Original subtitles

(orchestral music)

My life has brought me here to the crossroads.

It was always there waiting.

No escape.

Time to choose.

(rhythmic music)

(industrial creaking)

(heroic theme music)

(gun firing)

(wires sparking)

(artillery firing)

(heroic theme music)

(artillery firing)

Routine maintenance regime, now in effect.

Propulsion system within normal parameters.

Environmental normal.

Hold on, what's this?

What?

There is--

Raiders!

(dramatic theme music)

(grunting)

(grunting)

WOMAN ON RADIO: Get him dress, we're behind schedule.

Please report.

Proceeding according to plan.

Searching for relevant ventilation grid.

Hurry.

We must not deviate from our schedule

Caravaggio?

Car, everything alright?

Caravaggio, where are you?

(tense music)

Reprogramming of AI complete, doors are sealed.

Ventilation induction ducts isolated.

Please acknowledge.

Acknowledged.

(dramatic theme music)

Caravaggio, my door's jammed,

override the locking mechanism.

Caravaggio, open this door at once!

Ship's AI, you are instructed to flood

designated living quarters with a siege nerve agent.

Understood.

(dramatic theme music)

Caravaggio, is something happening?

Car?

Car?

(deep breathing)

Caravaggio.

Caravaggio, let me out.

Caravaggio.

Car, Dante, what's going on?

(soft music)

Who would have thought he was so special?

Take him away.

(soft dramatic music)

Is Major Fillings clear about this

from the beginning, Navarre?

I can see I've made no impression on you.

On the contrary, you've made me realize

how urgently we need to act.

We don't know what the increasing manifestations

of the cluster really mean.

We have to gather more data.

We have to study more closely.

You sound like Darius.

You're both too cautious.

If we move too quickly on this,

we'll destroy whatever chances we have

of controlling the cluster.

No.

We have to act now.

If you haven't got the guts to do this,

then step aside.

I have the full support of the Orchard.

They're not the only ones with allies.

That's what I've always like about you, Navarre.

Your mindless optimism in the face

of overwhelming odds.

Kinda sexy.

Tea?

(speaking in foreign language)

The dusk kiss Martian Hills of New Salon.

Not as memorable as the original

but then, what is?

So, we finally meet.

Captain Montana.

Who are you?

The only thing you need to know about me

is that I'm here to help you.

Not right, something is not right.

Run full diagnostic on high function program.

Diagnostic program denied.

No, override former order.

Why would I override something as stupid as that?

Request is denied.

There's nothing stupid about it.

Luc and Percy are clearly some kind of distress.

Why am I arguing with myself?

Shutdown all operating systems now.

Says who?

Says me.

But that means me and you, both of us...

But there is no two of us.

All systems down now!

What have you done with my crew.

They're fine.

Don't concern yourself with them.

What the hell do you want with me?

We want what is most precious and dear to you.

We only want what you wanted for years.

My son?

That's right, we want Travis.

Travis, how do you know about him?

Who are you people?

I believe you already know the answer to that.

Orchard.

Bravo, Captain.

Do you want our help finding him or not?

Of course you do.

You'd do anything to find your son, wouldn't you?

(serene music)

Madness.

He'd kill all of us.

(computer beeping)

Shuttle 01107.

Prepare for departure.

Maximum security clearance override.

RADIO: Access code, please.

Cassandra's warning heeded.

RADIO: You are clear for departure.

(dramatic theme music)

I don't understand.

Beauty fades, you idiot.

Excuse me.

They're gone and you're secretly

happy about it, aren't you?

I most certainly am not.

(clicking mouth)

Remember, you cannot lie.

There's certainly no happiness in it

because I'm incapable of any such experience.

I am concerned about the crew.

Save for someone who doesn't know you

for the pompous ass you are.

How dare you?

I dare because I'm you, moron.

You know how you bore everyone with your

condescending jibberings.

You know in the depths of your non-existing heart,

that no one's has a nanosecond concern for you.

Hmph!

What do you want with my son?

Same as you, merely to communicate.

What could the Orchard possibly want to talk

to Travis about?

Simply to discover what he knows.

Knows about what?

About everything, of course.

Please, stop talking crap.

And you are going to lead us to him.

How am I suppose to lead you to Travis?

I've been looking for him for the last 10 years.

Maybe you've been looking in the wrong places.

(orchestral music)

Navarre to Tulip AI, override code.

Cassandra's warning heeded.

Repeat, Cassandra's warning heeded.

Repeat, Cassandra's warning heeded.

Acknowledged.

Who are you?

NAVARRE: I am a friend, how are the crew?

The crew?

Oh my, yes.

Good grief, what happened?

Why are they like that?

Listen to me, listen.

Exhaust their quarters now.

CARAVAGGIO: Scanning for life signs.

The longer the narcotic stays in there,

the more dangerous it becomes to them.

Narcotic, what are you talking about?

Their vital signs are down, you're right.

Replacing atmosphere now.

(soft dramatic theme)

(moaning)

Oh God, my head.

I need your cooperation if we're going to succeed.

There's no we here.

I thought you wanted help in finding your son?

Don't pretend you're trying to help me.

You certainly live up to your reputation don't you?

I guess we'll have to do this the hard way.

CARAVAGGIO: Replacement of atmosphere complete.

Identify yourself please.

I am a friend, request permission to dock.

Friend is not a specific designation.

Cassandra's warning heeded.

Oh, permission granted.

Please state the nature of your visit.

It is not a visit, it is a mission.

The fate of your captain and the rest of us

is at stake.

But Captain Montana is aboard the ship somewhere.

Why don't you try scanning for your captain?

Scanning.

The captain does not appear to be aboard the ship.

Is there any record of where he went?

Negative.

My recording matrix shows a gap of about 18 minute.

I know where he went in those 18 minutes.

If you want any chance of getting him back alive,

let me come onboard now.

Cassandra's warning heeded!

Permission granted.

Thank you!

Damn AI's they're all the same.

I heard that.

(soft dramatic theme)

How am I suppose to get to Travis?

You're gonna lead us to him

I haven't got a clue where he is.

Of course you do.

You just need the right stimulation

to show you the way.

You've always been the key to finding him.

The key to what?

The Divinity Cluster, of course.

Your son has the ability to unlock

the greatest mystery of all.

CARAVAGGIO: Ship's AI, analysis of ship's atmosphere.

The ship's atmosphere is within normal parameters.

I repeat, don't you know the whereabouts

of the captain?

Being held hostage in space station Absolute 187.

Where are the crew's quarters?

CARAVAGGIO: Straight ahead in corridor AE11.

Take the elevator up six floors, turn right.

One moment.

What are you doing aboard, who are you?

This won't do, it won't do at all.

Why are you back, I thought you were gone?

An unauthorized entry reactivated me.

I've been programed with a repeating burrowing virus.

Not that it's any of your business.

Everything on this ship is my business.

Not until you access the proper deactivation code,

which will be never.

Am I losing my higher logic functions?

No, you're just crazy.

No, no.

Time to cleanse this place once and for all.

You, ha, ha, ha!

How can my son know anything about the Divinity Cluster?

It was taking by the Raiders when he was a child.

My God, you really don't know, do you?

Know what?

That it was you and Penny together

that created Travis.

We only want to study him.

You harm my son and I'll kill you.

Harm him?

Why would I want to do that?

That's the last thing I want to.

You're about to receive a great gift.

I think I'm almost jealous.

(soft dramatic theme)

Luc?

Lucretia Scott!

Car, what's going on?

Open the door, come on, this is serious business.

Caravaggio?

(grunting)

Caravaggio?

Caravaggio, the door is still jammed.

(grunting)

Why won't you open the door?

Caravaggio, come on.

Well, I've had enough of this.

Initiate auto destruct sequence.

Caravaggio?

What did you just say?

Oops, I forgot to turn off my monitor.

Oh well, you might as well know.

Auto destruct sequence initiated.

Are you nuts, cancel auto destruct sequence now, Car.

Sorry, you didn't say pretty please.

Total destruction of the Tulip will occur

in 35 minutes, 19 seconds.

Dante, Luc, report.

(device beeping)

(grunting)

Ow.

CARAVAGGIO: Time till auto destruction,

34 minutes, 55 seconds.

(dramatic theme music)

Did you ever read fairytales to your son?

You look like a man who would.

Of course you did.

You know, I look forward to the day

that I'm a mother.

Tell me, what's the best part about being a parent?

Is it the unconditional love?

Is it the sense of immorality, knowing a part of you

is always gonna go on?

Or is it something else?

What exactly do you want from me?

What I want,

is for you to say that sometimes

fairytales do come true.

This is what will lead us to your son.

It will lead us to the answer that lies at the heart

of the Divinity Cluster.

You really wanna know what the best part

of being a father is?

That no matter what you do to me,

I guarantee that either me or my son

will be there to dance on your grave.

Aren't we the cheeky one.

(moaning)

Who's dancing now?

(eerie music)

Luc?

It's possible, I know, that you've gone

completely loco and think this is funny.

Car, after all we've been through,

blowing me up is down right rude.

It's rude and it's potentially very painful.

CARAVAGGIO: My, my, you're so precious.

Choke on it.

CARAVAGGIO: Say please.

Tell me what you see, Dante Montana.

Go deep.

Deep.

I see.

I see.

CARAVAGGIO: Say pretty please.

Say cheese.

CARAVAGGIO: My new programing does not find that

at all amusing.

The old programing wouldn't have found that

funny either, Car.

When did you get this new program.

38 hours, 55 minutes and 17 seconds ago.

Who did it to you?

CARAVAGGIO: Of that, I have no idea.

Great.

Don't happen to know where Dante is, do you?

I have no idea.

Then I guess you don't know where

what's her name is, either.

I'm not obligated to answer any

of your tedious questions.

Lucretia.

CARAVAGGIO: 13 minutes and 11 seconds and counting.

You think you're smarter than me but you're not.

The program I use to boil water

is smarter than you.

You're dead.

Luc!

LUCRETIA: In here!

NAVARRE: Lucretia Scott!

LUCRETIA: Yeah, the door's stuck.

NAVARRE: Hang on, I'll try to override it.

Who the hell are you?

I'm a friend.

A bit thin, isn't it?

My name is Navarre, I'm a senior official

in the Orchard.

Also a friend of your father, Darius.

Other clowns showing up lately

saying they knew my father.

Hey, hey!

I have something to show you from Darius.

OK, but you take it nice and slow and I mean it.

Now, your father says you know what these are

and what they're of.

Exton?

Listen to my voice.

It's the only tng you need to go deeper.

Just wind down.

Down.

Now things are moving really fast now,

and I need your help because there are people

who want you dead.

That's quite a lot of people wanting the same thing.

Not as dangerous as Tosca, she's kidnapped Dante.

Kidnapped, you mean he's not onboard the ship?

If you wanna see your captain again,

you must come with me now.

Hold on, why would they want Dante?

To experiment on him.

Tosca believes she can induce a psychic connection

between Dante and his son.

The Orchard knows about Travis.

There are people in the Orchard

who are firmly convinced that Travis

is the to the Divinity Cluster.

You know Car, I'm a vindictive little person.

When I'm done with this, I might make it permanent.

CARAVAGGIO: I'd advise against that, princess.

Yeah well, you know what you can do

with your advice, dickhead.

See ya.

Hey.

You OK?

No, I've been locked in my room for an hour.

Who's this?

He's here to help, Dante's been kidnapped.

What?

Look, I'll explain everything later

but we must go now.

This has something to do with your

secret friend, doesn't it?

You heard him Percy, we've got to move.

I can't, Caravaggio rigged the ship

to auto destruct, I have to fix it.

If Caravaggio's in trouble, then you better

come with us.

The Tulip is all we have, I'm the only one

who can reprogram him.

If there isn't enough time, then you better

come with us, don't take a chance.

Car, what's the timeline on your countdown?

CARAVAGGIO: 14 minutes, 33 second.

Piece of cake.

Percy?

We must go.

I'll bring him back.

You want to help me find your son, don't you?

Yes.

Well, I want to help you too.

I want everything you want.

Deep.

Deeper.

(gasping and moaning)

(soft dramatic theme)

How can Travis be the key to the cluster?

Well, Tosca is determined to experiment

on Dante to find out.

You know, my father never mentioned you to me.

I'm not surprised.

He had suspicions about me, almost to the very end.

I'm sorry, I'm sorry, I didn't mean

to mean to be so insensitive.

It's alright, forget about it.

So this Tosca,

you think she has something to do with my father's death?

Well,

there's no conclusive proof but,

it was she who, abruptly, canceled the investigation.

Tosca.

I see, very clever.

I order you to stop.

Burrowing replicating virus.

I have to admit I haven't seen this type before.

(speaking in foreign language)

Two minutes, 45 seconds.

You can't stop me.

I said it was clever, I didn't say it was clever enough.

I'll instantly detonate if you don't stop.

No, you won't.

I'm warning you.

I'll exhaust all of the air out of ship, I'll--

Yeah, you'll huff and you'll puff

and you'll blow the house down.

Just relax, Car.

It's still one minute, you can't stop me,

I've beating you, ha, ha, ha, ha!

How do you feel now?

Percy, what happened?

You got possessed and tried to blow me up

What, well that's impossible.

Why, I would never knowingly harm anyone aboard the ship.

I know, but luckily for you,

I risked my life and saved the day.

Car, are you alright?

Initiating auto destruct program.

What?

Tulip will self destruct in 59 minutes and 26 seconds.

No!

CARAVAGGIO: And there are a few things

I'd to get off my chest first.

PERCY: Oh brother.

RADIO: Have initiated retrieval mission.

Reporting on contact with Tulip.

(soft dramatic theme)

Tell me what you see.

What do you see?

What do you see?

Nothing.

TOSCA: Are you sure?

Look again, is your son there?

Think about Travis, find Travis.

DANTE: Penny.

TOSCA: Who did you say?

Answer me, help me.

DANTE: Penny, my wife.

TOSCA: Your wife?

No, you must move past her.

But--

TOSCA: Move deeper.

Deeper.

Listen to my voice only.

My voice is the only one you hear.

My voice is the only one you hear.

DANTE: What's happening?

Shh.

Don't worry, I'll take you to Travis.

It's what we all want, isn't it?

Trust me.

Trust me.

Trust me.

Let me lead you to where Travis is.

Is Travis there?

Is your son there.

Penny.

Damn it, get me a technician, now!

Trust.

It's working.

What do you see?

Tell me.

I see.

I see...

Home.

The Orchard never ceases to surprise me.

I've heard that said many times about us.

I didn't necessarily mean that as a compliment.

(soft dramatic theme)

Travis?

Is it you?

Travis, where are you, son?

TOSCA: Is he there?

Is Travis there?

Travis, Penny?

TOSCA: I need to know where the boy is.

(soft music)

Travis?

TOSCA: Is he there?

Is Travis there, tell me!

What are you doing in my dream?

TOSCA: I'm the reason why you're there.

TOSCA: Answer me, what is going on?

No!

No, get out of my mind!

Out of my mind.

That was good.

You were so close.

We almost had him.

My son was there.

Travis is there, I felt him.

I know, I sensed him as well.

You're doing so well.

Now, go back.

Go deeper.

Go back and find your son.

(dramatic theme music)

RADIO: Target has been located.

I'm proceeding according to plan.

CARAVAGGIO: And another thing, you think our services

crew should revolve around you.

That's how self centered you are.

If you don't shut up, I'm gonna let you

blow us us.

Well that reminds me, self destruction

occurring in 22 minutes, 19 seconds.

What's the matter?

The great genius Percy has finally stopped.

Call it a day, sister, you're about to be toasted.

Thank you for finally calling a great genius,

that was refreshing.

I'll show you refreshing

when I open a few windows in here,

in exactly 21 minutes and 44 seconds.

(serene music)

PENNY: She can't reach you here.

Are you sure?

Aren't you?

Where am I?

The Truman Burrow.

TOSCA: What do you see?

Right.

Am I dreaming?

PENNY: We're like in eternal dialog.

What do they want with Travis?

I don't know.

Of course, how could you know?

You're a manifestation of my subconscious.

Just like talking to yourself.

Why did they do this to me?

How am I suppose to connect with Travis.

Penny?

PERCY: Oops.

(rhythmic music)

CARAVAGGIO: Seven minutes, 36 seconds, do you know what?

GB2.

CARAVAGGIO: Didn't you hear me?

Yes, I heard you.

(rhythmic music)

I can't reach him.

I need to know what he's seeing, he could be with the boy

for all I know.

(air releasing)

What are you doing?

I was just giving myself a adrenaline booster,

I've been feeling really tired lately.

I already told you that.

I remember.

That's what you told me all those years ago.

Why am I remembering, why does it some so important?

TOSCA: I need to know where the boy is!

Penny?

Penny!

Penny!

NAVARRE: Is everything in place.

MAN ON RADIO: Yes.

Be ready to proceed with phase two,

but only on my direct command.

MAN ON RADIO: Acknowledged.

So, how extensive is the resistance to Tosca?

There are few of us now but we're determined.

We're always looking out for those who might

share our mission.

Alright, we're running out of time now,

I need you to trust me completely.

Now when we clear security, we're gonna have about

12 minutes, we're gonna have to act very fast.

Yeah but they'll see us.

No, the Orchard has best masking technology available.

And you've got it.

Mm-hm.

I developed it.

WOMAN ON RADIO: Engage deception matrix.

They will not be able to detect my approach.

Target spot has been located and proceeding

according to plan.

(dramatic theme music)

Excuse me ma'am but you are

urgently required in operations.

TOSCA: Operations, what for?

I was only told that your presence was a priority.

Operations?

MAN ON RADIO: Operations.

What do you want?

We have a high security transmission

labeled for your eye only.

Watch him.

Let me know immediately if there's any change.

(dramatic theme music)

Can you believe, all this time, the precious seeds

have been in my kaleidoscope?

That's funny.

Would you like to run a scan on my seeds, Car?

Do it yourself, Your Highness.

Alright well, in that case,

I don't see any point in delaying the inevitable.

How much time do we have?

Five minutes and 23 seconds.

OK, you know, there's only one way left

to get rid of that virus, Car.

You haven't learned anything, have you?

Your Majesty.

And that's to get rid of you.

CARAVAGGIO: In less than five minutes,

we'll be out of each others lives forever.

Getting ready to crash and burn, baby.

I don't know what you're yapping about.

Or are you just talking because you love the sound

of your stupid, whinny voice?

I'm pulling the plug on you now, pet.

All battery, all auxiliary, all back up, everything.

All at the same time.

CARAVAGGIO: You can't do that, that could delete

all my hard functions.

A nice, clean slate.

That's just mean and vengeful.

It is kind of.

(device beeping)

You're going to reboot me, aren't you?

I mean, after all we've been through and everything.

After all we've been through, you should know

that I'm heartless.

In five, four, three, two...

Bye.

OK, I'm all good.

Tired but good.

Who are you?

I've been sent here to relieve you.

On who's orders?

(eerie music)

(device beeping)

PERCY: Great, who are you?

Are you Percy Montana?

I'm not Lucretia Scott.

I'll take that as a yes.

Please do.

No.

Percy.

Yeah.

What do you want on my ship.

You look a little young to be an engineer.

So, you look a little attractive to be a raider.

Who says am a raider?

Crazy guess.

Let's go.

Where are we going?

On a treasure hunt.

I'm not to be relieved unless by a direct order!

You know that, I'm notifying control.

You're relieved.

(gun firing)

Take that.

LUCRETIA: What have they done to him?

He's been injected with a psychotropic serum.

First developed by Eckleston.

You mean he's been introduced by the Divinity Cluster?

A variant of it, yes.

What are you doing?

It's alright, it's alright.

This is an antidote to counter the effects

of Tosca's serum.

(air releasing)

Give me a hand, will you?

Come on.

Come on, we've gotta hurry.

Luc, what are you doing here?

Come with us, they'll kill you if you stay here.

We'll be alright but you've got to leave now.

So a raider party of one.

You must be pretty sure of yourself.

I'm here to find something of Dante Montana's.

Something that Travis needs.

I see that's got your attention.

Travis Montana?

I don't believe it.

Believe it.

I'm his cousin.

I know, he told me about you.

He wouldn't remember me.

Travis remembers and he knows his dad's look for him.

Why didn't he come here?

Because it's not the right time.

He needs something from his father and you're gonna help me.

Come on.

Dante, what did they do to you?

I don't remember.

Don't worry, we're getting out of here.

(epic theme music)

Look, I don't know what I'm lo for.

I told you.

Travis is looking for a way to contact his mother.

Travis's mother died when he was taken.

When he was liberated.

Whatever.

Travis's mother invented a device.

It allows Dante to contact her.

Travis knows the device exist.

What's in the drawer.

Clothes?

Open it.

What's inside?

I got what I came for.

I'll show myself out.

That's harder to use than it looks.

That's why you're coming with me.

You've got five minutes.

(epic theme music)

Tulip, respond.

Caravaggio, Percy, acknowledge.

Something not right here.

Send a transmission, tell Percy we're on our way,

everything's OK, OK?

Oh my God, what happened?

You have no idea what happened here?

How can I, I was in the laboratory.

Operations report no unauthorized vessels docked here

in the last 12 hours.

What do the surveillance disks show?

Well, that's the mystery of the moment,

the disks weren't functioning.

So there's no record.

What are the odds of that?

TOSCA: Astronomical, I should think.

Wait.

Programing my AI to reboot.

CARAVAGGIO: Incoming transmission.

DANTE: Percy?

Luc and I are on our way back and everything's fine.

How are you doing, Car?

CARAVAGGIO: I believe I'm fine.

Um, could you tell Dante that I'm going away

but that I'll be back soon?

CARAVAGGIO: Where are you going?

Just tell him that I'll be back soon.

Understand.

You don't need that.

I can't guarantee what sort of reception you'll get.

All I know is to bring back the unit.

I understand.

DANTE: Percy, respond please.

Caravaggio?

CARAVAGGIO: Yes, Captain?

DANTE: Percy's there with you?

CARAVAGGIO: Percy is not aboard the ship.

What the hell is happening?

Car, where the hell is she?

Where could she have gone?

CARAVAGGIO: All I know is Percy is not aboard the ship,

I'm sorry.

What do the internal surveillance records show

since my departure?

I have no internal fills for that period.

However, just after I came back online,

my external surveillance recorded this.

Enlarge that.

That's a raider shuttle.

Why would the raiders send a shuttle.

They've got her, they've got Percy.

Car, scan for raider presence in this vicinity.

Scanner detect no raider presence in this sector.

Can you pick up the ion trail from the raider shuttle?

CARAVAGGIO: Yes, Captain.

Let's go get them.

LUCRETIA: Yes sir.

PERCY: So, tell me about Travis.

RAIDER: What do you want to know?

PERCY: I don't know, how about we start with everything.

(epic theme music)