Original subtitles

[dramatic music]

- Must be the first job we've had where the felon

wasn't on the run or trying to kill us.

Or both.

She's not really a felon, though,

I mean not in the true sense of the word.

Hasn't Io security got anything better to do than harass us

with some low-level psych transfer.

You know, her file says she's been

a complete head case for over five years,

doesn't even know her own name.

- She's a job, Callie, not a career.

- Fine, so tell me again why we're suddenly

hauling psychos to Ganeymede Neuro.

- Because we need the money, now get over it.

- Get over yourself, Travis.

- Travis Montana?

- Yeah.

- I'm Dr. Alora Kir, psych counselor on this case.

And this is Jane, as in Doe.

Until we find out who she really is.

- Hi.

- Callie Larkadia.

- Okay, Jane, time to go.

- So I take it once we get this paperwork squared away,

we'll be on our way, huh? - Yes, we will.

- I'm sorry, we?

- Well I'm accompanying you to Ganeymede.

- Why?

- [Alora] No psych patient travels without their counselor,

especially a psychogenic amnesiac like Jane.

- Do you think she's gonna get lost?

- She's already quite lost, Mr. Montana.

It's policy, she needs to be with someone she knows

and who knows her.

In her present state, things can sometimes

get a little difficult.

- Well we're paid to handle difficult.

I'm sure you are, but not this kind of difficult.

- Fine, whatever, let's just get on with it, shall we?

[soft dramatic music]

- Catchpole?

[soft dramatic music]

- Our people at Clarke have had the entire station swept.

There's no sign of the man you described.

- Yes, he must be on one of the ships

that departed in the last 24 hours.

- I'll have the passenger and crew list checked.

- Just find him.

I'll do the rest.

[soft dramatic music]

- What the hell is wrong with you today?

- Nothing's wrong with me.

- [Callie] Try again.

[struggling]

[gun firing]

- Noooooo!

[gun firing]

- Clarke Control, we need a medic in Walkway 12.

Now.

[soft dramatic music]

[creaking]

[engines firing]

[dramatic theme music]

[dramatic music]

- I don't understand why you're reprofiling her, Edward.

This was an aberration.

She's never exhibited violent behavior before.

- Hi, welcome to the Tulip, Alora, my name's Marcus.

- But that means she'll be going to Ganeymede Max.

She's not a criminal.

- If there's anything you need during your trip,

you just ask for me, Marcus Fagan.

- Fine, but I'll be fighting this, Edward, goodbye.

Doesn't make sense. - It makes sense to me.

- No, it was an accident.

- It wasn't an accident, she shot at Travis.

- At me?

- Yeah, well, that's how it looked

from where I was standing.

Why don't we ask her?

- [Alora] Now is not a good time to ask her anything?

- Well when is?

- Look, I suggest we just drop it, okay?

- Could you show us to our quarters?

My patient needs to rest.

- Give me a moment.

Are we good to go?

- Yeah, Yeah, too bad it's only one day to Ganeymede.

- Why too bad?

- Well, I think Alora needs just a little bit more time

to find me irresistible.

- Marcus, this is business.

You just stay away from her, understand?

- Your Jane Doe wasn't a killer

when we accepted this agreement.

- She didn't kill anyone.

And you signed the transfer agreement.

- And you slipped in an extra passenger.

The agreement was for one passenger, one, not two.

- No psych case goes without a counselor.

It's standard policy.

- Really?

Well, seeing as we only agreed to one passenger,

we cannot guarantee your counselor's safety.

- There are plenty of ships who can.

- Put me through to Dr. Kir.

- Hang on, we're in preflight countdown.

- [Woman] Control still has you docked.

- Big ship, big countdown.

- If it's such a big ship, one extra passenger

will hardly be noticed.

- That's not the point.

- Do you want me to commission another ship?

- I didn't say that.

- Fine, bon voyage.

- Nice try, Rudolpho.

- They're doing us.

We're paying for their babysitter.

- What's with the panic?

Are you afraid the doctor's gonna diagnose you?

As a lying, cheating, sexist pig, maybe?

- Oh yeah yeah, very funny.

Takes one to know one.

- Hmm, witty comeback.

- What the hell is this?

- [Travis] The brig, what do you expect?

- Jane's not a criminal, she's ill.

- She's being reprofiled, you said so yourself, Doctor.

- Not by my recommendation.

This is demeaning.

I have spent months trying to win Jane's confidence.

Putting bars between us is certainly not

going to help her recovery.

- Ships have rules, Dr. Kir.

- And I have a responsible to my patient.

- This isn't about her recovery, it's about ship safety.

She travels in a secure environment

for her protection as much as ours.

- The Tulip's not a rehab clinic, I'm sorry.

Put her in.

I'll show you to your quarters.

- I'm staying right here.

- In or out?

- Can you fix me up something to sleep on?

- If that's what you want.

- It's okay, Jane, take it easy.

- I should have killed you.

[soft dramatic music]

- Travis?

What's wrong?

- Nothing.

- Airlock sealed, thruster vector set.

- Not locked.

- Locked.

- Clarke Control, Trans-Utopian ready for departure.

- [Control] Acknowledged, Trans-Utopian, proceed.

- You wanna talk?

- About what?

- Why do you always do this?

Shut me out.

- Since when were you the caring, sharing type, Callie?

- You know what?

You just blew your chance to find out.

[dramatic music]

- Where's Travis?

- Separation at 15.

I think that Jane Doe thing is getting to him.

- Why, what's she got to do with anything?

- She was after him.

I just don't know why he won't admit it.

- After Travis?

Come on.

- You weren't there.

You didn't see her take aim at him,

and you didn't see the way she looked at him afterwards.

I'm telling you, it shook him up.

- [Carravagio] We are cleared of moorings.

- I'm gonna rig the thrusters.

- Is anybody else finding it impossible

to get through to Travis lately?

- Lately? How about always?

- Guy thing.

- Hey, we express our feelings,

just not in ways that you ladies understand.

Grunts, groans.

The occasional belch to express happiness.

[belches]

See?

- I'm being serious.

Is it just me, or is he being like this with everyone?

- I tried talking with him, I got nowhere.

- He has some demons, I think we'll manage.

- Well a little open communication couldn't hurt.

- Oh, and you always share all your little gremlins, do you?

- [Carravagio] Now clear to fire mains.

- Marcus?

- Fire mains?

[dramatic music]

- You may not know who you are,

but you sure as hell know me.

I read your file.

You're certainly no killer.

But you wanted me dead, didn't you?

Come on.

Come on, what is locked up inside that head of yours?

What have you done, and what has it gotta do with me?

- I know you.

- From where?

[soft dramatic music]

You gotta remember, Jane.

Please, can you do that?

[gasping]

Jane?

Jane, look at me.

What have I done to you?

Where do you know me from?

[soft dramatic music]

- From before.

- Yes, but from where?

[yelling]

- It shoulda been you?

- What the hell are you doing to her?

- She knows me.

- I don't give a damn, just open the cell.

- I have to know, Jane.

- Get out, just get the hell out.

[soft dramatic music]

[crying]

- If our own people hadn't try to block us at every turn,

the Divinity Cluster project would be a reality by now.

And the Orchard would never have collapsed.

- Won't those people attempt the same again?

- We've taken care of those people.

As we will anyone else who tries to stop us.

I know many of you are scientists and researchers

and this kind of intrigue makes you uncomfortable.

Indeed, I'm a doctor.

I'm supposed to heal people.

But I'm also a realist.

And I know that what we are doing will frighten

the less enlightened.

We must not let them stop us.

That is why we must be goal-focused.

The ends, which in this case is the advancement of humanity,

will justify any means.

- But does the Divinity Cluster really hold the secret

to hyperspace travel?

- One of our most brilliant scientists,

a man named Dr. Eccleston, he artificially

activated all four genes in himself.

And he traveled through hyperspace.

So the answer is, yes.

- And where is Eccleston now?

- Sadly, the artificial activation process

drove him mad.

- Dr. Merchison, it's been 15 years.

Those research subjects with naturally activated

gene cluster are spread throughout the solar system.

How do we find them?

- [Tristan] Through me.

- Friends.

This is Tristan Catchpole.

He is the only human being to have naturally activated

three of the four Divinity Cluster genes.

It is the new Orchard's responsibility to nurture

and develop the Divinity Cluster

for the future of humankind.

Mr. Catchpole can track down the other

naturally activated subjects.

- The solar system's a big place, Merchison.

Where do we start?

- There is what you would call

a psychic link between naturals.

And I discovered another one recently, on Clarke Station.

[computer beeping]

[door opening]

- I checked those circuits yesterday.

- I'm checking them again.

[soft dramatic music]

- You need to talk to somebody.

- You have no idea what I need.

- Listen, you've got a whole buncha people on this ship

really worried about you.

- Yeah? Tell them to get over it.

- I have.

Didn't help.

You're getting worse, Travis,

you're hurting everyone who comes near you.

- Well then maybe you should all stay the hell away from me.

- Jane's condition is worsening.

Her amnesia's being reinforced by acute withdrawal.

There are also definite signs that the fugue state

associated with her multiple personality

disorder is returning.

As her mind continually fights to keep

the trauma distances from her conscious self.

If we don't find a way to break through this coping

mechanism soon, we may lose the real Jane for good.

[doorbell ringing]

Who is it?

- [Marcus] It's Marcus.

- Come in.

- I just wondered if you needed anything.

I looked in on the brig, and--

- Is Jane still asleep?

- Yeah, like a baby.

You think one of your knockout shots

might help me sleep at night?

- You think you need psychiatric help?

- Yeah, sure.

Couple of hours on your couch might do me good.

Sorry, I goof around too much.

But really, I'm interested in psychology.

I've been studying it now for a few weeks

from Carr's memory banks, he's RAI.

Neurosis, schizophrenia.

- Really?

So what's your take on polygenic rates of transmission

in comparison to say, monopsychotic genetics?

- In, in relation to what?

- In relation to,

I also like to goof around sometimes.

[laughing]

- You got me.

That's good.

Uh, I'll leave you to it.

- No no, stick around.

- I'd be happy to.

It's nice to talk with someone intelligent for a change.

- So?

Any ideas why Jane might wanna hurt Travis?

- No, but I could give her a few of mine.

- Marcus, this is serious.

You work with Travis, what's he like?

- Usually, usually, he's fine.

Recently--

- What? Has he been depressed,

antagonistic, anxious?

- Yeah.

Percy says he's working out his demons.

You'd know the technical term for that.

But listen, Travis is my friend.

I shouldn't really be talking like this.

- Of course, I understand.

I'm just trying to interpret Jane's violent reaction

to someone she never met.

Knowing more about Travis might help them both.

Just after we left Clarke,

I found him trying to talk to her.

I got angry, told him to get out.

Could be I was a little hasty.

Because Travis says she knows him.

Do you have any idea how or where?

- I honestly can't help you.

Travis and I go back a way, but I don't know your Jane Doe.

- It's too bad.

- It could be from before my time, in his raider days maybe.

I--

Um.

[dramatic music]

- [Caravaggio] Why are you repeating calculations

I've already done?

I computed Ganeymede orbit before we departed Clarke.

- Now I'm doing it again.

- [Caravaggio] It is not necessary.

- Do I have to justify myself to a bloody AI now?

- [Caravaggio] I'm sorry, did I offend you?

- No.

[dramatic music]

- Hi.

I just came for a cup of tea.

- Knock yourself out.

- Travis?

I owe you an apology.

- Oh yeah?

- I realize you're the only one who can help

Jane face her past.

- I didn't think what I was doing was helping.

- Oh no, you weren't.

I think you were just trying to come to terms

with your own past, but you can help her.

Marcus told me you used to be a raider.

Must have taken a lotta guts to walk away from that.

- Oh he did, did he?

- Don't get mad with him, Travis.

He's just got your best interest at heart.

- We'll see about that.

[soft dramatic music]

- No way [laughs].

- Can we have a word?

- Yeah, sure.

[soft dramatic music]

- What the hell were you doing telling

Dr. Kir about my past?

- Yeah, well, she asked me if--

- She asked you if I was a raider.

- No, she asked me why that woman Jane'd wanna kill you.

- So you volunteered a part of my past.

I told you never to talk about it.

- It just came out, I'm sorry, but look, Travis,

I'm trying to figure out what's making you so miserable.

- Well thanks for the help, Dr. Freud.

- And since you seem so intent om making all of us

miserable, I'm glad I did.

- Really?

Sure you weren't trying to impress a pretty doctor?

- Hey hey hey hey, what the hell's going on here?

- This stupid bastard thinks I've sold him out.

- You prat, Marcus is your friend.

He wouldn't do that.

- Wouldn't he?

I don't know, you did.

- Something has gotta be done about him.

[dramatic music]

[doorbell ringing]

- Travis?

Travis, it's me, Alora.

[doorbell ringing]

Travis.

In 12 hours, Jane'll be locked up in Ganeymede Max.

Probably for life.

I don't want that on my conscience, do you?

Because I think you've got enough on your

conscience right now.

[soft dramatic music]

[door closing]

- What do you want me to do? - Nothing, that's Jane's job.

Her whole past is locked up inside of her.

- She's probably better off, because I'm sick and tired

of trying to forget mine.

- You can't forget it, Travis.

You can just accept.

- I thought you said I had nothing to do.

- Not to help her, but if you wanna help yourself.

- And since when did you become my psychiatrist?

I really do not wanna do this, Alora.

- Fine, then do it for her.

Talk to her.

- I tried, remember?

- Well, try again.

Try, I'm sorry.

- For what?

- I know you.

From before.

[soft dramatic music]

- Yes, but from where, Jane?

From where?

[soft dramatic music]

[dramatic music]

[grunting and groaning]

[gun firing]

[Jane yelling]

David!

- You.

You killed my husband.

Maria.

My name is Maria!

You killed David, you killed David, you killed David!

- Jane.

[weeping]

- What Maria and Travis experienced has allowed her

to face the trauma of her husband's death

and begin the slow road to recovery.

We now know who she is and why Travis Montana

was the focus for her pain.

As for what happened to them both,

the phenomenon I witnessed--

[sighing]

Caravaggio?

- Yes, Doctor?

- I need to file a report on my patient's progress.

I'm going to need doctor-patient confidentiality.

- Certainly, privacy mode engaged.

- Edward, can you hear me?

- Only just.

Titan's having one of those upper atmosphere tantrums.

It'll pass.

So, uh, how's it going with your Jane Doe?

- We had a breakthrough.

I want her reprofiled before we dock at Ganeymede.

She shouldn't be imprisoned.

- Well that's not entirely up to me, Alora.

I can only request that Ganeymede reassess her case.

- That'd be something, Edward, thank you.

- Oh, it's no trouble at all.

You're always one to turn around lost causes.

- Well, I had a little help on this one.

I'll try to explain it, but you have to keep an open mind.

- Alora, my dear, I'm a psychiatrist.

- I saw something today I can't quite explain.

It involved the ship's captain, Travis Montana.

- Montana?

- That's right.

I'm not sure you'll believe this, Edward,

but one moment he was there, and the next.

- Go ahead, Alora, please.

Tell me everything.

[soft dramatic music]

- It's imperative we intercept Montana's ship

before it enters Ganeymede orbit.

- The ship's captain assures me we have the time.

- Good.

By the way, Orchard's records indicate

that Penny Montana conducted transgenic

experiments on herself.

- Which explains how Travis Montana

became naturally activated.

- And from what Dr. Kir described to me,

he had no idea what was happening to him.

- Then he's only got one gene activated

and he won't present too much of a problem.

[soft dramatic music]

- Oh, did poor lovesick Marcus get rejected again?

- Perhaps you should ask poor lovesick Marcus.

- Oh, it's poor guilt-ridden Travis.

- All right, Percy, it's time we had that talk.

- What talk?

- [Travis] Tell me what you know about the Divinity Cluster.

- Thought I did.

- Come on.

Weird genes that unlock strange powers

that could be related to hyperspace.

That's pretty vague, I mean, some details would be nice.

What didn't you tell me?

- Some stuff.

- Percy, I'm not kidding.

I need to know, and I need to know now.

[soft dramatic music]

- They discovered four genes in the human genome

that aren't supposed to be there.

Turns out they're alien.

- What?

- Cross my heart, before you were born,

your mother did some transgenetic experiment on herself

that somehow activated those genes in you.

- She did this on purpose?

- I'm sure she had no idea that it was gonna affect you.

- And one of these genes is related to hyperspace?

- I don't understand it completely.

But from what Dante told me, there's four different genes

that when they're activated do different things.

The first gene gives you a sense of total invincibility,

which is probably why you were such a dangerous raider.

The second gene gives you

a view of hyperspace.

- You knew all this, how come you never told me?

- Because I promised Dante that I wouldn't.

- Well, with all due respect to Dante,

I think it's time you told me everything he said.

- He hoped that if you didn't know about them

you wouldn't activate them.

- All right, so,

how do you activate them,

and what was this experiment my mother did on herself?

- I don't know.

- Well what about the other two genes, what do they do?

- I don't know that either.

Really, I've told you everything that I know.

- Great, so what does that make me?

Alien?

Or just mad, because I damn well feel crazy right now.

- No matter what, you're still Travis Montana,

guilt-ridden bounty hunter.

- Thanks.

- Can I go now?

[dramatic music]

- Her name's Maria Geddes.

Travis killed her husband in a fight on Io 15 years ago.

And she saw it all.

Travis never knew she was there.

Dr. Kir said she's making good progress.

- And Travis?

- That's a little more complex.

- Tell me about it. Well I guess you were right about those

demons from his past.

At least we know why he's been so grouchy lately.

Am I right?

- Maybe, I don't know.

I am, uh, thinking of leaving the Tulip.

- What?

- Yeah, I don't know if this bounty hunting thing

is for me, after all.

- Come on, what are you talking about?

The slime we hunt down deserve it.

- You sound like one of those bleeding heart liberals.

- Look, there are just some things I need to deal with.

That's all.

[soft dramatic music]

- Are you telling me you and Maria time traveled?

- What can I say, you saw it happen.

- And these alien genes make you do this?

- They allow me to slip into the time-space continuum, yes,

but I don't fully understand it, nor can I control it.

- You lost me.

- You wanted an explanation.

- It wasn't quite what I had in mind, Travis.

But then again, after what you--

- Look, whether you believe it or not,

at least you got the results you wanted.

- True, Maria's been talking rationally

for the first time in five years.

- Maybe she can talk some sense into me.

- You know, maybe she could.

- I was kidding.

- I'm not.

- Look, I don't think she's capable of anything right now.

- She is.

Are you?

[soft dramatic music]

Maria, Travis wants to see you.

Is that okay?

- What for, my forgiveness?

- No.

- Because I could never forgive the man who did this.

- Maria, if you trust me at all, you'll believe me

when I tell you that, in some ways,

you've both been through hell.

- He has no idea

of the kind of hell I've been through.

[soft dramatic music]

I hate you.

I'll always hate you.

[soft dramatic music]

- [Rudolpho] Travis, unidentified ship closing in on us.

[soft dramatic music]

Travis, you hearing me?

- Have you hailed them?

- Yeah, they're not taking calls.

- They sure as hell look hostile to me.

- Get the weapons online then.

I'm on my way.

Sit tight, this is as safe a place as any.

[dramatic music]

[lasers firing]

- [Rudolpho] Dammit, they're using grab hooks.

- I know, reverse the hull's magnetic polarity.

- No, not unless you wanna boomerang

our own weapons' fire back on us.

Have you forgotten your particle physics?

- No.

[dramatic music]

- Talk to me, Callie.

- Dammit, we can't hold them off any longer.

They'll be looking for a way in any second.

[dramatic music]

[air releasing]

Contact, Deck One, Airlock Two.

- I'll meet you there.

- Let's arm up.

If we don't come back, take that ship out.

- [Marcus] With what? - The Tulip if you have to.

Percy, let's go.

[dramatic music]

- Yes, sir.

- That woman's got a little too much testosterone.

- Carr, seal the bridge.

Access to Tulip personnel only.

- [Carravagio] Confirmed.

[dramatic music]

- Who are these guys?

Whoa.

Orchard, ghosts from the past.

- They seem real enough to me, split up.

- [Percy] What?

- Go go go.

[guns firing]

[dramatic music]

- Who are you?

- Tristan Catchpole.

Come with me.

[dramatic music]

This paradise is on a planet 400 light-years away.

Only accessible from our solar system through hyperspace.

You have the power within you to make this journey

like I just did.

It is your destiny, and mine.

We are the future of mankind, Travis, the new breed,

the new human race.

- And what are you planning to do

with the old one, Catchpole?

- The laws of evolution will prevail.

- The human race with no humanity?

- Once your genes have been fully activated,

you will understand.

- I doubt it.

[guns firing]

[dramatic music]

[groaning]

[guns firing]

[dramatic music]

[guns firing]

[groaning]

[dramatic music]

[groaning]

[dramatic music]

- What's going on down there, Callie, Percy?

- [Carravagio] Main airlock breached.

Percy and Callie are under attack.

- Okay, let's go.

- Who's gonna hold on to the bridge?

- Carravagio, the ship's yours.

- [Carravagio] Acknowledged.

- Oh, and, uh, if we don't come back,

oh, bollocks, forget it.

- Join me.

- And if I say no?

- How can you say no to all of this?

- Because it's not only about the future of mankind, is it?

It's about who controls hyperspace.

- It is our right.

- Not if innocent people are gonna get hurt.

And I've hurt enough people to last me a lifetime.

[guns firing]

[dramatic music]

[groaning]

[dramatic music]

- [Callie] Percy, duck.

[guns firing]

- You have no choice.

- Haven't I?

- [Callie] Travis.

- [Tristan] Everybody out.

- [Man] Move, move.

- You'll come to see we're right, Travis.

[gun firing]

[soft dramatic music]

- What the hell just happened?

Hey, are you okay?

- Yeah.

Yeah, I think so.

- Percy says they're with the Orchard, is she right?

- You knew about them as well?

- So did he.

- What the hell is the Orchard?

- They're a mysterious group of scientists and politicians

who wanna take over hyperspace.

They broke up 10 years ago due to infighting.

But I guess they're back.

- Well what do they want with us?

- Me.

- [Marcus] Why?

- I don't know.

I don't know.

[soft dramatic music]

- Sorry, guys.

[dramatic music]

[sighing]

- Doctor?

- Come in.

- Did you get Maria reprofiled?

- Yes.

And I think I owe you an apology.

- What for?

- I may have put those people onto you when I called

my boss to get Maria reprofiled.

I told them who you are, and what you did with Maria.

I'm sorry.

- It's okay, you weren't to know.

The Orchard probably intercepts a lot of private calls.

[soft dramatic music]

How are you feeling?

[sighing]

- Dr. Alora told me many things about you.

I can't say I fully understand them all.

- That makes two of us.

- I can never forget what you did.

And neither will you.

We may get over it, but we'll never forget.

She says you're not the same man who killed David.

- I'm not.

I know I'm not.

And you're right, I won't forget.

- It's not often people get a chance to right their wrongs.

- Well I wish I could, but

I can't.

- But you have helped me.

- I have?

- And I believe you are truly sorry for what you did.

[soft dramatic music]

[door opening]

- So?

Are you still leaving?

- No, I'm not quite ready to go just yet.

- Does this mean we're back to normal?

- Yeah.

- Well, are you gonna talk about it this time?

- What the hell, why not?

Where do you want me to start? - At the beginning probably.

- Up to and including why the Orchard wants you.

- [Edward] What happened?

- Montana's stronger and far more resistant than I thought.

- Why didn't you kill him?

- Because we need people like him.

- It's too dangerous to let him live

if he's not gonna join us.

- You give up far too easily, Merchison.

Montana's a prize worth fighting for.

Once he realizes the benefits of the Divinity Cluster,

he'll cross over.

Meanwhile, there will be others more receptive.

Travis Montana will come to us,

in time.

[explosions]

- Carr, if I'm gonna do a realignment on you,

it makes perfect sense

that I would have your substitute have some

of the attributes that you're lacking.

- Welcome back, Carr.

- Who?

- Catherine.

- I am not jealous of her.

- I don't know, I think you are.

- How long have Travis and Callie been together?

- They're not together.

- She's not the woman for you.

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