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These are the user uploaded subtitles that are being translated: 1 00:00:02,502 --> 00:00:08,091 ♪ ♪ ♪ Captioning sponsored by CBS 2 00:00:08,174 --> 00:00:12,929 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW 3 00:00:13,012 --> 00:00:17,142 ♪ OH, OH IT'S THE LATE LATE SHOW ♪ 4 00:00:17,225 --> 00:00:18,476 >> James: GOOD EVENING, LADIES AND GENTLEMEN. 5 00:00:18,560 --> 00:00:22,939 WELCOME TO THE "LATE, LATE SHOW," I'M HERE IN MY GARAGE. 6 00:00:23,022 --> 00:00:27,569 YOU TELL ME IF QUARANTINE WAS OVER, RIGHT? 7 00:00:27,652 --> 00:00:30,280 LIKE YOU WOULD SAY SOMETHING BECAUSE I FEEL LIKE I'M STILL 8 00:00:30,363 --> 00:00:40,290 DOING, I FEEL LIKE LOADS OF PEOPLE ARE TAKING HOT YOGA 9 00:00:40,373 --> 00:00:43,460 TOGETHER, SOMEONE WOULD STOP BY THE HOUSE, SEND A NET, WOULD YOU 10 00:00:43,543 --> 00:00:45,837 DO SOMETHING, REGGIE, TO LET ME KNOW? 11 00:00:45,920 --> 00:00:47,839 >> Reggie: I WOULD, AND I WOULD ASK OTHERS DO THE SAME FOR 12 00:00:47,922 --> 00:00:48,840 ME. 13 00:00:48,923 --> 00:00:50,800 >> James: YEAH, I THINK THAT'S EXACTLY THE SAME. 14 00:00:50,884 --> 00:00:54,262 I WOULD DO FOR THEM, AND I WOULD ASK THAT IN RETURN. 15 00:00:54,345 --> 00:00:55,054 YOU KNOW? 16 00:00:55,138 --> 00:00:58,475 I TELL YOU WHAT I DID DO ON FRIDAY. 17 00:00:58,558 --> 00:01:01,811 THIS WAS FUN, BEFORE WE DO A SEGMENT ON THIS LATER IN THE 18 00:01:01,895 --> 00:01:03,062 WEEK. 19 00:01:03,146 --> 00:01:10,153 I WENT TO PICK UP A PRESCRIPTION YEAH, IT WAS LIKE I WAS GOING TO 20 00:01:10,236 --> 00:01:10,653 DISNEYWORLD. 21 00:01:10,737 --> 00:01:12,781 IT WAS INCREDIBLE. 22 00:01:12,864 --> 00:01:15,158 I WAS IN THE PHARMACY. 23 00:01:15,241 --> 00:01:17,243 I WAS LIKE LOOK, STUFF AND PEOPLE. 24 00:01:17,327 --> 00:01:24,292 WHAT BUT, HAGAR, WHAT ARE YOU DOING I WENT ON A HIKE. 25 00:01:24,375 --> 00:01:30,799 >> James: ON YOUR OWN OR AT A SAFE DISTANCE WITH SWIN ELSE 26 00:01:30,882 --> 00:01:32,342 WITH SOMEONE ELSE. 27 00:01:32,425 --> 00:01:35,345 >> MOST OF THE BAND AND REGGIE. 28 00:01:35,428 --> 00:01:36,846 OH, YOU SHOULD COME. 29 00:01:36,930 --> 00:01:44,354 >> James: IT'S VERY DIFFICULT FOR ME TO COME HAGAR. 30 00:01:44,437 --> 00:01:49,192 YOU WENT ON THE HIKE? 31 00:01:49,275 --> 00:01:50,026 >> YES. 32 00:01:50,109 --> 00:01:50,360 >> James: STEER, DID YOU GO ON THE HIKE? 33 00:01:50,443 --> 00:01:51,528 >> I DO. 34 00:01:51,611 --> 00:01:54,322 >> James: RIGHT, AT ANY POINT WHEN WERE YOU ORGANIZING THIS 35 00:01:54,405 --> 00:01:59,369 HIKE DID ANYBODY IN THE BAND SAY MAYBE WE STHUD CHECK IN AND SEE 36 00:01:59,452 --> 00:02:00,787 WHAT JAMES IS DOING? 37 00:02:00,870 --> 00:02:03,665 >> IT WAS STEVE'S HIKE, IT WAS STEVE'S HIKE. 38 00:02:03,748 --> 00:02:05,542 >> Reggie: YEAH, STEVE'S HIKE. 39 00:02:05,625 --> 00:02:10,505 >> James: HASHTAG STEVE'S HIKE IS HASHTAG BULL [BLEEP]. 40 00:02:10,588 --> 00:02:18,054 >> YOU CAN ONLY COME IF ARE YOU WILLING TO DRAIN HIS KNEE 41 00:02:18,137 --> 00:02:19,180 AFTERWARDS. 42 00:02:19,264 --> 00:02:20,932 >> James: I WOULD BE FINE, HERE IS WHAT I THINK ABOUT A 43 00:02:21,015 --> 00:02:22,100 HIKE. 44 00:02:22,183 --> 00:02:25,061 I WOULD BE FINE ON A HIKE BECAUSE I REALIZED I HAVE NEVER 45 00:02:25,144 --> 00:02:29,274 BEEN ON A HIKE THAT ISN'T SOCIALLY DISTANT. 46 00:02:29,357 --> 00:02:36,781 BECAUSE I'M ALWAYS TWO METERS BEHIND THE PERSON THAT I AM 47 00:02:36,865 --> 00:02:38,408 HIKING WITH THINK WHG IS THE RUSH. 48 00:02:38,491 --> 00:02:44,080 WHY ARE WE IN SUCH A RUSH TO GET TO THE TOP AND COME BACK AGAIN? 49 00:02:44,163 --> 00:02:46,875 HOW LONG WAS THE HIKE? 50 00:02:46,958 --> 00:02:47,375 >> TWO. 51 00:02:47,458 --> 00:02:50,086 >> James: TWO HOURS? 52 00:02:50,169 --> 00:02:51,296 >> YEAH. 53 00:02:51,379 --> 00:02:55,008 >> James: I JUST WANT TO BE CLEAR, AT ANY POINT DURING HOUR 54 00:02:55,091 --> 00:03:00,263 ONE, NO ONE WENT OH, SOMEONE MISSING HERE WHO IS NORMALLY ON 55 00:03:00,346 --> 00:03:01,514 CAMERA ON THE SHOW. 56 00:03:01,598 --> 00:03:05,268 >> I THOUGHT OF YOU WHEN I WAS EATING THE SALAMI BY THE CREEK. 57 00:03:05,351 --> 00:03:07,270 >> James: SALAMI! 58 00:03:07,353 --> 00:03:10,315 RIGHT, THAT'S THE FINAL-- WE ARE ALL DOING GREAT AND I HOPE ARE 59 00:03:10,398 --> 00:03:11,441 YOU TOO. 60 00:03:11,524 --> 00:03:13,443 AND WE ARE SO HAPPY THAT YOU ARE HERE TONIGHT WITH US. 61 00:03:13,526 --> 00:03:18,281 WE'RE GOING TO BE SPEAKING WITH THE INCREDIBLE JOSH GAD LATER IN 62 00:03:18,364 --> 00:03:21,951 THE SHOW, WE HAVE A BRILLIANT MUSICAL PERFORM ANG FROM ANUEL 63 00:03:22,035 --> 00:03:23,119 COMING UP. 64 00:03:23,202 --> 00:03:25,330 BUT FIRST LET'S START WITH THE TRIFECTA TO MAKE YOUR NIGHT 65 00:03:25,413 --> 00:03:31,419 BRIGHT, THIS IS THREE THINGS HE. 66 00:03:31,502 --> 00:03:37,175 >> James: REGGIE, WHAT COMES FIRST, NUMBER ONE, ON SATURDAY 67 00:03:37,258 --> 00:03:40,553 PRESIDENT DONALD TRUMP GAVE THE COMMENCEMENT ADDRESS AT WEST 68 00:03:40,637 --> 00:03:43,473 POINT AND TWITTER WENT ABSOLUTELY BONKERS OVER THIS 69 00:03:43,556 --> 00:03:57,320 SLOW WALK DOWN A RAMP AS HE LEFT THE STAGE. 70 00:03:57,403 --> 00:04:05,495 ♪. 71 00:04:05,578 --> 00:04:08,498 NOW TO BE CLEAR WE DIDN'T ADD THAT MUSIC. 72 00:04:08,581 --> 00:04:13,336 I KNOW IT MIGHT SEEM LIKE IT, THOSE FLUTES THOSE FLUTES WERE 73 00:04:13,419 --> 00:04:15,338 MOCKING HIM ALL ON THEIR OWN. 74 00:04:15,421 --> 00:04:19,842 NOW FOR MONTHS PRESIDENT TRUMP HAS REFUSED TO WEAR A MASK OUT 75 00:04:19,926 --> 00:04:22,595 OF FEAR HE MIGHT LOOK FOOLISH. 76 00:04:22,679 --> 00:04:28,977 AND ALL IT TOOK WAS A SLIGHT DECLINE TO MAKE HIM LOOK 77 00:04:29,060 --> 00:04:30,144 FOOLISH. 78 00:04:30,228 --> 00:04:34,565 AND OF COURSE THE PRESIDENT REMAINED COOL AFTER THE VIDEO, 79 00:04:34,649 --> 00:04:37,485 I'M KIDDING, HE WENT TO TWITTER WRITING THE RAMP THAT I 80 00:04:37,568 --> 00:04:40,488 DESCENDED AFTER MY WEST POINT COMMENCEMENT SPEECH WAS VERY 81 00:04:40,571 --> 00:04:44,158 LONG AND STEEP, HAD NO HANDRAIL AND MOST IMPORTANTLY WAS VERY 82 00:04:44,242 --> 00:04:45,368 SLIPPERY. 83 00:04:45,451 --> 00:04:47,495 THE LAST THING I WAS GOING TO DO WAS FALL FOR THE FAKE NEWS TO 84 00:04:47,578 --> 00:04:52,500 HAVE FUN WITH FINAL TEN FEET A RAN DOWN TO LEVEL GROUND. 85 00:04:52,583 --> 00:04:53,668 MOMENTUM. 86 00:04:53,751 --> 00:04:55,628 NOW THIS TWEET CREATE MORSE QUESTIONS THAN IT DOES ANSWERS 87 00:04:55,712 --> 00:05:02,385 LIKE WHY IS THE WORD "FALL" IN COTAITION MARKS. 88 00:05:02,468 --> 00:05:05,596 TWEETING ABOUT THIS ONLY DRAWS MORE ATTENTION TO IT. 89 00:05:05,680 --> 00:05:11,436 IT IS LIKE SENDING AN OFFICE WIDE EMAIL WITH THE SUBJECT LINE 90 00:05:11,519 --> 00:05:14,230 THE MUS STARRED STAIN ON MY SHIRT TODAY. 91 00:05:14,313 --> 00:05:16,482 NOW I HAVE TBHEFER BEEN ON THE RAMP AT WEST POINT VOI NO IDEA 92 00:05:16,566 --> 00:05:20,570 HOW HARD OR EASY IT IS TO GET UP AND DOWN, FOR ALL I KNOW TRUMP 93 00:05:20,653 --> 00:05:22,739 COULD BE DOING A BRILLIANT JOB. 94 00:05:22,822 --> 00:05:27,577 THEN I SAW THIS. 95 00:05:27,660 --> 00:05:41,299 NOW TO BE FAIR, PRESIDENT OBAMA IS A LOT YOUNGER THAN TRUMP. 96 00:05:41,382 --> 00:05:44,594 OH, NEVER MIND, MOMENTUM. 97 00:05:44,677 --> 00:05:47,597 ALL OF THIS OVER A SLOW WALK DOWN A RAMP WHEN THERE ARE SO 98 00:05:47,680 --> 00:05:51,642 MANY OTHER THINGS TO FOCUS ON FROM TRUMP'S ADDRESS THIS PAST 99 00:05:51,726 --> 00:06:00,568 WEEKEND, LIKE THE WAY HE DRINKS WATER. 100 00:06:00,651 --> 00:06:02,904 (APPLAUSE) I'VE HONESTLY NEVER SEEN ANYBODY 101 00:06:02,987 --> 00:06:06,115 DRINK WATER-- HE DRINKS WATER LIKE IT'S MAD AT HIM. 102 00:06:06,199 --> 00:06:09,452 THIS IS WHERE HE NEEDS HELP FROM THE NATIONAL GUARD. 103 00:06:09,535 --> 00:06:10,745 FORGET THE PROTEST. 104 00:06:10,828 --> 00:06:14,791 BUT IT IS AN IMPORTANT REMIND WE ARE SUMMER COMING ON THAT YOU DO 105 00:06:14,874 --> 00:06:24,842 HAVE TO STAY HYDRATED. 106 00:06:24,926 --> 00:06:32,934 HAVE TO STAY HYDRATED. 107 00:06:33,017 --> 00:06:35,645 ♪ ♪ SO STAY HYDRATED, EVEN IF YOU 108 00:06:35,728 --> 00:06:38,940 DRINK WATER LIKE YOU DON'T KNOW WHAT WATER IS. 109 00:06:39,023 --> 00:06:40,441 REGGIE WHAT IS 1 PLUS ONE. 110 00:06:40,525 --> 00:06:41,400 >> Reggie: TWO. 111 00:06:41,484 --> 00:06:44,862 >> James: TWO, NUMBER-- HAD TO THINK ABOUT IT. 112 00:06:44,946 --> 00:06:48,199 NUMBER TWO, THIS SINCE QUARANTINE STARTED LIFE HAS 113 00:06:48,282 --> 00:06:49,659 REALLY SLOWED DOWN FOR A LOT OF US. 114 00:06:49,742 --> 00:06:56,624 AND IT HAS REALLY, REALLY SLOWED DOWN FOR OTHERS. 115 00:06:56,707 --> 00:07:09,512 >> I DON'T KNOW WHY HE DOES THIS. 116 00:07:09,595 --> 00:07:12,765 >> James: THIS ATTITUDE TOWARDS THE WORLD MAKES MORE 117 00:07:12,849 --> 00:07:15,643 SENSE WHEN YOU REMEMBER HE SPENT LIKE AN 1/8 OF HIS ENTIRE LIFE 118 00:07:15,726 --> 00:07:16,853 IN QUARANTINE. 119 00:07:16,936 --> 00:07:21,524 HE REALLY TOOK HIS SWEET TIME GETTING DOWN THAT THAT SLIDE. 120 00:07:21,607 --> 00:07:28,364 I HAVEN'T SEEN ANYTHING THAT SLOW AND AWKWARD SINCE-- . 121 00:07:28,447 --> 00:07:30,158 ♪ REGGIE, WHAT IS NEXT. 122 00:07:30,241 --> 00:07:33,536 >> Reggie: I'M GOING TO GO FOR THREE. 123 00:07:33,619 --> 00:07:35,079 >> James: NUMBER THREE, NOW FIEMENTLY DESPITE SEEING PEOPLE 124 00:07:35,163 --> 00:07:39,208 IF PUBLIC WHO AREN'T WEARING MASKS, A GLOBAL PANDEMIC IS 125 00:07:39,292 --> 00:07:40,376 STILL HAPPENING. 126 00:07:40,459 --> 00:07:42,712 BUT THERE ARE MOMENTS THAT WE CAN CELEBRATE LIKE WHEN JOYCE 127 00:07:42,795 --> 00:07:45,715 AND DON A COUPLE WHO HAVE BEEN MARRIED FOR 67 YEARS WERE 128 00:07:45,798 --> 00:07:51,721 REUNITED AFTER BEING SEPARATED FOR FIVE WEEKS DUE TO COVID. 129 00:07:51,804 --> 00:07:57,602 >> LOOK AT ALL THE PEOPLE. 130 00:07:57,685 --> 00:08:02,732 OH, OH, NO WAY. 131 00:08:02,815 --> 00:08:04,108 OH. 132 00:08:04,192 --> 00:08:05,234 OH, HONEY. 133 00:08:05,318 --> 00:08:07,612 >> DO YOU WANT TO GIVE HIM A HUG. 134 00:08:07,695 --> 00:08:09,655 I WILL HELP YOU. 135 00:08:09,739 --> 00:08:11,699 >> OH HONEY. 136 00:08:11,782 --> 00:08:18,915 >> YOU THINK I'M AN OLD MAN NOW. 137 00:08:18,998 --> 00:08:22,376 BEAUTIFUL SO WONDERFUL, YOU LOOK SO WONDERFUL. 138 00:08:22,460 --> 00:08:23,753 ARE YOU SO BEAUTIFUL. 139 00:08:23,836 --> 00:08:29,717 YOU LOOK SO BEAUTIFUL. 140 00:08:29,800 --> 00:08:36,307 EVERYBODY WANTED TO SEE YOU. 141 00:08:36,390 --> 00:08:41,312 OH, BEAUTIFUL, OH MY. 142 00:08:41,395 --> 00:08:45,650 >> James: THEY'VE BEEN MARRIED 67 YEARS. 143 00:08:45,733 --> 00:08:52,114 PUT THAT IN PERSPECTIVE, JANUARY 2020 WAS 67 YEARS AGO. 144 00:08:52,198 --> 00:08:55,952 THAT WAS THREE THINGS. 145 00:08:56,035 --> 00:08:57,161 THREE THINGS. 146 00:08:57,245 --> 00:09:00,748 ♪ WE'LL BE RIGHT BACK WITH JOSH GAD AND NOW THE HIKERS TO PLAY 147 00:09:00,831 --> 00:09:06,254 YOU OUT. 148 00:09:06,337 --> 00:09:08,714 ♪ ♪ ♪ 149 00:09:15,012 --> 00:09:21,102 ♪ ♪ ♪ 150 00:09:21,185 --> 00:09:24,355 >> James: WELCOME BACK, OUR GUEST IS ALWAYS UP FOR WHATEVER 151 00:09:24,438 --> 00:09:26,816 WE ASK OF HIM WHETHER IT IS A CROSS WALK OR RANDOM APPEARANCE 152 00:09:26,899 --> 00:09:28,067 IN A SKETCH. 153 00:09:28,150 --> 00:09:32,113 IN FACT HE HAS BEEN ON THE SHOW SO MANY TIMES WE ARE GIVING HIM 154 00:09:32,196 --> 00:09:36,158 THE ULTIMATE TALK SHOW GUEST HONOR. 155 00:09:36,242 --> 00:09:39,787 HIS VERY OWN THEME SONG INTRODUCTION. 156 00:09:39,870 --> 00:09:40,079 REGGIE? 157 00:09:40,162 --> 00:09:41,664 HIT IT. 158 00:09:41,747 --> 00:09:45,793 >> JOSH GAD IS HERE TONIGHT. 159 00:09:45,876 --> 00:09:49,714 >> WE ARE THRILLED HE'S BACK WITH US AGAIN TONIGHT, MR. JOSH 160 00:09:49,797 --> 00:09:50,506 GAD. 161 00:09:50,589 --> 00:09:56,012 >> HEY JAMES, HOW ARE YOU. 162 00:09:56,095 --> 00:09:59,348 >> GUESS WHO JUST GOT BACK TODAY. 163 00:09:59,432 --> 00:09:59,890 ♪ A MAN SIZED BOY. 164 00:09:59,974 --> 00:10:04,979 ♪ SINCE HE'S BEEN AWAY. 165 00:10:05,062 --> 00:10:07,523 ♪ HIS HIT PARADE. 166 00:10:07,606 --> 00:10:10,693 >> James: LADIES AND GENTLEMEN, ONE OF MY ABSOLUTE 167 00:10:10,776 --> 00:10:14,739 FAVORITE, THE STAR, A COME ED YARNS AND THE VOICE OF OLAF, 168 00:10:14,822 --> 00:10:15,698 MR. JOSH GAD. 169 00:10:15,781 --> 00:10:19,994 >> GORGEOUS AND MARVELOUS. 170 00:10:20,077 --> 00:10:26,417 ♪ SPREAD THE WORD AROUND GUESS WHO'S BACK IN TOWN. 171 00:10:26,500 --> 00:10:31,213 >> >> James: NO, NO, NO. 172 00:10:31,297 --> 00:10:32,840 THIS GAD IS BACK IN TOWN. 173 00:10:32,923 --> 00:10:34,884 ♪ GAD IS BACK IN TOWN. 174 00:10:34,967 --> 00:10:38,387 >> James: JOSH GAD EVERYBODY. 175 00:10:38,471 --> 00:10:44,727 ♪ THE GAD IS BACK IN TOWN. 176 00:10:44,810 --> 00:10:48,189 ♪ >> James: THERE HE IS, JOSH 177 00:10:48,272 --> 00:10:48,898 GAD. 178 00:10:48,981 --> 00:10:49,565 >> OH, WHERE DO WE GO FROM THERE. 179 00:10:49,649 --> 00:10:52,568 THAT WAS SO BEAUTIFUL, REGGIE. 180 00:10:52,651 --> 00:10:53,569 I'M SO TOUCHED. 181 00:10:53,652 --> 00:10:56,072 >> Reggie: WELL,-- . 182 00:10:56,155 --> 00:11:00,618 >> James: LOOK AT THAT. 183 00:11:00,701 --> 00:11:06,749 I MEAN THAT IS ALOT OF, IT REALLY TOOK ME DOWN MEMORY LANE, 184 00:11:06,832 --> 00:11:07,833 QUITE A LOT OF THAT. 185 00:11:07,917 --> 00:11:10,419 >> THAT IS WHEN WE COULD BE WHAT IS IT CALLED TOGETHER. 186 00:11:10,503 --> 00:11:12,421 >> James: TOGETHER, I MEAN LOOKING BACK AND ALL THE STUFF 187 00:11:12,505 --> 00:11:13,798 WE HAVE DONE TOGETHER ON THE SHOW. 188 00:11:13,881 --> 00:11:18,427 IS THERE ANYTHING THAT STANDS OUT AS A PARTICULAR FAVORITE 189 00:11:18,511 --> 00:11:19,637 MOMENTS. 190 00:11:19,720 --> 00:11:23,766 >> OH MAN, I THINK PROBABLY THE FIRST CROSS WALK I EVER DID, 191 00:11:23,849 --> 00:11:29,397 BEAUTY AND THE BEAST WAS, THAT WAS SPECIAL, THAT WAS MAGICAL. 192 00:11:29,480 --> 00:11:33,859 YOU KNOW, BUT EVERY SINGLE THING I'VE DONE WITH YOU, EXCEPT FOR 193 00:11:33,943 --> 00:11:38,447 THIS RIGHT NOW, HAS BEEN MEM MEMORABLE AND WONDERFUL. 194 00:11:38,531 --> 00:11:40,783 >> James: I CAN REMEMBER YOU WERE ONE OF MY FAVORITE PEOPLE. 195 00:11:40,866 --> 00:11:45,830 I THINK THE BEAUTY AND THE BEAST WAS ONE OF THE FIRST SORT OF 196 00:11:45,913 --> 00:11:48,749 CROSSWALKS WE'VE DONE WITH PEOPLE, YOU KNOW, PROMOTING A 197 00:11:48,833 --> 00:11:49,208 MOVIE. 198 00:11:49,291 --> 00:11:50,418 >> A MOVIE, RIGHT. 199 00:11:50,501 --> 00:11:51,919 >> James: I THINK YOU WERE THE FIRST PERSON WHO JUST ASSUMED 200 00:11:52,002 --> 00:11:57,967 THAT WE CLOSED THE STREET DOWN AND THAT THEY WERE ALL STUNT 201 00:11:58,050 --> 00:11:58,926 CARS. 202 00:11:59,009 --> 00:12:01,262 >> I DID I WAS LIKE WOW, YOU HAVE A BIG BUDGET. 203 00:12:01,345 --> 00:12:04,140 >> James: I REMEMBER YOU GOING OH MY GOD, I CAN'T BELIEVE 204 00:12:04,223 --> 00:12:06,642 YOU'VE MANAGED TO LOCK DOWN THIS MUCH OF THE ROAD. 205 00:12:06,725 --> 00:12:11,814 AND I WAS LIKE NO, NO, REGULAR CARS. 206 00:12:11,897 --> 00:12:14,024 >> THIS IS AS DANGEROUS AS IT CAN GET. 207 00:12:14,108 --> 00:12:18,821 THIS IS POTENTIALLY ILLEGAL AS WE ARE ALLOWED TO DO HERE ON 208 00:12:18,904 --> 00:12:19,947 CBS. 209 00:12:20,030 --> 00:12:22,658 >> James: NOW WE HAVE BEEN TALKING A BIT OVER THESE PAST 210 00:12:22,741 --> 00:12:23,826 FEW MONTHS, BEEN CHECKING IN ON EACH OTHER. 211 00:12:23,909 --> 00:12:24,452 HOW ARE YOU DOING? 212 00:12:24,535 --> 00:12:27,163 HOW ARE THE FAMILY COPING. 213 00:12:27,246 --> 00:12:27,830 HOW ARE YOU DOING? 214 00:12:27,913 --> 00:12:29,957 ARE YOU OKAY? 215 00:12:30,040 --> 00:12:34,503 >> JUST GREAT, JAMES. 216 00:12:34,587 --> 00:12:36,046 YEAH, WE'RE HOLDING UP, WE'RE HOLDING UP. 217 00:12:36,130 --> 00:12:39,633 KIDS ARE ALMOST DONE WITH SCHOOL. 218 00:12:39,717 --> 00:12:40,634 WHICH WILL BE INTERESTING. 219 00:12:40,718 --> 00:12:43,971 BECAUSE IF THERE IS ONE THING THAT'S BETTER THAN 220 00:12:44,054 --> 00:12:47,057 HOMESCHOOLINGS IT IS HOME-- . 221 00:12:47,141 --> 00:12:49,018 >> James: NO SCHOOLING, EXACTLY. 222 00:12:49,101 --> 00:12:51,896 >> IT IS INTERESTING, BUT WE'RE HOLDING UP. 223 00:12:51,979 --> 00:12:54,899 >> James: DO YOU TAKE THE KIDS TO A PROTEST THIS WEEKEND IN LOS 224 00:12:54,982 --> 00:12:55,983 ANGELES, RIGHT. 225 00:12:56,066 --> 00:12:56,984 >> YEAH. 226 00:12:57,067 --> 00:12:58,903 >> James: HOW WAS THAT, HOW HAVE THEY FOUND IT. 227 00:12:58,986 --> 00:13:02,865 >> THEY'VE BEEN AMAZING. 228 00:13:02,948 --> 00:13:07,912 MY GIRLS ARE UNBELIEVABLY OPEN AND COMPASSIONATE AND 229 00:13:07,995 --> 00:13:10,664 EMPATHETIC, THANK GOD. 230 00:13:10,748 --> 00:13:13,584 AND THEY REALLY WANTED TO DO IT. 231 00:13:13,667 --> 00:13:16,504 AND YOU KNOW, IT'S BEEN DIFFICULT TO TALK ABOUT 232 00:13:16,587 --> 00:13:17,880 EVERYTHING THAT'S GOING ON. 233 00:13:17,963 --> 00:13:23,677 BUT THEY REALLY WELCOME HONEST DIALOGUE, LIKE I'M SURE YOUR 234 00:13:23,761 --> 00:13:24,386 KIDS DO. 235 00:13:24,470 --> 00:13:25,554 AND IT WAS AMAZING. 236 00:13:25,638 --> 00:13:31,143 IT WAS ALSO LIKE SAD THAT LIKE THE MOST TIME AMONGST HUMAN 237 00:13:31,227 --> 00:13:35,731 BEINGS THEY'VE HAD IS TO MARCH FOR SOCIAL JUSTICE. 238 00:13:35,814 --> 00:13:39,902 WHICH IS JUST LIKE BOTH WONDERFUL AND ALSO, YOU KNOW, ST 239 00:13:39,985 --> 00:13:44,949 THE TIME WE'RE IN, WHERE WE ARE ON LOCKDOWN AND EVERYTHING, IT 240 00:13:45,032 --> 00:13:49,912 IS HARD FOR THEM SOCIALLY BUT IT WAS GREAT TO BE OUT AMONGST 241 00:13:49,995 --> 00:13:51,121 LIKE-MINDED PEOPLE. 242 00:13:51,205 --> 00:13:53,123 >> James: NOW WHILE YOU HAVE BEEN IN THE HOUSE TOGETHER AS A 243 00:13:53,207 --> 00:13:57,211 FAMILY, WHAT SORT OF THINGS HAVE YOU BEEN DOING TO PASS THE TIME? 244 00:13:57,294 --> 00:13:58,963 >> WE HAVE BEEN PAYING A LOT OF GAMES. 245 00:13:59,046 --> 00:14:03,801 THERE IS A GAME WE DISCOVERED CALLED WACKY STICKS. 246 00:14:03,884 --> 00:14:04,927 >> James: A GAME YOU BUY. 247 00:14:05,010 --> 00:14:08,931 I WANT TO WRITE THIS DOWN BECAUSE WE NEED ALL THE HELP. 248 00:14:09,014 --> 00:14:09,723 >> YOU'LL LOVE IT. 249 00:14:09,807 --> 00:14:11,267 >> James: WACKY STICKS. 250 00:14:11,350 --> 00:14:14,270 >> OR IF ARE YOU JAMES CORDEN, IT IS A GAME THEY CAN GIVE YOU 251 00:14:14,353 --> 00:14:15,396 FOR FREE TO TALK ABOUT ON YOUR SHOW. 252 00:14:15,479 --> 00:14:20,401 >> James: WACKY STICKS, WELL WITH A SHAKE SHACK BURGER. 253 00:14:20,484 --> 00:14:21,485 >> THAT'S RIGHT, ALL OF IT. 254 00:14:21,569 --> 00:14:24,947 >> James: IS THIS A KNOWN GAME, IS THIS A BIG GAME IN 255 00:14:25,030 --> 00:14:25,531 AMERICA. 256 00:14:25,614 --> 00:14:26,282 HAVE I NEVER HEARD OF IT. 257 00:14:26,365 --> 00:14:27,658 >> I HAD NEVER HEARD OF IT EITHER. 258 00:14:27,741 --> 00:14:28,951 >> James: WHAT DO YOU DO? 259 00:14:29,034 --> 00:14:32,913 >> AND SO YOU, EVERYBODY GETS A BUNCH OF CARDS AND BASICALLY THE 260 00:14:32,997 --> 00:14:34,123 FIRST PERSON WITHOUT GETS ALL THE CARDS DOWN WINS. 261 00:14:34,206 --> 00:14:37,209 THAT IS THE SHORT WAY OF DESCRIBING IT. 262 00:14:37,293 --> 00:14:41,630 THERE ARE LIKE 54 CARDS AND YOU HAVE TO GET 12 DOWN BUT-- THERE 263 00:14:41,714 --> 00:14:44,091 ARE A BUNCH OF RULES, BUT ST REALLY FUN AND REALLY 264 00:14:44,174 --> 00:14:44,842 COMPETITIVE. 265 00:14:44,925 --> 00:14:47,636 AND MY WIFE IS A MONSTER ABOUT IT. 266 00:14:47,720 --> 00:14:50,222 >> James: BECAUSE YOU ON'T STRIKE ME AS SOMEONE WITHOUT 267 00:14:50,306 --> 00:14:53,517 GETS INCREDIBLY COMPETITIVE DURING GAMES. 268 00:14:53,601 --> 00:14:54,101 >> I DON'T. 269 00:14:54,184 --> 00:14:55,477 I DON'T GET COMPETITIVE. 270 00:14:55,561 --> 00:14:58,480 I DO HAVE READ THE TELL PROMPTER, I COULD HAVE SAID YOUR 271 00:14:58,564 --> 00:15:01,025 OPENER, THAT WOULD HAVE BEEN THE SIGN OF A COMPETITIVE PERSON, I 272 00:15:01,108 --> 00:15:04,111 DIDN'T DO T I HELD BACK, IT'S YOUR SHOW. 273 00:15:04,194 --> 00:15:08,324 MY WIFE IS-- SHE'S A MONSTER WHEN WE ARE DOING THIS. 274 00:15:08,407 --> 00:15:11,785 SHE WILL LIKE FREAK OUT ON ME AND THE GIRLS AND BE LIKE NO, I 275 00:15:11,869 --> 00:15:13,162 PUT THAT CARD DOWN FIRST! 276 00:15:13,245 --> 00:15:15,164 >> James: RIGHT. 277 00:15:15,247 --> 00:15:16,373 >> IT'S A GAME, BABE. 278 00:15:16,457 --> 00:15:19,251 WE'RE ALL-- IT'S LIKE SHE THINKS SHE'S GOING TO GET A PRIZE. 279 00:15:19,335 --> 00:15:24,006 >> James: YOU ARE PLAYING FOR NOTHING WE ALREADY LIVE HERE, 280 00:15:24,089 --> 00:15:26,467 YOU CAN'T WIN ANYTHING OUTSIDE. 281 00:15:26,550 --> 00:15:29,678 >> YOU CAN'T WIN ANYTHING IN A HOUSE THAT YOU LIVE IN, BUT 282 00:15:29,762 --> 00:15:30,846 LOVE. 283 00:15:30,929 --> 00:15:32,890 >> James: THAT IS WHY YOU RE-CREATE TO-- RETREAT TO THIS 284 00:15:32,973 --> 00:15:36,226 OFFICE AND ARE JUST HANGING OUT AND DOING THINGS ON THE SHOW. 285 00:15:36,310 --> 00:15:37,353 >> YES. 286 00:15:37,436 --> 00:15:39,021 YOU DON'T KNOW THIS, BUT THIS OFFICE IS IN YOUR HOME. 287 00:15:39,104 --> 00:15:42,358 YOU HAVE SUCH A LARGE HOME. 288 00:15:42,441 --> 00:15:43,901 >> James: YEAH, SURE. 289 00:15:43,984 --> 00:15:47,863 NOW LET'S TALK ABOUT YOUR BRILLIANT MOVIE ARTEMIS FOWL. 290 00:15:47,946 --> 00:15:49,990 I'M REALLY, REALLY EXCITED TO SEE THIS. 291 00:15:50,074 --> 00:15:52,242 ME AND MY SON MAX ARE VERY EXCITED. 292 00:15:52,326 --> 00:15:54,036 FOR ANYONE NOT FAMILIAR WITH THE STORY, TELL THEM WHAT IT IS 293 00:15:54,119 --> 00:15:57,414 ABOUT AND WHO YOU PLAY. 294 00:15:57,498 --> 00:16:01,752 >> ARTEMIS FOWL IS BASED ON A SERIES OF BOOKS BY AUTHOR OWEN 295 00:16:01,835 --> 00:16:04,171 PULLFER WHO DESCRIBES THE SERIES AT DIEHARD WITH FAIRIES. 296 00:16:04,254 --> 00:16:10,427 I GOT A CALL FROM KENNETH BRANAGH I WORKED WITH HIM ON 297 00:16:10,511 --> 00:16:15,849 MURDER ON THE ORIENT EXPRESS, HE IT IS ABOUT A 12 YEAR OLD 298 00:16:15,933 --> 00:16:19,228 CRIMINAL MASTER MIND ARTEMIS FOWL AND IN A BOOK POP LATED BY 299 00:16:19,311 --> 00:16:24,233 BRILLIANT PEOPLE, ENDS UP BEING MOST BRILLIANT OF THE BUNCH AND 300 00:16:24,316 --> 00:16:27,152 FINDS A WAY TO UNDERMINE EVERYBODY WHO COMES HIS WAY. 301 00:16:27,236 --> 00:16:31,031 AND MY CHARACTER IS THIS LONER, THIS MISS CHIEFOUS CHARACTER WHO 302 00:16:31,115 --> 00:16:33,200 IS ALWAYS SEEMINGLY OUT FOR HIMSELF. 303 00:16:33,283 --> 00:16:36,245 >> James: NOW IF YOU AREN'T BUSY ENOUGH, YOU HAVE THE MOVIE 304 00:16:36,328 --> 00:16:37,413 AND AUGUST THESE THINGS. 305 00:16:37,496 --> 00:16:42,876 YOU ALSO STARTED THIS BRILLIANT YOUTUBE SERIES WHERE YOU ARE 306 00:16:42,960 --> 00:16:44,253 REUNITING CASTS, EXPLAIN TO ANYBODY WHO HASN'T CAUGHT UP 307 00:16:44,336 --> 00:16:47,381 WHAT IT IS YOU ARE DOING. 308 00:16:47,464 --> 00:16:49,258 BECAUSE I THINK IT HAS BROUGHT PEOPLE A HUGE AMOUNT OF JOY. 309 00:16:49,341 --> 00:16:54,263 >> I AM LITERALLY DOING WHAT I SAID, I AM REUNITING CASTS. 310 00:16:54,346 --> 00:16:57,141 YOU ACTUALLY EXPLAINED IT BRILLIANTLY. 311 00:16:57,224 --> 00:16:59,268 SO REUNITED APART TAKES CASTS FROM SOME OF MY FAVORITE MOVIES 312 00:16:59,351 --> 00:17:02,146 OF ALL TIMES, GOONIES, GHOSTBUSTERS, BACK TO THE 313 00:17:02,229 --> 00:17:05,899 FUTURE, SPLASH, LORD OF THE RINKS AND IT CONNECTS THEM ALL 314 00:17:05,983 --> 00:17:08,235 THROUGH THE SAFETY OF THEIR HOMES AND IN TURN WE RAISE MONEY 315 00:17:08,318 --> 00:17:11,447 FOR AMAZING CHARITIES. 316 00:17:11,530 --> 00:17:15,367 WE JUST HAD OUR LORD OF THE RINGS EPISODE RAISED 130,000 FOR 317 00:17:15,451 --> 00:17:20,247 NO KID HUNGRY JUST FROM ONLINE DONATIONS, ST IS PRETTY AMAZING 318 00:17:20,330 --> 00:17:24,251 AND HAS BEEN I THINK A LITTLE BIT OF LIGHT DURING THESE DARK 319 00:17:24,334 --> 00:17:25,461 TIMES. 320 00:17:25,544 --> 00:17:27,254 >> James: WHAT FILMS ARE YOU WORKING ON NEXT, WHAT IS NEXT ON 321 00:17:27,337 --> 00:17:28,464 THE HIT LISS? 322 00:17:28,547 --> 00:17:33,635 >> WELL, WE HAVE GHOSTBUSTERS COMING UP, AND THEN I'M SHOOTING 323 00:17:33,719 --> 00:17:35,929 A NEW ONE TOMORROW. 324 00:17:36,013 --> 00:17:37,806 AND I WISH I COULD TELL YOU WHAT IT IS. 325 00:17:37,890 --> 00:17:38,640 BUT I CAN'T YET. 326 00:17:38,724 --> 00:17:41,143 BUT IT'S GOING TO BE PRETTY AMAZES. 327 00:17:41,226 --> 00:17:43,103 >> James: WHY DON'T YOU TEXT IT TO ME NOW. 328 00:17:43,187 --> 00:17:44,480 >> I WILL TEXT IT TO YOU-- . 329 00:17:44,563 --> 00:17:47,649 >> James: TEXT IT TO ME NOW AND THE AUDIENCE WILL KNOW FROM 330 00:17:47,733 --> 00:17:49,359 MY REACTION WHETHER THIS IS. 331 00:17:49,443 --> 00:17:50,152 >> DO YOU REALLY WANT ME TO TEXT IT. 332 00:17:50,235 --> 00:17:51,445 >> James: YEAH, YEAH, YEAH. 333 00:17:51,528 --> 00:17:56,492 WHETHER THIS IS SOMETHING BIG OR WHETHER I'M NONPLUSSED ABOUT IT. 334 00:17:56,575 --> 00:18:00,704 >> SAY, SIRI TEXT JAMES CORDEN. 335 00:18:00,788 --> 00:18:04,958 >> James: DON'T JUST SAY IT, TEXT IT. 336 00:18:05,042 --> 00:18:10,672 >> THE NEXT MOVIE I'M DOING IS-- I WILL TEXT YOU YOU NOW. 337 00:18:10,756 --> 00:18:13,091 >> James: AND I WILL REALLY LET PEOPLE KNOW WHETHER THIS IS 338 00:18:13,175 --> 00:18:15,969 SOMETHING THEY SHOULD GET EXCITED ABOUT OR. 339 00:18:16,053 --> 00:18:16,762 >> I WANT YOU TO. 340 00:18:16,845 --> 00:18:20,516 >> James: I PROMISE I WON'T SAY IT. 341 00:18:20,599 --> 00:18:23,185 >> OKAY, LOOK AT YOUR PHONE. 342 00:18:23,268 --> 00:18:24,478 >> James: SHUT UP. 343 00:18:24,561 --> 00:18:25,145 >> THAT'S GOOD, RIGHT? 344 00:18:25,229 --> 00:18:27,689 >> James: OH WOW, THAT'S HUGE. 345 00:18:27,773 --> 00:18:28,690 >> THAT'S GOOD, RIGHT. 346 00:18:28,774 --> 00:18:30,984 >> James: THAT'S GREAT. 347 00:18:31,068 --> 00:18:35,030 BECAUSE I'M NOT A FAN OF LORD OF THE RINGS, DOESN'T REALLY DO IT 348 00:18:35,114 --> 00:18:35,364 FOR ME. 349 00:18:35,447 --> 00:18:36,240 >> REALLY? 350 00:18:36,323 --> 00:18:39,368 >> James: THIS, BUT THIS THIS IS MY JAM. 351 00:18:39,451 --> 00:18:40,536 WOW. 352 00:18:40,619 --> 00:18:44,873 DO YOU KNOW WHAT ST, DO YOU WANT ME TO TEXT IT TO YOU REG. 353 00:18:44,957 --> 00:18:46,041 >> YEAH, TEXT IT TO REG. 354 00:18:46,125 --> 00:18:48,252 >> James: I JUST WANT TO SEE YOUR REACTION. 355 00:18:48,335 --> 00:18:49,127 >> I BOND. 356 00:18:49,211 --> 00:18:52,256 >> James: LET'S JUST SEE YOUR REACTION. 357 00:18:52,339 --> 00:18:56,885 OKAY, HANG ON. 358 00:18:56,969 --> 00:18:57,553 OKAY, READY. 359 00:18:57,636 --> 00:18:59,888 >> THIS IS JOSH GAD'S NEXT-- . 360 00:18:59,972 --> 00:19:02,015 >> Reggie: NO! 361 00:19:02,099 --> 00:19:02,891 >> RIGHT? 362 00:19:02,975 --> 00:19:04,560 HZ HOLY [BLEEP] >> James: THERE YOU GO. 363 00:19:04,643 --> 00:19:06,562 >> WEIRDLY IT HAS BEEN OUR MOST REQUESTED SHOW. 364 00:19:06,645 --> 00:19:07,896 >> James: I BET IT IS. 365 00:19:07,980 --> 00:19:08,856 I BET IT IS. 366 00:19:08,939 --> 00:19:09,773 >> Reggie: AMAZING. 367 00:19:09,857 --> 00:19:12,526 >> James: YEAH, IT'S GOING TO BE INCREDIBLE. 368 00:19:12,609 --> 00:19:16,196 LOOK AT THIS, YOU ARE KEEPING EVERYBODY'S SPIRITS HIGH DURING 369 00:19:16,280 --> 00:19:17,114 LOCKDOWN. 370 00:19:17,197 --> 00:19:19,283 WE THANK GOD FOR JOSH GAD EVERY SINGLE DAY. 371 00:19:19,366 --> 00:19:23,745 LET'S TAKE A LOOK AT A CLIP FROM ARTEMIS FOWL WHICH IS STREAMING 372 00:19:23,829 --> 00:19:24,872 RIGHT NOW ON DISNEY PLUS. 373 00:19:24,955 --> 00:19:27,249 >> WHAT ARE YOU IN FOR THIS TIME. 374 00:19:27,332 --> 00:19:30,586 >> PUT IN A GOOD WORD FOR ME, YOU KNOW I'M AN ARTIST. 375 00:19:30,669 --> 00:19:33,046 >> YEAH, A CONARTIST. 376 00:19:33,130 --> 00:19:34,423 >> GREAT ARTISTS ARE NEVER UNDERSTOOD. 377 00:19:34,506 --> 00:19:36,758 YOU AND I WOULD MAKE A GREAT TEAM, YOU KNOW. 378 00:19:36,842 --> 00:19:39,261 CRACKING SAFES, TUNNELING INTO BANKS. 379 00:19:39,344 --> 00:19:42,764 YOU WATCHING YOUR BACK WITH YOUR TINY FAIRY WEAPONS. 380 00:19:42,848 --> 00:19:45,267 >> THAT IS YOUR PLAN. 381 00:19:45,350 --> 00:19:47,603 >> BY THE WAY. 382 00:19:47,686 --> 00:19:48,478 >> STOP PICKING MY POCKETS. 383 00:19:48,562 --> 00:19:49,938 >> THINK OF MY CHILDREN. 384 00:19:50,022 --> 00:19:51,607 >> YOU DON'T HAVE CHILDREN. 385 00:19:51,690 --> 00:19:52,232 >> NOT YET. 386 00:19:52,316 --> 00:19:53,942 >> PRISONER FOR PROCESSING. 387 00:19:54,026 --> 00:19:55,444 >> HEY, DON'T GO YET. 388 00:19:55,527 --> 00:19:57,779 WE'RE THE SAME, YOU KNOW. 389 00:19:57,863 --> 00:20:01,283 YOUR LAST NAME IS SHORT, MY WHOLE BODY IS SHORT. 390 00:20:01,366 --> 00:20:06,455 >> I KEEP TELLING YOU THAT, THAT IS JUST DISCRIMINATORY. 391 00:20:06,538 --> 00:20:09,791 >> James: STICK AROUND, MORE WITH JOSH GAD WHEN WE COME BACK. 392 00:20:09,875 --> 00:20:19,343 ♪ ♪ ♪ 393 00:20:24,389 --> 00:20:33,649 ♪ ♪ ♪ 394 00:20:33,732 --> 00:20:39,029 WELCOME BACK, FOR THE PAST FEW MONTHS, IT FELT LIKE ONE GREAT 395 00:20:39,112 --> 00:20:43,951 BIG NEVER ENDING ZOO. 396 00:20:44,034 --> 00:20:47,788 AND AT SOME POINT IN EVERY ZOO I FIND MYSELF THINKING IS THAT 397 00:20:47,871 --> 00:20:50,332 PERSON FROZEN OR ARE THEY JUST VERY, VERY STILL. 398 00:20:50,415 --> 00:20:52,250 DO YOU KNOW WHAT I MEAN? 399 00:20:52,334 --> 00:20:53,335 DOES THAT HAPPEN TO YOU? 400 00:20:53,418 --> 00:20:54,544 >> YES. 401 00:20:54,628 --> 00:20:55,796 >> James: WELL, I WAS HOPING YOU WOULD SAY TA BECAUSE SEEING 402 00:20:55,879 --> 00:20:59,508 AS YOU ARE SOMETHING OF A FROZEN EXPERT, WE THOUGHT TONIGHT WE 403 00:20:59,591 --> 00:21:06,890 WOULD PLAY A LITTLE GAME WE LIKE TO CALL FROZEN OR POSE'N. 404 00:21:06,974 --> 00:21:13,522 ♪ FROZEN OR POSE'N. 405 00:21:13,605 --> 00:21:14,731 HERE'S YOU HAD IT WORKS. 406 00:21:14,815 --> 00:21:18,360 IN A MOMENT WE'LL BE JOINED BY SIX CONTESTANTS, THREE OF THEM 407 00:21:18,443 --> 00:21:20,320 ARE PROFESSIONAL HUMAN STATUES. 408 00:21:20,404 --> 00:21:23,323 THE OTHER THREE ARE PLAIN OLD HUMAN PEOPLE. 409 00:21:23,407 --> 00:21:29,162 YOUR JOB, JOSH, IS TO FIGURE OUT WHO IS JUST POS NOSE N AND WHO 410 00:21:29,246 --> 00:21:30,706 IS FROZEN. 411 00:21:30,789 --> 00:21:31,373 >> UH-HUH, OKAY. 412 00:21:31,456 --> 00:21:32,874 >> James: YOU FEELING GOOD. 413 00:21:32,958 --> 00:21:33,792 >> I'M FEELING A LOT OF PRESSURE. 414 00:21:33,875 --> 00:21:36,378 >> James: LET'S BRING OUT OUR CONTESTANT. 415 00:21:36,461 --> 00:21:42,050 WE HAVE JIKS CONTESTANT, STEVEN, SARA, DE LIA JOSHUA AND 416 00:21:42,134 --> 00:21:44,302 JENNIFER, NOW FEEL FREE TO ASK THEM ANY QUESTIONS, ANYTHING YOU 417 00:21:44,386 --> 00:21:46,930 WANT TO TRY TO GET THEM TO BREAK. 418 00:21:47,014 --> 00:21:51,393 THREE OF THEM ARE FROZEN AND THREE OF THEM ARE POSE'N. 419 00:21:51,476 --> 00:21:56,523 I MEAN THE FIRST THING TO SAY IS ANYONE THERE THAT IS POSE'N IS 420 00:21:56,606 --> 00:21:59,401 DOING THE MOST BRILLIANT. 421 00:21:59,484 --> 00:22:00,610 >> INCREDIBLE JOB. 422 00:22:00,694 --> 00:22:04,239 I WANT TO START WITH SIERRA BECAUSE SIERRA AND STEVEN 423 00:22:04,322 --> 00:22:08,577 BECAUSE THEIR EYES ARE LIKE WIDE OPEN. 424 00:22:08,660 --> 00:22:14,416 SIERRA, BLINK TWICE IF YOU ARE REAL. 425 00:22:14,499 --> 00:22:19,921 JENNIFER LOOKS LIKE SOMEONE I KNOW, JENNIFER, YOU CAN NOD IF 426 00:22:20,005 --> 00:22:24,134 WE HAVE MET. 427 00:22:24,217 --> 00:22:25,385 JENNIFER? 428 00:22:25,469 --> 00:22:28,930 WHAT IS-- I'M ACTUALLY EVEN MORE FASCINATED BY THE STATUE, THAT 429 00:22:29,014 --> 00:22:30,223 IS ALSO FROZEN OR NOSE N. 430 00:22:30,307 --> 00:22:33,602 >> James: THAT COULD BE A HIM, THAT SHE. 431 00:22:33,685 --> 00:22:36,605 >> IT COULD BE, A HIM. 432 00:22:36,688 --> 00:22:39,900 >> James: THAT STATUTE. 433 00:22:39,983 --> 00:22:41,068 LET'S LOOK AT JOSHUA. 434 00:22:41,151 --> 00:22:45,614 NOW WHAT MADE YOU THINK ABOUT JOSHUA IS THAT-- OH, MAN, IS 435 00:22:45,697 --> 00:22:46,740 THAT A. 436 00:22:46,823 --> 00:22:53,455 >> NOW IF I WERE HOLDING A MUG LIKE JOSHUA, AND I'M ALSO 437 00:22:53,538 --> 00:22:55,457 JOSHUA, I WOULD BE SHAKING. 438 00:22:55,540 --> 00:23:02,130 SO THAT JOSHUA IS CLEARLY IN BETTER SHAPE THAN ME. 439 00:23:02,214 --> 00:23:03,590 OH JAMES, YOU'VE GOT IT DOWN. 440 00:23:03,673 --> 00:23:06,468 >> James: WELL, I WAS TRYING TO SEE HOW I WOULD HOLD A CUP 441 00:23:06,551 --> 00:23:08,136 THAT WELL. 442 00:23:08,220 --> 00:23:08,804 >> HOW DOES THIS LOOK? 443 00:23:08,887 --> 00:23:14,768 DOES THIS LOOK REAL? 444 00:23:14,851 --> 00:23:15,977 KIND OF? 445 00:23:16,061 --> 00:23:21,650 JRS LET'S LOOK AT STEVEN. 446 00:23:21,733 --> 00:23:23,610 STEVEN! 447 00:23:23,693 --> 00:23:23,944 STEVEN! 448 00:23:24,027 --> 00:23:25,153 >> STEVEN! 449 00:23:25,237 --> 00:23:29,699 , WHAT WAS IT LIKE BEING A MARK TWAIN CHARACTER WHEN YOU GOT 450 00:23:29,783 --> 00:23:31,201 YOUR START. 451 00:23:31,284 --> 00:23:32,619 >> James: STEVEN! 452 00:23:32,702 --> 00:23:37,290 >> I FEEL LIKE STEVEN HAS BEEN TRAPPED SINCE 1886 WITH THAT 453 00:23:37,374 --> 00:23:38,458 FACIAL HAIR. 454 00:23:38,542 --> 00:23:41,670 OH, I THINK STEVEN MAYBE-- I THINK STEVEN MAY BE A POSE'N. 455 00:23:41,753 --> 00:23:43,547 >> James: DO YOU? 456 00:23:43,630 --> 00:23:46,758 YOU THINK THERE WAS A SLIGHT GLITCH THERE. 457 00:23:46,842 --> 00:23:49,845 >> I THINK THERE WAS A SLIGHT GLITCH LIKE IN SEASON THREE OF 458 00:23:49,928 --> 00:23:50,512 WEST WORLD. 459 00:23:50,595 --> 00:23:51,888 I THINK HE IS SEASON THREE. 460 00:23:51,972 --> 00:23:55,684 >> James: YOU ARE GOING TO YOU DON'T HAVE TO DECIDE JUST YET. 461 00:23:55,767 --> 00:23:57,477 LET'S LOOK AT A COUPLE OF OTHERS. 462 00:23:57,561 --> 00:23:59,354 LET'S LOOK AT. 463 00:23:59,437 --> 00:24:03,483 >> OH, OH, IRBY IS-- I WANT TO LOOK AT IRBY. 464 00:24:03,567 --> 00:24:04,651 YOU CAN SEE IRBY. 465 00:24:04,734 --> 00:24:08,321 >> James: NOW IRBY HAS GONE WITH THE CLOSED EYES OH, THERE 466 00:24:08,405 --> 00:24:09,656 YOU GO. 467 00:24:09,739 --> 00:24:11,533 IRBY, ARE YOU POSE'N. 468 00:24:11,616 --> 00:24:17,706 MAKE YIR FIRST GUS, IRBY ARE YOU POSE'N. 469 00:24:17,789 --> 00:24:19,708 LOOK AT, THAT WE KNEW IT. 470 00:24:19,791 --> 00:24:20,500 >> OLAF. 471 00:24:20,584 --> 00:24:23,044 >> James: THAT WAS VERY GOOD, IRBY. 472 00:24:23,128 --> 00:24:23,962 >> IT WAS THAT-- . 473 00:24:24,045 --> 00:24:27,549 >> James: IT WAS THE SWALLOW WE'RE ONE DOWN. 474 00:24:27,632 --> 00:24:30,051 NOW LET'S MAKE ANOTHER GUESS HERE JOSH. 475 00:24:30,135 --> 00:24:31,720 LET'S MAKE YOUR NEXT GUESS. 476 00:24:31,803 --> 00:24:35,223 >> STEVEN STEVEN, I'M TELLING YOU, IT IS STEVEN. 477 00:24:35,307 --> 00:24:40,562 >> James: WE'RE GOING FOR STEVEN, ARE YOU FROZEN OR ARE 478 00:24:40,645 --> 00:24:43,064 YOU POSE'N. 479 00:24:43,148 --> 00:24:44,149 >> YOU GOT ME. 480 00:24:44,232 --> 00:24:47,402 >> James: GOOD MOVE WITH THE COFFEE CUP, THAT IS HOW HE 481 00:24:47,485 --> 00:24:52,574 DIDN'T MOVE, LOOK, HE'S GOT IT ON SOME KIND OF-- LOOK AT THAT. 482 00:24:52,657 --> 00:24:53,742 >> THAT'S BRILLIANT. 483 00:24:53,825 --> 00:24:57,204 >> James: WELL DONE, STEVEN, JOSH, ARE YOU TWO FOR TWO, YOU 484 00:24:57,287 --> 00:25:02,250 HAVE ONE MORE, FROM DE LIE LA, SIERRA, JOSHUA OR JENNIFER, WHO 485 00:25:02,334 --> 00:25:03,877 ARE YOU GOING TO GO FOR? 486 00:25:03,960 --> 00:25:08,548 >> I'M ALMOST POSITIVE THAT DELILA IS FROZEN. 487 00:25:08,632 --> 00:25:12,761 I MEAN IF NOT SHE IS A MIRACLE ON EARTH. 488 00:25:12,844 --> 00:25:15,305 >> James: WE THINK ARE YOU FROZEN, ARE YOU FROZEN OR ARE 489 00:25:15,388 --> 00:25:17,599 YOU POSE'N. 490 00:25:17,682 --> 00:25:18,642 >> FROZEN. 491 00:25:18,725 --> 00:25:20,477 >> James: THERE WE GO, JOSH, YOU ARE GOOD AT THIS. 492 00:25:20,560 --> 00:25:26,566 ALL RIGHT, LET'S GO TO SIERRA, IS SIERRA FROZEN OR POSE'N. 493 00:25:26,650 --> 00:25:27,692 >> I THINK SHE'S FROZEN. 494 00:25:27,776 --> 00:25:32,447 >> James: WE'RE GOING FOR FROZEEN, SIERRA ARE YOU FROZEN 495 00:25:32,530 --> 00:25:33,782 OR POSE'N. 496 00:25:33,865 --> 00:25:36,451 >> I'M FROZEN. 497 00:25:36,534 --> 00:25:38,912 >> James: SO ST DOWN TO THE LAST TWO. 498 00:25:38,995 --> 00:25:43,959 YOU HAVE GOT TO CHOOSE BETWEEN JENNIFER AND JOSHUA, WHO OUT OF 499 00:25:44,042 --> 00:25:47,963 THOSE TOO DO YOU THINK IS POSE'N. 500 00:25:48,046 --> 00:25:54,344 >> CAN I SEE A TIGHT ON JOSHUA REALLY QUICK? 501 00:25:54,427 --> 00:25:57,764 I'M ALMOST POSITIVE THAT, I COULD LOSE IT ALL HERE BUT I'M 502 00:25:57,847 --> 00:26:02,811 ALMOST POSITIVE THAT JOSHUA IS FROZEN AND MY LADY FRIEND WITH 503 00:26:02,894 --> 00:26:05,480 THE STATUE IS POSE'N. 504 00:26:05,563 --> 00:26:07,816 >> James: JENNIFER IS POSE'N. 505 00:26:07,899 --> 00:26:12,821 JOSHUA, ARE YOU FROZEN OR ARE YOU POSE'N. 506 00:26:12,904 --> 00:26:13,989 >> I'M FROZEN. 507 00:26:14,072 --> 00:26:18,493 >> James: HE WAS FROZEN, JOSH, YOU ARE ABSOLUTELY RIGHT. 508 00:26:18,576 --> 00:26:22,622 JENNIFER WAS POSE'N, LET'S SEE JENNIFER. 509 00:26:22,706 --> 00:26:23,498 >> POSE'N. 510 00:26:23,581 --> 00:26:26,251 >> James: GREAT WORK, JOSHUA, WELL DONE. 511 00:26:26,334 --> 00:26:30,338 THAT WAS FROZEN OR POSE'N, THANK YOU SO MUCH TO JOSH GAD AND ALL 512 00:26:30,422 --> 00:26:31,506 OF OUR CONTESTANTS. 513 00:26:31,589 --> 00:26:32,382 >> GREAT JOB, GUYS. 514 00:26:32,465 --> 00:26:35,010 >> James: WE'LL BE RIGHT BACK, EVERYBODY. 515 00:26:35,093 --> 00:26:44,352 ♪ ♪ ♪ 516 00:26:49,733 --> 00:26:55,864 ♪ ♪ ♪ 517 00:26:55,947 --> 00:26:59,326 >> James: WELCOME BACK, NOW JOSH YOU'VE HAD A REALLY 518 00:26:59,409 --> 00:27:03,163 PRODUCTIVE TIME, YOU WORKED ON YOUR OWN YOUTUBE CHANNEL, I'M SO 519 00:27:03,246 --> 00:27:06,207 IMPRESSED YOU MANAGED TO BE THIS PRODUCTIVE DURING THIS PERIOD OF 520 00:27:06,291 --> 00:27:07,042 TIME. 521 00:27:07,125 --> 00:27:08,585 >> IT'S WEIRD, HAVE I BEEN SO BUSY. 522 00:27:08,668 --> 00:27:11,755 WITH THE YOUTUBE CHANNEL AND A TON OF VOICE OVER WORK, A TON. 523 00:27:11,838 --> 00:27:12,881 I HAVE JUST BEEN SLAMMED. 524 00:27:12,964 --> 00:27:17,010 >> James: YOU DO HAVE AN INCREDIBLE VOICE, YOU VOICED ONE 525 00:27:17,093 --> 00:27:20,889 OF THE MOST FAMOUS CHARACTERS IN ANIMATION, OLAF, THE SNOWMAN 526 00:27:20,972 --> 00:27:22,891 FROM FROZEN. 527 00:27:22,974 --> 00:27:27,854 >> TRUE, TRUE, YEAH, I PLAYED OLAF IN A FEW FILMS OVER THE 528 00:27:27,937 --> 00:27:30,732 YEARS BUT FROM THERE I HAVE REALLY BRANCHED OUT TO OTHER 529 00:27:30,815 --> 00:27:31,858 THINGS. 530 00:27:31,941 --> 00:27:34,486 >> James: REALLY, SO WHAT KIND OF THINGS, WHAT SORT OF 531 00:27:34,569 --> 00:27:36,112 CHARACTERS ARE YOU PLAYING? 532 00:27:36,196 --> 00:27:37,197 >> JUST OLAF. 533 00:27:37,280 --> 00:27:40,909 I ONLY PLAY OLAF BUT HIS VOICE HAS BEEN SO IN DEMAND. 534 00:27:40,992 --> 00:27:45,747 I'M SURE YOU ALREADY KNOW THIS BUT I NAR RATED THE CELEBRATED 535 00:27:45,830 --> 00:27:49,459 ESPN DOCUSERIES THE LAST DANCE AS OLAF THE SNOWMAN. 536 00:27:49,542 --> 00:27:50,085 >> James: REALLY? 537 00:27:50,168 --> 00:27:52,587 I DON'T THINK THAT'S RIGHT. 538 00:27:52,670 --> 00:27:53,588 >> UNBELIEVABLE, ISN'T IT. 539 00:27:53,671 --> 00:27:56,424 >> James: IT IS NOT UNBELIEVABLE, IT JUST DIDN'T 540 00:27:56,508 --> 00:27:57,926 HAPPEN. 541 00:27:58,009 --> 00:27:59,177 >> THEN HOW DO YOU EXPLAIN THIS? 542 00:27:59,260 --> 00:28:00,970 >> James: EXPLAIN WHAT? 543 00:28:01,054 --> 00:28:03,598 >> LET'S GO TO THE CLIP. 544 00:28:03,681 --> 00:28:07,060 >> HEY, KIDS, IT'S ME OLAF THE SNOWMAN AND THIS MOVIE IS ABOUT 545 00:28:07,143 --> 00:28:11,231 HOW SPORTS WITH FUN, WINNING IS NO BIG DEAL, THEY START THE GAME 546 00:28:11,314 --> 00:28:15,985 WITH A HUDDLE WHICH IS LIKE A BIG HUG BETWEEN SIX MEN OR MORE. 547 00:28:16,069 --> 00:28:17,070 HOPEFULLY MORE. 548 00:28:17,153 --> 00:28:18,947 SHOULD I SHAVE MY HEAD? 549 00:28:19,030 --> 00:28:23,993 SERIOUSLY, GOOD IDEA OR BAD IDEA, MAYBE I SHOULD JUST LET IT 550 00:28:24,077 --> 00:28:24,869 GROW, LET IT GROW! 551 00:28:24,953 --> 00:28:27,831 OH HEY, THERE IS DENNIS RODMAN. 552 00:28:27,914 --> 00:28:33,586 OH, THEY ARE HAVING SO MUCH FUN. 553 00:28:33,670 --> 00:28:35,463 OH, OH, THAT ONE DIDN'T GO IN. 554 00:28:35,547 --> 00:28:38,967 HE IS STILL HAVING FUN THOUGH, I THINK HE'S OKAY. 555 00:28:39,050 --> 00:28:39,801 THEY'LL HUG AGAIN AFTER THIS. 556 00:28:39,884 --> 00:28:44,097 >> James: WHAT ON RERT WAS THAT? 557 00:28:44,180 --> 00:28:50,103 >> THAT IS A DOCUSERIES ABOUT THE 1997 CHICAGO BULLS AS TOLD 558 00:28:50,186 --> 00:28:53,314 BY A NARRATOR WHO UNDERSTANDS HOW PRECIOUS TIME IS BECAUSE HE 559 00:28:53,398 --> 00:28:54,482 IS A SNOWMAN. 560 00:28:54,566 --> 00:28:57,193 >> James: IT FEALS LIKE YOU MADE THAT VIDEO YOURSELF AS A 561 00:28:57,277 --> 00:28:59,529 PLOI TO GET MORE WORK FOR OLAF. 562 00:28:59,612 --> 00:29:01,364 >> A WAY TO GET MORE WORK FOR OLAF. 563 00:29:01,448 --> 00:29:04,617 WHY WOULD I DO THAT, JAMES, ESPECIALLY WHEN OLAF JUST 564 00:29:04,701 --> 00:29:09,038 FINISHED A FILM ABOUT THE SEVERE DUST STORM THAT WRECKED HAVOC ON 565 00:29:09,122 --> 00:29:10,832 THE AMERICAN PRAY YEARS IN THE 1930S. 566 00:29:10,915 --> 00:29:15,253 >> James: ARE YOU TALKING ABOUT THE PBS DOCUMENTARY THE 567 00:29:15,336 --> 00:29:15,837 DUST BOWL BECAUSE THAT WAS A GREAT DOCUMENTARY. 568 00:29:15,920 --> 00:29:19,841 WHAT HAVE YOU DONE TO IT? 569 00:29:19,924 --> 00:29:20,467 >> ROLL THE CLIP. 570 00:29:20,550 --> 00:29:21,968 >> THIS DOESN'T LOOK SO BAD. 571 00:29:22,051 --> 00:29:25,221 THAT'S GRASS. 572 00:29:25,305 --> 00:29:27,182 THERE'S SOME-- IT'S SUNSET, THIS IS NICE. 573 00:29:27,265 --> 00:29:29,517 SO WHY DO THEY CALL IT THE DUST BOWL. 574 00:29:29,601 --> 00:29:30,143 OH, THERE IT IS. 575 00:29:30,226 --> 00:29:31,519 THERE IS THE DUST. 576 00:29:31,603 --> 00:29:35,523 I WAS WRONG, THIS LOOKS PRETTY BAD. 577 00:29:35,607 --> 00:29:37,358 THAT'S A LOT OF DEAD COWS. 578 00:29:37,442 --> 00:29:40,862 >> IRONICALLY IT TOOK A SNOWMAN TO UNDERSTAND THE PLIGHT OF THE 579 00:29:40,945 --> 00:29:42,030 EVERY MAN. 580 00:29:42,113 --> 00:29:44,866 >> James: OKAY, THAT WAS ONE OF THE MOST DISRESPECTFUL THINGS 581 00:29:44,949 --> 00:29:45,700 I'VE EVER SEEN. 582 00:29:45,783 --> 00:29:47,035 >> I RATHER YOU, LET'S DO THREE MORE. 583 00:29:47,118 --> 00:29:48,745 >> James: ABSOLUTELY NOT. 584 00:29:48,828 --> 00:29:49,162 >> FIVE MINUTES. 585 00:29:49,245 --> 00:29:50,205 >> James: NO. 586 00:29:50,288 --> 00:29:50,914 >> ROLL THE CLIP. 587 00:29:50,997 --> 00:29:54,250 >> James: STOP ROLLING CLIPS. 588 00:29:54,334 --> 00:29:56,002 >> SNAKES, SNAKES, SNAKES, THEY'RE EVERYWHERE! 589 00:29:56,085 --> 00:29:57,754 OH MY GOD. 590 00:29:57,837 --> 00:30:00,715 IT'S FINE, I'M FINE. 591 00:30:00,798 --> 00:30:02,884 I THINK-- OH MY GOD. 592 00:30:02,967 --> 00:30:07,805 WHAT IS EVEN IS LIFE, OH! 593 00:30:07,889 --> 00:30:12,227 >> James: HONESTLY, I ACTUALLY REALLY LIKED THAT ONE. 594 00:30:12,310 --> 00:30:13,394 >> REALLY? 595 00:30:13,478 --> 00:30:15,772 >> James: NO, I THINK YOU'VE BEEN COOPED UP IN YOUR HOME TOO 596 00:30:15,855 --> 00:30:16,231 LONG. 597 00:30:16,314 --> 00:30:16,856 YOU'RE LOSING IT. 598 00:30:16,940 --> 00:30:18,399 JOSH GAD, EVERYBODY. 599 00:30:18,483 --> 00:30:20,902 WE'LL BE RIGHT BACK. 600 00:30:20,985 --> 00:30:26,950 ♪ ♪ ♪ 601 00:30:31,829 --> 00:30:38,253 ♪ ♪ ♪ 602 00:30:38,336 --> 00:30:41,548 WELCOME BACK, OUR NEXT GUEST IS A CHART TOPPING AND PLATINUM 603 00:30:41,631 --> 00:30:45,093 SELLING RAPPER FROM PUERTO RICO HERE TO MAKE HIS LATE-NIGHT 604 00:30:45,176 --> 00:30:49,097 TELEVISION DEBUT, THE ONE, THE ONLY ANUEL IS HERE. 605 00:30:49,180 --> 00:30:52,141 THANK YOU SO MUCH FOR JOINING US. 606 00:30:52,225 --> 00:30:54,602 HOW ARE YOU DOING, ANUEL, ARE YOU WELL. 607 00:30:54,686 --> 00:30:57,772 >> THANK YOU, YEAH, EVERYTHING GOOD, THANKS TO GOD, THANK YOU 608 00:30:57,855 --> 00:30:58,731 FOR HAVING ME ON THE SHOW. 609 00:30:58,815 --> 00:30:59,983 >> James: WE'RE SO HAPPY THAT YOU ARE HERE. 610 00:31:00,066 --> 00:31:02,110 NOW WHEREABOUTS IN THE WORLD ARE YOU AT THE MOMENT. 611 00:31:02,193 --> 00:31:03,278 >> I'M IN MIAMI. 612 00:31:03,361 --> 00:31:06,781 >> James: YOU ARE IN MIAMI AND YOU ARE ALL GOOD AND YOU ARE 613 00:31:06,864 --> 00:31:07,991 SAFE. 614 00:31:08,074 --> 00:31:11,744 NOW YOU JUST PUT OUT YOUR DOUBLE ALBUM WHICH IS CALLED EMMANUEL 615 00:31:11,828 --> 00:31:15,290 AND YOU'VE GOT, IT'S FULL OF INCREDIBLE COLLABORATIONS. 616 00:31:15,373 --> 00:31:19,961 TELL US SOME OF THE PEOPLE THAT COLLABORATE ON THE ALBUM WITH 617 00:31:20,044 --> 00:31:21,129 YOU. 618 00:31:21,212 --> 00:31:30,513 >> YEAH, I COLLABORATED WITH LIL' WAYNE, WITH BAD BUNNY, 619 00:31:30,597 --> 00:31:34,976 WITH-- ENRIQUE IG LACEIOUS, WITH DADDY YANKEE. 620 00:31:35,059 --> 00:31:36,185 A LOT OF MY FRIENDS IN MUSIC. 621 00:31:36,269 --> 00:31:40,440 >> James: AND THAT IS MASSIVE ARTISTS, IS THERE ANYONE ON YOUR 622 00:31:40,523 --> 00:31:42,650 WISH LIST THAT YOU WOULD LOVE TO COLLABORATE WITH MORE THAN 623 00:31:42,734 --> 00:31:47,864 NIBBLES AT THE MOMENT? 624 00:31:47,947 --> 00:31:51,159 >> BASICALLY I'M HAPPY BECAUSE I RECORDED WITH LIL' WAYNE, I GREW 625 00:31:51,242 --> 00:31:54,162 UP LISTENING TO HIMK HE WAS ONE OF MY HEROES, ONE OF MY IDOLS 626 00:31:54,245 --> 00:32:03,212 BUT RIGHT NOW I WOULD LOVE TO WORK, I LIKE BILLIE EILISH, IT 627 00:32:03,296 --> 00:32:07,967 IS REALLY DIMP, MY MUSIC AIN'T LIKE HERS T IS REALLY DIFFERENT 628 00:32:08,051 --> 00:32:08,384 BUT I LIKE HER MUSIC. 629 00:32:08,468 --> 00:32:10,845 I LIKE HER VIBE. 630 00:32:10,928 --> 00:32:11,679 SHE'S THE ONLY ONE RIGHT NOW THAT I WOULD LOVE TO WORK WITH. 631 00:32:11,763 --> 00:32:13,806 >> James: WE WOULD LOVE TO HEAR THAT. 632 00:32:13,890 --> 00:32:17,685 NOW THE SONG YOU'RE GOING TO PERFORM TONIGHT, YOU'VE TAKEN A 633 00:32:17,769 --> 00:32:20,229 MELODY OF THE BOB MAR LEE SONG NO WOMAN NO CRY AND YOU HAVE 634 00:32:20,313 --> 00:32:23,358 REDONE YOUR OWN LYRICS FOR IT. 635 00:32:23,441 --> 00:32:27,445 WHY DID YOU DECIDE ON THIS SORNG? 636 00:32:27,528 --> 00:32:29,113 >> LIKE WHEN I AM OUT OR HAVING A BAD MOMENT I ALWAYS LISS TON 637 00:32:29,197 --> 00:32:30,823 HIS MUSIC. 638 00:32:30,907 --> 00:32:38,081 I THINK IT IS VERY SPIRITUAL. 639 00:32:38,164 --> 00:32:42,877 SO NO WOMAN NO CRY IS MY FAVORITE SONG OUT OF ALL OF HIS 640 00:32:42,960 --> 00:32:44,045 SONGS. 641 00:32:44,128 --> 00:32:48,716 IT IS A SONG THAT I ALWAYS DREAMED ABOUT SINGING, I NEVER 642 00:32:48,800 --> 00:32:53,221 THOUGHT HIS FAMILY WOULD-- I RECORDED IT JUST CUZ I LIKE, I 643 00:32:53,304 --> 00:32:55,223 WANTED TO DO IT BUT I NEVER THOUGHT THEY WOULD APPROVE IT 644 00:32:55,306 --> 00:32:58,893 AND THEY APPROVED IT. 645 00:32:58,976 --> 00:33:04,399 AND IT IS A DREAM COME TRUE AND THE LETTER IS FOR MY WIFE, I 646 00:33:04,482 --> 00:33:11,030 TALK ABOUT WHEN I PROPOSED MARRIAGE TO HER MY DAD WAS PART 647 00:33:11,114 --> 00:33:14,242 OF THE PRODUCTION, THE MOVIE PRODUCTION. 648 00:33:14,325 --> 00:33:17,286 I GOT-- ON. 649 00:33:17,370 --> 00:33:21,624 AND THE SONG IS REALLY LEGENDARY FOR ME, SOMETHING OUT OF MY 650 00:33:21,708 --> 00:33:25,420 COMFORT ZONE AND I WANTED TO SHOW PEOPLE I COULD DO A LOT OF 651 00:33:25,503 --> 00:33:28,923 MUSIC BESIDES STREET MUSIC. 652 00:33:29,006 --> 00:33:30,925 >> James: WE'RE IS PLEASED WILL YOU PERFORM THAT SONG FOR 653 00:33:31,008 --> 00:33:32,135 US NOW. 654 00:33:32,218 --> 00:33:34,429 IT HAS BEEN GREAT HAVING YOU ON THE SHOW, I HOPE TO SEE YOU IN 655 00:33:34,512 --> 00:33:36,723 THE STUD WHY FURTHER DOWN THE LINE AT SOME POINT. 656 00:33:36,806 --> 00:33:41,102 HEAR PERFORMING HIS LATEST SONG, LLOES MUJER, IN EMMANUEL WHICH 657 00:33:41,185 --> 00:33:44,230 IS OUT RIGHT NOW PLEASE WELCOME ANUEL. 658 00:33:49,235 --> 00:33:55,324 ♪ ♪ ♪ ♪ ♪ ♪ 659 00:33:55,408 --> 00:34:06,127 ( SINGING IN SPANISH ) ♪ ♪ ♪ 660 00:34:06,210 --> 00:34:17,180 ♪ ♪ ♪ ( SINGING IN SPANISH ) 661 00:34:17,263 --> 00:34:21,184 ♪ ♪ ♪ ♪ ♪ ♪ 662 00:34:21,267 --> 00:34:32,153 ( SINGING IN SPANISH ) ♪ ♪ ♪ 663 00:34:32,236 --> 00:34:43,372 ♪ ♪ ♪ ( SINGING IN SPANISH ) 664 00:34:43,456 --> 00:34:49,170 ♪ ♪ ♪ ♪ ♪ ♪ 665 00:34:49,253 --> 00:35:01,891 ( SINGING IN SPANISH ) ♪ ♪ ♪ 666 00:35:01,974 --> 00:35:06,187 ♪ ♪ ♪ ( SINGING IN SPANISH ) 667 00:35:06,270 --> 00:35:14,195 ♪ ♪ ♪ ♪ ♪ ♪ 668 00:35:14,278 --> 00:35:21,202 ( SINGING IN SPANISH ) ♪ ♪ ♪ 669 00:35:21,285 --> 00:35:30,169 ♪ ♪ ♪ ( SINGING IN SPANISH ) 670 00:35:30,253 --> 00:35:42,181 ♪ ♪ ♪ ♪ ♪ ♪ 671 00:35:42,265 --> 00:35:50,189 ( SINGING IN SPANISH ) ♪ ♪ ♪ 672 00:35:50,273 --> 00:35:55,403 ♪ ♪ ♪ ( SINGING IN SPANISH ) 673 00:35:55,486 --> 00:36:06,122 ♪ ♪ ♪ ♪ ♪ ♪ 674 00:36:06,205 --> 00:36:18,259 ( SINGING IN SPANISH ) ♪ ♪ ♪ 675 00:36:18,342 --> 00:36:26,267 ♪ ♪ ♪ ( SINGING IN SPANISH ) 676 00:36:26,350 --> 00:36:31,480 ♪ ♪ ♪ ♪ ♪ ♪ 677 00:36:31,564 --> 00:36:42,241 ( SINGING IN SPANISH ) ♪ ♪ ♪ 678 00:36:42,325 --> 00:36:46,245 ♪ ♪ ♪ ( SINGING IN SPANISH ) 679 00:36:46,329 --> 00:36:54,253 ♪ ♪ ♪ ♪ ♪ ♪ 680 00:36:54,337 --> 00:37:02,261 ( SINGING IN SPANISH ) ♪ ♪ ♪ 681 00:37:02,345 --> 00:37:14,523 ♪ ♪ ♪ 682 00:37:14,607 --> 00:37:18,694 >> James: ANUEL, THANK YOU SO MUCH. 683 00:37:18,778 --> 00:37:21,489 WE'LL BE RIGHT BACK WITH MORE OF THE "LATE, LATE SHOW." 684 00:37:21,572 --> 00:37:27,203 ♪ ♪ ♪ 685 00:37:32,083 --> 00:37:34,377 ♪ ♪ ♪ 686 00:37:34,460 --> 00:37:36,462 >> James: THANK YOU SO MUCH FOR WATCHING, TOMORROW NIGHT 687 00:37:36,545 --> 00:37:39,382 KEVIN BACON AND MUSIC FROM RITA WILSON. 688 00:37:39,465 --> 00:37:42,218 WE'LL SEE YOU THEN, GOOD NIGHT, EVERYBODY. 689 00:37:42,301 --> 00:37:43,219 Captioning sponsored by CBS Captioned by 690 00:37:43,302 --> 00:37:44,220 Media Access Group at WGBH access.wgbh.org 691 00:37:44,303 --> 00:37:59,193 ♪ ♪ ♪ ♪ ♪ ♪ 692 00:37:59,277 --> 00:38:02,363 ♪ ♪ ♪ ♪ ♪ ♪ 693 00:38:02,446 --> 00:38:10,329 ♪ ♪ ♪ ♪ ♪ ♪ 694 00:38:10,413 --> 00:38:18,337 ♪ ♪ ♪ ♪ ♪ ♪ 695 00:38:18,421 --> 00:38:26,345 ♪ ♪ ♪ ♪ ♪ ♪ 696 00:38:26,429 --> 00:38:30,349 ♪ ♪ ♪ ♪ ♪ ♪ 697 00:38:30,433 --> 00:38:38,357 ♪ ♪ ♪ ♪ ♪ ♪ 698 00:38:38,441 --> 00:38:46,407 ♪ ♪ ♪ ♪ ♪ ♪ 699 00:38:46,490 --> 00:38:54,415 ♪ ♪ ♪ ♪ ♪ ♪ 700 00:38:54,498 --> 00:39:02,423 ♪ ♪ ♪ ♪ ♪ ♪ 701 00:39:02,506 --> 00:39:06,427 ♪ ♪ ♪ ♪ ♪ ♪ 702 00:39:06,510 --> 00:39:15,561 ♪ ♪ ♪ ♪ ♪ ♪ 54179

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