Original subtitles

(dramatic music)

(upbeat music)

Don't you forget that here at The Genie

we may be (speaking foreign language)

we still demand that entertainment comes from you.

Anybody you like out there?

Come on.

Hello?

(gentle music)

Someone found the courage to sing a song?

Step up, stranger, and show us the stars.

So, what's your name, stranger?

(ominous music)

(Eccelston sighing heavily, coughing)

♫ Twinkle, twinkle little star

♫ How I wonder

Incoming message from Navarre.

Hippolito.

It's him.

Eccelston is back.

Are you sure?

Why would he do that?

How would I know?

He sure could use a new song, but it's him.

All right.

We'll dispatch the Origin investigation team.

Keep up surveillance.

Better hurry up, because, I don't know,

something's wrong with him.

He made my skin crawl.

(eerie music)

(explosion)

[Hippolito Over Transmission] It's him.

Eccelston is back.

[Navarre Over Transmission] Why would he do that?

[Hippolito Over Transmission] How should I know?

He sure could use a new song, but it's him.

Ring-a-ding-ding.

(ominous music)

(ominous music)

(ominous music) (hissing, creaking)

(ominous music) (engines firing)

(dramatic music)

(dramatic music) (gunfire)

(dramatic music) (zapping)

(dramatic music) (zapping, explosions)

(dramatic music) (explosions, zapping)

(dramatic music)

PERCY: That was our last torpedo.

Caravaggio, I need more speed, please.

Down to 65% propulsion and falling, Captain.

(zapping)

More speed, Car!

CARAVAGGIO: I cannot do it, Captain.

Reactor core is cracked.

Leakage is contained, but it will take major repairs.

DANTE: Percy, what's your weapons system status?

None, I just said, that was our last torpedo.

There's gotta be something.

Give me something, Percy!

What, I can't!

Incoming transmission.

Our sensors indicate

that all your weapons systems are down,

and your propulsion is severely compromised.

You pose no threat to us.

It's fortunate for you that Zephryn is aboard.

His name is Travis Montana.

Break off attack.

CARAVAGGIO: Raider squadron is retreating.

Damage, Caravaggio.

All weapons systems are down.

Propulsion steady at 34% efficiency.

Top of the curve out of the question.

Environmental and navigational damaged,

but sustainable, in short, we're a mess.

I don't get it, where are they going?

We're sitting ducks.

They could easily have boarded us.

We're absolutely defenseless here.

Car, any indication of Raider shuttle craft approaching?

Negative, Captain.

They have all clearly left this sector.

PERCY: You.

Why are they running away?

Are they scared of something?

Was that an answer?

Am I crazy?

(ominous music)

Beginning last phase of operation, code name Barbarosa.

Our transmitting coordinates have chosen one for pickup.

End transmission.

(electronic beeping) (ominous music)

They are not running away.

They're running toward something.

DANTE: Earth.

LUCRETIA: That doesn't make any sense.

DANTE: They intend to colonize Earth.

That's what this whole seed thing's about.

You mean you intend to use them now?

Those seeds are a prototype, they haven't been tested!

And God knows what will happen

if they're released into the Earth's atmosphere!

I know what will happen.

I realize now that Senaca lied about using them.

Those seeds won't heal Earth's atmosphere.

They will kill everything.

They use the seeds as a weapon?

But there are millions of people still there,

scientists, engineers,

families trying to rehabilitate the Earth.

How are we supposed to stop it?

Why do we even believe him?

Why would I lie?

Because you're a Raider?

Enough of that, Perce.

Well, if we're gonna stop global annihilation,

I better get welding.

(mechanical whirring)

She's right, though.

Can you contacted Navarre, tell him what's comin'?

I'm on it.

(mysterious music)

What's Senaca really after, Travis?

It's a name I haven't heard in a long time.

I can't think of calling you anything else, Travis.

It's all right, I understand.

Call me that if you like.

You know, there were days when I thought

I'd never see you again?

(mysterious music)

I thought I'd lost you forever.

I'm very tired.

Yeah, I'm sure you are.

Come on, I'll show you your quarters.

You can get some rest.

CARAVAGGIO: Captain, you have a message from Rudolpho.

DANTE: Not now.

(mechanical whirring)

Oh, good, there you are.

You know, I was thinking that it must be pretty unbelievable

for Dante to have Travis aboard,

and then I was thinking

it must be pretty strange for you, too.

There's something really superficial

about this conversation.

No, Percy, you can talk to me.

We're not buddies.

LUCRETIA: Percy, what I want is that you--

Just go.

Just go, Luc.

Okay.

Okay.

(somber music)

So all this time you've been searching for me.

Yes.

Of course, you're my son.

You never thought that maybe I was lost to you forever?

That you should rebuild your life?

No.

I never thought for a moment I could stop looking for you.

No one has ever needed me this much.

I know how difficult this must be for you.

It's strange for me, too.

But believe me, in time it'll begin to feel normal.

Normal?

Sounds good, although I'm not sure what that is.

Let me know if you need anything, okay?

(mechanical whirring) (mysterious music)

DANTE: Perce?

How's it going?

Well, there's nothing I can do.

Propulsion's electronics are toast.

The Raiders have obviously been working

on their disabler technology.

Lucky we even have environment on-line.

DANTE: How about communications?

That's next.

Maybe get our long-range telemetry back,

but I can't make any promises, though.

(somber music)

Percy, I just got him back.

It's sweet that you feel you have to keep motivating me.

Really very sweet, actually.

(somber music)

(mechanical whirring)

LUCRETIA: Dante, I'm a little worried about Percy.

DANTE: I'm sure she feels the same way about you, Luc.

Whatever, but I think she's having trouble adjusting

to Travis being here.

Yeah, I know it, she'll get over it.

We're all family, after all.

Where is she?

Isn't she supposed to be working on communications?

LUCRETIA: Don't ask me, she just bit my head off.

(mechanical whirring)

Car, where's Percy?

CARAVAGGIO: She's currently off-grid.

Oh, come on.

Locate her, Caravaggio.

CARAVAGGIO: She's programmed me

not to be able to locate her,

though I expect she's sulking in her quarters.

Okay.

Broadcast throughout the ship.

(electronic trilling)

Percy, I need you to get on with the work I asked you to do.

(fast music) Nope.

Acknowledge, please. (fast music)

Nada.

DANTE: Percy, report to the bridge immediately.

I need you to get communications online, Percy, now.

God's sakes, Caravaggio, cut him off.

Can't hear myself think around here.

Caravaggio, put audio track back on, please.

It's very funny.

That's very, very funny.

All right, you've been warned!

(suspenseful music)

Eck... (snapping fingers)

Eccelston!

(ominous music)

Would it have made a difference if you knew?

About what she did?

I don't know why she did it, Travis.

She's a scientist obsessed with her work.

I don't understand why she wouldn't tell me.

I'm not sure she even knew what happened to me.

How do you feel?

TRAVIS: I'm fine.

How are the repairs coming?

We need a major dry dock.

Our only hope is to restore long-range communications

and warn the Authority about Senaca.

That's not good enough.

But it's all I can do.

At full power, we couldn't catch 'em in the Tulip.

Luc is trying to contact her friend in the Orchard

and that's just gonna take a little time.

Don't you realize what's at stake here?

I don't appreciate being spoken to that way.

What are you gonna do?

Send me to my room?

I'm the captain of this goddam ship

and I'm your father.

I'm sick of fathers.

(somber music)

(dramatic music)

Rendezvous is confirmed at designated coordinates.

End transmission. (electronic beeping)

(dramatic music)

Eccelston's here?

Sorry, Perce, but that sounds a little bit crazy.

Why is it crazy?

I saw him.

Well, you're tired.

You fell asleep or something.

No, I didn't fall asleep, I saw him.

I know what I saw, Dante.

Everybody's tired and stressed out,

everything's happening at once, that's all.

I'm not stressed out.

What does that have to do with anything?

(Percy scoffing)

Dante is only trying to help.

I don't remember asking you for your opinion.

Found the transmission code!

Caravaggio, broadcast the highlighted coordinates

immediately. Right away.

Okay.

Urgent alert, for Navarre's eyes only.

Tell him to alert the Authority forces as well.

TRAVIS: All available forces should converge

well above Earth orbit.

Send it, Luc. Yep.

[Lucretia Over Transmission] There's a squadron

of Raider attack craft approaching the Earth.

Urgent that they are met with deadly force.

They must not, I repeat, must not be allowed

to penetrate Earth's atmosphere.

Caravaggio, is everyone on the bridge?

CARAVAGGIO: Dante and Luc are still there.

Travis is approaching your quarters.

(mechanical whirring) (Percy exclaiming)

Request permission before you enter.

Sorry.

Request permission to enter.

Mmm, denied.

TRAVIS: Thank you.

(door whirring) (somber music)

PERCY: Got your little transmission off all right?

Yes.

I hope it's enough, but I'm worried.

Is Dante always so intense?

Well, he's been searching after his son,

you, for 10 years.

Sorta got him wound up, yeah.

But he's all yours now.

I'm off the ship.

Do you know what I remember best about you

from long ago?

PERCY: What?

How that beautiful child is still in you now.

PERCY: Really?

And how it makes me feel when I see you again.

Save it.

I happen to know that you're using us for something.

We all use each other, Percy.

And if I cared, I'd bother to figure out

what you're doing.

You know, I think you're right.

You have been on board this ship too long.

You should get off.

See the sights.

PERCY: Hope your welding skills are good.

So, I've instructed Caravaggio to send the transmission

every 10 minutes.

CARAVAGGIO: Excuse me, Captain.

The message from Rudolpho?

DANTE: No, no, Car.

CARAVAGGIO: As you wish.

Another incoming transmission.

It's encrypted,

bearing altered signatures.

You're not-- Acknowledge reception, Luc.

Urgent need to discuss situation.

We need you to join us here now.

I'm sending shuttle to pick you up.

It'll arrive shortly.

End transmission.

You don't have to go, Luc.

He doesn't have any authority over you.

I can't leave you and Percy and the Tulip like this,

not with all that's happening.

Well, wait a minute,

you want to join the resistance, that's your call.

Don't stick around on our behalf.

Besides, maybe you joining them

will help us all in the long run.

Hmm, yeah.

Permission to leave the ship.

Permission granted.

See you in the shuttle bay.

LUCRETIA: Bye, Percy.

See you.

(somber music)

We have a conversation now?

A normal one?

You think that's possible?

It would be my preference, yes.

Well, I know things have been pretty strained

since Travis got here,

and I don't know what to do

'cause I don't like him.

To be honest, I don't know to handle this.

All's I've done is dream about having him here,

and now he's here and it feels wrong.

I don't connect with him.

I'm worried that we're never gonna be the same again.

I don't know.

I don't know, I don't wanna say

I wish I had never started this.

He's my son, what was I supposed to do?

But when this is all over, I think you'd better

start worrying about your own life,

your own future.

Yeah.

(somber music)

(music becomes ominous)

(dramatic music)

(mechanical whirring)

CARAVAGGIO: Shuttle approaching.

Request permission to dock.

DANTE: Scan shuttle for number of occupants, Car.

CARAVAGGIO: One only.

DANTE: Granted.

Well, Captain Montana, it's been quite a ride.

Take care of yourself, keep me posted.

Yeah, I'll report back as soon as I can.

CARAVAGGIO: Shuttle approaching.

Request permission to dock.

Car?

What's going on?

CARAVAGGIO: Luc is leaving.

Where is she going?

CARAVAGGIO: She's joining the resistance.

Wow.

(hissing, whirring)

My one regret is that

I had to lie to you in the beginning.

I'm really sorry about that.

Don't apologize.

(doors hissing)

(Percy whistling "Twinkle, Twinkle Little Star")

(suspenseful music)

Caravaggio, turn my lights on, please.

Car?

(hissing, zapping) (whirring)

(Eccelston coughing)

(ominous music) (Eccelston gasping)

You got my message? (groaning)

There was once a time,

a lovely young woman such as yourself would have inspired.

Alas, a time long gone.

The fool in a fairy tale long forgotten.

Can I ask you how you got back here?

I'm not sure.

But I know I'm back for a reason,

important beyond measure.

I'm sure.

But where did you go, though?

I went wondrous places,

but there's something else.

It was so clear, that I know I'm back for a reason,

important beyond all measure.

Did it have anything to do with the Divinity Cluster?

The Divinity Cluster?

PERCY: Yes.

It has another name, where I've been.

There's no smell, no taste, no touch.

Just a terrible beauty.

(gentle music)

Enter.

(doors whirring)

I want to apologize.

I spoke rudely.

(Dante scoffing)

I'm sorry.

I've been reflecting on how difficult this must be for you.

You know, I've always known what to do, how to act.

But with you?

Maybe there's just some things I don't really want to know.

TRAVIS: Like, was I happy?

Yeah, that.

You want to know my earliest memory of you?

Actually, not earliest.

My happiest?

When you used to chase me around the laboratory.

Remember?

Yeah, I remember.

Mom would always tell us to go outside,

but even then, I knew I was different.

So, what's it like?

Being able to remember everything,

every detail, huh?

It's as if my head is always full of noise.

It's terrible.

I had to discipline myself to try and control it.

Otherwise I'd go mad.

You have to stop Senaca.

We'll think of something.

(mechanical whirring)

(upbeat music)

NAVARRE: I'm glad you chose to come.

Yeah.

So you confirmed what we've long suspected.

Yeah.

The Raiders are gonna seed the Earth.

All will be lost if they're not stopped.

So what do we do to stop them?

(dramatic music)

The deception matrix is holding.

The Authority's sensors read us

as a harmless space anomaly.

Something terrible is about to happen.

And where is this terrible thing gonna happen?

In all of us.

It's going to happen in us.

In us?

Good.

I can't make sense of this.

Caravaggio, where is Dante?

CARAVAGGIO: Currently heading for the bridge

with his son.

Never thought I'd hear that on this ship.

Okay, you, come on.

You're not disappearing until you tell me how you do it.

You're really not feeling well.

You have no idea.

He has never fully recovered since the death of Darius.

Was it ever discovered who murdered my father?

Well, we have our suspicions,

but no one's accepted full responsibility.

Great, so they are winning.

No.

Nothing's been decided yet,

but we cannot give in to despair.

That way we are lost.

We cannot admit failure, failure is not an option.

(ominous music)

Brava.

Such a stirring speech.

Surely everyone will now rally to your cause.

Drop it.

Nice to see you again, Lucretia.

Sit down.

Or stand, I don't care.

NAVARRE: You will be stopped.

Perhaps, but not by you.

You were so promising, Navarre.

I had plans for you.

You will never defeat the Resistance, we're everywhere.

Your heroic cliches bore me.

(clicking) (Navarre groaning)

What have you done?

Say hello to the other side for me.

Now, on to more important matters.

You said before you always knew where I was.

How?

It was made possible through Penny, somehow.

Psychic connection.

When did you learn she had done this to you?

Did she do anything else that I don't know about?

Why are you asking me all this?

Why are you wasting time with the past

when the future is at stake?

(Eccelston breathing heavily)

Dante, you remember Eccelston.

I don't believe it.

Captain.

It's you.

The first one.

And if I have my way, the last one.

What do you mean by that?

I was wrong.

Terribly wrong.

The Cluster isn't about freedom.

If triggered in enough people,

it'll begin a process that guarantees the extinction

of the entire human race.

I don't believe you.

I know.

I have seen those that are waiting,

waiting to be reborn through us.

They've waited through countless millennia

for their resurrection, which is close at hand,

unless we can stop them.

I'm going to need your help.

I'm afraid I'm not what I was.

And why should I help you?

How do I know this isn't some kind of trap?

You used to work for the Orchard.

Maybe you're still with-- Know what I know!

See what I see!

(Travis and Dante groaning)

What happened? (men breathing heavily)

I saw.

You saw those that are waiting.

(suspenseful music)

It was you.

You had something to do with my father's murder.

You credit me with far too much power.

You see, Darius is more valuable to me alive.

It wasn't me.

LUCRETIA: Then who?

I honestly don't know.

You're such a liar.

Darius had many enemies.

A hard thing for a daughter to hear,

but I'm afraid it's true.

You see, he was the architect of what I'm about to do.

(electronic trilling)

Your father was a great man.

He realized where the first naturally occuring

manifestation of the Cluster was.

Travis.

Begin extraction of the chosen one.

I think your father would've liked you being present

at the moment of his greatest triumph.

(dramatic music)

CARAVAGGIO: An unauthorized ship

has appeared on my sensors.

Identify.

CARAVAGGIO: Ascertaining.

I don't understand.

How can the Orchard want this?

At first I thought they couldn't possibly be aware.

But I've come to realize that some of them

actually welcome it.

They crave the transformation.

What do you want me to do?

Take my hand.

And visualize Earth, that's all.

You too, Captain.

You've also been introduced

to the beginnings of the Cluster.

(mysterious music)

No, not you.

Why not?

ECCELSTON: You've not been introduced.

It may kill you.

I don't mind, really.

ECCELSTON: No.

I don't want you to die.

CARAVAGGIO: Have identified the ship,

a shuttle craft bearing Orchard ion signature

is approaching the Tulip.

(suspenseful music)

You're watching history.

You traded Travis for the seeds.

Do you have any idea what the Raiders will do with them?

All is right in the universe.

Events are unfolding as they were always meant to.

You are insane.

Millions will die, you stupid--

Get off me!

Get off!

(suspenseful music)

They're coming for the boy.

Visualize Earth, now.

(dramatic music)

(Eccelston breathing heavily)

Nothing happened.

(Eccelston mumbling) Confirm our position.

(Eccelston coughing)

Caravaggio, current position?

CARAVAGGIO: We are approaching

the outer threshold of the moon.

Which moon, Phobos?

No, not Mars.

Earth's moon.

(suspenseful music)

I came back to stop them before I die.

(groaning) I am transforming.

Don't worry, I'm still more human than not.

(Eccelston groaning, breathing heavily)

We have to hurry.

They're almost ready.

LUCRETIA: What have you done?

I see stupidity crosses generations.

Like Darius, you fail to grasp what is at hand,

what our true destiny is.

Go to hell.

You first.

(Lucretia exclaiming, groaning)

Eccelston.

(dramatic music)

What act of treachery is this?

How is it possible that their ship is in the vicinity?

What intrigue is the Orchard up to?

We are as surprised as you to learn that they are here.

There is only one possible answer.

Eccelston is aboard.

Eccelston?

Impossible.

Proceed with your mission.

I've taken steps to neutralize the situation.

The Tulip must not be destroyed.

Further disable it only.

If you betray us, I will make it my personal mission

to destroy you.

(electronic whirring, beeping)

You don't want to uselessly sacrifice yourself

like your father, do you?

(suspenseful music)

Good.

That's what I thought.

Car?

How long 'til we reach optimal Earth orbit?

CARAVAGGIO: One hour, 17 minutes, 23 seconds.

There any other vessels in the area?

No, usual traffic,

mainly regular terraforming shuttle service

between Earth and the moon.

Although there is a curious anomaly

I should investigate further.

PERCY: Has anyone given any thought

to exactly how we're going to stop them?

He.

He will stop them.

PERCY: What?

Only he can.

Oh, good God.

Me?

How?

ECCELSTON: By seeing it.

TRAVIS: By seeing what?

See the seeds, then see them somewhere else,

like the sun.

Please, only you can do this.

I can't do that.

Let me help you, Travis.

I'll do anything I can.

I can see it in you, your attraction to them.

You must fight it, or it will destroy you.

CARAVAGGIO: The unusual fluctuations

in the vicinity are increasing.

What kind of fluctuations?

Analyze.

CARAVAGGIO: Oh, now you want me to analyze?

Just do it.

Analyzing.

(suspenseful music)

Closer.

Closer.

Disabler away.

(explosion)

CARAVAGGIO: Feel funny.

I have no power to stop it.

I have no... (suspenseful music)

No.

He's gone.

We're completely disabled.

DANTE: Can we get him back online?

I don't know.

DANTE: Try to do it, Perce.

Captain.

You must go now, please.

Stop them.

Take your shuttle and...

And [Dante] what, what?

And then I must see it. Yes.

Guys, we have a transmission.

If you want to see her alive again, let the boy go.

Release Travis.

Tell them.

Tell them, trade Travis for you.

My life for his, say it!

Drop dead.

(blow landing)

Oh, my God.

(electronic whirring)

(suspenseful music)

(electronic whirring)

Transmission to Orchard, moon base.

Extract chosen one immediately.

Destroy Tulip only after Travis is safe.

No! (Lucretia shouting)

Prepare for final approach to Earth.

Ready to release the seeds.

Are we doing anything about Luc?

There's nothing we can possibly do, Percy.

Nothing.

Travis, let's go, shuttle bay.

PERCY: Caravaggio's down.

There's a Caravaggio clone in the shuttle.

Caravaggio's clone is not Caravaggio.

Someone should stay here and get him back online.

Percy, we don't have time for that, let's go!

Go, do what you have to with him.

Percy, we have to do this.

You know that, I've gotta go do this!

Yes!

You're coming back, right?

I always come back, you know that.

Well, I'll be here.

(suspenseful music)

I love you, baby.

I love you, too.

DANTE: We're gonna go now.

Let's go.

(doors hissing)

(Eccelston coughing)

You're still here.

(suspenseful music)

Gonna do this, and we're gonna do it together, Travis.

Together.

That's right.

Now, remember, see the seeds somewhere else.

Picture them in your mind and put them somewhere else,

you understand?

You don't have to shout.

What?

(suspenseful music)

OFFICER: Sir, sensors indicate a shuttle approaching.

What shuttle?

From the Tulip. (suspenseful music)

Damn.

They're too far ahead.

Get ready, son, we're gonna pull some Gs.

(Dante groaning) (suspenseful music)

(engines firing) (suspenseful music)

(Dante gasping)

That was the last of our fuel.

You've gotta do it now, Travis.

Picture the seeds in your mind.

See the seeds.

I'm trying! What?

I can't! Try!

Sir, the shuttle will collide with us in seconds.

Fire.

Destroy it now.

(suspenseful music)

(zapping) (suspenseful music)

(explosion) (suspenseful music)

(Dante groaning)

Hang on!

Are you all right?

Did you do it?

Did you pull the seeds out, Travis?

I couldn't do it.

I'm sorry.

Might be too late for us anyway.

Well done.

Goodbye, Zephryn.

Now for the Tulip.

I can see your father in you.

LUCRETIA: I will kill you.

Such confidence wasted.

(click, electronic whirring)

Status of the boy?

Unable to determine his location.

Where is he?

MAN: Last determination has him tumbling

into Earth's atmosphere.

No!

No!

Something gone wrong?

Prepare to fire all torpedoes on my command.

Are we gonna crash?

No, not yet.

[Caravaggio Clone] Time to impact one minute, 35 seconds.

Come on.

(dramatic music)

CARAVAGGIO: Warning, the Tulip is being targeted.

(Eccelston groaning)

ECCELSTON: Take my hand.

Oh, no.

I seem to remember you saying that would kill me.

I'll protect you the best I can.

(suspenseful music)

Remember what you love.

CARAVAGGIO: Torpedoes on their way.

(suspenseful music) (Eccelston breathing heavily)

What do you mean, it disappeared?

The ship's just gone, it's vanished.

(object clattering)

(clicking) (ominous music)

So much like your father. (clicking)

[Caravaggio Clone] Time to impact, 22 seconds.

I'm sorry, Father.

I love you, son.

I love you, Father.

Give me your hand.

Give me your hand!

You can do it!

Take us out of here.

[Caravaggio Clone] Time to impact, nine seconds.

Take us out of here, Travis.

I can't!

Your mind, see home!

[Caravaggio Clone] Impact in three, two, one.

(Dante and Travis screaming)

(humming)

(trilling)

(mechanical whirring)

Well, that was curious.

Percy?

Percy?

Luc?

Captain Montana?

Where is everybody?

Oh, well.

Hello, what's this?

Congratulations to me.

I have won my court case.

Remember I sued those reactor repair bastards?

Well, they are bankrupt, and I am flush to the gills.

(cork popping) Ha ha!

I am officially out of the bounty hunting business,

and yours truly is prepared to share in the wealth.

Dante Montana, you are free and clear.

I give you the Tulip as a parting gift.

Use her well.

Use her to make every dream you've ever had come true.

(electronic buzzing)

(gentle music)

BABY TRAVIS: Hello?

Up.

(tapping) Up, up!

Wake up!

(birds singing)

(Dante laughing)

Am I dreaming?

Hey, son.

How you doing, buckaroo?

Come here.

Oh, I haven't seen you in so long.

Just fine, isn't that right, big shot?

BABY TRAVIS: Yeah.

(Dante laughing)

(ominous music)

(dramatic music)