Original subtitles

NARRATOR: Previously, on Starhunter.

(dramatic instrumental music)

That's bad.

Ah!

I'm trapped!

OLDER MAN: She's in the lookout.

MAN: What?

What's the atmosphere in there?

OLDER MAN: I'm sorry, there is no pressure

in those sections.

No, no!

There's another way, there's gotta be.

Oh that's bad.

It's happening again.

Percy, listen to me.

I know the reactor's about to explode.

I didn't get enough time.

What do you mean?

PERCY: We're okay, coming out.

We did it.

Ah, jeez.

WOMAN IN BLUE: But you did stop it.

MAN: Thank god.

WOMAN IN BLUE: It's just so hard to believe.

I wouldn't believe it if I hadn't seen it myself.

Just wonder why it caused so much damage

but it never hurt you.

I don't think the thing causes the damage directly.

I think it moves through time.

I feel sorry for those people from the lab.

Well obviously they figured out

how to use graviton to manipulate time and space.

Just didn't figure out how to control

what they created.

Story as old as time, innit?

PERCY: They could pop up anywhere.

I need a break after this, holiday or something.

(mysterious instrumental music)

(intense instrumental music)

(gunshots)

(explosion)

Luc?

Percy?

Car, what's the correct time and day?

12:55, September the 13th, 2286,

corrected Jovian time.

Negative offset of 17 minutes, 23.347 seconds

by our curve.

That sound right to you?

CARAVAGGIO: Absolutely, spot on, Captain.

I don't suppose you have any idea where everyone is?

Oh brother...

Oh, Caravaggio...

What happened?

CARAVAGGIO: I have no idea.

Where's Dante and Luc?

CARAVAGGIO: I cannot locate Dante or Luc

on the the Tulip at all.

Really?

Oh...

Can you tell if we've been intersected

by a gravity beam?

Even if I can,

it would've happened in another time.

If that's what happened I wouldn't know where to look

even if it's one second in the future,

it wouldn't be on my records.

Well try something, scan randomly.

Just keep looking for Dante and Luc.

Car...

Anything?

CARAVAGGIO: Negative, still nothing.

Perhaps my scan software is...

Was somehow altered.

Let's do it the old fashioned way.

Captain, Luc, please contact the bridge at once.

Dante?

Luc?

Ugh!

Dante!

Caravaggio, what are the possible effects

of a space time warp?

CARAVAGGIO: Movement in time, movement in space.

Replication of timelines,

all their variants in alternate universes.

The bubble paradigm.

Caravaggio, what happened?

I have no idea.

Well where's Percy and Dante?

CARAVAGGIO: I cannot locate them on the ship.

Percy, Dante, this is Luc.

Please respond immediately.

Caravaggio, have we done this before?

CARAVAGGIO: I haven't the remotest evidence

to suggest that it has.

What are the possible effects of a time warp?

CARAVAGGIO: Movement in time, movement in space,

separation of timelines.

Car, did something just happen?

CARAVAGGIO: What are you asking me?

Did what just happen?

Were you able to locate Percy, Luc?

CARAVAGGIO: I cannot locate them on the ship.

Oh my God, it's happening again, isn't it.

How do I find them?

CARAVAGGIO: If this is another warp effect,

they may not even exist in the here and now.

They might be an hour or second earlier or later

and I would never be able to detect them.

(ominous instrumental music)

DANTE: Car, what are the possible effects

of another time warp?

CARAVAGGIO: Haven't you asked me that already?

I don't think so.

CARAVAGGIO: Well, speculating...

Movement in time, space, separation of timelines,

replication of timelines...

The bubble paradigm.

DANTE: Bubble paradigm, right.

CARAVAGGIO: A metaphor for explaining

a theoretical reality of multiple universes.

I know, I know.

You found Luc and Percy yet?

CARAVAGGIO: They are not aboard.

Car, how am I supposed to find somebody

lost in time?

CARAVAGGIO: If they are not on the ship,

they are most likely existing in different timelines

independently from us.

Are you certain they're not on this ship?

CARAVAGGIO: In a way, they probably are.

But really...

They're not in this bubble.

Car.

How do you reverse a time warp?

How am I gonna get everyone back into the same timezone?

I know enough to say that if a graviton beam

intercepted the Tulip it is probably moving randomly.

All right.

Analyze every anomalous event

since we encountered that laboratory.

There's gotta be someway to undue

what's been done to us, right?

CARAVAGGIO: Don't delude yourself, the odds are poor.

DANTE: Just do what I said, Car.

CARAVAGGIO: Yes, Captain.

Boo!

Looks like you've seen a ghost.

There's nothing you can do, Captain.

I will escape.

In your dreams, pal.

My dreams will become your dreams.

The only dream you have left

is that you might be able

to escape from Ganymede Correctional.

And you're so absolutely sure

that our destiny lays at Ganymede?

You have no doubts about the future?

You sleep like a trouble free baby at night, Montana.

I have eaten the sins of many worlds,

and thought my stomach was full.

But I'm hungry again.

Well, hello.

Have you come back again?

Here kitty kitty, kitty kitty.

(creepy instrumental music)

CARAVAGGIO: Review.

If something's happened to Percy,

I don't know what I'll do.

CARAVAGGIO: Well something has obviously

happened to her and Luc.

Thank you very much, Car.

How's it going with your reviewing?

CARAVAGGIO: Almost complete.

There are however, no lifeforms aboard the ship

except for you and...

What?

CARAVAGGIO: Hold on.

What is it?

I have just detected something

that was not registering a moment ago,

it's the prisoner, Mr. Five.

He's escaped.

Where's he heading?

Car?

Car, what's the matter with you?

Caravag...

Prisoner.

(intense ambient music)

What?

Car, I'm gonna intercept Five.

Ooh.

Smart system.

No security overrides built into the A1 unit.

How so very convenient.

Car if you can talk,

confirm prisoner location please.

Caravaggio?

CARAVAGGIO: Can confirm nothing.

FIVE: Oh look at all the goodies.

And there's no one at home.

The bridge, you're dead now.

Here kitty kitty, kitty kitty.

Nice kitty.

Well, it's time we headed home.

Captain, so sorry.

What are you doing, Five?

Relax.

Relax.

Long long time 'til we get there there.

Where?

Where we goin', Five?

Come on, where we headed?

Ooh, ooh, ooh!

Oort.

Oort!

Ho-ho, ha-ha!

Why the hell would we go to the Oort Cloud?

There's nothing there.

Yes.

Why the hell would we go there?

Why the hell?

That is the question.

Better still, that is the answer.

I go to hell.

You'll see.

The Captain doesn't believe you, not believe me?

How can that be?

I never lie, do I?

I only speak the truth.

Ooh, I know.

You always liked to play.

Play?

With what?

What's this?

Percy, yes, yes.

She was much fun, much fun at playtime.

Ah no, no!

Yes, yes!

Everybody likes to play.

Playtime time is fun time.

Time to play some more.

DANTE: You're lying.

Ooh, I see now.

Doubt creeps in, very good.

Doubt is my friend.

Not such a smart guy now, are we?

I don't believe you, she wasn't on the ship.

Caravaggio said.

But I'm here with this.

I have traveled for so long at the high end of the curve.

Absorbing the sins of others.

From the prophetic to the monstrous.

Just imagine.

This faith, pious man, had a revelation.

An epiphany.

His sacred mission was to return to the universe

the pain which rightly belongs to it.

Scared mission?

The greater the pain, the greater the horror,

the greater the return.

And young Percy, her pain was so exquisite.

It was...

The special communion.

How dare you!

What I am telling you is important!

Listen to me.

Take me instead of Percy, you crazy bastard!

But I'm taking you too.

You will suffer just like her.

Playtime is fun time for everyone.

Let's all go to the shuttle bay, shall we?

Where we going, Five?

I told you, shuttle bay.

No, come on, really.

Where we going?

I told you, Oort Cloud.

You just said shuttle bay.

Now wait a minute, I'm confused.

Where are we headed exactly?

Dante, don't try to trick me.

Others have tried.

I just want to know where the hell we're headed!

We are going where I say we are going!

All right for for you, Mr. Smartypants?

DANTE: Now just think, Five.

You escaped through a time warp, so everything's changed.

Maybe there is no Oort Cloud in this universe,

maybe you do not--

Shut up, shut up, shut up!

You're not such a smart guy now, are you, hey?

Are you, big mouth?

You're right.

You're nothing, he knows nothing, he is nothing!

Listen, if we're lost in time,

if your home doesn't exist anymore, then you need Percy.

She's the only one who understands outer space.

She's the only one who can help you.

(groaning)

Yes, check the bridge.

Scan port, look for home.

Yes, check it out.

Now don't go until he says.

(mysterious instrumental music)

(beeping)

Scan destination area.

Scan Oort.

Home.

Find home!

(beeping)

There we are.

Captain Montana thought he could scare you.

CARAVAGGIO: Don't worry, Dante.

I've got Percy free.

Car.

CARAVAGGIO: She's okay, and I've regained control--

Car.

CARAVAGGIO: Of the ship.

Where are Percy and Luc?

CARAVAGGIO: Where's Percy?

Where's Luc, where's everybody?

Right where they're supposed to be.

(laughing)

Here I come, ready to save the universe.

Well, well.

Come here little prey prey prey.

I got you Montana, I got you!

Nowhere to run, I got you!

Damn it, I'm logged out.

You are a slippery one.

It's gonna be fun, gutting you.

What have you done with Percy?

(laughing)

In this universe?

Nothing.

At least, not yet.

How'd you get her wrist control?

Another universe, another time.

I might be thinking about doing something,

or I might be doing something else right now.

Or maybe I'm thinking about--

Shut up!

Where's Percy and Luc?

About what I'm about to do with you.

Maybe it's already happened a million times already.

Where are they?

I'm not gonna ask you again.

You can't follow them into every possibility.

Every universe, bubble universes are such a cluster fart,

aren't they?

Hm, now, where were we?

(gunshot)

One less bubble, asshole.

Caravaggio, did something just happen?

CARAVAGGIO: No idea.

Where's Percy and Dante?

CARAVAGGIO: I cannot locate them on the Tulip.

What do you mean, they're not on the ship?

CARAVAGGIO: What is it you don't understand about

cannot locate them?

So how do we find them?

CARAVAGGIO: If this is another warp effect,

they may not even exist.

Percy, Dante, it's Luc.

Report.

Caravaggio, what are the possible effects

of this time warp?

CARAVAGGIO: Movement in time, movement in space,

separation of timelines, replication of timelines,

or their variants in alternative universes,

the bubble paradigm.

I mean, this bubble paradigm, it's just a theory innit?

I mean, and a farfetched one at that.

CARAVAGGIO: One moment.

I now detect a lifeform not registering

just a moment ago.

Oh good, who is it?

CARAVAGGIO: It's the prisoner, he's escaped.

Oh, great.

Just great.

(suspenseful instrumental music)

Caravaggio, are you sure Percy and Dante

aren't on the ship?

Not in this spot, although I'm speculating

if this isn't an overlap between universes.

There is a theory that an endless amount

of bubble universe could intersect--

That's enough, Caravaggio.

I'm a bit of situation here in case you haven't noticed.

You're not the only one trying to cope

with an extreme situation.

Could you please look into parallel overlapping universes,

try to find something we could use

to get us back on the same timeline.

I'm gonna go secure Five.

Smart system.

No security overrides built into the A1 unit.

How so very convenient.

Caravaggio.

Confirm prisoner location!

Caravaggi...

Christ, what's wrong with you?

Breach!

Damn it!

(dramatic electric guitar music)

Stay back.

You can't catch me, I'm the boogeyman.

(laughing)

(groaning)

Ooh.

Nice kitty.

I have known some great and powerful men.

For example, I knew your father.

Uncuff me right now you pathetic piece of shit.

Yes, Darius.

He has no idea of my true mission.

Secrets are out.

I only work for myself, always.

Myself first and always.

You shall be the instrument of his undoing.

Good-bye, daddy.

Good-bye.

Save it, my father's dead.

Are you sure?

Bubble...

Bubble, toil, and trouble.

Your insanity won't work on me.

Oh, I will convert you.

I always turn the doubters around.

Soon you will be begging me, begging me,

but your pain won't end.

You're not messing with my head.

Oh better better, resist, always resist.

Resist more.

But you're a disappointment, Luc.

They always do, boo hoo.

There's nothing you can give me other than your pain.

I am an artist, you see.

I play, you scream!

Music, music of the spirits.

Recording and replaying an infinite loop of your agony

will become my greatest treasure.

Transmit this sweet, sweet suffering.

To Papa Darius.

I said he's dead, you sick psycho freak!

There's no one to transmit to!

Ask yourself this, Luc.

How do I, do I know all this?

How do I, do I know Darius, Orchard?

You know how I know, don't you?

Tell me how you know.

Tell me how you know it's true.

Tell me now!

Because it's already happened.

Yes, yes, it's already happened.

It has happened, will forever be happening.

So...

Do you believe me now when I say that

Darius is still alive?

(dramatic instrumental music)

Shall we begin?

Your transformation...

Into...

My princess.

Pain.

To start off...

With a little kiss.

Kiss.

Kiss.

Kiss.

(spitting)

That's my girl.

Oh, in my anticipation I forgot to set

the transmission coordinates with Darius daddio.

There are no transmission coordinates!

Of course you're right.

Lucretia Scott thought she could scare you.

We know better.

She the one who gon' be scared.

Time to pay, pay pay!

Time to lead the sniper.

Oh no no, this won't move.

Not at all.

This won't move one little bit.

Stop!

This isn't right, this isn't supposed to happen.

You're cheating, this is my time!

(intense instrumental music)

Time's up.

Don't worry...

There should be a few of me to spare.

Caravaggio...

Please don't tell me it's happening again.

CARAVAGGIO: If you're speculating about

whether or not we've just experienced

another warp effect, I'm afraid I have to answer

with the affirmative.

And I suppose it's a waste of time

asking whether or not Dante and Luc are aboard.

CARAVAGGIO: That would be a second affirmative.

Crap.

What to do, what to do.

CARAVAGGIO: Well, here's a new problem

you might find more urgent.

I have detected the prisoner has escaped his cell.

Hm.

(chuckling)

CARAVAGGIO: May I ask what you're doing?

Prevention, Caravaggio, is the best form of medicine.

It's true.

Little known fact.

Ooh.

Smart system.

No security overrides built into the A1 unit.

How so very convenient.

Predictability.

Nice kitty.

So very nice.

We're alone, you and I.

A very special universe, all to ourselves.

Mhm.

We have what is between us for the rest of our lives.

Inter-bubble eternity.

You're really pissing me off.

Yes, yes.

That's it, at last, someone who understands.

I shall make your life exquisite.

Dreadfully exquisite.

Oh...

I can't wait.

Oh boy.

You see, child.

The only mechanism for release

from the sin eating the universe

is to restore to the cosmos

the balance of evil absorbed from it.

That was his sacred mission,

to return that which belongs to it,

and that you are his chosen angel

to release this great pain.

I'm sorry, were you talking to me?

I thought you were talking to yourself.

(laughing)

You are truly the best.

And the best

deserves a little show.

I've isolated Mr. C from the ship's systems.

And uploaded into Caravaggio

some programming we should see.

Shall we have a peek?

Percy, I have no control.

Mr. Caravaggio...

Please play Dante and Luc,

special sweeping programs.

LUC: Stop going down!

DANTE: Stop, stop!

Do what you want with Percy--

Would you care to see the full extended play version

with full quad sound?

That was really fake looking.

No, no.

Do what you want to Percy, just stop this.

Now I know that it's fake, you don't scare me.

Okay?

Don't worry chicky, I have enough scare for both of us.

(laughing)

Okay.

Dah, ow.

Go ahead.

Thank you.

♫ She's a jolly good fellow

♫ That nobody can deny

Ready to sing, my little kitty cat?

(alarms ringing)

Uh oh.

This wasn't suppose to happen,

this is my time.

What is time?

What have you done?

You'll have to fix this.

Hey, easy.

I'm injured, remember?

This, that, what have you done?

I don't know, but your timeline's--

Don't worry about my timeline, Kitty.

My timeline can roll with the punches.

Undo what you did.

No.

I will take one out,

if you don't tell Five exactly what you did.

Okay.

I'll do it.

I need my hands.

You are a sly one.

But, not sly enough.

Just watch.

Okay.

FIVE: What...

Have...

You...

Done?

I cracked the graviton coils,

if you must know.

Ugh.

I gotta go.

I'll kill you!

Caravaggio, where the hell are you?

CARAVAGGIO: Right where I've been

since you masked me with your little

homemade deception virus.

I trust you deceived our prisoner.

Like a charm, baby.

Now there's gotta be some fragment

of that warp around here somewhere.

CARAVAGGIO: Exactly.

I see you.

Scheisse.

My, my.

The prey in my sights.

Please, please, please.

My everything is going a pitter, a patter.

(dramatic instrumental music)

Uh oh.

Caravaggio?

You didn't happen to find the warp anomaly yet, did you?

FIVE: I'm gonna get you!

CARAVAGGIO: If I'm not mistaken,

it should be coming straight down on you

right about now.

Okay.

Uh, destroy the Tulip after I'm gone.

CARAVAGGIO: Understood, good-bye.

C-ya.

Just you wait.

(chuckling)

Percy, you all right?

Yeah, I'm good.

The coolest thing just happened.

DANTE: What?

Surprise!

The party isn't over after all.

Where were we, young Percy?

Is he gonna follow us around forever now?

FIVE: Forever and forever.

Caravaggio, locate the time warp anomaly.

CARAVAGGIO: Forage, sweeping back through this

corridor area in 11 seconds.

Let's all go for a ride.

You're not going anywhere.

Come, come, come, come, come.

Car, destroy the Tulip after we're gone.

DANTE: What are you talking about?

We can't destroy the ship.

Yeah you can.

You trust me?

All right.

Do it, Car.

CARAVAGGIO: Understood.

Good-bye.

(explosion)

Whoa.

You all right?

Everyone all right?

Yeah.

(ominous instrumental music)

Car, current status please.

CARAVAGGIO: Same as it was when you asked

me five minutes ago.

Caravaggio, bring up a visual on the prisoner.

Wow, he's bonkers.

I think you're right.

Bonkers.

(triumphant instrumental music)

Good idea to lock up all the weapons, Luc.

Hey, do you think that Five discovered

this warp thing?

LUC: How could that be?

What do you mean,

like he was part of the experiment?

PERCY: Maybe.

I don't know, what's his history?

There's nothing special in his dossier,

mechanic, loaner...

Psychopathic killer.

He was too stupid to find it himself,

it must've found him.

And he used it to commit crimes

and escape into different times.

That would mean that there would be some form of him

always running around.

I am pleased to report that we are now

officially warp free and out of the danger area.

Thank God for that.

You're welcome.

I always have triangulated the source of the warp beam.

There is an extremely powerful generator

just below the moon's surface.

Car, do we have enough contact missiles

in our storage to take out that site?

I believe so, but it's strictly illegal, Captain.

You'll have to offline my ethical inhibitor program.

Would you do the honors?

Caravaggio, offset your ethical inhibitor program.

CARAVAGGIO: Done.

Car, I want you to put a sequential timer

on those contact missiles to go off

over the next 24 hours in case that lab

appears in another timeline, you got that?

CARAVAGGIO: Done.

Oh and Car, while your ethics program is down,

what do you really think of Luc?

CARAVAGGIO: I think Luc is a fine first officer

and a valuable member of the crew.

I knew it, your ethics program crashed.

Computers never lie.

(laughing)

(dramatic violin music)

Good night.

(intense instrumental music)

MAN: These are my daughters, Cordulla.

CORDULLA: Pleasure to meet you.

You too.

And Ayla.

Hey, you up for some charge?

It's not addictive.

I'm up for it.

Just let me get on with my job

and I'll be on my way.

Oh.

Hi, bad guy.

BAD GUY: I've got one of your daughters.

What?

He thinks Percy's one of us.

(gunshots)

(dramatic instrumental music)