
00:29:12,384 --> 00:29:15,354
REALLY BEAUTIFUL DIRECTORIAL
CHOICE, I THINK.
534
00:29:15,354 --> 00:29:16,755
>> Jimmy: YEAH
AND I'M SURE YOUR MOM WAS HAPPY
535
00:29:16,755 --> 00:29:17,522
THAT YOU RIPPED UP HER GARDEN,
TOO.
536
00:29:17,522 --> 00:29:18,924
>> ABSOLUTELY THRILLED
YES, SHE LOVES ‐‐ SHE LOVES
537
00:29:18,924 --> 00:29:23,328
WHEN STUFF GETS RIPPED UP.
BUT, YEAH, THAT'S WHERE I GOT
538
00:29:23,328 --> 00:29:25,063
BIT.
YEAH
539
00:29:25,063 --> 00:29:28,700
>> Jimmy: HEY, I WANTED TO ASK
YOU ABOUT "DEAR EVAN HANSEN.
540
00:29:28,700 --> 00:29:29,868
I KNOW WE TALKED ABOUT THIS,
AND MAN, YOU WERE FANTASTIC IN
541
00:29:29,868 --> 00:29:35,007
THIS PLAY.
BUT THERE WERE RUMORS THAT
542
00:29:35,007 --> 00:29:36,208
"DEAR EVAN HANSEN" COULD BE
A FILM, AND YOU WOULD BE IN THE
543
00:29:36,208 --> 00:29:39,945
FILM
IS THIS HAPPENING?
544
00:29:39,945 --> 00:29:41,146
>> WELL, I MEAN, WE'RE KIND OF
IN THIS WEIRD, LIKE, COVID
545
00:29:41,146 --> 00:29:44,750
LIMBO, WHERE KIND OF ANYTHING
CAN HAPPEN
546
00:29:44,750 --> 00:29:46,051
IT'S SOMETHING WE DEFINITELY
HAVE BEEN TRYING TO GET
547
00:29:46,051 --> 00:29:48,253
TOGETHER AND MAKE HAPPEN
I KNOW UNIVERSAL REALLY WANTS
548
00:29:48,253 --> 00:29:50,088
TO MAKE THE FILM AND ‐‐ YOU
KNOW
549
00:29:50,088 --> 00:29:52,958
IT'S KIND OF A TOSS‐UP AT THIS
POINT JUST BASED ON CAN WE DO
550
00:29:52,958 --> 00:29:56,128
IT SAFELY AND CAN WE GET IT
TOGETHER IN TIME
551
00:29:56,128 --> 00:29:57,296
AND, YOU KNOW, SOME OF US ARE
GETTING A LITTLE LONG IN THE
552
00:29:57,296 --> 00:29:59,031
TOOTH.
SO I THINK IT'S, LIKE, KIND OF
553
00:29:59,031 --> 00:30:01,133
A NOW OR NEVER KIND OF THING
BUT I'M HOPING ‐‐ I'M HOPEFUL
554
00:30:01,133 --> 00:30:03,669
THAT IT CAN COME TOGETHER AND
WE CAN FIND A SAFE WAY TO DO
555
00:30:03,669 --> 00:30:05,103
IT
AND, YOU KNOW, YOU'LL BE THE
556
00:30:05,103 --> 00:30:08,674
FIRST TO KNOW, BUT AS OF NOW,
IT COULD REALLY GO EITHER WAY.
557
00:30:08,674 --> 00:30:10,776
BUT I THINK IT COULD BE
A BEAUTIFUL THING STILL.
558
00:30:10,776 --> 00:30:12,311
WE'LL SEE.
>> Jimmy: PEOPLE WOULD LOVE IT
559
00:30:12,311 --> 00:30:15,013
I MEAN ‐‐ I MEAN, I THINK ONCE
PEOPLE SEE WHAT'S GONNA HAPPEN
560
00:30:15,013 --> 00:30:16,348
WITH "HAMILTON," EVERYONE WILL
BE GOING, "YEAH, WE SHOULD HAVE
561
00:30:16,348 --> 00:30:21,586
FILMED THIS.
I MEAN, YOU WERE UNBELIEVABLE.
562
00:30:21,586 --> 00:30:24,323
BY THE WAY, WHAT IS GOING ON
WITH THE 'STACHE
563
00:30:24,323 --> 00:30:25,957
I CAN'T BELIEVE I HAVEN'T
BROUGHT THIS UP.
564
00:30:25,957 --> 00:30:28,360
THIS IS UNBELIEVABLE
>> I JUST FIGURED NOW OR NEVER
565
00:30:28,360 --> 00:30:29,494
>> Jimmy: I'M GOING TO GIVE IT
A STANDING OVATION, IF YOU
566
00:30:29,494 --> 00:30:32,664
DON'T MIND
[ APPLAUSE ]
567
00:30:32,664 --> 00:30:35,400
>> THANK YOU
HERE'S A CLOSE‐UPS OF THE
568
00:30:35,400 --> 00:30:36,668
'STACHE.
THANK YOU.
569
00:30:36,668 --> 00:30:38,270
>> Jimmy: WHAT ARE THE REVIEWS
>> WELL, I'VE ALWAYS WANTED TO
570
00:30:38,270 --> 00:30:39,471
DO IT.
I'VE BEEN AFRAID TO DO IT, AND
571
00:30:39,471 --> 00:30:43,275
I FIGURED, LIKE, QUARANTINE,
NOW OR NEVER KIND OF THING
572
00:30:43,275 --> 00:30:44,476
MY BOYFRIEND NOAH REALLY LIKES
IT, SO IT MAKES ME REALLY LIKE
573
00:30:44,476 --> 00:30:47,746
IT
AND CERTAINLY, IF WE DID THE
574
00:30:47,746 --> 00:30:49,047
"EVAN HANSEN" MOVIE, THIS WOULD
GO AWAY.
575
00:30:49,047 --> 00:30:51,016
BUT FOR NOW ‐‐
>> Jimmy: YOU GOT TO SHOW
576
00:30:51,016 --> 00:30:54,286
RANGE, YOU GOTTA SHOW YOUR
RANGE.
577
00:30:54,286 --> 00:30:55,520
IT COULD BE LIKE A ‐‐ YOU KNOW,
A FAST‐FORWARD SCENE OF "DEAR
578
00:30:55,520 --> 00:30:58,990
EVAN HANSEN.
LIKE, IT'S YOU
579
00:30:58,990 --> 00:31:01,727
>> HE'S LIKE A GROWN, KIND OF
'70s DUDE.
580
00:31:01,727 --> 00:31:03,662
YEAH
>> Jimmy: YEAH, LOOKING BACK,
581
00:31:03,662 --> 00:31:05,130
AND IT'S LIKE A "STAND BY ME."
YOU CAN NARRATE THE WHOLE
582
00:31:05,130 --> 00:31:07,566
THING.
I GREW A MUSTACHE LAST
583
00:31:07,566 --> 00:31:10,602
SUMMER ‐
NO, TWO SUMMERS AGO.
584
00:31:10,602 --> 00:31:11,803
AND I CALLED IT THE SUMMER OF
'STACHE, I WAS VERY EXCITED
585
00:31:11,803 --> 00:31:13,438
ABOUT IT
AND UNIVERSALLY ‐‐
586
00:31:13,438 --> 00:31:20,212
[ LAUGHTER ]
LIKE GLOBALLY.
587
00:31:20,212 --> 00:31:22,848
>> THEY DON'T GET IT
BUT THAT'S OKAY.
588
00:31:22,848 --> 00:31:25,150
IT MAKES ME LIKE IT A LITTLE
MORE, I THINK.
589
00:31:25,150 --> 00:31:26,685
>> Jimmy: YOU HAVE TO DO IT.
YOU GOTTA DO IT.
590
00:31:26,685 --> 00:31:28,086
I MEAN, WHEN YOU'RE MUCH OLDER,
YOU'LL BE LIKE, "LOOK HOW YOUNG
591
00:31:28,086 --> 00:31:31,256
AND COOL ‐‐ I LOOK LIKE A STUD,
I HAD A COOL MUSTACHE.
592
00:31:31,256 --> 00:31:34,226
IT'S AWESOME, IT'S FUN
[ LAUGHTER ]
593
00:31:34,226 --> 00:31:37,262
I WANT TO SAY ALSO, THANK YOU
FOR WHAT YOU'RE DOING WITH YOUR
594
00:31:37,262 --> 00:31:40,699
ACTIVISM AS WELL
>> OF COURSE
595
00:31:40,699 --> 00:31:41,967
>> Jimmy: I SEE YOU ON THAT,
NOT ON YOUR SOCIALS, BUT JUST
596
00:31:41,967 --> 00:31:48,273
IN THE NEWS AND EVERYWHERE
YOU'VE BEEN TO A FEW PROTESTS,
597
00:31:48,273 --> 00:31:52,244
AND YOU'VE BEEN DONATING A LOT
OF MONEY TO DIFFERENT CAUSES
598
00:31:52,244 --> 00:31:55,547
WHAT'S YOUR THOUGHT ON
EVERYTHING THAT IS GOING ON?
599
00:31:55,547 --> 00:31:57,416
>> I MEAN, IT'S WILD
I THINK IT'S BEEN INCREDIBLY
600
00:31:57,416 --> 00:31:59,718
EYE‐OPENING FOR ME THE WAY IT
HAS FOR EVERYBODY IN A LOT OF
601
00:31:59,718 --> 00:32:01,887
DIFFERENT WAYS
PARTICULARLY WHITE PEOPLE.
602
00:32:01,887 --> 00:32:03,088
I THINK THAT ‐‐ YOU KNOW, IT'S
BEEN A REALLY IMPORTANT THING
603
00:32:03,088 --> 00:32:04,122
TO COME TO TERMS WITH THE
DIFFERENCE BETWEEN JUST
604
00:32:04,122 --> 00:32:05,190
AVOIDING BEING AN ACTIVE RACIST
AND BEING AN ACTIVE
605
00:32:05,190 --> 00:32:12,097
ANTI‐RACIST.
AND I THINK FIGURING OUT THE
606
00:32:12,097 --> 00:32:13,298
DIFFERENCE BETWEEN BEING
ACTIVELY AN ALLY AND ACCOMPLICE
607
00:32:13,298 --> 00:32:14,499
VERSUS JUST, SORT OF, BEING
NEUTRAL IS REALLY IMPORTANT AND
608
00:32:14,499 --> 00:32:20,272
SOMETHING THAT GOES REALLY
OVERLOOKED
609
00:32:20,272 --> 00:32:24,309
PARTICULARLY IN SOMETHING THAT
IS SO SYSTEMIC AND PERVASIVE
610
00:32:24,309 --> 00:32:25,577
AND I THINK NO MATTER HOW PURE
YOUR INTENTIONS OR, SORT OF,
611
00:32:25,577 --> 00:32:26,678
HOW BENEVOLENT YOU FEEL LIKE
YOU ARE AS A WHITE PERSON,
612
00:32:26,678 --> 00:32:27,879
THERE IS JUST SOMETHING INNATE
AND INHERENT THAT WE HAVE TO,
613
00:32:27,879 --> 00:32:35,887
KIND OF, TAKE OWNERSHIP OF AND,
SORT OF, ACT AGAINST
614
00:32:35,887 --> 00:32:38,323
AND SO, THAT'S BEEN A REALLY
NICE WAKEUP CALL, I THINK.
615
00:32:38,323 --> 00:32:40,025
AND FOR ME IT'S JUST BEEN ALL
ABOUT MAKING SURE I'M
616
00:32:40,025 --> 00:32:43,028
AMPLIFYING THE RIGHT VOICES.
YOU KNOW, THE BLACK LEADERS AND
617
00:32:43,028 --> 00:32:44,162
ACTIVISTS THAT HAVE BEEN
FIGHTING THIS SAME FIGHT FOR A
618
00:32:44,162 --> 00:32:45,363
A LOT LONGER THAN JUST THESE
PAST COUPLE OF MONTHS, AND WHO
619
00:32:45,363 --> 00:32:46,665
KNOW A LOT MORE ABOUT THE INS
AND OUTS OF ALL OF THIS THAN WE
620
00:32:46,665 --> 00:32:50,836
DO
AND MAKING SURE THOSE ARE THE
621
00:32:50,836 --> 00:32:52,304
VOICES WE'RE FOLLOWING AND
LISTENING TO, AND NOT SPEAKING
622
00:32:52,304 --> 00:32:56,875
BEFORE I UNDERSTAND WHAT I'M
REALLY SAYING AND ‐‐
623
00:32:56,875 --> 00:32:58,009
>> Jimmy: PEOPLE HAVE THE
QUESTIONS ABOUT, OBVIOUSLY,
624
00:32:58,009 --> 00:33:00,846
THERE'S PLACES TO GO
BUT YOU CAN START WITH BEN'S
625
00:33:00,846 --> 00:33:02,714
SOCIAL
BEN PLATT, HE'S GOT A LOT OF
626
00:33:02,714 --> 00:33:06,384
GOOD SPOTS THAT ‐‐
>> THANKS.
627
00:33:06,384 --> 00:33:07,519
>> Jimmy: OPEN YOUR EYE
A LITTLE BIT AND HAVE YOU START
628
00:33:07,519 --> 00:33:12,624
THINKING HOW TO MAKE THE WORLD
A BETTER PLACE
629
00:33:12,624 --> 00:33:14,593
>> Jimmy: SPEAKING OF THAT,
"THE POLITICIAN" SEASON TWO.
630
00:33:14,593 --> 00:33:15,694
WE JUST HAD YOUR CO‐STAR
GWYNETH PALTROW ON THE SHOW
631
00:33:15,694 --> 00:33:21,066
A COUPLE OF WEEKS AGO.
YEAH, OH, MY GOD, YEAH
632
00:33:21,066 --> 00:33:23,235
SHE WAS JUST SO HARD TO TALK TO
AND DEAL WITH.
633
00:33:23,235 --> 00:33:26,938
BUT SHE GAVE YOU RAVE REVIEWS,
BUDDY.
634
00:33:26,938 --> 00:33:28,573
RAVE REVIEWS
AS EVERYONE DOES
635
00:33:28,573 --> 00:33:29,841
EVERYONE WHO TALKS ABOUT YOU,
THEY ‐‐ NOTHING LIKE ‐‐ "WATCH
636
00:33:29,841 --> 00:33:32,744
OUT FOR THIS GUY, HE'S
UNBELIEVABLE."
637
00:33:32,744 --> 00:33:35,080
>> THANKS, MAN
>> Jimmy: BUT EXPLAIN WHAT IS
638
00:33:35,080 --> 00:33:38,850
HAPPENING THIS SEASON.
>> YEAH, OF COURSE
639
00:33:38,850 --> 00:33:40,519
PAYTON ‐‐ SO YEAH.
THE FULL FIRST SEASON WAS KIND
640
00:33:40,519 --> 00:33:41,720
OF LIKE THIS BACKSTORY, SETTING
UP THIS CHARACTER OF PAYTON,
641
00:33:41,720 --> 00:33:42,821
WHO'S LIKE THIS CRAZY,
EGOMANIAC PASSIONATE POLITICIAN
642
00:33:42,821 --> 00:33:43,955
TO WANTS TO BE THE LEADER AND
WANTS TO BE THE PRESIDENT
643
00:33:43,955 --> 00:33:49,794
AND ‐‐
IT WAS THIS WHOLE KIND OF HIGH
644
00:33:49,794 --> 00:33:51,096
SCHOOL DRAMA MADNESS
AND NOW, YOU KNOW, HE'S A BIT
645
00:33:51,096 --> 00:33:53,231
OLDER, ALL THE CHARACTERS ARE
A BIT OLDER.
646
00:33:53,231 --> 00:33:54,533
THEY'RE IN THEIR 20s
I MIRACULOUSLY GET TO PLAY MY
647
00:33:54,533 --> 00:33:58,003
OWN AGE, WHICH IS A BIZARRE NEW
EXPERIENCE FOR ME.
648
00:33:58,003 --> 00:33:59,137
AND IT'S ALL ABOUT A STATE
SENATE RACE IN NEW YORK WHERE
649
00:33:59,137 --> 00:34:00,272
PAYTON'S RUNNING AGAINST
DEDE STANDISH, WHOSE PLAYED BY
650
00:34:00,272 --> 00:34:04,175
JUDITH LIGHT
SHE'S, LIKE, BEEN IN THAT SEAT
651
00:34:04,175 --> 00:34:05,310
FOR 13 CONSECUTIVE TERMS, AND
HE'S THE FIRST PERSON TO
652
00:34:05,310 --> 00:34:08,580
CHALLENGE HER IN A LONG TIME
AND HER CAMPAIGN MANAGER IS, OF
653
00:34:08,580 --> 00:34:14,819
COURSE, BETTE MIDLER, WHO PLAYS
HADASSAH GOLD.
654
00:34:14,819 --> 00:34:15,987
WHICH IS JUST, YOU KNOW, VERY
CASUAL TO HAVE BETTE MIDLER
655
00:34:15,987 --> 00:34:17,155
JUST, LIKE, GIVING AN ALL‐IN
COMEDIC PERFORMANCE NEXT TO
656
00:34:17,155 --> 00:34:20,625
YOU.
>> Jimmy: JUDITH LIGHT AND
657
00:34:20,625 --> 00:34:23,562
BETTE MIDLER, TWO ‐‐ TWO
LEGENDS.
658
00:34:23,562 --> 00:34:24,696
SO NOW YOU'RE GOING FOR SENATE
WITH ‐‐ YOUR DREAMS ARE TO
659
00:34:24,696 --> 00:34:29,901
BECOME THE PRESIDENT, REALLY
>> YES, THAT'S ‐‐ YES, YES
660
00:34:29,901 --> 00:34:32,637
YEAH, NO, SO YEAH, IT'S ALL
ABOUT STATE SENATE
661
00:34:32,637 --> 00:34:34,272
IT'S OBVIOUSLY SOMEWHAT
FANTASTICAL.
662
00:34:34,272 --> 00:34:35,473
AND THE NICE THING ABOUT IT
COMING OUT IN THIS MOMENT, IS
663
00:34:35,473 --> 00:34:38,343
THAT IT'S PRETTY MUCH AN
ESCAPE
664
00:34:38,343 --> 00:34:40,412
I MEAN, THERE'S A FEW THINGS
THAT OBVIOUSLY ARE RELEVANT.
665
00:34:40,412 --> 00:34:41,613
THERE'S AN EPISODE ABOUT CANCEL
CULTURE, AND THERE'S A BIT
666
00:34:41,613 --> 00:34:42,814
ABOUT, LIKE, ACTIVATING YOUNG
PEOPLE TO VOTE, WHICH I THINK
667
00:34:42,814 --> 00:34:47,285
IS A REALLY POWERFUL AND
FANTASTIC MESSAGE.
668
00:34:47,285 --> 00:34:48,386
BUT OTHER THAN THAT, IT'S JUST
REALLY, KIND OF, KOOKY,
669
00:34:48,386 --> 00:34:51,890
BIZARRE, FUN, SHARP.
IT'S A REALLY NICE LITTLE THREE
670
00:34:51,890 --> 00:34:55,293
AND A HALF HOUR ESCAPE
>> Jimmy: BEN PLATT, YOU'RE
671
00:34:55,293 --> 00:34:56,461
AWESOME.
THANK YOU SO MUCH FOR DOING THE
672
00:34:56,461 --> 00:34:57,796
SHOW
I REALLY APPRECIATE IT
673
00:34:57,796 --> 00:34:59,798
AND YOU ROCK
THANKS, BUD.
674
00:34:59,798 --> 00:35:02,067
>> THANKS, DUDE.
♪
675
00:35:02,067 --> 00:35:03,168
>> Jimmy: THANK YOU, BEN PLATT
WE'LL BE RIGHT BACK WITH A
676
00:35:03,168 --> 00:35:04,235
A PERFORMANCE FROM
BRITTANY HOWARD.
677
00:35:04,235 --> 00:35:28,259
♪
>> Jimmy: LADIES AND GENTLEMEN,
BRITTANY HOWARD.
678
00:35:40,205 --> 00:36:06,564
♪
♪
679
00:36:06,564 --> 00:36:30,188
♪
♪
680
00:36:30,188 --> 00:36:36,594
♪
♪
681
00:36:36,594 --> 00:36:43,702
♪ SEE TOMATOES ARE GREE
AND COTTON IS WHIT
682
00:36:43,702 --> 00:36:47,205
MY HEROES ARE BLACK ♪
♪ SO WHY GO
683
00:36:47,205 --> 00:36:52,911
GOT BLUE EYES ♪
♪
684
00:36:52,911 --> 00:36:59,017
♪ MY DADDY HE STAYE
MY GRANDMAMA'S A MAI
685
00:36:59,017 --> 00:37:05,490
MY MAMA WAS BRAVE ♪
♪ TO TAKE ME OUTSID
686
00:37:05,490 --> 00:37:11,796
'CAUSE MAMA IS WHITE
AND DADDY IS BLACK ♪
687
00:37:11,796 --> 00:37:15,667
♪ WHEN I FIRST GOT MADE
SEE I GUESS I MADE
688
00:37:15,667 --> 00:37:20,872
THESE FOLKS MAD ♪
♪ SEE I KNOW MY COLORS SE
689
00:37:20,872 --> 00:37:25,510
BUT WHAT I WANNA KNOW IS
WHO SLASHED MY DAD'S TIRES ♪
690
00:37:25,510 --> 00:37:30,215
♪ AND PUT A GOAT HEAD
IN THE BAC
691
00:37:30,215 --> 00:37:32,183
I GUESS I'M NOT ♪
♪ SUPPOSED TO KNOW THAT
692
00:37:32,183 --> 00:37:37,422
TOO BA
I GUESS I'M NOT SUPPOSED ♪
693
00:37:37,422 --> 00:37:38,857
♪ TO MIND
'CAUSE I'M BROWN
694
00:37:38,857 --> 00:37:42,026
I'M NOT BLACK ♪
♪ BUT WHO SAID THAT
695
00:37:42,026 --> 00:37:44,729
SEE I'M BLAC
I'M NOT WHITE ♪
696
00:37:44,729 --> 00:37:51,736
♪ BUT WELL I AM THA
BUT NO NO I'M THIS RIGHT
697
00:37:51,736 --> 00:37:56,474
I'M ONE DROP ♪
♪ OF THREE‐FIFTHS RIGHT
698
00:37:56,474 --> 00:38:02,881
GOAT HEAD IN THE BAC
GOAT HEAD IN THE BACK ♪
699
00:38:02,881 --> 00:38:09,220
♪ GOAT HEAD IN THE BACK
GOAT HEAD IN THE BAC
700
00:38:09,220 --> 00:38:15,660
GOAT HEAD IN THE BACK ♪
♪ GOAT HEAD IN THE BACK
701
00:38:15,660 --> 00:38:22,066
GOAT HEAD IN THE BAC
GOAT HEAD IN THE BACK ♪
702
00:38:22,066 --> 00:38:28,373
♪ GOAT HEAD IN THE BACK
GOAT HEAD IN THE BAC
703
00:38:28,373 --> 00:38:34,479
GOAT HEAD IN THE BACK ♪
♪ SEE GOAT HEAD IN THE BACK
704
00:38:34,479 --> 00:38:42,153
GOAT HEAD IN THE BAC
GOAT HEAD IN THE BACK ♪
705
00:38:42,153 --> 00:38:47,625
♪ GOAT HEAD IN THE BACK
GOAT HEAD IN THE BAC
706
00:38:47,625 --> 00:38:59,304
GOAT HEAD IN THE BACK ♪
♪ GOAT HEAD IN THE BACK
707
00:38:59,304 --> 00:39:05,877
GOAT HEAD IN THE BACK ♪
♪
708
00:39:05,877 --> 00:39:25,697
♪
>> Jimmy: THANK YOU GUYS SO
709
00:39:25,697 --> 00:39:27,131
MUCH FOR WATCHING.
I APPRECIATE IT.
710
00:39:27,131 --> 00:39:29,667
PLEASE WATCH THE NEXT SHOW
WASH YOUR HANDS, DON'T TOUCH
711
00:39:29,667 --> 00:39:32,470
YOUR FACE.
I'LL SEE YOU TOMORROW NIGHT.
712
00:39:32,470 --> 00:39:38,142
BYE BYE.
62301
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