Original subtitles

[music playing]

[music playing]

[dog barking]

Good morning, Mrs. Holmes.

Good morning, Mrs. Russell.

Arthur, dear, breakfast.

Coming, darling.

How are you this morning?

Well, I could have done

with a little more sleep,

but Ace would keep barking so.

Oh, he's only trying

to be a good house dog.

Yes.

Yes.

I suppose he is.

Fenella!

Fenella.

The blood vessels and glands

of the head, neck, and eyes

are supplied from the

thoracic segments.

Wrong, Terry.

From the connector cells in

the first and second segments.

Of course, yes.

Breakfast, children.

You must hurry.

Coming, mother.

Just doing some homework.

It's a big day.

Lecture and exam.

Yes, I know, dear.

But don't get so agitated.

Connector cells, stupid.

Connector cells.

I know.

I know.

Well, it didn't sound

like it just now.

Ace, come on, boy.

Now, I've had a

complaint about you.

I hear you've been

creating a disturbance.

Mustn't do that, you know.

Sylvia doesn't like it.

Do come along, children.

You really should

take up medicine, Fen.

You'd make a good teacher.

Terry's only worried this

morning about his exam.

Oh?

Here's your tea, darling.

Oh, thank you.

Sausage or kipper, Fenella?

Coffee, please, daddy,

and just a little bit of toast.

You ought to have more

than that, my dear.

A growing girl like you

should have a good appetite.

What about you, father?

I've stopped growing.

But only recently, Arthur.

Ooh.

Don't forget I'm coming

with you, father.

What time does the 8:33 leave?

Curiously enough, 8:33.

Isn't ever late?

Often.

But chances are it'll

be on time this morning.

I expect the engine driver

knows about your exam.

I'm sure he knows more

about it than I do.

You'll get through

all right, Terry.

I've willed you to.

Whenever mother rubs Marmaduke,

I know she's making a wish.

What are you wishing

for now, mother?

If I told you, it wouldn’t come true,

would it, Arthur?

I don't believe in

wishes or superstitions.

No.

Of course you don't, dear.

You're much too

practical and efficient.

I say, hurry up, Terry.

We shall be late.

Right, father.

I'll be with you.

See you tonight, dears.

Yes, daddy.

Anything you want

from town, Sylvia?

No, dear, I don't think so.

Oh, yes.

The library book.

Do you remember, the West?

Oh, yes.

Of course, the West.

I'll collect it lunchtime.

Your flower holder, daddy.

Thanks.

Oh, thanks.

Bye, mother.

I hope Marmaduke

doesn't let me down.

I'll be with you, Terry.

And you're going to pass.

Thank you.

Fen, this is your day at

the academy, isn't it?

Uh, yes, is it, Terry.

Oh, good.

Then you'll be

coming home with me.

Oh.

Well, I did have one or

two things I rather wanted to do.

That's all right.

I'll wait for you.

Goodbye.

Oh.

Goodbye.

Good luck.

Hello, Ace.

How was the sausage?

Daddy adores that

dog, doesn't he?

Yes.

His dog and his roses, that

sums up your father's world.

Still, they're harmless

enough, I suppose.

[bells ringing]

Excuse me, sir.

Yes, Russell?

I hope you won't think

it presumptuous of me,

but well, that was

a wonderful job.

Thank you.

I trust the patient

would agree with you.

Oh, I'm sure he will.

But you know, sir, although

I work fairly hard, I--

I sometimes wonder

if I shall ever be

able to do anything like that.

Of course you will.

It's only a matter of experience.

But you can't hurry these things.

No, sir.

But, uh, the next

step's a bit of a pill.

Your final?

Yes.

Oh, I shouldn't worry

too much about that.

I think perhaps you

will scrape through.

Thank you, sir.

Hello, Terry.

How'd it go?

Oh, not bad, Sally.

I, uh, I think perhaps the

surgeon knows a little more

about his job now.

Well, now you've nearly

finished your exams,

do you think you'll have

some time for other things?

Well, for instance?

Oh, the theater,

concerts, movies.

Oh.

There's a wonderful film

in Leicester Square.

I'm sorry, Sally.

I have to meet Fenella

and take her home.

Oh.

Hello, Sally.

How's he treating you?

Passionately.

Ah.

Look, Casanova, I have a

message for you from Fenella.

She will not be going home

with you this evening.

No?

No.

Huh.

Well, uh, what time will

she be coming home with you?

Oh, uh, just after

the movies, I imagine.

I'll be driving her home.

Well, uh, cheerio.

Bye bye, Sal.

Well, that takes care of Fenella.

Look, Sally.

I'm terribly sorry, but I don't

feel in the mood for pictures

or music or anything.

I-- I've got too much on my mind.

You, uh, you do

understand, don't you?

No.

[speaking french]

Quite good.

Very good.

Oh, thank you.

Professor.

[speaking french]

Plenty of practice.

And don't waste too much time.

Thank you, Monsieur Lefou.

Plenty of practice, Miss Russell.

[speaking french]

Like that.

Would you like to

play it again for me?

Please, not now.

Let's go.

Movies?

Uh-huh.

What would you like to see?

You.

Uh-huh.

What would you like to see?

You.

Good.

Hello, Mr. White.

Come on in.

I say, Arthur.

The garden's looking

very well this year.

Not too bad, is it?

How do you do it?

Little work, little water,

lot of fertilizer.

Oh yeah?

Well, you seem to be

having luck keeping

the mildew off the flowers.

I use an arsenic solution.

Mind you, you've got to

keep at it the whole time.

Ah, it's a lot of work.

Oh, it's worth it.

Of course, these are

just ordinary flowers

for use in the house.

Come over here.

I'll show you

something really fine.

Now, this is something

to feast your eyes on.

There you are.

My Princess Elizabeths.

Aren't they wonderful?

They are beautiful.

Mind if I take one

home to the wife?

Ah-ah!

Sorry.

Not those.

Help yourself in the garden.

I see.

You mark my words,

I shall get a first for those.

I'm awfully sorry, old chap,

but you know how it is.

One never cuts prize roses.

I understand.

How are you, my dear?

You're very late, aren't you?

Oh, just a little.

Mason and I have been

discussing politics and flowers.

Did you remember my book?

There you are.

Arthur, whatever

made you bring that?

Oh, sorry.

That's the one you asked for.

No, dear.

West?

West, certainly.

You wanted West's new book.

Oh, Rebecca West,

not Sackville-West.

Are you sure?

I-- I seem to remember--

Seem to remember.

Poor dear, with his memory.

Huh.

Oh, never mind, Arthur.

We all make mistakes.

Well, I-- I wrote

it down somewhere.

I could've sworn this

was the one you wanted.

It doesn't matter.

I've got plenty to do in

this house without reading.

It's a disappointment,

of course, but--

I can take it back tomorrow.

I shouldn't dream

of troubling you.

Well, did you have a nice day?

Oh, rather trying.

Well, I'm sorry to hear that.

What happened?

Oh, nothing to interest you.

It was just the petty

little annoyances

inseparable from housekeeping.

Trying to cover up other people's

mistakes, having to do

most of the work myself.

You ought to get out more.

Take Ace for a

walk now and again.

He's a good one to take

your mind off your worries.

Hmm.

Well now, how about a

nice glass of sherry?

What?

On a hot day like this?

I can never understand

the Spaniards

drinking the dreadful stuff.

Yes, it is rather warm.

Hello, darling.

Hello.

Hello, Terry.

Well, tell us the news.

Oh, um, Barclay,

the chief surgeon,

thinks perhaps I'll

scrape through.

Fine.

Fine.

When you know definitely?

A month or two.

Doctor Terence Russell.

Steady, dad.

Steady.

Where's Fenella?

Oh, uh, she had

to see her doctor.

What?

What doctor?

Her doctor.

What's wrong with her?

Nothing, dad.

She, uh, she's just

growing up, that's all.

What are you talking about?

Dr. Valentine

Christie, nice chap.

He's a biochemist

at the hospital.

We call him the

brutish gentleman.

Do you mean to say that Fenella--

I mean that she's gone to

the pictures with a man, mother.

Why get excited about that?

But she never said

anything to me.

Well, up to now, I don't think

there's been anything to say.

Now, just a minute, Terry.

What sort of a man

is this Dr. Christie?

A splendid fellow, dad.

He's helped me a lot.

You introduced him to Fenella?

Why, yes.

Yes, I think I did.

How far has it gone?

Oh, I-- just to a cinema.

Somewhere in Leicester

Square, I think.

It's so unlike Fenella.

I shouldn't worry, mother.

After all, I used to

take you to the theater.

[dog barking]

Oh, that everlasting noise.

It's only Ace asking

for his evening stroll.

I promised him I'd--

perhaps I'd better take him.

[dog barking]

Oh, excuse me, madam.

Could I have a word with you?

What about?

It's about my Effie.

I've taken the liberty of

asking her to come along later.

I hope you'll see her.

So you're really

leaving me after all?

Well, if I'd only myself to

please, it would be different.

But it's my husband.

You see, ma'am, he's worked

himself out as a plumber.

But just because he's

going to open a shop,

there's no reason

for you to leave me,

especially after all these years.

He couldn't manage by himself,

not the long hours.

I shall miss being

with you, madam.

I've told Effie as much.

Did you?

That was really kind.

[car pulling up]

Oh, well.

Very well, Mrs. Holmes.

I'll try to find time to see her.

Thank you.

Good evening, Mrs. Holmes.

Oh, good evening, miss.

Hello, mommy.

Hello, darling.

Mommy, I want you to meet

a friend of Terry's and mine.

Dr. Christie.

How do you do, Dr. Christie?

Good evening, Mrs. Russell.

Fenella said it was

OK for me to come.

I hope you don't mind.

Why, no, of course not.

Children's friends are

always welcome here.

Val is at the hospital.

Terry introduced us.

Yes, I know, dear.

Terry told me all about him.

Oh, did he?

Yes.

Do come and sit

down, Dr. Christie.

I want to hear all

about this film.

How was it?

Wonderful.

Terrible.

Seems to be a slight

clash of opinion.

You both saw the

same film, I presume.

Oh, yes.

Yes.

Yeah.

We were together.

Why didn't you like it, doctor?

Oh, I, uh, couldn't sort of, uh,

seem to get interested in it.

I see.

Then what did you find so

wonderful about it, Fenella?

Oh, it was, uh,

very colorful, and--

Uh-huh.

--and the music was good.

Ah.

Hmm.

Your tastes obviously vary.

What was the story about?

Well, uh--

Love.

Yes, the, uh, the usual subject.

But the way it worked

out was rather silly.

Wasn't it, Fen?

Oh, yes.

It was a bit gibberish.

Hmm.

You seem to have had

a very jolly time.

Ah.

Well, would you like to stay

and have a bite with us, doctor?

Val, if I may call you Val?

That's very kind of

you, Mrs. Russell.

I'd be delighted.

Good.

Well, I'll just have a few

words with Mrs. Holmes.

Darling.

Fancy thinking I

could be close to you

and know what the film was about.

Hmm.

Val.

Yes.

I wish--

What?

Oh, does it sound callous?

I wish, just this evening,

we could have been alone

together somehow, somewhere.

Oh.

Mother's wonderful, but--

But what?

She watches.

Even when you're not looking, you

can feel her eyes

on you as though she

was x-raying your mind.

Did you feel that?

Well, she did make

me feel a bit guilty.

Oh, darling, of what?

I don't know.

Hmm.

All those questions.

I think she just lives

for us, Terry and me.

Do you think she'll be hurt

because I love you so terribly?

What difference can it make?

You can't share love

without it making a difference.

Darling, I don't expect you

to stop loving your family.

I know.

Oh, Val, I don't care.

I know I'm selfish, but I don't

care about anyone or anything

but you, at this moment.

Mommy, Val's asked

me to marry him.

That's why the

film was gibberish.

We didn't care.

We couldn't care.

I've never been so

happy in my life.

And you?

Wonderfully happy.

[music playing]

[sighing]

[dog barking]

Wait here, Effie.

I'll see if she'll see you.

Yes, Ma.

Come in.

My Effie's here, mum,

if you'd like to see her now.

Tell her to come in.

Come in, dear.

Don't be shy.

This is my girl, mum.

Be a load off my mind

to see her settled, mum.

Well, Effie, your mother thinks

it's time you started working.

Do you?

Oh, yes, madam.

Come over here by the window.

Take off your hat and coat.

Let me have a look at you.

You're very young.

Yes, ma'am.

Soon 18, madam.

Hmm.

Raw material.

You're strong, aren't you?

Yes, madam.

Well, that's good.

A house like this needs

a lot of hard work.

You sure you're up to it?

I'm sure I am if Ma is.

Oh, your mother's had

many years of experience

in service, Effie.

You haven't had any, have you?

No, madam.

No experience of any

sort, have you, Effie?

Not really, madam.

You do tell the truth, don't you?

Oh, yes, madam.

Very well.

I'll give you a trial.

Thank you, madam.

You, uh, have got a

lot to learn, Effie.

Ma says she'll teach me.

I shall teach you.

Thank you, madam.

Tell your mother you

can start tomorrow.

Thank you, Madam.

You're forgetting your hat.

Oh.

Goodbye, madam.

[music playing]

Effie, get a vase and put

these in the lounge, would you?

Yes, ma'am.

Aren't they lovely?

Hmm.

You look very nice

tonight, Effie.

Thank you, ma'am.

And thank you for the dress.Good.

[dog barking]

Arthur, dear.

You know I don't like

the dog upstairs.

Oh, I'm sorry, darling.

It was my fault. I thought it

wouldn't matter today.

Is Terry home yet?

No, but he'll be here presently.

He telephone?

No.

Val did.

He's driving him down.

Oh, did he say if

Terry had passed?

No, but he feels quite

certain that he will.

Of course he will.

Now, then.

How about you and me

having a quick one, mother?

All right, Arthur.

You're very gay, aren't you?

Well, after all, it isn't everyday

we have an occasion to--

Oh.

What on earth's

the matter, Arthur?

My Princess Elizabeths.

Well, have I made

a mistake, dear?

Did you have to cut those?

Well, I-- I thought they'd

look lovely for the occasion.

Uh.

I'm sorry.

Whiskey, dear?

No, thank you.

[phone ringing]

[dog whining]

Good evening, sir.

Evening, Effie.

Good evening, Mr. Terry.

I beg your pardon?

Have I said something wrong, sir?

You are addressing

Dr. Terrence Russell.

Oh, I beg your pardon, Doctor.

Terry, that's wonderful news.

I'm so glad.

Congratulations, Terry.

I never had the

slightest doubt of it.

You and Marmaduke did

as well job for me, mother.

Thank you both.

Where's dad?

He's in there.

Oh.

How are you, Val?

Hello.

Darling.

Well, dad.

We made it.

Congratulations, son.

Thank you, father.

Is something the matter?

No, I'm just a bit

tired, perhaps.

Dinner is served, madam.

Thank you, Effie.

Well, come along.

Dinner.

Evening, Mr. Russell.

Here's to our honored

guest, Dr. Terrence Russell.

Terry.

The first Russell ever to

obtain a medical degree.

That's logical.

He's the first Russell

to have me for a mother.

The thing I love about

mother is her modesty.

What are your

immediate plans, Terry?

I'm staying on at the

hospital for a while.

I couldn't wish for

anything better.

I hear you've been

promoted, too, Val.

Hmm.

Yes, he's been made assistant

to the professor of biochemistry.

Hmm.

50 pounds a year more.

That ought to be useful.

Yes, perhaps I can save enough

to manage a little village

chemist shop in my old age.

With a cosy flat above.

Don't forget that, darling.

Hmm.

Which reminds me.

Would you mind terribly

if Fenella and I got

married as soon as possible?

Well, as soon as we can find

a house or something.

Or nice prefab with

modern neighbors.

But you've been engaged

for such a very short time.

Long enough these days, isn't it?

Short engagement, they say,

leads to a long marriage.

The only drawback

is finding a home.

I wonder how many delayed

marriages the housing shortage

is responsible for.

Quite a number, I should think.

Well, it didn't delay this one.

There's plenty of

room in this house,

if you and Fenella don't

mind living with us.

Oh, daddy, that'd be wonderful.

Wouldn't it, Val?

Oh.

Yes, it would.

But I don't think--

Why not?

I think it's an excellent idea

that Val should

join our happy family, Arthur.

Well, that's extremely

kind of you, but--

Oh, mommy.

That's sweet of you.

It's only your happiness

I'm thinking of, my darling.

Too late for you to

get out of it now, Val.

You're hooked good and proper.

Well, I'll have coffee

sent into the lounge.

Off you go, all of you.

Jolly good dinner, mother.

Thanks.

Good, dear.

Oh, by the way, Sylvia,

I had some interesting news today.

Cable from Austin Penrose.

He's coming over

from America soon.

Austin Penrose.

Have I met him?

No, I think he'd already gone

abroad before we were married.

We started together

at head office.

He's a bright chap,

tremendous drive.

He's been in charge

of our New York office

for a number of years.

And how did he get that?

Oh ho.

Austin's the type

that nothing can stop.

Evidently.

Did you say you

started off together?

Yes, 30 shillings a week.

Office boys.

He must have qualities.

He has.

He's quite outstanding.

Aren't you just a

little bit jealous?

Jealous of Austin?

Why, no.

Why should I be?

Oh, I don't know.

I just thought, he seems to

have gone such a very long way.

Well, I haven't done

so badly, considering.

Considering what?

We can't all be Austin Penroses.

I've no doubt that

in those early days,

my present position seemed

beyond my wildest dreams.

After all, we're quite

comfortably off, aren't we?

Oh, my dear, I wasn't

thinking of myself.

I was only wondering about you.

I know if I'd been a man,

I'd have wanted authority.

Carries a lot of anxieties

and responsibilities.

[laughing]

Poor Arthur.

You're not exactly a swashbuckler,

are you, dear?

No, I suppose I'm not.

[dog barking]

Oh, dear.

It was naughty of you

to let that dog come in.

He's certainly making

the most of it, isn't he?

Effie?

Yes, ma'am.

We'll have the

coffee in the lounge.

Very good, ma'am.

Have you finished reading

that book I lent you?

Not quite, ma'am.

I'll hurry up.

There's no need to hurry.

What do you think of it?

There's an awful lot of

love in it, isn't there?

You ought to like

that, at your age.

To read about, ma'am.

I've found another one.

I think you may like it.

It's a little bit more difficult,

but then that's how

progress is made.

Thank you, ma'am.

Translated from the French.

Yes.

French are very civilized people.

Thank you, ma'am.

[dog drinking]

Good morning.

Good morning.

I'm Mrs. Russell.

Is the vet in?

Yes.

Will you come in?

Thank you.

Good morning, madam.

Good morning.

And what's the matter

with this little fellow?

I want him put to sleep.

Oh?

Wouldn't you like me to

make an examination first?

No.

Made up your mind, eh?

Quite.

I see.

I only ask because I've

had cases of an owner who

acted on impulse.

I'm not impulsive.

Ah.

How much?

Ten and six.

It's essential to get rid

of him, for health reasons.

I see.

Good morning.

Good morning.

You're a nice little

fellow, aren't you?

Ace!

Come on, old boy, where are you?

[whistling]

Come on, old boy.

Ace?

Terry, Fenella, where's the dog?

Isn't he in the house?

I can't find him.

Have you seen him, Terry?

I've only been in

about 10 minutes.

He's probably snoring in

front of the kitchen fire.

No.

What about mother?

She'll know.

She went out just before lunch.

Come to think of it, I haven't

seen Ace since this morning.

You don't think he's slipped out?

He doesn't usually.

Let's find mother.

Mother?

Oh, mother.

Where's Ace?

What a curious greeting.

Have you seen him

anywhere, Sylvia?

Yes.

Oh, thank heaven.

I was so afraid he might

have been run over.

Where is he?

I had him put to sleep.

Oh!

You what?

Oh, do be quiet, Fenella.

You know I hate hysteria.

He-- he had an accident.

No.

He seemed all right this morning.

How could he have sickened

from anything so quickly?

He didn't.

Then?

I had him destroyed.

You had him destroyed!

Why?

Why, Sylvia?

He barked.

All dogs bark.

Day and night?

No, my dear.

Day and night.

Terry, Fenella, Ace didn't

bark overmuch, did he?

No.

It's got nothing to

do with the children.

You don't know what

it's been like.

You don't know what

I've been through.

It's more than I can

stand, with my nerves.

It was not only the noise.

It's the restlessness, the food,

the runs, open the door,

shut the door, the

tyranny of dogs.

In and out.

In and out, everlastingly.

Shut up, mother.

Shut up.

I say.

We are looking festive.

Fenella and I ought have

made a double event of it,

save on the flowers.

Double event?

What do you mean, Terry?

Well, if I could have pinned

down some unfortunate

female in time.

Who are you thinking of?

Of females in the abstract.

You're not seriously thinking--

--about getting married?

Oh, good heavens, no.

Well, you might meet some girl.

I have, hundreds and hundreds.

Grade A and substandard,

alive and dead,

good, bad, and

totally indifferent.

No, I mean this seriously.

Yes, I believe you do.

But just because Fenella

happens to be lovesick,

you needn't be scared

it's contagious.

I'm not thinking of myself, dear.

It's your happiness I want.

Yes, you're ambitious, Terry.

All your life's ahead of you.

Ah, yes.

I should miss you, bitterly,

but I wouldn't stand in your way

with any girl you wanted.

Only you're clever, Terry.

And you've got a future.

He travels the fastest

who travels alone, hmm?

I wouldn't say that, Terry.

What about your mother and me?

Oh, yes, but Terry's different.

He's brilliant and--

Beautiful!

You look lovely, my dear.

Exquisite.

You do all like it?

You'll take his breath away.

Do you really think so?

No argument.

It's to be hoped he'll recover

in time to say "I will."

[doorbell ringing]

That'll be Val.

Well, he can't come in here.

No, no, no.

He's dropped in to

give me the lowdown

on how to behave as best man.

He mustn't see me.

That's all right.

We'll head him up.

Come on, dad.

You look so sweet.

Thank you, daddy.

Sit down, darling.

You look so young,

so pitifully young.

I'm nearly 20.

Oh.

Years.

Years are nothing.

You're so ignorant, so untouched.

You make me afraid

for you, Fenella.

Afraid.

Mummy.

What do you mean?

Perhaps we shouldn't

talk about it.

About what?

Why must I feel like this?

Why must my children be so

close to me, part of me?

I feel everything that

happens to them as

though it were my own tragedy.

Tragedy?

Oh, I don't understand.

You will.

But I'm happy.

I've never been so

happy in my life.

I'm glad to hear you say that.

Remember, always remember,

that tonight, at least,

you felt like that.

Tonight?

But after tomorrow

it'll be even better,

more secure, more complete.

More complete?

My poor child.

Why poor?

Fenella, aren't you afraid?

Of what?

Of marriage.

No.

Of course not.

We love each other.

Oh, your love and his.

I can't see any difference.

Can't you?

Aren't there moments when

you’re alone together when you feel--

I don't know what

you're trying to say,

but I don't want to hear.

Don't you?

Don't you want to learn anything?

Do you want to plunge into

this marriage of yours

with a child's ignorance?

Mummy, please let me go.

I'm tired.

Well, I'm off.

Good night, Val.

Good night, sir.

See you tomorrow, I hope.

Val, I--

There's no need tell me, Terry.

I know.

I'm a lucky devil.

Yes, you are.

Hope you'll both be very happy.

Amen.

If you didn't want me to get married,

why didn't you say so?

Oh, my dear.

It isn't that.

It's just that I've always

looked upon you as a child.

Until a few weeks ago,

it didn't seem to matter.

But Fenella, I've

watched Valentine.

I've watched his eyes when

he's been looking at you.

Don't you understand?

No.

Oh, my poor child.

Fenella, you've haven't let

what I've said upset you?

I don't want to hear any more.

I wouldn't have said a word.

I only wanted to spare you.

Please, mommy.

Please.

Val.

Fenella, darling.

Don't look at me.

Go away.

Too late.

I've seen you, and you're the

loveliest thing I've ever seen.

But--

But what?

Something's happened to you.

What do you mean?

I can't explain.

It's the look in your eyes.

Something odd about

you tonight, as

though you were out of reach.

Oh, darling, you're enough

to drive any man crazy.

Fenella?

Let me go.

Let me go.

Supposed to be so unlucky,

to see the bride in her dress.

But then, I'm not superstitious.

Are you?

I believe only in good luck.

Good night.

Good night, Valentine.

[church bells]

[wedding march]

Hold it.

Thank you.

It'll be a happy day for me

when I see you married.

Me too.

Tell me, Ma.

Did Pa propose to you?

If I'd waited for your

father to propose to me,

you would still be

at the starting gate.

Oh.

Morning, Mr. Parson.

Good morning.

Good morning, Mr. Russell.

Morning.

Good morning, Mr. Russell.

Morning.

Good morning, Miss Johnson.

Good morning, Mr. Russell.

That's the first train

I've missed for years.

Well, has Mr. Penrose arrived?

Some time ago.

The directors met

him at the airfield.

It was quite a commotion.

Oh, was there?

Well, did he ask for me?

No.

Strange.

Does he know you well?

My dear Miss Johnson,

Mr. Penrose and I

are very old friends.

Then why not go up to

the boardroom and see him?

Yes.

I think I will.

Yes, that's a good

idea, Miss Johnson.

Oh, and don't bother me

unless something urgent crops up.

I want your ideas

for the company.

[chatter]

--except the accommodation

of a new friendship

with our South

American exporters.

Believe me, gentlemen

confidence in an old company

is far more essential

than new ships.

I quite agree with you, Penrose.

Arthur!

My dear fellow, how are you?

Hello, Austin.

Welcome back.

Well, why, you

haven't changed a bit.

Come in.

Excuse me, gentlemen.

This is Arthur Russell,

one of my oldest friends.

Ah.

How do you do?

Both joined the old firm

together, didn't we?

Yes, 30 years ago.

A couple of the best little stamp

lickers the company ever had.

Well, I expect you two have

a lot to say to each other

after all these years.

We'll go along to the bank.

See you there.

Nice to see you, Mr. Russell.

Thank you, sir.

Goodbye.

Goodbye, sir.

Goodbye.

Goodbye.

Come and sit down, Arthur,

and tell me all about yourself.

Well, there's

nothing much to tell.

I'm still looking

after the insurances.

I know all about that.

I mean the family.

That magnificent

wife of yours I've

heard so much about,

and the two children.

They're very well.

My girl was married recently.

My boy, Terry, is a doctor.

Really?

That's splendid.

You know, sometimes

I envy you, Arthur.

Ha ha.

Can't imagine why.

Look how you got on.

I'm just a stay at

home, stick in the mud.

That's just it, old man.

Stay at home.

You know, I envy you

that home of yours.

I'm not sure you aren't

happier than I am.

Yes, we're a happy family.

Sylvia manages

everything beautifully.

I'll bet she does.

I'm afraid I've been so busy I've

neglected that sort of thing.

Consequence says I'm

often very lonely.

Well, you needn't be

lonely here, Austin.

We'd like you to

come to our home.

And I'd like to come.

In fact, I want to come.

Go on.

Play, my dear.

Not now, daddy.

You look pale.

Mommy said I was off color.

Your mother has sharp eyes.

Yes, very sharp.

We shall have your husband

worrying about you

if we're not careful.

Val hasn't said anything, has he?

Bless you, no.

What you need is a

holiday by the sea.

I shall have to talk

to Val about it.

After all, you haven't been

anywhere since your honeymoon.

I always thought you

cut that a bit short.

Don't let's go into that again.

What a funny girl you are.

Most brides are only too eager

to discuss the happy time.

Was mother?

Was she eager to

discuss her honeymoon?

Well, it's not the

sort of thing she'd

have mentioned to

me, perhaps, but I've

no doubt to her own friends.

I wonder.

My dear, you're trembling.

Oh, why does everybody

put me under a microscope?

I can't have a shadow

crossing my face

without somebody criticising.

Oh, I'm sorry, daddy.

I know the real trouble.

You're restless.

Once you get settled

in a home of your own,

everything will be all right.

You don't mind us living here?

Nothing could please me more.

As for your mother, it's

an answer to a prayer.

Instead of losing a daughter,

why, she's found a son.

Fenella, look at me, dear.

You are happy?

Of course.

Perfectly well and very happy.

Hello, Arthur.

Hello, dear.

Who's that hammering

on the piano?

Fenella.

She seems a little upset.

Oh.

Is that a new dress?

Yes.

Looks lovely, darling.

Mr. Penrose is coming?

Of course.

Why do you ask?

Well, after all, it's not a

very exciting place for a man

like that to come and dine.

Oh, Austin would never

let an old friend down.

Hmm.

I managed to get along

to the wine merchants.

I was in luck.

New case of Don Pedro

had just come in.

There.

Now, what on earth

made you bring that?

Well, you mentioned at breakfast.

I wrote it down.

There we are.

Don Pedro.

Quite, but it doesn't

say sherry, does it?

It was their brandy I wanted.

I'm sure you said sherry.

Oh, your memory.

I don't want you to think--

Now, don't let's

flog the subject.

You've made a mistake.

Let's leave it at that.

Oh, dear.

Now we shan't have any liquor.

There's the creme de menthe.

Creme de menthe,

for a man like Penrose?

Never mind.

Take it into the kitchen.

There's a dear.

I suppose it'll

do for the trifle.

Well, what's wrong, dear?

Nothing.

Why are you playing like that?

Why shouldn't I?

Oh, no-- no reason.

Val's very late, isn't he?

A little.

Did he phone?

No.

He's probably busy

at the hospital.

You do trust him, don't you?

Of course.

Why?

Oh, nothing.

Only men are so odd.

After all, we don't know

a great deal about him, do we?

I mean, what his life was

before he married you.

Now what was Terry's

name for him?

The brutish gentleman.

It's a lovely expression.

It's so apt.

I think it's horrible.

You're such a sensitive child.

You made me worse.

Why, darling?

You're like someone

drawing soothing fingers

along an exposed nerve.

I see you're wearing your bow.

Yes, ma'am.

Thank you.

I don't think I like the

way you've got it on.

It covers your hair too much.

Come here.

Too far forward.

Hair's very soft, isn't it?

A man would like

to touch your hair.

You're very pretty, aren't you?

Anybody else in the house

told you that you're pretty?

Mrs. Christie said I looked

nice in that hat she gave me.

No, I don't mean her.

I mean any of the men.

Master says I'm cheeky.

Mr. Terry says I talk too much.

And Dr. Christie

doesn't know I'm alive.

That hurts, doesn't

it, Dr. Christie

not knowing you're alive?

He makes me feel like a worm.

Why should you care

what he makes you feel?

Have I said anything, madam?

Oh, quite enough.

Run along.

Let your mother see you.

Yes, madam.

And tell her it was nice of her

to come help us out tonight.

Thank you, ma'am.

Hi, Ma.

Well, you do look a sight.

Sight, Ma?

Yes, in your la dee da getup.

You look like a woman.

I am.

Madam give you the outfit?

Yes.

Well, she never dolled

me up like that.

No?

She do your hair, too?

She showed me how.

Like it?

Well, the men will.

They'll be after you, all right.

I know.

I know.

Now, look here, my girl.

It's all very well for you

to be fancy, but mind you,

don't be too free.

Ah, [speaking french].

[sighing]

L'amour?

[whistling]

Good evening, sir.

Hello.

Hello.

Where's Fenella?

What?

I bet your pardon, Val.

What did you say?

Where's Fenella?

Anything wrong?

Oh.

No, no.

I was thinking about Effie.

Oh?

What about her?

I was just wondering whet

her I should get rid of her.

Why?

I thought she seemed

hardworking enough.

She is.

And she's strong.

She's got all the

energy of the peasant.

No, it isn't that.

I'm not sure it's

wise, with a young son

in the house, and a young son-in-law,

for that matter.

Where is Fenella?

Lying down.

What?

Isn't she well?

She's as well as she ever is.

Poor girl.

She lacks vitality.

We shall have a

cocktail in the lounge

when Mr. Penrose arrives.

I'd Fenella to be ready.

Evening, darling.

You're very late.

Only a little.

Got a free lunch.

Where?

Gianino's.

Why did you go there?

Why not?

I wouldn't have gone to

our place without you.

Wasn't my party.

Whose, then?

No one you know.

Male or female?

Male and female.

I see.

Oh, no, you don't.

Who were they?

Allen Travers, my assistant,

and a girl called Linda Mason.

Was she attractive?

I never look over

other people's papers.

What does that mean?

If we must be

explicit, after lunch

they got married at

the registrar's office.

Well, why didn't you say

that in the first place?

Didn't think it was necessary.

You're sure there were

only three of you?

My sweet, I may

have my limitations,

but I can count up to three.

You are telling me

the truth, aren't you?

Fenella, I believe

you are jealous.

Why not?

You come home late.

You say you've been with

someone I've never heard of.

After all, what do I

know about your life?

Anything?

Darling, I think I'm

glad you're jealous.

I used to be so sure

in the beginning.

You seemed to feel the

same as I did, about us.

But-- but from the

time we got married,

I've had an awful feeling that--

well, that you didn't care.

Oh, Val.

When you look at me like

that, I believe you do.

But every time I try

to take you in my arms,

you make me feel a brute.

Brutish gentleman.

What?

Oh, it's only a bit

of Terry's nonsense.

Well, it sounds more

like one of your mother's

neat little labels.

Oh, darling, you're so

lovely when you laugh.

I'm sorry, Val.

I don't suppose you

can help yourself.

You're-- you're speaking

like a stranger.

What are we but strangers?

Do you think I

haven't watched you?

Watched your pitiful

attempts to hide the--

the disgust in your eyes

every time I near you?

Not disgust.

Well, fear, then.

Loathing.

Horror.

Anything you like.

I love you, Fenella.

I want so much to make you happy.

But I can't stand holding a--

a shivering ghost in my

arms instead of a woman.

Hello, Austin.

Hello, Arthur.

Nice to see you down here.

Well, I've come to

your home at last.

Now, let's have a drink.

What would you like?

A sherry?

Yes.

Don Pedro.

Oh.

What a nice house this is.

Yes, left to Sylvia by an aunt.

Rather expensive

to run these days.

I'll bet is it.

Well, here's to your first visit.

Well, I sincerely hope

it's the first of many.

I drink to that.

Your health, Arthur.

Ah, here's Sylvia.

Darling, this is my

old friend, Austin.

How do you do, Mrs. Russell?

So you're Austin Penrose.

I've heard nothing but your

achievements for weeks.

Don't you believe half of it.

I was just saying what

a charming place you've got here.

It must seem very dowdy

to you, after New York.

And I love it.

Gin, dear?

Thank you, darling.

Do come and sit down.

Thank you.

I used to know this part

of the world in the old days.

Hasn't altered much.

You know, it's grand to

find something so unchanged.

But you believe in change,

in progress, and in success.

Clever woman, your wife, Arthur.

Unmasks me in a sentence.

Nothing escapes Sylvia.

Yes, I'll admit I'm

ambitious, Mrs. Russell.

When I went to New York,

I said to myself, the sky's the limit.

New York must be

very stimulating.

Overstimulating.

A city devoted to the creation of

needs, and wants, and desires.

A city to goad on the successes

and kill off the failures.

Oh, well.

Hardly the place for poor Arthur.

Oh, I don't know.

Why not?

Ah, this is Fenella, and

her husband, Dr. Christie.

How do you do?

Hello, Mr. Penrose.

Dr. Christie.

How do you do, sir?

But you didn't tell me

Fenella was a beauty.

Why, she's exquisite.

We think so.

My one regret in life,

not having a daughter.

Well, here we are.

Has that rich old

geezer turned up yet?

He certainly has.

You're Terry, aren't you?

Yes, sir.

How do you do, sir?

How do you do?

Your father has been telling me

great things about you.

Oh, just the manufacturer’s pride

in his own product.

Mr. Penrose, I should

like to talk to you

sometime, about Terry.

I believe in him, in his future.

I'd very much like your advice.

Well, uh, medicine's not exactly

in my line, Mrs. Russell.

No, but success is.

I suppose there are

certain ingredients, common domestics.

Well, it's so easy for a man

to get into a groove.

It seems incredible that

you and Arthur should

have started off together.

Oh, poor dear.

Arthur's done very well

for himself, if you ask me.

Lovely daughter,

brilliant son, you.

What more can a man want?

Power.

Power's an unknown

quantity, Mrs. Russell,

like atomic energy and a strong

explosive, or a creative force.

No, on balance, I

wouldn't say power

was a desirable factor in life.

Well, no one fully realizes

the value of a thing

if they've never had it.

I haven't got power.

Authority, yes.

A certain amount of

authority, but not power.

Authority is power.

I envy you that.

I'd have enjoyed power.

Cigarette?

Thank you.

You're not afraid of me, are you?

Afraid?

No, why?

I think you are, just a little.

Hmm.

You're a successful man.

Do you believe in magnetism?

You mean a dominant personality?

Hmm.

You can call it that.

Well, it's the basis

of all leadership.

Some women are dominant, too.

Oh.

Well, my field has

been so limited.

It's just the family.

They certainly do you credit.

I've always tried to inspire

my children, Terry in particular.

Very lucky to have such a mother.

Hmm.

I'm surprised you never married.

I was rather keen on

a very beautiful girl, once.

I guess I was too

busy to pursue it.

She was lovely, though.

Well, of course, there

are qualities of the mind.

There's character,

strength, inspiration,

that are more enduring.

You know, Sylvia,

meeting you has been one

of those random

experiences in life

that turn out to have an

unexpected significance.

How, Austin?

Well, your home life has give me

a glimpse of something

I'd almost forgotten

existed, stability,

contentment, affection.

I can't tell you what

it's meant to me.

Having you with us has meant

a great deal to me, Austin.

You're very quiet, Fenella.

I'm afraid this evening's been

rather boring for you.

Not at all, Mr. Penrose.

I just have a bit of a headache.

Oh, my dear.

I'm sorry.

We'll take her home at once.

Why, of course, darling.

I don't want to

spoil your evening.

You haven't.

I wouldn't dream

of keeping you here

if you're not feeling well.

What a pity Val couldn't come.

You knew he was busy.

I know he said so.

What are you doing in here,

stretched out like that?

Madam said I could.

Hmm.

Did she?

Ah, it's hot everywhere tonight.

It's Midsummer night.

Oh.

Is that what it is?

Yes, that's what it is.

[sighing]

What have you been

doing to yourself?

Nothing.

You look different.

Without my cap?

Oh, yes.

That's it.

Your hair.

Madam says it's nice and soft.

What's that tune on the wireless?

I don't know.

Why?

Just wondered what

it was, that's all.

What do you want with music?

Don't you want music?

No.

Why not?

What are you smiling at?

Was I?

Is your face so out of

control you don't know

whether you're smiling or not?

Perhaps it's the

moon and the music.

Effie, have you been mucking

about with my medical books?

Oh, no, Mr. Teddy.

I find them very dull.

Well, one of them's missing,

an important one, brown binding.

Well, I-- oh.

Was it something about

clinical something?

Yes.

Where is it?

Madam had it.

Mother?

Yes.

She was looking at it early

this morning in the summerhouse.

Oh.

What an extraordinary taste

in literature my mother has.

Hmm.

And what an extraordinary

taste in perfume you have.

Here, Val.

You're more expert than I am.Mm.

Obviously Fada.

Where'd you get Fada perfume?

Madam gave me a bottle.

What on earth for?

My birthday, sir.

I'm 18.

Sweetly pretty, the perfume is.

In a little drawer, with

a tassel to pull it open with.

Let's get some fresh air.

Yeah.

What have you got there?

Mrs. Beaton.

No.

Why then get thee behind me?

No particular reason.

Let me see it, then.

Come on.

Why, you dirty little cat.

I--

Unexpurgated at that.

Do you mean to say you

read this sort of stuff?

Can you make head or tail of it?

Not all, sir.

Where do you get hold of it?

Madam lent it to me.

What?

Mother?

I tell you, it's true, sir.

She's lent me lots

and lots of books.

All like this?

No, the others were easier.

Not so dull, you might say.

Dull?

You're pretty blase, aren't you?

You'd better get up to bed.

The book, sir?

Good night.

You know, that girl has the most

extraordinary combination of--

of childishness and--

And what?

And-- ah, skip it.

What are you talking about, Val?

The brutish gentleman

is in danger of becoming

more brute than gentleman.

I suppose that's your

pat little analysis, huh?

I don't get it.

I must be an interesting case

for the embryo psychoanalyst.

Man, watch the ape beneath

the thin skin of civilization.

You must have fun in your family.

My family?

Yes, Terry.

You and your mother.

She's a bit better

at it than you are.

Her knowledge is

more instinctive.

Her mind isn't so cluttered up

with labels as yours.

She watches.

She watches for the

symptoms of degeneration.

Why so bitter, Val?

Is it Fenella?

Leave her out of it.

Come in and have a drink with

us before you go, Austin?

Thank you, Sylvia, but

I think I'll be getting along.

Good night, Mr. Penrose.

Thank you so much.

And I'm sorry I

wasn't quite myself.

I'm sorry, too.

Good night, my dear.

Good night.

Good night, Austin.

And as usual, with you,

I've enjoyed myself enormously.

So have I. Good night.

Good night.

Hello, Fenella.

I'm going upstairs, Val.

Good night.

No, darling, please.

Look.

Fenella.

I'm worried, Val.

What about?

You two.

We're all right.

No, you're not.

All right, then, we're not.

Why are you so on the

defensive with me?

I'd rather not rake

over dead ashes.

Dead ashes?

Is it as serious as all that?

Serious?

I haven't kissed

her, or hardly even

touched her hand for weeks.

Why not?

Because I'm a cad.

I can't face the

look in her eyes.

I can't face the knowledge

that she hates me.

This is what I've

been afraid of, Val,

and I must be frank with you.

I feel so terribly to blame.

In what way?

Well, I ought never

to have let you marry.

Why not?

Fenella is not

meant for marriage.

She's too sensitive,

too highly strung, hysterical almost.

And when she fell in love with you,

I hoped she'd alter.

But if anything, marriage

has intensified her abnormality.

If only I could help you both.

It's up to us to

work out something.

No one can help us.

Breaks my heart.

I do love you both so much.

I'm sorry for Fenella, of course,

but I'm much sorrier for you.

After all, you're a man.

I'm going out in the

garden for a bit.

Stifling in here.

It's Midsummer night.

She said that.

Who?

Effie.

Ah.

I warned you about her.

Oh, you're not suggesting that--

Certainly not.

Only girls like

Effie are fair game.

And they consider

men like you a prize.

Just you watch her.

See how she looks at

you the next time.

You're an attractive

young brute, Val.

Huh.

Nice to know someone thinks so.

Mother.

Oh, Terry, you should have

been with us this evening.

The Savoy was wonderful.

What on earth made you lend

that "Chatterly" book to Effie?

What?

Surely not.

She said you did.

Did she?

Oh.

Ho, ho.

How awful of me.

Must have been the similarity

of bindings that confused me.

And I-- I was in such a hurry.

Well, never mind.

I don't suppose

she understood it.

She understood enough.

Well, I'm tired.

I'm going to bed.

And incidentally, mother, where's

that book of mine you borrowed?

Yours?

Yes, on clinical toxicology.

Who says I borrowed such a book?

Effie said you were reading it

in the summer house

this morning.

That child's crazy.

I wasn't in the summer

house this morning.

Good night, dear.

What are you doing out there?

Oh.

I came to lock up, sir.

Beautiful moon, isn't it?

Yes.

How sweet the moonlight

sleeps upon on this bank.

Lovely speech.

Always has been.

You're romantic, aren't you?

Does it matter?

To me it does.

You knew I was out

here, didn't you?

Why'd you come?

I told you, to lock up.

You do look different

with your hair loose.

Do I?

Yes.

It's pretty.

I'm glad you like it.

Beautiful hair, Effie.

Oh, I do love you.

I've always loved you.

Say that again.

I love you.

Oh, Effie, you're sweet

and warm and lovely.

Val!

I-- I must've been crazy.

She was right, then.

She was right.

Who?

Mother.

Darling, you mustn't--

Don't come near me.

Don't ever come near me again.

Wait, darling!

Wait, please!

Darling, look.

Val, leave me alone.

Let me go.

Here, what's happening?

What's all the row?

Oh, Terry.

I wouldn't believe her.

I wouldn't listen when mother--

Mother?

Darling, I know it's stupid

to try to explain,

but you must realize that

girl could never be--

Val, you'd better go.

I'm sorry, Fenella.

I thought I heard someone crying.

You did.

Why?

What's happened?

I think you know.

What's wrong?

No, mother.

What's the matter?

Has something hurt her?

No.

Why, tell me, darling.

Talk to me.

I don't understand.

Leave her alone.

You've done enough

damage for one night.

How dare you speak

to me like that!

Yes?

Mrs. Russel to see

you, Mr. Penrose.

Oh.

Well, ask her to come in.

Mrs. Russell, Mr. Penrose.

Hello, Austin.

Sylvia, my dear.

What a pleasant surprise.

How charming you look.

Thank you.

Come and sit down.

Well, now.

Austin, you once said you'd

do anything for me if I asked.

Well, of course.

What is it?

Well, there's something.

Something for Arthur?

I wouldn't ask for that.

No, it's for Terry and Fenella.

Terry wants to embark on

a career as a brain specialist.

Well, I do feel that before

he starts, he should have a break.

Would it-- would it

be possible for you

to get him on one of

your liners as a ship's doctor?

And Fenella?

She's on the verge of

a nervous breakdown.

And I can't think

of anything better

for her than a long sea voyage

under the care of her brother.

I'd be only too

glad to arrange it.

The best thing for both of them.

Thank you, Austin.

That is kind of you.

Not at all.

A ship's a good cure

for most things.

You love ships, don't you?

Yes.

They've always fascinated me.

Where they come from,

where they're off to,

what they carry.

Oh, but this must

be old stuff to you.

I mean, Arthur's

in the same firm.

Arthur's horizon is bounded

by glass doors, not oceans.

But surely he talked

to you about his work.

Oh, yes.

He talks about things.

Thing typed on bits of paper,

insurances, little anecdotes,

Mr. Smith has being transferred

to the Liverpool office.

And we shall seriously

have to consider

getting rid of Miss Jones.

Miss Jones' tram from

Brixton was half an hour

late this morning, not the

mail boat from Panama.

A new package of

stationary has just

arrived from Strakers,

not a consignment of nitrates

from Chile.

Ha.

The romance of shipping.

You don't know what

it's like, Austin,

this feeling of frustration,

this mediocrity in everything I

touch, knowing what

I might have been,

what I could have accomplished

with the right man.

I think I understand, Sylvia.

I understand now your

need for sublimation.

Thank you, Austin.

Well, Fen, we've

left England behind.

There's only the horizon now.

Yes.

Even a few moments ago

there was something.

Now, quite suddenly,

there's nothing.

Do you suppose memories

can disappear as easily as that?

Not as easily, perhaps.

But just as surely, if one tries.

We'll put them in the

sterilize rand examine them again

in a fortnight under

polarized light.

No.

Hello, Val.

Oh, hello, Sally.

Any news from Fenella?

No.

Not a word.

Look.

Oh.

From Terry.

Hmm.

From Panama.

Hello, Sally.

Had an exciting time removing

gallstones from third mate.

He is still alive.

Hope you are the same, Terry.

Romantic, isn't it?

From Terry, yes.

I suppose if he'd

put kind regards,

you'd have taken

that as a proposal.

Perhaps.

You see, Terry's not

very demonstrative.

But then I understand him.

I understand his soul.

And does he understand yours?

Of course he does.

I seem to have been well

forgotten by both of them.

I don't think by either, Val.

Fen?

Yes?

You left your

things on the chair.

Thanks, Terry.

What's wrong?

Nothing.

Why do you always look

at me as though you're

trying to find out something?

I am.

What?

Why you drove Val

into that girl's arms.

Terry, I'd rather not.

I know.

I know.

But you can't go on like

this, the whole voyage.

You're getting worse, not better.

I'm fine, Terry.

Having a wonderful time.

Don't lie, Fenella.

There's something behind all this,

something more than grief

over Val.

Oh, I know he was

dead wrong that night.

But I'm sure he wouldn't

have done a thing like that

without cause.

And I'm just as sure he would.

Men are animals, mostly.

We're no different from women.

It just happens to be

our luck to be aggressive.

And unfaithful.

Val's in love with you, Fenella.

No, Terry.

He's never been in love with me.

To him I was just a woman.

Look, darling.

You're sick, sick in your mind.

If you go drifting indefinitely,

you'll develop

into a morbid borderline case.

Oh, don't look so

startled, my dear.

I don't think you're going crazy.

But you can't go on brooding

and brooding until the thing

becomes an obsession.

Fen, we've always shared

each other's confidence.

What is it that's bothering you?

What are you fighting?

What is it you're trying to hide?

Oh, Terry, help me.

I want to forget.

Something mother said?

Yes.

Before the wedding?

The night before.

Mother came to me,

started to talk strangely.

Her eyes were weird,

almost hypnotic.

Ah, refreshments.

Well, Fen, in two days,

you'll see England again.

Yes.

How do you think your

patient's doing, doctor?

I'd say improving steadily.

You're been marvelous, Terry.

Rot.

You're a very interesting case,

probably

the turning point in my career.

How?

Oh, I'm not fooling.

I mean it.

I've dabbled in psychoanalysis

before, but never deep enough

to show results.

You're my first case.

That's why it's up to you not

to let the side down.

I won't.

To my favorite doctor.

And to our indomitable mother.

And to dad.

To dad.

Yes, Austin?

Arthur, I've good news for you.

Terry and Fenella

arrive tomorrow.

Caravel docks, late afternoon.

Oh, thank you, Austin.

That is good.

Yeah.

Arthur?

Arthur, are you there?

Arthur, are you all right?

That's strange.

Come with me, Miss Thomas.

Arthur.

Arthur, old man, what's happened?

Huh?

Oh.

I'm afraid I've

had another attack.

Stupid of me.

Get my car right away.

Yes, sir.

What about your appointments?

Cancel them.

Yes.

[phone ringing]

Hello?

Oh?

That's very good of you, Austin.

I'll get in touch with

Dr. Morrison right away.

What?

They're coming tomorrow?

Uh, thank you, Austin.

Yes, I-- I am glad.

Goodbye.

[car approaching]

I can't believe we're back home

again after all these months.

Can you, Terry?

No.

[doorbell ringing]

[knocking]

Hello, mommy dear.

Fenella, my darling.

And Terry.

Mother dear.

Well, let me look at your both.

How fit you look.

Had a nice trip?

Glorious.

Terrific.

Gallstones, kidney stones,

two appendix, three broken legs.

And a stubborn mental case.

What?

And he cured them all.

I tell you, mother, we have a

wonderful doctor in the family.

Ha.

My sister, so young.

She plays a fair game

of deck tennis, though.

Goodness, mother.

The house looks gloomy.

Why not a fire and some

flowers to brighten

the old place up a bit?

Yes, it needs it.

Where's dad?

How is he?

He's not so well, I'm afraid.

What?

What?

I'm glad you snatched your

happiness while you could.

There's little enough for you

to come home to, heaven knows.

What do you mean?

What's the matter with dad?

Well, that's just

the distracting part.

Dr. Morrison isn't certain.

Morrison?

That old leech?

He's a very

experienced man, Terry.

He's been attending your father

since before you were born.

Well, that's years too long.

He must have some idea, though.

What does he think it is?

Well, first of all,

he diagnosed gastric trouble,

and then he thought

it might be an ulcer.

Has he had him x-rayed?

X-rayed?

Well, no.

No, your father's

been much too ill.

Too ill?

Ridiculous.

Wait!

Terry!

Dr. Morrison is with him now.

All the better.

But wouldn't it

be unprofessional?

I mean, another doctor's patient.

Isn't there some

sort of etiquette?

Etiquette be blown.

Mother, is he really bad?

I-- I-- I am afraid you will

both have rather a shock.

You should have sent for me.

But, Terry, he was

in good health.

I wonder.

What do you mean by that?

I haven't much faith in Morrison.

Dear.

You young people

are so intolerant.

Be patient, now.

Dr. Morrison won't be long.

Mother seems very

worried about daddy.

Very.

Oh, this room, this house,

brings it all back.

It's like a spider's web, a lot

of subtle threads tangling you

up.

Oh, Terry, I'm frightened.

Now, Fen, no slipping back.

I'm afraid of mother.

She's so strong, has

such influence, such power.

She seems more strange than ever.

Oh, Dr. Morrison.

Hello, Terry.

What about my father?

What is it?

Well, at first I

thought gastroenteritis.

All the symptoms

seemed to point to it.

But now I'm not sure.

Not sure?

Well, the pulse has fallen

to be almost imperceptible.

Severe cramp has

set in the muscles,

and there's a pronounced drop

in the blood pressure.

Have you had another opinion?

Me?

No.

I've asked Dr. Carter to

come along in the morning.

Hi, Terry.

Hello, dad.

How are you now?

Fine.

Have a good trip?

Very good.

So did Fenella.

Darling.

Daddy, dear.

Good to see you again.

Where's mother?

I'm here, dear.

Good.

She's been so-- so good.

Well, Terry?

I don't like it.

When did he have

his first attack?

Some time ago.

Hmm.

I think it was shortly

after you left England.

It started quite mildly,

but recently, they've been

more frequent and more severe.

Why didn't you send for me?

Your mother wanted

to spare you both.

You don't go through

years of hospital training

without a few

shocks, Mr. Penrose.

Different when it's

your own family, Terry.

Isn't that all the

more reason for wanting

to do something for him?

I feel a little guilty, myself.

I've offered repeatedly

to get a specialist,

but your mother seems to

have such faith in Dr. Morrison.

She's been magnificent, Terry.

Won't dream of having

anyone to help her.

Never spares herself,

day or night.

She's-- she's like

a woman inspired.

Hmm.

Well, I'm going to get dad

to hospital right away.

Hello?

Fenella--

Slow and steady--

--you should send

your mother to bed.

She must have rest.

You know, she's been

with your father

since yesterday afternoon.

--St. George's Hospital.

She won't move.

I've tried to get her to rest.

She never takes her eyes off him,

just sits crouched by his side.

Doesn't seem to

hear what you say.

It's as though she's in a trance.

Only her eyes are alive.

There's something terrible

about such vigilance,

as though she's waiting.

Come along, dear.

I'll get you a drink.

Here you are, Fenella.

Thank you.

I, uh, I saw Val

while you were away.

Really?

Yes.

Came to my office several times,

wanted to follow your route.

How did he seem?

Most unhappy.

I think he's still very much in

love with you, Fenella.

The ambulance will

be here in an hour.

Good.

What is wrong with daddy, Terry?

I don't know.

I don't know.

Morrison's not the only fool in

the medical profession.

I'm as baffled as he is.

Some cases baffle the best brains

in the country, Terry.

Yes, but you see, I'm smart.

I've got a future.

And I can't even diagnose

what's wrong with my own father

in time to save his life.

Terry!

Terry!

He's gone.

Poor daddy.

He certainly had a lot

of friends, didn't he?

Yes.

I hope I'm lucky enough

to have half as many.

[phone ringing]

Hmm.

Hello?

Yes.

Oh.

I understand.

Yes.

Yes.

Very well.

I'll tell her.

Who was that?

Message from Mr. Penrose's

office, saying he

might be a little late.

Oh, thank you.

I didn't know that Penrose

was coming here today.

Nor did I, mother.

Oh, he just wants to talk to me.

It's about your father's affairs.

Aren't you going to the hospital

match this afternoon, Terry?

What?

Of course not, mother.

Well, I think you should, dear.

And take Fenella with you.

Mommy, we couldn't

possibly do that.

My dears, you mustn't brood.

You haven't been outside

this house for a week.

You know your father

wouldn't have wished that.

After all, life must go on.

If you don't want

to go to the match,

why don't to go to the cinema?

Nobody would see you there.

What people would see, mother,

is not exactly the point.

It's Val.

Val?

Coming here?

Yes.

Oh, but I can't see him.

Why not?

He's still your

husband, isn't he?

Yes, I--

But Fenella, he is.

Oh, but, Terry, I--

My dears, we must

all forget the past.

Terry, what shall I do?

Powder your face.

Terry?

Yeah?

Why do you think mother acted

so strangely about Mr. Penrose,

about wanting us to go

out, and now about Val?

I wonder.

Sometimes I feel she's trying

to hide something from us.

So do I.

Val!

Oh.

Hello, Fenella.

I just thought I'd bring these.

Oh, how kind of you.

Didn't expect to see any one

except the housekeeper.

We haven't one.

Won't you come in?

Thanks.

Is Terry around?

Oh, he's somewhere.

I'll call him.

Oh, no hurry.

I just thought I'd say hello.

These flowers are beautiful.

Huh.

You, uh, you have a good voyage?

Lovely, thanks.

How was the Panama Canal?

Narrow.

Very narrow.

Yes, of course it would be.

You're looking well, Fenella.

Different, more glowing.

How have you been, Val?

Pretty wretched.

I'm sorry.

I didn't mean to

say anything real.

Oh, Fenella, those

flowers are a swindle.

I only brought them

because I thought

I might catch a glimpse of you.

It's no good seeing each other,

you must know that.

It's only hurting us both.

Surely we can be friends.

Too much has happened, Val.

Then suppose we

were lovers again.

Oh, Val.

Fenella, darling,

I thought of you incessantly.

I followed you on your voyage,

every sea, every port.

I've been with you all the time,

looking over your shoulder.

Oh, Val, take me away.

Take me away, quickly.

Away from this house,

from mother, from everything.

Yes, darling.

Val!

Hello, Terry.

Val, you've got to come

to the hospital with me at once.

I can't do that, Terry.

I'm taking Fenella away.

That's fine, but this

is more important.

What is it, Terry?

What?

Never mind.

I'll tell you later.

Come on.

You were right, Terry.

There is something here.

Arsenic.

Enough to kill?

Easily a fatal dose.

Fool.

Fool.

Why didn't I recognize

the symptoms?

Val?

Yeah.

I'd like you to have an official

report made on your findings.

Official report?

Yes.

What are you going to do?

The only thing one can do.

What do you mean?

Don't you realize it was murder?

Yes.

Austin.

Hello, Sylvia.

I'm so glad you came.

Well, your message

sounded urgent.

I'm awfully sorry I'm late.

That doesn't matter.

Shall we go talk

in my sitting room?

Yes.

It's much more comfortable.

How are you, Sylvia?

Oh, I'm all right, Austin.

And the children?

They're very well.

They're out this

evening with Val.

Oh?

He and Fenella are

back together again.

Really?

I am pleased.

Here we are.

I say, Sylvia, you have made it

comfortable in here.

Yes.

This is my haven, where

I build my castles.

I love to shut the world out.

Gives one a curious

sense of intimacy.

Thank you.

Do sit down, Austin.

Well now.

How can I help you?

I wanted to see you about us.

Oh, of course, my dear.

Poor Arthur's going won't

make any difference

to our friendship.

I hope you'll let me come here

just the same, let me help you,

and the children.

Ha.

There's no one listening.

Listening?

Yes.

You don't have to

pretend anymore.

We're alone in the house.

But I don't quite understand.

Oh yes you do.

You're not a child.

Neither am I. We both

know what we want.

We're strong.

We saluted the strength in

each other from the start.

But I'm the stronger.

My courage is greater than yours.

Forgive me, Sylvia, I still can't

follow your line of thought.

Oh yes you can.

I can see that by the

fear in your eyes.

Fear?

Yes.

You needn't try to evade my eyes.

I know their power.

Oh, I know I'm not young.

I'm not beautiful.

But beauty isn't important.

It's ephemeral, insipid.

Please, Sylvia.

I really don't understand you.

We'll talk another day.

I'll come back when

you're yourself again.

I am myself.

Don't be such a coward.

You want me.

You've wanted me from

the very beginning.

And I want you.

But Sylvia, to me,

you've never been

anything but my friend's wife.

You're lying to yourself, not me.

Very well.

I hoped to avoid the truth,

but since you force me,

I must tell you that

I do understand.

But truth is

unforgivably hurting.

Arthur was my friend.

Oh, that mediocrity?

Mediocrity?

He was a real person.

That's why I was so fond of him.

But you came here for me.

And the others.

Until I met you, I never

believed friendship between man

and a woman possible.

I found it was.

You were a stimulating companion.

You--

You wanted me.

My dear Sylvia,

if I'd wanted you,

I should either have taken you

or stopped coming here.

You're lying.

I assure you I'm not.

You don't want me.

No, my dear.

I'd have spared you

all this if I could.

Please go.

Hello, Terry.

Mother in her room?

Yes.

Thanks.

Oh, Terry.

What are you looking at?

Probably the most extraordinary woman

I shall ever look at.

Terry, whatever is

the matter with you?

Since you came back,

you’ve been different, so neurotic.

You're not going the same way

as Fenella, are you?

No.

I'm too strong for you.

Oh, what do you want?

To talk to you about yourself.

You'd like that, wouldn't you?

Why do you say that?

You're an interesting

subject, mother,

a study in ultimate egotism.

Oh.

You're trying to

psychoanalyze me.

Oh.

How funny.

How funny.

As if you could.

I'm not beginning on you, mother.

I believe I've finished.

You think you know me?

Yes, I do.

You read me superficially

like fortune in a teacup,

according to certain

universal laws, and--

Suppose I tell you what I see?

Oh, go on.

I see first a facade,

the animated waxwork

of a devoted wife and

mother, a kind mistress,

the sympathetic friend.

Then the undercurrent,

the brilliant woman stifled

by mediocrities, frustrated,

seeking sublimation or outlet,

the power behind the

throne, influencing

the people with whom

she comes into contact.

How far wrong am I, so far?

I-- I no idea you

understood me so well.

Now the experiments.

The humiliation you inflicted

on dad in small things.

The books, the wine, the roses,

the subtle breaking down

of his confidence in himself.

Then his dog.

You didn't really

mind its barking.

You've got nerves of steel.

You were fond of Ace,

but he happened to mean something

to dad, so he had to go.

I don't want to hear any more.

I'm afraid you've got to, mother.

Oh.

You're my son, all right.

You've got my will.

That was your first

essay in power.

It gave you a taste for it.

Then there was Effie.

I only tried to educate the girl,

make her a little less uncouth.

You succeeded admirably.

You taught her the subtleties

while most of her kind

only learned the elementaries.

Oh.

Your work on Fenella was

highly successful, too.

Then you went too far.

What do you mean?

The trouble with

power is that it's

insatiable, like blackmail,

or a habit forming drug.

Fenella, Val, Effie.

When were you going

to start on me?

You?

I worship you.

You-- you talk of sublimation.

You've been my sublimation.

I've lived through you.

Sadists get their

keenest pleasure

out of those they love.

You were waiting till

some girl came into my life.

Do you know that every

woman I've known,

I've found myself watching

through your eyes?

That's why I never bought

Sally here, because I wondered

what treatment you

would devise for her,

in order to inflict the maximum

amount of pain on me.

Terry, why are you saying

all these thing to me?

Because they're true.

You'd almost broken dad's spirit,

but not quite.

He wasn't much fun.

He suffered too silently.

Then Penrose came into your life.

Penrose had nothing to do it.

Indeed he did, a great deal more

than himself realized.

You used him to get Fenella

and me out of your way.

Then dad was alone with

you, alone in this house

night after night.

Well?

What of it?

When you took my medical book

on poisons last summer,

I thought it a rather

intelligent depravity.

It was deliberate premeditation, wasn't it?

What are you implying?

Murder.

The medicine you gave

dad contained arsenic.

No.

No, Terry.

You're making a mistake,

a terrible mistake.

You made the mistake

when you failed

to destroy the medicine bottle.

While we were away,

you were very subtle.

You handled things very cleverly.

But you were just a bit too slow.

When you learned

I was coming home,

you realized the

danger of my finding

out and being able to save him.

So you had to hurry.

And that made you

clumsy, didn't it?

Didn't it?

The chemist!

The chemist must

have made a mistake!

Sure-- surely we can prove it.

He-- he blundered.

Don't lie, mother.

It's unworthy of you.

You're trying to trap me.

Why should I?

You're trapped anyway.

Terry, why are you torturing me?

What was your motive

for murdering father?

I'm not a policeman.

I'm your son.

Tell me.

What was your motive?

Suppression, the denial

of an emotional outlet,

the frustration

of a desire that's

born in every woman's soul.

Are you trying to justify murder?

No.

Only stating the cause.

The cause was Penrose.

No.

No.

No.

He was merely the

means to an end.

There's a clay for me to

mold in the petty shipping clerk.

Most men are despicable,

cowardly mediocrities.

It's the women behind

them have made them great.

Women have a seed of

greatness in them.

They know what in a man's mind,

because they plant it.

You.

There's nothing in you that hasn't

sprung from me, nothing.

You think that I love Penrose?

Yes.

No!

But with him, I could have

realized my ambitions.

I could have had power.

Power?

Yes.

I love power.

And I got it, the supreme power,

power over life and death.

I watched him day after day.

And I thought, if I

like, you may live.

Sometimes I stopped his doses.

He thought he was getting better.

But it was in my hands, his life mine,

to give or to take away.

Stop!

Stop!

I've heard enough.

You can't even stand

hearing, yet I could see,

and I could watch

and watch and watch.

You think I'm mad, don't you?

I know you're not mad.

You're just evil.

All the time you were

making your study in power,

you were busy with your

role of devoted wife.

You'd have gone on lying

if I hadn't tripped you up,

if I hadn't found the poison.

Well, what are you going

to do, have me hanged?

Oh, no.

You won't be let off so

quickly, not so easily.

I know you're not mad.

But your judge won't.

You'll spend the rest of

your life in solitude.

You're not old.

You'll have plenty of

time to think, years.

And no power to get away.

No more power, and

nobody to experiment on.

[car approaching]

Police?

Yes.

You're afraid, aren't you?

Afraid for the first

time in your life.

Afraid of your own thoughts--

[knocking]

--of the quiet.

No.

I'm not afraid.

Give my love to Sally.

[knocking]

[music playing]