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♪ ♪ ♪
Captioning sponsored by CBS
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♪ THE LATE LATE SHOW, OH, OH
THE LATE LATE SHOW
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00:00:12,220 --> 00:00:17,726
♪ OH, OH
IT'S THE LATE LATE SHOW ♪
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00:00:17,809 --> 00:00:18,601
>> JAMES: GOOD EVENING,
EVERYONE!
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I'M JAMES CORDEN AND WELCOME TO
PEP BOYS.
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00:00:21,688 --> 00:00:22,522
OIL AND FILTER CHANGE TODAY?
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SORRY, I'VE BEEN IN THIS GARAGE
TOO LONG.
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I FIGURE I MIGHT AS WELL START,
YOU KNOW, DOING BOTH.
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00:00:29,738 --> 00:00:30,739
REG, HOW ARE YOU?
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BAND, EVERYBODY GOOD?
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00:00:33,533 --> 00:00:36,578
THREE MONTHS WE HAVE BEEN DOING
THIS.
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00:00:36,661 --> 00:00:40,957
AND REG STILL CAN'T WORK OUT HOW
TO TAKE THE MIC OFF MUTE.
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>> Reggie: HI.
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( LAUGHTER )
>> James: HOW'S THE REST OF
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00:00:45,712 --> 00:00:46,755
THE BAND.
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00:00:46,838 --> 00:00:47,630
EVERYONE GOOD?
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>> WE'RE WONDERFUL.
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OH, YEAH.
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>> James: TIM, WERE THESE
BALLOONS THERE YESTERDAY?
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( LAUGHTER )
>> YEAH, THREE MONTHS AND I
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00:00:56,723 --> 00:01:01,436
CAN'T STILL FIGURE OUT HOW TO
UNMUTE MYSELF EITHER.
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>> James: OH, MY GOD.
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IT'S GOING VERY WELL.
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00:01:03,229 --> 00:01:07,484
IT'S LOVELY TO SEE ALL OF YOU
AND YOUR SHINING BRIGHT FACES
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TONIGHT.
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00:01:08,735 --> 00:01:16,785
WE'RE GOING TO TALK TO THE
LEGENDARY KEVIN BACON LATER ON.
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LATER ON WE'LL HAVE A SPECIAL
MUSICAL PERFORMANCE FROM THE
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ICONIC RITA WILSON.
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TWO FANTASTIC GUESTS, ONE GREAT
SHOW.
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I COULD NOT BE MORE EXCITED.
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BUT FIRST, HERE'S A FEW JUST FOR
YOU.
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THIS IS "THREE THINGS."
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00:01:21,998 --> 00:01:28,671
S THREE THINGS S
REGGIE, SHOULD WE START WIT
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-- GIVE ME A NUMBER.
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>> REGGIE: ONE.
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>> JAMES: NUMBER ONE.
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NOW, AS MUCH AS I TRY TO TUNE
OUT EVERYTHING TRUMP SAYS IN HIS
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PRESS CONFERENCES, HE THREW OUT
A WHOPPER TODAY.
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>> THESE ARE THE PEOPLE, THE
BEST, THE SMARTEST, THE MOST
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BRILLIANT ANYWHERE, AND THEY'VE
COME UP WITH THE AIDS VACCINE.
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THEY'VE COME UP WITH -- OR THE
AIDS AND, AS YOU KNOW, THERE'S
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VARIOUS THINGS AND VARIOUS
COMPANIES ARE INVOLVED.
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>> James: AN AIDS VACCINE!
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WAIT UNTIL THE SCIENTIFIC
COMMUNITY HEARS THE GOOD NEWS!
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ALL RIGHT, THIS IS JUST
OCCURRING TO ME BUT, I... DON'T
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THINK TRUMP KNOWS WHAT THE WORD
VACCINE MEANS?
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ACCORDING TO TRUMP, MOST
DISEASES CAN EASILY BE CURED
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WITH A STRICT REGIMEN OF "IGNORE
IT, IT'LL GO AWAY."
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TO BE CLEAR, THERE ARE
TREATMENTS FOR H.I.V., BUT THERE
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IS NO AIDS VACCINE.
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MUCH LIKE DRINKING RED WINE IS A
TREATMENT FOR A TRUMP
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PRESIDENCY, BUT WILL NOT MAKE
YOU IMMUNE.
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BUT WHO BETTER TO GIVE HEALTH
ADVICE THAN A PRESIDENT ABOUT TO
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HOLD A 20,000-PERSON RALLY WITH
NO MASKS IN THE MIDDLE OF A
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PANDEMIC?
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FORTUNATELY, THE DEMOCRATS ARE
LOOKING FOR A TRUMP VACCINE, AND
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WITH ANY LUCK WE'RE A FEW MONTHS
FROM IT BEING WIDELY AVAILABLE.
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I CAN'T EMPHASIZE ENOUGH, YOU
SHOULD NOT TAKE MEDICAL OR ANY
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OTHER ADVICE FROM PRESIDENT
TRUMP.
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HE IS NOT A DOCTOR, IN SPITE OF
HIS--
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>> JAMES: REGGIE, WHAT'S NEXT?
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--
>> VERY, VERY LARGE BRAIN.
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>> James: WRECKY, WHAT'S NEXT?
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>> REGGIE: NUMBER TWO.
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>> JAMES: NUMBER TWO.
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LET'S FACE IT, BEING IN LOCKDOWN
CAN GET MONOTONOUS, AND
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SOMETIMES WE COULD ALL USE A
LITTLE MORE EXCITEMENT.
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00:03:14,861 --> 00:03:26,831
BUT NOT TOO MUCH.
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(
( HORN HONKS )
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( SCREAM )
THAT SCREAM SOUNDED FAMILIAR.
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OH, THAT'S RIGHT.
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♪
♪
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REGGIE, SHOULD WE GO ABSOLUTELY
NUTS AND DO ONE MORE?
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>> REGGIE: NUMBER THREE.
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>> JAMES: NUMBER THREE.
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WHILE MOST OF US HAVE SPENT A
GOOD AMOUNT OF TIME IN LOCKDOWN
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CLEANING OUR HOUSES, AND EVEN
MORE TIME COMPLAINING ABOUT
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00:03:54,400 --> 00:03:56,819
CLEANING OUR HOUSES, ONE MAN HAS
TURNED HOUSEHOLD CHORES INTO--
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I'M JUST GOING TO SAY IT-- THE
SONG OF THE SUMMER.
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TAKE A LOOK.
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♪ TIK TOK GRUB HUB ♪
♪ ZOOM IS THE NEW CLUB ♪
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♪ SIX FEET NO HUGS ♪
♪ STILL BEAT THESE MUGS ♪
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♪ SIX FEET ♪
♪ .
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♪
♪
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♪
♪
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>> JAMES: THAT IS THE SONG,
"MASK, GLOVES, SOAP, SCRUBS" BY
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THE ABSOLUTELY BRILLIANT TODRICK
HALL, WHO YOU MIGHT KNOW FROM
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HIS ROLES IN "KINKY BOOTS,"
"CHICAGO," AND "WAITRESS" ON
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BROADWAY, HIS WORK AS A
CHOREOGRAPHER AND JUDGE ON
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"RUPAUL'S DRAG RACE," AND MOST
RECENTLY ON THE COVER OF THIS
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MONTH'S BILLBOARD MAGAZINE
HE'S JOINING US NOW, WELCOME
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TODRICK HALL.
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00:04:55,837 --> 00:04:57,046
HOW ARE YOU?
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00:04:57,130 --> 00:05:02,593
>> Reggie: I'M GOOD NOW AFTER
THAT EPIC ICONIC INTRODUCTION.
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00:05:02,677 --> 00:05:07,765
>> James: IF YOU'VE GOT AN
EPIC ICON, YOU'VE GOT TO GIVE
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00:05:07,849 --> 00:05:10,601
THEM AN EPIC ICONIC
INTRODUCTION.
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>> I CAN'T TAKE IT!
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>> James: THERE'S SO MUCH TO
CALCULATE YOU ON.
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00:05:14,981 --> 00:05:19,027
FIRST, THIS COVER IS SO
BRILLIANT AND I THINK INCREDIBLY
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SYMBOLIC.
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WHAT DOES IT MEAN FOR YOU TO BE
ON THE COVER OF BILLBOARD
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MAGAZINE CELEBRATING PRIDE THIS
YEAR?
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>> THIS YEAR MORE THAN EVER,
THIS IS THE TIME -- I CAN'T
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THINK OF A TIME BETTER FOR ME,
AN OPENLY GAY, OPENLY BLACK --
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AS IF I CAN'T BE OPENLY BLACK --
FOR ME TO BE ON THE COVER OF
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00:05:40,173 --> 00:05:43,885
THIS MAGAZINE MEANS SO MUCH,
CELEBRATING MY FEMININE AND
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00:05:43,968 --> 00:05:46,971
MASCULINE SIDE IS SO AWESOME.
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I'M SO GRATEFUL.
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>> James: I THINK THIS PRIDE
BILLBOARD IS INCREDIBLE PAGE TO
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00:05:52,727 --> 00:05:53,811
PAGE.
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YOU WERE NAMED 2020 PRIDE PROM
KING -- PROM QUEEN AND KING.
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( LAUGHTER )
AND YOU'RE HEADLINING H.B.O.'S
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00:06:05,239 --> 00:06:07,658
TEN-DAY VIRTUAL PRIDE
CELEBRATION THAT BEGINS ON
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00:06:07,742 --> 00:06:08,576
JUNE 18th.
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00:06:08,659 --> 00:06:10,953
WHAT DO YOU HAVE PLANNED FOR
VIRTUAL PRIDE?
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>> I TURNED MY LIVING ROOM WHICH
IS ALREADY AN EXPERIENCE IN AND
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OF TSELF INTO KIND OF A LIKE
SEMISMALL POLYPOCKET VERSION OF
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AN ARENA STAGE.
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00:06:20,671 --> 00:06:27,095
I HAD AN L.E.D. WALL IN HERE AND
TWO DANCERS, COMPLETE WITH
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MASKS.
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I DID FOUR COSTUME CHANGES, IT
WAS REALLY FUN AND I'M SO
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00:06:31,057 --> 00:06:31,766
EXCITED FOR PEOPLE TO SEE IT.
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>> James: I CAN'T WAIT TO SEE
IT.
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YOU'VE SET THE BAR PRETTY HIGH
FOR VIRTUAL EVENTS, SO I THINK
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THERE'S GOING TO BE A LOT OF
EXPECTATION ABOUT THIS.
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00:06:42,068 --> 00:06:43,611
I'VE NOTICED YOUR SWEATER.
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00:06:43,694 --> 00:06:47,198
HAS THIS BEEN MADE FOR ME?
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>> I THINK WE NEEDED TO CREATE A
NAME BECAUSE I HAVE BEEN ON YOUR
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00:06:49,742 --> 00:06:52,662
SHOW FOR A WHILE.
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00:06:52,745 --> 00:06:57,625
IT WILL EITHER BE AN ICONIC DUO
OR MUSICAL OR SOMETHING AT SOME
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POINT.
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I'LL SEND YOU ONE OF THESE IN
THE MAIL.
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00:07:00,419 --> 00:07:03,047
>> James: I WOULD WEAR IT WITH
ABSOLUTE PRIDE.
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00:07:03,131 --> 00:07:04,674
I LOVE IT.
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00:07:04,757 --> 00:07:09,679
TODRICK, EVERY SINGLE STAFFER ON
OUR SHOW SINCE QUARANTINE HAS
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00:07:09,762 --> 00:07:17,687
BEGAN HAS BEEN OBSESSED WITH
"MASKS, GLOVES, SOAPS, SCRUBS"
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WHICH IS ON YOUR NEW D.V.D.
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00:07:28,447 --> 00:07:29,574
QUARANTEEN.
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WE CHALLENGE EVERYONE TO MAKE A
TIK TOK OF THEIR OWN AND YOU
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00:07:33,286 --> 00:07:36,372
WERE KIND ENOUGH TO COME IN A
COUPLE OF WEEKS AGO AND JUDGE
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THAT CHALLENGE.
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THIS IS "THE LATE LATE SHOW"
MASKS GLOVES SOAPS SCRUBS
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TIK TOK CHALLENGE.
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♪
♪
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>> Reggie:
>> James: AT THE SHOW, HE'S
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VERY ARTISTIC.
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00:07:55,224 --> 00:07:57,560
ANYTIME WE HAVE A CHALLENGE, HE
WOULD ALWAYS RISE TO THE
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00:07:57,643 --> 00:08:01,731
OCCASION, IN MANY WAYS THIS
CHALLENGE WAS MADE FOR CARTER.
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LET'S SEE CARTER'S TIK TOK.
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♪ UNTIL THEY SET US FREE, FREE
THEN I'MMA LET YOU SEE
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00:08:13,367 --> 00:08:14,493
♪ WHATCHU GONNA LET THEM SEE?
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MY MASK, GLOVES, SOAP, SCRUBS
♪ MASK, GLOVES, SOAP, SCRUBS
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MASK, GLOVES, SOAP, SCRUBS
♪ MASK, GLOVES, SOAP, SCRUBS
154
00:08:19,707 --> 00:08:25,421
MASK, GLOVES, SOAP, SCRUBS
♪ MASK, GLOVES, SOAP, SCRUBS
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00:08:25,504 --> 00:08:25,838
♪
>> James: I TOLD YOU IT WAS
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MADE FOR HIM.
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>> I HAVE A FEELING CARTER'S
DONE THIS BEFORE.
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00:08:28,966 --> 00:08:33,221
I FEEL LIKE I MIGHT HAVE BUMPED
INTO HIM ONCE OR TWICE IN WEST
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00:08:33,304 --> 00:08:34,013
HOLLYWOOD.
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00:08:34,096 --> 00:08:37,558
>> James: WE HAVE CARTER RIGHT
HERE.
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00:08:37,642 --> 00:08:42,980
CARTER, HAVE YOU EVER BUMPED
INTO TODRICK ON A NIGHT OUT.
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00:08:43,064 --> 00:08:43,981
>> WE ACTUALLY HAVE.
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00:08:44,065 --> 00:08:44,398
SERIOUS.
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00:08:44,482 --> 00:08:45,399
YES, WE HAVE.
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NICE TO SEE YOU.
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00:08:46,651 --> 00:08:51,989
>> IF THIS WERE TINDER I WOULD
1,000 PERCENT SWIPE RIGHT ON
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00:08:52,073 --> 00:08:53,199
YOU.
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00:08:53,282 --> 00:08:58,412
YOU DIDN'T REALIZE YOU WERE
ABOUT TO MAKE A COUPLE EBONY AND
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00:08:58,496 --> 00:09:02,166
IVORY, MR. AND MRS. CARTER, IT'S
HAPPENING!
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00:09:02,250 --> 00:09:04,502
>> James: CARTER, I'VE GOT
SOME QUESTIONS.
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00:09:04,585 --> 00:09:13,177
I DON'T KNOW IF I'VE SPENT MUCH
TIME VISUALIZING WHAT YOUR
172
00:09:13,261 --> 00:09:17,139
BEDROOM LOOKS LIKE AND WHEN I
SAW IT I SAID, YEAH, OF COURSE
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00:09:17,223 --> 00:09:19,809
THAT'S WHAT HIS BEDROOM LOOKS
LIKE.
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00:09:19,892 --> 00:09:21,060
>> GLAD YOU'RE ENJOYING.
175
00:09:21,143 --> 00:09:29,777
>> James: TO TODRICK, WE KNOW YO
CLEECIAL HAD A WONDERFUL TIME
176
00:09:29,860 --> 00:09:31,696
WHEN YOU MET IN WEST HOLLYWOOD.
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00:09:31,779 --> 00:09:40,621
WHAT DID WE THINK OF CARTER'S
TTIK TOK.
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00:09:40,705 --> 00:09:42,331
>> AWESOME JOB.
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00:09:42,415 --> 00:09:46,627
YOU ARE EQUALLY FABULOUS,
JUDGING FROM YOUR ROOM, DETAIL,
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00:09:46,711 --> 00:09:49,839
COSTUME CHANGES, STRIPPING OF
THE MASK, I LOVED IT, THE
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00:09:49,922 --> 00:09:53,175
CHOREOGRAPHY, YOUR SPRAY
TECHNIQUE WAS GREAT, LOOKED LIKE
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00:09:53,259 --> 00:09:56,846
YOU HIT UP A GYM OFTEN, STRONG
IN HOW YOU WERE HOLDING THAT
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00:09:56,929 --> 00:09:57,638
SQUIRT BOTTLE.
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00:09:57,722 --> 00:10:01,684
I WOULD GIVE THAT A 9 P .5 OUT
OF 10.
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00:10:01,767 --> 00:10:02,685
>> James: THAT'S A HIGH SCORE.
186
00:10:02,768 --> 00:10:04,562
WELL DONE CARTER, THANK YOU SO
MUCH.
187
00:10:04,645 --> 00:10:05,813
WE EXPECTED NOTHING LESS.
188
00:10:05,896 --> 00:10:06,731
ALL RIGHT.
189
00:10:06,814 --> 00:10:09,817
LET'S GO TO OUR NEXT CONTESTANT.
190
00:10:09,900 --> 00:10:11,986
THIS IS JIM.
191
00:10:12,069 --> 00:10:19,243
JIM MAKES SURE THAT EVERYTHING
WE SHOOT IN THE GARAGE ENDS UP
192
00:10:19,327 --> 00:10:20,786
ON TELEVISION.
193
00:10:20,870 --> 00:10:22,621
IT'S AN IMPORTANT JOB.
194
00:10:22,705 --> 00:10:25,249
JIM IS SOMEONE WHO'S IN A GREAT
MOOD.
195
00:10:25,333 --> 00:10:28,669
JIM WASN'T ON TIK TOK BEFORE
THIS CHALLENGE.
196
00:10:28,753 --> 00:10:30,546
>> THAT'S REALLY HARD TO
BELIEVE.
197
00:10:30,629 --> 00:10:31,714
>> James: WE'RE SURE JIM CAN
FIGURE IT OUT.
198
00:10:31,797 --> 00:10:34,884
TAKE A LOOK AT HIS TIK TOK NOW.
199
00:10:34,967 --> 00:10:36,719
♪
♪
200
00:10:36,802 --> 00:10:41,891
♪
♪ ♪ ♪
201
00:10:41,974 --> 00:10:46,479
♪ MASK, GLOVES, SOAP, SCRUBS
TIKTOK, GRUBHUB
202
00:10:46,562 --> 00:10:52,693
♪ TWINKS, JOCKS, BEARS, CUBS
ZOOM IS THE NEW CLUB
203
00:10:52,777 --> 00:10:53,861
IS THIS THING WORKING?”
( LAUGHTER )
204
00:10:53,944 --> 00:10:54,820
>> James: SO THAT'S JIM.
205
00:10:54,904 --> 00:10:58,240
JIM, COULD YOU PUT YOUR DRINK
DOWN AND HELL A.
206
00:10:58,324 --> 00:10:59,241
>> HELLO, HOW ARE YOU?
207
00:10:59,325 --> 00:11:03,537
>> James: HOW ARE YOU, JIM?
208
00:11:03,621 --> 00:11:05,873
DID JIM DO YOUR SONG JUSTICE?
209
00:11:05,956 --> 00:11:10,252
>> WELL, JIM, I HAVE SEEN MORE
FABULOUS VIDEOS IN MY LIFETIME.
210
00:11:10,336 --> 00:11:13,881
I WILL HAVE TO GIVE YOU KUDOS
FOR THE EDITING, AND I REALIZE
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00:11:13,964 --> 00:11:16,801
YOU NEEDED TO HAVE A FEW DRINKS
BEFORE YOU DID THIS, SO RIGHT
212
00:11:16,884 --> 00:11:20,763
NOW I WOULD SAY THIS IS A 4.5
OUT OF 10.
213
00:11:20,846 --> 00:11:27,144
BUT I WILL SEND YOU A LEOTARD
TIGHT PEARL NECKLACE IN THE MAIL
214
00:11:27,228 --> 00:11:34,735
AND GIVE YOU A CHANCE FOR A
REMIX ON THAT.
215
00:11:34,819 --> 00:11:40,157
>> James: I CAN'T STRESS THIS
ENOUGH, JIM IS
216
00:11:40,241 --> 00:11:43,411
THE PERSON RESPONSIBLE FOR
MAKING SURE THIS SHOW AIRS.
217
00:11:43,494 --> 00:11:49,792
AND THE LAST THING HE SAID WAS
-- HE HAS TO PRESS A BUTTON AND
218
00:11:49,875 --> 00:11:50,835
SEND IT.
219
00:11:50,918 --> 00:11:54,588
AT THE END HE SAYS IS THIS
RIGHT, IS THIS WORKING?
220
00:11:54,672 --> 00:11:55,965
YOU ALWAYS BRING A SMILE.
221
00:11:56,048 --> 00:11:57,341
THANK YOU SO MUCH, JIM.
222
00:11:57,425 --> 00:12:01,137
KIRBY IS A FIELD PRODUCTION
ASSISTANT AT THE SHOW.
223
00:12:01,220 --> 00:12:02,388
SHE'S WONDERFUL.
224
00:12:02,471 --> 00:12:05,641
MANY OF US ARE PRETTY SURE SHE'S
ONLY STAYING AT THE JOB AS AN
225
00:12:05,724 --> 00:12:06,976
EXCUSE TO KEEP MEETING HARRY
STYLES.
226
00:12:07,059 --> 00:12:10,688
LET'S TAKE A LOOKT AT KIRBY'S
EFFORT.
227
00:12:10,771 --> 00:12:11,355
♪
♪
228
00:12:11,439 --> 00:12:22,783
♪
♪ ♪ ♪
229
00:12:22,867 --> 00:12:27,371
♪ ♪ ♪
WELCOME KISHY.
230
00:12:27,455 --> 00:12:29,540
HEY, KIRBY.
231
00:12:29,623 --> 00:12:30,082
>> HI.
232
00:12:30,166 --> 00:12:31,333
>> James: NICE EFFORT.
233
00:12:31,417 --> 00:12:37,548
BASED ON WHAT YOU SAW, IS KIRBY
READY TO BE A QUARANTINE QUEEN?
234
00:12:37,631 --> 00:12:40,885
>> I 100% THINK YOU'RE READY TO
BE A QUARANTINE QUEEN.
235
00:12:40,968 --> 00:12:44,305
I DID NOT EXPECT THE LEVEL OF
EDITING AND SPECIFICS AND
236
00:12:44,388 --> 00:12:45,806
CREATIVITY THAT YOU BROUGHT TO
IT.
237
00:12:45,890 --> 00:12:49,852
I LOVE THE HONEY I SHRUNK THE
KIDS MOMENT WHERE YOU'RE COMING
238
00:12:49,935 --> 00:12:51,020
OUT OF THE CLEANING SUPPLIES.
239
00:12:51,103 --> 00:12:52,062
I LOVE THE EDITING.
240
00:12:52,146 --> 00:12:54,356
I WAS REALLY COOL.
241
00:12:54,440 --> 00:12:57,985
I FELT LIKE IT WAS READY TO BE
PUT ON THE SCREEN AT EVERY GAY
242
00:12:58,068 --> 00:13:02,364
CLUB AND I THINK THE GAYS WOULD
BE LIVING FOR YOU, KIRBY.
243
00:13:02,448 --> 00:13:03,574
>> THANK YOU.
244
00:13:03,657 --> 00:13:07,369
>> James: MY BIGGEST TAKEAWAY
FROM KIRBY'S TIK TOK IS KIRBY IS
245
00:13:07,453 --> 00:13:09,914
THE ONE WHO'S BEEN STEALING ALL
OF THE T-SHIRTS AND MUGS.
246
00:13:09,997 --> 00:13:13,918
>> YEAH, THERE WAS NOT A LACK OF
PROMO.
247
00:13:14,001 --> 00:13:18,714
I'M GLAD EVERYBODY WHO FOLLOWS
YOU ON TIK TOK IS GOING TO KNOW
248
00:13:18,797 --> 00:13:19,965
EXACTLY WHERE YOU WORK.
249
00:13:20,049 --> 00:13:26,388
>> James: THANK YOU SO MUCH,
KIRBY, A WONDERFUL EFFORT.
250
00:13:26,472 --> 00:13:27,431
NEXT UP WE HAVE TUFAN.
251
00:13:27,515 --> 00:13:28,557
TUFAN IS A WRITERS' ASSISTANT.
252
00:13:28,641 --> 00:13:29,225
JUST LOOKING AT TUFAN, I ASSUME
HE KNOWS HIS WAY AROUND
253
00:13:29,308 --> 00:13:32,019
TIKTOK.
254
00:13:32,102 --> 00:13:32,811
>> YEAH.
255
00:13:32,895 --> 00:13:35,397
>> James: LET'S SEE HIS
SUBMISSION.
256
00:13:35,481 --> 00:13:37,733
♪
♪
257
00:13:37,816 --> 00:13:39,527
♪
♪ ♪ ♪
258
00:13:39,610 --> 00:13:43,447
♪ MASK, GLOVES, SOAP, SCRUBS
TIKTOK, GRUBHUB
259
00:13:43,531 --> 00:13:46,742
♪ TWINKS, JOCKS, BEARS, CUBS
ZOOM IS THE NEW CLUB
260
00:13:46,825 --> 00:13:51,413
♪ SIX FEET, NO HUGS
STILL BEAT THESE MUGS
261
00:13:51,497 --> 00:13:53,916
♪ SICK BEAT, CUT A RUG
JOE EXOTIC IS A THUG
262
00:13:53,999 --> 00:13:55,417
♪ KITTY CAT CAT
TELL ME CAROLE BASKIN
263
00:13:55,501 --> 00:13:57,878
♪ WHERE IS THE HUSBAND
EVERYONE'S ASKING?
264
00:13:57,962 --> 00:13:58,796
♪ STIMULUS CHECK
EVERYBODY BETTER CASH IN
265
00:13:58,879 --> 00:14:01,423
♪ MASK AND GLOVES
YEAH, THAT'S A NEW FASHION
266
00:14:01,507 --> 00:14:03,425
♪ GIRL, WHAT DID
THAT GIRL JUST SAY?
267
00:14:03,509 --> 00:14:04,760
♪ GIRL, OOH GIRL!
268
00:14:04,843 --> 00:14:09,932
I DON'T GO TO WORK
>> WOW!
269
00:14:10,015 --> 00:14:11,433
WHAT A JOURNEY!
270
00:14:11,517 --> 00:14:14,478
>> James: TUFAN, PLEASE JOIN
US.
271
00:14:14,562 --> 00:14:22,486
DID TUFAN LIVE UP TO YOUR
EXPECTATIONS TODRICK.
272
00:14:22,570 --> 00:14:28,951
>> THAT WAS QUITE A JOURNEY.
273
00:14:29,034 --> 00:14:32,580
THIS WAS PRETTY AWESOME.
274
00:14:32,663 --> 00:14:38,002
>> I WAS DOING IT FOR THE WIKI
FEED MOSTLY.
275
00:14:38,085 --> 00:14:43,465
>> I HAVE A FEELING THAT IN YOUR
VERY NEAR FUTURE YOU'RE GOING TO
276
00:14:43,549 --> 00:14:45,134
HAVE STRANGE REQUESTS ON YOUR
D.M.
277
00:14:45,217 --> 00:14:46,635
SO BE CAREFUL.
278
00:14:46,719 --> 00:14:47,219
>> THEY'RE OPEN.
279
00:14:47,303 --> 00:14:49,305
>> James: THEY ARE OPEN.
280
00:14:49,388 --> 00:14:51,515
THANK YOU SO MUCH, TUFAN.
281
00:14:51,599 --> 00:14:55,477
A WONDERFUL EFFORT.
282
00:14:55,561 --> 00:14:57,354
>> WOW!
283
00:14:57,438 --> 00:15:03,319
>> James: FINALLY, WE HAVE OUR
DIRECTOR TIM.
284
00:15:03,402 --> 00:15:06,196
TIM IS, WITHOUT QUESTION, ONE OF
THE FINEST AND SWEETEST HUMAN
285
00:15:06,280 --> 00:15:08,657
BEINGS ON PLANET EARTH.
286
00:15:08,741 --> 00:15:12,161
HE LIVES HIS FAMILY, ADORES HIS
THREE DAUGHTERS WHO HAD TO HELP
287
00:15:12,244 --> 00:15:13,370
HIM DOWNLOAD THE APP.
288
00:15:13,454 --> 00:15:18,500
AND TO GIVE YOU AN IDEA OF HOW
LOVELY TIM IS, HE AND HIS WIFE
289
00:15:18,584 --> 00:15:25,007
RECENTLY CELEBRATED THEIR 24th W
TO CELEBRATE, HE INSISTED THEY
290
00:15:25,090 --> 00:15:28,886
RE-CREATE THEIR WEDDING PHOTOS
24 YEARS LATER.
291
00:15:28,969 --> 00:15:29,428
LOOK AT THAT.
292
00:15:29,511 --> 00:15:31,388
HE IS A GORGEOUS SOUL.
293
00:15:31,472 --> 00:15:35,601
TIM HAS DIRECTED EVERY SINGLE
EPISODE OF OUR SHOW.
294
00:15:35,684 --> 00:15:39,188
HE IS 100% MORE COMFORTABLE
BEHIND THE CAMERA THAN IN FRONT
295
00:15:39,271 --> 00:15:43,567
OF IT AND, FRANKLY, WE WERE ALL
SHOCKED THAT HE AGREED TO DO
296
00:15:43,651 --> 00:15:48,656
THIS, BUT I'M VERY, VERY EXCITED
TO SEE WHAT HE CAME UP WITH.
297
00:15:48,739 --> 00:15:51,033
THIS IS TIM MANCINELLI.
298
00:15:51,116 --> 00:15:52,368
♪
♪
299
00:15:52,451 --> 00:15:55,621
♪
♪
300
00:15:55,704 --> 00:16:00,876
♪ ♪ ♪
♪ ♪ ♪
301
00:16:00,959 --> 00:16:02,544
♪ GIRL, WHAT DID
THAT GIRL JUST SAY?
302
00:16:02,628 --> 00:16:03,545
♪ GIRL, OOH GIRL!
303
00:16:03,629 --> 00:16:06,048
I DON'T GO TO WORK
♪ I DON'T LEAVE, I STAY
304
00:16:06,131 --> 00:16:10,886
I DON'T CARE I EAT, EAT, EAT
♪ AND SLEEP ALL DAY, OKAY
305
00:16:10,969 --> 00:16:12,221
AND THEN I WATCH TV, YUP
♪ THAT'S JUST THE TEA, HUNTY
306
00:16:12,304 --> 00:16:15,557
YES, MA'AM
♪ UNTIL THEY SET US FREE, FREE
307
00:16:15,641 --> 00:16:19,061
THEN I'MMA LET YOU SEE
♪ WHATCHU GONNA LET THEM SEE?
308
00:16:19,144 --> 00:16:22,898
MY MASK, GLOVES, SOAP, SCRUBS
♪ MASK, GLOVES, SOAP, SCRUBS
309
00:16:22,981 --> 00:16:27,569
MASK, GLOVES, SOAP, SCRUBS
>> WOW, OH, MY GOSH!
310
00:16:27,653 --> 00:16:30,197
>> James: TIM, WE ARE SHELL
SHOCKED!
311
00:16:30,280 --> 00:16:32,241
LET'S SAY HELLO TO TIM.
312
00:16:32,324 --> 00:16:36,620
THERE HE IS THERE!
313
00:16:36,704 --> 00:16:38,914
TODRICK, WHAT HAVE YOU GOT TO
SAY TO TIM?
314
00:16:38,997 --> 00:16:42,376
>> TIM, HONESTLY, I DON'T MEAN
TO JUDGE YOU BY LOOKING AT YOU
315
00:16:42,459 --> 00:16:45,045
BY FIRST APPEARANCE, BUT I HAD
THE LOWEST OF EXPECTATIONS AND
316
00:16:45,129 --> 00:16:47,089
YOU BLEW THAT OFF THE ROOF.
317
00:16:47,172 --> 00:16:50,926
YOUR ATTENTION TO DETAIL YOU'RE
THE ONLY PERSON THAT HAD THE
318
00:16:51,009 --> 00:16:52,261
PEARL NECKLACE, BELT, SHOES AND
GLOVES.
319
00:16:52,344 --> 00:16:53,345
THAT WAS AMAZING.
320
00:16:53,429 --> 00:16:58,892
>> James: I'M PLEASED YOU
BROUGHT THAT UP, TODRICK.
321
00:16:58,976 --> 00:17:01,228
HOW DID YOU JUST HAVE THAT STUFF
LYING AROUND YOUR HOUSE, TIM?
322
00:17:01,311 --> 00:17:05,607
>> WELL, I HAD THE BOOTS FROM A
HALLOWEEN COSTUME, JAMES.
323
00:17:05,691 --> 00:17:07,818
>> James: TIM, A STERLING
EFFORT.
324
00:17:07,901 --> 00:17:10,279
WELL, LOOK, IT'S THE MOMENT OF
TRUTH.
325
00:17:10,362 --> 00:17:14,324
TODRICK, I KNOW THIS IS
DIFFICULT, BUT IF YOU HAD TO
326
00:17:14,408 --> 00:17:20,164
PICK JUST ONE, WHO WOULD YOU
CROWN THE WINNER OF "THE LATE
327
00:17:20,247 --> 00:17:25,169
LATE SHOW" MASK, GLOVES, TIK TOK
CHALLENGE.
328
00:17:25,252 --> 00:17:28,505
>> THIS IS REALLY TOUGH.
329
00:17:28,589 --> 00:17:31,300
CARTER, PLEASE DON'T NOT EXCEPT
MY DATE I'M GOING TO OFFER YOU
330
00:17:31,383 --> 00:17:35,804
VERY, VERY SOON, BUT I THINK I
HAVE TO GO WITH TIM FOR
331
00:17:35,888 --> 00:17:39,141
ATTENTION TO DETAIL.
332
00:17:39,224 --> 00:17:40,225
TIM, YOU'RE THE WINNER.
333
00:17:40,309 --> 00:17:44,480
I APOLOGIZE IF YOU AND YOUR WIFE
DON'T MAKE IT TO A 25
334
00:17:44,563 --> 00:17:45,564
25th ANNIVERSARY AFTER THIS.
335
00:17:45,647 --> 00:17:46,940
>> James: TIM, THIS MUST BE A
SHINING MOMENT FOR YOU.
336
00:17:47,024 --> 00:17:48,442
>> THIS IS EVERYTHING.
337
00:17:48,525 --> 00:17:50,944
BETTER THAN ALL THE OTHER
ACCOLADES.
338
00:17:51,028 --> 00:17:52,196
>> James: THIS IS THE BIG ONE.
339
00:17:52,279 --> 00:17:52,946
CONGRATULATIONS, TIM.
340
00:17:53,030 --> 00:17:54,948
A WORTHY WINNER.
341
00:17:55,032 --> 00:17:59,328
THANK YOU SO MUCH TO THE
STUNNING TODRICK.
342
00:17:59,411 --> 00:18:02,164
WILL YOU COME SEE US WHEN WE'RE
BACK IN THE STUDIO?
343
00:18:02,247 --> 00:18:05,375
>> CALL ME AND I WILL BE THERE.
344
00:18:05,459 --> 00:18:07,628
>> James: KEEP UP THE GREAT
WORK.
345
00:18:07,711 --> 00:18:08,170
WE LOVE YOU HERE.
346
00:18:08,253 --> 00:18:10,339
THAT WAS "THREE THINGS."
347
00:18:10,422 --> 00:18:12,299
BACK WITH KEVIN BACON,
EVERYBODY.
348
00:18:12,382 --> 00:18:14,676
♪
♪
349
00:18:14,760 --> 00:18:15,928
♪ ♪ ♪
350
00:18:20,432 --> 00:18:26,188
♪ ♪ ♪
351
00:18:26,271 --> 00:18:31,193
>> James: WELCOME BACK.
352
00:18:31,276 --> 00:18:32,986
OUR FIRST GUEST IS AN
OUTSTANDING GOLDEN GLOBE-WINNING
353
00:18:33,070 --> 00:18:35,030
ACTOR AND MUSICIAN AND ONE OF
THE COOLEST PEOPLE ON THE
354
00:18:35,114 --> 00:18:35,989
PLANET.
355
00:18:36,073 --> 00:18:37,825
THE BEAUTIFUL MR. KEVIN BACON!
356
00:18:37,908 --> 00:18:38,742
HI, KEVIN.
357
00:18:38,826 --> 00:18:39,493
HOW ARE YOU?
358
00:18:39,576 --> 00:18:40,160
GOOD TO SEE YOU, MAN.
359
00:18:40,244 --> 00:18:42,704
>> James: SO NICE TO SEE YOU.
360
00:18:42,788 --> 00:18:47,376
HOW YOU HOLDING UP DURING WHAT
HAS BEEN THE CRAZIEST YEAR ON
361
00:18:47,459 --> 00:18:48,585
PLANET EARTH?
362
00:18:48,669 --> 00:18:50,546
>> I'M HOLDING UP EXCELLENTLY
WELL.
363
00:18:50,629 --> 00:18:54,508
I WAKE UP EVERY DAY AND FEEL A
TREMENDOUS AMOUNT OF GRATITUDE
364
00:18:54,591 --> 00:18:58,428
FOR THE FACT THAT I HAVE A ROOF
OVER MY HEAD AND FOOD TO EAT AND
365
00:18:58,512 --> 00:19:06,520
THAT MY WIFE AND I ARE TOGETHER
AND FEELING HEALTHY.
366
00:19:06,603 --> 00:19:10,399
I WOULD BE REMISS NOT TO SAY HOW
INCREDIBLY INSPIRED I AM BY
367
00:19:10,482 --> 00:19:18,699
THESE YOUNG PEOPLE WHO ARE OUT
THERE MARCHING AND, YOU KNOW,
368
00:19:18,782 --> 00:19:24,454
PROTESTING FOR SOCIAL JUSTICE
AND FOR "BLACK LIVES MATTER,"
369
00:19:24,538 --> 00:19:29,042
IT'S REALLY KIND OF INSPIRING,
AND I REMEMBER A VERY SHORT TIME
370
00:19:29,126 --> 00:19:32,921
AGO LOOKING AT THAT GENERATION
AND THINKING, WELL, YOU KNOW,
371
00:19:33,005 --> 00:19:37,134
THEY'RE TOO INTO THEIR PHONES,
OR THEY REALLY JUST WANT TO BE
372
00:19:37,217 --> 00:19:39,469
ON INSTAGRAM, THEY DON'T CARE
ABOUT THE THINGS I CARED ABOUT
373
00:19:39,553 --> 00:19:45,267
WHEN I WAS THAT AGE AND HAVING,
YOU KNOW, LIVED THROUGH VIETNAM
374
00:19:45,350 --> 00:19:49,271
AND, YOU KNOW, THE CIVIL RIGHTS
MOVEMENT AND THE WOMEN'S
375
00:19:49,354 --> 00:19:50,939
MOVEMENT AND ALL THAT KIND OF
STUFF.
376
00:19:51,023 --> 00:19:55,152
I REALLY SAW THIS GENERATION
SHORT, I THINK.
377
00:19:55,235 --> 00:20:00,574
>> James: I THINK LOTS OF
PEOPLE DID.
378
00:20:00,657 --> 00:20:03,452
>> MY APOLOGIES, AND GOOD ON YOU
AND KEEP IT UP.
379
00:20:03,535 --> 00:20:10,959
>> James: NOW, YOU SAID YOU
WERE WITH YOUR WIFE KYRA.
380
00:20:11,043 --> 00:20:13,253
YOU HAVE BEEN MARRIED 30 YEARS.
381
00:20:13,337 --> 00:20:15,756
YOU TWO ARE CONSTANTLY BUSY
WORKING.
382
00:20:15,839 --> 00:20:21,011
IS THIS THE MOST TIME YOU'VE
SPENT TOGETHER UNDER ONE ROOF IN
383
00:20:21,094 --> 00:20:21,428
ONE SOLID BLOCK OF TIME?
384
00:20:21,511 --> 00:20:22,012
>> I THINK SO.
385
00:20:22,095 --> 00:20:23,347
>> James: HOW'S THAT BEEN?
386
00:20:23,430 --> 00:20:26,934
IT'S BEEN GOOD FOR THE MOST
PART.
387
00:20:27,017 --> 00:20:32,356
YOU KNOW, I MEAN, WE'RE PEOPLE
THAT WE'VE ALWAYS FELT LIKE ONE
388
00:20:32,439 --> 00:20:35,609
OF THE THINGS THAT'S MADE OUR
MARRIAGE LAST IS THE FACT THAT
389
00:20:35,692 --> 00:20:39,488
WE BOTH HAVE SUITCASES PACKED
AND READY TO GO, YOU KNOW.
390
00:20:39,571 --> 00:20:45,827
WE ARE VAGABONDS, AND A LOT OF
TIME THE VAGABOND NATURE OF OUR
391
00:20:45,911 --> 00:20:48,246
LIVES SEPARATES US FROM EACH
OTHER.
392
00:20:48,330 --> 00:20:52,084
BUT THAT'S GONE OUT THE WINDOW,
BUT I GET UP PROBABLY ABOUT, YOU
393
00:20:52,167 --> 00:20:55,462
KNOW, AN HOUR OR SO BEFORE HER
AND HAVE MY COFFEE, READ THE
394
00:20:55,545 --> 00:20:58,674
PAPER AND STUFF, AND SHE COMES
DOWNSTAIRS, AND I REALIZED
395
00:20:58,757 --> 00:21:02,552
SOMETHING ABOUT HER THAT I
DIDN'T REALLY MAYBE UNDERSTAND
396
00:21:02,636 --> 00:21:06,807
QUITE AS SPECIFICALLY AND THAT
IS THAT SHE REALLY, REALLY LIKES
397
00:21:06,890 --> 00:21:10,477
TO CHANGE HER CLOTHES, AND I
REALLY DON'T LIKE TO CHANGE MY
398
00:21:10,560 --> 00:21:10,894
CLOTHES THAT MUCH.
399
00:21:10,978 --> 00:21:13,313
>> James: YEAH.
400
00:21:13,397 --> 00:21:16,858
YOU KNOW, I SOMETIMES THINK
I'M IN THE WRONG PROFESSION
401
00:21:16,942 --> 00:21:20,070
BECAUSE, YOU KNOW, YOU HAVE TO
GET INTO MULTIPLE COSTUMES IN
402
00:21:20,153 --> 00:21:21,321
THE COURSE OF ONE DAY.
403
00:21:21,405 --> 00:21:25,200
THAT'S ALWAYS KIND OF A PAIN IN
THE ASS TO ME.
404
00:21:25,283 --> 00:21:27,536
BUT KYRA COMES DOWN IN THE
MORNING AND SHE'S GOT ON THE
405
00:21:27,619 --> 00:21:34,376
KIND OF SLEEPWARE AND SHE KICKS
OFF THE DAY LIKE THAT, AND THEN
406
00:21:34,459 --> 00:21:41,008
SHE MOVES TO AN EXERCISE OUTFIT
AFTER COFFEE BECAUSE SHE DOES
407
00:21:41,091 --> 00:21:42,217
EXERCISE.
408
00:21:42,300 --> 00:21:48,724
I HEAR CRAZY JUMPING AROUND, THE
FLOORS GOING LIKE THIS, AND I
409
00:21:48,807 --> 00:21:50,559
DON'T KNOW WHAT SHE'S DOING.
410
00:21:50,642 --> 00:21:55,188
THEN SHE SAYS, WELL, I'VE GOT TO
GET OUT TO MY EXERCISE THING AND
411
00:21:55,272 --> 00:22:00,193
GET TO MORE -- IT'S ALMOST LIKE
BUSINESS ATTIRE FOR THE DAY.
412
00:22:00,277 --> 00:22:01,862
IT'S THE DAY'S BUSINESS ATTIRE.
413
00:22:01,945 --> 00:22:04,573
I'M THE ONLY ONE SEEING THIS,
LET'S BE CLEAR ABOUT THAT.
414
00:22:04,656 --> 00:22:06,575
>> James: NOTHING ELSE TO SEE,
YEAH.
415
00:22:06,658 --> 00:22:09,578
>> EXCEPT FOR THE OCCASIONAL
ZOOM WHERE IT'S ONLY, LIKE, FROM
416
00:22:09,661 --> 00:22:10,746
HERE UP.
417
00:22:10,829 --> 00:22:14,124
I CAME IN THE OTHER DAY AND IT
WAS THE MIDDLE OF THE DAY, AND
418
00:22:14,207 --> 00:22:20,630
SHE WAS IN THESE, LIKE, KIND OF
FAUX LEOPARD SKIN PUMPS, AND SHE
419
00:22:20,714 --> 00:22:24,593
WAS STANDING IN THE KITCHEN WITH
A FLYSWATTER FLY HUNTING, AND
420
00:22:24,676 --> 00:22:31,266
SHE'S A VERY GOOD FLY HUNTER, BY
THE WAY, SHE'S GOT A VERY STRONG
421
00:22:31,349 --> 00:22:32,517
PREY INSTINCT.
422
00:22:32,601 --> 00:22:35,437
SHE WAS THERE JUST KILLING THEM
LEFT AND RIGHT IN THIS REALLY,
423
00:22:35,520 --> 00:22:36,855
LIKE, AMAZING OUTFIT.
424
00:22:36,938 --> 00:22:40,567
>> James: IT'S THE EXACT SAME
THING IS HAPPENING IN OUR HOUSE.
425
00:22:40,650 --> 00:22:46,156
THE EXACT SAME, MINUS THE FLY
SWATTING, IT'S EXACTLY THE SAME.
426
00:22:46,239 --> 00:22:47,282
>> YEAH.
427
00:22:47,365 --> 00:22:50,786
>> James: LET'S TALK ABOUT
YOUR MOVIE "YOU SHOULD HAVE
428
00:22:50,869 --> 00:22:51,369
LEFT."
429
00:22:51,453 --> 00:22:52,287
IT'S AN INTERESTING STORY.
430
00:22:52,370 --> 00:22:55,290
TELL THEM WHAT IT'S ABOUT AND
WHO YOU PLAY.
431
00:22:55,373 --> 00:22:59,002
>> I PLAY A GUY WHO HAS SOME
QUESTIONABLE STUFF IN THE PAST
432
00:22:59,086 --> 00:23:01,505
WHICH WE DON'T REALLY LEARN
ABOUT AND HE'S MARRIED TO A
433
00:23:01,588 --> 00:23:07,677
WOMAN WHO'S WAY TOO YOUNG FOR
HIM PLAYED BY THE AMAZING AMANDA
434
00:23:07,761 --> 00:23:11,389
SAFREY, AND SHE'S AN ACTRESS.
435
00:23:11,473 --> 00:23:14,643
I HAVE SOME NAGGING DOUBTS ABOUT
OUR RELATIONSHIP.
436
00:23:14,726 --> 00:23:18,313
IT SEEMS ON THE SURFACE IT'S
GREAT, SHE SEEMS TO LOVE ME,
437
00:23:18,396 --> 00:23:22,317
WE'VE GOT A BEAUTIFUL 7-YEAR-OLD
LITTLE GIRL, BUT, YOU KNOW, A
438
00:23:22,400 --> 00:23:25,779
GENERATIONAL THING, SHE SPENDS A
LOT OF TIME ON HER PHONE WHICH I
439
00:23:25,862 --> 00:23:29,366
DON'T REALLY DO AND I'M
WONDERING WHO SHE'S TEXTING AND
440
00:23:29,449 --> 00:23:32,661
WHAT'S GOING ON THERE, AND SHE'S
AN ACTRESS SO SHE HAS TO GO TO
441
00:23:32,744 --> 00:23:36,331
THE SET, BE IN INTIMATE SCENES
WITH PEOPLE.
442
00:23:36,414 --> 00:23:40,168
SO THERE'S A NAGGING DOUBT WHERE
I'M KIND OF THINKING TO MYSELF
443
00:23:40,252 --> 00:23:43,672
DOES SHE REALLY WANT TO BE WITH
ME?
444
00:23:43,755 --> 00:23:48,510
I'M SOMEONE WHO'S NO LONGER AT
MY SEXUAL POWER OR, YOU KNOW,
445
00:23:48,593 --> 00:23:50,887
I'M GETTING ON, AS IT WERE.
446
00:23:50,971 --> 00:23:54,099
AND WE DECIDE TO GO ON A
VACATION BEFORE SHE'S GOING TO
447
00:23:54,182 --> 00:24:01,523
START A BIG JOB, AND WE GET A
KIND OF AIRBNB HOUSE IN WALES,
448
00:24:01,606 --> 00:24:08,989
AND THE HOUSE -- TO SAY WE MADE
A BAD CHOICE IN PICKING THIS
449
00:24:09,072 --> 00:24:12,200
HOUSE WOULD BE THE
UNDERSTATEMENT.
450
00:24:12,284 --> 00:24:15,412
>> James: YOU'VE SHOT QUITE A
FEW THRILLERS AND HORROR MOVIES
451
00:24:15,495 --> 00:24:16,621
IN YOUR CAREER.
452
00:24:16,705 --> 00:24:19,416
I'M WONDERING WHAT IT'S LIKE,
WHEN YOU'RE SHOOTING A HORROR
453
00:24:19,499 --> 00:24:23,211
FILM OR A THRILLER, BECAUSE IF
YOU'RE DOING A COMEDY, YOU WILL
454
00:24:23,295 --> 00:24:27,007
FINISH A TAKE AND THE DIRECTOR
WILL GO, OH, THAT WAS REALLY
455
00:24:27,090 --> 00:24:28,133
FUNNY.
456
00:24:28,216 --> 00:24:30,594
WHEN YOU'RE SHOOTING A HORROR
FILM, DO PEOPLE GO, WHOO!
457
00:24:30,677 --> 00:24:34,389
THAT WAS A SCARY TAKE!
458
00:24:34,472 --> 00:24:35,223
THAT FELT SCARY THERE.
459
00:24:35,307 --> 00:24:37,017
WERE YOU SCARED?
460
00:24:37,100 --> 00:24:38,351
I FELT SCARED.
461
00:24:38,435 --> 00:24:42,689
>> NO, IT'S REALLY -- I'VE GOT
TO SAY THAT DOES NOT HAPPEN VERY
462
00:24:42,772 --> 00:24:43,940
OFTEN.
463
00:24:44,024 --> 00:24:48,069
BUT I CAN TELL YOU THAT IT DOES
EAT AWAY AT YOUR PSYCHE A LITTLE
464
00:24:48,153 --> 00:24:48,570
BIT.
465
00:24:48,653 --> 00:24:49,696
>> James: IN WHAT WAY?
466
00:24:49,779 --> 00:24:52,574
WELL, IF YOU'RE ALL DAY
SPENDING YOUR DAY TRYING TO
467
00:24:52,657 --> 00:24:58,288
THROW YOURSELF EMOTIONALLY INTO
A FEELING OF TERROR OR THREAT OR
468
00:24:58,371 --> 00:25:02,751
DARKNESS OR GHOSTS OR WHATEVER
IT IS, SOMETIMES YOUR DREAMS
469
00:25:02,834 --> 00:25:03,919
BECOME REALLY KIND OF INTENSE.
470
00:25:04,002 --> 00:25:05,754
I WAS DOING A HORROR MOVIE.
471
00:25:05,837 --> 00:25:10,592
THE HORROR MOVIE WAS KIND OF A
FUN, SILLY HORROR MOVIE CALLED
472
00:25:10,675 --> 00:25:14,596
TREMORS, AND IT WAS ABOUT ME
BATTLING THESE UNDERGROUND
473
00:25:14,679 --> 00:25:15,722
WORMS.
474
00:25:15,805 --> 00:25:21,603
BUT AT THE MOMENT THAT I WAS
DOING IT, MY WIFE WAS EIGHT
475
00:25:21,686 --> 00:25:26,274
MONTHS PREGNANT, ABOUT TO HAVE
OUR FIRST CHILD, AND THERE WERE
476
00:25:26,358 --> 00:25:31,446
A LOT OF THINGS GOING ON IN MY
HEAD ABOUT MY FEARS OF HAVING TO
477
00:25:31,529 --> 00:25:34,407
GROW UP, PROVIDE ANOTHER PERSON,
AND THIS CAREER, THIS LIFE, ALL
478
00:25:34,491 --> 00:25:38,828
KINDS OF STUFF THAT WAS ROLLING
AROUND MY HEAD, AND I WAS SLEEP
479
00:25:38,912 --> 00:25:42,666
WALKING QUITE A BIT, AND I WOULD
PICK HER UP.
480
00:25:42,749 --> 00:25:45,794
KEEP IN MIND, SHE'S EIGHT MONTHS
PREGNANT.
481
00:25:45,877 --> 00:25:48,630
I WOULD CARRY HER OUT OF THE
HOUSE THAT WE WERE RENTING AND
482
00:25:48,713 --> 00:25:52,634
OUT INTO THE STREET, AND SHE
WOULD STOP ME AND SAY, HONEY,
483
00:25:52,717 --> 00:25:53,802
YOU'RE ASLEEP.
484
00:25:53,885 --> 00:25:58,807
NO, I HAVE TO -- YOU KNOW,
THEY'RE COMING FOR US!
485
00:25:58,890 --> 00:26:04,521
I WAS REALLY LIKE A LUNATIC.
486
00:26:04,604 --> 00:26:10,652
THE COMBINATION OF WHAT I WAS
HAVING TO DO AS AN ACTOR DURING
487
00:26:10,735 --> 00:26:14,364
THE DAY AND WHAT I WAS
EXPERIENCING COMING UP IN MY
488
00:26:14,447 --> 00:26:15,949
LIFE TURNED INTO A PERFECT
STORM.
489
00:26:16,032 --> 00:26:20,620
>> James: TALKING ABOUT TAKING
YOUR WORK HOME, INCREDIBLE.
490
00:26:20,704 --> 00:26:21,663
LET'S TAKE A LOOK AT A CLIP FROM
"YOU SHOULD HAVE LEFT," WHICH IS
491
00:26:21,746 --> 00:26:25,792
AVAILABLE ON V.O.D. THIS
THURSDAY.
492
00:26:25,875 --> 00:26:28,670
>> HEY, YOU GOT TO GET TO SLEEP,
SWEETIE.
493
00:26:28,753 --> 00:26:30,338
>> BUT THERE WAS A SHADOW ON THE
WALL.
494
00:26:30,422 --> 00:26:33,675
>> I KNOW IT'S FUN, BUT IT'S
TIME TO SLEEP.
495
00:26:33,758 --> 00:26:34,426
OKAY.
496
00:26:34,509 --> 00:26:36,219
COME ON, SCOOCH DOWN, SCOOCH
DOWN.
497
00:26:36,303 --> 00:26:38,263
ALL THE WAY!
498
00:26:38,346 --> 00:26:41,683
GRAB BUNNY!
499
00:26:41,766 --> 00:26:42,017
OKAY.
500
00:26:42,100 --> 00:26:42,851
GOOD NIGHT.
501
00:26:42,934 --> 00:26:45,687
>> CAN YOU TURN OFF MY LIGHT,
PLEASE.
502
00:26:45,770 --> 00:26:46,938
>> OFF?
503
00:26:47,022 --> 00:26:47,522
YES.
504
00:26:47,605 --> 00:26:49,274
SURE?
505
00:26:49,357 --> 00:26:49,524
YES.
506
00:26:49,607 --> 00:26:50,066
OKAY.
507
00:26:50,150 --> 00:26:51,568
GOOD NIGHT, HONEY.
508
00:26:51,651 --> 00:26:54,738
>> GOOD NIGHT, PAPA.
509
00:27:09,461 --> 00:27:10,879
>> James: OH, GOD!
510
00:27:10,962 --> 00:27:14,758
MORE WITH KEVIN BACON WHEN WE
COME BACK.
511
00:27:14,841 --> 00:27:17,260
♪ ♪ ♪
512
00:27:17,344 --> 00:27:21,514
♪
♪
513
00:27:26,644 --> 00:27:32,567
♪ ♪ ♪
514
00:27:32,650 --> 00:27:33,735
>> James: WELCOME BACK.
515
00:27:33,818 --> 00:27:35,195
WE'RE HERE WITH KEVIN BACON.
516
00:27:35,278 --> 00:27:38,573
WE HAVE BEEN DOING LATE LATE
SHOW AND TELL WHERE WE HAVE BEEN
517
00:27:38,656 --> 00:27:41,201
ASKING OUR GUEST IFS THEY WOULD
SHARE SOMETHING FROM THEIR HOME
518
00:27:41,284 --> 00:27:42,911
WE MIGHT OTHERWISE NEVER GET TO
SEE.
519
00:27:42,994 --> 00:27:45,955
DO YOU HAVE SOMETHING TO SHARE
WITH US THIS EVENING?
520
00:27:46,039 --> 00:27:51,961
>> WELL, THIS IS -- YOU KNOW,
I -- PEOPLE WON'T BE SURPRISED
521
00:27:52,045 --> 00:27:55,590
TO FIND OUT WHEN YOU DO THESE
KINDS OF THINGS, PEOPLE NOW
522
00:27:55,673 --> 00:27:58,927
LEARNED THEY WANT TO SET UP
THEIR BACKGROUNDS FOR VARIOUS
523
00:27:59,010 --> 00:28:02,138
REASONS, BUT I HAPPENED TO BE
SETTING THIS UP, AND I LOOKED UP
524
00:28:02,222 --> 00:28:03,390
>> James: OH, MY GOD.
525
00:28:03,473 --> 00:28:07,227
AND BECAUSE WE'RE IN A HORROR
MOVIE, THIS IS A ROOM I HAVEN'T
526
00:28:07,310 --> 00:28:11,314
BEEN IN FOR A REALLY LONG TIME,
BUT WHERE DID THESE COME FROM?
527
00:28:11,398 --> 00:28:12,190
I DON'T KNOW.
528
00:28:12,273 --> 00:28:14,192
>> James: THIS IS GENUINELY
YOUR HOUSE.
529
00:28:14,275 --> 00:28:14,776
THIS IS ABSOLUTELY TERRIFYING.
530
00:28:14,859 --> 00:28:17,278
>> YEAH, I KNOW.
531
00:28:17,362 --> 00:28:18,780
IT'S CREEPY.
532
00:28:18,863 --> 00:28:19,739
( LAUGHTER )
I DON'T KNOW WHERE THEY CAME
533
00:28:19,823 --> 00:28:21,783
FROM, BUT THEY WERE, LIKE,
LOOKING DOWN AT ME.
534
00:28:21,866 --> 00:28:27,122
BUT I ALSO HAVE THIS.
535
00:28:27,205 --> 00:28:28,331
SPEAKING OF HORROR MOVIES.
536
00:28:28,415 --> 00:28:31,292
>> James: OH, WOW.
537
00:28:31,376 --> 00:28:36,756
THIS WAS A GIFT OF A "HOLLOW
MAN" MASK.
538
00:28:36,840 --> 00:28:37,799
"HOLLOW MAN" WAS A MOVIE I DID.
539
00:28:37,882 --> 00:28:40,135
>> James: YEAH.
540
00:28:40,218 --> 00:28:41,302
YEARS AGO.
541
00:28:41,386 --> 00:28:46,057
THEY GAVE ME THIS -- I HAD TO
WEAR THIS THING FOR, LIKE,
542
00:28:46,141 --> 00:28:48,977
PROBABLY, I DON'T KNOW, SIX OR
EIGHT MONTHS, AND IT WAS
543
00:28:49,060 --> 00:28:49,352
HORRIBLE.
544
00:28:49,436 --> 00:28:51,771
I HATED IT.
545
00:28:51,855 --> 00:28:52,856
I HATED IT.
546
00:28:52,939 --> 00:28:54,983
I CAN'T TELL YOU HOW MUCH I
HATED WEARING THIS THING.
547
00:28:55,066 --> 00:28:58,319
IT HAD TO BE GLUED TO MY FACE.
548
00:28:58,403 --> 00:29:02,157
BUT WHEN WE WERE FINISHED, THE
SPECIFICS MAKEUP ARTIST GAVE ME
549
00:29:02,240 --> 00:29:03,324
THIS GUY.
550
00:29:03,408 --> 00:29:05,910
>> James: THE COMBINATION OF
THAT MASK AND THOSE DOLLS WERE
551
00:29:05,994 --> 00:29:08,496
ALL A BIT SCARY.
552
00:29:08,580 --> 00:29:10,165
REGGIE, DO YOU HAVE A QUESTION
FOR OUR GUEST THIS EVENING?
553
00:29:10,248 --> 00:29:12,041
>> Reggie: YES, I DO.
554
00:29:12,125 --> 00:29:16,671
TONIGHT'S QUESTION GOES TO --
( DRUM ROLL )
555
00:29:16,754 --> 00:29:17,338
-- KEVIN BACON!
556
00:29:17,422 --> 00:29:20,383
>> James: OKAY, HERE WE GO.
557
00:29:20,467 --> 00:29:23,970
>> Reggie: IF YOU EVER PASS BY
OR IF YOU'RE WALKING ON YOUR
558
00:29:24,053 --> 00:29:27,015
FLOOR AND YOU HEAR A CREEK EVERY
TIME THAT YOU GO BY AND YOU KNOW
559
00:29:27,098 --> 00:29:33,354
THAT THERE'S A SPECIFIC CREEK
WHEN YOU STEP IN THAT SPECIFIC
560
00:29:33,438 --> 00:29:38,860
LOCATION, DO YOU EVER WONDER IF
YOU CAN FIX IT?
561
00:29:38,943 --> 00:29:41,029
>> YES.
562
00:29:41,112 --> 00:29:42,447
>> Reggie: THAT'S CORRECT.
563
00:29:42,530 --> 00:29:44,657
>> James: IT'S ABSOLUTELY
CORRECT.
564
00:29:44,741 --> 00:29:47,035
PLEASE THANK THE WONDERFUL KEVIN
BACON.
565
00:29:47,118 --> 00:29:48,328
THANK YOU SO MUCH, KEVIN.
566
00:29:48,411 --> 00:29:49,704
ITS SO GREAT TO TALK TO YOU.
567
00:29:49,787 --> 00:29:51,456
WHEN WE COME BACK, RITA WILSON
WILL BE HERE.
568
00:29:51,539 --> 00:29:52,665
COME ON BACK, EVERYBODY.
569
00:29:52,749 --> 00:29:56,920
♪ ♪ ♪
570
00:30:01,174 --> 00:30:04,052
♪ ♪ ♪
571
00:30:04,135 --> 00:30:06,054
>> YEAH, WE GOT TO GET BACK TO
572
00:30:06,137 --> 00:30:06,888
THE SHOW, MAN.
573
00:30:06,971 --> 00:30:08,932
( LAUGHTER )
>> James: WELCOME BACK.
574
00:30:09,015 --> 00:30:12,727
OUR NEXT GUEST IS A TALENTED
SINGER-SONGWRITER, ACTRESS AND
575
00:30:12,810 --> 00:30:13,686
PRODUCER.
576
00:30:13,770 --> 00:30:15,021
WE'RE SO EXCITED TO HAVE HER
JOIN US.
577
00:30:15,104 --> 00:30:17,732
THE ALWAYS LOVELY, RITA WILSON!
578
00:30:17,815 --> 00:30:20,401
HOW ARE YOU, RITA?
579
00:30:20,485 --> 00:30:20,860
HOW YOU DOING?
580
00:30:20,944 --> 00:30:21,903
>> I AM SO GOOD.
581
00:30:21,986 --> 00:30:24,531
IT'S SO NICE TO SEE YOU, SO NICE
TO BE ON THE SHOW.
582
00:30:24,614 --> 00:30:25,865
>> James: LOVELY TO SEE YOU.
583
00:30:25,949 --> 00:30:27,033
THANK YOU.
584
00:30:27,116 --> 00:30:32,205
>> James: HOW HAVE YOU BEEN
THROUGH THIS PAST FEW MONTHS?
585
00:30:32,288 --> 00:30:35,124
>> THANKFULLY, I'M ALL RECOVERED
FROM CORONAVIRUS.
586
00:30:35,208 --> 00:30:38,920
>> James: YEAH, AND FEELING
GREAT AND JUST MISSING PEOPLE.
587
00:30:39,003 --> 00:30:41,714
I'M MISSING, YOU KNOW, BEING
WITH FRIENDS AND, YOU KNOW,
588
00:30:41,798 --> 00:30:45,260
GETTING OUT AND ABOUT, BUT VERY
THANKFUL TO BE HEALTHY AND BE
589
00:30:45,343 --> 00:30:47,387
SITTING HERE WITH YOU, MISTER.
590
00:30:47,470 --> 00:30:50,348
>> James: WE'RE SO GRATEFUL
THAT YOU'RE HEALTHY.
591
00:30:50,431 --> 00:30:54,978
I WILL SAY I THINK YOU'VE HAD
ONE OF THE MOST UNEXPECTED
592
00:30:55,061 --> 00:30:58,940
ANNOUNCEMENTS DURING QUARANTINE,
WHICH IS RITA WILSON IS WORKING
593
00:30:59,023 --> 00:31:03,444
ON A SONG WITH NAUGHTY BY
NATURE.
594
00:31:03,528 --> 00:31:08,116
( LAUGHTER )
HOW DID THIS COLLABORATION OF
595
00:31:08,199 --> 00:31:09,993
MAKING "HIP HOP HOORAY" COME
AROUND?
596
00:31:10,076 --> 00:31:14,831
>> OKAY, FIRST OF ALL, IT'S
INSANITY, FOR SURE, BUT WHEN I
597
00:31:14,914 --> 00:31:19,502
WAS RECOVERING FROM CORONAVIRUS,
I HAD A LITTLE BIT OF A BRAIN
598
00:31:19,586 --> 00:31:25,800
FOG AND I HAD DONE A MOVIE
CALLED "BOY GENIUS" AND HAD TO
599
00:31:25,883 --> 00:31:27,635
LEARN "HIP HOP HOORAY," THE
NAUGHTY BY NATURE SONG, FOR THE
600
00:31:27,719 --> 00:31:29,971
MOVIE, AND IT TOOK ME, LIKE, A
MONTH TO LEARN IT BECAUSE IT'S
601
00:31:30,054 --> 00:31:35,310
LIKE TRYING TO LEARN SHAKESPEARE
WHEN YOU'RE FRENCH AND YOU DON'T
602
00:31:35,393 --> 00:31:38,938
SPEAK ENGLISH, IT WAS SO
COMPLETELY CRAZY.
603
00:31:39,022 --> 00:31:40,815
SO I THOUGHT, WELL, MAYBE I CAN
STILL REMEMBER THAT.
604
00:31:40,898 --> 00:31:45,111
SO I GOT IT OUT AND I WAS, TO MY
SURPRISE, I COULD REMEMBER MOST
605
00:31:45,194 --> 00:31:46,321
OF IT.
606
00:31:46,404 --> 00:31:50,158
SO I THOUGHT, WELL, I'LL JUST
PUT THIS ON THE, YOU KNOW,
607
00:31:50,241 --> 00:31:54,495
INSTAGRAM AND SEE IF, YOU
KNOW -- IT WILL BE A WAY TO LET
608
00:31:54,579 --> 00:31:58,541
PEOPLE KNOW I'M FEELING OKAY AND
THAT NOTHING IS REALLY WRONG AND
609
00:31:58,625 --> 00:31:59,709
I'M FINE.
610
00:31:59,792 --> 00:32:03,171
AND I PUT IT ON AND THEN, YOU
KNOW, WENT TO BED BECAUSE WE
611
00:32:03,254 --> 00:32:07,050
WERE IN AUSTRALIA, AND THE NEXT
MORNING WOKE UP TO THIS
612
00:32:07,133 --> 00:32:08,259
INSANITY.
613
00:32:08,343 --> 00:32:12,305
BUT THE BEST PART ABOUT IT WAS
THAT NAUGHTY BY NATURE SAW IT
614
00:32:12,388 --> 00:32:15,933
AND THEY WERE, LIKE, YES, WE
GIVE YOU OUR STAMP OF APPROVAL
615
00:32:16,017 --> 00:32:19,395
AND THAT TURNED INTO THIS
WONDERFUL REMIX COLLABORATION
616
00:32:19,479 --> 00:32:26,527
WHERE THE PROCEEDS GO TO THE
MUSIC CARES COVID 19 RELIEF
617
00:32:26,611 --> 00:32:27,153
FUND.
618
00:32:27,236 --> 00:32:28,154
>> James: IT'S INCREDIBLE.
619
00:32:28,237 --> 00:32:31,574
IT'S ONE OF THE THINGS I NEVER
SAW COMING AT ALL.
620
00:32:31,658 --> 00:32:35,787
SHORTLY, WE'RE ABOUT TO GO ON A
BREAK HERE IN THE SHOW, AND YOU
621
00:32:35,870 --> 00:32:40,208
DO SOMETHING IN LAMB L.A. THAT
MY D -- IN LOS ANGELES THAT MY
622
00:32:40,291 --> 00:32:44,045
SON WANTS TO DO BUT I'VE ALWAYS
BEEN NERVOUS, YOU ARE A FAN OF A
623
00:32:44,128 --> 00:32:45,171
CAMPING TRIP.
624
00:32:45,254 --> 00:32:46,255
>> OH, YES, LOVE IT.
625
00:32:46,339 --> 00:32:50,885
>> James: DO YOU ACTUALLY CAMP
OR IS THIS SOME KIND OF
626
00:32:50,968 --> 00:32:53,513
HOLLYWOOD, GLAMOROUS GLAMPING
EXPERIENCE?
627
00:32:53,596 --> 00:32:55,264
>> WE'VE DONE BOTH VERSIONS OF
IT.
628
00:32:55,348 --> 00:32:56,432
>> James: OKAY.
629
00:32:56,516 --> 00:32:58,059
ONE OF THE CAMPING TRIPS I
LOVE IS ACTUALLY A RIVER RAFTING
630
00:32:58,142 --> 00:33:03,231
TRIP WHICH IS SUPER FUN, AND
THAT ONE I WOULD SAY TENDED TO
631
00:33:03,314 --> 00:33:08,861
BE LIKE A HYBRID OF GLAMPING
AND, YOU KNOW, HARD CORE.
632
00:33:08,945 --> 00:33:13,241
SO WHAT I LOVED ABOUT THAT,
THOUGH, WAS THAT, YOU KNOW, WHEN
633
00:33:13,324 --> 00:33:17,120
YOU GO ON A CAMPING TRIP, YOU
THINK THAT YOU'VE GOT YOUR GEAR.
634
00:33:17,203 --> 00:33:23,084
ALL YOU REALLY NEED IS A GOOD,
SOLID, WARM SLEEPING BAG AND
635
00:33:23,167 --> 00:33:26,713
PARKA AND SOMETHING TO COVER
YOUR EARS, BUT I SHOWED UP AND
636
00:33:26,796 --> 00:33:31,592
PEOPLE HAD GEAR, YOU KNOW, LIKE
THEY HAD TEAR-AWAY PANTS SO THAT
637
00:33:31,676 --> 00:33:34,220
IF YOU WANTED TO JUST RIP OFF
YOUR PANTS AND HAVE YOUR SHORTS
638
00:33:34,303 --> 00:33:37,932
UNDERNEATH AND GO IN THE WATER,
YOU COULD.
639
00:33:38,015 --> 00:33:40,101
AND I WAS, LIKE, WHAT?
640
00:33:40,184 --> 00:33:42,311
HERE I AM TRYING TO GET OUT, NOT
STEP ON BUGS AND GET MY LEGS OUT
641
00:33:42,395 --> 00:33:47,108
OF MY PANTS AND PUT ON A BATHING
SUIT.
642
00:33:47,191 --> 00:33:47,859
PEOPLE HAVE IT DOWN.
643
00:33:47,942 --> 00:33:49,068
I DON'T HAVE THE WHOLE THING
DOWN.
644
00:33:49,152 --> 00:33:52,613
>> James: YEAH, THESE ARE THE
THINGS THAT I WORRY ABOUT WITH
645
00:33:52,697 --> 00:33:53,781
CAMPING.
646
00:33:53,865 --> 00:33:57,285
I ALWAYS LIKE THE STILL IMAGE,
BUT IT'S THE ACTUAL MOVIE I'M
647
00:33:57,368 --> 00:33:58,786
NOT SURE ABOUT.
648
00:33:58,870 --> 00:34:00,079
DO YOU KNOW WHAT I MEAN?
649
00:34:00,163 --> 00:34:02,331
NOW, I WANT TO TALK TO YOU ABOUT
THE SONG YOU'RE PERFORMING AFTER
650
00:34:02,415 --> 00:34:03,124
THE BREAK.
651
00:34:03,207 --> 00:34:04,792
WHERE'S MY COUNTRY SONG.
652
00:34:04,876 --> 00:34:08,129
TELL ME ABOUT THE SONG BECAUSE
IT'S GOT A WONDERFUL MESSAGE.
653
00:34:08,212 --> 00:34:09,297
>> THANK YOU.
654
00:34:09,380 --> 00:34:13,259
WELL, IT WAS -- I REALLY WANTED
TO WRITE THIS SONG.
655
00:34:13,342 --> 00:34:20,516
I WROTE IT WITH LEE DEWISE WHO
WON AMERICAN IDOL YEARS AGO, I'M
656
00:34:20,600 --> 00:34:21,934
SURE YOUR VIEWERS WILL KNOW HIM.
657
00:34:22,018 --> 00:34:25,813
I HAD THIS TITLE OF "WHERE'S MY
COUNTRY SONG" BECAUSE IT WAS
658
00:34:25,897 --> 00:34:29,650
REALLY ABOUT SO MANY OF THE
WOMEN I KNEW THAT WERE EITHER
659
00:34:29,734 --> 00:34:32,820
SINGLE MOTHERS, A BIT ABOUT MY
MOFL BECAUSE SHE WAS A HOUSEWIFE
660
00:34:32,904 --> 00:34:38,785
AND SHE COOKED AND CLEANED AND
DID ALL THOSE AMAZING THINGS,
661
00:34:38,868 --> 00:34:42,330
BUT THE SPOTLIGHT IS NEVER
REALLY SHINING ON THOSE WOMEN.
662
00:34:42,413 --> 00:34:45,541
I WANTED TO SING AND WRITE ABOUT
THE WOMEN WHO ARE NOT
663
00:34:45,625 --> 00:34:48,294
NECESSARILY OUT FRONT AND CENTER
ALL THE TIME.
664
00:34:48,377 --> 00:34:51,464
>> James: WHAT A WONDERFUL
THING.
665
00:34:51,547 --> 00:34:53,966
YOU'RE GOING TO PERFORM IT AFTER
THIS BREAK WHEN WE STICK AROUND.
666
00:34:54,050 --> 00:34:56,469
MORE WITH RITA WILSON WHEN WE
COME BACK.
667
00:34:56,552 --> 00:35:02,225
♪ ♪ ♪
668
00:35:08,272 --> 00:35:17,073
♪ ♪ ♪
669
00:35:17,156 --> 00:35:20,701
>> James: WELCOME BACK.
PERFORMING HER LATEST SINGLE
670
00:35:20,785 --> 00:35:24,497
"WHERE'S MY COUNTRY SONG,"
PLEASE WELCOME RITA WILSON!
671
00:35:24,580 --> 00:35:37,385
♪ ♪ ♪
672
00:35:37,468 --> 00:35:40,596
♪ 30 MINUTES 'TIL MY DRIVEWAY
673
00:35:40,680 --> 00:35:46,602
SO TIRED, BEEN A LONG DAY
♪ I'VE HAD A LIFETIME OF WORRY
674
00:35:46,686 --> 00:35:50,231
THIS AIN'T MY FIRST RODEO
♪ STACK OF BILLS
675
00:35:50,314 --> 00:35:57,697
ON THE FRONT SEAT
♪ HALF EMPTY TANK OF GASOLINE
676
00:35:57,780 --> 00:36:01,617
A LITTLE ONE WAITING UP FOR ME
♪ I TURN ON THE RADIO
677
00:36:01,701 --> 00:36:05,746
TO ANOTHER WHITE T-SHIRT
♪ AND A BACK ROAD
678
00:36:05,830 --> 00:36:13,880
ANOTHER PERFECT LIFE
♪ THAT I'LL NEVER KNOW
679
00:36:13,963 --> 00:36:17,758
'CAUSE I DON'T KNOW HOW IT FEELS
♪ TO BE THE GIRL
680
00:36:17,842 --> 00:36:21,095
IN THE HIGH HEELS
♪ LOOKING IN THE REAR VIEW
681
00:36:21,178 --> 00:36:24,140
THERE'S NO ME AND YOU
♪ SO HOW CAN ALL
682
00:36:24,223 --> 00:36:25,266
THESE SONGS BE REAL?
683
00:36:25,349 --> 00:36:26,434
♪ IT'S NOT LIPSTICK
AND A RED DRESS
684
00:36:26,517 --> 00:36:31,647
♪ MORE LIKE A NAMETAG
AND A PAYCHECK
685
00:36:31,731 --> 00:36:33,900
♪ I WANNA BELIEVE
BUT THEY DON'T KNOW ME
686
00:36:33,983 --> 00:36:37,820
♪ THE RADIO KEEPS
GETTING IT WRONG
687
00:36:37,904 --> 00:36:44,452
♪ SO TELL ME
WHERE'S MY COUNTRY SONG?
688
00:36:44,535 --> 00:36:53,419
♪ WHERE'S MY COUNTRY SONG?
689
00:36:53,502 --> 00:36:56,464
WHAT'S THIS LIFE
♪ THAT THEY'RE LIVIN'?
690
00:36:56,547 --> 00:37:00,801
IS THERE SOMETHING I'M MISSIN'?
691
00:37:00,885 --> 00:37:01,844
♪ WILL I LEARN IF I LISTEN?
692
00:37:01,928 --> 00:37:06,140
I TURN UP THE RADIO
♪ TO ANOTHER WHITE T-SHIRT
693
00:37:06,223 --> 00:37:13,940
AND A BACK ROAD
♪ ANOTHER PERFECT LIFE
694
00:37:14,023 --> 00:37:17,944
THAT I'LL NEVER KNOW
♪ 'CAUSE I DON'T KNOW
695
00:37:18,027 --> 00:37:20,571
HOW IT FEELS
♪ TO BE THE GIRL
696
00:37:20,655 --> 00:37:25,660
IN THE HIGH HEELS
♪ LOOKING IN THE REAR VIEW
697
00:37:25,743 --> 00:37:26,494
THERE'S NO ME AND YOU
♪ SO HOW CAN ALL THESE
698
00:37:26,577 --> 00:37:29,872
SONGS BE REAL?
699
00:37:29,956 --> 00:37:32,959
♪ IT'S NOT LIPSTICK
AND A RED DRESS
700
00:37:33,042 --> 00:37:35,461
♪ MORE LIKE A NAMETAG
AND A PAYCHECK
701
00:37:35,544 --> 00:37:39,131
♪ I WANNA BELIEVE
BUT THEY DON'T KNOW ME
702
00:37:39,215 --> 00:37:41,968
♪ THE RADIO KEEPS
GETTING IT WRONG
703
00:37:42,051 --> 00:37:49,892
♪ SO TELL ME
WHERE'S MY COUNTRY SONG?
704
00:37:49,976 --> 00:37:56,524
♪ WHERE'S MY COUNTRY SONG?
705
00:37:56,607 --> 00:38:08,536
SOMETIMES I GET LONELY
♪ SOMETIMES I CAN'T SLEEP
706
00:38:08,619 --> 00:38:18,546
BUT I WOULDN'T TRADE ONE THING
♪ FOR A RHINESTONE FANTASY
707
00:38:18,629 --> 00:38:25,136
BUT I WOULDN'T TRADE ONE THING
♪ FOR A RHINESTONE FANTASY
708
00:38:25,219 --> 00:38:26,595
NOW I'M SITTIN' IN MY DRIVEWAY
♪ IN MAMA'S ARMS
709
00:38:26,679 --> 00:38:30,016
I CAN SEE HIM WAVE
♪ IN HIS WHITE T-SHIRT
710
00:38:30,099 --> 00:38:41,610
AND I'M BACK HOME
♪ I TURN OFF THE RADIO ♪
711
00:38:41,694 --> 00:38:45,239
THAT WAS BEAUTIFUL. RITA WILSON,
EVERYBODY.
712
00:38:45,322 --> 00:38:46,907
WE'LL BE RIGHT BACK.
713
00:38:46,991 --> 00:38:50,244
♪ ♪ ♪
714
00:38:55,750 --> 00:39:00,421
♪ ♪ ♪
715
00:39:00,504 --> 00:39:05,384
>> James: TOMORROW NIGHT:
CALIFORNIA GOVERNOR GAVIN
716
00:39:05,468 --> 00:39:08,387
NEWSOM, PLUS MUSIC FROM DOJA
CAT.
717
00:39:08,471 --> 00:39:09,055
WE'LL SEE YOU THEN.
718
00:39:09,138 --> 00:39:10,097
GOODNIGHT.
719
00:39:10,181 --> 00:39:11,098
Captioning sponsored by CBS
Captioned by
720
00:39:11,182 --> 00:39:12,099
Media Access Group at WGBH
access.wgbh.org
721
00:39:12,183 --> 00:39:17,646
♪ ♪ ♪
57371
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