Original subtitles

(dramatic music)

CARAVAGGIO: Attention crew,

and I use the term loosely, our arrival is imminent.

The captain has completed his manual checks

and his on his way to the bridge, as is Luc.

As if that's news.

Caravaggio, I want to know why

everyone's being so quiet about this guy.

CARAVAGGIO: Well, one might say that his crimes

are of a particularly heinous nature.

How heinous?

CARAVAGGIO: Unspeakable.

Like, what did he do to those people?

I said unspeakable, that means one doesn't speak of it.

Fine, I'm gonna find out.

Oh, shut it down, C.

How creepy is that, he knew I was watching him.

How did he do that?

CARAVAGGIO: He didn't, he was just trying a little trick

in case someone was.

So Five, I understand you like to travel and cut people.

Why is that, exactly?

If you could inflict whatever pain for no rhyme or reason,

only because after you did,

all the noise in the universe stopped, wouldn't you do it?

Wouldn't you stop the noise if you could?

I think I'd just put my finders in my ears.

(creaking)

(dramatic music)

(guns fire)

(explosion thunders)

(explosion thunders)

(lasers blast)

We're almost there.

CARAVAGGIO: Still approximately 17 minutes away.

We should begin deceleration in two minutes.

You ready for the burn?

Data as of this moment indicate all relevant systems

are up and functioning.

A happy if not unusual state of affairs.

We should be in a low orbit appropriate for a search pattern

in approximately three minutes.

DANTE: Luc, see what you can

pick up on long range sensors.

Where are we going again?

We're looking for a lab.

Okay, I've located the structures.

But they have zero infrared signatures.

No power's on, no signs of life.

Dammit.

But, it's possible they have an underground facility,

even a few meters down we wouldn't be able to pick them up.

PERCY: What kind of lab?

Secret lab, Perc.

Oh, thank you.

Let's try low frequency sounding.

Let's see how deep we can get, Luc.

Here we go.

Low frequency radar.

Okay, a secret lab wasn't helpful.

LUCRETIA: They're doing graviton research

headed by the Moss Foundation.

Very, very controversial.

What, like warping space, faster than light stuff, what?

Nobody knows what the hell they were doin', Perc.

See that is the state of graviton research these days.

They don't know what they're doing.

That is not exactly true.

The McCowin Institute for

Advanced Theoretical Astrophysics Research

found that faster than light travel was possible.

Wasn't McCowin discredited after so many sex changes?

CARAVAGGIO: Well, discredited as a man, perhaps.

But his research still stands,

especially his work on the bubble paradigm.

The bubble what?

CARAVAGGIO: The theory

that an infinite number of universes, or bubbles,

coexist and even intersect at an infinite number of points.

Oh, bubbles.

Okay, enough of the physics tutorial.

Did you find anything yet, Luc?

LUC: Nothing within a hundred meters

of the surface structure,

but let me try a wider radius.

Luc, buddy, pal.

Contact was lost on the lab,

but, whatever they were working on was pretty valuable to us

just about now, every warship is on its way here.

Cool.

Not really.

We'll be fine.

We're the only ship in the area.

It'll take a week for anybody else to get here.

CARAVAGGIO: Preparing for deceleration.

(dramatic music)

So, are we in this for big bucks?

Well, Rudolpho seems to think

we'll collect a nice fat fee is we find any survivors.

Or the records.

CARAVAGGIO: Main engine burn in five, four, three...

I'm getting an anomalous reading

from the magnetic containment field in reactor one.

(explosion thunders)

(alarm blares)

Oh dear, this isn't good.

Car, what's the situation?

CARAVAGGIO: I have no readings from reactor one.

Reactor two has shut down.

Engines are offline.

There is an air leak in section 32-D.

What happened?

CARAVAGGIO: I'm not certain,

but we must get one of the reactors and the engines online,

or else we'll impact on Triton's surface.

Time to impact.

CARAVAGGIO: 15 minutes.

(dramatic music)

Car, what's the correct time and date?

CARAVAGGIO: 18 hours, 36 minutes, and 11 seconds

corrected to standard celestial time.

I'll deal with the reactors.

What?

Dante, you don't know the reactor.

Percy, I want you on the bridge

in case I need manual overrides.

I'll call them in, or Car can.

No.

Luc, grab the prisoner, take him to the shuttle,

prep the shuttle in case we have to abandon ship.

But we're moving too fast,

the shuttle can't pull us out of this.

DANTE: We can make it if we move perpendicular

to the flight path of the Tulip.

But that'll put us in deep space!

It's better than dead.

Caravaggio, calculate a trajectory

for the shuttle, please.

Dante.

Percy, dammit to hell, get back here.

Okay, someone's got to stay here.

I'll get her on the way down and send her back.

She's right, she's right, she's right.

Car, where is she?

Where's Percy?

CARAVAGGIO: She's heading to the elevator

leading to section 32-D.

Percy, come in.

Caravaggio, where's Percy?

CARAVAGGIO: Corridor section 32-D.

Percy, respond.

LUCRETIA: I'm in corridor 12-A

headed towards the shuttle.

Any sign of Percy?

PERCY: I'm heading through 32-D.

Percy, get back to the bridge right now.

PERCY: I'm down here now,

I might as well check the reactor.

You have no idea how much trouble you're in.

PERCY: Yes I do.

You got a leak down here.

Get out of there! (alarm blares)

Oh, man.

I can't get through here.

I'm gonna have to open up one of the sealed off sections.

DANTE: No, come back to the bridge and I'll go down.

There's no time, I know what I'm doing.

CARAVAGGIO: There is no pressure in those sections.

They're all at zero atmosphere.

PERCY: I'm gonna have to get a decompression suit.

No, Percy, no!

Dammit!

Faster.

Let's go!

DANTE: Luc, secure the prisoner

and get the shuttle up and running as fast as you can.

I have to go after Percy.

We've got a leak in the reactor and she's down there.

I'll go, I'm closer.

DANTE: Jesus Christ,

doesn't anyone listen to orders anymore?

Just do what I say!

Okay. Let's go, knob head.

What the hell are you doing?

Get up or I'll...

Stun round in her weapon, of course.

But, if she fires, she'll have to drag you.

And she can't leave me here,

because I might regain consciousness while she's gone.

(laughs)

Well, how about I kill you right now.

Ooh, she won't do that.

No, no, no, she won't.

Big bounty, you see. Big, big bounty.

And like they say,

the love of credits is the root of all evil.

I'm ready to kill you now.

It's not my time.

(dramatic music)

CARAVAGGIO: I have just received diagnostic data

from reactor two.

It must have gone offline when reactor one went down.

Recalibrate it, Car.

CARAVAGGIO: I'm trying to.

(explosion thunders) (alarm blares)

Percy?

Luc?

I don't know, Caravaggio?

CARAVAGGIO: Still with you.

There's been a secondary explosion in reactor one.

Find Percy.

Ouch.

Aw.

Come on, Caravaggio.

CARAVAGGIO: I'm scanning for Percy, Captain.

My sensors in section 32-D are destroyed.

But I cannot locate her anywhere else on the ship.

(alarm blares)

CARAVAGGIO: Stop!

I'm reading 1,000 klueade.

PERCY: That's not good.

CARAVAGGIO: Run, Percy.

Faster, that radiation dosage is fatal in 30 seconds.

(dramatic music)

Percy is trapped in 32-D.

Car, find me an alternate route quick.

CARAVAGGIO: All possible alternative routes

have been sealed, Captain.

Dammit.

Come on!

I said walk!

Stay there.

Inside.

Car, I gotta go in there. Where are the radiation suits?

CARAVAGGIO: With the emergency decompression suits

in the crew quarters.

Luc, can you hear me?

Luc, where are you?

LUCRETIA: Shuttle bay.

Aw, damn.

(dramatic music)

(alarm blares)

PERCY: Oh.

Car?

Caravaggio?

This door is leaking.

CARAVAGGIO: The seals are broken.

What are we reading for air here?

CARAVAGGIO: One half of an atmosphere.

I have the thing in the...

I'm trapped.

CARAVAGGIO: Percy, you must get to the lookout.

The atmosphere will last longer there.

How am I supposed to do that?

CARAVAGGIO: Through the security tunnel.

Oh yeah.

Right.

Okay.

Which way do I go once I get in here?

CARAVAGGIO: The one on this corridor

leads only to the lookout.

But, be careful, Percy.

You'll have to climb down.

Is everyone okay?

CARAVAGGIO: They're fine and trying to help.

PERCY: How's the reactor doing?

CARAVAGGIO: I am clearing reactor one.

It may be down, but intact.

(dramatic music)

(groans)

Okay, pressure's up.

Fuel pumps on.

Electrical checks out.

Okay, we're almost there.

(dramatic music)

CARAVAGGIO: Hold on, Percy. Hold on, help is coming.

We're ready.

Car?

The main power conduits.

Oh dear, oh dear, no power.

She's powerless.

Without power, you can't open the shuttle bay doors.

You ever hear of electrical back up, you idiot?

(dramatic music)

Percy, Caravaggio.

God, I hope I remember how to do this.

Okay.

Dante.

Dante!

DANTE: Car, status on reactor one, please.

CARAVAGGIO: Recalibration of reactor one is complete.

Great.

CARAVAGGIO: Reactor one is online.

Main engines?

CARAVAGGIO: Online.

Fire main engines, full power now.

(dramatic music)

(creaking)

Car, how's Percy?

CARAVAGGIO: She's in the lookout.

What, how's the atmosphere in there?

CARAVAGGIO: I'm sorry,

there is no pressure in those sections.

I must seal this section now.

No, Car!

There's another way, there's gotta be!

PERCY: We're got a leak down here.

What the hell?

What the hell?

CARAVAGGIO: Captain, are you alright?

Did I just hear Percy?

Yes, she indicated that she's in section 32-D.

She's alive, how did she get out?

CARAVAGGIO: Out of where, Captain?

The lookout.

She wasn't in the lookout.

She's in 32-D.

She's gotta get out of there. The reactor debris.

What debris?

Captain, are you quite alright?

Car.

What's the current timeline?

18 hours, 46 minutes, and 59 seconds

correct to standard celestial time.

That's not right.

Oh, man.

I can't get through here.

I'm gonna have to open up one of the sealed off sections.

My God, the time.

It's happening again.

Caravaggio, where's Percy?

CARAVAGGIO: Corridor section 32-D.

Luc, where are you?

LUCRETIA: Leaving the holding cell area.

Take the prisoner to the shuttle and stay there, hurry up.

LUCRETIA : Aye aye.

Percy, can you hear me?

Percy, you've got to get out of there.

PERCY: I can hear you.

I'm going back to get a decompression suit.

Percy, the reactor's gonna explode.

Well, I suppose there is that risk.

Shut up, Car.

Percy, listen to me, I know the reactor's about to explode.

Faster.

Let's go.

DANTE: Luc, secure the prisoner

and get the shuttle up and running as fast as you can.

I have to go after Percy.

We have a leak in the reactor and she's down there.

I'll go, I'm closer.

DANTE: Jesus Christ,

doesn't anyone listen to orders anymore?

Just do what I say!

Okay, let's go knob head.

What the hell are you doing?

She has a stun round in her weapon, of course.

But, if she fires, she'll have to drag you.

And she can't leave you here,

because you might regain consciousness while she's gone.

(laughs)

How about I just kill you now.

Oh, she won't do that. No, no, no, she won't.

Big bounty, you see. Big, big bounty.

And like they say, the love of credits

is the root of all evil.

It's not my time.

CARAVAGGIO: Captain, I've just received diagnostics

from reactor two.

It must've shut down from the surge when one went down.

Recalibrate it, Car.

CARAVAGGIO: I'm trying too.

(explosion thunders)

Percy.

Luc?

LUCRETIA : What happened?

Secondary explosion in reactor one.

How did you know?

(alarm blares)

Ouch.

CARAVAGGIO: Captain, where are you going?

Someone must stay on the bridge.

No. No!

I've got to change what I do.

The conduit!

(alarm blares)

CARAVAGGIO: Stop!

I'm reading 1,000 klueade.

Oh, that's bad.

CARAVAGGIO: Run, Percy!

Come on, hurry up!

I said walk faster!

Stay there.

Inside.

(alarm blares)

Car?

Caravaggio?

This door is leaking.

CARAVAGGIO: The seals are broken.

What are we reading for air here?

CARAVAGGIO: One half of an atmosphere.

I got the thing in the...

I'm trapped.

CARAVAGGIO: Percy, you must get to the lookout.

The atmosphere will last longer there.

How am I supposed to do that?

CARAVAGGIO: Through the security tunnel.

Oh yeah.

Okay.

Which way do I go once I get in there?

CARAVAGGIO: The one on this corridor

leads only to the lookout.

But, be careful, Percy.

You'll have to climb down.

Ow, is everyone okay?

CARAVAGGIO: They're fine and trying to help.

PERCY: Oh, good.

How's the reactor doing?

CARAVAGGIO: I am clearing reactor one.

It may be down but intact.

(dramatic music)

Okay, pressure's up.

Fuel pumps on.

Electrical checks out.

Okay, we're almost there.

CARAVAGGIO: Captain,

are you sure you know what you're doing?

I told you it happened before.

We have to fix the conduit first.

Come on!

Okay, we're ready.

CARAVAGGIO: Hold on, Percy.

Hold on, help is coming.

Come on!

Oh, Jesus.

What if it doesn't happen the same way?

Come on, come on, come on, come on.

Dammit to hell, I'm goin'.

(alarm blares)

Oh my God.

Oh dear, oh dear. No power.

She's powerless.

Without power, you can't open the shuttle bay doors.

You ever hear of electrical back up, you idiot?

(alarm blares)

Percy, Caravaggio.

Dante. Dante!

Car, status of reactor one.

CARAVAGGIO: Recalibration of reactor one is complete.

Reactor one is online.

Main engines?

CARAVAGGIO: Online.

Fire main engines full power now.

But how'd you know?

Come on.

I'm goin' in, suit her up, and get her out of there.

Car, what's the exact location of Percy?

CARAVAGGIO: She's in the lookout.

What's the atmosphere like in the lookout?

Dangerously low,

and the atmosphere in here is thinning rapidly.

How long?

CARAVAGGIO: In approximately one minute,

we will have to seal off the section.

I didn't gain enough time.

What do you mean?

CARAVAGGIO: I must seal this section now.

I'm so sorry.

No!

Blast.

What are you doing?

I'm gonna try again.

What do you mean, try again?

Try what again?

Will you tell me what you're...

It's gotta be here, it's gotta be.

It all happened the same.

Please, please, one more chance.

Just one more time, come on.

CARAVAGGIO: Are you alright, Captain?

Percy, can you hear me?

Percy?

PERCY: I can hear you by the way.

Alright, alright, I'll log you on the move.

Uh-oh, man.

I can't get through here.

I'm gonna have to open up one of the sealed off sections.

Caravaggio, where's Percy.

CARAVAGGIO: Corridor section 32-D.

She has a stun round in her weapon, of course.

But, if she fires, she'll have to drag you.

And she can't leave you here

because you might regain consciousness while she's gone.

(laughs)

How about I just kill you now?

Oh, she won't do that.

No, no, no. She won't.

Big bounty, you see. Big, big bounty.

And, like they say, the love of credits

is the root of all evil.

I'm ready to kill you now.

It's not my time.

(alarm blares)

Ouch.

(groans)

Gotta save Percy.

Save Percy.

Come on, hurry up.

I said walk faster.

Wait there.

Inside.

CARAVAGGIO: Stop, I'm reading 1,000 klueade.

Oh, that's bad.

CARAVAGGIO: Run, Percy.

Car?

Caravaggio?

This door is leaking.

CARAVAGGIO: The seals are broken.

What are we reading for air here?

CARAVAGGIO: One half of an atmosphere.

I got the thing in the...

I'm trapped.

CARAVAGGIO: Percy, you must get to the lookout.

The atmosphere will last longer there.

How am I supposed to do that?

CARAVAGGIO: Thought he security tunnel.

Okay.

Which way do I go once I get in here?

CARAVAGGIO: The one on this corridor

leads only to the lookout.

Is everyone okay?

CARAVAGGIO: They're fine and trying to help.

PERCY: How's the reactor doing?

CARAVAGGIO: I am clearing reactor one.

It may be down but intact.

Okay, pressure's up.

Fuel pump's on.

Electrical checks out.

Okay, we're almost there.

(groans)

We're ready.

CARAVAGGIO: Hold on, Percy.

Hold on, help is coming.

Without power, you can't open the shuttle bay doors.

You ever hear of electrical back up, you idiot?

Percy. Caravaggio.

Okay, Percy.

You're gonna be alright, now.

Everything's alright.

Here we go. Everything's alright now.

Put your head down.

That's it, that's it.

Come on, Percy.

Let's get it. Here we go, yeah.

Yeah.

Yeah, that's it.

That's it, that's it.

Hang on, it's right there.

You got it?

Nearly there.

Now, when you lay down,

keep your left leg straight and I'll push you right through.

Okay?

Here we go.

I got you, alright?

Alright.

Push ya this way.

I'm gonna push you, you ready? Yeah.

Ready?

Here we go.

Here we go.

That's it.

That's it.

I got ya.

Alright now.

You come on, here we go.

Come on.

That's it.

Come on.

Come on, Percy.

PERCY: Hi, Luc, where's your suit?

Don't worry about me, come on.

Why aren't you wearin' a suit?

Stand up. Ready?

Ready?

Watch your legs now, here we go.

Come on, I got ya.

Okay?

Here we go.

Ready.

Yeah, take it easy, Easy.

Easy, yeah.

You okay?

Here we go.

She's gonna live, and I'm gonna fix it.

Where is it?

Where is it?

No!

PERCY: Yikes, we got a leak down here.

CARAVAGGIO: Are you alright, Captain.

This is my last try, Car.

CARAVAGGIO: I beg your pardon.

I've gotta get it right this time.

CARAVAGGIO: Captain, I don't understand.

Oh man, I can't get through here.

I'm gonna have to open up one of the sealed off sections.

Caravaggio, where's Percy?

CARAVAGGIO: Corridor section 32-D.

This ship's being affected

by some kind of hyperspace phenomenon.

If I don't change the way things happen, we all die.

CARAVAGGIO: I'm not sure I follow.

Just follow my orders no matter how crazy they sound.

Why should today be different than any other day, Captain?

What the hell are you doing, get up?

She has a stun round in her weapon, of course.

But, if she fires, she'll have to drag you.

And she can't leave me here,

because I might regain consciousness while she's gone.

(laughs)

Well, how about I kill you right now?

Oh, she won't do that.

No, no, no, she won't.

Big bounty, you see. Big, big bounty.

DANTE: Luc, we got another problem,

and I need your advice quick.

LUCRETIA : What is it?

We got an anomalous reading in several areas of the ship,

just like the one before the first explosion.

Caravaggio said there's a 90% chance there'll be more.

So, what's your assessment?

It looks like the shuttle's our best option.

DANTE: No, put the prisoner back in lockup,

I need you here.

(alarm blares)

Ouch.

CARAVAGGIO: Stop, I'm reading 1,000 klueade.

Oh, that's bad.

CARAVAGGIO: Run, Percy.

Caravaggio said Percy's trapped inside.

I know, I got your radiation suit and one for Percy.

I'm going to the main conduit in case it blows.

Caravaggio's recalibrating reactor number two.

You be careful.

DANTE: Right!

Its gotta work, it's gotta work.

CARAVAGGIO: Hold on, Percy.

Hold on, help it coming.

Caravaggio, status reactor one.

CARAVAGGIO: Recalibration of reactor one is complete.

Reactor one is online.

Fire main engines, full power now.

Okay, come on, get up.

Come on, get up.

Yeah, good girl. Put your arm in there.

No, no, no, stay with me.

Stay with me, Percy.

Yeah.

Okay, put your head down. Good.

Okay.

Luc, Percy, can you hear me?

Percy?

Luc?

LUCRETIA : We're okay, we're coming out.

(dramatic music)

We did it.

Unbelievable.

Thank God.

Well, with a couple million miles between us and Triton,

we should be out of the woods now.

LUCRETIA : It's just so hard to believe.

I wouldn't believe it if I hadn't seen it myself.

I just wonder why it caused so much damage

but it never hurt you.

I don't think the thing causes the damage directly.

I think it moves through time.

So, on one side of it,

the power in the main conduit would've been in time.

And on the other side, it would have been 10 minutes.

So it was out of phase.

PERCY: Yeah, and then boom,

you were just on one side at a time.

I feel sorry for those people from the lab.

Well, obviously they figured out how to use graviton

to manipulate time and space.

They just didn't figure out

how to control what they created.

The story's as old as time, isn't it?

PERCY: They could pop up anywhere.

They could pop up in the bathroom.

Right in front of an asteroid.

So, what was it really like?

It was like a nightmare.

I knew you were gonna die and I couldn't stop it.

LUCRETIA : But you did stop it.

Yeah, once I figured out

that the first thing I had to do was get you to cooperate.

Hmm.

So, in other words, you played me like a fiddle.

Whatever the hell that means, I guess.

I need a break after this.

A holiday or something.

Whatever the hell that means, I guess.

NARRATOR: On the next Starhunter.

There's nothing you can do, Captain.

I will escape.

I don't suppose you have any idea where everyone is.

What are the possible effects of a time warp?

CARAVAGGIO: Movement in time and in space.

Separation of timelines.

Her pain was so exquisite.

It was a special communion.

(screams) (dramatic music)